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[Mellow music; Surf laps gently]
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[Birdsong]
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[Damon] I've been coming here
since 1996-7.
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And I don't mind not being around people,
that's the thing.
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I'm not racing.
My brain's not racing so fast.
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I'm able to... relax.
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I suppose that's what I've just realised.
Yeah, I could actually live here now.
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We did Think Tank a bit here,
but it was very rough and ready.
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Alex and Dave,
they haven't been there since then.
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And Graham's never been here.
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[Music continues; No audible dialogue]
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[Damon] We just carry a lot
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of experience, collectively.
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That's why I wanted to do it again.
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It felt like, for some reason,
it was wanted
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at this moment in time.
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[Music continues; Faint cheering]
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[Cheering subsides]
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[Damon] I'm 55, I'm, like
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have to accept that, you know
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time is not infinite.
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I'm training to be a rally driver.
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Everything else is based on
our reaction to it.
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My great grandmother was 103,
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and my gran was 100.
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Might as well just start thinking about it.
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To be totally fair,
she was a month shy of 100.
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But it's trying to see...
it's trying to see an upside...
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[He chuckles]
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..I suppose.
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[Director]
How long do you think you'll live till?
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- [Damon] Me?
- [Director] Yeah.
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Who knows?
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How long will anyone live, Toby?
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[Recording, on stereo] When you're young,
you don't have wisdom,
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you don't have knowledge,
you don't have stamina,
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you don't have dedication, especially...
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[Tyres screech]
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[Recording continues faintly]
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He was going too fast.
Luckily, I was going really slowly.
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- [He chuckles]
- Did you... Did you film that?
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Fucking wanker, nearly killed me!
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And now you're making me do this.
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[He exhales frustratedly]
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It's classic, though. We were just
talking about mortality, weren't we?
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I mean, you couldn't have timed it better,
which is...
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This is what I've learnt in life,
is that, you know,
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you never know what's round the corner.
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[Music - "To the End" by Blur]
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[Cockerel clucks]
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♪ All those dirty words
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♪ Jusqu'a la fin
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♪ They make us look so dumb
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♪ En plein soleil
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♪ Been drinking far too much
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♪ Jusqu'a la fin... ♪
- [Damon] Hello.
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♪ And neither of us mean what we say
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♪ En plein amour
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♪ Well, you and I... ♪
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[Cockerels cluck]
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They can get very, um
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lively round this area.
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I have to have a stick.
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No prob... Eh, eh, eh, eh!
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Oi, oi, oi! Go on! Move, move!
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It's a very big day today because we, uh
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got our first egg.
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We've got quite a rambunctious cockerel.
His name's Tony.
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First, I'm going to put this down,
'cause I know that is your...
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[Damon mimics squawking]
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Come on. Calm down, everyone.
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There we go. Wow, look at all of that.
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See, while you're busy
protecting everyone,
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- you're missing out on the treats.
- [Cockerel crows]
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Did you like that? Ooh. Wasn't that nice?
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- Thank you for the eggs.
- [Cockerel crows]
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[He chuckles]
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[Damon] Well, I've been here for ages,
but Blur are coming here.
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I think it's going to be okay.
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I'm just concerned that we do it
as honestly as humanly possible for
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you know... people like us.
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[Birdsong; Vehicle approaches]
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[He groans, sighs]
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[Alex] Whoop, whoop!
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[Alex groans, strains]
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[Child coos]
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- [Child yells]
- [Alex] Uh-oh!
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[Alex chuckles]
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[Claire] All right,
I'll see you on Wednesday.
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[Alex] Love you.
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- Thanks for last night.
- No, you're welcome.
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[Birdsong]
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[Door opens, shuts]
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[Alex] Driving down,
it's fucking enchanted, man.
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- [Damon laughs]
- [Alex] Jurassic Park...
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- Fuckin' hell!
- How are you? You all right? Nice, innit?
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- Hey!
- Hey, man, how's it going?
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- You've been in the sun, mate!
- Yeah.
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[Alex] So, where's this...
you're taking me?
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[Damon] This is
a very, very old smuggling...
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- Argh!
- ..pub, in a very old smuggling village.
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Sometimes you get ghosts.
It's kind of famous for it.
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- Cider-swilling...
- [Alex] Oh, really?
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Peasants with smocks
and red kerchiefs, with bright blue eyes.
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[Damon chuckles]
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[Alex] We've barely communicated
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for the last ten years.
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I get more from Downing Street
and the Palace
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{\an8}in an average year
than I do from Albarn and Coxon.
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I mean, even when we really split up,
it didn't take this long to make a record.
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But what's wonderful is, as soon as
the four of us get in a room together,
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it's just exactly the same
as it was when we were all 19.
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It's just four sweaty blokes
annoying each other.
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Oh!
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[Both laugh]
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[Birdsong]
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- This is brilliant.
- [Damon] Wooden floor.
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- You all right?
- Yeah!
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- I'm all right.
- [He chuckles]
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- [Graham] Oh, Jesus.
- Oh, big fuckin'...
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- How are you doing?
- Ah, you've been diddling.
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I've just been working,
just trying to get this sounding amazing,
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and, you know...
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[Graham pats rhythm, Damon exhales]
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Trying to fulfil the
potential of our, uh...
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[Graham sings cheerfully, unaccompanied]
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- [Damon chuckles]
- Exactly!
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[Graham] Damon and I communicate
musically a lot, really. We always have.
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{\an8}Then that developed into friendship
or whatever else,
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and I haven't got many friends,
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so it's a bit like, every now and then,
we have to check up on each other
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and see if there's something there
that's been brewing.
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[He plays shuffling rhythm]
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[He sings, cheerfully]
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[Drumming stops; Singing continues]
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[Graham] How's your knee?
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I've already told them
that my knee's knackered, so they know.
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But, no, how's your one?
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- How's your one?
- It's all right.
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It went to crap after my first gig,
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but now it's absolutely fine.
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[Dave] I was the very last member of Blur
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{\an8}to get a very big house in the country,
but we've all done it.
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And it's funny how these sneering comments
you make in your twenties
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turn round and bite you in the arse.
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- [Dave] Is it gluten-free cake?
- [Tanyel] I'm pretty sure.
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[Dave] That would be fucking spectacular.
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I will be like,
"I'll have the whole thing," if it is.
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If it's not, I shall just, you know...
I'll be grown-up about it.
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[Damon] There's some rye bread.
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Is there some cold porridge
left over from yesterday?
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Stoical face.
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[Birdsong]
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[Indistinct chatter]
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I shall unselfconsciously
put this fishcake into my mouth.
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No, I'll do it like that
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the way chefs place their food.
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[Indistinct chatter]
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I think it's lovely that I'm getting into
an old codger who's falling to bits
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and I'm flippin' doing the biggest gig...
you know, with me old band.
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[Dave] We haven't played Wembley before
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'cause we haven't been big enough
to play Wembley before.
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That's the reality.
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We're getting bigger and bigger.
The less we do, the bigger we get.
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{\an8}[Graham] Me and Damon
watched Live Aid together,
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{\an8}you know, round my house.
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We were, like, 16.
We sat watching it all day.
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[Damon] So, why are you doing it?
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You're doing it
because there's a pureness to it.
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So basically
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when I come back from America,
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we've got, like, two weeks,
and then we're on tour.
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- Yeah.
- Is that really it?
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New album plus a couple of oldies.
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So, like, three weeks' time,
we start rehearsing.
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- May 1st.
- May 1st?
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Fuuuuuck!
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[Music - "Come Together" by Blur]
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{\an8}[Damon] Graham and I
spent a lot of our adolescence
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00:09:53,643 --> 00:09:56,643
just hanging out by the river
behind the village.
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[Graham] It was not a thing
of being in a band.
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00:10:00,003 --> 00:10:02,339
It was a thing of hanging out
on Friday nights at his house.
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00:10:02,363 --> 00:10:07,443
Him writing and me coming round
and maybe playing some saxophone.
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00:10:07,563 --> 00:10:09,963
Mainly, it was sort of
hanging out and going for walks.
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00:10:10,083 --> 00:10:13,163
[Damon] And trying to, uh, race on cows
when we were drunk.
186
00:10:14,243 --> 00:10:16,683
Which never went well,
and I don't recommend that to anybody.
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00:10:17,803 --> 00:10:21,883
[Graham] And just talking about
music and life and everything else,
188
00:10:22,003 --> 00:10:27,403
and sharing, you know, our feelings,
or whatever that was.
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00:10:27,523 --> 00:10:29,979
First time I met Dave, I had to go
round his flat for a rehearsal.
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00:10:30,003 --> 00:10:31,763
[Dave] Everybody I knew
played an instrument.
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00:10:31,803 --> 00:10:35,003
Everybody was constantly in bands,
three or four bands at a time.
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00:10:35,123 --> 00:10:37,883
[Graham] And I went down
and knocked on his flat,
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00:10:38,043 --> 00:10:40,283
and he was still in bed,
and he got up, and
194
00:10:40,403 --> 00:10:43,363
he had this sort of floppy Mohican
haircut, and he was in his pyjamas,
195
00:10:43,483 --> 00:10:46,243
and he sat on the edge of his bed
eating his cornflakes.
196
00:10:46,363 --> 00:10:49,203
His drum kit was there in his bedroom,
197
00:10:49,323 --> 00:10:51,923
and then I got me sax out.
198
00:10:52,563 --> 00:10:55,099
[Dave] I wanted to be in a band with Damon
because of his songwriting.
199
00:10:55,123 --> 00:10:56,843
Graham took me along to see him.
200
00:10:56,963 --> 00:11:00,323
He was playing with, uh,
some guy in a hat, I remember.
201
00:11:00,443 --> 00:11:02,363
Or did Damon wear the hat?
I don't know.
202
00:11:02,483 --> 00:11:04,883
A hat definitely featured
in their performance.
203
00:11:05,003 --> 00:11:07,923
[Damon] At one point,
I think I jumped into the audience,
204
00:11:08,043 --> 00:11:11,163
but there were so few people there
that it was actually really embarrassing.
205
00:11:11,283 --> 00:11:14,083
Then I kind of sort of
went for the toilets, I think,
206
00:11:14,203 --> 00:11:16,683
just to make it not feel quite so awkward.
207
00:11:16,803 --> 00:11:20,003
[Dave] I had a chat to Damon afterwards
and said, "Really like what you're doing.
208
00:11:20,123 --> 00:11:23,083
"If you ever need a drummer
for any of your projects, let me know."
209
00:11:23,203 --> 00:11:24,643
That was the start of that, really.
210
00:11:24,763 --> 00:11:28,203
[Graham] Alex was just who I met
when we got to halls of residence,
211
00:11:28,323 --> 00:11:32,043
who lived underneath me
in the block there, in Camberwell.
212
00:11:32,203 --> 00:11:35,683
I said, "Alex plays bass, he's this bloke
in my halls," and we all met.
213
00:11:35,803 --> 00:11:39,163
[Alex] I kind of liked Graham instantly.
214
00:11:39,603 --> 00:11:42,563
Damon was very kind of, "What you got?"
215
00:11:42,723 --> 00:11:45,643
- [He chuckles]
- You know, which I respond well to.
216
00:11:45,763 --> 00:11:49,123
Um... And, yeah,
I think Dave made me a cup of tea.
217
00:11:49,243 --> 00:11:52,203
You know,
I think we'd got each other's backs.
218
00:11:53,203 --> 00:11:56,523
[Dave] It was Alex joining, really,
that was the kind of missing piece.
219
00:11:56,683 --> 00:11:59,803
After he joined,
we were signed within six months.
220
00:11:59,923 --> 00:12:01,923
[Music continues]
221
00:12:05,443 --> 00:12:07,763
[Music concludes, drum thuds]
222
00:12:07,883 --> 00:12:09,563
[Birdsong]
223
00:12:11,243 --> 00:12:13,283
[Dave] There's one more on here.
224
00:12:13,403 --> 00:12:15,803
[He plays booming rhythm]
225
00:12:18,683 --> 00:12:20,643
[Drumming continues]
226
00:12:20,763 --> 00:12:22,523
[Dave] I think our legacy is pretty good.
227
00:12:22,683 --> 00:12:25,003
You know, not wanting to trample on that,
228
00:12:25,123 --> 00:12:29,203
not wanting to release some rubbish,
you know, 'cause we're going out on tour.
229
00:12:29,363 --> 00:12:31,083
You know, in the context of the legacy,
230
00:12:31,203 --> 00:12:33,443
let's just try and make
the very best music we can.
231
00:12:34,763 --> 00:12:37,243
[Damon] Well, doing a whole new album
is the difference between
232
00:12:37,363 --> 00:12:41,923
this just being a nostalgia-looking thing
and something
233
00:12:42,483 --> 00:12:44,723
that feels totally
234
00:12:44,843 --> 00:12:46,283
part of our lives now.
235
00:12:46,403 --> 00:12:49,803
Again.
Part of my life again, anyway, definitely.
236
00:12:49,923 --> 00:12:52,763
[James] So, yeah, I think
it's a bar of click, and then you're in.
237
00:12:54,123 --> 00:12:57,003
[Music plays -
"Sticks and Stones" by Blur]
238
00:12:57,123 --> 00:12:59,123
♪ Smooth exterior
239
00:13:01,203 --> 00:13:03,043
♪ Mess inside... ♪
240
00:13:04,403 --> 00:13:07,323
[Dave] Before we, uh,
dipped our toe in the water with Blur,
241
00:13:07,443 --> 00:13:09,763
I hadn't played drums for quite some time.
242
00:13:09,883 --> 00:13:12,403
I have been making film music,
by and large.
243
00:13:13,043 --> 00:13:14,363
I've done a lot of things.
244
00:13:14,483 --> 00:13:18,123
You know, my legal career
started and ended in the last ten years.
245
00:13:18,243 --> 00:13:20,483
I don't know, I just...
I've always been someone
246
00:13:20,643 --> 00:13:22,963
that just does whatever seems
most interesting at the time.
247
00:13:23,043 --> 00:13:24,683
I've never really had a plan.
248
00:13:24,803 --> 00:13:25,963
[Music stops]
249
00:13:26,083 --> 00:13:28,019
[James] Would you mind
doing one more all the way?
250
00:13:28,043 --> 00:13:29,683
Yeah, let's do it like that.
251
00:13:29,803 --> 00:13:31,419
- [He plucks brief notes]
- [Sam] Same again?
252
00:13:31,443 --> 00:13:33,523
[James] Yeah, it gives it loads of energy.
It's cool.
253
00:13:33,563 --> 00:13:37,363
- [Music resumes]
- ♪ The service station on the road
254
00:13:37,483 --> 00:13:39,083
♪ I took the acid... ♪
255
00:13:39,203 --> 00:13:42,843
{\an8}You know, the process, I wasn't sure
how it was going to be coming into it.
256
00:13:42,963 --> 00:13:46,403
You never know, going in
with these kind of, like, hero bands
257
00:13:46,523 --> 00:13:48,443
what it's actually going to be like.
258
00:13:48,563 --> 00:13:52,403
And from the very first meetings,
there were some kind of, like
259
00:13:52,563 --> 00:13:54,763
sort of little warning flags of tension,
260
00:13:54,883 --> 00:13:57,643
and, like, I was like,
"Oh, no, it could be a nightmare."
261
00:13:57,763 --> 00:14:00,603
♪ If you see darkness, look away... ♪
262
00:14:00,723 --> 00:14:04,043
[James] Graham's got a young family
and is touring with his new band.
263
00:14:04,163 --> 00:14:07,123
You know, Alex is coming back in
maybe a little apprehensive.
264
00:14:07,243 --> 00:14:09,563
Damon's just, like, a powerhouse
265
00:14:09,723 --> 00:14:12,643
and almost, like,
pathologically kind of addicted
266
00:14:12,763 --> 00:14:15,443
to making new stuff up
all the time, you know?
267
00:14:15,563 --> 00:14:18,523
And to that end, it feels like
you're on shifting sands a little bit.
268
00:14:19,163 --> 00:14:20,483
Great. Do one more chorus,
269
00:14:20,603 --> 00:14:22,499
then we'll go back to the verse,
then we'll go and have dinner.
270
00:14:22,523 --> 00:14:23,883
[Graham] Yeah, sure.
271
00:14:24,003 --> 00:14:27,803
♪ You'll probably shine it back on me
272
00:14:27,923 --> 00:14:31,683
♪ But I won't fall this time
273
00:14:31,803 --> 00:14:35,523
♪ With godspeed, I'll heed the signs
274
00:14:35,683 --> 00:14:39,043
♪ I won't fall this time
275
00:14:39,163 --> 00:14:41,923
♪ With godspeed, I'll heed the signs... ♪
276
00:14:42,043 --> 00:14:44,363
[Graham] We were with each other
a lot in the '90s.
277
00:14:44,483 --> 00:14:46,803
And it was a very intense time.
278
00:14:46,923 --> 00:14:49,683
It's the sort of time,
and on the same sort of level,
279
00:14:49,803 --> 00:14:52,323
as a relationship or marriages
and things like that.
280
00:14:53,603 --> 00:14:57,643
And I think it's okay
to say that time apart
281
00:14:57,763 --> 00:15:00,403
was taken up
with other friendships and just
282
00:15:00,523 --> 00:15:02,523
just sort of recuperating,
283
00:15:02,683 --> 00:15:06,283
- or, you know, doing other things.
- [Mellow music]
284
00:15:06,403 --> 00:15:08,603
[Alex] Since everybody
kind of went their separate ways,
285
00:15:08,643 --> 00:15:10,403
I got married
and started making some cheese.
286
00:15:10,443 --> 00:15:12,883
That was in 2003.
287
00:15:14,123 --> 00:15:16,523
I've sort of organised my life
so I don't have to go on tour.
288
00:15:16,683 --> 00:15:19,803
I've moved the mountain to Mohammed,
having a festival on the farm.
289
00:15:19,923 --> 00:15:21,523
It takes all day
290
00:15:21,683 --> 00:15:23,723
to just be a dad
and run a farm and a festival.
291
00:15:23,843 --> 00:15:26,843
Bass playing
is the easiest job in the entire world.
292
00:15:26,963 --> 00:15:30,443
But, you know,
I have to be in Devon to do that.
293
00:15:30,563 --> 00:15:32,563
[Music continues]
294
00:15:34,003 --> 00:15:35,643
[Damon] Yeah, we could just about manage.
295
00:15:35,683 --> 00:15:38,323
- There's been a bit of a storm...
- [Alex] Oh, Christ, Albarn!
296
00:15:38,443 --> 00:15:40,523
- [Damon] What?
- [Alex] Fuck this!
297
00:15:40,683 --> 00:15:43,083
- [Damon] Fuck that?
- [Alex] It's horrible!
298
00:15:43,203 --> 00:15:46,283
- [He chuckles]
- No, but it's... I mean, it's...
299
00:15:46,403 --> 00:15:49,203
- You feel good afterwards, right?
- Um, I mean...
300
00:15:49,323 --> 00:15:51,923
- That doesn't, you know...
- No, I promise you...
301
00:15:52,043 --> 00:15:53,643
I'm in. I'm all in...
302
00:15:53,763 --> 00:15:55,203
- I promise you...
- ..but blimey!
303
00:15:55,323 --> 00:15:58,123
- Uh, we could go to another...
- No, no, no, no. But this is...
304
00:15:58,243 --> 00:15:59,899
No, do you know what?
Should we go to another one?
305
00:15:59,923 --> 00:16:01,723
No, this is the perfect
spot. This is lovely.
306
00:16:02,163 --> 00:16:04,723
[Music continues]
307
00:16:06,643 --> 00:16:10,123
[Damon] Bands start, usually,
when people are quite young,
308
00:16:10,243 --> 00:16:12,163
you're still finding yourself.
309
00:16:13,203 --> 00:16:15,483
[Dave] You have to
work through that relationship
310
00:16:15,643 --> 00:16:18,243
where you can be relaxed and comfortable
311
00:16:18,363 --> 00:16:21,763
and not want to push each other's buttons
and want to be supportive.
312
00:16:21,883 --> 00:16:24,243
You know,
that takes time to work through.
313
00:16:25,003 --> 00:16:28,003
And ideally, the best place to do that
working through
314
00:16:28,123 --> 00:16:32,043
- is not in the full glare of the public.
