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Do you want
to see what the world is really like? Yes,

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I find the world a complicated place.

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Three.

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We imagine a future, too,
in our imaginings horrify us.

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Stop.

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There's going to be some changes made.

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I love people so much.

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It's hard for me to be a little fella.

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I need you here.

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People want to love you.

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You should let them love all of you.

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Humans only have one ending.

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Ideas do forever.

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Imagine
knowing that you could do something

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that only you could do.

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The world.

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But remember this day.

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Close your eyes.

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Now. Feel.

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You're so beautiful.

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I know.

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I was just thinking that

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I haven't eaten in three weeks.

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I'm so hungry.

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I have to go host the Oscars.

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Live from the Dome

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in Hollywood.

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Please welcome tonight's
host, Jimmy Kimmel.

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Hi, everybody.

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Well, it's very nice.

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Thank you.

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Thank you very much.

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Thank you for that partial
standing ovation.

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And welcome to the 96th Oscars, everybody.

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Look at these beautiful human actors.

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What an honor it is to be here.

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Thank you for having me back.

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And congratulations
to each and every one of you

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for making it to the Academy Awards
and for making it on time.

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The show, as you know,
is starting an hour early this year.

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But don't worry,
it will still and very, very late.

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In fact, we're already 5 minutes over.

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And I am not joking.

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I'm not going to lie.

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It's going to be a long night after
what was a long year.

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It was a hard year,
but it was also a great year for movies.

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Despite the fact that everything
stopped the people in this room

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somehow managed to come up
with so many excellent films

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and so many memorable performances.

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This night is full of enormous talent and
untold potential, but so was Madam Web.

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So who knows?

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Are we off to a bumpy start?

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Okay.

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This is a meaningful occasion
for most of you.

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I know that.

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And I know that winning an Oscar

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is something you dreamed about
since you were a kid.

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And now here we are,
all dressed up, celebrating

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the best of the best, beginning
with the biggest movie of the year.

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Barbie.

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Barbie was a monster hit.

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What a thing.

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What an achievement to take a plastic doll
nobody even liked anymore.

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I mean, my wife.

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Before this movie,

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you'd have had a better chance
of getting my wife to buy our daughter

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a pack of Marlboro
Reds than a Barbie doll.

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Now, Barbie's a feminist icon, thanks to

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Greta Gerwig, who many believe deserved
to be nominated for best director.

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Hello.

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I know you're clapping,
but you're the ones who didn't vote for

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her, by the way.

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Don't
act like you had nothing to do with this.

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And I don't want to leave out Margot.

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Robbie.

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Margot, put this giant hit together. Me?

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You did? Margot.

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Robbie and Ryan Gosling are here tonight.

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Look, kids, it's Barbie and Ken sitting
just near each other.

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Ryan.

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Margot, I want you to know that
even if neither one of you wins

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the Oscar tonight, you've both already won
something much more important.

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The genetic lottery.

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Ryan, you are so hot.

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Let's go camping together
and not tell our wives.

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And then we have the other major
box office winner This year,

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Oppenheimer
directed by the great Christopher

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Nolan, also a very attractive man.

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And this
is a very it's a fascinating person.

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Christopher
Nolan doesn't have a smartphone.

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He doesn't use email.

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He and he writes his scripts on a computer
with no Internet connection,

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which is a powerful way of saying,
I will not allow my porn addiction

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to get in the way of my work.

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Christopher is joined by his longtime

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collaborator, Kilian Murphy,
who is just wonderful.

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Kilian is

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interesting fact about his name.

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It's pronounced Kilian.

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When he does drama.

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When he does comedy, it's Cillian

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and congratulate Sicilians costar
Robert Downey Jr, who is this

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night is

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this is the highest point

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of Robert Downey
Junior's long and illustrious career.

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Well, one of the highest points,

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but Robert has been a

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was too
on the nose was out a drug motion you may

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but look at him

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I mean look at this guy He's so handsome,
so talented.

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He's won every award there is to win.

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Is that an acceptance
speech in your pocket or do you just have

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a very rectangular penis?

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What a story.

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Not even 20 years ago, things
weren't going that great for Robert.

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He played the villain.

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And correct me if I have this wrong

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in a movie
where Tim Allen turns into a dog, Right?

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And if you ever decide to remake that
film, I'm

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just the guy to play Tim Allen that is.

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Where is he?

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Messy, who,

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even though he's a dog,

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may have given the performance of the year
in Anatomy of a Fall mess?

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He has an overdose scene.

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If you've seen it, you know,
it is incredible.

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Honestly, I haven't seen a French actor eat vomit like that since Gerard Depardieu,

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the second
most nominated movie of the year

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is Poor Things,
directed by Yorgos Lanthimos,

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various.

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Not only is Yorgos

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nominated for best director, his editor,
whose name is also Yorgos.

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Yorgos Rob. Sarita is nominated too.

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We have to Yorgos is in the house tonight.

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Will they both win?

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Yorgos is as good as mine.

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All right,

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let's get 20 seconds for room tone.

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Emma Stone is an Oscar
nominee for a fifth time, right?

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The fifth time this year.

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And she is. Emma, you are.

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You are so unbelievably
great in four things.

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Emma played an adult woman
with the brain of a child like the lady

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who gave the rebuttal to the State
of the Union on Thursday night and.

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And you were just amazing.

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There are so many great movies
that held audiences captive this year,

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and I mean that literally.

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Your movies were too long this year.

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The average length of the top
ten movies was 2 hours and 23 minutes.

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That's up 30 minutes from three years ago.

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When I went to see Killers of the Flower
Moon.

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I had my mail forwarded to the theater.

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Killers of the

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Flower Moon is so long
in the time it takes you to watch it,

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you could drive to Oklahoma
and solve the murder of yourself.

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The multi-talented Brad
Bradley Cooper is here with us

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tonight with his He's
got another best picture nominee.

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Maestro Bradley,
you brought your mom to the show tonight.

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Hi, Mrs. Cooper. How are you?

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You're doing good. Great.

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Bradley brings his mother to every award
show, right?

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Who's dated last year at the Oscars
at not Okay, but

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and the Tonys
and the Soul Train Awards, etc..

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It's very sweet.

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But I guess the question is,
how many times can one bring his mom

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as his date
before he is actually dating his mom?

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Are you working on a movie
about Freud right now and not telling us?

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Here's some fun Oscar trivia.

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48 years ago, Robert De Niro and Jodie
Foster were nominated

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for Taxi Driver
and they are both nominated again tonight.

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1976 was the

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one that's 23.

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In 1976,

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Jodie Foster is young enough
to be Robert De Niro's daughter.

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Now she's 20 years too
old to be his girlfriend.

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I also want to congratulate Robert's
costar Lily Gladstone,

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who is the first Native American ever

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to be nominated for best actress

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and see

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for Killers of the Flower Moon.

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And if you saw it, you know,
that year was riveting.

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And did you know that
before she got this movie,

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Lily was ready to quit acting
and take a job at the Department

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of Agriculture
tracking murder Hornets, right?

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Yeah.

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And now she's nominated for an Oscar,
which is so great for her,

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but also makes me worry that no one's
tracking these murder hornets.

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Lily is an excellent company.

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We have many first time acting nominees
tonight, including Emily Blunt,

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Jeffrey Wright, Sterling K Brown,

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America Ferrera, America.

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Daniel Brooks, Colman Domingo,

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David Joy Randolph, and Sandra Bullock.

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For the first time
ever, three foreign language films are up

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for best Picture, and two of them
star Sandra Huler, which is

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in Sandra

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two movie Sandra plays a woman on trial
for murdering her husband

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in Anatomy of a Fall

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and a Nazi housewife living
next to Auschwitz in the zone of interest.

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And while these are very heavy subjects
for American moviegoers

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in Sandra's native Germany,
they're called romcoms.

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For the first time in

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more than two decades,
we're adding a new category to the Oscars.

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Not tonight.

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00:10:54,840 --> 00:10:55,360
Don't worry.

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In the future, they will be adding
an Oscar for achievement in casting,

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which, yeah,
you better you'd better applaud for that.

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00:11:05,520 --> 00:11:08,400
And that is great news for actors
because now not only will be able

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00:11:08,400 --> 00:11:11,680
to watch someone else win
an Oscar for a part you didn't get,

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00:11:11,760 --> 00:11:15,160
you'll also be able to watch the person
who didn't think you were right for it.

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Win one, too.

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00:11:17,120 --> 00:11:18,080
What a year we've had.

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00:11:18,080 --> 00:11:19,080
It was a tough year.

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00:11:19,080 --> 00:11:28,600
Remember that kid from the fable means
this is what he looks like now.

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Very good to have you here, Steven.

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00:11:33,080 --> 00:11:35,880
Stephen, are you nominated tonight
or are you here because you have season

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00:11:35,880 --> 00:11:38,880
tickets?

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00:11:38,920 --> 00:11:41,520
Steven and his wife,
Kate Capshaw, donated a lot of money

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00:11:41,520 --> 00:11:44,520
to help actors and writers
who are out of work over the summer.

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00:11:44,520 --> 00:11:48,920
We were on strike for a long time
for 148 days.

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00:11:49,000 --> 00:11:52,040
For five months,
this group of writers, actors,

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00:11:52,200 --> 00:11:56,440
directors, the people actually make
the film said, We will not accept a deal.

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00:11:56,480 --> 00:11:57,720
Well, not the directors.

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You guys folded immediately,
but the rest of us

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00:12:01,320 --> 00:12:04,120
said we will not accept the deal
without protections

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00:12:04,120 --> 00:12:06,000
against artificial intelligence.

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00:12:06,000 --> 00:12:11,560
And as a result, actors no longer have
to worry about getting replaced by A.I..

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Thanks to this historic agreement,
actors are now able to go back

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00:12:15,480 --> 00:12:18,600
to worrying about being replaced
by younger, more attractive people.

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And I think that's great. And writers.

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I have written Transformers
Rise of the Beasts.

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Yes, the answer is yes.

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00:12:27,360 --> 00:12:29,920
We learned a lot
while we were out on those picket lines.

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00:12:29,920 --> 00:12:33,120
This strike raised existential questions
about our industry,

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00:12:33,120 --> 00:12:37,840
like if a movie premieres at The Grove and
there are no actors there to promote it.

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00:12:37,920 --> 00:12:42,040
Does Mario Lopez make us sound?

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00:12:42,120 --> 00:12:43,840
And now that the strike is over,

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00:12:43,840 --> 00:12:45,320
now that Fran Drescher

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00:12:45,320 --> 00:12:49,200
has returned to her volunteer work,
reading loudly to the hearing impaired,

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00:12:49,280 --> 00:12:54,080
we can be proud of the fact that this long
and difficult work stoppage taught us

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00:12:54,160 --> 00:12:56,960
that this very strange town of ours,
as pretentious

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00:12:56,960 --> 00:13:00,480
and superficial as it can be at its heart,
is a union town.

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00:13:00,480 --> 00:13:05,360
It's not just a bunch of heavily
Botoxed, Hailey, Bieber, smoothie,

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00:13:05,360 --> 00:13:09,600
drinking, diabetes, prescription
abusing, gluten sensitive nympho

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00:13:09,640 --> 00:13:12,600
babies
with perpetually shivering Chihuahuas.

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00:13:12,600 --> 00:13:15,760
This is a coalition of strong,
hardworking,

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00:13:15,760 --> 00:13:20,160
mentally tough American laborers,
women and men who had 100%

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00:13:20,160 --> 00:13:24,680
for sure die if we even had to
touch the handle of a shovel.

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00:13:24,760 --> 00:13:26,520
But the reason we were able to make a deal

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00:13:26,520 --> 00:13:28,560
is because of the people
who rally beside us.

251
00:13:28,560 --> 00:13:30,440
So before we celebrate ourselves,

252
00:13:30,440 --> 00:13:33,840
let's have a very well deserved
round of applause for the people who work

253
00:13:33,840 --> 00:13:39,280
behind the scenes the Teamsters,
the truck drivers, the lighting for sound

254
00:13:39,360 --> 00:13:42,000
gaffers, grips.

255
00:13:42,000 --> 00:13:46,000
That's why all the people refused
to cross the picket lines.

256
00:13:46,080 --> 00:13:49,000
Here they are.

257
00:13:49,000 --> 00:13:52,200
If you're wearing Sketchers to the Oscars,
take a bow.

258
00:13:52,200 --> 00:13:52,960
Come on, guys.

259
00:13:52,960 --> 00:13:54,120
Take a bow.

260
00:13:54,120 --> 00:13:56,160
Applebaum, you deserve it.

261
00:13:56,160 --> 00:13:59,760
Thank you for standing with us.

262
00:13:59,840 --> 00:14:06,240
And also, we want you to know that

263
00:14:06,320 --> 00:14:07,400
in your upcoming

264
00:14:07,400 --> 00:14:11,080
negotiations, we will stand with you, too.

265
00:14:11,160 --> 00:14:15,000
And also, I'm going to make sure
this show was really long tonight.

266
00:14:15,000 --> 00:14:17,800
So you get a ton of overtime.

267
00:14:17,880 --> 00:14:19,880
It's golden time, everybody.

268
00:14:19,880 --> 00:14:21,960
Should we give out some Oscars?

269
00:14:21,960 --> 00:14:22,560
All right.

270
00:14:22,560 --> 00:14:24,240
We have surprises planned

271
00:14:24,240 --> 00:14:27,720
for each of the acting categories tonight,
five surprises, in fact.

272
00:14:27,960 --> 00:14:36,040
And we're going to kick it off with
the Oscar for actress in a supporting role

273
00:14:36,120 --> 00:14:37,280
in the Oscar days

274
00:14:37,280 --> 00:14:41,920
to Mary Steenburgen, Lupita Nyong'o,
Jamie Lee,

275
00:14:42,000 --> 00:15:11,840
Rita moreno, Regina King.

276
00:15:11,920 --> 00:15:14,960
So I am thrilled to be back on this stage

277
00:15:14,960 --> 00:15:18,760
to present this year's
best Supporting Actress Oscar.

278
00:15:18,760 --> 00:15:22,240
And I am beyond proud to be able to talk

279
00:15:22,360 --> 00:15:25,360
about one of my besties

280
00:15:25,400 --> 00:15:29,920
so inspired
Jodie Foster brings a physical intensity

281
00:15:30,000 --> 00:15:35,160
coupled with deep concern
and care as Bonnie Stoll to Diana

282
00:15:35,160 --> 00:15:40,560
Nyad's fierce best friend,
motivator and serious ask kicker.

283
00:15:40,640 --> 00:15:43,320
And speaking from personal experience,

284
00:15:43,320 --> 00:15:47,400
All of those qualities are very real about
Jodie as well.

285
00:15:47,480 --> 00:15:51,480
There is no one you would
rather have your back

286
00:15:51,560 --> 00:16:06,200
than the multitalented Jodie Foster

287
00:16:06,280 --> 00:16:08,760
in the last moments of Oppenheimer.

288
00:16:08,760 --> 00:16:12,080
Emily Blunt character Kitty Fisher.

289
00:16:12,160 --> 00:16:15,440
Oppenheimer refuses to shake the offered

290
00:16:15,440 --> 00:16:18,760
hand of the man who betrayed her husband.

291
00:16:18,840 --> 00:16:24,040
Though it was years later,
her eyes have lost none of their fury.

292
00:16:24,120 --> 00:16:26,680
If you saw only that extraordinary moment,

293
00:16:26,680 --> 00:16:31,120
you wouldn't know why
Emily Blunt is nominated tonight.

294
00:16:31,200 --> 00:16:35,040
Emily, I am so proud to be your friend.

295
00:16:35,040 --> 00:16:39,280
And I am shaking my head in wonder
at the beautiful,

296
00:16:39,360 --> 00:16:43,480
heartbreaking
and hell bent DAX that you brave to play.

297
00:16:43,480 --> 00:16:55,320
Kitty Oppenheimer.

298
00:16:55,400 --> 00:16:56,480
When we meet

299
00:16:56,480 --> 00:16:59,480
Mary in the cafeteria in the hold overs,

300
00:16:59,640 --> 00:17:04,480
we can feel the unspoken
grief simmering under her surface.

301
00:17:04,560 --> 00:17:09,000
Divine, my friend,
your performance is a tribute

302
00:17:09,000 --> 00:17:13,600
to those who have helped others
heal in spite of their own pain.

303
00:17:13,680 --> 00:17:18,160
It's also a tribute to your grandmother,
whose glasses you wore in the film.

304
00:17:18,240 --> 00:17:34,880
What an honor to see the world
through her eyes and yours,

305
00:17:34,960 --> 00:17:42,800
America.

306
00:17:42,880 --> 00:17:47,480
Maddie. God,

307
00:17:47,560 --> 00:17:48,720
you're powerful.

308
00:17:48,720 --> 00:17:54,240
Barbie monologue is
perhaps the most talked about moment

309
00:17:54,240 --> 00:17:58,600
in the most
talked about movie of the past year.

310
00:17:58,680 --> 00:18:00,720
Your words

311
00:18:00,720 --> 00:18:04,360
and the passion
with which you deliver them

312
00:18:04,440 --> 00:18:08,000
about the most impossible standards

313
00:18:08,080 --> 00:18:15,000
females must try to live up to galvanized
not only women,

314
00:18:15,080 --> 00:18:18,080
but everyone with a pulse of

315
00:18:18,320 --> 00:18:20,280
America

316
00:18:20,280 --> 00:18:22,840
from one woman to another.

317
00:18:22,840 --> 00:18:36,080
Congratulations on your tour de force.

318
00:18:36,160 --> 00:18:41,720
Danielle Brooks.

319
00:18:41,800 --> 00:18:43,800
When you were 15 and saw The Color

320
00:18:43,800 --> 00:18:48,720
Purple on Broadway with your father,
a spark ignited in you.

321
00:18:48,800 --> 00:18:52,120
And that spark brought you here today

322
00:18:52,200 --> 00:18:56,440
from making your Broadway
debut ten years later as Sophia, too.

323
00:18:56,440 --> 00:18:59,800
Almost ten years after that, giving

324
00:18:59,800 --> 00:19:03,280
this transcendent performance
on the big screen.

325
00:19:03,360 --> 00:19:06,360
We don't just see Sophia's strength,

326
00:19:06,600 --> 00:19:09,600
but we see her vulnerability as well.

327
00:19:09,680 --> 00:19:11,960
You you have earned this

328
00:19:11,960 --> 00:19:24,160
full circle moment, my friend.

329
00:19:24,240 --> 00:19:30,800
And the Oscar goes to divine.

330
00:19:30,880 --> 00:19:40,720
So this is the first Oscar win

331
00:19:40,760 --> 00:20:12,000
and nomination for Deadline's award
winning

332
00:20:12,080 --> 00:20:16,680
God is so good.

333
00:20:16,760 --> 00:20:18,280
God is so good.

334
00:20:18,280 --> 00:20:23,160
You know, I am

335
00:20:23,240 --> 00:20:26,920
I didn't think I was supposed
to be doing this as a career.

336
00:20:27,000 --> 00:20:29,320
I started off as a singer

337
00:20:29,320 --> 00:20:32,880
and my mother said to me,

338
00:20:33,120 --> 00:20:36,440
Go across the street
to that theater department.

339
00:20:36,640 --> 00:20:39,480
There's something for you there.

340
00:20:39,480 --> 00:20:42,160
And I thank my mother for doing that.

341
00:20:42,160 --> 00:20:46,240
I thank you to all the people
who have stepped in my path

342
00:20:46,320 --> 00:20:50,120
and has been there for me,
who has ushered me and guided me.

343
00:20:50,200 --> 00:20:54,080
I am so grateful to all you
beautiful people out here

344
00:20:54,160 --> 00:20:55,480
for for so long.

345
00:20:55,480 --> 00:20:59,320
I've always wanted to be different.

346
00:20:59,400 --> 00:21:03,640
And now I realize
I just need to pinch myself.

347
00:21:03,720 --> 00:21:05,800
And I thank you.

348
00:21:05,800 --> 00:21:08,760
I thank you for seeing me,

349
00:21:08,840 --> 00:21:09,360
Rhonda.

350
00:21:09,360 --> 00:21:12,760
Then, Lou, I thank you.

351
00:21:12,840 --> 00:21:16,360
Well,
I was the only black girl in that class

352
00:21:16,440 --> 00:21:20,880
when you saw me
and you told me I was enough.

353
00:21:20,880 --> 00:21:24,760
And when I told you I don't see myself,
you said, That's fine.

354
00:21:24,880 --> 00:21:27,600
We're going to forge our own path.

355
00:21:27,600 --> 00:21:29,840
You're going to lay a trail for yourself.

356
00:21:29,840 --> 00:21:33,560
I am so grateful to all the women
who have been by my side.

357
00:21:33,560 --> 00:21:38,760
Colleen Kemp, Barbara
Broccoli, Tracy Brennan, Sarah Fargo.

358
00:21:38,840 --> 00:21:42,120
I have to give a special
shout out to my publicist.

359
00:21:42,200 --> 00:21:44,680
And I know y'all said don't say that,
but no publicist.

360
00:21:44,680 --> 00:21:48,760
But you don't have a publicist
like I have a publicist.

361
00:21:48,840 --> 00:21:52,240
You have been by my side
of the entire thing.

362
00:21:52,320 --> 00:21:54,280
And I am forever grateful.

363
00:21:54,280 --> 00:21:57,280
I pray to God that I get to do this
more than once.

364
00:21:57,480 --> 00:22:00,280
I thank you for seeing me
have a blessed night.

365
00:22:00,280 --> 00:22:12,720
Thank you so much.

366
00:22:12,800 --> 00:22:14,080
Coming up next,

367
00:22:14,080 --> 00:22:18,880
Chris Hemsworth
and Anya TAYLOR-JOY gets the Oscar.

368
00:22:18,960 --> 00:22:21,640
Live from the Dolby Theater at Ovation

369
00:22:21,640 --> 00:22:35,920
Hollywood,

370
00:22:36,000 --> 00:22:36,840
please.

371
00:22:36,840 --> 00:22:38,320
It's Christmas.

372
00:22:38,320 --> 00:22:40,560
At least pretend to be a human being.

373
00:22:40,560 --> 00:22:42,720
Do you think I want to be babysitting you?

374
00:22:42,720 --> 00:22:45,720
I could have been spending the rest
of my vacation reading mystery novels.

375
00:22:45,800 --> 00:22:49,600
You don't tell a boy
that's been left behind at Christmas

376
00:22:49,680 --> 00:22:52,680
that you're going to cut him loose.

377
00:22:52,760 --> 00:22:56,120
I find the world
a bitter and complicated place.

378
00:22:56,160 --> 00:22:58,280
I think you and I have this in common.

379
00:22:58,280 --> 00:22:59,440
You can do this.

380
00:22:59,440 --> 00:23:09,320
You know,
I was going to tell you something.

381
00:23:09,400 --> 00:23:10,880
And Baba Vali to you.

382
00:23:10,880 --> 00:23:12,000
Good, sir.

383
00:23:12,000 --> 00:23:14,160
And by the way, congratulations.

384
00:23:14,160 --> 00:23:15,680
The day by Joy Randolph.

