1
00:00:16,718 --> 00:00:22,489
(AUDIENCE APPLAUDING)

2
00:00:23,023 --> 00:00:24,959
And the nominees
for the Best Yell

3
00:00:25,025 --> 00:00:26,961
in an Action Film are...

4
00:00:27,060 --> 00:00:30,464
Vin Spiegel
in <i>Go Forth Gut-wrenched.</i>

5
00:00:30,698 --> 00:00:32,901
(DRAMATIC MUSIC PLAYING)
DEEP ROBOTIC VOICE: <i>Ten, nine,</i>

6
00:00:32,967 --> 00:00:35,803
<i>eight, seven, six,</i>

7
00:00:36,069 --> 00:00:38,907
<i>five, four, three...</i>
(YELLS)

8
00:00:39,039 --> 00:00:40,274
(MUSIC FADES)

9
00:00:40,374 --> 00:00:44,712
And Professor Piero Pomponi
for <i>Bad Informations.</i>

10
00:00:45,613 --> 00:00:47,649
(SONAR DINGS)

11
00:00:48,181 --> 00:00:49,416
(DRAMATIC MUSIC PLAYING)

12
00:00:49,483 --> 00:00:54,288
(MUFFLED YELLING)

13
00:00:55,389 --> 00:00:56,958
(YELLS)

14
00:00:57,224 --> 00:00:58,526
(AUDIENCE APPLAUDING)

15
00:00:58,593 --> 00:01:00,394
And Brick Maxwell
for <i>The Big Bang II:</i>

16
00:01:00,494 --> 00:01:04,431
<i>Light the Fuse.</i>
(AUDIENCE CHEERING, APPLAUDING)

17
00:01:05,967 --> 00:01:10,170
(INTENSE MUSIC PLAYING)

18
00:01:12,840 --> 00:01:15,643
(SCREAMS)
(MUSIC FADES)

19
00:01:15,710 --> 00:01:17,277
(AUDIENCE APPLAUDING)

20
00:01:17,579 --> 00:01:21,649
And Nic Cassino for <i>Spike Five:</i>
<i>Death Match 3000.</i>

21
00:01:21,749 --> 00:01:24,351
(AUDIENCE CHEERING, APPLAUDING)

22
00:01:26,621 --> 00:01:31,124
(BOTH GRUNT)
(DRAMATIC MUSIC PLAYING)

23
00:01:31,325 --> 00:01:32,426
(MASKED MAN YELLS)

24
00:01:36,598 --> 00:01:40,535
(GRUNTS, YELLS)

25
00:01:41,335 --> 00:01:43,571
(AUDIENCE APPLAUDING)

26
00:01:44,572 --> 00:01:48,843
And the award goes to...
(FANFARE MUSIC PLAYING)

27
00:01:51,012 --> 00:01:53,146
My God! Brick Maxwell!
Ooh! Brick Maxwell

28
00:01:53,213 --> 00:01:55,315
for <i>The Big Bang II:</i>
<i>Light the Fuse!</i>

29
00:01:55,382 --> 00:01:57,919
(AUDIENCE CHEERING, APPLAUDING)

30
00:01:57,986 --> 00:02:00,655
(TRIUMPHANT MUSIC PLAYING)

31
00:02:00,722 --> 00:02:01,623
Whoo!

32
00:02:04,959 --> 00:02:09,063
(AUDIENCE CHEERING, APPLAUDING)

33
00:02:09,129 --> 00:02:11,733
(MUSIC CONTINUES FAINTLY)

34
00:02:11,799 --> 00:02:14,869
(INDISTINCT CHATTER)

35
00:02:20,307 --> 00:02:22,409
How about a Slow Screw
Against the Wall?

36
00:02:24,078 --> 00:02:25,479
Can you believe this kid?

37
00:02:27,414 --> 00:02:28,549
Can't even do a pushup

38
00:02:28,616 --> 00:02:30,283
and he's the new face
of action films.

39
00:02:30,718 --> 00:02:31,552
Please.

40
00:02:31,619 --> 00:02:33,655
Estrogen
is the new testosterone.

41
00:02:33,821 --> 00:02:34,956
The demographic is changing

42
00:02:35,023 --> 00:02:36,456
and they want
a new kind of hero.

43
00:02:37,091 --> 00:02:39,393
One who's
a little more vulnerable.

44
00:02:40,028 --> 00:02:41,629
Shit, it's all done
with computers anyway.

45
00:02:41,763 --> 00:02:44,766
That's what I'm saying, Jack.
Award's for action films.

46
00:02:44,899 --> 00:02:46,233
Not action cartoons.
Hmm.

47
00:02:46,299 --> 00:02:48,002
NIC: The stuff I do is real.
JACK: Yeah.

48
00:02:48,069 --> 00:02:50,004
Fire, explosions, car chases.

49
00:02:50,071 --> 00:02:53,340
This scar. Morocco, 2016.
JACK: Yeah.

50
00:02:53,440 --> 00:02:56,044
You won this award
three years running.
Yeah.

51
00:02:56,144 --> 00:02:58,646
And your next film
is testing through the roof.

52
00:02:59,013 --> 00:02:59,947
You're still young.

53
00:03:00,982 --> 00:03:02,684
Jack, I'm 53.

54
00:03:02,984 --> 00:03:04,085
Fifty is the new 20.

55
00:03:04,152 --> 00:03:06,319
(SCOFFS) Yeah, right.
(JACK CHUCKLES)

56
00:03:06,386 --> 00:03:09,090
Fifty. Still haven't done
my <i>Streetcar Named Desire.</i>

57
00:03:09,157 --> 00:03:10,457
The world needs to see...

58
00:03:10,658 --> 00:03:12,060
(MIMICS MARLON BRANDO)
...the Brando.

59
00:03:12,126 --> 00:03:13,628
I'm gonna swallow a bug.
(JACK CHUCKLES)

60
00:03:13,695 --> 00:03:15,563
Why don't you come by
my office tomorrow, we can talk.

61
00:03:15,930 --> 00:03:19,499
I might have something for you.
A Disney project.

62
00:03:19,867 --> 00:03:21,201
Disney?
JACK: Disney.

63
00:03:21,536 --> 00:03:23,638
NIC: Family films?
Yeah, why not?

64
00:03:25,472 --> 00:03:27,642
Yeah, could show my range.

65
00:03:28,341 --> 00:03:30,611
Exactly.
It's an opportunity for you.

66
00:03:31,244 --> 00:03:32,547
Interesting.

67
00:03:36,383 --> 00:03:38,351
<i>Magilla Gorilla?</i>

68
00:03:39,120 --> 00:03:40,121
What?

69
00:03:40,253 --> 00:03:43,191
It's got heat.
They're talking ensemble cast.

70
00:03:43,356 --> 00:03:45,593
Check this out.
Danny DeVito as Mr. Peebles.

71
00:03:45,693 --> 00:03:48,863
I'm not playing a gorilla, Jack!
That's where I draw the line.

72
00:03:49,262 --> 00:03:51,264
You're not gonna play a gorilla.

73
00:03:51,364 --> 00:03:54,068
Just lend your voice.
(GRUNTS) No!

74
00:03:54,367 --> 00:03:56,037
The old man would turn
in his grave

75
00:03:56,104 --> 00:03:57,905
if he knew his son
was playing an ape.

76
00:03:57,972 --> 00:03:59,874
Nic, it's a payday.

77
00:04:00,174 --> 00:04:01,576
It could be a future franchise.

78
00:04:01,676 --> 00:04:03,544
What's happening
with <i>The Horseman?</i>

79
00:04:04,846 --> 00:04:07,380
Listen, I gotta call you back.
(CELL PHONE BEEPS)

80
00:04:08,381 --> 00:04:11,652
(SIGHS) They're going
with Brick Maxwell.

81
00:04:13,253 --> 00:04:14,856
They wanted someone
a little more...

82
00:04:15,156 --> 00:04:16,557
prepubescent.

83
00:04:18,526 --> 00:04:20,427
What? What does that mean?

84
00:04:21,294 --> 00:04:22,530
Younger, Nic.

85
00:04:23,131 --> 00:04:25,365
They wanted someone younger.

86
00:04:25,600 --> 00:04:27,769
Look, kid, it happens fast
in this business.

87
00:04:28,301 --> 00:04:29,737
One day,
you're on the top of the hill,

88
00:04:29,804 --> 00:04:32,272
the next day you're over it.
(FOOTSTEPS APPROACHING)

89
00:04:34,274 --> 00:04:35,275
(JACK SIGHS)

90
00:04:35,442 --> 00:04:37,078
It kills me that
you're not getting the parts.

91
00:04:37,145 --> 00:04:38,179
Believe me.

92
00:04:38,646 --> 00:04:41,883
I raised my tent on your pole.
Remember?

93
00:04:41,983 --> 00:04:44,384
<i>Spike? Spike II? Spike III?</i>

94
00:04:44,619 --> 00:04:47,021
(SIGHS) But things change.

95
00:04:47,387 --> 00:04:49,389
Yesterday,
it was underdog action heroes.

96
00:04:49,489 --> 00:04:52,425
Today, it's... teenage zombies.

97
00:04:55,163 --> 00:04:57,364
Hey, here's something
you might like.

98
00:04:57,999 --> 00:04:59,867
No cartoons, Jack. Not now.

99
00:05:00,001 --> 00:05:01,434
No cartoons.
JACK: No. No, no.

100
00:05:01,669 --> 00:05:05,506
A festival in Italy wants to do
a retrospective on your career.

101
00:05:06,040 --> 00:05:09,277
Why don't you take Aurora
and have a nice trip?

102
00:05:09,677 --> 00:05:11,279
I haven't seen her
since the awards.

103
00:05:11,344 --> 00:05:14,715
Uh, a retrospective?
Then go yourself.

104
00:05:14,782 --> 00:05:16,651
The Italians have
always loved your films.

105
00:05:17,084 --> 00:05:18,152
(SCOFFS)

106
00:05:18,686 --> 00:05:21,421
Sure. Like, where? Where is it?

107
00:05:21,556 --> 00:05:24,491
In Naples.
The Giffoni Film Festival.

108
00:05:25,259 --> 00:05:26,459
Hmm.

109
00:05:28,930 --> 00:05:30,430
I could use a bit of love.

110
00:05:31,165 --> 00:05:32,767
I think. (INHALES)

111
00:05:33,067 --> 00:05:34,969
(EXHALES DEEPLY)

112
00:05:39,273 --> 00:05:42,009
Mr. Cassino?
We're ready to go.

113
00:05:42,243 --> 00:05:43,277
Great.

114
00:05:43,443 --> 00:05:47,582
("MOVING ALONG" PLAYING)

115
00:05:55,256 --> 00:05:57,859
(PLANE ENGINE ROARING)

116
00:05:58,926 --> 00:06:02,395
<i>♪ If I could, you know</i>
<i>I would try and tell you ♪</i>

117
00:06:03,264 --> 00:06:06,200
<i>♪ How it all went gone to seed ♪</i>

118
00:06:06,534 --> 00:06:08,703
<i>♪ If I could move</i>
<i>When you shoot ♪</i>

119
00:06:08,769 --> 00:06:10,938
<i>♪ I'd fire back at you ♪</i>

120
00:06:11,505 --> 00:06:13,841
<i>♪ I'm in an awful way ♪</i>

121
00:06:29,090 --> 00:06:32,560
<i>♪ When I was poor</i>
<i>I was a harder man, I tell you ♪</i>

122
00:06:33,227 --> 00:06:36,297
<i>♪ Worked 47 hours a week ♪</i>

123
00:06:36,731 --> 00:06:39,200
<i>♪ But with holes in my shoes ♪</i>

124
00:06:39,267 --> 00:06:41,335
<i>♪ I didn't have no blues ♪</i>

125
00:06:41,602 --> 00:06:43,871
<i>♪ I'm in an awful place ♪</i>

126
00:06:43,938 --> 00:06:46,340
<i>♪ Now, you're cutting me off</i>
<i>At the knees ♪</i>

127
00:06:47,141 --> 00:06:50,244
<i>♪ And you're cutting me off</i>
<i>At the heart ♪</i>

128
00:06:50,845 --> 00:06:53,480
<i>♪ I caught some trouble</i>
<i>Under my feet ♪</i>

129
00:06:53,547 --> 00:06:55,082
(CROWD CHEERING)

130
00:06:55,149 --> 00:06:57,952
<i>♪ But I gotta be moving along ♪</i>

131
00:07:00,021 --> 00:07:02,790
Whoo!

132
00:07:03,591 --> 00:07:04,992
Whoo!
(CELL PHONE CLICKS)

133
00:07:06,560 --> 00:07:08,896
Whoo!
(CAMERA SHUTTERS CLICKING)

134
00:07:09,797 --> 00:07:11,165
(YELLS)

135
00:07:11,232 --> 00:07:13,067
(SONG CONTINUES)

136
00:07:15,369 --> 00:07:17,071
Whoo!

137
00:07:17,338 --> 00:07:19,206
(CAMERA SHUTTERS CLICKING)

138
00:07:19,273 --> 00:07:21,474
Whoo! Whoo!

139
00:07:21,542 --> 00:07:23,443
<i>♪ I gotta be moving on ♪</i>

140
00:07:23,544 --> 00:07:28,582
<i>♪ Moving on ♪</i>

141
00:07:29,449 --> 00:07:30,785
<i>♪ Move! ♪</i>

142
00:07:32,186 --> 00:07:36,691
(SCATTERED APPLAUSE)
(SONG FADES)

143
00:07:37,457 --> 00:07:39,894
(IN ITALIAN)

144
00:07:40,061 --> 00:07:42,630
(IN ENGLISH) Stay, stay, stay!
Just a moment! Stay!

145
00:07:42,730 --> 00:07:45,766
The director of the film
is in attendance

146
00:07:45,933 --> 00:07:48,703
and will be available
for a Q&A.

147
00:07:48,803 --> 00:07:51,839
(DOOR CLOSES)
Stay! Stay, stay, stay!

148
00:07:52,273 --> 00:07:54,442
Please! Just a moment!

149
00:07:54,542 --> 00:07:55,743
A question?

150
00:07:59,246 --> 00:08:00,514
I have a question.

151
00:08:00,581 --> 00:08:03,217
The American superhero,
Nic Cassino?

152
00:08:03,451 --> 00:08:04,919
Where is the conference?

153
00:08:06,654 --> 00:08:09,223
FABRIZIO: <i>Uh, Lore,</i>
<i>do you remember Fausto?</i>

154
00:08:09,323 --> 00:08:11,025
We taught filmmaking together

155
00:08:11,092 --> 00:08:12,626
at the Centro Sperimentale.
(CHUCKLES)

156
00:08:12,693 --> 00:08:15,663
Ah, yes, of course.
The days of hope and glory.

157
00:08:15,763 --> 00:08:18,532
(CHUCKLES) I told Fabrizio,

158
00:08:18,632 --> 00:08:21,736
any service I can provide
to help his career.

159
00:08:21,802 --> 00:08:23,971
I am, as we say in Naples...

160
00:08:24,038 --> 00:08:25,306
(IN ITALIAN)

161
00:08:25,406 --> 00:08:26,574
(IN ENGLISH) Whatever you need.

162
00:08:26,874 --> 00:08:28,876
Do you sell life insurance?

163
00:08:29,343 --> 00:08:30,344
Ah!

164
00:08:30,411 --> 00:08:33,514
(ALL LAUGH)
It was a joke.

165
00:08:33,581 --> 00:08:35,383
Fabrizio, you know, it's late.

166
00:08:35,750 --> 00:08:38,319
The hydrofoil for Ischia
is leaving in an hour.

167
00:08:38,452 --> 00:08:39,553
And Ombretta?

168
00:08:39,653 --> 00:08:41,922
She's outside trying
to get a signal.

169
00:08:42,023 --> 00:08:44,458
Nello is calling
to meet us at the port.

170
00:08:44,558 --> 00:08:46,727
So, very nice to meet you.
Bye.

171
00:08:48,462 --> 00:08:49,764
Our daughter.
(CHUCKLES)

172
00:08:49,830 --> 00:08:51,532
She's an actress.
(CHUCKLES)

173
00:08:51,599 --> 00:08:53,334
Can we go now?
Yes, we go.

174
00:08:53,567 --> 00:08:55,336
Is it Lello?
Nello.

175
00:08:55,436 --> 00:08:57,638
Nello, Lello.
What's the difference?

176
00:08:57,738 --> 00:09:00,041
(SPEAKS ITALIAN)

177
00:09:00,307 --> 00:09:01,742
"Marry and buy cattle

178
00:09:01,809 --> 00:09:04,979
from your own town
and you won't be let down."

179
00:09:05,079 --> 00:09:06,781
Yes. Of course.

180
00:09:07,481 --> 00:09:10,651
A lot of good it did me. Hmm.
NIC: <i>Jack!</i>

181
00:09:10,885 --> 00:09:13,054
Yep, safe and sound.
(FAINT CHEERING IN BACKGROUND)

182
00:09:13,154 --> 00:09:14,722
Could've warned me
about the Amalfi drive.

183
00:09:14,789 --> 00:09:16,057
You know what I'm like
with heights.

184
00:09:16,424 --> 00:09:18,259
JACK: (OVER PHONE) <i>Hey,</i>
<i>I got some news for you.</i>
(CROWD CHEERING)

185
00:09:18,559 --> 00:09:20,795
Mm-hmm?
<i>The Horseman</i> came through?

186
00:09:21,429 --> 00:09:22,596
JACK: <i>You sittin' down?</i>

187
00:09:22,830 --> 00:09:26,535
Uh... (GRUNTS)
I am now. I'm sitting.

188
00:09:26,634 --> 00:09:28,102
What's the news?

189
00:09:28,469 --> 00:09:29,670
JACK: <i>Not that kind of news.</i>

190
00:09:29,737 --> 00:09:31,772
NIC: Uh-huh?
JACK: <i>Aurora came by.</i>

191
00:09:31,906 --> 00:09:34,909
NIC: Right?
JACK: <i>She's filing for divorce.</i>

192
00:09:35,609 --> 00:09:39,880
Hmm. Interesting.
That's... That's terrific.

193
00:09:40,448 --> 00:09:42,551
Yeah! I love you, too.
(CROWD CHEERING)

194
00:09:42,616 --> 00:09:44,553
My wife's filing for divorce.

195
00:09:44,919 --> 00:09:48,222
(CHUCKLES) Yeah, she's off
with Brick... Brick Maxwell.

196
00:09:48,322 --> 00:09:50,257
Noodle arms. Spaghetti arms.

197
00:09:50,559 --> 00:09:52,561
The guy who pretends
he's an action hero.

198
00:09:52,626 --> 00:09:55,262
Really not. I love you, too.

199
00:09:55,830 --> 00:09:57,698
<i>Jack, you need</i>
<i>to get me out of this.</i>

200
00:09:57,765 --> 00:09:59,867
JACK: (OVER PHONE) <i>You wanna use</i>
<i>the food allergy routine?</i>

201
00:10:00,569 --> 00:10:02,504
Yeah. Whatever, yeah.

202
00:10:03,237 --> 00:10:05,106
JACK: <i>I'll try to hold the jet</i>
<i>for you.</i>

203
00:10:05,840 --> 00:10:09,243
Right. Uh, wait.
Uh, Jack. Um...

204
00:10:09,343 --> 00:10:11,612
I need some time. Is there...

205
00:10:12,346 --> 00:10:15,316
any place out here where
I can stay low for a few days?

206
00:10:15,850 --> 00:10:17,318
JACK: <i>Well,</i>
<i>George Clooney's villa</i>

207
00:10:17,384 --> 00:10:18,786
<i>is up for sale.</i>
(SIGHS)

208
00:10:18,853 --> 00:10:20,621
JACK: <i>But it's way up north.</i>

209
00:10:22,524 --> 00:10:23,824
What about Sofia's?

210
00:10:24,158 --> 00:10:25,726
JACK:
<i>Vin Spiegel's staying there.</i>

211
00:10:25,793 --> 00:10:28,295
(INHALES) <i>They're prepping</i>
Sergeant Stone.

212
00:10:28,662 --> 00:10:30,931
Right, well-- God.

213
00:10:31,065 --> 00:10:33,834
Anywhere where no one knows
who I am.

214
00:10:34,902 --> 00:10:36,505
All right.
JACK: <i>Wait a second.</i>

215
00:10:36,804 --> 00:10:39,574
<i>There's an Italian actress</i>
<i>who's got a villa nearby.</i>

216
00:10:39,907 --> 00:10:41,909
<i>Place called Ischia.</i>

217
00:10:42,009 --> 00:10:45,079
Yeah. Ischia.
Sounds great. All right.

218
00:10:45,179 --> 00:10:46,981
(SHIP HORN BLARING)

219
00:10:48,349 --> 00:10:50,885
(INDISTINCT CHATTER)

220
00:10:55,022 --> 00:10:59,026
(CHUCKLES) Nello, I introduce
my mother, Lorella.

221
00:10:59,093 --> 00:11:02,531
Nice to meet you.
And my father, Fabrizio.

222
00:11:02,631 --> 00:11:05,332
It's a pleasure
and an honor to meet you.

223
00:11:05,499 --> 00:11:07,468
I've heard so much
of your films.

224
00:11:08,035 --> 00:11:10,237
Have you seen any of them?
NELLO: No.

225
00:11:11,573 --> 00:11:13,207
But I feel as I have.

226
00:11:13,575 --> 00:11:16,343
Ombretta has spoken
of them so often.

227
00:11:16,710 --> 00:11:19,480
Such courage to make
a three-hour film

228
00:11:19,548 --> 00:11:21,081
in this day and age.

229
00:11:21,849 --> 00:11:24,985
Courage?
Interesting point of view.

230
00:11:25,719 --> 00:11:27,288
Listen, Lello.
Nello.

231
00:11:27,922 --> 00:11:31,725
Sorry. Nello.
We are very tired.

232
00:11:31,959 --> 00:11:35,530
Six hours on the train,
three hours at the festival.

233
00:11:35,763 --> 00:11:37,965
Can we just go to the hydrofoil?

234
00:11:38,065 --> 00:11:40,868
Papa. Nello has
a surprise for you.

235
00:11:40,935 --> 00:11:42,336
Yes?
OMBRETTA: Yes.

236
00:11:43,370 --> 00:11:46,073
A private boat and tour.

237
00:11:50,311 --> 00:11:52,012
Wow. Hmm.

