1 00:00:42,293 --> 00:00:45,004 [FAST STRING MUSIC] 2 00:00:45,087 --> 00:00:48,424 [GIGI] Thirty seconds to show. All models on the runway. 3 00:00:48,507 --> 00:00:49,800 [BACKSTAGE CHATTER] 4 00:00:49,884 --> 00:00:52,803 Thirty seconds to show. All models on the runway. 5 00:00:53,721 --> 00:00:57,141 Thirty seconds to the show. All models to the runway. 6 00:00:57,224 --> 00:00:58,851 [CHUCKLES] Remember that guy? 7 00:00:58,934 --> 00:01:03,147 The voice? That backstage voice? Why do they all sound like that? 8 00:01:03,230 --> 00:01:04,732 [MAN'S VOICE] We are ready to go. 9 00:01:04,815 --> 00:01:07,902 - [CAMERA FLASHBULBS] - [CHEERING] 10 00:01:07,985 --> 00:01:11,363 [CRICKETS CHIRPING] 11 00:01:11,447 --> 00:01:15,701 [GIGI] My name is Gigi Hadid, and I have a confession to make. 12 00:01:15,785 --> 00:01:19,455 I'm sleeping on the job. J ust kidding. I'm the new 13 00:01:19,538 --> 00:01:25,544 [ELONGATED, ECHOING SHOUT] voice! 14 00:01:28,005 --> 00:01:31,050 {\an8}Okay, that's all I got. Sorry. I just had to try that. 15 00:01:31,133 --> 00:01:33,677 {\an8}Anyways, I know what you're thinking. 16 00:01:33,761 --> 00:01:35,763 {\an8}"What the fuck? 17 00:01:35,846 --> 00:01:40,476 {\an8}Where are the models in lingerie? Show me the girls in angel wings." 18 00:01:40,851 --> 00:01:45,147 {\an8}Then again, these arches... do have sick curves. 19 00:01:46,357 --> 00:01:49,527 {\an8}It's been five long and lingerie-less years 20 00:01:49,610 --> 00:01:51,946 {\an8}since my last Victoria's Secret show, folks, 21 00:01:52,029 --> 00:01:55,658 {\an8}but I'm back, baby, and more powerful than ever. 22 00:01:55,741 --> 00:01:58,661 {\an8}Right now, I'm at a house in Barcelona 23 00:01:58,744 --> 00:02:01,789 {\an8}that hosts something kind of like a festival. 24 00:02:02,373 --> 00:02:03,999 {\an8}It's nothing like a festival. 25 00:02:04,083 --> 00:02:08,212 {\an8}[GIGI] Okay, Adut, you figure out what we should call it, and until then, 26 00:02:08,295 --> 00:02:09,713 {\an8}I'm going with festival. 27 00:02:10,756 --> 00:02:13,968 {\an8}We'll travel all over the world to meet 20 incredible artists 28 00:02:14,051 --> 00:02:18,264 {\an8}as we reimagine what a Victoria's Secret runway looks like. 29 00:02:19,390 --> 00:02:21,767 Okay, actually, stop. Stop. Cut! 30 00:02:21,851 --> 00:02:23,185 - [RECORD SCRATCH] - [GIGI] Cool. Perfect. 31 00:02:23,269 --> 00:02:26,355 Hold right there. So, here's the sitch. 32 00:02:26,438 --> 00:02:29,692 We're going to four cities. Here's one. 33 00:02:30,109 --> 00:02:32,444 In each city, we feature five artists. 34 00:02:32,987 --> 00:02:36,031 One is a fashion designer. She'll create a collection. 35 00:02:36,115 --> 00:02:37,950 Then we have three more artists, 36 00:02:38,033 --> 00:02:40,578 ranging from musicians to painters to poets. 37 00:02:40,661 --> 00:02:41,745 You name it. 38 00:02:42,204 --> 00:02:44,290 And finally, a filmmaker, 39 00:02:44,373 --> 00:02:48,335 whose role is to, you've guessed it, make the film you're watching. 40 00:02:48,419 --> 00:02:50,296 Someone had to film it, right? 41 00:02:50,379 --> 00:02:51,589 Roll the tape. 42 00:02:53,132 --> 00:02:54,383 {\an8}So, there you have it. 43 00:02:55,259 --> 00:02:56,510 {\an8}Welcome to... 44 00:02:57,511 --> 00:02:58,762 {\an8}The Tour. 45 00:03:01,181 --> 00:03:02,933 {\an8}Oh, and one last thing. 46 00:03:03,017 --> 00:03:05,811 This house will become a portal into far-flung places. 47 00:03:06,562 --> 00:03:08,689 Don't believe me? Watch this. 48 00:03:08,772 --> 00:03:10,691 Boom. Lagos. 49 00:03:10,774 --> 00:03:13,402 I told you, I'm [WHISPERS] the voice. 50 00:03:13,485 --> 00:03:16,322 {\an8}In Lagos, we'll introduce you to Bubu, 51 00:03:17,072 --> 00:03:18,532 {\an8}Ashley, 52 00:03:18,616 --> 00:03:20,075 {\an8}Eloghosa, 53 00:03:20,159 --> 00:03:21,285 {\an8}Wavy. 54 00:03:21,368 --> 00:03:22,703 {\an8}And Korty. 55 00:03:23,704 --> 00:03:26,290 [KORTY] In Lagos, you need to have some form of tenacity, 56 00:03:26,373 --> 00:03:29,251 audacity, and sometimes, madness. 57 00:03:30,210 --> 00:03:32,171 {\an8}My name is Korty, K-O-R-T-Y. 58 00:03:32,671 --> 00:03:36,467 {\an8}I'm a filmmaker, but I'm also here as your guide into the lives 59 00:03:37,092 --> 00:03:40,429 {\an8}of some really interesting women in Lagos, Nigeria. [CLAPS] 60 00:03:42,431 --> 00:03:43,474 Bonjour. 61 00:03:46,268 --> 00:03:49,855 {\an8}[BUBU] Would I describe myself as a fashion designer? No. 62 00:03:49,939 --> 00:03:52,858 {\an8}I think fashion designer is a bit too restricted. 63 00:03:54,902 --> 00:03:56,278 [LOOM CLICKING] 64 00:04:00,199 --> 00:04:01,283 I'm an artist. 65 00:04:02,034 --> 00:04:03,077 I'm a crafter. 66 00:04:06,622 --> 00:04:08,207 [SPEAKING FRENCH] It's beautiful, huh? 67 00:04:10,542 --> 00:04:14,338 [IN ENGLISH] My job is to just be a nomad. 68 00:04:15,506 --> 00:04:17,716 [UPBEAT MUSIC] 69 00:04:17,800 --> 00:04:20,636 I sourced all the looks for this collection 70 00:04:20,719 --> 00:04:23,514 from all around different parts of the African continent. 71 00:04:24,264 --> 00:04:27,601 Working with different communities and artisans and craftsmen. 72 00:04:27,685 --> 00:04:29,853 [WOOD CLACKING] 73 00:04:29,937 --> 00:04:31,981 {\an8}I'm in the pride of Africa. 74 00:04:33,148 --> 00:04:34,608 {\an8}This is Nairobi, Kenya. 75 00:04:35,192 --> 00:04:36,276 [BUBU] For me, it's a research 76 00:04:36,360 --> 00:04:39,697 in understanding myself, my culture, my people. 77 00:04:39,780 --> 00:04:40,864 {\an8}You have a nail, 78 00:04:40,948 --> 00:04:43,200 {\an8}so that you just do like this, like this, you count. 79 00:04:43,993 --> 00:04:45,828 {\an8}All three go together. 80 00:04:45,911 --> 00:04:47,121 {\an8}I think that's better. 81 00:04:47,204 --> 00:04:49,331 {\an8}This is Shosho's amazing studio. 82 00:04:49,415 --> 00:04:52,042 She's actually the most important person 83 00:04:52,126 --> 00:04:54,712 that's working with textiles in the whole of Kenya. 84 00:04:54,795 --> 00:04:57,047 And I always work with her whenever I'm in Kenya. 85 00:04:57,131 --> 00:04:58,716 - Yeah. - [LAUGHS] 86 00:04:58,799 --> 00:05:01,051 - She's my grandchild. - [LAUGHS] 87 00:05:03,053 --> 00:05:05,139 [BUBU] Each of my pieces represents 88 00:05:05,806 --> 00:05:09,309 an Africanism through the different places that I create within. 89 00:05:10,894 --> 00:05:14,481 I want to be connecting with these people that create with me. 90 00:05:15,691 --> 00:05:20,529 The accumulation of all of us comes back to one supreme energy. 91 00:05:23,323 --> 00:05:24,450 Fashion is deep. 92 00:05:24,533 --> 00:05:25,659 - Yeah. - Very deep. 93 00:05:25,743 --> 00:05:26,827 - Well done. - Craft is deep. 94 00:05:26,910 --> 00:05:28,412 - Darling, crafts. - Okay, crafts, crafts. 95 00:05:28,495 --> 00:05:30,706 'Cause in Lagos, fashion is crafts. [LAUGHS] 96 00:05:30,789 --> 00:05:32,332 [FUNKY MUSIC] 97 00:05:39,757 --> 00:05:43,927 [BUBU] The act of fashioning is very related to magic. 98 00:05:44,595 --> 00:05:46,889 We create glass out of sand. 99 00:05:46,972 --> 00:05:48,599 It's the act of fashioning. 100 00:05:49,641 --> 00:05:51,769 Create plastic from crude oil. 101 00:05:51,852 --> 00:05:52,853 That's fashioning. 102 00:05:54,063 --> 00:05:55,647 All the materials that I've worked with. 103 00:05:56,398 --> 00:05:58,942 Raffia, glass, silk. 104 00:05:59,777 --> 00:06:02,905 Cotton, bronze, brass. 105 00:06:03,864 --> 00:06:08,911 I'm obsessed with how all these can be recreated or re-innovated 106 00:06:08,994 --> 00:06:10,913 through the act of interweaving. 107 00:06:11,371 --> 00:06:15,501 - [TRANQUIL MUSIC] - Yeah, can you turn to the light? 108 00:06:17,920 --> 00:06:20,172 I'm leaving my mark on the studio. 109 00:06:21,340 --> 00:06:22,716 Santi! 110 00:06:24,301 --> 00:06:25,719 Thank you! Thank you! 111 00:06:26,178 --> 00:06:28,597 [WAVES CRASHING] 112 00:06:31,642 --> 00:06:33,143 [DRUMBEAT] 113 00:06:33,602 --> 00:06:36,355 {\an8}[GENERAL CHATTER] 114 00:06:48,158 --> 00:06:49,368 [MUSIC AND REVELRY FADES] 115 00:06:49,451 --> 00:06:54,081 [BUBU] For this collection, we delved into ten to 12 looks 116 00:06:54,164 --> 00:06:57,126 about the creation of the feminine divine. 117 00:06:59,086 --> 00:07:02,047 Merging all these worlds of Yoruba mythology 118 00:07:02,131 --> 00:07:04,216 and Edo mythology. 119 00:07:04,883 --> 00:07:09,847 And I wanted each of these women to embody these materials 120 00:07:09,930 --> 00:07:12,641 and see themselves as gods or goddesses. 121 00:07:15,602 --> 00:07:18,355 For Yemoja, which is, like, mother of all, 122 00:07:18,438 --> 00:07:22,151 I chose to represent with brass and bronze. 123 00:07:25,696 --> 00:07:26,738 {\an8}[KORTY] We are headed... 124 00:07:28,407 --> 00:07:30,117 to find some brass. 125 00:07:33,120 --> 00:07:35,247 Bubu has less than 24 hours 126 00:07:35,330 --> 00:07:37,416 to finish everything she's here in Kenya to do. 127 00:07:38,208 --> 00:07:40,419 She's working on a very tight deadline. 128 00:07:41,211 --> 00:07:43,922 Okay, so where is everything that you were supposed to be bringing? 129 00:07:44,006 --> 00:07:45,883 Where's the list of things I was supposed to do? 130 00:07:45,966 --> 00:07:48,427 {\an8}- They're here. I have to start working. - But what has been done? 131 00:07:48,510 --> 00:07:50,137 {\an8}I will have to make them now. 132 00:07:50,220 --> 00:07:53,223 Uh, sorry. I need to... I need to understand something. 133 00:07:53,307 --> 00:07:56,018 Nothing on the list that I've given to you has been done. 134 00:07:56,101 --> 00:07:58,687 - [NELSON] No. - Oh, my God, this is so crazy. 135 00:07:59,146 --> 00:08:00,606 [NELSON] No, no, no, no, no. 136 00:08:00,689 --> 00:08:02,858 Like she said, no purchase is easy. 137 00:08:02,941 --> 00:08:06,570 You're gonna have your ups and downs, and this is a down right now. 138 00:08:07,112 --> 00:08:09,239 Kay, let's just have contingents, please. 