1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.BZ 2 00:00:07,466 --> 00:00:08,634 (HEART THUMPING) 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.BZ 4 00:00:16,267 --> 00:00:17,309 (THUMPING STOPS) 5 00:00:31,240 --> 00:00:33,576 (THUNDER RUMBLING) 6 00:00:39,039 --> 00:00:41,584 SAM: "You are a carcinogen," 7 00:00:41,584 --> 00:00:43,085 I would say to her. 8 00:00:44,712 --> 00:00:46,338 "You are a tumor, 9 00:00:46,338 --> 00:00:48,299 "whose malignancy has defined 10 00:00:48,299 --> 00:00:51,218 "the ebb and flow of all I've done, 11 00:00:51,218 --> 00:00:53,304 "of all I've tried to do. 12 00:00:53,304 --> 00:00:54,430 "And yet, in spite of that, 13 00:00:54,430 --> 00:00:56,557 "do you know how much space you occupy 14 00:00:56,557 --> 00:00:58,559 "in the entirety of me? 15 00:00:59,435 --> 00:01:00,686 "This much. 16 00:01:01,687 --> 00:01:02,897 "You define my life, 17 00:01:02,897 --> 00:01:06,817 "and yet, this is how much you matter to me. 18 00:01:06,817 --> 00:01:08,986 "If you hadn't shown up on my door this morning, 19 00:01:08,986 --> 00:01:11,238 "I'd have gladly gone the rest of my days 20 00:01:11,238 --> 00:01:12,698 "thinking of you regularly, 21 00:01:12,698 --> 00:01:14,366 "but from a distance, 22 00:01:14,366 --> 00:01:15,993 "flung from your orbit. 23 00:01:16,744 --> 00:01:17,912 "But now... 24 00:01:18,829 --> 00:01:20,915 "you are here 25 00:01:20,915 --> 00:01:25,377 "and the bile is rising and taking the form of words. 26 00:01:25,377 --> 00:01:27,505 "And what these words mean is, 27 00:01:27,505 --> 00:01:28,756 "never have I known 28 00:01:28,756 --> 00:01:30,925 "how closely love and hate are bound 29 00:01:30,925 --> 00:01:33,093 "than when I think of you and realize 30 00:01:33,093 --> 00:01:34,762 "you deserve neither." 31 00:01:35,638 --> 00:01:37,723 (HEART BEATING) 32 00:01:49,652 --> 00:01:51,737 (ETHEREAL MUSIC PLAYING) 33 00:01:59,995 --> 00:02:04,375 ♪ I'll kill you softly ♪ 34 00:02:04,375 --> 00:02:08,170 ♪ So sweetly, kindly ♪ 35 00:02:09,004 --> 00:02:13,467 ♪ I'm mesmerizing ♪ 36 00:02:13,467 --> 00:02:17,096 ♪ It's terrifying ♪ 37 00:02:17,096 --> 00:02:20,432 -(HEART BEATING) -(AUDIENCE CHEERING) 38 00:02:29,024 --> 00:02:30,734 ♪ This black suit fits like a glove ♪ 39 00:02:30,734 --> 00:02:33,571 ♪ I was born to be the widow of love ♪ 40 00:02:33,571 --> 00:02:35,322 ♪ Won't lose myself to a touch ♪ 41 00:02:35,322 --> 00:02:36,949 ♪ I was born to be the widow of love ♪ 42 00:02:38,033 --> 00:02:39,702 ♪ This black suit fits like a glove ♪ 43 00:02:39,702 --> 00:02:42,454 ♪ I was born to be the widow of love ♪ 44 00:02:42,454 --> 00:02:43,831 ♪ My red heart freed like a dove ♪ 45 00:02:43,831 --> 00:02:45,541 ♪ But you tell me that it's never enough ♪ 46 00:02:45,541 --> 00:02:46,667 ♪ This is your burial ♪ 47 00:02:46,667 --> 00:02:48,794 (BACKUP SINGER VOCALIZING) 48 00:02:54,800 --> 00:02:56,176 ♪ This is your burial ♪ 49 00:03:03,559 --> 00:03:04,935 ♪ This is your burial ♪ 50 00:03:04,935 --> 00:03:07,938 (VOCALIZING) 51 00:03:22,411 --> 00:03:23,495 (CONTINUES VOCALIZING) 52 00:03:35,716 --> 00:03:37,426 (VOCALIZING INTENSIFIES) 53 00:03:41,013 --> 00:03:42,556 ♪ This black suit fits like a glove ♪ 54 00:03:42,556 --> 00:03:45,184 ♪ I was born to be the widow of love ♪ 55 00:03:45,184 --> 00:03:46,977 ♪ Won't lose myself to a touch ♪ 56 00:03:46,977 --> 00:03:49,855 ♪ I was born to be the widow of love ♪ 57 00:03:49,855 --> 00:03:51,607 ♪ This black suit fits like a glove ♪ 58 00:03:51,607 --> 00:03:53,233 ♪ But your teeth tell me I'm not enough ♪ 59 00:03:53,233 --> 00:03:54,693 ♪ This is your burial ♪ 60 00:04:07,206 --> 00:04:10,417 (INDISTINCT CHATTER) 61 00:04:10,417 --> 00:04:12,461 SAM: I hadn't seen her in over 10 years. 62 00:04:12,461 --> 00:04:15,506 But I could tell she was coming from a mile away. 63 00:04:17,091 --> 00:04:18,592 More than a mile. 64 00:04:19,218 --> 00:04:21,971 A thousand miles. 65 00:04:21,971 --> 00:04:24,807 I woke up that morning with a taste in my mouth 66 00:04:24,807 --> 00:04:27,309 I hadn't felt in years. 67 00:04:28,519 --> 00:04:30,354 (WOMAN SPEAKING INDISTINCTLY) 68 00:04:32,272 --> 00:04:34,441 (WOMAN SPEAKING INDISTINCTLY) 69 00:04:34,441 --> 00:04:36,860 Is it... Is it a bit too rigid here at the waist? 70 00:04:36,860 --> 00:04:38,362 WOMAN 2: How do you feel? You feel okay? 71 00:04:39,196 --> 00:04:40,489 Yeah. I just... It's... 72 00:04:40,489 --> 00:04:42,658 -I do love how bold it is. -Yeah. 73 00:04:43,617 --> 00:04:44,702 A whole new you. 74 00:04:46,537 --> 00:04:48,163 SAM: I cast it out of my mind, 75 00:04:48,872 --> 00:04:50,457 but as the day went on, 76 00:04:51,375 --> 00:04:53,252 the taste left my mouth 77 00:04:53,252 --> 00:04:56,714 and traveled to that space behind my eyes 78 00:04:56,714 --> 00:04:59,800 where it settled and turned thick. 79 00:04:59,800 --> 00:05:02,594 By the time the late flights from LAX to Heathrow 80 00:05:02,594 --> 00:05:04,054 were coming in for their landing, 81 00:05:04,054 --> 00:05:07,933 I felt as if a secret twin had grown in my skull. 82 00:05:14,023 --> 00:05:15,733 (SPEAKING INDISTINCTLY) 83 00:05:21,155 --> 00:05:22,948 WOMAN 3: What's wrong? Are you okay? 84 00:05:23,490 --> 00:05:24,533 (BREATH TREMBLING) 85 00:05:50,768 --> 00:05:51,852 (DISTANT SCREAMING) 86 00:05:55,439 --> 00:05:56,774 -(SCREAMING STOPS) -(WHIMPERS) 87 00:05:58,901 --> 00:06:00,402 (SHRIEKS) 88 00:06:05,157 --> 00:06:06,408 SAM: It was calling, 89 00:06:07,576 --> 00:06:08,827 shouting, 90 00:06:11,872 --> 00:06:12,915 screaming, 91 00:06:15,626 --> 00:06:16,752 telling me 92 00:06:17,461 --> 00:06:18,754 it was coming. 93 00:06:20,214 --> 00:06:22,257 She was coming. 94 00:06:24,218 --> 00:06:25,511 She was here. 95 00:06:26,095 --> 00:06:27,971 (RAIN PATTERING) 96 00:06:57,626 --> 00:06:59,753 (MUFFLED DANCE MUSIC PLAYING) 97 00:07:01,630 --> 00:07:03,507 (INDISTINCT CHATTER IN BACKGROUND) 98 00:07:04,383 --> 00:07:06,260 (DANCE MUSIC PLAYING) 99 00:07:12,224 --> 00:07:14,476 Uh, hi. Excuse me. Hi. Can I help you? 100 00:07:14,476 --> 00:07:15,853 I'm looking for Sam. 101 00:07:15,853 --> 00:07:19,731 Oh, I'm afraid Sam isn't available right now. 102 00:07:19,731 --> 00:07:20,941 Are you... 103 00:07:20,941 --> 00:07:22,109 Does Sam know you were coming? 104 00:07:22,109 --> 00:07:23,193 No, no. 105 00:07:23,193 --> 00:07:24,444 Okay, uh... 106 00:07:24,444 --> 00:07:27,114 Well, then could I just ask you to just wait, uh... 107 00:07:28,157 --> 00:07:29,199 MARY: Sam? 108 00:07:29,700 --> 00:07:31,785 (PANTING) Sam? 109 00:07:31,785 --> 00:07:33,036 HILDA: Um... 110 00:07:33,036 --> 00:07:35,330 -Sam? -Sorry, you really can't... 111 00:07:35,330 --> 00:07:37,374 -Uh... -MARY: (PANTING) Sam? 112 00:07:37,374 --> 00:07:38,834 HILDA: Sam's not seeing anybody 113 00:07:38,834 --> 00:07:40,043 -right now. -Sam? 114 00:07:44,923 --> 00:07:46,175 Sam, I'm so sorry. 115 00:07:46,175 --> 00:07:48,594 I didn't see her coming, she just came in. (PANTING) 116 00:07:51,054 --> 00:07:52,472 Sam, I need a dress. 117 00:07:53,265 --> 00:07:54,808 (THUNDER RUMBLING) 118 00:07:56,518 --> 00:07:58,604 SAM: Just landed? 119 00:07:58,604 --> 00:07:59,938 MARY: Yes. SAM: From LA? 120 00:08:00,731 --> 00:08:02,357 Yes, I just came from... 121 00:08:02,357 --> 00:08:03,817 Would you like something to eat? 122 00:08:04,568 --> 00:08:07,321 -Uh... No, I... -Hilda, 123 00:08:07,321 --> 00:08:10,657 do we... do we have anything to eat here? 124 00:08:10,657 --> 00:08:12,701 Um, not really, no. 125 00:08:12,701 --> 00:08:14,494 Okay. (CHUCKLING) Well, there you go. 126 00:08:16,371 --> 00:08:17,915 Does anyone know you're here? 127 00:08:19,625 --> 00:08:21,418 -No. -SAM: I... I... 128 00:08:21,418 --> 00:08:24,004 I must say, I wish you had called. 129 00:08:24,004 --> 00:08:26,089 You might have noticed we're a little underwater 130 00:08:26,089 --> 00:08:27,966 -at the moment. -Would you have answered? 131 00:08:27,966 --> 00:08:29,843 (CHUCKLING) No, but somebody would have. 132 00:08:29,843 --> 00:08:32,846 And they could have told you we're very busy. 133 00:08:32,846 --> 00:08:34,556 Sam has her show coming up. 134 00:08:35,265 --> 00:08:36,642 MARY: Oh. 135 00:08:37,267 --> 00:08:38,268 Sorry. 136 00:08:38,268 --> 00:08:41,063 For not calling or for just showing up? 137 00:08:42,064 --> 00:08:43,649 In general. 138 00:08:43,649 --> 00:08:47,194 Wouldn't you rather get more specific? 139 00:08:47,194 --> 00:08:50,405 I just never had the chance to say it before, 140 00:08:50,405 --> 00:08:53,492 -so... -So the onus is on me then, 141 00:08:53,492 --> 00:08:55,827 to list off your offenses one by one 142 00:08:55,827 --> 00:08:56,870 and cross-check them 143 00:08:56,870 --> 00:09:00,207 against the totality of your "I'm sorry"? 144 00:09:01,250 --> 00:09:02,709 Oh, well. 145 00:09:02,709 --> 00:09:05,712 That hardly seems worth it, does it? 146 00:09:06,588 --> 00:09:08,090 Making me do all the work, 147 00:09:08,090 --> 00:09:10,342 -just like you always do. -I can go 148 00:09:10,342 --> 00:09:11,385 if you want. 149 00:09:11,385 --> 00:09:14,554 If you want to go, go. 150 00:09:14,554 --> 00:09:16,056 If you want to stay, stay. 151 00:09:16,056 --> 00:09:18,225 If you want to apologize, you go for it. 152 00:09:18,225 --> 00:09:19,726 But if you stay, 153 00:09:19,726 --> 00:09:20,978 please stop doing 154 00:09:20,978 --> 00:09:22,229 that hovering thing you always do, 155 00:09:22,229 --> 00:09:24,064 because it makes me very nervous. 156 00:09:25,357 --> 00:09:28,110 -Sorry. -You already said that. 157 00:09:29,611 --> 00:09:31,321 -I mean it. -Say it two more times, 158 00:09:31,321 --> 00:09:32,614 so I believe you. 159 00:09:34,783 --> 00:09:36,201 -(INHALES) -But not yet. 160 00:09:37,494 --> 00:09:41,290 Catch me by surprise with your sincerity. 161 00:09:42,666 --> 00:09:46,086 Now, why don't you start with why you're here? 162 00:09:46,795 --> 00:09:48,005 I really do need a dress. 163 00:09:48,005 --> 00:09:50,549 What, you don't have a whole coterie of stylists 164 00:09:50,549 --> 00:09:52,301 to take care of that for you? 165 00:09:52,301 --> 00:09:54,636 No, I do. But it's not... 166 00:09:57,014 --> 00:09:58,098 working out. 167 00:09:58,098 --> 00:10:00,309 And this performance, when is it? 168 00:10:00,309 --> 00:10:01,685 The 31st. 169 00:10:02,602 --> 00:10:04,730 -That's on Sunday? -Yes. 170 00:10:05,480 --> 00:10:07,566 And today is? 171 00:10:09,484 --> 00:10:10,569 Thursday. 172 00:10:12,029 --> 00:10:14,614 Well, that's impossible. 173 00:10:14,614 --> 00:10:16,491 What's wrong with the dress you have? 174 00:10:16,491 --> 00:10:18,118 I'm assuming you have one. 175 00:10:18,118 --> 00:10:19,745 It's just all wrong. 