385
00:23:15,680 --> 00:23:19,080
That was about your Oscar.

386
00:23:19,160 --> 00:23:22,160
Very sweet, beautiful speech.

387
00:23:22,200 --> 00:23:25,440
You know, you forgot to mention
your publicist's name.

388
00:23:25,520 --> 00:23:26,560
I think

389
00:23:26,560 --> 00:23:31,000
your publicist needs a publicist,
is what it is.

390
00:23:31,080 --> 00:23:35,400
Yeah.

391
00:23:35,480 --> 00:23:36,040
Okay.

392
00:23:36,040 --> 00:23:40,480
You shouldn't have to pay
for the rest of the year at least.

393
00:23:40,560 --> 00:23:42,080
Great story about Divine.

394
00:23:42,080 --> 00:23:42,840
Divine.

395
00:23:42,840 --> 00:23:45,440
Had to learn how to smoke for her
role in the holdovers.

396
00:23:45,440 --> 00:23:49,000
Her director, Alexander Payne,
mailed her boxes of fake cigarets

397
00:23:49,000 --> 00:23:51,840
so she could practice
when she didn't think the fake ones look.

398
00:23:51,840 --> 00:23:52,360
Right. Right.

399
00:23:52,360 --> 00:23:54,840
So she started smoking real cigarets.

400
00:23:54,840 --> 00:23:56,640
And now she has an Oscar.

401
00:23:56,640 --> 00:24:01,280
You see, kids, sometimes smoking is fine.

402
00:24:01,360 --> 00:24:03,440
And by the way, I do want to say,

403
00:24:03,440 --> 00:24:06,880
for those of you who do not win an Oscar,
I need you to stick around.

404
00:24:06,880 --> 00:24:10,320
After the show,
we'll be giving out the silver Oscars

405
00:24:10,320 --> 00:24:13,800
for second place
after an all new Abbott Elementary.

406
00:24:13,800 --> 00:24:14,880
So please stay.

407
00:24:14,880 --> 00:24:18,920
Our next awards are for animated feature
and animated short.

408
00:24:19,040 --> 00:24:22,880
Raise your hand if you let your kid
fill out this part of the ballot.

409
00:24:22,960 --> 00:24:24,560
Okay, good is not allowed.

410
00:24:24,560 --> 00:24:25,360
Please welcome

411
00:24:25,360 --> 00:24:35,360
the God of Thunder and Princess Peach,
Chris Hemsworth and Anya TAYLOR-JOY.

412
00:24:35,440 --> 00:24:38,280
The very Oscars Comic-Con

413
00:24:38,280 --> 00:24:45,520
and I.

414
00:24:45,600 --> 00:24:46,480
That's all it is.

415
00:24:46,480 --> 00:25:00,520
A leap of faith.

416
00:25:00,600 --> 00:25:03,240
Okay.

417
00:25:03,240 --> 00:25:04,760
Animated films.

418
00:25:04,760 --> 00:25:08,440
Sometimes they pull on your heartstrings,
and other times they make you laugh

419
00:25:08,440 --> 00:25:09,760
and bring you joy.

420
00:25:09,760 --> 00:25:13,040
This year's nominees for Best
animated Short come from countries

421
00:25:13,040 --> 00:25:17,080
across the globe, creating films
that make us think and feel deeply.

422
00:25:17,160 --> 00:25:21,080
Here are the nominees

423
00:25:21,160 --> 00:25:22,440
Letter to a Pig.

424
00:25:22,440 --> 00:25:26,520
Tell Canter and Amit R to sell to

425
00:25:26,600 --> 00:25:28,120
95 senses.

426
00:25:28,120 --> 00:25:31,600
Jesus and Jared Hearts.

427
00:25:31,680 --> 00:25:32,880
Are you Muslim?

428
00:25:32,880 --> 00:25:35,880
You go near MacAdam

429
00:25:36,040 --> 00:25:38,000
Hassidim, Stephanie Claymore

430
00:25:38,000 --> 00:25:40,920
and Mike, please.

431
00:25:40,920 --> 00:25:42,000
War is over.

432
00:25:42,000 --> 00:25:44,600
Inspired by the music of John and Yoko.

433
00:25:44,600 --> 00:25:51,040
Dave Mullins and Bob Barker.

434
00:25:51,120 --> 00:25:54,120
And the Oscar Goes to War Is Over.

435
00:25:54,120 --> 00:26:05,280
Inspired by the music of Joe.

436
00:26:05,360 --> 00:26:07,080
This is the first Oscar win

437
00:26:07,080 --> 00:26:21,760
for first time nominee Brad Bowker
and two time nominee Dave Mullins.

438
00:26:21,840 --> 00:26:22,440
Okay.

439
00:26:22,440 --> 00:26:26,000
Intimidating.

440
00:26:26,080 --> 00:26:26,400
We want

441
00:26:26,400 --> 00:26:30,840
to thank the Academy
for this incredible award.

442
00:26:30,920 --> 00:26:33,920
John Lennon and Yoko Ono wrote a song
that inspired us.

443
00:26:34,040 --> 00:26:39,240
There's a antiwar message that we try
to honor with this, with this film.

444
00:26:39,320 --> 00:26:43,120
We want to thank our executive producer
and creative partner,

445
00:26:43,120 --> 00:26:48,000
Sean, on a woman
who was amazing to work with

446
00:26:48,080 --> 00:26:50,040
our team at Elektra League.

447
00:26:50,040 --> 00:26:51,160
Elektra, we love you.

448
00:26:51,160 --> 00:26:52,960
Thank you so much for your hard work
and dedication.

449
00:26:52,960 --> 00:26:57,560
I want to thank Thomas Newman
for his incredible score,

450
00:26:57,640 --> 00:27:00,720
and I want to thank my family
who I love so much my kids, Fiona, Lola,

451
00:27:00,960 --> 00:27:01,880
my wife, Lisa.

452
00:27:01,880 --> 00:27:04,320
I love you, sweetie and Mom.

453
00:27:04,320 --> 00:27:07,240
Dad, we did it.

454
00:27:07,240 --> 00:27:08,440
I want to really quickly.

455
00:27:08,440 --> 00:27:10,080
I want this guy to talk really quickly.

456
00:27:10,080 --> 00:27:11,960
Peter Jackson, thank you so much.

457
00:27:11,960 --> 00:27:15,680
This film would not
have happened without you.

458
00:27:15,760 --> 00:27:18,600
What all the amazingly talented team up.

459
00:27:18,600 --> 00:27:21,600
What affects the amazingly talented team

460
00:27:21,600 --> 00:27:24,600
at lights, firm entertainment,

461
00:27:24,640 --> 00:27:29,000
Epic Games, Lisa's Ambry,

462
00:27:29,080 --> 00:27:30,640
Roman Hudson watching at home.

463
00:27:30,640 --> 00:27:32,720
I love you very much.

464
00:27:32,720 --> 00:27:35,040
And Mom and dad. I love you.

465
00:27:35,040 --> 00:27:35,400
Thank you.

466
00:27:35,400 --> 00:27:36,200
I just want to quickly

467
00:27:36,200 --> 00:27:41,040
say my mother turned 91 this February
and today is Mother's Day in the UK.

468
00:27:41,160 --> 00:27:44,160
So could everyone
please say Happy Mother's Day, Yoko?

469
00:27:44,280 --> 00:28:00,880
Happy Mother's Day.

470
00:28:00,960 --> 00:28:01,880
Here are the nominees

471
00:28:01,880 --> 00:28:05,080
for Best Animated feature,

472
00:28:05,160 --> 00:28:06,560
The Boy in the Heron,

473
00:28:06,560 --> 00:28:10,400
Hayao Miyazaki, and Toshio

474
00:28:10,480 --> 00:28:11,600
Elemental.

475
00:28:11,600 --> 00:28:14,520
Peter Stone and Denise Frame,

476
00:28:14,520 --> 00:28:17,520
Nimona, Nick Bruno, Troy Kline,

477
00:28:17,640 --> 00:28:20,640
Karen Ryan and Julie Zachary.

478
00:28:20,840 --> 00:28:22,080
Robot Trace.

479
00:28:22,080 --> 00:28:23,320
Pablo Bianca.

480
00:28:23,320 --> 00:28:26,320
Even comments on Ignacio Stop

481
00:28:26,560 --> 00:28:29,560
and Sandra Tapia Diaz

482
00:28:29,600 --> 00:28:32,600
Spider-Man Across the Spider-Verse
Kemp Powers,

483
00:28:32,640 --> 00:28:41,360
Justin, Kate Thompson, Phil Lord,
Christopher Miller and Amy Pascal.

484
00:28:41,440 --> 00:28:42,120
All right.

485
00:28:42,120 --> 00:28:49,360
And the Oscar goes to the boy in the hair

486
00:28:49,440 --> 00:28:51,000
and the heroines

487
00:28:51,000 --> 00:28:55,160
Hayao Miyazaki and Toshio
Suzuki cannot be here with us tonight.

488
00:28:55,240 --> 00:28:57,360
So we accept this Oscar on their behalf.

489
00:28:57,360 --> 00:29:12,520
Congratulations.

490
00:29:12,600 --> 00:29:13,600
Just ahead.

491
00:29:13,600 --> 00:29:15,960
Melissa McCarthy and Octavia Spencer.

492
00:29:15,960 --> 00:29:20,400
Then later, Billie Eilish performs
a nominated storm song from Barbie.

493
00:29:20,400 --> 00:29:27,920
It's the Oscars here on ABC.

494
00:29:28,000 --> 00:29:32,440
And we must experience everything,

495
00:29:32,520 --> 00:29:35,520
not just the food,

496
00:29:35,680 --> 00:29:40,280
but degradation of that happiness.

497
00:29:40,360 --> 00:29:42,600
This makes us hopeful

498
00:29:42,600 --> 00:29:45,400
and reaching out that we're

499
00:29:45,400 --> 00:29:46,720
a living.

500
00:29:46,720 --> 00:29:48,720
And the world.

501
00:29:48,720 --> 00:29:52,040
The world is ours.

502
00:29:52,120 --> 00:30:02,000
I am finding being a life fascinating.

503
00:30:02,080 --> 00:30:03,760
Those were all the parts of four

504
00:30:03,760 --> 00:30:07,560
things we're allowed to show on TV.

505
00:30:07,640 --> 00:30:10,640
I'm not really the boy in the hair
and people couldn't make it.

506
00:30:10,800 --> 00:30:15,760
I mean, I could see maybe the boy not showing up, but the parents should be here.

507
00:30:15,840 --> 00:30:16,200
All right.

508
00:30:16,200 --> 00:30:20,840
Next, Oscars are for Best Original
and Adapted Screenplay,

509
00:30:20,840 --> 00:30:24,600
which is actually
a controversial category this year

510
00:30:24,680 --> 00:30:28,320
because a lot of people want to know at
what age do you tell a screenplay?

511
00:30:28,320 --> 00:30:31,720
It was adapted.

512
00:30:31,800 --> 00:30:34,240
Our next presenters have been

513
00:30:34,240 --> 00:30:37,520
best friends for almost 30 years,
and that all ends tonight.

514
00:30:37,560 --> 00:30:41,920
Please welcome two time Oscar nominee
Melissa McCarthy and Oscar winner

515
00:30:42,000 --> 00:30:53,640
Octavia Spencer.

516
00:30:53,720 --> 00:30:57,840
The original screenplays

517
00:30:57,840 --> 00:31:00,840
and adapted
screenplays are cut from the same cloth.

518
00:31:00,880 --> 00:31:03,520
They're similar. Yet they remain unique.

519
00:31:03,520 --> 00:31:08,080
Yet each artform maintains
its individual characteristics.

520
00:31:08,160 --> 00:31:09,800
Kind of like us, right?

521
00:31:09,800 --> 00:31:11,520
I mean, we do our old things.

522
00:31:11,520 --> 00:31:13,560
We also do our things together.

523
00:31:13,560 --> 00:31:17,680
We're like the Chippendale
of showbiz, right?

524
00:31:17,760 --> 00:31:18,240
Yeah. Yeah.

525
00:31:18,240 --> 00:31:23,440
I don't see us as the Lycra pant
pelvic thrust type.

526
00:31:23,520 --> 00:31:25,000
Well, speak for yourself.

527
00:31:25,000 --> 00:31:27,840
But what are you telling me?
I said Chippendale.

528
00:31:27,840 --> 00:31:29,280
You said Chippendales? No.

529
00:31:29,280 --> 00:31:30,360
Oh, no.

530
00:31:30,360 --> 00:31:33,680
I mean Chip and Dale. Chip in.

531
00:31:33,760 --> 00:31:35,760
Come, Dale.
And you're saying Chippendales.

532
00:31:35,760 --> 00:31:39,440
So I thought you were saying in nails.

533
00:31:39,480 --> 00:31:40,640
Chip and Dale.

534
00:31:40,640 --> 00:31:44,520
Well, usually
I am saying it one day, but not.

535
00:31:44,600 --> 00:31:47,360
Not now because it's. That would be weird.

536
00:31:47,360 --> 00:31:51,600
Yeah, yeah, yeah, yeah. Why don't we just

537
00:31:51,680 --> 00:31:53,960
read what
the brilliant writers wrote for us?

538
00:31:53,960 --> 00:31:55,640
Oh. Oh.

539
00:31:55,640 --> 00:31:57,200
Look, I know that there's a

540
00:31:57,200 --> 00:31:59,720
there's a script on the thing,
and it has my name up there. Look at.

541
00:31:59,720 --> 00:32:02,520
Oh, it's in yellow. Yes.

542
00:32:02,520 --> 00:32:07,200
To make a script really come to life,
the writer must not only capture

543
00:32:07,200 --> 00:32:12,760
the audience's hearts, but take MONTAGNE
Easily entertain and surprise.

544
00:32:12,840 --> 00:32:15,240
Wow. That is better when it's much better.

545
00:32:15,240 --> 00:32:16,920
It's better written, much better.

546
00:32:16,920 --> 00:32:19,560
Better in guys, Much better written.

547
00:32:19,560 --> 00:32:24,600
Here are the nominees
for Best Original Screenplay,

548
00:32:24,680 --> 00:32:27,680
Anatomy of a Fall Screenplay
by Justine Team.

549
00:32:27,680 --> 00:32:30,960
And our tour around. You are not a victim.

550
00:32:31,040 --> 00:32:33,000
Not at all.

551
00:32:33,000 --> 00:32:37,520
Your generosity conceals
something dirtier and meaner.

552
00:32:37,600 --> 00:32:40,600
The holdovers written by David Hanson.

553
00:32:40,600 --> 00:32:42,240
I can't tell this class.

554
00:32:42,240 --> 00:32:43,920
Oh, don't sell yourself short, Mr. Coach.

555
00:32:43,920 --> 00:32:45,960
I truly believe that you can.

556
00:32:45,960 --> 00:32:49,520
Maestro,
written by Bradley Cooper and Josh Singer.

557
00:32:49,600 --> 00:32:51,840
Know I spoke to both your parents.

558
00:32:51,920 --> 00:32:53,800
Too much is too much.

559
00:32:53,800 --> 00:32:54,480
I love too much.

560
00:32:54,480 --> 00:32:55,080
What can I say?

561
00:32:55,080 --> 00:32:56,320
But I'm reading it in.

562
00:32:56,320 --> 00:32:59,640
I'm reading it in May December.

563
00:32:59,640 --> 00:33:01,280
Screenplay by Sami Birch.

564
00:33:01,280 --> 00:33:03,840
Story by Sami Birch and Alex Mechanic.

565
00:33:03,840 --> 00:33:08,400
Insecure people are very dangerous,
aren't they?

566
00:33:08,480 --> 00:33:11,040
I'm secure Past Lives.

567
00:33:11,040 --> 00:33:16,000
Written by Celine
Dion, ten years old and struggling man.

568
00:33:16,080 --> 00:33:16,840
I don't know.

569
00:33:16,840 --> 00:33:22,440
Plus, it's for that.

570
00:33:22,520 --> 00:33:25,520
And the Oscar goes to

571
00:33:25,600 --> 00:33:35,120
Anatomy of a fall guy.

572
00:33:35,200 --> 00:33:36,360
This is the first Oscar

573
00:33:36,360 --> 00:33:39,360
win for the Steam train
and our crew of Ferrari.

574
00:33:39,560 --> 00:33:42,880
Justin
Tree is also nominated for directing.

575
00:33:42,960 --> 00:33:58,440
Anatomy of a

576
00:33:58,520 --> 00:34:00,000
thank you.

577
00:34:00,000 --> 00:34:04,560
Oh, okay.

578
00:34:04,640 --> 00:34:07,520
Thank.

579
00:34:07,520 --> 00:34:08,640
Thank you so much.

580
00:34:08,640 --> 00:34:13,840
Well, uh,
it will help me through my midlife crisis.

581
00:34:13,920 --> 00:34:15,600
I think,

582
00:34:15,600 --> 00:34:18,480
uh, this is a crazy year.

583
00:34:18,480 --> 00:34:22,160
Um, anyway, this is great movie tonight.

584
00:34:22,240 --> 00:34:25,560
Contrast slightly. We've

585
00:34:25,640 --> 00:34:29,680
we've only wanted to start before

586
00:34:29,760 --> 00:34:32,200
we were stuck in the house with two kids.

587
00:34:32,200 --> 00:34:37,720
It was a lockdown, and we hook them up
to cartoons to have peace.

588
00:34:37,800 --> 00:34:40,040
And, uh, yeah, there is no line,

589
00:34:40,040 --> 00:34:44,000
I think, between work and diapers and.

590
00:34:44,080 --> 00:34:46,600
And then along came two other people,

591
00:34:46,600 --> 00:34:50,280
a woman and a man, the Producers,
Marian's Luciani and everything.

592
00:34:50,360 --> 00:34:53,360
And, uh, yeah,

593
00:34:53,400 --> 00:34:56,800
and they actually, that's
when things got a little crazy.

594
00:34:56,800 --> 00:35:01,680
It was like mixed doubles, ping pong,
played by neurotic French or something.

595
00:35:01,760 --> 00:35:06,680
And. But there was nothing between us
or above us,

596
00:35:06,760 --> 00:35:10,160
only total independence and freedom.

597
00:35:10,160 --> 00:35:11,680
And that's the only way
we could make that film.

598
00:35:11,680 --> 00:35:16,080
So that's what

599
00:35:16,160 --> 00:35:17,560
I want to think of.

600
00:35:17,560 --> 00:35:19,520
The cast of Cassandra

601
00:35:19,520 --> 00:35:24,800
Swann Miller, one of the cast
for what you did on On said he was killed.

602
00:35:24,800 --> 00:35:28,640
The script on set
and it's that's what we we

603
00:35:28,720 --> 00:35:31,960
that the best for
for writers for directors.

604
00:35:32,040 --> 00:35:33,080
Thank you so much.

605
00:35:33,080 --> 00:35:50,360
Thank you
It's it's such an honor. Thank you.

606
00:35:50,440 --> 00:35:51,080
Oh three.

607
00:35:51,080 --> 00:35:51,960
It's you.

608
00:35:51,960 --> 00:35:57,080
Here are the nominees for Adapted
Screenplay,

609
00:35:57,160 --> 00:35:58,520
American Fiction, written

610
00:35:58,520 --> 00:36:02,560
for the screen by Ford Jefferson
based on the novel Amazing by Percival.

611
00:36:02,560 --> 00:36:06,160
Ever seeing a dead body ever become known?

612
00:36:06,200 --> 00:36:06,840
I don't know.

613
00:36:06,840 --> 00:36:09,400
I haven't seen any, really.

614
00:36:09,400 --> 00:36:10,600
I'm a plastic surgeon.

615
00:36:10,600 --> 00:36:11,600
If I'm looking at a corpse.

616
00:36:11,600 --> 00:36:13,760
And something went very Iraq.

617
00:36:13,760 --> 00:36:17,520
The Zone of Interest written
by Jonathan Glazer, based on the novel

618
00:36:17,520 --> 00:36:23,280
by Martin Amis and published

619
00:36:23,360 --> 00:36:26,360
I want to submit You know, some don't

620
00:36:26,600 --> 00:36:29,400
want to talk to me.

621
00:36:29,400 --> 00:36:32,400
Oppenheimer, written
for the screen by Christopher Nolan

622
00:36:32,480 --> 00:36:36,360
based on the book American Prometheus
The Triumph and Tragedy of J.

623
00:36:36,360 --> 00:36:39,000
Robert Oppenheimer
by Kai Bird and Martin J.

624
00:36:39,000 --> 00:36:42,240
Sherwin Algebra is like sheet music.

625
00:36:42,240 --> 00:36:44,640
The important thing isn't
Can you read music?

626
00:36:44,640 --> 00:36:46,120
It's. Can you hear it?

627
00:36:46,120 --> 00:36:49,040
Can you hear the music? Robert

628
00:36:49,120 --> 00:36:51,160
Yes, I can.

629
00:36:51,160 --> 00:36:53,080
Barbie Written by Greta Gerwig.

630
00:36:53,080 --> 00:36:53,400
Don't know.

631
00:36:53,400 --> 00:36:56,400
Amanda There's somebody by Mattel

632
00:36:56,440 --> 00:37:00,240
to be so tired of watching myself

633
00:37:00,240 --> 00:37:04,000
and every single other woman

634
00:37:04,200 --> 00:37:09,360
tie herself into knots
so that people will like us

635
00:37:09,440 --> 00:37:10,080
more things.

636
00:37:10,080 --> 00:37:14,920
Screenplay by Tony McNamara
Based on the novel by Alastair Grant.

637
00:37:15,000 --> 00:37:15,720
It is your Body.

638
00:37:15,720 --> 00:37:19,440
Bennett Baxter used to give freedom

639
00:37:19,520 --> 00:37:21,360
generally charged 30 francs.

640
00:37:21,360 --> 00:37:27,720
Well, that seems low.

641
00:37:27,800 --> 00:37:36,640
And the Oscar goes to American fiction for

642
00:37:36,720 --> 00:37:38,280
this is the first Oscar win

643
00:37:38,280 --> 00:37:43,000
and second nomination this year
for Cord Jefferson, who was also nominated

644
00:37:43,000 --> 00:38:14,400
as part of the producing team
of American fiction.

645
00:38:14,480 --> 00:38:19,480
And my God,

646
00:38:19,560 --> 00:38:21,960
look at this is Thank you much.

647
00:38:21,960 --> 00:38:25,600
Thank you so much.

648
00:38:25,680 --> 00:38:27,280
It's really this means the world to me.

649
00:38:27,280 --> 00:38:29,560
Thank you so much to the academy.

650
00:38:29,560 --> 00:38:31,120
Thank you so much to everybody
who worked on the film.

651
00:38:31,120 --> 00:38:35,200
Yeah, I've been talking a lot
about how many people passed on this movie

652
00:38:35,200 --> 00:38:38,880
and discussing it, and I worry that
that sometimes sounds vindictive

653
00:38:39,120 --> 00:38:41,840
and I don't want to be vindictive.
I'm not a vindictive person anymore.

654
00:38:41,840 --> 00:38:46,560
I've worked very hard to not be
vindictive anymore and it's more a plea.