238
00:11:52,079 --> 00:11:54,148
("CI PENSIAMO DOMANI" PLAYING)

239
00:11:54,215 --> 00:11:56,984
(SINGING IN ITALIAN)

240
00:12:10,998 --> 00:12:15,836
And as we reach
the end of our tour,

241
00:12:15,903 --> 00:12:20,575
I'd like to show you
the most beautiful jewels

242
00:12:20,675 --> 00:12:23,277
of our exotic island.

243
00:12:25,079 --> 00:12:27,481
(LAUGHS)

244
00:12:27,549 --> 00:12:28,816
I am speaking, of course,

245
00:12:28,882 --> 00:12:32,386
of the many celebrity villas
here in Ischia.

246
00:12:32,453 --> 00:12:34,723
We are in the district of Zaro.

247
00:12:34,955 --> 00:12:38,158
And here,
at one time or another,

248
00:12:38,627 --> 00:12:40,928
famous director
Luchino Visconti,

249
00:12:41,028 --> 00:12:43,430
international actress
Liz Taylor,

250
00:12:43,698 --> 00:12:46,233
and her lover, Richard Burton,

251
00:12:46,300 --> 00:12:48,536
made Ischia
their summer residence.

252
00:12:48,603 --> 00:12:52,406
(SONG CONTINUES)

253
00:12:57,411 --> 00:12:59,780
Sorry, can you close it?

254
00:13:00,447 --> 00:13:01,482
Thank you.

255
00:13:02,049 --> 00:13:06,688
And so, <i>signori,</i>
I now bid you <i>arrivederci.</i>

256
00:13:06,954 --> 00:13:08,255
<i>Auf Wiedersehen.</i>

257
00:13:08,789 --> 00:13:10,124
<i>Au revoir.</i>

258
00:13:10,659 --> 00:13:11,726
<i>Ni hao.</i>

259
00:13:11,959 --> 00:13:13,894
Bye! (LAUGHS)

260
00:13:13,961 --> 00:13:15,530
(SONG CONTINUES)

261
00:13:15,630 --> 00:13:17,965
(SINGING IN ITALIAN)

262
00:13:44,925 --> 00:13:47,796
(SONG FADES)
(SHIP HORN BLARING)

263
00:13:47,895 --> 00:13:50,331
(LORELLA MURMURS)
Uh, excuse me.

264
00:13:50,397 --> 00:13:53,635
Are you looking perhaps
for "Favuzzo?"

265
00:13:54,101 --> 00:13:58,238
Oh, <i>si!</i> (LAUGHS) Favuzzo!

266
00:13:58,573 --> 00:14:00,908
(SMOOCHES, LAUGHS)
(CHUCKLES)

267
00:14:00,974 --> 00:14:02,744
I am Angioletto.

268
00:14:02,876 --> 00:14:05,647
Di Meglio. I am the father of--

269
00:14:05,714 --> 00:14:07,948
Ah, Lello. Of course.
Nello.

270
00:14:08,048 --> 00:14:10,884
Oh. Nello, Lello.
What's the difference, huh?

271
00:14:10,951 --> 00:14:12,721
(SMOOCHES)
You're right.

272
00:14:12,787 --> 00:14:14,556
(CHUCKLES)
Thank you. (CHUCKLES)

273
00:14:14,622 --> 00:14:15,856
But... But--

274
00:14:15,923 --> 00:14:17,692
Where are the two <i>fidanzatini?</i>

275
00:14:17,792 --> 00:14:19,661
The... the young lovers.

276
00:14:19,728 --> 00:14:22,831
Nello went to check
for our hotel.

277
00:14:23,063 --> 00:14:24,532
We are very tired.
Yeah.

278
00:14:24,599 --> 00:14:26,701
Oh! You are our guests.

279
00:14:26,768 --> 00:14:29,169
Filomena has already prepared
your room,

280
00:14:29,236 --> 00:14:31,905
and she has been cooking
for three days.

281
00:14:32,005 --> 00:14:35,142
Ah, but we have just met.
We really can't impose.

282
00:14:35,242 --> 00:14:36,910
No, no, no--
We can't impose, we--

283
00:14:36,977 --> 00:14:39,380
With the engagement
of our children,

284
00:14:39,446 --> 00:14:40,515
we are practically family.

285
00:14:40,648 --> 00:14:43,183
(CHUCKLES) And besides
we have plenty of room.
(CHUCKLES)

286
00:14:43,250 --> 00:14:46,554
(CHUCKLES)
Oh, come on! Come on! (LAUGHS)

287
00:14:46,621 --> 00:14:48,088
Plenty of room...

288
00:14:51,925 --> 00:14:54,662
(ENGINE REVVING)

289
00:14:55,697 --> 00:14:57,464
Plenty of room!

290
00:14:59,634 --> 00:15:00,635
Lello!

291
00:15:00,735 --> 00:15:02,369
NELLO: It's Nello.
Nello. Nello.

292
00:15:02,604 --> 00:15:06,106
How many kilometers?
Just ten!

293
00:15:06,708 --> 00:15:07,809
Just ten?
NELLO: Yes.

294
00:15:07,876 --> 00:15:08,976
Ah, we are lucky.

295
00:15:09,076 --> 00:15:10,812
LORELLA: (LAUGHS) Yes.
Yes.

296
00:15:10,879 --> 00:15:12,547
Very lucky.
Very lucky.

297
00:15:12,647 --> 00:15:16,684
(UPBEAT MUSIC PLAYING)

298
00:15:32,534 --> 00:15:34,602
SABRINA: (IN ITALIAN)

299
00:15:37,037 --> 00:15:39,039
Nicola. <i>Grazie mille.</i>

300
00:15:39,106 --> 00:15:40,608
(IN ENGLISH)
Thanks for the hospitality.

301
00:15:40,675 --> 00:15:42,142
Ah, you speak Italian!

302
00:15:42,510 --> 00:15:45,446
Well, kinda. Not really.

303
00:15:46,313 --> 00:15:48,182
<i>Well, my dad taught me</i>
<i>and my brother,</i>

304
00:15:48,248 --> 00:15:50,317
but I stopped using it
when he died.

305
00:15:50,718 --> 00:15:52,887
Ah! Your brother is died?

306
00:15:53,253 --> 00:15:55,322
No. Uh, we just haven't spoken

307
00:15:55,389 --> 00:15:57,458
in English or Italian
in a long time. (CHUCKLES)

308
00:15:57,592 --> 00:16:00,862
(LAUGHS) I'm sorry.
My English not so fine.

309
00:16:00,929 --> 00:16:04,799
Well, my Italian's not so fine.
Ah. I think.

310
00:16:05,098 --> 00:16:06,300
(IN ITALIAN)

311
00:16:06,366 --> 00:16:08,570
(IN ENGLISH) Come. Come here.
NIC: Great.

312
00:16:09,036 --> 00:16:11,271
(BIRDS CHIRPING)

313
00:16:12,005 --> 00:16:13,373
This is the gym.

314
00:16:13,808 --> 00:16:14,943
Ah.
(CHUCKLES)

315
00:16:15,008 --> 00:16:16,276
(IN ITALIAN)

316
00:16:16,878 --> 00:16:19,179
(IN ENGLISH) At any mode,
here are the keys.

317
00:16:19,480 --> 00:16:24,251
(SIGHS) <i>Accomodati.</i>
Uh, make yourself at home.

318
00:16:24,318 --> 00:16:25,285
Hmm.

319
00:16:25,352 --> 00:16:26,821
(IN ITALIAN)

320
00:16:26,888 --> 00:16:28,489
Uh...

321
00:16:32,861 --> 00:16:34,061
Hmm?

322
00:16:34,529 --> 00:16:35,597
(IN ENGLISH) Uh. Ask her

323
00:16:35,663 --> 00:16:37,899
if she wants to have dinner
with me tonight.

324
00:16:37,966 --> 00:16:40,400
(IN ITALIAN)

325
00:16:40,467 --> 00:16:42,302
Ah! (INHALES)

326
00:16:43,938 --> 00:16:45,607
(IN ENGLISH) I can't, um...

327
00:16:46,373 --> 00:16:48,242
(IN ITALIAN)

328
00:16:51,579 --> 00:16:53,548
MARCO: (IN ENGLISH)
Mr. Nic, she is going to Rome.

329
00:16:53,748 --> 00:16:55,449
For the <i>Sergeant Stone</i> movie.

330
00:16:56,149 --> 00:16:59,219
Ah. Well,
give my regards to Vin.

331
00:16:59,386 --> 00:17:01,789
(IN ITALIAN)

332
00:17:02,557 --> 00:17:03,892
(SPEAKS ITALIAN)

333
00:17:04,024 --> 00:17:05,994
(IN ENGLISH)
For anything, call me.

334
00:17:06,059 --> 00:17:09,096
Mm-hmm.
<i>Chiamami.</i> The keys.

335
00:17:09,831 --> 00:17:10,865
(IN ITALIAN)

336
00:17:10,965 --> 00:17:12,767
(IN ENGLISH) Bye, Nic. (KISSES)
NIC: Bye.

337
00:17:13,066 --> 00:17:14,569
SABRINA: Bye. <i>Ciao.</i>

338
00:17:16,270 --> 00:17:18,038
NIC: Jack, it's great.
You nailed it.

339
00:17:18,105 --> 00:17:19,239
It's got a gym and everything.

340
00:17:19,306 --> 00:17:21,643
And the view... Mediterranean.

341
00:17:22,209 --> 00:17:24,244
Stunning. Beautiful.

342
00:17:25,212 --> 00:17:26,981
Jack, I've been thinking.

343
00:17:27,047 --> 00:17:28,917
It's time for me
to get back to basics,

344
00:17:29,017 --> 00:17:30,785
like when I wrote <i>Spike</i>
in three days

345
00:17:30,885 --> 00:17:32,286
in that sweatbox.

346
00:17:32,486 --> 00:17:34,822
Reclaim the throne, so to speak.

347
00:17:35,690 --> 00:17:36,691
(SIGHS)

348
00:17:43,031 --> 00:17:44,632
Uh, Jack.

349
00:17:44,966 --> 00:17:46,668
It's time for me
to get back to work.

350
00:17:47,035 --> 00:17:49,436
(IN ITALIAN)

351
00:17:49,537 --> 00:17:50,538
(LAUGHS)

352
00:17:50,638 --> 00:17:52,306
(IN ENGLISH)
I am allergic to liver.

353
00:17:52,406 --> 00:17:56,076
No. No liver.
No liver. You can eat.

354
00:17:56,176 --> 00:17:58,211
FABRIZIO: Uh-huh.
LORELLA: No liver.

355
00:17:59,346 --> 00:18:02,550
Ah, do you like it? (EXCLAIMS)

356
00:18:02,684 --> 00:18:03,551
(IN ITALIAN)

357
00:18:03,785 --> 00:18:07,589
(IN ENGLISH) The balls
are the best part. (LAUGHS)

358
00:18:08,488 --> 00:18:10,792
(ALL LAUGH)
(KICKS TABLE)

359
00:18:11,059 --> 00:18:13,661
(CHUCKLES)
You see... you see,

360
00:18:13,728 --> 00:18:15,863
I am convinced that here

361
00:18:16,229 --> 00:18:18,967
I will receive an inspiration.

362
00:18:19,033 --> 00:18:20,267
An inspiration.
Ah.

363
00:18:20,334 --> 00:18:24,104
For me, coming to Ischia
is like a pilgrimage.

364
00:18:24,739 --> 00:18:28,643
And La Colombaia,
the villa of Visconti,

365
00:18:28,743 --> 00:18:31,079
is the holy land for...

366
00:18:31,211 --> 00:18:32,780
(IN ITALIAN)

367
00:18:32,914 --> 00:18:34,481
(FORK CLATTERS)
Oh!

368
00:18:34,582 --> 00:18:37,384
(IN ENGLISH)
Perhaps our son will someday

369
00:18:37,451 --> 00:18:39,854
become a famous director
like you.

370
00:18:39,954 --> 00:18:41,221
(CHUCKLES)
LORELLA: Like him!

371
00:18:41,321 --> 00:18:44,191
(CHUCKLES, IN ITALIAN)

372
00:18:44,491 --> 00:18:45,960
(ALL LAUGH)

373
00:18:46,094 --> 00:18:47,095
(SMOOCHES)

374
00:18:47,327 --> 00:18:48,796
LORELLA: (IN ENGLISH)
Just kidding! Just kidding!

375
00:18:48,863 --> 00:18:50,330
Ah, ah.

376
00:18:50,397 --> 00:18:51,766
Cheers, cheers, cheers!

377
00:18:51,833 --> 00:18:53,200
ALL: Cheers! Cheers!

378
00:18:53,266 --> 00:18:55,369
(ANGIOLETTO CHUCKLES)
Thank you.

379
00:18:55,670 --> 00:18:57,872
(NIC PANTS)

380
00:18:57,972 --> 00:19:00,207
(BIRDS CHIRPING)

381
00:19:01,042 --> 00:19:03,711
NIC: (GROANS) Maurizio.

382
00:19:03,811 --> 00:19:05,178
Marco.
MARCO: Mr. Nic?

383
00:19:05,278 --> 00:19:07,180
(NIC PANTS)
MARCO: Huh? Mr. Nic?

384
00:19:07,347 --> 00:19:08,950
Breathe, breathe.

385
00:19:09,316 --> 00:19:10,918
Breathe slowly.

386
00:19:11,886 --> 00:19:13,220
Breathe.

387
00:19:13,921 --> 00:19:15,623
Breathe. Breathe.

388
00:19:17,190 --> 00:19:21,261
(GENTLE ACCORDION MUSIC PLAYING)

389
00:19:24,032 --> 00:19:25,432
(YAWNS)

390
00:19:28,268 --> 00:19:29,504
(WHISPERS) Fabrizio...

391
00:19:41,949 --> 00:19:44,919
(MUSIC CONTINUES)

392
00:19:49,791 --> 00:19:51,125
GUARD: Ladies and gentlemen,

393
00:19:51,358 --> 00:19:53,561
La Colombaia is now closing.

394
00:19:54,095 --> 00:19:55,530
Please, this way.

395
00:19:57,197 --> 00:20:02,369
(MYSTERIOUS MUSIC PLAYING)

396
00:20:27,662 --> 00:20:29,296
(GATE LOCK CLICKING)

397
00:20:34,602 --> 00:20:36,470
(WIND WHOOSHES)

398
00:20:41,374 --> 00:20:43,443
Could this be...

399
00:20:44,779 --> 00:20:46,748
Visconti's writing room?

400
00:20:50,818 --> 00:20:51,886
(CLEARS THROAT)

401
00:20:53,821 --> 00:20:56,090
GUARD: (OVER PA)
<i>La Colombaia is now closing.</i>

402
00:20:56,624 --> 00:20:58,826
<i>Please proceed to the exit.</i>

403
00:20:59,160 --> 00:21:01,361
(MUSIC FADES)
(WIND BLOWING)

404
00:21:03,497 --> 00:21:04,732
LORELLA: <i>Eh...</i>
OMBRETTA: <i>Papa?</i>

405
00:21:05,166 --> 00:21:06,934
Papa?
Ah. Papa?

406
00:21:08,301 --> 00:21:09,504
ANGIOLETTO: Oh, no.

407
00:21:11,005 --> 00:21:12,405
(IN ITALIAN)

408
00:21:12,472 --> 00:21:13,473
LORELLA: Fabrizio!

409
00:21:13,541 --> 00:21:14,909
(KNOCKING ON GATE)
ANGIOLETTO:

410
00:21:15,308 --> 00:21:16,978
(IN ENGLISH) Excuse me!

411
00:21:17,078 --> 00:21:19,379
(WHIMSICAL MUSIC PLAYING)

412
00:21:19,981 --> 00:21:21,582
(GRUNTS)

413
00:21:24,085 --> 00:21:26,254
(CELL PHONE BEEPING)

414
00:21:37,999 --> 00:21:39,000
Hello!

415
00:21:39,801 --> 00:21:42,369
Help! Please!

416
00:21:43,037 --> 00:21:45,438
Fabrizio!
Papa?

417
00:21:55,950 --> 00:21:58,019
(FABRIZIO WHIMPERS)

418
00:21:58,451 --> 00:22:01,088
Help. (WHIMPERS) Help!

419
00:22:02,223 --> 00:22:04,725
(WHIMPERS)
(PIPE CREAKING)

420
00:22:04,992 --> 00:22:06,194
(FABRIZIO YELPS)

421
00:22:06,294 --> 00:22:08,029
(WHIMPERS)

422
00:22:08,663 --> 00:22:09,997
(YELPS)

423
00:22:10,164 --> 00:22:11,933
(YELPS, GROANS)

424
00:22:12,200 --> 00:22:14,869
Help! Help!

425
00:22:15,136 --> 00:22:18,739
Help! (SCREAMS)
(MUSIC CONCLUDES)

426
00:22:23,644 --> 00:22:25,646
(GROANS)

427
00:22:26,214 --> 00:22:27,414
(GROANS)

428
00:22:27,815 --> 00:22:29,183
(IN ITALIAN)

429
00:22:29,416 --> 00:22:33,054
(GRUNTS, GROANS)

430
00:22:35,422 --> 00:22:39,627
(GRUNTS, PANTS)

431
00:22:42,196 --> 00:22:46,366
(SOFT CLASSICAL MUSIC PLAYING)

432
00:22:46,968 --> 00:22:48,368
(GASPS SOFTLY)

433
00:23:23,170 --> 00:23:24,505
(GASPS)

434
00:23:25,873 --> 00:23:27,041
(BREATHES SHAKILY)

435
00:23:28,809 --> 00:23:34,048
(IN ENGLISH) Visconti's
long lost masterpiece...

436
00:23:40,487 --> 00:23:41,989
(FOOTSTEPS APPROACHING)
(KEYS JINGLING)

437
00:23:42,056 --> 00:23:43,157
(BIRD WINGS FLAPPING)

438
00:23:56,137 --> 00:23:58,205
Oh! (GASPS)

439
00:23:59,407 --> 00:24:01,609
(BREATHES RAPIDLY)

440
00:24:03,744 --> 00:24:06,247
(LAUGHS)

441
00:24:06,479 --> 00:24:08,883
(IN ITALIAN)

442
00:24:19,093 --> 00:24:21,095
(EXHALES)

443
00:24:22,096 --> 00:24:24,065
(MUSIC FADES)

444
00:24:26,434 --> 00:24:29,070
(IN ENGLISH) <i>And here we are</i>
<i>on the set of</i> The Horseman,

445
00:24:29,136 --> 00:24:30,972
<i>the latest apocalyptic</i>
<i>action film...</i>

446
00:24:31,038 --> 00:24:33,140
(CHUCKLES, SIGHS)
<i>...currently filming</i>
<i>in New York,</i>

447
00:24:33,207 --> 00:24:35,710
<i>starring rising action</i>
<i>movie star Brick Maxwell.</i>

448
00:24:35,810 --> 00:24:37,511
(BRICK MAXWELL SCREAMING)

449
00:24:38,512 --> 00:24:39,880
<i>And speaking of Armageddon,</i>

450
00:24:39,981 --> 00:24:41,816
<i>NASA's just reported</i>
<i>that the path</i>

451
00:24:41,882 --> 00:24:43,985
<i>of the massive asteroid</i>
<i>set to miss Earth</i>

452
00:24:44,085 --> 00:24:46,854
<i>by 100,000 miles</i>
<i>has been recalculated.</i>

453
00:24:46,988 --> 00:24:49,090
<i>Make that 200,000--</i>
(SMACKS LIPS) Stupid.

454
00:24:54,028 --> 00:24:55,196
(LORELLA SNORES)

455
00:24:57,965 --> 00:25:00,034
(LAUGHS QUIETLY)

456
00:25:06,340 --> 00:25:09,210
(LORELLA SNORES SOFTLY)

457
00:25:10,411 --> 00:25:12,580
(WHISPERS) Luchino!
(KISSES, CHUCKLES)

458
00:25:13,781 --> 00:25:16,217
(SNORES)
(PLAYFUL MUSIC PLAYING)

459
00:25:20,988 --> 00:25:22,123
(LORELLA SNORES)

460
00:25:33,734 --> 00:25:35,669
FABRIZIO: "Book number one."

461
00:25:36,704 --> 00:25:39,740
But... where is book two?
LORELLA: Huh?

462
00:25:40,207 --> 00:25:42,309
Book two.
(SNORTS)

463
00:25:56,357 --> 00:25:57,725
(BRAKES SQUEAK)

464
00:25:59,593 --> 00:26:01,629
FABRIZIO: Excuse me! Excuse me!

465
00:26:01,695 --> 00:26:02,897
(METAL GATE CREAKING)

466
00:26:02,997 --> 00:26:05,466
But... why is closed?
GUARD: Huh?

467
00:26:05,599 --> 00:26:08,069
<i>Inagibile.</i> Condemned.
(KEYS JANGLING)

468
00:26:08,569 --> 00:26:11,272
"Condemned due
to a recent collapse."

469
00:26:11,506 --> 00:26:14,375
But... but I must enter.

470
00:26:14,575 --> 00:26:16,811
I left something inside,
very important.

471
00:26:16,877 --> 00:26:18,379
GUARD: If you wish,
I can search.

472
00:26:18,446 --> 00:26:20,181
What did it look like?

473
00:26:21,749 --> 00:26:24,285
A last glimmer of hope.

474
00:26:36,430 --> 00:26:38,099
(MUSIC FADES)

475
00:26:38,199 --> 00:26:41,068
(PANTS)

476
00:26:51,612 --> 00:26:52,847
(GRUNTS)

477
00:26:55,349 --> 00:26:58,185
ANGIOLETTO: Is there anything
I can help you find?

478
00:26:58,853 --> 00:27:01,655
The highest precipice
on the island.

479
00:27:04,325 --> 00:27:05,326
Okay.

480
00:27:05,793 --> 00:27:07,928
Come on.
(ENGINE STARTS)

481
00:27:08,829 --> 00:27:13,234
(MELANCHOLIC MUSIC PLAYING)
(ENGINE REVVING)

482
00:27:14,603 --> 00:27:17,972
You may find what
you are looking for here.

483
00:27:18,939 --> 00:27:19,807
If not,

484
00:27:19,907 --> 00:27:22,810
there is a nice cliff
over there.

485
00:27:23,010 --> 00:27:24,044
(CHUCKLES)

486
00:27:42,564 --> 00:27:44,231
(MUSIC FADES)

487
00:27:45,299 --> 00:27:46,400
Hello.

488
00:27:48,537 --> 00:27:49,803
It's me.

489
00:27:50,337 --> 00:27:51,906
Fabrizio Favuzzo.

