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[birds singing]
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[Sly] Do I have regrets?
Hell yeah, I have regrets.
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But that also is what
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motivates me to overcome the regrets.
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- [claps]
- To, like, fix it.
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And I do that through painting,
or I do that through writing.
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'Cause I can't fix it physically.
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It's gone.
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You know, that fucking thing called time.
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Just... [whooshes]
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Gone. You know, I look at...
Like, of you're ever on a train,
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in every window... [whooshing]
...scenery is going by.
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It's like a photo. Wham, wham, wham.
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And you're never coming that way again.
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And that's what your life is. Whoosh!
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Snapping images seen whipping by.
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And you can't... It's gone.
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[feedback-heavy electric guitar plays]
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{\an8}["To Hell With Poverty"
by Gang of Four playing]
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[song fades out]
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[faint birdsong]
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[Sly] It's really easy
to become complacent.
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I thought, "I gotta do something drastic."
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Everything is getting
kind of mundane, repetitive.
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I can feel myself
withering a little bit, drying up,
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like an old fig that fell off a tree.
You know, you're drying up.
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Jesus, what am I gonna be around for?
Another 20 years?
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I don't wanna be complacent for 20 years.
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So I said, "Well, you really
want to get the adrenals going?"
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"Leave."
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And that's why I gotta move east.
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Nothing, I think, inspires you
than taking your house or your history,
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balling it up. You know...
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[whooshes]
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Who is this man, Sylvester Stallone?
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Artist, writer, poet, performer,
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enormous celebrity.
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How does that happen?
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Sly is a guy who always
will go down his own path.
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And if that path doesn't exist,
he'll run the road himself.
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He was a self-creator.
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[man 1] Ostensibly, he didn't
appear to be a great actor.
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He didn't have obvious charisma.
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But he invented something else.
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An actor who writes and directs himself.
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He's not the first person to do it,
but he was the first superstar to do it.
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He really understood
what people wanted to see him do.
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I was invested in the Stallone story
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as if it were my story.
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It was my daydream of...
of what could happen in a career.
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There is no one that has
stepped into three franchises.
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The genius behind that.
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This was not an accident.
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[producer] Can you show me some of those
cassettes that you found while packing up?
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Yeah, I got some.
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Let's see.
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This is New York Times.
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[tape player thunks]
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[woman] Could you do me a favor?
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I start off by quoting
from your press release,
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and then you pick up the story
where I leave off. Right? Okay.
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"Sylvester Stallone was born in the tough
Hell's Kitchen section of New York
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in the sweltering summer of 1946."
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[car horns honking]
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[soft instrumental music playing]
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[Sly] Holy shit.
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I never, ever, ever thought
I would come back here.
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I was born in Hell's Kitchen.
I was New York.
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I haven't been here in 65 years.
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You guys livin' here?
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[man] No, I'm 45th.
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- Yeah?
- Yeah.
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- I used to live here.
- You lived in this block here?
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- Yeah, absolutely.
- What was the neighborhood like then?
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- It was rough.
- Yeah?
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Well, it was really
Hell's Kitchen back then. Yeah.
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I remember, the window was always open.
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[chuckles] So you learn a lot
about human nature,
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and you're observing life.
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You're watching a movie.
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"Hey, when you coming over?"
"I'm coming over tomorrow."
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"Shut your friggin' window."
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It's back and forth.
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I remember my father, like,
always wearing, like, an Italian T-shirt,
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and, like, just... it looked like
something out of an Arthur Miller play.
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View from the Bridge, it was...
That's my life.
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My father came to New York.
That's where he met my mother.
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He's a barber
transitioning into "cosmetology"
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'cause there was
more money as a hairdresser.
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Our father was also very self-conscious
because I don't think he was educated.
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{\an8}Any kind of slight or insult would, like...
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He'd go off.
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Our mother was pretty bad too.
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She was pretty handy with
the old hairbrush and the shower brush.
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She had long nails that'd never break.
She'd go, "Come here, you!"
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My mother was a cigarette girl
at Billy Rose's Diamond Horseshoe.
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That's primarily where
the money was coming from.
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My father told me that...
she just was afraid to have a kid.
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Even though she was nine months pregnant,
she kept riding around on the bus.
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And she'd gone into labor.
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Somebody smart enough
to get her off the bus,
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they carry her into a charity ward.
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And that's where I was
brought into the world,
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via this accident,
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which kind of paralyzed
all the nerves on the side of my mouth.
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So I was born with this snarl.
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[soft music playing]
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[Sly] She was quite eccentric, colorful,
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very, very, very outspoken
and unpredictable.
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I know I've got a certain kind of...
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ferocity from my father, no question.
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Our mother and father,
it was like clockwork.
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I'd be up in bed, and you'd just
hear them screaming and yelling.
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My father... [snarling]
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And I was petrified... 'cause, I mean,
I could just feel the reverberation.
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I think they both were so self-absorbed
with their own stuff, my parents,
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that they just pawned us off.
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The majority of the time
I was living in a boarding house.
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Basically 12 months a year,
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never went home,
'cause they just didn't have time.
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They were both working.
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And people say, "Oh, you feel deprived
and you weren't nurtured."
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I thought, "Yeah, that's true."
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And maybe the nurturing comes from
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the respect and love of strangers.
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To feel embraced and loved
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by an audience,
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it's insatiable.
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I wish I could get over it,
but... you can't.
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[Frank] I think movies for me and him
were total, absolutely escapism.
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[projector whirring]
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I would spend untold hours in theaters,
and I don't care what it was,
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I'd sit there
and watch this thing five, six times
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and then go home at four in the afternoon.
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That's the life I wanted to lead.
That's the ideals. Grandeur.
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That's hard work, and triumphs over evil.
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I always had hero worship.
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I wish I could be the guy
who saved the bus full of children.
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That's who I want to be.
I want to be the guy who
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saves people.
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I would stay alone in my parents' room,
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and they had a cheap Woolworth's
three-dollar, $2.99 mirror.
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I would sit there
and do things all day in the mirror,
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whether it be imitation...
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While someone is singing, I'm lip-syncing.
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Or go see a movie like Hercules,
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and I'd come back
and try to imitate Steve Reeves.
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[epic "Hercules" score playing]
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[Sly] The moment in Hercules Unchained,
when he steps up,
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and he pulls the temples down,
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and this... ridiculously handsome,
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well-built, perfect male role model...
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That did it.
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I go, "There it is. That's the road."
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'Cause I finally had
a role model that I idolized.
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- And my destiny to fulfill!
- [loud thunderclap]
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My father realized
he's not going to make it in New York,
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so they took off to Maryland.
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[Frank] We came from broken marriage.
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I mean, I came home from school
and no one was home.
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My mother had taken off.
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They went to court. It was terrible.
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I went with my mother in Philadelphia,
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and my brother stayed
with my father in Maryland.
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Complete country and crickets,
pretty isolated,
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and there were only horses.
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[tense electric guitar music builds]
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I've been... For some reason,
I had an affinity with horses
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since I was five or six years old.
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Not good horses,
just horses my father would buy.
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Twenty dollars, $25.
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He didn't have much money, but somehow
he got involved with a polo team.
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And everyone in polo had
beautiful horses, great trailers, ranches.
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We had a... [chuckles]...a dump.
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The horses, most of 'em
had medical problems.
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Some of 'em, if you pulled up
too quickly, they'd go blind.
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So I started playing polo,
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but sandlot kind of polo, like, low level.
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But I learned. Anyway, I started
getting better and better and better.
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And then when I was 13,
I was starting to get ranked.
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I'm gonna get nationally ranked.
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My father
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wasn't liking that so much.
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And in the middle of a game,
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I was going for a nearside backhand,
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and I didn't do anything wrong,
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he goes,
"You're pulling too hard on the horse!"
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I said, "I know what I'm doing."
He goes, "You don't!"
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"You don't know what you're riding."
Screaming from the stands.
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And finally I pulled the horse up
to get ready for another throw,
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and he comes out of the stands,
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00:12:03,097 --> 00:12:06,225
grabs me by the throat,
throws me on the ground,
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takes the horse, and walks off the field.
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And I laid there and I went,
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"I never want to see
a horse again in my whole life."
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I was raised by a very...
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physical father. You know? I mean...
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So I was no stranger to serious pain.
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And I think it just became,
"I'm not gonna break."
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No matter what he did, you know?
I'm just not going to break.
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[Frank] I think my father was jealous.
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00:12:41,010 --> 00:12:43,262
My brother, he was a problem guy.
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00:12:43,345 --> 00:12:45,055
He was truant. He'd get in fights.
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00:12:45,139 --> 00:12:48,726
He wasn't a good student,
and he got thrown out of all his schools.
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00:12:49,894 --> 00:12:52,855
[Sly] I went to 13 schools in 12 years.
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00:12:52,938 --> 00:12:56,108
They put me in a military school.
I don't think I was there for a month.
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00:12:56,192 --> 00:12:59,028
[Frank] Well, he was kind of incorrigible.
He got in a lot of trouble.
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00:12:59,111 --> 00:13:00,404
He went to Devereux School,
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00:13:00,488 --> 00:13:03,574
which was kind of a school
for wayward kids, I guess.
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00:13:03,657 --> 00:13:08,078
And that's where he kind of
started getting the little bug for acting.
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00:13:08,162 --> 00:13:09,580
And then he went to college.
212
00:13:09,663 --> 00:13:12,374
That's when he got serious
about the acting stuff.
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00:13:12,958 --> 00:13:15,044
There was an opportunity to audition...
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00:13:15,628 --> 00:13:18,088
I don't even know why, but I did.
215
00:13:18,172 --> 00:13:19,590
...for Death of a Salesman.
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00:13:19,673 --> 00:13:21,342
And I got it.
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00:13:21,425 --> 00:13:24,470
[Sly on tape]
I was on stage and I was feeling...
218
00:13:24,553 --> 00:13:26,180
I wasn't feeling nervous at all.
219
00:13:26,263 --> 00:13:30,059
I felt in control of the situation
because this comes naturally,
220
00:13:30,142 --> 00:13:32,394
this comes easily to me.
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There was a Harvard professor
in the audience who came up and said,
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00:13:36,565 --> 00:13:40,069
"You should think of this as... a career."
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I go, "Come on." He goes, "Yeah."
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"You should really study this.
You have something."
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And that moment
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changed the course of my life.
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[gentle instrumental music plays]
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[Sly on tape] And I landed in New York
the day of Woodstock.
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00:14:03,801 --> 00:14:08,222
I said, "It's about time
for me to apply myself."
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00:14:10,224 --> 00:14:13,310
[energetic guitar music playing]
231
00:14:13,394 --> 00:14:16,897
I didn't even know what kind of city
I was living in. I wasn't part of it.
232
00:14:18,315 --> 00:14:22,862
Very much alone and very dedicated
to trying to find my way.
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00:14:23,946 --> 00:14:27,491
I've hustled on these streets.
I know how to survive on these streets.
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00:14:27,575 --> 00:14:32,371
I've slept in doorways and bus stops
and train stations and libraries.
235
00:14:32,454 --> 00:14:34,915
I mean, freezing cold, I get it.
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00:14:36,500 --> 00:14:38,627
I would go to agencies.
237
00:14:38,711 --> 00:14:42,131
I go to every one of these places.
"I'd like to be a client."
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00:14:42,214 --> 00:14:43,924
"We're not accepting anything."
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00:14:44,008 --> 00:14:46,844
I'd push the picture in,
and they'd push it out. [chuckles]
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00:14:47,428 --> 00:14:50,055
I tried out and they'd say,
"No, you slur."
241
00:14:50,139 --> 00:14:52,391
"Your eyes droop.
You're this, you're that."
242
00:14:53,058 --> 00:14:55,811
The best I would get
would be off-off Broadway
243
00:14:55,895 --> 00:14:57,771
where you had to be half-naked.
244
00:14:57,855 --> 00:15:00,816
That's the only kind of crap
I was getting. It was terrible.
245
00:15:00,900 --> 00:15:04,570
They said, "It's just not gonna work.
Maybe you'll be an extra."
246
00:15:04,653 --> 00:15:07,990
So I started to buy into that,
I'd go, "Hmm."
247
00:15:08,073 --> 00:15:10,284
Because every time I was cast,
248
00:15:10,367 --> 00:15:11,952
it was always for a thug.
249
00:15:12,036 --> 00:15:14,246
- Watch it, will ya?
- Sorry, man, I didn't see ya!
250
00:15:14,330 --> 00:15:16,040
[man 2] They wouldn't give him leads.
251
00:15:16,123 --> 00:15:20,127
{\an8}Or he'd be doing stage work,
or he'd be the prop man,
252
00:15:20,210 --> 00:15:22,212
{\an8}but they never gave him respect.
253
00:15:22,296 --> 00:15:26,050
[Sly] I was so
self-consumed and insulated,
254
00:15:26,926 --> 00:15:29,553
and John... he was the same way.
255
00:15:31,931 --> 00:15:35,100
Sly started to write
because he couldn't get what he wanted,
256
00:15:35,184 --> 00:15:37,061
so he'd create it himself.
257
00:15:39,063 --> 00:15:40,731
And it wasn't anything like,
258
00:15:40,814 --> 00:15:44,151
"You thought about it,
and you were gonna do it." Just do it!
259
00:15:45,736 --> 00:15:48,656
[Sly] I said this is no good.
I don't want to act anymore.
260
00:15:48,739 --> 00:15:51,867
Maybe what I can do
is write all my frustrations
261
00:15:51,951 --> 00:15:53,285
and make screenplays.
262
00:15:54,620 --> 00:15:56,413
[Sly] I got a job as an usher.
263
00:15:56,497 --> 00:15:59,291
I could watch films all day long.
264
00:16:00,250 --> 00:16:02,670
And I would take a little
inexpensive tape recorder,
265
00:16:02,753 --> 00:16:05,381
record the soundtrack and the dialogue,
266
00:16:05,464 --> 00:16:07,883
and go home
and try to replace the dialogue.
267
00:16:07,967 --> 00:16:10,928
[Sly] That's what I started to do.
I wrote and wrote for a couple years
268
00:16:11,011 --> 00:16:13,472
until I had 15, 16 screenplays.
269
00:16:14,056 --> 00:16:18,310
[subway tracks rattling and squealing]
270
00:16:18,394 --> 00:16:21,146
[Sly] John and I, we were definitely
on a different wavelength,
271
00:16:21,230 --> 00:16:24,441
wanting to write our own stuff,
wanting to produce our own stuff.
272
00:16:24,525 --> 00:16:26,735
So every Friday, Saturday and Sunday
273
00:16:26,819 --> 00:16:29,697
was spent with
a bottle of Boone's Farm wine.
274
00:16:29,780 --> 00:16:34,868
Never went to a bar, a restaurant, a club.
That's when the writing really started.
275
00:16:37,329 --> 00:16:40,290
We'd discuss aspirations, dreams,
276
00:16:40,374 --> 00:16:42,084
but also movies.
277
00:16:42,584 --> 00:16:46,505
We would break in, sneak in somehow,
278
00:16:46,588 --> 00:16:48,382
to every movie in New York.
279
00:16:48,465 --> 00:16:51,135
Never paid for a ticket, ever.
280
00:16:51,218 --> 00:16:53,012
[up-tempo jazz music playing]
281
00:16:56,265 --> 00:17:00,394
[Sly] There was no possibility
in our minds for failure.
282
00:17:00,477 --> 00:17:04,189
Like, "Oh, what if we don't make it?"
Never entered the conversation.
283
00:17:04,273 --> 00:17:08,777
That's how driven and adamant
and committed to the concept...
284
00:17:08,861 --> 00:17:12,448
"Yeah, there's got to be a place for us,
because we're so weird."
285
00:17:12,531 --> 00:17:13,907
We have to fit in somewhere.
286
00:17:13,991 --> 00:17:16,410
We had to do something.
We had to make our own fate.
287
00:17:17,494 --> 00:17:20,831
That's why we said,
"We gotta do this movie called Horses."
288
00:17:22,291 --> 00:17:25,753
A cowboy and an Indian
come up from their grave,
289
00:17:25,836 --> 00:17:27,546
100 years after they were hung.
290
00:17:27,629 --> 00:17:29,631
[Sly] Got in a car, went to Maryland.
291
00:17:29,715 --> 00:17:31,091
We rented guns.
292
00:17:31,175 --> 00:17:34,094
When you see us, like,
shooting at the car, it's real ammo.
293
00:17:34,178 --> 00:17:36,263
I said, "What am I, crazy?"
294
00:17:36,346 --> 00:17:41,852
His father was reincarnated
as a sheriff who came to track us down.
295
00:17:42,644 --> 00:17:45,064
Of course, my father's in the movie.
My father shoots them.
296
00:17:45,147 --> 00:17:50,110
[Sly] The part where he kills us,
he enjoyed this a little too much.
297
00:17:50,194 --> 00:17:53,363
"I wanna shoot you, and then
I wanna come over and shoot you again."
298
00:17:53,447 --> 00:17:57,201
I said, "Is this sort of personal now?
A little biblical?"
299
00:17:59,495 --> 00:18:02,748
[Frank] It's a silent movie. I said,
"Sly, why don't you have any sound?"
300
00:18:02,831 --> 00:18:03,957
"Couldn't afford it."
301
00:18:04,041 --> 00:18:07,252
So you thought you were
going to shop a silent movie in 1971?
302
00:18:09,421 --> 00:18:11,715
[John] Doesn't matter
if it hasn't been done before.
303
00:18:11,799 --> 00:18:15,928
And he had, most importantly, a voice.
He wanted his voice to be heard.
304
00:18:16,762 --> 00:18:21,850
[Sly] In high school, I was considered
like a poster boy for how not to write.
305
00:18:21,934 --> 00:18:24,853
"Sylvester, you like to come up and read?"
I go, "Nah. No, thanks!"
306
00:18:24,937 --> 00:18:27,272
He goes, "Yes.
'Cause no one else wants to."
307
00:18:28,273 --> 00:18:31,401
The rejection, that's my encouragement.
308
00:18:31,485 --> 00:18:32,528
It's a challenge.
309
00:18:32,611 --> 00:18:35,614
Are you going to accept
their evaluation of you
310
00:18:35,697 --> 00:18:37,366
or are you going to evaluate yourself?