139 00:08:10,324 --> 00:08:12,826 [FRENETIC MUSIC] 140 00:08:17,122 --> 00:08:20,667 [BUBU] That look is the most difficult piece 141 00:08:20,751 --> 00:08:22,002 I've ever embarked on. 142 00:08:29,384 --> 00:08:32,471 We do five, seven, nine, eleven. 143 00:08:32,554 --> 00:08:34,556 Let... So that's 300 in total. 144 00:08:35,599 --> 00:08:38,769 So if they've done 200 pieces, and... 145 00:08:38,852 --> 00:08:40,270 [MAN] The back will be a bit longer... 146 00:08:40,979 --> 00:08:43,440 [BUBU] Yeah, it's 110, 111. 147 00:08:52,866 --> 00:08:55,035 It's such a great energy in here. 148 00:09:01,166 --> 00:09:02,167 Hi, Bubu. 149 00:09:02,626 --> 00:09:04,670 [MUSIC FADES OUT] 150 00:09:05,504 --> 00:09:07,923 [NAOMI] The first rule of this planet is... 151 00:09:09,049 --> 00:09:11,134 do not look a star in the eye. 152 00:09:12,010 --> 00:09:13,220 If you still want to live. 153 00:09:14,263 --> 00:09:16,181 [TRUMPETS BLARING] 154 00:09:17,182 --> 00:09:19,476 We're walking on madness. 155 00:09:19,559 --> 00:09:20,894 Are you aware? 156 00:09:21,645 --> 00:09:24,856 Dance into the light until your spirit comes shivering. 157 00:09:26,316 --> 00:09:28,110 Until your eyes go boom. 158 00:09:31,154 --> 00:09:32,364 Something true. 159 00:09:34,449 --> 00:09:36,159 A god is a god. 160 00:09:36,743 --> 00:09:37,828 Is a god. 161 00:09:38,829 --> 00:09:39,871 Is a door. 162 00:09:43,667 --> 00:09:47,671 This beast is a beast is a beast. 163 00:09:48,505 --> 00:09:50,132 Now unleashed. 164 00:09:50,674 --> 00:09:51,967 Let me tell you a story. 165 00:09:52,926 --> 00:09:55,971 Once, an angel landed in my head. 166 00:09:56,054 --> 00:09:57,264 And said, 167 00:09:57,347 --> 00:09:58,724 "Fear not. 168 00:09:58,807 --> 00:10:00,225 Fear not. 169 00:10:00,309 --> 00:10:01,351 Fear not." 170 00:10:03,353 --> 00:10:04,980 It almost changed me. 171 00:10:06,523 --> 00:10:08,400 But I'm wilder than that. 172 00:10:10,277 --> 00:10:11,611 Darker than that. 173 00:10:16,575 --> 00:10:18,493 This could be a Big Bang. 174 00:10:20,579 --> 00:10:23,457 You see, depending on how you look at it, 175 00:10:23,915 --> 00:10:25,167 this could be a dream. 176 00:10:26,209 --> 00:10:28,545 This is where it seems to begin. 177 00:10:28,628 --> 00:10:30,672 [HORN AND DRUM MUSIC CRESCENDOS] 178 00:10:56,490 --> 00:11:00,535 I wear a cut of holy against my throat. 179 00:11:00,619 --> 00:11:04,206 Specks of power glow glossy on my eyelids. 180 00:11:04,289 --> 00:11:07,793 I turn into a river of deep courage. 181 00:11:08,335 --> 00:11:12,881 Into a revolution of metal and feathers. 182 00:11:13,840 --> 00:11:15,092 When I appear in skin... 183 00:11:15,801 --> 00:11:17,511 [HORNS FADE, PERCUSSIVE BEAT CONTINUES] 184 00:11:17,594 --> 00:11:18,887 they buck. 185 00:11:31,400 --> 00:11:34,069 When I become in a strut, they fall. 186 00:11:38,407 --> 00:11:39,574 [HORNS BLARE] 187 00:11:39,658 --> 00:11:43,620 You told me that when I was way, way, way, way smaller. 188 00:11:43,703 --> 00:11:47,874 I'm keeping it forever, like everything else out of your mouth. 189 00:11:53,797 --> 00:11:56,091 ["FRIKITONA" BY PLAN B PLAYS] 190 00:11:57,092 --> 00:11:59,594 I make things because I was made. 191 00:11:59,678 --> 00:12:03,056 We make worlds because ours can fade. 192 00:12:04,307 --> 00:12:05,559 [GLASS SHATTERING] 193 00:12:55,817 --> 00:13:00,238 They keep their glow of an eye on me. 194 00:13:21,927 --> 00:13:24,012 [HORNS BLARE] 195 00:13:24,095 --> 00:13:26,806 Throw a dare at what wants to be me. 196 00:13:28,350 --> 00:13:30,393 Turn my hips into madness. 197 00:13:32,062 --> 00:13:33,772 The opposite of mercy. 198 00:13:34,856 --> 00:13:37,734 Twin, indescribable hills. 199 00:13:38,151 --> 00:13:41,154 And you know how it goes more than anyone. 200 00:13:41,238 --> 00:13:43,490 You do. You do. 201 00:13:45,992 --> 00:13:48,787 I come to you, striking. 202 00:13:48,870 --> 00:13:52,082 The music runs and does its dance. 203 00:13:52,165 --> 00:13:53,792 They pour their lights on me 204 00:13:53,875 --> 00:13:59,339 as I build the trance, the ground speeds out to meet the stars. 205 00:14:01,132 --> 00:14:02,884 How does it go again? 206 00:14:27,117 --> 00:14:30,120 [MUSIC FADES AWAY] 207 00:14:30,495 --> 00:14:32,414 Hi, Korty. 208 00:14:32,872 --> 00:14:34,958 Do you consider yourself a goddess? 209 00:14:35,041 --> 00:14:37,836 A goddess? Oh, my God, I'm not that conceited. 210 00:14:37,919 --> 00:14:40,005 - Sorry. - [LAUGHING] I don't know. 211 00:14:40,964 --> 00:14:43,133 I mean, I'm just the spirit here. 212 00:14:43,216 --> 00:14:44,634 Just here chilling. 213 00:14:45,844 --> 00:14:46,928 No, actually. 214 00:14:47,012 --> 00:14:50,056 I had a bit of a reaction to the word, like, "goddess." 215 00:14:50,974 --> 00:14:52,434 I think of myself as a god. 216 00:14:53,143 --> 00:14:56,229 {\an8}- So do you think you're a goddess? - Yes, I think. 217 00:14:57,147 --> 00:14:58,732 {\an8}[LAUGHS] 218 00:14:58,815 --> 00:15:00,066 I think I'm a goddess. 219 00:15:00,775 --> 00:15:03,320 - Do you think you're a goddess? - Yes, in my own right. 220 00:15:04,279 --> 00:15:05,447 I guess, let me put it this way. 221 00:15:05,530 --> 00:15:09,576 I feel like we're all extensions of what we've been created from. 222 00:15:12,120 --> 00:15:15,498 It's being able to tap into, you know, your higher self. 223 00:15:18,627 --> 00:15:21,921 {\an8}My name is Wavy the Creator, and I am an all-around creative. 224 00:15:23,548 --> 00:15:26,301 {\an8}I feel like art is basically the center of my world. 225 00:15:27,427 --> 00:15:31,890 I'm trying to make a very powerful, empowering song 226 00:15:32,474 --> 00:15:35,894 about a woman, that can inspire people, you know? 227 00:15:35,977 --> 00:15:37,145 And that can be relatable. 228 00:15:37,228 --> 00:15:39,731 So in the talking bit. Yeah, that's a bounce, right? 229 00:15:40,815 --> 00:15:42,859 Yo, Higo, please let me record the bounce 230 00:15:42,942 --> 00:15:44,653 for this talking bit right here real quick. 231 00:15:45,195 --> 00:15:46,196 As young as a can remember, 232 00:15:46,279 --> 00:15:50,784 I had a very strong, like, desire to want to create things out of nothing. 233 00:15:53,370 --> 00:15:54,663 [KORTY] Where'd you grow up. 234 00:15:55,080 --> 00:15:59,417 [WAVY] I grew up partly here in Lagos and in Kansas City, Missouri as well. 235 00:16:00,794 --> 00:16:02,087 Coming from Lagos, 236 00:16:02,170 --> 00:16:04,756 I felt like not a lot of people understood me. 237 00:16:05,548 --> 00:16:07,717 I just felt like an alien. 238 00:16:09,969 --> 00:16:11,846 [KORTY] Do you still feel like an alien? 239 00:16:13,223 --> 00:16:14,307 [WAVY] Yeah, sometimes. 240 00:16:16,059 --> 00:16:19,354 Especially when I came to Lagos. I was supposed to be coming back home. 241 00:16:20,897 --> 00:16:23,149 But it felt like I was in a foreign land. 242 00:16:24,859 --> 00:16:27,362 Where there'd been a lot of misconceptions about who I am. 243 00:16:28,238 --> 00:16:31,741 Everywhere I went to, it's just like I either got stares or questions. 244 00:16:32,283 --> 00:16:33,326 But I embraced it. 245 00:16:35,662 --> 00:16:37,664 Because it gave me a spotlight. 246 00:16:39,874 --> 00:16:41,626 [WARPING SOUNDS] 247 00:16:43,712 --> 00:16:47,382 [SMOOTH R&B KEYBOARD] 248 00:16:47,465 --> 00:16:48,550 ♪ Hey ♪ 249 00:16:49,801 --> 00:16:50,844 ♪ Higo ♪ 250 00:16:51,886 --> 00:16:53,430 ♪ Give me my heartbeat on the low ♪ 251 00:16:54,013 --> 00:16:55,724 ♪ You make the time stop when you go ♪ 252 00:16:56,307 --> 00:16:58,435 ♪ And when the temperature get cold ♪ 253 00:16:58,518 --> 00:17:00,770 ♪ You're like hot stones on the stove ♪ 254 00:17:00,854 --> 00:17:02,856 ♪ Give me my heartbeat on the low ♪ 255 00:17:02,939 --> 00:17:04,649 ♪ You make the time stop when you go ♪ 256 00:17:05,442 --> 00:17:07,402 ♪ And when the temperature get low ♪ 257 00:17:07,485 --> 00:17:09,446 ♪ You're like hot stones on the stove ♪ 258 00:17:10,029 --> 00:17:11,823 ♪ You're walking with a star ♪ 259 00:17:11,906 --> 00:17:13,366 ♪ Yeah, you are ♪ 260 00:17:13,450 --> 00:17:14,492 ♪ Yes ♪ 261 00:17:14,576 --> 00:17:17,412 ♪ You're walking like a star Yeah, you are ♪ 262 00:17:18,538 --> 00:17:21,624 ♪ Can't get this feeling in my body ♪ 263 00:17:22,751 --> 00:17:26,004 ♪ You got me feelin' like I want it ♪ 264 00:17:27,464 --> 00:17:30,592 ♪ Hey, the way she walks She lookin' like star ♪ 265 00:17:32,093 --> 00:17:35,096 ♪ Don't compare You can never be her... ♪ 266 00:17:36,639 --> 00:17:38,224 {\an8}[WOMAN] My name is Eloghosa Osunde. 267 00:17:41,811 --> 00:17:43,855 I wrote a novel called Vagabonds. 268 00:17:46,900 --> 00:17:48,568 Vagabonds is a book that's very interested 269 00:17:48,651 --> 00:17:54,282 in thinking about God, life, love, queerness, spirituality, 270 00:17:54,365 --> 00:17:56,201 and so all of those things come together. 271 00:17:57,786 --> 00:17:59,913 The Nigerian constitution, as is, 272 00:17:59,996 --> 00:18:03,666 refers to anyone who's queer or who gender bends as a vagabond. 273 00:18:03,750 --> 00:18:05,877 Like that's actually written into the law. 274 00:18:06,419 --> 00:18:07,796 And that made me very angry. 275 00:18:09,756 --> 00:18:12,133 What has happened with the word "vagabond" since then 276 00:18:12,217 --> 00:18:14,886 is what happened with the word "queer" for instance. 277 00:18:14,969 --> 00:18:16,679 Queer used to be a slur. 278 00:18:16,763 --> 00:18:19,474 And the way you take that and say, "Okay, that's my name." Then what? 279 00:18:22,435 --> 00:18:24,979 And so now you see people like with vagabond tattoos. 