655
00:38:46,800 --> 00:38:49,800
It's a plea to acknowledge
and recognize that there are

656
00:38:49,920 --> 00:38:53,560
so many people out there
who want the opportunity that I was given.

657
00:38:53,640 --> 00:38:56,880
And this is a I understand that

658
00:38:56,880 --> 00:38:59,880
this I only got 6 seconds, please.

659
00:38:59,920 --> 00:39:02,560
I understand that this is a risk averse
industry.

660
00:39:02,560 --> 00:39:03,720
I get it.

661
00:39:03,720 --> 00:39:07,200
But $200 million movies are also a risk,
you know, and

662
00:39:07,320 --> 00:39:10,320
and it doesn't always work out,
but you take the risk anyway.

663
00:39:10,480 --> 00:39:14,840
And instead of making one $200 million
movie, try making $2,010 million movies

664
00:39:15,080 --> 00:39:20,120
or or 5050, right.

665
00:39:20,200 --> 00:39:25,680
$54 million movies like you can,
there are so many people.

666
00:39:25,680 --> 00:39:27,240
I just feel so much joy being here.

667
00:39:27,240 --> 00:39:29,200
I mean, I felt so much joy
making this movie

668
00:39:29,200 --> 00:39:32,160
and I want other people to experience
that joy and they are out there.

669
00:39:32,160 --> 00:39:34,320
I promise you,
the next Martin Scorsese is out there.

670
00:39:34,320 --> 00:39:36,000
The next great, great is out there.

671
00:39:36,000 --> 00:39:38,680
Both Great is the next,
the next Christopher Nolan's out there.

672
00:39:38,680 --> 00:39:39,600
I promise you.

673
00:39:39,600 --> 00:39:42,000
They just want a shot
and we can give them one.

674
00:39:42,000 --> 00:39:43,560
And this has changed my life.

675
00:39:43,560 --> 00:39:46,040
Thank all. Who worked on this movie for.

676
00:39:46,040 --> 00:39:48,200
For trusting a 40 year old black guy.

677
00:39:48,200 --> 00:39:50,120
He'd never directed anything before.

678
00:39:50,120 --> 00:40:08,480
It has changed my life. Thank you, sir.
I love you all. Thank you so much.

679
00:40:08,560 --> 00:40:10,320
Well, performing

680
00:40:10,320 --> 00:40:14,000
the Oscar nominated song,
What Was I Made For From Barbie?

681
00:40:14,080 --> 00:40:34,040
Here are Billie Eilish, Finneas O'Connell.

682
00:40:34,120 --> 00:40:38,000
I love

683
00:40:38,080 --> 00:40:40,400
just the

684
00:40:40,400 --> 00:40:43,400
I know,

685
00:40:43,400 --> 00:40:46,400
but I'm not sure now.

686
00:40:46,480 --> 00:40:52,600
Oh, it was made for

687
00:40:52,680 --> 00:40:59,800
what I made for

688
00:40:59,880 --> 00:41:04,000
girls like

689
00:41:04,080 --> 00:41:06,560
I said.

690
00:41:06,560 --> 00:41:11,560
Oh, oh,

691
00:41:11,640 --> 00:41:14,480
but I.

692
00:41:14,480 --> 00:41:24,200
I, I don't know.

693
00:41:24,280 --> 00:41:41,720
It's something

694
00:41:41,800 --> 00:41:51,040
the hundred

695
00:41:51,120 --> 00:41:59,920
00000, my boy.

696
00:42:00,000 --> 00:42:06,720
This is made for

697
00:42:06,800 --> 00:42:07,680
reason.

698
00:42:07,680 --> 00:42:14,560
My 400.

699
00:42:14,640 --> 00:42:20,720
The cousin.

700
00:42:20,800 --> 00:42:25,480
Oh oh.

701
00:42:25,560 --> 00:42:31,920
Well, I'll try.

702
00:42:32,000 --> 00:42:37,480
Oh, oh

703
00:42:37,560 --> 00:42:38,240
What?

704
00:42:38,240 --> 00:42:44,320
Some day. Oh,

705
00:42:44,400 --> 00:42:52,480
so I think I forgot

706
00:42:52,560 --> 00:42:58,480
how to be something

707
00:42:58,560 --> 00:43:04,840
But I can be something I always for.

708
00:43:04,920 --> 00:43:17,440
Oh, something only

709
00:43:17,520 --> 00:43:20,160
something I made

710
00:43:20,160 --> 00:43:56,200
for 001.

711
00:43:56,280 --> 00:43:59,520
I'm David Alan Grier
and I'm the announcer tonight.

712
00:43:59,600 --> 00:44:01,280
Here's what's coming up next.

713
00:44:01,280 --> 00:44:04,840
Catherine O'Hara and Michael Keaton.

714
00:44:04,920 --> 00:44:09,360
And then later, Marion,

715
00:44:09,440 --> 00:44:14,440
we find out who wins
for best supporting actor.

716
00:44:14,520 --> 00:44:16,800
Oh, yes,

717
00:44:16,880 --> 00:44:29,200
He's done that over tons.

718
00:44:29,280 --> 00:44:30,120
What a good story.

719
00:44:30,120 --> 00:44:34,000
This is childhood sweethearts
who reconnect 20 years later,

720
00:44:34,000 --> 00:44:36,880
only to realize
they were meant for each other.

721
00:44:36,880 --> 00:44:40,680
If two strangers
walk by each other in the street

722
00:44:40,760 --> 00:44:45,760
and their clothes accidentally brush, it's
because there have been 8000

723
00:44:45,760 --> 00:44:56,240
layers of union between them.

724
00:44:56,320 --> 00:44:57,840
Here are Catherine O'Hara

725
00:44:57,840 --> 00:45:13,480
and Oscar nominee Michael Keaton.

726
00:45:13,560 --> 00:45:14,400
We actors

727
00:45:14,400 --> 00:45:18,720
can't imagine a world without makeup
and hairstyling and production design.

728
00:45:18,800 --> 00:45:20,040
Oh, no, no, no.

729
00:45:20,040 --> 00:45:23,720
The last thing we want
is anyone knowing what we really look like

730
00:45:23,800 --> 00:45:26,160
or the squalor in which we actually live.

731
00:45:26,160 --> 00:45:29,840
You know, almost every job
and an immediate

732
00:45:29,840 --> 00:45:33,000
intimacy with the good people
in the makeup and hair trailer.

733
00:45:33,000 --> 00:45:36,080
You meet them and discuss the character's
look, and before you know it,

734
00:45:36,240 --> 00:45:38,400
they're plucking your nose hairs

735
00:45:38,400 --> 00:45:42,760
or rubbing foundation into your cleavage
or spackling those 11 holes in your skull

736
00:45:42,840 --> 00:45:46,040
from result of that teenage
mishap of the nail gun.

737
00:45:46,120 --> 00:45:51,320
Oh, if I had a nickel, I could go on.

738
00:45:51,400 --> 00:45:52,920
Here are the nominees for

739
00:45:52,920 --> 00:45:57,760
makeup and hairstyling

740
00:45:57,840 --> 00:45:59,960
Golda, Karin Hartley, Thomas,

741
00:45:59,960 --> 00:46:03,760
Suzy Battersby and Asher Kelly, Blue

742
00:46:03,840 --> 00:46:06,920
Maestro Katsuhiro K Georgiou.

743
00:46:07,080 --> 00:46:07,920
Lorraine McCoy.

744
00:46:07,920 --> 00:46:10,920
Valerie Oppenheimer.

745
00:46:11,000 --> 00:46:13,880
Louisa Abel.

746
00:46:13,880 --> 00:46:14,520
Four things.

747
00:46:14,520 --> 00:46:14,880
Nadia.

748
00:46:14,880 --> 00:46:19,600
Stacey, Mark Goodyear and Josh Weston

749
00:46:19,680 --> 00:46:23,280
Society of the Snow, Ana Lopez FOUKARA,

750
00:46:23,360 --> 00:46:27,320
David Martin and Monterey Rebate.

751
00:46:27,400 --> 00:46:30,800
Hey, the Oscar Goes to

752
00:46:30,880 --> 00:46:32,920
Poor Things.

753
00:46:32,920 --> 00:46:40,760
Maddie, Stacy, Michael and Josh Weston.

754
00:46:40,840 --> 00:46:44,600
This is the first Oscar and nomination
for Josh Weston,

755
00:46:44,680 --> 00:46:48,000
the first win
and second nomination for Nadia Stacy,

756
00:46:48,080 --> 00:47:02,320
the third Oscar win
and fifth nomination for Mark who

757
00:47:02,400 --> 00:47:06,240
ended up coming.

758
00:47:06,320 --> 00:47:08,000
Oh, my gosh.

759
00:47:08,000 --> 00:47:09,920
Thank you to the Academy.

760
00:47:09,920 --> 00:47:12,320
I can't believe I just said those words.

761
00:47:12,320 --> 00:47:17,040
Thank you to your girls for films
like nobody else.

762
00:47:17,040 --> 00:47:18,800
Thank you to Searchlight.

763
00:47:18,800 --> 00:47:20,960
Thank you to my crew.

764
00:47:20,960 --> 00:47:27,280
Alan Grayson out there somewhere

765
00:47:27,360 --> 00:47:29,320
and Carolyn at home.

766
00:47:29,320 --> 00:47:31,720
Thank you to Blanca for everything.

767
00:47:31,720 --> 00:47:32,520
Thank you to.

768
00:47:32,520 --> 00:47:34,680
I know you're not meant to say my agent,
but she's amazing.

769
00:47:34,680 --> 00:47:36,240
Sylvia, say thank you.

770
00:47:36,240 --> 00:47:38,640
I'm a month

771
00:47:38,640 --> 00:47:41,280
big thank you to William. So

772
00:47:41,280 --> 00:47:44,720
he made the working environment
Such a pleasure

773
00:47:44,800 --> 00:47:46,920
for myself and Bobby for all to work in.

774
00:47:46,920 --> 00:47:48,160
So a big thanks.

775
00:47:48,160 --> 00:47:51,880
A big thanks to my wife, Sofia,
my children, Isabella and Luisa.

776
00:47:51,920 --> 00:47:53,800
Bring it home.

777
00:47:53,800 --> 00:47:55,640
I don't have a publicist, but

778
00:47:55,640 --> 00:47:58,640
I'd love to thank all my crew in the U.K..

779
00:47:58,800 --> 00:48:00,560
Isabel, where are you?

780
00:48:00,560 --> 00:48:03,560
Yay! My daughter, Isabel.

781
00:48:03,640 --> 00:48:05,440
My son

782
00:48:05,440 --> 00:48:05,880
and my son.

783
00:48:05,880 --> 00:48:15,960
Going back to the academy?

784
00:48:16,040 --> 00:48:17,400
Yes. Still here?

785
00:48:17,400 --> 00:48:18,320
Yeah.

786
00:48:18,320 --> 00:48:22,600
Looks like we're going to call back.

787
00:48:22,680 --> 00:48:27,960
Here are the nominees for production
design

788
00:48:28,040 --> 00:48:30,880
Barbie Production Design
by Sarah Greenwood.

789
00:48:30,880 --> 00:48:34,320
Set Decoration by Katie Spencer,

790
00:48:34,400 --> 00:48:35,000
Killers of the

791
00:48:35,000 --> 00:48:38,000
Flower Moon Production Design by Jack Fisk

792
00:48:38,040 --> 00:48:41,440
Set Decoration by Adam Willis.

793
00:48:41,520 --> 00:48:43,920
Napoleon Production Design by Arthur

794
00:48:43,920 --> 00:48:47,960
Mack's Set Decoration by Ali Graff

795
00:48:48,040 --> 00:48:51,040
Oppenheimer Production Design
by Ruth DeYoung

796
00:48:51,080 --> 00:48:54,600
Set Decoration by Claire Kauffman

797
00:48:54,680 --> 00:48:58,480
Poor Things Production Design
by James Price and Shona Heath.

798
00:48:58,560 --> 00:49:03,280
Set Decoration by Julia Mihalic.

799
00:49:03,360 --> 00:49:05,440
And the winner is

800
00:49:05,440 --> 00:49:18,400
Poor Thing.

801
00:49:18,480 --> 00:49:22,320
This is the first Oscar win and nomination
for James Price,

802
00:49:22,400 --> 00:49:39,480
Sonic and Suzanne.

803
00:49:39,560 --> 00:49:41,840
Whoa, this is crazy.

804
00:49:41,840 --> 00:49:44,840
I feel in the mood for love and Custard
tarts, weirdly.

805
00:49:44,960 --> 00:49:47,720
Anyway, we got to thank such an element.

806
00:49:47,720 --> 00:49:49,520
Who are just incredible

807
00:49:49,520 --> 00:49:53,560
to work with and along and support us
and let us do crazy things.

808
00:49:53,640 --> 00:49:54,760
And thanks to cashier Maddie

809
00:49:54,760 --> 00:49:58,840
Fan who thought
this is a good idea that we collaborated.

810
00:49:58,920 --> 00:50:01,240
Mom Happy Mother's Day, Dad.

811
00:50:01,240 --> 00:50:02,840
Sis Nice one.

812
00:50:02,840 --> 00:50:05,760
Liz. Bethany Ave.

813
00:50:05,760 --> 00:50:07,040
Susie, we miss you.

814
00:50:07,040 --> 00:50:09,800
So sorry you can't be here,
but we'll bring this home to you.

815
00:50:09,800 --> 00:50:12,680
Adam and Lilly, our backbone,

816
00:50:12,680 --> 00:50:16,240
our amazing crew, and my partner in crime,

817
00:50:16,320 --> 00:50:20,880
Shona Heath,
who is of Art Parliament, Bella.

818
00:50:20,960 --> 00:50:23,440
And thanks to our brilliant
conceptual team

819
00:50:23,440 --> 00:50:26,720
plans, our Jonas, Antonio and Perry.

820
00:50:26,720 --> 00:50:32,720
And thanks to my family of Mum, Dad, Tim
and everyone at Finish Street.

821
00:50:32,800 --> 00:50:33,480
Please wrap it up.

822
00:50:33,480 --> 00:50:35,840
But we thank you all guys, all Emily.

823
00:50:35,840 --> 00:50:36,520
But we're off now.

824
00:50:36,520 --> 00:50:50,800
Thanks you guys.

825
00:50:50,880 --> 00:50:51,440
Tonight

826
00:50:51,440 --> 00:50:55,800
is the 50th anniversary
of what used to be the craziest moment

827
00:50:55,800 --> 00:50:59,360
in Oscar history
at the 46th Academy Awards.

828
00:50:59,400 --> 00:51:03,160
1974 David
Niven was in the middle of introducing

829
00:51:03,160 --> 00:51:11,680
Elizabeth Taylor when a nude man,
a streaker, ran across the straight stage.

830
00:51:11,760 --> 00:51:13,200
Can you imagine if a nude

831
00:51:13,200 --> 00:51:17,160
man ran across the stage today?

832
00:51:17,240 --> 00:51:18,760
I said, Can you imagine

833
00:51:18,760 --> 00:51:25,640
if a nude man ran across the stage today?

834
00:51:25,720 --> 00:51:31,960
Wouldn't that be crazy?

835
00:51:32,040 --> 00:51:34,080
But I can't come there.

836
00:51:34,080 --> 00:51:36,120
I'll do the thing.

837
00:51:36,120 --> 00:51:38,280
Excuse me for a second.

838
00:51:38,280 --> 00:51:39,120
What's going on?

839
00:51:39,120 --> 00:51:41,600
You're supposed to run across the stage.

840
00:51:41,600 --> 00:51:43,160
I changed my mind.

841
00:51:43,160 --> 00:51:44,920
I don't want to do this tricky business.

842
00:51:44,920 --> 00:51:47,040
You mean
you don't want to do the streaker?

843
00:51:47,040 --> 00:51:48,400
But anymore we're doing it.

844
00:51:48,400 --> 00:51:50,600
Just don't feel right about it.

845
00:51:50,600 --> 00:51:52,040
It's no good event.

846
00:51:52,040 --> 00:51:55,960
You know, I'm so used to feel shame right
now for suggesting such a tasteless idea.

847
00:51:56,120 --> 00:51:58,440
Oh, supposed to be funny.

848
00:51:58,440 --> 00:51:59,880
The male body is not a joke.

849
00:51:59,880 --> 00:52:01,920
Mine is.

850
00:52:01,920 --> 00:52:04,560
No, it's not.

851
00:52:04,560 --> 00:52:06,440
You wrestle naked? Why not?

852
00:52:06,440 --> 00:52:09,880
You know I don't wrestle
naked. I wrestle Jorts

853
00:52:09,960 --> 00:52:13,320
Jorts are worse than naked.

854
00:52:13,400 --> 00:52:16,200
Come on.

855
00:52:16,200 --> 00:52:17,880
You're really not going to do this?

856
00:52:17,880 --> 00:52:49,160
If I just give out the award,
then got a worst

857
00:52:49,240 --> 00:52:55,240
costumes.

858
00:52:55,320 --> 00:52:58,320
They are so important.

859
00:52:58,400 --> 00:53:02,600
Maybe the most important thing there is.

860
00:53:02,680 --> 00:53:08,200
I can't open the envelope without the.

861
00:53:08,280 --> 00:53:12,760
The nominees for best costume design are

862
00:53:12,840 --> 00:53:16,240
Barbie Costume Design by Jacqueline de

863
00:53:16,320 --> 00:53:19,200
Kill Killers of the Flower
Moon Costume Design

864
00:53:19,200 --> 00:53:23,400
by Jacqueline West,
Napoleon Costume Design by J.A.

865
00:53:23,400 --> 00:53:24,600
Yates and Dave Cross.

866
00:53:24,600 --> 00:53:29,920
The Oppenheimer Costume
Design by Ellen Murakami.

867
00:53:30,000 --> 00:53:32,160
Four Things Costume Design by Holly

868
00:53:32,160 --> 00:53:37,520
Waddington.

869
00:53:37,600 --> 00:53:40,800
Yeah, You look beautiful.

870
00:53:40,880 --> 00:53:43,880
And the Oscar goes to

871
00:53:43,880 --> 00:53:53,440
poor things. Oh,

872
00:53:53,520 --> 00:53:55,080
this is the first Oscar win

873
00:53:55,080 --> 00:54:16,680
and nomination for Hollywood.

874
00:54:16,760 --> 00:54:18,560
Hi, everyone.

875
00:54:18,560 --> 00:54:20,440
Thank you for this.

876
00:54:20,440 --> 00:54:24,160
Thank you to the Academy

877
00:54:24,240 --> 00:54:25,680
completely for not giving what's inside.

878
00:54:25,680 --> 00:54:26,520
Thank you, Academy.

879
00:54:26,520 --> 00:54:29,520
Thank you to, um.

880
00:54:29,520 --> 00:54:32,440
Sorry. This again. My fellow nominees.

881
00:54:32,440 --> 00:54:37,720
It's an amazing privilege
to be in the same room as you all.

882
00:54:37,800 --> 00:54:38,600
You all the people who

883
00:54:38,600 --> 00:54:42,480
inspired me to be a costume designer
in the first place, and I wasn't

884
00:54:42,560 --> 00:54:47,880
poor things was a very rare opportunity
to be really free

885
00:54:47,880 --> 00:54:51,400
and artistic in a creative process
as a costume designer.

886
00:54:51,480 --> 00:54:54,880
Thank you, Yorgos, for that opportunity

887
00:54:54,960 --> 00:54:59,480
and for making such bold and brave
and idiosyncratic work that you are.

888
00:54:59,560 --> 00:55:01,320
Thank you to the cast.

889
00:55:01,320 --> 00:55:03,800
You were such a joy to work with.

890
00:55:03,800 --> 00:55:06,600
You all took every every idea I threw at

891
00:55:06,600 --> 00:55:09,600
you and just ran with it
and embraced it with such humor.

892
00:55:09,640 --> 00:55:12,520
Thank you to Emma Stone
for giving us Bella Baxter

893
00:55:12,520 --> 00:55:16,360
and bringing her into the world.

894
00:55:16,440 --> 00:55:19,880
Thank you to my amazing costume team.

895
00:55:19,880 --> 00:55:21,240
We all met in Budapest.

896
00:55:21,240 --> 00:55:23,040
We'd never worked together before.

897
00:55:23,040 --> 00:55:25,880
We have many Hungarians, a few Brits.

898
00:55:25,880 --> 00:55:27,000
It was Mid-Pandemic.

899
00:55:27,000 --> 00:55:29,960
We had masks, we had translators.

900
00:55:29,960 --> 00:55:33,880
It's very hard to describe the brief
to everybody, and somehow

901
00:55:33,960 --> 00:55:36,480
we all managed to make it work somehow.

902
00:55:36,480 --> 00:55:39,640
Thank you to Tony McNamara for

903
00:55:39,720 --> 00:55:41,040
always supporting my work.

904
00:55:41,040 --> 00:55:42,520
I really appreciate it.

905
00:55:42,520 --> 00:55:42,920
Thank you.

906
00:55:42,920 --> 00:55:46,880
To Searchlight Pictures Element Pictures
for making this all happen.

907
00:55:46,960 --> 00:55:50,800
Thank you to my lovely family
who have always supported me.

908
00:55:50,800 --> 00:55:51,480
I've got to go.

909
00:55:51,480 --> 00:55:54,920
And Andrew, who's over there, who looks
after the children so that I can work.

910
00:55:54,960 --> 00:56:05,400
Thank you so much.

911
00:56:05,480 --> 00:56:08,200
Coming up
next, bad Bunny and Dwayne Johnson.

912
00:56:08,200 --> 00:56:11,920
And then later, Emily Blunt
and Ryan Gosling take the stage.

913
00:56:12,000 --> 00:56:15,000
It's the Oscars
live from the Dolby Theater

914
00:56:15,000 --> 00:56:23,640
at Ovation Hollywood.

915
00:56:23,720 --> 00:56:26,400
Oh, Sage

916
00:56:26,400 --> 00:56:29,400
had oil on
when in this Money star comment.

917
00:56:29,400 --> 00:56:32,240
But we should have known it
came with something else.

918
00:56:32,240 --> 00:56:35,600
Most films out here

919
00:56:35,680 --> 00:56:37,200
and some do things right.

920
00:56:37,200 --> 00:56:39,240
Most men

921
00:56:39,240 --> 00:56:42,160
haven't done nothing wrong in this world.

922
00:56:42,160 --> 00:57:00,400
Have you told all the truths

923
00:57:00,480 --> 00:57:24,720
about

924
00:57:24,800 --> 00:58:17,360
what?

925
00:58:17,440 --> 00:59:03,040
Oh, no, no.

926
00:59:03,120 --> 00:59:14,440
Please
welcome Dwayne Johnson and Bad Bunny.

927
00:59:14,520 --> 00:59:16,640
And after that scene is rolling.

928
00:59:16,640 --> 00:59:21,560
Well, when you get to San Carlos, Ellen's
kind of spooning Hooters.

929
00:59:21,640 --> 00:59:22,800
Beautifully said.

930
00:59:22,800 --> 00:59:26,040
You see, he's not such a bad bunny.

931
00:59:26,120 --> 00:59:28,080
Happy birthday, brother Garcia.

932
00:59:28,080 --> 00:59:28,920
Thank you.