311
00:18:38,659 --> 00:18:42,579
[John] Sly always wanted to be an actor,
312
00:18:43,372 --> 00:18:46,416
but he always had to write.
313
00:18:46,500 --> 00:18:47,918
He wants to be an actor,
314
00:18:48,001 --> 00:18:50,504
and he needs someone to give him a role.
315
00:18:50,587 --> 00:18:53,132
{\an8}He wasn't cast in things.
316
00:18:53,215 --> 00:18:58,846
{\an8}He invented parts for himself
because he was probably deemed uncastable.
317
00:18:58,929 --> 00:19:01,640
[Sly] I had given up on acting.
I was done.
318
00:19:01,723 --> 00:19:05,310
But John Herzfeld
asked me to help him audition.
319
00:19:05,394 --> 00:19:08,981
In the audience is a guy
who's monitoring the class
320
00:19:09,064 --> 00:19:12,568
{\an8}who was going to eventually
write and direct Lords of Flatbush.
321
00:19:13,360 --> 00:19:15,320
{\an8}That was the beginning.
322
00:19:15,404 --> 00:19:18,365
It's a matter of just being
in the right place at the right time.
323
00:19:19,324 --> 00:19:22,744
{\an8}I first met Sly on The Lords of Flatbush.
324
00:19:23,537 --> 00:19:27,332
[Sly] We were kind of just a real odd...
A really odd couple.
325
00:19:27,416 --> 00:19:30,335
He's Jewish, intellectual, Ivy League.
326
00:19:30,419 --> 00:19:32,546
I'm... [chuckles] I am what I am.
327
00:19:33,130 --> 00:19:38,594
And you couldn't get two people
more culturally opposite.
328
00:19:38,677 --> 00:19:43,557
He took me to his walk-up apartment
off of Lexington Avenue
329
00:19:43,640 --> 00:19:45,934
with his gigantic dog.
330
00:19:46,018 --> 00:19:51,064
And he painted
the windows black so he could write.
331
00:19:53,233 --> 00:19:57,029
I read the screenplay,
and it was pretty simplistic.
332
00:19:57,112 --> 00:20:00,991
So I said,
"Let me be myself in this scene."
333
00:20:01,074 --> 00:20:03,660
For example,
when I'm sitting behind the girl.
334
00:20:03,744 --> 00:20:05,954
"Mr. Rosiello, what are you doing?"
335
00:20:06,038 --> 00:20:07,664
"I don't know, I'm just sitting."
336
00:20:07,748 --> 00:20:10,268
"I'm sliding up because the sun
is getting in my eye... my eye..."
337
00:20:10,292 --> 00:20:12,002
"My eyes, I can't see."
338
00:20:12,085 --> 00:20:14,213
And then she goes back to teaching.
339
00:20:14,296 --> 00:20:16,131
A moment later, I slide close to the girl.
340
00:20:16,215 --> 00:20:18,550
I got my arm around her.
She goes, "Mr. Rosiello!"
341
00:20:18,634 --> 00:20:21,094
"I don't know what it is!
The sun keeps following me."
342
00:20:21,178 --> 00:20:24,932
"I'm going here, I'm going there."
Just doing all this nonsense, winging it.
343
00:20:25,682 --> 00:20:27,517
And I realized this is...
344
00:20:27,601 --> 00:20:30,562
this is an opportunity
that they allowed me.
345
00:20:30,646 --> 00:20:33,565
I'm going to say whatever I want
throughout the whole film.
346
00:20:33,649 --> 00:20:37,861
Sly was always rewriting the script,
347
00:20:37,945 --> 00:20:40,489
improving the scenes he was in.
348
00:20:40,572 --> 00:20:43,450
{\an8}Lords of Flatbush was really
the first time we got a sense
349
00:20:43,533 --> 00:20:45,869
{\an8}of Sylvester Stallone's voice
before Rocky.
350
00:20:45,953 --> 00:20:49,289
The best scene in the movie, if not
one of the best scenes in '70's cinema,
351
00:20:49,373 --> 00:20:50,373
as far as I'm concerned,
352
00:20:50,415 --> 00:20:52,855
is the scene where he's persuaded
by his fiancée, Maria Smith,
353
00:20:52,918 --> 00:20:56,588
to buy an engagement ring that
this dumb lug obviously cannot afford.
354
00:20:56,672 --> 00:20:58,882
The girl that just walked out of there,
355
00:20:58,966 --> 00:21:01,969
if you ever show her a $1,600 ring again,
356
00:21:02,052 --> 00:21:04,513
you know what's going to be
written on your tombstone? Huh?
357
00:21:04,596 --> 00:21:06,716
You know what's going to be
written on your tombstone?
358
00:21:07,391 --> 00:21:12,104
"I was dumb enough to show
Frannie Malincanico a $1,600 ring."
359
00:21:12,187 --> 00:21:14,773
Stanley is an interesting character
in that movie,
360
00:21:14,856 --> 00:21:16,566
but you don't necessarily like him.
361
00:21:16,650 --> 00:21:19,236
He's just... He's such a lug.
362
00:21:19,319 --> 00:21:21,571
But in that scene
he makes you fall in love with him
363
00:21:21,655 --> 00:21:26,034
'cause you realize the extent
to how much he actually loves Frannie.
364
00:21:26,118 --> 00:21:29,705
It's our first glimpse
of the musicality or the sound
365
00:21:29,788 --> 00:21:31,581
of Sylvester Stallone's dialogue.
366
00:21:31,665 --> 00:21:32,666
Damn.
367
00:21:32,749 --> 00:21:38,213
At that point, I knew forever
my fate was determined on the pen.
368
00:21:38,297 --> 00:21:41,174
'Cause I knew I was so hard to cast.
369
00:21:41,258 --> 00:21:43,385
I was always cast as a thug.
370
00:21:43,468 --> 00:21:45,804
I go, "Okay, that's true. I am."
371
00:21:45,887 --> 00:21:49,391
But I'm also nice.
I'm... I'm kind of a soft touch.
372
00:21:49,474 --> 00:21:51,059
If you could put that together,
373
00:21:51,143 --> 00:21:53,103
that would really be a great character.
374
00:21:53,186 --> 00:21:56,315
And I didn't have that opportunity
until Rocky came around.
375
00:21:56,398 --> 00:22:00,902
But the precursor was Stanley Rosiello
in The Lords of Flatbush,
376
00:22:00,986 --> 00:22:03,322
where I saw there's a tough goon,
377
00:22:03,405 --> 00:22:07,451
motorcycle jacket, greasy hair, cigarette,
but you really liked him.
378
00:22:07,534 --> 00:22:10,329
[twangy electric guitar music playing]
379
00:22:21,173 --> 00:22:22,799
[Sly] One thing led to another.
380
00:22:24,885 --> 00:22:27,721
If they hadn't offered me the part,
if I didn't get good reviews,
381
00:22:27,804 --> 00:22:29,644
I never would've made enough,
made 1,300 bucks,
382
00:22:29,723 --> 00:22:35,312
just enough to get a $40 car
and drive... 11 days to Hollywood.
383
00:22:37,731 --> 00:22:41,526
The only one I knew in LA
was Henry Winkler,
384
00:22:42,069 --> 00:22:44,237
who is now a big star as the Fonz.
385
00:22:48,033 --> 00:22:50,202
My car breaks down on Hollywood and Vine.
386
00:22:50,285 --> 00:22:53,455
Just boom, stops. Like, it was prophetic.
387
00:22:54,373 --> 00:22:57,000
And the first phone call
I made was to Henry.
388
00:22:59,836 --> 00:23:02,005
[mimics Sly]
"Yeah, you gotta come pick me up."
389
00:23:02,547 --> 00:23:04,049
"My car broke down."
390
00:23:04,132 --> 00:23:06,968
"I'm here, right in the middle
of Sunset Boulevard."
391
00:23:07,052 --> 00:23:08,553
I said, "I will be right there."
392
00:23:08,637 --> 00:23:12,015
I went and got him
and this mountain of a dog.
393
00:23:12,099 --> 00:23:16,895
All of his clothes in the car somehow,
sitting on suitcases.
394
00:23:16,978 --> 00:23:20,440
[Sly] He obviously couldn't take me
to his house. I got a dog, a wife.
395
00:23:20,524 --> 00:23:22,526
He pointed me
in the direction of this motel,
396
00:23:22,609 --> 00:23:25,695
and I ended up there
for, like, three nights.
397
00:23:25,779 --> 00:23:29,199
And then I found some dump
way in the Valley,
398
00:23:29,282 --> 00:23:31,868
one street away from Balboa Boulevard.
399
00:23:33,912 --> 00:23:35,288
All right.
400
00:23:36,164 --> 00:23:37,332
[tape player clicks]
401
00:23:37,416 --> 00:23:41,545
[Sly on tape] I had been introduced
to Gene Kirkwood, the executive producer.
402
00:23:41,628 --> 00:23:45,257
And we had talked
and then I had given him the idea, Rocky,
403
00:23:45,340 --> 00:23:48,176
and we developed it,
and lo and behold, it came out.
404
00:23:48,260 --> 00:23:53,265
And it was a series of circumstances
which are really, I guess, a bit unusual,
405
00:23:53,348 --> 00:23:55,851
because I had a very limited track record.
406
00:23:55,934 --> 00:23:58,019
- So it was...
- How about no track record?
407
00:23:58,103 --> 00:24:01,356
...a benevolent and wonderful
chain of mistakes that came out.
408
00:24:01,440 --> 00:24:04,109
Yeah, you know,
it's simplifying everything.
409
00:24:04,192 --> 00:24:06,820
[emotional music playing]
410
00:24:10,365 --> 00:24:13,243
[Sly] I was there for,
actually, an acting audition,
411
00:24:13,326 --> 00:24:15,704
and things were going not too well.
412
00:24:16,872 --> 00:24:19,749
And on the way out,
the door was just about closing,
413
00:24:19,833 --> 00:24:21,418
I lean back in the door and I go,
414
00:24:21,501 --> 00:24:25,839
"Oh, by the way, I write a little bit."
And he goes, "Really? Come back in."
415
00:24:27,299 --> 00:24:28,717
[Sly] I started writing,
416
00:24:30,302 --> 00:24:33,763
and I started doing
something derivative of Mean Streets.
417
00:24:33,847 --> 00:24:37,517
I want to do a collector. I want to do
that kind of gritty street thing.
418
00:24:37,601 --> 00:24:41,021
And I'm knocking it out,
dog sitting there on the desk,
419
00:24:41,104 --> 00:24:45,025
and I'm working, I'm smoking cigarettes,
and I'm pounding coffee away.
420
00:24:45,817 --> 00:24:47,569
And it's coming together.
421
00:24:47,652 --> 00:24:49,738
- [rubbing hands]
- It's just... It's working.
422
00:24:50,238 --> 00:24:51,823
But there is...
423
00:24:53,158 --> 00:24:56,453
a... a thuggery about Rocky.
424
00:24:56,536 --> 00:24:59,331
At the time, my friend, she was typing it,
425
00:25:00,290 --> 00:25:01,290
she started crying.
426
00:25:01,333 --> 00:25:05,212
She goes, "I hate Rocky.
I hate him. He's cruel."
427
00:25:05,921 --> 00:25:08,381
"He... He hits people. He beats them up."
428
00:25:08,465 --> 00:25:11,301
I said, "What if you stop short of it?
Like, maybe he almost did."
429
00:25:11,384 --> 00:25:14,054
"He could have,
that's his job, but he doesn't?"
430
00:25:14,137 --> 00:25:15,472
"That'd be nice."
431
00:25:15,555 --> 00:25:17,849
I said, "What if he had
a girlfriend or something?"
432
00:25:17,933 --> 00:25:19,559
"Yeah, that's nice."
433
00:25:19,643 --> 00:25:21,353
So I go back. [makes whooshing sound]
434
00:25:21,436 --> 00:25:23,271
Start writing that. "Girlfriend. Nice."
435
00:25:23,355 --> 00:25:28,151
But he's not a fighter now.
He's just a guy. There's really no story.
436
00:25:28,235 --> 00:25:32,531
He's just a guy, like, on the fringe,
437
00:25:32,614 --> 00:25:34,366
a, um... a bum.
438
00:25:35,075 --> 00:25:36,201
He's a bum!
439
00:25:36,284 --> 00:25:40,205
And now I hearken back
to On the Waterfront. He's Terry Malloy.
440
00:25:41,248 --> 00:25:44,209
Bang. Marty, movie, Mean Streets. Whoosh!
441
00:25:44,292 --> 00:25:47,212
Boom. [imitates gears whirring] Mix it up.
442
00:25:47,295 --> 00:25:49,464
And then throw your spin on it.
443
00:25:50,173 --> 00:25:53,343
And then it all came together
once he became a fighter.
444
00:25:57,222 --> 00:25:59,766
[Sly on tape] I had $106,
the rent was $300.
445
00:25:59,849 --> 00:26:03,645
I had that kind of dilemma.
I could hear the wolf at the door.
446
00:26:05,105 --> 00:26:07,482
I wrote it in three days.
447
00:26:08,942 --> 00:26:12,153
Then, of course, I went back
and rewrote and rewrote and rewrote it.
448
00:26:13,446 --> 00:26:16,366
I'm a big believer,
when I write, to not worry about
449
00:26:16,449 --> 00:26:17,784
the flawed aspect of it.
450
00:26:17,867 --> 00:26:20,328
I know that maybe 90% is worthless,
451
00:26:20,412 --> 00:26:23,999
but the idea that you have
a beginning, middle, and an end
452
00:26:24,082 --> 00:26:25,500
is very important to me.
453
00:26:25,584 --> 00:26:29,546
Producers are going, "We'd like
to cast Ryan O'Neal. He likes to box."
454
00:26:29,629 --> 00:26:31,339
"Or Burt Reynolds."
455
00:26:31,423 --> 00:26:33,633
I go, "No, I'm writing it for me."
456
00:26:36,970 --> 00:26:40,307
[interviewer] They liked the script,
but were so desperate not to have you,
457
00:26:40,390 --> 00:26:43,685
that they kept offering increasingly large
sums of money to go away, didn't they?
458
00:26:43,768 --> 00:26:47,063
[Sly chuckling] You're right.
It went up to about $265,000.
459
00:26:47,147 --> 00:26:49,375
- Not to appear in the film.
- [Sly] Right, to stay away.
460
00:26:49,399 --> 00:26:53,361
I knew that if I sold it,
even for $500,000,
461
00:26:53,445 --> 00:26:55,071
I knew that after the money was gone
462
00:26:55,155 --> 00:26:57,198
I would become very bitter
for having sold out.
463
00:26:57,282 --> 00:26:58,700
What is healthier?
464
00:26:59,743 --> 00:27:01,077
To live under the illusion
465
00:27:01,161 --> 00:27:05,373
and still have a little glimmer of hope
that you could have been great,
466
00:27:05,457 --> 00:27:08,168
or actually have
an opportunity to be great
467
00:27:08,251 --> 00:27:11,212
and then you blow it,
and you realize you're a failure.
468
00:27:12,172 --> 00:27:16,551
So I think that the easier route
is to live under the illusion and say,
469
00:27:16,635 --> 00:27:20,597
"You know, if I'd had that chance,
I would have beaten all of them."
470
00:27:22,307 --> 00:27:24,934
I walked into that trailer
for the first time
471
00:27:25,018 --> 00:27:27,270
under the cold streets of Philadelphia
472
00:27:28,229 --> 00:27:30,482
and I knew this was the moment of truth.
473
00:27:32,651 --> 00:27:34,903
And they said, "Sylvester, are you ready?"
474
00:27:35,487 --> 00:27:37,280
I said, "No."
475
00:27:37,364 --> 00:27:38,615
"But Rocky is."
476
00:27:39,199 --> 00:27:41,534
{\an8}What happened was something extraordinary.
477
00:27:41,618 --> 00:27:45,246
We knew this thing was taking place.
478
00:27:45,330 --> 00:27:47,332
[crowd cheering faintly]
479
00:27:47,415 --> 00:27:50,752
[Sly] All the actors I wanted,
every one of them fell out,
480
00:27:50,835 --> 00:27:54,255
and they were replaced
with perfect actors.
481
00:27:55,382 --> 00:27:58,385
Apollo Creed? There's only
one guy in the world who could do that.
482
00:27:58,468 --> 00:28:00,929
He had the voice, the size,
the thing, the arrogance.
483
00:28:01,012 --> 00:28:04,182
We were gonna use Ken Norton,
but he fell out two nights before,
484
00:28:04,265 --> 00:28:05,809
and I thought, "Oh, boy."
485
00:28:05,892 --> 00:28:07,936
[melancholy music playing]
486
00:28:08,019 --> 00:28:10,271
[Sly] I really believe
in divine intervention.
487
00:28:12,399 --> 00:28:18,154
Talia Shire was also a last-minute choice
because we couldn't find the right person.
488
00:28:20,573 --> 00:28:24,202
She comes in,
and as soon as that door opened,
489
00:28:24,285 --> 00:28:26,955
it was like this light. Wham.
490
00:28:27,872 --> 00:28:30,834
And I walked up to her
and she had this blue-black hair
491
00:28:30,917 --> 00:28:33,753
and these... these eyes looking like this.
492
00:28:34,546 --> 00:28:36,464
I went, "I love this girl."
493
00:28:36,548 --> 00:28:39,634
I love this character, this thing.
494
00:28:39,718 --> 00:28:41,302
There's something here.
495
00:28:41,386 --> 00:28:44,222
I'm not even going to question it.
You don't have to read.
496
00:28:44,806 --> 00:28:46,599
You are it.
497
00:28:46,683 --> 00:28:49,686
The same thing happened
all the way down the line.
498
00:28:50,729 --> 00:28:54,274
[Sly] Rocky is not
a fight story by any means.
499
00:28:54,816 --> 00:28:56,943
It's a simple character study
of a man who...
500
00:28:57,026 --> 00:28:58,027
A love story.
501
00:28:58,111 --> 00:28:59,279
...who should be cynical.
502
00:28:59,362 --> 00:29:01,448
- It's a love story.
- But he's incapable of it.
503
00:29:01,531 --> 00:29:02,531
[tapping on tape player]
504
00:29:02,574 --> 00:29:04,242
- Love story.
- He accepts life.