- [He laughs]
315
00:16:34,043 --> 00:16:36,803
We've had times where we've really
316
00:16:36,923 --> 00:16:39,483
not wanted to be
even in the same room as each other.
317
00:16:40,643 --> 00:16:42,659
[Dave] When you're in the thick of it
and, you know,
318
00:16:42,683 --> 00:16:45,283
you've just been touring
for three years with two days off,
319
00:16:45,403 --> 00:16:48,643
it can feel like what you're
actually engaged in is politics
320
00:16:48,763 --> 00:16:51,363
and the music
is a kind of sideshow to that.
321
00:16:55,163 --> 00:16:56,843
[Alex roars]
322
00:16:56,963 --> 00:17:00,363
[Damon] When I last saw them,
it was great.
323
00:17:00,483 --> 00:17:02,563
So... yeah, I mean
324
00:17:03,683 --> 00:17:06,883
we grew up together,
so, you know, family.
325
00:17:09,803 --> 00:17:13,243
The bedrooms aren't finished here yet,
so we've got back to the
326
00:17:13,363 --> 00:17:16,403
house where we're staying down the road,
and, uh.
327
00:17:16,523 --> 00:17:19,003
- [Seagulls caw]
- ..I made me and Graham
328
00:17:19,123 --> 00:17:21,283
some bacon and eggs.
329
00:17:21,403 --> 00:17:23,563
- And...
- [He chuckles]
330
00:17:23,723 --> 00:17:26,339
..it's just like when we were staying
in halls of residence at college.
331
00:17:26,363 --> 00:17:28,923
You know, the midnight snacks.
332
00:17:29,043 --> 00:17:31,163
But it's actually
333
00:17:31,283 --> 00:17:35,123
sort of quite good to be kind of removed
334
00:17:35,243 --> 00:17:38,163
from the kind of noise of
335
00:17:38,283 --> 00:17:40,283
running a farm
and a festival and a family
336
00:17:40,403 --> 00:17:42,283
to drink scrumpy
337
00:17:42,403 --> 00:17:45,483
and make bacon and eggs in peace.
338
00:17:47,123 --> 00:17:50,683
I don't know how he can stay in there.
Hangover's history.
339
00:17:51,523 --> 00:17:52,843
Wa-hey!
340
00:17:54,803 --> 00:17:55,963
[He cackles]
341
00:18:05,803 --> 00:18:07,643
[Both chuckle]
342
00:18:08,763 --> 00:18:10,763
[Music continues]
343
00:18:13,843 --> 00:18:15,763
[Seagulls caw]
344
00:18:15,883 --> 00:18:17,883
[Music fades]
345
00:18:20,403 --> 00:18:23,963
[James] Um, when do you want to
do a playback? Soon?
346
00:18:24,083 --> 00:18:26,963
[Graham] What is it
that we're going to be hearing?
347
00:18:27,083 --> 00:18:29,003
- Basically...
- What we heard before but with...
348
00:18:29,123 --> 00:18:32,643
With full vocals. Everything...
Damon's done every song.
349
00:18:32,763 --> 00:18:34,363
[Indistinct chatter]
350
00:18:34,483 --> 00:18:36,323
Let's get this party started.
351
00:18:36,443 --> 00:18:39,003
[Damon] I don't think any of us
thought we'd make another record.
352
00:18:39,123 --> 00:18:40,883
Especially not a record like this.
353
00:18:41,923 --> 00:18:45,243
I suppose that's why I wanted to try
and make it as good as possible.
354
00:18:45,363 --> 00:18:49,403
'Cause otherwise it's just
some bunch of old cunts
355
00:18:49,523 --> 00:18:51,283
trying to relive their past.
356
00:18:51,403 --> 00:18:53,963
I mean, you know,
it's not the finished record.
357
00:18:54,083 --> 00:18:55,803
Everybody ready?
358
00:18:55,963 --> 00:18:57,963
[Indistinct chatter]
359
00:18:59,243 --> 00:19:02,443
- [Music plays - "The Everglades" by Blur]
- ♪ You of grace
360
00:19:05,163 --> 00:19:09,803
♪ Many ghosts alive in my mind
361
00:19:13,403 --> 00:19:18,723
♪ Many paths I wish I'd taken
362
00:19:20,763 --> 00:19:25,403
♪ Many times I thought I'd break... ♪
363
00:19:27,883 --> 00:19:29,459
[Graham] Emotionally,
I think, with this album,
364
00:19:29,483 --> 00:19:32,683
something has been dislodged
within the group, within Damon.
365
00:19:32,803 --> 00:19:34,723
♪ ..It seems to be... ♪
366
00:19:37,843 --> 00:19:40,163
[Damon] Well, I suppose it's about
367
00:19:40,283 --> 00:19:43,283
it's... about loss.
368
00:19:43,403 --> 00:19:47,123
It's about the aftershock of... of loss.
369
00:19:47,243 --> 00:19:49,363
♪ ..Songs to play... ♪
370
00:19:49,483 --> 00:19:52,003
[Damon] Once something dramatic
has happened,
371
00:19:52,123 --> 00:19:55,083
whether it's a break-up or pandemic...
372
00:19:55,203 --> 00:19:56,923
♪ ..grace for everyone... ♪
373
00:19:57,043 --> 00:19:58,699
[Damon] I mean,
what do you want me to say?
374
00:19:58,723 --> 00:20:02,163
Now I live alone, essentially,
in the countryside.
375
00:20:03,883 --> 00:20:05,083
That's what's happened.
376
00:20:05,203 --> 00:20:08,283
And this record, obviously,
very much feels like that.
377
00:20:08,443 --> 00:20:10,043
[Music continues]
378
00:20:10,163 --> 00:20:14,403
♪ Why everything
379
00:20:17,563 --> 00:20:20,803
♪ In this world been lost... ♪
380
00:20:20,923 --> 00:20:23,523
[Graham] A boulder has fallen out.
381
00:20:23,683 --> 00:20:27,283
You know, there's 40 years' worth
of stuff in this boulder
382
00:20:27,403 --> 00:20:29,443
that has been dislodged,
383
00:20:29,563 --> 00:20:31,963
and now rolls down
384
00:20:32,803 --> 00:20:34,003
towards us.
385
00:20:34,123 --> 00:20:38,643
♪ Pursuing God with change
386
00:20:40,683 --> 00:20:43,083
♪ And furthermore
387
00:20:45,123 --> 00:20:48,323
♪ I think it's just
388
00:20:48,443 --> 00:20:50,443
♪ Too late. ♪
389
00:20:50,563 --> 00:20:52,563
[Music concludes]
390
00:20:54,763 --> 00:20:56,763
That was the hardest ever...
391
00:20:58,083 --> 00:21:00,163
It sounds effortless,
for all your hard work.
392
00:21:00,283 --> 00:21:02,723
[Damon] Well, I promise you,
I really worked hard.
393
00:21:02,843 --> 00:21:05,043
[James] It seems
like lots of little stories,
394
00:21:05,163 --> 00:21:08,083
like, came out
while he was just recording...
395
00:21:08,203 --> 00:21:10,563
"Oh, this is about this thing,
and that is about..."
396
00:21:10,723 --> 00:21:13,883
"Up and down the town clock" is about
397
00:21:14,003 --> 00:21:17,763
when I went round
to Alex's flat in New Cross
398
00:21:17,883 --> 00:21:21,603
and took acid, and thought
it was a good idea to jump up...
399
00:21:21,723 --> 00:21:25,963
'Cause there was a very, very narrow,
like, sort of, um
400
00:21:26,083 --> 00:21:27,819
- distance between.
- [Graham] It's not that narrow.
401
00:21:27,843 --> 00:21:30,963
I've seen it plenty of times.
It's quite wide.
402
00:21:31,083 --> 00:21:33,643
It's about from here to...
It's about from here to you.
403
00:21:33,763 --> 00:21:36,044
- [Damon] Really? No, shut up!
- [Graham] It's not narrow.
404
00:21:36,083 --> 00:21:39,403
[Damon] No, but anyway,
I jumped over that,
405
00:21:39,523 --> 00:21:42,883
and then went and orienteered myself
406
00:21:43,003 --> 00:21:46,003
onto New Cross Town Hall clock
407
00:21:46,123 --> 00:21:48,243
and changed the time, on acid.
408
00:21:48,363 --> 00:21:51,643
- [Tanyel] You actually changed the time?
- Yes, I changed time, yes.
409
00:21:51,763 --> 00:21:55,083
[Deep voice] I ch... I... I changed time!
410
00:21:57,123 --> 00:21:59,763
We literally haven't
spoken to each other for ten years,
411
00:21:59,883 --> 00:22:02,763
and it's... straight back together, like...
412
00:22:02,883 --> 00:22:05,163
And actually evolved in some...
413
00:22:05,283 --> 00:22:07,523
This, um
414
00:22:07,683 --> 00:22:12,083
has come into all of our lives
unexpectedly, really, in a way.
415
00:22:13,243 --> 00:22:16,443
It's made us, uh...
something else, you know?
416
00:22:16,563 --> 00:22:19,923
- Wow, this is such a treat to have...
- Like 10cc, ABBA
417
00:22:20,043 --> 00:22:22,403
- me old muckers!
- [He chuckles]
418
00:22:22,523 --> 00:22:26,043
That's great.
I can't wait to decipher more words.
419
00:22:26,163 --> 00:22:28,483
- Oh, we have a lot.
- The singing is fucking ace.
420
00:22:28,643 --> 00:22:30,083
Yeah, you think so?
421
00:22:30,203 --> 00:22:32,403
- Yeah, and your voice sounds really good.
- Thanks.
422
00:22:32,523 --> 00:22:34,803
- But it's an expensive microphone.
- I know, well...
423
00:22:34,963 --> 00:22:36,643
[All laugh]
424
00:22:36,763 --> 00:22:41,123
It's kind of a bit overwhelming
having all that emotion coming out at me.
425
00:22:41,243 --> 00:22:43,523
I'm a bit kind of gobsmacked,
to be honest.
426
00:22:43,683 --> 00:22:46,203
I'm just getting sentimental
in me old age, that's what it is.
427
00:22:46,323 --> 00:22:48,843
[Mellow music]
428
00:22:48,963 --> 00:22:50,963
[Music continues]
429
00:23:06,083 --> 00:23:08,803
[Cellist plays slow, undulant melody]
430
00:23:08,963 --> 00:23:10,963
[No distinct dialogue]
431
00:23:11,083 --> 00:23:13,323
[Playing stops; Indistinct chatter]
432
00:23:16,843 --> 00:23:19,883
- How are you feeling?
- How am I feeling? I'm feeling
433
00:23:20,003 --> 00:23:22,803
- a little discombobulated.
- I am not surprised.
434
00:23:22,923 --> 00:23:24,363
I saw some footage of the weekend.
435
00:23:24,483 --> 00:23:26,123
- It looked pretty mega.
- Yeah, yeah.
436
00:23:27,003 --> 00:23:29,283
[Damon] Went on tour
in the Autumn with Gorillaz,
437
00:23:29,403 --> 00:23:33,443
wrote the album, came back,
recorded the album,
438
00:23:33,563 --> 00:23:36,323
went on tour with Gorillaz again,
then came back.
439
00:23:36,443 --> 00:23:40,043
So, it's just... it's non-stop really.
440
00:23:40,163 --> 00:23:43,203
So, there's headphones and stuff,
if you want to sit here.
441
00:23:43,323 --> 00:23:45,843
[Dave] Everything's quite frenetic
at the moment.
442
00:23:45,963 --> 00:23:50,243
The amount of stuff there is to do
is peaking around this week,
443
00:23:50,363 --> 00:23:53,403
because we're in rehearsals for the shows
444
00:23:53,523 --> 00:23:56,643
and, uh, we've got promo starting.
445
00:23:57,723 --> 00:24:00,563
- Is it possible to have the sound on it?
- Oh, yes! Reuben, hi.
446
00:24:00,723 --> 00:24:03,963
They're all getting fuckin'
younger and younger, aren't they?
447
00:24:04,083 --> 00:24:07,363
[Dave] And it's been quite a while
since we've been in this position, really,
448
00:24:07,483 --> 00:24:10,323
of doing everything all at the same time.
449
00:24:10,443 --> 00:24:13,363
[Mike] One, two, three, and...
450
00:24:13,483 --> 00:24:17,043
♪ Blow, blow me out
451
00:24:17,163 --> 00:24:23,003
♪ I am so sad, I don't know why
452
00:24:24,763 --> 00:24:28,163
♪ Blow, blow me out
453
00:24:28,283 --> 00:24:33,763
♪ I am so sad, I don't know why... ♪
454
00:24:33,883 --> 00:24:36,163
[Staccato guitar strumming]
455
00:24:36,283 --> 00:24:39,003
- [Guitar rings out]
- [Damon] ♪ He... He... ♪
456
00:24:39,123 --> 00:24:41,243
- [Synth noodling]
- [Graham] Hang on a minute.
457
00:24:43,443 --> 00:24:45,123
[Staccato guitar strumming]
458
00:24:45,243 --> 00:24:47,163
♪ He... ♪
459
00:24:47,283 --> 00:24:48,923
[Synth noodling]
460
00:24:50,523 --> 00:24:54,083
♪ He was crowned on a Saturday... ♪
461
00:24:54,203 --> 00:24:56,363
[Synth noodling]
462
00:24:56,483 --> 00:24:58,883
[Dave] There's nothing more boring
than rehearsing.
463
00:24:59,243 --> 00:25:02,523
People are always going to be bad-tempered
and, uh, testy
464
00:25:02,643 --> 00:25:05,203
and irritable,
because nobody wants to be there.
465
00:25:05,323 --> 00:25:08,363
- [Mike] Turn down.
- I'm just playing it with what's here.
466
00:25:08,483 --> 00:25:11,763
{\an8}[Bright synth chords; Graham chuckles]
467
00:25:11,883 --> 00:25:13,443
{\an8}[Damon] I'm playing what's here.
468
00:25:13,563 --> 00:25:15,803
[Graham] When you get over here with Blur,
469
00:25:15,923 --> 00:25:19,523
it is like when you see
those fucking gorillas in the zoo.
470
00:25:19,683 --> 00:25:22,563
How does it feel to be back?
You guys are back. How does it feel?
471
00:25:22,723 --> 00:25:25,203
[Staccato guitar strumming,
synth noodling]
472
00:25:25,323 --> 00:25:28,443
When you're in a band, it's a relationship
like brothers and sisters, isn't it?
473
00:25:28,483 --> 00:25:31,003
- I'm playing normal. I've always...
- Play that in A-minor.
474
00:25:31,123 --> 00:25:33,803
I mean, is it different?
Have the dynamics changed?
475
00:25:33,923 --> 00:25:36,683
[Indistinct arguing; Voices overlap]
476
00:25:38,803 --> 00:25:41,123
{\an8}Have you enjoyed
being back in the studio together?
477
00:25:41,243 --> 00:25:43,003
{\an8}[Damon] Um...
478
00:25:43,123 --> 00:25:46,363
Can't you just stake me out on a beach
and send some vultures over?
479
00:25:46,483 --> 00:25:47,843
Yeah, we could do that.
480
00:25:47,963 --> 00:25:49,363
[Gentle strings]
481
00:25:49,483 --> 00:25:51,563
[Dave] They handed out cigarettes
to the kids.
482
00:25:51,723 --> 00:25:53,123
- Did they? To the kids?
- Did they?
483
00:25:53,243 --> 00:25:54,363
- They did.
- [Alex chuckles]
484
00:25:54,483 --> 00:25:56,403
Like they hand out sweets on take-off.
485
00:25:56,523 --> 00:25:58,499
They went round with a little basket,
handing out...
486
00:25:58,523 --> 00:26:01,003
- What, packets of, um, tens?
- On a school trip?
487
00:26:01,123 --> 00:26:02,163
- Packets?
- Yeah.
488
00:26:02,283 --> 00:26:05,203
I do like smoking with my kids,
I have to admit.
489
00:26:05,323 --> 00:26:07,003
You like having a fag with your kids?
490
00:26:09,403 --> 00:26:12,483
I used to quite like sitting
with a bottle of scotch, with my mum.
491
00:26:12,643 --> 00:26:16,043
[James] So, what about just doing the
492
00:26:16,163 --> 00:26:18,443
from the "up close" bit,
just go from there.
493
00:26:18,563 --> 00:26:20,603
[Keyboard noodling]
494
00:26:21,883 --> 00:26:24,363
So, it's kind of that twice, yeah.
495
00:26:24,483 --> 00:26:26,483
[Graham] Damon's work ethic
is very strong.
496
00:26:26,643 --> 00:26:28,723
That's just part of who he is.
497
00:26:28,843 --> 00:26:32,763
[Dave] Where you and I might be
watching TV, or, uh, playing video games,
498
00:26:32,883 --> 00:26:34,883
Damon doesn't do any of that,
he just writes songs.
499
00:26:35,003 --> 00:26:36,523
[High string notes]
500
00:26:36,643 --> 00:26:38,883
[Dave] We all go to the bar,
Damon goes to his room,
501
00:26:39,003 --> 00:26:40,843
gets his equipment out and writes songs.
502
00:26:40,963 --> 00:26:44,523
On the bus, he's writing songs.
At home, he's writing songs.
503
00:26:44,683 --> 00:26:47,123
And if we don't keep him
focused on the job in hand,
504
00:26:47,243 --> 00:26:50,683
he will literally be doing another opera
before the third single's out.
505
00:26:51,163 --> 00:26:54,003
- Take in one...
- One, two, three...
506
00:26:54,123 --> 00:26:57,243
[String players vocalise brief melody,
repeats on synth]
507
00:26:59,563 --> 00:27:02,603
[James] He's also exhausted
from doing Coachella,
508
00:27:03,803 --> 00:27:08,083
and so, will basically have an idea
and then fall asleep.
509
00:27:09,243 --> 00:27:11,099
[James] Do you want to
keep going, Damon, or...?
510
00:27:11,123 --> 00:27:12,523
Yeah, yeah, yeah, yeah.
511
00:27:12,683 --> 00:27:14,803
Don't worry about my, uh, demeanour.
It's just.
512
00:27:14,923 --> 00:27:18,403
[Laughter]
It's just standard utter exhaustion.
513
00:27:18,523 --> 00:27:20,043
[Laughter]
514
00:27:20,163 --> 00:27:22,163
[Indistinct chatter]
515
00:27:23,563 --> 00:27:24,963
[James] Come on, let's do it again.
516
00:27:25,323 --> 00:27:28,723
- [Music - "The Ballad" by Blur]
- ♪ It comes
517
00:27:28,843 --> 00:27:31,483
♪ Like me
518
00:27:32,563 --> 00:27:36,803
♪ Up close
519
00:27:36,923 --> 00:27:39,483
♪ I fell in love with you... ♪
520
00:27:39,643 --> 00:27:41,443
[Damon] This idea of the workaholic,
521
00:27:41,563 --> 00:27:45,923
there must be some sort of brain condition
522
00:27:46,043 --> 00:27:49,043
that drives you to just
523
00:27:49,163 --> 00:27:51,923
pursue something so sort of relentlessly.
524
00:27:53,483 --> 00:27:57,163
Yeah, it's just sort of never believing,
really, that it's happening.
525
00:27:57,283 --> 00:28:00,203
It needs to be right
for me to be able to sleep properly.
526
00:28:00,323 --> 00:28:02,323
[Laughter]
527
00:28:02,443 --> 00:28:06,043
♪ It comes
528
00:28:06,163 --> 00:28:08,803
♪ Like me
529
00:28:10,203 --> 00:28:12,643
♪ Up close... ♪
530
00:28:12,763 --> 00:28:15,523
[Graham] And I guess if he didn't work,
he'd have to
531
00:28:15,683 --> 00:28:18,963
do nothing, and maybe, you know,
532
00:28:19,083 --> 00:28:21,523
have to take a long look at himself,
533
00:28:21,683 --> 00:28:25,323
and, you know, God,
that would be a freaky thing for him.
534
00:28:25,443 --> 00:28:27,003
♪ I'll fall along
535
00:28:27,123 --> 00:28:31,563
♪ We travelled
round the world together. ♪
536
00:28:31,723 --> 00:28:33,923
[Music concludes]
537
00:28:34,083 --> 00:28:35,923
[Indistinct chatter]
538
00:28:37,243 --> 00:28:41,483
[Choir, unaccompanied]
♪ Really, really, really could happen
539
00:28:42,243 --> 00:28:47,963
♪ Really, really, really could happen... ♪
540
00:28:50,243 --> 00:28:53,483
Where are we?