280 00:18:25,980 --> 00:18:27,690 You know, I know what they say 281 00:18:28,566 --> 00:18:29,651 to us. 282 00:18:30,193 --> 00:18:33,571 I know what they say to women. I know what they say to queer people. 283 00:18:34,197 --> 00:18:36,825 But I've also learned that we can say something back. 284 00:18:37,784 --> 00:18:39,994 [MUSIC BOOMING OUTSIDE] 285 00:18:40,078 --> 00:18:43,957 It is 12 a.m. in Lagos, Nigeria. 286 00:18:44,457 --> 00:18:47,210 And we're here to party. We're waiting for Ashley Okoli. 287 00:18:49,128 --> 00:18:50,713 Superstar Ashley Okoli. 288 00:18:51,172 --> 00:18:54,384 All kinds of people from all over the city 289 00:18:55,134 --> 00:18:57,387 come here to be themselves. 290 00:18:58,429 --> 00:18:59,973 {\an8}Like, it's like your heartbeat. 291 00:19:00,849 --> 00:19:01,891 {\an8}[LAUGHS] 292 00:19:02,475 --> 00:19:04,519 Do you feel like there's a lot of people in Nigeria 293 00:19:04,602 --> 00:19:07,188 who have to, like, hide who they really are? 294 00:19:07,272 --> 00:19:10,233 [ASHLEY] Oh, yeah. A lot. Like 50%. 295 00:19:10,316 --> 00:19:11,484 Ninety percent. 296 00:19:11,568 --> 00:19:13,736 [KORTY] Then it makes sense that you inspire a lot of people. 297 00:19:13,820 --> 00:19:15,655 [ASHLEY] Yeah, I feel from people 298 00:19:15,738 --> 00:19:19,325 of different ages, sizes, race, everything... 299 00:19:19,409 --> 00:19:22,161 They talk about how they wish they were as free as I am. 300 00:19:22,245 --> 00:19:23,830 Well, it's never too late, 301 00:19:23,913 --> 00:19:27,667 and there's nothing as original as knowing yourself. 302 00:19:28,334 --> 00:19:31,212 [SMOOTH HIP HOP MUSIC] 303 00:19:35,216 --> 00:19:36,593 What do you identify as? 304 00:19:37,135 --> 00:19:39,137 Ashley Okoli. 305 00:19:42,724 --> 00:19:44,726 I'm a model, stylist, 306 00:19:44,809 --> 00:19:47,562 creative director, all-around artist. 307 00:19:48,146 --> 00:19:49,397 In general, bad bitch. 308 00:19:49,480 --> 00:19:53,318 [ENGINE RUMBLES] 309 00:19:53,401 --> 00:19:58,948 I'm about to like really perform something you've probably never seen. 310 00:20:02,160 --> 00:20:04,245 [WOMAN] It's-It's giving half-assed. 311 00:20:04,829 --> 00:20:06,247 [MURMURED CONVERSATION] 312 00:20:06,873 --> 00:20:08,958 [ASHLEY] We are going back to my tribe. 313 00:20:09,042 --> 00:20:10,668 My culture, Igbo. 314 00:20:11,461 --> 00:20:12,587 You know? 315 00:20:14,088 --> 00:20:15,256 Okay. 316 00:20:16,382 --> 00:20:18,968 [SINGING TRADITIONAL SONG] 317 00:20:19,052 --> 00:20:20,303 Not the song. 318 00:20:21,554 --> 00:20:23,264 - Everything you've said... - [ASHLEY] Yeah. 319 00:20:23,348 --> 00:20:26,768 ...if you could define it in one word, what would it be? 320 00:20:26,851 --> 00:20:27,936 It would be... 321 00:20:29,062 --> 00:20:30,813 Label me. I dare you. 322 00:20:35,485 --> 00:20:38,321 [CHIMES RINGING] 323 00:20:46,204 --> 00:20:49,958 ["BUZZIN" BY DUA SALEH PLAYING] 324 00:20:50,041 --> 00:20:52,585 - [KORTY] You are very true to yourself. - [ASHLEY] I am. 325 00:20:52,669 --> 00:20:54,170 - [KORTY] I respect it. - [ASHLEY] Thank you. 326 00:20:54,253 --> 00:20:55,254 [LAUGHS] 327 00:21:14,899 --> 00:21:19,570 [TECHNO BEAT DROPS] 328 00:21:44,554 --> 00:21:45,930 [ASHLEY] Who else? [CHUCKLES] 329 00:21:46,472 --> 00:21:49,851 [MUSIC FADES, CRICKETS CHIRPING] 330 00:21:52,270 --> 00:21:53,688 [BRIGHT GUITAR MUSIC] 331 00:21:54,689 --> 00:21:56,232 [GIGI] I've missed you guys. 332 00:21:56,816 --> 00:21:58,359 Wait... where's my walkie? 333 00:21:59,318 --> 00:22:02,155 [LAUGHING] I wish I could have a walkie sound. 334 00:22:02,905 --> 00:22:05,825 Um, could you... could you put one in for me? 335 00:22:06,367 --> 00:22:07,660 Yeah, they gave me a walkie. 336 00:22:08,619 --> 00:22:10,788 [WALKIE BEEPS] Anyone have eyes on Doja? 337 00:22:11,414 --> 00:22:14,208 [SMOOTH GUITAR INTRO] 338 00:22:14,292 --> 00:22:16,836 ♪ Baby, if you like it ♪ 339 00:22:16,919 --> 00:22:19,547 ♪ Just reach out and pet it ♪ 340 00:22:19,630 --> 00:22:24,510 ♪ This one doesn't bite It doesn't get aggressive ♪ 341 00:22:24,594 --> 00:22:27,472 ♪ Show you how to touch it ♪ 342 00:22:27,555 --> 00:22:30,183 ♪ Hold it like it's precious ♪ 343 00:22:30,266 --> 00:22:33,102 ♪ It don't need your lovin' ♪ 344 00:22:33,186 --> 00:22:35,938 ♪ It just needs attention ♪ 345 00:22:36,898 --> 00:22:38,191 ♪ Love me ♪ 346 00:22:38,274 --> 00:22:42,278 ♪ It needs, it seeks affection ♪ 347 00:22:42,361 --> 00:22:43,654 ♪ (SO SWEET) ♪ 348 00:22:43,738 --> 00:22:47,700 ♪ Hungry, it fiends attention ♪ 349 00:22:47,784 --> 00:22:48,785 ♪ (HUNGRY) ♪ 350 00:22:49,243 --> 00:22:53,331 ♪ It needs, it seeks affection ♪ 351 00:22:53,414 --> 00:22:54,582 ♪ (BABY) ♪ 352 00:22:54,665 --> 00:22:57,210 ♪ Hungry, it feeds ♪ 353 00:22:57,293 --> 00:23:00,379 ♪ Yeah, look at me, look at me You lookin'? ♪ 354 00:23:00,463 --> 00:23:03,132 ♪ My taste good But I just had to redirect my cookin' ♪ 355 00:23:03,216 --> 00:23:05,885 ♪ I coulda been an opener I redirect the bookin' ♪ 356 00:23:05,968 --> 00:23:08,304 ♪ I read it, all the comments Sayin', "D, I'm really shooketh" ♪ 357 00:23:08,387 --> 00:23:10,932 ♪ D, you need to see a therapist Is you lookin'? ♪ 358 00:23:11,015 --> 00:23:13,893 ♪ Yes, the one I got They really are the best ♪ 359 00:23:13,976 --> 00:23:16,562 ♪ Now I feel like I can see You bitches is depressed ♪ 360 00:23:16,646 --> 00:23:19,190 ♪ I am not afraid To finally say shit with my chest ♪ 361 00:23:19,273 --> 00:23:22,068 ♪ Lost a little weight But I ain't never lost the tushy ♪ 362 00:23:22,151 --> 00:23:24,737 ♪ Lookin' good But now my bald head match my... ♪ 363 00:23:24,821 --> 00:23:27,657 ♪ Lookin' good But now they all sayin' that I'm ugly ♪ 364 00:23:27,740 --> 00:23:30,409 ♪ Well, boohoo, my nigga I ain't sad you won't fuck me ♪ 365 00:23:30,493 --> 00:23:33,121 ♪ I'm sad that you really thought Yo ass was above me ♪ 366 00:23:33,204 --> 00:23:35,790 ♪ Your lucky 'cause I just Paid your bill with a reply ♪ 367 00:23:35,873 --> 00:23:38,042 ♪ I just made your money pile knee high ♪ 368 00:23:38,126 --> 00:23:40,503 ♪ I just made your stats peak Now you got a blue check ♪ 369 00:23:40,586 --> 00:23:43,422 ♪ Now you can afford To go and reinstall a new wig ♪ 370 00:23:43,506 --> 00:23:46,008 ♪ Now you can afford to not be lousy Go and do shit ♪ 371 00:23:46,092 --> 00:23:48,553 ♪ Talkin' shit about me I can easily disprove it ♪ 372 00:23:48,636 --> 00:23:50,012 ♪ It's stupid, you follow me ♪ 373 00:23:50,096 --> 00:23:52,223 ♪ But you don't really care About the music ♪ 374 00:23:52,306 --> 00:23:55,017 ♪ Baby, if you like it ♪ 375 00:23:55,101 --> 00:23:57,687 ♪ Just reach out and pet it ♪ 376 00:23:57,770 --> 00:24:02,775 ♪ This one doesn't bite It doesn't get aggressive ♪ 377 00:24:02,859 --> 00:24:05,945 ♪ Show you how to touch it ♪ 378 00:24:06,028 --> 00:24:08,281 ♪ Hold it like it's precious ♪ 379 00:24:08,364 --> 00:24:11,325 ♪ It don't need your lovin' ♪ 380 00:24:11,409 --> 00:24:14,078 ♪ It just needs attention ♪ 381 00:24:14,996 --> 00:24:16,414 ♪ (LOVE ME) ♪ 382 00:24:16,497 --> 00:24:20,418 ♪ It needs, it seeks affection ♪ 383 00:24:20,501 --> 00:24:21,836 ♪ (SO SWEET) ♪ 384 00:24:21,919 --> 00:24:25,923 ♪ Hungry, it fiends attention ♪ 385 00:24:26,007 --> 00:24:27,341 ♪ (HUNGRY) ♪ 386 00:24:27,425 --> 00:24:31,387 ♪ It needs, it seeks affection ♪ 387 00:24:31,470 --> 00:24:32,805 ♪ (BABY) ♪ 388 00:24:32,889 --> 00:24:35,308 ♪ Hungry, it feeds ♪ 389 00:24:36,267 --> 00:24:38,853 ♪ Look at me, look at me, I'm naked ♪ 390 00:24:38,936 --> 00:24:41,022 ♪ Vulnerability earned me a lot of bacon ♪ 391 00:24:41,105 --> 00:24:43,774 ♪ I put a thong all in my ass And taught you how to shake it ♪ 392 00:24:43,858 --> 00:24:46,527 ♪ I paid all my respect To those who taught me how to make it ♪ 393 00:24:46,611 --> 00:24:49,322 ♪ And now I reap the benefits With no confrontation ♪ 394 00:24:49,405 --> 00:24:51,824 ♪ Y'all fall into beef But that's another conversation ♪ 395 00:24:51,908 --> 00:24:54,911 ♪ I'm sorry, but we all find it Really entertaining ♪ 396 00:24:54,994 --> 00:24:57,371 ♪ ' Cause we all wanna see them slip And fall right on their faces ♪ 397 00:24:57,455 --> 00:25:00,082 ♪ And we all wanna be the one To see the devastation ♪ 398 00:25:00,166 --> 00:25:03,211 ♪ Not be in it But ain't the bad press good? ♪ 399 00:25:03,294 --> 00:25:05,880 ♪ The disrespect's real How this Patek look? ♪ 400 00:25:05,963 --> 00:25:08,633 ♪ Pull out the checkbook Now why your neck crook? ♪ 401 00:25:08,716 --> 00:25:11,302 ♪ I never learn to superstar From a textbook ♪ 402 00:25:11,385 --> 00:25:13,930 ♪ Talkin' 'bout, "She fallin' off Why she get booked?" ♪ 403 00:25:14,013 --> 00:25:16,807 ♪ Man, I been humble I'm tired of all the deprecation ♪ 404 00:25:16,891 --> 00:25:19,518 ♪ Just let me flex, bruh Just let me pop shit ♪ 405 00:25:19,602 --> 00:25:22,480 ♪ ("WHY SHE THINK SHE NICKI M? SHE THINK SHE HOT SHIT") ♪ 406 00:25:22,563 --> 00:25:25,024 ♪ I never gave a F Go stir the pot, bitch ♪ 407 00:25:25,107 --> 00:25:27,735 ♪ I got y'all head all in the dirt Just like a ostrich ♪ 408 00:25:27,818 --> 00:25:30,529 ♪ Of course, you bitches comparin' Doja To who the hottest ♪ 409 00:25:30,613 --> 00:25:32,573 ♪ Baby, if you like it ♪ 410 00:25:33,282 --> 00:25:35,910 ♪ Just reach out and pet it ♪ 411 00:25:35,993 --> 00:25:41,249 ♪ This one doesn't bite It doesn't get aggressive ♪ 412 00:25:41,332 --> 00:25:44,126 ♪ Show you how to touch it ♪ 413 00:25:44,210 --> 00:25:46,545 ♪ Hold it like it's precious ♪ 414 00:25:46,629 --> 00:25:52,176 ♪ It don't need your lovin' It just needs attention ♪ 415 00:25:53,261 --> 00:25:54,512 ♪ Love me ♪ 416 00:25:54,595 --> 00:25:58,683 ♪ It needs, it seeks affection ♪ 417 00:25:58,766 --> 00:25:59,892 ♪ (SO SWEET) ♪ 418 00:25:59,976 --> 00:26:04,188 ♪ Hungry, it fiends attention ♪ 419 00:26:04,272 --> 00:26:05,481 ♪ (HUNGRY) ♪ 420 00:26:05,564 --> 00:26:09,694 ♪ It needs, it seeks affection ♪ 421 00:26:09,777 --> 00:26:10,778 ♪ (BABY) ♪ 422 00:26:10,861 --> 00:26:14,115 ♪ Hungry, it feeds ♪ 423 00:26:26,502 --> 00:26:31,048 - [WOMAN] Okay, cue... - [CHEERS, APPLAUSE] 424 00:26:31,132 --> 00:26:33,009 [GIGI, SINGING] ♪ That was Doja ♪ 425 00:26:33,801 --> 00:26:36,929 ♪ Ooh, I'm gonna sing for Doja ♪ 426 00:26:37,388 --> 00:26:38,723 [LAUGHS] 427 00:26:38,806 --> 00:26:40,016 [CLASSICAL MUSIC] 428 00:26:40,099 --> 00:26:41,434 All right, my angels. 