176 00:10:20,370 --> 00:10:21,747 SAM: May I see it? 177 00:10:24,207 --> 00:10:26,501 -So that's it? -MARY: Yes. 178 00:10:27,377 --> 00:10:28,754 SAM: It's not a dress at all. 179 00:10:29,421 --> 00:10:30,922 Who made it? 180 00:10:30,922 --> 00:10:32,299 Saracen & Pare. 181 00:10:34,760 --> 00:10:36,720 SAM: Hmm. 182 00:10:36,720 --> 00:10:39,473 Tell me three things that are wrong with it. 183 00:10:40,474 --> 00:10:42,017 It doesn't feel like me. 184 00:10:43,226 --> 00:10:46,021 Okay. It doesn't feel like you. That's one. 185 00:10:47,481 --> 00:10:48,523 That's it. 186 00:10:49,232 --> 00:10:50,484 That's it? 187 00:10:51,360 --> 00:10:53,528 -Yes. -So you, 188 00:10:53,528 --> 00:10:57,407 who have been dressed by everyone 189 00:10:57,407 --> 00:10:59,284 and worn everything, 190 00:10:59,284 --> 00:11:01,787 who once paraded down a red... (CHUCKLING) ...carpet 191 00:11:01,787 --> 00:11:04,247 wearing nothing but freshly poured honey, 192 00:11:04,247 --> 00:11:06,666 you have somehow found 193 00:11:06,666 --> 00:11:09,002 the one outfit in all of creation 194 00:11:09,002 --> 00:11:11,630 that doesn't feel like you? 195 00:11:11,630 --> 00:11:12,547 Yes. 196 00:11:12,547 --> 00:11:15,133 And you've come crawling back to me 197 00:11:15,133 --> 00:11:17,969 because you know I can do better? 198 00:11:17,969 --> 00:11:20,222 -Yes. -Because I, above all others, 199 00:11:20,222 --> 00:11:21,681 know you? 200 00:11:21,681 --> 00:11:23,225 Because I didn't know where else to go. 201 00:11:23,934 --> 00:11:24,976 Truly? 202 00:11:26,019 --> 00:11:27,229 Yes. 203 00:11:33,860 --> 00:11:36,780 Will you let me do whatever I like? 204 00:11:38,031 --> 00:11:39,491 Yes. But... 205 00:11:39,491 --> 00:11:41,284 Will you do exactly as I say? 206 00:11:41,827 --> 00:11:43,328 Yes, within... 207 00:11:43,328 --> 00:11:45,205 And will you wear what I make? 208 00:11:46,248 --> 00:11:47,457 Yes. 209 00:11:48,083 --> 00:11:49,501 And can you stop time? 210 00:11:51,837 --> 00:11:52,879 (SNAPS FINGERS) 211 00:11:53,922 --> 00:11:55,173 Just did. 212 00:11:55,173 --> 00:11:57,342 (CLOCK TICKING) 213 00:11:57,342 --> 00:11:59,928 SAM: This is really going to take some doing, 214 00:11:59,928 --> 00:12:02,222 if we're gonna pull this off. 215 00:12:02,222 --> 00:12:04,474 MARY: Just tell me what I can do. 216 00:12:04,474 --> 00:12:06,226 SAM: You can just keep talking. 217 00:12:06,226 --> 00:12:07,352 That's how this works. 218 00:12:07,352 --> 00:12:10,313 You tell me something like how you're feeling, 219 00:12:10,313 --> 00:12:13,859 and I'll take those feelings and turn them into a dress. 220 00:12:13,859 --> 00:12:17,946 The transubstantiation of feeling. 221 00:12:17,946 --> 00:12:19,364 That's what we're doing here. 222 00:12:21,992 --> 00:12:23,326 Here we are. 223 00:12:23,326 --> 00:12:25,287 Now, as you can see, 224 00:12:25,287 --> 00:12:27,914 I've entered my Ms. Havisham period 225 00:12:27,914 --> 00:12:29,833 very much ahead of schedule. 226 00:12:29,833 --> 00:12:33,086 This is where I come to cry my eyes out in the dark. 227 00:12:40,719 --> 00:12:41,845 Stand here, please. 228 00:12:50,520 --> 00:12:52,731 Now, uh... 229 00:12:52,731 --> 00:12:56,359 I haven't had a new idea in ages. 230 00:12:56,359 --> 00:12:57,903 Not a good one, at least. 231 00:12:57,903 --> 00:12:59,488 So if we're to do this, 232 00:12:59,488 --> 00:13:02,282 I'm just gonna have to fasten things to you 233 00:13:02,282 --> 00:13:05,285 -until inspiration strikes. -(METAL CLANKING) 234 00:13:07,579 --> 00:13:08,663 SAM: There we go. 235 00:13:13,585 --> 00:13:16,129 HILDA: Uh, can I take your sweater? 236 00:13:17,756 --> 00:13:18,757 Yes. 237 00:13:18,757 --> 00:13:19,883 -Thank you. -Mmm-hmm. 238 00:13:21,134 --> 00:13:22,135 So... 239 00:13:23,512 --> 00:13:26,890 So tell me more about this dress we're making. 240 00:13:26,890 --> 00:13:28,934 What do you see in your head? 241 00:13:30,560 --> 00:13:31,603 Just... 242 00:13:33,146 --> 00:13:34,272 me. 243 00:13:34,272 --> 00:13:35,315 Just you? 244 00:13:35,982 --> 00:13:37,067 MARY: But... 245 00:13:38,401 --> 00:13:40,111 But all of me. 246 00:13:40,111 --> 00:13:44,032 I was thinking more like, "What color?" 247 00:13:44,032 --> 00:13:45,367 -Uh... -Hold still. 248 00:13:48,662 --> 00:13:49,996 Whatever you like. 249 00:13:50,455 --> 00:13:51,623 But no red. 250 00:13:51,623 --> 00:13:53,083 Do you have to be able to move? 251 00:13:54,042 --> 00:13:55,418 -Yes. -Dance? 252 00:13:55,418 --> 00:13:58,171 -Yes. -Any stunts or harnesses? 253 00:13:58,171 --> 00:13:59,214 No. 254 00:13:59,214 --> 00:14:00,298 Backup dancers? 255 00:14:00,298 --> 00:14:01,591 -Nine. -I'm not making 256 00:14:01,591 --> 00:14:02,884 -anything for them. -I know. 257 00:14:02,884 --> 00:14:03,969 There's simply not enough time. 258 00:14:03,969 --> 00:14:05,762 I know. You don't have to. Just me. 259 00:14:06,263 --> 00:14:07,305 HILDA: Arms up. 260 00:14:11,268 --> 00:14:12,644 What song are you singing? 261 00:14:15,105 --> 00:14:16,690 Spooky Action. 262 00:14:16,690 --> 00:14:18,275 Hmm. I don't remember that one. 263 00:14:19,025 --> 00:14:21,069 -'Cause it's new. -Oh. 264 00:14:21,069 --> 00:14:22,654 That explains it then. 265 00:14:22,654 --> 00:14:23,905 Did you write it? 266 00:14:24,698 --> 00:14:26,032 Yes. 267 00:14:28,535 --> 00:14:30,161 I'll play it for you if you want. 268 00:14:30,161 --> 00:14:31,496 Yes, maybe later. 269 00:14:32,581 --> 00:14:34,541 (PEN SCRIBBLING) 270 00:14:34,541 --> 00:14:35,667 It's good. 271 00:14:35,667 --> 00:14:37,836 I am sure it is. 272 00:14:38,837 --> 00:14:40,046 It might be the best song ever written 273 00:14:40,046 --> 00:14:42,007 -in the history of songs. -SAM: Mmm. 274 00:14:42,007 --> 00:14:43,633 Lift your shirt up for me, please. 275 00:14:55,353 --> 00:14:56,646 You've gotten so tiny. 276 00:14:57,397 --> 00:14:58,982 The tiniest intruder. 277 00:15:01,901 --> 00:15:03,486 You're exactly the same. 278 00:15:03,486 --> 00:15:04,654 Oh, no, I'm not. 279 00:15:05,405 --> 00:15:06,489 You'll see. 280 00:15:07,490 --> 00:15:09,576 You'll see how I've changed. 281 00:15:11,036 --> 00:15:13,121 What the years have made of me. 282 00:15:16,916 --> 00:15:19,169 Okay. That's good for now. Thank you, Hilda. 283 00:15:24,382 --> 00:15:25,508 (SCRAPING) 284 00:15:26,635 --> 00:15:28,386 -Hilda. -Yes? 285 00:15:28,386 --> 00:15:31,056 Hilda, would you run back to the main house 286 00:15:31,056 --> 00:15:34,017 -and grab a few things for me? -Mmm-hmm. 287 00:15:35,435 --> 00:15:37,062 SAM: What does this matter? 288 00:15:38,229 --> 00:15:40,148 -You know what I need? -Of course. 289 00:15:40,148 --> 00:15:41,900 SAM: Uh, what about you? Can we get you anything? 290 00:15:41,900 --> 00:15:44,110 -I'm fine. Thank you. -SAM: Okay. Good. 291 00:15:44,110 --> 00:15:45,654 HILDA: Okay. I'll be right back. 292 00:15:56,122 --> 00:15:57,916 (DOOR OPENS) 293 00:15:59,751 --> 00:16:00,794 (DOOR CLOSES) 294 00:16:04,881 --> 00:16:06,174 She's not gonna tell anyone... 295 00:16:06,174 --> 00:16:08,051 No. Don't worry. 296 00:16:08,051 --> 00:16:09,844 There are no spies in our midst. 297 00:16:09,844 --> 00:16:14,349 I just need her to bring me some things. 298 00:16:14,349 --> 00:16:17,060 Some old bric-a-brac, a few bolts of fabric, 299 00:16:17,060 --> 00:16:18,436 and a good pair of scissors 300 00:16:18,436 --> 00:16:20,730 in case one of us has the sudden desire to... 301 00:16:20,730 --> 00:16:22,732 -(GRUNTING) -(GASPS SOFTLY) 302 00:16:28,738 --> 00:16:30,573 -(SCISSORS CLATTER) -Okay. 303 00:16:30,573 --> 00:16:32,283 (FOOTSTEPS RECEDING) 304 00:17:05,191 --> 00:17:06,526 How's your mum? 305 00:17:08,862 --> 00:17:10,029 MARY: She died. 306 00:17:12,198 --> 00:17:13,199 I'm sorry. 307 00:17:15,702 --> 00:17:17,871 How are you? 308 00:17:22,000 --> 00:17:23,126 Same. 309 00:17:23,126 --> 00:17:25,420 You've been laying low. 310 00:17:25,420 --> 00:17:28,923 Am I right that this will be your first outing 311 00:17:28,923 --> 00:17:30,800 -since... -Since? 312 00:17:30,800 --> 00:17:33,970 Since whatever happened happened. 313 00:17:33,970 --> 00:17:35,764 What do you think happened? 314 00:17:35,764 --> 00:17:38,308 Well, I... I saw that video. 315 00:17:38,308 --> 00:17:40,268 (CHUCKLING) Everyone saw that video. 316 00:17:41,311 --> 00:17:42,812 Is there more to it than that? 317 00:17:45,482 --> 00:17:46,524 Yes. 318 00:17:48,610 --> 00:17:51,488 And when it first happened, people kept asking me, 319 00:17:51,488 --> 00:17:52,822 what do I know, 320 00:17:52,822 --> 00:17:55,492 had I heard anything, "Did she trip, did she jump?" 321 00:17:58,495 --> 00:17:59,704 What'd you say? 322 00:17:59,704 --> 00:18:02,123 People... said you had a breakdown. 323 00:18:02,123 --> 00:18:04,626 I said, "No. She probably just needed a break." 324 00:18:04,626 --> 00:18:07,253 Yeah. That was part of it. 325 00:18:09,339 --> 00:18:10,924 What are the other parts? 326 00:18:13,635 --> 00:18:14,928 I don't want to tell you. 327 00:18:15,553 --> 00:18:17,180 -Why? -(INHALES) 328 00:18:17,931 --> 00:18:19,599 Because you'd laugh. 329 00:18:19,599 --> 00:18:21,392 -No, I wouldn't. -Yes, you would. 330 00:18:21,392 --> 00:18:23,102 -(SNICKERING) -You're laughing right now. 331 00:18:23,102 --> 00:18:24,395 (LAUGHING) I'm just... 332 00:18:24,395 --> 00:18:26,272 I'm just picturing the worst possible thing 333 00:18:26,272 --> 00:18:28,107 that could have made you do what you did. 334 00:18:28,650 --> 00:18:30,068 (LAUGHING) I... 335 00:18:31,194 --> 00:18:33,488 -What is it? -It's not worth mentioning, 336 00:18:33,488 --> 00:18:35,865 but it's very funny. 337 00:18:35,865 --> 00:18:37,867 Well, that's why I'm not gonna tell you. 338 00:18:37,867 --> 00:18:39,035 Except you will. 339 00:18:39,035 --> 00:18:41,162 Because you never would have 340 00:18:41,162 --> 00:18:42,622 brought it up in the first place 341 00:18:42,622 --> 00:18:44,207 if you didn't want to. 342 00:18:44,207 --> 00:18:46,417 No, you want to tell me. 343 00:18:46,417 --> 00:18:48,920 You want me to know so badly, you can hardly stand it. 344 00:18:48,920 --> 00:18:51,506 But it's okay. I can wait. 345 00:18:56,886 --> 00:18:59,013 Mmm. Mmm. 346 00:19:03,768 --> 00:19:04,978 No. 347 00:19:08,273 --> 00:19:09,566 No. 348 00:19:13,361 --> 00:19:14,404 Mmm. 349 00:19:31,588 --> 00:19:32,672 (MARY WHIMPERS) 350 00:19:36,968 --> 00:19:39,387 (HEART THUMPING) 351 00:19:45,226 --> 00:19:46,477 No. 352 00:19:51,065 --> 00:19:53,192 Right. No red. 353 00:19:55,486 --> 00:19:57,030 No red. 354 00:19:57,030 --> 00:19:59,908 What about your hair, what's going on there? 355 00:19:59,908 --> 00:20:01,159 We should... 356 00:20:01,159 --> 00:20:02,577 We should talk about your halo. 357 00:20:02,577 --> 00:20:03,578 No halo. 358 00:20:04,704 --> 00:20:05,997 At all? 359 00:20:05,997 --> 00:20:08,750 I want to get back to the basics. 360 00:20:08,750 --> 00:20:11,294 I mean, it doesn't get much more basic than that. 361 00:20:11,294 --> 00:20:12,837 It's sort of your thing. 362 00:20:12,837 --> 00:20:14,464 It was never meant to be my thing. 363 00:20:14,464 --> 00:20:15,798 It was your thing. 