505
00:29:05,869 --> 00:29:09,330
- Simply, that's his, uh, his lot in life.
- Say it.
506
00:29:10,415 --> 00:29:14,586
One thing he wants more than anything else
is not to grow old alone.
507
00:29:14,669 --> 00:29:15,712
Say it.
508
00:29:16,796 --> 00:29:20,133
[producer] That young guy there
could not get to the place of love.
509
00:29:20,216 --> 00:29:22,594
- He could not say it out loud.
- [Sly] No.
510
00:29:22,677 --> 00:29:23,928
Yeah, you're right.
511
00:29:24,512 --> 00:29:26,723
I couldn't say it back then.
512
00:29:26,806 --> 00:29:27,807
[tape player clicks]
513
00:29:33,354 --> 00:29:36,983
[Sly] I'm sitting there waiting to do
a scene with Adrian on the ice.
514
00:29:38,902 --> 00:29:41,404
"Guess what?
The 300 extras have been cut."
515
00:29:41,488 --> 00:29:43,948
How many do I have? He goes, "None."
516
00:29:44,032 --> 00:29:45,992
And how long do we have to shoot?
517
00:29:46,075 --> 00:29:47,327
"Maybe two hours."
518
00:29:49,120 --> 00:29:50,705
And I went, "Wow."
519
00:29:51,331 --> 00:29:52,832
"This could be even better."
520
00:29:55,335 --> 00:30:00,006
Rocky really observes, and he sees
things that other people don't see,
521
00:30:00,089 --> 00:30:01,299
trying to bring her out.
522
00:30:01,382 --> 00:30:06,095
[Talia] He was exploring
vulnerability, nurturing,
523
00:30:06,179 --> 00:30:07,972
transformation.
524
00:30:08,056 --> 00:30:11,100
So we have to begin a character here
525
00:30:11,184 --> 00:30:12,560
to go there.
526
00:30:12,644 --> 00:30:14,484
[Rocky] You know
how I got started in fighting?
527
00:30:14,521 --> 00:30:16,439
- [Adrian] No.
- [Rocky] My old man.
528
00:30:16,523 --> 00:30:20,151
He was never too smart. He says to me,
"You weren't born much of a brain,
529
00:30:20,235 --> 00:30:23,571
so you better start using your body."
Right? So I become a fighter.
530
00:30:23,655 --> 00:30:25,573
- You know what I mean?
- Yeah. [laughs]
531
00:30:25,657 --> 00:30:27,492
Why you... Why you laughing?
532
00:30:28,868 --> 00:30:31,704
My mother, she said the opposite thing.
533
00:30:31,788 --> 00:30:33,915
What'd she say?
What'd she say, the opposite?
534
00:30:34,707 --> 00:30:37,085
[sighs] She said, "You weren't born
with much of a body,
535
00:30:37,168 --> 00:30:38,837
so you better develop your brain."
536
00:30:38,920 --> 00:30:40,296
Did she say that?
537
00:30:40,380 --> 00:30:42,382
[emotional music playing]
538
00:30:43,299 --> 00:30:44,843
Adrian was extraordinary.
539
00:30:44,926 --> 00:30:46,719
He wrote that woman,
540
00:30:46,803 --> 00:30:49,514
a woman who was oppressed and discarded.
541
00:30:50,974 --> 00:30:55,812
He would lift Adrian
to a moment of freedom and beauty.
542
00:30:56,896 --> 00:30:57,896
And love.
543
00:30:59,107 --> 00:31:03,194
[Sly] What Talia did... is elevate it
544
00:31:03,278 --> 00:31:05,697
from a boxing film to a love story.
545
00:31:05,780 --> 00:31:08,992
And her boyfriend happened to be a boxer.
546
00:31:09,075 --> 00:31:12,328
He finally had something to fight for.
547
00:31:12,412 --> 00:31:15,164
It wasn't money. It was pride.
548
00:31:15,748 --> 00:31:18,376
"I want you to be proud."
549
00:31:19,335 --> 00:31:23,131
I... I want you to say, "That's my man."
550
00:31:23,214 --> 00:31:24,924
And that's why he said at the end,
551
00:31:25,008 --> 00:31:27,088
"I don't wanna be
another bum from the neighborhood."
552
00:31:27,135 --> 00:31:31,055
"I don't care if I get beaten to a pulp.
I want you to be proud."
553
00:31:33,057 --> 00:31:35,393
That's all I want to do,
is go the distance.
554
00:31:39,689 --> 00:31:44,569
That's what I liked about the character.
He just somehow always kept it inside.
555
00:31:44,652 --> 00:31:48,323
He never shared his grief
or his disappointment with anyone,
556
00:31:48,406 --> 00:31:49,782
just himself.
557
00:31:49,866 --> 00:31:54,704
The only time he ever lets it out
is when Mickey leaves the apartment.
558
00:31:57,165 --> 00:31:59,751
The scene, the way it was written,
I come out of that bathroom
559
00:31:59,834 --> 00:32:01,878
and look pensively and then go after him.
560
00:32:01,961 --> 00:32:06,215
I said, "John, please just do me a favor.
Keep the cameras running, the sound going,
561
00:32:06,299 --> 00:32:10,470
and let's just see if Rocky
can sum up his life in two minutes."
562
00:32:10,970 --> 00:32:13,389
First time we did this, and it was great,
563
00:32:13,473 --> 00:32:16,726
John goes, "Oh, was that a take?"
564
00:32:16,809 --> 00:32:18,227
I went, "Was that a take?"
565
00:32:19,562 --> 00:32:20,562
"That was
566
00:32:21,689 --> 00:32:23,691
an improvisation."
567
00:32:24,609 --> 00:32:26,986
"And I can't do it again. It's an improv."
568
00:32:27,070 --> 00:32:30,073
The energy is not there. You know, it's...
569
00:32:30,156 --> 00:32:33,326
Okay, what did I do before?
Did I hit the door here?
570
00:32:33,409 --> 00:32:36,412
I said, "Fuck it, I gotta
start from scratch. What did I do?"
571
00:32:36,913 --> 00:32:39,415
And then I started
thinking about my father.
572
00:32:39,499 --> 00:32:41,542
Listen to me. I want to be your manager.
573
00:32:41,626 --> 00:32:45,713
[Sly] So I had to throw out the best take...
574
00:32:45,797 --> 00:32:48,091
But you can't buy
what I'm going to give you.
575
00:32:48,174 --> 00:32:50,551
I mean, I've got pain
and I've got experience.
576
00:32:50,635 --> 00:32:52,762
I got pain and I got experience too...
577
00:32:52,845 --> 00:32:56,391
[Sly]...and replace it
with something even more volatile,
578
00:32:56,474 --> 00:32:57,767
my relationship with my father.
579
00:32:57,850 --> 00:32:59,644
I needed your help about ten years ago.
580
00:32:59,727 --> 00:33:01,938
Ten years ago, you never helped me none.
581
00:33:02,021 --> 00:33:04,440
- You didn't care.
- Well, if you wanted help...
582
00:33:05,191 --> 00:33:07,610
I say, if you wanted help,
why didn't you ask?
583
00:33:07,694 --> 00:33:09,404
Why didn't you just ask me, kid?
584
00:33:09,487 --> 00:33:12,073
[Rocky] Look, I asked,
but you never heard nothin'!
585
00:33:12,156 --> 00:33:14,867
[Sly] And when I wrote it,
it was just one line,
586
00:33:14,951 --> 00:33:18,538
and I got there and went,
"I need to talk about me."
587
00:33:19,205 --> 00:33:20,081
Me.
588
00:33:20,164 --> 00:33:22,250
And I'm going to put it in Rocky's body.
589
00:33:22,333 --> 00:33:25,003
So I was just turning 30, and I said,
590
00:33:25,086 --> 00:33:29,924
"You come up here and you offer this?
Well, I'm past my prime. What prime?"
591
00:33:30,008 --> 00:33:33,177
"I'm gonna sit there, get an opportunity,
I'm gonna fall on my face."
592
00:33:33,261 --> 00:33:35,847
Like I thought the movie,
I was going to bomb.
593
00:33:35,930 --> 00:33:38,808
"Why couldn't you have
been here when I needed you?"
594
00:33:39,851 --> 00:33:44,689
If I can take my frustration and voice it,
595
00:33:45,398 --> 00:33:49,986
I have a funny feeling
that there's millions of people
596
00:33:50,611 --> 00:33:54,365
that have that same frustration,
that were passed over.
597
00:33:55,074 --> 00:33:56,074
Overlooked.
598
00:33:56,117 --> 00:33:57,368
I'm gonna get that!
599
00:33:58,870 --> 00:34:00,872
And you wanna be ringside to see it?
600
00:34:00,955 --> 00:34:02,832
Do you? You wanna help me out?
601
00:34:02,915 --> 00:34:04,625
Do you wanna see me get my...
602
00:34:04,709 --> 00:34:07,462
[Sly] I could never say that
to the man's face.
603
00:34:07,545 --> 00:34:10,798
It would have been so disrespectful.
604
00:34:10,882 --> 00:34:13,801
And you don't want a dialogue.
605
00:34:13,885 --> 00:34:16,220
[somber music playing]
606
00:34:17,930 --> 00:34:22,643
[Sly] Everyone is going to assume
this old man is done.
607
00:34:22,727 --> 00:34:24,729
- And then, bang...
- [claps hands]
608
00:34:24,812 --> 00:34:28,316
That door opens,
Bill Conti's cue comes in,
609
00:34:28,399 --> 00:34:30,443
and there's hope.
610
00:34:31,319 --> 00:34:35,156
There it is, there is
what everybody ever wanted
611
00:34:35,239 --> 00:34:38,284
that was shunned or denied an opportunity.
612
00:34:38,826 --> 00:34:40,787
"Come on. Come on back."
613
00:34:40,870 --> 00:34:45,208
[discordant electric guitar music builds]
614
00:34:49,253 --> 00:34:53,299
Oh my God.
This is the theater where Rocky premiered.
615
00:34:54,133 --> 00:34:56,177
The same theater I ushered at.
616
00:34:56,260 --> 00:35:00,181
The first review we got out of New York
by Vincent Canby was scathing,
617
00:35:00,264 --> 00:35:02,225
so I didn't know what to expect.
618
00:35:04,310 --> 00:35:07,438
We screen Rocky
five days before the release.
619
00:35:07,522 --> 00:35:09,649
It was an afternoon matinée.
620
00:35:09,732 --> 00:35:13,027
I was sitting there with him,
and all of a sudden he's going, "Oh shit."
621
00:35:14,779 --> 00:35:18,199
Twenty minutes into it,
the audience, three-quarters were gone.
622
00:35:19,826 --> 00:35:21,536
And the studio heads are going...
623
00:35:22,870 --> 00:35:25,456
And I'm getting lower in the seat.
I'm going, "Oh shit."
624
00:35:25,540 --> 00:35:28,167
Talk about a crestfallen look.
He said, "Oh God."
625
00:35:28,251 --> 00:35:30,837
He thought, "Man,
this is going to be a bomb."
626
00:35:33,297 --> 00:35:37,135
So, when it did open,
my confidence was not soaring.
627
00:35:38,094 --> 00:35:41,514
In here is where they had
the premiere of Rocky.
628
00:35:41,597 --> 00:35:44,725
I remember I was standing across
the street over there in a trench coat.
629
00:35:44,809 --> 00:35:46,352
My brother goes,
630
00:35:46,435 --> 00:35:49,522
"This could be the best day
or the worst day of your life."
631
00:35:49,605 --> 00:35:51,774
- I go, "Yeah, this is it."
- [flashbulb pops]
632
00:35:51,858 --> 00:35:54,610
[Sly] And if this didn't go,
there was no second chance.
633
00:35:54,694 --> 00:35:55,820
[thundering boom]
634
00:35:55,903 --> 00:35:58,156
[grunting]
635
00:35:58,239 --> 00:35:59,365
[camera shutter clicks]
636
00:35:59,448 --> 00:36:03,494
[Sly] When everyone's inside,
I go to the back, and I'm standing there.
637
00:36:04,537 --> 00:36:07,290
It's almost like it's a still painting.
638
00:36:07,373 --> 00:36:08,541
[subway tracks screeching]
639
00:36:08,624 --> 00:36:12,461
No one is moving.
Everyone is listening to every word.
640
00:36:12,545 --> 00:36:15,256
[thudding and grunting]
641
00:36:15,339 --> 00:36:17,175
[Sly] Like, boom. Riveted.
642
00:36:17,258 --> 00:36:19,760
[subway tracks screeching and rattling]
643
00:36:20,887 --> 00:36:22,555
[echoing thud]
644
00:36:23,723 --> 00:36:27,727
[audience roars, fades]
645
00:36:28,561 --> 00:36:30,313
[Sly] When he knocks Apollo down,
646
00:36:31,981 --> 00:36:33,524
whole theater went up,
647
00:36:33,608 --> 00:36:36,903
and the producers all look,
and it's like, "Holy shit."
648
00:36:37,612 --> 00:36:41,449
The audience is participating
like it's a real sporting event.
649
00:36:41,532 --> 00:36:43,326
We blurred the lines.
650
00:36:44,535 --> 00:36:47,330
You could hear the cheers from the inside
651
00:36:47,413 --> 00:36:49,332
outside on the street from the theater.
652
00:36:49,415 --> 00:36:55,004
We just assumed he would be a joke
out there fighting against Creed.
653
00:36:55,755 --> 00:36:58,507
But when he knocks him on his back
in the first round,
654
00:36:58,591 --> 00:37:02,595
that kind of excitement,
it was almost unheard of.
655
00:37:02,678 --> 00:37:05,681
- [audience cheering loudly]
- ["To Hell With Poverty" plays]
656
00:37:05,765 --> 00:37:08,267
{\an8}Nobody, nobody,
remembers that Rocky loses.
657
00:37:08,351 --> 00:37:12,605
I mean, the movie is rigged
to make you feel like he's won.
658
00:37:12,688 --> 00:37:15,441
It was one of the really
glorious moments of...
659
00:37:15,524 --> 00:37:18,653
of an audience reacting
to the drama onscreen.
660
00:37:18,736 --> 00:37:22,198
{\an8}The movie opens up number one.
Everyone was talking about...
661
00:37:22,281 --> 00:37:23,574
"This movie has heart."
662
00:37:23,658 --> 00:37:26,452
"It is emotional. It made me cry."
663
00:37:26,535 --> 00:37:28,246
"It made me inspired."
664
00:37:29,705 --> 00:37:33,709
To see that fairy-tale story come to life,
it just turned the audience on.
665
00:37:35,378 --> 00:37:37,505
Something happened, something magical.
666
00:37:38,089 --> 00:37:40,591
[Frank] It's the last picture
of him being unknown.
667
00:37:41,509 --> 00:37:44,720
[Sly] And there's never going to be
another private moment again.
668
00:37:45,388 --> 00:37:48,516
[man 1] And here comes Rocky himself,
Sylvester Stallone!
669
00:37:49,725 --> 00:37:53,771
Literally, a complete
transformative moment in life,
670
00:37:53,854 --> 00:37:55,940
but forever. Like, wham!
671
00:37:57,608 --> 00:37:59,402
[man 2] And the winner is...
672
00:38:00,236 --> 00:38:01,404
Rocky.
673
00:38:08,160 --> 00:38:10,705
The star of Rocky,
Sylvester "Sly" Stallone.
674
00:38:10,788 --> 00:38:12,873
[woman] Please welcome Sylvester Stallone.
675
00:38:12,957 --> 00:38:15,251
[audience applauding]
676
00:38:28,347 --> 00:38:31,183
[Arnold] So he was hailed as an actor,
he was hailed as a writer,
677
00:38:31,267 --> 00:38:34,854
he was hailed for just being a visionary
and all of this stuff,
678
00:38:34,937 --> 00:38:36,314
and, bang, there he was.
679
00:38:36,397 --> 00:38:39,275
From that point on,
he could do nothing wrong.
680
00:38:40,318 --> 00:38:41,485
[music fades out]
681
00:38:44,822 --> 00:38:47,700
[Sly on tape]
I'm torn apart sometimes thinking that...
682
00:38:47,783 --> 00:38:50,202
what is it all about,
and is it really all worth it?
683
00:38:50,286 --> 00:38:53,831
I go through a very gloomy period
that perhaps I'm deceiving myself.
684
00:38:53,914 --> 00:38:56,876
I collect my thoughts and all I have to do
is look in the mirror.
685
00:38:56,959 --> 00:39:01,881
I'm kind of like the living embodiment of
what happened to Rocky has happened to me.
686
00:39:02,381 --> 00:39:04,050
[Sly] Within a week,
687
00:39:04,133 --> 00:39:07,303
they were saying things about me
that I know I could never live up to.
688
00:39:07,386 --> 00:39:10,639
And then they were
saying things that... that were...
689
00:39:11,807 --> 00:39:14,810
I guess... a little infuriating.
690
00:39:16,479 --> 00:39:20,107
[Quentin] The first time I ever heard
anything about Rocky was a radio spot.
691
00:39:20,191 --> 00:39:24,278
"Every once in a while,
a new actor emerges,
692
00:39:24,362 --> 00:39:27,865
and he becomes one of the most talked
about sensations in the film business."
693
00:39:28,574 --> 00:39:30,242
"That was Marlon Brando."
694
00:39:30,326 --> 00:39:33,079
"That was Al Pacino.
That was Robert De Niro."
695
00:39:33,162 --> 00:39:34,830
"And this year..." [chuckles]
696
00:39:34,914 --> 00:39:38,501
"...the actor that everyone will be
talking about is Sylvester Stallone."
697
00:39:38,584 --> 00:39:40,336
Who the fuck is Sylvester Stallone?
698
00:39:40,419 --> 00:39:42,296
{\an8}Then I finally see a TV spot.
699
00:39:42,380 --> 00:39:46,425
{\an8}Stanley from Lords of Flatbush
is Sylvester Stallone?!
700
00:39:47,009 --> 00:39:51,013
He's the greatest actor to come out
since Robert De Niro and Marlon Brando?
701
00:39:51,097 --> 00:39:52,431
Wow. Okay.
702
00:39:52,515 --> 00:39:55,434
Fairly presumptuous of you
to expect to be able to star in it,
703
00:39:55,518 --> 00:39:58,229
because your career up to then
had been small parts, right?