933
00:59:28,920 --> 00:59:31,800
International films enrich
our cultural understanding

934
00:59:31,800 --> 00:59:35,800
by broadening our perspectives
of the world and each other.

935
00:59:35,880 --> 00:59:40,280
Here are the nominees
for international feature film

936
00:59:40,360 --> 00:59:41,520
from Italy.

937
00:59:41,520 --> 00:59:45,680
El Capitan On the Record by Matteo Garrone

938
00:59:45,760 --> 00:59:46,720
from Japan.

939
00:59:46,720 --> 00:59:50,440
Perfect days directed by them vendors

940
00:59:50,520 --> 00:59:53,200
from Spain Society of the Snow,

941
00:59:53,200 --> 00:59:56,120
directed by J for your not

942
00:59:56,120 --> 00:59:57,040
from Germany.

943
00:59:57,040 --> 00:59:59,320
The Teacher's Lounge, directed by Dr.

944
00:59:59,320 --> 01:00:01,440
Charkop

945
01:00:01,440 --> 01:00:04,440
from the United Kingdom
The Zone of Interest,

946
01:00:04,440 --> 01:00:12,400
directed by Jonathan Glazer

947
01:00:12,480 --> 01:00:14,680
and the oath

948
01:00:14,680 --> 01:00:19,440
The Oscar goes to

949
01:00:19,520 --> 01:00:25,120
the son of an actress.

950
01:00:25,200 --> 01:00:28,560
This is the third nomination
for the United Kingdom.

951
01:00:28,640 --> 01:00:33,720
The zone of interest is the ninth
non English language film to be nominated

952
01:00:33,720 --> 01:00:56,520
for both international feature film
and best picture in the same.

953
01:00:56,600 --> 01:00:57,360
Thank you so much.

954
01:00:57,360 --> 01:01:00,360
I'm going to read a

955
01:01:00,520 --> 01:01:02,840
thank you to the Academy for this honor
and to our partners

956
01:01:02,840 --> 01:01:07,040
A24 film for Access and the Polish Film
Institute to the Auschwitz-Birkenau

957
01:01:07,120 --> 01:01:11,840
State Museum for their trust and guidance
to my producers, actors, collaborators.

958
01:01:11,920 --> 01:01:15,160
All our choices were made to reflect
and confront us in the present.

959
01:01:15,240 --> 01:01:19,400
Not to say, Look what they did
then, rather look what we do now.

960
01:01:19,480 --> 01:01:23,000
Our film shows
where dehumanization leads at its worst.

961
01:01:23,080 --> 01:01:26,280
It shaped all of our past and present.

962
01:01:26,360 --> 01:01:29,040
Right now we stand here as men
who refute their Jewishness

963
01:01:29,040 --> 01:01:32,880
in the Holocaust, being hijacked
by an occupation which has led to conflict

964
01:01:32,960 --> 01:01:35,800
for so many innocent people,
whether the victims

965
01:01:35,800 --> 01:01:42,440
of October, the four,

966
01:01:42,520 --> 01:01:47,440
whether the victims of October the seventh
in Israel or the ongoing attack on Gaza,

967
01:01:47,440 --> 01:01:58,280
all the victims of this humanization,
how do we resist?

968
01:01:58,360 --> 01:02:01,360
Alexandra Bistro and Carlotta Check.

969
01:02:01,440 --> 01:02:03,800
The girl who plays in the film as she did
in life, chose

970
01:02:03,800 --> 01:02:06,840
to dedicate this to her memory
and her resistance.

971
01:02:06,840 --> 01:02:16,600
Thank you.

972
01:02:16,680 --> 01:02:19,480
Please welcome to tonight's Oscar nominees

973
01:02:19,480 --> 01:02:30,400
Emily Blunt and Ryan Gosling.

974
01:02:30,480 --> 01:02:34,000
Oh, hello, Emily. Wow.

975
01:02:34,080 --> 01:02:35,520
It is a frosty hello.

976
01:02:35,520 --> 01:02:37,520
And not at all.

977
01:02:37,520 --> 01:02:43,080
No, I'm just happy that we can finally put
this Barb and Hammer rivalry behind us.

978
01:02:43,160 --> 01:02:44,520
That's right.

979
01:02:44,520 --> 01:02:45,080
That's right.

980
01:02:45,080 --> 01:02:48,600
Is Ken and Kitty
just leaving all that fodder?

981
01:02:48,720 --> 01:02:51,240
The dust, skies, rain

982
01:02:51,320 --> 01:02:51,600
and the

983
01:02:51,600 --> 01:02:54,640
way this awards season's turned out
wasn't that much of a rivalry.

984
01:02:54,640 --> 01:03:00,040
So just let it go.

985
01:03:00,120 --> 01:03:04,840
So it's true.

986
01:03:04,920 --> 01:03:07,280
You guys are doing very well, you know.

987
01:03:07,280 --> 01:03:07,960
Congratulations.

988
01:03:07,960 --> 01:03:10,960
Thank you.

989
01:03:11,040 --> 01:03:13,040
But, you know,
I think I kind of figured out

990
01:03:13,040 --> 01:03:15,840
why they call it Barb and Hammer,
and they didn't call it up.

991
01:03:15,840 --> 01:03:17,800
And Barbie y.

992
01:03:17,800 --> 01:03:20,480
Well, I think you guys are at the tail
end of that because you are right

993
01:03:20,480 --> 01:03:29,800
in Barbie's coattails all summer.

994
01:03:29,880 --> 01:03:31,640
Thanks for Ken splaining.

995
01:03:31,640 --> 01:03:35,240
That to me.

996
01:03:35,320 --> 01:03:36,120
All right, Mr..

997
01:03:36,120 --> 01:03:38,480
I need to paint my abs on
to get nominated.

998
01:03:38,480 --> 01:03:41,240
You don't see Robert, don't you? Kidding?

999
01:03:41,240 --> 01:03:41,880
You kidding?

1000
01:03:41,880 --> 01:03:43,960
Did not paint is This is insane.

1001
01:03:43,960 --> 01:03:45,200
Emily, this has got to stop.

1002
01:03:45,200 --> 01:03:49,400
We have to squash this.

1003
01:03:49,480 --> 01:03:52,440
We're here to celebrate the stunt
community massively. Yes.

1004
01:03:52,440 --> 01:03:56,400
They've been such a crucial part of our
industry since the beginning of cinema.

1005
01:03:56,480 --> 01:03:57,520
It's true.

1006
01:03:57,520 --> 01:04:03,680
They are truly the unsung heroes
who risk life and limb for cinema.

1007
01:04:03,760 --> 01:04:05,600
Playback

1008
01:04:05,600 --> 01:04:14,360
three So what action?

1009
01:04:14,440 --> 01:04:18,040
Chaplin Lloyd Keaton.

1010
01:04:18,120 --> 01:04:20,560
Cinema's
first directors were all stunt men

1011
01:04:20,560 --> 01:04:25,600
in their own right, and action
was the lifeblood of their story.

1012
01:04:25,680 --> 01:04:28,280
The Academy's history runs
deep with the incredible

1013
01:04:28,280 --> 01:04:39,160
work of the fearless artisans
of the stunt community,

1014
01:04:39,240 --> 01:04:41,760
and every award season features their work

1015
01:04:41,760 --> 01:04:45,640
in every genre,

1016
01:04:45,720 --> 01:04:47,400
from Butch and Sundance

1017
01:04:47,400 --> 01:04:51,040
to Black Panther, from the depths of space

1018
01:04:51,120 --> 01:04:54,800
to the battlefields of Earth and beyond.

1019
01:04:54,880 --> 01:04:58,440
Stunt performers and the action
they designed continue to create

1020
01:04:58,480 --> 01:05:04,360
some of the most memorable moments
in the history of cinema.

1021
01:05:04,440 --> 01:05:15,960
And they've been doing it from the start

1022
01:05:16,040 --> 01:05:24,480
and John

1023
01:05:24,560 --> 01:05:27,200
to the stunt performers
and the stunt coordinators

1024
01:05:27,200 --> 01:05:41,040
who help make movies Magic, we salute you.

1025
01:05:41,120 --> 01:05:43,600
Coming up, the award for supporting actor.

1026
01:05:43,600 --> 01:05:52,560
And then later, a reunion
you won't want to miss.

1027
01:05:52,640 --> 01:05:54,240
I thought I might stay over tonight.

1028
01:05:54,240 --> 01:05:56,320
To do what?

1029
01:05:56,320 --> 01:05:58,360
I'm actually sure.

1030
01:05:58,360 --> 01:06:00,880
Oh, it's girls night.

1031
01:06:00,880 --> 01:06:02,080
Hi, Barney.

1032
01:06:02,080 --> 01:06:03,440
Hi, Ken.

1033
01:06:03,440 --> 01:06:05,520
Watch me,

1034
01:06:05,520 --> 01:06:07,920
Barbie.

1035
01:06:07,920 --> 01:06:09,360
Hi. I'm weird Barbie.

1036
01:06:09,360 --> 01:06:10,400
I in the splits.

1037
01:06:10,400 --> 01:06:12,760
I have a funky haircut,
and I smell like basement.

1038
01:06:12,760 --> 01:06:17,240
Oh, I want to be part of the people
that makes meaning,

1039
01:06:17,320 --> 01:06:25,720
Not the thing that's made today.

1040
01:06:25,800 --> 01:06:27,360
Hi, everybody.

1041
01:06:27,360 --> 01:06:28,960
You guys all right? You're hanging in.

1042
01:06:28,960 --> 01:06:31,080
Everybody okay?

1043
01:06:31,080 --> 01:06:35,600
Apparently, a lot of people watching
at home are just just turning it on.

1044
01:06:35,600 --> 01:06:39,640
And they're upset because they thought the
show started at 5:00, like usually does.

1045
01:06:39,720 --> 01:06:42,480
So, anyway the producers and I just talked
and we think

1046
01:06:42,480 --> 01:06:45,720
the best thing to do
is to start the show over again.

1047
01:06:45,720 --> 01:06:47,960
So let's take it from the top.

1048
01:06:47,960 --> 01:06:50,280
Everybody take it on one. No, we're not.

1049
01:06:50,280 --> 01:06:52,280
You know, we're like an hour
and a half into the show.

1050
01:06:52,280 --> 01:06:58,200
If this was an AMC theater, the movie
would just be starting right now.

1051
01:06:58,280 --> 01:07:01,480
Our next category is for actor,
a supporting role.

1052
01:07:01,480 --> 01:07:04,320
And we have a whole bunch of Oscar winners
to support it.

1053
01:07:04,320 --> 01:07:12,560
Please
welcome your best supporting actors.

1054
01:07:12,640 --> 01:07:14,880
And the Oscar goes to

1055
01:07:14,880 --> 01:07:19,720
Sam Rockwell, Tim Robbins, Craig
Franklin, Crystal Balls,

1056
01:07:19,920 --> 01:07:45,120
Mahershala Ali.

1057
01:07:45,200 --> 01:07:45,560
It is

1058
01:07:45,560 --> 01:07:48,560
an honor for us to be here to pay tribute

1059
01:07:48,760 --> 01:07:53,240
to the nominees for actor
in a supporting role.

1060
01:07:53,320 --> 01:07:55,000
Sterling,

1061
01:07:55,000 --> 01:07:57,000
I know you always

1062
01:07:57,000 --> 01:08:00,960
has been a long journey
to get to this night.

1063
01:08:01,040 --> 01:08:02,680
I can relate.

1064
01:08:02,680 --> 01:08:05,320
And I'm so, so happy

1065
01:08:05,320 --> 01:08:09,760
that you're finally being recognized
by your peers, your performance

1066
01:08:09,840 --> 01:08:14,040
and American fiction
is extraordinary and transformative,

1067
01:08:14,120 --> 01:08:25,440
and I am in awe.

1068
01:08:25,520 --> 01:08:29,040
The magic you bring on screen,
it's outmatched

1069
01:08:29,120 --> 01:08:40,640
only that by the magic
of who you are as a person.

1070
01:08:40,720 --> 01:08:43,680
There are actors,

1071
01:08:43,680 --> 01:08:46,400
and then there are actors
who don't drop character

1072
01:08:46,400 --> 01:08:49,720
until the DVD commentary.

1073
01:08:49,800 --> 01:08:52,560
Talking about Robert Downey Jr

1074
01:08:52,560 --> 01:08:57,280
that do

1075
01:08:57,320 --> 01:08:59,320
Susan's husband,

1076
01:08:59,320 --> 01:09:01,880
the Iron Man, he can be everyman.

1077
01:09:01,880 --> 01:09:03,960
He always goes above and beyond.

1078
01:09:03,960 --> 01:09:07,840
30 years ago, and as Chaplin, he learned
how to play the violin left handed.

1079
01:09:08,000 --> 01:09:10,400
Who does that seriously? It's obnoxious.

1080
01:09:10,400 --> 01:09:13,880
And now in Oppenheimer,
he steals scenes from Albert

1081
01:09:13,880 --> 01:09:16,880
Einstein and the atomic bomb.

1082
01:09:16,960 --> 01:09:18,280
I love him.

1083
01:09:18,280 --> 01:09:20,200
You love him?

1084
01:09:20,200 --> 01:09:24,400
We couldn't be happier for his third Oscar
nom for his amazing portrayal

1085
01:09:24,400 --> 01:09:33,160
as Louis Strauss.

1086
01:09:33,240 --> 01:09:33,840
In the course

1087
01:09:33,840 --> 01:09:36,840
of his brilliant career, Robert De Niro

1088
01:09:36,920 --> 01:09:43,600
as Steve

1089
01:09:43,680 --> 01:09:45,400
has teamed with Martin Scorsese

1090
01:09:45,400 --> 01:09:49,080
to bring us a wide range
of uniquely complicated villains.

1091
01:09:49,160 --> 01:09:52,800
His latest performance
in Killers of the Flower Moon delivers

1092
01:09:52,800 --> 01:09:57,000
a different type of evil,
not of a mobster or a psychotic loner,

1093
01:09:57,080 --> 01:10:01,960
but of a business man
consumed by greed and his lust for power.

1094
01:10:02,040 --> 01:10:04,840
Mr. De Niro, in an Oscar winning

1095
01:10:04,840 --> 01:10:09,520
Oscar worthy performance gives us

1096
01:10:09,600 --> 01:10:15,080
should be ready,

1097
01:10:15,160 --> 01:10:15,680
gives us a

1098
01:10:15,680 --> 01:10:20,080
reminder of the heart of darkness
within our ancestral blood.

1099
01:10:20,160 --> 01:10:30,520
Congratulations to an legend.

1100
01:10:30,600 --> 01:10:33,600
It's not really new
that certain male behavior

1101
01:10:33,600 --> 01:10:39,760
looks like the inferiority complex
of a plastic doll in a cardboard box.

1102
01:10:39,840 --> 01:10:42,680
But something easy to ridicule.

1103
01:10:42,680 --> 01:10:45,520
So why, then, do we admire

1104
01:10:45,520 --> 01:10:49,280
Ryan Gosling's skin so much?

1105
01:10:49,360 --> 01:10:53,440
Because Ryan's portrayal of Ken
allows us to.

1106
01:10:53,520 --> 01:10:54,720
Yeah, I admit it.

1107
01:10:54,720 --> 01:10:57,160
To connect.

1108
01:10:57,160 --> 01:10:59,040
Not. Not because it's ridiculous,

1109
01:10:59,040 --> 01:11:03,760
but because is funny, intelligent,
hugely entertaining,

1110
01:11:03,840 --> 01:11:08,160
and ultimately poignant
and deserving of empathy

1111
01:11:08,240 --> 01:11:11,360
to experience all is exactly

1112
01:11:11,360 --> 01:11:23,680
what we go to the movies for.

1113
01:11:23,760 --> 01:11:31,960
Mark Ruffalo

1114
01:11:32,040 --> 01:11:32,600
Over three

1115
01:11:32,600 --> 01:11:36,600
decades, you've captivated us
with your versatility.

1116
01:11:36,680 --> 01:11:40,120
From drama to comedy to action.

1117
01:11:40,200 --> 01:11:42,840
You've defied categorization,

1118
01:11:42,840 --> 01:11:45,760
and we wouldn't have it any other way.

1119
01:11:45,840 --> 01:11:48,840
Your appetite for challenges is unmatched,

1120
01:11:48,840 --> 01:11:52,520
exemplified by your portrayal of Duncan
Wedderburn in Poor Things,

1121
01:11:52,600 --> 01:11:55,200
which has rightfully earned
you this nomination.

1122
01:11:55,200 --> 01:12:00,880
Well,

1123
01:12:00,960 --> 01:12:03,200
and beyond your talent, Mark,

1124
01:12:03,200 --> 01:12:05,640
you're simply a wonderful human being.

1125
01:12:05,640 --> 01:12:15,240
Thank you.

1126
01:12:15,320 --> 01:12:19,000
And the Oscar goes to

1127
01:12:19,080 --> 01:12:27,400
Robert Downey Jr.

1128
01:12:27,440 --> 01:12:30,280
This is the first Oscar win
for Robert Downey Jr.

1129
01:12:30,280 --> 01:12:48,680
And he scored a nomination.

1130
01:12:48,760 --> 01:12:49,080
Thank you.

1131
01:12:49,080 --> 01:12:52,080
Thank you.

1132
01:12:52,080 --> 01:12:52,760
Thanks, Sam.

1133
01:12:52,760 --> 01:12:54,040
Thanks, fellows. That's amazing.

1134
01:12:54,040 --> 01:12:58,600
You only flubbed one line.

1135
01:12:58,680 --> 01:13:03,360
I'd like to thank my terrible childhood

1136
01:13:03,440 --> 01:13:05,880
and the academy

1137
01:13:05,880 --> 01:13:08,600
in that order.

1138
01:13:08,600 --> 01:13:11,400
I'd like to thank my veterinarian.

1139
01:13:11,400 --> 01:13:13,920
I meant wife

1140
01:13:13,920 --> 01:13:17,960
Susan Downey over there.

1141
01:13:18,040 --> 01:13:21,600
She found me a snarling rescue pet.

1142
01:13:21,600 --> 01:13:23,520
And you love me back to life.

1143
01:13:23,520 --> 01:13:24,840
That's why I'm here.

1144
01:13:24,840 --> 01:13:29,560
Thank you.

1145
01:13:29,640 --> 01:13:30,800
Here's my little secret.

1146
01:13:30,800 --> 01:13:33,400
I needed this job more than it needed me.

1147
01:13:33,400 --> 01:13:36,480
Chris knew it and made sure
that she surrounded me

1148
01:13:36,480 --> 01:13:41,640
with one of the great cast and crews
of all time, Emily Kelly and Matt Damon.

1149
01:13:41,800 --> 01:13:43,520
Blunt It was fantastic.

1150
01:13:43,520 --> 01:13:46,520
And I stand here before you a better man
because of it.

1151
01:13:46,680 --> 01:13:51,200
You know, what we do is meaningful,
and the stuff that we decide to make

1152
01:13:51,200 --> 01:13:52,560
is important.

1153
01:13:52,560 --> 01:13:56,640
So back to my publicist and my Philip

1154
01:13:56,640 --> 01:14:00,480
Raskin is here
and Andrew Dunlap, my den mother.

1155
01:14:00,560 --> 01:14:02,280
Joy Feeley, thank you very much.

1156
01:14:02,280 --> 01:14:06,640
I want to thank my stylist
in case no one else does.

1157
01:14:06,720 --> 01:14:08,680
Thanks, Erica.

1158
01:14:08,680 --> 01:14:10,240
Thank you very much.

1159
01:14:10,240 --> 01:14:14,080
And I'm just going to say this.

1160
01:14:14,160 --> 01:14:16,560
My entertainment lawyer, Tom

1161
01:14:16,560 --> 01:14:21,400
Hansen of 40 years, the half
of which he spent trying to get me insured

1162
01:14:21,480 --> 01:14:24,760
and bailing me out of the hoosegow.

1163
01:14:24,840 --> 01:14:27,360
Thanks, bro.

1164
01:14:27,360 --> 01:14:48,000
Avery in India, this one's for you.

1165
01:14:48,080 --> 01:14:51,360
Robert Downey
Jr just had a moment of a lifetime.

1166
01:14:51,560 --> 01:14:54,760
And you came to the academy in Los Angeles

1167
01:14:54,840 --> 01:14:57,720
where you can give your own acceptance
speech.

1168
01:14:57,720 --> 01:15:01,280
Immerse yourself in Oscar's justice
and buy one of a kind

1169
01:15:01,280 --> 01:15:11,920
Oscar ornaments, both in-person or online.

1170
01:15:12,000 --> 01:15:14,960
I need you to be precise.

1171
01:15:14,960 --> 01:15:17,560
Tell me everything.

1172
01:15:17,560 --> 01:15:20,240
The report is inconclusive.

1173
01:15:20,240 --> 01:15:25,360
Now, that's why an investigation
for more suspicious deaths,

1174
01:15:25,440 --> 01:15:28,440
because you were the only person there.

1175
01:15:28,640 --> 01:15:31,280
And of course, you always waive that.

1176
01:15:31,280 --> 01:15:41,120
Stop, Stop. I did not kill him.

1177
01:15:41,200 --> 01:15:42,400
Please welcome

1178
01:15:42,400 --> 01:15:45,400
Arnold Schwarzenegger and Oscar nominee

1179
01:15:45,440 --> 01:16:01,360
Danny DeVito.

1180
01:16:01,440 --> 01:16:03,240
Nice to

1181
01:16:03,240 --> 01:16:08,080
hear that film being there for you,
everybody.

1182
01:16:08,160 --> 01:16:09,480
Yeah. Yeah.

1183
01:16:09,480 --> 01:16:11,640
Very nice.

1184
01:16:11,640 --> 01:16:15,880
Well, Arnold and I are presenting together

1185
01:16:15,960 --> 01:16:18,840
for a very obvious reason.

1186
01:16:18,840 --> 01:16:21,440
We both tried to kill Batman. Yes.

1187
01:16:21,440 --> 01:16:22,040
Yeah.

1188
01:16:22,040 --> 01:16:23,440
Where would I die?

1189
01:16:23,440 --> 01:16:26,640
As the penguin in Batman Returns.

1190
01:16:26,720 --> 01:16:27,480
And that was Mr.

1191
01:16:27,480 --> 01:16:30,680
Freeze in Batman and Robin.

1192
01:16:30,760 --> 01:16:33,040
How did Batman beat you?

1193
01:16:33,040 --> 01:16:39,320
Oh, he used my one weakness against me.

1194
01:16:39,400 --> 01:16:42,800
He love. Oh,

1195
01:16:42,880 --> 01:16:45,160
he threw me out a window.

1196
01:16:45,160 --> 01:16:46,520
Oh, really?

1197
01:16:46,520 --> 01:16:48,160
Yeah. He's really Batman.

1198
01:16:48,160 --> 01:16:49,080
That son of a bitch.

1199
01:16:49,080 --> 01:16:52,080
Where is. Yeah, me.

1200
01:16:52,080 --> 01:16:53,600
Hey, there he is.

1201
01:16:53,600 --> 01:16:56,080
He's right here.