364 00:20:15,798 --> 00:20:18,384 That's... that's not how I recall it. 365 00:20:18,384 --> 00:20:19,385 But whatever the case, 366 00:20:19,385 --> 00:20:20,720 you've done pretty well with it. 367 00:20:20,720 --> 00:20:22,972 -We'll do well without it. -Will anyone recognize you 368 00:20:22,972 --> 00:20:24,140 without it? 369 00:20:24,140 --> 00:20:26,684 I don't know if anyone actually truly comprehends 370 00:20:26,684 --> 00:20:28,561 -the shape of your... -They hurt. 371 00:20:34,442 --> 00:20:37,320 Well, that's because whoever's making them for you now 372 00:20:37,320 --> 00:20:38,947 keeps trying to up the ante. 373 00:20:40,031 --> 00:20:41,908 They're not doing it right. 374 00:20:41,908 --> 00:20:42,992 I could make you a new one 375 00:20:42,992 --> 00:20:44,369 -in two seconds flat... -No. 376 00:20:44,369 --> 00:20:46,496 -Right. But, don't you... -I said... 377 00:20:46,496 --> 00:20:48,122 Yes, I know what you said. 378 00:20:48,122 --> 00:20:49,374 You don't want to wear one, 379 00:20:49,374 --> 00:20:51,918 but what if I want you to wear one? 380 00:20:54,295 --> 00:20:55,546 (ETHEREAL MUSIC PLAYING) 381 00:20:55,546 --> 00:20:58,091 MARY: ♪ I can't believe what I found ♪ 382 00:20:59,926 --> 00:21:04,514 ♪ I'm staring into the dark so powerful... ♪ 383 00:21:04,514 --> 00:21:07,141 ♪ My knees are pressed to the ground ♪ 384 00:21:08,893 --> 00:21:11,729 ♪ I'm holdin' on for dear life ♪ 385 00:21:11,729 --> 00:21:13,690 ♪ It's mythical ♪ 386 00:21:13,690 --> 00:21:15,900 ♪ Are you there? Are you mine? ♪ 387 00:21:15,900 --> 00:21:17,986 ♪ Do you feel holy? ♪ 388 00:21:17,986 --> 00:21:20,321 ♪ Are you real or divine? ♪ 389 00:21:20,321 --> 00:21:22,490 ♪ Do you feel holy? ♪ 390 00:21:22,490 --> 00:21:24,784 ♪ Are you there? Are you mine? ♪ 391 00:21:24,784 --> 00:21:26,119 ♪ Do you know? ♪ 392 00:21:26,119 --> 00:21:30,081 -♪ Your spirit is calling me ♪ -(INHALES, EXHALES) 393 00:21:30,081 --> 00:21:31,791 What are we doing here? 394 00:21:32,875 --> 00:21:35,128 Are we reinventing you? 395 00:21:36,796 --> 00:21:37,880 (MUSIC STOPS) 396 00:21:37,880 --> 00:21:38,923 No. 397 00:21:41,050 --> 00:21:42,468 No, I... 398 00:21:44,554 --> 00:21:45,555 Just... 399 00:21:48,933 --> 00:21:51,019 I... I want to be... 400 00:21:52,353 --> 00:21:56,024 -Revelatory. -No. I just, like... I want... 401 00:21:57,400 --> 00:21:59,318 -Profundity. -(SUCKS AIR THROUGH TEETH) 402 00:21:59,318 --> 00:22:01,154 Mmm, more, um... 403 00:22:03,823 --> 00:22:06,784 -Authenticity. -No. It's like... 404 00:22:06,784 --> 00:22:08,286 (BREATHES DEEPLY) 405 00:22:12,081 --> 00:22:13,374 Clarity. 406 00:22:15,209 --> 00:22:16,669 -Yes. -Clarity. 407 00:22:16,669 --> 00:22:19,881 -So, reducing? -Yes. 408 00:22:19,881 --> 00:22:22,508 -Peeling away everything... -Yes. Yes. 409 00:22:22,508 --> 00:22:24,635 -...that's accumulated. -Yes. 410 00:22:24,635 --> 00:22:26,054 -Old skin. -Yes. 411 00:22:26,054 --> 00:22:27,513 -Barnacles. -Yes 412 00:22:27,513 --> 00:22:28,723 Dead hair. 413 00:22:28,723 --> 00:22:30,183 Yes. 414 00:22:30,183 --> 00:22:31,768 All the old yous. 415 00:22:32,477 --> 00:22:33,978 I want to be sharp. 416 00:22:33,978 --> 00:22:36,189 You want me to make you into a knife? 417 00:22:36,189 --> 00:22:37,774 I want to have a point. 418 00:22:39,442 --> 00:22:40,610 Got it. 419 00:22:42,987 --> 00:22:44,322 MARY: If this were the first performance 420 00:22:44,322 --> 00:22:46,699 I ever gave, how would you dress me? 421 00:22:46,699 --> 00:22:49,243 I did dress you for your first performance. 422 00:22:49,243 --> 00:22:50,953 MARY: If it were my last performance? 423 00:22:50,953 --> 00:22:52,580 Is that what this is? 424 00:22:53,456 --> 00:22:54,916 -Maybe. -'Cause I could make you 425 00:22:54,916 --> 00:22:56,834 a funeral gown, 426 00:22:56,834 --> 00:22:58,252 if that's what you really wanted. 427 00:22:58,252 --> 00:22:59,378 I could build you a pyre 428 00:22:59,378 --> 00:23:01,089 the likes of which the world has never seen 429 00:23:01,089 --> 00:23:03,341 if that's the way you see things going. 430 00:23:07,178 --> 00:23:08,763 I sort of do. 431 00:23:11,057 --> 00:23:12,600 We are still speaking in... 432 00:23:13,559 --> 00:23:14,977 abstractions, aren't we? 433 00:23:15,812 --> 00:23:17,271 (MARY'S BREATH TREMBLING) 434 00:23:17,271 --> 00:23:18,314 I think so. 435 00:23:18,815 --> 00:23:20,399 Are you depressed? 436 00:23:20,399 --> 00:23:22,110 -No. No. -Is this a cry for help? 437 00:23:22,110 --> 00:23:24,779 So you're not planning on self-immolating 438 00:23:24,779 --> 00:23:26,280 -on my doorstep? -(INHALES) 439 00:23:26,280 --> 00:23:27,532 -No. -Good. 440 00:23:27,532 --> 00:23:29,659 But if I did, it would be kind of a great way to go. 441 00:23:29,659 --> 00:23:31,828 No, not for me. I'd be the one to have to clean you up. 442 00:23:31,828 --> 00:23:33,329 -No peeking. -(SNIFFLES) 443 00:23:36,207 --> 00:23:37,542 If it's really that bad, 444 00:23:38,459 --> 00:23:39,502 just quit. 445 00:23:39,502 --> 00:23:41,087 MARY: I can't quit. 446 00:23:41,087 --> 00:23:42,588 SAM: Yeah, you can. 447 00:23:42,588 --> 00:23:44,173 People say quitting is for cowards, 448 00:23:44,173 --> 00:23:45,758 but it's actually one of the bravest things 449 00:23:45,758 --> 00:23:48,511 -anyone can do. -No. (BREATH TREMBLING) 450 00:23:48,511 --> 00:23:51,472 I can't quit. I don't know how to do anything else. 451 00:23:53,182 --> 00:23:54,642 (SIGHS) 452 00:23:56,894 --> 00:23:58,354 I just wish I was happy doing it. 453 00:23:58,354 --> 00:24:00,356 SAM: Oh, yes, I remember. 454 00:24:00,356 --> 00:24:05,319 Used to be so happy singing sad songs. Well... 455 00:24:05,319 --> 00:24:08,489 things are never gonna be like that ever again. 456 00:24:09,407 --> 00:24:12,243 Nevertheless... you will go on. 457 00:24:12,243 --> 00:24:13,953 This won't be your last performance ever 458 00:24:13,953 --> 00:24:15,746 but it will be your best. 459 00:24:15,746 --> 00:24:17,540 You will be radiant, 460 00:24:17,540 --> 00:24:19,375 and transcendent. 461 00:24:19,375 --> 00:24:22,420 And when you open your mouth and sing about your sadness, 462 00:24:22,420 --> 00:24:23,963 it will be everyone's sadness, 463 00:24:23,963 --> 00:24:27,008 and it will be writ as large as the goddamn sky 464 00:24:27,008 --> 00:24:29,677 because that's what you give people. 465 00:24:30,636 --> 00:24:32,471 It's what you can do for people 466 00:24:32,471 --> 00:24:34,724 and since they pay you for it, 467 00:24:34,724 --> 00:24:36,726 it's more or less your job, so quit... 468 00:24:37,393 --> 00:24:38,686 or do a good job. 469 00:24:45,151 --> 00:24:46,152 See? 470 00:24:47,862 --> 00:24:49,530 This is what you do. 471 00:24:50,990 --> 00:24:53,576 This is why you have nothing to worry about. 472 00:24:54,952 --> 00:24:58,247 You give people the gift of giving a shit about you. 473 00:24:59,415 --> 00:25:03,294 I am humbled by your munificence. 474 00:25:07,590 --> 00:25:08,591 Uh... 475 00:25:09,342 --> 00:25:11,344 Is someone playing before you? 476 00:25:12,637 --> 00:25:14,138 Yes. 477 00:25:14,138 --> 00:25:15,473 -Who? -(INHALES) 478 00:25:15,473 --> 00:25:17,350 (SIGHS) Miel Contrera. 479 00:25:17,350 --> 00:25:18,768 What's she sing? 480 00:25:18,768 --> 00:25:21,479 -Paper Moon. -Oh, right. Yeah, I like her. 481 00:25:22,396 --> 00:25:24,273 MARY: Everyone likes her. 482 00:25:24,273 --> 00:25:25,650 SAM: You sound bitter. 483 00:25:27,818 --> 00:25:28,945 No, I don't. 484 00:25:29,946 --> 00:25:31,322 She's my friend. 485 00:25:31,322 --> 00:25:32,990 -Is she? -Yes. 486 00:25:32,990 --> 00:25:34,158 -We sang together at the... -Yeah. 487 00:25:34,158 --> 00:25:36,327 But she was just a child then. 488 00:25:36,327 --> 00:25:37,578 Now I see her everywhere I look. 489 00:25:37,578 --> 00:25:40,581 Her tits are spilling out over Soho in Givenchy. 490 00:25:40,581 --> 00:25:42,166 She's successful 491 00:25:42,750 --> 00:25:43,918 and I'm proud of her. 492 00:25:43,918 --> 00:25:46,003 And I'm very happy to be in her company. 493 00:25:46,003 --> 00:25:47,004 Good. 494 00:25:47,505 --> 00:25:49,257 But? 495 00:25:49,257 --> 00:25:52,677 You're going to lay waste to her, aren't you? 496 00:25:52,677 --> 00:25:54,428 -What? -Oh. 497 00:25:54,428 --> 00:25:56,889 Poor girl doesn't know what she's in for. 498 00:25:56,889 --> 00:25:58,266 Why would you even say that? 499 00:25:58,266 --> 00:25:59,475 SAM: Because it's true. 500 00:25:59,475 --> 00:26:00,643 No, it's not. 501 00:26:00,643 --> 00:26:02,270 SAM: Oh, it's already happened. 502 00:26:02,270 --> 00:26:04,438 You don't even have to try. 503 00:26:04,438 --> 00:26:05,856 This is what you do. You're always picking 504 00:26:05,856 --> 00:26:08,025 -and picking and scratching... -It's part of my job. 505 00:26:08,025 --> 00:26:09,860 I need to see what I'm meant to cover. 506 00:26:09,860 --> 00:26:11,821 You mean you need to see what you want to find. 507 00:26:11,821 --> 00:26:13,072 And if you don't find it, you put it there 508 00:26:13,072 --> 00:26:14,699 because it suits you and what you want to make, 509 00:26:14,699 --> 00:26:16,409 -which is why... -Which is why I'm here 510 00:26:17,076 --> 00:26:18,577 -and you're there. -No. 511 00:26:18,577 --> 00:26:20,079 I'm here because I want what you want, 512 00:26:20,079 --> 00:26:22,248 but I want you to want it for the right reasons. 513 00:26:22,248 --> 00:26:23,457 Which are? 514 00:26:23,457 --> 00:26:24,542 I want you to have an open heart. 515 00:26:24,542 --> 00:26:26,627 -SAM: Mmm-hmm. Mmm. -And no fear. 516 00:26:26,627 --> 00:26:28,587 And what am I afraid of? 517 00:26:28,587 --> 00:26:29,630 Of this. 518 00:26:30,089 --> 00:26:31,382 -Me. -Yeah. 519 00:26:31,382 --> 00:26:32,842 Hey, you're fucking terrifying. 520 00:26:34,802 --> 00:26:36,887 This is what you do. 521 00:26:36,887 --> 00:26:38,597 This is what you do when you don't know what to do. 522 00:26:38,597 --> 00:26:39,849 This is what you've always done, 523 00:26:39,849 --> 00:26:42,852 which is why I'm trying to lay it all out for you. 524 00:26:42,852 --> 00:26:44,979 But I asked you to lay it out for me 525 00:26:44,979 --> 00:26:47,106 so that I'd know what to do. 526 00:26:47,106 --> 00:26:49,358 -So, here it is. -Thank you. 527 00:26:53,112 --> 00:26:55,323 Miel Contrera will sing before me. 528 00:26:56,699 --> 00:27:00,286 She will sing Paper Moon, and it'll be beautiful. 529 00:27:00,786 --> 00:27:02,163 And then, 530 00:27:02,163 --> 00:27:04,749 at five minutes to midnight, the lights will go down. 531 00:27:06,917 --> 00:27:08,002 And I... 532 00:27:10,629 --> 00:27:11,756 SAM: Mmm-hmm. 533 00:27:12,590 --> 00:27:13,799 (EXHALES) 534 00:27:15,134 --> 00:27:17,970 I'll do whatever it is that I'm gonna do. 535 00:27:20,723 --> 00:27:23,434 Sing your new song? 536 00:27:23,434 --> 00:27:24,435 Yes. 537 00:27:25,770 --> 00:27:27,480 Maybe not. 538 00:27:27,480 --> 00:27:30,232 -No, I'm gonna sing it. -Oh, good. 539 00:27:30,232 --> 00:27:33,194 Because you sounded uncertain there for a moment. 540 00:27:34,612 --> 00:27:36,655 No, it's just... 541 00:27:37,323 --> 00:27:38,574 It's not good enough yet? 542 00:27:43,496 --> 00:27:44,622 You want to hear it? 543 00:27:45,498 --> 00:27:46,874 The... the song? 544 00:27:46,874 --> 00:27:48,793 -Yes. -No. 545 00:27:50,002 --> 00:27:51,796 No. No music. 