1 00:00:26,025 --> 00:00:30,964 LADIES AND GENTLEMEN, BIG BAD ROSÉ ♪ KISSY FACE, KISSY 2 00:00:31,030 --> 00:00:32,265 FACE ♪ ♪ SENT TO YOUR PHONE, BUT ♪ ♪ I'M TRYNA KISS YOUR 3 00:00:32,332 --> 00:00:34,501 LIPS FOR REAL ♪ ♪ UH-HUH, UH-HUH ♪ ♪ RED HEARTS, RED 4 00:00:34,567 --> 00:00:39,973 HEARTS ♪ ♪ THAT'S WHAT I'M ON, YEAH ♪ ♪ COME GIVE ME 5 00:00:40,039 --> 00:00:42,275 SOMETHIN' I CAN FEEL ♪ ♪ OH-OH, OH ♪ ♪ DON'T YOU WANT 6 00:00:42,342 --> 00:00:43,343 ME LIKE I WANT YOU, BABY? 7 00:00:43,410 --> 00:00:47,981 ♪ ♪ DON'T YOU NEED ME LIKE I NEED YOU NOW? 8 00:00:48,047 --> 00:00:50,383 ♪ ♪ SLEEP TOMORROW, BUT TONIGHT GO CRAZY ♪ ♪ ALL YOU 9 00:00:50,450 --> 00:00:54,821 GOTTA DO IS JUST MEET ME AT THE ♪ ♪ APATEU, APATEU ♪ ♪ 10 00:00:54,888 --> 00:01:00,927 APATEU, APAT?U ♪ ♪ UH, UH-HUH, UH-HUH ♪ ♪ APATEU, 11 00:01:00,994 --> 00:01:07,700 APATEU ♪ ♪ UH, UH-HUH, UH-HUH ♪ ♪ IT'S WHATEVER ♪ ♪ 12 00:01:07,767 --> 00:01:11,938 WHATEVER YOU LIKE ♪ ♪ TURN THIS APATEU INTO A CLUB ♪ ♪ 13 00:01:12,005 --> 00:01:16,943 GEONBAE, GEONBAE, GIRL, WHAT'S UP? 14 00:01:17,010 --> 00:01:19,379 ♪ ♪ OH-OH, OH ♪ ♪ DON'T YOU WANT ME LIKE I WANT YOU, 15 00:01:19,446 --> 00:01:20,313 BABY? 16 00:01:20,580 --> 00:01:22,382 ♪ ♪ DON'T YOU NEED ME LIKE I NEED YOU NOW? 17 00:01:22,449 --> 00:01:25,452 ♪ ♪ SLEEP TOMORROW, BUT TONIGHT GO CRAZY ♪ ♪ ALL YOU 18 00:01:25,518 --> 00:01:29,589 GOTTA DO IS JUST MEET ME AT THE ♪ ♪ APATEU, APATEU ♪ ♪ 19 00:01:29,656 --> 00:01:37,197 UH, UH-HUH, UH-HUH ♪ ♪ APATEU, APATEU ♪ ♪ UH, 20 00:01:37,263 --> 00:01:47,273 UH-HUH, UH-HUH ♪ ♪ ♪ ♪ ARE YOU READY? 21 00:01:56,883 --> 00:01:59,719 ♪ ♪ 'CAUSE I'M COMIN' TO GET YA GET YA, GET YA ♪ ♪ HOLD 22 00:01:59,786 --> 00:02:04,958 ON, HOLD ON ♪ ♪ I'M ON MY WAY ♪ ♪ YEAH, YEAH, 23 00:02:05,024 --> 00:02:13,933 YEAH-YEAH, YEAH ♪ ♪ I'M ON MY WAY ♪ ♪ HOLD ON, HOLD ON 24 00:02:14,000 --> 00:02:19,939 ♪ ♪ I'M ON MY WAY ♪ ♪ YEAH, YEAH, YEAH-YEAH, YEAH ♪ ♪ 25 00:02:20,006 --> 00:02:25,345 I'M ON MY WAY ♪ ♪ DON'T YOU WANT ME LIKE I WANT YOU, 26 00:02:25,411 --> 00:02:26,412 BABY? 27 00:02:26,479 --> 00:02:28,882 ♪ ♪ DON'T YOU NEED ME LIKE I NEED YOU NOW? 28 00:02:28,948 --> 00:02:32,485 ♪ ♪ SLEEP TOMORROW, BUT TONIGHT GO CRAZY ♪ ♪ ALL YOU 29 00:02:32,552 --> 00:02:36,923 GOTTA DO IS JUST MEET ME AT THE ♪ ♪ APATEU, APATEU ♪ ♪ 30 00:02:36,990 --> 00:02:44,998 JUST MEET ME AT THE ♪ ♪ APATEU, APATEU ♪ ♪ JUST MEET 31 00:02:45,064 --> 00:02:53,940 ME AT THE ♪ ♪ APATEU, APATEU ♪ ♪ JUST MEET ME AT THE ♪ ♪ 32 00:02:54,007 --> 00:02:56,009 APATEU, APATEU ♪ ♪ UH, UH-HUH, UH-HUH ♪ [CHEERS AND 33 00:03:09,923 --> 00:03:14,928 APPLAUSE] ♪ ♪ >> Announcer: PLEASE WELCOME, ONE LAST 34 00:03:14,994 --> 00:03:20,934 TIME AS YOUR GRAMMY HOST, TREVOR NOAH! 35 00:03:21,000 --> 00:03:21,935 [APPLAUSE] >> Trevor: THAT'S RIGHT, EVERYONE. 36 00:03:22,001 --> 00:03:26,906 KEEP IT GOING FOR ROSÉ AND BRUNO MARS! 37 00:03:26,973 --> 00:03:30,376 THAT'S HOW YOU KICK OFF A SHELL, WITH THEIR SMASH HIT, 38 00:03:30,443 --> 00:03:31,945 "APT." 39 00:03:32,011 --> 00:03:33,513 NOMINATED FOR RECORD IN SONG OF THE YEAR. 40 00:03:35,014 --> 00:03:36,616 AND WITH THAT, WE HAVE OFFICIALLY KICKED OFF THE 41 00:03:36,683 --> 00:03:38,585 68TH ANNUAL GRAMMY AWARDS. 42 00:03:38,651 --> 00:03:42,956 AND BY THE WAY, "APT." 43 00:03:43,022 --> 00:03:45,692 IS INSPIRED BY A KOREAN DRINKING GAME. 44 00:03:45,758 --> 00:03:48,094 YOU STACK YOUR HANDS ON TOP OF EACH OTHER, SOMEONE 45 00:03:48,161 --> 00:03:50,396 SHOUTS A NUMBER, YOU COUNT UP, AND IF YOUR HAND HITS 46 00:03:50,463 --> 00:03:54,934 THE NUMBER, YOU DRINK. 47 00:03:55,001 --> 00:03:56,669 THAT'S WAY MORE COMPLICATED THAN THE DRINKING GAME WE 48 00:03:56,736 --> 00:03:57,870 HAVE IN AMERICA. 49 00:03:57,937 --> 00:03:58,972 IN AMERICA, EVERY TIME YOU TURN ON THE NEWS, YOU DRINK. 50 00:03:59,038 --> 00:04:00,807 APATEU, APATEU. 51 00:04:00,873 --> 00:04:02,742 BUT YES-- WELCOME, EVERYBODY, TO MUSIC'S 52 00:04:02,809 --> 00:04:05,111 BIGGEST NIGHT, BECAUSE THE GRAMMYS CELEBRATES THE BEST 53 00:04:05,178 --> 00:04:06,446 OF ALL MUSIC. 54 00:04:06,512 --> 00:04:10,917 HIP-HOP, COUNTRY, JAZZ. 55 00:04:10,984 --> 00:04:12,452 CLASSICAL, AFRICAN, ROCK. 56 00:04:12,518 --> 00:04:16,723 AND NOT JUST MUSIC. 57 00:04:16,789 --> 00:04:18,858 EVERYTHING RECORDED IS NOMINATED AND AWARDED BY THE 58 00:04:18,925 --> 00:04:19,559 GRAMMYS. 59 00:04:20,093 --> 00:04:23,096 AUDIOBOOKS, STAND-UP COMEDY, SPOKEN WORD POETRY. 60 00:04:23,162 --> 00:04:26,532 THEY EVEN HAVE A CATEGORY FOR "BEST VOICE MAIL FROM 61 00:04:26,599 --> 00:04:27,533 YOU GRANDMA." 62 00:04:27,600 --> 00:04:30,103 ANOTHER THREE AND HALF MINUTE BANGOR, GRANDMA! 63 00:04:30,169 --> 00:04:32,805 WE ALSO HAVE A FRONT ROW SEAT TO THE BEST CONCERT 64 00:04:32,872 --> 00:04:34,340 MONEY CAN'T BUY NECK. 65 00:04:34,407 --> 00:04:38,878 PERFORMING ON THE SHOW JUST TONIGHT WE'VE GOT SABRINA 66 00:04:38,945 --> 00:04:42,415 CARPENTER, LADY GAGA, JUSTIN BIEBER, REBA McENTIRE FOR 67 00:04:42,482 --> 00:04:44,584 THE FIRST TIME EVER AT THE GRAMMYS. 68 00:04:44,651 --> 00:04:54,360 TYLER, THE CREATOR, POST MALONE, PHARRELL AND CLIPSE, 69 00:04:54,427 --> 00:04:56,796 AND THE ONE AND ONLY MS. 70 00:04:56,863 --> 00:05:00,366 LAURYN HILL PERFORMING ON THE STAGE TONIGHT. 71 00:05:00,433 --> 00:05:02,702 WHICH ISN'T SAYING WHEN HE THINK ABOUT IT BECAUSE LAST 72 00:05:02,769 --> 00:05:06,406 TIME SHE PERFORMED ON THE GRAMMYS WAS IN. 73 00:05:06,472 --> 00:05:09,909 YOU UNDERSTAND HOW LONG AGO THAT WAS? 74 00:05:09,976 --> 00:05:15,148 BACK IN 1999, THE PRESIDENT HAD A SEX SCANDAL, PEOPLE 75 00:05:15,214 --> 00:05:17,917 THOUGHT COMPUTERS WERE ABOUT TO DESTROY THE WORLD, AND 76 00:05:17,984 --> 00:05:19,519 DIDDY WAS ARRESTED. 77 00:05:19,585 --> 00:05:21,320 BOY, HOW TIMES HAVE CHANGED. 78 00:05:21,387 --> 00:05:23,189 AS USUAL, THIS ROOM IS PACKED WITH THE BIGGEST 79 00:05:23,256 --> 00:05:23,956 NAMES IN MUSIC. 80 00:05:24,023 --> 00:05:24,957 JUST LOOK FOR YOURSELF. 81 00:05:25,024 --> 00:05:26,893 JUST LOOK AT THIS ROOM RIGHT HERE. 82 00:05:26,959 --> 00:05:28,327 LOOK AT EVERYONE AROUND HERE. 83 00:05:28,394 --> 00:05:29,328 LOOK AT THIS ROOM. 84 00:05:29,395 --> 00:05:32,398 WE'VE GOT ROYALTY IN THE HOUSE. 85 00:05:32,465 --> 00:05:33,166 QUEEN LATIFAH, YOUR MAJESTY. 86 00:05:33,232 --> 00:05:35,368 SO GOOD TO SEE YOU AS ALWAYS. 87 00:05:35,435 --> 00:05:41,574 WE'VE GOT THE LEGENDARY JAMIE FOXX, GRAMMY WINNER, 88 00:05:41,641 --> 00:05:42,575 OSCAR WINNER. 89 00:05:42,642 --> 00:05:45,011 THE MAN WHO OWES ME A PICKLEBALL REMATCH. 90 00:05:45,078 --> 00:05:45,978 I SEE YOU. 91 00:05:46,045 --> 00:05:47,747 CONGRATS ON THE NEW SONG, BY THE WAY. 92 00:05:47,814 --> 00:05:48,948 HE'S BACK IN THE MIX. 93 00:05:49,015 --> 00:05:51,451 THERE ARE SO MANY STARS IN HIS ROOM. 94 00:05:51,517 --> 00:05:53,152 I FEEL LIKE I'M AT JEFF BEZOS'S WEDDING, BUT WITH 95 00:05:53,219 --> 00:05:58,191 WAY MORE BLACK PEOPLE. 96 00:05:58,257 --> 00:05:59,192 TYLER, THE CREATOR, LOOK AT THIS! 97 00:05:59,258 --> 00:06:02,795 [APPLAUSE] ONE OF MY FAVORITE HUMAN BEINGS. 98 00:06:02,862 --> 00:06:04,997 SIX NOMINATIONS TONIGHT, INCLUDING ALBUM OF THE YEAR. 99 00:06:05,064 --> 00:06:05,965 GOOD LUCK WITH THAT. 100 00:06:06,032 --> 00:06:07,400 WHO ELSE DO WE HAVE? 101 00:06:07,467 --> 00:06:10,536 ARE YOU KIDDING ME RIGHT NOW CONNECT LOOK AT THIS MAN. 102 00:06:10,603 --> 00:06:11,704 WE'VE GOT PHARRELL. 103 00:06:11,771 --> 00:06:12,705 WHAT IS EVEN WEARING? 104 00:06:12,772 --> 00:06:15,208 I DON'T KNOW WHAT FABRIC-- CAN I TOUCH IT? 105 00:06:15,274 --> 00:06:17,310 I DON'T EVEN KNOW HOW THIS WORKS. 106 00:06:17,376 --> 00:06:19,679 PHARRELL WILLIAMS NOMINATED AND BEING HONORED TONIGHT. 107 00:06:19,746 --> 00:06:22,515 CAN I JUST SAY, THIS IS TOO MUCH PASSION FOR ONE 108 00:06:22,582 --> 00:06:24,951 SECTION, ALL THIS HAPPEN RIGHT HERE. 109 00:06:25,017 --> 00:06:27,620 TYLER OWNS HIS OWN FASHION LABEL, PHARRELL IS THE 110 00:06:27,687 --> 00:06:30,523 CREATIVE DIRECTOR OF LOUIS VUITTON. 111 00:06:30,590 --> 00:06:33,392 WHICH REMINDED ME, DO YOU HAVE DISCOUNT CODES? 112 00:06:33,459 --> 00:06:34,694 WE WILL CHAT LATER. 113 00:06:34,761 --> 00:06:35,261 SHOUT OUT TO CLIPSE. 114 00:06:35,328 --> 00:06:38,531 ARE YOU KIDDING ME? 115 00:06:38,598 --> 00:06:41,134 ONE OF HIP-HOP'S FINEST DUOS. 116 00:06:41,200 --> 00:06:42,568 ALREADY WINNERS, CONGRATULATIONS. 117 00:06:42,635 --> 00:06:44,337 GOOD LUCK FOR THE FURTHER NOMINATIONS. 118 00:06:44,403 --> 00:06:46,072 WHO ELSE DO YOU HAVE IN THE ROOM? 119 00:06:46,139 --> 00:06:48,875 ON THE RED CARPET, ONE OF THE NICEST HUMAN BEINGS, ONE 120 00:06:48,941 --> 00:06:54,580 OF THE FUNNIEST PEOPLE I'VE EVER MET, NATURALLY OOZING 121 00:06:54,647 --> 00:06:56,749 WITH CHARISMA, JELLY ROLL IN THE HOUSE. 122 00:06:56,816 --> 00:06:58,184 PHENOMENAL FACE TATTOOS. 123 00:06:58,251 --> 00:07:01,788 I ALWAYS WONDER, CAN YOU UNLOCK TEDDY SWIMS' PHONE? 124 00:07:01,854 --> 00:07:03,222 HAVE YOU EVER TRIED? 125 00:07:03,289 --> 00:07:04,290 YOU SHOULD TRY. 126 00:07:04,357 --> 00:07:07,727 JUST PULL THE PHONE OUT AND TRY TO UNLOCK IT. 127 00:07:07,794 --> 00:07:10,963 YOU LET ME KNOW HOW IT GOES. 128 00:07:11,030 --> 00:07:12,732 LOOK AT THIS OVER HERE. 129 00:07:12,799 --> 00:07:15,635 LADIES AND GENTLEMEN, COUNTRY MUSIC LEGEND REBA 130 00:07:15,701 --> 00:07:17,870 McENTIRE IN THE HOUSE. 131 00:07:17,937 --> 00:07:19,739 ARE YOU KIDDING ME? 132 00:07:19,806 --> 00:07:23,376 [APPLAUSE] ARE YOU KIDDING ME RIGHT NOW? 133 00:07:23,442 --> 00:07:24,043 LOOKING FANCY, MA'AM. 134 00:07:24,110 --> 00:07:26,312 AND NOT JUST IN THE ROOM. 135 00:07:26,379 --> 00:07:30,183 REBA WILL ALSO BE ON STAGE PERFORMING FOR THE FIRST 136 00:07:30,249 --> 00:07:31,951 TIME EVER ON THE GRAMMYS STAGE. 137 00:07:32,018 --> 00:07:33,186 THANK YOU FOR JOINING US. 138 00:07:33,252 --> 00:07:34,287 THANK YOU FOR BEING HERE. 139 00:07:34,353 --> 00:07:36,722 WHO ELSE DO WE HAVE CONNECTED LOOK AT THIS ROOM. 140 00:07:36,789 --> 00:07:38,257 ROOM. 141 00:07:38,324 --> 00:07:40,493 JUSTIN BIEBER, LADIES AND GENTLEMEN. 142 00:07:40,560 --> 00:07:43,930 JUSTIN BIEBER IS BACK IN THE HOUSE. 143 00:07:43,996 --> 00:07:47,133 OVER THE LAST FEW YEARS THIS YOUNG MAN HAS DONE SO MANY 144 00:07:47,200 --> 00:07:47,767 AMAZING THINGS. 145 00:07:47,834 --> 00:07:49,535 ARE YOU KIDDING ME? 146 00:07:49,602 --> 00:07:54,373 HIS ALBUM, "SWAG," NOMINATED, FOUR GRAMMY 147 00:07:54,440 --> 00:07:55,107 NOMINATIONS. 148 00:07:55,741 --> 00:07:57,910 AND I THINK BETTER THAN ANY GRAMMY, HE'S COME BACK AS A 149 00:07:57,977 --> 00:07:58,711 NEW DAD. 150 00:07:58,778 --> 00:08:00,313 CONGRATULATIONS TO BOTH OF YOU. 151 00:08:00,379 --> 00:08:01,547 THAT'S RIGHT. 152 00:08:01,614 --> 00:08:03,416 MY PERSONAL FAVORITE THING THAT JUSTIN BIEBER HAS DONE 153 00:08:03,482 --> 00:08:06,152 OVER THE PAST YEAR IS HE TOLD APPLE TO MOVE THE 154 00:08:06,219 --> 00:08:08,254 DICTATION BUTTON ON THE KEYBOARD. 155 00:08:08,321 --> 00:08:09,889 HERO, JUSTIN. 156 00:08:09,956 --> 00:08:12,291 NOW I NEED YOU TO TELL THEM TO MAKE A NEW FEATURE WHERE, 157 00:08:12,358 --> 00:08:15,361 WHEN YOU SEARCH ON YOUR PHONE, IT FINDS THINGS. 158 00:08:15,428 --> 00:08:16,996 PLEASE, WE NEED YOU. 159 00:08:17,063 --> 00:08:21,267 BY THE WAY, DO YOU HAVE A DISCOUNT CODE? 160 00:08:21,334 --> 00:08:22,335 WE WILL TALK LATER. 161 00:08:22,602 --> 00:08:25,972 IF I STOP AT EVERY SINGLE TABLE, THIS SHOW WOULD NEVER 162 00:08:26,038 --> 00:08:27,273 END, BECAUSE-- WE'VE GOT MILEY CYRUS. 163 00:08:27,340 --> 00:08:30,977 IS THAT YOU HIDING IN THE CORNER WITH THE LEATHER 164 00:08:31,043 --> 00:08:32,278 JACKET, MILEY CYRUS? 165 00:08:32,345 --> 00:08:33,312 BAD BUNNY IS IN THE BUILDING! 166 00:08:33,379 --> 00:08:35,114 ARE YOU KIDDING ME? 167 00:08:35,181 --> 00:08:37,350 ARE YOU KIDDING ME? 168 00:08:37,416 --> 00:08:37,917 WHAT? 169 00:08:37,984 --> 00:08:39,919 I CAN'T BELIEVE IT! 170 00:08:39,986 --> 00:08:44,624 BILLIE EILISH, AND FINNEAS! 171 00:08:44,690 --> 00:08:46,826 THE MOST TALENTED SIBLINGS HERE IN THE WORLD. 172 00:08:46,893 --> 00:08:49,862 EVERY OTHER PARENT ARE LIKE, WHAT ARE MY KIDS DOING? 173 00:08:49,929 --> 00:08:50,730 NOTHING WITH THEIR LIVES! 174 00:08:50,796 --> 00:08:54,800 WE'VE GOT JOHN LEGEND IN THE HOUSE! 175 00:08:54,867 --> 00:08:58,571 EVERYTHING A PERSON HERE. 176 00:08:58,638 --> 00:09:00,139 JOHN LEGEND, BILLIE EILISH, FINNEAS. 177 00:09:00,206 --> 00:09:02,541 NICKI MINAJ IS NOT HERE. 178 00:09:02,608 --> 00:09:05,611 [CHEERS AND APPLAUSE] SHE'S STILL AT THE WHITE HOUSE 179 00:09:05,678 --> 00:09:08,748 WITH DONALD TRUMP DISCUSSING VERY IMPORTANT ISSUES. 180 00:09:08,814 --> 00:09:11,417 "ACTUALLY NICKI, I HAVE THE BIGGEST ASS! 181 00:09:11,484 --> 00:09:14,620 EVERYBODY'S SAYING IT. 182 00:09:14,687 --> 00:09:16,956 I KNOW THEY SAY IT'S YOU, BUT IT'S ME. 183 00:09:17,023 --> 00:09:20,259 WAP, WAP, WAP. 184 00:09:20,326 --> 00:09:22,228 LOOK AT IT, BABY." 185 00:09:22,295 --> 00:09:25,398 AT JENNIFER HUDSON'S THE HOUSE! 186 00:09:25,464 --> 00:09:28,501 A MAN WHO LOOKS EXACTLY LIKE JEFF GOLDBLUM. 187 00:09:28,567 --> 00:09:32,605 DAMN, HAVE YOU EVER BEEN TOLD THAT? 188 00:09:32,672 --> 00:09:35,041 HELIX EXECUTIVE LIKE JEFF GOLDBLUM. 189 00:09:35,107 --> 00:09:35,875 DOECHII IS BACK. 190 00:09:35,942 --> 00:09:37,977 ARE YOU KIDDING ME, PEOPLE? 191 00:09:38,044 --> 00:09:39,612 WE'VE GOT DOECHII IN THE HOUSE. 192 00:09:39,679 --> 00:09:43,115 LAST YEAR DOECHII KILLED IT WITH ONE OF THE GREATEST 193 00:09:43,182 --> 00:09:44,250 PERFORMANCES EVER. 194 00:09:44,317 --> 00:09:49,188 AND THIS YEAR SHE'S BACK WITH FIVE NOMINATIONS FOR 195 00:09:49,255 --> 00:09:52,525 HER HIT RECORD, "ANXIETY," WHICH IS NOW OUR NEW 196 00:09:52,591 --> 00:09:53,492 NATIONAL ANTHEM. 197 00:09:53,559 --> 00:09:57,229 BUT TONIGHT THERE IS NO ANXIETY. 198 00:09:57,296 --> 00:09:58,464 ONLY GOOD VIBES. 199 00:09:58,531 --> 00:09:59,932 SPEAKING OF GOOD VIBES, THE AMAZING ONE AND ONLY OLIVIA 200 00:09:59,999 --> 00:10:01,567 DEAN IS ALSO HERE. 201 00:10:01,634 --> 00:10:04,537 PLEASE, GIVE THIS AMAZING PERSON AND A ROUND OF 202 00:10:04,603 --> 00:10:05,471 APPLAUSE. 203 00:10:05,538 --> 00:10:06,706 NOMINATED TONIGHT FOR BEST NEW ARTIST. 204 00:10:06,772 --> 00:10:08,541 YOU SHOULD BE NOMINATED FOR MOST AMAZING AND THOUGHTFUL 205 00:10:08,607 --> 00:10:11,811 ARTIST, BECAUSE SHE THOUGHT TICKETMASTER TO STOP 206 00:10:11,877 --> 00:10:15,081 RESELLERS FROM RIPPING FANS OFF, WHICH IS AMAZING. 207 00:10:15,147 --> 00:10:18,017 IF THE FANS CAN'T AFFORD TICKETS, WE CAN'T HAVE LIVE 208 00:10:18,084 --> 00:10:21,354 MUSIC, AND WITHOUT CONCERTS, HOW WOULD WE FIND OUT WHICH 209 00:10:21,420 --> 00:10:23,389 CEOs ARE HAVING AFFAIRS ON THE JUMBOTRON? 210 00:10:23,456 --> 00:10:25,191 THANK YOU SO MUCH. 211 00:10:25,257 --> 00:10:30,029 WITHOUT FURTHER ADO, LET'S KEEP THE LIVE MUSIC GOING. 212 00:10:30,096 --> 00:10:31,464 OUR NEXT PERFORMER WON HER FIRST TWO GRAMMYS LAST YEAR, 213 00:10:31,530 --> 00:10:33,299 AND THIS YEAR, SHE HAS SIX NEW NOMINATIONS, INCLUDING 214 00:10:33,366 --> 00:10:34,467 SONG, RECORD, AND ALBUM OF THE YEAR. 215 00:10:34,533 --> 00:10:37,136 PLEASE MAKE SOME NOISE FOR THE SUPREMELY TALENTED 216 00:10:37,203 --> 00:10:42,875 SABRINA CARPENTER! 217 00:10:42,942 --> 00:10:52,952 [CHEERS AND APPLAUSE] ♪ ♪ [ENGINES REVVING] ♪ ♪ 218 00:11:06,699 --> 00:11:09,702 [BUZZER] ♪ YOU SAID YOUR PHONE WAS BROKEN ♪ ♪ JUST 219 00:11:09,769 --> 00:11:12,705 FORGOT TO CHARGE IT ♪ ♪ WHOLE OUTFIT YOU'RE WEARING 220 00:11:12,772 --> 00:11:14,673 ♪ ♪ I HOPE IT'S IRONIC ♪ ♪ DID YOU JUST SAY YOU'RE 221 00:11:14,740 --> 00:11:15,975 FINISHED? 222 00:11:16,042 --> 00:11:19,478 ♪ ♪ DIDN'T KNOW WE STARTED ♪ ♪ IT'S ALL JUST SO FAMILIAR 223 00:11:19,545 --> 00:11:24,550 ♪ ♪ BABY, WHAT DO YOU CALL IT? 224 00:11:24,617 --> 00:11:26,285 ♪ SING IT TO ME! 225 00:11:26,352 --> 00:11:29,822 ♪ STUPID ♪ ♪ OR IS IT ♪ ♪ SLOW? 226 00:11:29,889 --> 00:11:32,458 ♪ ♪ MAYBE IT'S ♪ ♪ USELESS? 227 00:11:32,525 --> 00:11:40,966 ♪ ♪ BUT THERE'S A CUTER WORD FOR IT ♪ ♪ I KNOW ♪ ♪ 228 00:11:41,033 --> 00:11:48,674 MANCHILD ♪ ♪ WHY YOU ALWAYS COME A RUNNING TO ME? 229 00:11:48,741 --> 00:11:54,747 ♪ ♪ [...] MY LIFE ♪ ♪ WON'T YOU LET AN INNOCENT WOMAN 230 00:11:54,814 --> 00:11:56,015 BE? 231 00:11:56,082 --> 00:11:59,985 ♪ ♪ NEVER HEARD OF SELF CARE ♪ ♪ HALF YOUR BRAIN JUST 232 00:12:00,052 --> 00:12:09,061 AIN'T THERE ♪ ♪ MANCHILD ♪ ♪ WHY YOU ALWAYS COME A 233 00:12:09,128 --> 00:12:15,367 RUNNING ♪ ♪ TAKING ALL MY LOVING FROM ME? 234 00:12:15,434 --> 00:12:25,411 ♪ ♪ ♪ ♪ WHY SO SEXY ♪ ♪ IF SO DUMB? 235 00:12:25,478 --> 00:12:28,781 ♪ ♪ AND HOW SURVIVE THE EARTH SO LONG? 236 00:12:28,848 --> 00:12:34,253 ♪ ♪ IF I'M NOT THERE IT WON'T GET DONE ♪ ♪ I CHOOSE 237 00:12:34,320 --> 00:12:40,259 TO BLAME YOUR MOM ♪ ♪ MANCHILD ♪ ♪ WHY YOU ALWAYS 238 00:12:40,326 --> 00:12:42,995 COME A RUNNING TO ME? 239 00:12:43,062 --> 00:12:49,902 ♪ ♪ [...] MY LIFE ♪ ♪ WON'T YOU LET AN INNOCENT WOMAN 240 00:12:49,969 --> 00:12:51,170 BE? 241 00:12:51,237 --> 00:12:54,840 ♪ ♪ NEVER HEARD OF SELF CARE ♪ ♪ HALF YOUR BRAIN JUST 242 00:12:54,907 --> 00:13:03,682 AIN'T THERE ♪ ♪ MANCHILD ♪ ♪ WHY YOU ALWAYS COME A 243 00:13:03,749 --> 00:13:12,858 RUNNING ♪ ♪ TAKING ALL MY LOVING FROM ME? 244 00:13:12,925 --> 00:13:15,561 ♪ >> HEY, GRAMMYS! 245 00:13:15,628 --> 00:13:16,795 HOW YOU DOING? 246 00:13:16,862 --> 00:13:19,231 IT IS YOUR CAPTAIN, SABRINA, SPEAKING. 247 00:13:19,298 --> 00:13:21,967 IF YOU CAME HERE TONIGHT BECAUSE YOU NEED A LITTLE 248 00:13:22,034 --> 00:13:23,235 VALIDATION, STAND UP, AND I WANT YOU TO PUT YOUR HANDS 249 00:13:23,302 --> 00:13:25,804 ♪ OH I LIKE MY BOYS PLAYING HARD TO GET ♪ ♪ AND I LIKE 250 00:13:25,871 --> 00:13:32,945 MY MEN ALL INCOMPETENT ♪ ♪ AND I SWEAR THEY CHOOSE ME ♪ 251 00:13:33,012 --> 00:13:39,752 ♪ I'M NOT CHOOSING THEM ♪ ♪ AMEN ♪ ♪ HEY, MEN ♪ ♪ OH, I 252 00:13:39,818 --> 00:13:43,989 LIKE MY BOYS PLAYING HARD TO GET ♪ ♪ AND I LIKE MY MEN 253 00:13:44,056 --> 00:13:48,394 ALL INCOMPETENT ♪ ♪ AND I SWEAR THEY CHOOSE ME ♪ ♪ I'M 254 00:13:48,460 --> 00:13:58,003 NOT CHOOSING THEM ♪ ♪ AMEN ♪ ♪ HEY, MEN ♪ ♪ MANCHILD ♪ ♪ 255 00:13:58,070 --> 00:14:01,507 WHY YOU ALWAYS COME A RUNNING TO ME? 256 00:14:01,574 --> 00:14:06,245 ♪ ♪ ALWAYS COME A RUNNING TO ME ♪ ♪ [...] MY LIFE ♪ ♪ 257 00:14:06,312 --> 00:14:10,416 WON'T YOU LET AN INNOCENT WOMAN BE? 258 00:14:10,482 --> 00:14:13,819 ♪ ♪ OH, I LIKE MY BOYS PLAYING HARD TO GET ♪ ♪ AND 259 00:14:13,886 --> 00:14:19,725 I LIKE MY MEN ALL INCOMPETENT ♪ ♪ AND I SWEAR 260 00:14:19,792 --> 00:14:24,230 THEY CHOOSE ME ♪ ♪ I'M NOT CHOOSING THEM ♪ ♪ AMEN ♪ ♪ 261 00:14:24,296 --> 00:14:28,934 HEY, MEN! 262 00:14:29,001 --> 00:14:32,004 ♪ YEEHAW! 263 00:14:32,071 --> 00:14:42,081 ♪ ♪ ♪ ♪ 264 00:14:53,425 --> 00:15:00,899 [CHEERS AND APPLAUSE] >> Announcer: COMING UP, QUEEN 265 00:15:00,966 --> 00:15:03,769 LATIFAH AND DOECHII PRESENT THE FIRST GRAMMY AWARD OF 266 00:15:03,836 --> 00:15:05,170 THE NIGHT. 267 00:15:05,237 --> 00:15:07,473 AND A PERFORMANCE FOR THE AGES BY THE NOMINEES FOR 268 00:15:07,539 --> 00:15:09,708 BEST NEW ARTIST. 269 00:15:09,775 --> 00:15:12,077 THEN LADY GAGA AND JUSTIN BIEBER TAKE THE STAGE TO 270 00:15:12,144 --> 00:15:15,347 MAKE MOMENTS EVERYONE WILL BE TALKING ABOUT TOMORROW. 271 00:15:15,414 --> 00:15:16,415 THIS IS CBS. 272 00:15:26,992 --> 00:15:27,926 ♪ ♪ >> Trevor: WELCOME BACK TO THE GRAMMYS. 