1202
01:16:56,080 --> 01:16:57,320
He's right in the.

1203
01:16:57,320 --> 01:16:59,160
You have a lot of nerve to show your face.

1204
01:16:59,160 --> 01:17:00,760
Yeah, yeah, yeah.

1205
01:17:00,760 --> 01:17:06,280
Son of a bitch.
You are a real big breaker.

1206
01:17:06,360 --> 01:17:07,400
Oh, I

1207
01:17:07,400 --> 01:17:11,560
want to see you after the Governor's ball.

1208
01:17:11,640 --> 01:17:14,640
You better believe. How?

1209
01:17:14,640 --> 01:17:15,120
All right.

1210
01:17:15,120 --> 01:17:19,480
And here are the nominees for achievement
in visual effects.

1211
01:17:19,560 --> 01:17:23,240
The artist who take us beyond
the real world.

1212
01:17:23,320 --> 01:17:26,160
Beyond the the limits portions

1213
01:17:26,160 --> 01:17:29,160
of a movie set.

1214
01:17:29,280 --> 01:17:32,400
The creator, Jay Cooper, Ian Conley.

1215
01:17:32,520 --> 01:17:35,520
Andrew Roberts. Emile Cordova.

1216
01:17:35,760 --> 01:17:37,320
Godzilla minus one.

1217
01:17:37,320 --> 01:17:40,520
Takashi Ramazani, Hugo Chavarria,

1218
01:17:40,680 --> 01:17:43,520
Masaki Takahashi and Kai Tsuji.

1219
01:17:43,520 --> 01:17:44,640
No Jima.

1220
01:17:44,640 --> 01:17:48,480
Guardians of the Galaxy Volume
three 10.70.

1221
01:17:48,720 --> 01:17:54,200
Aleksey vies
by Guy Williams and Theo Bejar,

1222
01:17:54,280 --> 01:17:58,320
Mission
Impossible Dead Reckoning Part one. Alex

1223
01:17:58,400 --> 01:18:03,520
Simone, Coco,
Jeff Sutherland and Neal Korbel.

1224
01:18:03,600 --> 01:18:05,760
Napoleon. Charlie Henley.

1225
01:18:05,760 --> 01:18:07,600
Luke Ewan Martin Fenwick.

1226
01:18:07,600 --> 01:18:11,440
Simone, Coco and Neal Korbel.

1227
01:18:11,520 --> 01:18:15,040
It's set in Europe

1228
01:18:15,040 --> 01:18:18,480
and the Oscar goes to We go.

1229
01:18:18,560 --> 01:18:23,320
This is a

1230
01:18:23,400 --> 01:18:25,440
gazillion

1231
01:18:25,440 --> 01:18:31,240
I won and potassium

1232
01:18:31,320 --> 01:18:34,560
yeah when you go toe to toe.

1233
01:18:34,680 --> 01:18:39,120
Oh this is the first Oscar win
and nomination for the visual effects

1234
01:18:39,120 --> 01:19:03,400
team from Godzilla minus one guy

1235
01:19:03,480 --> 01:19:15,800
who was

1236
01:19:15,880 --> 01:19:23,280
already hurt

1237
01:19:23,360 --> 01:19:25,480
by television 40 years ago

1238
01:19:25,480 --> 01:19:28,360
after the shock of seeing Star Wars

1239
01:19:28,360 --> 01:19:31,360
and encounters of the kind

1240
01:19:31,600 --> 01:19:35,680
to were so far from Hollywood,

1241
01:19:35,760 --> 01:19:40,600
even the possibility
standing on this stage

1242
01:19:40,680 --> 01:19:43,520
seemed out of reach.

1243
01:19:43,520 --> 01:19:46,720
The moment we are nominated,

1244
01:19:46,800 --> 01:19:51,800
we fought felt like Rocky Balboa.

1245
01:19:51,880 --> 01:19:55,680
We're kinda into the dying thing,

1246
01:19:55,800 --> 01:19:59,880
as echoed by

1247
01:19:59,960 --> 01:20:03,880
other

1248
01:20:03,960 --> 01:20:06,240
guys, by our biggest driver,

1249
01:20:06,240 --> 01:20:09,880
which was already a miracle.

1250
01:20:09,960 --> 01:20:15,640
But shall we stand

1251
01:20:15,720 --> 01:20:17,200
to see

1252
01:20:17,200 --> 01:20:21,240
all the big artists
outside, outside of Hollywood?

1253
01:20:21,320 --> 01:20:26,440
How you do of this thing
And this I like is proof

1254
01:20:26,520 --> 01:20:32,320
that everyone has the chance

1255
01:20:32,400 --> 01:20:34,200
firing

1256
01:20:34,200 --> 01:20:37,320
on whether you own the health

1257
01:20:37,440 --> 01:20:40,440
of the cast and crew of goodwill
minus one.

1258
01:20:40,680 --> 01:20:44,640
I Want to tell you a bit.

1259
01:20:44,720 --> 01:20:46,080
Producer Sergey.

1260
01:20:46,080 --> 01:20:50,720
I went through what we lost too soon.

1261
01:20:50,800 --> 01:20:53,040
We did it. Thank you.

1262
01:20:53,040 --> 01:20:54,720
Thanks a lot.

1263
01:20:54,720 --> 01:20:58,120
That's

1264
01:20:58,200 --> 01:20:59,960
not going to stop.

1265
01:20:59,960 --> 01:21:09,400
How did I got to?

1266
01:21:09,480 --> 01:21:11,240
Yeah,

1267
01:21:11,240 --> 01:21:13,160
Yeah. Here you go.

1268
01:21:13,160 --> 01:21:16,800
Okay, well, the next category
are some very important people.

1269
01:21:16,800 --> 01:21:18,960
Yeah, I've very the film editors,

1270
01:21:18,960 --> 01:21:22,920
the architects of storytelling,
they gave every year.

1271
01:21:23,000 --> 01:21:25,080
They work with the director.

1272
01:21:25,080 --> 01:21:28,920
They fix all the screw ups, right? And

1273
01:21:29,000 --> 01:21:34,480
now here are the nominees
for achievement in film editing

1274
01:21:34,560 --> 01:21:36,600
Anatomy of a Fall.

1275
01:21:36,600 --> 01:21:41,080
Karen So, Michelle

1276
01:21:41,160 --> 01:21:42,000
the holdovers.

1277
01:21:42,000 --> 01:21:45,880
Kevin ten oh,

1278
01:21:45,960 --> 01:21:47,880
Killers of the Flower Moon

1279
01:21:47,880 --> 01:21:51,520
goes to make up

1280
01:21:51,600 --> 01:21:52,480
Oppenheimer.

1281
01:21:52,480 --> 01:21:56,000
Jennifer Main

1282
01:21:56,080 --> 01:21:57,960
Four things.

1283
01:21:57,960 --> 01:22:00,200
You know those bubbles.

1284
01:22:00,200 --> 01:22:03,200
Great reviews.

1285
01:22:03,320 --> 01:22:05,040
Okay.

1286
01:22:05,040 --> 01:22:08,320
And the Oscars,
hopefully you pronounce it.

1287
01:22:08,320 --> 01:22:12,000
Go see

1288
01:22:12,080 --> 01:22:14,680
Oppenheimer,

1289
01:22:14,680 --> 01:22:24,880
Jennifer Lane

1290
01:22:24,960 --> 01:22:43,440
This is the first Oscar win
and nomination for Jennifer Lane.

1291
01:22:43,520 --> 01:22:45,680
I love the movie Twins.

1292
01:22:45,680 --> 01:22:46,520
It's amazing.

1293
01:22:46,520 --> 01:22:50,000
So this has been an

1294
01:22:50,080 --> 01:22:50,920
I'm sorry.

1295
01:22:50,920 --> 01:22:52,200
Take a deep breath.

1296
01:22:52,200 --> 01:22:52,880
Okay?

1297
01:22:52,880 --> 01:22:55,680
Emma Thomas, you amaze me.

1298
01:22:55,680 --> 01:22:59,200
You are a badass producer
and you make these

1299
01:22:59,280 --> 01:23:03,240
complicated, beautiful films
and you're unflappable.

1300
01:23:03,240 --> 01:23:05,120
And I'm in all of you.

1301
01:23:05,120 --> 01:23:10,320
Chris Nolan, you're okay to.

1302
01:23:10,400 --> 01:23:11,360
I was terrified

1303
01:23:11,360 --> 01:23:15,040
like I am right now when I first got hired
to work with you and you hired me.

1304
01:23:15,040 --> 01:23:18,640
And it felt like you took a huge risk on
me, but you never made me feel that way.

1305
01:23:18,720 --> 01:23:22,480
And you instilled so much confidence
in me.

1306
01:23:22,480 --> 01:23:25,440
And I looked forward
to going to work with you every day.

1307
01:23:25,440 --> 01:23:27,480
And it's
so exciting to collaborate with you.

1308
01:23:27,480 --> 01:23:28,560
And I can't thank you enough.

1309
01:23:28,560 --> 01:23:33,000
My husband, Craig, I love you,
my two children, Tony and Maggie.

1310
01:23:33,000 --> 01:23:35,080
I love you so much. God for God
for which means good night.

1311
01:23:35,080 --> 01:23:52,000
I don't know. I make you

1312
01:23:52,080 --> 01:23:54,120
performing the Oscar nominated song.

1313
01:23:54,120 --> 01:23:56,840
It never went away from American Symphony.

1314
01:23:56,840 --> 01:24:06,960
Please welcome John Batiste.

1315
01:24:07,040 --> 01:24:17,120
Oh. Oh, oh,

1316
01:24:17,200 --> 01:24:20,200
Never went away.

1317
01:24:20,280 --> 01:24:27,520
Oh, the feeling she has to say.

1318
01:24:27,600 --> 01:24:35,400
Oh, I thought I was a wise lad.

1319
01:24:35,480 --> 01:24:39,360
But when you're playing God, let

1320
01:24:39,440 --> 01:24:40,720
thought I was hot.

1321
01:24:40,720 --> 01:24:46,520
Got a detour along the way.

1322
01:24:46,600 --> 01:24:50,440
Summertime adventure.

1323
01:24:50,520 --> 01:24:54,160
That's what we were meant for.

1324
01:24:54,240 --> 01:24:55,800
I need you.

1325
01:24:55,800 --> 01:25:00,520
And that's never going to change.

1326
01:25:00,600 --> 01:25:04,840
It never went away.

1327
01:25:04,920 --> 01:25:12,240
Oh, every time I see your face.

1328
01:25:12,320 --> 01:25:27,000
Oh, it's never gone

1329
01:25:27,000 --> 01:25:30,880
away.

1330
01:25:30,960 --> 01:25:53,880
It's never gone away.

1331
01:25:53,960 --> 01:26:06,480
You What's

1332
01:26:06,560 --> 01:26:08,040
coming up next?

1333
01:26:08,040 --> 01:26:11,680
Barbie's America Ferrera and Kate McKinnon

1334
01:26:11,880 --> 01:26:16,280
here on the Oscars from the Dolby Theater
at Ovation Hollywood

1335
01:26:16,360 --> 01:26:32,320
with.

1336
01:26:32,400 --> 01:26:35,400
Hello, I'm Lenny

1337
01:26:35,440 --> 01:26:35,880
Lerner.

1338
01:26:35,880 --> 01:26:38,440
Ben Stein.

1339
01:26:38,440 --> 01:26:43,880
He thinks I could be
the first great American conductor.

1340
01:26:43,960 --> 01:26:48,280
I want a lot of things.

1341
01:26:48,360 --> 01:26:52,960
I know exactly who you are.

1342
01:26:53,040 --> 01:27:03,240
It's give it a whirl.

1343
01:27:03,320 --> 01:27:06,680
Yeah.

1344
01:27:06,760 --> 01:27:09,840
Oh, hey, let's have a round of applause
for our maestro tonight.

1345
01:27:09,840 --> 01:27:14,040
Rickey Minor and his Oscar

1346
01:27:14,120 --> 01:27:29,960
win. Hello, everybody.

1347
01:27:30,040 --> 01:27:31,600
As everybody doing, Everybody

1348
01:27:31,600 --> 01:27:35,840
feeling well, Everybody.

1349
01:27:35,920 --> 01:27:36,560
It's happening.

1350
01:27:36,560 --> 01:27:38,920
Coleman How are you?

1351
01:27:38,920 --> 01:27:41,320
COLEMAN By the way, Colman
Domingo is a best actor

1352
01:27:41,320 --> 01:27:43,280
nominee for his work in the movie.

1353
01:27:43,280 --> 01:27:45,560
Rustin And

1354
01:27:45,560 --> 01:27:47,720
in his next role.

1355
01:27:47,720 --> 01:27:48,720
I can't wait to see this.

1356
01:27:48,720 --> 01:27:53,120
He's playing Michael Jackson's father
in the upcoming biopic Michael, which

1357
01:27:53,280 --> 01:27:54,560
and let me tell you something.

1358
01:27:54,560 --> 01:27:58,680
If you think Maestro had some good
fake noses, hang on to your Jerry curls

1359
01:27:58,680 --> 01:28:01,680
because you ain't seen nothing yet.

1360
01:28:01,840 --> 01:28:02,680
What do you remember?

1361
01:28:02,680 --> 01:28:04,200
What are you doing there, Mr.

1362
01:28:04,200 --> 01:28:06,240
Coleman needed a drink.

1363
01:28:06,240 --> 01:28:08,160
Oh, he did? Oh, he needed a drink.

1364
01:28:08,160 --> 01:28:10,880
What are you drinking there? I

1365
01:28:10,960 --> 01:28:11,720
don't know, Julio.

1366
01:28:11,720 --> 01:28:16,440
And also, I got tequila for everyone
in the audience you brought.

1367
01:28:16,520 --> 01:28:17,680
Oh, that's very considerate.

1368
01:28:17,680 --> 01:28:20,040
You brought the guilt for everyone
in the audience.

1369
01:28:20,040 --> 01:28:21,880
Yeah, I think we should do a toast.

1370
01:28:21,880 --> 01:28:24,080
No, we don't have time for a toast,
but that's very good.

1371
01:28:24,080 --> 01:28:24,920
We do.

1372
01:28:24,920 --> 01:28:27,760
Everyone raise your glass to Mr.

1373
01:28:27,760 --> 01:28:31,160
Coleman. Flamingo, Emily Braun.

1374
01:28:31,240 --> 01:28:32,680
John, continue. Ski. It's.

1375
01:28:32,680 --> 01:28:34,200
Yes, Brzezinski.

1376
01:28:34,200 --> 01:28:35,280
Brzezinski.

1377
01:28:35,280 --> 01:28:37,720
Are you going to be toasting everyone
individually?

1378
01:28:37,720 --> 01:28:39,960
Yeah. I'm
going to do a toast with everybody.

1379
01:28:39,960 --> 01:28:42,960
I love everyone here,

1380
01:28:43,160 --> 01:28:44,240
and I love Jimmy.

1381
01:28:44,240 --> 01:28:45,320
I love you, too, Grandma.

1382
01:28:45,320 --> 01:28:47,280
And I love tequila.

1383
01:28:47,280 --> 01:28:52,560
And I love my beautiful wife,
Miss Charlize Theron.

1384
01:28:52,640 --> 01:28:54,160
I love you.

1385
01:28:54,160 --> 01:28:57,800
You're my angel.

1386
01:28:57,880 --> 01:28:59,160
Salud, everybody.

1387
01:28:59,160 --> 01:29:03,640
I love everybody.

1388
01:29:03,720 --> 01:29:18,320
And another toast
for America Ferrera and Kate McKinnon.

1389
01:29:18,400 --> 01:29:24,440
Oh, we are here to present

1390
01:29:24,440 --> 01:29:28,840
the awards for Best Documentary short
and Best Documentary Feature.

1391
01:29:28,920 --> 01:29:32,120
These awards honor the

1392
01:29:32,200 --> 01:29:34,680
in documentary filmmaking films

1393
01:29:34,680 --> 01:29:38,880
that give us real stories
about real life with past winners

1394
01:29:38,880 --> 01:29:43,360
like Woodstock, free solo,
An Inconvenient Truth.

1395
01:29:43,440 --> 01:29:45,440
Jurassic Park.

1396
01:29:45,440 --> 01:29:47,160
Jurassic World.

1397
01:29:47,160 --> 01:29:48,880
Jurassic World Dominion.

1398
01:29:48,880 --> 01:29:50,760
Hey, No,

1399
01:29:50,760 --> 01:29:53,760
no, those aren't documentaries.

1400
01:29:54,000 --> 01:29:57,600
What now, Kate?

1401
01:29:57,600 --> 01:30:00,120
The dinosaurs weren't real.

1402
01:30:00,120 --> 01:30:03,720
Oh, America, not U2. No,

1403
01:30:03,800 --> 01:30:08,600
no, I know the dinosaurs were real,
but in the movies, they were CGI.

1404
01:30:08,600 --> 01:30:12,000
There was a documentary about it.

1405
01:30:12,080 --> 01:30:12,960
My God. Dr.

1406
01:30:12,960 --> 01:30:15,480
Spielberg, sir,

1407
01:30:15,480 --> 01:30:22,760
is this true? Wow.

1408
01:30:22,840 --> 01:30:29,960
But Jeff Goldblum is real, right? No.

1409
01:30:30,040 --> 01:30:31,880
And to whom have I been sending

1410
01:30:31,880 --> 01:30:44,680
my tasteful nudes for?

1411
01:30:44,760 --> 01:30:47,760
You're welcome.

1412
01:30:47,760 --> 01:30:50,120
The nominees for Best documentary short

1413
01:30:50,120 --> 01:30:57,400
are the ABCs of book banning
Sheila Nevins and Trish Adolescente,

1414
01:30:57,480 --> 01:30:58,320
The Barber of Little

1415
01:30:58,320 --> 01:31:03,440
Rock, John Hoffman and Christine Turner,
and I learned in-between

1416
01:31:03,520 --> 01:31:08,200
as Leo Qiang and Jean Chen in the last
repair shop.

1417
01:31:08,280 --> 01:31:11,160
Ben Proud, Slick and Chris Bones.

1418
01:31:11,160 --> 01:31:12,840
Nice Night and Y12.

1419
01:31:12,840 --> 01:31:18,560
Sean Wang and Sam Davis.

1420
01:31:18,640 --> 01:31:22,200
And the Oscar Goes to the Last
Repair Shop.

1421
01:31:22,200 --> 01:31:34,720
Thanks for coming.

1422
01:31:34,800 --> 01:31:36,120
This is the second Oscar

1423
01:31:36,120 --> 01:31:40,080
win and third nomination for Ben Proudfoot
and the first win

1424
01:31:40,280 --> 01:32:08,720
second nomination for Chris Bowers.

1425
01:32:08,800 --> 01:32:10,280
Wow. Thank you so much.

1426
01:32:10,280 --> 01:32:12,120
The Academy is incredible.

1427
01:32:12,120 --> 01:32:14,120
Thank you

1428
01:32:14,120 --> 01:32:16,080
so much.

1429
01:32:16,080 --> 01:32:20,200
The last repair shop is about the heroes
in our schools

1430
01:32:20,280 --> 01:32:23,880
who often go unsung
and thanked and unseen.

1431
01:32:23,960 --> 01:32:27,400
Tonight, you are sung,
you are thanked and you are seen.

1432
01:32:27,520 --> 01:32:32,760
Thank all so much for what you do.

1433
01:32:32,840 --> 01:32:35,080
John Williams
inspired me to become a composer.

1434
01:32:35,080 --> 01:32:37,720
He went to L.A. Public Schools.
I went to L.A. Public Schools.

1435
01:32:37,720 --> 01:32:38,720
This is Portia Brinker.

1436
01:32:38,720 --> 01:32:41,040
She's 12 years old. She's
learned to play violin on public schools.

1437
01:32:41,040 --> 01:32:44,160
She looks amazing tonight.

1438
01:32:44,240 --> 01:32:47,440
And Ella

1439
01:32:47,520 --> 01:32:50,040
is one of the last cities in America

1440
01:32:50,040 --> 01:32:53,040
to give public school students
free and freely repaired instruments.

1441
01:32:53,280 --> 01:32:57,840
And we need fix that because music
education isn't just about creating

1442
01:32:57,920 --> 01:33:00,760
incredible musicians,
is about creating incredible humans.

1443
01:33:00,760 --> 01:33:03,400
We want to thank

1444
01:33:03,400 --> 01:33:04,800
thank you.

1445
01:33:04,800 --> 01:33:06,320
We want to thank Searchlight.

1446
01:33:06,320 --> 01:33:08,640
L.A. Times,
Breakwater Studios at our studios.

1447
01:33:08,640 --> 01:33:10,920
Every human
who poured their heart into this film.

1448
01:33:10,920 --> 01:33:14,280
I want to thank my mom and dad and also
to my wife Briana and our daughter, Koda.

1449
01:33:14,480 --> 01:33:16,520
I love you. I love you. I love you.

1450
01:33:16,520 --> 01:33:34,280
Thank you.

1451
01:33:34,360 --> 01:33:35,760
And now here are the nominees

1452
01:33:35,760 --> 01:33:39,480
for Best Documentary feature,

1453
01:33:39,560 --> 01:33:41,520
Bobi Wine, The People's President,

1454
01:33:41,520 --> 01:33:46,160
Moses Quayle,
Christopher Sharpe and John Battsek.

1455
01:33:46,240 --> 01:33:49,960
The Eternal Memory, Mighty Alberti

1456
01:33:50,040 --> 01:33:55,360
for Daughters counter
Ben Hania and Nadeem Sheik grew

1457
01:33:55,440 --> 01:33:57,880
to Kill a tiger, Alicia Cahuilla,

1458
01:33:57,880 --> 01:34:01,840
Camellia Principe and David Oppenheim.

1459
01:34:01,920 --> 01:34:04,240
20 days in Mariupol. Mr.

1460
01:34:04,240 --> 01:34:11,720
Saab turn off Michele
Meissner and Rainier and surround.

1461
01:34:11,800 --> 01:34:21,240
And the Oscar goes to 20 days in Morocco.

1462
01:34:21,320 --> 01:34:23,760
This is the first Oscar win
and combination

1463
01:34:23,760 --> 01:34:43,880
from this sculpture
that showed Meissner and reigning

1464
01:34:43,960 --> 01:34:47,400
Thank you Happy Frontline and GBH.

1465
01:34:47,480 --> 01:34:51,800
Evgeny Vassily, Sir Michel Ready.

1466
01:34:51,880 --> 01:34:53,760
Daryl,

1467
01:34:53,760 --> 01:34:56,120
thank you for making this film with me.

1468
01:34:56,120 --> 01:34:58,560
Thank you for helping me in this journey.

1469
01:34:58,560 --> 01:35:01,240
This is the first.

1470
01:35:01,240 --> 01:35:13,680
This is the first Oscar
in the Ukrainian history.

1471
01:35:13,760 --> 01:35:14,800
And I'm honored.

1472
01:35:14,800 --> 01:35:17,040
I'm honored.

1473
01:35:17,040 --> 01:35:19,680
But probably I will be the first director
on this stage

1474
01:35:19,680 --> 01:35:23,560
who will say, I wish I would never

1475
01:35:23,640 --> 01:35:25,680
made this film.