546 00:27:52,797 --> 00:27:53,881 Not right now. 547 00:27:54,632 --> 00:27:56,926 -Why? -Because if I did, 548 00:27:56,926 --> 00:27:58,219 I'd make a dress for the song. 549 00:27:58,219 --> 00:28:00,513 And you want me to make a dress for you, don't you? 550 00:28:00,513 --> 00:28:03,140 So, better not to hear it. 551 00:28:04,058 --> 00:28:05,351 (SCISSORS SNIPPING) 552 00:28:05,351 --> 00:28:07,019 -You might like it. -(SCISSORS CLATTER) 553 00:28:07,019 --> 00:28:09,480 Mmm, I'm in an ascetic phase right now. 554 00:28:10,189 --> 00:28:12,149 I'm trying not liking things. 555 00:28:15,277 --> 00:28:17,696 Why is it called Spooky Action anyway? 556 00:28:18,823 --> 00:28:21,826 Is it about particle physics? 557 00:28:21,826 --> 00:28:23,786 Large Hadron Colliders? 558 00:28:25,913 --> 00:28:28,874 MARY: No. It's more like... 559 00:28:29,875 --> 00:28:31,961 connections we can't explain. 560 00:28:31,961 --> 00:28:34,630 And what led you to write it? 561 00:28:37,591 --> 00:28:40,469 I had a connection and I couldn't explain it. 562 00:28:41,053 --> 00:28:42,096 To a person? 563 00:28:43,097 --> 00:28:44,140 Maybe. 564 00:28:44,932 --> 00:28:46,016 Are you being coy? 565 00:28:46,642 --> 00:28:48,060 No. 566 00:28:48,060 --> 00:28:49,437 And you really can dance to it? 567 00:28:51,230 --> 00:28:52,690 -Yes. -Hmm. 568 00:28:54,733 --> 00:28:55,734 Show me. 569 00:28:57,319 --> 00:28:59,029 -The dance? -Yeah. 570 00:28:59,864 --> 00:29:01,365 Could you? 571 00:29:01,365 --> 00:29:04,618 Honestly, it'll be good for me to see how you move 572 00:29:04,618 --> 00:29:06,620 to make sure I'm accommodating. 573 00:29:11,083 --> 00:29:12,293 Okay. 574 00:29:12,293 --> 00:29:14,462 I'm sure you're supposed to be drilling it anyway. 575 00:29:18,883 --> 00:29:20,050 (CLEARS THROAT SOFTLY) 576 00:29:27,600 --> 00:29:28,642 (SHOE THUDS) 577 00:29:30,436 --> 00:29:31,479 (SHOE THUDS) 578 00:29:38,277 --> 00:29:40,738 Do you have a speaker or anything I can plug into? 579 00:29:41,322 --> 00:29:42,907 Yeah. 580 00:29:42,907 --> 00:29:44,158 But do it without the song. 581 00:29:47,411 --> 00:29:48,829 Why? 582 00:29:48,829 --> 00:29:51,040 Because I told you, I don't want to hear it. 583 00:29:51,040 --> 00:29:53,626 -But it's all set to the... -I'm sure you've got it down. 584 00:29:55,503 --> 00:29:57,379 Why won't you just let me play it for you? 585 00:29:57,379 --> 00:29:59,006 'Cause I don't want to break my streak. 586 00:29:59,590 --> 00:30:00,716 Of what? 587 00:30:00,716 --> 00:30:02,218 Of not listening to your music. 588 00:30:34,416 --> 00:30:35,543 (EXHALES SHARPLY) 589 00:30:39,004 --> 00:30:40,631 -(INHALES) -(TAPS FLOOR) 590 00:30:40,631 --> 00:30:42,550 -(EXHALES) -(TAPS FLOOR) 591 00:30:43,425 --> 00:30:44,885 -(EXHALES) -(TAPS FLOOR) 592 00:31:07,324 --> 00:31:08,409 (GRUNTS SOFTLY) 593 00:31:31,390 --> 00:31:32,808 (EXHALES SHARPLY) 594 00:31:44,403 --> 00:31:45,529 Ooh. Okay. 595 00:31:45,529 --> 00:31:47,114 -Well, I think that's... -I'm not done yet. 596 00:32:01,337 --> 00:32:02,630 (TABLE THUDDING) 597 00:32:02,630 --> 00:32:03,631 (GRUNTS) 598 00:32:08,469 --> 00:32:09,845 (GRUNTS) 599 00:32:12,848 --> 00:32:14,099 (GRUNTS) 600 00:32:18,020 --> 00:32:19,730 (EXHALES SHARPLY) 601 00:32:20,314 --> 00:32:22,024 (BREATHING LOUDLY) 602 00:32:23,567 --> 00:32:25,611 (GRUNTING) 603 00:32:25,611 --> 00:32:27,071 (PANTING) 604 00:32:27,863 --> 00:32:28,906 (MARY GRUNTS) 605 00:32:36,455 --> 00:32:38,916 (BREATHING HEAVILY) 606 00:32:42,670 --> 00:32:44,338 (GRUNTS) 607 00:32:45,297 --> 00:32:47,091 (STRAINING) 608 00:32:48,967 --> 00:32:49,968 (GRUNTS) 609 00:32:58,185 --> 00:33:00,646 (PANTING) 610 00:33:19,832 --> 00:33:23,669 (SAM BREATHES DEEPLY) 611 00:33:26,130 --> 00:33:29,383 How on earth are you gonna sing 612 00:33:29,383 --> 00:33:30,968 while you do all that? 613 00:33:31,593 --> 00:33:33,804 (PANTING) 614 00:33:33,804 --> 00:33:34,888 Practice. 615 00:33:37,141 --> 00:33:38,350 (EXHALES) 616 00:33:48,736 --> 00:33:50,028 (SAM TUTS) 617 00:33:50,028 --> 00:33:51,405 (MARY EXHALES) 618 00:33:51,405 --> 00:33:52,531 You know, 619 00:33:54,158 --> 00:33:55,868 if you're going for... 620 00:33:56,827 --> 00:34:01,123 burn-it-all-down last-will-and-testaments, 621 00:34:01,915 --> 00:34:03,542 what we should do is 622 00:34:04,543 --> 00:34:06,128 we should make you a beautiful dress 623 00:34:06,128 --> 00:34:07,463 that is simple and elegant, 624 00:34:07,463 --> 00:34:09,006 and whatever else it needs to be, 625 00:34:09,006 --> 00:34:11,508 but attached to it... 626 00:34:12,968 --> 00:34:14,011 is a train. 627 00:34:14,011 --> 00:34:16,597 -(LAUGHING) -You know how I love... 628 00:34:18,098 --> 00:34:20,851 a good train, and this one is, say, 629 00:34:20,851 --> 00:34:23,312 um, just a quarter-mile long. 630 00:34:23,312 --> 00:34:26,231 And maybe most people don't notice, 631 00:34:26,231 --> 00:34:29,276 but a keen eye will detect 632 00:34:29,276 --> 00:34:33,447 that at a certain point, the fabric of the gown fades 633 00:34:33,989 --> 00:34:35,199 from one thing 634 00:34:35,824 --> 00:34:37,618 into something else. 635 00:34:37,618 --> 00:34:40,078 Something more familiar. 636 00:34:40,078 --> 00:34:42,122 It's so seamless you don't even see it. 637 00:34:42,122 --> 00:34:43,791 But once you do, 638 00:34:44,875 --> 00:34:46,627 you realize 639 00:34:46,627 --> 00:34:51,006 the entire gown is made up of every dress 640 00:34:51,006 --> 00:34:52,966 you've ever 641 00:34:52,966 --> 00:34:54,676 -worn. -(EXHILARATING MUSIC PLAYING) 642 00:34:54,676 --> 00:34:57,346 The story of how you got to right here, 643 00:34:57,763 --> 00:34:59,598 right now, 644 00:34:59,598 --> 00:35:02,184 in this exact moment, 645 00:35:02,184 --> 00:35:03,727 stepping out on stage, 646 00:35:03,727 --> 00:35:06,730 Mother Mary... (GASPS) ...in the new millennium. 647 00:35:06,730 --> 00:35:08,565 You walk... (SUCKS AIR THROUGH TEETH) 648 00:35:08,565 --> 00:35:09,691 ...down the... Where is the show? 649 00:35:09,691 --> 00:35:13,153 -At the Palladium. -That's perfect. So... 650 00:35:13,153 --> 00:35:15,864 Miel Contrera finishes singing, 651 00:35:15,864 --> 00:35:18,784 and it's beautiful and it's well-liked, 652 00:35:18,784 --> 00:35:22,162 but now, here you come, 653 00:35:22,996 --> 00:35:25,457 marching down that aisle, 654 00:35:25,457 --> 00:35:27,459 marching from far beyond the aisle, 655 00:35:27,459 --> 00:35:29,169 from outside the theater, 656 00:35:29,169 --> 00:35:30,921 coming down the street, 657 00:35:30,921 --> 00:35:34,925 dragging your whole history behind you. 658 00:35:35,509 --> 00:35:37,386 The doors swing open, 659 00:35:37,386 --> 00:35:38,554 and you enter the theater 660 00:35:38,554 --> 00:35:41,348 and you walk up the steps to the stage, 661 00:35:41,348 --> 00:35:43,225 and when you get to the top... 662 00:35:43,976 --> 00:35:45,227 What's this? 663 00:35:46,436 --> 00:35:47,771 Something catches. 664 00:35:48,647 --> 00:35:51,233 The train is pulled tight. 665 00:35:51,233 --> 00:35:55,529 It's caught on all of your history. 666 00:35:56,363 --> 00:35:59,116 And as you take your final step 667 00:35:59,116 --> 00:36:01,410 and complete your ascension, 668 00:36:02,035 --> 00:36:04,037 the entire gown, 669 00:36:04,037 --> 00:36:07,499 we'll set it so it just shears away, 670 00:36:07,499 --> 00:36:08,750 and there you are. 671 00:36:09,918 --> 00:36:15,549 You are standing naked under the lights, 672 00:36:15,549 --> 00:36:18,218 free of everything you've been carrying, 673 00:36:18,218 --> 00:36:21,054 of everything that's been weighing you down. 674 00:36:21,054 --> 00:36:23,181 And, of course, the plugs will get pulled 675 00:36:23,181 --> 00:36:26,226 and the broadcast would cut but that's on them, 676 00:36:26,226 --> 00:36:27,728 it's not on you. 677 00:36:27,728 --> 00:36:29,146 Mmm-mmm. 678 00:36:29,146 --> 00:36:31,732 You're doing what you were born to do. 679 00:36:32,608 --> 00:36:34,943 You open your mouth 680 00:36:34,943 --> 00:36:36,945 and you dance your dance. 681 00:36:38,572 --> 00:36:40,699 You sing your song. 682 00:36:41,950 --> 00:36:43,410 Or maybe... 683 00:36:44,620 --> 00:36:46,121 you don't even do that. 684 00:36:47,915 --> 00:36:49,791 Maybe you don't need to. 685 00:36:51,293 --> 00:36:54,755 You don't need the song at all, 686 00:36:55,464 --> 00:36:56,965 because this... 687 00:36:58,508 --> 00:37:01,637 is all about... 688 00:37:02,971 --> 00:37:04,056 you. 689 00:37:12,564 --> 00:37:13,649 But... 690 00:37:19,488 --> 00:37:20,948 isn't that kind of... 691 00:37:27,746 --> 00:37:28,872 -obvious? -No. 692 00:37:29,831 --> 00:37:33,001 Mmm. This is... 693 00:37:33,627 --> 00:37:34,711 clarity. 694 00:37:35,712 --> 00:37:38,840 ♪ Bad conversations ♪ 695 00:37:40,050 --> 00:37:42,719 ♪ Cigarettes ♪ 696 00:37:43,512 --> 00:37:46,056 ♪ Words I don't mean ♪ 697 00:37:47,307 --> 00:37:49,393 ♪ Empty threats ♪ 698 00:37:49,393 --> 00:37:51,436 ♪ Chewing gum ♪ 699 00:37:51,436 --> 00:37:54,773 ♪ I'm so empty ♪ 700 00:37:56,400 --> 00:38:00,112 ♪ You're the one for me ♪ 701 00:38:00,737 --> 00:38:02,698 ♪ You see ♪ 702 00:38:02,698 --> 00:38:05,534 ♪ But it's been a while ♪ 703 00:38:09,037 --> 00:38:13,208 ♪ My mouth is lonely for you ♪ 704 00:38:16,336 --> 00:38:20,632 ♪ My mouth is lonely for you ♪ 705 00:38:22,676 --> 00:38:24,553 ♪ You ♪ 706 00:38:26,596 --> 00:38:28,265 ♪ My mouth ♪ 707 00:38:31,226 --> 00:38:35,313 ♪ My mouth is lonely for you ♪ 708 00:38:35,313 --> 00:38:37,107 (AUDIENCE CHEERING) 709 00:38:44,865 --> 00:38:46,783 (CHEERING DISTORTS, FADES) 710 00:38:47,868 --> 00:38:48,910 (GASPS) 711 00:38:50,412 --> 00:38:52,456 (PANTING) 712 00:39:34,498 --> 00:39:36,583 (ENCHANTING MUSIC PLAYING) 713 00:39:50,263 --> 00:39:53,141 ♪ You said go find all the things that you want ♪ 714 00:39:53,141 --> 00:39:54,810 ♪ Find all the things that you need ♪ 715 00:39:54,810 --> 00:39:58,271 ♪ If you can't find them in me go find anywhere, please ♪ 716 00:39:58,271 --> 00:40:00,440 ♪ Unroll the map climb up the trees ♪ 717 00:40:00,440 --> 00:40:02,359 ♪ Scale the mountain do or don't breathe ♪ 718 00:40:02,359 --> 00:40:04,402 ♪ But you must fall to your knees ♪ 719 00:40:04,402 --> 00:40:06,863 ♪ Don't cry to the stars you must summon the deep ♪ 720 00:40:06,863 --> 00:40:08,490 ♪ Lose all the people you keep ♪ 721 00:40:08,490 --> 00:40:09,616 ♪ Lose your will to believe ♪ 722 00:40:09,616 --> 00:40:10,826 ♪ And once again believe ♪ 723 00:40:10,826 --> 00:40:12,494 ♪ And if in the end you're not free ♪ 724 00:40:12,494 --> 00:40:13,995 ♪ Cut a deal, please ♪ 725 00:40:13,995 --> 00:40:16,123 -(CLINKING) -♪ Used to walk with you ♪ 726 00:40:16,123 --> 00:40:19,709 ♪ Till I saw something bigger ♪ 727 00:40:19,709 --> 00:40:21,795 ♪ I jumped into the flames ♪ 728 00:40:21,795 --> 00:40:25,173 ♪ And I shook hands with forever ♪ 729 00:40:25,173 --> 00:40:28,468 ♪ Had to cut ties ♪ 730 00:40:28,468 --> 00:40:29,886 (SNIFFING) 731 00:40:30,804 --> 00:40:33,598 ♪ To be star-light ♪ 732 00:40:36,810 --> 00:40:38,812 ♪ He blessed me with his gaze... ♪ 733 00:40:38,812 --> 00:40:42,190 That was a very specific moment in time, 734 00:40:42,774 --> 00:40:43,942 wasn't it? 735 00:40:44,860 --> 00:40:45,944 (HALO CLINKING) 736 00:40:45,944 --> 00:40:47,404 Why do we say that? 737 00:40:48,488 --> 00:40:50,532 Every moment in time is specific. 