We're in this fuckin' big shithole.
541
00:28:53,643 --> 00:28:58,723
Concrete floor polished,
so everything sounds insane and bad.
542
00:28:58,843 --> 00:29:03,523
Um, it's a great way to make you
feel awful about everything you're doing.
543
00:29:03,683 --> 00:29:05,899
And then they've got
all these silly lights, and some of them,
544
00:29:05,923 --> 00:29:09,403
like, I look down at my fretboard
and I'm blinded by these stupid lights.
545
00:29:09,523 --> 00:29:14,523
It's as far away as creating
music together as you can possibly get,
546
00:29:14,723 --> 00:29:16,483
when you start incorporating all this shit.
547
00:29:16,643 --> 00:29:19,883
But, you know, Wembley's a big stage.
548
00:29:20,003 --> 00:29:23,243
So, we have to, like,
employ all these people
549
00:29:23,363 --> 00:29:27,203
because they've decided to come
to a venue that is so large,
550
00:29:27,323 --> 00:29:29,643
they're going to see ant-like figures,
551
00:29:29,763 --> 00:29:32,403
like I did when I saw The Osmonds
in the early '70s.
552
00:29:32,523 --> 00:29:36,483
Um, thankfully, there was some luncheon,
and I've had that,
553
00:29:36,643 --> 00:29:38,843
and I'm going to try
and give it another go.
554
00:29:39,283 --> 00:29:44,403
Right, for this run-through,
Let's just go straight through, okay?
555
00:29:44,523 --> 00:29:46,003
[Graham] Yeah.
556
00:29:46,123 --> 00:29:48,763
- [Buzzing synth notes]
- [Damon] Wrong one, son. Come on.
557
00:29:48,883 --> 00:29:51,923
[Bright synth chords]
558
00:29:52,083 --> 00:29:54,203
[Chugging distorted guitar]
559
00:29:54,323 --> 00:29:56,923
[Graham plays "Popscene" intro on guitar]
560
00:30:01,243 --> 00:30:04,803
[Damon] Going back to
the classic model of the Beatles,
561
00:30:04,923 --> 00:30:08,843
I suppose the appeal of the band
was the psycho-dramas
562
00:30:08,963 --> 00:30:10,603
that accompanied everything, you know?
563
00:30:11,963 --> 00:30:15,243
Even though, at the time,
we just wanted to be on Top of the Pops.
564
00:30:15,363 --> 00:30:16,723
Well, Alex and I did.
565
00:30:16,843 --> 00:30:18,563
[Band plays "Popscene"]
566
00:30:20,123 --> 00:30:24,643
This is next-level madness for all of us.
567
00:30:24,763 --> 00:30:26,563
And we're all... we're all hanging on.
568
00:30:26,723 --> 00:30:29,403
[Music continues]
569
00:30:32,043 --> 00:30:34,203
[Damon] I've definitely mellowed a bit.
570
00:30:34,323 --> 00:30:37,283
You know,
I'm more tolerant of some things.
571
00:30:37,403 --> 00:30:40,963
I'm completely intolerant
of most other things.
572
00:30:41,083 --> 00:30:42,323
[He chuckles]
573
00:30:42,483 --> 00:30:45,883
[Damon plays
"Intermission" pattern on piano]
574
00:30:47,483 --> 00:30:49,803
[Graham plays
erratic distorted guitar chords]
575
00:30:56,003 --> 00:30:58,923
[Alex plays "Intermission" pattern
on bass]
576
00:30:59,043 --> 00:31:01,523
[Alex] I'll be packing my bag tomorrow
577
00:31:01,683 --> 00:31:04,243
and, uh, hitting the road.
578
00:31:05,123 --> 00:31:06,483
Is it daunting?
579
00:31:06,643 --> 00:31:08,899
It's like children.
It takes absolutely everything out of you.
580
00:31:08,923 --> 00:31:10,683
It takes everything out of you.
581
00:31:10,803 --> 00:31:12,803
- [He groans]
- Hanging on.
582
00:31:12,923 --> 00:31:15,443
It's a really busy time,
and I'm not used to it.
583
00:31:15,963 --> 00:31:17,523
I mean, I'm not lazy or anything,
584
00:31:17,683 --> 00:31:21,563
and I'm going to do everything I can
for it to be completely brilliant.
585
00:31:21,723 --> 00:31:22,923
But we're a bit older.
586
00:31:23,043 --> 00:31:25,499
You're doing everything you can
to make it completely brilliant.
587
00:31:25,523 --> 00:31:28,243
You know, it's like, we don't want to have
a flippin' hip replacement
588
00:31:28,323 --> 00:31:31,123
because we've pushed it
a bit too far in Eastbourne.
589
00:31:31,243 --> 00:31:33,363
You know, end up living in Eastbourne.
590
00:31:33,523 --> 00:31:37,763
And I fully expect myself to not make it
through the year, at the moment.
591
00:31:37,883 --> 00:31:41,563
I do. I think, at some point,
I'm not going to be able to do it.
592
00:31:41,723 --> 00:31:45,123
But I'll just not think about that
until it happens.
593
00:31:45,243 --> 00:31:48,003
[Alex] It's a massive trigger
for all of us. It's on a knife edge.
594
00:31:48,123 --> 00:31:51,843
- I never know when it's just going to...
- [He mimics explosion]
595
00:31:51,963 --> 00:31:54,163
[Damon] I want to hear my fucking band.
596
00:31:54,283 --> 00:31:56,803
I want to fucking hear it played properly!
597
00:31:58,123 --> 00:32:00,323
Stupid...
Just makes you feel like an amateur!
598
00:32:00,443 --> 00:32:02,123
- Concentrate!
- Is there another bit?
599
00:32:02,243 --> 00:32:05,323
No, it's left how you've left it yesterday.
600
00:32:06,363 --> 00:32:09,523
- [Graham] Yeah.
- [Damon] We've learnt a lot of songs,
601
00:32:09,683 --> 00:32:12,523
but now we need
to start concentrating a bit,
602
00:32:12,683 --> 00:32:15,003
just so that we've got something
603
00:32:15,123 --> 00:32:16,923
coherent,
604
00:32:17,043 --> 00:32:19,043
and then, you know
605
00:32:21,003 --> 00:32:24,203
see how long we can hold it together
without collapsing,
606
00:32:24,363 --> 00:32:26,083
in one form or another,
607
00:32:26,203 --> 00:32:29,523
'cause there are many, many, many ways
to collapse on the road.
608
00:32:29,683 --> 00:32:32,043
[Music - "Coping" by Blur]
609
00:32:38,643 --> 00:32:41,499
[Interviewer] I love the choice of the
warm-up venues that you guys have picked.
610
00:32:41,523 --> 00:32:44,763
Eastbourne Winter Gardens,
Wolverhampton, Newcastle City Hall,
611
00:32:44,883 --> 00:32:47,259
- Colchester Arts Centre...
- [Interviewer 2] Well, there you go.
612
00:32:47,283 --> 00:32:49,923
[Interviewer] 'Cause those venues
remind me of some of the venues
613
00:32:50,043 --> 00:32:52,243
that Blur would have played
back in the early days.
614
00:32:52,363 --> 00:32:55,163
[Alex] Really from Parklife onward,
we had full brass,
615
00:32:55,283 --> 00:32:57,083
full backing singers, percussionist.
616
00:32:57,203 --> 00:33:00,003
There was always someone
playing a fucking gourd or something.
617
00:33:00,123 --> 00:33:02,643
{\an8}This time, we've stripped it right back.
618
00:33:02,763 --> 00:33:05,323
{\an8}[Damon] If the four of us
can't get on in a room and make music,
619
00:33:05,443 --> 00:33:08,563
then there's absolutely
no point in doing it as a band,
620
00:33:08,723 --> 00:33:10,163
just back to how we started.
621
00:33:10,283 --> 00:33:12,683
♪ ..Feel this strange
622
00:33:13,523 --> 00:33:17,403
♪ Can I go through this again?... ♪
623
00:33:18,683 --> 00:33:19,923
- Hello.
- All right?
624
00:33:20,043 --> 00:33:21,163
- Hiya.
- Hi.
625
00:33:22,243 --> 00:33:24,883
- [Tanyel] Damon, this is John.
- Hello. Nice to meet you.
626
00:33:25,003 --> 00:33:28,883
- Hiya. I'm the head teacher, so...
- Excellent.
627
00:33:29,003 --> 00:33:31,123
I just wanted to welcome you
to the Stanway.
628
00:33:31,243 --> 00:33:33,803
- Really good to have you here.
- [Damon] It's changed a lot.
629
00:33:33,923 --> 00:33:36,603
- Was any of this here when you were here?
- [Damon] No, none of it.
630
00:33:36,643 --> 00:33:38,379
- Are the Portakabins still here?
- No, they've all gone.
631
00:33:38,403 --> 00:33:40,299
- Why'd you get rid of that? It's...
- They're Portakabins.
632
00:33:40,323 --> 00:33:41,683
[Birdsong]
633
00:33:41,803 --> 00:33:43,763
Well, look, I have named a room
after you both.
634
00:33:43,883 --> 00:33:47,003
Do you remember me getting in contact
a few years back?
635
00:33:47,123 --> 00:33:48,883
So, where we're going now...
636
00:33:49,003 --> 00:33:51,683
- I'll let you off, then.
- [Damon, John laugh]
637
00:33:51,803 --> 00:33:54,243
No, I just really wanted
to see the Portakabins.
638
00:33:54,363 --> 00:33:56,483
You know, 'cause I've kind of...
I've sort of...
639
00:33:56,643 --> 00:34:00,523
I've sort of mythologised that
in my own memory, that place, you know.
640
00:34:00,643 --> 00:34:02,363
We were given the key to it, weren't we?
641
00:34:02,483 --> 00:34:03,923
- Yeah.
- We had a few...
642
00:34:04,043 --> 00:34:06,523
There were a few nice things.
Like, they had a synthesiser.
643
00:34:06,643 --> 00:34:07,883
Okay.
644
00:34:08,003 --> 00:34:11,563
And, uh, yeah,
we used to go in there on our breaks
645
00:34:11,723 --> 00:34:14,043
- and just do that.
- Yeah, there was a piano in there.
646
00:34:14,163 --> 00:34:19,003
And also, it was quite dangerous
for me to go out at
647
00:34:19,123 --> 00:34:20,483
- at lunchtime...
- Oh, was it?
648
00:34:20,643 --> 00:34:22,059
'Cause I was always getting beaten up.
649
00:34:22,083 --> 00:34:24,883
Oh, okay. Well, we don't have
much of that here anymore.
650
00:34:25,003 --> 00:34:26,363
No, well, you had a lot back then.
651
00:34:26,483 --> 00:34:28,083
- Yeah, all right.
- Fuckin' hell.
652
00:34:29,363 --> 00:34:31,763
No, no, I'm just saying, for us, it's...
653
00:34:31,883 --> 00:34:34,043
- "The Albarn & Coxon Room."
- [John] Yeah, this is it.
654
00:34:34,123 --> 00:34:37,203
- This is what we've...
- Oh, that is... this is sweet.
655
00:34:37,323 --> 00:34:38,803
- Well, for...
- Can I take a picture?
656
00:34:38,883 --> 00:34:41,243
Yeah, come on,
we've got to have a photo taken.
657
00:34:41,363 --> 00:34:43,019
Can someone take a little picture of that?
658
00:34:43,043 --> 00:34:45,803
Oh, they've all got
huge pieces of equipment in their hands.
659
00:34:45,923 --> 00:34:47,843
[Ruminative music]
660
00:34:47,963 --> 00:34:50,243
It looks like a serious school now.
661
00:34:50,363 --> 00:34:53,403
I'm not saying it wasn't serious,
but it was... seriously odd.
662
00:34:53,523 --> 00:34:56,003
[Graham] You know,
my dad lives down the road here.
663
00:34:56,123 --> 00:34:57,963
[Damon] Behind... Behind the school...
664
00:34:58,083 --> 00:35:00,459
[John] And he's still in the same house
where he used to live? Wow.
665
00:35:00,483 --> 00:35:04,363
He only had to walk up the road to school.
I had to cycle from Ford Street every day.
666
00:35:04,483 --> 00:35:08,083
- [John] Oh, really?
- And I'd do a paper round before that.
667
00:35:08,203 --> 00:35:11,283
As soon as I put my bike in,
walked it by, I'd get beaten up.
668
00:35:12,283 --> 00:35:13,979
[Director] Why did you
get beaten up so much?
669
00:35:14,003 --> 00:35:16,003
'Cause everyone thought I was a cunt.
670
00:35:17,083 --> 00:35:18,763
[He chuckles]
671
00:35:18,883 --> 00:35:21,883
[Director] Tell me about the energy
of Colchester when you were growing up
672
00:35:22,043 --> 00:35:24,643
- and what it felt like to be...
- Bit scary.
673
00:35:25,243 --> 00:35:27,163
Lot of squaddies.
674
00:35:27,283 --> 00:35:30,243
Lot of people who were, you know,
675
00:35:30,363 --> 00:35:32,643
somewhat more Anglo-Saxon than myself.
676
00:35:32,763 --> 00:35:37,363
But the music department was amazing.
And, you know, that's where we met.
677
00:35:37,483 --> 00:35:41,123
And we did
all these amazing school productions.
678
00:35:41,243 --> 00:35:44,923
Orpheus in the Underworld,
The Boyfriend...
679
00:35:45,043 --> 00:35:46,523
Starring role in that one.
680
00:35:46,683 --> 00:35:49,483
- Guys and Dolls.
- [Graham] Who were you in Guys and Dolls?
681
00:35:49,643 --> 00:35:51,003
[Damon] I was Nathan Detroit.
682
00:35:51,123 --> 00:35:53,483
♪ All right, already
683
00:35:53,643 --> 00:35:55,723
♪ So, call a policeman... ♪
684
00:35:55,843 --> 00:35:57,723
Then we did West Side Story.
685
00:35:57,843 --> 00:36:00,203
- I got a social disease!
- I was like, "Who is that kid?"
686
00:36:00,323 --> 00:36:02,003
"He does not care."
687
00:36:02,123 --> 00:36:04,979
- [Damon] So, yeah, I did a lot of...
- Where did he get that confidence from?
688
00:36:05,003 --> 00:36:07,083
- I was like, "Oh, my God."
- I loved it.
689
00:36:07,203 --> 00:36:10,403
I absolutely loved it.
I mean, our first-ever gig together
690
00:36:10,523 --> 00:36:12,483
was at an assembly.
691
00:36:12,643 --> 00:36:14,683
- Now destroyed.
- Now destroyed.
692
00:36:14,803 --> 00:36:19,123
The first-ever gig Graham and I did
was at 9:00 in the morning.
693
00:36:19,243 --> 00:36:21,963
[Young Damon] This song is called
"It May Be Our Best Chance Yet,"
694
00:36:22,083 --> 00:36:25,523
a song about a child with no future.
695
00:36:25,723 --> 00:36:28,563
[Rhythmic post-punk music]
696
00:36:28,723 --> 00:36:30,403
[Damon] We were called Real Lives.
697
00:36:30,523 --> 00:36:32,499
- We played a song.
- [Graham] We did a couple of songs,
698
00:36:32,523 --> 00:36:34,259
but we did a gig
one evening there as well, didn't we?
699
00:36:34,283 --> 00:36:37,123
And we made programmes and everything,
with drawings and...
700
00:36:37,243 --> 00:36:40,723
I need to give 'em... I want to
give 'em some more stuff in here, though.
701
00:36:40,843 --> 00:36:43,203
Just sort of, you know...
702
00:36:43,323 --> 00:36:45,163
It's quite dry, isn't it?
You know what I mean?
703
00:36:45,283 --> 00:36:47,763
Music rooms should be posters and...
704
00:36:47,883 --> 00:36:50,763
They need to have
some, like, batik wall hangings.
705
00:36:50,883 --> 00:36:52,323
- [Damon] Yeah.
- Some paisley.
706
00:36:52,483 --> 00:36:55,483
No, they need to have
some nice weed, like in a bowl,
707
00:36:55,643 --> 00:36:57,283
which they can all kind of...
708
00:36:57,403 --> 00:36:59,203
- Thank you very much.
- Thanks, mate.
709
00:36:59,323 --> 00:37:01,139
- Appreciate it.
- Yeah, really nice to have met you.
710
00:37:01,163 --> 00:37:03,563
[Indistinct chatter]
711
00:37:03,723 --> 00:37:05,883
[Music - "Fool's Day" by Blur]
712
00:37:06,003 --> 00:37:07,163
♪ Wake up straight
713
00:37:08,003 --> 00:37:11,163
♪ Caught out by the sun
714
00:37:11,763 --> 00:37:14,243
♪ On the first day of April... ♪
715
00:37:14,363 --> 00:37:17,723
[Nigel] Did you know that the tower there
was the base
716
00:37:17,843 --> 00:37:21,003
of the legend of Humpty Dumpty?
Did you know that?
717
00:37:21,123 --> 00:37:23,003
The Royalists occupied the town,
718
00:37:23,163 --> 00:37:25,883
and when they came in,
they put a cannon up the top there,
719
00:37:26,003 --> 00:37:28,803
which they nicknamed Humpty Dumpty
'cause it was a bit round.
720
00:37:28,923 --> 00:37:32,523
Parliamentarians were over in the field
across there, Hilly Fields,
721
00:37:32,683 --> 00:37:34,323
and they were coming up.
722
00:37:34,443 --> 00:37:37,803
Of course, the Parliamentarians,
they actually got the cannon,
723
00:37:37,963 --> 00:37:39,323
and it tumbled down.
724
00:37:39,443 --> 00:37:40,979
And all the king's horses
and all the king's men
725
00:37:41,003 --> 00:37:42,683
couldn't put Humpty together again.
726
00:37:42,803 --> 00:37:45,643
And that is one of the legends
about Humpty Dumpty
727
00:37:45,763 --> 00:37:47,963
{\an8}here at Colchester Arts Centre.
728
00:37:48,083 --> 00:37:50,123
My name's Nigel Hildreth.
729
00:37:50,243 --> 00:37:53,883
I was the person who taught
Damon and Graham music.
730
00:37:54,003 --> 00:37:55,763
So, I taught them at Stanway School.
731
00:37:55,883 --> 00:37:59,243
They were fantastic students,
they were very musical.
732
00:37:59,363 --> 00:38:02,123
And they had an electrifying effect
upon their audience.
733
00:38:02,243 --> 00:38:04,683
You could see that stage presence.
734
00:38:04,803 --> 00:38:07,643
[Graham plays
"The Narcissist" intro on guitar]
735
00:38:10,803 --> 00:38:12,923
Is the barrier going to go
in-between the PA?
736
00:38:13,043 --> 00:38:14,483
[Indistinct chatter]
737
00:38:14,643 --> 00:38:17,043
[Dave] It's part of
the rehearsal process, this.
738
00:38:17,163 --> 00:38:19,963
We're not quite at Wembley,
as you can see.
739
00:38:20,083 --> 00:38:23,243
[Damon] I mean, it's going to be enough
just to get through it, really.
740
00:38:23,363 --> 00:38:25,043
For us, I think we're really...
741
00:38:25,163 --> 00:38:27,339
[Graham] It's going to be odd
to have that thing with an audience again,
742
00:38:27,363 --> 00:38:28,563
playing these songs,
743
00:38:28,723 --> 00:38:31,403
because you do get,
you know, a hell of a lift
744
00:38:31,523 --> 00:38:33,803
from just having an audience there.
745
00:38:33,923 --> 00:38:36,683
And just the atmosphere
and the volume and all of that. So...
746
00:38:36,803 --> 00:38:39,523
[Damon]
And there's one or two sing-alongs.
747
00:38:39,683 --> 00:38:42,843
"Sing-along. The new record from Blur."
748
00:38:42,963 --> 00:38:44,163
[Graham] Ling-along-a-Blur.
749
00:38:44,283 --> 00:38:46,683
[Damon] Revisiting all their
750
00:38:46,803 --> 00:38:48,963
'90s favourites
751
00:38:49,763 --> 00:38:51,123
auto-tuned.