1476
01:35:25,680 --> 01:35:28,640
I wish

1477
01:35:28,640 --> 01:35:33,400
to be able to exchange this to

1478
01:35:33,480 --> 01:35:34,120
Russia.

1479
01:35:34,120 --> 01:35:41,680
Never attacking Ukraine,
never occupying of cities.

1480
01:35:41,760 --> 01:35:43,480
Dear,

1481
01:35:43,480 --> 01:35:46,480
I wish to give it all the recognition

1482
01:35:46,560 --> 01:35:48,680
to Russia, not killing tens

1483
01:35:48,680 --> 01:35:52,200
of thousands of my fellow Ukrainians.

1484
01:35:52,280 --> 01:35:56,560
I wish for them to release
all the hostages,

1485
01:35:56,640 --> 01:35:59,520
all the

1486
01:35:59,520 --> 01:36:01,680
soldiers who are protecting their lands,

1487
01:36:01,680 --> 01:36:05,640
all the civilians
who are now in their jails.

1488
01:36:05,720 --> 01:36:09,880
But I cannot change the history.

1489
01:36:09,960 --> 01:36:14,320
I cannot change the past.

1490
01:36:14,400 --> 01:36:17,080
But we old together you.

1491
01:36:17,080 --> 01:36:22,960
I am among you some of the most talented
people in the world.

1492
01:36:23,040 --> 01:36:27,640
We can make sure that the history record
is set straight

1493
01:36:27,720 --> 01:36:34,480
and the truth will prevail.

1494
01:36:34,560 --> 01:36:37,440
And that the people of Mariupol

1495
01:36:37,440 --> 01:36:42,800
and those who given their lives
will never be forgotten.

1496
01:36:42,880 --> 01:36:45,960
Because cinema forms memories

1497
01:36:46,120 --> 01:36:49,840
and memories form history.

1498
01:36:49,920 --> 01:36:53,200
So thank you all and thank you all.

1499
01:36:53,280 --> 01:37:11,760
Thanks to Ukraine. Slovo Ukrainian

1500
01:37:11,840 --> 01:37:13,560
just ahead today, ten,

1501
01:37:13,560 --> 01:37:17,480
then later Ryan Gosling with the
I'm just ten performance.

1502
01:37:17,560 --> 01:37:46,440
You've been waiting,

1503
01:37:46,520 --> 01:38:14,720
I guess.

1504
01:38:14,800 --> 01:38:29,440
Please welcome Zendaya

1505
01:38:29,520 --> 01:38:32,520
a cinematographer, is an interpreter.

1506
01:38:32,520 --> 01:38:36,240
They take a vision and translate it
into the language of film.

1507
01:38:36,320 --> 01:38:40,520
The language they speak is esthetic,
but the stories they tell are visceral.

1508
01:38:40,600 --> 01:38:43,600
Cinematographers
direct our gaze where the story demands

1509
01:38:43,800 --> 01:38:45,440
and our imaginations pursue.

1510
01:38:45,440 --> 01:38:48,160
Where their visual road map leads us.

1511
01:38:48,160 --> 01:38:53,720
Here are the nominees for achievement
in cinematography.

1512
01:38:53,800 --> 01:38:54,760
Elle Condé.

1513
01:38:54,760 --> 01:38:57,000
Edward Lachman.

1514
01:38:57,000 --> 01:38:58,320
Killers of the Flower Moon.

1515
01:38:58,320 --> 01:39:00,920
Rodrygo Printing

1516
01:39:00,920 --> 01:39:01,600
Maestro.

1517
01:39:01,600 --> 01:39:04,200
Matthew Liberty

1518
01:39:04,200 --> 01:39:05,360
Oppenheimer.

1519
01:39:05,360 --> 01:39:07,280
Out in Hoytema.

1520
01:39:07,280 --> 01:39:08,040
Four Things.

1521
01:39:08,040 --> 01:39:13,600
Robbie Ryan

1522
01:39:13,680 --> 01:39:16,960
and the Oscar Goes to

1523
01:39:17,040 --> 01:39:23,080
Oppenheimer Points of In.

1524
01:39:23,160 --> 01:39:26,160
This is the first Oscar win
and second nomination

1525
01:39:26,160 --> 01:39:53,000
for Poitier by the Quaker man
who was previously nominated for.

1526
01:39:53,080 --> 01:39:58,440
Oh, silly.

1527
01:39:58,520 --> 01:39:59,160
To all this

1528
01:39:59,160 --> 01:40:03,600
aspiring filmmakers out there,
I would like to say, please try shooting

1529
01:40:03,840 --> 01:40:11,640
that incredible
new hip thing called celluloid.

1530
01:40:11,720 --> 01:40:14,800
It's much easier than you think

1531
01:40:14,800 --> 01:40:18,040
and it makes things look so much better.

1532
01:40:18,120 --> 01:40:19,400
Thank you to the Academy.

1533
01:40:19,400 --> 01:40:23,360
A big thank you to my whole crew,
led by Keith Davis, Adam Chambers,

1534
01:40:23,360 --> 01:40:24,840
and Kyle Carden.

1535
01:40:24,840 --> 01:40:26,640
Thank you, Chris Nolan.

1536
01:40:26,640 --> 01:40:28,560
Thank you. Emma Thomas.

1537
01:40:28,560 --> 01:40:31,560
You're by far the best thing
that could have happened to my career.

1538
01:40:31,600 --> 01:40:33,720
Obviously,

1539
01:40:33,720 --> 01:40:37,320
this wouldn't have existed without you.

1540
01:40:37,400 --> 01:40:39,000
Thank you, Universal.

1541
01:40:39,000 --> 01:40:42,760
Thank you to my wife and daughter,
Meaghan Bonnie, for keeping me sane

1542
01:40:42,760 --> 01:40:46,640
and anchored through this wacky
circus called filmmaking.

1543
01:40:46,720 --> 01:40:48,520
Thank you,
Aunt Gail, for the candy apples.

1544
01:40:48,520 --> 01:40:56,920
Thank you.

1545
01:40:57,000 --> 01:41:11,760
Please welcome Ramy Youssef and Issa Rae.

1546
01:41:11,840 --> 01:41:13,400
There's genius in the way.

1547
01:41:13,400 --> 01:41:17,400
Short films strip down stories
to their most fundamental elements,

1548
01:41:17,400 --> 01:41:19,880
which is exactly what we're going to do
with this presenter Copy.

1549
01:41:19,880 --> 01:41:20,520
Keep it short.

1550
01:41:20,520 --> 01:41:26,080
Here are the nominees for Best
Live Action Short

1551
01:41:26,160 --> 01:41:30,800
The After me Son, Harry,
Man and Nicky, Ben

1552
01:41:30,880 --> 01:41:32,760
Invincible, Vincent, Renee

1553
01:41:32,760 --> 01:41:35,760
Valente and Samuel Carrion.

1554
01:41:35,880 --> 01:41:37,440
Knight of Fortune.

1555
01:41:37,440 --> 01:41:39,040
Lesser Loose Care.

1556
01:41:39,040 --> 01:41:41,960
North and Christian Norley.

1557
01:41:41,960 --> 01:41:43,240
Red, White and Blue.

1558
01:41:43,240 --> 01:41:43,800
Nasrin.

1559
01:41:43,800 --> 01:41:46,800
Chowdhary and Sara McFarland.

1560
01:41:46,840 --> 01:41:49,720
The wonderful story of Henry Sugar,
Wes Anderson

1561
01:41:49,720 --> 01:41:56,320
and Steven Rales.

1562
01:41:56,400 --> 01:41:59,800
And the Oscar goes to

1563
01:41:59,880 --> 01:42:02,040
the wonderful story of Henry Sugar.

1564
01:42:02,040 --> 01:42:03,360
West and Steven.

1565
01:42:03,360 --> 01:42:05,760
Rachel

1566
01:42:05,760 --> 01:42:07,920
West could not be here tonight.

1567
01:42:07,920 --> 01:42:09,720
We accept the award on his behalf.

1568
01:42:09,720 --> 01:42:11,080
Oh, well, yeah.

1569
01:42:11,080 --> 01:42:14,800
Hey, congratulations, Wes
We know you can make them longer.

1570
01:42:14,880 --> 01:42:24,400
Thank you so much. Beautiful.

1571
01:42:24,480 --> 01:42:26,880
Performing the Oscar nominated song

1572
01:42:26,880 --> 01:42:30,760
The Fire Inside by Diane Warren
from the movie Flaming Hot.

1573
01:42:30,840 --> 01:42:46,360
Here is Becky G.

1574
01:42:46,440 --> 01:42:48,640
Oh, you've got places

1575
01:42:48,640 --> 01:42:52,040
to go in the grow in this love.

1576
01:42:52,200 --> 01:42:56,680
Oh, Oh, no, no, no, no, no.

1577
01:42:56,760 --> 01:42:59,280
They will tell you you crazy.

1578
01:42:59,280 --> 01:43:01,800
They will call you if

1579
01:43:01,800 --> 01:43:03,960
they think they could stop you.

1580
01:43:03,960 --> 01:43:06,960
There's no stopping you.

1581
01:43:07,200 --> 01:43:11,240
They can put out what you got to say.

1582
01:43:11,320 --> 01:43:14,880
No way.

1583
01:43:14,960 --> 01:43:16,400
Ain't nothing come out.

1584
01:43:16,400 --> 01:43:21,840
You know, I take your life

1585
01:43:21,920 --> 01:43:24,840
and you got to fight

1586
01:43:24,840 --> 01:43:27,840
to fight the fires.

1587
01:43:27,960 --> 01:43:32,400
You gonna all decide.

1588
01:43:32,480 --> 01:43:39,960
You got to fight inside is not the fight.

1589
01:43:40,040 --> 01:43:42,640
Oh, is.

1590
01:43:42,640 --> 01:43:46,680
You've got the fire side,
which is you've got the

1591
01:43:46,760 --> 01:43:47,680
spark.

1592
01:43:47,680 --> 01:43:52,880
Oh, oh is you've

1593
01:43:52,880 --> 01:44:21,360
got the fire side
You have the fight inside of your.

1594
01:44:21,440 --> 01:44:22,720
John Mulaney is next.

1595
01:44:22,720 --> 01:44:24,440
And then later, Barbies.

1596
01:44:24,440 --> 01:44:27,760
Ryan Gosling performs
and keep watching to find out

1597
01:44:27,760 --> 01:44:37,440
who wins the Oscar for best actor.

1598
01:44:37,520 --> 01:44:40,440
Mark, your books are good,
but they're not popular.

1599
01:44:40,440 --> 01:44:41,840
They won a black book.

1600
01:44:41,840 --> 01:44:43,080
Yo, Sarandon.

1601
01:44:43,080 --> 01:44:45,960
Girl, you'd be pregnant again.

1602
01:44:45,960 --> 01:44:48,120
I just want to rub their noses in it.

1603
01:44:48,120 --> 01:44:49,240
Actually read one of your books.

1604
01:44:49,240 --> 01:44:51,360
So you are the one

1605
01:44:51,360 --> 01:44:51,960
we believe.

1606
01:44:51,960 --> 01:44:53,760
Mr. Lee has written a bestseller.

1607
01:44:53,760 --> 01:44:54,440
It's a joke.

1608
01:44:54,440 --> 01:44:56,480
The most lucrative joke you've ever told.

1609
01:44:56,480 --> 01:45:00,400
It is very black. Yes.

1610
01:45:00,480 --> 01:45:11,120
I'm happy you said it and not me. You.

1611
01:45:11,200 --> 01:45:13,320
I strategically switched jackets

1612
01:45:13,320 --> 01:45:17,520
to make it impossible
for them to edit me out of the show.

1613
01:45:17,600 --> 01:45:21,120
Congratulations
to Wes Anderson, his first Oscar.

1614
01:45:21,200 --> 01:45:24,600
I feel like I should mention the reason
why he couldn't be here tonight.

1615
01:45:24,600 --> 01:45:28,160
He's at home
building a diorama made of corduroy. So?

1616
01:45:28,160 --> 01:45:30,080
But we wish him the best.

1617
01:45:30,080 --> 01:45:33,120
Our next presenter is not a legendary
movie star,

1618
01:45:33,320 --> 01:45:37,680
but he does talk like he should be
scolding Rita Hayworth for her insolence.

1619
01:45:37,680 --> 01:45:38,760
You'll see what I mean.

1620
01:45:38,760 --> 01:45:40,680
Here to present the Oscar for best Sound.

1621
01:45:40,680 --> 01:45:42,760
What are the funniest and loudest people
I know?

1622
01:45:42,760 --> 01:45:52,280
Please welcome John Mulaney,

1623
01:45:52,360 --> 01:45:55,320
now the Oscar for Achievement in Sound.

1624
01:45:55,320 --> 01:46:00,560
You know, for years movies didn't
have sound and then they figured it out.

1625
01:46:00,640 --> 01:46:04,560
Some people say that the silent era
was the golden era of film.

1626
01:46:04,720 --> 01:46:07,960
These people are difficult and insane.

1627
01:46:08,040 --> 01:46:11,160
Without sound, we wouldn't have been able
to hear such classic lines

1628
01:46:11,160 --> 01:46:12,720
as, You're going to need a bigger boat.

1629
01:46:12,720 --> 01:46:14,320
I'll have what she's having.

1630
01:46:14,320 --> 01:46:16,240
And he was in the Amazon with Mother

1631
01:46:16,240 --> 01:46:20,080
when she was researching spiders
just before she died.

1632
01:46:20,160 --> 01:46:22,560
Or what about that moment
in Field of Dreams

1633
01:46:22,560 --> 01:46:25,960
when we hear
if you build it, he will come.

1634
01:46:26,040 --> 01:46:28,400
And then Costner does it.
He builds a baseball field.

1635
01:46:28,400 --> 01:46:29,360
I guess he doesn't build that.

1636
01:46:29,360 --> 01:46:32,360
He mows down corn,
and then there is a field

1637
01:46:32,480 --> 01:46:34,680
and then he's like,
I'm going to watch, goes play baseball.

1638
01:46:34,680 --> 01:46:36,360
And the bank is like,
You want to pay your mortgage?

1639
01:46:36,360 --> 01:46:38,400
And he's like, No,
I'm going to watch guys play baseball.

1640
01:46:38,400 --> 01:46:42,040
And then he finds James Earl Jones,
who wrote The Boat Rocker, which I thought

1641
01:46:42,040 --> 01:46:46,240
was a real book deep into my twenties
and like, People Will Come.

1642
01:46:46,240 --> 01:46:48,600
Ray He's
the only one with a financial plan.

1643
01:46:48,600 --> 01:46:51,720
But what's weird is Timothy
Butterfield pushed his little Gaby Hoffman

1644
01:46:51,720 --> 01:46:54,800
off the bleachers
and she falls down and she's unconscious.

1645
01:46:54,960 --> 01:46:58,440
Then Burt Lancaster is Moonlight Graham,
and he comes up and he pats on the back

1646
01:46:58,440 --> 01:47:01,440
a couple of times and he's like,
hot dog stuck in the throat.

1647
01:47:01,680 --> 01:47:07,200
And then he can't go back in the game
because I there's a rule in ghost baseball

1648
01:47:07,280 --> 01:47:10,400
that if you leave the field at any point
to become an elderly ghost

1649
01:47:10,400 --> 01:47:14,440
and do the Heimlich maneuver,
you can't return to the field.

1650
01:47:14,520 --> 01:47:15,880
I love Field of Dreams.

1651
01:47:15,880 --> 01:47:19,400
That should win Best picture, though,
they'll probably go

1652
01:47:19,400 --> 01:47:22,360
with one of this year's.

1653
01:47:22,360 --> 01:47:25,200
Here are the nominees

1654
01:47:25,200 --> 01:48:22,640
for achievement in Sound.

1655
01:48:22,720 --> 01:48:26,880
And the Oscar goes
to the zone of interest.

1656
01:48:26,960 --> 01:48:33,960
Taryn Willard, Johnny Byrne,

1657
01:48:34,040 --> 01:48:43,880
and this is the first Oscar win
and nomination for Tom Willers

1658
01:48:43,880 --> 01:49:01,560
and Johnny Byrne

1659
01:49:01,640 --> 01:49:25,400
for wow, I'm

1660
01:49:25,480 --> 01:49:28,480
so amazing to be standing here and

1661
01:49:28,560 --> 01:49:30,080
and such an extraordinary

1662
01:49:30,080 --> 01:49:32,800
thank you to the Academy
for recognizing the art of sound in film.

1663
01:49:32,800 --> 01:49:35,040
Such an extraordinary year
for sound and film.

1664
01:49:35,040 --> 01:49:38,520
Well, you guys over there in sound, and
my mother wouldn't have understood this.

1665
01:49:38,520 --> 01:49:41,240
She she always said,
What do you mean you do this out in film?

1666
01:49:41,240 --> 01:49:45,600
They sound right to me which is sort of,
you know, But who do we need to thank?

1667
01:49:45,600 --> 01:49:46,760
Time to thank everybody.

1668
01:49:46,760 --> 01:49:49,600
We need to thank the Academy
for listening to our film.

1669
01:49:49,600 --> 01:49:51,280
Thank you Academy.

1670
01:49:51,280 --> 01:49:52,560
We do thank A24.

1671
01:49:52,560 --> 01:49:54,400
And when you say, Jonathan,
you taught me everything.

1672
01:49:54,400 --> 01:49:55,520
Thank you so much.

1673
01:49:55,520 --> 01:49:59,440
And to Oscar, Sophie and Kathy over there
and to everyone at Wave Studios

1674
01:49:59,520 --> 01:50:06,760
and everyone at A24, Jimmy of the Matter
Stash, Philip, Salima and Gretta Unanue.

1675
01:50:06,840 --> 01:50:08,280
Thank you.

1676
01:50:08,280 --> 01:50:08,720
Thank you.

1677
01:50:08,720 --> 01:50:11,240
Happy Mother's Day.

1678
01:50:11,240 --> 01:50:36,840
Mother's Day.

1679
01:50:36,920 --> 01:50:42,560
It doesn't seem to matter what I do.

1680
01:50:42,640 --> 01:50:43,440
Always.

1681
01:50:43,440 --> 01:50:46,320
Number two,

1682
01:50:46,320 --> 01:50:50,400
No one knows how hard I try.

1683
01:50:50,480 --> 01:50:53,200
Oh, I

1684
01:50:53,200 --> 01:50:55,240
have feelings.

1685
01:50:55,240 --> 01:50:57,360
I can't.

1686
01:50:57,360 --> 01:51:00,960
Driving me insane.

1687
01:51:01,040 --> 01:51:05,200
Oh, my life being so polite.

1688
01:51:05,280 --> 01:51:08,280
I'll alone tonight.

1689
01:51:08,520 --> 01:51:11,520
I'm just kidding. Anywhere.

1690
01:51:11,600 --> 01:51:15,760
I mean, it is in my destiny

1691
01:51:15,840 --> 01:51:21,880
to live and die in life
for choosing beauty

1692
01:51:21,960 --> 01:51:28,480
and just kidding when she sees a friend

1693
01:51:28,560 --> 01:51:32,280
for her to see the man behind the

1694
01:51:32,280 --> 01:51:47,840
take his fight for me.

1695
01:51:47,920 --> 01:51:54,320
I want to you to dinner

1696
01:51:54,400 --> 01:51:56,680
time in my life.

1697
01:51:56,680 --> 01:52:00,240
Where the hell

1698
01:52:00,320 --> 01:52:03,320
is my love

1699
01:52:03,480 --> 01:52:07,520
in my dreams

1700
01:52:07,600 --> 01:52:17,920
I'm no dreamer

1701
01:52:18,000 --> 01:52:38,760
And you saw my

1702
01:52:38,840 --> 01:52:40,760
I'm just too

1703
01:52:40,760 --> 01:52:44,120
well set to listen.

1704
01:52:44,200 --> 01:52:48,440
My decision to go

1705
01:52:48,520 --> 01:52:52,240
for the drug treatment.

1706
01:52:52,320 --> 01:52:55,200
I'm Just kidding will see.

1707
01:52:55,200 --> 01:52:58,200
She sees the first woman.

1708
01:52:58,280 --> 01:53:01,360
Take her to see

1709
01:53:01,440 --> 01:53:02,400
your heart.

1710
01:53:02,400 --> 01:53:05,920
Turn five.

1711
01:53:06,000 --> 01:53:09,920
I'm just gonna go

1712
01:53:10,000 --> 01:53:13,000
back.

1713
01:53:13,080 --> 01:53:16,680
So they should be out.

1714
01:53:16,760 --> 01:53:23,520
Just stay

1715
01:53:23,600 --> 01:53:25,120
that money.

1716
01:53:25,120 --> 01:53:27,840
Hey, my

1717
01:53:27,840 --> 01:53:30,120
world should be down.

1718
01:53:30,120 --> 01:53:35,360
I'm just

1719
01:53:35,440 --> 01:53:38,800
saying.

1720
01:53:38,880 --> 01:54:05,760
Check.

1721
01:54:05,840 --> 01:54:09,000
Just ahead, Cynthia
Erivo and Ariana Grande.

1722
01:54:09,000 --> 01:54:12,720
Days later, Steven Spielberg presents
the Oscar for directing,

1723
01:54:12,960 --> 01:54:36,400
followed by the awards
for Best Actor, Actress and Best Picture.

1724
01:54:36,480 --> 01:54:38,000
We. There's a chance

1725
01:54:38,000 --> 01:54:41,000
that when we push that button,

1726
01:54:41,160 --> 01:54:43,120
we destroy the world.

1727
01:54:43,120 --> 01:54:46,600
You know, the rules
don't apply to the Golden Boy.

1728
01:54:46,680 --> 01:54:51,440
Brilliance makes up for a lot.

1729
01:54:51,520 --> 01:54:53,640
The president needs to know what's next.

1730
01:54:53,640 --> 01:54:54,560
Next.

1731
01:54:54,560 --> 01:55:00,880
Maybe he thought fame
could actually protect in the world.

1732
01:55:00,960 --> 01:55:10,720
But remember this day.

1733
01:55:10,800 --> 01:55:15,400
Look what I got off Ryan Gosling's body

1734
01:55:15,480 --> 01:55:19,160
will start the bidding at $10,000.

1735
01:55:19,240 --> 01:55:23,880
Oh, Bradley Cooper's mother. Yes. You said

1736
01:55:23,960 --> 01:55:25,440
no. This is going home with me.

1737
01:55:25,440 --> 01:55:27,080
Sorry, ladies.

1738
01:55:27,080 --> 01:55:31,200
Here to present the Oscar for Outstanding
Original score and song, please welcome

1739
01:55:31,360 --> 01:55:34,320
Ariana Grande and two time Oscar nominee

1740
01:55:34,320 --> 01:56:03,200
Cynthia Erivo.

1741
01:56:03,280 --> 01:56:03,840
We're here

1742
01:56:03,840 --> 01:56:07,800
to present the Oscar for original song
and original score.

1743
01:56:07,880 --> 01:56:11,640
A great movie song can set the mood,
reveal something about a character

1744
01:56:11,880 --> 01:56:13,920
and help us tell a story.