429 00:26:42,184 --> 00:26:44,228 Next, we travel to Bogotá. 430 00:26:45,604 --> 00:26:47,481 We'll introduce you to Goyo, 431 00:26:48,607 --> 00:26:49,775 Lorena, 432 00:26:50,318 --> 00:26:51,527 Melissa, 433 00:26:52,236 --> 00:26:53,279 Piscis, 434 00:26:54,155 --> 00:26:55,281 and Cristina. 435 00:26:59,785 --> 00:27:01,329 [WHOOSHING SOUND] 436 00:27:05,916 --> 00:27:07,585 [HORNS HONKING] 437 00:27:13,424 --> 00:27:15,843 [MELLOW SYNTH MUSIC] 438 00:27:23,059 --> 00:27:27,063 {\an8}[IN SPANISH] I'm Melissa. Melissa Valdez, I'm from Medellín. 439 00:27:28,522 --> 00:27:29,774 I'm 23. 440 00:27:32,818 --> 00:27:34,028 I'm a designer. 441 00:27:34,111 --> 00:27:36,113 I've just finished college. 442 00:27:44,622 --> 00:27:46,082 {\an8}Hi, I'm Piscis. 443 00:27:46,832 --> 00:27:48,709 {\an8}Artist and activist from Bogotá, Colombia. 444 00:27:50,920 --> 00:27:54,131 I communicate with my body through movement. 445 00:27:55,007 --> 00:27:58,094 I've always though movement is majestic. 446 00:28:03,140 --> 00:28:04,892 {\an8}Okay, my name is Gloria, 447 00:28:04,975 --> 00:28:06,352 {\an8}people call me Goyo. 448 00:28:06,811 --> 00:28:08,145 {\an8}I'm an artist. 449 00:28:09,647 --> 00:28:11,649 I started with ChocQuibTown. 450 00:28:13,734 --> 00:28:15,569 I will be at Billboard's Women in Music now 451 00:28:15,653 --> 00:28:18,781 and I'm the first Afro-Latin woman receiving recognition 452 00:28:18,864 --> 00:28:20,157 for being an agent of change. 453 00:28:21,617 --> 00:28:22,827 It's complex, 454 00:28:22,910 --> 00:28:25,454 when you have had to open doors 455 00:28:25,538 --> 00:28:27,206 and be a pioneer of certain things, 456 00:28:27,289 --> 00:28:28,582 and that's part of my story. 457 00:28:30,209 --> 00:28:34,964 Since I went solo, I am in a process of recognizing who Goyo is. 458 00:28:38,676 --> 00:28:40,344 {\an8}My name is Cristina Sanchez Salamanca. 459 00:28:41,095 --> 00:28:42,471 {\an8}I'm a director. 460 00:28:42,555 --> 00:28:44,056 Lorena told me that she was 461 00:28:44,140 --> 00:28:46,517 painting five women around a table. 462 00:28:47,893 --> 00:28:52,273 So I thought it was exciting to bring that painting to life. 463 00:28:52,731 --> 00:28:56,360 [CITY SOUNDSCAPE] 464 00:29:03,242 --> 00:29:04,410 [DOOR OPENS] 465 00:29:07,371 --> 00:29:08,372 [DOOR SHUTS] 466 00:29:09,081 --> 00:29:10,916 Okay, I am Lorena, 467 00:29:11,500 --> 00:29:13,419 from Barranquilla, a painter. 468 00:29:13,878 --> 00:29:15,713 I've lived in Bogotá for 13 years. 469 00:29:16,589 --> 00:29:22,595 All my paintings are related to the Colombian Caribbean coast. 470 00:29:24,054 --> 00:29:25,806 I think it's a feeling. 471 00:29:26,640 --> 00:29:30,394 The sun is above, literally above your head. 472 00:29:30,478 --> 00:29:34,106 It's so hot, your brain starts to melt. 473 00:29:39,570 --> 00:29:40,654 It's like... 474 00:29:40,738 --> 00:29:44,992 sweat and this need to touch and feel the other, 475 00:29:46,577 --> 00:29:48,078 The Caribbean is affection. 476 00:29:51,373 --> 00:29:54,585 I think of them talking and gossiping amongst themselves. 477 00:29:55,503 --> 00:30:01,383 They appear to be sharing a secret... 478 00:30:08,140 --> 00:30:09,892 We're the subject of the secret. 479 00:30:09,975 --> 00:30:14,939 [BACKGROUND CHATTER] 480 00:30:22,154 --> 00:30:23,948 I don't like to be looked at. 481 00:30:24,031 --> 00:30:26,200 Now you know what it feels like for us! 482 00:30:26,283 --> 00:30:27,535 [LAUGHTER] 483 00:30:35,000 --> 00:30:36,544 I'll tell you about me. 484 00:30:37,628 --> 00:30:41,840 I want to start by saying that I was born in Bogotá. 485 00:30:46,220 --> 00:30:47,555 And I love Bogotá. 486 00:30:47,638 --> 00:30:49,223 I love this city. 487 00:30:49,306 --> 00:30:50,849 I love its chaos. 488 00:30:53,435 --> 00:30:57,856 It takes time to learn how to live 489 00:30:57,940 --> 00:30:59,024 in this city. 490 00:30:59,108 --> 00:31:01,277 I think it's the same as our bodies. 491 00:31:01,735 --> 00:31:06,490 It takes some time to feel at home in one's body, 492 00:31:06,574 --> 00:31:08,325 to understand and to be at peace with it. 493 00:31:08,409 --> 00:31:09,618 I am like a river, 494 00:31:09,702 --> 00:31:10,995 I let myself flow, 495 00:31:11,078 --> 00:31:13,664 so that's how I communicate with my body. 496 00:31:13,747 --> 00:31:17,543 I think our processes, our bodies, our personalities 497 00:31:17,626 --> 00:31:20,921 are like the weather in Bogotá: always changing, always evolving. 498 00:31:21,005 --> 00:31:22,047 - Yes, totally. - Literally. 499 00:31:22,131 --> 00:31:23,215 - They are everchanging. - Totally. 500 00:31:23,299 --> 00:31:25,467 - It's omnipresent. - Yes. 501 00:31:25,551 --> 00:31:26,885 [THUNDER, RAIN] 502 00:31:26,969 --> 00:31:29,430 [PISCIS] Finding those different paths 503 00:31:29,513 --> 00:31:32,975 or ways of getting along with your body is beautiful. 504 00:31:33,642 --> 00:31:35,894 I love the word transit. 505 00:31:35,978 --> 00:31:37,771 [NEWS ANCHOR IN ENGLISH] We turn now to Colombia, 506 00:31:37,855 --> 00:31:40,316 where anti-government protestors filled the streets 507 00:31:40,399 --> 00:31:43,902 of a number of cities Tuesday on Colombia's independence day. 508 00:31:43,986 --> 00:31:48,532 The country's defense minister had claimed violence was expected at the protest 509 00:31:48,616 --> 00:31:50,868 {\an8}and put Bogotá on heightened alert. 510 00:31:50,951 --> 00:31:53,162 {\an8}[PISCIS IN SPANISH] I don't know how to express anger 511 00:31:53,245 --> 00:31:55,080 other than through dance, or art. 512 00:31:55,664 --> 00:31:58,500 [DANCE MUSIC] 513 00:32:01,003 --> 00:32:02,796 [SHOUTS, CHEERS] 514 00:32:03,339 --> 00:32:09,345 On that day, one of my partners had the idea of using caution tape 515 00:32:10,179 --> 00:32:11,805 to make a top. 516 00:32:13,015 --> 00:32:14,391 And a woman appeared, 517 00:32:14,475 --> 00:32:15,643 I say she was an angel. 518 00:32:16,894 --> 00:32:20,606 Because this woman appeared and told me, 519 00:32:20,689 --> 00:32:22,066 "Why don't you dance here?" 520 00:32:22,524 --> 00:32:25,402 We went through some stairs and the people 521 00:32:25,486 --> 00:32:27,112 and we reached that place 522 00:32:27,196 --> 00:32:29,865 where the video was shot. 523 00:32:33,035 --> 00:32:36,497 We are here, we exist, and we are part of society. 524 00:32:36,914 --> 00:32:39,249 We fight for our society. 525 00:32:39,625 --> 00:32:41,627 We do it for ourselves, but we also do it for you. 526 00:32:42,044 --> 00:32:44,880 For your children, for your family, for your job. 527 00:32:50,302 --> 00:32:54,431 That moment was truly... I feel that, 528 00:32:54,515 --> 00:32:58,477 up until now, it was the best moment of my life 529 00:32:58,560 --> 00:33:01,313 on a performance level because 530 00:33:02,731 --> 00:33:05,317 experiencing that, I could physically see 531 00:33:05,818 --> 00:33:11,073 how dance, movement, love, and need 532 00:33:11,490 --> 00:33:14,118 can transform a hostile environment. 533 00:33:17,121 --> 00:33:20,207 {\an8}[EXCITING MUSIC] 534 00:33:22,042 --> 00:33:24,670 [MELISSA] It was not until one or two years ago that I started thinking about 535 00:33:24,753 --> 00:33:28,632 how scars and skin features 536 00:33:28,716 --> 00:33:33,095 tell the stories of our lives. 537 00:33:36,140 --> 00:33:39,309 It started when I saw someone with a scar on the street and I said, 538 00:33:39,393 --> 00:33:40,394 "Why not?" 539 00:33:41,478 --> 00:33:43,480 They were showing their scars, 540 00:33:43,564 --> 00:33:46,024 when you usually want to conceal them instead. 541 00:33:47,359 --> 00:33:52,823 So, after seeing their scars, that day, I looked in the mirror 542 00:33:53,407 --> 00:33:57,244 and looked at my own scars, like my stretch marks 543 00:33:57,327 --> 00:33:59,705 or other marks on my body gained through the years. 544 00:34:01,373 --> 00:34:03,083 Take the picture soon because... 545 00:34:03,167 --> 00:34:04,960 - I love how it looks... - The other side. 546 00:34:05,878 --> 00:34:09,798 It all began with a crochet sample made by my mom. 547 00:34:12,009 --> 00:34:15,804 Were always at home, my mom and I, making stuff. 548 00:34:15,888 --> 00:34:18,682 We'd find sequins and thought about what to do with them. 549 00:34:22,060 --> 00:34:24,563 I've always worked with my mother. 550 00:34:25,314 --> 00:34:27,399 It's like, I am the brains of the operation 551 00:34:27,858 --> 00:34:31,403 and she'll figure out a way to bring it to life. 552 00:34:34,198 --> 00:34:37,493 Very recently, my mother had neck surgery 553 00:34:37,951 --> 00:34:42,122 I think we started sewing one or two weeks after that, 554 00:34:42,206 --> 00:34:44,958 I told her, "You don't have to sew," but she was like, "I got this." 555 00:34:49,379 --> 00:34:52,966 I think she knows what her scars mean to me 556 00:34:53,050 --> 00:34:55,886 because they turned our lives upside down. 557 00:34:57,262 --> 00:34:59,973 She doesn't seem to see it that way, but it tells a story 558 00:35:00,057 --> 00:35:03,227 of how on day, you can be doing fine, 559 00:35:03,310 --> 00:35:06,021 and the next, they find 18 tumors inside of you. 560 00:35:11,360 --> 00:35:13,403 [INDISTINCT CONVERSATION] 561 00:35:16,573 --> 00:35:21,119 As far as design techniques, I've used variations of crochet, 562 00:35:21,620 --> 00:35:24,623 We made crochet samples 563 00:35:24,706 --> 00:35:28,293 in plastic, in chain, in beads 564 00:35:28,377 --> 00:35:31,255 so we have to make the thread, 565 00:35:31,338 --> 00:35:34,633 meters and meters of thread and do the threading with the beads 566 00:35:43,058 --> 00:35:46,436 So all of the eleven looks are completely handmade. 