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Official YIFY movies site:
YTS.MX
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Thank you very much.
How're you guys doing?
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Welcome to Subtract.
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So, the origins of this album,
I know I've written about it online,
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but, like, when I finished Plus,
my debut album,
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the next album I was gonna make
was Subtract.
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And I went in with Rick Rubin
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and we started recording
this acoustic album
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and it just sort of morphed into Multiply,
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because I don't think I was probably ready
to make an acoustic album.
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I wanted to, you know,
make "Sing" with Pharrell,
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and "Thinking Out Loud," and "Photograph,"
and do all this sort of stuff.
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And then, after that came Divide.
And after Divide,
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I really wanted to make Subtract,
but it also morphed into Equals
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in the pandemic,
and I wanted to come out of the pandemic
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with "Bad Habits" and have a song
to make people dance and stuff.
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So I'd been putting together this record
over a decade
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with all my favorite acoustic songs
that I'd written over the last decade.
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And it was slated to be put out this year.
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And then at the beginning of last year,
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I probably had the darkest month
of my life,
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and it made me address lots of things.
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And I'd met Aaron previously.
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Everyone, make some noise
for Mr. Aaron Dessner, over there.
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And I'd met Aaron through Taylor.
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Taylor had hooked me
and Aaron up on email.
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And then me and Aaron went for dinner.
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This is, like, November 2021.
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Me and Aaron went for dinner, and,
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I was telling him I'm just about
to put out this album, Subtract.
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But after that,
I would love to try something different,
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maybe with electric guitars,
blah-blah-blah.
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And he sent me a bunch of instrumentals.
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And I sort of s-- Had them for a while,
and I was like,
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"I'll get to them eventually,
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but, you know, I'm gonna put out
Subtract and do all of that."
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And then February happened,
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and I basically wrote over
all these instrumentals.
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We got in the studio and we finished it.
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And what has come out of it is actually
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what Subtract was always meant to be,
which is this record.
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So I'm gonna play it in full,
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all the songs,
and explain stories behind them.
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This song is called "Salt Water."
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It's basically, like, I've had, you know,
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ups and downs throughout my life
since I was very, very young.
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And, you know, as I've got older
and become a parent, those ups and downs,
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you feel more ashamed about because,
you know, you hate thinking dark,
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dark thoughts when you have children
to look after.
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But this is a song which basically
encapsulates all of that "what if?"
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And it's called "Salt Water."
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So, the last time I was in this venue,
it was with my friend Jamal.
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We came to a comedy show here
and we sat that side of stage and...
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yeah, it's kind of weird being back here
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for the first time since then.
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This next song was inspired by Jamal.
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But, you know, now it's out.
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I find, like, as I said earlier,
like, music,
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when I write, it belongs to me.
When I release it, it belongs to you guys.
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And I really felt-- Like, the first time
that I played this song ever,
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I cried. I cried when I introduced it,
I cried when I sung it,
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I cried at the end. And I'm gonna cry now.
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We love you, Ed!
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This will happen a lot in the gig,
by the way.
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But I found this song,
like, super, like, cathartic to write
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and put out there, 'cause it's kind of--
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****. I know this is being filmed.
Let's just--
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I found over the last, like,
two days with, like,
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people sharing their stories
and stuff, it's been, like,
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obviously heartbreaking
reading everyone's stories,
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but it's just something
that we all go through.
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It's like--
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Apple, when you're editing this,
just make it smooth.
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Yeah, it's just, I mean,
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that's the thing I realized
when all these things happened last year.
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It's just, like... It's just being an adult,
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like, this **** just happens,
and everyone goes through it.
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Three songs in. Wow.
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This is "Eyes Closed."
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Can you count in?
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One, two, three, four.
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You know, it's weird 'cause this,
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you know, I sing songs all the time,
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but this is, like, real-life stuff
that's happened,
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so I'm sorry that real-life emotions
got in the way on stage.
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So, this next song is a song called
"Life Goes On," and,
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I felt like when Jamal passed away,
I wanted the world to
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stop like it did for the Queen.
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You know, when the Queen passed away
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and the whole world
just stopped for a day?