490
00:27:52,673 --> 00:27:55,843
You remember? Uh, <i>Obtusion?</i>

491
00:27:57,011 --> 00:27:59,413
(IN ITALIAN)

492
00:27:59,514 --> 00:28:00,615
(CHUCKLES)

493
00:28:00,681 --> 00:28:01,949
(SPEAKS ITALIAN)

494
00:28:05,853 --> 00:28:07,656
(IN ENGLISH) Maybe not, huh?

495
00:28:08,923 --> 00:28:12,159
My films are totally
forgettable, as am I.

496
00:28:12,693 --> 00:28:13,894
(SIGHS)

497
00:28:14,728 --> 00:28:16,665
But to be shown the heavens

498
00:28:16,997 --> 00:28:19,133
only to be dashed to the rocks

499
00:28:19,233 --> 00:28:23,137
is crueler than any failure
I could direct.

500
00:28:24,805 --> 00:28:27,441
There must be a design for me.

501
00:28:28,577 --> 00:28:32,179
Some grand storyboard.

502
00:28:34,649 --> 00:28:37,885
If there is a way for me
to make this film,

503
00:28:37,952 --> 00:28:42,289
please, please give me a sign.

504
00:28:42,524 --> 00:28:45,893
(ORCHESTRAL RINGTONE PLAYING)

505
00:28:49,598 --> 00:28:50,798
(GASPS)

506
00:28:51,398 --> 00:28:52,466
(IN ITALIAN)

507
00:29:00,274 --> 00:29:01,275
Mm-hmm?

508
00:29:07,181 --> 00:29:08,182
(SPLUTTERS)

509
00:29:12,019 --> 00:29:14,556
(IN ENGLISH) My wife reminds me
we have a reservation

510
00:29:14,623 --> 00:29:16,156
at Il Bracconiere.

511
00:29:16,390 --> 00:29:17,424
ANGIOLETTO: (IN ITALIAN)

512
00:29:17,491 --> 00:29:19,293
(IN ENGLISH) I almost forgot.

513
00:29:19,827 --> 00:29:21,730
I have to drop you off,
then I am...

514
00:29:21,795 --> 00:29:22,796
(IN ITALIAN)

515
00:29:22,863 --> 00:29:24,932
(IN ENGLISH) ...at the port.
(PANTS)

516
00:29:25,032 --> 00:29:26,100
Ah!

517
00:29:29,203 --> 00:29:30,371
Come on.

518
00:29:33,642 --> 00:29:36,877
(MELANCHOLIC MUSIC PLAYING)

519
00:29:55,296 --> 00:29:56,363
ANGIOLETTO: Fabrizio.

520
00:29:56,997 --> 00:29:58,767
Fabrizio, where are you going?

521
00:29:58,832 --> 00:30:02,936
You said it was this way
to the cliff?

522
00:30:08,677 --> 00:30:09,810
(GRUNTS)

523
00:30:10,512 --> 00:30:11,845
(IN ITALIAN)

524
00:30:20,387 --> 00:30:21,855
(ECHOING)

525
00:30:26,093 --> 00:30:28,962
(DRAMATIC MUSIC PLAYING)

526
00:30:29,930 --> 00:30:32,866
(JET ENGINE ROARING)

527
00:30:32,966 --> 00:30:34,803
(DRAMATIC MUSIC BUILDS)

528
00:30:34,868 --> 00:30:38,138
(HELICOPTER WHIRRING OVERHEAD)

529
00:30:42,777 --> 00:30:44,679
(BOMBS WHISTLING, BOOMING)

530
00:30:44,746 --> 00:30:48,282
(RAPID GUNFIRE)

531
00:30:53,954 --> 00:30:57,525
(GUNFIRE CONTINUES)

532
00:31:03,964 --> 00:31:09,002
(MUSIC FADES)
(BIRDS CHIRPING)

533
00:31:15,242 --> 00:31:18,178
(IN ENGLISH) Angioletto,
it's a sign.

534
00:31:19,313 --> 00:31:23,083
<i>La Madonna</i> has shown me
a miracle.

535
00:31:23,818 --> 00:31:26,220
Nic Cassino will do my film.

536
00:31:27,321 --> 00:31:30,525
But what Nic Cassino?
That was a <i>sosia.</i>

537
00:31:30,658 --> 00:31:31,693
A body double.

538
00:31:32,159 --> 00:31:33,994
Ischia is famous for them.

539
00:31:34,395 --> 00:31:36,831
Did you see how he spoke
to you in Italian?

540
00:31:36,897 --> 00:31:40,968
No, no. No, no, it was him.
I'm sure of it.

541
00:31:42,771 --> 00:31:45,038
It's my destiny.

542
00:31:46,039 --> 00:31:50,344
Everything in my life
has brought me to Ischia.

543
00:31:51,445 --> 00:31:53,782
To find the manuscript.

544
00:31:54,148 --> 00:31:56,651
To cross paths
with the great Nic Cassino.

545
00:31:58,085 --> 00:32:00,889
We must find him. Will you help?

546
00:32:02,590 --> 00:32:04,057
To find another cliff?

547
00:32:09,564 --> 00:32:10,964
(IN ITALIAN)

548
00:32:11,432 --> 00:32:12,433
(KISSES)

549
00:32:12,901 --> 00:32:14,201
(CHUCKLES SOFTLY)

550
00:32:15,637 --> 00:32:16,604
ANGIOLETTO:

551
00:32:17,337 --> 00:32:19,874
(IN ENGLISH) Anyone seen
Nic Cassino on the island?

552
00:32:19,940 --> 00:32:21,876
Of course. He's playing
at Cinema delle Vittorie

553
00:32:21,942 --> 00:32:23,110
in Forio for another week

554
00:32:23,177 --> 00:32:24,679
before they close
for the summer.

555
00:32:24,846 --> 00:32:25,847
No.

556
00:32:26,146 --> 00:32:28,917
Not in the cinema.
On the island.

557
00:32:29,082 --> 00:32:32,386
Angioletto,
I saw Sylvester Stallone

558
00:32:32,486 --> 00:32:34,955
at Ischia Ponte.
MAN 1: Sylvester Stallone?

559
00:32:35,022 --> 00:32:37,559
(IN ITALIAN)
(CHATTERING IN ITALIAN)

560
00:32:37,625 --> 00:32:38,726
TITINA:

561
00:32:38,827 --> 00:32:39,828
MAN 2:

562
00:32:39,960 --> 00:32:41,995
(IN ENGLISH) Hi, guys.
(MAN 3 SPEAKS ITALIAN)

563
00:32:42,229 --> 00:32:43,898
(IN ENGLISH)
An ice cream. Strawberry.

564
00:32:43,997 --> 00:32:45,466
Hi, Titina.

565
00:32:46,266 --> 00:32:50,137
Titi. What do know
about any celebrities on Ischia?

566
00:32:50,304 --> 00:32:53,875
Oh, besides the fact that
they are ruining the island?

567
00:32:54,007 --> 00:32:58,178
But... but have you seen
anyone lately?

568
00:32:58,646 --> 00:32:59,647
Mm.

569
00:32:59,881 --> 00:33:02,316
There is an American
staying in Zaro.

570
00:33:02,382 --> 00:33:05,587
At Sabrina Fiorucci's villa.
ANGIOLETTO: Hmm.

571
00:33:06,053 --> 00:33:07,956
And do you know who it is?

572
00:33:09,389 --> 00:33:10,658
(IN ITALIAN)

573
00:33:10,792 --> 00:33:11,960
(IN ENGLISH) Who gives a shit?

574
00:33:12,025 --> 00:33:13,828
(PATRONS APPLAUD)
MAN: (IN ITALIAN)

575
00:33:13,895 --> 00:33:15,496
(IN ENGLISH) Thank you, guys!

576
00:33:15,630 --> 00:33:17,565
(CHUCKLES)
TITINA: Bye!

577
00:33:22,069 --> 00:33:26,073
(WHISPERS) Fabrizio.
(WHIMSICAL MUSIC PLAYING)

578
00:33:26,406 --> 00:33:27,542
Fabrizio.

579
00:33:29,076 --> 00:33:33,280
FABRIZIO: Who is it?
Angioletto. Come outside.

580
00:33:37,585 --> 00:33:38,753
Oh. Come on.

581
00:33:40,020 --> 00:33:41,421
(FABRIZIO SIGHS)

582
00:33:44,424 --> 00:33:45,593
Come on, come on.

583
00:33:47,929 --> 00:33:49,296
(FABRIZIO YAWNS)

584
00:33:49,831 --> 00:33:51,633
He is at Zaro.

585
00:33:51,900 --> 00:33:54,201
Sabrina Fiorucci's villa.

586
00:33:55,637 --> 00:33:58,405
Who?
Nic Cassino.

587
00:33:59,072 --> 00:34:00,742
Nic Cassino? Let's go!

588
00:34:01,141 --> 00:34:02,710
(YELPS, GROANS)

589
00:34:03,043 --> 00:34:05,647
Fabrizio, Fabrizio.
Are you all right?

590
00:34:06,014 --> 00:34:07,949
Yes, yes.
Okay, listen to me.

591
00:34:08,215 --> 00:34:09,651
There is a problem.

592
00:34:10,050 --> 00:34:12,286
The villa is <i>blindato.</i>
Locked down.

593
00:34:12,587 --> 00:34:15,155
There are walls
and security cameras.

594
00:34:15,289 --> 00:34:17,057
There is no way to get in.

595
00:34:20,728 --> 00:34:21,796
We need a plan.

596
00:34:21,863 --> 00:34:22,864
Yeah.

597
00:34:23,263 --> 00:34:27,035
We need actors. Props.
(YAWNS)

598
00:34:27,100 --> 00:34:28,536
Wardrobe.

599
00:34:29,904 --> 00:34:31,773
(IN ITALIAN)

600
00:34:34,441 --> 00:34:37,311
(IN ENGLISH)
You need an assistant director.

601
00:34:37,712 --> 00:34:39,047
Lello!
Nello.

602
00:34:39,112 --> 00:34:40,414
(SNAPS FINGERS)

603
00:34:43,685 --> 00:34:45,853
(MUSIC FADES)

604
00:34:50,858 --> 00:34:52,894
Mr. Nic,
there is a phone call for you.

605
00:34:53,093 --> 00:34:54,094
Who is it?

606
00:34:54,461 --> 00:34:57,297
Someone named Fabrizio Favuzzo.
He said he is a director.

607
00:34:57,632 --> 00:35:00,233
Who the hell
is Fabrizio Favuzzo?

608
00:35:00,902 --> 00:35:03,236
Who the hell
is Fabrizio Favuzzo?

609
00:35:04,171 --> 00:35:05,673
He said to look out the window.

610
00:35:05,974 --> 00:35:06,975
What?

611
00:35:07,075 --> 00:35:08,576
He said to look out the window.

612
00:35:10,344 --> 00:35:11,345
(SIGHS)

613
00:35:19,754 --> 00:35:23,891
(UPBEAT MUSIC PLAYING)

614
00:35:26,594 --> 00:35:30,130
NIC: What is this?
An episode of <i>Gilligan's Island?</i>

615
00:35:39,073 --> 00:35:40,575
Mr. Cassino!

616
00:35:58,291 --> 00:36:02,195
NIC: So, uh, <i>Maestro--</i>
I mean, <i>Mastro</i> Favuzzo.

617
00:36:02,530 --> 00:36:05,066
I gotta say, I'm not much
of a fan of European cinema.

618
00:36:05,165 --> 00:36:08,536
I find the, uh,
the subtitles distracting.

619
00:36:08,770 --> 00:36:10,071
But what can I do for you?

620
00:36:10,170 --> 00:36:11,539
(CHUCKLES)

621
00:36:12,339 --> 00:36:18,245
It's not what you can do for me.
It's what I can do for you.

622
00:36:19,080 --> 00:36:20,313
Interesting.
(SNAPS FINGERS)

623
00:36:23,985 --> 00:36:25,419
I have here

624
00:36:25,720 --> 00:36:29,891
an original script
by Luchino Visconti.

625
00:36:30,591 --> 00:36:34,796
An unedited opera
and neorealistic masterpiece

626
00:36:35,063 --> 00:36:40,134
based on Proust's novel,
<i>À la recherche du temps perdu.</i>

627
00:36:40,200 --> 00:36:42,837
<i>The Search for Lost Time.</i>

628
00:36:42,937 --> 00:36:46,774
An unfinished work
and culmination

629
00:36:46,841 --> 00:36:49,276
of his artistic vision

630
00:36:49,544 --> 00:36:53,781
that has never seen
the light of day.

631
00:36:57,552 --> 00:36:58,619
And?

632
00:36:59,486 --> 00:37:04,324
And I want you to star in it.

633
00:37:04,726 --> 00:37:05,760
Hmm.

634
00:37:08,261 --> 00:37:10,798
Visconti?
Yes. Yes.

635
00:37:10,998 --> 00:37:14,736
Maybe you have heard of him?
Um...

636
00:37:15,169 --> 00:37:17,004
<i>Death in Venice?</i>

637
00:37:17,972 --> 00:37:19,239
Can't say that I have.

638
00:37:21,209 --> 00:37:22,944
<i>The Leopard? Il Gattopardo.</i>

639
00:37:24,545 --> 00:37:26,981
Uh, <i>Leopard.</i> Sounds familiar.

640
00:37:29,617 --> 00:37:32,653
<i>Bellissima?</i> Uh, <i>Ossessione?</i>

641
00:37:32,920 --> 00:37:33,855
<i>Senso!</i>

642
00:37:34,889 --> 00:37:36,991
Yeah. Sex films.

643
00:37:38,325 --> 00:37:42,630
Uh, Lello? Hmm. Uh...
Um...

644
00:37:43,263 --> 00:37:46,534
<i>Rocco e i suoi fratelli.</i>
<i>Rocky and His Brothers.</i>

645
00:37:46,667 --> 00:37:50,538
It's a boxing film.
Ah! Boxing! Boxing film.

646
00:37:50,805 --> 00:37:53,174
Now we're getting somewhere.
(CHUCKLES)

647
00:37:53,340 --> 00:37:55,375
But have you seen it?
No.

648
00:37:55,810 --> 00:37:56,778
Listen, Favuzzo.

649
00:37:56,878 --> 00:37:58,880
I'm booked solid
for the next ten years

650
00:37:58,946 --> 00:38:01,348
doing blockbusters,
and I'm writing my own film.

651
00:38:01,582 --> 00:38:04,218
But anyway, listen.
I'll give you my agent's number.

652
00:38:04,284 --> 00:38:06,386
No, no.
(SCRIBBLING ON PAPER)

653
00:38:08,321 --> 00:38:11,025
And... yeah. Just call me.

654
00:38:12,160 --> 00:38:13,728
Right.
At some point.

655
00:38:14,427 --> 00:38:17,364
Okay, uh, but... but--

656
00:38:20,868 --> 00:38:22,603
Oh, uh, Favuzzo.
Yeah?

657
00:38:22,837 --> 00:38:23,905
Pleasure meeting you.

658
00:38:24,772 --> 00:38:26,874
America!
American.

659
00:38:28,676 --> 00:38:31,112
Uh, good luck with your film.

660
00:38:31,245 --> 00:38:33,581
Thank you very much.
NIC: My pleasure.

661
00:38:35,415 --> 00:38:39,754
Hmm. Art films.
No. No. Not happening.

662
00:38:39,887 --> 00:38:43,858
FABRIZIO: He doesn't know
Luchino Visconti.

663
00:38:44,058 --> 00:38:45,860
NELLO: Incredible.
NIC: Maurizio.

664
00:38:46,127 --> 00:38:48,830
See if you can find me
a copy of that <i>Rocco</i> movie.

665
00:38:48,896 --> 00:38:52,533
(BOAT ENGINE REVVING)

666
00:39:00,875 --> 00:39:02,009
(SIGHS)

667
00:39:05,313 --> 00:39:07,682
You haven't written a page
in four and a half days.

668
00:39:08,216 --> 00:39:10,585
You wrote <i>Spike</i>
in half that time.

669
00:39:12,053 --> 00:39:13,353
(SIGHS)

670
00:39:14,856 --> 00:39:15,957
Maurizio.

671
00:39:16,791 --> 00:39:20,895
I need a break.
Is there a town around here?

672
00:39:21,162 --> 00:39:22,163
Yes, Mr. Nic.

673
00:39:22,263 --> 00:39:24,497
All right. Let's...
let's get out of here.

674
00:39:24,899 --> 00:39:26,634
Ah. Where's the limo?

675
00:39:27,001 --> 00:39:30,470
No limousines in Ischia,
but we have a minivan instead.

676
00:39:30,805 --> 00:39:34,075
Mm-hmm?
Looks more like a skinny van.

677
00:39:34,775 --> 00:39:35,843
Interesting.

678
00:39:36,177 --> 00:39:39,046
("UN POSTO MIGLIORE" PLAYING)

679
00:39:39,146 --> 00:39:40,581
(VAN DOOR SLIDES OPEN)

680
00:39:41,883 --> 00:39:43,251
(NIC GROANS)

681
00:39:43,351 --> 00:39:46,520
(SINGING IN ITALIAN)

682
00:39:47,021 --> 00:39:48,723
(ENGINE STARTS)

683
00:39:52,026 --> 00:39:53,160
(VAN DOOR CLOSES)

684
00:40:01,769 --> 00:40:02,937
(EXHALES)

685
00:40:30,331 --> 00:40:33,034
NIC: (READING HESITANTLY)
<i>"Torno s..."</i>

686
00:40:33,401 --> 00:40:34,702
<i>sebati."</i>

687
00:40:37,338 --> 00:40:38,773
"Next Saturday."

688
00:40:40,775 --> 00:40:44,011
<i>"Torno subito."</i>
<i>Subito</i> not <i>sabato.</i>

689
00:40:44,078 --> 00:40:45,478
It means "right away."

690
00:40:45,579 --> 00:40:48,049
Hmm.
TITINA: You don't eat lunch
in America?

691
00:40:48,382 --> 00:40:50,885
Uh, well, I usually start

692
00:40:50,952 --> 00:40:52,687
with breakfast
and a piece of fruit.

693
00:40:52,787 --> 00:40:53,621
Uh...

694
00:40:53,721 --> 00:40:55,523
How'd... how'd you know
I was American?

695
00:40:55,690 --> 00:40:59,760
(SCOFFS) Only Americans
wear boots in summer.

696
00:40:59,860 --> 00:41:00,861
NIC: Hmm.

697
00:41:01,996 --> 00:41:02,997
Interesting.

698
00:41:03,998 --> 00:41:06,901
You don't know who I am.
I... I really don't care.

699
00:41:06,968 --> 00:41:10,604
Unless you're a tourist.
Well, I played a tourist.

700
00:41:10,771 --> 00:41:12,506
Uh, in a film.
TITINA: Hmm?

701
00:41:12,573 --> 00:41:15,042
It was a character
who spoiled a plot

702
00:41:15,109 --> 00:41:16,410
to blow up Saint Peter's...

703
00:41:16,510 --> 00:41:18,679
Uh, Nic Cassino.

704
00:41:18,746 --> 00:41:21,148
Uh, you might recognize me
from film and TV.

705
00:41:21,215 --> 00:41:22,249
Thanks.
Hmm.

706
00:41:23,317 --> 00:41:26,654
Oh, yes. I've seen your posters.

707
00:41:27,355 --> 00:41:28,456
But not the movies.

708
00:41:28,589 --> 00:41:32,393
They are too fantastic for me.
I guess they are.

709
00:41:32,460 --> 00:41:35,529
Yeah, like a video game
or a cartoon.

710
00:41:35,997 --> 00:41:37,298
Not at all important.

711
00:41:37,365 --> 00:41:39,133
What do you mean, uh, important?

712
00:41:40,835 --> 00:41:42,036
Just curious.

713
00:41:43,104 --> 00:41:47,041
I mean that important
is like Visconti.

714
00:41:47,475 --> 00:41:49,710
Like <i>Rocco and His Brothers.</i>

715
00:41:49,777 --> 00:41:52,346
About two brothers
who fight over a woman.

716
00:41:52,680 --> 00:41:54,782
Do you know Visconti?

717
00:41:54,982 --> 00:41:58,319
Yeah. Visconti.
He did that, uh, boxing film.

718
00:41:58,386 --> 00:41:59,653
With Rocky.

719
00:42:00,354 --> 00:42:02,356
Yeah. I guess so.

720
00:42:02,690 --> 00:42:04,025
WOMAN: (IN ITALIAN)

721
00:42:08,029 --> 00:42:09,930
WOMAN: (CHUCKLES)

722
00:42:14,368 --> 00:42:16,537
ACTOR 1:

723
00:42:21,275 --> 00:42:22,610
(GROANS)

724
00:42:23,811 --> 00:42:25,046
ACTOR 2:

725
00:42:28,382 --> 00:42:31,285
ACTOR 1:

726
00:42:34,523 --> 00:42:36,624
(GROANS)
ACTOR 2:

727
00:42:40,561 --> 00:42:42,897
(ACTOR 1 GRUNTS)
(SOBS)

728
00:42:44,265 --> 00:42:46,233
ACTOR 2:

729
00:42:46,300 --> 00:42:47,668
ACTOR 1:

730
00:42:48,202 --> 00:42:52,039
NIC: (SOBBING) Oh, Carla...
(TRAIN WHISTLE BLOWS)

731
00:42:52,106 --> 00:42:54,875
(SIGHS, GROANS)

732
00:42:56,110 --> 00:42:57,244
(GROANS)

733
00:42:57,678 --> 00:42:59,346
(IN ENGLISH) Sorry, Luigi.

734
00:43:01,348 --> 00:43:06,620
(SOBS) Sorry, Luigi. (SOBBING)

735
00:43:08,389 --> 00:43:12,193
(VIDEO GAME BEEPING)
(NIC SOBBING)

736
00:43:16,464 --> 00:43:17,532
Thank you.

737
00:43:17,998 --> 00:43:20,101
Thank you. Very nice. Thank you.

738
00:43:23,370 --> 00:43:25,339
(IN ITALIAN)

739
00:43:27,975 --> 00:43:30,411
(CHUCKLES)

740
00:43:30,512 --> 00:43:31,946
(IN ENGLISH) You're so kind.

741
00:43:32,012 --> 00:43:34,782
(ORCHESTRAL RINGTONE PLAYING)
(SIGHS)

742
00:43:36,050 --> 00:43:39,753
Favuzzo speaking.
(CHURCH BELLS TOLLING)

743
00:43:42,957 --> 00:43:46,961
(SPLUTTERS) I have to... I...