704
00:39:58,312 --> 00:40:01,148
[chuckles] That's kind of you
to even say small.
705
00:40:01,232 --> 00:40:04,693
But I felt that, jeez,
if I was going to go down,
706
00:40:04,777 --> 00:40:07,154
at least into professional obscurity,
707
00:40:07,238 --> 00:40:10,908
I wanted to at least have the opportunity
to say to myself, "Well, you tried."
708
00:40:10,991 --> 00:40:13,369
If nothing else, I had a good home movie.
709
00:40:13,452 --> 00:40:15,204
My parents would enjoy it.
710
00:40:15,287 --> 00:40:17,748
[somber music playing]
711
00:40:17,832 --> 00:40:22,169
[John] Rocky comes out.
A few months later, Sly's dad calls me.
712
00:40:22,253 --> 00:40:24,046
"John, can I come over and see you?"
713
00:40:24,130 --> 00:40:25,423
He says, "I got a script."
714
00:40:26,173 --> 00:40:29,093
"I got the real Rocky."
"What do you mean?"
715
00:40:29,176 --> 00:40:31,137
"I wrote the real Rocky."
716
00:40:32,721 --> 00:40:34,306
"You wrote a boxing movie?" "Yeah."
717
00:40:34,390 --> 00:40:36,809
"Did you give it to Sly?"
"No, I want you to read it."
718
00:40:36,892 --> 00:40:39,061
"Maybe you can make it."
"No, that's... Frank."
719
00:40:39,145 --> 00:40:44,859
"Why don't you give it to Sly to read?
But I think that area has been done."
720
00:40:46,861 --> 00:40:49,155
He was still competing with Sly.
721
00:40:50,573 --> 00:40:53,075
[Frank] He goes, "Hey, I'm writing
a script called Sonny."
722
00:40:53,159 --> 00:40:55,911
Sly goes, "What's that about?"
"It's like Rocky, Sonny."
723
00:40:55,995 --> 00:40:58,747
Sly goes, "You can't do that, Dad.
It's my creation."
724
00:41:00,249 --> 00:41:03,335
I think my father was jealous.
I said, "What are you jealous of?"
725
00:41:04,086 --> 00:41:07,089
"He worked his ass off.
You didn't help him. He did this."
726
00:41:09,758 --> 00:41:13,846
Success can really
wreak havoc on a family.
727
00:41:13,929 --> 00:41:17,725
Unbeknownst to me, my career was just
canceled overnight when Rocky came out.
728
00:41:17,808 --> 00:41:19,894
All of a sudden, I became Rocky's brother.
729
00:41:19,977 --> 00:41:23,063
[Sly] It was hard on him.
My brother is very, very creative,
730
00:41:23,147 --> 00:41:26,525
and he was
pretty traumatized by my success.
731
00:41:27,109 --> 00:41:30,571
[Frank] No one was expecting him
to be, like, an American icon.
732
00:41:32,740 --> 00:41:34,658
[Sly] Once you get to your dream,
733
00:41:35,367 --> 00:41:37,328
you realize, this wasn't my dream.
734
00:41:37,411 --> 00:41:39,246
My dream has not made...
735
00:41:39,330 --> 00:41:41,290
It's not turned out the way I thought.
736
00:41:41,373 --> 00:41:43,375
It comes also with, uh...
737
00:41:44,460 --> 00:41:45,836
like, a storm front
738
00:41:47,046 --> 00:41:50,591
that you're constantly battling
because you're disappointed.
739
00:41:50,674 --> 00:41:51,717
You go, "Oh shit."
740
00:41:51,800 --> 00:41:56,597
"I thought once I made it to the top
of the mountain, it was all blue skies."
741
00:41:56,680 --> 00:41:58,140
It's not.
742
00:41:58,224 --> 00:42:01,519
The air is thinner. It's precarious.
743
00:42:02,269 --> 00:42:05,272
There's not many people up there.
It's pretty lonely.
744
00:42:05,356 --> 00:42:09,068
So sometimes going to the mountain
is not as... all it's cracked up to be.
745
00:42:09,151 --> 00:42:13,239
I think when Stallone
became famous with Rocky,
746
00:42:14,365 --> 00:42:19,161
he wasn't expecting the downside
that can happen with celebrity.
747
00:42:19,245 --> 00:42:20,996
{\an8}[bombastic fanfare plays]
748
00:42:21,080 --> 00:42:24,041
{\an8}[announcer] From Hollywood,
it's the Dinah! show.
749
00:42:24,124 --> 00:42:26,293
{\an8}And he wasn't expecting people to say,
750
00:42:26,377 --> 00:42:28,963
"Now you have to do it again,
now you have to prove it again."
751
00:42:29,046 --> 00:42:30,464
[announcer] And you're invited
752
00:42:30,548 --> 00:42:32,716
along with Rocky himself,
Sylvester Stallone.
753
00:42:32,800 --> 00:42:35,886
[Dinah] This is your second film
and everybody, all the world,
754
00:42:35,970 --> 00:42:39,890
is waiting to see
what happens with Sylvester Stallone.
755
00:42:39,974 --> 00:42:42,601
- Yeah.
- Was he, uh, a one-time shot?
756
00:42:45,312 --> 00:42:47,773
{\an8}[Sly] Right after Rocky,
people had built me into something
757
00:42:47,856 --> 00:42:50,734
{\an8}perhaps bigger than
I should have been built into.
758
00:42:52,027 --> 00:42:55,322
Right away, they were
beginning to question my ability.
759
00:42:55,406 --> 00:42:56,907
I was looking at many scripts.
760
00:42:56,991 --> 00:42:59,243
Nothing was interesting.
Then F.I.S.T. came along.
761
00:42:59,326 --> 00:43:01,662
This would be a true departure from Rocky.
762
00:43:01,745 --> 00:43:04,582
A film that deals with
the American labor movement,
763
00:43:04,665 --> 00:43:07,668
the conception of
a very powerful trucking union.
764
00:43:07,751 --> 00:43:11,005
It's a fantastic odyssey, I believe.
765
00:43:11,088 --> 00:43:16,969
That area in the wake of Rocky
is him struggling to figure out
766
00:43:17,052 --> 00:43:21,390
how to both maybe repeat that
and differentiate himself from it.
767
00:43:21,473 --> 00:43:25,269
{\an8}Stallone, at that time,
was such a huge star.
768
00:43:25,352 --> 00:43:28,814
{\an8}The first thing he wanted to do
was he wanted to rewrite the picture.
769
00:43:28,897 --> 00:43:31,697
[Wesley] I think a lot of the problems
on the sets of some of his films
770
00:43:31,734 --> 00:43:34,695
have to do with the fact
that he has a sense of,
771
00:43:34,778 --> 00:43:38,324
like, what is working for a movie,
772
00:43:38,407 --> 00:43:41,577
and is at odds with the people
who've been hired by the studios
773
00:43:41,660 --> 00:43:43,120
to make these things.
774
00:43:43,203 --> 00:43:47,958
{\an8}A gigantic issue with Sly, he didn't want
to die at the end of the movie.
775
00:43:48,042 --> 00:43:49,722
[Sly] I think he did something very wrong.
776
00:43:49,793 --> 00:43:52,171
He killed the hero off in the end
777
00:43:52,254 --> 00:43:54,590
and let evil triumph,
778
00:43:54,673 --> 00:43:56,008
which you can't do that.
779
00:43:56,091 --> 00:43:57,718
That may happen in reality a lot,
780
00:43:57,801 --> 00:43:59,720
but when people go in and pay good money,
781
00:43:59,803 --> 00:44:03,307
they sometimes like
to see righteousness pay off.
782
00:44:03,390 --> 00:44:05,952
{\an8}[Quentin] To promote F.I.S.T.,
he does one of those Playboy interviews.
783
00:44:05,976 --> 00:44:09,897
He pontificates that he doesn't think
it's possible for him ever to have a flop,
784
00:44:09,980 --> 00:44:11,815
that that will actually never happen,
785
00:44:11,899 --> 00:44:14,526
that it's not possible
for him to have a flop.
786
00:44:14,610 --> 00:44:16,987
[man] Despite its flaws,
I found a lot to admire in F.I.S.T.
787
00:44:17,071 --> 00:44:19,365
But many critics didn't agree with me,
788
00:44:19,448 --> 00:44:22,493
{\an8}and their disagreement
was a personal insult for Sylvester.
789
00:44:22,576 --> 00:44:25,704
{\an8}[Sly] When they start calling F.I.S.T.
J.U.N.K., I take that personally.
790
00:44:25,788 --> 00:44:28,957
I gave up the best of myself
for that film.
791
00:44:29,041 --> 00:44:30,292
I really worked hard.
792
00:44:30,376 --> 00:44:35,047
And so for some men, in 500 words,
to completely discredit all that effort,
793
00:44:35,130 --> 00:44:39,051
I would love to make an appointment
with them in any alley that they choose.
794
00:44:39,134 --> 00:44:41,387
[man] The success of Rocky
and the mistakes of F.I.S.T.
795
00:44:41,470 --> 00:44:45,057
have combined to inspire
Sylvester Stallone to make his own movie.
796
00:44:45,140 --> 00:44:47,768
All his own.
Writing, directing, and acting.
797
00:44:48,352 --> 00:44:51,063
Originally, Paradise Alley
was like the father of Rocky.
798
00:44:51,146 --> 00:44:53,565
I had written that in 1972.
799
00:44:53,649 --> 00:44:55,818
And no one ever wanted to touch it.
800
00:44:55,901 --> 00:44:57,319
A little too weird.
801
00:44:57,403 --> 00:44:59,238
So I went out and I wrote Rocky.
802
00:44:59,321 --> 00:45:02,324
Then the time came
when I wanted to do Paradise Alley
803
00:45:02,408 --> 00:45:04,535
and it dealt with the ring again.
804
00:45:04,618 --> 00:45:07,496
I thought, if I can make this
not as serious as Rocky,
805
00:45:07,579 --> 00:45:10,082
but really kind of like a carnival...
806
00:45:10,165 --> 00:45:13,210
The rain and the colors
and the characters,
807
00:45:13,293 --> 00:45:16,839
a little bit more would transcend
your normal wrestling match.
808
00:45:16,922 --> 00:45:19,758
[Sly] Back then, I was a young guy
trying to make something
809
00:45:19,842 --> 00:45:21,760
kind of clever and entertaining.
810
00:45:21,844 --> 00:45:24,054
I didn't really do my research
811
00:45:24,138 --> 00:45:27,433
and realize it was
such a niche kind of film.
812
00:45:27,516 --> 00:45:30,477
This is not broad-based.
It's kind of weird.
813
00:45:31,019 --> 00:45:34,356
1946, odd music, odd this, odd that.
814
00:45:34,940 --> 00:45:39,027
That I was setting myself up
for a disaster,
815
00:45:39,111 --> 00:45:40,279
and disaster struck.
816
00:45:41,029 --> 00:45:43,157
[Quentin] He wasn't expecting
F.I.S.T. to not do well,
817
00:45:43,240 --> 00:45:45,701
and he wasn't expecting
the critics who championed Rocky
818
00:45:45,784 --> 00:45:48,787
to turn viciously against Paradise Alley.
819
00:45:48,871 --> 00:45:50,289
He didn't handle it well.
820
00:45:50,372 --> 00:45:54,126
He started popping off,
challenging critics to fight.
821
00:45:55,961 --> 00:45:59,506
[Sly] Some days I wake up in the morning
and go, "I got this."
822
00:45:59,590 --> 00:46:01,550
And other days I go, "I don't have it."
823
00:46:01,633 --> 00:46:03,761
I don't feel it. It's not there.
824
00:46:03,844 --> 00:46:04,887
I'm flying blind.
825
00:46:04,970 --> 00:46:08,182
It's like going into a fight
and saying, "I don't know..."
826
00:46:09,433 --> 00:46:12,936
I've just learned that that will pass.
827
00:46:13,020 --> 00:46:14,730
Just hang in there.
828
00:46:14,813 --> 00:46:19,234
Don't have your anxiety attacks.
Let that fear... That's all part of it.
829
00:46:19,318 --> 00:46:22,946
That's what makes it interesting,
is you're afraid of it.
830
00:46:23,030 --> 00:46:25,616
The success story
of the character, Rocky Balboa,
831
00:46:25,699 --> 00:46:29,661
is strikingly similar to the success story
of the star, Sylvester Stallone.
832
00:46:29,745 --> 00:46:34,041
And nowadays, Stallone is putting
the finishing touches on Rocky II
833
00:46:34,124 --> 00:46:36,084
as writer, director, and star,
834
00:46:36,168 --> 00:46:40,547
with no noticeable anxiety about
the perennial dangers of doing a sequel.
835
00:46:40,631 --> 00:46:44,092
In fact, as usual,
Stallone is completely confident.
836
00:46:44,676 --> 00:46:46,804
[Sly] John Avildsen
wanted to go off Rocky.
837
00:46:46,887 --> 00:46:50,224
He goes to the Playboy Mansion,
he gets drunk, he starts using drugs.
838
00:46:50,307 --> 00:46:53,227
In other words, the downside of success.
839
00:46:53,310 --> 00:46:55,187
This is not that guy.
840
00:46:55,270 --> 00:46:59,233
This is the guy
who continues to just push and push
841
00:46:59,316 --> 00:47:00,651
and takes everyone with him.
842
00:47:00,734 --> 00:47:03,445
- A really idealistic individual.
- [all cheering]
843
00:47:03,529 --> 00:47:06,573
[Sly] See, John Avildsen
didn't like the script for Rocky II,
844
00:47:06,657 --> 00:47:07,991
so I ended up directing it.
845
00:47:08,075 --> 00:47:10,410
- I don't know.
- [reporter] How about a statement, Rocky?
846
00:47:10,494 --> 00:47:12,871
I don't know. I'm at a loss for words.
847
00:47:13,539 --> 00:47:15,123
- Rocky!
- Get back!
848
00:47:16,250 --> 00:47:19,670
[Quentin] One of the things that made
Rocky I and Rocky II so powerful was
849
00:47:19,753 --> 00:47:22,881
the way Stallone was able
to tell his story.
850
00:47:22,965 --> 00:47:27,636
He is channeling his life story
into both Rocky and Apollo Creed.
851
00:47:28,220 --> 00:47:32,182
Apollo Creed is stomping around his house
reading hate mail to his wife.
852
00:47:32,266 --> 00:47:35,561
That's probably Sylvester Stallone
stomping around his mansion
853
00:47:35,644 --> 00:47:37,896
reading Pauline Kael's
review for Paradise Alley.
854
00:47:37,980 --> 00:47:40,540
He's putting under the microscope
the whole concept of celebrity,
855
00:47:40,607 --> 00:47:42,276
to one degree or another.
856
00:47:43,861 --> 00:47:47,406
[Sly] The story is, in a sense,
better than the first one
857
00:47:47,489 --> 00:47:50,701
because it deals with
much more identifiable subjects.
858
00:47:50,784 --> 00:47:54,246
Rocky was a loner, now he has
a different kind of responsibility.
859
00:47:54,329 --> 00:47:58,375
He has the kind of responsibility
and problems that everyone in the audience
860
00:47:58,458 --> 00:48:02,212
who has been married or thinking
about getting married can identify with.
861
00:48:02,796 --> 00:48:05,716
[Wesley] I mean,
nobody thinks of Rocky as family movies,
862
00:48:05,799 --> 00:48:10,596
and yet, like, at their core is
this relationship between him and Adrian.
863
00:48:10,679 --> 00:48:15,058
The tug-of-war between having
this relationship and building this family
864
00:48:15,142 --> 00:48:18,437
and having this job that he has to do.
865
00:48:20,814 --> 00:48:23,483
[Adrian] When did you get home?
I thought you were at work.
866
00:48:23,567 --> 00:48:26,028
No, I... ain't at work no more.
867
00:48:26,111 --> 00:48:29,323
I got, uh... I got canned today.
868
00:48:30,324 --> 00:48:31,325
Oh.
869
00:48:32,576 --> 00:48:33,619
What happened?
870
00:48:33,702 --> 00:48:36,121
Now, do you give up your destiny
871
00:48:37,122 --> 00:48:39,833
for a "promise" that you made?
872
00:48:40,417 --> 00:48:41,501
What are you gonna do?
873
00:48:41,585 --> 00:48:45,839
I don't know.
I was, uh... thinking about fighting.
874
00:48:45,923 --> 00:48:47,925
[striking punching bag]
875
00:48:48,008 --> 00:48:50,302
You can be whatever you wanna be.
You don't have to fight.
876
00:48:50,385 --> 00:48:53,013
Well, you know, I am a fighter.
877
00:48:53,096 --> 00:48:55,933
Not too good, but that's what I do.
878
00:48:56,516 --> 00:48:59,519
Well, Rocky, you gave me your word
you wouldn't fight anymore.
879
00:49:02,272 --> 00:49:03,982
You see him in the lowest point.
880
00:49:04,066 --> 00:49:07,194
He's, like, in this
horrible little basement.
881
00:49:07,277 --> 00:49:08,904
He's there under a light.
882
00:49:08,987 --> 00:49:11,531
There's something about this guy who's...
883
00:49:11,615 --> 00:49:14,493
He's destined to do something,
884
00:49:14,576 --> 00:49:18,538
and he's being held back
for the wrong reasons.
885
00:49:18,622 --> 00:49:21,625
When he finally says, "I never asked you
to stop being a woman,
886
00:49:21,708 --> 00:49:23,961
please don't ask me
to stop being a man. I can't."
887
00:49:24,044 --> 00:49:26,713
He says, I love this woman,
888
00:49:26,797 --> 00:49:29,299
but she will not love what I will become
889
00:49:29,383 --> 00:49:31,969
if I don't at least try.
890
00:49:36,848 --> 00:49:39,351
[Arnold] Rocky II, that went
through the roof again.
891
00:49:39,434 --> 00:49:43,522
Doubled the amount of money
the first one made, and it just went...
892
00:49:44,022 --> 00:49:47,025
I mean, just bananas all over the world.
893
00:49:47,109 --> 00:49:49,820
So people now were really hustling him.
894
00:49:51,363 --> 00:49:58,078
Sly climbed the ladder, I would say,
very quickly in show business.