273 00:15:27,993 --> 00:15:30,229 GO, JACK, I TAKE YOUR SEAT. 274 00:15:30,296 --> 00:15:31,630 GO, YOU'RE BLOCKING THE SCREEN. 275 00:15:31,697 --> 00:15:32,631 JUST SIT. 276 00:15:32,998 --> 00:15:35,167 DUCK, IT DOESN'T MATTER, YOU MAY AS WELL GO AND THEN SAY 277 00:15:35,234 --> 00:15:38,070 IT, BECAUSE NOW YOU'RE GOING TO BE SITTING-- JUST SIT, 278 00:15:38,137 --> 00:15:39,004 IT'S FINE. 279 00:15:39,305 --> 00:15:42,741 WELL, DON'T STAND IN FRONT OF THE CAMERA, SIT DOWN. 280 00:15:42,808 --> 00:15:44,310 EVERYONE-- DON'T STAND AGAIN IN FRONT OF THE 281 00:15:44,376 --> 00:15:45,044 CAMERA! 282 00:15:45,511 --> 00:15:48,881 [LAUGHTER] IT'S LIKE A PIRATED DVD, WHAT ARE YOU 283 00:15:48,947 --> 00:15:49,448 DOING? 284 00:15:49,515 --> 00:15:50,749 TAKE YOUR SEAT. 285 00:15:50,816 --> 00:15:54,286 ALL RIGHT, WELCOME BACK, EVERYONE, TO THE... 286 00:15:54,353 --> 00:15:54,953 GRAMMYS. 287 00:15:55,654 --> 00:15:58,090 AND ALSO WELCOME BACK TO THE MOST NOMINATED ARTIST OF THE 288 00:15:58,157 --> 00:15:58,924 YEAR, MR. 289 00:15:58,991 --> 00:16:00,926 KENDRICK LAMAR, EVERYBODY. 290 00:16:00,993 --> 00:16:04,196 [APPLAUSE] THAT'S RIGHT, NINE NOMINATIONS THIS YEAR. 291 00:16:04,263 --> 00:16:05,631 CONGRATULATIONS. 292 00:16:05,698 --> 00:16:10,803 AND THAT'S ALL I'M GONNA SAY, CONGRATULATIONS. 293 00:16:10,869 --> 00:16:13,138 I ACTUALLY THOUGHT ABOUT WRITING A FEW JOKES ROASTING 294 00:16:13,205 --> 00:16:15,441 YOU, BUT THEN I REMEMBERED WHAT YOU CAN DO TO 295 00:16:15,507 --> 00:16:17,042 LIGHT-SKINNED DUDES FROM OTHER COUNTRIES. 296 00:16:17,109 --> 00:16:21,880 ME AND MY DELEGATION ARE STILL RECOVERING FROM THE 297 00:16:21,947 --> 00:16:22,781 PAIN. 298 00:16:22,848 --> 00:16:24,817 I'M JUST SAYING CONGRATULATIONS. 299 00:16:24,883 --> 00:16:26,452 HIP-HOP BEEF HAS GONE TO A NEW LEVEL. 300 00:16:26,518 --> 00:16:32,424 RAPPERS ARE DOING FULL-ON DETECTIVE WORK ON YOUR LIFE! 301 00:16:32,491 --> 00:16:33,792 YOU BEEF WITH KENDRICK, HE'LL INVESTIGATE YOU AND 302 00:16:33,859 --> 00:16:34,526 YOUR CREW! 303 00:16:35,027 --> 00:16:36,161 YOU BEEF WITH 50 CENT, HE'S GONNA MAKE A FOUR-PART 304 00:16:36,228 --> 00:16:37,262 DOCUMENTARY EXPOSING WHAT A VIOLENT CREEP YOU'VE BEEN 305 00:16:37,329 --> 00:16:40,933 YOUR WHOLE LIFE! 306 00:16:40,999 --> 00:16:43,402 IT WAS SO MUCH SIMPLER WHEN ALL YOU HAD TO WORRY ABOUT 307 00:16:43,469 --> 00:16:46,271 WAS BEING SHOT, NOW THEY HURT YOUR FEELINGS. 308 00:16:46,338 --> 00:16:48,140 BUT IT'S NOT JUST HIP-HOP BEEFS THAT EVOLVED. 309 00:16:48,207 --> 00:16:51,343 HIP-HOP ITSELF HAS EVOLVED! 310 00:16:51,410 --> 00:16:55,547 IT'S GONE FROM BEING A SIDE THING TO BEING THE CULTURE. 311 00:16:55,614 --> 00:16:58,016 BUSINESS, FASHION, EVERYTHING IS HIP-HOP THESE 312 00:16:58,083 --> 00:16:58,751 DAYS. 313 00:16:59,318 --> 00:17:01,420 IN THE NEXT TWO PRESENTERS OF BEST RAP ALBUM AND BODY 314 00:17:01,487 --> 00:17:02,154 THAT. 315 00:17:02,588 --> 00:17:04,089 ONE OF THEM IS A GRAMMY-WINNING HIP-HOP ICON 316 00:17:04,156 --> 00:17:05,591 AND FORMER GRAMMY HOST. 317 00:17:05,657 --> 00:17:08,927 THE OTHER WAS LAST YEAR'S BIG WINNER FOR BEST RAP 318 00:17:08,994 --> 00:17:12,798 ALBUM AND WON A BRAND-NEW GRAMMY EARLIER TODAY. 319 00:17:12,865 --> 00:17:16,235 PLEASE WELCOME QUEEN LATIFAH AND DOECHII. 320 00:17:16,301 --> 00:17:26,311 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ >> Queen: DOECHII, LADIES 321 00:17:34,653 --> 00:17:36,088 AND GENTLEMEN. 322 00:17:36,155 --> 00:17:41,059 [APPLAUSE] DOECHII, YOUR GRAMMY PERFORMANCE LAST YEAR 323 00:17:41,126 --> 00:17:43,929 WAS SO CAPTIVATING, IT WON AN EMMY. 324 00:17:43,996 --> 00:17:45,431 WHAT A PLEASURE TO STAND HERE TONIGHT AND PRESENT 325 00:17:45,497 --> 00:17:48,934 THIS AWARD WITH YOU. 326 00:17:49,001 --> 00:17:53,405 Doechii: THANK YOU, QUEEN. 327 00:17:53,472 --> 00:17:55,274 WITHOUT GREAT ARTISTS LIKE YOU BLAZING A TRAIL IN RAP, 328 00:17:55,340 --> 00:17:58,343 I WOULD NEVER HAVE EVEN GOTTEN TO THIS STAGE. 329 00:17:58,410 --> 00:18:05,617 SO THANK YOU. 330 00:18:05,684 --> 00:18:09,521 WE BOTH FEEL GREAT "U.N.I.T.Y." 331 00:18:09,588 --> 00:18:11,957 AND JOY THAT THE FIRST GRAMMY AWARD TONIGHT IS FOR 332 00:18:12,024 --> 00:18:14,693 BEST RAP ALBUM. 333 00:18:14,760 --> 00:18:17,663 Queen: AND WE'RE PROUD TO PRESENT THIS RAP AWARD TO 334 00:18:17,729 --> 00:18:23,402 ANY OF THESE FIVE EXCELLENT NOMINEES. 335 00:18:23,469 --> 00:18:31,043 ♪ ♪ >> "LET GOD SORT EM OUT," CLIPSE, PUSHA T & 336 00:18:31,109 --> 00:18:31,944 MALICE. 337 00:18:32,010 --> 00:18:38,517 ♪ ♪ "GLORIOUS," GLORILLA. 338 00:18:38,584 --> 00:18:45,123 ♪ ♪ "GOD DOES LIKE UGLY," JID. 339 00:18:45,190 --> 00:18:50,662 ♪ ♪ "GNX," KENDRICK LAMAR. 340 00:18:50,729 --> 00:18:55,033 "CHROMAKOPIA," TYLER, THE CREATOR. 341 00:18:55,100 --> 00:19:05,110 ♪ ♪ >> Doechii: AND THE GRAMMY GOES TO... 342 00:19:11,483 --> 00:19:12,284 KENDRICK LAMAR! 343 00:19:12,351 --> 00:19:22,361 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 344 00:19:43,949 --> 00:19:50,923 ♪ ♪ >> YEAH, YEAH. 345 00:19:50,989 --> 00:19:55,494 WHAT'S UP, WHAT'S UP, WHAT'S UP? 346 00:19:55,561 --> 00:19:56,895 IT IS HIP-HOP AS USUAL, MAN. 347 00:19:56,962 --> 00:20:00,165 I'M NOT GOOD AT TALKING ABOUT MYSELF, BUT I EXPRESS 348 00:20:00,232 --> 00:20:00,966 IT THROUGH THE MUSIC. 349 00:20:01,033 --> 00:20:05,470 IT'S AN HONOR TO BE HERE. 350 00:20:05,537 --> 00:20:09,408 TYLER, CLIPSE, THESE ARE MY BROTHERS IN THIS CATEGORY. 351 00:20:09,474 --> 00:20:11,143 WHAT'S UP, PUSH, MAN? 352 00:20:11,209 --> 00:20:15,247 EVERY TIME I TELL YOU THIS, HIP-HOP IS GOING TO ALWAYS 353 00:20:15,314 --> 00:20:16,515 BE RIGHT HERE. 354 00:20:16,582 --> 00:20:19,985 WE ARE GOING TO BE IN THE SEEDS LOOKING GOOD, HAVING 355 00:20:20,052 --> 00:20:23,088 OUR FOLKS WITH US, WE ARE GOING TO BE HAVING THE 356 00:20:23,155 --> 00:20:24,189 CULTURE WITH US. 357 00:20:24,256 --> 00:20:26,592 SO I APPRECIATE Y'ALL. 358 00:20:26,658 --> 00:20:29,661 GOD IS TO GLORY. 359 00:20:29,728 --> 00:20:30,429 LOVE Y'ALL. 360 00:20:30,963 --> 00:20:36,735 [APPLAUSE] ♪ ♪ ♪ ♪ >> Announcer: COMING UP, 361 00:20:36,802 --> 00:20:41,974 CHAPPELL ROAN PRESENTS THE AWARD FOR BEST NEW ARTIST. 362 00:20:42,040 --> 00:20:44,309 BUT FIRST, A GRAMMY MOMENT FOR OUR TIMES-- 363 00:20:44,376 --> 00:20:47,679 BACK-TO-BACK PERFORMANCES BY ALL THE NOMINEES. 364 00:20:47,746 --> 00:20:53,719 OLIVIA DEAN, KATSEYE, THE MARÍAS, ADDISON RAE, SOMBR, 365 00:20:53,785 --> 00:20:57,255 LEON THOMAS, ALEX WARREN AND LOLA YOUNG. 366 00:20:57,322 --> 00:20:58,690 YOU DON'T WANT TO MISS THIS. 367 00:20:58,757 --> 00:21:02,527 THIS IS CBS. 368 00:21:02,594 --> 00:21:04,296 Announcer: THE GRAMMY MUSEUM PRESENTS, "SELENA: 369 00:21:04,363 --> 00:21:07,399 FROM TEXAS TO THE WORLD," A POP-UP EXHIBIT NOW ON VIEW. 370 00:21:07,466 --> 00:21:08,467 LEARN MORE AT GrammyMuseum.org. 371 00:21:23,015 --> 00:21:40,999 ♪ MAYBE I ♪ ♪ LOST MY MIND ♪ ♪ NO ONE NOTICED ♪ ♪ IT'S 372 00:21:41,066 --> 00:21:50,942 GETTING OLD ♪ ♪ I'D KINDA LIKE IT IF YOU'D CALL ME ♪ ♪ 373 00:21:51,009 --> 00:21:52,210 ALL ALONE ♪ ♪ 'CAUSE I'M SO OVER BEIN' LONELY ♪ ♪ MAY 374 00:21:52,277 --> 00:21:54,680 HAVE LOST IT ♪ ♪ I NEED A VIRTUAL CONNECTION ♪ ♪ I 375 00:21:54,746 --> 00:22:01,053 HAVE LOST IT ♪ ♪ BE MY VIDEO OBSESSION ♪ ♪ NO ONE TRIED ♪ 376 00:22:01,119 --> 00:22:04,923 ♪ TO READ MY EYES ♪ ♪ COME ON, DON'T LEAVE ME ♪ ♪ IT 377 00:22:04,990 --> 00:22:09,928 CAN'T BE THAT EASY, BABE ♪ ♪ IF YOU BELIEVE ME ♪ ♪ I 378 00:22:09,995 --> 00:22:13,932 GUESS I'LL GET ON A PLANE ♪ ♪ FLY TO YOUR CITY ♪ ♪ 379 00:22:13,999 --> 00:22:18,937 EXCITED TO SEE YOUR FACE ♪ ♪ HOLD ME, CONSOLE ME ♪ ♪ THEN 380 00:22:19,004 --> 00:22:22,774 I'LL LEAVE WITHOUT A TRACE ♪ ♪ COME ON, DON'T LEAVE ME ♪ 381 00:22:22,841 --> 00:22:27,546 ♪ IT CAN'T BE THAT EASY, BABE ♪ ♪ IF YOU BELIEVE ME ♪ 382 00:22:27,612 --> 00:22:32,918 ♪ I GUESS I'LL GET ON A PLANE ♪ ♪ FLY TO YOUR CITY ♪ 383 00:22:32,984 --> 00:22:37,222 ♪ EXCITED TO SEE YOUR FACE ♪ ♪ HOLD ME, CONSOLE ME ♪ ♪ 384 00:22:37,289 --> 00:22:47,299 AND THEN I'LL LEAVE WITHOUT A TRACE ♪ ♪ ♪ ♪ ♪ [GUITAR 385 00:23:00,545 --> 00:23:10,555 SOLO] ♪ ESTÁS TAN DENTRO DE MÍ ♪ ♪ TE SIGO PENSANDO ♪ ♪ 386 00:23:15,293 --> 00:23:17,295 TE SIGO ESPERANDO ♪ 387 00:23:31,009 --> 00:23:31,443 [APPLAUSE] >> Trevor: THAT'S RIGHT, KEEP IT GOING FOR 388 00:23:31,510 --> 00:23:32,344 L.A.'S 389 00:23:32,410 --> 00:23:34,279 S VERY OWN THE MARÍAS, EVERYBODY. 390 00:23:34,346 --> 00:23:39,951 THE MARÍAS ARE NOMINATED TONIGHT FOR BEST NEW ARTIST, 391 00:23:40,018 --> 00:23:42,854 AND ONCE AGAIN IT'S AN INCREDIBLE CLASS OF BEST NEW 392 00:23:42,921 --> 00:23:44,055 ARTIST NOMINEES THIS YEAR. 393 00:23:44,122 --> 00:23:48,293 BETWEEN THEM THEY HAVE MORE THAN 225 MILLION FOLLOWERS 394 00:23:48,360 --> 00:23:50,762 ON SOCIAL MEDIA, OVER 27 BILLION COMBINED STREAMS IN 395 00:23:50,829 --> 00:23:55,300 THE LAST YEAR ALONE, AND THEY'VE ALREADY EARNED 18 396 00:23:55,367 --> 00:23:56,434 GRAMMY NOMINATIONS. 397 00:23:56,501 --> 00:23:57,969 SO LET'S TAKE A LOOK LIVE AT THIS YEAR'S OUTSTANDING 398 00:23:58,036 --> 00:24:03,809 NOMINEES FOR BEST NEW ARTIST! 399 00:24:03,875 --> 00:24:13,885 [APPLAUSE] ♪ ♪ ♪ ♪ >> ♪ TELL ME WHO I AM ♪ ♪ DO I PROVOKE 400 00:24:16,822 --> 00:24:20,559 YOU WITH MY TONE OF INNOCENCE? 401 00:24:20,625 --> 00:24:22,894 ♪ ♪ DON'T ASK TOO MANY QUESTIONS ♪ ♪ THAT IS MY ONE 402 00:24:22,961 --> 00:24:29,935 SUGGESTION ♪ ♪ YOU KNOW I KEEP IT REAL ♪ ♪ I LIVE FOR 403 00:24:30,001 --> 00:24:33,605 THE APPEAL ♪ ♪ KNEW IT FROM THE START ♪ ♪ IT WAS THE 404 00:24:33,672 --> 00:24:37,776 ONLY WAY TO MEND MY BROKEN HEART ♪ ♪ DON'T ASK TOO MANY 405 00:24:37,843 --> 00:24:41,613 QUESTIONS ♪ ♪ THIS IS MY ONE CONFESSION ♪ ♪ IT NEVER WAS 406 00:24:41,680 --> 00:24:48,587 ENOUGH ♪ ♪ I ALWAYS WANTED MORE ♪ ♪ FAME IS A GUN, AND 407 00:24:48,653 --> 00:24:54,259 I POINT IT BLIND ♪ ♪ CRASH AND BURN, GIRL ♪ ♪ BABY, 408 00:24:54,326 --> 00:24:59,698 SWALLOW IT DRY ♪ ♪ YOU'VE GOT A FRONT ROW SEAT AND I ♪ 409 00:24:59,764 --> 00:25:03,668 ♪ I GOT A TASTE OF THE GLAMOROUS LIFE ♪ ♪ THERE'S 410 00:25:03,735 --> 00:25:08,573 NO MYSTERY ♪ ♪ I'M GONNA MAKE IT ♪ ♪ GONNA GO DOWN IN 411 00:25:08,640 --> 00:25:14,012 HISTORY ♪ ♪ AND WHEN YOU SHAME ME ♪ ♪ IT MAKES ME 412 00:25:14,079 --> 00:25:20,585 WANT IT MORE ♪ ♪ FAME IS A GUN, AND I POINT IT BLIND ♪ 413 00:25:20,652 --> 00:25:23,255 ♪ CRASH AND BURN, GIRL ♪ ♪ BABY, SWALLOW IT DRY ♪ ♪ 414 00:25:23,321 --> 00:25:27,559 YOU'VE GOT A FRONT ROW SEAT AND I ♪ ♪ I GOT A TASTE OF 415 00:25:27,626 --> 00:25:37,636 THE GLAMOROUS LIFE ♪ 416 00:25:42,340 --> 00:25:52,350 ♪ ♪ ♪ FAME IS A GUN, AND I POINT IT BLIND ♪ ♪ CRASH AND 417 00:25:54,686 --> 00:25:57,155 BURN, GIRL ♪ ♪ BABY, SWALLOW IT DRY ♪ ♪ YOU'VE GOT A 418 00:25:57,222 --> 00:26:01,126 FRONT ROW SEAT AND I ♪ ♪ I GOT A TASTE OF THE GLAMOROUS 419 00:26:01,192 --> 00:26:07,399 LIFE ♪ ♪ LOVE IS A DRUG THAT I CAN'T DENY ♪ ♪ I'M YOUR 420 00:26:07,465 --> 00:26:13,705 DREAM GIRL, BUT YOU'RE NOT MY TYPE ♪ ♪ YOU'VE GOT A 421 00:26:13,772 --> 00:26:15,807 FRONT ROW SEAT AND I ♪ ♪ I GOT A TASTE OF THE GLAMOROUS 422 00:26:15,874 --> 00:26:19,911 LIFE ♪ >> THEY COULD DESCRIBE EVERYTHING WITH ONE 423 00:26:19,978 --> 00:26:20,512 SINGLE WORD. 424 00:26:20,578 --> 00:26:22,948 YOU KNOW? 425 00:26:23,014 --> 00:26:25,951 ♪ BOBA TEA, GNARLY, TESLA ♪ FRIED CHICKEN, GNARLY ♪ ♪ 426 00:26:26,017 --> 00:26:27,185 PARTYIN' IN THE HOLLYWOOD HILLS UH-HUH ♪ ♪ THIS SONG, 427 00:26:27,252 --> 00:26:29,287 GNARLY ♪ ♪ EVERYTHING'S GNARLY ♪ ♪ OH, WE'RE IN A 428 00:26:29,354 --> 00:26:31,289 SESSION TONIGHT ♪ ♪ GANG, GANG ♪ ♪ OH, WE'RE GOING OUT 429 00:26:31,356 --> 00:26:33,058 TONIGHT ♪ ♪ GANG, GANG ♪ ♪ OH, MY GOD, THIS SONG'S SO 430 00:26:33,124 --> 00:26:37,796 LIT ♪ ♪ CONGRATULATIONS ♪ ♪ NOW YOU BE LIKE, "GANG" ♪ ♪ 431 00:26:37,862 --> 00:26:44,202 GANG, GANG, GANG, GANG, GANG ♪ ♪ EVERYTHING'S GNARLY ♪ ♪ 432 00:26:44,269 --> 00:26:48,440 GNARLY ♪ ♪ EVERYTHING'S GNARLY ♪ ♪ NA-NA-NA, 433 00:26:48,506 --> 00:26:56,982 NA-NA-GNARLY ♪ ♪ EVERYTHING'S GNARLY ♪ ♪ 434 00:26:57,048 --> 00:27:01,353 HOTTIE, HOTTIE, LIKE A BAG OF ♪ I'M LEGIT, I'M LEGIT, 435 00:27:01,419 --> 00:27:05,523 GNARLY ♪ ♪ OBVI', OBVI', THEY BE TRYNA COPY ♪ ♪ I'M 436 00:27:05,590 --> 00:27:09,294 LEGIT, I'M LEGIT ♪ ♪ NA-NA-NA, NA-NA-GNARLY 437 00:27:09,361 --> 00:27:13,498 GNARLY ♪ ♪ NA-NA-NA, NA-NA-GNARLY ♪ ♪ I'M LEGIT, 438 00:27:13,565 --> 00:27:17,402 I'M LEGIT ♪ ♪ NA-NA-NA, NA-NA-GNARLY GNARLY ♪ ♪ 439 00:27:17,469 --> 00:27:23,041 NA-NA-NA, NA-NA-GNARLY ♪ ♪ I'M LEGIT, I'M LEGIT ♪ ♪ 440 00:27:23,108 --> 00:27:32,217 EVERYTHING'S GNARLY ♪ ♪ NA-NA-NA, NA-NA-GNARLY ♪ ♪ 441 00:27:32,283 --> 00:27:42,293 OBVI', OBVI', THEY BE TRYNA COPY ♪ ♪ ♪ ♪ GNARLY ♪ ♪ 442 00:27:57,142 --> 00:27:57,175 GANG, GANG ♪ ♪ GNARLY ♪ ♪ HOTTIE, HOTTIE ♪ ♪ 443 00:28:14,092 --> 00:28:24,102 EVERYTHING'S GNARLY ♪ [CHEERS AND APPLAUSE] 444 00:28:40,518 --> 00:28:45,256 FEEL LIKE I JUST GOT ON STAGE AT THE GRAMMYS. 445 00:28:45,323 --> 00:28:55,333 ♪ ♪ ♪ ♪ >> WHAT'S UP? 446 00:29:02,774 --> 00:29:05,577 [CHEERS AND APPLAUSE] ♪ SHE SAID, "TAKE YOUR TIME WHAT'S 447 00:29:05,643 --> 00:29:06,878 THE RUSH?" 448 00:29:06,945 --> 00:29:13,084 ♪ ♪ I SAID, "BABY, I'M A DOG, I'M A MUTT" ♪ ♪ SHE 449 00:29:13,151 --> 00:29:17,489 SAID, "TAKE YOUR TIME WHAT'S THE RUSH?" 450 00:29:17,555 --> 00:29:27,565 OH ♪ ♪ I SAID, "BABY, I'M A DOG, I'M A MUTT" ♪ ♪ I'M A 451 00:29:33,471 --> 00:29:38,409 DOG, I'M A MUTT ♪ ♪ I CAN'T SMOKE ON REGGIE, SO PARDON 452 00:29:38,476 --> 00:29:42,914 MY BLUNTNESS ♪ ♪ I SEE PAST PRETTY FACES, SO I GOT 453 00:29:42,981 --> 00:29:46,851 TROUBLE TRUSTING ♪ ♪ BUT I'LL LET MY GUARD DOWN FOR 454 00:29:46,918 --> 00:29:51,890 YOU ♪ ♪ SAID I'LL PUT MY GUARD DOWN FOR YOU ♪ ♪ SAID 455 00:29:51,956 --> 00:29:54,192 I'LL BE VULNERABLE ♪ ♪ SO YOU CAN BREAK MY HEART IF 456 00:29:54,259 --> 00:29:59,964 YOU WANT TO ♪ ♪ SHE SAID, "TAKE YOUR TIME WHAT'S THE 457 00:30:00,031 --> 00:30:01,900 RUSH?" 458 00:30:01,966 --> 00:30:03,768 ♪ ♪ "TAKE YOUR TIME WHAT'S THE RUSH?" 459 00:30:03,835 --> 00:30:08,373 ♪ ♪ I SAID, "BABY, I'M A DOG, I'M A MUTT" ♪ ♪ SHE 460 00:30:08,439 --> 00:30:13,011 AID, "TAKE YOUR TIME WHAT'S THE RUSH?" 461 00:30:13,077 --> 00:30:17,549 ♪ ♪ I SAID, "BABY, I'M A DOG, I'M A MUTT" ♪ ♪ I'M A 462 00:30:17,615 --> 00:30:19,617 DOG, I'M A MUTT ♪ ♪ ♪ ♪ ♪ 463 00:30:44,642 --> 00:30:54,652 [CHEERS AND APPLAUSE] ♪ ♪ >> ♪ THEY SAY, "THE HOLY 464 00:30:58,189 --> 00:31:01,626 WATER'S WATERED DOWN ♪ ♪ AND THIS TOWN'S LOST ITS FAITH ♪ 465 00:31:01,693 --> 00:31:05,163 ♪ OUR COLORS WILL FADE EVENTUALLY" ♪ ♪ SO, IF OUR 466 00:31:05,230 --> 00:31:11,402 TIME IS RUNNIN' OUT ♪ ♪ DAY AFTER DAY ♪ ♪ WE'LL MAKE THE 467 00:31:11,469 --> 00:31:19,777 MUNDANE OUR MASTERPIECE ♪ ♪ OH MY, MY ♪ ♪ OH MY, MY LOVE 468 00:31:19,844 --> 00:31:22,347 ♪ ♪ I TAKE ONE LOOK AT YOU ♪ ♪ YOU'RE TAKIN' ME OUT OF 469 00:31:22,413 --> 00:31:27,585 THE ORDINARY ♪ ♪ I WANT YOU LAYIN' ME DOWN 'TIL WE'RE 470 00:31:27,652 --> 00:31:32,190 DEAD AND BURIED ♪ ♪ I'M ON THE EDGE OF YOUR KNIFE, 471 00:31:32,257 --> 00:31:36,527 STAYIN' DRUNK ON YOUR VINE ♪ ♪ THE ANGELS UP IN THE 472 00:31:36,594 --> 00:31:39,664 CLOUDS ARE JEALOUS KNOWIN' WE FOUND ♪ ♪ SOMETHIN' SO 473 00:31:39,731 --> 00:31:44,469 OUT OF THE ORDINARY ♪ ♪ YOU GOT ME KISSIN' THE GROUND OF 474 00:31:44,535 --> 00:31:49,540 YOUR SANCTUARY ♪ ♪ SHATTER ME WITH YOUR TOUCH, OH LORD, 475 00:31:49,607 --> 00:31:55,747 RETURN ME TO DUST ♪ ♪ THE ANGELS UP IN THE CLOUDS ARE 476 00:31:55,813 --> 00:32:05,590 JEALOUS KNOWIN' WE FOUND ♪ ♪ SOMETHIN' SO HEAVENLY, 477 00:32:05,657 --> 00:32:07,158 HIGHER THAN ECSTASY ♪ ♪ WHENEVER YOU'RE NEXT TO ME, 478 00:32:07,225 --> 00:32:09,927 OH MY, MY ♪ ♪ WORLD WAS IN BLACK AND WHITE UNTIL I SAW 479 00:32:09,994 --> 00:32:13,631 YOUR LIGHT ♪ ♪ I THOUGHT YOU HAD TO DIE TO FIND ♪ ♪ 480 00:32:13,698 --> 00:32:17,735 SOMETHIN' SO OUT OF THE ORDINARY ♪ ♪ I WANT YOU 481 00:32:17,802 --> 00:32:22,073 LAYING ME DOWN 'TIL WE'RE DEAD AND BURIED ♪ ♪ I'M ON 482 00:32:22,140 --> 00:32:26,210 THE EDGE OF YOUR KNIFE STAYIN' DRUNK ON YOUR VINE ♪ 483 00:32:26,277 --> 00:32:29,580 ♪ THE ANGELS UP IN THE CLOUDS ARE JEALOUS KNOWIN' 484 00:32:29,647 --> 00:32:33,985 WE FOUND ♪ ♪ SOMETHIN' SO OUT OF THE ORDINARY ♪ ♪ YOU 485 00:32:34,052 --> 00:32:38,956 GOT ME KISSING THE GROUND OF YOUR SANCTUARY ♪ ♪ SHATTER 486 00:32:39,023 --> 00:32:42,894 ME WITH YOUR TOUCH, OH LORD, RETURN ME TO DUST ♪ ♪ THE 487 00:32:42,960 --> 00:32:53,004 ANGELS UP IN THE CLOUDS ARE JEALOUS KNOWIN' WE FOUND ♪ 488 00:32:53,404 --> 00:33:03,381 [CHEERS AND APPLAUSE] 489 00:33:10,521 --> 00:33:20,531 ♪ ♪ ♪ ♪ >> ♪ YOU KNOW I'M IMPATIENT ♪ ♪ SO WHY WOULD 490 00:33:29,440 --> 00:33:32,643 YOU LEAVE ME WAITIN' OUTSIDE THE STATION ♪ ♪ WHEN IT WAS 491 00:33:32,710 --> 00:33:34,178 LIKE MINUS FOUR DEGREES? 492 00:33:34,245 --> 00:33:37,982 ♪ ♪ AND I, I GET WHAT YOU'RE SAYIN' ♪ ♪ I JUST REALLY 493 00:33:38,049 --> 00:33:40,618 DON'T WANNA HEAR IT RIGHT NOW ♪ ♪ CAN YOU SHUT UP FOR 494 00:33:40,685 --> 00:33:49,093 LIKE ONCE IN YOUR LIFE? 495 00:33:49,160 --> 00:33:51,629 ♪ ♪ BUT, HEY, YOU CAN'T EVEN TALK ♪ ♪ YOU SMOKE WEED JUST 496 00:33:51,696 --> 00:33:53,831 TO HELP YOU SLEEP ♪ ♪ THEN WHY YOU OUT GETTIN' STONED 497 00:33:53,898 --> 00:33:55,032 AT FOUR O'CLOCK? 498 00:33:55,099 --> 00:33:56,234 ♪ ♪ AND THEN YOU COME HOME TO ME ♪ ♪ AND DON'T SAY 499 00:33:56,300 --> 00:33:57,969 HELLO, 'CAUSE I GOT HIGH AGAIN ♪ ♪ AND FORGOT TO FOLD 500 00:33:58,035 --> 00:34:03,841 MY CLOTHES ♪ ♪ 'CAUSE I'M TOO MESSY, AND THEN I'M TOO 501 00:34:03,908 --> 00:34:07,111 DAMN CLEAN ♪ ♪ YOU TOLD ME, "GET A JOB," THEN YOU ASK 502 00:34:07,178 --> 00:34:09,914 WHERE THE HELL I'VE BEEN ♪ ♪ AND I'M TOO PERFECT 'TIL I 503 00:34:09,981 --> 00:34:13,851 OPEN MY BIG MOUTH ♪ ♪ I WANT TO BE ME, IS THAT NOT 504 00:34:13,918 --> 00:34:16,954 ALLOWED? 505 00:34:17,021 --> 00:34:20,892 ♪ ♪ AND I'M TOO CLEVER, AND THEN I'M TOO DAMN DUMB ♪ ♪ 506 00:34:20,958 --> 00:34:24,162 YOU HATE IT WHEN I CRY, UNLESS IT'S THAT TIME OF THE 507 00:34:24,228 --> 00:34:27,899 MONTH ♪ ♪ AND I'M TOO PERFECT 'TIL I SHOW YOU THAT 508 00:34:27,965 --> 00:34:30,201 I'M NOT ♪ ♪ A THOUSAND PEOPLE I COULD BE FOR YOU, 509 00:34:30,268 --> 00:34:36,240 AND YOU HATE THE WHOLE DAMN LOT ♪ ♪ YOU HATE THE WHOLE 510 00:34:36,307 --> 00:34:46,317 DAMN LOT ♪ ♪ YOU HATE THE WHOLE DAMN LOT ♪ 511 00:34:55,226 --> 00:35:05,236 [VOCALIZING] ♪ YOU HATE THE WHOLE DAMN LOT ♪ ♪ YOU HATE 512 00:35:07,338 --> 00:35:09,340 THE WHOLE DAMN LOT ♪ [CHEERS AND APPLAUSE] 513 00:35:24,989 --> 00:35:32,930 ♪ ♪ >> ♪ TALK TO ME, TALK TO ME ♪ ♪ TALK TO ME, TALK TO 514 00:35:32,997 --> 00:35:35,933 ME ♪ ♪ LOOKS LIKE WE'RE MAKING UP FOR LOST TIME ♪ ♪ 515 00:35:36,000 --> 00:35:42,874 NEED YOU TO SPELL IT OUT FOR ME ♪ ♪ BOSSA NOVA ON ALL 516 00:35:42,940 --> 00:35:48,079 NIGHT ♪ ♪ IT'S LIKE A TYPE OF ALCHEMY ♪ ♪ INTRODUCE ME 517 00:35:48,145 --> 00:35:56,087 TO YOUR BEST FRIEND ♪ ♪ I CAN COME AND SLOT RIGHT IN ♪ 518 00:35:56,153 --> 00:36:00,658 ♪ A SATELLITE AIN'T EVEN THAT FAR ♪ ♪ I, I KINDA 519 00:36:00,725 --> 00:36:03,794 WONDER WHERE YOU ARE ♪ ♪ ALREADY KNOW I CAN'T LEAVE 520 00:36:03,861 --> 00:36:12,069 IT ALONE ♪ ♪ YOU'RE ON MY MIND ♪ ♪ ALREADY GAVE YOU 521 00:36:12,136 --> 00:36:17,308 THE TIME AND THE PLACE ♪ ♪ SO, DON'T BE SHY ♪ ♪ JUST 522 00:36:17,375 --> 00:36:20,278 COME BE THE MAN I NEED ♪ ♪ TELL ME YOU GOT SOMETHING TO 523 00:36:20,344 --> 00:36:24,549 GIVE, I WANT IT ♪ ♪ I KINDA LIKE IT WHEN YOU CALL ME 524 00:36:24,615 --> 00:36:30,087 WONDERFUL ♪ ♪ WHATEVER THE TYPE OF TALK IT IS, COME ON 525 00:36:30,154 --> 00:36:34,325 THEN ♪ ♪ I GOTTA KNOW YOU'RE MEANT TO BE THE MAN I NEED ♪ 526 00:36:34,392 --> 00:36:44,435 ♪ TALK TO ME ♪ ♪ TALK TO ME, TALK TO ME ♪ ♪ BE THE MAN 527 00:36:44,669 --> 00:36:52,310 THAT I NEED, NEED NEED ♪ ♪ MM, TALK TO ME, TALK TO ME ♪ 528 00:36:52,376 --> 00:36:56,080 ♪ BE THE MAN THAT I NEED, BABY ♪ ♪ TALK TO ME, TALK TO 529 00:36:56,147 --> 00:37:06,157 ME ♪ ♪ BE THE MAN, MAN, MAN, MAN MAN ♪ ♪ ♪ ♪ MM, MM ♪ ♪ 530 00:37:12,063 --> 00:37:22,073 MM, MM ♪ [CHEERS AND APPLAUSE] 531 00:37:36,320 --> 00:37:38,122 GRAMMYS, GET UP! 532 00:37:38,189 --> 00:37:42,927 ♪ ♪ ♪ I DON'T WANT ANYONE ELSE ♪ ♪ FROM THE HOURS OF 533 00:37:42,994 --> 00:37:48,499 12 TO 12 ♪ ♪ I AM NOT THE LEAST COMPELLED ♪ ♪ BY 534 00:37:48,566 --> 00:37:55,506 ANYONE BUT YOURSELF ♪ ♪ WAS IT ALWAYS IN YOUR PLAN TO 535 00:37:55,573 --> 00:37:56,774 LEAVE EVENTUALLY? 