752
00:38:51,243 --> 00:38:53,283
- Okay, gentlemen...
- Play your music now!
753
00:38:53,403 --> 00:38:56,163
When we go up, do I go on that way? Yeah.
754
00:38:56,283 --> 00:38:59,083
[Indistinct chatter]
755
00:38:59,203 --> 00:39:02,883
[Alex] Is the chemistry still there?
Apparently, that's not a given.
756
00:39:05,523 --> 00:39:07,443
Have a great show, everyone.
757
00:39:07,563 --> 00:39:09,763
[Cheering]
758
00:39:09,883 --> 00:39:13,763
[Damon] It's a weird thing when you
go back to something that was so,
759
00:39:13,883 --> 00:39:15,883
so well-documented.
760
00:39:16,003 --> 00:39:18,083
People feel like that's what you are,
761
00:39:18,203 --> 00:39:20,283
but it was so long ago.
762
00:39:20,403 --> 00:39:22,763
[Cheering continues; Tense music]
763
00:39:27,723 --> 00:39:31,123
[Music plays - "Theme from Crossroads"
by Terry Hatch]
764
00:39:31,243 --> 00:39:33,083
[Mike] Wow, what a sound!
765
00:39:33,203 --> 00:39:35,203
[Indistinct chatter]
766
00:39:38,763 --> 00:39:41,283
[Music continues; Cheering]
767
00:39:50,523 --> 00:39:52,003
Good evening.
768
00:39:52,123 --> 00:39:54,403
[Music stops, cheering continues]
769
00:39:54,523 --> 00:39:56,803
Isn't it nice
to see everyone back together?
770
00:39:56,923 --> 00:39:58,403
[Cheering]
771
00:39:58,563 --> 00:40:01,483
[Graham plays "Popscene" intro on guitar]
772
00:40:09,403 --> 00:40:12,043
[Music builds, band plays together]
773
00:40:30,843 --> 00:40:33,043
[Music builds; Bright organ chords]
774
00:40:41,483 --> 00:40:43,523
♪ I'm leaving town to run away
775
00:40:43,963 --> 00:40:46,683
♪ Run into your twisted arms
776
00:40:46,843 --> 00:40:49,043
♪ No queues and there's no panic there
777
00:40:49,163 --> 00:40:52,283
♪ I'm just dangling my feet in the grass
778
00:40:52,403 --> 00:40:54,683
♪ My lack of natural lustre now
779
00:40:54,803 --> 00:40:57,763
♪ Seems to be losing me my friends
780
00:40:57,883 --> 00:41:00,403
♪ So, in the absence of a way of life
781
00:41:00,523 --> 00:41:03,043
♪ I'll repeat this again and again
782
00:41:03,163 --> 00:41:04,683
♪ And again
783
00:41:04,843 --> 00:41:07,403
♪ Hey, hey, come out tonight
784
00:41:07,563 --> 00:41:10,243
♪ Hey, hey, come out tonight
785
00:41:10,363 --> 00:41:14,203
♪ Popscene, all right
786
00:41:14,323 --> 00:41:17,323
♪ Yeah, yeah, yeah, yeah, yeah... ♪
787
00:41:17,483 --> 00:41:20,203
[Music continues]
788
00:41:22,643 --> 00:41:24,803
♪ Popscene. ♪
789
00:41:24,923 --> 00:41:27,963
[Music concludes,
distorted guitar chord rings out]
790
00:41:28,083 --> 00:41:30,483
[Cheering]
791
00:41:30,643 --> 00:41:33,763
[Laid-back jazz music, indistinct chatter]
792
00:41:33,883 --> 00:41:36,603
[Crew Member] Whoo-whoo-whoo-whoo-whoo!
793
00:41:36,723 --> 00:41:38,723
- What's that?
- Apple juice.
794
00:41:38,883 --> 00:41:40,923
- Ooh, some champagne!
- That was, uh...
795
00:41:41,043 --> 00:41:43,123
- And apéritifs.
- That was bloody good.
796
00:41:44,963 --> 00:41:46,363
- Champagne, sir.
- Oh, thank you.
797
00:41:46,483 --> 00:41:49,163
- Chin-chin.
- No, thank you, I'm working.
798
00:41:49,283 --> 00:41:51,123
[Bustling chatter]
799
00:41:52,683 --> 00:41:57,243
I was surprised how natural that whole
thing felt, you know? I really was.
800
00:41:57,363 --> 00:41:59,683
You don't get hit by a flying beer.
801
00:42:00,283 --> 00:42:01,683
I hate it when they throw beer.
802
00:42:01,803 --> 00:42:04,363
No, I love it.
I love it when they throw beer.
803
00:42:05,003 --> 00:42:06,443
You got hit by a good one,
804
00:42:06,563 --> 00:42:08,443
and then you did
some exotic stuff with a towel.
805
00:42:09,203 --> 00:42:13,283
So, if you multiply that 400 to 80,000,
806
00:42:13,403 --> 00:42:15,923
- I reckon it'll be okay.
- [Smoggy] Just about, yeah.
807
00:42:16,043 --> 00:42:17,979
What are they doing?
Are they sneaking in, getting...?
808
00:42:18,003 --> 00:42:19,283
Are they sneaking in?
809
00:42:19,403 --> 00:42:20,643
The whole thing was good.
810
00:42:20,763 --> 00:42:23,643
I'm very happy with it.
Well done, everyone.
811
00:42:23,763 --> 00:42:26,843
I know there's a lot more to go, but...
812
00:42:26,963 --> 00:42:28,363
One day at a time, sweeties.
813
00:42:33,323 --> 00:42:35,643
[Brass band plays
"A Whiter Shade of Pale"]
814
00:42:39,123 --> 00:42:40,523
[Alex] When I was very small,
815
00:42:40,683 --> 00:42:44,203
the South Coast still had the vestiges
of an upper crust.
816
00:42:44,323 --> 00:42:47,003
There still is
a Dorset Ladies Luncheon Club,
817
00:42:47,123 --> 00:42:49,163
which my mum's a stalwart of.
818
00:42:49,283 --> 00:42:52,243
But as cheap flights became available,
819
00:42:52,363 --> 00:42:55,003
people were able to get
sunshine guaranteed.
820
00:42:55,123 --> 00:42:59,203
And the bottom was really falling out
of the great British bucket.
821
00:42:59,763 --> 00:43:01,923
[Damon] I haven't spent much time, really,
822
00:43:02,043 --> 00:43:04,083
playing this country
for a long, long, long time.
823
00:43:04,203 --> 00:43:06,123
I always really enjoy it.
824
00:43:06,243 --> 00:43:09,083
Modern Life is Rubbish
turned 30 last week, I think.
825
00:43:09,763 --> 00:43:12,923
[Damon] A lot of those older songs
826
00:43:13,043 --> 00:43:15,563
they make more sense to me now.
827
00:43:16,323 --> 00:43:18,483
Even though I wrote them,
they make more sense now,
828
00:43:18,643 --> 00:43:20,403
the language I was using.
829
00:43:20,523 --> 00:43:22,723
My kind of obsession back then,
830
00:43:22,843 --> 00:43:26,523
which was, by some people,
seen as me being quite cruel to people,
831
00:43:26,683 --> 00:43:30,203
about, like, media and absorption
832
00:43:30,323 --> 00:43:34,963
and the sort of paralysing effects of it,
hypnotic effects of it.
833
00:43:35,083 --> 00:43:37,443
I can see that there were some kind of
834
00:43:37,563 --> 00:43:40,923
quite challenging stories
from all those songs.
835
00:43:41,043 --> 00:43:47,163
I believe the role of the artist
is to somehow be... a mirror.
836
00:43:47,363 --> 00:43:53,083
Post-Brexit... And I really do think
Brexit was a terrible mistake.
837
00:43:53,203 --> 00:43:56,483
Post-that, I think there's an appetite
once more in the country
838
00:43:56,643 --> 00:44:01,643
for something that pokes a bit of fun
at that right-wing, conservative aspect
839
00:44:01,763 --> 00:44:03,643
of our society.
840
00:44:03,763 --> 00:44:06,643
[Dave] The UK seems to be
in some kind of, uh,
841
00:44:06,763 --> 00:44:10,283
slow-motion collapse, at the moment,
at least the UK public services.
842
00:44:10,683 --> 00:44:13,403
Much, much bigger kind of ways
843
00:44:13,523 --> 00:44:15,963
of stealing from the poor
and giving to the rich
844
00:44:16,083 --> 00:44:18,003
have been going on
over the past five years.
845
00:44:18,123 --> 00:44:19,563
Why aren't we taking to the streets?
846
00:44:19,683 --> 00:44:21,763
I don't understand,
it's like people have given up.
847
00:44:21,883 --> 00:44:23,723
How bad do things have to get?
848
00:44:23,843 --> 00:44:27,483
[Music concludes; Applause]
849
00:44:31,163 --> 00:44:35,123
I would like to introduce
our first soloist of the afternoon.
850
00:44:35,243 --> 00:44:36,883
It's a... um,
851
00:44:37,003 --> 00:44:38,843
a good-looking young man.
852
00:44:38,963 --> 00:44:40,843
Hello!
853
00:44:40,963 --> 00:44:43,963
[Sprightly organ notes]
854
00:44:44,083 --> 00:44:46,803
I used to play football
for the New Musical Express,
855
00:44:46,923 --> 00:44:51,003
and, uh, our manager and centre-half
was a guy called Steve Sutherland,
856
00:44:51,123 --> 00:44:54,003
who was the editor of NME.
857
00:44:54,123 --> 00:44:55,603
And he said, "There's some young band
858
00:44:55,643 --> 00:44:58,043
"who are interested in you
doing a bit of a record with 'em.
859
00:44:58,163 --> 00:44:59,523
I said, "Oh, I don't know."
860
00:44:59,683 --> 00:45:02,043
And he said, "No," he said,
"they're going to be big."
861
00:45:03,563 --> 00:45:06,563
- "Oh, all right, then."
- [Band plays "Parklife"]
862
00:45:07,723 --> 00:45:10,203
- I'd like to invite someone...
- [Music stops]
863
00:45:11,643 --> 00:45:14,483
very unique onto this stage.
864
00:45:14,643 --> 00:45:16,603
He's a unique human being.
865
00:45:16,763 --> 00:45:18,763
[Cheering]
866
00:45:23,803 --> 00:45:25,243
Eastbourne!
867
00:45:26,363 --> 00:45:28,923
[Graham plays "Parklife" intro on guitar]
868
00:45:30,563 --> 00:45:33,083
- [Music builds, band plays together]
- Oi!
869
00:45:45,363 --> 00:45:49,323
♪ Confidence is a preference for
the habitual voyeur of what is known as
870
00:45:50,723 --> 00:45:52,003
♪ Parklife
871
00:45:52,123 --> 00:45:56,523
♪ Morning soup can be avoided if you take
a route straight through what is known as
872
00:45:57,563 --> 00:45:58,563
♪ Parklife
873
00:45:58,683 --> 00:46:02,363
♪ John's got brewer's droop,
he gets intimidated by the dirty pigeons
874
00:46:02,483 --> 00:46:04,883
- ♪ They love a bit of him!
- ♪ Parklife
875
00:46:05,003 --> 00:46:06,603
♪ Who's that gut-lord marching?
876
00:46:06,723 --> 00:46:10,123
♪ Cut down on your porklife, mate,
get some exercise
877
00:46:11,243 --> 00:46:14,323
♪ All the people
878
00:46:14,443 --> 00:46:17,523
♪ So many people... ♪
879
00:46:17,683 --> 00:46:20,803
[Phil] I never really ever thought
it would come into the British psyche.
880
00:46:20,923 --> 00:46:23,243
I think Graham felt
it was a bit of a novelty song.
881
00:46:23,363 --> 00:46:24,803
♪ Parklife... ♪
882
00:46:25,003 --> 00:46:27,163
[Phil] All the dustmen know me, and, uh,
883
00:46:27,323 --> 00:46:30,443
I get "Parklife" shouted at me
all over the place.
884
00:46:30,643 --> 00:46:33,163
[Music continues]
885
00:46:33,283 --> 00:46:35,603
♪ Put my trousers on, have a cup of tea
886
00:46:35,723 --> 00:46:38,523
♪ And I think about leaving the house
887
00:46:38,683 --> 00:46:40,003
♪ Parklife... ♪
888
00:46:40,403 --> 00:46:43,403
[Phil] Damon always said to me,
"Whenever you want to do a gig,
889
00:46:43,523 --> 00:46:44,803
"you're welcome."
890
00:46:44,923 --> 00:46:48,043
I enjoy their songs
and, you know, the social commentary.
891
00:46:48,163 --> 00:46:52,803
♪ ..The knowledge there will always be
a bit of my heart devoted to it... ♪
892
00:46:52,923 --> 00:46:55,083
[Phil] But I just look at this country.
893
00:46:55,203 --> 00:46:57,483
Hopefully,
they can dig theirs elves out of a mess,
894
00:46:57,643 --> 00:47:00,323
um, but it seems to me, you know
895
00:47:01,523 --> 00:47:04,563
if poo was fertiliser, working-class
people wouldn't have an arse.
896
00:47:04,723 --> 00:47:06,963
♪ Parklife. ♪
897
00:47:07,083 --> 00:47:08,843
[Music concludes]
898
00:47:08,963 --> 00:47:11,923
- Arrivederci, Eastbourne!
- [Cheering]
899
00:47:12,043 --> 00:47:14,723
[Music - "Get Out of Cities" by Blur]
900
00:47:21,683 --> 00:47:26,043
After we came off on Friday,
we all felt absolutely exhilarated.
901
00:47:26,163 --> 00:47:29,403
It's sort of like in a video game,
when you get the cloak of invincibility.
902
00:47:29,523 --> 00:47:31,483
And there was all these kind of people
903
00:47:31,643 --> 00:47:34,403
that I really admire and respect,
who were at the gig.
904
00:47:34,523 --> 00:47:37,243
Just, like, completely overwhelmed
and overcome.
905
00:47:37,363 --> 00:47:41,643
And I got really drunk,
and I woke up feeling ashamed.
906
00:47:42,923 --> 00:47:45,483
{\an8}Touring's just like
being on a roller-coaster.
907
00:47:45,603 --> 00:47:47,123
- You're on it, you know?
- [He groans]
908
00:47:47,163 --> 00:47:50,203
And it's kind of terrifying
and brilliant and scary.
909
00:47:50,283 --> 00:47:52,899
And then you get off, and you're not sure
whether you never want to do it again
910
00:47:52,923 --> 00:47:54,219
or whether you want to get
straight back on.
911
00:47:54,243 --> 00:47:56,683
But you can't actually remember
what it's like
912
00:47:56,803 --> 00:47:58,483
until you're actually doing it.
913
00:47:58,643 --> 00:48:00,739
[Director] How's it feel for you guys,
being back in Wolves?
914
00:48:00,763 --> 00:48:04,083
Oh, I mean, I'm just kind of
slightly overwhelmed by the
915
00:48:04,243 --> 00:48:06,283
by the grey peas,
916
00:48:06,603 --> 00:48:08,323
and their effect on my
917
00:48:09,043 --> 00:48:10,523
on my bowels.
918
00:48:10,683 --> 00:48:12,723
[Tanyel] What is it, Stu, that we ate?
919
00:48:12,843 --> 00:48:15,243
It's just very low-grade peas.
920
00:48:15,363 --> 00:48:18,283
- [Stu] Grey peas and bacon.
- [Tanyel] Grey peas and bacon.
921
00:48:18,403 --> 00:48:22,083
- Grey peas and bacon.
- Grey peas and bacon.
922
00:48:22,203 --> 00:48:24,659
[Mike] Do you need anything?
I've got paracetamol, ibuprofen...
923
00:48:24,683 --> 00:48:26,499
- [Graham] I've had an IV drip today.
- Have you? Already?
924
00:48:26,523 --> 00:48:27,723
- Yeah.
- Crikey.
925
00:48:27,843 --> 00:48:31,883
{\an8}I've found, during rehearsals,
there's just a bit of spikiness.
926
00:48:32,003 --> 00:48:33,939
It's real life, innit?
And they've had a lot of it.
927
00:48:33,963 --> 00:48:35,923
We've all had a lot of real life.
928
00:48:36,043 --> 00:48:37,699
And I think, you know,
the more you go through,
929
00:48:37,723 --> 00:48:42,003
the more you've got to be accepting
of everyone's shit.
930
00:48:42,123 --> 00:48:43,403
You understand it.
931
00:48:43,523 --> 00:48:46,643
So, I think that's,
you know, a big part of it.
932
00:48:46,763 --> 00:48:48,659
[Smoggy] Was it JB's, the first gig?
I think it was, wasn't it?
933
00:48:48,683 --> 00:48:51,203
{\an8}JB's was the first gig we saw Blur.
934
00:48:52,403 --> 00:48:54,299
[Alex] I remember,
it was the beginning of summer,
935
00:48:54,323 --> 00:48:56,243
and I'd just got my exam results
from college,
936
00:48:56,363 --> 00:48:59,003
and I got 2% in my French Language.
937
00:48:59,123 --> 00:49:01,603
The examiner had written,
"Is the candidate lucid?"
938
00:49:01,683 --> 00:49:04,163
And I thought
I'd kind of burnt my bridges there.
939
00:49:04,843 --> 00:49:06,603
And, uh, we just landed it.
940
00:49:06,763 --> 00:49:09,523
[Stuart] It was just, like, epic,
you know what I mean?
941
00:49:09,683 --> 00:49:11,203
It was a stage invasion.
942
00:49:11,323 --> 00:49:14,084
[Alex] That was the first time
we were going to a completely new place
943
00:49:14,203 --> 00:49:16,723
with just the four of us, and letting rip,
944
00:49:16,883 --> 00:49:18,803
and we blew the doors off.
945
00:49:18,923 --> 00:49:20,219
[Stuart] We didn't know back then
946
00:49:20,243 --> 00:49:21,739
- how long it would go on.
- [Smoggy] Exactly.
947
00:49:21,763 --> 00:49:23,723
Here we are, 30 years later...
948
00:49:23,843 --> 00:49:26,123
- None the wiser.
- [Both laugh]
949
00:49:26,283 --> 00:49:28,923
[Alex plays bass slide;
Indistinct conversation]
950
00:49:29,043 --> 00:49:31,763
[Graham] It's a bit like
drawing up from a well.
951
00:49:31,883 --> 00:49:35,283
And I've never really understood
that about age, really, until now.
952
00:49:35,403 --> 00:49:37,243
That, actually
953
00:49:37,363 --> 00:49:39,003
when it gets to sort of decades,
954
00:49:39,123 --> 00:49:41,043
it's like, actually,
that was quite a while ago.
955
00:49:41,163 --> 00:49:45,203
In a lot of ways,
you're drawing you then back up,
956
00:49:45,323 --> 00:49:47,883
and it's, like, a bit odd sometimes.
957
00:49:48,763 --> 00:49:51,683
Well, you know, just got to go for it,
haven't you, really?
958
00:49:54,043 --> 00:49:56,043
[Indistinct chatter]
959
00:49:58,883 --> 00:50:00,523
Knock 'em dead, mate.
960
00:50:02,243 --> 00:50:03,963
Good luck, good luck, good luck.
961
00:50:04,763 --> 00:50:07,243
[Cheering]
962
00:50:08,403 --> 00:50:11,243
Well, the album's called
The Ballad of Darren, okay?
963
00:50:11,363 --> 00:50:13,043
[Cheering]
964
00:50:13,163 --> 00:50:16,443
I'd like to bring onstage Darren.