567 00:35:48,146 --> 00:35:50,649 It's not just a fabric, but everything behind it. 568 00:35:57,155 --> 00:36:00,242 Every person that's behind that single piece. 569 00:36:00,325 --> 00:36:03,745 From the person who makes the material 570 00:36:03,829 --> 00:36:05,622 to the person who sews it 571 00:36:05,706 --> 00:36:07,499 and the person who models it. 572 00:36:09,376 --> 00:36:12,546 There's a whole chain behind a dress, 573 00:36:12,629 --> 00:36:13,881 so to speak, 574 00:36:13,964 --> 00:36:15,799 but it's a beautiful chain. 575 00:36:20,721 --> 00:36:23,432 I think the toughest part has been fighting against time. 576 00:36:33,233 --> 00:36:35,569 [MAN IN ENGLISH] This middle section was not like that before. 577 00:36:35,652 --> 00:36:38,614 It's not... I mean, if, Melissa, you want to change it, that's okay, 578 00:36:38,697 --> 00:36:40,824 but next week is when we're sending the collection. 579 00:36:41,450 --> 00:36:43,911 And because we did that dress two times, right, there's no time. 580 00:36:44,578 --> 00:36:47,289 So, we have to ship on Wednesday. Have to, have to, have to. 581 00:36:52,628 --> 00:36:54,755 - We need to do it again. - [MAN] Yeah. 582 00:36:56,798 --> 00:36:59,760 [INDISTINCT DIALOGUE] 583 00:36:59,843 --> 00:37:01,053 [IN SPANISH] Be careful. 584 00:37:03,513 --> 00:37:05,974 [MELISSA] Since I am young, I still don't have all the tools 585 00:37:06,058 --> 00:37:09,478 the experienced people might have. 586 00:37:11,480 --> 00:37:16,276 I feel like 80% of me suffers from impostor syndrome. 587 00:37:16,944 --> 00:37:19,905 I'm always thinking about how someone else could be in my place 588 00:37:19,988 --> 00:37:22,115 or might have done a better job than me. 589 00:37:29,957 --> 00:37:33,543 ["MELTING" BY KALI UCHIS PLAYS] 590 00:41:20,187 --> 00:41:22,522 [CLAPPING] 591 00:41:22,606 --> 00:41:24,399 [LAUGHING] I'm really nervous right now. 592 00:41:24,941 --> 00:41:26,359 [MODEL, IN ENGLISH] It's your first fashion show? 593 00:41:26,443 --> 00:41:28,403 - Yeah, it's all crochet... - Wow. 594 00:41:28,820 --> 00:41:31,072 my mom made your whole dress. 595 00:41:31,156 --> 00:41:32,365 {\an8}- [MAN] Yes. - [MODEL] That is... 596 00:41:32,449 --> 00:41:34,618 It goes from generation to generation, I understand. 597 00:41:35,202 --> 00:41:37,245 [MELISSA] It's amazing to be here for me. 598 00:41:37,329 --> 00:41:40,749 It's amazing for me, too, and a pleasure to be working with you. 599 00:41:41,208 --> 00:41:42,292 [LAUGHS] 600 00:41:47,505 --> 00:41:50,717 [IN SPANISH] I feel super proud of who I am, 601 00:41:51,593 --> 00:41:53,345 of what I've gone through to get here 602 00:41:54,763 --> 00:41:56,431 and how it all happened. 603 00:42:19,329 --> 00:42:21,706 [INDISTINCT CONVERSATIONS IN SPANISH] 604 00:42:24,709 --> 00:42:27,879 [RAPPING IN SPANISH] ♪ I speak with love don't misinterpret my flow ♪ 605 00:42:28,463 --> 00:42:31,716 ♪ And what fault is it of mine That my talent is my art? ♪ 606 00:42:31,800 --> 00:42:34,636 [SPEAKING NORMALLY] I grew up in a fairly... 607 00:42:34,719 --> 00:42:36,805 musical environment, very free. 608 00:42:36,888 --> 00:42:39,182 [RAPPING] ♪ I've been given everything Everything, everything ♪ 609 00:42:39,266 --> 00:42:43,144 ♪ Rhythm, power, street flow ♪ 610 00:42:43,228 --> 00:42:47,899 [SPEAKING] When we were children, my cousins taught us to sing in harmony. 611 00:42:47,983 --> 00:42:49,401 That each of us has her own voice, 612 00:42:49,484 --> 00:42:51,820 so when we get together, we naturally harmonize. 613 00:42:52,320 --> 00:42:55,115 So, it's like, everyone goes with their own voice. 614 00:42:56,366 --> 00:42:57,742 I have a daughter named Saba. 615 00:42:58,326 --> 00:43:00,537 Do you remember how to brake? 616 00:43:01,496 --> 00:43:03,415 Through Saba, I learned a lot. 617 00:43:03,498 --> 00:43:05,750 [SABA] Strength... you have to use strength. 618 00:43:05,834 --> 00:43:09,337 [GOYO] And one of the things I mostly learned from Saba 619 00:43:09,421 --> 00:43:12,090 is not to give up my dream for anything. 620 00:43:13,466 --> 00:43:14,718 I hope others 621 00:43:14,801 --> 00:43:18,513 can feel it and share my essence 622 00:43:18,596 --> 00:43:22,058 or certain specific... state. 623 00:43:22,142 --> 00:43:24,728 Which is the birth of the panther. 624 00:43:25,854 --> 00:43:28,148 I say panther because it's like... 625 00:43:28,231 --> 00:43:30,650 an animal I identify with a lot. 626 00:43:30,734 --> 00:43:33,278 To be real for me is 627 00:43:33,361 --> 00:43:35,405 about showing that strength and... 628 00:43:36,114 --> 00:43:37,741 and the panther claws. 629 00:43:38,450 --> 00:43:43,371 [AFRO-LATIN REGGAETON] 630 00:43:49,878 --> 00:43:53,548 [RAPPING IN SPANISH] 631 00:45:46,995 --> 00:45:50,623 ♪ Victoria's Secret Fashion Show, La pantera ♪ 632 00:46:32,957 --> 00:46:35,043 [GIGI WHISPERS] Oh. Let me grab my walkie. 633 00:46:37,086 --> 00:46:39,756 Calling all models to the runway. 634 00:46:39,839 --> 00:46:41,758 Let's line it up, ladies. It's showtime. 635 00:46:44,594 --> 00:46:47,096 ["HOLD ON" BY EN VOGUE PLAYS] 636 00:47:33,977 --> 00:47:36,437 [SONG SPEEDS UP] 637 00:47:38,523 --> 00:47:41,317 [DANCE REMIX OF "HEADS WILL ROLL" BY THE YEAH YEAH YEAHS PLAYS] 638 00:49:38,184 --> 00:49:40,395 [MUSIC FADES OUT] 639 00:49:41,979 --> 00:49:47,276 [LOW RUMBLING] 640 00:49:55,034 --> 00:49:56,536 [CHIMES, LOW CHORDS] 641 00:50:03,126 --> 00:50:06,212 [THUNDERCLAP] 642 00:50:30,236 --> 00:50:33,531 [THUNDER, RAIN] 643 00:50:41,831 --> 00:50:44,250 [HEELS CLICKING] 644 00:50:47,420 --> 00:50:50,590 ["THAT GIRL" BY BREE RUNWAY PLAYS] 645 00:51:26,375 --> 00:51:30,797 - [SONG ENDS] - [CHEERS, APPLAUSE] 646 00:51:30,880 --> 00:51:33,090 [BIRDSONG] 647 00:51:33,800 --> 00:51:34,926 [GIGI] I mean, come on. 648 00:51:35,009 --> 00:51:37,637 We had to bring back a little bit of the old show. 649 00:51:37,720 --> 00:51:39,055 [LAUGHS] 650 00:51:39,138 --> 00:51:42,099 Oh! This is one of my favorites. Wait for it. Wait for it! 651 00:51:44,143 --> 00:51:47,772 The tube! That's right. We're going to London. 652 00:51:48,773 --> 00:51:50,233 To meet Phoebe, 653 00:51:51,192 --> 00:51:52,401 Ebun, 654 00:51:52,485 --> 00:51:53,653 Supriya, 655 00:51:53,736 --> 00:51:54,821 Michaela, 656 00:51:54,904 --> 00:51:56,113 {\an8}and Margot. 657 00:52:02,954 --> 00:52:04,705 [SUPRIYA] Ooh, yeah. 658 00:52:05,540 --> 00:52:06,916 I think it's really pretty. 659 00:52:07,583 --> 00:52:08,751 Honestly. 660 00:52:09,377 --> 00:52:11,295 {\an8}If this is all in the silver yarn 661 00:52:12,630 --> 00:52:15,049 with a silver fringe and then a silver bra, 662 00:52:16,509 --> 00:52:18,261 it could be quite, like, ooh. 663 00:52:22,181 --> 00:52:25,226 I'm Supriya Lele. I'm a fashion designer. 664 00:52:26,519 --> 00:52:29,522 Cut this and then let's brush this. 665 00:52:31,357 --> 00:52:36,654 My inspiration for the collections ranges between punk referencing 666 00:52:36,737 --> 00:52:38,906 and '90s fashion imagery, 667 00:52:38,990 --> 00:52:43,661 but mostly, I was looking at ancient Indian sculpture. 668 00:52:44,495 --> 00:52:46,080 Goddess motifs. 669 00:52:46,163 --> 00:52:48,374 - The female form, the body. - [CAMERA SHUTTER] 670 00:52:48,749 --> 00:52:51,460 From really historical points of view. 671 00:52:51,544 --> 00:52:55,590 And I wanted to understand how that could be made contemporary 672 00:52:55,673 --> 00:52:57,675 with my kind of touch. 673 00:52:57,758 --> 00:52:59,468 [MODEL] Hello, everyone. 674 00:52:59,969 --> 00:53:01,220 {\an8}[LAUGHING] 675 00:53:03,306 --> 00:53:06,017 [SUPRIYA] So we're gonna try the long skirt on now with fringing. 676 00:53:06,100 --> 00:53:09,520 'Cause we're gonna trim it all at the show so that it's, like, layered. 677 00:53:09,604 --> 00:53:12,148 [GASPS] Look at that. 678 00:53:12,231 --> 00:53:13,816 It looks really beautiful on you, Jess. 679 00:53:13,900 --> 00:53:15,192 How does it feel? 680 00:53:15,276 --> 00:53:17,862 [JESS] Very gorgeous, very sexy and slinky. 681 00:53:17,945 --> 00:53:19,572 [SUPRIYA] And let's do the skirt next. 682 00:53:19,655 --> 00:53:20,698 [ELEVATOR DINGS] 683 00:53:28,122 --> 00:53:29,790 [WOMAN LAUGHS] 684 00:53:29,874 --> 00:53:31,334 Nasty girl. 685 00:53:31,417 --> 00:53:33,544 {\an8}My name is Ebun. Ebun Sodipo. 686 00:53:33,628 --> 00:53:36,589 {\an8}I've lived in the UK for 18 years now. 687 00:53:36,672 --> 00:53:39,634 This is Naomi Campbell's waist in a Versace in like 1988 or something. 688 00:53:40,426 --> 00:53:44,722 I would describe my job as like an artist, a writer, a storyteller. 689 00:53:44,805 --> 00:53:50,102 I make objects or worlds that other people can enjoy. 690 00:53:50,186 --> 00:53:53,731 I'm a woman. I feel great. [LAUGHS] It's like a moment. 691 00:53:54,315 --> 00:53:56,776 So I'm in like the process of writing the script 692 00:53:56,859 --> 00:53:59,236 so I've got, like, some locations. 693 00:53:59,320 --> 00:54:01,364 I'm working on a video collage. 694 00:54:01,447 --> 00:54:04,533 This is the first time that I'm, one, using my own body, 695 00:54:04,617 --> 00:54:07,286 but also making my own imagery. 696 00:54:07,995 --> 00:54:11,123 I wanted to continue thinking about... 697 00:54:11,791 --> 00:54:14,210 Black trans women's specific history. 698 00:54:14,919 --> 00:54:18,089 I want to make our story more meaningful to what it means to be human. 