738 00:40:50,532 --> 00:40:53,702 Yeah, but it's hard to tell one from the next. Mmm? 739 00:40:54,619 --> 00:40:56,329 Every now and then, though, 740 00:40:57,330 --> 00:40:59,207 something happens. 741 00:41:00,375 --> 00:41:02,544 And it makes us prick up our ears 742 00:41:02,544 --> 00:41:06,464 and say, "That was a moment." 743 00:41:06,464 --> 00:41:09,426 And what I think we're really saying... 744 00:41:09,426 --> 00:41:11,303 -(HALO CLINKING) -...is for that moment, 745 00:41:12,888 --> 00:41:14,848 we were... 746 00:41:15,599 --> 00:41:16,641 together. 747 00:41:19,394 --> 00:41:21,563 Did you really mean what you said? 748 00:41:22,355 --> 00:41:24,357 About what? 749 00:41:24,357 --> 00:41:26,776 About not listening to my music. 750 00:41:30,155 --> 00:41:31,489 -Yes. -(HALO CLATTERS) 751 00:41:32,616 --> 00:41:33,742 Is it a surprise? 752 00:41:33,742 --> 00:41:35,952 I don't exactly see you at the runway. 753 00:41:35,952 --> 00:41:38,663 Did I really hurt your feelings so badly? 754 00:41:38,663 --> 00:41:39,873 Yeah. 755 00:41:39,873 --> 00:41:41,708 And that's fine. 756 00:41:41,708 --> 00:41:43,710 That's what feelings are for. 757 00:41:43,710 --> 00:41:46,004 I just wish you would have told me yourself. 758 00:41:47,172 --> 00:41:48,381 Told you what? 759 00:41:48,381 --> 00:41:50,258 (SMACKS LIPS) That, um... 760 00:41:51,259 --> 00:41:53,511 That Mother Mary no longer needed me. 761 00:41:53,511 --> 00:41:55,639 -I did need you. -No, you... 762 00:41:55,639 --> 00:41:57,390 -And I did tell you. -You told me 763 00:41:57,390 --> 00:41:58,683 by not telling me. 764 00:41:58,683 --> 00:42:00,060 You told me by saying nothing 765 00:42:00,060 --> 00:42:02,604 and letting everyone who suddenly had your ear 766 00:42:02,604 --> 00:42:03,647 do all the talking. 767 00:42:03,647 --> 00:42:04,940 I told you I needed a change. 768 00:42:04,940 --> 00:42:07,943 Yes, but you didn't tell me you'd already made it. 769 00:42:07,943 --> 00:42:09,736 By the time I figured that out, 770 00:42:09,736 --> 00:42:11,905 you'd already closed the door. 771 00:42:11,905 --> 00:42:13,198 The door was always open. 772 00:42:13,198 --> 00:42:14,282 No. 773 00:42:14,282 --> 00:42:15,367 No, it wasn't. 774 00:42:16,660 --> 00:42:18,662 No, it wasn't. It was shut 775 00:42:19,120 --> 00:42:20,664 and locked. 776 00:42:20,664 --> 00:42:22,874 And you were a million miles away. 777 00:42:23,750 --> 00:42:25,335 And there I was... 778 00:42:25,335 --> 00:42:27,045 who knew you and... 779 00:42:29,839 --> 00:42:31,424 who loved you, 780 00:42:32,717 --> 00:42:36,096 trying to pick up the pieces. 781 00:42:36,096 --> 00:42:38,974 Except there weren't even any pieces 782 00:42:38,974 --> 00:42:40,809 'cause everything I had was... 783 00:42:41,601 --> 00:42:43,853 wrapped up in you. 784 00:42:43,853 --> 00:42:46,314 You never know how little you matter 785 00:42:46,314 --> 00:42:48,024 until you realize 786 00:42:48,024 --> 00:42:49,818 that everything you've done 787 00:42:49,818 --> 00:42:51,653 has been in the service 788 00:42:51,653 --> 00:42:54,114 of someone the whole world loves 789 00:42:54,114 --> 00:42:56,366 just as much as you. 790 00:42:59,536 --> 00:43:03,498 Oh, yeah. And tell yourself you're doing good work. 791 00:43:03,498 --> 00:43:05,083 Tell yourself what you're doing counts 792 00:43:05,083 --> 00:43:06,543 'cause you're the one that's doing it, 793 00:43:06,543 --> 00:43:09,587 but really, step by step, 794 00:43:09,587 --> 00:43:10,964 stitch by stitch, 795 00:43:12,882 --> 00:43:15,051 you're obliterating yourself. 796 00:43:20,015 --> 00:43:22,100 I wanted you 797 00:43:22,100 --> 00:43:23,810 to look like Joan of Arc. 798 00:43:27,230 --> 00:43:29,024 When I heard you sing, 799 00:43:29,941 --> 00:43:32,235 that's what I saw. 800 00:43:32,235 --> 00:43:36,573 That's what I set out to design for you. 801 00:43:37,407 --> 00:43:38,700 And to that, 802 00:43:39,326 --> 00:43:42,120 I added bits and pieces 803 00:43:43,705 --> 00:43:44,706 of me. 804 00:43:46,750 --> 00:43:48,084 Silly things, 805 00:43:49,002 --> 00:43:52,339 like my holy communion when I was seven. 806 00:43:52,339 --> 00:43:53,381 Feeling like a queen 807 00:43:53,381 --> 00:43:54,924 even though I'd spilled wine 808 00:43:54,924 --> 00:43:57,177 all down my beautiful white dress. 809 00:44:00,221 --> 00:44:01,306 All of that 810 00:44:02,515 --> 00:44:03,725 is in there. 811 00:44:05,643 --> 00:44:07,228 That's my story. 812 00:44:08,855 --> 00:44:09,898 And no, 813 00:44:10,690 --> 00:44:12,275 I don't expect you to tell it. 814 00:44:13,526 --> 00:44:16,988 But I... would have expected a little bit credit. 815 00:44:26,539 --> 00:44:29,209 -I didn't mean to cut you out. -But you did. 816 00:44:30,502 --> 00:44:31,628 MARY: Yes. 817 00:44:32,379 --> 00:44:33,380 I did. 818 00:44:36,758 --> 00:44:38,635 -But... -What? 819 00:44:38,635 --> 00:44:40,887 But I'm the one who wore that dress, 820 00:44:42,597 --> 00:44:44,557 who wore all the dresses. 821 00:44:46,893 --> 00:44:47,977 I let you make 822 00:44:47,977 --> 00:44:50,355 -something of me. -No. No. 823 00:44:50,355 --> 00:44:52,774 -We did that together. -And... 824 00:44:52,774 --> 00:44:53,983 And I liked it. 825 00:44:54,943 --> 00:44:56,069 I liked it. 826 00:44:58,029 --> 00:44:59,739 I liked how you saw me. 827 00:45:03,451 --> 00:45:05,078 I liked how it felt... 828 00:45:07,288 --> 00:45:09,707 when you dressed me. 829 00:45:09,707 --> 00:45:13,086 But you were making your own Mother Mary, 830 00:45:13,086 --> 00:45:14,337 and she... (INHALES) 831 00:45:14,879 --> 00:45:16,464 she was beautiful. 832 00:45:17,674 --> 00:45:19,217 But I'm the one who had to go out 833 00:45:19,217 --> 00:45:20,844 in front of all those people 834 00:45:21,469 --> 00:45:23,263 and sing my songs 835 00:45:23,930 --> 00:45:26,182 and feel them, so, yes... 836 00:45:26,182 --> 00:45:27,225 (SCISSORS SNIP) 837 00:45:27,225 --> 00:45:29,853 ...I wanted to change for her. 838 00:45:31,020 --> 00:45:32,897 But I was never done with us. 839 00:45:34,566 --> 00:45:35,984 You closed that door. 840 00:45:35,984 --> 00:45:38,862 No, there was never a door at all until you opened it. 841 00:45:38,862 --> 00:45:39,946 The door doesn't exist. (SCOFFS) 842 00:45:39,946 --> 00:45:41,948 These metaphors are exhausting. 843 00:45:43,032 --> 00:45:44,117 (SCISSORS CLATTER) 844 00:45:45,243 --> 00:45:47,620 You went somewhere... 845 00:45:47,620 --> 00:45:50,206 -I couldn't follow. -Yes, but you had all this. 846 00:45:50,206 --> 00:45:52,167 Yeah, I had to build this so I had something. 847 00:45:52,167 --> 00:45:53,710 But that's good, isn't it? 848 00:45:53,710 --> 00:45:55,670 Yeah. 849 00:45:55,670 --> 00:45:58,381 Except that it took me hating you to do it. 850 00:46:05,305 --> 00:46:07,140 -Uh-uh. -(SCISSORS CLINKING) 851 00:46:08,057 --> 00:46:09,642 (SCISSORS SNIPPING) 852 00:46:11,436 --> 00:46:12,437 (WHIMPERS) 853 00:46:18,526 --> 00:46:19,527 (EXHALES) 854 00:46:22,906 --> 00:46:24,240 (SNIFFLES) 855 00:46:24,240 --> 00:46:25,783 You can't really hate me. 856 00:46:25,783 --> 00:46:26,868 Oh, yes, I can. 857 00:46:27,869 --> 00:46:30,538 It's very easy to flip that switch. 858 00:46:30,538 --> 00:46:32,415 Is that what we're doing here? 859 00:46:32,415 --> 00:46:34,334 You're making me a hate-dress? 860 00:46:34,334 --> 00:46:35,710 Maybe. 861 00:46:36,503 --> 00:46:37,754 Maybe. 862 00:46:37,754 --> 00:46:40,048 So what do we have to do to flip that switch back? 863 00:46:40,048 --> 00:46:42,717 I don't know. Maybe we can't, maybe it's a one-time thing. 864 00:46:42,717 --> 00:46:43,718 No. 865 00:46:44,385 --> 00:46:45,887 You already have. 866 00:46:45,887 --> 00:46:47,847 You wouldn't let me in the door otherwise. 867 00:46:47,847 --> 00:46:50,350 The real door or the metaphorical one? 868 00:46:50,350 --> 00:46:51,851 -Your front door. -Oh. 869 00:46:51,851 --> 00:46:53,978 Well... I didn't let you in. 870 00:46:55,146 --> 00:46:56,981 Hilda did. 871 00:46:56,981 --> 00:46:59,734 And why do I have to be the one to open the door 872 00:46:59,734 --> 00:47:01,903 or flip a switch or whatever? 873 00:47:03,821 --> 00:47:05,198 Can't you do it? 874 00:47:07,283 --> 00:47:08,910 Can't you do the work? 875 00:47:10,870 --> 00:47:13,581 Make me love you again. 876 00:47:14,582 --> 00:47:16,292 Can you let me try? 877 00:47:17,669 --> 00:47:19,420 Can you stop putting up walls? 878 00:47:19,420 --> 00:47:22,090 Can you let me play this fucking song? 879 00:47:22,090 --> 00:47:24,133 Oh, you can't do anything else? 880 00:47:24,133 --> 00:47:25,969 I don't have anything else. 881 00:47:26,928 --> 00:47:28,304 What else is there? 882 00:47:28,304 --> 00:47:30,723 I can... send you flowers, 883 00:47:30,723 --> 00:47:32,684 I can write you a note, or I can buy you a house, 884 00:47:32,684 --> 00:47:35,728 or I can sing you a song. That's it. 885 00:47:37,063 --> 00:47:38,106 (CRIES SOFTLY) 886 00:47:40,692 --> 00:47:41,818 That's all I got. 887 00:47:45,238 --> 00:47:47,073 Well, I could do with a new house. 888 00:47:47,073 --> 00:47:48,783 This one's falling apart. 889 00:47:50,618 --> 00:47:52,412 Pick one out and send me the listing. 890 00:47:52,412 --> 00:47:54,205 Oh, you know, I think I'll pay for it myself. 891 00:47:54,205 --> 00:47:56,207 Thank you very much. 892 00:47:56,207 --> 00:47:58,251 You see, the problem is, 893 00:47:58,251 --> 00:48:01,087 and it's not a problem, 894 00:48:01,087 --> 00:48:03,172 but the problem is... 895 00:48:04,007 --> 00:48:06,676 I am very stubborn. 896 00:48:07,302 --> 00:48:08,469 (SCOFFS) 897 00:48:09,470 --> 00:48:10,680 Clearly. 898 00:48:11,389 --> 00:48:13,808 And I don't... 899 00:48:13,808 --> 00:48:17,770 I'm no good at changing on the spot. 900 00:48:18,938 --> 00:48:20,148 I'm not... 901 00:48:20,732 --> 00:48:22,233 like you. 902 00:48:23,484 --> 00:48:25,945 I can't be what other people want me to be 903 00:48:25,945 --> 00:48:27,322 at the drop of a hat. 904 00:48:27,989 --> 00:48:29,282 Good. 905 00:48:30,074 --> 00:48:31,701 Because it wears you down. 906 00:48:31,701 --> 00:48:34,704 And I've been getting on quite well without you. 907 00:48:34,704 --> 00:48:37,040 If I hear you on the radio, I change the channel. 908 00:48:37,040 --> 00:48:39,459 If I see you on the telly, I just turn it off. 909 00:48:41,044 --> 00:48:42,587 All or nothing. 910 00:48:44,505 --> 00:48:45,965 All or nothing. 