536 00:37:56,841 --> 00:37:58,943 ♪ ♪ BECAUSE TO ME, THERE'S NO ONE ELSE THAT COULD MAKE 537 00:37:59,010 --> 00:38:07,985 SENSE TO ME ♪ ♪ THE LAST AND FINAL PUZZLE PIECE ♪ COME 538 00:38:08,052 --> 00:38:08,719 ON! 539 00:38:09,420 --> 00:38:12,790 ♪ IN A ROOM FULL OF PEOPLE, I LOOK FOR YOU ♪ ♪ WOULD YOU 540 00:38:12,857 --> 00:38:16,560 AVOID ME OR WOULD YOU LOOK FOR ME TOO? 541 00:38:16,627 --> 00:38:20,197 ♪ ♪ TELL ME, IS OUR STORY THROUGH? 542 00:38:20,264 --> 00:38:29,740 ♪ ♪ OR DO OUR HEARTS STILL BEAT IN TUNE? 543 00:38:29,807 --> 00:38:33,544 ♪ ♪ BABY, I'M DELUSIONAL ♪ ♪ AND THE WAY YOU ACT IS USUAL 544 00:38:33,611 --> 00:38:41,452 ♪ ♪ MAYBE IN ANOTHER WORLD ♪ ♪ I WON'T FEEL SO UNLOVABLE 545 00:38:41,519 --> 00:38:51,562 ♪ ♪ OH ♪ GRAMMYS, I'M COMING DOWN THERE AND I WANT YOU TO 546 00:38:52,363 --> 00:38:53,631 GET UP AND DANCE WITH ME RIGHT NOW. 547 00:38:53,698 --> 00:38:55,833 COME ON! 548 00:38:55,900 --> 00:38:59,303 ♪ IN A ROOM FULL OF PEOPLE, I LOOK FOR YOU ♪ ♪ WOULD YOU 549 00:38:59,370 --> 00:39:02,807 AVOID ME OR WOULD YOU LOOK FOR ME TOO? 550 00:39:02,873 --> 00:39:06,577 ♪ ♪ TELL ME, IS OUR STORY THROUGH? 551 00:39:06,644 --> 00:39:09,947 ♪ ♪ OR DO OUR HEARTS STILL BEAT IN TUNE? 552 00:39:10,014 --> 00:39:14,151 ♪ ♪ IN A ROOM FULL OF PEOPLE, I LOOK FOR YOU ♪ ♪ 553 00:39:14,218 --> 00:39:18,589 WOULD YOU AVOID ME OR WOULD YOU SEE ME THROUGH? 554 00:39:18,656 --> 00:39:21,892 ♪ ♪ TELL ME, IS OUR STORY THROUGH? 555 00:39:21,959 --> 00:39:27,865 ♪ ♪ OR DO OUR HEARTS STILL BEAT IN TUNE? 556 00:39:27,932 --> 00:39:29,133 ♪ COME ON! 557 00:39:34,972 --> 00:39:36,941 ♪ ♪ [CHEERS AND APPLAUSE] >> Trevor: YO, ARE YOU KIDDING 558 00:39:37,007 --> 00:39:37,775 SOMBR, EVERYBODY! 559 00:39:38,175 --> 00:39:38,709 KEEP IT GOING AND GIVE IT UP FOR ALL OUR NOMINEES. 560 00:39:38,776 --> 00:39:39,777 HOW AMAZING WERE THEY? 561 00:39:41,979 --> 00:39:42,747 THE MARÍAS, ADDISON RAE, KATSEYE, LEON THOMAS, ALEX 562 00:39:45,983 --> 00:39:48,919 WARREN, LOLA YOUNG, AND OLIVIA DEAN! 563 00:39:48,986 --> 00:39:50,121 DON'T GO ANYWHERE. 564 00:39:50,187 --> 00:39:51,021 LAST YEAR'S WINNER, CHAPPELL ROAN, WILL PRESENT ONE OF 565 00:39:51,088 --> 00:39:54,925 THEM WITH THE GRAMMY FOR BEST NEW ARTIST. 566 00:39:54,992 --> 00:39:55,926 WE'LL BE RIGHT BACK. 567 00:39:55,993 --> 00:39:56,894 SOMBR, EVERYBODY! 568 00:39:56,961 --> 00:39:58,963 ARE YOU KIDDING ME? 569 00:40:11,008 --> 00:40:12,143 Trevor: WELCOME BACK TO THE GRAMMYS! 570 00:40:12,209 --> 00:40:15,146 THE ONLY AWARD SHOW YOU CAN GET PLAYED OFF WITH THEIR 571 00:40:15,212 --> 00:40:16,247 OWN MUSIC. 572 00:40:16,313 --> 00:40:17,348 TO PRESENT THE GRAMMY FOR BEST NEW ARTIST, PLEASE 573 00:40:17,414 --> 00:40:18,549 WELCOME LAST YEAR'S WINNER, WHO EARNED TWO MORE 574 00:40:18,616 --> 00:40:20,117 NOMINATIONS THIS YEAR, INCLUDING ONE FOR RECORD OF 575 00:40:20,184 --> 00:40:21,252 THE YEAR. 576 00:40:21,318 --> 00:40:22,620 LET'S HEAR IT FOR CHAPPELL ROAN! 577 00:40:22,686 --> 00:40:32,696 [APPLAUSE] ♪ ♪ >> Chappell: ONE YEAR AGO I STOOD ON THIS 578 00:40:38,369 --> 00:40:40,905 STAGE AND FELT SO HONORED TO ACCEPT THE GRAMMY FOR BEST 579 00:40:40,971 --> 00:40:42,206 NEW ARTIST. 580 00:40:42,273 --> 00:40:44,642 IN RECENT TIMES, THE GRAMMYS HAVE ESTABLISHED A NEW 581 00:40:44,708 --> 00:40:47,645 TRADITION OF INVITING THE PREVIOUS WINNER TO PRESENT 582 00:40:47,711 --> 00:40:49,046 THIS AWARD. 583 00:40:49,113 --> 00:40:55,853 SO TONIGHT, IT'S MY PLEASURE TO PRESENT THE BEST NEW 584 00:40:55,920 --> 00:40:59,657 ARTIST AWARD. 585 00:40:59,723 --> 00:41:00,825 [APPLAUSE] TO ANY OF THE TALENTED NOMINEES WHO JUST 586 00:41:00,891 --> 00:41:02,459 SHOWED US WHY THEY'RE ALL HERE. 587 00:41:02,526 --> 00:41:07,765 LET'S TAKE A LOOK! 588 00:41:07,832 --> 00:41:12,036 ♪ ♪ >> OLIVIA DEAN. 589 00:41:12,102 --> 00:41:15,639 KATSEYE. 590 00:41:15,706 --> 00:41:19,977 THE MARÍAS. 591 00:41:20,044 --> 00:41:24,748 ADDISON RAE. 592 00:41:24,815 --> 00:41:34,859 SOMBR. 593 00:41:35,059 --> 00:41:39,597 LEON THOMAS. 594 00:41:39,663 --> 00:41:45,135 ALEX WARREN. 595 00:41:45,202 --> 00:41:52,710 LOLA YOUNG. 596 00:41:52,776 --> 00:41:58,449 ♪ ♪ >> Chappell: AS SELECTED BY THE 15,000 VOTING MEMBERS 597 00:41:58,515 --> 00:42:04,755 OF THE RECORDING ACADEMY, THE GRAMMY GOES TO... 598 00:42:04,822 --> 00:42:08,125 OLIVIA DEAN. 599 00:42:08,192 --> 00:42:18,202 [CHEERS AND APPLAUSE] ♪ ♪ >> THANK YOU! 600 00:42:28,212 --> 00:42:38,322 ♪ ♪ THANK YOU! 601 00:42:38,389 --> 00:42:42,960 [CHEERS AND APPLAUSE] THANK YOU! 602 00:42:43,027 --> 00:42:46,964 I NEVER REALLY IMAGINED THAT I WOULD BE UP HERE, LET ALL 603 00:42:47,031 --> 00:42:48,165 NOMINATED, SO THANK YOU SO MUCH. 604 00:42:48,232 --> 00:42:51,168 I WANT TO SAY AN ARTIST IS REALLY NOTHING WITHOUT THEIR 605 00:42:53,037 --> 00:42:54,138 TEAM. 606 00:42:54,204 --> 00:42:56,507 EMILY, MY BEST FRIEND, MY MANAGER, WE'VE BEEN DOING 607 00:42:56,573 --> 00:42:58,509 THIS FOR TEN YEARS. 608 00:42:58,575 --> 00:43:02,446 [APPLAUSE] SO THIS IS FOR YOU, TOO. 609 00:43:02,513 --> 00:43:06,050 AND MY FAMILY, AND I GUESS I WANT TO SAY I'M UP HERE AS A 610 00:43:06,116 --> 00:43:07,184 GRANDDAUGHTER OF AN IMMIGRANT. 611 00:43:07,251 --> 00:43:14,959 I WOULDN'T BE HERE-- [CHEERS AND APPLAUSE] YEAH, 612 00:43:15,025 --> 00:43:17,594 I'M A PRODUCT OF BRAVERY, AND I THINK THOSE PEOPLE 613 00:43:17,661 --> 00:43:22,599 DESERVE TO BE CELEBRATED. 614 00:43:22,666 --> 00:43:26,003 [APPLAUSE] SO YEAH, WE ARE NOTHING WITHOUT EACH OTHER. 615 00:43:26,070 --> 00:43:27,104 THANK YOU SO MUCH. 616 00:43:27,171 --> 00:43:27,638 I LOVE YOU. 617 00:43:27,705 --> 00:43:30,374 THANK YOU SO MUCH. 618 00:43:30,441 --> 00:43:31,208 BYE! 619 00:43:31,709 --> 00:43:35,245 ♪ ♪ >> Announcer: COMING UP, JUSTIN BIEBER PERFORMS A 620 00:43:35,312 --> 00:43:38,615 SONG FROM "SWAG," NOMINATED FOR ALBUM OF THE YEAR. 621 00:43:38,682 --> 00:43:42,219 THEN, "ABRACADABRA," LADY GAGA TAKES THE GRAMMY STAGE. 622 00:43:42,286 --> 00:43:45,155 AND, IN HER FIRST-EVER GRAMMY PERFORMANCE, REBA 623 00:43:45,222 --> 00:43:47,891 McENTIRE SINGS FOR THE TRAILBLAZERS WE LOST THIS 624 00:43:47,958 --> 00:43:49,026 PAST YEAR. 625 00:43:49,093 --> 00:43:52,629 THIS IS CBS. 626 00:43:55,966 --> 00:43:57,401 Announcer: TO WATCH TODAY'S GRAMMYS PREMIERE 627 00:43:57,468 --> 00:43:59,603 CEREMONY WINNERS IN MORE THAN 80 CATGORIES, GO TO 628 00:43:59,670 --> 00:44:01,672 - Live. - Grammy.com. 629 00:44:20,991 --> 00:44:23,560 ♪ ♪ >> Trevor: WELCOME BACK TO THE GRAMMYS. 630 00:44:23,627 --> 00:44:25,062 POTATO. 631 00:44:25,129 --> 00:44:27,931 IF YOU HAD ME SAYING "POTATO" ON POLYMARKET, YOU 632 00:44:27,998 --> 00:44:30,934 JUST MADE A TON OF MONEY. 633 00:44:31,001 --> 00:44:33,704 "NOAH "NOAH_ 22," WHOEVER THAT IS. 634 00:44:40,010 --> 00:44:46,950 TO TAKE A TIME TO SHUT OUT THE HEADLINER OF THIS YEAR'S 635 00:44:47,017 --> 00:44:48,952 SUPER BOWL, SUPER BOWL, PUERTO RICO'S VERY OWN, BAD 636 00:44:49,019 --> 00:44:49,987 BUNNY. 637 00:44:58,028 --> 00:45:00,030 [APPLAUSE] >> HOLA HOLA CAN I TOOK A MOMENT TO THINK 638 00:45:09,973 --> 00:45:11,809 BAD BUNNY SET UP RESIDENCE IN PUERTO RICO. 639 00:45:11,875 --> 00:45:15,913 HE TEAMED UP WITH LOCAL TOURISM TO MAKE SURE PUERTO 640 00:45:15,979 --> 00:45:20,851 RICAN HOTELS AND BUSINESSES BENEFITED FROM HIS SHOW ANY 641 00:45:20,918 --> 00:45:23,687 NATURE TO KEEP TICKET PRICES AFFORDABLE FOR LOCAL PUERTO 642 00:45:23,754 --> 00:45:26,924 RICANS SO THEY COULD ALL COME TO THE SHOWS. 643 00:45:26,990 --> 00:45:32,930 ON TOP OF ALL OF THAT, HE STILL ADDED $400 MILLION TO 644 00:45:32,996 --> 00:45:33,397 PUERTO RICO'S ECONOMY. 645 00:45:33,464 --> 00:45:35,499 COME ON! 646 00:45:35,566 --> 00:45:38,602 [APPLAUSE] I WAS SO EXCITED TO COME BACK AND HOST THIS 647 00:45:38,669 --> 00:45:43,707 YEAR KNOWING THAT YOU WERE GOING TO BE HERE. 648 00:45:43,774 --> 00:45:46,343 I FOUND OUT BECAUSE YOU ARE DOING THE SUPER BOWL, 649 00:45:46,410 --> 00:45:48,512 WHOEVER IS DOING THE SUPER BOWL IS CONTRACTUALLY 650 00:45:48,579 --> 00:45:51,782 OBLIGATED TO ONLY DO THE SUPER BOWL, SO YOU CAN'T 651 00:45:51,849 --> 00:45:52,983 PERFORM AT THE GRAMMYS. 652 00:45:53,050 --> 00:45:53,550 IS THIS TRUE? 653 00:45:53,617 --> 00:45:54,785 Bad Bunny: NO. 654 00:45:54,852 --> 00:45:56,453 Trevor: YOU CAN'T PERFORM? 655 00:45:56,520 --> 00:45:59,256 Bad Bunny: I WISH, BUT I CAN'T, YEAH. 656 00:45:59,323 --> 00:46:02,459 Trevor: OKAY, IT'S JUST THAT I CAME BECAUSE I 657 00:46:02,526 --> 00:46:05,996 THOUGHT, LIKE-- I WOULD LIKE, BAD BUNNY IS GOING TO 658 00:46:06,063 --> 00:46:07,764 -- >> Bad Bunny: ME, TOO. 659 00:46:07,831 --> 00:46:10,067 I THOUGHT I WAS PERFORMING BUT I CAN'T. 660 00:46:10,134 --> 00:46:14,404 Trevor: THIS IS NOT-- CAN YOU DO-- WHAT ABOUT A 661 00:46:14,471 --> 00:46:15,005 CHORUS? 662 00:46:15,072 --> 00:46:17,741 Bad Bunny: NO, BRO. 663 00:46:17,808 --> 00:46:18,375 I CAN'T. 664 00:46:18,575 --> 00:46:20,043 Trevor: WHAT IF WE MIME? 665 00:46:20,110 --> 00:46:22,913 LIKELY PLAY THE MUSIC LIKE A MUSIC VIDEO. 666 00:46:22,980 --> 00:46:23,514 NO? 667 00:46:23,580 --> 00:46:26,083 Bad Bunny: NO, NO. 668 00:46:26,150 --> 00:46:27,017 THERE'S GONNA BE PROBLEMS. 669 00:46:27,084 --> 00:46:30,120 Trevor: I RESPECT IT. 670 00:46:30,187 --> 00:46:32,556 WHILE I HAVE YOU HERE, CAN I ASK YOU A FAVOR? 671 00:46:32,623 --> 00:46:34,925 IF THINGS KEEP GETTING WORSE IN AMERICA, CAN I COME LIVE 672 00:46:34,992 --> 00:46:37,728 WITH YOU IN PUERTO RICO? 673 00:46:37,794 --> 00:46:40,664 [LAUGHTER] >> Bad Bunny: TREVOR, I HAVE SOME NEWS FOR 674 00:46:40,731 --> 00:46:41,365 YOU. 675 00:46:41,932 --> 00:46:45,068 PUERTO RICO IS PART OF AMERICA, SO IT'S THE SAME-- 676 00:46:45,135 --> 00:46:46,170 Trevor: DON'T TELL THEM. 677 00:46:46,236 --> 00:46:48,505 I NEED A PLAN B. 678 00:46:48,572 --> 00:46:49,740 DON'T TELL THEM THAT. 679 00:46:49,806 --> 00:46:52,009 OUR NEXT PERFORMER MADE HIS GRAMMY STAGE DEBUT 15 YEARS 680 00:46:52,075 --> 00:46:56,013 AGO WHEN HE WAS JUST 16 YEARS OLD. 681 00:46:56,079 --> 00:46:59,416 HE'S HERE TONIGHT WITH FOUR NEW NOMINATIONS INCLUDING 682 00:46:59,483 --> 00:47:05,822 ALBUM OF THE YEAR FOR HIS LATEST, "SWAG." 683 00:47:05,889 --> 00:47:09,226 PLEASE SHOW SOME LOVE FOR JUSTIN BIEBER. 684 00:47:09,293 --> 00:47:11,295 [APPLAUSE] ♪ ♪ ♪ ♪ ♪ ♪ 685 00:48:17,961 --> 00:48:20,931 ♪ ♪ [BEAT LOOPING] ♪ ♪ >> ♪ IN THE CITY, 'MEMBER USED TO 686 00:48:20,998 --> 00:48:27,004 DRIVE A YUKON ♪ ♪ I PICK UP WHENEVER YOU CALL ♪ ♪ IN THE 687 00:48:27,070 --> 00:48:31,642 PARKING LOT IN TUCSON LIKE ARE YOU WIT' ME ♪ ♪ IN THE 688 00:48:31,708 --> 00:48:36,413 PHANTOM WITH THE ROOF GONE ♪ ♪ I PULL UP LIKE JIMMY 689 00:48:36,480 --> 00:48:40,651 NEUTRON ♪ ♪ I COULD HELP YOU GET A MOVE ON LIKE U-HAUL ♪ 690 00:48:40,717 --> 00:48:47,691 ♪ AND I KNOW ♪ ♪ YOU LIKE TO GO SLOW ♪ ♪ BUT WE COULD GO 691 00:48:47,758 --> 00:48:53,130 FASTER ♪ ♪ TELL ME THE PASSWORD ♪ ♪ SLIDE CITY, 692 00:48:53,196 --> 00:48:58,468 SLIDE CITY ♪ ♪ YOU KNOW WHAT THAT MEANS ♪ ♪ I'M COMING UP 693 00:48:58,535 --> 00:49:06,943 ON YOU QUICKLY, MHM ♪ ♪ I BRING NICE THINGS ♪ ♪ SLIDE 694 00:49:07,010 --> 00:49:09,613 CITY, SLIDE ♪ ♪ PLENTY OTHER MEN TRYNA GET IN THE BED ♪ ♪ 695 00:49:09,680 --> 00:49:12,082 SO I'MA GET SLOUCHED INSTEAD ♪ ♪ I KNOW IT'S GON' MAKE 696 00:49:12,149 --> 00:49:21,024 YOU BEG ♪ ♪ WHAT WOULD I DO IF I DIDN'T LOVE YOU, BABY? 697 00:49:21,091 --> 00:49:26,830 ♪ ♪ WHAT WOULD I DO IF I DIDN'T LOVE YOU, BABY? 698 00:49:26,897 --> 00:49:36,940 ♪ ♪ WHAT WOULD I DO IF I DIDN'T LOVE YOU? 699 00:49:37,874 --> 00:49:43,513 ♪ ♪ I JUST WANNA BE THE ONE TO GIVE YOU WHAT YOU WANT ♪ 700 00:49:43,580 --> 00:49:46,083 ♪ I COULD PUT YOU IN THE YVES SAINT LAURENT ♪ ♪ 701 00:49:46,149 --> 00:49:49,653 RIDING ROUND TOWN WITH YOUR HAIR DONE UP ♪ ♪ I KNOW YOU 702 00:49:49,720 --> 00:49:59,730 LIKE IT WHEN I TELL YOU WHAT YOU WANT ♪ 703 00:50:01,898 --> 00:50:06,336 ♪ I COULD TELL YOUR FRIENDS ♪ ♪ YOU LIKE TO GO SLOW ♪ ♪ 704 00:50:06,403 --> 00:50:11,508 BUT WE COULD GO FASTER ♪ ♪ TELL ME THE PASSWORD ♪ ♪ 705 00:50:11,575 --> 00:50:17,147 SLIDE CITY, SLIDE CITY ♪ ♪ YOU KNOW WHAT THAT MEANS ♪ ♪ 706 00:50:17,214 --> 00:50:21,952 I'M COMING UP ON YOU QUICKLY ♪ ♪ I BRING NICE THINGS ♪ ♪ 707 00:50:22,018 --> 00:50:25,155 SLIDE CITY SLIDE ♪ ♪ PLENTY OTHER MEN TRYNA GET IN THE 708 00:50:25,222 --> 00:50:29,292 BED ♪ ♪ SO I'MA GET SLOUCHED INSTEAD ♪ ♪ I KNOW IT'S GON' 709 00:50:29,359 --> 00:50:36,366 MAKE YOU BEG ♪ ♪ WHAT WOULD I DO IF I DIDN'T LOVE YOU, 710 00:50:36,433 --> 00:50:37,467 BABY? 711 00:50:37,534 --> 00:50:47,544 ♪ ♪ WHAT WOULD I DO IF I DIDN'T LOVE YOU, BABY? 712 00:50:49,513 --> 00:50:50,113 ♪ 713 00:50:52,549 --> 00:50:58,722 ♪ WHAT WOULD I DO, DO, IF I DIDN'T LOVE YOU? 714 00:50:58,789 --> 00:51:03,360 ♪ ♪ WHAT WOULD I DO? 715 00:51:03,427 --> 00:51:13,437 ♪ ♪ LOVE YOU, LOVE YOU, LOVE YOU, LOVE YOU ♪ ♪ YEAH ♪ ♪ ♪ 716 00:51:16,273 --> 00:51:26,283 [CHEERS AND APPLAUSE] ♪ ♪ 717 00:51:44,768 --> 00:51:46,970 [APPLAUSE] >> Trevor: WOW. 718 00:51:47,037 --> 00:51:48,004 JUSTIN BIEBER. 719 00:51:48,071 --> 00:51:48,972 WHAT A CAPTIVATING PERFORMANCE. 720 00:51:49,039 --> 00:51:52,209 KEEP IT GOING FOR JUSTIN BIEBER, EVERYBODY. 721 00:51:52,275 --> 00:51:55,579 [APPLAUSE] THE FEELING IN THE ROOM WAS AMAZING. 722 00:51:55,645 --> 00:51:59,850 BEFORE WE MOVE ON, ONE THING I WANTED TO MENTION IS THAT 723 00:51:59,916 --> 00:52:04,254 AFTER 54 YEARS, THE GRAMMYS IS LEAVING ITS HOME ON CBS. 724 00:52:04,321 --> 00:52:04,955 YEAH. 725 00:52:05,622 --> 00:52:09,759 THE GRAMMYS HAVE BEEN ON CBS SINCE WAY BACK IN 1973, WHEN 726 00:52:09,826 --> 00:52:12,429 THEY STARTED AS AN "NCIS" SPIN-OFF. 727 00:52:12,496 --> 00:52:13,864 [LAUGHTER] THE SAME GOES FOR ME. 728 00:52:13,930 --> 00:52:16,166 THIS IS MY SIXTH AND LAST YEAR HOSTING THE GRAMMYS. 729 00:52:16,233 --> 00:52:18,602 I LOVE MY TIME BUT I BELIEVE IN TERM LIMITS. 730 00:52:18,668 --> 00:52:21,204 I WANTED TO SET AN EXAMPLE FOR ANYONE WHO MIGHT BE 731 00:52:21,271 --> 00:52:22,239 WATCHING THE SHOW. 732 00:52:22,305 --> 00:52:25,108 JUST LEAVE WHEN YOUR TIME IS UP. 733 00:52:25,175 --> 00:52:26,977 YOU KNOW, WHATEVER. 734 00:52:27,043 --> 00:52:30,547 BUT LETS GIVE OUT ANOTHER AWARD, SHALLOWLY? 735 00:52:30,614 --> 00:52:33,116 HE MAKES US LAUGH EVERY SINGLE SATURDAY NIGHT, AND 736 00:52:33,183 --> 00:52:36,386 SHE IS ONE OF MUSIC'S BIGGEST SENSATIONS EVERY DAY 737 00:52:36,453 --> 00:52:37,254 OF THE WEEK. 738 00:52:37,587 --> 00:52:40,190 PLEASE WELCOME MARCELLO HERNÁNDEZ AND KAROL G. 739 00:52:40,257 --> 00:52:50,267 [APPLAUSE] ♪ ♪ >> BUENAS NOCHES BUENAS NOCHES. 740 00:52:55,906 --> 00:52:57,541 ARRIBA ARRIBA LATINOS. 741 00:52:58,275 --> 00:53:01,511 ¿DóNDE ESTáN LOS LATINOS? 742 00:53:01,578 --> 00:53:01,845 i 743 00:53:02,112 --> 00:53:06,383 ¡UNA BULLA! 744 00:53:06,449 --> 00:53:07,918 NO SE OYE. 745 00:53:07,984 --> 00:53:09,252 SORRY, WE HAD TO DO THAT. 746 00:53:09,319 --> 00:53:15,325 TO EVERYONE ELSE, WE WOULD LIKE TO SAY "GOOD EVENING." 747 00:53:20,997 --> 00:53:23,934 [LAUGHS] AS A KID, EVERY SATURDAY MY MOM USED TO WAKE 748 00:53:24,000 --> 00:53:25,101 US UP AT 8:00 A.M. 749 00:53:25,168 --> 00:53:28,939 TO CLEAN THE HOUSE, AND SHE WOULD BE BLASTING GLORIA 750 00:53:29,005 --> 00:53:30,807 ESTEFA WOULD BE BLASTING GLORIA ESTE ESTEFAN, JUAN 751 00:53:30,874 --> 00:53:31,942 LUIS GUERRA. 752 00:53:32,008 --> 00:53:37,581 Karol: IN MY HOUSE IT WAS 7:00 A.M., AND IT WAS 753 00:53:37,647 --> 00:53:38,782 THALIA. 754 00:53:38,848 --> 00:53:43,486 SPEED TO THE IN THIS CATEGORY ARE DEFINING THEIR 755 00:53:43,553 --> 00:53:49,960 GENERATION, REPRESENTING FOR ALL THE LATINOS, AND THEY 756 00:53:50,026 --> 00:53:54,130 ARE MAKING THE MUSIC THAT MY KIDS WILL ONE DAY HAVE TO 757 00:53:54,197 --> 00:53:55,498 CLEAN TO. 758 00:53:55,565 --> 00:53:59,336 [LAUGHTER] >> Karol: AND HERE ARE OUR NOMINEES FOR 759 00:53:59,402 --> 00:54:04,274 BEST MÚSICA URBANA ALBUM. 760 00:54:04,341 --> 00:54:09,713 "DeBÍ TiRAR MáS FOToS," BAD BUNNY. 761 00:54:09,779 --> 00:54:15,452 "MIXTEIP," J BALVIN. 762 00:54:15,518 --> 00:54:19,889 "FERXXO VOL X: SAGRADO," FEID. 763 00:54:19,956 --> 00:54:29,633 "NAIKI," NICKI NICOLE. 764 00:54:29,699 --> 00:54:33,436 "EUB DELUXE," TRUENO. 765 00:54:38,441 --> 00:54:39,442 "SINFÓNICO (EN VIVO)," YANDEL. 766 00:54:48,018 --> 00:54:53,990 ♪ ♪ >> CUáNTO SAZóN EN ESA CATEGORíA. 767 00:54:54,057 --> 00:54:56,793 AND THE GRAMMY GOES TO, BAD BUNNY! 768 00:54:56,860 --> 00:55:06,870 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 769 00:55:17,180 --> 00:55:27,190 ♪ ♪ 770 00:55:37,367 --> 00:55:46,643 M, BEFORE I SAY THANKS TO GOD, I'M GOING TO SAY, 771 00:55:46,710 --> 00:55:47,911 I.C.E. 772 00:55:47,977 --> 00:55:48,411 OUT. 773 00:55:48,645 --> 00:55:58,488 [CHEERS AND APPLAUSE] 774 00:56:02,859 --> 00:56:12,869 [SUSTAINED APPLAUSE] 775 00:56:16,673 --> 00:56:20,176 WE ARE NOT SAVAGE, WE ARE NOT ANIMALS, WE ARE NOT 776 00:56:20,243 --> 00:56:24,481 ALIENS, WE ARE HUMANS AND WE ARE AMERICANS. 777 00:56:24,547 --> 00:56:33,289 [CHEERS AND APPLAUSE] ALSO, I WANT TO SAY TO THE PEOPLE, 778 00:56:33,356 --> 00:56:38,094 I KNOW IT IS TOUGH TO KNOW-- NOT TO HATE ON THESE 779 00:56:38,161 --> 00:56:45,935 DAYS, AND I WAS THINKING, SOMETIMES WE GET... 780 00:56:46,002 --> 00:56:54,010 I DON'T KNOW HOW TO SAY THAT IN ENGLISH. 781 00:56:54,077 --> 00:56:58,414 THE HATE GETS MORE POWERFUL WITH MORE HATE. 782 00:56:58,481 --> 00:57:03,887 THE ONLY THING THAT IS MORE POWERFUL THAN HATE IS LOVE. 783 00:57:03,953 --> 00:57:12,762 [CHEERS AND APPLAUSE] SO, PLEASE, WE NEED TO BE 784 00:57:12,829 --> 00:57:13,730 DIFFERENT. 785 00:57:13,797 --> 00:57:19,435 IF WE FIGHT, WE HAVE TO DO IT WITH LOVE. 786 00:57:19,502 --> 00:57:20,570 YEAH. 787 00:57:20,637 --> 00:57:30,680 WE DON'T HATE THEM, WE LOVE OUR PEOPLE, WE LOVE OUR 788 00:57:31,014 --> 00:57:34,284 FAMILY, AND THAT'S THE WAY TO DO IT, WITH LOVE. 789 00:57:34,350 --> 00:57:36,920 DON'T FORGET THAT, PLEASE. 790 00:57:36,986 --> 00:57:38,021 THANK YOU. 791 00:57:38,087 --> 00:57:39,756 THANK YOU, GOD! 792 00:57:39,823 --> 00:57:41,024 AND THANK YOU TO THE ACADEMY. 793 00:57:41,090 --> 00:57:48,398 [APPLAUSE] ♪ ♪ >> Announcer: UP NEXT, LAINEY WILSON AND 794 00:57:48,464 --> 00:57:51,935 JEFF GOLDBLUM PRESENT FOR BEST CONTEMPORARY COUNTRY 795 00:57:52,001 --> 00:57:53,703 ALBUM, LADY GAGA ROCKS "ABRACADABRA" AS YOU'VE 796 00:57:53,770 --> 00:57:56,773 NEVER HEARD IT BEFORE. 797 00:57:56,840 --> 00:57:59,042 THEN, SIX-TIME NOMINEE TONIGHT TYLER, THE CREATOR 798 00:57:59,108 --> 00:58:01,778 TAKES THE GRAMMY STAGE. 