744
00:43:47,294 --> 00:43:48,329
What?

745
00:43:48,563 --> 00:43:51,265
(BABBLES, SPLUTTERS)

746
00:43:51,499 --> 00:43:53,568
(SPLUTTERS)
Who is it?

747
00:43:53,701 --> 00:43:55,202
(FABRIZIO GROANS)
LORELLA: Who is it?

748
00:43:55,336 --> 00:43:57,004
Yeah?
LORELLA: Are you okay?

749
00:43:57,071 --> 00:43:59,740
NELLO: Who is it?
Are you okay?

750
00:44:02,611 --> 00:44:04,011
It's Nic Cassino!

751
00:44:04,111 --> 00:44:06,080
(GASPS)
He wants to do your film!

752
00:44:06,313 --> 00:44:08,883
(ALL EXCLAIM)
Exactly!

753
00:44:08,949 --> 00:44:11,719
(UPBEAT MUSIC PLAYING)
(ALL LAUGH, CHEER)

754
00:44:11,785 --> 00:44:13,888
Yeah, yeah. Sure!

755
00:44:15,689 --> 00:44:17,258
This is fantastic!

756
00:44:18,325 --> 00:44:20,494
(BOTH EXCLAIM, LAUGH)

757
00:44:20,629 --> 00:44:23,998
(ALL CHATTERING HAPPILY)

758
00:44:24,599 --> 00:44:25,733
Don't... don't drink.

759
00:44:25,799 --> 00:44:27,835
Don't drink too much!
Hey. Come on.

760
00:44:27,935 --> 00:44:31,405
(GRUNTS)
(ALL LAUGH)

761
00:44:31,839 --> 00:44:35,042
Lello! (YELLS, LAUGHS)

762
00:44:35,676 --> 00:44:38,145
Sorry. Sorry again. Sorry.

763
00:44:39,046 --> 00:44:40,314
(PANTS)

764
00:44:40,848 --> 00:44:42,349
(BICYCLE BELL DINGS)

765
00:44:42,449 --> 00:44:43,784
Taxi!

766
00:44:46,420 --> 00:44:48,222
(ENGINE REVVING)

767
00:44:52,293 --> 00:44:53,827
(BUZZES)

768
00:44:55,729 --> 00:44:58,399
(FABRIZIO CLAPS)
(LOCK CLICKING)

769
00:45:00,602 --> 00:45:02,002
DINO: Cut!

770
00:45:02,069 --> 00:45:04,305
(IN ITALIAN)

771
00:45:04,405 --> 00:45:05,339
(IN ENGLISH) Come on!

772
00:45:05,806 --> 00:45:07,875
(GROANS)
(EXCLAIMS) Are you all right?

773
00:45:07,975 --> 00:45:10,110
Yeah, come on. (SPEAKS ITALIAN)

774
00:45:10,211 --> 00:45:13,147
And so, my friend.
What brings you to Roma?

775
00:45:13,682 --> 00:45:16,685
Uh, I have a script.
DINO: Mm-hmm?

776
00:45:16,951 --> 00:45:20,721
I have Nic Cassino.
I need a producer.

777
00:45:20,821 --> 00:45:24,291
Yeah. And I have
the Johnny Depp, you know?

778
00:45:24,559 --> 00:45:26,528
In the film I'm making
in the back room.

779
00:45:26,595 --> 00:45:28,597
Wait. Johnny!

780
00:45:28,697 --> 00:45:31,332
(DISTANT SIRENS WAILING)

781
00:45:31,865 --> 00:45:33,334
(IN ITALIAN)
DINO: (IN ENGLISH) Hey.

782
00:45:33,434 --> 00:45:35,202
Nice work in there.

783
00:45:35,836 --> 00:45:37,271
(IN ITALIAN)

784
00:45:37,338 --> 00:45:38,439
DINO:

785
00:45:38,540 --> 00:45:39,541
(CHUCKLES)

786
00:45:40,241 --> 00:45:42,743
(IN ENGLISH) Dino,
when you told me

787
00:45:42,810 --> 00:45:44,878
you were doing art films...
DINO: No.

788
00:45:44,945 --> 00:45:46,914
...I thought--
No, no. Stop. Stop.

789
00:45:46,981 --> 00:45:50,918
Fabrizio, no. Not art films.

790
00:45:51,218 --> 00:45:53,521
Hard films. Okay?

791
00:45:53,954 --> 00:45:56,691
My friend, who goes
to see art films? Come on.

792
00:45:56,991 --> 00:45:59,594
Uh, and then again,
what is an art film

793
00:45:59,793 --> 00:46:02,930
if not a kind of soft hard film,
huh? (CHUCKLES)

794
00:46:03,230 --> 00:46:07,234
But what happened
to the ambitious producer

795
00:46:07,301 --> 00:46:08,536
and director?
Hmm.

796
00:46:08,637 --> 00:46:11,573
We're going to revive
the glory days

797
00:46:11,640 --> 00:46:12,773
of Italian cinema.

798
00:46:13,007 --> 00:46:15,909
Do you remember our first film?
Cannes!

799
00:46:16,010 --> 00:46:17,712
The Directors' Fortnight.

800
00:46:18,012 --> 00:46:20,649
What happened to those dreams?

801
00:46:20,814 --> 00:46:23,350
Venice? The Gold Lion?

802
00:46:23,784 --> 00:46:26,521
Yeah. But Fabrizio,

803
00:46:27,054 --> 00:46:31,158
now...
now we are old lions. Hmm?

804
00:46:31,892 --> 00:46:34,795
I'm sorry, my friend.
I'm really sorry.

805
00:46:36,230 --> 00:46:38,700
You can say no to me.
(CELL PHONE KEYS CLICKING)

806
00:46:38,999 --> 00:46:43,937
But let me see you
say no to him.

807
00:46:44,905 --> 00:46:48,942
(YELLS DRAMATICALLY)

808
00:46:49,243 --> 00:46:51,378
NELLO: <i>Thank you!</i>
<i>Thank you! Great!</i>

809
00:46:51,478 --> 00:46:52,580
<i>My pleasure.</i>

810
00:46:53,280 --> 00:46:54,848
<i>Come on. After you.</i>
FABRIZIO: <i>Yes.</i>

811
00:46:54,948 --> 00:46:56,483
(IN ITALIAN)

812
00:46:57,484 --> 00:47:01,021
(IN ENGLISH) That is the best
body double I've ever seen.

813
00:47:01,255 --> 00:47:02,323
(CHUCKLES)

814
00:47:03,591 --> 00:47:05,627
Yeah! <i>Si!</i>

815
00:47:06,060 --> 00:47:07,762
<i>Si! Si!</i>
(LAUGHS)

816
00:47:07,861 --> 00:47:11,398
Yeah! (CHUCKLES) Great!

817
00:47:11,566 --> 00:47:12,466
NIC: <i>Morning.</i>

818
00:47:13,601 --> 00:47:14,602
Hi.

819
00:47:17,237 --> 00:47:19,641
If you wish,
you can also remove your hat.
NIC: Hmm?

820
00:47:19,708 --> 00:47:22,544
The word in Ischia is you are
no more than a lookalike.

821
00:47:23,377 --> 00:47:24,579
Huh.
TITINA: Mm-hmm.

822
00:47:24,746 --> 00:47:26,046
Gotta be careful of the sun.

823
00:47:26,413 --> 00:47:29,316
(SCOFFS) Are you worried
about more wrinkles?

824
00:47:29,383 --> 00:47:32,119
Ah. Good one. I like that.
(CHUCKLES)

825
00:47:33,187 --> 00:47:36,357
Fact is, a suntan is the kiss
of death for an actor.

826
00:47:36,624 --> 00:47:40,427
Especially when he's filming.
Messes with continuity.

827
00:47:40,795 --> 00:47:43,130
So, you are making a film
on Ischia?

828
00:47:43,931 --> 00:47:47,301
Yeah, uh, a script by Visconti.

829
00:47:48,268 --> 00:47:49,303
Heard of him?

830
00:47:50,839 --> 00:47:52,439
Really?
Mm-hmm.

831
00:47:53,307 --> 00:47:54,308
Huh?
NIC: Uh...

832
00:47:54,509 --> 00:47:58,445
Yeah, uh, anyway, my process,
it's... it's complicated.

833
00:47:58,513 --> 00:48:00,782
I like to familiarize myself
with the environment.

834
00:48:00,849 --> 00:48:03,651
Get to know the people,
uh, and the settings.

835
00:48:03,984 --> 00:48:08,956
Uh, I didn't want to say,
but I'm a method actor.

836
00:48:09,858 --> 00:48:11,526
Method actor?
Mm-hmm.

837
00:48:12,126 --> 00:48:13,961
If you want a tour,
I recommend...

838
00:48:14,027 --> 00:48:15,062
(IN ITALIAN)

839
00:48:15,563 --> 00:48:18,966
(IN ENGLISH) Hmm. Sounds great.
How do I get to see the island?

840
00:48:20,668 --> 00:48:23,638
Come with me.
Great! Let's do it!

841
00:48:23,772 --> 00:48:27,509
(UPBEAT FUNKY MUSIC PLAYING)

842
00:48:29,711 --> 00:48:32,112
(SEAGULLS SQUAWKING)

843
00:48:34,549 --> 00:48:37,217
TITINA: <i>Ischia was born</i>
<i>from the sea</i>

844
00:48:37,284 --> 00:48:39,754
<i>by a volcano shooting</i>
<i>all the way</i>

845
00:48:39,821 --> 00:48:40,954
<i>to the highest point.</i>

846
00:48:41,756 --> 00:48:45,192
Mount Epomeo, nearly 800 meters.

847
00:48:45,827 --> 00:48:47,094
Hmm.

848
00:48:47,928 --> 00:48:50,532
Not gonna get me up there. Nope.

849
00:48:52,399 --> 00:48:56,571
The island is also divided
into six communes,

850
00:48:56,937 --> 00:48:58,807
each with its own mayor,

851
00:48:59,139 --> 00:49:02,710
which is probably
why nothing ever gets done. Hmm.

852
00:49:03,645 --> 00:49:04,646
Ischia was once...

853
00:49:05,379 --> 00:49:07,981
(IN ITALIAN)

854
00:49:08,583 --> 00:49:09,617
<i>Para...</i>

855
00:49:10,984 --> 00:49:13,253
<i>Paradiso. Paradiso.</i>
TITINA: <i>Paradiso.</i>

856
00:49:13,387 --> 00:49:16,290
(IN ENGLISH) Well, it's...
it's still paradise.

857
00:49:17,559 --> 00:49:18,726
Thanks.

858
00:49:19,993 --> 00:49:22,463
Have you ever gone scuba diving?

859
00:49:23,898 --> 00:49:26,668
Scuba diving? Yeah, in a film.

860
00:49:27,167 --> 00:49:30,337
In a pool with lifeguards.
TITINA: Hmm?

861
00:49:32,139 --> 00:49:34,374
If you really want
to see Ischia,

862
00:49:34,843 --> 00:49:37,579
the best place is underwater.

863
00:49:38,613 --> 00:49:39,514
Underwater?

864
00:49:40,481 --> 00:49:42,483
Do you want?
Yeah.

865
00:49:42,884 --> 00:49:44,151
Yeah?
NIC: Yeah.

866
00:49:44,284 --> 00:49:44,985
Come on.

867
00:49:45,118 --> 00:49:48,489
(ETHEREAL MUSIC PLAYING)

868
00:49:54,394 --> 00:49:56,564
(WATER RUSHING)
(MUSIC FADES)

869
00:49:57,966 --> 00:50:00,434
(PANTS)

870
00:50:01,435 --> 00:50:03,905
Hey, how are you?
Sorry about that.

871
00:50:04,304 --> 00:50:06,608
Sometimes I suffer
from claustrophobia.

872
00:50:06,975 --> 00:50:08,175
And, uh...

873
00:50:08,977 --> 00:50:11,579
acrophobia, and thalassophobia.

874
00:50:11,713 --> 00:50:16,551
Uh, what is thalassophobia?
It's, uh, fear of the sea.

875
00:50:17,217 --> 00:50:20,822
Oh, I'm so sorry!
Why didn't you tell me?

876
00:50:20,889 --> 00:50:22,824
(SIGHS) I... I forgot.

877
00:50:23,457 --> 00:50:26,728
What's up with the bubbles?
Oh, carbon dioxide.

878
00:50:26,995 --> 00:50:29,196
Uh, Ischia is a volcanic island

879
00:50:29,263 --> 00:50:32,366
and the entire Bay of Naples
is a sleeping super-volcano.

880
00:50:32,466 --> 00:50:36,571
Um, when the bubbles rise,
there is activity somewhere.

881
00:50:38,071 --> 00:50:39,674
Super-volcano?
Yeah.

882
00:50:42,476 --> 00:50:43,545
Hmm.

883
00:50:49,416 --> 00:50:50,450
(SOFTLY) Ah.

884
00:50:55,023 --> 00:50:57,926
NIC: <i>Fade in.</i>
<i>Exterior, outer space.</i>

885
00:50:58,026 --> 00:50:59,493
<i>Smash cut to...</i>

886
00:51:00,662 --> 00:51:01,729
(CHUCKLES)

887
00:51:02,129 --> 00:51:04,666
<i>...a fiery asteroid is racing</i>
<i>towards Earth</i>

888
00:51:04,766 --> 00:51:07,569
<i>on a collision course</i>
<i>with a super-volcano.</i>

889
00:51:08,703 --> 00:51:11,171
<i>Hmm. Interesting.</i>

890
00:51:12,205 --> 00:51:13,775
(INSTRUMENTAL MUSIC PLAYING)

891
00:51:13,875 --> 00:51:15,142
(IN ITALIAN)

892
00:51:15,208 --> 00:51:16,410
(IN ENGLISH) Something to drink?

893
00:51:16,476 --> 00:51:17,612
(IN ITALIAN)

894
00:51:17,679 --> 00:51:19,948
(IN ENGLISH) Yeah, uh,
the last one. Great.
NELLO: Okay.

895
00:51:20,048 --> 00:51:21,248
Come with me. Come with me.
All right.

896
00:51:21,315 --> 00:51:24,752
Uh, listen, Nic.
We have informed the authorities

897
00:51:24,819 --> 00:51:26,253
that we are using a <i>sosia.</i>

898
00:51:26,353 --> 00:51:29,156
Body double.
No one knows that you are you.

899
00:51:29,256 --> 00:51:31,059
Only Fabrizio and I...

900
00:51:31,358 --> 00:51:34,529
and you know that you are you.
Right. Mm-hmm.

901
00:51:34,629 --> 00:51:35,830
And I am Nello.

902
00:51:35,930 --> 00:51:37,599
Assistant director.
Nello, Nello.

903
00:51:38,066 --> 00:51:39,834
I was expecting a larger crew.

904
00:51:41,268 --> 00:51:42,436
Where is everyone?

905
00:51:42,570 --> 00:51:46,239
No, no, no. Maestro Favuzzo
prefers a small troupe

906
00:51:46,340 --> 00:51:49,077
so as to adhere
to the minimalistic principles

907
00:51:49,142 --> 00:51:50,645
of the Dogma school, you know?

908
00:51:50,712 --> 00:51:53,514
Established by Lars von Trier.
Uh-huh.

909
00:51:53,881 --> 00:51:55,984
Speaking of the, uh, maestro.

910
00:51:56,050 --> 00:51:58,385
Yeah, Maestro Favuzzo. Um...

911
00:51:58,820 --> 00:52:00,153
Fabrizio?

912
00:52:02,222 --> 00:52:04,092
Papa?
(KNOCKING ON DOOR)

913
00:52:04,224 --> 00:52:06,995
FABRIZIO: Please!
(RATTLING, KNOCKING ON DOOR)

914
00:52:07,061 --> 00:52:08,096
FABRIZIO: Please help me!

915
00:52:08,161 --> 00:52:10,130
(BANGING ON DOOR)
(HANDLE RATTLES)

916
00:52:10,197 --> 00:52:12,199
FABRIZIO: Anybody?
(BANGING ON DOOR)

917
00:52:12,332 --> 00:52:14,401
FABRIZIO: I'm locked in!
(BANGING ON DOOR)

918
00:52:14,468 --> 00:52:17,772
FABRIZIO: Please! Help me!

919
00:52:17,839 --> 00:52:20,173
Many of you have asked me,

920
00:52:20,340 --> 00:52:22,844
"What is the film
we are making?"

921
00:52:24,211 --> 00:52:27,515
I will now tell you!

922
00:52:30,317 --> 00:52:36,124
My film is a loose adaptation
of Marcel Proust's masterpiece,

923
00:52:36,256 --> 00:52:39,226
<i>The Search for Lost Time.</i>

924
00:52:39,326 --> 00:52:42,130
<i>À la recherche du temps perdu</i>

925
00:52:42,362 --> 00:52:46,266
as envisioned by...

926
00:52:47,200 --> 00:52:48,670
Luchino Visconti.

927
00:52:50,404 --> 00:52:53,975
It is a story of captives
and fugitives.

928
00:52:54,075 --> 00:52:57,310
Of Sodom and Gomorrah.

929
00:52:57,679 --> 00:53:02,517
Of past, present, and future!
Of love...

930
00:53:03,584 --> 00:53:05,252
and perversion.

931
00:53:06,721 --> 00:53:09,289
For the role of Albertina,

932
00:53:09,991 --> 00:53:11,526
the love interest,

933
00:53:11,726 --> 00:53:15,530
we have my lovely
and talented daughter, Ombretta.

934
00:53:15,830 --> 00:53:19,701
(ALL APPLAUD)

935
00:53:19,767 --> 00:53:22,537
FABRIZIO:
And for the role of Marcello,

936
00:53:22,870 --> 00:53:24,471
we have engaged the services

937
00:53:24,539 --> 00:53:27,608
of the most capable actor
from America who,

938
00:53:27,675 --> 00:53:30,945
if he's not actually
Nic Cassino,

939
00:53:31,012 --> 00:53:34,247
is his long-lost twin.

940
00:53:34,949 --> 00:53:37,284
(ALL APPLAUD)
Whoo!

941
00:53:37,484 --> 00:53:38,351
Nic.

942
00:53:38,452 --> 00:53:40,555
What's with the... the suitcase?

943
00:53:41,122 --> 00:53:44,424
(CHUCKLES) The suitcase.

944
00:53:45,960 --> 00:53:47,327
The suitcase

945
00:53:47,762 --> 00:53:51,398
is the accumulated baggage
of your past,

946
00:53:51,465 --> 00:53:54,434
that which we all carry.

947
00:53:55,937 --> 00:53:58,873
Genius. Love it. Oh, uh...

948
00:53:59,239 --> 00:54:00,942
FABRIZIO: Yes?
The script.

949
00:54:02,009 --> 00:54:05,680
(ALL MURMURING)
There is no script.

950
00:54:05,747 --> 00:54:06,781
Huh?

951
00:54:07,715 --> 00:54:09,917
We improvise!

952
00:54:10,017 --> 00:54:11,986
(BRIGHT MUSIC PLAYING)

953
00:54:12,053 --> 00:54:15,089
Huh?
And action!

954
00:54:15,156 --> 00:54:16,791
(ALL APPLAUDING)
(LAUGHS)

955
00:54:16,858 --> 00:54:21,328
In this scene, Marcello
has decided to return to Balbec,

956
00:54:21,529 --> 00:54:23,831
on the seaside, with Albertina.

957
00:54:23,898 --> 00:54:27,735
Here, grief
at his grandmother's suffering

958
00:54:28,102 --> 00:54:29,737
overwhelms him.

959
00:54:30,138 --> 00:54:33,373
He ponders
the intermittencies of the heart

960
00:54:33,708 --> 00:54:37,078
and the ways of dealing
with sad memories.

961
00:54:37,145 --> 00:54:40,447
And so, without further <i>adieu.</i>

962
00:54:40,848 --> 00:54:41,849
Slate!

963
00:54:43,350 --> 00:54:44,585
(IN ITALIAN)

964
00:54:44,652 --> 00:54:46,453
(IN ENGLISH) And action!
Wait, wait, wait.

965
00:54:46,854 --> 00:54:49,456
Cut, cut, cut.
Is there dialogue in this scene?

966
00:54:49,791 --> 00:54:52,292
Of course.
So where's the sound mixer?

967
00:54:52,425 --> 00:54:55,029
FABRIZIO: There is none.
We film now.

968
00:54:55,096 --> 00:54:57,265
Later we dub the voices.

969
00:54:57,532 --> 00:55:00,034
As in the European tradition.

970
00:55:00,433 --> 00:55:03,336
Well, that's great,
but for the cameras...

971
00:55:04,005 --> 00:55:05,840
how do we use our mouths?

972
00:55:06,040 --> 00:55:07,642
FABRIZIO: Count.
Count?

973
00:55:07,708 --> 00:55:08,776
Just count.

974
00:55:09,143 --> 00:55:10,745
(IN ITALIAN)

975
00:55:10,845 --> 00:55:12,345
(IN ENGLISH) And action!

976
00:55:12,747 --> 00:55:13,881
NIC: One.

977
00:55:14,549 --> 00:55:15,550
Two.

978
00:55:16,918 --> 00:55:18,052
Three.

979
00:55:18,653 --> 00:55:20,988
Four.
OMBRETTA: (IN ITALIAN)

980
00:55:23,224 --> 00:55:25,458
(IN ENGLISH) Five, six!
(CAMERA WHIRRING)

981
00:55:25,927 --> 00:55:27,528
OMBRETTA: (IN ITALIAN)

982
00:55:28,395 --> 00:55:30,765
(IN ENGLISH) Six, seven!
(SOBS)

983
00:55:30,865 --> 00:55:31,766
(IN ITALIAN)

984
00:55:31,833 --> 00:55:32,967
(NIC GROANS)

985
00:55:33,366 --> 00:55:35,468
<i>Mamma mia!</i>

986
00:55:37,705 --> 00:55:38,539
(SOBS)

987
00:55:38,606 --> 00:55:40,274
FABRIZIO:
(IN ENGLISH) Cut, cut, cut!

988
00:55:40,373 --> 00:55:43,110
No, no, no!
You are overcounting!

989
00:55:43,778 --> 00:55:46,647
I will not stand
for overcounting on my set.

990
00:55:46,714 --> 00:55:49,217
No divas.
LORELLA: She was fantastic!

991
00:55:49,382 --> 00:55:52,119
(YELLS, SIGHS)

992
00:55:52,787 --> 00:55:54,622
Too much! Again!