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And it sort of did. It sort of did.
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Everyone sort of gathered together
for that one day and then the next day,
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you know, everyone sort of got back
to their lives.
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And I know that's, again, a normal thing.
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People have jobs, people have things
that they have to do.
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But I just didn't feel ready to,
and I still don't feel ready to.
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I feel, like, you know,
grief is one of these things
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that you're kind of expected to feel sad
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for two weeks, a month, or whatever.
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And then after that point, you know,
everyone rallies around you
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for the first couple of weeks,
and then after that point,
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you just sort of have to get on with it.
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And we're a year on, and, you know,
I'm not over it.
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And I don't want to be.
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I like feeling emotion for it.
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It makes me feel-- It makes me feel,
and I think that's a good thing.
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So,
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In my experience,
the worst thing for the vocal cords,
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at any point, is to cry.
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They sound dreadful.
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So, Apple, again, be kind.
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This is "Life Goes On."
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So, I have two amazing daughters,
who are fabulous.
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But when all this was going on,
I had one and a half
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because one of them was in a womb.
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But it's amazing, like, kids,
I mean, they do know what's going on,
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but they also don't know/care.
If that makes sense.
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So I would, like, go to bed crying
and wake up with an amazing, you know,
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ball of energy just being like,
"Hi! Let's do stuff."
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And, it's a real juxtaposition to have,
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you know, real darkness at night
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and then wake up
with just a beautiful girl
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who just wants to listen to music
in the morning.
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And all throughout this, you know,
I'd get up with my daughter
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and we'd pick a record
and we'd put a record on.
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We'd eat breakfast
and it would just be great.
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Just, like, really great.
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And that's how this song came about.
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We'd put on Dusty in Memphis and...
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You know, my daughter has good taste.
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And this song's called "Dusty."
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I was just saying to Aaron, like...
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when we made that song
it was obviously, like, joyous.
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And when I was putting
the track list together, I was like...
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Heavy, heavy, heavy, heavy, heavy...
Put some joy in. Joy.
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Now we get back to the heaviness.
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So the thing that I realized most
from grief is that,
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the moment you become an adult
is when that happens.
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Because it's, you know, the first time
you're sort of dealing with--
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I mean, it's not just grief,
it's any real-life situation.
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That is the moment you become an adult.
It forces you to just become an adult.
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And what I realized
in that situation is I had so many friends
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in school that, you know,
lost parents when they were teenagers
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or people that lost parents
when they were, like, three or four.
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And they have to deal with
that real life-ness at that age
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and become adults at that age.
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And it literally just ends your youth
in its tracks.
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Just stops it. Just ends the youth.
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So you can be 12 years old
and your youth is over,
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you have to deal with real life and...
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You know, it really got me thinking.
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It got me talking to mates
that had gone through that.
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And talking to them about it
and how it was.
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And, I wrote this song,
called "The End of Youth" which is,
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you know, the lyric is,
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"We spend our youth with arms
and hearts wide open
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and then the dark gets in
and that's the end of youth."
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And I really feel that.
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I really feel like the moment
you start feeling darkness,
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your youth ends. But... Cheery. Here we go.
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Though I find being in love is,
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you know, it's a wonderful thing,
it's not necessarily a fairy tale.
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Like, love you have to work at.
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Marriage you have to work at,
and it's different shades of color
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every single day.
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You have some days
where you are bright red anger.
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Some days where it's just blue calm.
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Some days where it's fiery passion.
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You know,
it's like a wide spectrum of colors.
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And...
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The-- This song
is basically written about that.
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That when you're in love,
you're essentially--
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you can see through all of it
and be color-blind.
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So this song is called "Colourblind,"
basically.
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I feel like when you're going through
periods of your life
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where you're feeling
really deep depression,
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you tend to shut the world out,
which is probably the wrong thing to do,
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but it just always feels
like the only thing to do.
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You draw the curtains, close the door.
I don't wanna speak to anyone.
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Leave me alone, basically.
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And I'm fortunate enough to have
lots of brilliant people in my life,
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lots of really kind friends,
my wife, my parents.