965
00:50:16,683 --> 00:50:18,403
[Cheering]
966
00:50:20,043 --> 00:50:21,683
[Siren wails]
967
00:50:21,843 --> 00:50:23,563
[Dave plays count-in]
968
00:50:23,723 --> 00:50:25,563
[Band plays "Advert"]
969
00:50:32,523 --> 00:50:34,643
[No distinct dialogue]
970
00:50:36,563 --> 00:50:38,923
[Music intensifies]
971
00:50:49,123 --> 00:50:54,043
♪ It's six o'clock on the dot,
and I'm halfway home
972
00:50:55,643 --> 00:51:00,083
♪ I feel foul-mouthed
as I stand and wait for the Underground
973
00:51:01,963 --> 00:51:06,603
♪ And a nervous disposition
doesn't agree with this
974
00:51:07,683 --> 00:51:13,723
♪ I need something to remind me
that there's something else
975
00:51:14,923 --> 00:51:20,843
♪ You need a holiday somewhere in the sun
976
00:51:20,963 --> 00:51:23,963
♪ With all the people who are waiting
977
00:51:24,083 --> 00:51:27,363
♪ There never seems to be one
978
00:51:27,483 --> 00:51:30,443
♪ Say something, say something else... ♪
- [Voice echoes]
979
00:51:31,763 --> 00:51:35,163
- ♪ Say something, say something else... ♪
- [Microphone thuds]
980
00:51:36,323 --> 00:51:39,283
- ♪ Say something, say something... ♪
- [Voice echoes]
981
00:51:40,963 --> 00:51:43,643
♪ Say something, say something else. ♪
982
00:51:43,803 --> 00:51:45,723
[Music continues]
983
00:51:47,963 --> 00:51:50,083
[Music concludes; Cheering]
984
00:51:51,923 --> 00:51:54,483
- Fuck off!
- [Amused chuckle]
985
00:51:54,643 --> 00:51:57,843
It's all right, it's all
right. It's okay, just...
986
00:52:01,563 --> 00:52:03,403
[Engine hums]
987
00:52:03,523 --> 00:52:06,379
[Damon] I wish we were on a tour bus.
I don't know why we're not on a tour bus.
988
00:52:06,403 --> 00:52:08,283
I've never, ever done this. I haven't...
989
00:52:08,403 --> 00:52:12,643
Drive around individually in cars,
doesn't make any sense to me.
990
00:52:12,763 --> 00:52:14,563
Oh, I'd happily
never get on another tour bus.
991
00:52:14,723 --> 00:52:19,083
Just not knowing where the...
ever knowing where the toilet is.
992
00:52:19,203 --> 00:52:24,043
Newcastle city centre's
basically a street party every weekend.
993
00:52:24,163 --> 00:52:25,883
Got stuck into the Jägerbombs,
994
00:52:26,003 --> 00:52:29,083
posted a lot of stupid stuff on socials
that I shouldn't have done.
995
00:52:29,203 --> 00:52:30,563
[He chuckles]
996
00:52:30,723 --> 00:52:32,323
The missus is cross with me.
997
00:52:32,443 --> 00:52:35,643
Uh, I've been ordered
to come home and wash up.
998
00:52:35,763 --> 00:52:39,283
So, I'll be leaving...
I'll be leaving after the show tonight.
999
00:52:39,403 --> 00:52:44,203
What is actually really scary
is pitching up to a sound check
1000
00:52:44,323 --> 00:52:48,083
with an excruciating hangover.
1001
00:52:48,203 --> 00:52:52,403
I mean, it's not like, you know,
being a coal miner, but it's, um
1002
00:52:52,523 --> 00:52:54,523
the travel is
1003
00:52:54,683 --> 00:52:56,243
is tiring.
1004
00:52:56,363 --> 00:52:58,363
[Indistinct chatter]
1005
00:52:58,483 --> 00:53:01,083
[Director] 30 years ago, they said,
"modern life is rubbish."
1006
00:53:01,203 --> 00:53:04,003
How would you describe
the current feeling of the world?
1007
00:53:04,123 --> 00:53:05,883
- It is rubbish.
- It's still rubbish.
1008
00:53:06,003 --> 00:53:08,483
Modern life is still rubbish.
1009
00:53:08,643 --> 00:53:10,563
It doesn't feel very optimistic.
1010
00:53:10,723 --> 00:53:13,723
[Damon] I'm always interested
in new fans.
1011
00:53:13,843 --> 00:53:16,163
I'm like this sort of weird storyteller.
1012
00:53:16,283 --> 00:53:20,843
I go on, and I can completely inhabit
the characters of those songs.
1013
00:53:20,963 --> 00:53:23,643
But for something
that we haven't done for so long,
1014
00:53:23,763 --> 00:53:26,683
they kind of have a totally different
relationship with them, obviously.
1015
00:53:26,803 --> 00:53:29,283
When I feel sad,
I just went into the mood
1016
00:53:29,443 --> 00:53:31,243
and I need something to soothe me,
1017
00:53:31,363 --> 00:53:34,403
and Blur has, like,
become my first choice.
1018
00:53:34,523 --> 00:53:36,523
There's, like, a deep depression inside.
1019
00:53:36,683 --> 00:53:39,803
But then they use, like,
a very enthusiastic way
1020
00:53:39,923 --> 00:53:41,403
- to express it.
- True.
1021
00:53:41,523 --> 00:53:44,043
And I feel like
it's the most beautiful thing ever.
1022
00:53:44,163 --> 00:53:46,163
[Indistinct chatter]
1023
00:53:47,403 --> 00:53:49,323
[Stirring music]
1024
00:53:49,443 --> 00:53:51,443
[Cheering]
1025
00:53:59,523 --> 00:54:03,243
[Damon] Ours is a brotherhood
that has been sustained
1026
00:54:03,363 --> 00:54:06,683
by our musical relationship.
1027
00:54:06,803 --> 00:54:10,963
It's a long time, so it's a very, uh
1028
00:54:11,083 --> 00:54:12,363
precious one.
1029
00:54:15,003 --> 00:54:18,123
We're happy to see each other
and get on that stage together.
1030
00:54:18,803 --> 00:54:22,003
You know, and then we're happy
to go our separate ways.
1031
00:54:22,123 --> 00:54:24,643
I mean, that's... that's where we're at.
1032
00:54:27,283 --> 00:54:30,123
[Graham] We're not quite as patient
as we were.
1033
00:54:31,563 --> 00:54:35,043
And our idiosyncrasies
have sort of amplified somewhat.
1034
00:54:35,163 --> 00:54:38,163
But I think, at the same time,
1035
00:54:38,283 --> 00:54:41,083
we have more humility, maybe,
a bit more gratitude.
1036
00:54:43,483 --> 00:54:46,443
[Dave] It's just bloody hard.
People are just really hard work.
1037
00:54:46,603 --> 00:54:49,723
How much do you want to be in the band?
That's the thing.
1038
00:54:49,843 --> 00:54:51,819
What are you willing to sacrifice
to be in the band?
1039
00:54:51,843 --> 00:54:57,003
Are you willing to subsume your ego
for the sake of the whole?
1040
00:54:58,843 --> 00:55:01,723
[Graham] I think it's like
any sort of family.
1041
00:55:01,843 --> 00:55:04,243
Individuals in the family come in and out,
1042
00:55:04,403 --> 00:55:06,163
some are closer to you,
1043
00:55:06,283 --> 00:55:09,163
and you have to balance your own needs
at any given moment in the day
1044
00:55:09,283 --> 00:55:13,043
with whoever you're prioritising
at that moment in time.
1045
00:55:15,923 --> 00:55:17,763
[Dave] It's like a
marriage, isn't it, really?
1046
00:55:17,803 --> 00:55:20,083
You can be right, or you can be happy.
1047
00:55:20,203 --> 00:55:22,923
When everybody's doing something
you know is doomed to fail,
1048
00:55:23,043 --> 00:55:26,403
do you bite your lip and just go with it,
1049
00:55:26,523 --> 00:55:27,923
or not?
1050
00:55:28,643 --> 00:55:30,523
[Alex] I never know
how any of them are feeling.
1051
00:55:30,603 --> 00:55:33,443
You know,
we're not very good at communicating.
1052
00:55:35,003 --> 00:55:38,123
I mean,
I don't think blokes do spend much time
1053
00:55:38,243 --> 00:55:40,523
asking each other
if they're all right, do they?
1054
00:55:40,683 --> 00:55:43,403
I mean, it's like, you know,
"Are you all right?"
1055
00:55:43,523 --> 00:55:47,083
That means, like,
"Are you pissed off with me?"
1056
00:55:47,203 --> 00:55:49,323
Or, you know, "Are you blitzed?"
1057
00:55:49,443 --> 00:55:52,323
There was a point in Devon when Damon,
1058
00:55:52,443 --> 00:55:54,963
I thought he was laughing,
singing along with the songs.
1059
00:55:55,083 --> 00:55:57,723
He was crying.
You know, I completely misread it.
1060
00:55:59,243 --> 00:56:03,643
It is the music and the job
that kind of locks us all together.
1061
00:56:05,203 --> 00:56:07,683
[Dave] You know,
the fact that we haven't always got on,
1062
00:56:07,803 --> 00:56:11,083
you know,
that's one of the chemistry points
1063
00:56:11,203 --> 00:56:14,043
that has led to us
being able to make the music we do.
1064
00:56:14,523 --> 00:56:16,723
I'm absolutely convinced of it.
1065
00:56:17,803 --> 00:56:22,403
[Alex] So, no matter how tired we are,
or how annoying anyone's being,
1066
00:56:22,523 --> 00:56:23,683
it just
1067
00:56:24,843 --> 00:56:27,163
there's something very healing
1068
00:56:27,283 --> 00:56:31,323
about creating a beautiful noise.
1069
00:56:33,043 --> 00:56:34,483
And I never know
1070
00:56:35,443 --> 00:56:38,243
if it'll be the last
time I hear that noise.
1071
00:56:38,363 --> 00:56:40,043
And it's really nice to hear it again.
1072
00:56:40,163 --> 00:56:42,883
[Muffled cheering grows clear]
1073
00:56:49,643 --> 00:56:51,643
[Plane engine roars]
1074
00:56:54,443 --> 00:56:56,723
[Reverberant chatter]
1075
00:56:56,843 --> 00:57:00,763
{\an8}[Dave] It's a very late show,
this one, starting at 2:00 in the morning.
1076
00:57:00,883 --> 00:57:04,843
{\an8}Which isn't actually late for Spain,
but it is obviously late for me.
1077
00:57:04,963 --> 00:57:09,603
I'm quite relieved that we've, uh,
we've all arrived relatively unscathed.
1078
00:57:11,083 --> 00:57:13,083
[Director] What happens
between now and stage time?
1079
00:57:13,203 --> 00:57:15,963
- [Graham] No bloody idea.
- [Damon] Nothing.
1080
00:57:16,083 --> 00:57:17,923
Just void.
1081
00:57:18,043 --> 00:57:21,483
You go through the days
in a sort of semi-sleep mode.
1082
00:57:21,643 --> 00:57:23,883
Battery preserve
1083
00:57:24,003 --> 00:57:26,843
till you have to summon up the energy.
1084
00:57:27,563 --> 00:57:30,243
Well, yeah, because every bit of energy,
1085
00:57:30,363 --> 00:57:32,243
it depletes quick during the gig.
1086
00:57:32,363 --> 00:57:36,003
So, you need a good bank of it,
so you can do what you need to do.
1087
00:57:36,123 --> 00:57:39,323
"No Other Way," Goldie on capo two
with the neck pick-up.
1088
00:57:39,443 --> 00:57:41,163
"Popscene," Preston.
"Tracy Jacks" is Ray.
1089
00:57:41,283 --> 00:57:43,523
"Chemical World" is back to Preston
1090
00:57:43,683 --> 00:57:46,123
[Band plays "St Charles Square"]
♪ I fucked up
1091
00:57:48,843 --> 00:57:52,123
♪ I'm not the first to do it... ♪
1092
00:57:54,043 --> 00:57:56,003
[Graham] We're all different types
of people.
1093
00:57:56,123 --> 00:57:58,643
So, when we're away,
it's not like the four of us
1094
00:57:58,763 --> 00:58:00,763
like the Beatles in A Hard Day's Night.
1095
00:58:00,883 --> 00:58:03,763
You know,
we're all kind of doing different things.
1096
00:58:06,883 --> 00:58:10,963
We're quite sheltered.
We don't really have to be out among it.
1097
00:58:11,083 --> 00:58:13,563
You know, historically,
it's been a lot of to do with anxiety,
1098
00:58:13,683 --> 00:58:17,043
why I won't go out in the streets.
1099
00:58:17,163 --> 00:58:20,563
That even stops me going for a swim
in the swimming pool sometimes as well.
1100
00:58:20,683 --> 00:58:24,043
It's the sort of thing that,
"Oh, no, I won't today."
1101
00:58:24,163 --> 00:58:27,963
I think it's because
I've got these tiny swimming trunks.
1102
00:58:28,083 --> 00:58:30,443
- Maybe that's why it is.
- [He chuckles]
1103
00:58:30,603 --> 00:58:32,603
[City hums; Indistinct chatter]
1104
00:58:38,163 --> 00:58:40,363
[Alex] I got home from Newcastle,
1105
00:58:40,523 --> 00:58:42,603
there was a massive party
going on at my house.
1106
00:58:42,723 --> 00:58:45,123
All the kids had all their friends over.
1107
00:58:45,243 --> 00:58:47,283
So, I got involved in a...
1108
00:58:47,403 --> 00:58:50,203
"Rasputin" dance competition,
1109
00:58:50,323 --> 00:58:52,723
and, uh, didn't get to bed till late,
1110
00:58:52,843 --> 00:58:55,643
and then I got here, and New Order,
1111
00:58:55,763 --> 00:58:59,243
my favourite band,
whole reason I started playing the bass,
1112
00:58:59,363 --> 00:59:01,659
they're here, and they want
to go out for dinner, and, oh, my God.
1113
00:59:01,683 --> 00:59:04,643
You know, I remember this now.
You know, the...
1114
00:59:04,763 --> 00:59:07,883
Just exhausting, but there's just always
a really good reason not to go to bed.
1115
00:59:07,963 --> 00:59:10,243
[Music - "Peach" by Blur]
1116
00:59:13,083 --> 00:59:18,243
[Alex] It's easy to confuse touring with
going on a massive, self-indulgent binge
1117
00:59:18,363 --> 00:59:20,763
of sex and drugs and rock and roll.
1118
00:59:20,883 --> 00:59:22,723
[Cheering]
1119
00:59:24,403 --> 00:59:26,859
[Alex] I think when we went
into the studio to make the record,
1120
00:59:26,883 --> 00:59:30,483
nobody kind of really knew,
I mean, is this going to work or not?
1121
00:59:30,643 --> 00:59:32,323
But it did, straight away.
1122
00:59:33,843 --> 00:59:37,323
I mean, the only thing
that could really jeopardise this now,
1123
00:59:37,443 --> 00:59:42,003
other than physical injury and death,
is... Graham drinking.
1124
00:59:42,123 --> 00:59:44,883
That would be really bad.
Dave drinking would be even worse.
1125
00:59:45,003 --> 00:59:48,043
Um, me drinking's bad enough, trust me.
1126
00:59:50,323 --> 00:59:52,323
When a show goes really well,
1127
00:59:52,443 --> 00:59:55,043
It's nice to have
a big night out afterwards.
1128
00:59:56,123 --> 00:59:58,203
And then, I woke up in Denmark
1129
00:59:58,323 --> 01:00:01,323
with absolutely no idea
of how I'd got there.
1130
01:00:01,443 --> 01:00:04,443
Last thing I knew, I was in Holland.
1131
01:00:04,603 --> 01:00:06,843
[Music continues]
1132
01:00:06,963 --> 01:00:09,363
[Damon] Why did he bring that up?
1133
01:00:09,483 --> 01:00:11,803
Because, you know,
1134
01:00:11,923 --> 01:00:15,803
I have to tell you why it upset me.
1135
01:00:15,923 --> 01:00:18,483
No, I don't want to, because
1136
01:00:18,643 --> 01:00:21,203
then that just becomes clickbait.
1137
01:00:23,203 --> 01:00:26,443
[Alex] I famously said,
when I was promoting my book,
1138
01:00:26,603 --> 01:00:30,123
that I sprazzed a million quid on booze
1139
01:00:30,243 --> 01:00:33,203
and drugs, and my kids now, you know,
1140
01:00:33,323 --> 01:00:36,483
they're asking me about that,
and I have to kind of justify it.
1141
01:00:38,523 --> 01:00:40,523
[Damon] On one level,
it was very entertaining.
1142
01:00:40,643 --> 01:00:42,323
But at the same time, you know,
1143
01:00:42,443 --> 01:00:45,323
I was concerned for him,
to be honest with you.
1144
01:00:45,443 --> 01:00:47,523
Joking apart, I was a little bit concerned.
1145
01:00:47,683 --> 01:00:52,763
♪ You've got a gaping hole in your head
1146
01:00:52,883 --> 01:00:56,683
♪ I'd let the birds nest there instead... ♪
1147
01:00:56,803 --> 01:00:59,123
[Alex] Booze is probably...
1148
01:00:59,243 --> 01:01:01,763
It's certainly a big contributing factor
1149
01:01:01,883 --> 01:01:05,883
in why Blur stopped being a,
you know, a full-time job.
1150
01:01:07,923 --> 01:01:11,323
[Graham] What happened
towards the end of the '90s is
1151
01:01:11,443 --> 01:01:15,123
it always felt like I was
the petulant brat, or treated that way,
1152
01:01:15,243 --> 01:01:19,323
and everybody else was really grown-up
and wanted to be professional,
1153
01:01:19,443 --> 01:01:21,443
but I was the only one who was ruining it.
1154
01:01:24,963 --> 01:01:27,643
[Damon] It was quite dangerous time,
wasn't it, really?
1155
01:01:27,763 --> 01:01:31,563
I think we live in an era
that is somehow a reaction to that.
1156
01:01:33,403 --> 01:01:37,243
[Dave] There's a big sort of
reality check that goes on.
1157
01:01:37,363 --> 01:01:40,603
All the artifice falls away, you know,
1158
01:01:40,723 --> 01:01:43,483
and you're left with just you, you know.
1159
01:01:43,643 --> 01:01:45,563
That's where I arrived with drinking.
1160
01:01:45,683 --> 01:01:47,763
"Do I really want to
carry on down this path?"
1161
01:01:47,883 --> 01:01:49,123
I thought, "No, I don't."
1162
01:01:50,843 --> 01:01:52,763
[Graham] It takes practice to
1163
01:01:52,883 --> 01:01:55,763
to let go of something that was
your absolute identity for a while
1164
01:01:55,883 --> 01:02:00,603
and then practice being you
without all of that protection.
1165
01:02:00,723 --> 01:02:02,923
♪ I'd let the birds nest there... ♪
1166
01:02:03,043 --> 01:02:05,203
[Alex] I think the reasonable response
1167
01:02:05,323 --> 01:02:08,523
to getting all that kind of
fame and attention
1168
01:02:08,683 --> 01:02:11,363
is to go bat-shit crazy.
1169
01:02:11,483 --> 01:02:15,443
You know, success will mess you up
far more than failure.
1170
01:02:16,643 --> 01:02:18,843
It's hard to cope with it,
1171
01:02:18,963 --> 01:02:22,523
and what are you supposed to do after
you come off stage at Wembley Stadium?
1172
01:02:22,683 --> 01:02:24,563
[Music continues]
1173
01:02:28,923 --> 01:02:30,843
[Damon] The way I look at it,
1174
01:02:30,963 --> 01:02:33,883
at different times, there were
different people doing different things.
1175
01:02:34,003 --> 01:02:35,443
That's it. Could change again.
1176
01:02:36,923 --> 01:02:40,603
It's just... humans coexisting, isn't it?
1177
01:02:42,243 --> 01:02:45,003
When we were younger,
you need to resolve it there and then,
1178
01:02:45,123 --> 01:02:47,923
whereas now,
you realise it didn't need resolving,
1179
01:02:48,043 --> 01:02:51,883
we just needed to all disperse, you know?
1180
01:02:52,003 --> 01:02:54,963
It's just, well, at what point
does that space become distance?
1181
01:02:55,083 --> 01:02:57,403
[Music continues]
1182
01:03:08,643 --> 01:03:10,843
[Music concludes; Cheering]
1183
01:03:12,723 --> 01:03:15,603
[Damon] I have this on my knee, and, uh
1184
01:03:15,723 --> 01:03:18,163
the specialist I went to see
after I fucked it in Chile
1185
01:03:18,283 --> 01:03:22,603
said that I would no longer be able to
perform in the way I used to,
1186
01:03:22,723 --> 01:03:26,043
and that was the end of that,
and I had to come to terms with that.