911 00:48:48,426 --> 00:48:50,470 Everyone else needs you. 912 00:48:51,846 --> 00:48:53,389 I don't. 913 00:48:58,561 --> 00:49:00,521 Would you like to know what happened 914 00:49:00,521 --> 00:49:02,690 the last time I heard you sing? 915 00:49:03,900 --> 00:49:04,901 Sure. 916 00:49:04,901 --> 00:49:06,736 It's gonna sound like another metaphor, 917 00:49:06,736 --> 00:49:08,196 even though it's not. 918 00:49:08,196 --> 00:49:09,197 Okay. 919 00:49:11,866 --> 00:49:15,662 Do you remember when you played in Hyde Park 920 00:49:15,662 --> 00:49:17,747 at the beginning of your Ecstatic Tour? 921 00:49:19,374 --> 00:49:21,376 -Yeah. -I was there. 922 00:49:22,377 --> 00:49:23,628 Front row. 923 00:49:25,546 --> 00:49:27,298 (AUDIENCE CHEERING) 924 00:49:35,306 --> 00:49:37,892 SAM: I wondered if you'd spot me, 925 00:49:37,892 --> 00:49:40,228 but... you never did. 926 00:49:41,187 --> 00:49:43,773 Or if you did, you didn't let on. 927 00:49:44,482 --> 00:49:46,484 And now I'm letting on now 928 00:49:47,860 --> 00:49:49,904 you were amazing. 929 00:49:50,988 --> 00:49:54,075 The whole crowd was crying. 930 00:49:54,575 --> 00:49:56,619 You were crying. 931 00:49:56,619 --> 00:49:58,121 And I was crying, 932 00:49:58,871 --> 00:50:01,791 but for a different reason. 933 00:50:01,791 --> 00:50:04,669 Because I was seeing something beautiful 934 00:50:04,669 --> 00:50:06,462 that I had once been a part of 935 00:50:06,462 --> 00:50:09,298 and... never would be again. 936 00:50:11,050 --> 00:50:12,760 You were radiant. 937 00:50:14,512 --> 00:50:16,264 I was miserable. 938 00:50:16,889 --> 00:50:18,099 (SAM INHALES SLOWLY) 939 00:50:18,099 --> 00:50:19,267 And by and by, 940 00:50:19,267 --> 00:50:24,439 that misery resolved into a very sharp pain 941 00:50:24,439 --> 00:50:26,441 in my upper mandible. 942 00:50:27,692 --> 00:50:30,820 My jaws were clenched so tight 943 00:50:30,820 --> 00:50:34,657 that my top left wisdom tooth cracked wide open, 944 00:50:34,657 --> 00:50:37,744 and the pain that it gave me 945 00:50:37,744 --> 00:50:39,370 was pure 946 00:50:40,413 --> 00:50:41,664 and sharp. 947 00:50:43,166 --> 00:50:48,504 And I could think of no way to describe it other than you. 948 00:50:48,504 --> 00:50:50,256 (INTENSE MUSIC PLAYING) 949 00:50:54,719 --> 00:50:56,053 Oh, it was you. 950 00:50:56,929 --> 00:50:59,140 And I had to cut you out. 951 00:51:02,769 --> 00:51:04,270 So I fled. 952 00:51:06,606 --> 00:51:08,858 Before the encore. 953 00:51:08,858 --> 00:51:10,234 Before you played Holy Spirit, 954 00:51:10,234 --> 00:51:12,904 the one song I thought might make me feel better. 955 00:51:15,072 --> 00:51:16,407 AUDIENCE: Mary! Mary! 956 00:51:18,117 --> 00:51:19,410 (VOICE BREAKING) I ran home, 957 00:51:20,244 --> 00:51:21,621 grabbed some pliers, 958 00:51:23,748 --> 00:51:24,916 and... 959 00:51:27,835 --> 00:51:28,920 (TOOTH CRACKING) 960 00:51:31,172 --> 00:51:32,423 (MUSIC FADES) 961 00:51:35,259 --> 00:51:36,385 See? 962 00:51:39,680 --> 00:51:40,932 All gone. 963 00:51:42,767 --> 00:51:43,768 Jesus! 964 00:51:43,768 --> 00:51:45,978 (SNICKERING) I'm only exaggerating. 965 00:51:47,063 --> 00:51:48,815 I went to the dentist. 966 00:51:49,816 --> 00:51:51,234 Yeah, they put me under, 967 00:51:52,485 --> 00:51:54,987 and when I woke up in the chair, 968 00:51:55,571 --> 00:51:57,156 my tooth was gone. 969 00:51:59,325 --> 00:52:01,953 And the anesthesia was wearing off, 970 00:52:03,704 --> 00:52:05,373 and I felt very sad. 971 00:52:06,916 --> 00:52:08,709 Like I was... 972 00:52:08,709 --> 00:52:12,255 in the midst of saying goodbye to something dear. 973 00:52:12,964 --> 00:52:15,842 You know, when I was little, 974 00:52:15,842 --> 00:52:18,261 and we'd move, 975 00:52:18,261 --> 00:52:23,307 and I'd feel myself being pulled away from a house 976 00:52:23,891 --> 00:52:26,519 I'd made time to love. 977 00:52:30,690 --> 00:52:31,691 Hmm. 978 00:52:34,277 --> 00:52:35,278 Now... 979 00:52:37,488 --> 00:52:38,990 this is where it gets 980 00:52:39,532 --> 00:52:40,533 strange. 981 00:52:41,909 --> 00:52:43,202 That night, 982 00:52:45,329 --> 00:52:46,581 I had a visitor. 983 00:52:48,207 --> 00:52:49,584 I woke up very suddenly 984 00:52:49,584 --> 00:52:51,669 to find that my gums were bleeding again. 985 00:52:53,838 --> 00:52:56,382 There was blood all over. 986 00:52:56,382 --> 00:52:59,719 There was a little trail of it, in fact, 987 00:52:59,719 --> 00:53:02,138 streaked across the duvet. 988 00:53:02,138 --> 00:53:05,349 It was like something had crawled out of my mouth, 989 00:53:06,058 --> 00:53:07,768 across the bedspread, 990 00:53:08,686 --> 00:53:09,979 down onto the floor. 991 00:53:11,230 --> 00:53:12,356 Now... 992 00:53:13,190 --> 00:53:15,234 I've always been open to ghosts. 993 00:53:15,234 --> 00:53:17,695 If any house was haunted, you'd think it'd be this one, 994 00:53:17,695 --> 00:53:20,031 but I haven't seen one before. 995 00:53:20,907 --> 00:53:22,158 Until now. 996 00:53:22,909 --> 00:53:24,827 And I can say without a doubt, 997 00:53:24,827 --> 00:53:27,830 there was a ghost at the foot of my bed. 998 00:53:31,542 --> 00:53:33,044 What did it look like? 999 00:53:33,753 --> 00:53:35,880 I couldn't say. 1000 00:53:35,880 --> 00:53:39,216 She was like six different things at once. 1001 00:53:39,592 --> 00:53:40,801 "She"? 1002 00:53:40,801 --> 00:53:43,220 Yes. She was a she. 1003 00:53:44,639 --> 00:53:46,432 I think. 1004 00:53:46,432 --> 00:53:50,061 Or maybe the idea of a "she." 1005 00:53:50,061 --> 00:53:51,604 (ETHEREAL MUSIC PLAYING) 1006 00:53:51,604 --> 00:53:52,730 And she was red. 1007 00:53:54,065 --> 00:53:56,067 Not red like a color. 1008 00:53:56,734 --> 00:53:57,985 More like... 1009 00:53:59,153 --> 00:54:01,030 red like a feeling. 1010 00:54:01,030 --> 00:54:03,324 (WIND BLOWING) 1011 00:54:09,705 --> 00:54:14,919 SAM: Oh, and she was the most beautiful thing. 1012 00:54:16,003 --> 00:54:18,172 I couldn't let her stay. 1013 00:54:21,425 --> 00:54:23,636 So I opened the door, 1014 00:54:24,887 --> 00:54:26,847 and I watched her go, 1015 00:54:29,100 --> 00:54:30,518 down the hallway, 1016 00:54:32,061 --> 00:54:33,854 out the house, 1017 00:54:35,064 --> 00:54:37,483 into the woods, 1018 00:54:37,483 --> 00:54:40,069 a smudge of red in the dark. 1019 00:54:42,863 --> 00:54:46,617 Oh, and with her goes the pain in my mouth, 1020 00:54:48,536 --> 00:54:50,621 the knot in my stomach, 1021 00:54:52,164 --> 00:54:54,625 and the hole in my heart. 1022 00:54:58,295 --> 00:55:02,091 And after that I stopped listening to your music. 1023 00:55:04,051 --> 00:55:06,053 I stopped thinking about you. 1024 00:55:07,179 --> 00:55:08,931 I stopped dreaming about you. 1025 00:55:10,516 --> 00:55:14,270 And everything's been better ever since. 1026 00:55:17,481 --> 00:55:18,691 Where did she go? 1027 00:55:19,859 --> 00:55:20,943 SAM: Oh. 1028 00:55:22,069 --> 00:55:23,738 Oh, I don't know. 1029 00:55:24,447 --> 00:55:25,614 Where do ghosts go 1030 00:55:25,614 --> 00:55:27,324 when you don't need 'em anymore? 1031 00:55:28,159 --> 00:55:29,452 That's where. 1032 00:55:29,452 --> 00:55:32,538 But are you saying that this is just another metaphor? 1033 00:55:32,538 --> 00:55:34,540 Did you really see something? 1034 00:55:34,540 --> 00:55:37,418 Look, I'm not saying that I saw the spirit 1035 00:55:37,418 --> 00:55:39,628 of some recently deceased individual 1036 00:55:39,628 --> 00:55:44,050 or that my house is haunted by an ancestor. 1037 00:55:44,050 --> 00:55:45,342 If someone else... 1038 00:55:45,342 --> 00:55:49,138 If Hilda, say, had been there, would she have seen it? 1039 00:55:49,138 --> 00:55:50,431 Probably not. 1040 00:55:51,640 --> 00:55:52,808 But I did. 1041 00:55:54,185 --> 00:55:56,437 Whatever neurons in my head differentiate 1042 00:55:56,437 --> 00:55:58,314 between imagination and perception 1043 00:55:58,314 --> 00:56:00,066 tell me that I did. 1044 00:56:00,941 --> 00:56:04,111 And if you were to ask me why I did, 1045 00:56:05,071 --> 00:56:08,574 I would say because I needed to. 1046 00:56:09,450 --> 00:56:11,410 Perhaps I manifested her. 1047 00:56:11,410 --> 00:56:15,122 Perhaps she was my subconscious, 1048 00:56:15,122 --> 00:56:16,165 sending me a message 1049 00:56:16,165 --> 00:56:18,375 in the only way it knew I would listen. 1050 00:56:20,461 --> 00:56:22,379 Perhaps she was a ghost. 1051 00:56:23,214 --> 00:56:24,256 Yeah. 1052 00:56:27,510 --> 00:56:29,804 But she was my ghost. 1053 00:56:31,597 --> 00:56:32,890 Except... 1054 00:56:33,724 --> 00:56:35,601 I think I saw her too. 1055 00:56:37,186 --> 00:56:38,604 You saw what? 1056 00:56:38,604 --> 00:56:39,814 Your ghost. 1057 00:56:39,814 --> 00:56:41,398 (UNEASY MUSIC PLAYING) 1058 00:56:41,398 --> 00:56:43,442 -I saw her. -I was being serious. 1059 00:56:43,442 --> 00:56:44,819 So am I. 1060 00:56:44,819 --> 00:56:47,113 So what? 1061 00:56:47,113 --> 00:56:50,241 You can't even let me have my own ghost story? 1062 00:56:50,241 --> 00:56:52,201 No. No, it is yours. 1063 00:56:52,201 --> 00:56:55,287 It is, but I think I might be a part of it. 1064 00:56:55,287 --> 00:56:57,498 You're making me feel 1065 00:56:57,498 --> 00:56:59,875 -very foolish. -I promise I don't mean to. 1066 00:56:59,875 --> 00:57:02,169 (WHIMPERING) I saw what you saw. 1067 00:57:02,169 --> 00:57:07,925 I saw a ghost or a spirit and she was red. 1068 00:57:08,467 --> 00:57:10,594 And when was this? 1069 00:57:10,594 --> 00:57:12,930 -The first time was... -Ooh. "The first time"? 1070 00:57:15,349 --> 00:57:17,226 The first time was in Dublin. 1071 00:57:19,061 --> 00:57:20,688 96th stop of the tour. 1072 00:57:21,480 --> 00:57:23,691 I was so worn out, but... 1073 00:57:26,902 --> 00:57:28,487 it was my birthday. 1074 00:57:31,073 --> 00:57:33,534 And I wanted to do something special. 1075 00:57:34,577 --> 00:57:36,036 (THUNDER RUMBLING) 1076 00:57:36,036 --> 00:57:37,746 (CROWD CHEERING) 1077 00:57:40,666 --> 00:57:42,751 I love you, Dublin! 1078 00:57:42,751 --> 00:57:43,961 Goodnight! 1079 00:57:43,961 --> 00:57:45,796 (CROWD CHEERING) 1080 00:57:52,052 --> 00:57:54,096 (INDISTINCT CONVERSATION) 1081 00:58:05,941 --> 00:58:06,984 (MARY SIGHS) 1082 00:58:07,484 --> 00:58:09,028 (MARY EXCLAIMS) 1083 00:58:09,028 --> 00:58:11,238 -Thank you. (FLUTTERS LIPS) -NIKKI: Here, here, here. 1084 00:58:11,238 --> 00:58:12,781 I've got it. I've got it. I've got it. 1085 00:58:12,781 --> 00:58:14,074 MARY: (CHUCKLES) Careful. 1086 00:58:14,074 --> 00:58:15,117 (MARY SIGHS) 1087 00:58:16,452 --> 00:58:18,120 How does this keep happening? 1088 00:58:19,580 --> 00:58:20,748 Oh, shit. Um, 1089 00:58:20,748 --> 00:58:22,291 -there's blood on your... -Huh? 1090 00:58:22,291 --> 00:58:23,292 -JADE: Hey, MM! -Blood... 1091 00:58:23,292 --> 00:58:26,212 -Oh, um, yeah. -JADE: Look who I found! 1092 00:58:26,212 --> 00:58:27,254 MARY: Ooh. 1093 00:58:27,796 --> 00:58:29,632 Oh, my gosh! 1094 00:58:29,632 --> 00:58:30,799 -Are you... -Hi. 1095 00:58:30,799 --> 00:58:33,844 -(GIGGLING) Hi! Hi, hi, hi! -I'm Imogen. Hi. 1096 00:58:33,844 --> 00:58:35,596 -(MARY SIGHS) -Happy birthday. 