699 00:54:18,172 --> 00:54:19,423 'Cause I feel like it's not at the moment. 700 00:54:21,801 --> 00:54:25,054 [LO-FI MUSIC] 701 00:54:27,640 --> 00:54:28,683 {\an8}I find it's the hardest thing 702 00:54:28,766 --> 00:54:30,893 {\an8}whenever someone says, "What do you do?" I'm like... 703 00:54:31,268 --> 00:54:32,937 I usually say, "I make corsets." 704 00:54:33,020 --> 00:54:34,397 'Cause I honestly... 705 00:54:34,814 --> 00:54:36,190 I don't know how to describe my job. 706 00:54:38,734 --> 00:54:40,820 In high school, it was very much a thing of like... 707 00:54:41,278 --> 00:54:43,406 everyone was so excited for the Victoria's Secret show. 708 00:54:44,073 --> 00:54:47,952 We'd all put it in our diaries, go and watch it, like, it was a big thing. 709 00:54:48,869 --> 00:54:53,290 But it was also that culture around it of not wanting to eat after you saw it. 710 00:54:54,208 --> 00:54:56,419 This was genuinely an opportunity 711 00:54:56,502 --> 00:55:01,048 to even further delve into that feeling I had as a teenager 712 00:55:01,132 --> 00:55:04,301 and the roots of the body dysmorphia that I felt. 713 00:55:04,760 --> 00:55:07,722 And actually tackle them from the archives in Ohio. 714 00:55:07,805 --> 00:55:09,348 {\an8}How many pieces do you reckon are in there? 715 00:55:09,432 --> 00:55:10,516 {\an8}[ASSISTANT] A billion. 716 00:55:10,599 --> 00:55:12,351 {\an8}[MICHELA] Do you reckon there's some pieces that Giselle wore? 717 00:55:12,435 --> 00:55:14,770 [BOTH SCREAMING, LAUGHING] 718 00:55:17,481 --> 00:55:19,525 Oh, my God, this is so exciting. 719 00:55:21,527 --> 00:55:24,655 Oh, my God. 720 00:55:24,739 --> 00:55:27,324 Wow. Oh, my God. 721 00:55:27,408 --> 00:55:29,618 [SWEEPING CLASSICAL MUSIC] 722 00:55:31,287 --> 00:55:32,413 Ah, this is so cute! 723 00:55:33,372 --> 00:55:37,293 This is like a corset here, but what if you like moved it here? 724 00:55:37,376 --> 00:55:39,670 Oh, my God, this is giving Barbie in Ohio. 725 00:55:39,754 --> 00:55:42,089 - [ASSISTANT LAUGHS] - [MICHAELA] Age of elegance. 726 00:55:43,466 --> 00:55:45,468 {\an8}Is this a skirt or is this wings? 727 00:55:47,595 --> 00:55:48,971 Give us a... Give us a... Give us a... 728 00:55:49,597 --> 00:55:52,725 [CAMERA SHUTTERS] 729 00:55:52,808 --> 00:55:53,976 [MICHAELA] This is crazy. 730 00:55:54,518 --> 00:55:59,565 I wish I could tell my, like... like 14-year-old self. 731 00:55:59,648 --> 00:56:02,068 - Don't lose a pound, girl. - [RAP SONG PLAYS] 732 00:56:04,195 --> 00:56:05,863 - [GASPS] - [LAUGHS] 733 00:56:08,783 --> 00:56:11,118 - [WOMAN] Amazing, wow. - [LAUGHING] 734 00:56:12,620 --> 00:56:13,788 [LAUGHING] 735 00:56:14,914 --> 00:56:16,248 - [SONG CUTS OUT] - Hello? 736 00:56:17,500 --> 00:56:19,710 Oh, my God, I'll be right there. 737 00:56:20,503 --> 00:56:22,421 - Ding ding! - [CHARLIE LAUGHS] 738 00:56:22,505 --> 00:56:26,133 - [LAUGHTER] - [ETHEREAL MUSIC] 739 00:56:27,218 --> 00:56:29,303 This one. That. 740 00:56:29,970 --> 00:56:32,223 That. Definitely the bow one. 741 00:56:32,306 --> 00:56:34,391 Um, specifically the wings. 742 00:56:34,475 --> 00:56:36,393 Oh, I want to... Oh, my God, sorry. 743 00:56:36,477 --> 00:56:39,563 I want to try the wings. The fairy tale. 744 00:56:39,647 --> 00:56:41,232 Now I'll just get the full... 745 00:56:41,315 --> 00:56:42,441 Oh, this one's... [LAUGHS] 746 00:56:43,192 --> 00:56:44,485 [CHARLIE] It's a long day. 747 00:56:44,568 --> 00:56:46,487 [MICHAELA] It's been a long day in the office. 748 00:56:46,570 --> 00:56:47,863 Oh, no. 749 00:56:51,367 --> 00:56:55,329 [FUTURISTIC MUSIC] 750 00:56:59,708 --> 00:57:02,753 {\an8}My name is Phoebe Collings-James, and I'm a sculptor. 751 00:57:06,006 --> 00:57:09,593 I grew up in a part of East London that has lots of very dense forests 752 00:57:09,677 --> 00:57:12,596 right next to concrete, right on the edge of the city. 753 00:57:13,973 --> 00:57:17,101 Those are the two textures of ceramics. 754 00:57:17,601 --> 00:57:20,020 You know, you start off with the soil and the clay, 755 00:57:20,104 --> 00:57:21,564 and then you end up with the rock. 756 00:57:24,984 --> 00:57:27,194 {\an8}It's a process that mimics nature, 757 00:57:27,278 --> 00:57:30,489 but it's a process of fire that I have control over. 758 00:57:31,782 --> 00:57:33,325 [FLAMES WHOOSHING] 759 00:57:38,038 --> 00:57:42,376 I wanted to work with bronze because it's another process of firework. 760 00:57:43,085 --> 00:57:47,214 'Cause it causes transformation, and, you know, it's quite a magical process. 761 00:57:48,632 --> 00:57:51,927 I already had the idea of making these five objects 762 00:57:52,011 --> 00:57:55,055 that had a lot of heavy symbolism for me. 763 00:57:55,139 --> 00:57:59,059 Sort of a mixture of characters that could work in some ways as a whole. 764 00:58:00,895 --> 00:58:05,274 Those are the rose, the spoon, a house, an eye, and a bell. 765 00:58:11,947 --> 00:58:16,035 For me, the bell represents the burden of time. 766 00:58:16,535 --> 00:58:18,037 The next is the rose, 767 00:58:18,120 --> 00:58:21,123 where I'm really thinking about the Barrington Levy song. 768 00:58:21,207 --> 00:58:22,625 "Black roses in my garden." 769 00:58:23,083 --> 00:58:25,711 That you have to care for it. That you have to water it. 770 00:58:25,794 --> 00:58:29,506 Only you can tend to your own garden at the end of the day. 771 00:58:30,633 --> 00:58:33,010 The house, I think about quite literally 772 00:58:33,093 --> 00:58:37,473 as the space that's full of support and grounding. 773 00:58:38,307 --> 00:58:43,687 The spoon makes me think of what it is to be or not to be spoon fed things. 774 00:58:44,521 --> 00:58:48,525 And the eye forms the final part, which is the witness. 775 00:58:48,609 --> 00:58:50,569 [WOMAN] And what's your thought about this piece? 776 00:58:50,653 --> 00:58:51,904 It's so heavy. 777 00:58:56,408 --> 00:58:58,160 [WOMAN, LAUGHS] The weight of the world? 778 00:58:58,619 --> 00:58:59,912 One, neckpiece. 779 00:59:01,038 --> 00:59:04,333 - Two, a headpiece as well. - Yeah. Ah! Oh, my gosh. 780 00:59:12,716 --> 00:59:14,677 [CHARLIE] Which corset string do you want for this? Yellow... 781 00:59:14,760 --> 00:59:15,761 [MICHAELA] The yellow one, yellow. 782 00:59:16,262 --> 00:59:20,432 Me and Charlie have just been in here all hours of the day sewing, basically. 783 00:59:20,516 --> 00:59:22,810 {\an8}I need to get everything done. I need to get all the sewing done. 784 00:59:22,893 --> 00:59:27,314 I need to like sort out everything... It's like party in her studio 785 00:59:27,398 --> 00:59:28,941 - [CEVAL] Hi. - [MICHAELA] Hi. 786 00:59:29,024 --> 00:59:31,235 {\an8}[CHARLIE] Oh, my God, hi! 787 00:59:31,318 --> 00:59:33,612 {\an8}- How are you? - [CEVAL] I'm good. 788 00:59:33,696 --> 00:59:35,281 [MICHAELA] Obviously, my work is quite invasive 789 00:59:35,364 --> 00:59:37,116 to put onto someone that you don't know. 790 00:59:37,574 --> 00:59:39,576 Every time I start working with a new model 791 00:59:39,660 --> 00:59:41,203 it does have to happen with care. 792 00:59:41,870 --> 00:59:44,790 And it is about what a model feels comfortable in. 793 00:59:45,249 --> 00:59:46,834 And, you know, celebrating those parts 794 00:59:46,917 --> 00:59:48,961 they're worried or that they felt insecure about. 795 00:59:49,044 --> 00:59:50,170 Yeah, bang on. 796 00:59:50,254 --> 00:59:53,590 - Oh, my God. I've got a size bigger. - [LAUGHTER] 797 00:59:55,342 --> 00:59:59,430 I feel so strong and like elegant and sexy already. 798 00:59:59,513 --> 01:00:02,683 Even like my hands and my feet 799 01:00:02,766 --> 01:00:04,101 are like standing different already, 800 01:00:04,184 --> 01:00:07,187 and I'm like just constantly just holding and posing. 801 01:00:11,650 --> 01:00:14,528 [TECHNO DANCE MUSIC] 802 01:01:01,408 --> 01:01:03,827 - [MUSIC SLOWS] - [LAUGHTER] 803 01:01:05,287 --> 01:01:07,331 [INDISTINCT DIALOGUE] 804 01:01:08,999 --> 01:01:11,377 [WOMAN] My body is like a political statement 805 01:01:11,460 --> 01:01:12,669 in itself, you know what I mean? 806 01:01:12,753 --> 01:01:15,214 So, like, the way that it's used is so important, 807 01:01:15,297 --> 01:01:19,343 and like having, like, the right gaze on your body is so important. 808 01:01:21,303 --> 01:01:22,971 [EBUN] I think that the reason 809 01:01:23,055 --> 01:01:26,809 that I feel like I'm here, in a way, is to make sure that like... 810 01:01:27,226 --> 01:01:30,437 the voices of, like, my ancestors are, like, heard again 811 01:01:30,521 --> 01:01:33,440 or like to make sure that there is still some life given 812 01:01:33,524 --> 01:01:34,942 to those who have, like, gone before. 813 01:01:35,401 --> 01:01:38,695 [WAVES CRASHING] 814 01:01:41,573 --> 01:01:44,952 She does not remember the name she wore 815 01:01:46,787 --> 01:01:49,706 the place she stood before the capture. 816 01:01:50,666 --> 01:01:52,084 Before the sea, 817 01:01:53,085 --> 01:01:54,128 before the hold, 818 01:01:55,838 --> 01:01:58,507 only the vague shape of them remained 819 01:02:00,467 --> 01:02:04,430 and so she gave herself a new name, 820 01:02:05,347 --> 01:02:09,059 after the color of where sky becomes sea. 821 01:02:10,686 --> 01:02:11,895 Celeste, 822 01:02:12,896 --> 01:02:15,023 She of the sea 823 01:02:23,907 --> 01:02:25,117 [SEWING MACHINE WHIRRING] [SUPRIYA] With these bloomers. 824 01:02:25,200 --> 01:02:27,161 Let's see that. Let's see that. 825 01:02:27,244 --> 01:02:28,245 I've got five minutes. 826 01:02:30,456 --> 01:02:34,585 We can attach it somewhere else. I don't kn... you know, add more weight. 827 01:02:34,668 --> 01:02:38,046 [BACKGROUND CHATTER] 828 01:02:38,130 --> 01:02:40,883 Go on and kind of section everything out. 829 01:02:40,966 --> 01:02:43,886 And then it either gets hand-looped on with a crochet... 