1187
01:03:26,163 --> 01:03:30,003
But, um, I can jump again on it now
and it doesn't...
1188
01:03:30,123 --> 01:03:32,019
I mean, maybe tomorrow
I won't be able to walk, but...
1189
01:03:32,043 --> 01:03:36,603
It's the, uh, holistic power of, uh
1190
01:03:36,723 --> 01:03:38,763
musical commune.
1191
01:03:38,883 --> 01:03:41,963
It's the best cure for anything, really.
1192
01:03:42,083 --> 01:03:44,003
[Bustling chatter]
1193
01:03:44,123 --> 01:03:46,123
[Chatter fades]
1194
01:03:49,683 --> 01:03:52,243
[Birdsong]
1195
01:03:53,603 --> 01:03:55,123
[Dave] I was doing an interview,
1196
01:03:55,243 --> 01:03:57,283
and I was saying how,
when we were making the album,
1197
01:03:57,323 --> 01:04:00,523
it was like those times
when you play tennis
1198
01:04:00,683 --> 01:04:02,963
and it feels like
the tennis racquet is huge,
1199
01:04:03,083 --> 01:04:06,403
and every shot goes in,
every shot is brilliant.
1200
01:04:06,523 --> 01:04:09,643
Then, about two days later,
I was playing tennis.
1201
01:04:09,763 --> 01:04:11,483
Oh, God!
1202
01:04:11,643 --> 01:04:14,083
[Music - "Russian Strings" by Blur]
1203
01:04:17,963 --> 01:04:19,203
[Dave] I need an operation,
1204
01:04:19,363 --> 01:04:23,203
but, obviously, I can't have
an operation... while we're on tour.
1205
01:04:23,323 --> 01:04:26,203
What was he doing?
He bent over to pick up a tennis ball?
1206
01:04:26,323 --> 01:04:29,043
He was playing tennis, was he?
In Surrey?
1207
01:04:29,163 --> 01:04:31,163
Rock 'n' roll.
1208
01:04:31,283 --> 01:04:34,083
He just can't help himself, can he?
He's totally rock 'n' roll.
1209
01:04:34,203 --> 01:04:37,163
[Dave] The doctor said
mine wasn't the least rock' n' roll one
1210
01:04:37,283 --> 01:04:38,723
he'd seen that week.
1211
01:04:38,843 --> 01:04:42,123
The person before was a lady
who'd been making a cup of tea
1212
01:04:42,243 --> 01:04:45,083
and turned to reach for the sugar bowl
and did the same thing.
1213
01:04:45,203 --> 01:04:49,443
So, she won the least rock 'n' roll
knee injury of the week.
1214
01:04:49,603 --> 01:04:51,003
Fortunately, I was spared.
1215
01:04:52,203 --> 01:04:55,523
[Graham] Hopefully,
he's getting his feet up and, um...
1216
01:04:55,683 --> 01:04:57,363
[Director] Getting some rest.
1217
01:04:58,603 --> 01:05:01,163
That's not what I was going to say.
But, yeah, getting some rest.
1218
01:05:01,243 --> 01:05:02,243
Get some rest, yeah.
1219
01:05:02,363 --> 01:05:04,483
[Band plays "Lot 105"]
1220
01:05:10,523 --> 01:05:12,203
[He plays warm organ chord]
1221
01:05:12,323 --> 01:05:14,059
[Director] It's been a month
since we last caught up, Damon.
1222
01:05:14,083 --> 01:05:15,163
What's been going on?
1223
01:05:15,283 --> 01:05:17,763
Yes, 'cause you completely abandoned us.
1224
01:05:18,963 --> 01:05:21,243
You know, the whole point
of charting something
1225
01:05:21,363 --> 01:05:23,963
is that you take it
from the beginning to the end.
1226
01:05:24,083 --> 01:05:26,603
Don't have, like,
a fucking sabbatical in the middle.
1227
01:05:27,723 --> 01:05:29,723
It's your moment, you know what I mean?
1228
01:05:29,843 --> 01:05:33,203
You're playing Wembley,
and the fact that Dave was
1229
01:05:33,323 --> 01:05:34,883
is... you know, he's struggling,
1230
01:05:35,003 --> 01:05:37,523
and that's just not nice.
1231
01:05:37,683 --> 01:05:40,363
[Alex] The last thing I read
before I went to sleep
1232
01:05:40,483 --> 01:05:43,003
was that, you know,
France is burning again.
1233
01:05:43,123 --> 01:05:45,043
You know, the gilets jaunes are off,
aren't they?
1234
01:05:45,123 --> 01:05:47,523
Setting everything on fire.
It's... It's not great.
1235
01:05:47,683 --> 01:05:51,443
And then the phone rang on
Saturday morning, and it was Blur's PR.
1236
01:05:51,603 --> 01:05:55,003
She said, "Just so you know,
we're cancelling the show in France."
1237
01:05:55,123 --> 01:05:57,923
She's like,
"Well, the reason is Dave's knee."
1238
01:05:58,043 --> 01:06:01,323
[Damon] Everything is massively impeded.
1239
01:06:01,443 --> 01:06:03,979
[Dave] You know, there are three of us
with bad knees now in the band.
1240
01:06:04,003 --> 01:06:06,043
I was feeling a bit left out.
1241
01:06:06,163 --> 01:06:08,603
So, it's just really Alex,
then we've got the set.
1242
01:06:08,723 --> 01:06:11,163
So, I'm going round there
with a sledgehammer later.
1243
01:06:11,283 --> 01:06:12,643
You can tell him that.
1244
01:06:14,203 --> 01:06:17,443
[Director] And how has it been
as an experience, the past month as well?
1245
01:06:18,723 --> 01:06:21,403
Everyone's kind of finding their...
finding their way.
1246
01:06:22,683 --> 01:06:27,203
Graham's been playing gigs
with his other band as well,
1247
01:06:27,323 --> 01:06:28,763
{\an8}and he's got a kid.
1248
01:06:29,603 --> 01:06:31,683
You know, he's keeping it together...
1249
01:06:31,803 --> 01:06:36,403
I mean, it's just... it's amazing, really,
the metamorphosis of Graham Coxon.
1250
01:06:37,843 --> 01:06:39,803
[Graham] I feel like
we're getting on really well.
1251
01:06:39,923 --> 01:06:41,763
I feel close to everybody,
and Damon, you know,
1252
01:06:41,883 --> 01:06:44,403
closer than I have done for years,
in a way.
1253
01:06:45,323 --> 01:06:48,443
Well, the thing is, nothing
is that important to fall out about,
1254
01:06:48,563 --> 01:06:50,803
or to have great big arguments about.
1255
01:06:50,923 --> 01:06:54,443
So, there's absolutely no point,
and I think we see that.
1256
01:06:54,603 --> 01:06:56,163
And if there are harsh words,
1257
01:06:56,283 --> 01:06:59,003
the thing is, is to be quick to apologise
and get it out.
1258
01:06:59,123 --> 01:07:00,443
And that's it.
1259
01:07:00,603 --> 01:07:02,843
It's amazing doing Wembley now.
1260
01:07:02,963 --> 01:07:05,683
I really hope that my family and my
1261
01:07:05,803 --> 01:07:07,563
what few friends I have
1262
01:07:08,723 --> 01:07:11,163
just really have an excellent time...
1263
01:07:12,483 --> 01:07:16,403
And, um, give me
a lot of praise afterwards.
1264
01:07:17,723 --> 01:07:19,723
'Cause that's all I do it for, the praise.
1265
01:07:21,083 --> 01:07:25,763
That's it, no, I hope I flippin' make
the rest of the band proud.
1266
01:07:25,883 --> 01:07:27,603
I hope I do it for 'em.
1267
01:07:27,723 --> 01:07:29,243
That's it, really.
1268
01:07:29,363 --> 01:07:31,643
Not much point in doing it otherwise.
1269
01:07:31,763 --> 01:07:34,043
[Music - "She's So High" by Blur]
1270
01:07:55,763 --> 01:07:58,163
[Security Guard]
Morning, Mr Coxon. You all right?
1271
01:07:58,283 --> 01:07:59,803
- Morning, guys.
- Hiya.
1272
01:07:59,923 --> 01:08:02,043
- Hiya.
- Hi.
1273
01:08:02,163 --> 01:08:04,603
[Dave] When somebody asks me afterwards,
1274
01:08:04,723 --> 01:08:06,763
"How did it feel to play Wembley Stadium?"
1275
01:08:06,883 --> 01:08:09,443
I want to be able to
come up with an answer.
1276
01:08:09,603 --> 01:08:13,883
It'd be good to be relaxed enough
to have some feelings while I'm on stage,
1277
01:08:14,003 --> 01:08:15,603
other than anxiety.
1278
01:08:16,283 --> 01:08:18,523
- [Graham] Where's my coffee?!
- [Laughter]
1279
01:08:18,683 --> 01:08:21,963
- Hi, Michael.
- Hello, Damon, I must give you a hug.
1280
01:08:22,083 --> 01:08:24,523
- How's it going?
- Thanks for having us.
1281
01:08:24,683 --> 01:08:26,003
- Hi!
- Hi!
1282
01:08:26,123 --> 01:08:28,563
Oh, my God. So...
1283
01:08:28,683 --> 01:08:32,803
Ooh! I wasn't even...
I wasn't paying attention, then.
1284
01:08:33,443 --> 01:08:34,883
Why have we got punnets of tomatoes?
1285
01:08:34,923 --> 01:08:37,139
- 'Cause they're from Alex's garden.
- [Posh voice] Oh, wonderful!
1286
01:08:37,163 --> 01:08:39,083
Mm, umami.
1287
01:08:39,203 --> 01:08:42,363
[Graham] Was up till 3:30, up at 7:00.
1288
01:08:42,483 --> 01:08:44,883
But, you know, I've had a
1289
01:08:45,003 --> 01:08:48,883
coccyx massage
and a vibrating bowl put on my back,
1290
01:08:49,003 --> 01:08:51,203
so I'm feeling pretty good.
1291
01:08:53,323 --> 01:08:55,963
[Damon] It's not the size, is it, really?
1292
01:08:56,083 --> 01:08:59,363
It's the story
that you kind of feel it could tell
1293
01:08:59,483 --> 01:09:02,843
if the gods are with us, you know?
1294
01:09:02,963 --> 01:09:05,643
I mean, that's the way I look at it.
1295
01:09:05,763 --> 01:09:08,243
You know, I feel like
I've got a big performance to deliver.
1296
01:09:09,363 --> 01:09:12,443
- Here we are.
- [Graham] This is so weird.
1297
01:09:12,603 --> 01:09:13,963
This is so weird.
1298
01:09:14,083 --> 01:09:15,963
This place is...
1299
01:09:16,083 --> 01:09:18,483
[Graham] Flippin' heck. Big.
1300
01:09:20,363 --> 01:09:23,603
[News Crew] How are you, Damon?
Very excited?
1301
01:09:23,723 --> 01:09:24,843
Yeah.
1302
01:09:25,763 --> 01:09:27,403
Suppose I've got to do it.
1303
01:09:27,523 --> 01:09:31,803
[Newsreader] Hit after hit led Blur
to the biggest venues around the world.
1304
01:09:31,923 --> 01:09:34,923
♪ Girls who want boys
who like boys to be girls
1305
01:09:35,043 --> 01:09:37,003
♪ Who do boys like they're girls... ♪
1306
01:09:37,123 --> 01:09:39,499
[Newsreader] But somehow,
the iconic one on home soil eluded them.
1307
01:09:39,523 --> 01:09:42,843
This weekend, they can tick
Wembley Stadium off their list.
1308
01:09:42,963 --> 01:09:45,443
It's amazing for Graham and me
1309
01:09:45,603 --> 01:09:47,443
- to sit here...
- [Graham chuckles]
1310
01:09:47,603 --> 01:09:49,803
having started off in a little
1311
01:09:50,763 --> 01:09:54,003
humble Portakabin in Colchester, Essex,
1312
01:09:54,123 --> 01:09:56,683
at the age of 12 and 13, and to be here.
1313
01:09:56,803 --> 01:10:00,763
I've only been here really for football,
watching Chelsea.
1314
01:10:00,883 --> 01:10:02,923
And I did play here once,
years and years ago,
1315
01:10:03,043 --> 01:10:06,043
in a charity game against Scotland.
1316
01:10:06,163 --> 01:10:07,483
Did score the winning goal.
1317
01:10:07,643 --> 01:10:09,483
[Commentator] He shoots, he scores!
1318
01:10:09,643 --> 01:10:12,843
Goooooooooal!
1319
01:10:12,963 --> 01:10:14,659
[Commentator 2]
Ooh, that looks like it hurt.
1320
01:10:14,683 --> 01:10:16,323
[Drum roll reverberates]
1321
01:10:16,443 --> 01:10:19,483
I want to approach it
just like any other show,
1322
01:10:19,643 --> 01:10:22,683
but, of course, there's all these extra
bits they're throwing in for Wembley,
1323
01:10:22,723 --> 01:10:26,643
which is kind of making it
slightly more stressful.
1324
01:10:26,763 --> 01:10:29,123
"So, what are you wearing?
You know, what footwear?"
1325
01:10:29,243 --> 01:10:31,419
And, you know,
"We're including this in the performance.
1326
01:10:31,443 --> 01:10:34,883
"You know, this element on stage
and that element."
1327
01:10:35,003 --> 01:10:36,843
[Indistinct chatter]
1328
01:10:36,963 --> 01:10:38,843
[He laughs]
1329
01:10:38,963 --> 01:10:40,723
That's hard!
1330
01:10:40,843 --> 01:10:42,123
[Dave] Keep going, sweetie.
1331
01:10:42,243 --> 01:10:44,083
[Graham] I imagine Dave
is just really hoping
1332
01:10:44,203 --> 01:10:46,323
that he's going to be absolutely match fit.
1333
01:10:46,443 --> 01:10:50,323
I'm hoping that he's not feeling too
anxious about how he's going to perform.
1334
01:10:50,443 --> 01:10:53,363
I know we all get
a little bit anxious about things.
1335
01:10:53,483 --> 01:10:56,963
[He plays mellow, jazzy piano melody]
1336
01:10:59,443 --> 01:11:02,843
[Alex] I came down
to the kitchen yesterday,
1337
01:11:02,963 --> 01:11:06,843
and Beatrix, my 13-year-old,
1338
01:11:06,963 --> 01:11:09,723
was singing "The Narcissist,"
she didn't know I was there.
1339
01:11:10,723 --> 01:11:12,443
And she was, like, completely in it,
1340
01:11:12,603 --> 01:11:15,043
and just like,
"Oh, my God, we've connected."
1341
01:11:15,163 --> 01:11:16,883
My heart stopped.
1342
01:11:17,643 --> 01:11:21,203
'Cause, trust me,
your children are your harshest critics.
1343
01:11:21,323 --> 01:11:24,643
You can't... You can't make them like it.
1344
01:11:26,203 --> 01:11:27,443
That was a wonderful thing.
1345
01:11:27,603 --> 01:11:29,963
Music is... strong magic.
1346
01:11:30,083 --> 01:11:33,163
[Damon plays upbeat piano riff]
1347
01:11:33,283 --> 01:11:36,523
[Cockney accent] When this is all over,
I'm gonna have a nervous breakdown.
1348
01:11:36,683 --> 01:11:38,923
[Drone-like guitar music]
1349
01:11:44,723 --> 01:11:47,163
[Music builds, distorts]
1350
01:11:47,283 --> 01:11:51,043
[Music - "Music is My Radar" by Blur]
1351
01:11:53,163 --> 01:11:55,059
- [Music fades]
- [Tanyel] Does anyone want a drink?
1352
01:11:55,083 --> 01:11:56,243
Ginger tea?
1353
01:11:56,363 --> 01:11:58,763
Ooh, I might bite some ginger.
1354
01:11:58,883 --> 01:12:00,523
Yeah, do you know what we'll do...
1355
01:12:00,643 --> 01:12:03,523
[Music resumes; Bustling chatter]
1356
01:12:08,083 --> 01:12:09,259
Oh, my God, you're so hardcore.
1357
01:12:09,283 --> 01:12:11,859
[Alex] I remember you drinking a bottle
of Tabasco at a sound check in America.
1358
01:12:11,883 --> 01:12:12,979
- Yeah, I used to do that.
- Why?
1359
01:12:13,003 --> 01:12:15,203
[Music - "Music is My Radar" by Blur]
1360
01:12:17,483 --> 01:12:19,523
[Alex] You had hiccups
for about three hours.
1361
01:12:19,683 --> 01:12:22,043
- [Tanyel] I peel my ginger.
- [Alex] Oh, my word.
1362
01:12:22,163 --> 01:12:24,403
[Tanyel]
Dave, what's happening over there?
1363
01:12:24,523 --> 01:12:28,203
I'm having mechanised
automated treatment on my knee.
1364
01:12:28,323 --> 01:12:29,643
[Tanyel] Wow, who gave you that?
1365
01:12:29,763 --> 01:12:31,163
That and juice.
1366
01:12:31,283 --> 01:12:32,963
- Oh, God.
- [He chuckles]
1367
01:12:33,083 --> 01:12:35,299
I think there's something more interesting
happening over there.
1368
01:12:35,323 --> 01:12:37,123
[Music - "Music is My Radar" by Blur]
1369
01:12:43,043 --> 01:12:46,203
[Steve] The last time I was at Wembley
was playing in a charity football match,
1370
01:12:46,323 --> 01:12:49,083
{\an8}and now I find myself
being Blur's fluffers.
1371
01:12:49,203 --> 01:12:51,883
{\an8}And we're in that sort of zone
of not knowing what's going on
1372
01:12:52,003 --> 01:12:54,003
but loving the fact that we're here.
1373
01:12:54,123 --> 01:12:58,723
We still do not know
why Blur asked us to DJ.
1374
01:12:58,843 --> 01:13:02,683
[Alex] So, tonight, after-show ice baths.
1375
01:13:02,803 --> 01:13:05,723
Tomorrow night, Britpop bat-shit bender.
1376
01:13:05,843 --> 01:13:07,843
Hard stop, Tuesday midday.
1377
01:13:09,003 --> 01:13:10,643
Sleep.
1378
01:13:10,763 --> 01:13:12,203
Then we get on a bus to France.
1379
01:13:12,323 --> 01:13:15,963
I got to have a haircut,
and then I'm going to have a massage,
1380
01:13:16,083 --> 01:13:18,083
then I'm going to have a sleep.
1381
01:13:18,203 --> 01:13:19,843
Oh, no, I'm going to eat,
1382
01:13:19,963 --> 01:13:21,203
then I'm going to have a sleep,
1383
01:13:21,323 --> 01:13:23,003
and then it will be show time.
1384
01:13:23,123 --> 01:13:25,363
I mean,
I'll get up to watch Jockstrap, but...
1385
01:13:25,483 --> 01:13:27,603
{\an8}♪ Yeah, I gotta go, gotta think about that
1386
01:13:29,043 --> 01:13:30,883
♪ I gotta go, gotta think about that
1387
01:13:32,523 --> 01:13:34,563
♪ I gotta go, gotta think about that
1388
01:13:36,003 --> 01:13:38,563
♪ I gotta go, gotta think about that... ♪
1389
01:13:39,963 --> 01:13:43,483
{\an8}♪ Frontline, out on the streets
1390
01:13:44,763 --> 01:13:48,243
{\an8}♪ Frontline, out on the streets... ♪
1391
01:13:48,363 --> 01:13:50,243
[Pauline] Music brings people together.
1392
01:13:50,363 --> 01:13:52,883
I mean, look at all these people here,
you know?
1393
01:13:54,763 --> 01:13:57,763
I thought modern life was rubbish
about 60 years ago!
1394
01:13:57,883 --> 01:14:01,843
Should've grown up at the time I grew up,
it was also rubbish, racist and sexist.
1395
01:14:01,963 --> 01:14:04,683
[The Selecter plays "Frontline"]
1396
01:14:04,803 --> 01:14:06,603
[Pauline] What motivates me?
1397
01:14:06,723 --> 01:14:10,723
Half the world is still bloody
racist and sexist and all the other ists.