895
00:49:59,246 --> 00:50:04,793
Very few actors have the discipline
to produce and to direct.
896
00:50:04,876 --> 00:50:08,880
You have to think about it
24 hours a day, seven days a week.
897
00:50:08,964 --> 00:50:10,966
[melancholy music playing]
898
00:50:12,217 --> 00:50:16,847
Filmmaking is something
I understand and embrace.
899
00:50:18,306 --> 00:50:20,934
But it comes at a great price.
900
00:50:21,018 --> 00:50:25,105
When you're a truly absorbed filmmaker,
901
00:50:25,188 --> 00:50:28,108
act, write, and direct,
and produce and all at one time,
902
00:50:29,067 --> 00:50:30,485
there's no time for anything else.
903
00:50:30,569 --> 00:50:32,779
Just pieces and bits
and scraps for family.
904
00:50:32,863 --> 00:50:34,863
"What happened today?"
"Don't wanna talk about it."
905
00:50:34,906 --> 00:50:37,951
That's reality. When you come home,
it's almost not reality.
906
00:50:38,035 --> 00:50:40,495
It's a terrible conundrum.
907
00:50:45,459 --> 00:50:47,520
When you're younger...
"Gotta fill the house with art."
908
00:50:47,544 --> 00:50:49,046
"Gotta fill the house with children."
909
00:50:49,129 --> 00:50:52,007
"Gotta fill..." Well, now it's full.
910
00:50:52,090 --> 00:50:53,759
Children have moved on,
911
00:50:53,842 --> 00:50:56,803
and you're left
with this big, hollow, kind of...
912
00:50:57,637 --> 00:50:58,555
Mmm.
913
00:50:58,638 --> 00:51:00,640
[birds singing]
914
00:51:04,269 --> 00:51:08,023
It's just, it doesn't serve you anymore
915
00:51:08,106 --> 00:51:10,942
as a source of inspiration.
916
00:51:11,026 --> 00:51:15,155
I wasn't moving 'cause...
"Oh wow, I want another beautiful view."
917
00:51:15,238 --> 00:51:18,992
Anytime changing that paradigm,
which you become used to,
918
00:51:19,076 --> 00:51:24,831
it's literally to jumpstart
that process again.
919
00:51:26,750 --> 00:51:29,086
[Sly on tape] It's so hard to do a sequel.
920
00:51:29,169 --> 00:51:30,837
It's harder and harder, each one.
921
00:51:30,921 --> 00:51:34,674
It's always exhausting. People are
always in your ear all the time,
922
00:51:34,758 --> 00:51:36,676
then you get the criticism.
923
00:51:36,760 --> 00:51:40,680
And you say, "Is the pleasure
really gonna be worth the pain?"
924
00:51:41,223 --> 00:51:43,558
Every film becomes more and more difficult
925
00:51:43,642 --> 00:51:48,355
because you don't have
the freshness of a hungry artist.
926
00:51:50,273 --> 00:51:53,318
Before Rocky III, I developed fear.
927
00:51:54,027 --> 00:51:57,322
Maybe I'm not what I was.
Maybe it was luck.
928
00:51:57,405 --> 00:51:58,949
There's no passion involved.
929
00:51:59,032 --> 00:52:01,118
It's a good deal,
it's good money, it's good that.
930
00:52:01,201 --> 00:52:02,494
You start getting protected.
931
00:52:02,577 --> 00:52:05,413
The agencies... "keep this
and keep that and do this film."
932
00:52:05,497 --> 00:52:07,791
"It's safe. It's safe. It's safe."
933
00:52:07,874 --> 00:52:09,793
And after a while you realize,
934
00:52:09,876 --> 00:52:13,922
"I'm doing nothing good
because I'm listening to other people."
935
00:52:14,005 --> 00:52:17,050
You wake up after a few years
thinking you're a winner, but you're not.
936
00:52:17,134 --> 00:52:19,886
And Rocky III was an example of that.
937
00:52:19,970 --> 00:52:22,430
We got cars, we've got money!
938
00:52:22,514 --> 00:52:24,599
We got everything but the truth.
939
00:52:24,683 --> 00:52:26,143
What's the truth, damn it?
940
00:52:26,226 --> 00:52:28,061
I'm afraid! All right?
941
00:52:28,728 --> 00:52:31,481
You wanna hear me say it?
Wanna break me down? I'm afraid!
942
00:52:31,565 --> 00:52:32,858
What?
943
00:52:32,941 --> 00:52:37,195
You'll never have a fighter ever say,
"I'm afraid. I'm a coward."
944
00:52:37,279 --> 00:52:40,365
And then she turns it around.
945
00:52:40,448 --> 00:52:42,492
"I'm afraid too.
Nothing wrong with being afraid."
946
00:52:43,577 --> 00:52:46,955
[Talia] And then out of that
could come courage.
947
00:52:47,038 --> 00:52:50,709
Maybe the courage not to do
all those things everybody's telling...
948
00:52:50,792 --> 00:52:55,714
the manager's telling you to do,
the people who are handling you.
949
00:52:55,797 --> 00:52:59,843
Maybe courage is another thing.
What about going the distance?
950
00:53:00,886 --> 00:53:04,264
[Sly] I said, "Sly, get back,
start listening to yourself a little bit."
951
00:53:04,347 --> 00:53:06,057
"Just trust your instincts."
952
00:53:06,141 --> 00:53:10,645
Every decision I wanted to do,
like I wanted to use Mr. T,
953
00:53:11,479 --> 00:53:14,482
I wanted Survivor
to do "Eye of the Tiger,"
954
00:53:14,566 --> 00:53:16,443
I wanted Hulk Hogan,
955
00:53:16,526 --> 00:53:20,405
and everything was met with,
"That's ridiculous, that's ridiculous."
956
00:53:20,488 --> 00:53:22,741
I go, "I know. It is ridiculous."
957
00:53:22,824 --> 00:53:26,703
But it's theatrical.
It's interesting. It's different.
958
00:53:31,249 --> 00:53:34,211
[propulsive rock music playing]
959
00:53:37,631 --> 00:53:40,717
[Sly] I'm a grinder.
I just grind and grind, you know?
960
00:53:40,800 --> 00:53:45,013
I just try to outwork myself,
outwork my insecurities.
961
00:53:45,096 --> 00:53:48,350
I become indifferent
to, uh, the threat of failure
962
00:53:48,433 --> 00:53:50,602
because I know that no matter what,
963
00:53:50,685 --> 00:53:52,896
even if it's not a bona fide success,
964
00:53:52,979 --> 00:53:56,149
it'll be good for you
to at least continue to push yourself.
965
00:53:56,942 --> 00:53:59,819
90% of the journey is tumultuous and ugly.
966
00:53:59,903 --> 00:54:02,405
But to get to those nuggets,
you have to go through it.
967
00:54:02,489 --> 00:54:04,032
You may not get there,
968
00:54:04,115 --> 00:54:06,368
but you can be better off
than doing nothing.
969
00:54:09,663 --> 00:54:12,999
He keeps wanting to create.
970
00:54:13,500 --> 00:54:14,918
He's never sitting back.
971
00:54:15,001 --> 00:54:18,213
He doesn't want to say,
"I regret. I could have. I should have."
972
00:54:18,296 --> 00:54:20,257
"Oh, only if I did."
973
00:54:23,009 --> 00:54:25,762
He always knew where he wanted to be.
974
00:54:26,304 --> 00:54:28,098
It's not like an accident.
975
00:54:28,181 --> 00:54:30,600
Him becoming an action hero
was an accident.
976
00:54:32,519 --> 00:54:36,231
The original Rambo was a homicidal maniac.
977
00:54:36,314 --> 00:54:40,902
He was a vicious casualty from the war.
978
00:54:40,986 --> 00:54:42,862
He came back broken.
979
00:54:42,946 --> 00:54:47,826
There's nothing he could do to earn
his way back into America's good graces.
980
00:54:47,909 --> 00:54:49,953
So I said, "If I'm gonna
get involved with this,
981
00:54:50,036 --> 00:54:51,788
I want to rewrite the screenplay."
982
00:54:51,871 --> 00:54:54,207
"And I want him to go right to the edge."
983
00:54:55,417 --> 00:54:56,751
- [gasps]
- [grunts]
984
00:54:56,835 --> 00:55:00,463
Bring a certain
kind of feral ferocity to it
985
00:55:01,131 --> 00:55:02,424
that even shocks me.
986
00:55:02,507 --> 00:55:07,137
When it's like, there's just
this contorted face and rage.
987
00:55:07,220 --> 00:55:09,431
- [boy panting]
- [Rambo grunts]
988
00:55:09,514 --> 00:55:12,767
[Sly] I don't have to look far
to figure out where that came from.
989
00:55:12,851 --> 00:55:14,602
[suspenseful music swells]
990
00:55:14,686 --> 00:55:17,939
My father was Rambo, in reality.
991
00:55:18,023 --> 00:55:20,984
Nothing was ever settled verbally.
992
00:55:21,067 --> 00:55:23,945
It was usually a physical ultimatum.
993
00:55:24,904 --> 00:55:26,614
The way you turn a fork.
994
00:55:26,698 --> 00:55:28,533
If he's eating like this...
995
00:55:31,161 --> 00:55:32,620
you know you're gonna get it.
996
00:55:34,289 --> 00:55:36,541
You did not mess with this guy.
997
00:55:37,625 --> 00:55:41,212
That look, it was just...
It was genetic. He'd go... [grumbles]
998
00:55:44,132 --> 00:55:46,718
I saw an opportunity to do
999
00:55:46,801 --> 00:55:50,055
what I consider, like,
the first pure action film.
1000
00:55:50,138 --> 00:55:54,142
That being that this thing
is completely done kinetically.
1001
00:55:54,225 --> 00:55:56,102
There's just... there's so much movement
1002
00:55:56,186 --> 00:55:58,855
that dialogue can't be handled
by the star.
1003
00:55:58,938 --> 00:56:01,149
It has to be handled
by Trautman and other people.
1004
00:56:01,232 --> 00:56:05,612
I mean, you are
really drawn into this loner,
1005
00:56:05,695 --> 00:56:08,656
solitary figure who feels abandoned.
1006
00:56:08,740 --> 00:56:11,409
Whatever he was acting was deep inside,
1007
00:56:11,493 --> 00:56:14,412
so much deeper than what's on the page.
1008
00:56:15,163 --> 00:56:18,708
He has a good way of writing dialogue
that's both witty and rhythmic,
1009
00:56:18,792 --> 00:56:22,087
but also seems a bit
like improvisation to some degree.
1010
00:56:22,712 --> 00:56:26,049
[John] Sly has a unique gift
in the words he writes.
1011
00:56:26,132 --> 00:56:28,927
They're simple, they're true.
1012
00:56:29,010 --> 00:56:32,514
There's an intent behind
things he writes and says.
1013
00:56:33,098 --> 00:56:37,852
[Sly] Started really reading up on vets
and their actual words,
1014
00:56:38,436 --> 00:56:41,272
situations, traumas.
1015
00:56:42,148 --> 00:56:47,028
And I thought,
"Wow, if I could put a couple of beats
1016
00:56:47,779 --> 00:56:51,825
from about 20 different guys' lives,
jumble them up..."
1017
00:56:52,575 --> 00:56:55,870
Because Rambo hasn't spoken in years,
1018
00:56:55,954 --> 00:56:58,748
so he's not coming out fluid.
1019
00:56:58,832 --> 00:57:02,710
It's just this rush, this purging.
1020
00:57:02,794 --> 00:57:06,464
So I remember
I had heard stories about this guy,
1021
00:57:07,882 --> 00:57:11,970
about going into Saigon,
carrying a shoeshine box.
1022
00:57:12,053 --> 00:57:13,721
"Shine, please. Shine. Shine."
1023
00:57:13,805 --> 00:57:15,807
[Rambo] I said no. He kept asking, yeah.
1024
00:57:15,890 --> 00:57:19,936
And Joey said, "Yeah."
And I went to get a couple beers.
1025
00:57:20,019 --> 00:57:21,688
And the box was wired.
1026
00:57:21,771 --> 00:57:24,732
[Sly] "I went to get a couple of beers.
The shine box was wired."
1027
00:57:24,816 --> 00:57:26,776
"The kid opened it. Joey..."
1028
00:57:26,860 --> 00:57:29,112
"It blew his body all over the place."
1029
00:57:29,195 --> 00:57:31,489
"And there he is laying there
going, 'Where are my legs?'"
1030
00:57:31,573 --> 00:57:33,575
My friend! It's all over me!
1031
00:57:33,658 --> 00:57:36,661
Got blood and everything.
I'm trying to hold him together.
1032
00:57:36,744 --> 00:57:39,956
I put him together,
his fucking insides keep coming out.
1033
00:57:40,039 --> 00:57:41,791
And nobody would help!
1034
00:57:42,417 --> 00:57:45,170
Nobody helped.
He's saying, "Please, I wanna go home..."
1035
00:57:45,253 --> 00:57:47,964
"Where the fuck are my legs?"
You can't make that shit up.
1036
00:57:49,632 --> 00:57:52,510
You cannot make that kind of writing up.
1037
00:57:53,011 --> 00:57:57,849
It took me a while
to really absorb all these stories
1038
00:57:57,932 --> 00:58:04,606
and put it in this kind of crazy monologue
1039
00:58:04,689 --> 00:58:06,900
that was not in the screenplay.
1040
00:58:06,983 --> 00:58:08,943
I had read David Morrell's original book.
1041
00:58:09,027 --> 00:58:10,820
The whole point of the book is
1042
00:58:10,904 --> 00:58:13,781
if you take this
super weapon killing machine,
1043
00:58:13,865 --> 00:58:15,783
when the war is over,
1044
00:58:15,867 --> 00:58:18,828
keeping that switch
turned off isn't so easy.
1045
00:58:18,912 --> 00:58:22,457
That entire concept is
thrown away in First Blood.
1046
00:58:22,540 --> 00:58:25,835
The changing of it
from Rambo murdering the posse
1047
00:58:25,919 --> 00:58:27,962
to wounding the posse was Stallone's idea.
1048
00:58:28,046 --> 00:58:31,382
[Sly] At the very end, originally,
the way it was in the script,
1049
00:58:31,466 --> 00:58:35,678
I am shot by Colonel Trautman,
1050
00:58:35,762 --> 00:58:37,180
and I die in slow motion.
1051
00:58:37,263 --> 00:58:39,516
And I said to the director,
"This is not good."
1052
00:58:39,599 --> 00:58:43,937
I don't want everyone
who was a Vietnam vet
1053
00:58:44,020 --> 00:58:46,731
to see this film and then me shot,
1054
00:58:46,814 --> 00:58:51,528
and realize, "Oh, so there's
no hope for me at all. None."
1055
00:58:52,153 --> 00:58:56,324
And I left. And they were screaming
that if I don't come back,
1056
00:58:56,407 --> 00:58:58,159
it was a breach of contract.
1057
00:58:58,243 --> 00:58:59,536
[gunfire]
1058
00:58:59,619 --> 00:59:01,955
[Sly] They screen it in Las Vegas.
1059
00:59:02,038 --> 00:59:06,584
It tested so badly,
they put in the one that you see,
1060
00:59:06,668 --> 00:59:12,173
because at that time they were losing
20,000 vets to suicide a month.
1061
00:59:12,257 --> 00:59:14,801
I said, "I don't want
to be part of that. I don't."
1062
00:59:14,884 --> 00:59:16,553
And I'm not going to.
1063
00:59:16,636 --> 00:59:20,306
["Golden Brown" by the Stranglers playing]
1064
00:59:22,976 --> 00:59:25,562
[Sly] Around the mid '80s,
I started doing Rambo.
1065
00:59:25,645 --> 00:59:28,648
And this character
kind of started something.
1066
00:59:32,610 --> 00:59:35,780
[Wesley] First thing that
comes to mind is physicality.
1067
00:59:36,948 --> 00:59:41,327
I think the thing
that made Stallone a perfect '80s star
1068
00:59:41,411 --> 00:59:45,456
was that everything
about that decade was about excess.
1069
00:59:50,503 --> 00:59:54,632
But his body and the chaos it can make,
the carnage it can cause...
1070
00:59:54,716 --> 00:59:58,428
People loved watching him push himself.
1071
00:59:58,511 --> 00:59:59,596
[grunting]
1072
01:00:00,430 --> 01:00:03,474
[Wesley] Even when it was
almost self-parodying, people went
1073
01:00:03,558 --> 01:00:07,520
because he was
the ultra version of himself.
1074
01:00:09,522 --> 01:00:12,859
Arnold Schwarzenegger
was his only competition.
1075
01:00:15,403 --> 01:00:20,033
[Arnold] Sly, all of a sudden with Rambo,
he stepped into my arena.
1076
01:00:20,116 --> 01:00:23,369
All of a sudden he was ripped,
and everyone talking about his body.
1077
01:00:25,288 --> 01:00:27,957
And so that created
competition, of course.
1078
01:00:28,583 --> 01:00:31,169
At that point, we were like little kids.
1079
01:00:31,252 --> 01:00:32,920
Who uses bigger knives?
1080
01:00:33,004 --> 01:00:36,424
Who uses the biggest guns
and holds them in one arm and...
1081
01:00:36,507 --> 01:00:38,926
[imitates gunfire] You know, like that.
1082
01:00:39,010 --> 01:00:42,013
And who has more muscles,
who has more muscle definition,
1083
01:00:42,096 --> 01:00:43,723
who has less body fat?
1084
01:00:43,806 --> 01:00:47,185
I mean, stupid stuff
that we would be fighting over.
1085
01:00:47,769 --> 01:00:50,229
Now we look back
and we laugh at the whole thing.
1086
01:00:50,938 --> 01:00:54,233
We learned the effect of having muscles.
1087
01:00:54,317 --> 01:00:58,363
The effect is that
people buy in twice as much.
1088
01:00:58,446 --> 01:01:03,534
This is what really gave
action movies a whole new boost.
1089
01:01:03,618 --> 01:01:05,453
- [gunfire]
- [Arnold] A whole new push.
1090
01:01:05,536 --> 01:01:06,954
- [gunfire]
- [engine revs]
1091
01:01:07,872 --> 01:01:10,041
I was really committed
to making that genre
1092
01:01:10,124 --> 01:01:11,793
something that would be lucrative
1093
01:01:11,876 --> 01:01:15,088
and would travel
around the world, and it did.