993
00:55:55,923 --> 00:55:57,291
Seven was good.

994
00:55:57,490 --> 00:56:01,494
Eight, so and so.
Ten is too much! Please, again!

995
00:56:03,898 --> 00:56:05,099
(SIGHS)

996
00:56:09,971 --> 00:56:12,240
JACK: (OVER PHONE)
<i>A film? Are you nuts?</i>

997
00:56:12,340 --> 00:56:13,841
<i>How come I don't know</i>
<i>anything about a film?</i>

998
00:56:13,908 --> 00:56:16,310
Uh, it's a...
it's an art film, Jack,

999
00:56:16,376 --> 00:56:18,312
by that acclaimed
Italian director.

1000
00:56:18,512 --> 00:56:22,717
You know the guy, uh, uh...
Fabrizio Fravuzzo.

1001
00:56:22,783 --> 00:56:24,352
He scored the rights to, uh,

1002
00:56:24,451 --> 00:56:27,154
Luchino Visconti's
unfinished masterpiece.

1003
00:56:27,288 --> 00:56:29,790
The point is, we're gonna finish
the unfinished masterpiece

1004
00:56:29,891 --> 00:56:33,995
and turn it into a masterpiece.
Jack, I'm feeling...

1005
00:56:36,197 --> 00:56:38,199
I'm feeling rejuvenated, Jack.

1006
00:56:38,566 --> 00:56:41,769
JACK: <i>The word is "senile."</i>
<i>Did they even talk money?</i>

1007
00:56:43,371 --> 00:56:44,872
I'll get it on the back end.

1008
00:56:45,438 --> 00:56:48,809
JACK: <i>Let's hope you don't.</i>
What? Yeah. Uh...

1009
00:56:49,343 --> 00:56:50,511
Whatever. Um...

1010
00:56:50,778 --> 00:56:53,014
I'm exercising,
I'm eating right.

1011
00:56:53,281 --> 00:56:55,116
Uh, I'm not drinking.

1012
00:56:55,182 --> 00:56:59,654
(INDISTINCT CHATTER)

1013
00:57:00,755 --> 00:57:01,822
Fabrizio.

1014
00:57:02,790 --> 00:57:04,759
Is it true? There is no script?

1015
00:57:06,527 --> 00:57:08,930
There is and there isn't.

1016
00:57:09,597 --> 00:57:12,099
I have Visconti's
shooting notes.

1017
00:57:13,301 --> 00:57:15,435
But, uh...
But?

1018
00:57:16,436 --> 00:57:18,572
Only for half the film.

1019
00:57:19,974 --> 00:57:21,075
So how does it end?

1020
00:57:21,809 --> 00:57:22,610
Abruptly.

1021
00:57:22,677 --> 00:57:24,111
DINO: Abruptly?
<i>Si.</i>

1022
00:57:24,178 --> 00:57:27,181
No! How do we finish the film?

1023
00:57:27,949 --> 00:57:28,749
Dino.

1024
00:57:28,849 --> 00:57:30,685
I will jump off that bridge

1025
00:57:30,751 --> 00:57:32,687
when I come to it.
Uh.

1026
00:57:32,920 --> 00:57:34,555
NIC: Awesome, yes.

1027
00:57:35,455 --> 00:57:38,893
Until then,
we have the great Nic Cassino.

1028
00:57:42,096 --> 00:57:45,465
NIC: Jack. Jack.
Just... just relax, all right?

1029
00:57:45,533 --> 00:57:47,401
Just take it easy.

1030
00:57:48,135 --> 00:57:51,238
I got this, Jack.
I got four words for you,

1031
00:57:51,572 --> 00:57:57,178
Nic Cassino is back!

1032
00:57:57,278 --> 00:58:00,247
("MACHINE GUN" PLAYING)

1033
00:58:05,186 --> 00:58:06,587
(EXHALES)

1034
00:58:21,369 --> 00:58:23,004
Mr. Nic!
Mr. Nic!

1035
00:58:23,104 --> 00:58:27,908
This scene
is about involuntary memory...

1036
00:58:27,975 --> 00:58:29,677
(SOBS LOUDLY)

1037
00:58:31,245 --> 00:58:32,613
(NIC AND OMBRETTA SOB)

1038
00:58:32,680 --> 00:58:34,615
(SONG CONTINUES)

1039
00:58:47,128 --> 00:58:50,865
(GROANS)

1040
00:58:51,565 --> 00:58:52,967
(EXHALES SHARPLY)

1041
00:58:54,168 --> 00:58:56,704
(YELPS PLAYFULLY)
(CHUCKLES)

1042
00:59:02,009 --> 00:59:04,545
FABRIZIO:
This scene is about anxiety

1043
00:59:04,612 --> 00:59:07,648
and how it leads
to manipulation.

1044
00:59:07,748 --> 00:59:10,651
(LORELLA SQUEALS, SHRIEKS)

1045
00:59:17,291 --> 00:59:20,094
Slate and action!

1046
00:59:23,297 --> 00:59:24,298
(NIC GRUNTS)

1047
00:59:33,107 --> 00:59:37,512
"Story by Nic Cassino.
Untitled action film."

1048
00:59:37,678 --> 00:59:41,782
And this scene
is about the nature of art

1049
00:59:41,849 --> 00:59:45,352
and how drunkenness
affects perception.

1050
00:59:45,820 --> 00:59:46,921
Slate!

1051
00:59:48,189 --> 00:59:50,224
And... action!

1052
00:59:51,992 --> 00:59:54,962
(SONG CONTINUES)

1053
01:00:04,472 --> 01:00:08,242
(PANTS)

1054
01:00:10,711 --> 01:00:14,248
(YELLS DRAMATICALLY)

1055
01:00:14,516 --> 01:00:18,018
Yes!

1056
01:00:21,922 --> 01:00:23,157
I'm back.

1057
01:00:25,527 --> 01:00:26,894
I'm back.

1058
01:00:27,562 --> 01:00:30,231
The great Nic Cassino.
(GROANS)

1059
01:00:30,297 --> 01:00:31,533
(SONG FADES)

1060
01:00:31,600 --> 01:00:34,902
Beautiful place.
Oh, yes. (CHUCKLES)

1061
01:00:35,402 --> 01:00:39,140
Is it true that you made love
to five women at one time?

1062
01:00:40,407 --> 01:00:42,243
Physically impossible. No.

1063
01:00:42,910 --> 01:00:46,747
Then it was five women
consecutively?

1064
01:00:48,082 --> 01:00:52,052
I'm more of a sprinter
than an endurance guy.

1065
01:00:53,087 --> 01:00:57,626
Then it was one woman
for five hours?

1066
01:00:58,792 --> 01:01:01,095
I think that was Sting.
Uh--

1067
01:01:01,328 --> 01:01:03,931
Where's my guys?
OMBRETTA: I can drive you home.

1068
01:01:04,398 --> 01:01:05,399
If you want.

1069
01:01:06,267 --> 01:01:09,203
We can go rehearse our scenes
for tomorrow.

1070
01:01:11,472 --> 01:01:14,141
The... big screen kiss.

1071
01:01:14,742 --> 01:01:17,845
Hmm?
The big screen kiss.

1072
01:01:18,145 --> 01:01:20,281
Ah. Yes.

1073
01:01:20,681 --> 01:01:24,718
Well, as an actor,
I like to keep things fresh.

1074
01:01:26,120 --> 01:01:27,121
Maurizio.

1075
01:01:27,788 --> 01:01:29,290
Fire up the skinny van.

1076
01:01:29,790 --> 01:01:31,192
Bedtime for Bonzo.

1077
01:01:31,725 --> 01:01:34,028
See you tomorrow. Good night.

1078
01:01:37,198 --> 01:01:38,766
(CLEARS THROAT)

1079
01:01:51,445 --> 01:01:55,617
FABRIZIO: Marcello has been
spending time with Albertina,

1080
01:01:55,716 --> 01:01:58,986
whom he now suspects
of lesbianism,

1081
01:01:59,420 --> 01:02:04,258
then tells his mother
he must marry Albertina.

1082
01:02:04,526 --> 01:02:08,128
Here our protagonists give way

1083
01:02:08,195 --> 01:02:12,233
to their sad
and unconsummated love.

1084
01:02:13,167 --> 01:02:14,201
(IN ITALIAN)

1085
01:02:14,669 --> 01:02:16,437
(IN ENGLISH) And... action!

1086
01:02:16,837 --> 01:02:18,439
(CAMERA WHIRRING)

1087
01:02:23,277 --> 01:02:25,346
Cut! Works for me.
(WHIRRING STOPS)

1088
01:02:26,247 --> 01:02:28,482
DINO: The gate is clean.
NELLO: Okay, moving on.

1089
01:02:28,550 --> 01:02:30,751
No. Was not good for me.

1090
01:02:31,485 --> 01:02:33,187
I want another take.

1091
01:02:34,321 --> 01:02:38,125
But we have to change location.
OMBRETTA: Was no good.

1092
01:02:38,759 --> 01:02:40,894
It, um, didn't, um...

1093
01:02:41,362 --> 01:02:44,064
feel true. One more take!

1094
01:02:44,566 --> 01:02:45,567
(IN ITALIAN)

1095
01:02:45,766 --> 01:02:47,768
(IN ENGLISH) One more, please.
One more take.

1096
01:02:47,868 --> 01:02:49,203
Okay, one more.
NIC: All right.

1097
01:02:49,303 --> 01:02:52,507
FABRIZIO: Please. Thank you.
One more. Again!

1098
01:02:53,173 --> 01:02:54,174
DINO: Okay.

1099
01:02:56,645 --> 01:02:57,746
(NIC SIGHS)

1100
01:02:58,379 --> 01:03:01,815
Uh, what about, uh, continuity?
Wasn't...

1101
01:03:02,449 --> 01:03:04,653
Doesn't matter. Okay? Okay.

1102
01:03:04,719 --> 01:03:06,120
(IN ITALIAN)

1103
01:03:06,186 --> 01:03:07,855
(IN ENGLISH) And... action!

1104
01:03:07,955 --> 01:03:09,790
(CAMERA WHIRRING)

1105
01:03:10,958 --> 01:03:13,595
(CREW MURMURING)

1106
01:03:13,695 --> 01:03:15,730
(CREW EXCLAIMING)
NIC: Hey! Relax!

1107
01:03:15,796 --> 01:03:16,864
(IN ITALIAN)

1108
01:03:16,997 --> 01:03:17,965
NIC: (IN ENGLISH) Relax!

1109
01:03:18,032 --> 01:03:20,367
(CREW EXCLAIM)
NELLO: Stop! Stop!

1110
01:03:20,467 --> 01:03:21,969
(OVERLAPPING CHATTER)

1111
01:03:22,069 --> 01:03:24,572
("DO ME ALL NIGHT" PLAYING)
Relax, relax!

1112
01:03:24,673 --> 01:03:26,974
Cut! Cut, Dino! Cut!

1113
01:03:27,341 --> 01:03:28,842
(NIC EXCLAIMS)

1114
01:03:29,276 --> 01:03:33,147
(CREW YELL)

1115
01:03:33,247 --> 01:03:35,382
(INDISTINCT CHATTER)
LORELLA: Stop it!

1116
01:03:35,482 --> 01:03:36,751
NIC: The brakes!

1117
01:03:36,850 --> 01:03:39,320
FABRIZIO: The brakes!
(SHRIEKS)

1118
01:03:43,223 --> 01:03:44,425
NIC: Whoa!

1119
01:03:46,994 --> 01:03:48,697
(ANGIOLETTO YELLING)

1120
01:03:48,797 --> 01:03:50,097
No!

1121
01:03:51,965 --> 01:03:54,234
Stop!
(TIRES SCREECHING)

1122
01:03:54,769 --> 01:03:57,037
(ALL SCREAM)

1123
01:03:57,806 --> 01:04:01,275
(INDISTINCT CHATTER)

1124
01:04:02,009 --> 01:04:05,245
(OMBRETTA SIGHS)
(STRAINS, GRUNTS)

1125
01:04:05,446 --> 01:04:06,781
(IN ITALIAN)

1126
01:04:06,914 --> 01:04:08,616
(CONTINUES STRAINING)

1127
01:04:09,718 --> 01:04:13,020
(PANTS)

1128
01:04:17,491 --> 01:04:21,061
(CONTINUES PANTING, STRAINING)

1129
01:04:25,332 --> 01:04:27,635
FILOMENA:

1130
01:04:27,836 --> 01:04:30,672
(CONTINUES IN ITALIAN)

1131
01:04:30,772 --> 01:04:32,406
(IN ENGLISH)
It's okay. It's okay.

1132
01:04:33,708 --> 01:04:34,942
(WHISPERS IN ITALIAN)

1133
01:04:38,680 --> 01:04:41,115
(NIC STRAINS)
(FILOMENA EXCLAIMS)

1134
01:04:42,817 --> 01:04:44,519
(IN ENGLISH) Hey, hey! Relax!

1135
01:04:44,586 --> 01:04:45,986
(IN ITALIAN)

1136
01:04:47,655 --> 01:04:49,657
(IN ENGLISH) Hey! Relax!

1137
01:04:49,923 --> 01:04:50,958
(IN ITALIAN)

1138
01:04:51,191 --> 01:04:52,794
(IN ENGLISH) Take it easy,
big fella. Just relax.

1139
01:04:52,893 --> 01:04:56,831
(IN ITALIAN)

1140
01:04:57,197 --> 01:04:58,499
(IN ENGLISH) What'd you call me?

1141
01:04:59,199 --> 01:05:03,270
I said you are nothing more
than an insensitive brute.

1142
01:05:03,505 --> 01:05:05,973
A punch-drunk gorilla.

1143
01:05:06,106 --> 01:05:08,976
(GROANS)
FILOMENA: Nello! No, no, no!

1144
01:05:09,042 --> 01:05:10,812
You shouldn't have
said that to me!

1145
01:05:10,911 --> 01:05:13,013
Easy, easy!
Shouldn't have said that to me!

1146
01:05:13,113 --> 01:05:15,082
You shouldn't have
called me that!

1147
01:05:16,584 --> 01:05:19,019
Easy, calm down! Calm down.

1148
01:05:20,421 --> 01:05:21,388
I'm sorry.

1149
01:05:21,523 --> 01:05:22,356
(IN ITALIAN)

1150
01:05:22,624 --> 01:05:23,957
LORELLA: (IN ENGLISH)
Do something!
I'm sorry!

1151
01:05:24,057 --> 01:05:25,760
(FABRIZIO GASPS)
Easy, easy!

1152
01:05:26,193 --> 01:05:27,662
DINO: What have you done?

1153
01:05:30,330 --> 01:05:31,633
(PANTS)

1154
01:05:31,766 --> 01:05:33,601
(IN ITALIAN)

1155
01:05:34,034 --> 01:05:36,604
LORELLA: (IN ENGLISH)
Are you okay? Are you okay?

1156
01:05:41,008 --> 01:05:43,711
NIC: My old man was the reason
I got into acting.

1157
01:05:44,879 --> 01:05:47,715
My father. <i>Capisce?</i>

1158
01:05:48,348 --> 01:05:53,454
Oh. Father.
Understand. <i>Capisce.</i> Father.

1159
01:05:56,457 --> 01:05:58,125
(WAVES LAPPING)

1160
01:06:00,427 --> 01:06:01,596
(IN ITALIAN)

1161
01:06:04,364 --> 01:06:06,066
WOMAN:

1162
01:06:15,375 --> 01:06:17,077
NIC: (IN ENGLISH)
My dad, he was a...

1163
01:06:17,177 --> 01:06:18,178
(PHONE BEEPS SOFTLY)

1164
01:06:18,245 --> 01:06:20,447
NIC: He was a janitor. Smart.

1165
01:06:20,981 --> 01:06:22,182
Cultured.

1166
01:06:22,983 --> 01:06:24,184
Really cultured.

1167
01:06:25,219 --> 01:06:28,055
He couldn't read
but he'd take us to the movies.

1168
01:06:29,022 --> 01:06:32,259
That was his library.
Barely speak English.

1169
01:06:33,060 --> 01:06:36,330
He'd say, "No, no,
no, no, no, no, no, no, no."

1170
01:06:38,232 --> 01:06:39,701
"If you can't feel it here,

1171
01:06:40,300 --> 01:06:43,337
and it doesn't make you cry
just... just a little...

1172
01:06:44,539 --> 01:06:46,006
the words don't matter."

1173
01:06:47,407 --> 01:06:49,309
(GROANS) I was nine
when he died.

1174
01:06:49,677 --> 01:06:51,178
I didn't cry at the funeral.

1175
01:06:51,913 --> 01:06:53,480
That's what my brother told me.

1176
01:06:54,649 --> 01:06:57,652
Said I didn't have
a sensitive bone in my body.

1177
01:06:59,019 --> 01:07:00,722
That's when I took up fighting.

1178
01:07:05,092 --> 01:07:06,728
My brother was smart.

1179
01:07:08,763 --> 01:07:10,030
Really smart.

1180
01:07:10,965 --> 01:07:13,133
And kids used to beat up on him.

1181
01:07:14,669 --> 01:07:15,670
Tease him.

1182
01:07:17,404 --> 01:07:19,807
And I used to beat
the livin' crap out of 'em.

1183
01:07:22,911 --> 01:07:24,278
We were close.

1184
01:07:25,212 --> 01:07:28,482
Nothin'... nothin'
could get in between us.

1185
01:07:31,886 --> 01:07:33,521
Not... not love.

1186
01:07:34,722 --> 01:07:35,723
Certainly not love.

1187
01:07:38,492 --> 01:07:39,561
(GROANS SOFTLY)

1188
01:07:42,964 --> 01:07:48,502
(SNIFFLES, SOBS)
(SOFT MUSIC PLAYING)

1189
01:07:50,103 --> 01:07:52,574
(NIC SNIFFLING)

1190
01:07:53,140 --> 01:07:56,544
(CONTINUES SOBBING)
(TITINA SCOFFS)

1191
01:07:58,078 --> 01:07:59,446
TITINA: Zi Isidoro.

1192
01:08:00,280 --> 01:08:05,485
(WEEPS, SNIFFLES, BLUBBERS)

1193
01:08:07,154 --> 01:08:09,724
(WEEPING CONTINUES)

1194
01:08:10,457 --> 01:08:13,493
(CRYING)
Luigi, I'm so sorry!

1195
01:08:14,596 --> 01:08:18,465
I didn't... (SOBS)
I didn't mean to do...

1196
01:08:19,801 --> 01:08:20,802
(SOBS)

1197
01:08:22,704 --> 01:08:24,471
(SNIFFLES, INHALES)

1198
01:08:26,473 --> 01:08:27,542
(NIC GROANS)

1199
01:08:28,241 --> 01:08:30,410
I sent Zi Isidoro home
to his wife.

1200
01:08:32,212 --> 01:08:34,782
Don't worry.
Your secrets are safe.

1201
01:08:35,617 --> 01:08:37,619
He doesn't understand
a word of English.

1202
01:08:41,756 --> 01:08:42,790
Carmela!

1203
01:08:42,957 --> 01:08:44,759
(IN ITALIAN)

1204
01:08:45,392 --> 01:08:46,426
(GROANS)

1205
01:08:54,401 --> 01:08:57,105
NIC: (IN ENGLISH) So, uh,
what's your story anyway?

1206
01:08:57,170 --> 01:08:59,272
Why aren't you
married or engaged?

1207
01:09:00,875 --> 01:09:01,876
Um...

1208
01:09:03,443 --> 01:09:06,179
My fiancé works
on Costa Caribbean.

1209
01:09:06,714 --> 01:09:08,850
He is studying
to become a captain.

1210
01:09:09,050 --> 01:09:10,885
Hmm.
TITINA: He has ambitions.

1211
01:09:11,284 --> 01:09:13,121
He has plans for his career.

1212
01:09:13,220 --> 01:09:16,524
Mm-hmm. But...
but he doesn't have you.

1213
01:09:20,394 --> 01:09:22,063
We see each other
when he comes back.

1214
01:09:22,664 --> 01:09:25,133
(TITINA GRUNTS)
Here, it's normal.

1215
01:09:25,265 --> 01:09:27,401
Mm-hmm?
In Ischia...

1216
01:09:33,373 --> 01:09:36,911
NIC: Mm-mm.
My father was at sea
when I was born.

1217
01:09:38,079 --> 01:09:41,448
And my mother raised us
to be independent.

1218
01:09:42,984 --> 01:09:45,653
But I did miss my father.

1219
01:09:46,186 --> 01:09:47,922
Yeah. (INHALES DEEPLY)

1220
01:09:48,122 --> 01:09:51,125
Sometimes ships bring
families together,

1221
01:09:51,291 --> 01:09:53,393
sometimes they keep them apart.

1222
01:09:54,227 --> 01:09:56,864
Hmm. Sounds familiar.

1223
01:09:57,965 --> 01:10:01,201
Except my ship's the Titanic
and my wife's the iceberg.

1224
01:10:01,569 --> 01:10:03,370
(BOTH CHUCKLE)
Remember that scene

1225
01:10:03,604 --> 01:10:05,372
when the ship
heaves out of the water,

1226
01:10:05,472 --> 01:10:07,141
and looks like
a giant skyscraper,

1227
01:10:07,207 --> 01:10:08,776
and you got
these tiny little people

1228
01:10:08,843 --> 01:10:11,579
that look like ants and they're
falling into the abyss below?

1229
01:10:11,679 --> 01:10:15,415
(INHALES SHARPLY)
Talk about a multiphobic ending.

1230
01:10:16,017 --> 01:10:19,587
(LAUGHS SOFTLY) For someone
who has saved the world

1231
01:10:19,654 --> 01:10:23,256
from certain destruction
so many times,

1232
01:10:23,356 --> 01:10:25,026
you... you have many phobias.

1233
01:10:25,159 --> 01:10:26,961
Yeah, I do. Lots.
(TITINA CHUCKLES SOFTLY)

1234
01:10:28,763 --> 01:10:31,766
But... you wanna know
what my biggest fear is?

1235
01:10:32,066 --> 01:10:35,103
It's not...
(INHALES SHARPLY, SIGHS)

1236
01:10:35,203 --> 01:10:38,873
...physical danger,
real or imagined.

1237
01:10:40,307 --> 01:10:41,976
The scariest thing for me is...

1238
01:10:42,476 --> 01:10:45,980
(SIGHS)
...not being taken seriously.

1239
01:10:47,215 --> 01:10:49,817
That's why I'm doing this film.
To prove to the world I can act.