1097 00:58:35,596 --> 00:58:37,306 Thank you. Thank you. Yes. 1098 00:58:37,306 --> 00:58:38,891 -So nice to meet you. -So nice to meet you. 1099 00:58:38,891 --> 00:58:41,477 Yes. Oh, my gosh. We are so excited for tonight. 1100 00:58:41,477 --> 00:58:42,728 -Me too. -Everyone says 1101 00:58:42,728 --> 00:58:44,146 you are very special. 1102 00:58:44,146 --> 00:58:46,065 -Well, that sounds very kind. -Okay. 1103 00:58:46,065 --> 00:58:47,483 JADE: She was sat in the regular seat, 1104 00:58:47,483 --> 00:58:48,734 that's why PJ couldn't find her. 1105 00:58:48,734 --> 00:58:49,985 -Ah. -JADE: How long did you say 1106 00:58:49,985 --> 00:58:51,528 -you waited in line? -MARY: Oh? 1107 00:58:51,528 --> 00:58:54,323 Only two hours. But it's fine. I had fun. 1108 00:58:54,323 --> 00:58:56,450 -I met people. -I'm so sorry. 1109 00:58:56,450 --> 00:58:57,910 Yeah. Okay. 1110 00:58:57,910 --> 00:58:59,995 -I like meeting people. -Thank you. 1111 00:58:59,995 --> 00:59:02,456 Oh, well, now you're here and you're with us. 1112 00:59:02,456 --> 00:59:04,166 Did you like the show? 1113 00:59:04,166 --> 00:59:05,960 -Oh, it was incredible. -MARY: Mmm. 1114 00:59:05,960 --> 00:59:08,379 It was like, like a religious experience 1115 00:59:08,379 --> 00:59:10,422 or like going to church, 1116 00:59:10,422 --> 00:59:13,133 -but in a good way. -(GIGGLING) Yeah. 1117 00:59:13,133 --> 00:59:16,053 And at the same time, all I could think is 1118 00:59:16,053 --> 00:59:18,222 when you have that many people... 1119 00:59:18,222 --> 00:59:20,182 -Yeah. -How many people were there? 1120 00:59:20,182 --> 00:59:23,185 Uh, 18,210. 1121 00:59:23,185 --> 00:59:25,312 There were even more in New York. 1122 00:59:25,312 --> 00:59:27,690 -(MARY EXCLAIMS) -And they're all there, 1123 00:59:27,690 --> 00:59:31,110 all at once, putting out all that energy, 1124 00:59:31,110 --> 00:59:33,070 all of those ups and downs, 1125 00:59:33,070 --> 00:59:39,785 and all of it is laser-focused right at you. 1126 00:59:39,785 --> 00:59:42,246 Mmm. It's intense. 1127 00:59:42,246 --> 00:59:43,622 How do you handle that? 1128 00:59:44,498 --> 00:59:46,458 (SIGHS) You don't. 1129 00:59:46,458 --> 00:59:48,502 Uh, I mean, you do. 1130 00:59:48,502 --> 00:59:49,712 But you just... 1131 00:59:49,712 --> 00:59:50,963 You sort of, um, 1132 00:59:51,630 --> 00:59:52,631 take it 1133 00:59:53,299 --> 00:59:54,383 and... 1134 00:59:56,385 --> 00:59:57,928 (EXHALES SLOWLY) 1135 01:00:00,931 --> 01:00:02,391 Yes, but... 1136 01:00:03,642 --> 01:00:05,561 what does it do to you? 1137 01:00:08,856 --> 01:00:10,941 It's like the same, same thing 1138 01:00:10,941 --> 01:00:14,028 over and over again in circles. 1139 01:00:14,028 --> 01:00:15,237 GIRL: (GIGGLING) Sounds like shit. 1140 01:00:15,237 --> 01:00:17,281 IMOGEN: Don't ask why he chose me, but he did. 1141 01:00:17,281 --> 01:00:19,950 NIKKI: But you have seen ghosts here before, right? 1142 01:00:19,950 --> 01:00:21,368 IMOGEN: Ah, yes. 1143 01:00:21,368 --> 01:00:23,078 There are spirits here 1144 01:00:23,078 --> 01:00:24,872 and I've met most of them. 1145 01:00:24,872 --> 01:00:27,583 But the walls here are very thin. 1146 01:00:27,583 --> 01:00:29,918 You never know who might come knocking. 1147 01:00:29,918 --> 01:00:32,963 Now, can somebody get the lights? 1148 01:00:32,963 --> 01:00:34,256 Do ghosts really need the dark 1149 01:00:34,256 --> 01:00:36,592 or is it just to make it spookier? 1150 01:00:36,592 --> 01:00:38,385 IMOGEN: Oh, it's not for them. 1151 01:00:38,385 --> 01:00:40,262 They're already here. 1152 01:00:40,262 --> 01:00:42,598 We're the ones that are opening up to them. 1153 01:00:46,185 --> 01:00:47,478 (TINKLING) 1154 01:00:51,065 --> 01:00:54,985 (CHANTING IN IRISH) 1155 01:00:58,072 --> 01:00:59,239 (IN ENGLISH) What does that mean? 1156 01:00:59,239 --> 01:01:00,449 What does that mean? 1157 01:01:00,449 --> 01:01:01,533 IMOGEN: It means 1158 01:01:01,533 --> 01:01:03,660 -reveal yourselves. -Reveal yourselves. 1159 01:01:03,660 --> 01:01:05,662 - IMOGEN: We mean you no harm. -We mean you no harm. 1160 01:01:06,789 --> 01:01:08,499 Can I say it too? 1161 01:01:08,499 --> 01:01:10,834 Yeah, sure. 1162 01:01:10,834 --> 01:01:12,711 How does it go again? (GIGGLES) 1163 01:01:13,754 --> 01:01:15,297 (CHANTING IN IRISH) 1164 01:01:15,297 --> 01:01:16,590 (CHANTING IN IRISH) 1165 01:01:29,895 --> 01:01:33,857 (CHANTING IN IRISH) 1166 01:01:43,700 --> 01:01:47,037 (IMOGEN AND MARY CONTINUE CHANTING) 1167 01:01:55,129 --> 01:01:56,713 -(YELPS) -(IN ENGLISH) No. No. 1168 01:01:56,713 --> 01:01:58,048 Sorry, sorry. That was me. 1169 01:01:58,048 --> 01:01:59,591 -Fuck you. -Oh, my God. 1170 01:01:59,591 --> 01:02:01,552 I slipped. I slipped. I'm sorry. 1171 01:02:01,552 --> 01:02:02,719 -I hate this. -(GIRLS LAUGHING) 1172 01:02:02,719 --> 01:02:05,013 I hate everything about this, Emily. Really? 1173 01:02:05,013 --> 01:02:06,765 -(GIRLS LAUGHING) -Shh. 1174 01:02:08,016 --> 01:02:09,643 (SHUSHING) Wait, wait, wait. 1175 01:02:10,644 --> 01:02:11,687 What is it? 1176 01:02:14,606 --> 01:02:15,732 Is someone here? 1177 01:02:16,733 --> 01:02:18,152 Do you feel it? 1178 01:02:18,152 --> 01:02:19,528 I feel nothing. 1179 01:02:20,320 --> 01:02:21,822 What are we supposed to feel? 1180 01:02:23,198 --> 01:02:26,910 She's not from here. 1181 01:02:26,910 --> 01:02:27,911 "She"? 1182 01:02:28,912 --> 01:02:31,790 She's from somewhere... 1183 01:02:33,625 --> 01:02:35,002 far away. 1184 01:02:39,798 --> 01:02:43,427 But she's very nearly here. 1185 01:02:43,427 --> 01:02:45,304 Who are we talking about now? 1186 01:02:46,597 --> 01:02:47,639 Who is she? 1187 01:02:49,933 --> 01:02:50,976 Do you know? 1188 01:02:52,728 --> 01:02:53,729 No. 1189 01:02:58,692 --> 01:02:59,693 No. 1190 01:03:05,782 --> 01:03:07,201 -No. -(DISTORTED VOICE) No. 1191 01:03:07,201 --> 01:03:08,535 Okay, we should... Maybe this is just... 1192 01:03:08,535 --> 01:03:10,829 -It's not real. -She's just fucking with us. 1193 01:03:10,829 --> 01:03:13,165 No, she isn't. 1194 01:03:15,292 --> 01:03:17,169 (IN SING-SONG VOICE) Imogen... 1195 01:03:18,921 --> 01:03:21,215 (SOFTLY) What do you want to tell us? 1196 01:03:21,215 --> 01:03:24,468 Do you have a message? Or... 1197 01:03:25,469 --> 01:03:27,971 What do you want us to know? 1198 01:03:30,474 --> 01:03:32,142 We're here for you. 1199 01:03:38,315 --> 01:03:39,816 I'm here for you. 1200 01:03:39,816 --> 01:03:41,151 (GASPS) 1201 01:03:44,279 --> 01:03:46,448 I've been... 1202 01:03:47,366 --> 01:03:48,492 looking... 1203 01:03:49,493 --> 01:03:50,661 for you, 1204 01:03:51,662 --> 01:03:54,831 my dearest one. 1205 01:03:57,000 --> 01:04:01,171 I've come so far. 1206 01:04:02,839 --> 01:04:03,882 (WHIMPERS SOFTLY) 1207 01:04:04,550 --> 01:04:06,176 I've traveled 1208 01:04:06,927 --> 01:04:11,890 across land and sea. 1209 01:04:16,061 --> 01:04:17,354 (IMOGEN GRUNTS) 1210 01:04:21,483 --> 01:04:22,693 -(TAPS FOOT) -(BONES CRACK) 1211 01:04:22,693 --> 01:04:24,736 -(THUNDER RUMBLES) -(IMOGEN GASPS) 1212 01:04:30,826 --> 01:04:33,954 -My feet are bleeding. -MARY: ...bleeding. 1213 01:04:37,207 --> 01:04:38,750 My bones... 1214 01:04:39,418 --> 01:04:41,128 -MARY: Ache. -...ache. 1215 01:04:41,962 --> 01:04:43,338 My head... 1216 01:04:43,338 --> 01:04:45,340 My head is heavy. 1217 01:04:46,425 --> 01:04:48,427 (THUNDER RUMBLING) 1218 01:04:51,430 --> 01:04:53,307 -See... -MARY: See... 1219 01:04:53,307 --> 01:04:54,725 in my hair... 1220 01:04:56,476 --> 01:04:59,980 -a braid made of woe. -MARY: A braid made of woe. 1221 01:05:01,982 --> 01:05:04,860 See all your sorrows 1222 01:05:06,153 --> 01:05:09,948 -hang over my shoulders. -MARY: Hang over my shoulders. 1223 01:05:09,948 --> 01:05:12,784 -And all of their kin... -And all of their kin... 1224 01:05:12,784 --> 01:05:16,288 -...bite at my heels. -...bite at my heels. 1225 01:05:16,288 --> 01:05:17,789 -(THUNDER RUMBLING) -(GASPS) 1226 01:05:26,715 --> 01:05:27,799 (WHIMPERING SOFTLY) 1227 01:05:32,137 --> 01:05:33,138 (GRUNTS) 1228 01:05:35,307 --> 01:05:37,476 IMOGEN: (INHALES SHARPLY) But soon... 1229 01:05:39,770 --> 01:05:43,357 soon my journey will see me through. 1230 01:05:45,108 --> 01:05:47,694 And I will rest 1231 01:05:48,445 --> 01:05:52,658 on a bed spun of gold. 1232 01:05:53,450 --> 01:05:54,785 -(THUNDER RUMBLES) -(GASPS) 1233 01:05:54,785 --> 01:05:56,370 (INTENSE MUSIC PLAYING) 1234 01:06:02,459 --> 01:06:03,919 For you... 1235 01:06:05,504 --> 01:06:08,882 are finally at hand. 1236 01:06:13,261 --> 01:06:14,429 (GASPS) 1237 01:06:15,305 --> 01:06:16,640 Listen. 1238 01:06:19,309 --> 01:06:22,354 Do you hear me? 1239 01:06:25,941 --> 01:06:27,442 Do you... 1240 01:06:29,528 --> 01:06:31,571 feel me? 1241 01:06:35,117 --> 01:06:36,410 Now... 1242 01:06:38,328 --> 01:06:42,874 you must open the door 1243 01:06:44,710 --> 01:06:50,882 and let my love... 1244 01:06:53,719 --> 01:06:54,970 -in. -(MARY SQUEALS IN PAIN) 1245 01:06:56,054 --> 01:06:57,305 (SQUEALS) 1246 01:06:59,141 --> 01:07:00,809 (SHRIEKS) 1247 01:07:00,809 --> 01:07:03,145 -She stabbed you. -(MARY GROANING) 1248 01:07:04,521 --> 01:07:05,480 No. 1249 01:07:05,480 --> 01:07:07,023 (SIRENS WAILING IN DISTANCE) 1250 01:07:10,193 --> 01:07:11,611 She opened a door. 1251 01:07:18,910 --> 01:07:21,204 Everything was a blur after that. 1252 01:07:21,913 --> 01:07:23,665 They bandaged me up. 1253 01:07:25,584 --> 01:07:27,544 Security did their rounds, 1254 01:07:28,587 --> 01:07:31,465 and eventually everyone else went to bed. 1255 01:07:31,465 --> 01:07:33,508 (UNEASY MUSIC PLAYING) 1256 01:07:35,844 --> 01:07:38,054 I wanted to go to sleep too. 1257 01:07:38,805 --> 01:07:39,848 I wanted to. 1258 01:07:41,767 --> 01:07:43,643 I wanted to so badly. 1259 01:07:48,482 --> 01:07:49,775 But I couldn't. 1260 01:07:53,236 --> 01:07:55,822 Those words kept running through my mind. 1261 01:07:58,784 --> 01:08:00,911 She was very nearly here. 1262 01:08:03,705 --> 01:08:05,916 She was very nearly here. 1263 01:08:07,042 --> 01:08:09,628 She was very nearly here. 1264 01:08:09,628 --> 01:08:11,588 She was very nearly here. 1265 01:08:11,588 --> 01:08:15,217 She was very nearly here. (WHIMPERS) 1266 01:08:15,217 --> 01:08:16,843 And then she was... 1267 01:08:16,843 --> 01:08:18,470 (SQUELCHING) 1268 01:08:18,470 --> 01:08:19,596 (GASPS) 1269 01:08:25,101 --> 01:08:26,228 (GASPING) 1270 01:09:01,721 --> 01:09:02,931 (MUSIC INTENSIFIES) 1271 01:09:29,749 --> 01:09:30,959 (SCREAMS) 1272 01:09:43,471 --> 01:09:44,514 So I run. 1273 01:09:56,234 --> 01:09:58,361 -(MARY HYPERVENTILATING) -(MUFFLED CONVERSATION) 1274 01:10:06,870 --> 01:10:08,455 (MUFFLED CONVERSATION) 1275 01:10:15,211 --> 01:10:17,130 MARY: Someone asks me if I want to stop, 1276 01:10:17,130 --> 01:10:18,465 but I say no. 1277 01:10:20,175 --> 01:10:21,343 JADE: Hmm? 1278 01:10:21,343 --> 01:10:22,677 MARY: I keep going. 1279 01:10:24,930 --> 01:10:27,307 I sing my songs. 