1094
01:01:15,171 --> 01:01:17,799
[man 1] There's something irresistible
about Sylvester Stallone.
1095
01:01:17,882 --> 01:01:19,509
[man 2] From underdog to champion...
1096
01:01:19,592 --> 01:01:24,222
...and have earned Stallone both
worldwide fame and a personal fortune.
1097
01:01:24,305 --> 01:01:29,394
[man 3] Stallone knows he got where he is
because he knows what it is to make a hit.
1098
01:01:29,477 --> 01:01:31,521
[crowd clamoring]
1099
01:01:33,189 --> 01:01:34,816
[Arnold] I always was trailing Sly.
1100
01:01:34,899 --> 01:01:36,234
I was always a step behind.
1101
01:01:36,317 --> 01:01:37,985
He was always making bigger grosses.
1102
01:01:38,069 --> 01:01:40,321
And then a year later,
I made the same grosses.
1103
01:01:40,405 --> 01:01:42,573
But by that time,
he made bigger grosses again.
1104
01:01:42,657 --> 01:01:43,574
This is how it went.
1105
01:01:43,658 --> 01:01:45,618
And he was up and up and up and up.
1106
01:01:45,702 --> 01:01:48,830
Sly now couldn't stop, really.
1107
01:01:48,913 --> 01:01:52,417
Not just actor or director,
but a force in Hollywood.
1108
01:01:53,751 --> 01:01:56,421
[interviewer]
People are always telling me, your fans,
1109
01:01:56,504 --> 01:01:59,006
it's got to be
Rocky or it's got to be Rambo.
1110
01:01:59,090 --> 01:02:01,467
Now, is that a frustration
for you as an actor?
1111
01:02:01,551 --> 01:02:02,552
It's double-edged.
1112
01:02:02,635 --> 01:02:07,223
It's frustrating,
but being able to find not one,
1113
01:02:07,306 --> 01:02:09,767
but a couple characters
to be so identified,
1114
01:02:09,851 --> 01:02:11,102
so embraced,
1115
01:02:11,185 --> 01:02:13,896
that you realize
you've accomplished something,
1116
01:02:13,980 --> 01:02:15,273
that's kind of unusual.
1117
01:02:15,356 --> 01:02:17,233
I've always believed in sequels,
1118
01:02:17,316 --> 01:02:20,903
because I think quite often
this story can't be told in two hours.
1119
01:02:20,987 --> 01:02:23,614
Why not keep going on?
If the audience likes it, why not?
1120
01:02:23,698 --> 01:02:25,116
[rock music playing]
1121
01:02:25,825 --> 01:02:28,494
[Sly] I tell people,
don't diminish sequels.
1122
01:02:28,578 --> 01:02:32,039
Because it's ten times harder
to come up with something
1123
01:02:32,123 --> 01:02:36,169
that can keep that interest
and heat and magic going.
1124
01:02:36,252 --> 01:02:38,671
[explosions]
1125
01:02:38,755 --> 01:02:41,215
[Quentin] So, and then,
in Rocky III and Rocky IV,
1126
01:02:41,299 --> 01:02:46,304
when the character becomes less
like the real story of Sylvester Stallone
1127
01:02:46,387 --> 01:02:48,639
and more like a comic book character.
1128
01:02:48,723 --> 01:02:50,850
And not only is he a comic book character,
1129
01:02:50,933 --> 01:02:53,478
he's seemingly fighting
comic book villains,
1130
01:02:53,561 --> 01:02:56,272
like as if torn from
the pages of Marvel Comics.
1131
01:02:56,355 --> 01:03:01,110
The absurdity of what the stakes are
in this movie sort of take over.
1132
01:03:01,194 --> 01:03:04,572
It's about giving the audience
the ultra Stallone experience
1133
01:03:04,655 --> 01:03:08,868
within the contained box
of the Rocky brand.
1134
01:03:08,951 --> 01:03:10,536
[intense music builds]
1135
01:03:12,455 --> 01:03:15,708
[John] He's fighting,
he's directing, he's writing,
1136
01:03:15,792 --> 01:03:17,627
he's doing everything,
1137
01:03:17,710 --> 01:03:21,172
which is very hard to do
in a very physical movie.
1138
01:03:22,131 --> 01:03:25,218
[Sly] Dolph Lundgren, he pulverized me.
1139
01:03:25,301 --> 01:03:26,803
[audience cheering]
1140
01:03:26,886 --> 01:03:29,180
[Sly] Later that night,
my heart started to swell,
1141
01:03:31,098 --> 01:03:33,726
which happens when
the heart hits the chest.
1142
01:03:35,436 --> 01:03:38,189
And then my blood pressure went up to 260.
1143
01:03:38,940 --> 01:03:42,985
And they thought I was
going to be talking to angels.
1144
01:03:43,069 --> 01:03:45,071
[music peaks and fades out]
1145
01:03:45,154 --> 01:03:48,741
[wind whistling]
1146
01:03:51,744 --> 01:03:53,830
[Sly] Next thing I know,
I'm in intensive care
1147
01:03:53,913 --> 01:03:55,206
where I'm surrounded by nuns.
1148
01:03:55,289 --> 01:03:57,333
And I thought, "Okay, that's curtains."
1149
01:03:58,584 --> 01:04:01,212
Dolph Lundgren put me
in the hospital for nine days.
1150
01:04:01,295 --> 01:04:03,589
I basically summarized it in Rocky IV,
1151
01:04:03,673 --> 01:04:05,675
like when you're beaten to the ground
1152
01:04:05,758 --> 01:04:08,344
and you're praying someone
knocks you on the chin
1153
01:04:08,427 --> 01:04:10,012
so you just don't suffer anymore,
1154
01:04:10,096 --> 01:04:13,474
there's a small voice inside you
that says, "Give me one more round."
1155
01:04:16,602 --> 01:04:19,355
[Sly] I push it. That's why
I've had five back operations.
1156
01:04:20,022 --> 01:04:23,317
I knew. You should know after the first
back operation not to do it again.
1157
01:04:24,235 --> 01:04:25,235
[chuckles]
1158
01:04:25,278 --> 01:04:27,864
Probably end up with another one
'cause I know...
1159
01:04:27,947 --> 01:04:30,199
I say I'll never do that again, but I do.
1160
01:04:30,283 --> 01:04:32,451
I do. I don't know why, but I do.
1161
01:04:34,579 --> 01:04:38,332
I've always been thrown
in a world of turmoil
1162
01:04:38,416 --> 01:04:42,336
and kind of, like, a lot of physicality.
1163
01:04:42,420 --> 01:04:43,921
I guess you could call it violence.
1164
01:04:44,005 --> 01:04:46,507
[low rumbling]
1165
01:04:49,260 --> 01:04:51,637
[hoofbeats echoing]
1166
01:04:59,395 --> 01:05:01,272
[horse whinnying]
1167
01:05:01,355 --> 01:05:02,523
[echoing thud]
1168
01:05:06,068 --> 01:05:09,864
[Sly] My father was in the army,
and he was in the cavalry.
1169
01:05:09,947 --> 01:05:11,532
I don't know what army he was in,
1170
01:05:11,616 --> 01:05:14,493
but they had a cavalry in World War II
along the Mexican border.
1171
01:05:14,577 --> 01:05:16,662
So he learned to play
kinda like sandlot polo.
1172
01:05:16,746 --> 01:05:18,664
So I spent a great deal of time...
1173
01:05:18,748 --> 01:05:21,125
So I became a horseman
and I played for a while,
1174
01:05:21,208 --> 01:05:23,210
and it is a wicked game.
1175
01:05:23,294 --> 01:05:25,713
[Frank] Sly became
an excellent polo player.
1176
01:05:25,796 --> 01:05:28,049
He could have been
like a six-, seven-goal player
1177
01:05:28,132 --> 01:05:30,426
if it wasn't for
my father browbeating him.
1178
01:05:30,509 --> 01:05:31,928
And that's why he quit polo.
1179
01:05:33,971 --> 01:05:37,475
[Sly] I started playing again
when I was about 40.
1180
01:05:38,392 --> 01:05:42,104
So I said, "Okay, let me do it right."
Now I've made it, Dad,
1181
01:05:42,688 --> 01:05:47,276
I'm gonna field my father
a super team with ten-goal players,
1182
01:05:47,360 --> 01:05:49,111
and we'll play against each other
1183
01:05:49,195 --> 01:05:51,405
in the Wellington,
the number one field in the world.
1184
01:05:51,489 --> 01:05:54,116
[melancholy rock music plays]
1185
01:05:57,995 --> 01:06:02,041
[man] Sly Stallone shows the world
how good he is with horse and mallet,
1186
01:06:02,124 --> 01:06:04,418
out to impress the polo elite.
1187
01:06:08,422 --> 01:06:10,967
[Sly] So I'm out there, playing well.
1188
01:06:11,884 --> 01:06:14,720
My father, we're going neck and neck,
1189
01:06:17,932 --> 01:06:19,892
and I go out for a nearside.
1190
01:06:23,020 --> 01:06:24,021
My father
1191
01:06:24,522 --> 01:06:26,524
spears me in the back.
1192
01:06:28,067 --> 01:06:29,944
Hit me so hard,
1193
01:06:31,821 --> 01:06:33,155
I went down.
1194
01:06:33,239 --> 01:06:34,657
Entertainment Tonight is there.
1195
01:06:34,740 --> 01:06:37,535
The horse walked right over,
I don't know how it didn't kill me.
1196
01:06:37,618 --> 01:06:40,121
But I see myself getting up,
and the first thing was like...
1197
01:06:40,204 --> 01:06:41,288
[groans]
1198
01:06:44,125 --> 01:06:46,460
And I think, "He just rode away."
1199
01:06:47,503 --> 01:06:51,090
Today has been maybe, probably,
the best thrill of my life.
1200
01:06:51,173 --> 01:06:54,427
Finally have gotten to play together
1201
01:06:54,510 --> 01:06:57,054
in a quality polo game
such as we had today.
1202
01:06:57,138 --> 01:07:01,392
If you notice, the first cheap shot,
and only cheap shot in the game,
1203
01:07:01,475 --> 01:07:04,729
was administered
from my father... to his son.
1204
01:07:07,815 --> 01:07:09,025
[Sly] That was it.
1205
01:07:09,108 --> 01:07:11,527
I never played polo again
from that moment on.
1206
01:07:11,610 --> 01:07:12,987
I sold everything.
1207
01:07:13,070 --> 01:07:15,531
I sold every horse, the ranch, the truck,
1208
01:07:15,614 --> 01:07:17,283
and that was the end.
1209
01:07:20,828 --> 01:07:23,080
[waves lapping gently]
1210
01:07:23,164 --> 01:07:25,249
[birds squawking faintly]
1211
01:07:28,586 --> 01:07:32,339
[Sly] Basically, when we're born,
we're soft clay.
1212
01:07:33,340 --> 01:07:37,845
And a heavy-handed sculptor
starts to put dents in it,
1213
01:07:37,928 --> 01:07:40,431
and that's in our mold.
That's what we are.
1214
01:07:40,514 --> 01:07:44,060
And you just can't correct
those distortions.
1215
01:07:44,685 --> 01:07:46,520
And that's what develops personality.
1216
01:07:46,604 --> 01:07:49,398
Not a lot of people can overcome.
It takes work.
1217
01:07:50,316 --> 01:07:53,527
[gentle music playing]
1218
01:08:03,287 --> 01:08:07,958
{\an8}[John] I think what he was going for
in Rocky V is he wants to make sure
1219
01:08:08,042 --> 01:08:11,921
that he never loses who he was,
where he came from.
1220
01:08:12,004 --> 01:08:16,884
He wanted to get back to his roots, but
I don't think he did it the way he hoped.
1221
01:08:21,305 --> 01:08:23,766
[Sly] At that time,
with Rocky V, I thought,
1222
01:08:24,558 --> 01:08:26,519
if I lost everything,
1223
01:08:26,602 --> 01:08:30,898
could I actually go back
and start over again?
1224
01:08:31,816 --> 01:08:34,819
Not without someone helping me.
1225
01:08:35,361 --> 01:08:36,821
I realized I'm over.
1226
01:08:36,904 --> 01:08:39,490
That's why Tommy
is more important than my own family,
1227
01:08:39,573 --> 01:08:43,035
because he's gonna bring me glory again.
1228
01:08:43,786 --> 01:08:45,704
He was almost too personal.
1229
01:08:46,872 --> 01:08:51,085
[John] His son, Sage, he put him in it.
He wrote him in it.
1230
01:08:52,419 --> 01:08:56,841
He wanted to give him this opportunity
that was so hard for Sly to get.
1231
01:08:59,009 --> 01:09:01,729
[producer] How did you write the scene
in the basement with your son?
1232
01:09:01,804 --> 01:09:04,807
He's saying, you're invested
in the boxing, but you're not seeing me.
1233
01:09:04,890 --> 01:09:07,935
Is that something
you drew upon from your own experience?
1234
01:09:08,018 --> 01:09:09,311
Unfortunately, yes.
1235
01:09:09,395 --> 01:09:12,398
You said I would be number one to you.
You said that and you lied.
1236
01:09:12,481 --> 01:09:14,483
You lied to me and you lied to Mom!
1237
01:09:14,567 --> 01:09:16,735
I never lied to you.
1238
01:09:16,819 --> 01:09:18,195
Tommy needed my help.
1239
01:09:18,279 --> 01:09:19,572
So did I.
1240
01:09:21,115 --> 01:09:24,160
[Sly] I try to take
something that actually
1241
01:09:25,119 --> 01:09:28,289
is what I wish I had done in real life,
1242
01:09:28,956 --> 01:09:31,625
but I wasn't able to do that in reality.
1243
01:09:32,334 --> 01:09:37,590
And so, quite often,
I would do it theatrically,
1244
01:09:38,090 --> 01:09:39,133
magically.
1245
01:09:40,509 --> 01:09:42,553
[Adrian] If there's something
you want to pass on,
1246
01:09:42,636 --> 01:09:45,806
pass it on to your son, for God sakes!
1247
01:09:45,890 --> 01:09:50,477
[Sly] Her speech, when I'm losing my son
and I'm having a nervous breakdown...
1248
01:09:50,561 --> 01:09:54,356
"I didn't want this. I just want us
to be back to where we started."
1249
01:09:54,440 --> 01:09:56,025
She tears me a new one.
1250
01:09:57,193 --> 01:09:58,736
"Save your son."
1251
01:09:59,778 --> 01:10:01,071
A lot of that is true.
1252
01:10:01,155 --> 01:10:04,825
You know, unfortunately,
you put things before your family,
1253
01:10:05,784 --> 01:10:12,124
and the repercussions are
quite radical and devastating.
1254
01:10:13,125 --> 01:10:15,628
I try to impart my beliefs,
my philosophies,
1255
01:10:15,711 --> 01:10:20,466
that all the grandeur, all the fanfare,
all the international acclaim,
1256
01:10:20,549 --> 01:10:22,843
means nothing
when you can't sleep at night,
1257
01:10:22,927 --> 01:10:27,056
when you have no one next to you,
when you don't have your flesh and blood.
1258
01:10:27,139 --> 01:10:31,644
[Sly on tape]
Rocky V might have been just too personal.
1259
01:10:32,436 --> 01:10:35,439
It just didn't land
with the audience at all.
1260
01:10:36,565 --> 01:10:39,193
I used to tell people, I said,
"Don't ever watch the second half
1261
01:10:39,276 --> 01:10:41,445
of any biography about a star."
1262
01:10:41,528 --> 01:10:44,073
Because it's always,
"And here at the pinnacle,
1263
01:10:44,156 --> 01:10:47,451
and he had the world in his hand.
And then..."
1264
01:10:47,534 --> 01:10:49,870
"Well, stay tuned for the fall."
1265
01:10:49,954 --> 01:10:52,873
- [camera shutters clicking]
- [reporters] Sly! Sly!
1266
01:10:52,957 --> 01:10:57,461
If I knew I had to do
25 films my whole life, that's it,
1267
01:11:00,005 --> 01:11:02,132
you'd choose a lot different than this.
1268
01:11:02,216 --> 01:11:04,802
[Johnny Carson] Now all of a sudden,
you're doing a farce.
1269
01:11:04,885 --> 01:11:06,720
That's like 180 degrees.
1270
01:11:06,804 --> 01:11:08,847
[Sly] Farce. It's a dead art form.
1271
01:11:09,640 --> 01:11:13,060
Farce is not really comedy.
It's little... [chuckles]
1272
01:11:13,143 --> 01:11:14,311
It's so fast.
1273
01:11:14,395 --> 01:11:16,897
You just really step out of your box
1274
01:11:16,981 --> 01:11:18,732
and you do farce,
1275
01:11:18,816 --> 01:11:20,276
you're really asking for it.
1276
01:11:20,359 --> 01:11:22,111
[chuckling] You know what I mean?
1277
01:11:22,695 --> 01:11:26,115
If you're hungry,
you always try to expand.
1278
01:11:26,198 --> 01:11:29,868
It was natural for Sly to feel like,
"I want to get into comedies."
1279
01:11:30,619 --> 01:11:32,663
[producer]
Which one took you furthest from...
1280
01:11:32,746 --> 01:11:33,956
- Who I am?
- [producer] Yeah.
1281
01:11:34,039 --> 01:11:37,126
[Sly] Without a doubt. That. That.
1282
01:11:37,209 --> 01:11:38,919
Stop! Or My Mom Will Shoot.
1283
01:11:39,003 --> 01:11:42,006
[Arnold] There was a script
that was offered
1284
01:11:42,089 --> 01:11:44,383
to his agent and to my agent.
1285
01:11:44,466 --> 01:11:47,845
When I read the script, I said,
"This, I don't think I could sell,"
1286
01:11:47,928 --> 01:11:50,055
but I'm not gonna tell them I'm out of it.
1287
01:11:50,139 --> 01:11:53,434
And so they called right away, the studio.
They said, "Arnold wants the script."
1288
01:11:53,517 --> 01:11:58,188
So Sly was going so nuts
about the fact that I want to do it,
1289
01:11:58,272 --> 01:12:01,692
he then committed to the movie,
and then he did the movie.