799 00:58:01,845 --> 00:58:05,949 PLUS BRUNO MARS JUST MIGHT PERFORM HIS LATEST SMASH! 800 00:58:08,051 --> 00:58:10,119 THIS IS CBS. 801 00:58:10,186 --> 00:58:11,554 Announcer: MASTERCARD IS PROUD TO SPONSOR THE 68TH 802 00:58:11,621 --> 00:58:12,889 GRAMMY AWARDS. 803 00:58:12,956 --> 00:58:13,957 GETTING CLOSER TO THE MUSIC THAT CONNECTS US: PRICELESS. 804 00:58:25,668 --> 00:58:26,903 ♪ >> Announcer: PLEASE WELCOME THE 805 00:58:26,970 --> 00:58:28,438 "WICKEDLY" ACCOMPLISHED ACTOR AND MUSICIAN, JEFF 806 00:58:28,504 --> 00:58:29,973 GOLDBLUM, AND A GRAMMY WINNER WITH THREE NEW 807 00:58:31,975 --> 00:58:34,110 COUNTRY NOMINATIONS THIS YEAR, LAINEY WILSON. 808 00:58:34,177 --> 00:58:39,916 [APPLAUSE] ♪ ♪ >> Jeff: THE GREAT LAINEY WILSON, LADIES 809 00:58:39,983 --> 00:58:41,484 LAINEY WILSON, LADI LADIES AND GENTLEMEN. 810 00:58:41,551 --> 00:58:43,219 Lainey: THANK YOU, JEFF. 811 00:58:43,286 --> 00:58:46,890 I CAN'T BELIEVE I GET TO PRESENT THIS GRAMMY WITH 812 00:58:46,956 --> 00:58:48,224 "THE WIZARD OF OZ" HIMSELF. 813 00:58:48,291 --> 00:58:51,527 IT'S LIKE "SOMEWHERE OVER THE RAINBOW" MEETS 814 00:58:51,594 --> 00:58:53,296 "SOMEWHERE OVER LAREDO." 815 00:58:53,363 --> 00:58:54,697 Jeff: I LOVE THAT SONG. 816 00:58:54,764 --> 00:58:57,300 THANK YOU SO MUCH, YOU'RE SO SWEET. 817 00:58:57,367 --> 00:59:00,303 JAZZ CAT THOUGH I AM, I REALLY HAVE THE DEEPEST 818 00:59:00,370 --> 00:59:03,806 RESPECT, LAINEY, FOR ALL THE GREAT ARTISTS OF COUNTRY 819 00:59:03,873 --> 00:59:07,143 TODAY, AND ESPECIALLY FOR YOU, LAINEY WILSON. 820 00:59:07,210 --> 00:59:07,610 DR. 821 00:59:07,677 --> 00:59:08,611 WILSON, COME ON. 822 00:59:08,978 --> 00:59:10,179 Lainey: I'LL TAKE IT, AND WE WILL MAKE BEAUTIFUL MUSIC 823 00:59:10,246 --> 00:59:11,481 TOGETHER AT SOME POINT. 824 00:59:11,547 --> 00:59:14,083 BUT FIRST, WE FEEL HONORED TO STAND TOGETHER ON THE 825 00:59:14,150 --> 00:59:17,420 GRAMMYS STAGE TONIGHT TO HAND OUT AND AWARD 826 00:59:17,487 --> 00:59:19,822 CELEBRATING THE VERY BEST IN COUNTRY MUSIC TODAY. 827 00:59:19,889 --> 00:59:23,826 Jeff: VERY, VERY HONORED, AS YOU SAY. 828 00:59:23,893 --> 00:59:26,896 THESE ARE THE SPECTACULARLY OUTSTANDING NOMINEES FOR 829 00:59:26,963 --> 00:59:29,966 BEST CONTEMPORARY COUNTRY ALBUM. 830 00:59:36,973 --> 00:59:41,911 ♪ ♪ >> "PATTERNS," KELSEA BALLERINI. 831 00:59:41,978 --> 00:59:47,517 ♪ ♪ "SNIPE HUNTER," TYLER CHILDERS. 832 00:59:47,583 --> 00:59:52,055 ♪ ♪ "EVANGELINE VS. 833 00:59:52,121 --> 00:59:56,659 THE MACHINE," ERIC CHURCH. 834 00:59:56,726 --> 01:00:03,666 ♪ ♪ "BEAUTIFULLY BROKEN," JELLY ROLL. 835 01:00:03,733 --> 01:00:10,473 ♪ ♪ "POSTCARDS FROM TEXAS," MIRANDA LAMBERT. 836 01:00:10,540 --> 01:00:20,550 ♪ ♪ >> Jeff: AND THE GRAMMY GOES TO... 837 01:00:25,855 --> 01:00:29,158 Lainey: "BEAUTIFULLY BROKEN," JELLY ROLL! 838 01:00:29,225 --> 01:00:39,235 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ ♪ ♪ 839 01:01:00,056 --> 01:01:01,290 I KNOW THEY'RE GOING TO TRY TO KICK ME OUT HERE SO 840 01:01:01,357 --> 01:01:03,393 LET ME JUST TRY TO GET THIS OUT. 841 01:01:03,459 --> 01:01:08,031 FIRST OF ALL, P16, I HEAR YOU, AND I'M LISTENING, 842 01:01:08,097 --> 01:01:08,664 LORD. 843 01:01:09,332 --> 01:01:10,433 I'M LISTENING, LORD FOR A SECOND I WANT TO THANK MY 844 01:01:10,500 --> 01:01:11,567 BEAUTIFUL WIFE. 845 01:01:11,634 --> 01:01:13,403 I WOULD HAVE NEVER CHANGE MY LIFE WITHOUT YOU. 846 01:01:13,469 --> 01:01:15,471 I WOULD HAVE BEEN DEAD OR IN JAIL OR I WOULD HAVE KILLED 847 01:01:15,538 --> 01:01:17,673 MYSELF IF NOT FOR YOU AND P16. 848 01:01:17,740 --> 01:01:19,742 I THINK MY LABEL. 849 01:01:19,809 --> 01:01:21,277 COUNTRY RADIO, BABY! 850 01:01:21,344 --> 01:01:22,945 WHAT'S UP, DOG? 851 01:01:23,012 --> 01:01:24,447 WE DID IT, BABY. 852 01:01:24,514 --> 01:01:28,684 THERE WAS A TIME IN MY LIFE, Y'ALL, THAT I WAS BROKE IN. 853 01:01:28,751 --> 01:01:30,086 THAT'S WHY I WROTE THIS ALBUM. 854 01:01:30,153 --> 01:01:31,421 I DIDN'T THINK I HAD A CHANCE. 855 01:01:31,487 --> 01:01:33,823 THERE WAS DAYS I THOUGHT THE DARKEST THINGS. 856 01:01:33,890 --> 01:01:34,991 I WAS A HORRIBLE HUMAN. 857 01:01:35,058 --> 01:01:36,993 THERE WAS A MOMENT IN MY LIFE THAT I HAD WAS A BIBLE 858 01:01:37,060 --> 01:01:42,632 THIS BIG AND A RADIO THE AND A SIX BY 8-FOOT CELL AND I 859 01:01:42,698 --> 01:01:43,900 THOUGHT THOSE THINGS COULD CHANGE MY LIFE. 860 01:01:43,966 --> 01:01:46,235 I THOUGHT MUSIC HAD THE POWER TO CHANGE MY LIFE AND 861 01:01:46,302 --> 01:01:49,238 GOD HAD THE POWER TO CHANGE MY LIFE, AND I WANTED TO 862 01:01:49,305 --> 01:01:52,141 TELL YOU RIGHT NOW, JESUS IS FOR EVERYBODY. 863 01:01:52,208 --> 01:01:55,545 JESUS IS NOT OWNED BY ONE CLINICAL PARTY. 864 01:01:55,611 --> 01:01:59,282 JESUS IS NOT OWNED BY NO MUSIC LABEL. 865 01:01:59,348 --> 01:02:01,651 JESUS IS JESUS AND ANYBODY CAN HAVE A RELATIONSHIP WITH 866 01:02:01,717 --> 01:02:02,185 HIM. 867 01:02:02,251 --> 01:02:04,954 I LOVE YOU, LORD. 868 01:02:05,021 --> 01:02:15,031 [APPLAUSE] ♪ ♪ ♪ ♪ >> Trevor: HAPPY HOW CAN YOU 869 01:02:21,137 --> 01:02:24,640 NOTLOVE THAT MAN CA, EVERYBODY. 870 01:02:24,707 --> 01:02:25,908 CONGRATULATIONS ONE MORE TIME AND THINK OF THAT. 871 01:02:25,975 --> 01:02:29,679 MY MOM IS GOING TO LOVE THE SHOW NOW. 872 01:02:29,745 --> 01:02:31,147 I JUST WANT TO SAY CONGRATULATIONS. 873 01:02:31,214 --> 01:02:36,786 THIS IS A SPECIAL ONE, FIRST TIME GRAMMY NOMINEE IN THE 874 01:02:36,853 --> 01:02:42,225 HOUSE, SUPREME COURT JUSTICE KETANJI BROWN JACKSON. 875 01:02:42,291 --> 01:02:43,626 [APPLAUSE] THAT'S RIGHT. 876 01:02:43,693 --> 01:02:48,231 SHE WAS NOMINATED IN THE AUDIOBOOK CATEGORY. 877 01:02:48,297 --> 01:02:50,600 AND WITH HER BEING HERE, YOU KNOW WHAT THAT MEANS. 878 01:02:50,666 --> 01:02:54,670 FOR THE FIRST TIME EVER, IF YOU LOSE A GRAMMY YOU CAN 879 01:02:54,737 --> 01:02:55,938 APPEAL DIRECTLY TO THE SUPREME COURT. 880 01:02:56,005 --> 01:02:58,674 [LAUGHTER] TIME FOR OUR NEXT PERFORMANCE. 881 01:02:58,741 --> 01:03:01,777 SHE IS ALREADY A NEW GRAMMY WINNER JUST TODAY. 882 01:03:01,844 --> 01:03:04,881 HERE TO PERFORM HER SMASH HIT, "ABRACADABRA," 14-TIME 883 01:03:04,947 --> 01:03:13,389 GRAMMY WINNER LADY GAGA! 884 01:03:13,656 --> 01:03:23,633 ♪ ♪ 885 01:03:29,639 --> 01:03:31,674 GRAMMYS, PUT YOUR PAWS UP! 886 01:03:47,023 --> 01:03:52,962 ♪ ♪ ♪ ABRA-CA-DABRA ♪ ♪ ABRACADABRA ♪ ♪ 887 01:03:53,029 --> 01:03:54,197 ABRA-CA-DABRA ♪ ♪ ABRACADABRA ♪ ♪ PAY THE TOLL 888 01:03:54,263 --> 01:03:58,501 TO THE ANGELS ♪ ♪ DRAWING CIRCLES IN THE CLOUDS ♪ ♪ 889 01:04:01,037 --> 01:04:06,442 KEEP YOUR MIND ON THE DISTANCE ♪ ♪ WHEN THE DEVIL 890 01:04:06,509 --> 01:04:12,381 TURNS AROUND ♪ ♪ HOLD ME IN YOUR HEART TONIGHT ♪ ♪ IN 891 01:04:12,448 --> 01:04:16,385 THE MAGIC OF THE DARK MOONLIGHT ♪ ♪ SAVE ME FROM 892 01:04:16,452 --> 01:04:24,427 THIS EMPTY FIGHT ♪ ♪ IN THE GAME OF LIFE ♪ ♪ LIKE A POEM 893 01:04:24,493 --> 01:04:28,297 SAID BY A LADY IN RED ♪ ♪ YOU HEAR THE LAST FEW WORDS 894 01:04:28,364 --> 01:04:33,569 OF YOUR LIFE ♪ ♪ WITH A HAUNTING DANCE, NOW YOU'RE 895 01:04:33,636 --> 01:04:36,239 BOTH IN A TRANCE ♪ ♪ IT'S TIME TO CAST YOUR SPELL ON 896 01:04:36,305 --> 01:04:43,179 THE NIGHT ♪ ♪ ABRACADABRA ♪ ♪ AMOR OO NA NA ♪ ♪ ABRA CA 897 01:04:43,246 --> 01:04:49,085 DA BRA ♪ ♪ MORTA OO GAGA ♪ ♪ ABRACADABRA ♪ ♪ ABRA OO NA 898 01:04:49,151 --> 01:04:54,624 NA ♪ ♪ IN HER TONGUE SHE SAID ♪ ♪ DEATH OR LOVE 899 01:04:54,690 --> 01:04:59,462 TONIGHT ♪ ♪ ABRA-CA-DABRA ♪ ♪ ABRACADABRA ♪ ♪ 900 01:04:59,528 --> 01:05:03,933 ABRA-CA-DABRA ♪ ♪ ABRACADABRA ♪ ♪ FEEL THE 901 01:05:04,000 --> 01:05:08,671 BEAT UNDER YOUR FEET ♪ ♪ THE FLOOR'S ON FIRE ♪ ♪ 902 01:05:08,738 --> 01:05:14,176 ABRACADABRA ♪ ♪ CHOOSE THE ROAD ♪ ♪ ON THE WEST SIDE ♪ 903 01:05:14,243 --> 01:05:19,148 ♪ AS THE DUST FLIES ♪ ♪ WATCH IT BURN ♪ ♪ DON'T 904 01:05:19,215 --> 01:05:24,453 WASTE TIME ON A FEELING ♪ ♪ USE YOUR PASSION ♪ ♪ NO 905 01:05:24,520 --> 01:05:29,525 RETURN ♪ ♪ HOLD ME IN YOUR HEART TONIGHT ♪ ♪ IN THE 906 01:05:29,592 --> 01:05:35,031 MAGIC OF THE DARK MOONLIGHT ♪ ♪ SAVE ME FROM THIS EMPTY 907 01:05:35,097 --> 01:05:42,672 FIGHT ♪ ♪ IN THE GAME OF LIFE ♪ ♪ LIKE A POEM SAID BY 908 01:05:42,738 --> 01:05:47,176 A LADY IN RED ♪ ♪ YOU HEAR THE LAST FEW WORDS OF YOUR 909 01:05:47,243 --> 01:05:52,715 LIFE ♪ ♪ WITH A HAUNTING DANCE, NOW YOU'RE BOTH IN A 910 01:05:52,782 --> 01:05:56,919 TRANCE ♪ ♪ IT'S TIME TO CAST YOUR SPELL ON THE NIGHT ♪ ♪ 911 01:05:56,986 --> 01:06:01,991 ABRACADABRA ♪ ♪ AMOR OO NA NA ♪ ♪ ABRA CA DA BRA ♪ ♪ 912 01:06:02,058 --> 01:06:06,996 MORTA OO GAGA ♪ ♪ ABRACADABRA ♪ ♪ ABRA OO NA 913 01:06:07,063 --> 01:06:12,034 NA ♪ ♪ IN HER TONGUE SHE SAID ♪ ♪ DEATH OR LOVE 914 01:06:12,101 --> 01:06:17,573 TONIGHT ♪ ♪ ABRA-CA-DABRA ♪ ♪ ABRACADABRA ♪ ♪ 915 01:06:17,640 --> 01:06:21,911 ABRA-CA-DABRA ♪ ♪ ABRACADABRA ♪ ♪ FEEL THE 916 01:06:21,977 --> 01:06:25,214 BEAT UNDER YOUR FEET ♪ ♪ THE FLOOR'S ON FIRE ♪ ♪ 917 01:06:25,281 --> 01:06:29,819 ABRA-CA-DABRA ♪ ♪ ABRACADABRA ♪ ♪ PHANTOM OF 918 01:06:29,885 --> 01:06:39,895 THE DANCE FLOOR ♪ ♪ COME TO ME ♪ ♪ SING FOR ME A SINFUL 919 01:06:43,566 --> 01:06:53,576 MELODY ♪ ♪ ABRACADABRA ♪ ♪ AH AH AH AH AH ♪ ♪ AH AH AH 920 01:06:59,715 --> 01:07:06,222 AH ♪ ♪ ABRACADABRA ♪ ♪ AMOR OO NA NA ♪ ♪ ABRA CA DA BRA 921 01:07:06,288 --> 01:07:12,027 ♪ ♪ MORTA OO GAGA ♪ ♪ ABRACADABRA ♪ ♪ ABRA OO NA 922 01:07:12,094 --> 01:07:20,536 NA ♪ ♪ IN HER TONGUE SHE SAID ♪ ♪ DEATH OR LOVE 923 01:07:20,603 --> 01:07:30,613 TONIGHT ♪ ♪ DEATH OR LOVE TONIGHT ♪ [CHEERS AND 924 01:07:33,015 --> 01:07:38,154 APPLAUSE] >> Announcer: COMING UP, WILL NIKKI GLASER 925 01:07:38,220 --> 01:07:39,955 AND TEYANA TAYLOR PRESENT THE GRAMMY FOR BEST POP 926 01:07:40,022 --> 01:07:43,225 VOCAL ALBUM TO TEDDY SWIMS, SABRINA CARPENTER, LADY 927 01:07:43,292 --> 01:07:47,496 GAGA, MILEY CYRUS, OR JUSTIN BIEBER? 928 01:07:47,563 --> 01:07:50,933 THEN, BRUNO MARS DEBUTS "I JUST NIGHT" FROM HIS FIRST 929 01:07:51,000 --> 01:07:53,135 SOLO ALBUM IN NEARLY A DECADE.% AND TYLER, THE 930 01:07:53,202 --> 01:07:54,937 CREATOR PERFORMS SONGS FROM NOT ONE, BUT TWO OF HIS 931 01:07:55,004 --> 01:07:59,375 NOMINATED ALBUMS THIS YEAR. 932 01:08:15,958 --> 01:08:18,494 Announcer: PLEASE WELCOME GOLDEN GLOBES HOST NIKKI 933 01:08:18,561 --> 01:08:22,665 GLASER, AND A GRAMMY NOMINEE THIS YEAR, TEYANA TAYLOR! 934 01:08:33,976 --> 01:08:34,910 [APPLAUSE] ♪ ♪ ♪ ♪ >> Nikki: WHAT AN AMAZING SHOW 935 01:08:34,977 --> 01:08:35,678 TONIGHT. 936 01:08:36,178 --> 01:08:38,280 LET'S GIVE A ROUND OF APPLAUSE TO THE SHOW, RIGHT? 937 01:08:38,347 --> 01:08:40,716 OH, MY GOD, OH, MY GOD. 938 01:08:40,783 --> 01:08:41,250 OH, MY GOD. 939 01:08:41,817 --> 01:08:43,652 HOW DO YOU LOOK HOTTER WITH GLASSES ON? 940 01:08:43,719 --> 01:08:44,220 WOW. 941 01:08:44,520 --> 01:08:46,055 YOUR EYES REALLY ARE UP THERE. 942 01:08:46,121 --> 01:08:49,358 SOMETIMES I FORGET. 943 01:08:49,425 --> 01:08:52,995 [LAUGHTER] I AM SO HONORED TO BE PRESENTING THIS AWARD 944 01:08:53,062 --> 01:08:54,663 WITH YOU TONIGHT, TEYANA. 945 01:08:54,730 --> 01:08:57,333 WHEN I HOSTED THE GOLDEN GLOBES A COUPLE WEEKS AGO, I 946 01:08:57,399 --> 01:09:00,569 WATCHED YOU WIN BEST SUPPORTING ACTRESS FOR "ONE 947 01:09:00,636 --> 01:09:03,272 BATTLE AFTER ANOTHER." 948 01:09:03,339 --> 01:09:05,708 [APPLAUSE] AND SINCE THEN YOU HAVE BEEN NOMINATED FOR 949 01:09:05,774 --> 01:09:10,379 AN ACADEMY AWARD, YOU HOSTED "SNL," AND TONIGHT YOU ARE 950 01:09:10,446 --> 01:09:12,248 NOMINATED FOR A GRAMMY. 951 01:09:12,314 --> 01:09:13,916 YOU ARE ON FIRE! 952 01:09:13,983 --> 01:09:15,184 Teyana: THANKS, GIRL! 953 01:09:15,251 --> 01:09:17,486 AND YOU CRUSH IT AT THE GLOBES, OH, MY GOD. 954 01:09:17,553 --> 01:09:19,488 Nikki: I'M NOT AS BUSY AS YOU, BUT I ACTUALLY JUST 955 01:09:19,555 --> 01:09:20,089 FINISHED MY BOOK. 956 01:09:20,155 --> 01:09:22,157 Teyana: WROTE A BOOK? 957 01:09:22,224 --> 01:09:22,758 CONGRATULATIONS! 958 01:09:22,825 --> 01:09:24,493 Nikki: I READ A BOOK. 959 01:09:24,560 --> 01:09:28,497 BUT IT WAS MINE BECAUSE I BOUGHT IT, AND MAN, WAS THAT 960 01:09:28,564 --> 01:09:29,164 CATERPILLAR HUNGRY. 961 01:09:29,231 --> 01:09:29,765 Teyana: DON'T SPOIL IT. 962 01:09:29,832 --> 01:09:30,933 WE HAVE TO STAY FOCUSED. 963 01:09:31,000 --> 01:09:32,835 WE HAVE A GRAMMY TO PRESENT. 964 01:09:32,902 --> 01:09:35,070 Nikki: I DIDN'T SPELL IT. 965 01:09:35,137 --> 01:09:37,139 HE EVENTUALLY TURNS INTO A BUTTERFLY-- >> Teyana: 966 01:09:37,206 --> 01:09:37,740 NIKKI! 967 01:09:37,806 --> 01:09:38,073 Nikki: YOU'RE RIGHT. 968 01:09:38,140 --> 01:09:39,275 MY BAD. 969 01:09:39,341 --> 01:09:40,442 Teyana: WELL, SINCE YOU LOVE READING SO MUCH, MAYBE 970 01:09:40,509 --> 01:09:41,877 YOU SHOULD READ THE PROMPTER, BECAUSE WE'VE GOT 971 01:09:41,944 --> 01:09:44,947 A GRAMMY TO HAND OUT. 972 01:09:45,014 --> 01:09:46,015 DO YOU NEED MY GLASSES? 973 01:09:46,081 --> 01:09:47,750 Nikki: CAN YOU READ IT FOR ME? 974 01:09:47,816 --> 01:09:50,920 IT DOESN'T HAVE PICTURES. 975 01:09:50,986 --> 01:09:51,320 CAN YOU GET IT? 976 01:09:51,387 --> 01:09:52,021 THANK YOU. 977 01:09:52,087 --> 01:09:53,122 Teyana: I GOT YOU. 978 01:09:53,188 --> 01:09:54,757 THE GRAMMY FOR BEST POP VOCAL ALBUM CELEBRATES AN 979 01:09:54,823 --> 01:09:56,125 ARTIST WHOSE REMARKABLE VOCAL COMMAND TURNED A POP 980 01:09:56,192 --> 01:09:58,427 ALBUM INTO SOMETHING TRULY UNFORGETTABLE. 981 01:09:58,494 --> 01:10:03,365 Nikki: THE NOMINEES FOR BEST POP VOCAL ALBUM ARE... 982 01:10:03,432 --> 01:10:12,441 ♪ ♪ >> "SWAG," JUSTIN BIEBER. 983 01:10:21,617 --> 01:10:27,556 ♪ ♪ "MAN'S BEST FRIEND," SABRINA CARPENTER. 984 01:10:27,623 --> 01:10:32,895 ♪ ♪ "SOMETHING BEAUTIFUL," MILEY CYRUS. 985 01:10:32,962 --> 01:10:38,934 ♪ ♪ "MAYHEM," LADY GAGA. 986 01:10:39,001 --> 01:10:48,310 ♪ ♪ "I'VE TRIED EVERYTHING BUT THERAPY (PART 2)," TEDDY 987 01:10:48,377 --> 01:10:49,545 SWIMS. 988 01:10:49,612 --> 01:10:59,622 ♪ ♪ >> Teyana: ALL RIGHT, I DON'T NEED MY GLASSES FOR 989 01:11:01,957 --> 01:11:02,658 THIS. 990 01:11:03,025 --> 01:11:06,895 Nikki: AND THE GRAMMY GOES TO, LADY GAGA, 991 01:11:06,962 --> 01:11:08,797 "MAYHEM!" 992 01:11:08,864 --> 01:11:10,599 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ ♪ ♪ 993 01:11:40,629 --> 01:11:41,296 HI! 994 01:11:41,363 --> 01:11:42,297 THANK YOU. 995 01:11:42,364 --> 01:11:43,499 THANK YOU SO MUCH. 996 01:11:43,565 --> 01:11:46,735 WE ARE JUST SO, SO HONORED TO BE UP HERE. 997 01:11:46,802 --> 01:11:49,438 I HAVE BEEN MAKING MUSIC SINCE I WAS A LITTLE GIRL, 998 01:11:49,505 --> 01:11:52,274 AND EVERY TIME I AM HERE I STILL FEEL LIKE I NEED TO 999 01:11:52,341 --> 01:11:53,375 PINCH MYSELF. 1000 01:11:53,442 --> 01:11:55,878 I RESPECT EVERYBODY IN THIS ROOM SO MUCH. 1001 01:11:55,944 --> 01:11:59,048 I HAVE TO SAY THANK YOU FOR US MY PARTNER, MICHAEL. 1002 01:12:02,985 --> 01:12:05,454 I LOVE YOU SO MUCH. 1003 01:12:05,521 --> 01:12:08,791 [APPLAUSE] YOU ARE BY MY SIDE EVERY SINGLE DAY IN A 1004 01:12:08,857 --> 01:12:12,494 WAY THAT I CAN'T THANK YOU ENOUGH FOR, AND YOU WORKED 1005 01:12:12,561 --> 01:12:16,732 SO HARD WITH ME ON THIS RECORD, ALL YEAR, SO I LOVE 1006 01:12:16,799 --> 01:12:19,001 YOU, AND THANK YOU. 1007 01:12:19,068 --> 01:12:23,806 AND TO ANDREW WATT AND TWO CIRCUIT-- COME CLOSER, COME 1008 01:12:23,872 --> 01:12:24,740 CLOSER! 1009 01:12:25,140 --> 01:12:27,976 I NEVER COULD HAVE MADE THIS ALBUM WITHOUT THESE GUYS. 1010 01:12:28,043 --> 01:12:28,510 AND GESSAFFELSTEIN. 1011 01:12:33,015 --> 01:12:34,049 THEY ARE SO GRATEFUL. 1012 01:12:38,020 --> 01:12:40,389 I KNOW SOMETIMES IN THE STUDIO WITH A BUNCH OF GUYS 1013 01:12:42,024 --> 01:12:42,958 IT CAN BE HARD. 1014 01:12:43,025 --> 01:12:45,928 SO I URGE YOU TO ALWAYS LISTEN TO YOURSELF AND 1015 01:12:45,994 --> 01:12:49,631 ALWAYS FIGHT FOR YOUR IDEAS, SITE FOR YOUR SONGS, FIGHT 1016 01:12:49,698 --> 01:12:51,533 FOR YOURSELF AS A PRODUCER. 1017 01:12:51,600 --> 01:12:56,839 MAKE SURE THAT YOU ARE HEARD LOUDLY, AND THANK YOU SO 1018 01:12:56,905 --> 01:13:00,542 MUCH FOR SUPPORTING ME, ALL OF YOU, IN MY CRAFT. 1019 01:13:00,609 --> 01:13:04,179 I BELIEVE IN DISCIPLINE AND HARD WORK AND CRAFTSMANSHIP, 1020 01:13:04,246 --> 01:13:09,084 AND THAT IS REALLY WHAT "MAYHEM" IS TO ME. 1021 01:13:09,151 --> 01:13:09,418 THANK YOU. 1022 01:13:14,957 --> 01:13:16,892 [APPLAUSE] ♪ ♪ >> Announcer: UP NEXT, BRUNO MARS AND THE 1023 01:13:16,959 --> 01:13:17,860 HOOLIGANS PLAY. 1024 01:13:17,926 --> 01:13:20,362 THEN TYLER, THE CREATOR. 1025 01:13:20,429 --> 01:13:23,832 STILL TO COME, REBA McENTIRE SINGS ON THE GRAMMYS FOR THE 1026 01:13:23,899 --> 01:13:28,003 FIRST TIME TO HONOR THE TRAILBLAZERS WE'VE LOST THIS 1027 01:13:28,070 --> 01:13:31,039 PAST YEAR, POST MALONE AND AN ALL-STAR BAND ROCK FOR 1028 01:13:31,106 --> 01:13:32,808 OZZY OSBOURNE, AND MS. 1029 01:13:32,875 --> 01:13:39,915 LAURYN HILL REMEMBERS ROBERTA FLACK AND D'ANGELO. 1030 01:13:39,982 --> 01:13:42,184 ♪ ♪ >> Announcer: THE 68TH ANNUAL GRAMMY AWARDS IS 1031 01:13:42,251 --> 01:13:43,719 SPONSORED BY THE JORDAN BRAND. 1032 01:13:43,786 --> 01:13:44,987 GREATNESS IS NEVER SATISFIED. 1033 01:13:55,998 --> 01:13:56,965 ♪ ♪ >> Trevor: WELCOME BACK, EVERYBODY COMING TO THE 1034 01:13:57,032 --> 01:13:58,734 GRAMMY AWARDS COMING TO USE BEFORE. 1035 01:13:58,801 --> 01:14:01,937 AND I MEAN COMPLETELY LIVE. 1036 01:14:02,004 --> 01:14:03,539 BECAUSE IF WE EDITED ANY OF THIS SHOW, THE PRESIDENT 1037 01:14:03,605 --> 01:14:05,140 WOULD SUE CBS FOR $16 BILLION. 1038 01:14:05,207 --> 01:14:06,742 WE'RE ABOUT TO PRESENT THE AWARD FOR BEST POP SOLO 1039 01:14:06,809 --> 01:14:07,576 PERFORMANCE. 