1240
01:10:49,884 --> 01:10:52,653
That I'm not some
glorified meathead or...

1241
01:10:53,121 --> 01:10:55,590
some broken-down stuntman.

1242
01:10:57,625 --> 01:11:01,261
You know? (MURMURS)
It's impossible.

1243
01:11:02,663 --> 01:11:05,666
Because you are
the great Nic Cassino.

1244
01:11:06,167 --> 01:11:07,467
No, seriously.

1245
01:11:07,769 --> 01:11:11,973
You are larger than life.
You... you really are big.

1246
01:11:12,607 --> 01:11:16,276
Yeah, I guess.
IMDb has me down at...

1247
01:11:17,178 --> 01:11:18,746
6'3." I'm actually 6'2."

1248
01:11:19,479 --> 01:11:21,849
When I got to Hollywood,
I was shocked.

1249
01:11:22,083 --> 01:11:24,484
The actors,
they're kinda small.

1250
01:11:24,886 --> 01:11:26,020
Like, kinda like...
Hmm?

1251
01:11:26,254 --> 01:11:28,455
Well, I don't wanna say,
but kinda like jockeys.

1252
01:11:28,956 --> 01:11:33,795
Jockeys? What?
Yeah. Like a...
like a small person.

1253
01:11:34,095 --> 01:11:35,229
Oh.
NIC: But not really.

1254
01:11:35,328 --> 01:11:36,898
It is...

1255
01:11:40,300 --> 01:11:42,770
(SOFT MUSIC PLAYING)

1256
01:11:43,204 --> 01:11:44,404
Sorry.

1257
01:11:52,113 --> 01:11:53,514
Sorry.

1258
01:12:05,092 --> 01:12:07,360
(SIGHS) Wow.

1259
01:12:08,296 --> 01:12:09,496
NIC: Mmm.

1260
01:12:10,330 --> 01:12:12,533
I guess all that training
came in handy.

1261
01:12:16,037 --> 01:12:17,038
(NIC CHUCKLES)

1262
01:12:22,944 --> 01:12:24,011
TITINA: You write by hand?

1263
01:12:25,947 --> 01:12:26,948
NIC: Yeah.

1264
01:12:27,347 --> 01:12:28,749
Something about writing
with a pencil

1265
01:12:28,850 --> 01:12:31,519
and a piece of paper
that makes it more real.

1266
01:12:33,020 --> 01:12:35,656
Like a Michelangelo sketch.

1267
01:12:36,624 --> 01:12:38,059
So, you are creating
a masterpiece.

1268
01:12:38,425 --> 01:12:39,727
I wouldn't say a masterpiece.
(CHUCKLES)

1269
01:12:39,794 --> 01:12:42,864
It's more of a...
an apocalyptic disaster film.

1270
01:12:42,964 --> 01:12:43,764
End-of-the-world stuff.

1271
01:12:43,898 --> 01:12:47,134
Why do Americans like
these kind of movies?

1272
01:12:49,937 --> 01:12:50,938
I don't know.

1273
01:12:52,439 --> 01:12:54,441
Maybe it gives them
a sense of hope.

1274
01:12:54,542 --> 01:12:56,944
Like truth, justice,
the American way.

1275
01:12:57,377 --> 01:12:58,579
Who said that?

1276
01:12:58,813 --> 01:12:59,614
Superman.

1277
01:12:59,747 --> 01:13:01,282
Hollywood's first action hero.
Superman.

1278
01:13:01,349 --> 01:13:03,050
Around the world
in a single bound.

1279
01:13:03,150 --> 01:13:04,752
(LAUGHS) Yeah.

1280
01:13:06,954 --> 01:13:08,122
What's your excuse?

1281
01:13:10,691 --> 01:13:11,692
For what?

1282
01:13:12,660 --> 01:13:15,930
Not flying around the world
in a single bound?

1283
01:13:17,031 --> 01:13:20,034
Why didn't you, um,
sail with your fiancé?

1284
01:13:24,538 --> 01:13:26,874
Giosy asked me to go with him.

1285
01:13:28,342 --> 01:13:29,777
I don't know why I didn't go.

1286
01:13:31,279 --> 01:13:32,412
Maybe I was scared.

1287
01:13:32,780 --> 01:13:34,916
Or maybe you didn't have
a good enough reason.

1288
01:13:35,482 --> 01:13:37,417
Like a motivation.

1289
01:13:39,053 --> 01:13:40,855
A motivation?
Yeah.

1290
01:13:41,322 --> 01:13:42,857
Every character needs
a motivation

1291
01:13:42,990 --> 01:13:46,493
in order to move forward,
to do great things.

1292
01:13:46,994 --> 01:13:48,029
Oh, like...

1293
01:13:48,296 --> 01:13:49,429
(IN GRUFF VOICE)
...save the world?

1294
01:13:49,797 --> 01:13:51,464
Like <i>salute.</i> "Save."
"Save."

1295
01:13:51,766 --> 01:13:53,200
BOTH: "Save... save."
(CHUCKLES)

1296
01:13:53,433 --> 01:13:55,069
Save the world?
Save the world.

1297
01:13:55,136 --> 01:13:56,871
Again and again...
And again.

1298
01:13:57,470 --> 01:13:59,006
And again...
And again.

1299
01:13:59,472 --> 01:14:01,108
And again.
And again.

1300
01:14:01,242 --> 01:14:02,475
And again.

1301
01:14:09,050 --> 01:14:10,785
(SEAGULLS SQUAWKING)

1302
01:14:13,220 --> 01:14:15,623
(BIRDS CHIRPING)

1303
01:14:17,725 --> 01:14:20,728
(GASPS) Luigi! (PANTS)

1304
01:14:22,129 --> 01:14:24,198
What's happening? Oh.

1305
01:14:26,067 --> 01:14:27,500
Hi. Um...

1306
01:14:28,970 --> 01:14:29,971
Um...

1307
01:14:30,470 --> 01:14:32,673
I have a tour group
this morning.

1308
01:14:32,807 --> 01:14:35,910
Germans. Very punctual.
Ah.

1309
01:14:36,777 --> 01:14:39,413
Well, uh...
I know you're busy today,

1310
01:14:39,513 --> 01:14:41,481
but you wanna maybe
hang out tomorrow?

1311
01:14:41,782 --> 01:14:45,252
Come on set
and see some real acting?

1312
01:14:47,487 --> 01:14:48,756
Um...

1313
01:14:57,431 --> 01:14:58,766
Maybe.

1314
01:15:14,415 --> 01:15:15,716
Maybe.

1315
01:15:17,385 --> 01:15:18,886
Maybe. (SIGHS)

1316
01:15:26,660 --> 01:15:28,696
(IN ITALIAN)

1317
01:15:31,465 --> 01:15:32,666
(SNICKERS)

1318
01:15:37,405 --> 01:15:38,839
ANGIOLETTO: Ha!

1319
01:15:41,008 --> 01:15:42,009
<i>No?</i>

1320
01:15:44,045 --> 01:15:46,080
(CHUCKLES)

1321
01:15:49,183 --> 01:15:51,018
(LAUGHS)

1322
01:16:00,194 --> 01:16:01,495
-ANGIOLETTO:
-FABRIZIO:

1323
01:16:01,662 --> 01:16:03,497
ANGIOLETTO:

1324
01:16:03,597 --> 01:16:06,567
(CLAMORING)
(CONTINUE ARGUING)

1325
01:16:06,667 --> 01:16:07,868
(NELLO YELLS)

1326
01:16:10,204 --> 01:16:11,639
(YELLS)

1327
01:16:11,739 --> 01:16:13,508
(IN ENGLISH) We have a film
to finish. No?

1328
01:16:13,574 --> 01:16:15,009
Yes, that's right!

1329
01:16:15,242 --> 01:16:16,444
And Ombretta?

1330
01:16:16,511 --> 01:16:17,411
(IN ITALIAN)

1331
01:16:17,512 --> 01:16:18,779
(IN ENGLISH)
Shut up! We are better.

1332
01:16:18,879 --> 01:16:19,947
Women's problems, you know?

1333
01:16:20,047 --> 01:16:21,816
(IMITATES MOCKINGLY)
"Women's problems."

1334
01:16:21,916 --> 01:16:22,883
(IN ITALIAN)

1335
01:16:22,983 --> 01:16:24,285
(IN ENGLISH)
Nothing in the oven.

1336
01:16:24,351 --> 01:16:25,653
We are in the clear.

1337
01:16:25,719 --> 01:16:27,556
(IMITATES MOCKINGLY)
"Nothing in the oven!"

1338
01:16:27,655 --> 01:16:28,789
(IMITATES)
Nothing in the oven!

1339
01:16:28,889 --> 01:16:32,960
(ALL ARGUE IN ITALIAN)

1340
01:16:34,128 --> 01:16:35,096
Whoa, whoa, whoa!

1341
01:16:35,196 --> 01:16:38,332
(IN ENGLISH) Hey, hey, hey!
Hey, hey! Whoa, whoa!

1342
01:16:38,432 --> 01:16:40,935
Whoa, whoa!
(CAR SIREN WAILING)

1343
01:16:41,102 --> 01:16:42,336
Hey, the cops!

1344
01:16:42,403 --> 01:16:44,105
Someone's called the cops.

1345
01:16:45,507 --> 01:16:46,907
(IN ITALIAN)

1346
01:16:48,275 --> 01:16:49,276
(IN ENGLISH) From Rome.

1347
01:16:49,710 --> 01:16:50,911
The dailies!

1348
01:16:51,580 --> 01:16:52,613
ALL: The dailies!

1349
01:16:52,713 --> 01:16:55,116
The dailies, yeah.
(SIGHS) The dailies...

1350
01:16:55,216 --> 01:16:57,184
(SCATTERED CHUCKLE)

1351
01:16:59,588 --> 01:17:01,088
The great Nic Cassino!

1352
01:17:01,222 --> 01:17:02,690
(ALL LAUGH, CHEER)

1353
01:17:02,790 --> 01:17:04,959
(CHEERING CONTINUES)
Dailies! Nothing happened!

1354
01:17:05,059 --> 01:17:06,260
Wanna grab it?

1355
01:17:06,360 --> 01:17:08,295
(PROJECTOR WHIRRING)

1356
01:17:08,696 --> 01:17:09,763
The dailies!

1357
01:17:09,897 --> 01:17:12,099
(LAUGHS) The dailies!
Yeah.

1358
01:17:12,534 --> 01:17:14,068
(BOTH CHUCKLE)

1359
01:17:17,905 --> 01:17:20,674
(NELLO SIGHS)
(SMOOCHES)

1360
01:17:21,175 --> 01:17:22,676
(SNIFFLES)

1361
01:17:31,118 --> 01:17:33,120
NIC: Hmm.
Mm.

1362
01:17:39,493 --> 01:17:41,328
(HUMS) Dailies.

1363
01:17:42,396 --> 01:17:43,764
Not bad.

1364
01:17:58,112 --> 01:17:59,713
(MURMURS SOFTLY)

1365
01:18:09,757 --> 01:18:11,358
(SIGHS DEEPLY)

1366
01:18:24,438 --> 01:18:26,307
(ANGIOLETTO SNORES, GRUNTS)

1367
01:18:27,374 --> 01:18:28,776
Hmm.

1368
01:18:31,212 --> 01:18:33,447
(EXHALES EXCITEDLY)

1369
01:18:34,315 --> 01:18:35,349
(CHUCKLES)

1370
01:18:39,987 --> 01:18:41,088
(GROANS)

1371
01:18:54,201 --> 01:18:55,202
(SOFTLY) Wow.

1372
01:18:58,372 --> 01:18:59,740
(GASPS)

1373
01:19:05,246 --> 01:19:06,847
(OMBRETTA GROANS SOFTLY)

1374
01:19:08,516 --> 01:19:09,883
(WHIMPERS)

1375
01:19:10,652 --> 01:19:12,052
(IN ITALIAN)

1376
01:19:12,119 --> 01:19:14,221
(INDISTINCT CHATTERING)
(IN ENGLISH) Genius.

1377
01:19:14,288 --> 01:19:15,923
(CHURCH BELL TOLLING)

1378
01:19:20,995 --> 01:19:23,163
Shame on you. (SCOFFS)

1379
01:19:23,797 --> 01:19:27,167
Poor Nello.
Poor son of mine.

1380
01:19:35,710 --> 01:19:37,077
(EXHALES DEEPLY)

1381
01:19:39,113 --> 01:19:39,913
Lorella...

1382
01:19:40,114 --> 01:19:42,049
Where is the cliff?
What?

1383
01:19:42,383 --> 01:19:43,518
The cliff.
Come on.

1384
01:19:43,685 --> 01:19:45,252
It wasn't that bad.

1385
01:19:54,629 --> 01:19:55,863
What have you done?

1386
01:20:00,635 --> 01:20:03,337
<i>Jack, it's me.</i>
JACK: (OVER PHONE) <i>Nic,</i>
<i>where the hell have you been?</i>

1387
01:20:03,404 --> 01:20:04,905
<i>I've been trying</i>
<i>to reach you all day.</i>

1388
01:20:05,339 --> 01:20:08,108
I've been on set all day. Jack,
you gotta get me out of here.

1389
01:20:08,342 --> 01:20:09,410
Why'd you call?

1390
01:20:09,778 --> 01:20:11,045
JACK: <i>You won't believe</i>
<i>what happened.</i>

1391
01:20:11,312 --> 01:20:13,080
<i>Brick Maxwell's</i>
<i>in the hospital.</i>

1392
01:20:13,314 --> 01:20:15,382
<i>Some kind</i>
<i>of intestinal infection.</i>

1393
01:20:15,583 --> 01:20:16,817
<i>He says it's from colonics,</i>

1394
01:20:16,950 --> 01:20:19,386
<i>but the word is it has more</i>
<i>to do with a small rodent.</i>

1395
01:20:19,788 --> 01:20:22,022
<i>Anyway, kid, the part's yours.</i>

1396
01:20:22,923 --> 01:20:25,059
What part?
JACK: <i>The Horseman.</i>

1397
01:20:25,392 --> 01:20:26,594
<i>They want you, Nic.</i>

1398
01:20:26,761 --> 01:20:28,195
<i>But you gotta get here</i>
<i>right away.</i>

1399
01:20:28,329 --> 01:20:31,131
<i>They're filming already.</i>
<i>How soon can you leave?</i>

1400
01:20:32,132 --> 01:20:33,133
<i>Nic?</i>

1401
01:20:33,601 --> 01:20:35,436
("LIVE YOUR LIFE" PLAYS)

1402
01:20:35,537 --> 01:20:37,304
(SHIP HORN BLARING)

1403
01:20:55,389 --> 01:20:58,092
<i>♪ To go away</i>
<i>And not look back ♪</i>

1404
01:20:58,225 --> 01:21:00,861
<i>♪ Think of what people say ♪</i>

1405
01:21:00,961 --> 01:21:03,698
<i>♪ To go ahead</i>
<i>And live your life ♪</i>

1406
01:21:03,798 --> 01:21:07,101
<i>♪ No regard to what is said ♪</i>

1407
01:21:07,301 --> 01:21:09,036
<i>♪ Hey ♪</i>

1408
01:21:09,903 --> 01:21:13,675
<i>♪ To what is said ♪</i>

1409
01:21:13,874 --> 01:21:16,511
<i>♪ Oh ♪</i>

1410
01:21:23,150 --> 01:21:25,820
<i>♪ Go away and not look back ♪</i>

1411
01:21:25,953 --> 01:21:29,289
<i>♪ Think of what people say ♪</i>

1412
01:21:30,558 --> 01:21:32,192
<i>♪ Hey ♪</i>

1413
01:21:32,292 --> 01:21:34,261
(SONG FADES OUT)

1414
01:21:34,928 --> 01:21:36,964
(IN ITALIAN)

1415
01:21:38,733 --> 01:21:39,734
(IN ENGLISH) Are you sure?

1416
01:21:39,967 --> 01:21:41,669
I checked with Tonino
at the port.

1417
01:21:42,236 --> 01:21:44,304
He rented a boat
early this morning

1418
01:21:44,438 --> 01:21:45,439
for the mainland.

1419
01:21:46,407 --> 01:21:47,474
He's gone.

1420
01:21:48,843 --> 01:21:50,077
Gone?

1421
01:21:50,712 --> 01:21:51,979
DINO: (IN ITALIAN)

1422
01:21:52,079 --> 01:21:54,549
(VEHICLE APPROACHING)

1423
01:21:59,821 --> 01:22:01,188
(CAR DOORS CLOSING)

1424
01:22:05,159 --> 01:22:06,493
MAN: Fabrizio Favuzzo?

1425
01:22:07,394 --> 01:22:08,195
Depends.

1426
01:22:08,328 --> 01:22:10,030
MAN: I am here
on behalf of the SIAE.

1427
01:22:10,197 --> 01:22:12,534
<i>Società Italiana di Artisti</i>
<i>e Editori.</i>

1428
01:22:13,333 --> 01:22:16,937
I have an order to confiscate
all film and pirated material.

1429
01:22:18,105 --> 01:22:19,239
And the manuscript?

1430
01:22:20,508 --> 01:22:22,811
Uh... What manuscript?

1431
01:22:23,076 --> 01:22:24,278
Visconti's manuscript.

1432
01:22:24,378 --> 01:22:29,483
Ah. (CHUCKLES)
I have no manuscript.

1433
01:22:31,018 --> 01:22:32,386
I have no script.

1434
01:22:33,688 --> 01:22:35,489
I have no actor.

1435
01:22:35,590 --> 01:22:36,858
(SOFT MUSIC PLAYING)

1436
01:22:36,957 --> 01:22:38,392
I have no film.

1437
01:22:39,293 --> 01:22:40,562
No career.

1438
01:22:41,361 --> 01:22:42,697
No life insurance.

1439
01:22:44,566 --> 01:22:45,700
(IN ITALIAN)

1440
01:22:46,366 --> 01:22:49,303
(IN ENGLISH)
Fabrizio's been blacklisted.

1441
01:22:49,637 --> 01:22:51,773
MAN: For copyright violation
and infringement

1442
01:22:51,873 --> 01:22:54,374
of intellectual property rights.

1443
01:22:54,609 --> 01:22:55,610
Fabrizio.

1444
01:22:57,411 --> 01:22:58,412
(IN ITALIAN)

1445
01:23:00,682 --> 01:23:01,982
(IN ENGLISH) To the cliff!

1446
01:23:10,792 --> 01:23:12,694
FILOMENA: Ah!

1447
01:23:13,060 --> 01:23:14,829
(OMBRETTA GROANS)
LORELLA: Ombretta!

1448
01:23:14,929 --> 01:23:16,997
Come on. Hey, hey!

1449
01:23:17,097 --> 01:23:18,933
(OMBRETTA GASPS)

1450
01:23:19,032 --> 01:23:20,033
Eat something!

1451
01:23:20,100 --> 01:23:21,536
(IN ITALIAN)

1452
01:23:21,636 --> 01:23:23,337
(INDISTINCT CHATTER)

1453
01:23:35,015 --> 01:23:37,017
(CHATTERING CONTINUES)

1454
01:23:44,759 --> 01:23:45,793
(SCOFFS)

1455
01:23:46,493 --> 01:23:48,763
(IN ENGLISH) He has gone
back to Hollywood

1456
01:23:48,897 --> 01:23:51,331
and abandoned everyone.

1457
01:23:52,567 --> 01:23:53,635
What do you mean?

1458
01:23:54,869 --> 01:23:57,304
"The great Nic Cassino."

1459
01:23:57,605 --> 01:24:00,440
(SARDONIC CHUCKLE)
Nic Cassino was in this film?

1460
01:24:00,508 --> 01:24:02,677
(IN ITALIAN)

1461
01:24:03,443 --> 01:24:06,614
(IN ENGLISH) Unfortunately,
he was just a <i>sosia,</i>

1462
01:24:06,681 --> 01:24:07,782
a body double.

1463
01:24:08,550 --> 01:24:11,519
The real Nic Cassino
would never run away.

1464
01:24:13,588 --> 01:24:15,222
(ENGINE STARTS)

1465
01:24:17,190 --> 01:24:19,092
(ENGINE REVVING)

1466
01:24:22,062 --> 01:24:24,566
(EXCLAIMS) Oh! Ombretta.

1467
01:24:24,966 --> 01:24:29,671
(SHIP HORN BLARING)

1468
01:24:31,673 --> 01:24:33,106
Bye.

1469
01:24:34,141 --> 01:24:35,409
Thank you.
Mm.

1470
01:24:39,614 --> 01:24:40,615
LORELLA: Bye.

1471
01:24:47,120 --> 01:24:50,290
(INDISTINCT CHATTER)
LORELLA: Bye!

1472
01:24:56,296 --> 01:24:58,398
There is just one thing.

1473
01:24:58,733 --> 01:25:01,569
It is Lello or Nello?

1474
01:25:03,972 --> 01:25:05,305
What difference now?

1475
01:25:17,852 --> 01:25:19,386
(CAMERA SHUTTER CLICKING)

1476
01:25:19,486 --> 01:25:20,722
And action!

1477
01:25:23,725 --> 01:25:25,526
Cut, cut, cut!

1478
01:25:26,126 --> 01:25:27,494
I know it's a lot to ask,

1479
01:25:27,595 --> 01:25:29,631
but could you just hit
your mark and snarl?

1480
01:25:29,697 --> 01:25:32,066
Okay? We'll think about acting
in post, right?

1481
01:25:32,834 --> 01:25:36,037
What's with the suitcase?
What's with the suitcase?

1482
01:25:36,104 --> 01:25:38,006
(HESITATES)
Let's just say I found it

1483
01:25:38,138 --> 01:25:39,306
amidst the apocalyptic ruins

1484
01:25:39,373 --> 01:25:41,542
and I'm returning it
to a needy family.

1485
01:25:41,809 --> 01:25:43,611
You're the Fourth Horseman
of the Apocalypse!

1486
01:25:43,711 --> 01:25:46,179
You're the Pale Rider,
not the Pony Express!

1487
01:25:46,380 --> 01:25:49,249
You bring death and destruction,
not lost luggage! (SIGHS)

1488
01:25:51,753 --> 01:25:52,687
That's cold!

1489
01:25:52,820 --> 01:25:55,222
Is it too much to ask
for a hot latte for Chrissake?

1490
01:25:55,823 --> 01:25:56,824
Damn it!

1491
01:25:57,925 --> 01:25:59,326
WOMAN: Nic! Honey!

1492
01:26:03,031 --> 01:26:06,634
(EXCITEDLY) The <i>ATM</i> morning show
wants an exclusive interview!