1290
01:12:01,775 --> 01:12:02,776
And the rest is history.
1291
01:12:02,860 --> 01:12:05,904
[Wesley] He was making movies
that didn't make any sense for him
1292
01:12:05,988 --> 01:12:08,574
or didn't appear
to be making sense for him.
1293
01:12:09,199 --> 01:12:13,162
I mean, those are movies where he is
thoroughly Sylvester Stallone in them.
1294
01:12:13,245 --> 01:12:15,956
It's just that the environment
didn't seem right.
1295
01:12:16,040 --> 01:12:20,586
[Sly] I can't really disassociate myself
from what I am, and I tried for a while.
1296
01:12:20,669 --> 01:12:23,505
Doing the comedies,
even though it was kind of an adventure,
1297
01:12:23,589 --> 01:12:25,632
it really was a wasted effort.
1298
01:12:25,716 --> 01:12:27,634
I could've done
much better things with my time.
1299
01:12:27,718 --> 01:12:29,511
I think people felt very disillusioned.
1300
01:12:29,595 --> 01:12:32,806
They said, "Look, why don't you do
maybe what you're meant to do?"
1301
01:12:32,890 --> 01:12:34,975
Going back to my roots, you might say.
1302
01:12:35,059 --> 01:12:38,937
[chuckling] Then I became considered
to be, like, monosyllabic.
1303
01:12:39,021 --> 01:12:40,898
And the less I did verbally
1304
01:12:40,981 --> 01:12:42,441
and the more I did physically
1305
01:12:42,524 --> 01:12:44,026
was the way I was known.
1306
01:12:44,651 --> 01:12:48,197
He really is just like
this hulking action figure
1307
01:12:48,280 --> 01:12:50,115
who really doesn't speak.
1308
01:12:50,199 --> 01:12:51,867
He's playing the lead in an action movie,
1309
01:12:51,950 --> 01:12:56,038
and this one is set in prison,
and another one, it's set on a train.
1310
01:12:56,121 --> 01:13:00,167
To the point where I said,
"Okay, action, action, action."
1311
01:13:00,250 --> 01:13:02,044
"What are you doing?"
1312
01:13:02,127 --> 01:13:04,207
[Quentin] His characters stopped
being less character
1313
01:13:04,254 --> 01:13:06,006
and more just the leading man.
1314
01:13:06,090 --> 01:13:07,966
And Cop Land brought us back to that.
1315
01:13:08,050 --> 01:13:10,260
[gentle music playing]
1316
01:13:10,344 --> 01:13:12,930
[Sly] I was not deriving
any pleasure anymore.
1317
01:13:13,013 --> 01:13:16,934
I felt that the challenges
were that of physical challenge,
1318
01:13:17,017 --> 01:13:20,312
and nothing to do with
any reliance upon character work,
1319
01:13:20,396 --> 01:13:24,566
where you are
totally dependent upon how you act.
1320
01:13:26,276 --> 01:13:28,404
And so I thought, you know,
I have to stop this.
1321
01:13:28,487 --> 01:13:31,407
I have to try to go back
to what I enjoy more,
1322
01:13:31,490 --> 01:13:34,118
and the premise is
interacting with other actors.
1323
01:13:34,201 --> 01:13:36,412
And then when Miramax came with Cop Land,
1324
01:13:36,495 --> 01:13:38,497
they said, "This is going to be difficult,
1325
01:13:38,580 --> 01:13:41,500
because you're going
to have to completely divest yourself
1326
01:13:41,583 --> 01:13:44,420
of what you've used
for the past ten years."
1327
01:13:44,503 --> 01:13:47,214
Which is, you have to gain 30 pounds.
1328
01:13:47,297 --> 01:13:50,884
You have to be
incredibly obsequious, fawning, shy.
1329
01:13:51,552 --> 01:13:54,263
Time for me to turn inside out.
1330
01:13:54,346 --> 01:13:57,641
To literally show what I have
inside on the outside.
1331
01:13:57,724 --> 01:14:00,602
[interviewer] So this is your chance
to be taken seriously as an actor?
1332
01:14:00,686 --> 01:14:05,190
Well, I would like to be able
to know that I had an opportunity
1333
01:14:05,274 --> 01:14:08,152
to work with great actors,
and see if I could hold my own.
1334
01:14:08,235 --> 01:14:10,779
- Excuse me.
- Moe, I apologize. He just walked in.
1335
01:14:10,863 --> 01:14:12,364
I'm sorry for rushing in like this.
1336
01:14:12,448 --> 01:14:14,616
[Sly] When I do the scene with De Niro,
1337
01:14:14,700 --> 01:14:16,618
been waiting for this scene for 20 years.
1338
01:14:16,702 --> 01:14:20,706
Everyone's going, "Oh, this is gonna be
a bloodbath. This is gonna be terrible."
1339
01:14:21,415 --> 01:14:23,750
What is this? You came to me, to my...
1340
01:14:23,834 --> 01:14:25,419
[Sly] And I'm doing my lines,
1341
01:14:25,502 --> 01:14:29,590
and I feel that Bobby
is not giving me enough "Bobby."
1342
01:14:29,673 --> 01:14:32,468
I really wanted him
to lay into me, the character.
1343
01:14:33,218 --> 01:14:36,972
I really want him
to hit me hard as I need to be hit
1344
01:14:37,055 --> 01:14:39,683
for me to feel as though I'm...
1345
01:14:40,809 --> 01:14:42,436
playing the character properly.
1346
01:14:42,519 --> 01:14:45,355
I need to walk
out of this room demolished.
1347
01:14:46,648 --> 01:14:51,528
I said, "I'm gonna go off the page.
I'm going to try to get under his skin."
1348
01:14:51,612 --> 01:14:54,281
So we're doing the scene,
and we get to the final line.
1349
01:14:54,364 --> 01:14:55,908
"I can't help you anymore."
1350
01:14:55,991 --> 01:14:58,076
Now, I know that he's thinking,
1351
01:14:58,160 --> 01:15:01,038
"Okay, that's a wrap."
I go, "Wait, whoa, wait a minute."
1352
01:15:01,121 --> 01:15:05,083
"You said if I needed help,
you would be here."
1353
01:15:05,167 --> 01:15:06,168
"I could come up here..."
1354
01:15:06,251 --> 01:15:08,504
He goes, "Hey, it's over.
Everything's over."
1355
01:15:08,587 --> 01:15:11,215
"No, but it's not over.
I did what you wanted me to do."
1356
01:15:11,298 --> 01:15:13,050
"I did exactly what you asked."
1357
01:15:13,133 --> 01:15:15,260
"Now you're saying
it doesn't matter anymore?"
1358
01:15:15,344 --> 01:15:17,429
"Just give me a chance.
Listen, hear me out."
1359
01:15:17,513 --> 01:15:19,640
He goes, "Shut... You deaf fuck!"
1360
01:15:19,723 --> 01:15:21,266
Listen to me, you deaf fuck.
1361
01:15:21,350 --> 01:15:23,560
I offered you a chance
when we could've done something.
1362
01:15:23,644 --> 01:15:26,772
I offered you a chance
to be a cop, and you blew it!
1363
01:15:26,855 --> 01:15:29,233
[claps] Fuck yeah! Thank you, Bobby.
1364
01:15:32,528 --> 01:15:34,071
But that bombed.
1365
01:15:34,154 --> 01:15:35,364
That didn't do well.
1366
01:15:36,198 --> 01:15:40,285
[Quentin] He's carrying the movie, but
through this physicality as a character.
1367
01:15:40,369 --> 01:15:42,931
Everybody else has the fireworks,
everybody else has big speeches.
1368
01:15:42,955 --> 01:15:47,876
It's all down to the minutiae of...
the ephemera of his characterization.
1369
01:15:49,294 --> 01:15:53,215
[Wesley] Something about
how restrained Stallone is being...
1370
01:15:53,298 --> 01:15:56,301
He is playing something deep in here.
1371
01:15:57,761 --> 01:16:02,015
I wish that James Mangold had
more faith in what Stallone was doing,
1372
01:16:02,099 --> 01:16:05,018
because that sadness
is there for a reason.
1373
01:16:05,102 --> 01:16:07,646
I think that the movie
kind of lets him down.
1374
01:16:07,729 --> 01:16:10,899
{\an8}[John] I don't think he got
the credit he deserved for that film.
1375
01:16:10,983 --> 01:16:12,859
{\an8}That was frustrating to him.
1376
01:16:12,943 --> 01:16:15,195
[melancholy music playing]
1377
01:16:15,279 --> 01:16:18,115
[Sly] I started to get
disenchanted with myself.
1378
01:16:18,198 --> 01:16:23,620
I go, "Well, maybe that's
a natural migration into obsolescence."
1379
01:16:23,704 --> 01:16:25,539
Maybe that's the journey. You know?
1380
01:16:25,622 --> 01:16:29,418
Everyone can't be, you know,
at the top of their game forever.
1381
01:16:31,712 --> 01:16:34,172
I realized that at that point,
1382
01:16:34,256 --> 01:16:36,383
it's important to stay in your own lane,
1383
01:16:36,466 --> 01:16:38,218
to become a specialist.
1384
01:16:39,678 --> 01:16:40,887
Like an artist.
1385
01:16:40,971 --> 01:16:43,348
You have that style, you're a Rothko,
1386
01:16:43,432 --> 01:16:46,226
and no one can do
Rothko better than Rothko.
1387
01:16:47,644 --> 01:16:51,440
Everyone goes,
"Oh, we can do the full spectrum."
1388
01:16:51,523 --> 01:16:53,317
"We can be anything." No, you can't.
1389
01:16:54,067 --> 01:16:57,321
You have certain manifest
weaknesses and great strengths.
1390
01:16:57,404 --> 01:16:59,448
And I said, focus on the strengths.
1391
01:16:59,531 --> 01:17:02,534
Don't sit there and try to do Shakespeare
when you look like me.
1392
01:17:03,535 --> 01:17:07,623
[Wesley] He has these two characters
he can always go back to,
1393
01:17:07,706 --> 01:17:11,084
to get whatever adoration
or sense of legitimacy
1394
01:17:11,168 --> 01:17:12,419
that he feels he's lost.
1395
01:17:12,502 --> 01:17:14,921
He can get that back
anytime he plays Rocky
1396
01:17:15,005 --> 01:17:16,340
and anytime he plays Rambo.
1397
01:17:16,423 --> 01:17:18,884
Those characters are
always going to be there for him.
1398
01:17:18,967 --> 01:17:21,803
And it's a place
he can always go back to to reset.
1399
01:17:21,887 --> 01:17:24,640
[Sly] In a film like Rocky VI,
1400
01:17:24,723 --> 01:17:29,853
which, to me, is my proudest
accomplishment in my entire career,
1401
01:17:29,936 --> 01:17:33,357
because we're following Rocky V,
1402
01:17:33,440 --> 01:17:34,941
it's 19 years later.
1403
01:17:35,484 --> 01:17:40,489
Rocky has missed an entire generation
that's grown up, have no idea who he is.
1404
01:17:40,572 --> 01:17:44,951
That character had meant so much
to myself and so many other people,
1405
01:17:45,035 --> 01:17:48,622
and to leave it on that dour note
1406
01:17:48,705 --> 01:17:49,956
just killed me.
1407
01:17:50,040 --> 01:17:54,044
So I spent endless hours
writing, rewriting,
1408
01:17:54,127 --> 01:17:56,254
writing, writing, writing Rocky Balboa.
1409
01:17:56,338 --> 01:17:59,633
Producer goes, "Over our dead body.
Told you before, it'll never happen."
1410
01:17:59,716 --> 01:18:00,967
Heads of studios.
1411
01:18:01,051 --> 01:18:04,763
They rejected, rejected, rejected.
"Rocky's done and you're done."
1412
01:18:04,846 --> 01:18:07,516
I mean, it was brutal.
Nobody wanted to make it.
1413
01:18:07,599 --> 01:18:10,602
They laughed. You know?
Even my wife said, "Please don't."
1414
01:18:10,686 --> 01:18:13,563
But she didn't quite understand
what I was going for.
1415
01:18:13,647 --> 01:18:15,315
I wasn't doing a boxing movie.
1416
01:18:16,400 --> 01:18:21,029
I was doing a movie about
how to deal with moving on
1417
01:18:21,113 --> 01:18:24,157
when the things
you love the most have left you.
1418
01:18:24,783 --> 01:18:28,245
And I use it symbolically
with Adrian being gone,
1419
01:18:28,328 --> 01:18:31,331
that you had that horrible
feeling in your stomach
1420
01:18:31,415 --> 01:18:33,875
that your life has been so incomplete,
1421
01:18:33,959 --> 01:18:36,503
and you can't go on without...
1422
01:18:36,586 --> 01:18:39,673
You just never achieved
what you thought you should've achieved.
1423
01:18:39,756 --> 01:18:41,133
You never loved her enough.
1424
01:18:41,216 --> 01:18:44,594
You never gave people the respect,
you never said thank you.
1425
01:18:44,678 --> 01:18:47,764
You talked about
this stuff in the basement,
1426
01:18:49,182 --> 01:18:50,559
which is regret.
1427
01:18:51,393 --> 01:18:55,772
And I go, "Man, I have a lot of that."
And this is what the movie's about.
1428
01:18:55,856 --> 01:18:59,651
He's fighting to purge himself of pain,
1429
01:19:00,235 --> 01:19:01,319
of the past.
1430
01:19:01,403 --> 01:19:05,031
He says, quote, "I want to replace
old pain with new pain."
1431
01:19:05,115 --> 01:19:07,284
- Meaning, I want to get hit.
- [strikes palm]
1432
01:19:07,909 --> 01:19:11,621
And maybe I'll forget
about the stuff in the basement.
1433
01:19:12,205 --> 01:19:15,375
[Sly on tape] I was talking to my son
what the future was all about.
1434
01:19:16,626 --> 01:19:20,380
And I thought, life is undefeated.
You can't beat it.
1435
01:19:21,381 --> 01:19:23,467
You just have to go on the defense.
1436
01:19:26,386 --> 01:19:30,849
That inspired the line,
"No one punches harder than life."
1437
01:19:32,350 --> 01:19:36,480
I have a habit of... adding words.
1438
01:19:36,563 --> 01:19:37,647
We're doing the scene,
1439
01:19:37,731 --> 01:19:40,609
I would get three-quarters
of the way through, and they'd go,
1440
01:19:40,692 --> 01:19:43,653
"Why did you add that word?
It was okay before."
1441
01:19:43,737 --> 01:19:47,616
This is the one take where it was
consistent all the way through.
1442
01:19:47,699 --> 01:19:48,992
It's simple.
1443
01:19:49,075 --> 01:19:52,496
The message is as plain as can be.
1444
01:19:53,038 --> 01:19:55,832
And it isn't, like, hysterical.
1445
01:19:55,916 --> 01:19:58,001
But you used to fit right here.
1446
01:19:58,835 --> 01:20:01,129
I'd hold you up and say to your mother,
1447
01:20:01,213 --> 01:20:03,840
"This kid's going to be
the best kid in the world."
1448
01:20:03,924 --> 01:20:06,802
"This kid's going to be somebody better
than anybody ever knew."
1449
01:20:06,885 --> 01:20:09,429
You see that he's talking from love.
1450
01:20:09,513 --> 01:20:10,889
He loves this kid.
1451
01:20:10,972 --> 01:20:13,433
The world ain't all sunshine and rainbows.
1452
01:20:13,517 --> 01:20:15,602
It's a very mean and nasty place.
1453
01:20:15,685 --> 01:20:17,479
And I don't care how tough you are,
1454
01:20:17,562 --> 01:20:19,147
it will beat you to your knees
1455
01:20:19,231 --> 01:20:21,650
and keep you there permanently
if you let it.
1456
01:20:21,733 --> 01:20:23,735
You, me, or nobody
1457
01:20:23,819 --> 01:20:25,862
is going to hit as hard as life.
1458
01:20:25,946 --> 01:20:27,989
But it ain't about how hard you hit.
1459
01:20:28,073 --> 01:20:31,701
It's about how hard you can get hit
and keep moving forward.
1460
01:20:31,785 --> 01:20:34,663
How much you can take
and keep moving forward.
1461
01:20:38,750 --> 01:20:41,628
[Sly] I've always wanted to take Rocky I
1462
01:20:41,711 --> 01:20:43,839
and this one and put it together
1463
01:20:43,922 --> 01:20:46,049
and show how fast life goes by.
1464
01:20:47,133 --> 01:20:51,888
Life is addition up until age 40,
and after that it's subtraction.
1465
01:20:51,972 --> 01:20:53,974
Your children are moving out,
1466
01:20:54,057 --> 01:20:58,228
your friends are moving on,
some dying, job is gone.
1467
01:20:58,854 --> 01:20:59,729
Gone.
1468
01:20:59,813 --> 01:21:00,981
It's loss.
1469
01:21:02,482 --> 01:21:04,442
[melancholy music playing]
1470
01:21:09,781 --> 01:21:11,825
[Sly] There's a line in the movie that...
1471
01:21:11,908 --> 01:21:15,245
"I'm so glad he's born
because now I can live through your eyes."
1472
01:21:15,328 --> 01:21:18,331
That, I think, is what fathers
look to their children for.
1473
01:21:18,415 --> 01:21:21,001
It's an extension of...
It's a slice of immortality.
1474
01:21:21,084 --> 01:21:23,336
As long as he's alive,
your memory will always be alive.
1475
01:21:23,420 --> 01:21:25,922
That you did something right.
I mean, you hope for that.
1476
01:21:36,433 --> 01:21:38,435
[birds singing]
1477
01:21:40,270 --> 01:21:42,188
[interviewer]
You have a successful Rocky series
1478
01:21:42,272 --> 01:21:44,190
and you have a successful Rambo series,
1479
01:21:44,274 --> 01:21:47,152
but after all these successes,
at some point people say to you,
1480
01:21:47,235 --> 01:21:50,447
"Well, maybe you're
too old to play these parts."
1481
01:21:50,530 --> 01:21:53,450
And all of a sudden your agent says,
"Maybe we can't help you."
1482
01:21:53,533 --> 01:21:55,619
[Sly] That fourth crossroad.
1483
01:21:55,702 --> 01:21:59,414
Okay, do I listen to them,
or how do you feel?