1040 01:14:08,043 --> 01:14:09,545 WHILE THE ACCOUNTANTS ARE BACKSTAGE COUNTING UP THE 1041 01:14:09,611 --> 01:14:13,215 BALLOTS TO SEE WHO WINS, I ASKED OUR FRIEND TO PLAY HIS 1042 01:14:13,282 --> 01:14:20,622 NUMBER ONE HIT SMASH RECORD WHILE WE WAIT. 1043 01:14:20,689 --> 01:14:25,661 PLEASE, GIVE IT UP FOR BRUNO MARS! 1044 01:14:25,727 --> 01:14:26,895 ♪ ONE, TWO, THREE, FOUR ♪ ♪ 1045 01:14:26,962 --> 01:14:30,165 DOO-DOO-DOO-DOO-DOO-DOO-DOO- DOO-DOO ♪ ♪ 1046 01:14:30,232 --> 01:14:35,737 DOO-DOO-DOO-DOO-DOO-DOO-DOO- DOO-DOO ♪ ♪ YOU STEPPED 1047 01:14:35,804 --> 01:14:43,212 INSIDE WITH A VIBE I AIN'T NEVER SEEN ♪ ♪ YES, YOU DID, 1048 01:14:43,278 --> 01:14:47,950 OOH ♪ ♪ SO, GIRL, IF YOU TALK LIKE YOU WALK, COME AND 1049 01:14:48,016 --> 01:14:53,088 TALK TO ME ♪ ♪ BUT LOOK HERE ♪ ♪ IT WOULD BREAK MY HEART, 1050 01:14:53,155 --> 01:14:58,994 BREAK MY HEART, BREAK MY HEART ♪ ♪ IF I FIND OUT YOU 1051 01:14:59,061 --> 01:15:03,065 CAN'T MOVE ♪ ♪ YOU BETTER SHOW ME NOW, SHOW ME NOW, 1052 01:15:03,131 --> 01:15:06,902 SHOW ME NOW ♪ ♪ CAUSE WHEN I TAKE YOU TO THE FLOOR, OOH, 1053 01:15:06,969 --> 01:15:12,808 YOU GOTTA GET DOWN ♪ ♪ YOU KNOW WHAT TO DO ♪ ♪ HEY, MR. 1054 01:15:12,875 --> 01:15:15,644 DJ ♪ ♪ OH, OH, OH ♪ ♪ PLAY A SONG FOR THIS PRETTY LITTLE 1055 01:15:15,711 --> 01:15:19,047 LADY ♪ ♪ OH, OH, OH ♪ ♪ CAUSE IF SHE DANCES AS GOOD 1056 01:15:19,114 --> 01:15:22,951 AS SHE LOOK RIGHT NOW ♪ ♪ OH, OH, OH ♪ ♪ I JUST MIGHT, 1057 01:15:23,018 --> 01:15:25,988 I JUST MIGHT MAKE HER MY BABY ♪ ♪ I JUST MIGHT MAKE 1058 01:15:26,054 --> 01:15:32,995 HER MY BABY ♪ COME ON! 1059 01:15:33,061 --> 01:15:34,296 ♪ DOO-DOO-DOO-DOO-DOO-DOO-DOO- 1060 01:15:34,363 --> 01:15:40,135 DOO-DOO ♪ ♪ I JUST MIGHT ♪ ♪ BUT FIRST, MAY I JUST SAY 1061 01:15:40,202 --> 01:15:48,744 THAT YOUR FACE GOT ME SO INTRIGUED ♪ ♪ BUT WHAT GOOD 1062 01:15:48,810 --> 01:15:52,915 IS BEAUTY IF YOUR BOOTY CAN'T FIND THE BEAT ♪ ♪ I 1063 01:15:52,981 --> 01:15:54,616 DON'T WANNA KNOW, GIRL ♪ ♪ SO PLEASE DON'T DO THAT TO 1064 01:15:54,683 --> 01:15:58,620 ME ♪ ♪ CAUSE IT WOULD BREAK MY HEART BREAK MY HEART, 1065 01:15:58,687 --> 01:16:04,793 BREAK MY HEART ♪ ♪ IF I FIND OUT YOU CAN'T MOVE ♪ ♪ YOU 1066 01:16:04,860 --> 01:16:09,031 BETTER SHOW ME NOW, SHOW ME NOW, SHOW ME NOW ♪ ♪ CAUSE 1067 01:16:09,097 --> 01:16:11,633 WHEN I TAKE YOU TO THE FLOOR, OOH, YOU GOTTA GET 1068 01:16:11,700 --> 01:16:15,203 DOWN ♪ ♪ YOU KNOW WHAT TO DO ♪ ♪ HEY, MR. 1069 01:16:15,270 --> 01:16:19,274 DJ ♪ ♪ OH, OH, OH ♪ ♪ PLAY A SONG FOR THIS PRETTY LITTLE 1070 01:16:19,341 --> 01:16:23,145 LADY ♪ ♪ OH, OH, OH ♪ ♪ CAUSE IF SHE DANCES AS GOOD 1071 01:16:23,211 --> 01:16:26,915 AS SHE LOOK RIGHT NOW ♪ ♪ OH, OH, OH ♪ ♪ I JUST MIGHT, 1072 01:16:26,982 --> 01:16:31,119 I JUST MIGHT MAKE HER MY BABY ♪ ♪ I JUST MIGHT MAKE 1073 01:16:31,186 --> 01:16:41,196 HER MY BABY, HEY ♪ ♪ ♪ ♪ THIS THE PART WHERE YOU 1074 01:16:44,299 --> 01:16:47,669 BREAK IT ALL THE WAY DOWN, DOWN, DOWN DOWN ♪ ♪ THIS THE 1075 01:16:47,736 --> 01:16:50,572 PART WHERE I TURN YOU ALL THE WAY AROUND, ROUND ROUND, 1076 01:16:50,639 --> 01:16:57,279 ROUND ♪ ♪ PUT SOME SPIRIT IN IT PUT YOUR HEART INTO IT ♪ 1077 01:16:57,346 --> 01:16:59,548 ♪ THAT'S ALL I NEED ♪ ♪ AND IF I LIKE WHAT I SEE YOU'RE 1078 01:16:59,614 --> 01:17:01,750 COMING HOME WITH ME ♪ ♪ HEY, MR. 1079 01:17:01,817 --> 01:17:04,987 DJ ♪ ♪ OH, OH, OH ♪ ♪ PLAY A SONG FOR THIS PRETTY LITTLE 1080 01:17:05,053 --> 01:17:08,457 LADY ♪ ♪ OH, OH, OH ♪ ♪ CAUSE IF SHE DANCES AS GOOD 1081 01:17:08,523 --> 01:17:18,567 AS SHE LOO RIGHT NOW ♪ ♪ OH, OH, OH ♪ ♪ I JUST MIGHT, I 1082 01:17:18,633 --> 01:17:26,141 JUST MIGHT OH, I JUST MIGHT ♪ ♪ HEY, MR. 1083 01:17:26,208 --> 01:17:28,210 DJ ♪ ♪ OH, OH, OH ♪ ♪ PLAY A SONG FOR THIS PRETTY LITTLE 1084 01:17:28,276 --> 01:17:30,145 LADY ♪ ♪ OH, OH, OH ♪ ♪ CAUSE IF SHE DANCES AS GOOD 1085 01:17:30,212 --> 01:17:34,216 AS SHE LOOK RIGHT NOW ♪ ♪ I JUST MIGHT MAKE HER MY BABY 1086 01:17:34,282 --> 01:17:38,020 ♪ ♪ I JUST MIGHT MAKE HER MY BABY ♪ ♪ 1087 01:17:38,086 --> 01:17:42,691 DOO-DOO-DOO-DOO-DOO-DOO-DOO- DOO-DOO ♪ ♪ I JUST MIGHT ♪ ♪ 1088 01:17:42,758 --> 01:17:50,065 DOO-DOO-DOO-DOO-DOO-DOO-DOO- DOO-DOO ♪ ♪ OH, I JUST MIGHT 1089 01:17:50,132 --> 01:18:00,142 ♪ [CHEERS AND APPLAUSE] >> Trevor: THAT'S RIGHT. 1090 01:18:02,244 --> 01:18:06,681 KEEP IT GOING FOR BRUNO MARS. 1091 01:18:06,748 --> 01:18:09,184 [APPLAUSE] MAN, THIS MAN, HE KILLED IT. 1092 01:18:09,251 --> 01:18:13,221 WHEN I SAY HE KILLED IT, I MEAN EVERYBODY IN THIS ROOM 1093 01:18:13,288 --> 01:18:14,423 WAS LOVING WHAT WAS HAPPENING. 1094 01:18:14,489 --> 01:18:17,959 WHILE YOU ARE WATCHING HIM, I WAS WATCHING ALL OF YOU 1095 01:18:18,026 --> 01:18:21,797 READ BRANDI CARLILE, I SAW YOU SHAKING IT. 1096 01:18:21,863 --> 01:18:22,464 YEP. 1097 01:18:22,531 --> 01:18:23,131 DR. 1098 01:18:23,198 --> 01:18:25,267 DRE WAS BOBBING HIS HEAD. 1099 01:18:25,333 --> 01:18:27,502 SERIOUSLY, BUT SEXY AT THE SAME TIME. 1100 01:18:27,569 --> 01:18:29,237 EVEN JONI MITCHELL AT ONE POINT. 1101 01:18:29,304 --> 01:18:35,544 I SAW YOU, YOU ARE LOOKING AT BRUNO MARS LIKE, "I JUST 1102 01:18:35,610 --> 01:18:36,044 MIGHT!" 1103 01:18:36,111 --> 01:18:37,446 I SAW YOU. 1104 01:18:37,512 --> 01:18:42,684 BY THE WAY, CAN WE PLEASE CONGRATULATE THE LEGENDARY 1105 01:18:42,751 --> 01:18:43,385 JONI MITCHELL? 1106 01:18:43,952 --> 01:18:47,155 [APPLAUSE] AND OTHER GRAMMY WIN TONIGHT, EVERYBODY! 1107 01:18:47,222 --> 01:18:50,258 THAT IS 11 THAT IS 1 11 CAREER GRAMMY WINS. 1108 01:18:50,325 --> 01:18:50,826 CONGRATULATIONS. 1109 01:18:50,892 --> 01:18:53,595 SO RICHLY DESERVED. 1110 01:18:53,662 --> 01:18:56,164 [APPLAUSE] WHAT A NIGHT. 1111 01:18:56,231 --> 01:18:57,299 TIME FOR OUR NEXT PRESENTER. 1112 01:18:57,365 --> 01:18:59,367 LAST YEAR SHE TOOK HOME THREE GRAMMY AWARDS FOR HER 1113 01:18:59,434 --> 01:19:01,636 ALBUM, "BRAT," AND THIS YEAR SHE'S GOT A NEW FILM, "THE 1114 01:19:01,703 --> 01:19:02,304 MOMENT." 1115 01:19:02,370 --> 01:19:04,139 PLEASE WELCOME CHARLI XCX! 1116 01:19:04,206 --> 01:19:14,216 [APPLAUSE] ♪ ♪ ♪ ♪ >> Charli: THANKS, TREVOR. 1117 01:19:24,126 --> 01:19:28,330 THIS MOMENT IS ACTUALLY NOT ABOUT ME-- IT'S ABOUT FIVE 1118 01:19:28,396 --> 01:19:30,532 NOMINEES WHO ARE DOING EXCELLENT WORK, AND BRINGING 1119 01:19:30,599 --> 01:19:32,868 PEOPLE AROUND THE WORLD HAPPINESS IN THE BEST 1120 01:19:32,934 --> 01:19:35,504 TRADITION OF POP MUSIC. 1121 01:19:35,570 --> 01:19:38,573 THESE ARE THE FIVE EXCELLENT NOMINEES FOR BEST POP SOLO 1122 01:19:38,640 --> 01:19:43,578 PERFORMANCE. 1123 01:19:43,645 --> 01:19:50,652 ♪ ♪ >> "DAISIES," JUSTIN BIEBER. 1124 01:19:57,959 --> 01:20:05,500 ♪ ♪ "MANCHILD," SABRINA CARPENTER. 1125 01:20:05,567 --> 01:20:13,475 ♪ ♪ "DISEASE," LADY GAGA. 1126 01:20:13,542 --> 01:20:20,282 ♪ ♪ "THE SUBWAY," CHAPPELL ROAN. 1127 01:20:20,348 --> 01:20:28,290 ♪ ♪ "MESSY," LOLA YOUNG. 1128 01:20:28,356 --> 01:20:37,933 ♪ ♪ >> Charli: AND THE GRAMMY GOES TO... 1129 01:20:37,999 --> 01:20:39,935 I VERY MUCH RELATE TO THIS SONG. 1130 01:20:40,001 --> 01:20:43,305 "MESSY," LOLA YOUNG. 1131 01:20:43,371 --> 01:20:53,381 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 1132 01:21:02,224 --> 01:21:07,829 ♪ ♪ >> I DON'T KNOW WHAT I'M GOING TO SAY BECAUSE I DON'T 1133 01:21:07,896 --> 01:21:09,264 HAVE ANY SPEECH PREPARED! 1134 01:21:09,331 --> 01:21:10,131 OBVIOUSLY I DON'T. 1135 01:21:10,198 --> 01:21:12,767 IT'S MESSY, DO YOU KNOW WHAT I MEAN? 1136 01:21:12,834 --> 01:21:14,436 I DON'T KNOW WHAT TO SAY. 1137 01:21:14,502 --> 01:21:20,642 THANK YOU SO MUCH! 1138 01:21:20,709 --> 01:21:23,044 SORRY! 1139 01:21:23,111 --> 01:21:24,846 I'M VERY, VERY GRATEFUL FOR THIS. 1140 01:21:24,913 --> 01:21:25,280 WE DID IT! 1141 01:21:25,347 --> 01:21:26,881 I LOVE YOU! 1142 01:21:26,948 --> 01:21:31,186 I LOVE EVERYBODY, EVERYBODY, EVERYBODY! 1143 01:21:31,253 --> 01:21:40,228 [APPLAUSE] ♪ ♪ >> Announcer: COMING UP, THE LEGENDARY 1144 01:21:40,295 --> 01:21:46,935 CAROLE KING PRESENTS THE AWARD FOR SONG OF THE YEAR. 1145 01:21:47,002 --> 01:21:48,937 A MASSIVE PERFORMANCE FROM TYLER, THE CREATOR. 1146 01:21:49,004 --> 01:21:51,973 THEN REBA, POST MALONE, AND MS. 1147 01:21:52,040 --> 01:21:54,576 LAURYN HILL ALL HELP HONOR MUSIC LEGENDS WE'VE LOST 1148 01:21:54,643 --> 01:21:56,478 THIS PAST YEAR. 1149 01:21:56,544 --> 01:21:57,245 THIS IS CBS. 1150 01:22:00,582 --> 01:22:02,784 Announcer: TO GO DEEPER WITH THE GRAMMYS, FOLLOW US 1151 01:22:02,851 --> 01:22:04,252 ON INSTAGRAM, TIKTOK, YOUTUBE, AND Grammy.com. 1152 01:22:25,006 --> 01:22:27,776 Trevor: JAMIE FOXX, I NEED TO SIT DOWN, JAMIE FOXX 1153 01:22:27,842 --> 01:22:28,376 PAY PLEASE. 1154 01:22:28,576 --> 01:22:29,577 I NEED YOU TO SIT DOWN, MAN. 1155 01:22:29,644 --> 01:22:31,713 THANK YOU SO MUCH, JAMIE FOXX. 1156 01:22:35,483 --> 01:22:38,420 [LAUGHS] WELCOME BACK TO THE GRAMMYS AT THE Crypto.com 1157 01:22:38,486 --> 01:22:39,688 ARENA, THE ONLY ARENA THAT LOST 10% IN VALUE DURING THE 1158 01:22:39,754 --> 01:22:42,424 COMMERCIAL BREAK. 1159 01:22:42,490 --> 01:22:43,425 WHAT A NIGHT, EVERYBODY. 1160 01:22:43,491 --> 01:22:44,592 ARE YOU HAVING A GOOD TIME? 1161 01:22:44,659 --> 01:22:45,493 FEELS LIKE IT. 1162 01:22:45,560 --> 01:22:47,128 THE ROOM FEELS GOOD. 1163 01:22:47,195 --> 01:22:50,398 I HOPE YOU'RE HAVING A GREAT TIME HOME AS WELL WATCHING 1164 01:22:50,465 --> 01:22:54,135 ALL THE PERFORMANCES, SEEING EVERYBODY UP ON STAGE. 1165 01:22:54,202 --> 01:22:56,971 I SAW YOU ON STAGE PAID BY THE WAY, THAT WAS BEAUTIFUL, 1166 01:22:57,038 --> 01:22:57,639 FIRST AND FOREMOST. 1167 01:22:57,706 --> 01:22:59,941 THAT WAS REALLY BEAUTIFUL. 1168 01:23:00,008 --> 01:23:02,544 I SAW YOU UP THERE, I HEARD WHAT YOU SAID. 1169 01:23:02,610 --> 01:23:03,645 IT WAS REALLY IMPACTFUL. 1170 01:23:03,712 --> 01:23:06,915 THE ONLY THING I FELT THAT WAS MISSING, I WAS LIKE, 1171 01:23:06,981 --> 01:23:10,752 MAN, IF THIS GUY COULD PERFORM SOME OF THAT. 1172 01:23:10,819 --> 01:23:14,489 [LAUGHTER] I KNOW YOU CAN'T, CONTRACTUALLY. 1173 01:23:14,556 --> 01:23:17,392 I KNOW YOU CAN'T. 1174 01:23:17,459 --> 01:23:19,060 BECAUSE IT'S THE SUPER BOWL. 1175 01:23:19,127 --> 01:23:21,496 WE ARE GOING TO SEE YOU AT THE SUPER BOWL. 1176 01:23:21,563 --> 01:23:22,497 Bad Bunny: YES. 1177 01:23:22,731 --> 01:23:23,765 Trevor: AND I KNOW CONTRACTUALLY YOU ARE NOT 1178 01:23:23,832 --> 01:23:25,233 ALLOWED TO PERFORM ANYWHERE ELS ALLOWED TO PERFORM 1179 01:23:25,300 --> 01:23:25,934 ANYWHERE EL ELSE. 1180 01:23:26,000 --> 01:23:27,202 Bad Bunny: BUT I'M OKAY. 1181 01:23:27,268 --> 01:23:29,904 I'M HAVING FUN, I'M HAVING A GREAT NIGHT. 1182 01:23:29,971 --> 01:23:32,340 Trevor: BUT DON'T YOU GET JEALOUS SEEING EVERYBODY 1183 01:23:32,407 --> 01:23:34,776 ELSE UP THERE? 1184 01:23:34,843 --> 01:23:36,578 Bad Bunny: EH, NO. 1185 01:23:36,644 --> 01:23:37,612 MAYBE A LITTLE BIT. 1186 01:23:37,679 --> 01:23:38,246 HOW ABOUT YOU? 1187 01:23:38,313 --> 01:23:40,348 HOW DO YOU FEEL? 1188 01:23:40,415 --> 01:23:44,986 I HEARD THIS IS GOING TO BE YOUR LAST GRAMMYS. 1189 01:23:45,053 --> 01:23:45,720 THAT'S TRUE? 1190 01:23:45,787 --> 01:23:47,021 Trevor: IT IS BITTERSWEET. 1191 01:23:47,088 --> 01:23:49,357 IT'S BEEN A WONDERFUL RIDE. 1192 01:23:49,424 --> 01:23:52,961 WHEN YOU ARE MOVING ON, YOU START TO REMINISCE. 1193 01:23:53,027 --> 01:23:56,531 LIKE, I FIND MYSELF THINKING WHEN I'M IN THE ROOM NOW, 1194 01:23:56,598 --> 01:24:00,402 MAN, I WISH I HAD-- I SHOULD HAVE TAKEN MORE 1195 01:24:00,468 --> 01:24:03,571 PHOTOS, LIKE, WHENEVER. 1196 01:24:03,638 --> 01:24:04,439 OF EVERYONE. 1197 01:24:04,706 --> 01:24:06,374 I SHOULD HAVE GIVEN MORE HUGS AND MORE KISSES 1198 01:24:06,441 --> 01:24:08,510 WHENEVER I COULD HAVE. 1199 01:24:08,576 --> 01:24:11,546 I HOPE NONE OF THESE PEOPLE MOVE AWAY. 1200 01:24:11,613 --> 01:24:14,015 LIKE, IF I GET DRUNK TONIGHT, I JUST HOPE 1201 01:24:14,082 --> 01:24:15,283 SOMEBODY HELPS ME. 1202 01:24:15,350 --> 01:24:18,686 Bad Bunny: WAIT, IS THAT MY SONG IN ENGLISH? 1203 01:24:18,753 --> 01:24:21,423 [LAUGHTER] >> Trevor: WAIT, WHAT? 1204 01:24:21,489 --> 01:24:22,424 Bad Bunny: BRO. 1205 01:24:22,624 --> 01:24:26,094 Trevor: IS THAT WHAT YOU Bad Bunny: NO! 1206 01:24:26,161 --> 01:24:26,628 YES. 1207 01:24:26,895 --> 01:24:30,465 Trevor: SING IT TO ME. 1208 01:24:30,532 --> 01:24:31,232 Bad Bunny: HEY! 1209 01:24:31,299 --> 01:24:34,536 Trevor: I DON'T SPEAK SPANISH. 1210 01:24:34,602 --> 01:24:35,703 COME ON, JUST A CHORUS. 1211 01:24:35,770 --> 01:24:38,940 Bad Bunny: HE ALMOST GOT ME. 1212 01:24:39,007 --> 01:24:39,607 NO, I CAN'T. 1213 01:24:39,674 --> 01:24:41,176 Trevor: I UNDERSTAND. 1214 01:24:41,242 --> 01:24:42,577 I WON'T BUG YOU. 1215 01:24:42,644 --> 01:24:46,080 I WON'T. 1216 01:24:46,147 --> 01:24:52,020 DEBí TIRAR MáS FOTOS DE CUANDO TE TUVE... 1217 01:24:52,086 --> 01:24:58,827 DEBí DARTE MáS BESOS Y ABRAZOS LAS VECES QUE PUDE. 1218 01:24:58,893 --> 01:25:02,030 OJALá QUE LOS MíOS NUNCA SE MUDEN. 1219 01:25:02,096 --> 01:25:12,106 Y SI VOY Y ME EMBORRACHO QUE ME AYUDEN. 1220 01:25:12,173 --> 01:25:18,813 BRING THE BAND IN, BABY! 1221 01:25:18,880 --> 01:25:28,890 DEBí DARTE MáS BESOS Y ABRAZOS LAS VECES QUE P 1222 01:25:33,628 --> 01:25:34,162 GIVE IT UP! 1223 01:25:34,229 --> 01:25:35,129 BAD BUNNY, EVERYBODY! 1224 01:25:35,196 --> 01:25:37,232 WE CAN WRAP IT UP, WE CAN WRAP IT UP. 1225 01:25:37,298 --> 01:25:39,501 WE ARE GOING TO BE AT THE SUPER BOWL. 1226 01:25:39,567 --> 01:25:40,268 LET'S MOVE ON. 1227 01:25:40,335 --> 01:25:41,369 THAT WAS AMAZING. 1228 01:25:41,436 --> 01:25:43,338 THANK YOU SO MUCH. 1229 01:25:43,404 --> 01:25:44,005 ALL RIGHT, LET'S GO BACK. 1230 01:25:44,072 --> 01:25:46,508 OH, MAN. 1231 01:25:46,574 --> 01:25:47,976 IF THEY SUE YOU, THAT'S NOT ME. 1232 01:25:48,042 --> 01:25:53,147 BUT I THINK WE ARE DOING THE SUPER BOWL TOGETHER. 1233 01:25:53,214 --> 01:25:55,884 IT'S TIME FOR US TO SALUTE THIS NEXT LEGEND. 1234 01:25:55,950 --> 01:25:59,187 LET'S WELCOME ANOTHER PERSON TO THE STAGE HE WAS AN ICON, 1235 01:25:59,254 --> 01:26:03,725 A SINGER, SONGWRITER, AND HIS CLASSIC ALBUM "TAPESTRY" 1236 01:26:03,791 --> 01:26:05,527 IS CELEBRATING ITS 55TH ANNIVERSARY. 1237 01:26:05,593 --> 01:26:07,929 PLEASE WELCOME BACK TO THE GRAMMY STAGE CAROLE KING! 1238 01:26:07,996 --> 01:26:18,006 [APPLAUSE] ♪ ♪ ♪ ♪ >> Carole: THANK YOU, TREVOR. 1239 01:26:30,285 --> 01:26:33,221 AND THANK YOU ALL SO MUCH FOR THAT WARM WELCOME. 1240 01:26:33,288 --> 01:26:38,993 EVERY ACHIEVEMENT IN POPULAR MUSIC STARTS WITH A SONG, 1241 01:26:39,060 --> 01:26:42,163 AND I'M REALLY HAPPY TO SEE SUCH A WIDE VARIETY OF 1242 01:26:49,470 --> 01:26:53,575 I KNOW WHAT IT'S LIKE TO CREATE A SONG OUT OF THIN 1243 01:26:53,641 --> 01:26:57,445 AIR THAT MOVES AND INSPIRES MILLIONS OF PEOPLE, AND 1244 01:26:57,512 --> 01:27:02,750 EVERY ONE OF THESE SONGWRITERS DID THAT. 1245 01:27:02,817 --> 01:27:05,620 I FEEL A WONDERFUL CONTINUITY IN PRESENTING 1246 01:27:05,687 --> 01:27:10,425 THIS SONGWRITER'S AWARD TO ANY OF THESE GIFTED NOMINEES 1247 01:27:10,491 --> 01:27:15,129 FOR SONG OF THE YEAR. 1248 01:27:15,196 --> 01:27:21,936 [APPLAUSE] ♪ ♪ >> "ABRACADABRA." 1249 01:27:22,003 --> 01:27:26,708 ♪ ♪ "ANXIETY." 1250 01:27:26,774 --> 01:27:36,784 ♪ ♪ "APT." 1251 01:27:38,453 --> 01:27:45,293 ♪ ♪ "DeBÍ TiRAR MáS FOToS." 1252 01:27:45,360 --> 01:27:54,102 ♪ ♪ "GOLDEN," FROM "KPOP DEMON HUNTERS." 1253 01:27:54,168 --> 01:27:59,207 ♪ ♪ "LUTHER." 1254 01:27:59,273 --> 01:28:05,246 ♪ ♪ "MANCHILD." 1255 01:28:05,313 --> 01:28:11,419 ♪ ♪ "WILDFLOWER." 1256 01:28:11,486 --> 01:28:21,496 ♪ ♪ >> Carole: AS SELECTED BY THE 15,000 VOTING MEMBERS 1257 01:28:24,232 --> 01:28:25,366 OF THE RECORDING ACADEMY, THE GRAMMY GOES TO... 1258 01:28:25,433 --> 01:28:32,507 "WILDFLOWER" BY BILLIE EILISH AND FINNEAS 1259 01:28:32,573 --> 01:28:32,940 O'CONNELL. 1260 01:28:33,007 --> 01:28:43,017 ♪ ♪ ♪ ♪ 1261 01:28:57,165 --> 01:29:07,175 ♪ ♪ 1262 01:29:08,710 --> 01:29:09,243 THNK YOU SO MUCH. 1263 01:29:09,310 --> 01:29:11,779 I CAN'T BELIEVE THIS. 1264 01:29:11,846 --> 01:29:13,648 EVERYONE ELSE IN THIS CATEGORY ARE SO AMAZING. 1265 01:29:13,715 --> 01:29:15,049 I LOVE YOU SO MUCH. 1266 01:29:15,116 --> 01:29:19,087 I FEEL SO HONORED EVERY TIME I GET TO BE IN THIS ROOM. 1267 01:29:19,153 --> 01:29:22,523 AS GRATEFUL AS I FEEL, I HONESTLY DON'T FEEL LIKE I 1268 01:29:22,590 --> 01:29:29,764 NEED TO SAY ANYTHING BUT THAT NO ONE IS ILLEGAL ON 1269 01:29:29,831 --> 01:29:30,932 STOLEN LAND. 1270 01:29:30,998 --> 01:29:41,008 [CHEERS AND APPLAUSE] 1271 01:29:44,979 --> 01:29:48,082 AND, YEAH, IT'S JUST REALLY HARD TO KNOW WHAT TO SAY AND 1272 01:29:48,149 --> 01:29:50,551 WHAT TO DO RIGHT NOW, AND I FEEL REALLY HOPEFUL IN THIS 1273 01:29:50,618 --> 01:29:53,387 ROOM, AND I FEEL LIKE WE JUST NEED TO KEEP FIGHTING 1274 01:29:53,454 --> 01:29:56,424 AND SPEAKING UP AND PROTESTING, AND OUR VOICES 1275 01:29:56,491 --> 01:30:01,028 REALLY DO MATTER, AND THE PEOPLE MATTER. 1276 01:30:01,095 --> 01:30:04,198 THAT'S ALL I'M GOING TO SAY. 1277 01:30:04,265 --> 01:30:05,166 SORRY. 1278 01:30:05,233 --> 01:30:06,400 [CHEERS AND APPLAUSE] THANK YOU SO MUCH. 1279 01:30:06,467 --> 01:30:11,105 I CAN'T BELIEVE THIS. 1280 01:30:11,172 --> 01:30:21,182 ♪ ♪ ♪ ♪ >> Trevor: THERE YOU HAVE IT, SONG OF THE YEAR! 1281 01:30:23,584 --> 01:30:24,152 CONGRATULATIONS, BILLIE EILISH. 1282 01:30:24,218 --> 01:30:25,019 WOW. 1283 01:30:25,253 --> 01:30:26,754 THAT'S A GRAMMY THAT EVERY ARTIST WANTS. 1284 01:30:26,821 --> 01:30:31,726 ALMOST AS MUCH AS TRUMP WANTS GREENLAND. 1285 01:30:31,793 --> 01:30:33,060 WHICH MAKES SENSE. 1286 01:30:33,127 --> 01:30:34,328 BECAUSE SINCE EPSTEIN'S GONE, HE NEEDS A NEW ISLAND 1287 01:30:34,395 --> 01:30:37,765 TO HANG OUT WITH BILL CLINTON. 1288 01:30:37,832 --> 01:30:40,201 I TOLD YOU, IT'S MY LAST YEAR! 1289 01:30:40,268 --> 01:30:42,203 WHAT ARE YOU GOING TO DO ABOUT IT? 1290 01:30:42,270 --> 01:30:45,139 [APPLAUSE] AND WHAT AN AMAZING NIGHT IT HAS BEEN. 1291 01:30:45,206 --> 01:30:48,109 EVERY SINGLE PERFORMANCE WE HAVE SEEN, SABRINA 1292 01:30:48,176 --> 01:30:50,178 CARPENTER, THAT WAS SO INSANE. 1293 01:30:50,244 --> 01:30:52,446 SHE BROUGHT AN ACTUAL AIRPLANE OUT ON STAGE. 1294 01:30:52,513 --> 01:30:56,184 IT HAD NO DOORS, SO I'M ASSUMING IT WAS A BOEING. 1295 01:30:56,250 --> 01:30:58,119 LADY GAGA BROUGHT THE HOUSE DOWN WHILE LOOKING LIKE ONE 1296 01:30:58,186 --> 01:31:03,658 OF THE BUSES FROM "ELDEN RING." 1297 01:31:03,724 --> 01:31:07,461 JUST TO BE BECOME STUCK AND I HAD COME SO PRECISE, SO 1298 01:31:07,528 --> 01:31:07,862 CAPTIVATING. 1299 01:31:07,929 --> 01:31:10,398 HE HAD US. 1300 01:31:10,464 --> 01:31:14,735 AND ONE WRONG MOVE WE WOULD HAVE HAD TO PUT THE SHOW ON 1301 01:31:14,802 --> 01:31:15,970 ONLYFANS. 1302 01:31:16,037 --> 01:31:16,938 IT WAS BRAVE. 1303 01:31:17,004 --> 01:31:18,372 TIME FOR ONE MORE PERFORMANCE PEOPLE ARE 1304 01:31:18,439 --> 01:31:20,575 DIFFERENT ARE GOING TO BE SPEAKING ABOUT. 1305 01:31:20,641 --> 01:31:23,110 THIS NEXT ARTIST IS SECRETED FORCE. 1306 01:31:23,177 --> 01:31:24,345 A RAPPER, AN ACTOR, A FASHION MOGUL, A TV SHOW 1307 01:31:24,412 --> 01:31:28,783 WRITER, A COMEDIAN, AND HE'S CURRENTLY ON A GENERATIONAL 1308 01:31:28,850 --> 01:31:30,918 ALBUM RUN. 1309 01:31:30,985 --> 01:31:35,189 NOW LET ME STOP BEFORE TIKTOK ACCUSES ME OF 1310 01:31:35,256 --> 01:31:36,424 "GLAZIN'." 1311 01:31:36,490 --> 01:31:40,461 GIVE IT UP FOR TYLER, THE CREATOR. 1312 01:31:40,528 --> 01:31:47,335 [APPLAUSE] ♪ ♪ ♪ YOU DON'T WANNA GO TO WAR WITH A 1313 01:31:47,401 --> 01:31:49,670 SOLDIER ♪ ♪ YOU DON'T WANNA GO TO WAR WITH A SOLDIER ♪ ♪ 1314 01:31:49,737 --> 01:31:54,075 YOU DON'T WANNA GO TO WAR WITH A SOLDIER ♪ ♪ YOU DON'T 1315 01:31:54,141 --> 01:31:58,880 WANNA GO TO WAR WITH A SOLDIER ♪ ♪ YOU DON'T WANNA 1316 01:31:58,946 --> 01:32:03,050 GO TO WAR WITH A SOLDIER ♪ ♪ YOU DON'T WANNA GO TO WAR 1317 01:32:03,117 --> 01:32:10,124 WITH A SOLDIER ♪ ♪ WHITE BOYS MOCKING THIS [...] AND 1318 01:32:10,191 --> 01:32:11,125 Y'ALL MAD AT ME? 1319 01:32:11,559 --> 01:32:12,693 ♪ ♪ Y'ALL CAN SUCK MY [...] ♪ ♪ PULL UP OLD TWEETS PULL 1320 01:32:12,760 --> 01:32:14,128 UP OLD T-SHIRTS ♪ ♪ ALL THAT I'LL MOONWALK OVER THAT 1321 01:32:14,195 --> 01:32:20,034 [...] ♪ ♪ SEE T CHANGED LIKE THE FIT GOT DIRTY ♪ ♪ I WAS 1322 01:32:20,101 --> 01:32:21,569 YOUNG MAN THEN A BOY HIT 30 ♪ ♪ I WAS ONE MILL DEN A 1323 01:32:21,636 --> 01:32:23,304 [...] HIT 30 ♪ ♪ [...] YOU AIN'T COCO GAUFF YOU CAN'T 1324 01:32:23,371 --> 01:32:24,572 SERVE ME ♪ ♪ ANTI WHAT? 1325 01:32:24,639 --> 01:32:25,740 HMM, YEAH RIGHT ♪ ♪ [...]S RUNNING THEIR MOUTH KEEP IT 1326 01:32:25,806 --> 01:32:27,375 AIR TIGHT ♪ ♪ IMA CRASH [...] OUT TILL MY HAIR WHITE 1327 01:32:27,441 --> 01:32:37,451 ♪ ♪ I GOT TOO MUCH DRIVE I'M A TERABYTE ♪ ♪ ♪ ♪ 5 IN THE 1328 01:32:46,627 --> 01:32:49,030 MORN I BE HATING ON [...] ♪ ♪ 10 IN EVE I BE HATING ON 1329 01:32:49,096 --> 01:32:51,265 [...] ♪ ♪ 10 YEARS LATER MIGHT'VE CHANGED MY MIND ♪ ♪ 1330 01:32:51,332 --> 01:32:52,266 I'M FAKE AS HELL! 1331 01:32:52,566 --> 01:32:53,834 DON'T KILL ME ♪ ♪ I'M A HYPOCRITE, AIN'T REAL AIN'T 1332 01:32:53,901 --> 01:32:59,941 REALLY ♪ ♪ I'M A BIG TROLL, HA HA, I'M SILLY ♪ ♪ SHOUT 1333 01:33:00,007 --> 01:33:01,542 OUT PAPA HE FOR REAL ♪ ♪ DON'T TEST V HE POP FOR REAL 1334 01:33:01,609 --> 01:33:11,619 ♪ ♪ HAD TO CALL HIM LIKE STOP CHILL ♪ ♪ ♪ ♪ WHY I AM 1335 01:33:17,825 --> 01:33:18,993 FILLED WITH THIS HATE? 1336 01:33:19,060 --> 01:33:20,328 ♪ ♪ I GOT FREEDOM IN EVERY WAY ♪ ♪ Y'ALL WANNA TAKE 1337 01:33:20,394 --> 01:33:22,396 WHAT I GOT ♪ ♪ BUT Y'ALL DO NOT GOT WHAT IT TAKES ♪ ♪ I 1338 01:33:22,463 --> 01:33:24,198 DON'T WANNA BE FOUND YOU [...] ♪ ♪ I DON'T WANNA BE 1339 01:33:24,265 --> 01:33:26,534 DOWN YOU [...] ♪ ♪ I DON'T LIKE COMING AROUND YOU [...] 