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And, you know, there's always someone
there to help draw the curtains
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and let in the sunshine.
And this is what this song is about.
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It's called "Curtains."
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Thanks.
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How's everyone feeling?
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I'm really, really proud of this album.
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This is the first-- I'm, like, so grateful
to these players for being on stage.
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It's the first time
I've played an album in full.
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I'm so honored that we're doing it
at the Apollo.
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And these guys are just
fan-****-tastic.
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Can you give everyone
a round of applause, please?
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I feel so lucky.
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I feel so lucky and honored to play
with you guys. Thank you.
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And if you didn't know, so,
the reason that it-- I mean--
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I was gonna say the reason
it sounds like the record.
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You haven't even heard the record.
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The reason it sounds like the record
is these guys played on the record,
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so we're literally recreating exactly
what Aaron made in the studio,
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which is cool.
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So this next song is called "Borderline."
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I had some other stuff go on
around February last year.
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There were some health scares
with someone I love really dearly.
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And, I rung up Aaron and I said,
"I've just found out this news.
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Could you send me
some more instrumentals?"
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And he sent me seven instrumentals,
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and I sent him back, in probably,
like, three hours, seven songs.
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And this was the first one.
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The first line is,
"Sadness always finds an in."
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And I really do believe that.
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Even if you're having a great day,
there's always a way--
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Sorry, this is rea--
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This is really-- You guy--
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We finished with "Bad Habits"
and went straight in with this.
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But, yeah. I just find...
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I'm just gonna sing it.
It's called "Borderline."
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Cheers, mate.
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Right.
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So this next song is called "Spark"
and it's basically about-- I feel--
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I feel like life's in chapters
and getting--
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I don't know, feeling
reminiscent can sometimes be a bad thing
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because you keep yourself
in the last chapter.
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And I feel like it's all about--
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I don't know.
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You know, in movies,
when people have those breakups,
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and they put everything into the fire,
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and they go, "And it's a new dawn
and blah-blah-blah."
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I feel that's a healthy thing sometimes,
to just move on and just be like,
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"That was that. And this is now."
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And,
the lyrics to this chorus are, you know,
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00:45:37,696 --> 00:45:39,615
"We'll build a fire,
and we'll torch our old life
234
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and hope the original spark
of what made it amazing survives,
235
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and we'll just move on from it."
But, yeah. This is "Spark."
236
00:49:26,800 --> 00:49:30,804
So it was pouring with rain
when Aaron sent me all these songs.
237
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And the first lines of this song is,
"Rain keeps beating on the rooftop,
238
00:49:34,975 --> 00:49:37,144
muddying the glass but,
God, I love the sound of heaven."
239
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And, yeah, this is a song,
240
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another song that was written
in that batch along with "Borderline."
241
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And along with the next two.
Well, the next one, at least.
242
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And it's called "Vega."
243
00:49:48,071 --> 00:49:53,911
The Vega is the brightest star
in the Lyra constellation which--
244
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which I found quite cool.
245
00:49:55,245 --> 00:49:59,791
I kind of, like-- It's-- I found it
really weird writing to Aaron's music
246
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'cause what happens with Aa--
247
00:50:02,002 --> 00:50:07,257
Aaron basically sends a fully formed song,
essentially. And you write over it.
248
00:50:07,257 --> 00:50:09,843
And usually I would be in the studio
and I would get--
249
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I would pick up a guitar and I'd go,
"Right, what do we write about today?
250
00:50:13,472 --> 00:50:14,556
We're doing...
251
00:50:16,141 --> 00:50:18,685
Okay, is that a good line? Is it 'bad
habits lead to late night,' or is this..."
252
00:50:18,685 --> 00:50:20,687
And you kind of go back and forth,
and you bounce ideas
253
00:50:20,687 --> 00:50:23,315
and that's the collaborative process
that I've usually done,
254
00:50:23,315 --> 00:50:26,026
whereas this collaborative process
is Aaron going, like,
255
00:50:26,527 --> 00:50:30,531
"Just write what you feel."
And I found words pouring out.