1398
01:14:10,843 --> 01:14:12,443
'Cause all that old rubbish
1399
01:14:12,603 --> 01:14:15,243
that we thought that we had
managed to kind of push down,
1400
01:14:15,363 --> 01:14:18,123
push under the carpet,
just tell those people to shut up,
1401
01:14:18,243 --> 01:14:19,963
has all come back out,
1402
01:14:20,083 --> 01:14:22,643
just vomited back out
with all the Trumps and the Johnsons,
1403
01:14:22,763 --> 01:14:24,803
and all the rest, and I'm sick of that,
1404
01:14:24,923 --> 01:14:27,403
and while I've got breath in my body,
I will do what I do.
1405
01:14:27,523 --> 01:14:29,283
I just had to run past security to get in.
1406
01:14:29,403 --> 01:14:30,883
- What happened?
- No-one greeted me.
1407
01:14:31,003 --> 01:14:32,123
I'm dropped off out there,
1408
01:14:32,243 --> 01:14:33,699
the security man's,
"Where's your wristband?"
1409
01:14:33,723 --> 01:14:36,203
- "I ain't got one." He's like, "Oi, oi."
- [Damon] Oh, Graham.
1410
01:14:36,323 --> 01:14:38,563
- It's absolutely obscene.
- [Damon] It is obscene.
1411
01:14:38,683 --> 01:14:41,883
I'm used to obsequiant toadying.
1412
01:14:42,003 --> 01:14:45,323
What you doing? Pumping your knee
with a sort of electronic...
1413
01:14:45,443 --> 01:14:48,723
[Dave] Blood transfusion.
Always have one before I go on stage.
1414
01:14:48,843 --> 01:14:50,643
Like Keith Richards.
1415
01:14:50,763 --> 01:14:51,963
[Both laugh]
1416
01:14:52,083 --> 01:14:54,883
Doesn't he just scoop his brain out,
plop it in another body?
1417
01:14:55,003 --> 01:14:56,483
[Damon] Ten, nine,
1418
01:14:56,643 --> 01:14:59,243
eight, seven, six,
1419
01:14:59,363 --> 01:15:03,523
five, four, three, two, one.
1420
01:15:03,683 --> 01:15:05,883
[Alex groans, roars]
1421
01:15:07,323 --> 01:15:10,003
- [Alex groans]
- [Smoggy] I think that's enough of that.
1422
01:15:11,323 --> 01:15:12,523
Ah!
1423
01:15:13,243 --> 01:15:14,843
Lovely!
1424
01:15:14,963 --> 01:15:19,123
[Paul Weller's band plays
"That's Entertainment"]
1425
01:15:19,243 --> 01:15:22,483
♪ Waking up at 6am on a cool warm morning
1426
01:15:22,643 --> 01:15:26,203
♪ Opening the windows
and breathing in petrol
1427
01:15:26,323 --> 01:15:29,363
♪ An amateur band rehearse
in a nearby yard
1428
01:15:29,483 --> 01:15:33,083
♪ Watching the telly
and thinking about your holidays
1429
01:15:33,203 --> 01:15:36,683
♪ That's entertainment
1430
01:15:36,803 --> 01:15:40,483
♪ That's entertainment... ♪
1431
01:15:40,643 --> 01:15:42,683
[Undulant vocalising]
1432
01:15:42,803 --> 01:15:44,643
[Staccato vocalising]
1433
01:15:44,763 --> 01:15:46,563
[Graham] Did you
lose control in there, Damon?
1434
01:15:46,683 --> 01:15:48,163
- [Damon] Yeah, I...
- [Graham laughs]
1435
01:15:48,243 --> 01:15:50,563
It's what happens to me.
When I submerge in freezing water,
1436
01:15:50,643 --> 01:15:52,963
I... I immediately ejaculate.
1437
01:15:53,083 --> 01:15:54,883
- Oh!
- [Graham] That's not what I was...
1438
01:15:55,003 --> 01:15:56,283
[Tanyel] Fuck off!
1439
01:15:56,403 --> 01:15:58,443
They were going to swing by at 7:30,
1440
01:15:58,603 --> 01:16:01,083
so if you want to start getting changed,
1441
01:16:01,203 --> 01:16:03,083
maybe in the next 10, 15.
1442
01:16:03,203 --> 01:16:04,763
[Indistinct chatter]
1443
01:16:04,883 --> 01:16:06,203
It's an hour before.
1444
01:16:06,323 --> 01:16:08,699
Sleaford Mods are on now. Come on,
let's go round the side of the stage.
1445
01:16:08,723 --> 01:16:09,723
[Graham] Sleaford?
1446
01:16:09,843 --> 01:16:11,803
See a bit of that, that'll be good.
1447
01:16:11,923 --> 01:16:15,203
[Sleaford Mods play
"Force 10 From Navarone"]
1448
01:16:15,323 --> 01:16:18,443
[Damon] Go, go, go,
go, go, go, go, go, go!
1449
01:16:18,603 --> 01:16:21,123
♪ ..Going on about it in the morning to me
1450
01:16:21,243 --> 01:16:23,723
♪ I'm losing in the head,
and I've gone too far
1451
01:16:23,843 --> 01:16:27,003
{\an8}♪ Force ten from Navarone
is a shot fired hard
1452
01:16:27,123 --> 01:16:29,043
{\an8}♪ 'Cause we never aimed it
1453
01:16:29,963 --> 01:16:31,963
♪ In the box of isolation
1454
01:16:36,643 --> 01:16:38,483
♪ Jason, why does the darkness elope? ♪
1455
01:16:38,643 --> 01:16:40,883
[Jason] I mean, the environment's changed
over the years.
1456
01:16:40,963 --> 01:16:42,539
We like the bigger venues now,
don't we, a bit?
1457
01:16:42,563 --> 01:16:43,563
[Andrew] Yeah.
1458
01:16:43,643 --> 01:16:45,963
We've become wankers,
if that's what you mean.
1459
01:16:46,083 --> 01:16:47,763
[Jason chuckles]
1460
01:16:48,523 --> 01:16:51,403
A lot of people in our game
who are doing alright, but, um,
1461
01:16:51,523 --> 01:16:54,163
generally, it's hopeless, yeah.
1462
01:16:54,283 --> 01:16:56,443
Politically, it's a mess.
1463
01:16:58,043 --> 01:16:59,843
Either side is
1464
01:17:00,523 --> 01:17:02,923
is not really giving
any people that really need help
1465
01:17:03,043 --> 01:17:04,883
any hope, are they?
1466
01:17:06,923 --> 01:17:09,003
[Damon] They've got the "cryro," uh
1467
01:17:10,243 --> 01:17:11,763
genic baths in there.
1468
01:17:11,883 --> 01:17:14,443
- Super cold.
- Oh, yeah? What does that do?
1469
01:17:14,603 --> 01:17:15,763
It's like cocaine.
1470
01:17:15,883 --> 01:17:17,163
- Oh, is it?
- Oh, is it?
1471
01:17:17,283 --> 01:17:19,923
[Laughter, indistinct chatter]
1472
01:17:20,043 --> 01:17:22,323
Honestly, it is. The same buzz.
1473
01:17:22,443 --> 01:17:24,883
♪ How can I help you
feel better about you?
1474
01:17:25,003 --> 01:17:27,443
♪ How can I help you
do what it is that you
1475
01:17:27,603 --> 01:17:29,923
♪ Always hoped you could set out to prove?
1476
01:17:30,043 --> 01:17:32,523
♪ 'Cause that's what I do,
that's what I'm put here to do
1477
01:17:32,683 --> 01:17:35,163
♪ Isn't it, isn't it you?
Wasn't it you, though?
1478
01:17:35,283 --> 01:17:37,003
♪ Want me eternally youthful,
never grow old
1479
01:17:37,123 --> 01:17:39,803
♪ I'll always be wet,
I'll always be up for it
1480
01:17:39,923 --> 01:17:41,843
♪ Politely sit, but I
don't know shit, do I?
1481
01:17:41,963 --> 01:17:43,283
♪ I don't know shit... ♪
1482
01:17:43,403 --> 01:17:45,683
- We're... What?
- [Graham] 17 minutes.
1483
01:17:45,803 --> 01:17:49,243
So, we don't want to go
too early to stage, right? So...
1484
01:17:49,363 --> 01:17:50,803
- Yeah.
- Let's go.
1485
01:17:50,923 --> 01:17:52,283
Be fashionably late.
1486
01:17:52,403 --> 01:17:54,683
- Fashionably late.
- Not late. We've got a curfew issue.
1487
01:17:54,803 --> 01:17:58,163
[Music plays - "The Night"
by Frankie Valli and the Four Seasons]
1488
01:17:58,283 --> 01:18:01,003
[Indistinct chatter, laughter]
1489
01:18:01,123 --> 01:18:03,243
And then he's on, that's it.
1490
01:18:03,363 --> 01:18:06,963
♪ Before I go forever
1491
01:18:08,963 --> 01:18:10,443
♪ Be sure
1492
01:18:11,203 --> 01:18:12,883
♪ Of what you say
1493
01:18:13,603 --> 01:18:16,643
♪ So, he paints a pretty picture
1494
01:18:16,763 --> 01:18:20,323
♪ And he tells you that he needs you
1495
01:18:20,443 --> 01:18:23,363
♪ And he covers you with flowers... ♪
1496
01:18:23,483 --> 01:18:25,123
[Damon laughs]
1497
01:18:26,763 --> 01:18:30,243
[Indistinct chatter, laughter]
1498
01:18:30,363 --> 01:18:32,683
[Laughter continues]
1499
01:18:32,803 --> 01:18:36,123
[Crew Member] Right, lads,
two minutes to go. Two minutes to go.
1500
01:18:36,243 --> 01:18:38,363
[Laughter]
1501
01:18:38,483 --> 01:18:40,843
[Indistinct chatter]
1502
01:18:40,963 --> 01:18:42,963
- Well...
- [He exhales]
1503
01:18:43,083 --> 01:18:44,083
this is it.
1504
01:18:44,163 --> 01:18:46,283
[Stirring music, indistinct chatter]
1505
01:18:58,283 --> 01:19:01,883
[Horn honks "Let's Go (Pony)" rhythm]
1506
01:19:02,003 --> 01:19:03,363
[All] Wembley!
1507
01:19:03,483 --> 01:19:05,723
[Honking continues]
1508
01:19:06,923 --> 01:19:09,243
[Indistinct chatter]
1509
01:19:09,363 --> 01:19:13,123
This is obviously a very special moment,
and, you know, you're all
1510
01:19:13,243 --> 01:19:16,843
more than fucking custodians
of what we're going to give them,
1511
01:19:16,963 --> 01:19:19,483
so go out there and just enjoy yourselves.
1512
01:19:19,643 --> 01:19:21,403
- 100%.
- And to you, Dames.
1513
01:19:23,163 --> 01:19:25,003
Ten seconds, guys,
we've got to clear the ramp.
1514
01:19:25,123 --> 01:19:26,603
Lydia, you got my earies?
1515
01:19:26,723 --> 01:19:29,723
[Graham] Moments before that pep talk
or that huddle,
1516
01:19:29,843 --> 01:19:31,403
I was like, "Oh, my God, I need a wee."
1517
01:19:31,523 --> 01:19:35,043
And I was trying to tell people that,
and no-one was listening to me.
1518
01:19:35,163 --> 01:19:37,363
I don't know whether I do, I just...
1519
01:19:37,483 --> 01:19:39,403
Do you need the loo? Do you not?
1520
01:19:39,523 --> 01:19:42,643
[Graham] You go up the ramp,
you know, slowly
1521
01:19:42,763 --> 01:19:45,003
you know, with all the people
going about their business,
1522
01:19:45,043 --> 01:19:47,723
- and then that...
- [Cheering]
1523
01:19:47,843 --> 01:19:49,963
Suddenly, it's this big venue.
1524
01:19:51,643 --> 01:19:55,123
And I was like, "Where's the nearest loo?"
1525
01:19:55,243 --> 01:19:57,323
So, I just went backstage there.
1526
01:19:57,443 --> 01:19:58,798
Are we all good?
Everyone happy?
1527
01:19:58,822 --> 01:20:00,883
How long have we
got until we gotta go on?
1528
01:20:01,003 --> 01:20:04,163
[Graham] There was a half-empty tin
of Diet Coke...
1529
01:20:04,283 --> 01:20:06,643
[Suspenseful music]
1530
01:20:10,723 --> 01:20:12,323
[Graham] ..so, I just had to go in that.
1531
01:20:16,403 --> 01:20:20,483
I think it was one of the road crew's,
I hope they didn't go back and finish it.
1532
01:20:23,123 --> 01:20:24,643
Quite a lot of people.
1533
01:20:24,763 --> 01:20:28,043
[Niamh] A mile-long queue
of people going in.
1534
01:20:28,163 --> 01:20:30,803
- Fuckin' hell.
- You nervous?
1535
01:20:30,923 --> 01:20:33,203
- I am.
- I'm not, at all.
1536
01:20:33,323 --> 01:20:35,483
Are you not? Are you Zen?
1537
01:20:35,643 --> 01:20:38,763
- No, I'm just dead.
- [He laughs]
1538
01:20:38,883 --> 01:20:41,283
[Damon] I don't allow it to get to me,
'cause I accept
1539
01:20:41,403 --> 01:20:44,203
if my voice can't sing all those songs,
1540
01:20:44,323 --> 01:20:45,923
then that's just the way it is.
1541
01:20:46,043 --> 01:20:50,323
But, you know, if I was really neurotic
about things like that,
1542
01:20:50,443 --> 01:20:52,363
then, yeah, I would be shitting myself.
1543
01:20:52,483 --> 01:20:53,843
[Tanyel squeals]
1544
01:20:53,963 --> 01:20:55,963
[Indistinct chatter]
1545
01:20:58,763 --> 01:21:00,643
[Alex] We were at college
when we did "Sing."
1546
01:21:00,763 --> 01:21:03,003
You know, we wrote that
in Damon's mum's studio,
1547
01:21:03,123 --> 01:21:05,923
and now, 35 years, there's going to be
1548
01:21:06,043 --> 01:21:08,763
80,000 people singing and crying.
1549
01:21:08,883 --> 01:21:11,563
[Stirring music]
1550
01:21:14,803 --> 01:21:18,523
[Alex] There's a million upsides.
You know, credibility for my kids.
1551
01:21:18,683 --> 01:21:22,243
But actually, the brotherhood of
1552
01:21:22,363 --> 01:21:25,603
those cunts
who I've known since I was 19,
1553
01:21:27,163 --> 01:21:30,803
and the music is its own greatest reward.
1554
01:21:30,923 --> 01:21:32,683
It really, really is.
1555
01:21:32,803 --> 01:21:35,123
[Music - "The Debt Collector" by Blur]
1556
01:21:41,243 --> 01:21:43,083
- Shall we go?
- Yeah, let's go.
1557
01:21:45,523 --> 01:21:48,563
[Music continues; Cheering]
1558
01:21:54,243 --> 01:21:56,883
[Cheering intensifies]
1559
01:21:57,003 --> 01:21:59,563
[Music fades, cheering continues]
1560
01:22:21,643 --> 01:22:24,483
Good evening, Wembley.
1561
01:22:24,643 --> 01:22:27,003
[Cheering intensifies]
1562
01:22:28,803 --> 01:22:31,683
[Graham plays "Popscene" intro on guitar]
1563
01:22:31,803 --> 01:22:32,883
Come on!
1564
01:22:33,763 --> 01:22:35,723
I want to see you bounce!
1565
01:22:38,963 --> 01:22:41,923
[Music builds, band plays together]
1566
01:22:49,203 --> 01:22:51,923
[Music builds; Bright organ chords]
1567
01:23:10,403 --> 01:23:12,963
♪ A fervid image of another world
1568
01:23:13,083 --> 01:23:15,803
♪ Is nothing in particular now
1569
01:23:15,923 --> 01:23:18,203
♪ And imitation comes naturally
1570
01:23:18,323 --> 01:23:20,483
♪ But I never really stopped to think how
1571
01:23:21,203 --> 01:23:23,723
♪ And everyone is a clever clone
1572
01:23:23,843 --> 01:23:26,123
♪ A chrome-covered clone am I
1573
01:23:26,683 --> 01:23:28,843
♪ So, in the absence of a way of life
1574
01:23:28,963 --> 01:23:32,603
♪ I'll repeat this again and again
and again
1575
01:23:33,363 --> 01:23:35,803
♪ Hey, hey, come out tonight
1576
01:23:38,923 --> 01:23:40,243
♪ Popscene, oh
1577
01:23:40,363 --> 01:23:44,683
♪ Oh! Oh! Oh! ♪
1578
01:23:45,483 --> 01:23:48,523
[Damon howls]
1579
01:23:48,683 --> 01:23:52,203
[Music continues,
Graham playing squalling guitar solo]
1580
01:23:58,803 --> 01:24:00,043
Let's do this!
1581
01:24:01,363 --> 01:24:03,283
[Music continues]
1582
01:24:24,523 --> 01:24:27,123
♪ Hey, hey, come out tonight
1583
01:24:27,243 --> 01:24:29,723
♪ Hey, hey, come out tonight
1584
01:24:30,203 --> 01:24:33,883
♪ Popscene, all right
1585
01:24:34,003 --> 01:24:36,203
♪ Hey, hey, come out tonight
1586
01:24:37,163 --> 01:24:39,363
♪ Hey, hey, come out tonight
1587
01:24:39,803 --> 01:24:40,883
♪ Popscene. ♪
1588
01:24:41,003 --> 01:24:43,363
[Music concludes, guitar chord rings out]
1589
01:24:43,483 --> 01:24:45,483
[Cheering]
1590
01:24:48,283 --> 01:24:50,763
[Band plays "To the End"]
1591
01:25:00,643 --> 01:25:04,043
♪ All those dirty words
1592
01:25:06,643 --> 01:25:09,443
♪ They make us look so dumb
1593
01:25:13,163 --> 01:25:16,363
♪ Been drinking far too much
1594
01:25:19,483 --> 01:25:23,883
♪ And neither of us mean what we say
1595
01:25:26,683 --> 01:25:30,043
♪ Well, you and I
1596
01:25:30,163 --> 01:25:34,363
♪ We just collapsed in love
1597
01:25:34,483 --> 01:25:39,923
♪ And it looks like we might have made it
1598
01:25:40,043 --> 01:25:45,603
♪ Yes, it looks like we've made it
to the end. ♪
1599
01:25:45,723 --> 01:25:47,403
[Music continues]
1600
01:26:18,043 --> 01:26:20,043
[Music continues]
1601
01:26:23,123 --> 01:26:26,923
[Music concludes,
sustained string note resonates]
1602
01:26:27,043 --> 01:26:29,083
[Cheering]
1603
01:26:29,203 --> 01:26:30,923
[He plays "Song 2" intro]
1604
01:26:31,043 --> 01:26:33,123
- Stop that, stop that.
- [Drumming stops]
1605
01:26:33,243 --> 01:26:35,163
Obviously,
there's something vaguely hilarious
1606
01:26:35,283 --> 01:26:38,563
about old men
throwing themselves around the stage.
1607
01:26:40,003 --> 01:26:41,923
It's a bit ridiculous, right?
1608
01:26:42,043 --> 01:26:45,243
You made us this way. It's your fault!
1609
01:26:45,363 --> 01:26:47,563
[Cheering]
1610
01:26:48,323 --> 01:26:52,523
I want to see every fucker
in this fucking stadium
1611
01:26:52,683 --> 01:26:54,523
bounce to this song.
1612
01:26:54,683 --> 01:26:56,043
[Cheering]
1613
01:26:56,163 --> 01:26:59,003
[Dave plays "Song 2" intro]
1614
01:26:59,123 --> 01:27:01,963
[He plays "Song 2" intro riff; Cheering]
1615
01:27:05,443 --> 01:27:09,683
- [Music intensifies, band plays together]
- ♪ Woo-hoo! When I feel heavy metal
1616
01:27:09,803 --> 01:27:12,883
- ♪ Woo-hoo!
- ♪ And I'm pins and I'm needles
1617
01:27:13,003 --> 01:27:16,763
- ♪ Woo-hoo!