830 01:02:43,969 --> 01:02:47,973 [SUPRIYA] I use clothes as a way of playing with expression. 831 01:02:48,599 --> 01:02:50,058 But on a deeper level, 832 01:02:50,142 --> 01:02:55,355 I like to look at my Indian heritage and British identity 833 01:02:55,439 --> 01:02:58,192 and sort of explore the tension between the two. 834 01:02:58,275 --> 01:03:00,861 [INDIAN INSTRUMENTALS] 835 01:03:02,237 --> 01:03:04,031 My grandmother on my mom's side. 836 01:03:04,114 --> 01:03:07,242 She'd wear like a very simple, like, beautiful material. 837 01:03:07,326 --> 01:03:09,495 Like, the most beautiful silk. 838 01:03:09,578 --> 01:03:10,996 But just so simple. 839 01:03:12,498 --> 01:03:13,832 I'm remembering that. 840 01:03:15,167 --> 01:03:17,669 I grew up from like 12 till 18 841 01:03:17,753 --> 01:03:19,922 in this little village in the West Midlands 842 01:03:20,005 --> 01:03:22,090 making these annual trips to India. 843 01:03:23,800 --> 01:03:27,054 I never felt fully Indian enough 844 01:03:27,137 --> 01:03:29,890 when I was there, I guess. I felt very English. 845 01:03:32,601 --> 01:03:34,144 Here's a belt ready. 846 01:03:35,854 --> 01:03:39,900 We made these amazing hardware pieces from 3D printed metal. 847 01:03:40,651 --> 01:03:43,111 - I can't believe that that was 3D printed. - [WOMAN] Mmm. 848 01:03:43,195 --> 01:03:46,114 And also, that looks so old but was made in such a new way. 849 01:03:46,198 --> 01:03:47,449 Yeah, it's cool, isn't it? 850 01:03:51,995 --> 01:03:53,288 [EXCITING MUSIC] 851 01:03:53,372 --> 01:03:55,707 What an experience to work on a scale like this. 852 01:03:55,791 --> 01:03:58,210 It's something that I've never done before. 853 01:03:59,670 --> 01:04:02,589 I am obviously nervous. 854 01:04:04,424 --> 01:04:07,719 But I... when I see my work come to life, 855 01:04:07,803 --> 01:04:10,138 it's like the most addictive feeling. 856 01:04:10,222 --> 01:04:11,306 It's amazing. 857 01:04:18,438 --> 01:04:22,025 [SOUND OF GENTLE RAINFALL] 858 01:04:45,340 --> 01:04:48,176 [FLOWING WATER] 859 01:05:02,065 --> 01:05:05,402 [TRANQUIL SYNTH MUSIC, SPLASHING] 860 01:05:27,049 --> 01:05:29,343 ["INNER CITY LIFE" BY GOLDIE PLAYS] 861 01:08:16,802 --> 01:08:18,845 [FLAMES CRACKLING] 862 01:08:52,379 --> 01:08:57,384 [APPLAUSE, CHEERS] 863 01:08:59,469 --> 01:09:01,680 [SONG FADES OUT] 864 01:09:02,347 --> 01:09:06,017 [NIGHTTIME FROGS] 865 01:09:08,478 --> 01:09:09,938 [GIGI] And finally, 866 01:09:10,021 --> 01:09:13,275 wait, guys, how are we getting to Japan? Oh! Paloma. 867 01:09:13,358 --> 01:09:16,069 See that mirror? Do me a favor. Can you open it? 868 01:09:16,903 --> 01:09:18,655 This is Tokyo. 869 01:09:18,738 --> 01:09:24,077 [GENTLE MUSIC WITH BAMBOO FLUTE] 870 01:09:24,160 --> 01:09:27,664 [WOMAN IN JAPANESE] In Tokyo, sometimes you can see the blue sun. 871 01:09:29,457 --> 01:09:35,005 The blue sun could appear suddenly, right in front of us. 872 01:09:35,797 --> 01:09:38,258 When the scent of the oily night city 873 01:09:38,341 --> 01:09:40,719 is wrapped by the morning light. 874 01:09:41,553 --> 01:09:44,598 When the hustle and bustle of the daytime 875 01:09:44,681 --> 01:09:46,808 gradually gets swallowed by the night. 876 01:09:48,018 --> 01:09:49,060 The incredibly short, 877 01:09:49,519 --> 01:09:51,771 fleeting moments of this blue hour as the sky transitions 878 01:09:52,314 --> 01:09:54,941 are just like the lives of us women 879 01:09:55,817 --> 01:09:58,987 frantic, observed by others, 880 01:10:00,113 --> 01:10:01,573 and before we know it, they vanish. 881 01:10:02,657 --> 01:10:04,409 The movie you are about to watch 882 01:10:04,492 --> 01:10:07,329 is a story of women 883 01:10:07,412 --> 01:10:09,539 Living in a city coldly lit by blue a sun. 884 01:10:11,374 --> 01:10:14,002 [NOCTURNAL SOUNDSCAPE] 885 01:10:22,510 --> 01:10:23,803 {\an8}[JEN FANG, IN ENGLISH] My name is Jen Fang. 886 01:10:23,887 --> 01:10:25,221 {\an8}I'm from Taiwan, 887 01:10:27,057 --> 01:10:28,892 and now I live in Tokyo. 888 01:10:30,143 --> 01:10:32,979 I have a fashion brand called JennyFax. 889 01:10:33,063 --> 01:10:34,397 {\an8}[SCISSORS SNIPPING] 890 01:10:34,481 --> 01:10:36,358 I also don't know what is fashion 891 01:10:36,441 --> 01:10:38,860 [LAUGHING] if I want to be so honest. 892 01:10:38,944 --> 01:10:41,529 So I prefer to say I make clothes. 893 01:10:41,613 --> 01:10:42,989 I love clothes. 894 01:10:45,241 --> 01:10:47,327 This new collection is about 895 01:10:47,410 --> 01:10:49,788 my age as a woman's body and 896 01:10:50,497 --> 01:10:53,583 what we have and what we feel in the ordinary life. 897 01:10:53,667 --> 01:10:56,086 {\an8}[PENCIL SCRATCHING] 898 01:10:56,503 --> 01:10:59,047 I need to show the honest side of myself 899 01:10:59,130 --> 01:11:00,966 like, this week I'm this sad. 900 01:11:01,049 --> 01:11:03,009 Because if I always try to 901 01:11:03,093 --> 01:11:05,011 only show the bright side 902 01:11:05,095 --> 01:11:07,305 I think I will never reach my community. 903 01:11:08,556 --> 01:11:09,641 So I just want to tell: 904 01:11:09,724 --> 01:11:12,143 it's really okay to show you're sad. 905 01:11:12,227 --> 01:11:13,853 It's okay to feel sad. 906 01:11:14,854 --> 01:11:17,148 Jenny Fax. [LAUGHS] 907 01:11:17,232 --> 01:11:20,860 [MUFFLED CONVERSATION] 908 01:11:20,944 --> 01:11:23,655 {\an8}[CHEERFUL JAPANESE MUSICAL INTRO] 909 01:11:23,738 --> 01:11:26,157 {\an8}[CAMERA SHUTTER SNAPPING] 910 01:11:28,326 --> 01:11:30,912 {\an8}Excuse me, do you have a minute? 911 01:11:30,996 --> 01:11:32,288 {\an8}[IN ENGLISH] Which TV program is this? 912 01:11:32,956 --> 01:11:35,542 {\an8}- Uh, VSTV. - [CHIME] 913 01:11:35,625 --> 01:11:37,210 {\an8}What is blue sunshine? 914 01:11:38,294 --> 01:11:39,754 {\an8}You mean like the sun becomes blue? 915 01:11:39,838 --> 01:11:40,839 {\an8}Yes. 916 01:11:40,922 --> 01:11:43,341 {\an8}- I think it must be the end of the world. - [THEATRICAL GASP] 917 01:11:46,261 --> 01:11:48,388 {\an8}[ECLECTIC MUSIC] 918 01:11:51,099 --> 01:11:53,810 {\an8}[KOM_I IN JAPANESE] My name is Kom_I. I'm an artist. 919 01:11:55,103 --> 01:11:59,941 I joined the band Wednesday Campanella when I was 18 years old. 920 01:12:00,650 --> 01:12:06,448 I was about 20 years old when I started to become famous. 921 01:12:07,532 --> 01:12:09,200 I think that was too early. 922 01:12:09,993 --> 01:12:14,330 It was difficult to be my normal self. 923 01:12:16,166 --> 01:12:20,628 Now, I play experimental music. 924 01:12:20,712 --> 01:12:22,881 I improvise a lot. 925 01:12:22,964 --> 01:12:28,094 I also incorporate elements from traditional music. 926 01:12:28,178 --> 01:12:31,473 [TRADITIONAL JAPANESE MUSIC PLAYING] 927 01:12:41,399 --> 01:12:44,819 {\an8}I'm Aoi Yamada. I'm a performer. 928 01:12:47,489 --> 01:12:51,326 My day is usually all over the place. 929 01:12:53,119 --> 01:12:56,122 The set elements are waking up in the morning 930 01:12:56,748 --> 01:12:58,291 making miso soup 931 01:12:59,584 --> 01:13:02,754 and making a bento box for my husband. 932 01:13:02,837 --> 01:13:06,674 I want to help him maintain his health 933 01:13:07,550 --> 01:13:11,054 and making a bento feels a bit like meditation. 934 01:13:12,847 --> 01:13:14,641 Then comes whatever flows for that day. 935 01:13:15,225 --> 01:13:18,061 [LIP-SYNCING TO JAPANESE POP SONG] 936 01:13:26,528 --> 01:13:30,949 I realized that dances can be born from everyday life 937 01:13:31,991 --> 01:13:34,661 and that made me happy. 938 01:13:48,049 --> 01:13:51,344 [KAITO] My name is Kaito Itsuki, and I'm an artist. 939 01:13:57,058 --> 01:13:58,935 Ever since I was a small child, 940 01:13:59,018 --> 01:14:01,437 I've been slow to become human. 941 01:14:02,480 --> 01:14:05,817 I couldn't understand what was going on around me. 942 01:14:09,320 --> 01:14:12,949 Let's say that normal people are game apps 943 01:14:13,032 --> 01:14:16,619 that can be played while you are downloading them. 944 01:14:16,703 --> 01:14:18,329 I was a game app that couldn't be played 945 01:14:18,413 --> 01:14:20,123 until the download was complete. 946 01:14:22,375 --> 01:14:24,961 I was looking at the ceiling one day when I was a junior in college 947 01:14:25,044 --> 01:14:27,630 and all of a sudden, things started making sense 948 01:14:29,132 --> 01:14:31,259 as if the download had just finished. 949 01:14:31,342 --> 01:14:33,678 From that day on, 950 01:14:34,888 --> 01:14:38,224 I started calling it 'The Revelation, ' it was a special thing. 951 01:14:42,937 --> 01:14:45,982 [CHEERFUL JAPANESE MUSICAL INTRO] 952 01:14:46,065 --> 01:14:47,192 {\an8}- [CAMERA SHUTTER] - [CHIME] 953 01:14:47,275 --> 01:14:48,776 {\an8}What do you think a blue sun is? 954 01:14:49,903 --> 01:14:50,987 {\an8}A blueberry. 955 01:14:52,197 --> 01:14:54,532 {\an8}A blueberry. 956 01:14:54,616 --> 01:15:00,371 {\an8}When do you think you see that blueberry/blue sun? 957 01:15:00,455 --> 01:15:05,293 {\an8}When I imagine it with all my heart. 958 01:15:09,672 --> 01:15:11,549 [STRANGE, ETHEREAL MUSIC] 959 01:15:14,969 --> 01:15:16,971 I'm scared of words. 960 01:15:17,597 --> 01:15:18,723 Truly. 961 01:15:22,268 --> 01:15:24,604 I started dancing around age six. 962 01:15:26,356 --> 01:15:31,027 I kept doing it, happy I'd finally found a way to distance myself from speaking. 963 01:15:31,778 --> 01:15:34,447 I express what lies in the space between words. 964 01:15:36,449 --> 01:15:39,327 I think that's what my dancing is. 965 01:15:55,927 --> 01:16:01,224 [KOM_I] There might be other ways to have children in the future, 966 01:16:01,307 --> 01:16:04,269 but I'm pregnant right now. 967 01:16:05,061 --> 01:16:08,982 It feels loving and alien all at once. 968 01:16:16,030 --> 01:16:18,199 I've been very afraid of having a child 969 01:16:18,283 --> 01:16:21,995 because it could hinder my career. 