1484
01:21:59,497 --> 01:22:00,999
Do you feel still competitive?
1485
01:22:01,082 --> 01:22:04,836
Is there, as Rocky would say,
stuff in the basement?
1486
01:22:04,920 --> 01:22:08,548
And I go, "Yeah, but I just
have to do it age-appropriate."
1487
01:22:08,632 --> 01:22:11,051
That's when I came up
with The Expendables.
1488
01:22:13,219 --> 01:22:16,598
I went to this rock and roll revival.
1489
01:22:17,766 --> 01:22:20,477
I'm telling my wife,
"God, these guys are so great."
1490
01:22:20,560 --> 01:22:24,022
And my wife is looking at me.
I said, "It's gonna get better."
1491
01:22:24,105 --> 01:22:25,190
Boom.
1492
01:22:25,273 --> 01:22:30,278
Out comes this guy, Dockers,
baggy-ass canvas-type pants
1493
01:22:30,362 --> 01:22:34,115
that he's been sitting on so long,
the back looks like a fucking accordion.
1494
01:22:34,199 --> 01:22:37,160
Holy shit, this is genius.
1495
01:22:37,243 --> 01:22:41,623
The place is sold out.
Everyone on stage is... done.
1496
01:22:41,706 --> 01:22:44,000
But the fact that thousands of people came
1497
01:22:44,084 --> 01:22:48,380
to see this collection of former greats,
1498
01:22:48,463 --> 01:22:50,966
I said, "There's gotta be something here."
1499
01:22:51,049 --> 01:22:53,510
I said, "Let me start doing that
with action guys."
1500
01:22:53,593 --> 01:22:55,136
[dramatic music playing]
1501
01:22:55,220 --> 01:22:58,473
[Sly] And that... made it an event.
1502
01:23:00,058 --> 01:23:02,602
As opposed to,
"Stallone in The Expendable,
1503
01:23:02,686 --> 01:23:03,686
is the expendable."
1504
01:23:03,728 --> 01:23:08,525
No, he's part of this once-great group.
1505
01:23:08,608 --> 01:23:13,738
"Shit. Just out of morbid curiosity,
I've got to see this."
1506
01:23:14,531 --> 01:23:18,743
[Arnold] What a great concept,
to have all these action heroes
1507
01:23:18,827 --> 01:23:21,538
from the '80s, the '90s, 2000s,
1508
01:23:21,621 --> 01:23:23,873
everyone together, thrown into one pot.
1509
01:23:26,501 --> 01:23:29,087
[Wesley] There's something
about Stallone at this age,
1510
01:23:29,170 --> 01:23:31,297
accepting his experience,
1511
01:23:31,381 --> 01:23:33,216
that he's survived this long.
1512
01:23:33,299 --> 01:23:37,303
I mean, I don't know if he should... I mean,
should he still be alive? I don't know.
1513
01:23:39,097 --> 01:23:41,933
[Arnold] It's not uncommon
for an action hero
1514
01:23:42,017 --> 01:23:44,436
to get injured on the set.
1515
01:23:44,519 --> 01:23:48,440
But I think it is clear
that Sly drove it to the extreme.
1516
01:23:49,441 --> 01:23:50,817
I thought it was too much.
1517
01:23:52,861 --> 01:23:54,779
[Sly] Having the family
there the whole time.
1518
01:23:54,863 --> 01:23:56,990
It was hard on them
1519
01:23:57,073 --> 01:24:00,660
because I was so stressed and beat up
1520
01:24:00,744 --> 01:24:03,747
and bronchitis and thrush
and fractured neck.
1521
01:24:03,830 --> 01:24:05,623
It was just on and on and on and on.
1522
01:24:05,707 --> 01:24:07,876
So, they were not enjoying this.
1523
01:24:08,418 --> 01:24:10,538
[woman] He's been working nights.
Hasn't slept at all.
1524
01:24:10,587 --> 01:24:12,255
Now he's gotta work all night again.
1525
01:24:12,338 --> 01:24:15,592
He's gotta just get home
and be operated on right away.
1526
01:24:16,468 --> 01:24:20,388
Truthfully, I never fully recovered
from Expendables 1.
1527
01:24:20,472 --> 01:24:24,726
It did such a number on my body,
I've never been the same.
1528
01:24:24,809 --> 01:24:26,061
Never.
1529
01:24:26,144 --> 01:24:28,229
And you go, "Was it really worth it?"
1530
01:24:28,313 --> 01:24:30,857
Are you doing this for people's approval?
1531
01:24:31,858 --> 01:24:36,488
Really? That's almost like a child needing
a pat on the head by their father.
1532
01:24:36,571 --> 01:24:38,114
That's constant encouragement.
1533
01:24:38,198 --> 01:24:39,199
But it's true.
1534
01:24:42,702 --> 01:24:44,662
[projector whirring]
1535
01:24:44,746 --> 01:24:48,291
[producer] This film has stayed with you
for a long time. Why is that?
1536
01:24:49,375 --> 01:24:52,504
[Sly] This film here
reminds me of my father.
1537
01:24:54,089 --> 01:24:57,383
[man in film] You never called me.
You never said my name.
1538
01:24:58,968 --> 01:25:00,970
I'd have walked, I'd have crawled.
1539
01:25:01,471 --> 01:25:03,014
I'd have done anything.
1540
01:25:04,766 --> 01:25:08,311
It's not my fault. I won't be blamed!
1541
01:25:11,064 --> 01:25:15,985
This is the most... extraordinary film
1542
01:25:16,069 --> 01:25:17,946
about zeroing in
1543
01:25:18,029 --> 01:25:23,535
on what's really at the core of need,
1544
01:25:23,618 --> 01:25:24,994
human need.
1545
01:25:26,704 --> 01:25:29,415
Love. Requited love.
1546
01:25:30,083 --> 01:25:31,709
You're not mine!
1547
01:25:33,002 --> 01:25:34,587
We're not connected!
1548
01:25:35,171 --> 01:25:36,339
I deny you!
1549
01:25:37,423 --> 01:25:41,219
None of you will get my kingdom.
I leave you nothing and I wish you plague!
1550
01:25:41,302 --> 01:25:44,097
May all your children breech and die!
1551
01:25:45,974 --> 01:25:47,892
[Sly] When you've been rejected,
1552
01:25:48,810 --> 01:25:52,522
love is a powerful, powerful agent.
1553
01:25:55,400 --> 01:25:57,402
I wasn't given a shot, really.
1554
01:25:57,485 --> 01:26:00,238
In my childhood, everything was...
1555
01:26:01,489 --> 01:26:02,532
Hm.
1556
01:26:02,615 --> 01:26:04,909
It was not good.
1557
01:26:04,993 --> 01:26:08,413
So in my world, the Stallone film world,
1558
01:26:09,664 --> 01:26:12,709
what wouldn't normally happen can happen.
1559
01:26:13,585 --> 01:26:17,046
That this loser fighter
is gonna become a winner.
1560
01:26:20,216 --> 01:26:25,221
I was blessed with an ability
to deflect this bitterness
1561
01:26:25,305 --> 01:26:27,432
into what I wish...
1562
01:26:27,515 --> 01:26:29,893
what I wish had happened.
1563
01:26:29,976 --> 01:26:33,354
I wish I had a father like Rocky.
1564
01:26:33,438 --> 01:26:35,982
You can sit there
and actually film yourself. Look at this.
1565
01:26:36,065 --> 01:26:37,358
[Sly hums cheerful tune]
1566
01:26:37,442 --> 01:26:39,485
- There you go.
- Isn't that amazing?
1567
01:26:39,569 --> 01:26:42,071
I said, "Dad's dying. He's going to die."
1568
01:26:42,155 --> 01:26:44,365
"And you haven't
talked to him in a long, long time."
1569
01:26:44,449 --> 01:26:46,075
So, love you.
1570
01:26:46,159 --> 01:26:47,452
[kisses]
1571
01:26:47,535 --> 01:26:48,536
You take care.
1572
01:26:48,620 --> 01:26:50,246
- [kisses] Yes.
- And here's Frank.
1573
01:26:50,330 --> 01:26:55,501
I arranged for him to be with my father
a few weeks before he died.
1574
01:26:55,585 --> 01:26:56,961
[Frank Sr.] Come here, son.
1575
01:26:57,754 --> 01:27:01,174
[tearfully] Oh!
This is the best day of my life.
1576
01:27:01,257 --> 01:27:02,550
[Sly] I love you, Daddy.
1577
01:27:02,634 --> 01:27:03,843
[both crying]
1578
01:27:08,014 --> 01:27:09,599
[Sly] He's on his deathbed.
1579
01:27:09,682 --> 01:27:11,392
He goes, "You know, Sly."
1580
01:27:11,476 --> 01:27:12,852
I go, "Yeah, Dad?" He goes...
1581
01:27:14,187 --> 01:27:17,774
"You should learn
to love and forgive people."
1582
01:27:19,359 --> 01:27:20,360
I said, "Really?"
1583
01:27:21,110 --> 01:27:22,528
"That just come to you now
1584
01:27:22,612 --> 01:27:25,365
as the fucking angels
are about to whisper in your ear?"
1585
01:27:25,448 --> 01:27:28,326
He goes, "Yeah, you should learn..."
He starts laughing.
1586
01:27:28,409 --> 01:27:30,912
I said, "You bastard." What are you...
1587
01:27:30,995 --> 01:27:33,164
Now you're telling me to be kind?
1588
01:27:33,248 --> 01:27:36,376
Like, you just had an epiphany
on the way out?
1589
01:27:36,459 --> 01:27:38,211
He goes, "Yeah, I did."
1590
01:27:38,294 --> 01:27:40,463
"Just remember those words,
you little bastard."
1591
01:27:40,546 --> 01:27:41,381
I went, "Thank you."
1592
01:27:41,464 --> 01:27:43,800
[melancholy music playing]
1593
01:27:54,102 --> 01:27:58,439
[Sly] My children...
Well, I get really emotional about it.
1594
01:28:00,024 --> 01:28:01,651
There's always that regret.
1595
01:28:03,444 --> 01:28:04,612
I...
1596
01:28:06,155 --> 01:28:08,074
could have learned so much more
1597
01:28:09,075 --> 01:28:12,704
if I hadn't been so self-absorbed
1598
01:28:12,787 --> 01:28:16,791
and dealing with other people.
1599
01:28:16,874 --> 01:28:21,838
You think about
what you should have done at this age.
1600
01:28:22,797 --> 01:28:25,383
And now they're this age.
1601
01:28:25,466 --> 01:28:26,759
What did I mess up on?
1602
01:28:26,843 --> 01:28:29,929
I'm there making a stupid movie
1603
01:28:30,430 --> 01:28:32,724
instead of making their life.
1604
01:28:34,559 --> 01:28:37,603
They make me happy.
They make me really sad.
1605
01:28:39,314 --> 01:28:41,774
They bring me emotion.
1606
01:28:46,863 --> 01:28:48,698
I had to almost lose it
1607
01:28:49,824 --> 01:28:51,242
to respect it.
1608
01:28:54,579 --> 01:28:56,706
So the act of loving my children now,
1609
01:28:56,789 --> 01:29:01,586
actually taking such stock
and value of the time...
1610
01:29:01,669 --> 01:29:02,712
Jesus.
1611
01:29:03,880 --> 01:29:07,967
It's so... callous and brutal.
1612
01:29:08,051 --> 01:29:12,263
And it sneaks up on you, and you go,
"Okay, time to check out, Sly."
1613
01:29:12,347 --> 01:29:13,765
"Whoa! I was just born!"
1614
01:29:13,848 --> 01:29:15,600
"No. No."
1615
01:29:15,683 --> 01:29:19,771
Now it's a matter of,
I wanna be the juggler.
1616
01:29:19,854 --> 01:29:22,106
A really good juggler. You know, just...
1617
01:29:22,774 --> 01:29:25,902
family, life, children, wife, you know?
1618
01:29:25,985 --> 01:29:28,404
Art, just everything. Just... in balance.
1619
01:29:30,198 --> 01:29:31,407
[tape player clicks]
1620
01:29:31,491 --> 01:29:33,743
[Sly on tape] There's an old saying that
1621
01:29:34,410 --> 01:29:38,414
the child becomes the father to the man.
1622
01:29:38,498 --> 01:29:41,042
And the children I create,
Rocky and Rambo,
1623
01:29:41,125 --> 01:29:43,294
have now become my father.
1624
01:29:43,961 --> 01:29:46,005
They're taking care of me.
1625
01:29:46,089 --> 01:29:49,842
The beauty of being able to play those two
1626
01:29:50,593 --> 01:29:53,805
is, literally, that's
the entire spectrum of life.
1627
01:29:53,888 --> 01:29:55,765
The disenfranchised,
1628
01:29:55,848 --> 01:29:59,227
the one that's just friendless and lonely,
1629
01:29:59,310 --> 01:30:02,271
and the one here that embraces everything,
1630
01:30:03,106 --> 01:30:06,359
loves humanity, and is loved by humanity.
1631
01:30:06,442 --> 01:30:08,528
And I relate so well to both of them.
1632
01:30:10,780 --> 01:30:13,157
[Rambo] I lived in a world of death.
1633
01:30:14,826 --> 01:30:17,161
I tried to come home.
1634
01:30:18,871 --> 01:30:21,290
[Sly] Rambo has been mortally wounded,
1635
01:30:21,916 --> 01:30:26,129
and now he's returned home
to sit in his father's rocking chair.
1636
01:30:26,212 --> 01:30:29,215
He sees his life ebbing before him.
1637
01:30:30,800 --> 01:30:34,053
I started regretting the idea
1638
01:30:34,971 --> 01:30:38,349
that this is the way
this warrior goes out.
1639
01:30:40,101 --> 01:30:41,477
When they pull away,
1640
01:30:41,561 --> 01:30:43,479
the chair was still.
1641
01:30:44,272 --> 01:30:50,194
I had them start to CGI
that the chair was still rocking slightly.
1642
01:30:50,278 --> 01:30:51,863
So, he's still alive.
1643
01:30:51,946 --> 01:30:54,031
But the way I shot it, it wasn't.
1644
01:30:54,115 --> 01:30:58,870
And I so believe
that we don't see our heroes
1645
01:30:59,745 --> 01:31:02,790
die before our eyes.
1646
01:31:02,874 --> 01:31:08,463
That there's always
some mystical quality about them.
1647
01:31:10,256 --> 01:31:14,469
I realized with Rambo,
he'll never have home.
1648
01:31:15,303 --> 01:31:16,804
That's the tragedy of that character.
1649
01:31:16,888 --> 01:31:20,141
[emotional music playing]
1650
01:31:21,767 --> 01:31:23,394
[Sly] Without home,
1651
01:31:23,936 --> 01:31:28,774
without that family,
without the love of wife or children,
1652
01:31:31,152 --> 01:31:32,152
what's this?
1653
01:31:33,196 --> 01:31:35,907
These are just pictures,
1654
01:31:36,657 --> 01:31:41,412
film images
of something that never existed.
1655
01:31:42,246 --> 01:31:43,915
This is not life.
1656
01:31:45,249 --> 01:31:47,126
This is artwork.
1657
01:31:47,210 --> 01:31:50,254
This is configurations of imagination.
1658
01:31:51,547 --> 01:31:52,882
That's real.
1659
01:31:53,966 --> 01:31:57,970
That lives and breathes
and dies and bleeds.
1660
01:31:58,054 --> 01:31:59,847
And you better take care of that.
1661
01:32:01,265 --> 01:32:04,101
[emotional music swells]
1662
01:32:14,195 --> 01:32:15,947
[Sly] But if you have no guidance,
1663
01:32:16,030 --> 01:32:19,534
and you have to go through life
devalued every inch of the way,
1664
01:32:19,617 --> 01:32:21,118
that leaves a hole.
1665
01:32:22,453 --> 01:32:24,705
And that hole is never filled.
1666
01:32:29,544 --> 01:32:34,215
What I can do
is fill it through imagination.
1667
01:32:36,842 --> 01:32:39,804
I want to somehow show hope.
1668
01:32:40,680 --> 01:32:44,141
I'm in the hope business,
1669
01:32:44,225 --> 01:32:46,769
and I just hate sad endings. Sorry.
1670
01:32:47,979 --> 01:32:49,105
Shoot me.
1671
01:32:56,487 --> 01:32:57,822
[music fades]
1672
01:32:59,865 --> 01:33:04,579
["Come On Up to the House"
by Tom Waits playing]
1673
01:33:10,042 --> 01:33:14,880
♪ Well, the moon is broken
And the sky is cracked ♪
1674
01:33:16,090 --> 01:33:19,594
♪ Come on up to the house ♪
1675
01:33:20,553 --> 01:33:25,725
♪ The only things that you can see
Is all that you lack ♪
1676
01:33:26,726 --> 01:33:30,271
♪ Come on up to the house ♪
1677
01:33:31,939 --> 01:33:36,694
♪ All your crying don't do no good ♪
1678
01:33:37,570 --> 01:33:40,781
♪ Come on up to the house ♪
1679
01:33:41,991 --> 01:33:47,371
♪ Come down off the cross
We can use the wood ♪
1680
01:33:47,455 --> 01:33:51,792
♪ You gotta come on up to the house ♪
1681
01:33:53,377 --> 01:33:57,465
♪ Come on up to the house ♪
1682
01:33:58,591 --> 01:34:02,261
♪ Come on up to the house ♪
1683
01:34:03,054 --> 01:34:08,309
♪ The world is not my home
I'm just a-passing through ♪
1684
01:34:08,392 --> 01:34:13,481
♪ You got to come on up to the house ♪
1685
01:34:19,528 --> 01:34:23,783
♪ Gotta come on up to the house ♪
1686
01:34:24,742 --> 01:34:29,288
♪ Gotta come on up to the house ♪
1687
01:34:29,872 --> 01:34:35,252
♪ The world is not my home
I'm just a-passing through ♪
1688
01:34:35,336 --> 01:34:40,216
♪ You gotta come on up to the house ♪
1689
01:34:40,925 --> 01:34:45,429
♪ Gotta come on up to the house ♪
1690
01:34:46,055 --> 01:34:52,687
♪ You gotta come on up to the house ♪
1691
01:34:53,562 --> 01:34:59,527
♪ Yeah, yeah, yeah ♪