1493
01:26:06,701 --> 01:26:09,236
(GASPS, HESITATES)
Are you free tomorrow?

1494
01:26:10,437 --> 01:26:12,740
I'll think about it.
Oh.

1495
01:26:15,009 --> 01:26:17,310
(COWS MOOING)

1496
01:26:23,985 --> 01:26:25,252
(COWS MOOING)

1497
01:26:25,352 --> 01:26:29,157
(LOUD FLATULENCE)

1498
01:26:29,256 --> 01:26:31,358
(COUGHS)

1499
01:26:31,559 --> 01:26:34,327
(FLATULENCE CONTINUES)
(COWS MOOING)

1500
01:26:36,731 --> 01:26:40,535
(COUGHS, SHRIEKS)
(FLATULENCE INTENSIFIES)

1501
01:26:43,104 --> 01:26:46,874
(FLATULENCE, MOOING CONTINUES)

1502
01:26:49,944 --> 01:26:51,846
(PANTS)

1503
01:26:54,716 --> 01:26:56,684
(GRUNTS)

1504
01:27:00,487 --> 01:27:02,590
(INTENSIFYING RUMBLING)

1505
01:27:03,191 --> 01:27:05,358
(HIGH-PITCHED WHISTLING)
(FABRIZIO SCREAMS)

1506
01:27:06,861 --> 01:27:08,129
(SCREAMING CONTINUES)

1507
01:27:08,228 --> 01:27:10,230
(FLATULENCE)
(GASPS, PANTS)

1508
01:27:13,233 --> 01:27:15,268
(FLIES BUZZ)

1509
01:27:21,109 --> 01:27:23,343
(COWS MOOING)

1510
01:27:30,484 --> 01:27:31,485
Papa?

1511
01:27:32,854 --> 01:27:35,489
Ombretta, please go outside.

1512
01:27:35,890 --> 01:27:38,693
I can't bear for you
to watch me shoveling shit.

1513
01:27:41,095 --> 01:27:43,631
I just wanted
to tell you that...

1514
01:27:50,004 --> 01:27:51,773
I'm not going back to school.

1515
01:27:53,574 --> 01:27:54,942
But why?

1516
01:27:55,275 --> 01:27:56,677
Let's face it.

1517
01:27:57,745 --> 01:27:58,913
I'm not an actress.

1518
01:28:01,149 --> 01:28:02,349
What's the point?

1519
01:28:03,283 --> 01:28:06,187
Well, there are
many roles in film.

1520
01:28:06,687 --> 01:28:09,322
Perhaps you could direct,
like your father, huh?

1521
01:28:09,422 --> 01:28:10,725
(CHUCKLES SOFTLY)

1522
01:28:11,592 --> 01:28:14,529
No, eh? What about Lello?

1523
01:28:15,029 --> 01:28:16,664
Please. Nello.

1524
01:28:19,066 --> 01:28:20,500
You were right, Papa.

1525
01:28:21,401 --> 01:28:23,738
(IN ITALIAN)

1526
01:28:24,304 --> 01:28:26,874
(IN ENGLISH)
Nello was too jealous.

1527
01:28:27,440 --> 01:28:30,645
Possessive. Hotheaded.

1528
01:28:32,246 --> 01:28:33,446
I don't know.

1529
01:28:35,348 --> 01:28:38,385
I would be better
with someone like you.

1530
01:28:39,153 --> 01:28:41,354
Like me?
OMBRETTA: Yeah, you know.

1531
01:28:41,956 --> 01:28:43,057
Lukewarm.

1532
01:28:43,858 --> 01:28:46,060
Temperate. Stoic.

1533
01:28:46,561 --> 01:28:51,532
Able to deal with failure
and disappointment.

1534
01:28:51,866 --> 01:28:53,034
Of course.

1535
01:28:53,835 --> 01:28:57,638
I almost forgot.
Nello asked me to give you this.

1536
01:28:58,306 --> 01:29:00,942
He says it's rightfully yours.

1537
01:29:08,783 --> 01:29:10,885
I love you, Papa.

1538
01:29:11,886 --> 01:29:12,954
Me too.

1539
01:29:25,365 --> 01:29:26,667
<i>A janitor...</i>

1540
01:29:29,904 --> 01:29:31,606
<i>Smart. Cultured.</i>

1541
01:29:33,074 --> 01:29:34,342
<i>Really cultured.</i>

1542
01:29:34,876 --> 01:29:37,410
<i>Couldn't read, but he'd take</i>
<i>us to the movies.</i>

1543
01:29:38,646 --> 01:29:41,816
<i>That was his library.</i>
<i>Barely speak English.</i>

1544
01:29:59,499 --> 01:30:00,701
Fabrizio...

1545
01:30:03,170 --> 01:30:04,471
You are awake?

1546
01:30:06,741 --> 01:30:09,476
I need to speak to you
about something.

1547
01:30:12,445 --> 01:30:14,115
Listen... (EXHALES SHARPLY)

1548
01:30:15,216 --> 01:30:18,853
If you want to separate,
I understand.

1549
01:30:19,654 --> 01:30:22,323
After all, who wants to live
with a failure.

1550
01:30:22,823 --> 01:30:25,425
But divorce
is out of the question.

1551
01:30:26,093 --> 01:30:27,261
It's not for the money,

1552
01:30:27,595 --> 01:30:31,065
but I just wouldn't know
how to tell Ombretta...

1553
01:30:31,165 --> 01:30:32,432
(LORELLA IN ITALIAN)

1554
01:30:33,601 --> 01:30:35,036
(SPEAKS IN ITALIAN)

1555
01:30:35,569 --> 01:30:36,904
(IN ENGLISH)
What's come over you?

1556
01:30:37,171 --> 01:30:38,906
A divorce? A separation?

1557
01:30:39,472 --> 01:30:41,008
(IN ITALIAN)

1558
01:30:41,809 --> 01:30:44,111
(IN ENGLISH)
No, I just wanted to say

1559
01:30:44,312 --> 01:30:46,280
that for once in my life,

1560
01:30:46,714 --> 01:30:49,550
I was very proud of you.

1561
01:30:50,384 --> 01:30:51,385
(LAUGHS)

1562
01:30:51,719 --> 01:30:54,922
LORELLA: The way you directed
the great Nic Cassino.

1563
01:30:55,523 --> 01:30:59,827
I mean, how you persevered
against all good reason,

1564
01:31:00,328 --> 01:31:02,462
with <i>buon senso,</i> sound judgment.

1565
01:31:03,397 --> 01:31:05,066
And your juvenile faith...
(CHUCKLES)

1566
01:31:05,566 --> 01:31:07,301
...and sheer stubborn,

1567
01:31:07,401 --> 01:31:09,737
narrow-minded
pigheadedness was--

1568
01:31:09,837 --> 01:31:14,208
Stop, stop, stop. (CHUCKLES)
You had me at "pigheaded."

1569
01:31:17,477 --> 01:31:18,679
Okay.

1570
01:31:19,313 --> 01:31:22,049
(BREATHES DEEPLY)

1571
01:31:23,284 --> 01:31:24,385
In any event,

1572
01:31:24,885 --> 01:31:27,121
I don't think you're a failure.

1573
01:31:32,326 --> 01:31:33,961
At least, not yet.

1574
01:31:40,067 --> 01:31:41,836
What do you mean, "not yet?"

1575
01:31:47,041 --> 01:31:48,476
You are only a failure

1576
01:31:48,576 --> 01:31:50,511
if you don't finish
what you start.

1577
01:31:51,278 --> 01:31:53,814
But... how can I finish?

1578
01:31:55,016 --> 01:31:58,586
I have been banned from working
in Italy ever again.

1579
01:31:59,220 --> 01:32:00,354
Blacklisted.

1580
01:32:00,921 --> 01:32:04,091
And who says that you have
to finish this film in Italy?

1581
01:32:04,625 --> 01:32:06,093
Who says that?

1582
01:32:14,769 --> 01:32:16,103
Where did you get this?

1583
01:32:17,071 --> 01:32:20,441
I cashed in
your life insurance policy.

1584
01:32:20,975 --> 01:32:24,545
(CHUCKLES) But...
I don't have a life insurance.

1585
01:32:26,515 --> 01:32:27,748
Really?

1586
01:32:30,017 --> 01:32:31,052
Good night.

1587
01:32:31,585 --> 01:32:33,788
(WHIMSICAL MUSIC PLAYING)

1588
01:32:35,423 --> 01:32:39,126
(LORELLA SIGHS PROUDLY)

1589
01:32:44,899 --> 01:32:46,100
Good night.

1590
01:32:49,970 --> 01:32:52,073
(MUSIC FADES OUT)
NIC: (GROANING) Francesca.

1591
01:32:52,173 --> 01:32:55,209
Can you grab me some ice
and a wrap for my knee, please?

1592
01:32:55,309 --> 01:32:58,212
FRANCESCA: I gotta run down
the street for some ice.

1593
01:32:58,312 --> 01:33:01,348
(DOOR OPENS, CLOSES)

1594
01:33:01,916 --> 01:33:03,717
What the hell's
in that thing anyway?

1595
01:33:04,118 --> 01:33:05,686
(GROANS)

1596
01:33:19,033 --> 01:33:20,868
(GRUNTS, HUFFS)

1597
01:33:22,636 --> 01:33:23,838
(SIGHS)

1598
01:33:27,441 --> 01:33:29,310
(GRUNTS)

1599
01:33:33,047 --> 01:33:36,250
("CARNIVAL OF THE ANIMALS:
VII. AQUARIUM" PLAYING)

1600
01:33:58,205 --> 01:33:59,206
Hmm.

1601
01:34:00,441 --> 01:34:02,209
The accumulated baggage.

1602
01:34:03,644 --> 01:34:05,379
It was Favuzzo's all along.

1603
01:34:21,162 --> 01:34:22,763
(SCOFFS) Interesting.

1604
01:34:22,830 --> 01:34:25,332
FABRIZIO: <i>And action!</i>

1605
01:34:27,868 --> 01:34:29,203
NIC: <i>Hey, hey. Pull over.</i>

1606
01:34:29,370 --> 01:34:31,372
Pull up here.
(CLASSICAL MUSIC FADES OUT)

1607
01:34:45,119 --> 01:34:47,288
Carla.
Sorry.

1608
01:34:47,721 --> 01:34:48,923
Nic!
NIC: Hey.

1609
01:34:49,423 --> 01:34:50,424
How are you?

1610
01:34:50,891 --> 01:34:52,661
Good. How are you?
NIC: It's great to see you.

1611
01:34:52,760 --> 01:34:55,296
CARLA: Yeah, you too.
What are you doing? PA?

1612
01:34:55,396 --> 01:34:56,565
Yeah, right.

1613
01:34:56,631 --> 01:34:58,999
Um, I got a call
from the film commission.

1614
01:34:59,099 --> 01:35:01,670
They asked me
to cast us some extras

1615
01:35:01,735 --> 01:35:03,804
on an international film
from Italy.

1616
01:35:03,871 --> 01:35:05,406
Hmm.
CARLA: Yeah.

1617
01:35:05,739 --> 01:35:06,907
Maybe you heard about it.

1618
01:35:07,609 --> 01:35:10,844
NIC: Ah, yeah. Mm-hmm.
CARLA: Quite a cast,
don't you think?

1619
01:35:10,945 --> 01:35:12,446
Yeah, I do. It's, uh-- Yeah.

1620
01:35:12,547 --> 01:35:14,014
I was... I was there
for a film festival.

1621
01:35:14,114 --> 01:35:15,749
They asked me
to do a couple of scenes.

1622
01:35:15,816 --> 01:35:18,385
I thought, "Hey, why not?"
Just help 'em out.

1623
01:35:18,485 --> 01:35:20,221
Hmm. Hmm.
(CARLA CHUCKLES)

1624
01:35:20,788 --> 01:35:22,356
Uh, how's Luigi?

1625
01:35:22,657 --> 01:35:26,160
Uh... He's good. (CHUCKLES)
NIC: Good, good.

1626
01:35:26,628 --> 01:35:28,697
Anyway, I...
I'm not feeling too good.

1627
01:35:28,796 --> 01:35:31,165
I'm on painkillers
for my... my knee.

1628
01:35:31,566 --> 01:35:33,200
So I gotta split.
Sure.

1629
01:35:33,367 --> 01:35:35,469
Anyway, it was...
it was great seeing you.

1630
01:35:35,570 --> 01:35:36,837
CARLA: You too.
Yeah.

1631
01:35:36,937 --> 01:35:38,472
Really good.
Oh. (CHUCKLES)

1632
01:35:39,340 --> 01:35:40,341
All right.

1633
01:35:40,975 --> 01:35:42,343
CARLA: Take care.
Bye.

1634
01:35:54,888 --> 01:35:56,591
(DOORBELL CHIMES)

1635
01:35:56,857 --> 01:35:58,225
Please...

1636
01:35:59,193 --> 01:36:00,261
(GRUNTS)

1637
01:36:07,368 --> 01:36:09,069
Carla?
Hi, Nic.

1638
01:36:09,704 --> 01:36:11,438
Come in.
Thank you.

1639
01:36:12,072 --> 01:36:15,075
Uh, you want a drink?
Uh, sure.

1640
01:36:15,376 --> 01:36:18,145
All right, um, take a seat.
Thank you.

1641
01:36:21,115 --> 01:36:23,284
NIC: <i>How's little Cosimo?</i>
CARLA: <i>He's getting big.</i>

1642
01:36:23,384 --> 01:36:27,021
He'll be nine in September.
Nine. Whoa.

1643
01:36:27,589 --> 01:36:30,759
And Luigi has a show opening.

1644
01:36:30,858 --> 01:36:34,094
And he's anxious as usual.
You know Luigi.

1645
01:36:34,529 --> 01:36:38,065
Yeah. Well, that's good for him.

1646
01:36:39,033 --> 01:36:40,401
Luigi doesn't know I came.

1647
01:36:41,636 --> 01:36:43,871
But I told him
about your work in Italy

1648
01:36:44,004 --> 01:36:45,806
and he was pretty impressed.

1649
01:36:47,875 --> 01:36:49,243
Impressed or embarrassed?

1650
01:36:49,611 --> 01:36:53,981
Nic.
Well, he's always...

1651
01:36:54,915 --> 01:36:56,183
hated my acting.

1652
01:36:57,752 --> 01:36:59,153
You know how Luigi is.

1653
01:36:59,987 --> 01:37:01,822
It's kind of tough for him
to admit your success.

1654
01:37:01,989 --> 01:37:04,526
I mean, you're his kid brother.

1655
01:37:05,627 --> 01:37:09,263
Yeah. I'm his kid brother. Hmm.

1656
01:37:10,699 --> 01:37:12,534
Used to call me
Punchy the Gorilla.

1657
01:37:12,767 --> 01:37:14,835
Like that stuffed animal
we had as kids.

1658
01:37:15,202 --> 01:37:18,872
But we were close.
I had his back.

1659
01:37:19,774 --> 01:37:22,744
Until this...
pretty girl comes along

1660
01:37:22,843 --> 01:37:24,445
and changes everything.

1661
01:37:25,212 --> 01:37:29,551
I lost my brother
and my girl to one left hook.

1662
01:37:30,785 --> 01:37:32,853
If there's one punch
I could take back,

1663
01:37:33,253 --> 01:37:34,254
it'd be that.

1664
01:37:36,957 --> 01:37:38,359
It wouldn't have mattered.

1665
01:37:40,160 --> 01:37:42,196
I still would have picked Luigi.

1666
01:37:43,430 --> 01:37:45,099
(SIGHS DEEPLY)

1667
01:37:45,633 --> 01:37:46,967
CARLA: Nic...

1668
01:37:49,236 --> 01:37:52,005
I never thought you
stupid or insensitive.

1669
01:37:53,107 --> 01:37:55,175
I just liked Luigi better.

1670
01:37:58,379 --> 01:37:59,480
(SCOFFS)

1671
01:38:02,550 --> 01:38:05,687
Luigi gave this to little Cosimo
on his third birthday

1672
01:38:05,787 --> 01:38:07,421
and kind of outgrown it.

1673
01:38:08,055 --> 01:38:10,157
I thought you might like
to have it.

1674
01:38:18,265 --> 01:38:19,299
(SNIFFS)

1675
01:38:20,434 --> 01:38:22,771
NIC: (SCOFFS)
Punchy the Gorilla.

1676
01:38:23,303 --> 01:38:25,640
CARLA: Nic,
take care of yourself, okay?

1677
01:38:26,875 --> 01:38:28,409
Yeah. You too.

1678
01:38:28,976 --> 01:38:30,310
Bye.
NIC: Bye.

1679
01:38:37,852 --> 01:38:40,454
(DOOR SLIDES OPEN)

1680
01:38:43,625 --> 01:38:45,058
Get a grip, Cassino.

1681
01:38:45,959 --> 01:38:49,564
(ELEVATOR BELL CHIMES)
(NIC SOBBING)

1682
01:39:01,375 --> 01:39:03,343
(BOTTLES CLINKING)
(NIC GRUNTS)

1683
01:39:03,611 --> 01:39:05,212
(DISTANT DOGS BARKING)

1684
01:39:05,312 --> 01:39:07,981
Who's there?
NIC: Luigi.

1685
01:39:09,617 --> 01:39:10,618
Nicky?

1686
01:39:11,418 --> 01:39:12,453
Is that you?

1687
01:39:13,320 --> 01:39:14,188
Yep.

1688
01:39:14,288 --> 01:39:17,357
(GASPS SOFTLY)
What are you doing here?

1689
01:39:18,058 --> 01:39:19,493
Well, I was...

1690
01:39:20,327 --> 01:39:21,863
limpin' around the hood
this morning

1691
01:39:21,995 --> 01:39:24,699
and I saw your name up
in lights and...

1692
01:39:25,567 --> 01:39:26,568
I just thought--

1693
01:39:27,000 --> 01:39:29,236
Well, here's... here's a--

1694
01:39:30,103 --> 01:39:31,338
Do you wanna have a beer?

1695
01:39:31,906 --> 01:39:34,642
(SOFT MUSIC PLAYING)
NIC: <i>Fifteen years, huh?</i>

1696
01:39:34,843 --> 01:39:36,276
Yeah. Just about.

1697
01:39:37,144 --> 01:39:41,381
It was 15 years this Carla
and I finally tied the knot.

1698
01:39:41,749 --> 01:39:42,750
Yeah.

1699
01:39:43,551 --> 01:39:44,652
Sorry about that. I was...

1700
01:39:44,985 --> 01:39:47,221
I was in Vietnam
doing a POW film.

1701
01:39:47,354 --> 01:39:49,557
One of my better ones.
Yeah, yeah. I understand.

1702
01:39:49,657 --> 01:39:51,358
You were busy with your career.

1703
01:39:51,593 --> 01:39:54,696
(NIC CLEARS THROAT)
You could have called, though.

1704
01:39:55,730 --> 01:39:59,433
Yeah. Well, I didn't get
the invite till late.

1705
01:39:59,734 --> 01:40:01,335
The mail in Indochina...

1706
01:40:02,169 --> 01:40:04,404
Besides, I'm not the only one
who doesn't reply to mail.

1707
01:40:04,471 --> 01:40:07,274
The amount of awards ceremonies
I invited you to.

1708
01:40:07,609 --> 01:40:09,142
You never came.
(SCOFFS)

1709
01:40:09,243 --> 01:40:13,447
Well, maybe...
a personal invitation?

1710
01:40:15,249 --> 01:40:17,084
Instead of sending those stupid

1711
01:40:17,217 --> 01:40:20,454
gold-embossed invitations.
(CHUCKLES)

1712
01:40:22,624 --> 01:40:23,825
NIC: Yeah, well...

1713
01:40:24,391 --> 01:40:28,630
I was-- Well--
I guess I was embarrassed.

1714
01:40:32,332 --> 01:40:33,768
LUIGI: A knock on the door,

1715
01:40:34,234 --> 01:40:37,337
a personal invitation
from your kid brother.

1716
01:40:38,540 --> 01:40:40,040
That's not embarrassing.

1717
01:40:41,943 --> 01:40:43,511
Getting beat up
by your kid brother

1718
01:40:43,578 --> 01:40:46,446
in front of the woman he loves?
Now, that's embarrassing.

1719
01:40:48,215 --> 01:40:49,951
Louie, that was 30 years ago.

1720
01:40:50,350 --> 01:40:52,219
You're never gonna forgive me
for that, are you?

1721
01:40:52,654 --> 01:40:55,523
I mean, I know
I haven't forgiven myself.

1722
01:40:57,291 --> 01:41:00,762
Ah, Nicky.
Look, that wasn't it.

1723
01:41:01,996 --> 01:41:03,363
It wasn't?

1724
01:41:05,667 --> 01:41:06,668
You don't wanna hear it.

1725
01:41:07,267 --> 01:41:09,571
Yeah, I... I do wanna hear it.

1726
01:41:09,737 --> 01:41:10,738
(SIGHS)

1727
01:41:12,040 --> 01:41:14,174
You wanna hear it?
Yeah, I wanna hear it.

1728
01:41:15,309 --> 01:41:17,210
It's 'cause you made it
to the top

1729
01:41:17,745 --> 01:41:20,414
and you never even once
threw down a line.

1730
01:41:21,114 --> 01:41:22,784
You could have helped me a bit.

1731
01:41:22,850 --> 01:41:25,520
You were in a position
to do so, but you didn't.

1732
01:41:26,119 --> 01:41:27,622
You turned your back.

1733
01:41:28,890 --> 01:41:30,925
You turned your back and ran.

1734
01:41:31,025 --> 01:41:33,595
And you been running scared
ever since.

1735
01:41:36,196 --> 01:41:37,364
You're right.

1736
01:41:38,498 --> 01:41:39,734
I did run.

1737
01:41:40,233 --> 01:41:41,603
Been running my whole life.

1738
01:41:43,605 --> 01:41:45,640
But I never
turned my back on you.

1739
01:41:46,239 --> 01:41:47,875
I always wanted to help you.

1740
01:41:49,644 --> 01:41:51,178
Then why didn't you?

1741
01:41:55,248 --> 01:41:57,619
Lou... Hollywood, it's...

1742
01:41:58,553 --> 01:42:01,022
it's not like film school.
It's not...

1743
01:42:01,823 --> 01:42:04,592
it's not like theater.
It's not hugs and kisses.

1744
01:42:05,793 --> 01:42:06,828
It's tough.