1340 01:33:26,600 --> 01:33:30,805 ♪ ♪ I WILL NOT KNOCK KNOCK AT YOUR DOOR ♪ ♪ JUST ME 1341 01:33:30,871 --> 01:33:33,774 THAT'S WHAT I SAID ♪ ♪ TRAV THESE [...]S IS FED ♪ ♪ ME? 1342 01:33:33,841 --> 01:33:40,281 I'M OVER HERE ♪ ♪ THESE BOYS THOUGHTS I WAS DEAD! 1343 01:33:40,348 --> 01:33:42,350 ♪ >> I FIXED THE GLASS, ALL RIGHT? 1344 01:33:42,416 --> 01:33:44,151 SO YOU'VE GOT A CLEAR VIEW. 1345 01:33:44,218 --> 01:33:47,288 PUT ON SOME NEW TIRES, KEEP MOVING FORWARD. 1346 01:33:47,355 --> 01:33:50,624 WATCH OUT FOR THEM POTHOLES. 1347 01:33:50,691 --> 01:33:53,327 AND DON'T EVER, EVER LOOK BACK IN THAT REARVIEW 1348 01:33:53,394 --> 01:33:54,161 MIRROR. 1349 01:33:54,562 --> 01:33:56,430 THEY JUST TRYING TO REMIND YOU WHERE YOU'VE BEEN, 1350 01:33:56,497 --> 01:33:59,033 IGNORING WHERE YOU'RE GOING. 1351 01:33:59,100 --> 01:34:02,203 OH, AND ONE MORE THING... 1352 01:34:02,269 --> 01:34:05,973 IF YOU EVER FIND YOURSELF GOING BACK TO THEM OLD 1353 01:34:06,040 --> 01:34:09,110 PLACES, DESTRO THEM. 1354 01:34:09,176 --> 01:34:10,644 OR THEY ARE GOING TO DESTROY YOU. 1355 01:34:10,711 --> 01:34:15,950 GOT WHAT I'M SAYING? 1356 01:34:54,488 --> 01:34:56,424 [CRASH] [SCREEN] ♪ ♪ ♪ LIKE SUGAR ON MY TONGUE, TONGUE, 1357 01:34:56,490 --> 01:35:00,895 TONGUE ♪ ♪ YOUR BODY IS SO SWEET, SWEET SWEET ♪ ♪ 1358 01:35:00,961 --> 01:35:05,332 INVITE ME IF YOU COME, COME COME ♪ ♪ IT'S ALL I WANT TO 1359 01:35:05,399 --> 01:35:13,240 EAT, EAT EAT ♪ ♪ TELL YOUR MAMA ♪ ♪ TELL YOUR DADDY ♪ ♪ 1360 01:35:13,307 --> 01:35:15,776 TELL THEM [...]ES THAT YOU KNOW ♪ ♪ WHAT YOU HEARD 1361 01:35:15,843 --> 01:35:20,614 ABOUT ME ♪ ♪ TELL YOUR MAMA ♪ ♪ TELL YOUR DADDY ♪ ♪ TELL 1362 01:35:20,681 --> 01:35:28,489 THE WORLD ♪ ♪ LIKE SUGAR ON MY TONGUE ♪ ♪ CAN I STEAL 1363 01:35:28,556 --> 01:35:36,831 THAT FROM YOU ♪ ♪ LIKE SUGAR ON MY TONGUE ♪ ♪ CAN I STEAL 1364 01:35:36,897 --> 01:35:40,801 THAT FROM YOU ♪ ♪ ARE YOU FROM HARLEM? 1365 01:35:40,868 --> 01:35:44,205 MAKE YOUR ARMS AND LEGS SHAKE, UH-HUH ♪ ♪ GIVE ME 1366 01:35:44,271 --> 01:35:46,307 THAT SLICE OF CREAM IS IT YOUR BIRTHDAY? 1367 01:35:46,373 --> 01:35:49,510 UH-HUH ♪ ♪ I GOT A BRUSH, GIVE ME YOUR WALLS, AND I'LL 1368 01:35:49,577 --> 01:35:53,147 PAINT, UH-HUH ♪ ♪ DON'T NEED NO AIR, I STAY DOWN THERE 1369 01:35:53,214 --> 01:35:57,985 'TIL I FAINT ♪ GIRL, I'M DEAD. 1370 01:35:58,052 --> 01:36:03,157 ♪ TELL YOUR MAMA ♪ ♪ TELL YOUR DADDY ♪ ♪ TELL YOUR 1371 01:36:03,224 --> 01:36:09,897 MAMA ♪ ♪ TELL YOUR DADDY ♪ ♪ TELL THE WORLD ♪ ♪ LIKE 1372 01:36:09,964 --> 01:36:17,605 SUGAR ON MY TONGUE ♪ ♪ CAN I STEAL THAT FROM YOU ♪ ♪ LIKE 1373 01:36:17,671 --> 01:36:27,014 SUGAR ON MY TONGUE ♪ ♪ CAN I STEAL THAT BEFORE I GO? 1374 01:36:42,463 --> 01:36:44,465 ♪ ♪ ♪ ♪ ♪ >> DON'T TAP THE GLASS. 1375 01:36:51,105 --> 01:36:53,107 [EXPLOSION] ♪ ♪ 1376 01:37:17,431 --> 01:37:18,832 [CHEERS AND APPLAUSE] >> Announcer: COMING UP, Q-TIP 1377 01:37:18,899 --> 01:37:19,833 PRESENTS THE DR. 1378 01:37:20,167 --> 01:37:21,802 DRE GLOBAL IMPACT AWARD TO PHARRELL WILLIAMS, WHO WILL 1379 01:37:21,869 --> 01:37:23,671 ALSO BE PERFORMING WITH CLIPSE. 1380 01:37:23,737 --> 01:37:26,774 THEN, REBA McENTIRE, POST MALONE, AND MS. 1381 01:37:26,840 --> 01:37:28,275 LAURYN HILL. 1382 01:37:28,342 --> 01:37:32,613 THIS IS CBS. 1383 01:37:32,680 --> 01:37:34,481 ♪ ♪ >> Announcer: THE 68TH ANNUAL GRAMMY AWARDS IS 1384 01:37:34,548 --> 01:37:37,484 SPONSORED BY VRAYLAR. 1385 01:37:54,001 --> 01:37:56,403 ♪ ♪ >> Trevor: WELCOME BACK TO THE GRAMMYS. 1386 01:37:56,470 --> 01:37:57,438 TO PRESENT THIS YEAR'S DR. 1387 01:37:57,504 --> 01:38:02,409 DRE GLOBAL IMPACT AWARD, PLEASE WELCOME A GRAMMY 1388 01:38:02,476 --> 01:38:05,479 WINNER AND ONE OF THE MOST INNOVATIVE RAPPERS AND 1389 01:38:05,546 --> 01:38:09,416 PRODUCERS IN HIP-HOP HISTORY, THE ONE AND ONLY 1390 01:38:09,483 --> 01:38:09,984 Q-TIP! 1391 01:38:10,217 --> 01:38:20,194 [APPLAUSE] ♪ ♪ ♪ ♪ 1392 01:38:31,105 --> 01:38:36,744 Q-Tip: I'D TO TAKE A PERSONAL MOMENT IF I COULD 1393 01:38:36,810 --> 01:38:41,081 TO ACKNOWLEDGE A SON OF VIRGINIA, AND MY DEAR 1394 01:38:41,148 --> 01:38:45,552 BELOVED BROTHER, MICHAEL ARCHER, A.K.A. 1395 01:38:45,619 --> 01:38:49,290 D'ANGELO. 1396 01:38:49,356 --> 01:38:58,766 [APPLAUSE] I WILL LOVE YOU AND I'M GONNA HONOR YOU, AND 1397 01:38:58,832 --> 01:38:59,166 I MISS YOU. 1398 01:38:59,233 --> 01:39:00,367 THANK YOU. 1399 01:39:00,434 --> 01:39:02,236 I'M HONORED TO BE HERE AT THE BEHEST OF ANOTHER SON OF 1400 01:39:02,303 --> 01:39:03,504 VIRGINIA. 1401 01:39:03,570 --> 01:39:06,006 THE FOURTH RECIPIENT OF THE DR. 1402 01:39:06,073 --> 01:39:15,416 DRE GLOBAL IMPACT AWARD GOES TO AN ARTIST, SONGWRITER, 1403 01:39:15,482 --> 01:39:21,455 PRODUCER, ANOTHER BROTHER OF MINE, AND AN ALIEN, PHARRELL 1404 01:39:21,522 --> 01:39:24,391 WILLIAMS. 1405 01:39:24,458 --> 01:39:26,593 [APPLAUSE] WHERE YOU AT? 1406 01:39:26,660 --> 01:39:33,367 HIS IMPRESSION ON MUSIC, 1407 01:39:33,434 --> 01:39:35,369 IMMEASURABLE. 1408 01:39:35,436 --> 01:39:40,374 HIS UNIQUENESS AND HIS DARING CREATIVITY HAVE KEPT 1409 01:39:40,441 --> 01:39:42,776 THE WORLD INTRIGUED AND ENTRANCED, AND AS AN 1410 01:39:42,843 --> 01:39:45,879 ARTISTIC FORCE ACROSS GENRES, HE CONTINUES TO 1411 01:39:45,946 --> 01:39:50,818 INSPIRE OUR WHOLE PLANET. 1412 01:39:50,884 --> 01:39:53,287 LET'S SEE HOW THIS KID FROM VIRGINIA WENT GLOBAL. 1413 01:39:53,354 --> 01:39:58,258 ♪ ♪ ["DROP IT LIKE IT'S HOT" PLAYING] >> Narrator: TIME 1414 01:39:58,325 --> 01:40:00,694 AND TIME AGAIN, PHARRELL HAS CHANGED THE GAME WITH HIS 1415 01:40:00,761 --> 01:40:03,530 STRONG ARTISTIC SENSIBILITY, 1416 01:40:03,597 --> 01:40:08,268 AND FAR-RANGING INFLUENCE ON MULTIPLE GENERATIONS. 1417 01:40:08,335 --> 01:40:11,038 13 GRAMMY AWARDS AND MORE THAN 10 BILLION COMBINED 1418 01:40:11,105 --> 01:40:14,575 GLOBAL MUSIC STREAMS TO DATE. 1419 01:40:14,641 --> 01:40:18,312 WITH GROUNDBREAKING ENTREPRENEURIAL INNOVATIONS 1420 01:40:18,379 --> 01:40:21,615 AND TIRELESS GLOBAL PHILANTHROPY, THIS SON OF A 1421 01:40:21,682 --> 01:40:24,385 TEACHER AND A HANDYMAN FROM VIRGINIA BEACH, VIRGINIA, IS 1422 01:40:24,451 --> 01:40:28,722 AN ONGOING SUCCESS STORY LIKE NO OTHER. 1423 01:40:28,789 --> 01:40:33,026 EVEN TODAY, HE CONTINUES TO PUSH HIS ARTISTIC BOUNDARIES 1424 01:40:33,093 --> 01:40:37,364 AS THE TRENDSETTING CREATIVE DIRECTOR OF LOUIS VUITTON. 1425 01:40:37,431 --> 01:40:41,368 BUT WITH HIS FIRST LOVE, MUSIC, HE REMAINS A LEADER. 1426 01:40:41,435 --> 01:40:44,538 THIS PAST YEAR, PHARRELL EXECUTIVE-PRODUCED THE 1427 01:40:44,605 --> 01:40:47,608 POWERFUL RETURN OF CLIPSE, WHICH RECEIVED FIVE GRAMMY 1428 01:40:47,674 --> 01:40:52,880 NOMINATIONS, INCLUDING ALBUM OF THE YEAR, TONIGHT. 1429 01:40:52,946 --> 01:40:55,682 A MAN WITH AN ENDURING LEGACY AND LIMITLESS 1430 01:40:55,749 --> 01:40:58,318 IMAGINATION WHOSE IMPACT ON OUR WORLD CANNOT BE 1431 01:40:58,385 --> 01:40:59,720 OVERSTATED. 1432 01:40:59,787 --> 01:41:01,989 PHARRELL WILLIAMS. 1433 01:41:02,055 --> 01:41:12,065 [APPLAUSE] >> Q-Tip: IT'S MY HONOR TO PRESENT THE DR. 1434 01:41:16,036 --> 01:41:18,105 DRE GLOBAL IMPACT AWARD TO MY FRIEND, PHARRELL 1435 01:41:18,172 --> 01:41:18,972 WILLIAMS. 1436 01:41:19,039 --> 01:41:29,049 [APPLAUSE] ♪ ♪ ♪ ♪ 1437 01:42:11,191 --> 01:42:13,927 Pharrell: WHAT'S UP, GUYS? 1438 01:42:13,994 --> 01:42:19,733 [APPLAUSE] IT'S ALWAYS AWKWARD FOR ME TO SIT 1439 01:42:19,800 --> 01:42:23,704 THROUGH THESE, LIKE, MONTAGES. 1440 01:42:23,770 --> 01:42:26,807 IT'S LIKE, I DON'T KNOW HOW Y'ALL FEEL, SOME OF Y'ALL 1441 01:42:26,874 --> 01:42:32,012 FEEL, BUT FOR ME IT'S LIKE LISTENING TO YOUR VOICE MAIL 1442 01:42:32,079 --> 01:42:38,919 OVER, LIKE, A LOUDSPEAKER. 1443 01:42:38,986 --> 01:42:42,856 Q-TIP IS SOMEONE THAT I'VE LOOKED UP TO SINCE THE VERY 1444 01:42:42,923 --> 01:42:45,893 BEGINNING, AND I JUST THANK YOU SO MUCH FOR THE 1445 01:42:45,959 --> 01:42:49,463 PRESENTATION AND BEING HERE TONIGHT. 1446 01:42:49,530 --> 01:42:51,431 [APPLAUSE] THERE'S NO ONE LIKE YOU. 1447 01:42:51,498 --> 01:42:55,202 THERE'S NOT A DAY I DON'T GO BY THINKING ABOUT WHAT THE 1448 01:42:55,269 --> 01:42:58,839 TRIBE ALBUM HAS DONE TO ME AND MY FRIENDS GROWING UP. 1449 01:42:58,906 --> 01:43:08,949 PLEASE MAKE SOME NOISE FOR A TRIBE CALLED QUEST. 1450 01:43:09,616 --> 01:43:13,487 [APPLAUSE] THANK YOU TO THE ACADEMY, OF COURSE, AND DR. 1451 01:43:13,554 --> 01:43:14,054 DRE. 1452 01:43:14,688 --> 01:43:16,557 ME AND PUSHA WOULD GET UP LIKE 5:00, 6:00 IN THE 1453 01:43:16,623 --> 01:43:17,491 MORNING. 1454 01:43:17,824 --> 01:43:21,128 AND THIS IS BACK IN THE ANALOG DAYS WHERE MTV WOULD 1455 01:43:21,194 --> 01:43:22,095 PLAY VIDEOS EARLY IN THE MORNING. 1456 01:43:22,162 --> 01:43:26,033 THEY WOULD PLAY RAP VIDEOS. 1457 01:43:26,099 --> 01:43:31,805 ME AND PUSHA, JUST LISTENING TO THE CHRONIC, AND "THE 1458 01:43:31,872 --> 01:43:33,006 CHRONIC 2001." 1459 01:43:33,073 --> 01:43:36,777 IT'S THE IDEA THAT I GET TO HOLD THIS AWARD THAT IS 1460 01:43:36,843 --> 01:43:40,113 SIGNATORY OF ONE OF THE GREATEST PRODUCERS OF ALL 1461 01:43:40,180 --> 01:43:41,782 TIME, DR. 1462 01:43:41,848 --> 01:43:42,449 DRE. 1463 01:43:42,516 --> 01:43:47,020 [APPLAUSE] THE GREATEST. 1464 01:43:47,087 --> 01:43:48,555 AND I'LL MAKE THIS FAST. 1465 01:43:48,622 --> 01:43:54,361 TO EVERYONE IN THIS ROOM WHO MUSIC, THANK YOU SO MUCH. 1466 01:43:54,428 --> 01:43:58,699 THANK YOU TO MY BROTHERS, THE CLIPSE. 1467 01:43:58,765 --> 01:43:59,866 THIS IS CRAZY. 1468 01:43:59,933 --> 01:44:00,901 CONGRATULATIONS. 1469 01:44:00,968 --> 01:44:01,868 YOUR FIRST GRAMMY AWARD TONIGHT. 1470 01:44:01,935 --> 01:44:03,737 YOU GOT IT. 1471 01:44:03,804 --> 01:44:06,907 I'M SO BLESSED TO CALL THIS A JOB. 1472 01:44:06,974 --> 01:44:08,775 I'VE NEVER STOPPED LOVING THIS JOB. 1473 01:44:08,842 --> 01:44:10,978 I'VE NEVER STOPPED BEING A STUDENT. 1474 01:44:11,044 --> 01:44:14,481 ENTER EVERYONE HERE, I JUST GOT TO TELL YOU, NEVER STOP 1475 01:44:14,548 --> 01:44:20,387 GRINDING, AND LISTEN, NEVER STOP WORKING. 1476 01:44:20,454 --> 01:44:23,690 STOP DOING ANYTHING ELSE BUT WORKING. 1477 01:44:23,757 --> 01:44:27,094 WORK, MAN. 1478 01:44:27,160 --> 01:44:27,794 BECAUSE-- I'M 52. 1479 01:44:27,861 --> 01:44:28,695 I GET TO DO THIS EVERY DAY. 1480 01:44:28,762 --> 01:44:31,231 I LOVE WHAT I DO. 1481 01:44:31,298 --> 01:44:35,769 AND IF YOU DO WHAT YOU LOVE EVERY DAY, YOU'LL GET PAID 1482 01:44:35,836 --> 01:44:36,503 FOR FREE. 1483 01:44:36,570 --> 01:44:37,337 SO THANK YOU SO MUCH. 1484 01:44:37,404 --> 01:44:40,307 THANK YOU GUYS FOR HAVING US. 1485 01:44:40,374 --> 01:44:43,176 AND CONGRATULATIONS TO ALL THE AWARDS. 1486 01:44:43,243 --> 01:44:45,846 AND ALL THE NOMINEES. 1487 01:44:45,912 --> 01:44:55,922 [APPLAUSE] ♪ ♪ >> Trevor CONGRATULATIONS TO PHARRELL. 1488 01:44:58,925 --> 01:45:02,396 ON THE AWARD, BUT ALSO ON LOOKING LIKE THAT AT 52. 1489 01:45:02,462 --> 01:45:04,865 YOU SHOULD HAVE SEEN EVERYONE IN THE ROOM. 1490 01:45:04,931 --> 01:45:07,200 PEOPLE ARE LIKE, "52?" 1491 01:45:07,267 --> 01:45:09,169 AFTER THE BREAK, WE WILL BE REMEMBERING SOME OF THE MANY 1492 01:45:09,236 --> 01:45:10,270 ICONS WE LOST THIS PAST YEAR. 1493 01:45:10,337 --> 01:45:11,972 BUT BEFORE THAT, BRUCE SPRINGSTEEN TAKES A MOMENT 1494 01:45:12,039 --> 01:45:14,708 TO HELP US REMEMBER BRIAN WILSON. 1495 01:45:21,448 --> 01:45:22,482 ♪ ♪ ["GOOD VIBRATIONS" PLAYING] >> Bruce: BRIAN 1496 01:45:22,549 --> 01:45:25,252 WILSON WAS THE KIND OF SHINING MUSICAL GENIUS WHO 1497 01:45:25,318 --> 01:45:29,289 MADE GENERATIONS OF SONGWRITERS SO MUCH BETTER, 1498 01:45:29,356 --> 01:45:33,827 AND I KNOW THIS BECAUSE I'M ONE OF THEM. 1499 01:45:33,894 --> 01:45:37,464 BRIAN SOMEHOW CHANGED WHAT A SONG COULD DO, HOW MUCH AN 1500 01:45:37,531 --> 01:45:42,936 ALBUM COULD CONTAIN-- WHAT IT COULD MEAN. 1501 01:45:43,003 --> 01:45:46,673 HE DEFINED THE MYTH AND OUR DREAMS OF CALIFORNIA-- THE 1502 01:45:46,740 --> 01:45:49,576 SUN, THE SEA, THE BEACH. 1503 01:45:49,643 --> 01:45:52,045 BRIAN, THE LAST OF THE WILSON BROTHERS, MAY BE 1504 01:45:52,112 --> 01:45:55,615 GONE, BUT HE LEAVES BEHIND SO MANY GREAT SONGS AND GOOD 1505 01:45:55,682 --> 01:45:58,585 VIBRATIONS THAT WILL LIVE FOREVER. 1506 01:45:58,652 --> 01:45:59,953 THANK YOU, BRIAN. 1507 01:46:09,963 --> 01:46:13,366 ♪ ♪ >> John: TO PLAY MUSIC WITH BOB WEIR WAS TO LEARN 1508 01:46:13,433 --> 01:46:15,736 FROM A MASTER. 1509 01:46:15,802 --> 01:46:18,438 HE UNDERSTOOD SONGWRITING TO ITS CORE, HAVING WRITTEN AND 1510 01:46:18,505 --> 01:46:20,440 PERFORMED SOME OF THE MOST ENDURING MUSIC IN AMERICAN 1511 01:46:20,507 --> 01:46:23,543 HISTORY. 1512 01:46:23,610 --> 01:46:26,012 BOB WAS A MESSENGER NOT ONLY FOR THE MUSIC HE MADE WITH 1513 01:46:26,079 --> 01:46:28,915 THE GRATEFUL DEAD, BUT FOR THE TAPESTRY OF INFLUENCES 1514 01:46:28,982 --> 01:46:33,353 THAT BIRTHED IT: ROCK, FOLK, BLUES, R&B, AND COUNTRY. 1515 01:46:33,420 --> 01:46:35,555 HE FOLLOWED HIS MUSE WHEREVER IT LED HIM, AND 1516 01:46:35,622 --> 01:46:39,259 THAT DEVOTION WAS SHARED BY ALL WHO FOLLOWED HIM. 1517 01:46:39,326 --> 01:46:42,028 BOB HAS LEFT US, BUT THE SONGS HE SANG WILL REMAIN A 1518 01:46:42,095 --> 01:46:45,899 ROADMAP FOR A BETTER, MORE MEANINGFUL LIFE. 1519 01:46:45,966 --> 01:46:47,234 SEE YOU DOWN THE ROAD, ACE. 1520 01:46:47,300 --> 01:46:57,043 ♪ ♪ [APPLAUSE] >> Trevor: THE GREAT BOBBY WEIR. 1521 01:46:57,110 --> 01:46:59,679 IT'S IMPOSSIBLE TO LOOK BACK ON THE PAST YEAR IN MUSIC 1522 01:46:59,746 --> 01:47:03,350 WITHOUT CELEBRATING THE MEMORY OF THOSE WHO LEFT US. 1523 01:47:03,416 --> 01:47:06,253 HONORING THOSE LEGENDS WITH A SPECIALLY WRITTEN VERSION 1524 01:47:06,319 --> 01:47:08,789 OF HER GRAMMY-NOMINATED SONG, "TRAILBLAZER," 1525 01:47:08,855 --> 01:47:11,792 ACCOMPANIED TONIGHT BY BRANDY CLARK AND LUKAS 1526 01:47:11,858 --> 01:47:14,094 NELSON, FOR THE FIRST TIME EVER PERFORMING ON THE 1527 01:47:14,161 --> 01:47:16,730 GRAMMY STAGE, REBA McENTIRE. 1528 01:47:37,751 --> 01:47:39,386 [APPLAUSE] ♪ ♪ ♪ ♪ >> ♪ EVERYBODY NEEDS A HERO ♪ ♪ 1529 01:47:39,452 --> 01:47:49,462 AND YOU'VE ALWAYS BEEN MINE ♪ ♪ YOU ARE NEVER ONE TO 1530 01:47:51,464 --> 01:47:55,602 CHASE THE SPOTLIGHT ♪ ♪ IT WAS ALWAYS CHASING YOU ♪ ♪ 1531 01:47:55,669 --> 01:48:00,273 YOU WERE A CANDLE IN THE DARK, A TRUE NORTHSTAR ♪ ♪ 1532 01:48:00,340 --> 01:48:08,548 WHO ALWAYS SAYING YOUR TRUTH ♪ ♪ I KNOW A DREAMER WHEN I 1533 01:48:08,615 --> 01:48:18,725 SEE ONE ♪ ♪ AND YOU MAKE ME PROUD TO BE ONE ♪ ♪ ♪ TALK 1534 01:48:18,792 --> 01:48:22,729 ABOUT A TRAILBLAZER CUTTIN' ONE PATH AT A TIME ♪ ♪ 1535 01:48:22,796 --> 01:48:28,301 RUNNIN' LIKE A DREAM CHASER LIVIN' ON A PRAYER AND A 1536 01:48:28,368 --> 01:48:31,805 RHYME ♪ ♪ YOU PUT A FLAG IN THE GROUND TO A COUNTRY 1537 01:48:31,872 --> 01:48:40,513 SOUND ♪ ♪ TO THE RHYTHM OF YOUR OWN HIGHWAY ♪ ♪ TALK 1538 01:48:40,580 --> 01:48:42,616 ABOUT A TRAILBLAZER, I'M ROLLIN' DOWN THE ROAD YOU 1539 01:48:42,682 --> 01:48:52,692 PAVED ♪ ♪ ♪ >> ♪ I SAW 'EM ON THE GRAMMYS ♪ ♪ I HEARD 1540 01:48:55,462 --> 01:49:00,066 'EM ON THE RADIO ♪ ♪ THEY TAUGHT ME HOW TO RIDE HOW TO 1541 01:49:00,133 --> 01:49:06,773 HOLD ON TIGHT ♪ ♪ IN THIS RHINESTONE RODEO ♪ >> ♪ IT 1542 01:49:06,840 --> 01:49:16,416 WAS JOHNNY AND LORETTA ♪ ♪ PATSY AND TAMMY TOO ♪ ♪ WE 1543 01:49:16,483 --> 01:49:24,124 ALL WALK IN THEIR FOOTSTEPS ♪ ♪ BUT WE CAN'T FILL THEIR 1544 01:49:24,190 --> 01:49:26,760 SHOES ♪ BUT WE CAN'T FILL THEIR SHO SHOES ♪ ♪ TALK 1545 01:49:26,826 --> 01:49:33,833 ABOUT A TRAILBLAZER ♪ ♪ CUTTIN' ONE PATH AT A TIME ♪ 1546 01:49:33,900 --> 01:49:35,969 ♪ RUNNIN' LIKE A DREAM CHASER LIVIN' ON A PRAYER 1547 01:49:36,036 --> 01:49:40,740 AND A RHYME ♪ ♪ YOU PUT A FLAG IN THE GROUND TO A NEW 1548 01:49:40,807 --> 01:49:46,613 KIND OF SOUND ♪ ♪ TO THE RHYTHM OF YOUR OWN HIGHWAY ♪ 1549 01:49:46,680 --> 01:49:48,615 ♪ TALK ABOUT A TRAILBLAZER, I'M ROLLIN' DOWN THE ROAD 1550 01:49:48,682 --> 01:49:51,418 YOU PAVED ♪ ♪ ♪ ♪ ♪ 1551 01:50:11,671 --> 01:50:21,681 ♪ ♪ 1552 01:50:28,588 --> 01:50:33,360 ♪ GOD SAID, "LET THERE BE SWEET, SWEET MUSIC" ♪ ♪ HE 1553 01:50:33,426 --> 01:50:40,367 SENT TO GOOD OLD SOULS LIKE YOU DOWN HERE TO DO IT ♪ ♪ 1554 01:50:40,433 --> 01:50:47,374 TALK ABOUT A TRAILBLAZER CUTTIN' ONE PATH AT A TIME ♪ 1555 01:50:47,440 --> 01:50:51,378 ♪ RUNNIN' LIKE A DREAM CHASER LIVIN' ON A PRAYER 1556 01:50:51,444 --> 01:50:58,218 AND A RHYME ♪ ♪ YOU PUT A FLAG IN THE GROUND TO A 1557 01:50:58,284 --> 01:51:03,423 TIMELESS SOUND ♪ ♪ TO THE RHYTHM OF YOUR OWN HIGHWAY ♪ 1558 01:51:03,490 --> 01:51:06,092 ♪ TALK ABOUT A TRAILBLAZER, I'M ROLLIN' DOWN THE ROAD 1559 01:51:06,159 --> 01:51:16,169 YOU PAVED ♪ ♪ GOD BLESS YOU, TRAILBLAZERS ♪ ♪ WE ARE 1560 01:51:18,371 --> 01:51:28,381 ROLLING DOWN THE ROAD YOU PAVED ♪ [APPLAUSE] 1561 01:51:52,839 --> 01:52:02,849 ♪ ♪ 1562 01:52:04,684 --> 01:52:14,694 ♪ ♪ 1563 01:52:28,007 --> 01:52:32,679 ♪ GENERALS GATHERED IN THEIR MASSES ♪ ♪ JUST LIKE 1564 01:52:32,745 --> 01:52:39,052 WITCHES AT BLACK MASSES ♪ ♪ EVIL MINDS THAT PLOT 1565 01:52:39,119 --> 01:52:49,129 DESTRUCTION ♪ ♪ SORCERER OF DEATH'S CONSTRUCTION ♪ 1566 01:52:51,498 --> 01:52:58,438 ♪ IN THE FIELDS THE BODIES BURNING ♪ ♪ AS THE WAR 1567 01:52:58,505 --> 01:53:03,109 MACHINE KEEPS TURNING ♪ ♪ DEATH AND HATRED TO MANKIND 1568 01:53:03,176 --> 01:53:07,580 ♪ ♪ POISONING THEIR BRAINWASHED MINDS ♪ ♪ OH 1569 01:53:07,647 --> 01:53:17,657 LORD YEAH ♪ ♪ ♪ 1570 01:53:21,694 --> 01:53:31,704 ♪ ♪ 1571 01:53:35,475 --> 01:53:45,485 ♪ ♪ 1572 01:53:52,392 --> 01:53:55,028 ♪ POLITICIANS HIDE THEMSELVES AWAY ♪ ♪ THEY 1573 01:53:55,094 --> 01:53:57,030 ONLY STARTED THE WAR ♪ ♪ WHY SHOULD THEY GO OUT TO FIGHT? 1574 01:53:57,096 --> 01:54:07,106 ♪ ♪ THEY LEAVE THAT ROLE TO THE POOR ♪ ♪ ♪ ♪ TIME WILL 1575 01:54:10,510 --> 01:54:19,285 TELL ON THEIR POWER MINDS ♪ ♪ MAKING WAR JUST FOR FUN ♪ 1576 01:54:19,352 --> 01:54:23,723 ♪ TREATING PEOPLE JUST LIKE PAWNS IN CHESS ♪ ♪ WAIT 1577 01:54:23,790 --> 01:54:25,792 'TILL THEIR JUDGMENT DAY COMES, YEAH ♪ ♪ ♪ ♪ ♪ 1578 01:54:50,850 --> 01:55:00,860 ♪ ♪ ♪ ♪ 1579 01:55:33,459 --> 01:55:37,430 ♪ NOW IN DARKNESS, WORLD STOPS TURNING ♪ ♪ ASHES 1580 01:55:37,497 --> 01:55:43,569 WHERE THE BODIES BURNING ♪ ♪ NO MORE WAR PIGS HAVE THE 1581 01:55:43,636 --> 01:55:53,680 POWER ♪ ♪ HAND OF GOD HAS STRUCK THE HOUR ♪ ♪ DAY OF 1582 01:55:53,946 --> 01:55:59,852 JUDGMENT, GOD IS CALLING ♪ ♪ ON THEIR KNEES THE WAR PIGS 1583 01:55:59,919 --> 01:56:10,029 CRAWLING ♪ ♪ BEGGING MERCY FOR THEIR SINS ♪ ♪ SATAN, 1584 01:56:10,096 --> 01:56:17,170 LAUGHING, SPREADS HIS WINGS ♪ ♪ OH LORD, YEAH! 1585 01:56:17,236 --> 01:56:27,246 ♪ ♪ ♪ ♪ ♪ 1586 01:56:38,825 --> 01:56:48,835 ♪ ♪ 1587 01:57:13,793 --> 01:57:19,365 ♪ HO, OH WOAH ♪ WE NEVER GOT TO DO THIS ON STAGE 1588 01:57:19,432 --> 01:57:21,367 MAKE TIME FOR THE PEOPLE YOU LOVE WHILE YOU CAN. 1589 01:57:21,434 --> 01:57:24,103 THANK YOU TO HIS BAND, THE VANGUARD. 