256
00:50:30,531 --> 00:50:33,075
And some of them, I was like,
"What does that even mean?
257
00:50:33,075 --> 00:50:35,577
'It burns like hell to be Vega.'
Like, what--"
258
00:50:35,577 --> 00:50:38,580
But it was just a line
that just came out of my mouth
259
00:50:38,580 --> 00:50:39,957
whilst writing this song.
260
00:50:39,957 --> 00:50:45,087
And, you know, this song probably took
as much time to write as the song itself.
261
00:50:45,087 --> 00:50:47,881
Like, it just fell out.
And I can't describe it.
262
00:50:47,881 --> 00:50:52,219
Aaron's music has songs
in it that you just have to...
263
00:50:52,219 --> 00:50:54,888
You know, like in Harry Potter,
when it's the Pensieve,
264
00:50:54,888 --> 00:50:56,431
and you take that bit out.
I find, like, that--
265
00:50:56,431 --> 00:50:59,643
Aaron's song is Dumbledore's mind
basically. And you just,
266
00:51:00,394 --> 00:51:02,855
take it out. But yeah.
267
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So this is "Vega."
268
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So, that day,
269
00:54:12,711 --> 00:54:14,630
we got the news,
270
00:54:15,881 --> 00:54:17,716
I got sent all these songs,
271
00:54:18,383 --> 00:54:20,844
and we were driving up to a specialist,
272
00:54:22,054 --> 00:54:25,265
in North London to sort of
get results and scans
273
00:54:25,265 --> 00:54:28,143
and work out what the next steps were.
274
00:54:28,143 --> 00:54:31,021
And I wrote this song.
275
00:54:31,021 --> 00:54:34,775
Basically, I just find, like,
we're born into life with love.
276
00:54:34,775 --> 00:54:36,985
Our parents love us,
and we're born in love,
277
00:54:36,985 --> 00:54:41,865
and hopefully we leave the same way.
But, yeah, this is called "Sycamore."
278
00:57:32,995 --> 00:57:33,996
Thank you.
279
00:57:37,833 --> 00:57:40,627
So, my dad said to me when I got married--
280
00:57:40,627 --> 00:57:45,924
He said, "You will not know
what real love and marriage is
281
00:57:45,924 --> 00:57:50,596
until there's death and there's
real sickness."
282
00:57:50,596 --> 00:57:52,347
And he said this because,
283
00:57:53,056 --> 00:57:55,058
that happened
when he first married my mum.
284
00:57:55,058 --> 00:57:58,061
There was real, real grief
that happened in the family,
285
00:57:58,061 --> 00:58:00,898
and real, real sickness that also
then ended up in grief
286
00:58:00,898 --> 00:58:02,649
that they both had to go through,
287
00:58:02,649 --> 00:58:04,443
and he said that that
really brought them together.
288
00:58:04,443 --> 00:58:06,945
And he just said, "Once that happens,
it's an unbreakable bond,
289
00:58:06,945 --> 00:58:09,114
and you can't ever break it."
290
00:58:09,114 --> 00:58:15,037
And, you know, I've been married now
almost five years, and the--
291
00:58:15,954 --> 00:58:18,207
You know,
I've always felt real, real closeness,
292
00:58:18,207 --> 00:58:23,462
but last year was when
that sort of unbreakable bond was made.
293
00:58:23,462 --> 00:58:27,090
And I know you should feel
that before with, you know, marriage
294
00:58:27,090 --> 00:58:28,759
and then children and blah-blah-blah,
295
00:58:28,759 --> 00:58:32,638
but I really feel
like we got through 2022,
296
00:58:32,638 --> 00:58:34,473
we can get through anything basically.
297
00:58:39,311 --> 00:58:41,230
And I wanna say, like, we're nearing--
298
00:58:41,230 --> 00:58:43,941
we're nearing the end of Subtract now.
There's two more songs.
299
00:58:43,941 --> 00:58:48,111
Thank you for sitting through this
therapy session.
300
00:58:51,782 --> 00:58:54,409
This is my favorite song on the album.
301
00:58:54,409 --> 00:58:57,079
Might be one of my favorite songs
I've ever written.