1745
01:56:13,920 --> 01:56:18,520
And a great film score can even leave
a handprint on our hearts forever.

1746
01:56:18,600 --> 01:56:22,600
It can ignite wonder and astonishment
make us feel sadness and longing

1747
01:56:22,600 --> 01:56:26,080
and can even transport us to a new world
somewhere over the rainbow.

1748
01:56:26,080 --> 01:56:28,880
What the dreams that you dare to dream
really do come true.

1749
01:56:28,880 --> 01:56:30,720
Oh, how wickedly subtle of you.

1750
01:56:30,720 --> 01:56:33,480
I do try.

1751
01:56:33,480 --> 01:56:39,000
And now here are the
nominees for original score

1752
01:56:39,080 --> 01:56:46,440
American Fiction by Laura Kaufman,

1753
01:56:46,520 --> 01:56:48,880
Indiana Jones and The Dial of Destiny

1754
01:56:48,880 --> 01:56:54,560
by John Williams.

1755
01:56:54,640 --> 01:56:56,360
Killers of the Flower Moon

1756
01:56:56,360 --> 01:57:02,560
by Robbie Robertson

1757
01:57:02,640 --> 01:57:10,520
Oppenheimer by Ludvig Goransson.

1758
01:57:10,600 --> 01:57:21,040
Cool Things by Justin Vengeance.

1759
01:57:21,120 --> 01:57:23,680
And the Oscar Goes to

1760
01:57:23,680 --> 01:57:25,000
Oppenheimer.

1761
01:57:25,000 --> 01:57:29,600
The Big Goes.

1762
01:57:29,680 --> 01:57:30,840
This is the second Oscar

1763
01:57:30,840 --> 01:57:33,920
win and third nomination
for Ludvig Gordon.

1764
01:57:33,920 --> 01:57:47,080
So he took home his first Oscar
in this category for the Black Panther.

1765
01:57:47,160 --> 01:57:50,400
Wow. Thank you.

1766
01:57:50,480 --> 01:57:54,840
Is it for Nolan Thomas
for inviting me on this incredible world?

1767
01:57:54,920 --> 01:57:59,200
Christopher, is your idea
to use the violin in the score?

1768
01:57:59,280 --> 01:58:02,120
And it allowed me to work and collaborate

1769
01:58:02,120 --> 01:58:05,320
with a wonderful wife
and acclaimed violinist due in accordance.

1770
01:58:05,320 --> 01:58:08,880
And we

1771
01:58:08,960 --> 01:58:12,400
we had we recording a night
and we were rushing to go home

1772
01:58:12,400 --> 01:58:15,120
and put our kids, Paul
and Romeo, down to bed.

1773
01:58:15,120 --> 01:58:16,600
But the result of that was amazing.

1774
01:58:16,600 --> 01:58:22,560
And it really set a really nice tone
for the film of that performance.

1775
01:58:22,640 --> 01:58:25,200
Theresa Stanislav, Jake Brown,
Chris Fogel,

1776
01:58:25,200 --> 01:58:28,320
Anthony Pather, Alissa Park, thank you
for making the music sound great.

1777
01:58:28,320 --> 01:58:29,840
And to my parents up there,

1778
01:58:29,840 --> 01:58:33,480
thank you for giving me guitars
and drum machines instead of video games.

1779
01:58:33,480 --> 01:58:45,680
Thank you.

1780
01:58:45,760 --> 01:58:46,400
All night

1781
01:58:46,400 --> 01:58:49,720
you've seen performances of this year's
nominated songs and.

1782
01:58:49,720 --> 01:58:55,840
Now it's time for the award
and the Oscar goes to

1783
01:58:55,920 --> 01:58:56,760
Billie Eilish.

1784
01:58:56,760 --> 01:59:00,560
And for those who

1785
01:59:00,640 --> 01:59:03,920
this is, the second Oscar win
and second nomination for Billie

1786
01:59:03,920 --> 01:59:06,960
Eilish and Finneas O'Connell,
the siblings took home

1787
01:59:06,960 --> 01:59:44,320
their first Oscar for the song
No Time to Die.

1788
01:59:44,400 --> 01:59:47,360
I had a nightmare about this last night.

1789
01:59:47,360 --> 01:59:54,400
I'm so

1790
01:59:54,480 --> 01:59:56,280
thank you so much to the academy.

1791
01:59:56,280 --> 01:59:59,120
I feel like I don't

1792
01:59:59,120 --> 02:00:00,640
I just didn't think this would happen.

1793
02:00:00,640 --> 02:00:03,000
I was not expecting this. I,

1794
02:00:03,080 --> 02:00:06,080
I feel so incredibly lucky and honored.

1795
02:00:06,120 --> 02:00:08,880
Thank you to Greta. Where did you go?

1796
02:00:08,880 --> 02:00:11,680
I love you. Thank you for this.

1797
02:00:11,680 --> 02:00:13,680
I'm so grateful for this song

1798
02:00:13,680 --> 02:00:18,240
and for this movie
and the way that it made me feel and

1799
02:00:18,320 --> 02:00:22,960
this goes out to everyone who was affected
by the movie and how incredible it is.

1800
02:00:23,160 --> 02:00:24,920
And I want to thank my team
and my parents.

1801
02:00:24,920 --> 02:00:26,720
I love you guys so much.
Thank you, Paul Walker.

1802
02:00:26,720 --> 02:00:27,800
Thank you. Even on crates.

1803
02:00:27,800 --> 02:00:30,680
Thank you, Mark and Andrew,
for making the song with us.

1804
02:00:30,680 --> 02:00:33,720
Thank you to everybody.

1805
02:00:33,840 --> 02:00:37,240
Yes, Margot, of course, Lucky chap. Tom.

1806
02:00:37,320 --> 02:00:38,760
Thank you to our parents.

1807
02:00:38,760 --> 02:00:41,240
Forever and ever and ever.

1808
02:00:41,240 --> 02:00:44,280
Thank you to my best friends,
David and Rach, for listening on my music.

1809
02:00:44,280 --> 02:00:48,000
Thank you to Claudia for listening
all my best friend Zoe, for playing

1810
02:00:48,080 --> 02:00:51,800
with me
growing up and being by my side forever.

1811
02:00:51,880 --> 02:00:54,240
I want to thank my, like, dance
teachers growing up.

1812
02:00:54,240 --> 02:00:56,000
I want to thank my choir teachers.

1813
02:00:56,000 --> 02:00:58,080
Miss Brigham, thanks for believing in me.

1814
02:00:58,080 --> 02:01:01,480
Missy, you didn't like me,
but you were good at your job.

1815
02:01:01,560 --> 02:01:04,000
And thank you to the academy.

1816
02:01:04,000 --> 02:01:04,840
Thank you. Joe Marinelli.

1817
02:01:04,840 --> 02:01:10,880
I love you.

1818
02:01:10,960 --> 02:01:16,560
The past.

1819
02:01:16,560 --> 02:01:19,800
Jan, Mel Brooks, Carol, Little Kim

1820
02:01:20,040 --> 02:01:23,800
and Angela Bassett
each received an honorary Oscar,

1821
02:01:23,880 --> 02:01:28,080
and Michelle Satter received
the Jean Hersholt Humanitarian Award

1822
02:01:28,240 --> 02:01:32,800
at our annual Governors Awards
to watch their inspiring speeches.

1823
02:01:33,000 --> 02:01:38,040
This ceremony
scan the QR code on your screen.

1824
02:01:38,120 --> 02:01:39,120
Oh, Billy.

1825
02:01:39,120 --> 02:01:42,120
Oh, my God.

1826
02:01:42,200 --> 02:01:45,400
Oh, Coming up

1827
02:01:45,400 --> 02:01:48,400
next on the Oscars,
the biggest awards of the night.

1828
02:01:48,520 --> 02:01:59,560
Actor, actress and best picture

1829
02:01:59,640 --> 02:02:01,280
achieved movie stars.

1830
02:02:01,280 --> 02:02:04,480
I mean,
they nearly just died a year later.

1831
02:02:04,480 --> 02:02:07,320
Praise the Lord.
It was my chance to be near.

1832
02:02:07,320 --> 02:02:09,720
But now we're in the ceiling.
Were my mentor.

1833
02:02:09,720 --> 02:02:15,160
I said you should live with your beat,
Source told News Letters to us

1834
02:02:15,240 --> 02:02:25,560
at least double deliberately

1835
02:02:25,640 --> 02:02:27,920
Do not predict content

1836
02:02:27,920 --> 02:02:30,480
predictability

1837
02:02:30,480 --> 02:02:32,560
and above all, all those

1838
02:02:32,560 --> 02:02:40,600
who would have loved

1839
02:02:40,680 --> 02:02:42,360
a real loser is somebody that's

1840
02:02:42,360 --> 02:02:53,240
so afraid of not winning,
they don't even try.

1841
02:02:53,320 --> 02:02:55,760
There's only one perfect you.

1842
02:02:55,760 --> 02:03:04,720
And that's the view of the sky
over our heads.

1843
02:03:04,800 --> 02:03:05,400
All we asked

1844
02:03:05,400 --> 02:03:08,560
for was a chance to prove ourselves
a fair and impartial

1845
02:03:08,560 --> 02:03:12,880
opportunity.

1846
02:03:12,960 --> 02:03:16,080
It's what you do to the people
you say you love.

1847
02:03:16,120 --> 02:03:22,840
That's what matters.

1848
02:03:22,920 --> 02:03:25,360
I don't have to see it, Daddy.

1849
02:03:25,360 --> 02:03:31,160
I lived in

1850
02:03:31,240 --> 02:03:32,280
love.

1851
02:03:32,280 --> 02:03:42,360
Love means never having to say
you saw one.

1852
02:03:42,360 --> 02:03:43,840
Those don't turn us.

1853
02:03:43,840 --> 02:03:49,280
No, no reason to mourn
from the part on earth.

1854
02:03:49,360 --> 02:03:54,360
You'll see those silky circle men
coming to me alone.

1855
02:03:54,400 --> 02:03:55,320
Are you sick?

1856
02:03:55,320 --> 02:03:59,520
They come have me all sooner

1857
02:03:59,520 --> 02:04:08,920
to secure, commit, commit medical

1858
02:04:09,000 --> 02:04:10,320
time.

1859
02:04:10,320 --> 02:04:17,680
Oh, say good bye.

1860
02:04:17,760 --> 02:04:21,080
Hardly

1861
02:04:21,160 --> 02:04:25,400
at held on my word

1862
02:04:25,400 --> 02:04:29,920
Adore to be so content.

1863
02:04:30,000 --> 02:04:32,000
Oh, they're searching.

1864
02:04:32,000 --> 02:04:37,160
Is it all coming to an priority?

1865
02:04:37,240 --> 02:04:45,240
Oh, so no ever lying.

1866
02:04:45,320 --> 02:04:48,760
Hey. Oh, no,

1867
02:04:48,840 --> 02:04:53,520
not on us is 1020.

1868
02:04:53,600 --> 02:05:04,240
It's time to say good 5G.

1869
02:05:04,320 --> 02:05:08,120
Oh, I'm

1870
02:05:08,200 --> 02:05:12,400
so sorry, but I'm not

1871
02:05:12,480 --> 02:05:13,680
say oh,

1872
02:05:13,680 --> 02:05:20,960
0000000.

1873
02:05:21,200 --> 02:05:24,160
Hey, you're

1874
02:05:24,160 --> 02:05:39,360
dead. Oh,

1875
02:05:39,440 --> 02:05:41,520
but how the world works.

1876
02:05:41,520 --> 02:05:44,160
It's nobody had a chance to be somebody.

1877
02:05:44,160 --> 02:05:45,480
Yeah.

1878
02:05:45,480 --> 02:06:23,920
Oh, oh,

1879
02:06:24,000 --> 02:06:25,200
we're back at the Oscars.

1880
02:06:25,200 --> 02:06:26,360
Well, some of us are back.

1881
02:06:26,360 --> 02:06:29,400
Some of the others are getting up
and hammered at the bar in the lobby.

1882
02:06:29,400 --> 02:06:34,080
But we've only got four awards left,
which shouldn't take long.

1883
02:06:34,320 --> 02:06:37,600
And you had it will.

1884
02:06:37,680 --> 02:06:39,480
But first,
it's time to find out who will be named

1885
02:06:39,480 --> 02:06:42,720
best actor and what a lineup
we've assembled to present here

1886
02:06:42,880 --> 02:06:44,440
with the Oscar for Best Actor.

1887
02:06:44,440 --> 02:06:57,440
Please welcome
all five original members of NSYNC.

1888
02:06:57,520 --> 02:06:58,400
The Oscar goes

1889
02:06:58,400 --> 02:07:02,800
to Nicolas Cage, Matthew McConaughey,
Brendan Fraser,

1890
02:07:02,880 --> 02:07:25,200
Ben Kingsley, Forest Whitaker.

1891
02:07:25,280 --> 02:07:27,280
We're here
to speak about the great talent of this

1892
02:07:27,280 --> 02:07:31,600
year's
five nominees for actor in a leading role.

1893
02:07:31,680 --> 02:07:38,800
When you see Jeffrey Wright in a film,

1894
02:07:38,880 --> 02:07:39,880
you instantly know

1895
02:07:39,880 --> 02:07:43,360
it's going to be good
because he's so good.

1896
02:07:43,440 --> 02:07:45,960
Jeffrey in fiction,

1897
02:07:45,960 --> 02:07:50,840
you are funny and furious
and flawed and empathetic,

1898
02:07:50,920 --> 02:08:01,400
and for the way that you elevate
the craft, we're indebted to you.

1899
02:08:01,480 --> 02:08:02,240
The greats go

1900
02:08:02,240 --> 02:08:05,240
above and beyond in their commitment
to a role.

1901
02:08:05,320 --> 02:08:09,040
Just as Daniel
Day-Lewis stayed in character as Lincoln

1902
02:08:09,120 --> 02:08:14,720
this past year, Paul was so committed
for the character to have a lazy eye.

1903
02:08:14,960 --> 02:08:18,720
He wore a soft contact
lens during the entire shoot,

1904
02:08:18,800 --> 02:08:22,360
which made him blind
in that eye while filming.

1905
02:08:22,440 --> 02:08:23,520
Would I have done that?

1906
02:08:23,520 --> 02:08:24,320
Hell, yes.

1907
02:08:24,320 --> 02:08:28,120
But the point is, you did do it, Paul.

1908
02:08:28,200 --> 02:08:30,760
You were brilliant, James.

1909
02:08:30,760 --> 02:08:39,200
From all

1910
02:08:39,280 --> 02:08:43,080
a modern day Renaissance man.

1911
02:08:43,160 --> 02:08:45,560
Nothing better describes you, sir.

1912
02:08:45,560 --> 02:08:49,640
Mr. Bradley Cooper,

1913
02:08:49,720 --> 02:08:51,240
who wrote,

1914
02:08:51,240 --> 02:08:55,360
directed, produced
and acted in his latest film, Maestro.

1915
02:08:55,440 --> 02:08:58,080
From the script to the screen,

1916
02:08:58,080 --> 02:09:02,360
Bradley takes a transformative journey
into becoming Leonard Bernstein,

1917
02:09:02,360 --> 02:09:03,800
bringing to life all the character,

1918
02:09:03,800 --> 02:09:07,760
charisma and complex brilliance
of an American icon.

1919
02:09:07,920 --> 02:09:17,920
Congratulations.

1920
02:09:18,000 --> 02:09:25,480
Killian Murphy.

1921
02:09:25,560 --> 02:09:28,800
He accepted the leading
role of Oppenheimer

1922
02:09:28,880 --> 02:09:31,480
before even reading the script,

1923
02:09:31,480 --> 02:09:36,320
which must have taken much courage
and trust

1924
02:09:36,400 --> 02:09:39,080
or symbol Hotspur.

1925
02:09:39,080 --> 02:09:40,920
Either way,

1926
02:09:40,920 --> 02:09:43,920
the performance is masterful,

1927
02:09:44,040 --> 02:09:48,480
endowing his portrayal
with layers of humanity

1928
02:09:48,560 --> 02:09:53,440
whilst his character
created something inhuman.

1929
02:09:53,520 --> 02:09:55,920
It's riveting to watch.

1930
02:09:55,920 --> 02:10:05,400
My congratulations.

1931
02:10:05,480 --> 02:10:10,000
Coleman When I first worked with you

1932
02:10:10,080 --> 02:10:12,480
over a decade ago,

1933
02:10:12,480 --> 02:10:17,400
I saw that you were all brilliant,
bound for greatness.

1934
02:10:17,480 --> 02:10:20,480
It's been exciting to watch
you light up the screen over years,

1935
02:10:20,640 --> 02:10:22,640
most recently with your truly inspired

1936
02:10:22,640 --> 02:10:27,520
portrayal of civil rights leader
Bayard Rustin.

1937
02:10:27,600 --> 02:10:30,240
Coleman would genius as an actor
illuminates

1938
02:10:30,240 --> 02:10:35,920
the genius of an angelic troublemaker
very buried in the history books.

1939
02:10:36,000 --> 02:10:38,880
Thankfully, Justin is getting his due.

1940
02:10:38,880 --> 02:10:40,640
Is Are you

1941
02:10:40,640 --> 02:10:53,640
coming to mingle?

1942
02:10:53,720 --> 02:10:57,200
And the Oscar goes to

1943
02:10:57,280 --> 02:11:09,160
Killian Murphy.

1944
02:11:09,240 --> 02:11:10,800
This is the first Oscar win

1945
02:11:10,800 --> 02:11:35,280
and nomination for Killian Murphy.

1946
02:11:35,360 --> 02:11:50,960
But I'm a little overwhelmed.

1947
02:11:51,040 --> 02:11:54,040
Thank you to the Academy.

1948
02:11:54,280 --> 02:11:55,880
Chris Nolan and Emma Thomas.

1949
02:11:55,880 --> 02:11:59,720
It's been the wildest, most exhilarating,
most creatively

1950
02:11:59,800 --> 02:12:02,720
satisfying journey
you've taken me on over the last 20 years.

1951
02:12:02,720 --> 02:12:04,920
I owe you more than, I can say.

1952
02:12:04,920 --> 02:12:05,720
Thank you so much.

1953
02:12:05,720 --> 02:12:08,720
Every single crew member,
every single cast member on Oppenheimer.

1954
02:12:08,760 --> 02:12:11,120
You guys carried me through.

1955
02:12:11,120 --> 02:12:12,120
All my fellow nominees.

1956
02:12:12,120 --> 02:12:14,720
I remain in awe of guys. Truly.

1957
02:12:14,720 --> 02:12:17,440
I want to thank my incredible team.

1958
02:12:17,520 --> 02:12:19,160
Big shout out to Craig Banky.

1959
02:12:19,160 --> 02:12:20,640
Brendan Murphy.

1960
02:12:20,640 --> 02:12:24,280
Brendan Murphy,
Mary Murphy, Yvonne, my partner

1961
02:12:24,280 --> 02:12:27,280
in life, and my two boys, Malachy
in Ireland who are sitting up there.

1962
02:12:27,280 --> 02:12:30,360
I love you so much
and I'm a very proud Irish man

1963
02:12:30,360 --> 02:12:38,840
standing here tonight. So,

1964
02:12:38,920 --> 02:12:40,800
you know, we made a film.

1965
02:12:40,800 --> 02:12:44,160
We made a film about the man
who created the atomic bomb.

1966
02:12:44,240 --> 02:12:47,360
And for better or for worse,
we are all living in Oppenheimer's world,

1967
02:12:47,360 --> 02:12:51,200
so I would really like to dedicate this
to the peacemakers everywhere.

1968
02:12:51,280 --> 02:13:04,480
There being a mark

1969
02:13:04,560 --> 02:13:05,360
on the 30th

1970
02:13:05,360 --> 02:13:08,600
anniversary for it's win for Best Picture,
please Welcome.

1971
02:13:08,600 --> 02:13:11,920
The Academy Award
winning director of Schindler's List,

1972
02:13:12,000 --> 02:13:23,520
Steven Spielberg.

1973
02:13:23,600 --> 02:13:25,240
At the very best

1974
02:13:25,240 --> 02:13:28,000
films can do more than entertain us.

1975
02:13:28,000 --> 02:13:30,840
They can open our hearts to each other.

1976
02:13:30,920 --> 02:13:31,200
They can

1977
02:13:31,200 --> 02:13:34,200
show us
ourselves and they can shine a light on

1978
02:13:34,200 --> 02:13:38,200
where we've been and make us
think about where we are going.

1979
02:13:38,280 --> 02:13:42,040
We are so fortunate that this has a great
and eclectic year

1980
02:13:42,040 --> 02:13:46,120
for movies and a tribute to all the places

1981
02:13:46,200 --> 02:13:48,680
these five nominated directors have taken

1982
02:13:48,680 --> 02:13:52,120
the entire world.

1983
02:13:52,200 --> 02:13:56,200
Justine Trigg Anatomy of a Fall.

1984
02:13:56,280 --> 02:13:57,960
Martin Scorsese's

1985
02:13:57,960 --> 02:14:00,240
Killers of the Flower Moon.

1986
02:14:00,240 --> 02:14:03,720
Christopher Nolan Oppenheimer.

1987
02:14:03,800 --> 02:14:07,440
Yorgos Lanthimos Scorsese.

1988
02:14:07,520 --> 02:14:08,840
Jonathan Glazer.

1989
02:14:08,840 --> 02:14:14,440
The Zone of Interest.

1990
02:14:14,520 --> 02:14:17,360
And the Oscar goes to

1991
02:14:17,360 --> 02:14:18,240
Christopher Nolan.

1992
02:14:18,240 --> 02:14:21,880
Oppenheimer

1993
02:14:21,960 --> 02:14:23,160
This is the first Oscar

1994
02:14:23,160 --> 02:14:26,160
win and eighth nomination
for Christopher Nolan.

1995
02:14:26,280 --> 02:14:29,360
He received the first nomination
for his Memento

1996
02:14:29,360 --> 02:14:51,720
screenplay screenplay.

1997
02:14:51,800 --> 02:14:57,000
Thank you.

1998
02:14:57,080 --> 02:14:58,000
There are so many people

1999
02:14:58,000 --> 02:15:01,000
who have dragged me up here.

2000
02:15:01,080 --> 02:15:05,880
Universal Studios, John Langley,
thank you for seeing a potential in this

2001
02:15:05,960 --> 02:15:07,560
Kai Bird and Martin show.

2002
02:15:07,560 --> 02:15:13,160
And thank you for the 25 years you put to
the book that this film is based on.

2003
02:15:13,240 --> 02:15:15,040
I have so many people to thank.

2004
02:15:15,040 --> 02:15:19,000
The most incredible cast Matt Damon,

2005
02:15:19,080 --> 02:15:22,960
Robin, Emily, Florence and so many others,

2006
02:15:22,960 --> 02:15:27,320
all at the top of their game,
led by the incredible Killian Murphy

2007
02:15:27,400 --> 02:15:30,760
and a crew,
some of whom are being rewarded tonight.

2008
02:15:30,840 --> 02:15:33,280
I can't say

2009
02:15:33,280 --> 02:15:37,680
enough about the incredible crew
that we got together on this film.