1590 01:57:24,170 --> 01:57:30,376 ♪ NOW THE SKIES COULD FALL ♪ ♪ NOT EVEN IF MY BOSS SHOULD 1591 01:57:30,443 --> 01:57:35,948 CALL ♪ ♪ THE WORLD IT SEEMS SO VERY SMALL ♪ ♪ CAUSE 1592 01:57:36,015 --> 01:57:46,025 NOTHING EVEN MATTERS, AT ALL ♪ ♪ NOTHING EVEN MATTERS ♪ ♪ 1593 01:57:49,996 --> 01:57:53,166 NOTHING EVEN MATTERS AT ALL ♪ ♪ NOTHING EVEN MATTERS ♪ ♪ 1594 01:57:53,232 --> 01:58:03,276 NOTHING EVEN MATTERS AT ALL ♪ ♪ SEE I DON'T NEED NO 1595 01:58:03,342 --> 01:58:05,144 ALCOHOL ♪ ♪ YOUR LOVE MAKES ME FEEL TEN FEET TALL ♪ ♪ 1596 01:58:05,211 --> 01:58:07,346 WITHOUT IT I'D GO THROUGH WITHDRAWAL ♪ ♪ CAUSE NOTHING 1597 01:58:07,413 --> 01:58:10,550 EVEN MATTERS, AT ALL ♪ ♪ NOTHING EVEN MATTERS AT ALL 1598 01:58:10,616 --> 01:58:16,322 ♪ ♪ NOTHING EVEN MATTERS ♪ ♪ NOTHING EVEN MATTERS AT ALL 1599 01:58:16,389 --> 01:58:26,399 ♪ ♪ NOTHING EVEN MATTERS ♪ ♪ NOTHING EVEN MATTERS AT ALL 1600 01:58:27,233 --> 01:58:30,970 ♪ COME ON, LUCKY DAYE! 1601 01:58:31,037 --> 01:58:33,306 COME ON. 1602 01:58:33,372 --> 01:58:35,007 ♪ LET ME TELL YOU 'BOUT THIS GIRL, MAYBE I SHOULDN'T 1603 01:58:35,074 --> 01:58:36,943 ♪ ♪ I MET HER IN PHILLY AND HER NAME WAS BROWN SUGAR ♪ ♪ 1604 01:58:37,009 --> 01:58:39,545 SEE WE BE MAKIN' LOVE CONSTANTLY ♪ ♪ THAT'S WHY MY 1605 01:58:39,612 --> 01:58:41,380 EYES ARE A SHADE, BLOOD BURGUNDY ♪ ♪ THE WAY THAT WE 1606 01:58:41,447 --> 01:58:43,649 KISS IS UNLIKE ANY OTHER WAY THAT I BE KISSIN' ♪ ♪ WHAT 1607 01:58:43,716 --> 01:58:45,718 I'M KISSIN', WHAT I'M MISSIN', WON'T YOU LISTEN ♪ 1608 01:58:45,785 --> 01:58:48,621 ♪ BROWN SUGAR, BABE ♪ ♪ I GETS HIGH OFF YOUR LOVE, I 1609 01:58:48,688 --> 01:58:51,491 DON'T KNOW HOW TO BEHAVE ♪ ♪ I WANT SOME OF YOUR BROWN 1610 01:58:51,557 --> 01:59:01,567 SUGAR ♪ ♪ I WANT SOME OF YOUR BROWN SUGAR ♪ >> LEON 1611 01:59:06,839 --> 01:59:12,144 THOMAS, LET'S GO! 1612 01:59:12,211 --> 01:59:16,349 RAPHAEL SAADIQ! 1613 01:59:16,415 --> 01:59:18,384 ♪ YOU'RE MY LADY ♪ ♪ DON'T THINK I DON'T SEE THEM 1614 01:59:18,451 --> 01:59:21,420 LOOKIN' AT YA ♪ ♪ ALL OF 'EM WISHIN' THEY COULD HAVE YA ♪ 1615 01:59:21,487 --> 01:59:23,256 ♪ AND AS A MATTER OF FACT, UH ♪ ♪ A BUNCH OF THEM ARE 1616 01:59:23,322 --> 01:59:25,491 ITCHIN' FOR YOU TO SCRATCH THEM ♪ ♪ I'M TIRED OF HIDIN' 1617 01:59:25,558 --> 01:59:29,996 WHAT WE FEEL ♪ ♪ I'M TRYNA COME WITH THE REAL ♪ ♪ AND 1618 01:59:30,062 --> 01:59:40,072 I'M GONNA MAKE IT KNOWN ♪ ♪ 'CAUSE I WANT THEM TO KNOW ♪ 1619 01:59:42,475 --> 01:59:46,512 ♪ [...] THE SLICE WE WANT THE PIE ♪ ♪ WHY ASK WHY TILL 1620 01:59:46,579 --> 01:59:52,385 WE FRY ♪ ♪ WATCH US ALL STAND IN LINE ♪ ♪ FOR A 1621 01:59:52,451 --> 01:59:55,621 SLICE OF THE DEVIL'S PIE ♪ ♪ DRUGS AND THUGS WOMEN WINE ♪ 1622 01:59:55,688 --> 01:59:57,323 ♪ THREE OR FOUR AT A TIME ♪ ♪ WATCH THEM ALL STAND IN 1623 01:59:57,390 --> 02:00:07,466 LINE ♪ ♪ FOR A SLICE OF THE DEVIL'S PIE ♪ >> ANTHONY 1624 02:00:07,533 --> 02:00:12,171 HAMILTON! 1625 02:00:13,406 --> 02:00:23,416 ♪ ♪ ♪ ♪ 1626 02:00:32,858 --> 02:00:33,926 BILAL. 1627 02:00:34,327 --> 02:00:35,828 ♪ GIRL, IT'S ONLY YOU ♪ ♪ HAVE IT YOUR WAY ♪ ♪ AND IF 1628 02:00:35,895 --> 02:00:40,800 YOU WANT, YOU CAN DECIDE ♪ ♪ AND IF YOU'LL HAVE ME ♪ ♪ I 1629 02:00:40,866 --> 02:00:46,372 CAN PROVIDE EVERYTHING THAT YOU DESIRE ♪ ♪ IF YOU GET A 1630 02:00:46,439 --> 02:00:55,381 FEELING ♪ ♪ A FEELING THAT I'M FEELING ♪ ♪ WON'T YOU 1631 02:00:55,448 --> 02:00:59,685 COME CLOSER TO ME BABY? 1632 02:00:59,752 --> 02:01:04,824 HEY ♪ ♪ 'CAUSE YOU ALREADY GOT ME RIGHT WHERE YOU WANT 1633 02:01:04,890 --> 02:01:13,332 ME, BABY ♪ ♪ I, I JUST WANT TO BE YOUR MAN ♪ 1634 02:01:13,399 --> 02:01:23,409 [VOCALIZING] ♪ ♪ ♪ HOW DOES IT FEEL? 1635 02:01:31,050 --> 02:01:40,493 ♪ ♪ ♪ >> JON BATISTE! 1636 02:01:40,559 --> 02:01:50,569 ♪ AFRICA IS MY DESCENT ♪ 1637 02:01:53,839 --> 02:01:57,543 ♪ ♪ >> WE LOVE YOU, D'ANGELO. 1638 02:01:57,610 --> 02:02:03,149 WE LOVE YOU. 1639 02:02:03,215 --> 02:02:13,225 ♪ ♪ ♪ THE FIRST TIME, EVER I SAW YOUR FACE ♪ ♪ I THOUGHT 1640 02:02:19,098 --> 02:02:29,108 THE SUN ROSE IN YOUR EYES ♪ 1641 02:02:34,847 --> 02:02:44,857 ♪ AND THE MOON AND THE STARS ♪ ♪ WERE THE GIFTS YOU GAVE 1642 02:02:48,928 --> 02:02:58,938 ♪ ♪ TO THE DARK, AND THE ENDLESS SKY ♪ ♪ MY LOVE ♪ 1643 02:03:09,682 --> 02:03:19,692 ♪ THE FIRST TIME, EVER I SAW ♪ ♪ YOUR FACE ♪ ♪ ♪ COME ON, 1644 02:03:39,411 --> 02:03:40,312 LEON BRIDGES! 1645 02:03:40,713 --> 02:03:46,418 ♪ LOVE THE LIE AND LIE THE LOVE ♪ ♪ HANGIN' ON, 1646 02:03:46,485 --> 02:03:53,859 WITH A PUSH AND SHOVE ♪ ♪ POSSESSION IS THE MOTIVATION 1647 02:03:53,926 --> 02:03:58,164 ♪ ♪ THAT IS HANGIN' UP THE WHOLE DANG NATION ♪ ♪ LOOKS 1648 02:03:58,230 --> 02:04:06,939 LIKE WE ALWAYS END UP IN A RUT ♪ ♪ TRYIN' TO MAKE IT 1649 02:04:07,006 --> 02:04:12,077 REAL COMPARED TO WHAT? 1650 02:04:12,144 --> 02:04:22,154 ♪ [VOCALIZING] ♪ ♪ >> OCTOBER LONDON! 1651 02:04:24,456 --> 02:04:34,466 ♪ ♪ >> ♪ THE CLOSER I GET TO YOU ♪ ♪ THE MORE YOU MAKE ME 1652 02:04:39,371 --> 02:04:49,381 SEE ♪ ♪ BY GIVING ME ALL YOU'VE GOT ♪ ♪ YOUR LOVE HAS 1653 02:04:52,351 --> 02:04:59,391 CAPTURED ME ♪ >> LALAH HATHAWAY! 1654 02:04:59,458 --> 02:05:02,061 ♪ OVER AND OVER AGAIN ♪ ♪ I TRIED TO TELL MYSELF THAT 1655 02:05:02,127 --> 02:05:06,532 WE ♪ ♪ COULD NEVER BE MORE THAN FRIENDS ♪ ♪ AND ALL THE 1656 02:05:06,599 --> 02:05:16,609 WHILE INSIDE I KNEW IT WAS REAL ♪ ♪ THE WAY YOU MAKE ME 1657 02:05:17,776 --> 02:05:23,182 FEEL ♪ >> JOHN LEGEND AND CHAKA KHAN! 1658 02:05:23,249 --> 02:05:28,654 MARCUS MILLER ON BASS! 1659 02:05:28,721 --> 02:05:29,755 ♪ WHERE IS THE LOVE? 1660 02:05:29,822 --> 02:05:30,956 ♪ >> ♪ WHERE IS THE LOVE? 1661 02:05:31,023 --> 02:05:32,091 ♪ >> ♪ WHERE IS THE LOVE? 1662 02:05:32,157 --> 02:05:34,994 ♪ >> ♪ WHERE IS THE LOVE? 1663 02:05:35,060 --> 02:05:37,730 ♪ >> ♪ WHERE IS THE LOVE YOU SAID YOU'D GIVE TO ME ♪ ♪ 1664 02:05:37,796 --> 02:05:39,865 SOON AS YOU WERE FREE? 1665 02:05:39,932 --> 02:05:43,202 ♪ ♪ WILL IT EVER BE? 1666 02:05:43,269 --> 02:05:49,408 ♪ ♪ WHERE IS THE LOVE? 1667 02:05:49,475 --> 02:05:55,414 ♪ ♪ ♪ YOU TOLD ME THAT YOU DIDN'T ♪ AND YOU WERE GONNA 1668 02:05:55,481 --> 02:05:58,550 SAY GOODBYE ♪ ♪ BUT IF YOU REALLY DIDN'T MEAN IT ♪ ♪ 1669 02:05:58,617 --> 02:06:01,587 WHY DID YOU HAVE TO LIE? 1670 02:06:01,654 --> 02:06:06,558 ♪ [VOCALIZING] >> ♪ STROLLIN' IN THE PARK, 1671 02:06:06,625 --> 02:06:15,968 WATCHING WINTER TURN TO SPRING ♪ LET'S GO. 1672 02:06:16,035 --> 02:06:20,406 ♪ WALKIN' IN THE DARK, SEEIN' LOVERS DO THEIR 1673 02:06:20,472 --> 02:06:30,482 THING, OOH ♪ ♪ THAT'S THE TIME I FEEL LIKE MAKING LOVE 1674 02:06:35,454 --> 02:06:45,464 TO YOU ♪ ♪ THAT'S THE TIME I FEEL LIKE MAKING DREAMS COME 1675 02:06:48,434 --> 02:06:56,742 TRUE ♪ ♪ OH, BABY ♪ >> WHERE IS WYCLEF JEAN? 1676 02:06:56,809 --> 02:07:01,080 WHERE IS WYCLEF JEAN? 1677 02:07:01,146 --> 02:07:03,482 ♪ I HEARD HE SANG A GOOD SONG ♪ ♪ I HEARD HE HAD A 1678 02:07:07,353 --> 02:07:11,890 WHILE ♪ ♪ AND THERE HE WAS THIS YOUNG BOY ♪ ♪ A 1679 02:07:11,957 --> 02:07:14,793 STRANGER TO MY EYES ♪ ♪ STRUMMING MY PAIN WITH HIS 1680 02:07:14,860 --> 02:07:20,199 FINGERS ♪ ♪ SINGING MY LIFE WITH HIS WORDS ♪ ♪ KILLING 1681 02:07:20,265 --> 02:07:23,969 ME SOFTLY WITH HIS SONG ♪ ♪ KILLING ME SOFTLY WITH HIS 1682 02:07:24,036 --> 02:07:30,109 SONG ♪ ♪ TELLING MY WHOLE LIFE WITH HIS WORDS ♪ ♪ 1683 02:07:30,175 --> 02:07:40,185 KILLING ME SOFTLY WITH HIS SONG ♪ CLEF CAN BE READY? 1684 02:07:41,587 --> 02:07:44,890 YOU KNOW WE'VE GOT TO DO THE FUGEES VERSION! 1685 02:07:44,957 --> 02:07:46,859 HANDS UP, Y'ALL. 1686 02:07:46,925 --> 02:07:47,860 LET'S GO. 1687 02:07:47,926 --> 02:07:50,996 UP TOP, LET'S GO! 1688 02:07:51,063 --> 02:07:51,497 HEY! 1689 02:07:51,797 --> 02:08:00,439 ♪ ♪ ♪ ♪ CHAKA KHAN! 1690 02:08:00,506 --> 02:08:00,839 HANDS UP! 1691 02:08:00,906 --> 02:08:04,043 HANDS UP! 1692 02:08:04,109 --> 02:08:13,852 ♪ ♪ EVERYBODY, COME ON! 1693 02:08:13,919 --> 02:08:17,356 ♪ STRUMMING MY PAIN WITH HIS FINGERS ♪ ONE TIME NOW. 1694 02:08:17,423 --> 02:08:19,725 ♪ SINGING MY LIFE WITH HIS WORDS ♪ ♪ KILLING ME SOFTLY 1695 02:08:19,792 --> 02:08:29,835 WITH HIS SONG ♪ ♪ KILLING ME SOFTLY WITH HIS SONG ♪ ♪ 1696 02:08:30,469 --> 02:08:34,907 TELLING MY WHOLE LIFE WITH HIS WORDS ♪ ♪ KILLING ME 1697 02:08:34,973 --> 02:08:44,983 SOFTLY WITH HIS SONG ♪ ♪ ♪ 1698 02:08:59,364 --> 02:09:01,366 ♪ AMEN ♪ WE LOVE YOU! 1699 02:09:30,963 --> 02:09:33,265 Chaka: SLY STONE WAS A TRUE PIONEER. 1700 02:09:33,332 --> 02:09:35,267 HE SHOWED US WHAT MUSIC COULD BE WHEN EVERYONE 1701 02:09:35,334 --> 02:09:36,401 BELONGED. 1702 02:09:36,602 --> 02:09:40,806 BLACK, WHITE, WOMEN, MEN, ALL DIFFERENT VOICES MOVING 1703 02:09:40,873 --> 02:09:41,907 AS ONE. 1704 02:09:42,141 --> 02:09:44,243 HE CREATED A REVOLUTIONARY SOUND THAT SPOKE STRAIGHT TO 1705 02:09:44,309 --> 02:09:47,112 THE HEART OF A GENERATION. 1706 02:09:47,179 --> 02:09:49,748 WITH SLY & THE FAMILY STONE, HE TURNED THE IDEA OF FAMILY 1707 02:09:49,815 --> 02:09:54,620 INTO A MOVEMENT. 1708 02:09:54,686 --> 02:09:56,221 WITH US AND WORLD LIVES ON. 1709 02:09:56,288 --> 02:10:05,197 ♪ ♪ [APPLAUSE] >> Trevor: THE GREAT SLY STONE, ONE OF 1710 02:10:05,264 --> 02:10:10,802 THE TRAILBLAZING MUSICAL GIANTS WE LOST THIS PAST 1711 02:10:10,869 --> 02:10:11,837 YEAR. 1712 02:10:11,904 --> 02:10:13,272 WE ARE ABOUT TO GIVE OUT RECORD OF THE YEAR, BUT 1713 02:10:13,338 --> 02:10:15,541 BEFORE WE DO, IT'S MY PLEASURE TO ACKNOWLEDGE OUR 1714 02:10:15,607 --> 02:10:19,278 MUSIC EDUCATOR OF THE YEAR: JENNIFER JIMENEZ, DIRECTOR 1715 02:10:19,344 --> 02:10:21,346 OF BANDS AND ELECTIVE DEPARTMENT CHAIR AT SOUTH 1716 02:10:21,413 --> 02:10:23,148 MIAMI SENIOR HIGH. 1717 02:10:23,215 --> 02:10:28,887 [APPLAUSE] WE CONGRATULATE THE RECORDING ACADEMY'S 1718 02:10:28,954 --> 02:10:31,523 INDUSTRY ICON AWARD HONOREES, THE FOUNDERS OF 1719 02:10:31,590 --> 02:10:33,959 REPUBLIC RECORDS, AVERY LIPMAN AND MONTE LIPMAN. 1720 02:10:34,026 --> 02:10:41,633 [APPLAUSE] CONGRATULATIONS TO THEM ALL. 1721 02:10:41,700 --> 02:10:45,070 AND NOW, PLEASE WELCOME SONGWRITER, MUSIC PRODUCER, 1722 02:10:45,137 --> 02:10:48,440 AND THE CEO OF THE RECORDING ACADEMY, HARVEY MASON JR. 1723 02:10:48,507 --> 02:10:57,950 [APPLAUSE] ♪ ♪ >> Harvey THANK YOU, TREVOR. 1724 02:10:58,016 --> 02:11:02,221 WE COME TOGETHER IN A MOMENT MARKED BY UNCERTAINTY, 1725 02:11:02,287 --> 02:11:06,024 DIVISION, AND, FOR MANY, REAL TRAUMA. 1726 02:11:06,091 --> 02:11:09,428 AS WE WATCH WHAT'S UNFOLDING ACROSS AMERICA, AND AROUND 1727 02:11:09,494 --> 02:11:13,799 THE WORLD, IT CAN BE EASY TO FEEL OVERWHELMED, EVEN 1728 02:11:13,865 --> 02:11:14,967 HELPLESS. 1729 02:11:15,033 --> 02:11:19,004 YET, IN CHALLENGING TIMES, MUSIC NEVER STANDS STILL. 1730 02:11:19,071 --> 02:11:20,672 IT MOVES. 1731 02:11:20,739 --> 02:11:22,507 IT HEALS. 1732 02:11:22,574 --> 02:11:25,277 IT PUSHES US FORWARD. 1733 02:11:25,344 --> 02:11:28,614 TONIGHT REMINDS US THAT MUSIC REMAINS ONE OF THE 1734 02:11:28,680 --> 02:11:31,316 MOST POWERFUL FORCES WE HAVE-- A FORCE THAT MEANS 1735 02:11:31,383 --> 02:11:33,952 SOMETHING DIFFERENT TO EACH OF US, YET CONNECTS ALL OF 1736 02:11:34,019 --> 02:11:36,255 US. 1737 02:11:36,321 --> 02:11:39,424 FOR SOME, MUSIC CAN BE A "BRIDGE OVER TROUBLED 1738 02:11:39,491 --> 02:11:40,325 WATER." 1739 02:11:40,592 --> 02:11:46,565 FOR OTHERS, IT'S A WAY TO "FIGHT THE POWER." 1740 02:11:46,632 --> 02:11:49,468 WHEN WORDS FAIL, MUSIC SPEAKS. 1741 02:11:49,534 --> 02:11:52,137 WHEN WE'RE EXHAUSTED, MUSIC RESTORES US. 1742 02:11:52,204 --> 02:11:55,474 WHEN WE'RE GRIEVING, MUSIC SITS WITH US. 1743 02:11:55,540 --> 02:11:59,778 AND WHEN WE'RE READY TO HOPE AGAIN, MUSIC LIFTS US. 1744 02:11:59,845 --> 02:12:08,053 AND THAT'S WHY WE ARE ALL HERE. 1745 02:12:08,120 --> 02:12:10,188 [APPLAUSE] BEFORE THE SHOW TONIGHT, WE GAVE OUT GRAMMY 1746 02:12:10,255 --> 02:12:13,592 AWARDS IN MULTIPLE GENRES. 1747 02:12:13,659 --> 02:12:15,727 THEY REFLECT THE DIVERSITY OF OUR MUSICAL COMMUNITY, 1748 02:12:15,794 --> 02:12:17,729 AND THE ESSENTIAL ROLE EVERY VOICE AND EVERY CREATOR 1749 02:12:17,796 --> 02:12:20,532 PLAYS IN MOVING OUR WORLD FORWARD. 1750 02:12:20,599 --> 02:12:25,570 CONSIDER JUST A FEW OF THE GENRES WE HONORED TODAY. 1751 02:12:25,637 --> 02:12:28,407 JAZZ: IT CHALLENGES RIGID RULES, CROSSES RACIAL 1752 02:12:28,473 --> 02:12:32,844 BOUNDARIES, AND REDEFINES FREEDOM. 1753 02:12:32,911 --> 02:12:38,283 ROCK: ROCK DOESN'T JUST REFLECT SOCIAL CHANGE-- IT 1754 02:12:38,350 --> 02:12:39,885 PROPELS IT. 1755 02:12:39,951 --> 02:12:44,556 CLASSICAL: IT SHOWS US HOW IMAGINATION THRIVES WITHIN 1756 02:12:44,623 --> 02:12:45,357 FORM. 1757 02:12:45,791 --> 02:12:50,662 ITS BEAUTY CAN BE BOTH PRECISE AND DEEPLY MOVING. 1758 02:12:50,729 --> 02:12:55,801 AND GOSPEL: IT ALLOWS FAITH, FAMILY, LOVE, PROTEST, AND 1759 02:12:55,867 --> 02:12:59,671 CELEBRATION TO BE WOVEN TOGETHER INTO SONGS THAT 1760 02:12:59,738 --> 02:13:00,906 CARRY HOPE. 1761 02:13:00,972 --> 02:13:04,409 AND IT'S NOT JUST GENRES WE CELEBRATE. 1762 02:13:04,476 --> 02:13:06,945 THIS YEAR'S LIFETIME ACHIEVEMENT HONOREES HAVE 1763 02:13:07,012 --> 02:13:16,922 EACH, IN THEIR OWN WAY, HAD PROFOUND IMPACT ON SOCIETY. 1764 02:13:16,988 --> 02:13:18,156 CARLOS SANTANA. 1765 02:13:18,223 --> 02:13:20,459 WHITNEY HOUSTON. 1766 02:13:20,525 --> 02:13:24,029 CHAKA KHAN. 1767 02:13:24,096 --> 02:13:27,666 AND FELA KUTI. 1768 02:13:27,733 --> 02:13:31,103 AS WELL AS PAUL SIMON. 1769 02:13:31,169 --> 02:13:38,243 BUT THERE IS ONE MORE LIFETIME ACHIEVEMENT AWARD 1770 02:13:38,310 --> 02:13:39,811 HONOREE-- A TRUE CULTURAL ICON WHO HAS NOT BEEN ON THE 1771 02:13:39,878 --> 02:13:41,279 GRAMMY STAGE FOR 18 YEARS. 1772 02:13:41,346 --> 02:13:43,715 AND WE FEEL SO HONORED TO HAVE HER BACK. 1773 02:13:43,782 --> 02:13:50,756 TO PRESENT THE GRAMMY FOR RECORD OF THE YEAR, PLEASE, 1774 02:13:50,822 --> 02:13:55,427 CAN WE STAND UP FOR THE ONE AND ONLY CHER! 1775 02:13:55,494 --> 02:14:05,504 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 1776 02:14:13,512 --> 02:14:17,482 Cher: THANK YOU! 1777 02:14:17,549 --> 02:14:20,318 Trevor: BEFORE YOU CARRY ON, FORGIVE ME FOR CUTTING 1778 02:14:20,385 --> 02:14:21,052 YOU OFF. 1779 02:14:21,553 --> 02:14:25,657 I WILL LET YOU FINISH, BUT BEFORE THEN, I HAVE THE 1780 02:14:25,724 --> 02:14:30,095 HONOR OF PRESENTING THIS LEGEND, CHER, WITH THE 1781 02:14:30,162 --> 02:14:32,864 LIFETIME ACHIEVEMENT AWARD, 2026. 1782 02:14:32,931 --> 02:14:33,732 CONGRATULATIONS. 1783 02:14:34,199 --> 02:14:35,033 [CHEERS AND APPLAUSE] I CAN HOLD IT WHILE YOU DO THIS. 1784 02:14:35,100 --> 02:14:39,171 IT IS UP TO YOU. 1785 02:14:39,237 --> 02:14:40,038 Cher: YEAH. 1786 02:14:40,238 --> 02:14:41,840 Trevor: I'LL GIVE IT BACK, I PROMISE. 1787 02:14:41,907 --> 02:14:42,974 Cher: THANK YOU. 1788 02:14:43,041 --> 02:14:45,677 OH, SIT DOWN, PLEASE. 1789 02:14:45,744 --> 02:14:48,313 I DON'T DO THIS PART VERY WELL. 1790 02:14:48,380 --> 02:14:52,984 I MEAN, PUT A MICROPHONE IN MY HAND AND HAVE SOME MUSIC, 1791 02:14:53,051 --> 02:14:54,119 I'M GREAT. 1792 02:14:54,186 --> 02:14:57,422 ALL RIGHT, SO, I FIRST WANT TO THANK THE RECORDING 1793 02:14:57,489 --> 02:15:00,125 ACADEMY FOR GIVING ME THIS LIFETIME ACHIEVEMENT AWARD. 1794 02:15:00,192 --> 02:15:08,066 IT IS A GOOD THING THAT THEY DID IT NOW, BECAUSE I HAVE 1795 02:15:08,133 --> 02:15:11,436 GOOD GENES AND I WOULDN'T HAVE BEEN HERE THAT MUCH 1796 02:15:11,503 --> 02:15:12,103 LONGER. 1797 02:15:12,737 --> 02:15:14,840 I KNEW WHAT I WANTED TO BE WHEN I WAS FIVE YEARS OLD, 1798 02:15:14,906 --> 02:15:22,981 AND I WAS FAMOUS AT 19, AND HAD A TOP-RATED SHOW IN MY 1799 02:15:23,048 --> 02:15:26,718 20s, ACTUALLY, BUT I KIND OF THOUGHT I HAD IT MADE. 1800 02:15:26,785 --> 02:15:28,887 IT DIDN'T OCCUR TO ME HOW RUSS MY CAREER WAS GOING TO 1801 02:15:28,954 --> 02:15:34,059 BE, AND MY LIFE WAS GOING TO BE, AND I'M NOT SAYING "OH, 1802 02:15:34,125 --> 02:15:36,261 POOR ME," BUT WHATEVER. 1803 02:15:36,328 --> 02:15:39,431 REALLY, I WAS EITHER AT THE TOP OF THE BOTTOM, YOU KNOW? 1804 02:15:39,498 --> 02:15:42,000 I WAS EITHER A LOSER OR WINNING AN OSCAR. 1805 02:15:42,067 --> 02:15:45,971 SO IT HAS BEEN-- YOU KNOW, I'M SURE A LOT OF YOU IN THE 1806 02:15:46,037 --> 02:15:49,574 AUDIENCE KNOW WHAT I'M TALKING ABOUT. 1807 02:15:49,641 --> 02:15:55,447 IN THE EARLY '80s, IT GOT SO BAD THAT I HAD TO GO TO LAS 1808 02:15:55,514 --> 02:15:58,149 VEGAS, AND, WELL, IT WAS CALLED THE ELEPHANT'S 1809 02:15:58,216 --> 02:16:04,089 GRAVEYARD IN THOSE DAYS, AND I GOT A-- THEN I GOT 1810 02:16:04,155 --> 02:16:08,393 DROPPED FROM MY LABEL, AND ANOTHER LABEL PICKED ME UP, 1811 02:16:08,460 --> 02:16:13,732 AND I RECORDED A SONG CALLED "BELIEVE." 1812 02:16:13,798 --> 02:16:20,805 [APPLAUSE] I WAS THE FIRST ARTIST TO USE AUTOTUNE. 1813 02:16:20,872 --> 02:16:21,773 [APPLAUSE] SO YEAH. 1814 02:16:21,840 --> 02:16:24,409 THERE WAS NO SUCH THING AS AUTOTUNE. 1815 02:16:24,476 --> 02:16:25,510 IT WAS A PITCH MACHINE. 1816 02:16:25,577 --> 02:16:29,614 YOU GUYS ARE GOING TO KNOW WHAT I'M TALKING ABOUT, 1817 02:16:29,681 --> 02:16:30,615 RIGHT? 1818 02:16:30,949 --> 02:16:32,551 ANYWAY, THE THING I WANT TO TELL YOU, THE ONLY THING I 1819 02:16:32,617 --> 02:16:38,823 WANTED YOU TO TAKE AWAY WITH YOU-- AND I HAVE BEEN IN 1820 02:16:38,890 --> 02:16:45,263 THIS BUSINESS-- CODE [CHEERS AND APPLAUSE] BUT I 1821 02:16:45,330 --> 02:16:45,864 JUST WANT TO TELL YOU, NEVER GIVE UP ON YOUR DREAM, NO 1822 02:16:45,931 --> 02:16:50,869 MATTER WHAT HAPPENS. 1823 02:16:50,936 --> 02:16:54,673 LIVE IT, BE IT, AND IF IT'S NOT HAPPENING NOW, IT WILL 1824 02:16:54,739 --> 02:16:55,340 HAPPEN SOON. 1825 02:16:55,407 --> 02:17:00,178 THAT'S ALL I HAVE TO SAY. 1826 02:17:00,245 --> 02:17:02,614 THANK YOU. 1827 02:17:02,681 --> 02:17:12,724 [APPLAUSE] THANK YOU. 1828 02:17:12,991 --> 02:17:13,892 THANK YOU. 1829 02:17:13,959 --> 02:17:17,762 [SUSTAINED APPLAUSE] THANK YOU! 1830 02:17:17,829 --> 02:17:20,899 I GUESS I'M SUPPOSED TO WALK OFF NOW. 1831 02:17:20,966 --> 02:17:23,969 ALL RIGHT. 1832 02:17:24,035 --> 02:17:34,079 [LAUGHTER] [CHEERS AND APPLAUSE] >> Trevor: BEFORE 1833 02:17:34,813 --> 02:17:40,352 YOU GO, CHER-- CHER, BEFORE YOU GO, COULD WE GET YOU TO 1834 02:17:40,418 --> 02:17:43,188 ANNOUNCE THE NOMINEES? 1835 02:17:43,254 --> 02:17:44,022 I COULD DO IT, BUT IT'S NOT THE SAME. 1836 02:17:44,089 --> 02:17:47,392 I DON'T HAVE THE TRACK RECORD. 1837 02:17:47,459 --> 02:17:51,096 WELCOME BACK CHER, EVERYBODY! 1838 02:17:51,162 --> 02:17:56,935 [CHEERS AND APPLAUSE] >> Cher: YOU CAN SEE I WANTED 1839 02:17:57,002 --> 02:17:59,371 TO GET OFF THE STAGE! 1840 02:17:59,437 --> 02:18:00,372 OKAY. 1841 02:18:00,438 --> 02:18:02,540 THESE ARE THE YEAR'S OUTSTANDING NOMINEES FOR 1842 02:18:02,607 --> 02:18:04,809 BEST RECORD OF THE YEAR. 1843 02:18:04,876 --> 02:18:13,218 ♪ ♪ >> "DeBÍ TiRAR MáS FOToS," BAD BUNNY. 1844 02:18:13,284 --> 02:18:17,422 ♪ ♪ "MANCHILD," SABRINA CARPENTER. 1845 02:18:17,489 --> 02:18:27,499 ♪ ♪ "ANXIETY," DOECHII. 1846 02:18:30,902 --> 02:18:38,410 ♪ ♪ "WILDFLOWER," BILLIE EILISH. 1847 02:18:38,476 --> 02:18:42,847 ♪ ♪ "ABRACADABRA," LADY GAGA. 1848 02:18:42,914 --> 02:18:49,554 ♪ ♪ "LUTHER," KENDRICK LAMAR WITH SZA. 1849 02:18:49,621 --> 02:18:54,626 ♪ ♪ "THE SUBWAY," CHAPPELL ROAN. 1850 02:18:54,693 --> 02:19:02,834 ♪ ♪ "APT.," ROSÉ, BRUNO MARS. 1851 02:19:02,901 --> 02:19:12,911 ♪ ♪ 1852 02:19:15,180 --> 02:19:22,120 Cher: AND THE GRAMMY GOES TO... 1853 02:19:22,187 --> 02:19:22,620 Trevor: READ IT. 1854 02:19:22,687 --> 02:19:23,722 Cher: OH! 1855 02:19:23,788 --> 02:19:28,126 THEY TOLD ME IT WAS GOING TO BE ON THE PROMPTER. 