1
00:00:32,407 --> 00:00:39,372
FOUR HANDS, TWO SONATAS

2
00:03:38,802 --> 00:03:40,178
FINAL EPISODE

3
00:03:52,565 --> 00:03:55,110
OPERATION ROOM

4
00:04:06,162 --> 00:04:07,288
HANKOOK SYMPHONY ORCHESTRA NOTICE CHAT 11

5
00:04:07,289 --> 00:04:08,330
ORCHESTRA MANAGER LEE JI-HUI

6
00:04:08,331 --> 00:04:09,248
AS CONDUCTOR KANG SEUNG-WOON IS CURRENTLY
UNDERGOING EMERGENCY SURGERY,

7
00:04:09,249 --> 00:04:10,207
THE ORCHESTRA REHEARSAL HAS BEEN POSTPONED

8
00:04:10,208 --> 00:04:11,084
THE REVISED SCHEDULE WILL BE ANNOUNCED
AT A LATER DATE

9
00:04:16,673 --> 00:04:18,717
SURGERY STATUS KANG SEUNG-****,
IN PROGRESS

10
00:04:31,563 --> 00:04:36,359
AUTHORIZED PERSONNEL ONLY

11
00:16:48,382 --> 00:16:49,299
FUNERAL MASS FOR THE LATE KANG SEUNG-WOON,
JOHN THE APOSTLE

12
00:16:49,300 --> 00:16:50,216
I AM THE RESURRECTION AND THE LIFE

13
00:16:50,217 --> 00:16:51,134
HE WHO BELIEVES IN ME, THOUGH HE MAY DIE,
HE SHALL LIVE

14
00:16:51,135 --> 00:16:51,969
AND WHOEVER LIVES AND BELIEVES IN ME
SHALL NEVER DIE

15
00:17:35,429 --> 00:17:37,848
CORRECTIONS OPENING THE WAY TO THE FUTURE
THROUGH HARMONY OF ORDER AND HUMAN RIGHTS

16
00:17:54,031 --> 00:17:55,991
GUSTAV MAHLER SYMPHONY NO...

17
00:18:04,542 --> 00:18:06,836
KANG PI-O

18
00:21:48,432 --> 00:21:51,226
PO&JY&JI

19
00:21:59,193 --> 00:22:00,986
INCOMING CALL
HYUN-CHUL

20
00:22:07,576 --> 00:22:09,787
KIM'S SUYUK

21
00:24:43,941 --> 00:24:45,609
INCOMING CALL CHOI JEONG-YO

22
00:34:53,341 --> 00:34:55,343
CHOI JEONG-YO

23
00:36:26,643 --> 00:36:32,774
MUSICAL INSTRUMENT
ARCADE TRADITIONAL MARKET

24
00:37:14,857 --> 00:37:18,152
3 YEARS LATER

25
00:37:53,980 --> 00:37:57,942
GEUMGAK RESTAURANT

26
00:38:18,796 --> 00:38:20,840
COMMUNITY HEALTH CENTER

27
00:41:02,627 --> 00:41:05,713
CORRECTIONS OPENING THE WAY TO THE FUTURE
THROUGH HARMONY OF ORDER AND HUMAN RIGHTS

28
00:41:09,050 --> 00:41:12,136
SEOKGYEONG WOMEN'S PRISON

29
00:42:17,660 --> 00:42:20,705
KANG SEUNG-WOON, A CONDUCTOR
WHO LEFT BEHIND A PROFOUND LEGACY

30
00:42:39,223 --> 00:42:40,140
MAY 1954: BORN ELDEST SON
OF FATHER KANG GYEONG-TAE

31
00:42:40,141 --> 00:42:41,057
AND MOTHER YOON SUN-RYE IN JINHEON,
GYEONGSANGNAM-DO

32
00:42:41,058 --> 00:42:41,975
APRIL 1975: FIRST ASIAN WINNER
OF PIANO DIVISION

33
00:42:41,976 --> 00:42:42,892
AT LEIPZIG INTERNATIONAL MUSIC COMPETITION

34
00:42:42,893 --> 00:42:43,728
SEPTEMBER 1976: ENTERED CONDUCTING PROGRAM
AT HARTMANN CONSERVATORY

35
00:44:12,400 --> 00:44:14,944
UM BURGER & WINGS

36
00:46:44,718 --> 00:46:47,763
REGIONAL EMERGENCY MEDICAL CENTER
DEPARTMENT OF RADIOLOGY

37
00:49:47,276 --> 00:49:49,319
CHOI JEONG-YO

38
00:49:52,364 --> 00:49:53,240
GOTTES ZEIT IST
DIE ALLERBESTE ZEIT

39
00:51:44,977 --> 00:51:45,977
@ANONYMOUS PIANIST - HE'S USING HIS WRISTS
DIFFERENTLY THAN BEFORE, BUT...

40
00:51:45,978 --> 00:51:47,145
ALL THE COMMENTS ARE ABOUT KANG PI-O
WOW, EVERYONE'S THINKING THE SAME THING

41
00:51:47,146 --> 00:51:47,980
AFTER LISTENING TO THIS, I CAN'T LISTEN
TO ANYTHING ELSE. COME BACK, KANG PI-O

42
00:51:56,530 --> 00:51:57,823
42,618 COMMENTS

43
00:52:00,576 --> 00:52:01,492
THAT'S DEFINITELY KANG PI-O, 100%

44
00:52:01,493 --> 00:52:02,410
SOMEONE OTHER THAN KANG PI-O
CAN PLAY NEMESIS LIKE THIS? NO WAY

45
00:52:02,411 --> 00:52:03,327
1:36 HIS PHRASING AND PEDALING
ARE TOTALLY LIKE KANG PI-O'S...

46
00:52:03,328 --> 00:52:04,288
THINK IT REALLY IS KANG PI-O
COME BACK, KANG PI-O

47
00:52:43,368 --> 00:52:45,411
IN THE 2ND MOVEMENT, TRY PLAYING
THE LEFT HAND WITH A MORE RELAXED RUBATO

48
00:52:45,412 --> 00:52:47,497
AND IN THE MIDDLE SECTION,
YOU SHOULD LEAVE OUT THE GRACE NOTES

49
00:52:52,377 --> 00:52:53,377
CZECH REPUBLIC
CHARLES BRIDGE

50
00:52:53,378 --> 00:52:54,213
CZECH REPUBLIC
PRAGUE CASTLE

51
00:53:10,395 --> 00:53:12,146
MAVER
CZECH CATHOLIC CHURCH

52
00:53:12,147 --> 00:53:13,690
IMAGES

53
00:53:44,096 --> 00:53:45,347
REPUBLIC OF KOREA
PASSPORT

54
00:53:57,985 --> 00:53:59,653
VITEZSLAV
INTERNATIONAL AIRPORT

55
00:54:15,294 --> 00:54:16,753
I'm here to see a friend.

56
00:54:17,796 --> 00:54:18,755
Ah...

57
00:55:04,092 --> 00:55:09,139
<i>Lust und Sonne</i>

58
00:55:39,002 --> 00:55:44,007
<i>Jesum nicht</i>

59
00:55:53,141 --> 00:55:57,938
<i>und Gesicht</i>

60
00:57:50,091 --> 00:57:51,718
FOUR HANDS, TWO SONATAS

61
01:00:57,904 --> 01:00:59,698
GENERATIVE AI TECHNOLOGY WAS USED
IN SOME SCENES.