302
00:58:57,829 --> 00:58:59,248
And it's called "No Strings."
303
01:01:49,418 --> 01:01:50,460
Thanks.
304
01:02:02,514 --> 01:02:05,350
Well, this has been
a roller coaster of emotions.
305
01:02:05,350 --> 01:02:07,311
Thank you very much for coming.
306
01:02:07,311 --> 01:02:09,104
Thank you to Apple Music
for putting it on.
307
01:02:09,104 --> 01:02:13,609
And, yeah, thanks for not filming,
308
01:02:13,609 --> 01:02:17,321
being cool, listening.
Just, yeah, being sound.
309
01:02:17,321 --> 01:02:21,116
I was hyper-nervous
before I went on stage.
310
01:02:21,116 --> 01:02:24,828
I was like, "You're not gonna cry."
And three songs in, I did.
311
01:02:25,954 --> 01:02:31,210
But, yeah-- As I said, like,
this isn't a fabricated thing.
312
01:02:31,210 --> 01:02:34,838
We're, like-- This is my real life.
You all have real-life things.
313
01:02:34,838 --> 01:02:37,674
And hopefully when this comes out,
you can connect to it,
314
01:02:37,674 --> 01:02:40,761
and then
I don't have to think about it anymore.
315
01:02:42,012 --> 01:02:43,680
But, yeah, thank you so much for coming.
316
01:02:43,680 --> 01:02:46,517
I just want to say
before we do this last song,
317
01:02:46,517 --> 01:02:51,271
and I know I've said it before,
but these musicians are, like, the best.
318
01:02:51,271 --> 01:02:52,481
They are the best.
319
01:02:52,481 --> 01:02:57,110
So thank you so much for playing
with me and making this come to life.
320
01:03:00,197 --> 01:03:02,074
And, yeah, like, Aaron--
321
01:03:03,200 --> 01:03:07,746
Aaron is really, like--
He just gets me. And he gets emotion,
322
01:03:07,746 --> 01:03:11,333
and he has a massive heart
that comes through the music.
323
01:03:11,333 --> 01:03:14,419
And it's an honor to stand on stage
with you and play. Thank you.
324
01:03:20,676 --> 01:03:23,846
So this last song is the oldest song.
325
01:03:25,514 --> 01:03:27,182
I wrote this ten years ago.
326
01:03:29,393 --> 01:03:31,061
And it was always gonna end Subtract.
327
01:03:31,061 --> 01:03:34,398
On my version of Subtract that I had,
this was always the last song.
328
01:03:34,940 --> 01:03:37,526
And I felt--
When we put the album together,
329
01:03:37,526 --> 01:03:40,904
and it ended with "No Strings,"
I sort of felt it was a bit--
330
01:03:41,655 --> 01:03:45,659
You know, it sort of ends in the world
of grief and pain
331
01:03:45,659 --> 01:03:47,286
and depression and stuff like that.
332
01:03:47,286 --> 01:03:53,792
And I thought it would be really nice to
ease the audience out with a song.
333
01:03:53,792 --> 01:03:56,628
So this is a song that I wrote
for Subtract.
334
01:03:56,628 --> 01:04:00,465
I wrote it up in a beautiful
Highland town called Aberfeldy,
335
01:04:00,465 --> 01:04:02,009
which makes great whiskey as well,
336
01:04:02,509 --> 01:04:05,345
with my friend Foy Vance,
337
01:04:05,345 --> 01:04:08,515
who has been a collaborator
for God knows how long.
338
01:04:09,892 --> 01:04:11,560
And, yeah,
it's the last song on the album.
339
01:04:11,560 --> 01:04:14,563
It's meant to gently take us out.
Thank you so much for coming.
340
01:04:14,563 --> 01:04:16,148
Thank you to Hammersmith.
341
01:04:16,148 --> 01:04:17,357
Thank you to Apple Music.
342
01:04:18,275 --> 01:04:20,110
Thank you to Aaron and the band.
343
01:04:20,694 --> 01:04:24,615
And I really appreciate it. Thank you.