970 01:16:23,746 --> 01:16:27,583 But when I got pregnant and decided to have a baby, 971 01:16:27,667 --> 01:16:29,627 it was the opposite. 972 01:16:31,129 --> 01:16:34,799 I was like, "I'm going to do it, no matter what! 973 01:16:34,882 --> 01:16:38,845 Whatever happens, I'll make sure everything turns out okay." 974 01:16:43,808 --> 01:16:45,977 [JEN FANG IN ENGLISH] This collection is more about, like 975 01:16:46,644 --> 01:16:49,689 myself now, being 43 years old. 976 01:16:50,732 --> 01:16:53,401 So I wanted to use my own body. 977 01:16:53,943 --> 01:16:56,904 I found it really interesting if I created my own size. 978 01:16:57,822 --> 01:16:59,657 So I wear the garbage bag, 979 01:16:59,741 --> 01:17:02,577 and then my husband tapes around me 980 01:17:02,660 --> 01:17:06,122 and then after I wanted to make it become a mold. 981 01:17:07,832 --> 01:17:10,168 I wanted to make it into a new shape 982 01:17:10,251 --> 01:17:11,669 that everyone can try. 983 01:17:14,088 --> 01:17:16,257 Like the woman who works in the café 984 01:17:16,341 --> 01:17:17,550 or the mother 985 01:17:17,633 --> 01:17:19,260 or the housewife 986 01:17:19,344 --> 01:17:21,346 or the ordinary woman. 987 01:17:21,429 --> 01:17:24,015 They can have their own spotlight. 988 01:17:28,644 --> 01:17:33,107 [IN JAPANESE] I came to Tokyo when I was 15. 989 01:17:36,402 --> 01:17:39,072 I met people who I consider my Tokyo family. 990 01:17:39,697 --> 01:17:42,116 Meeting them was a big turning point for me. 991 01:17:42,950 --> 01:17:45,912 I realized I could just be myself. 992 01:17:47,413 --> 01:17:50,375 My biological family is probably... 993 01:17:50,458 --> 01:17:54,379 a so-called ordinary family. 994 01:17:56,923 --> 01:18:02,929 To me, family are relations I want to 995 01:18:03,971 --> 01:18:09,977 continue in the future. 996 01:18:11,896 --> 01:18:14,607 [HOLLOW BOUNCING SOUND] 997 01:18:14,690 --> 01:18:16,943 [JEN FANG IN ENGLISH] I have my own brand, JennyFax. 998 01:18:17,026 --> 01:18:19,612 And my husband has his own brand. 999 01:18:19,695 --> 01:18:22,407 And we work together in the same studio. 1000 01:18:22,490 --> 01:18:24,826 [APPLAUSE] 1001 01:18:24,909 --> 01:18:28,663 I'm often recognized as Mikio's wife than 1002 01:18:28,746 --> 01:18:30,248 Jen Fang, the name. 1003 01:18:30,790 --> 01:18:34,043 I have heard people saying, "the wife" 1004 01:18:34,127 --> 01:18:36,504 or "shadow" or "why is she there?" 1005 01:18:36,587 --> 01:18:37,630 But the really good thing is 1006 01:18:37,713 --> 01:18:40,049 my husband will never think of me in that way. 1007 01:18:42,051 --> 01:18:45,054 [BRIGHT MUSIC] 1008 01:18:50,101 --> 01:18:52,478 I need help. [LAUGHS] 1009 01:18:53,187 --> 01:18:57,358 Before I'm more nervous how these clothes were gonna come out. 1010 01:18:57,859 --> 01:19:00,445 But, uh, I think it come out okay, yeah. 1011 01:19:00,528 --> 01:19:02,071 So, I'm not that nervous. 1012 01:19:07,368 --> 01:19:09,078 - [CHIME] - [UPBEAT INTRO] 1013 01:19:12,457 --> 01:19:14,333 {\an8}What do you think a blue sun is? 1014 01:19:15,126 --> 01:19:17,211 {\an8}[KAITO] Hmm... 1015 01:19:17,753 --> 01:19:20,423 {\an8}I think I can see it 1016 01:19:20,506 --> 01:19:23,050 {\an8}when life turns from ordinary to extraordinary. 1017 01:19:23,968 --> 01:19:25,928 {\an8}- Thank you. - Yes, thank you. 1018 01:19:27,805 --> 01:19:31,142 [CHEERS, WHISTLES] 1019 01:19:33,269 --> 01:19:35,062 [BIRDS CHIRPING] 1020 01:19:39,192 --> 01:19:41,569 [CROWD OOHS, AHS] 1021 01:19:42,403 --> 01:19:43,529 Hmm. 1022 01:19:59,128 --> 01:20:00,129 Itsuki! 1023 01:20:08,513 --> 01:20:10,014 [GRUNTING WITH EFFORT] 1024 01:20:14,018 --> 01:20:16,062 [ALL SQUEALING] 1025 01:20:16,771 --> 01:20:17,939 [SHOUTS] 1026 01:20:18,022 --> 01:20:20,608 I'm a carrot! 1027 01:20:20,691 --> 01:20:22,401 [CROWD LAUGHS, CHEERS] 1028 01:20:23,694 --> 01:20:26,489 [DANCE BEAT PLAYS] 1029 01:20:30,201 --> 01:20:35,081 ♪ Blue sun, oh, so blue ♪ 1030 01:20:35,164 --> 01:20:38,626 ♪ Always chasing the red evening sky ♪ 1031 01:20:38,709 --> 01:20:42,463 ♪ The sweet little sister ♪ 1032 01:20:42,547 --> 01:20:44,757 ♪ Asleep all winter ♪ 1033 01:20:44,840 --> 01:20:46,759 ♪ And all night ♪ 1034 01:20:46,842 --> 01:20:52,848 ♪ The sleepy girl wakes up ♪ 1035 01:20:54,100 --> 01:20:59,480 ♪ Rise, oh, rise! ♪ 1036 01:21:00,189 --> 01:21:05,111 ♪ Blue sun, which are you? ♪ 1037 01:21:05,194 --> 01:21:08,072 ♪ Blueberry or the green light ♪ 1038 01:21:10,658 --> 01:21:12,493 ♪ You will only know if you go ♪ 1039 01:21:12,577 --> 01:21:14,704 ♪ My body ♪ 1040 01:21:14,787 --> 01:21:16,664 ♪ All mine ♪ 1041 01:21:16,747 --> 01:21:19,667 ♪ If you want to taste test ♪ 1042 01:21:20,334 --> 01:21:24,255 ♪ Try, oh, try ♪ 1043 01:21:24,714 --> 01:21:26,757 - [SONG WARPS] - [UMI] Cut! 1044 01:21:26,841 --> 01:21:28,259 [BELL RINGS] 1045 01:21:34,432 --> 01:21:35,975 [SONG SLOWLY BUILDS AGAIN] 1046 01:21:36,058 --> 01:21:40,771 ♪ Blue sun, oh so blue ♪ 1047 01:21:40,855 --> 01:21:44,567 ♪ Living tomorrow in solitude ♪ 1048 01:21:44,650 --> 01:21:48,070 ♪ My itty bitty lucky charm ♪ 1049 01:21:48,404 --> 01:21:50,239 ♪ On the rush-hour train ♪ 1050 01:21:50,323 --> 01:21:52,283 ♪ On Tinder, in the pub ♪ 1051 01:21:52,366 --> 01:21:57,204 ♪ Amid the throng, life flows on ♪ 1052 01:21:57,288 --> 01:21:58,998 ♪ On and on! ♪ 1053 01:21:59,081 --> 01:22:00,916 ♪ Here we go! ♪ 1054 01:22:08,341 --> 01:22:12,053 [MUSIC SHIFTS TO SLOW, MAJESTIC HORNS] 1055 01:22:16,974 --> 01:22:19,226 [CAR HORNS HONKING] 1056 01:22:22,688 --> 01:22:25,858 [WOMAN HUMMING SOFTLY] 1057 01:22:28,110 --> 01:22:32,031 [CAR SIGNAL CLICKING] 1058 01:22:33,658 --> 01:22:39,121 - ["SHINZO NO TOBIRA" BY MARIAH PLAYS] - [NAILS SCREECH] 1059 01:26:17,381 --> 01:26:18,757 [SONG ENDS WITH PIANO FLOURISH] 1060 01:26:24,430 --> 01:26:27,016 [MUFFLED HISSING] 1061 01:26:31,228 --> 01:26:33,689 [ENGINE RUMBLING] 1062 01:26:35,608 --> 01:26:36,942 [GIGI IN ENGLISH] And one last time, 1063 01:26:37,026 --> 01:26:38,319 Doja. 1064 01:26:39,111 --> 01:26:43,324 [RAP INTRO] 1065 01:26:47,119 --> 01:26:48,412 ♪ Let me get it started ♪ 1066 01:26:49,204 --> 01:26:50,706 - ♪ Round one ♪ - ♪ (FIGHT) ♪ 1067 01:26:51,332 --> 01:26:52,499 - ♪ Round two ♪ - ♪ (ICE) ♪ 1068 01:26:53,500 --> 01:26:54,710 - ♪ Round three ♪ - ♪ (FIGHT) ♪ 1069 01:26:55,169 --> 01:26:56,879 ♪ Come one, let me get it started ♪ 1070 01:26:57,755 --> 01:26:59,048 - ♪ Round one ♪ - ♪ (FIGHT) ♪ 1071 01:27:00,049 --> 01:27:01,634 - ♪ Round two ♪ - ♪ (ICE) ♪ 1072 01:27:02,259 --> 01:27:03,427 - ♪ Round three ♪ - ♪ (FIGHT) ♪ 1073 01:27:04,136 --> 01:27:05,220 ♪ Yeah ♪ 1074 01:27:05,304 --> 01:27:06,555 ♪ I don't need to instigate ♪ 1075 01:27:06,639 --> 01:27:08,474 ♪ Y'all already phonin' in With the music lately ♪ 1076 01:27:08,933 --> 01:27:10,768 ♪ I don't need another hit 'Cuz it's useless really ♪ 1077 01:27:10,851 --> 01:27:12,770 ♪ I ain't lookin' good? You hallucinating ♪ 1078 01:27:12,853 --> 01:27:15,314 ♪ And every time I hear talk I assume they crazy ♪ 1079 01:27:15,397 --> 01:27:17,483 ♪ Open up for me Who are you? First lady? ♪ 1080 01:27:17,566 --> 01:27:19,610 ♪ Shut it down Michelle, Tell them, "Fuck you, baby" ♪ 1081 01:27:19,693 --> 01:27:21,987 ♪ This a new Mercedes I am graduating ♪ 1082 01:27:22,071 --> 01:27:23,113 ♪ Let me get it started ♪ 1083 01:27:23,739 --> 01:27:24,990 - ♪ Round one ♪ - ♪ (FIGHT) ♪ 1084 01:27:26,200 --> 01:27:27,826 - ♪ Round two ♪ - ♪ (ICE) ♪ 1085 01:27:28,452 --> 01:27:29,662 - ♪ Round three ♪ - ♪ (FIGHT) ♪ 1086 01:27:30,496 --> 01:27:32,748 ♪ Let me get it started ♪ 1087 01:27:32,831 --> 01:27:34,333 - ♪ Round one ♪ - ♪ (FIGHT) ♪ 1088 01:27:34,959 --> 01:27:36,502 - ♪ Round two ♪ - ♪ (ICE) ♪ 1089 01:27:36,585 --> 01:27:38,337 - ♪ Yeah, round three ♪ - ♪ (FIGHT) ♪ 1090 01:27:39,630 --> 01:27:41,382 ♪ Mmm, and there's so much ice ♪ 1091 01:27:41,465 --> 01:27:43,592 ♪ She want to hit me I said, "No, Mike Tyson" ♪ 1092 01:27:43,676 --> 01:27:45,803 ♪ It's 2050 They won't owe you all this ♪ 1093 01:27:45,886 --> 01:27:47,554 ♪ A hundred Billies tryna go No, Eilish ♪ 1094 01:27:48,013 --> 01:27:49,848 ♪ You full of envy Now your face look tired ♪ 1095 01:27:50,307 --> 01:27:52,017 ♪ Used to be the baby My, you Martin now ♪ 1096 01:27:52,101 --> 01:27:54,311 ♪ She gonna need another doc Can't talk me down ♪ 1097 01:27:54,395 --> 01:27:56,897 ♪ You better pick her up 'Cuz ho's brawlin' now ♪ 1098 01:27:56,981 --> 01:27:58,065 ♪ So let me get it started ♪ 1099 01:27:59,024 --> 01:28:00,192 - ♪ Round one ♪ - ♪ (FIGHT) ♪ 1100 01:28:00,609 --> 01:28:02,736 - ♪ Round two ♪ - ♪ (ICE) ♪ 1101 01:28:03,320 --> 01:28:04,488 - ♪ Round three ♪ - ♪ (FIGHT) ♪ 1102 01:28:04,947 --> 01:28:06,615 ♪ Yeah, let me get it started ♪ 1103 01:28:07,700 --> 01:28:08,867 - ♪ Round one ♪ - ♪ (FIGHT) ♪ 1104 01:28:09,952 --> 01:28:11,286 - ♪ Round two ♪ - ♪ (ICE) ♪ 1105 01:28:12,079 --> 01:28:13,247 - ♪ Round three ♪ - ♪ (FIGHT) ♪ 1106 01:28:13,914 --> 01:28:15,040 ♪ Come on! ♪ 1107 01:28:15,124 --> 01:28:17,960 - [SONG CONTINUES] - ♪ Musty, dusty bitches ♪ 1108 01:28:19,878 --> 01:28:23,674 ♪ Don't you ever, ever ♪ 1109 01:28:25,217 --> 01:28:26,385 ♪ Enjoy life ♪ 1110 01:28:28,887 --> 01:28:31,765 ♪ Come for me ♪ 1111 01:28:33,767 --> 01:28:35,352 ♪ Enjoy life ♪ 1112 01:28:37,813 --> 01:28:40,566 ♪ Come for me ♪ 1113 01:28:42,901 --> 01:28:44,445 ♪ Enjoy life ♪ 1114 01:28:46,238 --> 01:28:49,199 ♪ Come for me ♪ 1115 01:28:51,285 --> 01:28:52,995 ♪ Enjoy life ♪ 1116 01:28:55,122 --> 01:28:57,916 ♪ Come for me ♪ 1117 01:29:08,177 --> 01:29:09,720 [SONG ENDS] 1118 01:29:09,803 --> 01:29:12,139 [ENGINE RUMBLING] 1119 01:29:14,516 --> 01:29:18,395 [GIGI] And that concludes my favorite Victoria's Secret show ever. 1120 01:29:18,479 --> 01:29:20,314 I think. I think ever. 1121 01:29:20,647 --> 01:29:22,608 That was fun. Thanks, y'all.