2010
02:15:37,760 --> 02:15:40,760
Thank you to Chuck Roven
for putting the book in my hands.

2011
02:15:40,920 --> 02:15:44,640
And thank you for those who been there

2012
02:15:44,760 --> 02:15:47,760
for me and believed in me my whole career.

2013
02:15:47,960 --> 02:15:52,000
Dan, Michael, my brother, Jonah, my family

2014
02:15:52,080 --> 02:15:59,200
and the incredible Emma Thomas producer,

2015
02:15:59,280 --> 02:16:00,040
producer

2016
02:16:00,040 --> 02:16:03,240
of all our films and all our children.

2017
02:16:03,320 --> 02:16:05,720
I love you

2018
02:16:05,800 --> 02:16:08,040
and to the Academy,

2019
02:16:08,040 --> 02:16:12,200
just to say movies
is just a little bit over 100 years old.

2020
02:16:12,240 --> 02:16:15,800
I mean, imagine being there
100 years into painting or theater.

2021
02:16:15,880 --> 02:16:18,880
We don't where this incredible
journey is going from here.

2022
02:16:19,080 --> 02:16:22,240
But to know that you think
that I'm a meaningful part of

2023
02:16:22,240 --> 02:16:24,000
it means the world to me.

2024
02:16:24,000 --> 02:16:41,680
Thank you very much.

2025
02:16:41,760 --> 02:16:42,880
Coming up next,

2026
02:16:42,880 --> 02:16:45,840
the Oscar for best Actress
and best picture.

2027
02:16:45,840 --> 02:16:58,000
Here on ABC.

2028
02:16:58,080 --> 02:17:00,720
And the Oscar goes to Sally Field,

2029
02:17:00,720 --> 02:17:04,160
Jennifer Lawrence, Michelle Yeoh, Charlize

2030
02:17:04,240 --> 02:17:38,440
Jessica Lange.

2031
02:17:38,520 --> 02:17:40,080
It's an honor for us

2032
02:17:40,080 --> 02:17:44,120
to present the award
for actress in a leading role.

2033
02:17:44,200 --> 02:17:46,600
The amazing Sandra Color.

2034
02:17:46,600 --> 02:17:52,480
Is nominated for her role
in Anatomy of a Fall

2035
02:17:52,560 --> 02:17:56,200
as a woman accused of killing her husband.

2036
02:17:56,280 --> 02:18:00,280
At the heart of this powerful performance
is how Sandra

2037
02:18:00,360 --> 02:18:03,640
maintains a certain ambiguity throughout,

2038
02:18:03,720 --> 02:18:08,080
as if her character is capable
of committing that crime.

2039
02:18:08,160 --> 02:18:09,520
And here we are.

2040
02:18:09,520 --> 02:18:11,040
Oscar night.

2041
02:18:11,040 --> 02:18:24,480
And I still don't know if she did it.

2042
02:18:24,560 --> 02:18:27,560
Curious as a puppy and hungry as a bear,

2043
02:18:27,720 --> 02:18:31,840
Emma Stone's
brilliant Bella is unhinged and

2044
02:18:31,920 --> 02:18:36,080
and completely original
with the fearlessness of a toddler.

2045
02:18:36,080 --> 02:18:40,600
She awkwardly steps into the world,
awakening into her body.

2046
02:18:40,760 --> 02:18:44,240
And this sensation of being alive
without boundaries.

2047
02:18:44,320 --> 02:18:48,840
It is an unforgettable and endearing
character created by an actor

2048
02:18:48,840 --> 02:18:53,640
who is always surprising,
who to be categorized and like Bella,

2049
02:18:53,880 --> 02:19:06,680
is completely original out and.

2050
02:19:06,760 --> 02:19:07,600
Lily,

2051
02:19:07,600 --> 02:19:15,160
you are the soul of killers
of the flower moon.

2052
02:19:15,240 --> 02:19:19,120
Every second of your performance
as Molly Burkhart is imbued

2053
02:19:19,120 --> 02:19:23,600
with the plight, resilience
and spirit of the Osage.

2054
02:19:23,680 --> 02:19:27,160
Your advocacy offset is a powerful display
of dedication

2055
02:19:27,240 --> 02:19:30,600
and leadership, illuminating
and helping us reconcile

2056
02:19:30,680 --> 02:19:34,640
one of the darkest parts of our country's
history.

2057
02:19:34,720 --> 02:19:42,880
Congratulations,

2058
02:19:42,960 --> 02:19:50,560
Annette.

2059
02:19:50,600 --> 02:19:55,040
I've never been stung by a jellyfish,

2060
02:19:55,120 --> 02:19:56,040
but seeing you endure

2061
02:19:56,040 --> 02:19:59,680
it multiple times
made me feel like I have.

2062
02:19:59,760 --> 02:20:01,480
Watching you portray Diana,

2063
02:20:01,480 --> 02:20:05,240
Diana
Nyad is an intense sensory experience.

2064
02:20:05,480 --> 02:20:09,600
You can taste the salt water,
feel the sunburn,

2065
02:20:09,680 --> 02:20:13,400
and relate to the relentless determination

2066
02:20:13,480 --> 02:20:16,480
your work is a beautiful illustration

2067
02:20:16,520 --> 02:20:19,480
of how to navigate the waves and the ocean

2068
02:20:19,480 --> 02:20:32,240
and in life

2069
02:20:32,320 --> 02:20:34,120
in Maestro

2070
02:20:34,120 --> 02:20:37,400
Carey Mulligan radiates
as Leonard Bernstein's

2071
02:20:37,400 --> 02:20:41,760
wife, Felicia,

2072
02:20:41,840 --> 02:20:46,360
the shining of piercing light

2073
02:20:46,360 --> 02:20:50,200
on their complicated, yet enduring love.

2074
02:20:50,280 --> 02:20:54,320
But this level of excellence
is the norm for Carey,

2075
02:20:54,400 --> 02:20:57,920
for an every role
she takes on, she infuses it

2076
02:20:58,000 --> 02:21:01,000
with a unique humanity.

2077
02:21:01,000 --> 02:21:03,600
Without this spectacular performance,

2078
02:21:03,600 --> 02:21:09,160
Maestro would not have been the movie
it became.

2079
02:21:09,240 --> 02:21:24,760
Carey You are so deserving of this honor

2080
02:21:24,840 --> 02:21:27,640
and the Oscar goes to

2081
02:21:27,720 --> 02:21:33,680
and whistle.

2082
02:21:33,760 --> 02:21:36,120
This is a

2083
02:21:36,120 --> 02:21:38,120
nomination for Emma Stone.

2084
02:21:38,120 --> 02:21:42,480
She took home the first Oscar for, her
leading performance in La la Land.

2085
02:21:42,560 --> 02:21:45,960
She is the second woman to be nominated
for acting and best picture

2086
02:21:45,960 --> 02:22:13,880
for the same.

2087
02:22:13,960 --> 02:22:15,760
Oh, boy.

2088
02:22:15,760 --> 02:22:18,600
My dress is broken.

2089
02:22:18,600 --> 02:22:19,680
I think it happened during.

2090
02:22:19,680 --> 02:22:22,680
I'm just can.

2091
02:22:22,680 --> 02:22:24,920
I'm pretty sure.

2092
02:22:24,920 --> 02:22:25,400
Oh, boy.

2093
02:22:25,400 --> 02:22:28,160
This is really
this is really overwhelming.

2094
02:22:28,160 --> 02:22:28,600
Sorry.

2095
02:22:28,600 --> 02:22:31,440
I am okay,
But my voice is also a little gone.

2096
02:22:31,440 --> 02:22:34,200
Whatever.

2097
02:22:34,200 --> 02:22:38,160
The women on the stage,
you are all incredible.

2098
02:22:38,160 --> 02:22:43,760
And the women in this category.

2099
02:22:43,840 --> 02:22:46,760
Sandra, Annette, Kerry.

2100
02:22:46,760 --> 02:22:49,600
Lily, I share this with you.

2101
02:22:49,600 --> 02:22:51,240
I in all of you.

2102
02:22:51,240 --> 02:22:54,600
And it has been such an honor
to do all of this together.

2103
02:22:54,600 --> 02:22:58,080
I hope we get to keep doing more together.

2104
02:22:58,160 --> 02:22:59,000
I don't know what I'm saying.

2105
02:22:59,000 --> 02:23:02,560
Oh, my God. I'm totally okay.

2106
02:23:02,600 --> 02:23:04,520
The other night I was panicking,

2107
02:23:04,520 --> 02:23:08,680
as you can kind of see, happens a lot

2108
02:23:08,760 --> 02:23:10,320
that maybe something like
this could happen.

2109
02:23:10,320 --> 02:23:15,040
And Yorgos said to me,
Please take yourself out of it.

2110
02:23:15,120 --> 02:23:18,640
And he was right,
because it's not about me.

2111
02:23:18,680 --> 02:23:21,000
It's about a team that came together

2112
02:23:21,000 --> 02:23:24,160
to make something greater
than the sum of its parts.

2113
02:23:24,240 --> 02:23:28,880
And that is the best part about making
movies

2114
02:23:28,960 --> 02:23:30,360
is all of us together.

2115
02:23:30,360 --> 02:23:36,160
And I am so deeply honored to share this
with every cast member,

2116
02:23:36,240 --> 02:23:40,600
with every crew member,
with single person who poured their love

2117
02:23:40,600 --> 02:23:44,200
and their care and their brilliance
into the making of this film.

2118
02:23:44,440 --> 02:23:48,520
And Yorgos, thank you for the gift
of a lifetime in Bella Baxter.

2119
02:23:48,600 --> 02:23:50,280
I am forever thankful for you.

2120
02:23:50,280 --> 02:23:53,640
Thank you for inviting all of us
to be members of this team.

2121
02:23:53,720 --> 02:23:56,880
Thank you.

2122
02:23:56,960 --> 02:23:58,520
I just wait.

2123
02:23:58,520 --> 02:24:02,800
I just.

2124
02:24:02,840 --> 02:24:04,920
I know I have to wrap up,
but I really just want to thank

2125
02:24:04,920 --> 02:24:08,880
my family, my mom, my brother, Spencer,
my dad, my husband, Dave.

2126
02:24:08,960 --> 02:24:10,240
I love you so much.

2127
02:24:10,240 --> 02:24:12,960
And Most importantly, my daughter,

2128
02:24:12,960 --> 02:24:17,680
who's going to be three in three days
and has turned our lives Technicolor.

2129
02:24:17,760 --> 02:24:20,400
I love you Bigger than the whole sky,
my girl.

2130
02:24:20,400 --> 02:24:22,440
So thank you so much.

2131
02:24:22,440 --> 02:24:24,480
Don't look at the back of my dress.

2132
02:24:24,480 --> 02:24:41,640
Thank you,

2133
02:24:41,720 --> 02:24:42,040
guys.

2134
02:24:42,040 --> 02:24:45,360
Make sure we tear up that envelope
so there's no confusion

2135
02:24:45,360 --> 02:24:51,800
with the best picture.

2136
02:24:51,880 --> 02:24:53,760
Hi, everyone.

2137
02:24:53,760 --> 02:24:58,200
I was just, you know, this this doing
this show is not about me.

2138
02:24:58,200 --> 02:25:02,680
And I appreciate you having me
is really about you and Emma

2139
02:25:02,680 --> 02:25:05,760
and all these great actors
and actresses and filmmakers.

2140
02:25:05,760 --> 02:25:10,640
But I was told we have like an extra
and I'm really proud of something.

2141
02:25:10,840 --> 02:25:13,600
I was wondering
if I could share it with you.

2142
02:25:13,600 --> 02:25:18,720
I just got a review and

2143
02:25:18,800 --> 02:25:19,200
has there

2144
02:25:19,200 --> 02:25:22,960
ever been a worse host
than Jimmy Kimmel at the Oscars?

2145
02:25:23,040 --> 02:25:25,680
His opening
was that of a less than average person

2146
02:25:25,680 --> 02:25:29,680
trying too hard to be something,
which he is not and never can be.

2147
02:25:29,760 --> 02:25:30,880
Get rid of Kimmel

2148
02:25:30,880 --> 02:25:34,760
and perhaps replace him with another
washed up a cheap ABC talent.

2149
02:25:35,000 --> 02:25:36,920
George Slop Annapolis.

2150
02:25:36,920 --> 02:25:41,280
He would make everybody on stage
look bigger, stronger and more glamorous.

2151
02:25:41,360 --> 02:25:42,560
Blah, blah, blah.

2152
02:25:42,560 --> 02:25:49,320
Make America great again.

2153
02:25:49,400 --> 02:25:50,640
Yeah.

2154
02:25:50,640 --> 02:25:51,000
Okay.

2155
02:25:51,000 --> 02:25:55,400
Now see if you can guess
which former president

2156
02:25:55,400 --> 02:25:58,400
just get down on treason.

2157
02:25:58,560 --> 02:26:00,880
Anyone? No.

2158
02:26:00,880 --> 02:26:01,520
I'll thank you.

2159
02:26:01,520 --> 02:26:03,720
President Trump.

2160
02:26:03,720 --> 02:26:04,680
Thank you for watching.

2161
02:26:04,680 --> 02:26:22,080
I'm surprised still, isn't
it past your jail time?

2162
02:26:22,160 --> 02:26:25,160
It's focused on the important stuff
for sure.

2163
02:26:25,400 --> 02:26:26,720
Before we give out the final award.

2164
02:26:26,720 --> 02:26:29,840
Did anyone not get a chance
to give a speech?

2165
02:26:29,840 --> 02:26:32,520
We do have some time.
You have anything you want to say?

2166
02:26:32,520 --> 02:26:33,520
Just line up right here.

2167
02:26:33,520 --> 02:26:37,360
We'll make sure everybody gets a chance
to talk to us in our final word

2168
02:26:37,360 --> 02:26:43,200
of the evening and to commemorate the 50th
anniversary of The Godfather Part two,

2169
02:26:43,280 --> 02:26:47,400
a man who created some of the most iconic
characters in movie history.

2170
02:26:47,400 --> 02:26:50,120
He's an Oscar winner
and a nine time nominee.

2171
02:26:50,120 --> 02:26:51,040
And we

2172
02:26:51,040 --> 02:26:55,120
so glad he was able to find a sitter
so he could be here tonight

2173
02:26:55,200 --> 02:26:56,640
with the award for Best Picture.

2174
02:26:56,640 --> 02:27:17,400
Please welcome Al Pacino.

2175
02:27:17,480 --> 02:27:23,000
I owe my friend.

2176
02:27:23,080 --> 02:27:25,320
Thank you. Say,

2177
02:27:25,320 --> 02:27:27,200
Oh, no, I did that.

2178
02:27:27,200 --> 02:27:32,480
I do some Shakespeare now,
I think is in order, right

2179
02:27:32,560 --> 02:27:34,840
to be.

2180
02:27:34,840 --> 02:27:35,800
No, I'm not going to do it.

2181
02:27:35,800 --> 02:27:37,080
Oh, no, no, no.

2182
02:27:37,080 --> 02:27:39,800
Sorry, world.

2183
02:27:39,800 --> 02:27:44,520
This is the time
for the last award of the evening,

2184
02:27:44,600 --> 02:27:50,000
and it's my honor to present

2185
02:27:50,080 --> 02:27:53,080
ten wonderful films

2186
02:27:53,160 --> 02:27:55,440
were nominated,

2187
02:27:55,440 --> 02:27:58,440
but only one will take the award

2188
02:27:58,440 --> 02:28:02,440
for best picture.

2189
02:28:02,520 --> 02:28:06,680
And I have to go to the envelope for that,

2190
02:28:06,760 --> 02:28:09,960
and I will.

2191
02:28:10,040 --> 02:28:14,480
Here it comes.

2192
02:28:14,560 --> 02:28:19,120
And Maria, I see Oppenheimer.

2193
02:28:19,200 --> 02:28:21,480
Yes, Yes.

2194
02:28:21,480 --> 02:28:24,480
Evan Thomas. John,

2195
02:28:24,520 --> 02:28:30,480
what happened?

2196
02:28:30,560 --> 02:28:32,000
Oppenheimer has 13

2197
02:28:32,000 --> 02:28:36,440
nominations
and has won seven Oscars tonight for actor

2198
02:28:36,440 --> 02:28:40,960
in a supporting role
film, editing, cinematography,

2199
02:28:41,040 --> 02:29:13,680
original score actor in a leading role
directing and best picture.

2200
02:29:13,760 --> 02:29:17,720
Wow. Oh,

2201
02:29:17,720 --> 02:29:23,200
my goodness. Wow.

2202
02:29:23,280 --> 02:29:25,800
I think any of us

2203
02:29:25,800 --> 02:29:30,000
who make movies know
that you kind of dream of this moment.

2204
02:29:30,080 --> 02:29:31,920
You know you do, right?

2205
02:29:31,920 --> 02:29:36,760
I could deny it, but I have been dreaming
about this moment for so long,

2206
02:29:36,840 --> 02:29:40,080
but it seemed so unlikely
that it would ever actually happen.

2207
02:29:40,320 --> 02:29:43,320
And now I'm standing here
and everything's of gone out of my head.

2208
02:29:43,560 --> 02:29:47,720
And the the reason

2209
02:29:47,800 --> 02:29:51,280
this movie was the movie,
it was with Chris Nolan.

2210
02:29:51,360 --> 02:29:55,000
He is singular.

2211
02:29:55,080 --> 02:29:56,440
He is brilliant.

2212
02:29:56,440 --> 02:30:00,520
And I'm so grateful to you.

2213
02:30:00,600 --> 02:30:05,520
But as Emma said, this is the thing
that's fantastic about our jobs

2214
02:30:05,520 --> 02:30:07,760
is that it's about collaboration,
it's about teamwork.

2215
02:30:07,760 --> 02:30:11,040
And our team
was just incredible on this movie.

2216
02:30:11,040 --> 02:30:14,040
So thank you to all of them,
both cast and crew.

2217
02:30:14,160 --> 02:30:18,280
Thank you to Universal for supporting us.

2218
02:30:18,360 --> 02:30:21,240
And I want to thank

2219
02:30:21,320 --> 02:30:25,640
Rich Gelfond
at IMAX and everybody else IMAX

2220
02:30:25,720 --> 02:30:28,520
for believing in this movie
when that maybe

2221
02:30:28,520 --> 02:30:31,800
didn't make that much sense to do so

2222
02:30:31,880 --> 02:30:34,760
Thank you to all the theaters

2223
02:30:34,760 --> 02:30:38,240
as a moviegoer and as a filmmaker.

2224
02:30:38,320 --> 02:30:39,840
That's why why we do what we do.

2225
02:30:39,840 --> 02:30:41,040
So thank so much.

2226
02:30:41,040 --> 02:30:44,040
And to my children, Flora,

2227
02:30:44,080 --> 02:30:46,920
Rory,
Oliver and Magnus, who's not here tonight.

2228
02:30:46,920 --> 02:30:47,240
Thank you.

2229
02:30:47,240 --> 02:30:50,280
And it's UK Mother's Day,
so I'm thinking of my mum who no longer

2230
02:30:50,280 --> 02:30:54,760
with us today, and my mother in law,
Christina, who's here with my dad.

2231
02:30:54,760 --> 02:30:56,160
So thank you.

2232
02:30:56,160 --> 02:30:57,520
Oh, and thank you to the academy.

2233
02:30:57,520 --> 02:31:00,040
I'm so honored to be

2234
02:31:00,040 --> 02:31:09,280
here.

2235
02:31:09,360 --> 02:31:12,120
I certainly want to thank the Academy.

2236
02:31:12,120 --> 02:31:19,320
I want to thank Universal Pictures,
Donna Langley and the whole team there.

2237
02:31:19,400 --> 02:31:21,400
I, of course,

2238
02:31:21,400 --> 02:31:26,680
want to thank my my family and my wife,

2239
02:31:26,760 --> 02:31:30,200
who always has my back and is,

2240
02:31:30,280 --> 02:31:34,240
as all my friends
know, the secret weapon of my life.

2241
02:31:34,320 --> 02:31:39,640
And I also want to thank James
and David Wargo for

2242
02:31:39,720 --> 02:31:43,280
trusting me to move this project forward.

2243
02:31:43,480 --> 02:31:46,480
They gave me the book,
which I was fortunate enough

2244
02:31:46,480 --> 02:31:49,320
to give to Chris and Emma.

2245
02:31:49,320 --> 02:31:52,200
And finally just want to say that

2246
02:31:52,200 --> 02:31:54,840
I've had this amazing 20

2247
02:31:54,840 --> 02:31:57,840
plus year experience with Chris Emma

2248
02:31:57,840 --> 02:32:00,480
five movies over 20 years,

2249
02:32:00,480 --> 02:32:03,880
and it's been one of the most

2250
02:32:03,960 --> 02:32:08,400
exhilarating experiences
I've ever had a fantastic team,

2251
02:32:08,480 --> 02:32:12,960
and just to be part of making movies
with them has been completely thrilling.

2252
02:32:12,960 --> 02:32:33,760
So thank you so much

2253
02:32:33,840 --> 02:32:36,840
and that great
congratulations to Oppenheimer.

2254
02:32:36,880 --> 02:32:40,520
If only there was way for Christopher
Nolan to text his family to

2255
02:32:40,520 --> 02:32:43,680
tell them the good news.

2256
02:32:43,760 --> 02:32:44,800
That's it for our show.

2257
02:32:44,800 --> 02:32:46,560
I want to thank the Academy for having me.

2258
02:32:46,560 --> 02:32:49,800
I want to thank our very hardworking
producers,

2259
02:32:49,800 --> 02:32:53,200
Raj Kapoor,
Katie Milan and Molly McInerney.

2260
02:32:53,280 --> 02:32:56,160
Thanks to our great announcer,
David Alan Grier,

2261
02:32:56,160 --> 02:32:59,920
our bandleader Ricky Minor,
our band, our director, Hamish Hamilton.

2262
02:32:59,920 --> 02:33:04,280
And the whole Oscars crew stay up
for a new Abbott Elementary and join me

2263
02:33:04,280 --> 02:33:08,200
on my show tomorrow with Dwayne Johnson,
Justin Timberlake and Robert De Niro.

2264
02:33:08,200 --> 02:33:09,080
Thanks for watching.

2265
02:33:09,080 --> 02:33:33,360
The 96th Oscars tonight

2266
02:33:33,440 --> 02:36:40,080
here,

2267
02:36:40,160 --> 02:36:42,240
all members of the academy
who are eligible

2268
02:36:42,240 --> 02:36:46,800
are invited to vote their nominations
for best picture in most other categories.

2269
02:36:46,800 --> 02:36:51,560
The nominations are decided by a vote
of the members in that specific category.

2270
02:36:51,640 --> 02:36:54,480
Then the entire membership chooses
from those nominations,

2271
02:36:54,480 --> 02:36:56,120
the recipients of the Oscars.

2272
02:36:56,120 --> 02:36:57,080
And finally,

2273
02:36:57,080 --> 02:37:00,640
the results of all the secret voting are
known only to the independent accounting

2274
02:37:00,640 --> 02:37:05,040
firm of PricewaterhouseCoopers until the
sealed envelopes are opened on the air.