1856 02:19:28,193 --> 02:19:38,203 [LAUGHTER] THE GRAMMY GOES TO 1857 02:19:41,072 --> 02:19:43,208 KENDRICK LAMAR! 1858 02:19:43,274 --> 02:19:53,284 ♪ ♪ ♪ ♪ ♪ ♪ 1859 02:20:13,505 --> 02:20:23,515 ♪ ♪ >> IT'S OKAY! 1860 02:20:34,959 --> 02:20:36,895 ♪ ♪ >> THIS IS WHAT HAPPENS WHEN A WHOLE BUNCH OF NICE 1861 02:20:36,961 --> 02:20:38,897 PEOPLE GET ON THE STAGE AT THE SAME TIME AND WE ARE 1862 02:20:38,963 --> 02:20:42,233 LIKE, "NO, NO, I DON'T WANT TO! 1863 02:20:42,300 --> 02:20:43,902 YOU DO IT!" 1864 02:20:43,968 --> 02:20:47,505 LADIES AND GENTLEMEN, SOUND WAVE. 1865 02:20:47,572 --> 02:20:57,582 [APPLAUSE] >> FIRST AND FOREMOST, LET'S GIVE A SHOUT 1866 02:20:59,017 --> 02:21:04,756 OUT TO THE LATE, GREAT LUTHER VANDROSS. 1867 02:21:04,823 --> 02:21:10,094 [APPLAUSE] IT WAS VERY, VERY IMPORTANT TO KEEP THE 1868 02:21:10,161 --> 02:21:11,796 INTEGRITY OF THIS RECORD. 1869 02:21:11,863 --> 02:21:21,306 I'M THE PRODUCER OF IT ALONG WITH MY GUY BRIDGEWAY, JACK 1870 02:21:21,372 --> 02:21:23,908 ANTONOFF, M-TECH. 1871 02:21:23,975 --> 02:21:26,077 I'M NOT GOING TO TAKE UP TOO MUCH TIME. 1872 02:21:26,144 --> 02:21:30,782 EVERYBODY ELSE. 1873 02:21:30,849 --> 02:21:36,821 TO ECHO WHAT HE SAID, THIS IS WHAT MUSIC IS ABOUT. 1874 02:21:36,888 --> 02:21:39,624 LUTHER VANDROSS. 1875 02:21:39,691 --> 02:21:43,661 [LAUGHTER] THIS IS SPECIAL FOR ME. 1876 02:21:43,728 --> 02:21:47,565 I'VE GOT TO TAKE MY TIME, BECAUSE HE'S ONE OF MY 1877 02:21:47,632 --> 02:21:54,072 FAVORITE ARTISTS OF ALL TIME. 1878 02:21:54,138 --> 02:22:00,011 THEY GRANTED US THE PRIVILEGE TO DO OUR VERSION 1879 02:22:00,078 --> 02:22:01,246 OF IT. 1880 02:22:01,312 --> 02:22:07,685 WHEN WE GOT THAT CLEARANCE, I PROMISE YOU, WE DAMN NEAR 1881 02:22:07,752 --> 02:22:15,093 ALL DROPPED A TEAR, BECAUSE WE KNOW HOW MUCH THEY POURED 1882 02:22:15,159 --> 02:22:16,527 INTO THAT RECORD. 1883 02:22:16,594 --> 02:22:23,301 BEING ABLE TO PUT OUR VOCALS OF IT PROVES THAT WE ARE 1884 02:22:23,368 --> 02:22:28,706 SOMEWHAT WORTHY OF BEING JUST AS GREAT AS THEM 1885 02:22:28,773 --> 02:22:29,540 INDIVIDUALS. 1886 02:22:29,607 --> 02:22:31,009 [APPLAUSE] THEY GRANTED US THAT. 1887 02:22:31,075 --> 02:22:33,111 THEY SAID, NO CURSING, THOUGH. 1888 02:22:33,177 --> 02:22:34,178 YOU CAN'T CURSE ON IT. 1889 02:22:34,245 --> 02:22:36,447 THAT WAS THE ONLY THING, RIGHT? 1890 02:22:36,514 --> 02:22:38,216 AND WE SAID, YOU KNOW WHAT? 1891 02:22:38,283 --> 02:22:39,984 WE ARE GOING TO DO JUST THAT. 1892 02:22:40,051 --> 02:22:42,687 NO CURSING AND WE ARE GOING TO MAKE SURE THE SONG 1893 02:22:42,754 --> 02:22:46,958 REPRESENTS SO I WANT TO APPRECIATE AND GIVE THANKS 1894 02:22:47,025 --> 02:22:48,126 TO SZA. 1895 02:22:48,192 --> 02:22:54,332 [CHEERS AND APPLAUSE] >> I JUST WANT TO SAY THANK YOU 1896 02:22:54,399 --> 02:22:55,600 FOR KENDRICK LIFTING ME UP. 1897 02:22:55,667 --> 02:22:58,903 I'M JUST A SMALL PART OF THIS RECORD, BUT WHAT I 1898 02:22:58,970 --> 02:23:01,773 REALLY WANT TO SAY IS PLEASE DON'T FALL INTO DESPAIR. 1899 02:23:01,839 --> 02:23:04,208 I KNOW RIGHT NOW IS A SCARY TIME. 1900 02:23:04,275 --> 02:23:07,312 I KNOW THE ALGORITHM TELLS US IT IS SO SCARY, ALL IS 1901 02:23:07,378 --> 02:23:09,514 LOST, THERE'S BEEN WORLD WARS, THERE'S BEEN PLAGUES 1902 02:23:09,580 --> 02:23:10,581 AND WE HAVE GONE ON. 1903 02:23:10,648 --> 02:23:11,950 WE CAN GO ON. 1904 02:23:12,016 --> 02:23:13,217 WE NEED EACH OTHER. 1905 02:23:13,284 --> 02:23:15,053 WE NEED TO TRUST EACH OTHER AND TRUST OURSELVES AND 1906 02:23:15,119 --> 02:23:16,020 TRUST OUR HEART. 1907 02:23:16,387 --> 02:23:18,823 WE ARE NOT GOVERNED BY THE GOVERNMENT, WE ARE GOVERNED 1908 02:23:18,890 --> 02:23:20,325 BY GOD, SO THANK YOU SO MUCH. 1909 02:23:20,391 --> 02:23:23,194 GOD BLESS YOU, THAT'S ALL I'M GOING TO SAY. 1910 02:23:23,261 --> 02:23:24,729 [APPLAUSE] >> THAT'S RIGHT. 1911 02:23:24,796 --> 02:23:29,267 WITH THAT BEING SAID, WE WILL CONTINUE TO MOVE LIKE 1912 02:23:29,334 --> 02:23:30,001 THAT. 1913 02:23:30,068 --> 02:23:30,868 LUTHER FOREVER. 1914 02:23:31,235 --> 02:23:31,936 THANK YOU SO MUCH IF YOU ARE OUT THERE LISTENING, 1915 02:23:32,003 --> 02:23:32,770 WATCHING. 1916 02:23:33,171 --> 02:23:34,806 WE APPRECIATE YOU FROM THE BOTTOM OF OUR HEARTS. 1917 02:23:34,872 --> 02:23:36,107 LUTHER FOREVER. 1918 02:23:36,174 --> 02:23:39,744 THANK Y'ALL. 1919 02:23:39,811 --> 02:23:49,821 [APPLAUSE] ♪ ♪ 1920 02:23:54,692 --> 02:23:57,261 Trevor: I LOVE LIVE TELEVISION. 1921 02:23:57,328 --> 02:24:00,765 [LAUGHTER] OUR NEXT PERFORMERS ARE TWO BROTHERS 1922 02:24:00,832 --> 02:24:03,668 WHO HAVE CARVED OUT A LEGACY IN HIP-HOP THAT HAS SPANNED 1923 02:24:03,735 --> 02:24:07,005 MULTIPLE CHART-TOPPING DECADES. 1924 02:24:07,071 --> 02:24:11,576 AND WHEN I SAY "BROTHERS," I DO MEAN IT BOTH WAYS. 1925 02:24:11,643 --> 02:24:17,949 LIKE, THEY HAVE THE SAME MOM AND DAD, AND ALSO THEY'RE 1926 02:24:18,016 --> 02:24:19,083 BLACK. 1927 02:24:19,150 --> 02:24:22,987 [LAUGHTER] EARLIER TODAY THEY WON THE GRAMMY FOR BEST 1928 02:24:23,054 --> 02:24:23,521 RAP. 1929 02:24:24,322 --> 02:24:27,291 HERE TO PERFORM A SONG FROM THEIR ALBUM, "LET GOD SORT 1930 02:24:27,358 --> 02:24:32,196 EM OUT," STILL UP FOR ALBUM OF THE YEAR TONIGHT, JOINED 1931 02:24:32,263 --> 02:24:37,168 BY PHARRELL AND VOICES OF FIRE, PLEASE GIVE IT UP FOR 1932 02:24:37,235 --> 02:24:40,138 PUSHA T AND MALICE, A.K.A. 1933 02:24:40,204 --> 02:24:40,671 CLIPSE. 1934 02:24:41,472 --> 02:24:51,482 [APPLAUSE] ♪ ♪ >> ♪ SO FAR AHEAD, YOU WITCHES ARE 1935 02:24:51,883 --> 02:24:58,056 BEHIND ♪ ♪ BEHIND ♪ >> ♪ THEY DON'T KNOW WHAT IT IS 1936 02:24:58,122 --> 02:25:03,327 WHEN I'M ON IT ♪ ♪ BUT ONCE THEY FIGURE IT OUT, I DON'T 1937 02:25:03,394 --> 02:25:10,935 WANT IT ♪ ♪ SO FAR AHEAD, YOU WITCHES ARE BEHIND ♪ ♪ 1938 02:25:11,002 --> 02:25:18,543 BEHIND ♪ ♪ YOU CAN'T SEE IT FROM WHERE YOU SITTING ♪ ♪ 1939 02:25:18,609 --> 02:25:22,246 BUT THIS FERRARI LEATHER WITH THE MATCHING STITCHING 1940 02:25:22,313 --> 02:25:29,020 IS ♪ ♪ SO FAR AHEAD, YOU WITCHES ARE BEHIND ♪ ♪ 1941 02:25:29,087 --> 02:25:33,524 BEHIND ♪ ♪ SWERVING THROUGH THE LANE SERVING [...] CANE, 1942 02:25:33,591 --> 02:25:36,461 STILL AIN'T NEVER HIT A POTHOLE ♪ ♪ IF I WAS 1943 02:25:36,527 --> 02:25:38,429 BRITTNEY GRINER, I'MA NEED OBAMA, ONLY ONE TO SWAP IS 1944 02:25:38,496 --> 02:25:46,471 CHAPO ♪ ♪ FURTHEST FROM THE STREETS MONICA, DENISE, GOOD 1945 02:25:46,537 --> 02:25:48,506 WOMEN WITH ROCCO'S ♪ ♪ PUT 'EM IN THEM CARS, HANGING 1946 02:25:48,573 --> 02:25:54,112 OUT WITH STARS, NOW IT'S HARD TO TELL THEY NOT ♪ ♪ 1947 02:25:54,178 --> 02:25:55,746 YOUR CO-DEFENDANT CLAIM IMMUNITY, IT WAS YOU AND HE 1948 02:25:55,813 --> 02:25:57,014 HOW'D YOU NOT KNOW? 1949 02:25:57,081 --> 02:25:58,249 ♪ ♪ UNLESS HE LEAVING COURT IN A BENTLEY SPORT, JUST TO 1950 02:25:58,316 --> 02:26:00,184 MEET YOU ON A YACHT, THOUGH ♪ ♪ UNDERSTAND THE ART OF 1951 02:26:00,251 --> 02:26:03,888 WAR, ALL MY [...] DRAW, SO WE ALL PICASSOS ♪ ♪ ME JUST 1952 02:26:03,955 --> 02:26:07,458 BEING ME, RESPECT TO PNB, I PROLLY NEVER EAT AT ROSCOE'S 1953 02:26:07,525 --> 02:26:09,193 ♪ ♪ MILLION WAYS TO LIVE, MILLION WAYS TO DIE, 1954 02:26:09,260 --> 02:26:12,930 MILLIONS STUFFED IN AN AUTO ♪ ♪ MILLION WAYS TO WASH IT 1955 02:26:12,997 --> 02:26:15,800 MILLION WAYS TO STOP IT, PRAY FOR ME 'CAUSE WE NOT, 1956 02:26:15,867 --> 02:26:18,102 THOUGH ♪ ♪ BEST BELIEVE, I CAN WHIP A CHRISTMAS EVE 1957 02:26:18,169 --> 02:26:21,906 WITH SOME WORK IN A HOT STOVE ♪ ♪ THEY DONE TOOK IT 1958 02:26:21,973 --> 02:26:24,609 ALL, PRAYING THAT HE FALL, NO MORE QUESTIONS 'BOUT 1959 02:26:24,675 --> 02:26:29,413 GESTAPO ♪ >> ♪ THEY DON'T KNOW WHAT IT IS WHEN I'M ON 1960 02:26:29,480 --> 02:26:34,318 IT ♪ ♪ BUT ONCE THEY FIGURE IT OUT, I DON'T WANT IT ♪ ♪ 1961 02:26:34,385 --> 02:26:44,395 SO FAR AHEAD, YOU WITCHES ARE BEHIND ♪ ♪ BEHIND ♪ >> ♪ 1962 02:26:45,930 --> 02:26:47,698 HATERS TRIED TO SNEEZE AT THE BLESSING ♪ ♪ "HOW COULD 1963 02:26:47,765 --> 02:26:48,599 I JUST LEAVE?" 1964 02:26:49,033 --> 02:26:50,234 ♪ ♪ WAS THE QUESTION ♪ ♪ WHISTLE-BLOWERS LEFT ME NO 1965 02:26:50,301 --> 02:26:52,203 CHOICE, AIN'T NO REFEREES UP IN HEAVEN ♪ ♪ NO MISTAKING 1966 02:26:54,939 --> 02:26:56,240 ME FOR THE REVEREND, USHERING THE MONEY, MY 1967 02:26:56,307 --> 02:26:59,810 CONFESSION ♪ ♪ HOW YOUR PASTOR WHIP A ROLLS-ROYCE? 1968 02:26:59,877 --> 02:27:05,883 ♪ ♪ THAT WAS ME PRE-911 ♪ ♪ LOOK AT ME POST-ARMAGEDDON 1969 02:27:05,950 --> 02:27:07,885 WALKING WITH MY DOG, I AM LEGEND ♪ ♪ THE GRASS IS 1970 02:27:07,952 --> 02:27:11,656 GREENER ON EACH SIDE, I DONE BEEN BOTH MASON BETHA'S ♪ ♪ 1971 02:27:11,722 --> 02:27:14,158 I DONE BEEN AT BOTH INTERSECTIONS, I DONE PULLED 1972 02:27:14,225 --> 02:27:18,029 OCEAN 11S ♪ ♪ EVEN WHEN THE WELL RAN DRY, I DONE RAISED 1973 02:27:18,095 --> 02:27:22,133 QUOTES IN THE DESERT ♪ ♪ TRIED TO HIDE THE DOPE IN 1974 02:27:22,200 --> 02:27:25,236 THE MESSAGE, LIKE WE DID THE COKE IN THE LEXUS ♪ ♪ SAME 1975 02:27:25,303 --> 02:27:27,371 HANDS I USED TO WHIP WORK, SEE ME TURN 'EM BOTH INTO 1976 02:27:27,438 --> 02:27:31,242 BLESSINGS ♪ ♪ AMG THE SPOKES FOR THE EXTRAS ONLY WAY TO 1977 02:27:31,309 --> 02:27:35,346 COPE WITH THE PRESSURE ♪ ♪ WHEN YOU FEEL YOU IN TOO 1978 02:27:35,413 --> 02:27:39,417 DEEP LET GOD TAKE THE WHEEL LIKE A TESLA ♪ >> ♪ THEY 1979 02:27:39,483 --> 02:27:43,854 DON'T KNOW WHAT IT IS WHEN I'M ON IT ♪ ♪ BUT ONCE THEY 1980 02:27:43,921 --> 02:27:48,993 FIGURE IT OUT, I DON'T WANT IT ♪ ♪ SO FAR AHEAD, YOU 1981 02:27:49,060 --> 02:27:58,069 WITCHES ARE BEHIND ♪ ♪ BEHIND ♪ ♪ YOU CAN'T SEE IT 1982 02:27:58,135 --> 02:28:02,640 FROM WHERE YOU SITTING ♪ ♪ BUT THIS FERRARI LEATHER 1983 02:28:02,707 --> 02:28:07,144 WITH THE MATCHING STITCHING IS ♪ ♪ SO FAR AHEAD, YOU 1984 02:28:07,211 --> 02:28:17,221 WITCHES ARE BEHIND ♪ ♪ BEHIND ♪ [CHEERS AND 1985 02:28:22,360 --> 02:28:27,632 APPLAUSE] >> VIRGINIA. 1986 02:28:27,698 --> 02:28:29,834 Announcer: STILL TO COME, 1987 02:28:29,900 --> 02:28:34,905 PRESENT THE GRAMMY FOR ALBUM OF THE YEAR. 1988 02:28:34,972 --> 02:28:36,540 WHO'S ABOUT TO MAKE HISTORY? 1989 02:28:36,607 --> 02:28:37,742 FIND OUT. 1990 02:28:37,808 --> 02:28:41,379 THIS IS CBS. 1991 02:28:41,445 --> 02:28:43,481 Announcer: MUSICARES PROVIDES DIRECT ASSISTANCE 1992 02:28:43,547 --> 02:28:45,983 TO THE MUSIC COMMUNITY, CARING FOR THOSE WHO BRING 1993 02:28:46,050 --> 02:28:47,251 MUSIC TO OUR LIVES. 1994 02:28:47,318 --> 02:28:49,320 LEARN MORE AND DONATE AT MusiCares.org. 1995 02:28:55,893 --> 02:28:57,895 Announcer: FROM HOSTING THE FIRST-EVER GRAMMY AWARDS 1996 02:28:57,962 --> 02:29:00,698 TO TODAY, HILTON HAS ALWAYS BEEN WHERE MUSIC STAYS. 1997 02:29:00,765 --> 02:29:06,737 OFFICIAL HOTEL PARTNER OF THE GRAMMY AWARDS, HILTON: 1998 02:29:06,804 --> 02:29:07,972 FOR THE STAY. 1999 02:29:08,039 --> 02:29:11,575 THIS YEAR'S HARRY BELAFONTE BEST SONG FOR SOCIAL CHANGE 2000 02:29:11,642 --> 02:29:16,247 IS "ICE CREAM MAN" BY RAYE. 2001 02:29:16,314 --> 02:29:22,253 ON FRIDAY, THE 2026 MUSICARES BENEFIT GALA 2002 02:29:22,320 --> 02:29:24,221 HONORED THE ONE AND ONLY MARIAH CAREY. 2003 02:29:24,288 --> 02:29:25,489 CONGRATULATIONS TO THEM ALL. 2004 02:29:25,556 --> 02:29:30,995 THIS YEAR'S TECHNICAL GRAMMY SPECIAL MERIT AWARD HONOREE 2005 02:29:31,062 --> 02:29:34,131 IS JOHN CHOWNING, THE INNOVATIVE COMPOSER, 2006 02:29:34,198 --> 02:29:36,867 MUSICIAN, AND PROFESSOR AT STANFORD UNIVERSITY WHO 2007 02:29:36,934 --> 02:29:39,270 NEARLY 60 YEARS AGO DEVELOPED THE FM SYNTHESIS 2008 02:29:39,337 --> 02:29:40,604 AL GRIFFIN. 2009 02:29:40,671 --> 02:29:43,774 THE RECORDING ACADEMY TRUSTEES AWARD HONOREES THIS 2010 02:29:43,841 --> 02:29:47,645 YEAR ARE A TRUE BLAZING PIANIST AND BANDLEADER IN 2011 02:29:47,712 --> 02:29:50,348 JAZZ AND LATIN MUSIC, A GROUNDBREAKING AND 2012 02:29:50,414 --> 02:29:54,085 INFLUENTIAL RECORD EXECUTIVES, AND THE 2013 02:29:54,151 --> 02:29:57,555 BRILLIANT SONGWRITER AND LONGTIME LYRICIST FOR ELTON 2014 02:29:57,621 --> 02:30:00,691 JOHN, AMONG OTHERS. 2015 02:30:00,758 --> 02:30:10,768 ♪ ♪ ♪ ♪ 2016 02:30:24,348 --> 02:30:26,984 Trevor: LET'S HEAR IT ONCE AGAIN, EVERYBODY, FOR 2017 02:30:27,051 --> 02:30:31,922 ALL OUR LEGENDARY HONOREES THIS YEAR. 2018 02:30:31,989 --> 02:30:35,059 [APPLAUSE] I WOULD ALSO LIKE TO TAKE A MOMENT TO 2019 02:30:35,126 --> 02:30:45,202 ACKNOWLEDGE OUR PRODUCER OF THE YEAR, NONCLASSICAL, 2020 02:30:45,269 --> 02:30:46,504 CIRCUITS. 2021 02:30:46,570 --> 02:30:56,380 AND OUR SONGWRITER OF THE YEAR, AMY ALLEN. 2022 02:30:56,447 --> 02:30:57,915 ALL RIGHT, EVERYBODY. 2023 02:30:57,982 --> 02:31:02,119 IT'S TIME FOR THE FINAL GRAMMY OF THE NIGHT, ALBUM 2024 02:31:02,186 --> 02:31:04,188 OF THE YEAR. 2025 02:31:07,391 --> 02:31:13,397 BACK WITH A NEW ALBUM, A NEW TOUR, AND GET THE THE DUDE 2026 02:31:13,464 --> 02:31:16,767 FINISHED THE BERLIN MARATHON IN UNDER THREE HOURS, WHICH 2027 02:31:16,834 --> 02:31:19,837 I GUESS MAKES HIM PART KENYAN. 2028 02:31:19,904 --> 02:31:22,573 PLEASE WELCOME BACK TO THE 2029 02:31:22,640 --> 02:31:32,650 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ >> Harry: IT IS AN 2030 02:31:36,554 --> 02:31:39,857 ABSOLUTE PLEASURE TO BE HERE WITH YOU TONIGHT TO PRESENT 2031 02:31:39,924 --> 02:31:43,561 THE AWARD FOR ALBUM OF THE YEAR. 2032 02:31:43,627 --> 02:31:46,163 A TRULY GREAT ALBUM CAN CHANGE THE WAY YOU SEE 2033 02:31:46,230 --> 02:31:47,398 EVERYTHING. 2034 02:31:47,465 --> 02:31:49,533 AN ARTIST CAN TAKE YOU ON A JOURNEY AS YOU DISCOVER THE 2035 02:31:49,600 --> 02:31:50,901 WORLD TOGETHER. 2036 02:31:50,968 --> 02:31:54,572 THE BEST ALBUMS STAY WITH YOU, AND YOU CAN ALWAYS 2037 02:31:54,638 --> 02:31:56,474 RETURN TO THEM, JUST LIKE OLD FRIENDS. 2038 02:31:56,540 --> 02:32:00,144 HERE ARE THE NOMINEES FOR ALBUM OF THE YEAR. 2039 02:32:00,211 --> 02:32:09,320 ♪ ♪ >> "DeBÍ TiRAR MáS FOToS," BAD BUNNY. 2040 02:32:09,386 --> 02:32:13,724 ♪ ♪ "SWAG," JUSTIN BIEBER. 2041 02:32:13,791 --> 02:32:20,097 ♪ ♪ "MAN'S BEST FRIEND," SABRINA CARPENTER. 2042 02:32:20,164 --> 02:32:28,472 ♪ ♪ "LET GOD SORT EM OUT," CLIPSE, PUSHA T & MALICE. 2043 02:32:28,539 --> 02:32:33,177 ♪ ♪ "MAYHEM," LADY GAGA. 2044 02:32:33,244 --> 02:32:38,349 ♪ ♪ "GNX," KENDRICK LAMAR. 2045 02:32:38,415 --> 02:32:43,320 ♪ ♪ "MUTT," LEON THOMAS. 2046 02:32:43,387 --> 02:32:49,693 ♪ ♪ "CHROMAKOPIA," TYLER, THE CREATOR. 2047 02:32:49,760 --> 02:32:59,770 ♪ ♪ 2048 02:33:01,138 --> 02:33:06,043 Harry: AND THE GRAMMY GOES TO... 2049 02:33:06,110 --> 02:33:13,651 BAD BUNNY ♪ DEBí DARTE MáS BESOS Y ABRAZOS ♪ ♪ LAS 2050 02:33:13,717 --> 02:33:22,159 VECES QUE PUDE ♪ ♪ OJALá QUE LOS MíOS NUNCA SE MUDEN ♪ ♪ 2051 02:33:22,226 --> 02:33:29,233 Y SI YO ME EMBORRACHO PA QUE ME AYUDEN ♪ ♪ DEBí TIRAR MáS 2052 02:33:29,300 --> 02:33:35,773 FOTOS ♪ ♪ DE CUANDO TE TUVE ♪ ♪ DEBí DARTE MáS BESOS Y 2053 02:33:35,839 --> 02:33:39,877 ABRAZOS LAS VECES QUE PUDE ♪ ♪ OJALá LOS MíOS NUNCA SE 2054 02:33:39,944 --> 02:33:47,685 MUDEN ♪ ♪ EY, ME ENCONTRé CON MI ABUELO TODO EL DíA ♪ 2055 02:33:47,751 --> 02:33:56,360 ♪ YO LE DIGO QUE NO ♪ ♪ CERQUITA DE TI YA SE TERMINó 2056 02:33:56,427 --> 02:34:06,437 ♪ ♪ 2057 02:34:10,774 --> 02:34:20,784 [APPLAUSE] 2058 02:34:24,321 --> 02:34:29,193 [CHEERS AND APPLAUSE] >> PUERTO RICO... 2059 02:34:29,259 --> 02:34:38,535 [APPLAUSE] >> CRÉEME CUANDO TE DIGO QUE SOMOS MUCHO MÁS 2060 02:34:38,602 --> 02:34:40,037 GRANDE QUE 100X35. 2061 02:34:40,104 --> 02:34:43,374 Y NO EXISTE NADA QUE NO PODAMOS LOGRAR. 2062 02:34:43,440 --> 02:34:47,645 GRACIAS A DIOS, GRACIAS A LA ACADEMIA, GRACIAS A TODAS 2063 02:34:47,711 --> 02:34:51,415 LAS PERSONAS QUE HAN CREÍDO EN MÍ DURANTE TODA MI 2064 02:34:51,482 --> 02:34:52,549 CARRERA. 2065 02:34:52,616 --> 02:34:56,053 A TODAS LAS PERSONAS QUE TRABAJARON EN ESTE ALBUM. 2066 02:34:56,120 --> 02:35:06,130 GRACIAS MAMI POR PARIRME EN PUERTO RICO, TE AMO. 2067 02:35:08,999 --> 02:35:11,568 I WANT TO DEDICATE THIS AWARD TO ALL THE PEOPLE THAT 2068 02:35:11,635 --> 02:35:16,740 HAD TO LEAVE THEIR HOMELAND, THEIR COUNTRY, TO FOLLOW 2069 02:35:16,807 --> 02:35:26,817 THEIR >> PARA TODOS QUIENES HAN PERDIDO UN SER QUERIDO A 2070 02:35:30,487 --> 02:35:40,497 TODOS LOS QUE ESTUVIERON ANTES Y MERECIERON ESTA ♪ 2071 02:35:41,598 --> 02:35:51,608 DEBÍ TIRAR MÁS FOTOS ♪ ♪ DE 2072 02:35:56,847 --> 02:35:58,615 Trevor: OH, MAN. 2073 02:35:58,682 --> 02:35:59,616 CONGRATULATIONS, BAD BUNNY. 2074 02:35:59,683 --> 02:36:00,918 THAT IS SO BEAUTIFUL. 2075 02:36:00,984 --> 02:36:02,119 THAT'S IT, EVERYBODY. 2076 02:36:02,186 --> 02:36:03,420 THANK YOU TO THE ARTIST TO PERFORM TONIGHT. 2077 02:36:03,487 --> 02:36:06,857 THANK YOU TO ALL OF YOU FOR WATCHING, EVERYONE IN THE 2078 02:36:06,924 --> 02:36:07,524 ROOM. 2079 02:36:08,058 --> 02:36:09,126 I FOR ONE HAVE LOVED EVERY SINGLE MINUTE OF IT. 2080 02:36:09,193 --> 02:36:11,462 THESE PAST SIX YEARS HAVEN'T FELT LIKE A JOB, IT JUST 2081 02:36:11,528 --> 02:36:13,731 FELT LIKE BEING A MUSIC FAN WITH THE BEST SEAT IN THE 2082 02:36:13,797 --> 02:36:14,431 HOUSE. 2083 02:36:15,065 --> 02:36:18,302 OUR THANKS TO EVERYONE AT CBS WERE AN UNFORGETTABLE 54 2084 02:36:18,368 --> 02:36:18,902 YEARS. 2085 02:36:18,969 --> 02:36:22,072 GOOD NIGHT, EVERYBODY! 2086 02:36:22,139 --> 02:36:32,149 DEBÍ TIRAR MÁS FOTOS-- ♪ ♪ MUSIC, OUR MUSIC, HAS A 2087 02:36:33,917 --> 02:36:36,286 FAR-REACHING EFFECT NOT ONLY HERE IN THE UNITED STATES, 2088 02:36:36,353 --> 02:36:38,255 BUT ALL OVER THE WORLD. 2089 02:36:38,322 --> 02:36:44,928 ♪ ♪ >> IT IS NIGHTS LIKE THIS THAT CONVINCED ME MORE 2090 02:36:44,995 --> 02:36:47,765 AND MORE THAT WE ARE ALL IN THIS TOGETHER. 2091 02:36:47,831 --> 02:36:51,001 AT THE GRAMMY AWARDS, WE NEVER STOP ROCKING. 2092 02:36:51,068 --> 02:36:54,905 I'D LIKE TO EXTEND MY CONGRATULATIONS TO ALL THE 2093 02:36:54,972 --> 02:36:58,308 WINNERS ON BEHALF OF THE >> ALL THE AWARDS GIVEN OUT, I 2094 02:36:58,375 --> 02:37:00,944 HOPE YOU HAD A GOOD TIME! 2095 02:37:01,011 --> 02:37:01,678 ONE LOVES! 2096 02:37:01,745 --> 02:37:02,880 IT'S BEEN A TERRIFIC NIGHT. 2097 02:37:02,946 --> 02:37:05,048 ON BEHALF OF THE ACADEMY I WOULD LIKE TO THANK YOU FOR 2098 02:37:05,115 --> 02:37:06,250 BEING HERE WITH US. 2099 02:37:06,316 --> 02:37:09,219 THIS HAS BEEN A PLEASURE TO ME. 2100 02:37:09,286 --> 02:37:10,020 THANK YOU VERY MUCH. 2101 02:37:10,087 --> 02:37:16,527 ♪ ♪ >> ANOTHER GRAMMY AWARDS. 2102 02:37:16,593 --> 02:37:17,694 MY DUTIES ARE FINISHED. 2103 02:37:17,761 --> 02:37:20,697 I DON'T WANT TO SAY IT'S BEEN A LONG NIGHT, BUT HEY, 2104 02:37:20,764 --> 02:37:23,467 YOUR BAGGAGE WILL BE ARRIVING ON CAROUSEL 2 IN 2105 02:37:23,534 --> 02:37:24,401 THE WESTERN CONCOURSE. 2106 02:37:24,468 --> 02:37:27,137 THANK YOU FOR LETTING ME HANG OUT. 2107 02:37:27,204 --> 02:37:28,972 GOOD NIGHT, EVERYBODY. 2108 02:37:29,039 --> 02:37:29,940 GOOD NIGHT, EVERYBODY. 2109 02:37:30,007 --> 02:37:30,908 THANK YOU FOR JOINING US ON THE GRAMMYS! 2110 02:37:30,974 --> 02:37:33,143 GOOD NIGHT AND GOD BLESS! 2111 02:37:33,210 --> 02:37:34,011 GOOD NIGHT, AMERICA. 2112 02:37:34,077 --> 02:37:35,445 GOOD NIGHT AND GOD BLESS. 2113 02:37:35,512 --> 02:37:38,415 LADIES AND GENTLEMEN, LET'S KEEP LISTENING AND 2114 02:37:38,482 --> 02:37:40,317 LOVING EACH OTHER. 2115 02:37:40,384 --> 02:37:42,119 PEACE AND LOVE.