- ♪ Well, I lie and I'm easy
1618
01:27:16,883 --> 01:27:21,243
♪ All of the time,
but I'm never sure why I need you
1619
01:27:21,883 --> 01:27:24,043
♪ Pleased to meet you... ♪
1620
01:27:24,163 --> 01:27:27,083
[Music continues,
Graham plays distorted guitar solo]
1621
01:27:30,443 --> 01:27:31,843
♪ I got my head done
1622
01:27:33,803 --> 01:27:36,803
♪ When I was young... ♪
- [He mimics sobbing]
1623
01:27:36,923 --> 01:27:38,963
♪ It's not my problem
1624
01:27:40,443 --> 01:27:44,483
♪ It's not my problem
1625
01:27:44,643 --> 01:27:48,003
- ♪ Woo-hoo!
- ♪ When I feel heavy metal
1626
01:27:48,123 --> 01:27:51,723
- ♪ Woo-hoo!
- ♪ And I'm pins and I'm needles
1627
01:27:51,843 --> 01:27:55,523
- ♪ Woo-hoo!
- ♪ Well, I lie and I'm easy
1628
01:27:55,683 --> 01:28:00,003
♪ All of the time,
but I'm never sure why I need you
1629
01:28:01,043 --> 01:28:02,763
♪ Pleased to meet you... ♪
1630
01:28:02,883 --> 01:28:05,803
[Music fades]
1631
01:28:05,923 --> 01:28:07,923
[Ruminative music]
1632
01:28:11,203 --> 01:28:14,483
[Damon] Music is
something we've been doing
1633
01:28:14,643 --> 01:28:17,883
from the dawn of our species.
1634
01:28:18,003 --> 01:28:22,483
And, in fact,
it is just a sort of complete abandonment
1635
01:28:22,643 --> 01:28:25,203
of the self and the ego in that moment,
1636
01:28:25,323 --> 01:28:29,843
and you're just one of the many billions
of atoms in that space.
1637
01:28:29,963 --> 01:28:31,963
[Music continues]
1638
01:28:33,603 --> 01:28:36,003
[Dave] It's a way of expressing emotion
to somebody else
1639
01:28:36,123 --> 01:28:39,603
that bypasses
the rational senses of the brain.
1640
01:28:41,123 --> 01:28:43,723
The whole audience and band
1641
01:28:43,843 --> 01:28:50,003
kind of merging together
into one 148,000-legged beast.
1642
01:28:51,003 --> 01:28:54,203
That has been just extraordinary
and quite overwhelming.
1643
01:28:54,323 --> 01:28:56,603
[Music continues]
1644
01:28:59,883 --> 01:29:04,363
[Damon] It's the journey
and the hunger for the sublime.
1645
01:29:10,203 --> 01:29:12,443
That is the essence of performance,
1646
01:29:12,603 --> 01:29:17,643
is when you become
a vessel for everybody.
1647
01:29:18,323 --> 01:29:21,563
[Music continues,
muffled cheering grows clear]
1648
01:29:22,963 --> 01:29:27,163
[Damon] Now, we really do
have a treat for you now.
1649
01:29:28,443 --> 01:29:31,043
This is a very London moment.
1650
01:29:31,163 --> 01:29:34,243
[Graham plays "Tender" intro pattern]
1651
01:29:36,723 --> 01:29:41,883
I'd like to invite
the London Community Gospel Choir.
1652
01:29:42,003 --> 01:29:44,003
[Music continues; Cheering]
1653
01:29:55,083 --> 01:29:56,243
[Damon] Yeah.
1654
01:29:57,803 --> 01:29:59,203
[He counts in]
1655
01:29:59,323 --> 01:30:02,203
[Music builds, band plays together]
1656
01:30:16,803 --> 01:30:19,883
♪ Tender is the night
1657
01:30:20,003 --> 01:30:22,963
♪ Lying by your side
1658
01:30:23,083 --> 01:30:25,443
♪ Tender is the touch
1659
01:30:25,603 --> 01:30:28,723
♪ Of someone that you love too much
1660
01:30:28,843 --> 01:30:31,763
♪ Tender is the day
1661
01:30:31,883 --> 01:30:34,763
♪ The demons go away
1662
01:30:34,883 --> 01:30:37,643
♪ Lord, I need to find
1663
01:30:37,763 --> 01:30:41,403
♪ Someone who can heal my mind... ♪
1664
01:30:41,523 --> 01:30:44,203
- [Choir joins in singing]
- ♪ Come on, come on, come on
1665
01:30:44,323 --> 01:30:46,603
♪ Get through it
1666
01:30:46,723 --> 01:30:50,203
♪ Come on, come on, come on... ♪ Woo!
1667
01:30:50,323 --> 01:30:52,403
- ♪ Love's the greatest thing... ♪
- [Damon] Fuck me!
1668
01:30:52,483 --> 01:30:56,603
[Graham] I find my situation
has been different on this tour
1669
01:30:56,723 --> 01:30:59,363
than it's been
for any getting-together with Blur.
1670
01:30:59,483 --> 01:31:01,123
And it's to do with a lot of things,
1671
01:31:01,243 --> 01:31:05,283
you know, in my personal life
and the Blur album and doing the shows.
1672
01:31:05,723 --> 01:31:08,603
But it's, like, we are having a good time.
1673
01:31:08,723 --> 01:31:13,083
And maybe it's to do with a certain amount
of gratitude or acceptance
1674
01:31:13,203 --> 01:31:16,603
of who we are
and feeling lucky to be able to do this.
1675
01:31:16,723 --> 01:31:18,763
Yeah, we do try and earn it,
1676
01:31:18,883 --> 01:31:21,123
and we don't think
we can just have that for nothing.
1677
01:31:22,523 --> 01:31:24,643
But I think, really, we are free.
1678
01:31:25,083 --> 01:31:27,163
We're at our freest when we're on stage.
1679
01:31:27,283 --> 01:31:28,923
♪ Oh, my
1680
01:31:30,403 --> 01:31:32,443
♪ Oh, my baby
1681
01:31:32,603 --> 01:31:34,723
♪ Oh, my baby
1682
01:31:35,403 --> 01:31:37,683
♪ Oh, why?
1683
01:31:37,803 --> 01:31:40,243
♪ Oh, my... ♪
1684
01:31:41,243 --> 01:31:43,883
[Alex] What I've realised
is that, you know,
1685
01:31:44,003 --> 01:31:47,083
Blur's something I can
never, ever walk away from.
1686
01:31:47,203 --> 01:31:49,163
You know,
even if I had an absolute hissy-fit,
1687
01:31:49,283 --> 01:31:51,083
threw my toys out the pram,
1688
01:31:51,203 --> 01:31:53,723
it would still say on my grave,
"Alex from Blur,
1689
01:31:53,843 --> 01:31:55,403
"and cheese."
1690
01:31:55,523 --> 01:31:58,163
I remember a couple of years ago,
I thought, you know,
1691
01:31:58,283 --> 01:32:00,563
"When is the first time in the day
1692
01:32:00,683 --> 01:32:05,083
"that I think of either Blur
or one of the people in Blur?"
1693
01:32:06,323 --> 01:32:09,683
And I was sitting in the bath
this morning, looking at my toes,
1694
01:32:09,803 --> 01:32:12,243
thinking about the boys, just thinking,
1695
01:32:12,363 --> 01:32:14,283
"Yeah, nice."
1696
01:32:15,283 --> 01:32:17,883
You know, it's just really
1697
01:32:18,003 --> 01:32:19,523
really
1698
01:32:19,683 --> 01:32:21,643
spiritually
1699
01:32:21,763 --> 01:32:25,523
good to just feel
at peace with each other.
1700
01:32:26,203 --> 01:32:28,443
♪ Love's the greatest thing
1701
01:32:28,603 --> 01:32:31,203
♪ That we have... ♪
1702
01:32:31,323 --> 01:32:34,123
♪ I'm waiting for that feeling... ♪
1703
01:32:34,243 --> 01:32:36,563
[Dave] Long-term relationships
are bloody hard work.
1704
01:32:36,683 --> 01:32:39,883
There's no way round that,
and being in a band is just the same.
1705
01:32:40,003 --> 01:32:42,683
But if you put effort in
over a long period of time,
1706
01:32:42,803 --> 01:32:45,123
you can really achieve great things.
1707
01:32:46,483 --> 01:32:49,403
I'm more confident now
than I was at the start of the year
1708
01:32:49,523 --> 01:32:52,203
that this isn't the end of something,
but the start of something.
1709
01:32:52,323 --> 01:32:55,563
[Music concludes; Cheering]
1710
01:33:01,683 --> 01:33:03,643
Oh, my goodness.
1711
01:33:03,763 --> 01:33:05,963
I hope you've had a good night tonight.
1712
01:33:06,083 --> 01:33:09,123
- [Cheering continues]
- I've had a good night.
1713
01:33:10,483 --> 01:33:13,523
I really have. Thank you so much.
1714
01:33:14,083 --> 01:33:15,523
Honestly, dream come true.
1715
01:33:15,683 --> 01:33:18,403
[Band plays "The Universal"]
1716
01:33:31,803 --> 01:33:34,243
♪ This is the next century
1717
01:33:36,803 --> 01:33:39,843
♪ Where the universal's free
1718
01:33:42,203 --> 01:33:45,243
♪ You can find it anywhere
1719
01:33:46,523 --> 01:33:49,243
♪ Yes, the future's been sold
1720
01:33:49,363 --> 01:33:51,443
♪ Every night, we're gone
1721
01:33:54,163 --> 01:33:57,363
♪ And to karaoke songs
1722
01:34:00,043 --> 01:34:03,163
♪ How we like to sing along
1723
01:34:04,083 --> 01:34:06,603
♪ Though the words are wrong
1724
01:34:06,723 --> 01:34:10,803
♪ It really, really, really could happen
1725
01:34:11,323 --> 01:34:16,843
♪ Yes, it really, really,
really could happen
1726
01:34:17,443 --> 01:34:21,723
♪ When the days,
they seem to fall through you
1727
01:34:21,843 --> 01:34:26,083
♪ Well, just let them go
1728
01:34:29,443 --> 01:34:34,283
♪ Yes, it really, really,
really could happen
1729
01:34:36,043 --> 01:34:40,683
♪ It really, really, really could happen
1730
01:34:40,803 --> 01:34:44,843
♪ When the days,
they seem to fall through you
1731
01:34:44,963 --> 01:34:48,883
♪ Well, just let them go... ♪
1732
01:34:49,003 --> 01:34:50,923
[Damon] It's all up to you now.
1733
01:34:51,283 --> 01:34:54,163
[Deep chord rings out; Cheering]
1734
01:34:55,443 --> 01:34:58,243
[Music builds; Soaring string melody]
1735
01:35:13,243 --> 01:35:15,243
[Music continues]
1736
01:35:21,323 --> 01:35:23,283
[Music continues]
1737
01:35:40,123 --> 01:35:43,403
[Sustained chord rings out; Cheering]
1738
01:35:47,763 --> 01:35:49,763
[Music swells]
1739
01:35:53,363 --> 01:35:55,483
[Music concludes, cheering continues]
1740
01:36:10,083 --> 01:36:13,563
- Thank you so much.
- [Cheering continues]
1741
01:36:15,883 --> 01:36:18,363
[Mellow music]
1742
01:36:23,363 --> 01:36:25,923
[Indistinct chatter]
1743
01:36:28,803 --> 01:36:30,123
[Indistinct chatter]
1744
01:36:30,243 --> 01:36:33,203
[Damon] Unfortunately for me,
it doesn't get better than that.
1745
01:36:34,643 --> 01:36:36,643
[Chanting, yelling]
1746
01:36:36,763 --> 01:36:38,763
[Chanting, yelling continue]
1747
01:36:42,683 --> 01:36:44,843
[Dave] You know you used to get
those competitions
1748
01:36:44,963 --> 01:36:48,123
where the band would
come and play in your living room?
1749
01:36:48,243 --> 01:36:49,923
That was the experience
of Wembley, really.
1750
01:36:49,963 --> 01:36:52,643
Felt like we were playing
in London's living room.
1751
01:36:52,763 --> 01:36:55,803
We've got some champagne for you, sir.
Friendly for Dave.
1752
01:36:55,923 --> 01:36:58,923
[Alex] Damon wrote an e-mail
on Monday morning,
1753
01:36:59,043 --> 01:37:00,683
like, one of three he's ever written me,
1754
01:37:00,803 --> 01:37:03,883
going, "That was the best show
I've ever done."
1755
01:37:05,723 --> 01:37:10,643
I think there was a kind of
unselfconscious glee in the house.
1756
01:37:10,763 --> 01:37:14,483
And, yeah, it did feel like there was
no-one watching, in a strange way.
1757
01:37:14,643 --> 01:37:17,643
We were just
really, really, really enjoying ourselves.
1758
01:37:17,763 --> 01:37:20,123
[Laughter]
1759
01:37:20,243 --> 01:37:23,763
[Rose] It was so great.
I loved every minute of it, it was great.
1760
01:37:25,523 --> 01:37:28,363
I really did, I'm so proud.
1761
01:37:28,483 --> 01:37:32,243
The ending made me feel
really sort of teary.
1762
01:37:32,363 --> 01:37:35,963
[Graham] It made me feel happy.
It made me feel a bit more valued.
1763
01:37:36,683 --> 01:37:38,843
I know I don't really care
what people think,
1764
01:37:38,963 --> 01:37:42,123
but when they're saying they love me
or they love Blur, and this and that,
1765
01:37:42,243 --> 01:37:44,683
you can't help but feel
kind of good about that.
1766
01:37:44,803 --> 01:37:47,443
- [Indistinct chatter]
- [Jamie Hewlett] I love you, man.
1767
01:37:47,603 --> 01:37:50,699
[Graham] Some people need to be affirmed
once and it will last them a lifetime,
1768
01:37:50,723 --> 01:37:54,643
but some of us need it again and again
and again and are a pain in the arse.
1769
01:37:55,243 --> 01:37:58,363
So, it's kind of nice
to be told things like that.
1770
01:37:59,163 --> 01:38:04,363
In my grand tradition of being
always down on everything
1771
01:38:04,923 --> 01:38:07,003
that was...
1772
01:38:07,123 --> 01:38:08,843
It's as good as it gets, really.
1773
01:38:10,003 --> 01:38:11,443
Good as it gets.
1774
01:38:11,603 --> 01:38:14,163
[Music continues; Reverberant chatter]
1775
01:38:16,123 --> 01:38:18,283
[Music, chatter fade]
1776
01:38:18,403 --> 01:38:20,803
[Music - "The Heights" by Blur]
1777
01:38:35,363 --> 01:38:37,323
[Damon] I wrote the songs
1778
01:38:37,443 --> 01:38:42,043
kind of intuitively feeling that something,
1779
01:38:42,163 --> 01:38:45,683
you know, heavy about to happen.
1780
01:38:47,043 --> 01:38:51,963
And, you know, the first part,
I was on my own completely.
1781
01:38:52,083 --> 01:38:57,643
And then the second part of it,
I had my brothers, essentially, back.
1782
01:38:59,163 --> 01:39:01,563
You know, we all have
1783
01:39:01,683 --> 01:39:06,523
hugely, like,
involving and complicated lives,
1784
01:39:06,683 --> 01:39:09,283
and we're so lucky
that we get to spend this time together,
1785
01:39:09,403 --> 01:39:10,603
just the four of us.
1786
01:39:10,723 --> 01:39:13,283
And that's... that's the beauty of it.
1787
01:39:13,403 --> 01:39:15,763
Do I want to repeat it next year? No.
1788
01:39:15,883 --> 01:39:18,763
- [Director] Why not?
- [Damon] Because why would I?
1789
01:39:18,883 --> 01:39:23,043
I've already had
an amazing year doing Blur. Fantastic.
1790
01:39:23,163 --> 01:39:25,003
And that's it, really.
1791
01:39:25,123 --> 01:39:28,163
I mean, I'm not saying
that's it, it, it, it, it,
1792
01:39:28,283 --> 01:39:29,683
although it may be.
1793
01:39:29,803 --> 01:39:33,203
It will manifest itself again if
1794
01:39:33,323 --> 01:39:35,083
it's wanted.
1795
01:39:35,203 --> 01:39:37,803
It felt like, for some reason,
it was wanted
1796
01:39:37,923 --> 01:39:40,363
at this moment in time.
1797
01:39:40,483 --> 01:39:42,883
[Music continues]
1798
01:39:44,523 --> 01:39:45,523
Oh!
1799
01:39:46,923 --> 01:39:48,323
[He chuckles]
1800
01:39:48,443 --> 01:39:50,443
[Damon] We've all been through a lot.
1801
01:39:50,603 --> 01:39:54,763
So, to be able to do something
that carries a whole new energy,
1802
01:39:54,883 --> 01:39:58,323
I'm not saying I have dreams anymore,
but if I did,
1803
01:39:58,443 --> 01:40:01,203
maybe how I would dream it to be.
1804
01:40:02,363 --> 01:40:04,363
[Music continues]
1805
01:40:11,523 --> 01:40:14,683
[Music builds;
Distorted guitar chords, feedback]
1806
01:40:16,963 --> 01:40:19,963
[Music - "The Night"
by Frankie Valli and the Four Seasons]
1807
01:40:24,123 --> 01:40:25,843
♪ Beware
1808
01:40:27,483 --> 01:40:29,483
♪ Of his promise
1809
01:40:30,683 --> 01:40:32,403
♪ Believe
1810
01:40:33,683 --> 01:40:35,443
♪ What I say
1811
01:40:37,003 --> 01:40:41,483
♪ Before I go forever
1812
01:40:43,323 --> 01:40:47,763
♪ Be sure of what you say
1813
01:40:47,883 --> 01:40:51,163
♪ So, he paints a pretty picture
1814
01:40:51,283 --> 01:40:54,523
♪ And he tells you that he needs you
1815
01:40:54,683 --> 01:40:57,403
♪ And he covers you with flowers
1816
01:40:57,523 --> 01:41:00,443
♪ And he always keeps you dreamin'
1817
01:41:00,603 --> 01:41:03,923
♪ If he always keeps you dreamin'
1818
01:41:04,043 --> 01:41:07,123
♪ You won't have a lonely hour
1819
01:41:07,243 --> 01:41:09,843
♪ If a day could last forever
1820
01:41:09,963 --> 01:41:13,163
♪ You might like your ivory tower
1821
01:41:13,283 --> 01:41:19,443
♪ But the night begins
to turn your head around
1822
01:41:19,603 --> 01:41:25,363
♪ And you know you're gonna lose
more than you found
1823
01:41:25,483 --> 01:41:32,083
♪ Yes, the night begins
to turn your head around
1824
01:41:37,043 --> 01:41:38,763
♪ Beware
1825
01:41:40,403 --> 01:41:42,403
♪ Of his promise
1826
01:41:43,603 --> 01:41:45,323
♪ Believe
1827
01:41:46,523 --> 01:41:48,323
♪ What I say
1828
01:41:49,603 --> 01:41:54,443
♪ Before I go forever
1829
01:41:55,763 --> 01:42:00,603
♪ Be sure of what you say
1830
01:42:00,723 --> 01:42:03,123
♪ For the words may come too easy
1831
01:42:03,243 --> 01:42:06,443
♪ If you don't believe I'm leavin'
1832
01:42:06,603 --> 01:42:09,843
♪ And goodbye may come too quickly
1833
01:42:09,963 --> 01:42:13,083
♪ If you really think he loves you
1834
01:42:13,203 --> 01:42:16,123
♪ If you really think he loves you
1835
01:42:16,243 --> 01:42:19,443
♪ You would give your love so sweetly
1836
01:42:19,603 --> 01:42:22,363
♪ If the day could last forever
1837
01:42:22,483 --> 01:42:25,643
♪ You would fall in love completely
1838
01:42:25,763 --> 01:42:31,923
♪ But the night begins
to turn your head around
1839
01:42:32,043 --> 01:42:37,843
♪ And you know you're gonna lose
more than you found
1840
01:42:37,963 --> 01:42:44,683
♪ Yes, the night begins
to turn your head around
1841
01:42:59,883 --> 01:43:06,043
♪ And the night begins
to turn your head around
1842
01:43:06,163 --> 01:43:11,963
♪ And you know you're gonna lose
more than you found
1843
01:43:12,083 --> 01:43:17,843
♪ Yes, the night begins
to turn your head around
1844
01:43:17,963 --> 01:43:23,763
♪ And you know you're gonna lose
more than you found
1845
01:43:23,883 --> 01:43:29,203
♪ Yes, the night begins
to turn your head around. ♪