1745
01:42:08,295 --> 01:42:11,699
They don't fight fair.
It's like being a street fighter

1746
01:42:11,833 --> 01:42:13,101
without a corner to sit in.

1747
01:42:13,200 --> 01:42:15,570
It's... it's every man
for himself.

1748
01:42:16,638 --> 01:42:18,840
So you don't think
I could have made it?

1749
01:42:18,906 --> 01:42:19,907
NIC: Lou...

1750
01:42:20,875 --> 01:42:22,610
you can't possibly
imagine the...

1751
01:42:23,645 --> 01:42:27,381
the humiliation, the shame,
the embarrassment that these...

1752
01:42:28,448 --> 01:42:32,152
The fear that this town can...
put on you.

1753
01:42:32,887 --> 01:42:35,355
They build you up and they take
everything from you.

1754
01:42:35,455 --> 01:42:39,127
Your pride, your soul...
(VOICE BREAKS) ...your family.

1755
01:42:39,827 --> 01:42:42,429
You got a family.
You got a beautiful family.

1756
01:42:42,530 --> 01:42:46,100
What do I got?
I got a... fading career.

1757
01:42:46,199 --> 01:42:48,936
A fading face, fading fame.
I mean, I'm a joke.

1758
01:42:49,037 --> 01:42:50,772
You got what you wanted.

1759
01:42:55,009 --> 01:42:56,309
I'm not so sure about that.

1760
01:42:56,611 --> 01:42:59,681
(INHALES SHARPLY)
Well, what is it, Nicky?

1761
01:43:00,280 --> 01:43:01,783
Huh? What do you want?

1762
01:43:02,315 --> 01:43:04,351
What is this all about, huh?

1763
01:43:06,486 --> 01:43:08,890
I don't know. (HESITATES)
I'm... I'm confused.

1764
01:43:08,990 --> 01:43:10,958
Things used to be so simple.

1765
01:43:12,026 --> 01:43:13,226
Like...

1766
01:43:14,095 --> 01:43:15,362
when we went to the movies
with Dad.

1767
01:43:15,462 --> 01:43:17,699
(EMOTIONAL MUSIC PLAYING)
NIC: Remember?

1768
01:43:18,132 --> 01:43:20,267
I remember sitting
next to him thinkin'...

1769
01:43:21,401 --> 01:43:23,037
he wants us up there
on the big screen.

1770
01:43:23,137 --> 01:43:24,639
Not in the cheap seats.
(CHUCKLES)

1771
01:43:24,806 --> 01:43:27,508
Up there on the big screen,
winning awards.

1772
01:43:28,042 --> 01:43:30,745
Oscars, Emmys, Tonys.
(CHUCKLES)

1773
01:43:31,211 --> 01:43:32,513
All that stuff.

1774
01:43:33,815 --> 01:43:34,949
The movies.
Yeah.

1775
01:43:35,083 --> 01:43:37,685
That's when we were family.
That's when we were brothers.

1776
01:43:37,885 --> 01:43:41,254
That's all he wanted.
And that's all I want.

1777
01:43:45,059 --> 01:43:46,326
Cheers.

1778
01:43:46,894 --> 01:43:48,763
To Dad.
To Dad.

1779
01:43:51,833 --> 01:43:53,500
(MUSIC FADES OUT)

1780
01:44:06,446 --> 01:44:10,484
(CAR ENGINE REVVING)
(DRAMATIC MUSIC PLAYING)

1781
01:44:21,294 --> 01:44:22,496
LORELLA: It's Nic.

1782
01:44:22,897 --> 01:44:25,533
Oh, it's Nic!

1783
01:44:42,984 --> 01:44:45,452
(INTENSE ORCHESTRAL MUSIC
PLAYING)

1784
01:45:05,338 --> 01:45:07,175
Must have mixed up
our luggage.

1785
01:45:07,307 --> 01:45:09,309
(MUSIC FADES)

1786
01:45:09,409 --> 01:45:11,444
You left
before I could claim it.

1787
01:45:11,712 --> 01:45:14,248
Hmm. Well, I came back
to finish what we started.

1788
01:45:14,347 --> 01:45:15,415
Under one condition.

1789
01:45:15,516 --> 01:45:17,718
We shoot the final scene
in Ischia.

1790
01:45:18,318 --> 01:45:21,589
At the highest peak
of Mount Epomeo.

1791
01:45:22,890 --> 01:45:25,726
But there is no final scene.

1792
01:45:25,827 --> 01:45:27,929
There is no script.
There never was.

1793
01:45:28,162 --> 01:45:31,532
Only an opening.
Mm-hmm. Wait.

1794
01:45:31,933 --> 01:45:34,669
(SOLEMN MUSIC PLAYING)

1795
01:45:38,471 --> 01:45:42,342
Right. Excuse the, uh,
we've got a stain.

1796
01:45:45,813 --> 01:45:48,481
But we have no money
for a <i>sosia.</i>

1797
01:45:48,549 --> 01:45:50,952
A stunt double.
Who will do the scene?

1798
01:45:52,086 --> 01:45:53,486
I'll do it.

1799
01:45:54,387 --> 01:45:55,823
Are you sure?

1800
01:45:56,924 --> 01:45:58,092
You are no longer acrophobe?

1801
01:45:58,192 --> 01:45:59,894
Mmm. Cured.

1802
01:46:00,027 --> 01:46:01,128
(IN ITALIAN)

1803
01:46:01,229 --> 01:46:03,396
(FABRIZIO LAUGHING EXCITEDLY)

1804
01:46:04,832 --> 01:46:05,833
Ah...

1805
01:46:06,300 --> 01:46:07,535
(IN ENGLISH) But you see...

1806
01:46:08,035 --> 01:46:09,871
I can't return to Italy.

1807
01:46:10,137 --> 01:46:13,140
I have been blacklisted.
I'm sorry.

1808
01:46:13,641 --> 01:46:18,012
I'm sorry to everyone!
Well, that's fine.

1809
01:46:18,779 --> 01:46:22,583
I have a great idea
for a co-director. Hmm?

1810
01:46:23,317 --> 01:46:25,052
Really?
Yeah, really.

1811
01:46:26,787 --> 01:46:29,123
LORELLA:
But who will co-direct?

1812
01:46:31,424 --> 01:46:32,760
A super-volcano?

1813
01:46:32,860 --> 01:46:33,661
Super-volcano!

1814
01:46:33,828 --> 01:46:36,030
(BOTH LAUGH EXCITEDLY)
(MUSIC INTENSIFIES)

1815
01:46:37,198 --> 01:46:38,299
FABRIZIO: Yes!
Yeah!

1816
01:46:38,366 --> 01:46:40,433
Nic Cassino is back!

1817
01:46:40,500 --> 01:46:42,970
(NIC GRUNTS)
(FABRIZIO LAUGHS)

1818
01:46:44,972 --> 01:46:46,473
Oh, God, that's it!

1819
01:46:54,282 --> 01:46:55,950
(MUSIC FADES OUT)

1820
01:46:56,918 --> 01:47:00,021
TITINA: <i>"Tonno con me."</i>
NIC: "Come back with me."

1821
01:47:04,825 --> 01:47:06,794
TITINA: Did you write
that all by yourself?

1822
01:47:07,795 --> 01:47:10,998
Actually, I had help
with Isidoro.

1823
01:47:12,465 --> 01:47:16,304
Did you tell him
you want to eat tuna with me?

1824
01:47:16,704 --> 01:47:18,773
Because that is what is written.

1825
01:47:18,873 --> 01:47:21,575
No, it's... it's the thought
that counts.

1826
01:47:21,842 --> 01:47:23,644
You have a lot of nerve
to show your face,

1827
01:47:23,711 --> 01:47:25,478
"the great Nic Cassino!"

1828
01:47:25,613 --> 01:47:26,647
Yeah, I've...

1829
01:47:26,948 --> 01:47:29,183
I've been sitting here
for an hour and a half and...

1830
01:47:29,884 --> 01:47:31,585
no one's recognized me
except this old lady--

1831
01:47:31,686 --> 01:47:36,557
No one recognized you
because no one cares about you.

1832
01:47:37,158 --> 01:47:38,960
You're... you're a phony,

1833
01:47:39,393 --> 01:47:41,228
even if you are not a <i>sosia.</i>

1834
01:47:43,297 --> 01:47:44,497
Listen.

1835
01:47:45,465 --> 01:47:47,368
You have every right
to... to be angry at me.

1836
01:47:47,467 --> 01:47:50,304
I ran away from you.
I ran away from everyone.

1837
01:47:50,404 --> 01:47:51,772
Yes, you did.

1838
01:47:51,906 --> 01:47:52,940
Why?

1839
01:47:53,808 --> 01:47:56,010
I guess it's, uh... it's...

1840
01:47:56,510 --> 01:47:58,846
I had some character
issues to resolve.

1841
01:47:58,946 --> 01:48:00,748
Uh, like a... like a backstory.

1842
01:48:00,848 --> 01:48:02,783
(SCOFFS) Backstory?
NIC: No, please.

1843
01:48:02,883 --> 01:48:04,785
Every great character--
Just listen to me.

1844
01:48:05,286 --> 01:48:08,422
Please. Every great character
needs a backstory.

1845
01:48:08,488 --> 01:48:09,590
And in that backstory

1846
01:48:09,690 --> 01:48:11,792
are the things
that make the character tick.

1847
01:48:11,892 --> 01:48:12,827
And sometimes,

1848
01:48:12,927 --> 01:48:16,097
you gotta go back
and reset the clock.

1849
01:48:16,697 --> 01:48:19,667
And did you?
Yeah. Uh...

1850
01:48:20,534 --> 01:48:21,969
Some stuff came up.
(TITINA SCOFFS)

1851
01:48:22,103 --> 01:48:24,171
A lot of stuff.
TITINA: "Stuff, stuff"...

1852
01:48:24,338 --> 01:48:25,505
Yeah, stuff, you know--

1853
01:48:25,573 --> 01:48:28,075
Ah. Good stuff or bad stuff?
NIC: Good, bad...

1854
01:48:29,043 --> 01:48:30,745
But... but you left.

1855
01:48:31,879 --> 01:48:32,913
You left.

1856
01:48:33,881 --> 01:48:38,619
You made people believe in you.
That you were different.

1857
01:48:38,819 --> 01:48:41,589
That you were not just
another celebrity tourist,

1858
01:48:41,856 --> 01:48:44,325
caring nothing for the mess
you leave behind.

1859
01:48:44,425 --> 01:48:45,993
Look, I'm--
TITINA: No.

1860
01:48:47,294 --> 01:48:50,131
(SOBS) Why did you come back?

1861
01:48:50,464 --> 01:48:52,099
I came back for you.
(TITINA SCOFFS)

1862
01:48:52,166 --> 01:48:53,667
No, I... I did.

1863
01:48:54,301 --> 01:48:55,669
I came back for you.

1864
01:48:56,871 --> 01:48:58,305
I came back for my motivation.

1865
01:48:59,140 --> 01:49:00,141
Liar.
No, no

1866
01:49:00,207 --> 01:49:01,242
No, yeah.
No.

1867
01:49:02,743 --> 01:49:04,245
No, I'm not lying.

1868
01:49:09,016 --> 01:49:10,017
I'm sorry.

1869
01:49:26,700 --> 01:49:28,235
(GROANS) Whoa.

1870
01:49:29,103 --> 01:49:30,471
I'm strong?
Yeah.

1871
01:49:30,571 --> 01:49:31,639
Very st-- Yeah.
I know.

1872
01:49:31,739 --> 01:49:33,607
Ow, that actually hurt.
Mm.

1873
01:49:34,108 --> 01:49:35,076
All right. Ow.

1874
01:49:35,409 --> 01:49:38,045
Right on the funny bone.
No, not the funny bone, but...

1875
01:49:38,513 --> 01:49:39,713
<i>Citizens of the world.</i>

1876
01:49:39,814 --> 01:49:41,282
I stand before you today

1877
01:49:41,348 --> 01:49:42,683
as we face
our gravest challenge.

1878
01:49:43,117 --> 01:49:46,087
As I speak, an asteroid
the size of a small planet

1879
01:49:46,187 --> 01:49:48,589
<i>hurtles through space</i>
<i>directly at Mt. Vesuvius.</i>

1880
01:49:48,823 --> 01:49:50,559
<i>I ask the nations of the world</i>

1881
01:49:50,624 --> 01:49:53,894
<i>to unleash their nuclear</i>
<i>weapons at the asteroid...</i>
(INTENSE RUMBLING)

1882
01:49:54,895 --> 01:49:57,331
<i>...to destroy it</i>
<i>before it destroys us.</i>

1883
01:49:57,731 --> 01:49:59,266
May God be with us all.

1884
01:50:01,869 --> 01:50:03,671
(FABRIZIO CLEARS THROAT)

1885
01:50:06,107 --> 01:50:08,676
Maestro... (sighs)

1886
01:50:10,444 --> 01:50:11,745
With your permission.

1887
01:50:18,486 --> 01:50:19,687
And...

1888
01:50:20,421 --> 01:50:21,655
(IN ITALIAN)

1889
01:50:21,856 --> 01:50:25,192
(BOMBASTIC, JAZZY MUSIC PLAYING)

1890
01:50:28,462 --> 01:50:31,499
OMBRETTA: <i>Marcello.</i>
<i>They heard you. They listened.</i>

1891
01:50:31,600 --> 01:50:33,934
<i>They have sent</i>
<i>their entire nuclear arsenals</i>

1892
01:50:34,034 --> 01:50:37,905
<i>to destroy the asteroid.</i>
("SE BRUCIASSE LA CITTÀ"
PLAYING)

1893
01:50:50,784 --> 01:50:52,720
Marcello...
(AIR RAID SIREN WAILING)

1894
01:50:52,853 --> 01:50:54,388
Do you know what that means?

1895
01:50:54,955 --> 01:50:56,724
NIC: It means the world's safe.

1896
01:50:56,991 --> 01:51:00,194
And the super-volcano can sleep
for another million years.

1897
01:51:00,261 --> 01:51:01,262
No.

1898
01:51:02,329 --> 01:51:04,265
It means a new age of peace.

1899
01:51:05,600 --> 01:51:09,103
No more weapons. No more wars.

1900
01:51:09,236 --> 01:51:11,305
(SIREN WAILING)

1901
01:51:11,438 --> 01:51:13,542
(SONG PEAKS)

1902
01:51:14,041 --> 01:51:17,044
OMBRETTA: <i>Marcello! Look!</i>
<i>Another missile!</i>

1903
01:51:17,144 --> 01:51:19,280
NIC: Time to save
the world again.

1904
01:51:20,080 --> 01:51:20,948
(NIC GRUMBLES)

1905
01:51:21,048 --> 01:51:22,816
I'm gettin' too old
for this shit.

1906
01:51:26,053 --> 01:51:27,087
(GASPS)

1907
01:51:27,488 --> 01:51:28,489
Marcello!

1908
01:51:28,623 --> 01:51:33,595
(YELLS DRAMATICALLY)

1909
01:51:33,827 --> 01:51:35,696
(NIC GRUNTS, WHIMPERS)

1910
01:51:40,734 --> 01:51:42,503
(SONG CONCLUDES)

1911
01:51:42,604 --> 01:51:46,207
(AUDIENCE APPLAUDING,
CHEERING)

1912
01:51:47,107 --> 01:51:50,244
And finally, a clip
from our last nominee.

1913
01:51:52,581 --> 01:51:54,516
(SOBS)

1914
01:51:54,915 --> 01:51:56,784
NIC: (SOBBING) Sorry, Luigi.

1915
01:51:57,184 --> 01:51:59,621
I'm so sorry! (SOBS)

1916
01:52:00,020 --> 01:52:01,155
(JINGLE MUSIC PLAYING)

1917
01:52:01,455 --> 01:52:06,260
And the winner for the Best Rip
Your Heart Out Crying Scene...

1918
01:52:07,161 --> 01:52:11,732
from the first ever
neorealistic action film...

1919
01:52:12,433 --> 01:52:15,436
It's my man, Nic Cassino!

1920
01:52:15,537 --> 01:52:18,505
(TRIUMPHANT MUSIC PLAYING)
(CROWD CHEERS, APPLAUDS)

1921
01:52:26,347 --> 01:52:28,415
(CROWD CHEER)

1922
01:52:32,486 --> 01:52:33,921
Where's Papa?

1923
01:52:45,600 --> 01:52:47,201
FABRIZIO: Anybody?
(POUNDING ON DOOR)

1924
01:52:47,702 --> 01:52:49,270
(HANDLE RATTLING)
FABRIZIO: Please!

1925
01:52:49,370 --> 01:52:50,871
Do something!

1926
01:52:51,438 --> 01:52:53,073
Please!

1927
01:52:53,440 --> 01:52:54,775
Excuse me! (KNOCKS ON DOOR)

1928
01:52:54,875 --> 01:52:56,977
FABRIZIO:
The winner is in the toilet!

1929
01:52:57,111 --> 01:53:01,849
("MINE AIN'T YOURS" PLAYING)

1930
01:53:18,165 --> 01:53:21,101
<i>♪ It's your last chance</i>
<i>To reign ♪</i>

1931
01:53:21,502 --> 01:53:24,972
<i>♪ Till you fall down</i>
<i>On your knees ♪</i>

1932
01:53:25,973 --> 01:53:28,409
<i>♪ That isn't how you make it ♪</i>

1933
01:53:29,476 --> 01:53:32,012
<i>♪ Mine ain't yours for taking ♪</i>

1934
01:53:32,514 --> 01:53:35,182
<i>♪ Now you're to blame ♪</i>

1935
01:53:35,717 --> 01:53:38,352
<i>♪ For what's going on with me ♪</i>

1936
01:53:38,452 --> 01:53:39,754
<i>♪ You know ♪</i>

1937
01:53:39,853 --> 01:53:42,222
<i>♪ Your life's what</i>
<i>You've made it ♪</i>

1938
01:53:43,223 --> 01:53:45,926
<i>♪ Mine ain't yours for taking ♪</i>

1939
01:53:46,927 --> 01:53:49,196
<i>♪ You never have</i>
<i>To make it right ♪</i>

1940
01:53:49,296 --> 01:53:53,033
<i>♪ But how long</i>
<i>Can you be wrong? ♪</i>

1941
01:53:54,001 --> 01:53:57,572
<i>♪ Don't try to sing</i>
<i>The same old song ♪</i>

1942
01:54:00,908 --> 01:54:03,177
<i>♪ You're never tired</i>
<i>Of making fights ♪</i>

1943
01:54:03,277 --> 01:54:06,581
<i>♪ Tell me how long</i>
<i>Till you're gone ♪</i>

1944
01:54:07,682 --> 01:54:10,585
<i>♪ You never try to see</i>
<i>Eye to eye ♪</i>

1945
01:54:11,185 --> 01:54:14,455
<i>♪ Always looking for</i>
<i>A place to hide ♪</i>

1946
01:54:14,556 --> 01:54:16,857
<i>♪ That isn't how you make it ♪</i>

1947
01:54:17,858 --> 01:54:20,294
<i>♪ Mine ain't yours for taking ♪</i>

1948
01:54:34,375 --> 01:54:37,378
<i>♪ It's your last chance</i>
<i>To reign ♪</i>

1949
01:54:37,846 --> 01:54:41,115
<i>♪ Till you fall down</i>
<i>On your knees ♪</i>

1950
01:54:42,082 --> 01:54:44,552
<i>♪ That isn't how you make it ♪</i>

1951
01:54:45,720 --> 01:54:48,222
<i>♪ Mine ain't yours for taking ♪</i>

1952
01:54:48,823 --> 01:54:51,492
<i>♪ Now you're to blame ♪</i>

1953
01:54:51,793 --> 01:54:54,562
<i>♪ For what's going on with me ♪</i>

1954
01:54:54,662 --> 01:54:55,929
<i>♪ You know ♪</i>

1955
01:54:56,029 --> 01:54:58,332
<i>♪ Your life's what you make it ♪</i>

1956
01:54:59,768 --> 01:55:02,002
<i>♪ Mine ain't yours for taking ♪</i>

1957
01:55:03,103 --> 01:55:05,406
<i>♪ You never have</i>
<i>To make it right ♪</i>

1958
01:55:05,506 --> 01:55:08,576
<i>♪ But how long</i>
<i>Can you be wrong? ♪</i>

1959
01:55:10,077 --> 01:55:13,947
<i>♪ Don't try to sing</i>
<i>The same old song ♪</i>

1960
01:55:17,050 --> 01:55:19,353
<i>♪ You're never tired</i>
<i>Of making fights ♪</i>

1961
01:55:19,453 --> 01:55:22,690
<i>♪ Tell me how long</i>
<i>Till you're gone ♪</i>

1962
01:55:23,858 --> 01:55:26,661
<i>♪ You never try to see</i>
<i>Eye to eye ♪</i>

1963
01:55:27,428 --> 01:55:30,297
<i>♪ Always looking</i>
<i>For a place to hide ♪</i>

1964
01:55:30,397 --> 01:55:33,100
<i>♪ That isn't how you make it ♪</i>

1965
01:55:34,034 --> 01:55:36,470
<i>♪ Mine ain't yours for taking ♪</i>

1966
01:56:19,012 --> 01:56:21,215
<i>♪ You never have</i>
<i>To make it right ♪</i>

1967
01:56:21,315 --> 01:56:24,451
<i>♪ But how long</i>
<i>Can you be wrong? ♪</i>

1968
01:56:25,687 --> 01:56:29,423
<i>♪ Don't try to sing</i>
<i>The same old song ♪</i>

1969
01:56:32,493 --> 01:56:34,896
<i>♪ You never try</i>
<i>To make it right ♪</i>

1970
01:56:34,995 --> 01:56:38,432
<i>♪ Tell me how long</i>
<i>Till you're gone ♪</i>

1971
01:56:39,366 --> 01:56:42,336
<i>♪ You never try to see</i>
<i>Eye to eye ♪</i>

1972
01:56:43,070 --> 01:56:45,974
<i>♪ Always looking</i>
<i>For a place to hide ♪</i>

1973
01:56:46,073 --> 01:56:48,510
<i>♪ That isn't how you make it ♪</i>

1974
01:56:49,677 --> 01:56:51,779
<i>♪ Mine ain't yours for taking ♪</i>

1975
01:56:52,881 --> 01:56:55,249
<i>♪ That isn't how you make it ♪</i>

1976
01:56:56,350 --> 01:56:59,052
<i>♪ Mine ain't yours for taking ♪</i>

1977
01:57:08,495 --> 01:57:10,765
(SONG CONCLUDES)