1280 01:10:27,307 --> 01:10:30,226 This is what I do. This is what I do. 1281 01:10:30,226 --> 01:10:32,896 This is what I do. This is what I do. 1282 01:10:32,896 --> 01:10:34,397 This is what I do. 1283 01:10:34,397 --> 01:10:35,440 (GASPS) 1284 01:10:39,653 --> 01:10:42,155 This is what I do. This is what I do. 1285 01:10:42,155 --> 01:10:45,659 This is what I do. This is what I do. This is... 1286 01:10:45,659 --> 01:10:48,370 (MUFFLED SPEAKING) 1287 01:10:48,370 --> 01:10:50,455 (DRAMATIC MUSIC PLAYING) 1288 01:12:06,072 --> 01:12:08,908 (DRAMATIC MUSIC CONTINUES) 1289 01:12:42,025 --> 01:12:44,027 (CROWD CHEERING) 1290 01:12:56,498 --> 01:12:58,416 (INAUDIBLE) 1291 01:13:07,092 --> 01:13:09,177 (MUSIC INTENSIFIES) 1292 01:13:12,722 --> 01:13:14,766 (HEART BEATING) 1293 01:13:33,243 --> 01:13:34,869 (INAUDIBLE CONVERSATION) 1294 01:13:51,970 --> 01:13:53,388 (INAUDIBLE CONVERSATION) 1295 01:14:22,083 --> 01:14:23,543 (MUSIC STOPS) 1296 01:14:24,836 --> 01:14:29,257 ♪ You got that cold feeling ♪ 1297 01:14:29,257 --> 01:14:34,804 ♪ Your sacred heart's blue ♪ 1298 01:14:34,804 --> 01:14:40,894 ♪ Do you know what to pray for anymore? ♪ 1299 01:14:40,894 --> 01:14:47,901 ♪ Or if you can make it through? ♪ 1300 01:14:47,901 --> 01:14:51,654 ♪ But me ♪ 1301 01:14:51,654 --> 01:14:57,285 ♪ I was raised up to believe ♪ 1302 01:14:57,285 --> 01:15:04,751 ♪ You could fill a cathedral with what I thought was true ♪ 1303 01:15:04,751 --> 01:15:07,545 ♪ Those churches all came crashing down ♪ 1304 01:15:07,545 --> 01:15:10,965 ♪ Those churches all came crashing down ♪ 1305 01:15:10,965 --> 01:15:13,343 ♪ As they do ♪ 1306 01:15:13,343 --> 01:15:17,138 ♪ So now ♪ 1307 01:15:22,268 --> 01:15:26,564 ♪ I believe in you ♪ 1308 01:15:28,024 --> 01:15:31,027 ♪ Did you ever feel you're holy? ♪ 1309 01:15:31,027 --> 01:15:33,821 ♪ Did you ever feel it? Did you ever feel it? ♪ 1310 01:15:33,821 --> 01:15:36,616 ♪ Did you ever feel you're holy? ♪ 1311 01:15:36,616 --> 01:15:38,034 ♪ Did you ever feel it? ♪ 1312 01:15:38,034 --> 01:15:40,328 ♪ Did you ever feel the sign of your mind ♪ 1313 01:15:40,328 --> 01:15:41,746 ♪ Could match the prayer of your lips ♪ 1314 01:15:41,746 --> 01:15:43,665 ♪ Lord forgive our wasted time ♪ 1315 01:15:43,665 --> 01:15:44,958 ♪ Did you ever feel it? ♪ 1316 01:15:44,958 --> 01:15:46,000 ♪ Did you ever feel the sway of my hips ♪ 1317 01:15:46,000 --> 01:15:47,252 ♪ The press of my fingertips ♪ 1318 01:15:47,252 --> 01:15:49,254 ♪ No, I ain't gonna win this fight ♪ 1319 01:15:49,254 --> 01:15:50,797 ♪ Did you ever feel it? ♪ 1320 01:15:50,797 --> 01:15:52,757 ♪ Babe, I spent my whole life Praying for my whole life ♪ 1321 01:15:52,757 --> 01:15:55,677 ♪ I've never felt like this before ♪ 1322 01:15:55,677 --> 01:15:58,346 ♪ Babe, I spent my whole life Praying for my whole life ♪ 1323 01:15:58,346 --> 01:16:01,975 ♪ I've never knelt like this before ♪ 1324 01:16:01,975 --> 01:16:04,727 ♪ Did you ever feel you're holy? ♪ 1325 01:16:04,727 --> 01:16:07,647 ♪ Did you ever feel it? Did you ever feel it? ♪ 1326 01:16:07,647 --> 01:16:10,608 ♪ Did you ever feel you're holy? ♪ 1327 01:16:10,608 --> 01:16:11,943 ♪ Did you ever feel it? ♪ 1328 01:16:11,943 --> 01:16:14,028 ♪ So, come on, baby Put your spirit in me ♪ 1329 01:16:14,028 --> 01:16:17,615 ♪ Tongue the fire in me Rip me open, let me breathe ♪ 1330 01:16:17,615 --> 01:16:19,742 ♪ Come on, baby Put that heart into mine ♪ 1331 01:16:19,742 --> 01:16:21,202 ♪ Press your knees into mine ♪ 1332 01:16:21,202 --> 01:16:27,542 ♪ Press my needs into the ground ♪ 1333 01:16:33,089 --> 01:16:36,009 ♪ Did you ever feel you're holy? ♪ 1334 01:16:36,009 --> 01:16:38,970 ♪ Did you ever feel it? Did you ever feel it? ♪ 1335 01:16:38,970 --> 01:16:41,597 ♪ Did you ever feel you're holy? ♪ 1336 01:16:41,597 --> 01:16:44,934 ♪ Did you ever feel it? Did you ever feel it? ♪ 1337 01:16:48,896 --> 01:16:55,361 ♪ My sacred heart's been feelin' blue ♪ 1338 01:16:55,361 --> 01:16:58,781 ♪ Should I have faith in anything? ♪ 1339 01:17:00,158 --> 01:17:05,913 ♪ Oh, I'll cut myself to make some room ♪ 1340 01:17:05,913 --> 01:17:11,461 ♪ And let out all that wasn't you ♪ 1341 01:17:11,461 --> 01:17:13,921 MARY: I've watched the videos of that night 1342 01:17:15,548 --> 01:17:16,799 a hundred times. 1343 01:17:18,343 --> 01:17:20,553 Thousands of cameras all see the same thing. 1344 01:17:23,473 --> 01:17:25,641 I know she wasn't really there. 1345 01:17:29,270 --> 01:17:31,647 But I also know what I saw. 1346 01:17:32,565 --> 01:17:36,444 (WHIMPERING) And I think somehow... 1347 01:17:38,446 --> 01:17:40,073 all those things are true. 1348 01:17:48,039 --> 01:17:50,083 (CROWD CHEERING) 1349 01:18:05,598 --> 01:18:06,682 (FAINT SCREAMING) 1350 01:18:08,476 --> 01:18:10,353 (SCREAMING INTENSIFIES) 1351 01:18:20,530 --> 01:18:22,407 (CHEERING FADES) 1352 01:18:40,675 --> 01:18:42,343 Where is she now? 1353 01:18:49,976 --> 01:18:51,018 (WHIMPERS) 1354 01:18:56,899 --> 01:18:58,484 And I can't sleep. 1355 01:18:59,819 --> 01:19:01,112 I can't heal. 1356 01:19:06,325 --> 01:19:07,368 I'm on... 1357 01:19:09,787 --> 01:19:11,664 who knows how many pills. 1358 01:19:16,586 --> 01:19:18,004 And every minute 1359 01:19:19,213 --> 01:19:20,673 of every day... 1360 01:19:23,801 --> 01:19:25,636 I feel her... 1361 01:19:26,804 --> 01:19:28,347 inside me. 1362 01:19:32,560 --> 01:19:35,188 She's always there, like... 1363 01:19:37,940 --> 01:19:39,817 a cloud or... 1364 01:19:41,152 --> 01:19:42,445 a stone. 1365 01:19:44,405 --> 01:19:46,741 And I don't know. I think, like... 1366 01:19:50,411 --> 01:19:52,622 maybe I'm supposed to keep her there. 1367 01:19:54,749 --> 01:19:55,791 Like... 1368 01:19:58,002 --> 01:20:00,046 Like, that's what I have to do. 1369 01:20:00,046 --> 01:20:01,672 That's my job now. 1370 01:20:11,807 --> 01:20:14,644 But I don't know how much longer I can do it. 1371 01:20:35,206 --> 01:20:36,415 Do you believe me? 1372 01:20:45,383 --> 01:20:47,927 How far is it from London to Dublin? 1373 01:20:51,556 --> 01:20:53,683 Five, six hundred kilometers? 1374 01:20:55,393 --> 01:20:57,603 How long would it take to walk that far... 1375 01:20:59,897 --> 01:21:00,940 for a person? 1376 01:21:00,940 --> 01:21:02,650 You'd have to cross the sea. 1377 01:21:02,650 --> 01:21:04,610 I suppose the sea would slow you down. 1378 01:21:08,489 --> 01:21:10,491 And how long was it 1379 01:21:10,491 --> 01:21:12,326 from the time you played in Hyde Park 1380 01:21:12,326 --> 01:21:14,078 until your 97th show? 1381 01:21:16,539 --> 01:21:17,582 Four years? 1382 01:21:23,754 --> 01:21:24,755 Hmm? 1383 01:21:35,683 --> 01:21:38,603 I can't read a single one of these. 1384 01:21:39,729 --> 01:21:42,315 Mmm-mmm. None of them seem right. 1385 01:21:44,400 --> 01:21:45,985 -(NOTEPAD THUDS) -Mmm. 1386 01:21:54,994 --> 01:21:56,412 Let's double-check. 1387 01:22:04,337 --> 01:22:05,546 (MARY SIGHS) 1388 01:22:17,016 --> 01:22:19,185 How long have we known each other? 1389 01:22:23,356 --> 01:22:24,732 Twenty-four... 1390 01:22:25,608 --> 01:22:27,276 Twenty-five years? 1391 01:22:30,279 --> 01:22:32,281 That number seems so small... 1392 01:22:33,991 --> 01:22:35,242 when you say it. 1393 01:22:38,371 --> 01:22:39,455 So... 1394 01:22:41,624 --> 01:22:44,418 let's say there is something inside of you. 1395 01:22:45,044 --> 01:22:47,463 It came from somewhere 1396 01:22:47,463 --> 01:22:51,092 and traveled across oceans to find you. 1397 01:22:52,218 --> 01:22:53,427 And maybe... 1398 01:22:54,136 --> 01:22:55,805 that somewhere... 1399 01:22:57,431 --> 01:22:58,683 was me. 1400 01:23:09,068 --> 01:23:10,653 But if that's true, 1401 01:23:13,322 --> 01:23:15,616 it also stands to reason... 1402 01:23:19,078 --> 01:23:20,621 that all these... 1403 01:23:21,956 --> 01:23:24,458 coming and goings... 1404 01:23:25,918 --> 01:23:28,504 are just how our little minds 1405 01:23:29,714 --> 01:23:33,217 process the ebb and flow 1406 01:23:34,176 --> 01:23:37,012 of something that's always been there. 1407 01:23:46,355 --> 01:23:47,356 Maybe... 1408 01:23:50,234 --> 01:23:51,569 we came... 1409 01:23:53,320 --> 01:23:54,697 to it. 1410 01:23:56,240 --> 01:23:57,533 And you think... 1411 01:23:58,868 --> 01:24:01,328 you need to hold it close... 1412 01:24:03,247 --> 01:24:05,291 and keep it inside. 1413 01:24:07,460 --> 01:24:08,586 But not me. 1414 01:24:08,586 --> 01:24:10,212 (MARY'S BREATH TREMBLES) 1415 01:24:14,091 --> 01:24:15,176 I want her out. 1416 01:24:18,554 --> 01:24:20,431 So let's stop. 1417 01:24:27,938 --> 01:24:30,733 Let's cast her out. 1418 01:24:37,072 --> 01:24:38,073 MARY: How? 1419 01:24:38,866 --> 01:24:40,242 SAM: It can't be that hard. 1420 01:24:40,826 --> 01:24:42,119 We've seen enough films. 1421 01:24:46,373 --> 01:24:48,250 (TENSE MUSIC PLAYING) 1422 01:24:50,419 --> 01:24:52,463 No. I don't like this. 1423 01:24:52,463 --> 01:24:55,007 There is nothing to be scared of. 1424 01:24:55,007 --> 01:24:56,759 We'll stop if it gets dangerous. 1425 01:24:57,426 --> 01:24:58,552 -(SWITCH FLICKS) -(GASPS) 1426 01:25:00,930 --> 01:25:02,807 (SHUDDERS) I just... 1427 01:25:04,099 --> 01:25:05,142 I just wanna... 1428 01:25:06,018 --> 01:25:07,228 I just wanna work on my dress. 1429 01:25:07,228 --> 01:25:08,604 That's what I came here for. 1430 01:25:08,604 --> 01:25:11,941 This is working on the dress. 1431 01:25:11,941 --> 01:25:15,069 Because you want the dress to look like you, 1432 01:25:15,069 --> 01:25:17,488 and this is a part of who you are right now. 1433 01:25:18,739 --> 01:25:19,782 This spirit, 1434 01:25:21,033 --> 01:25:22,827 this woman in red, 1435 01:25:22,827 --> 01:25:26,705 she's who you wrote your song about, isn't she? 1436 01:25:28,040 --> 01:25:29,667 -Yes. -So... 1437 01:25:31,377 --> 01:25:34,004 let's make the dress about her, too. 1438 01:25:36,382 --> 01:25:37,424 Let's see... 1439 01:25:38,884 --> 01:25:40,469 what she wants to tell us. 1440 01:25:41,887 --> 01:25:44,682 Now, do we need three of us? Should I call Hilda? 1441 01:25:44,682 --> 01:25:46,016 -No. -No, no, you're right. 1442 01:25:46,016 --> 01:25:48,978 The two of us must be the ones to do it. 1443 01:25:49,520 --> 01:25:50,729 I don't want to. 1444 01:25:52,648 --> 01:25:55,150 You said I need to open my heart. 1445 01:25:55,651 --> 01:25:56,777 So here I am, 1446 01:25:58,195 --> 01:25:59,238 opening it 1447 01:26:00,030 --> 01:26:01,240 as far as I can. 1448 01:26:02,283 --> 01:26:04,243 And I say to you, my friend... 1449 01:26:04,243 --> 01:26:05,327 (MATCH STRIKES) 1450 01:26:06,036 --> 01:26:08,080 ...we are going to do this. 1451 01:26:20,509 --> 01:26:21,760 (MARY GASPS) 1452 01:26:22,553 --> 01:26:23,637 (THUNDER RUMBLING) 1453 01:26:23,637 --> 01:26:24,805 (GASPS) 1454 01:26:31,729 --> 01:26:32,771 (WIND BLOWING) 1455 01:26:37,359 --> 01:26:38,569 What's all that? 1456 01:26:39,069 --> 01:26:41,322 Offerings, totems. 1457 01:26:42,114 --> 01:26:44,158 Things to focus our energy. 1458 01:26:45,492 --> 01:26:47,912 There is nothing magical about any one object 1459 01:26:47,912 --> 01:26:49,413 other than what we bring to it. 1460 01:26:50,331 --> 01:26:52,041 In fact, there is no true meaning 1461 01:26:52,041 --> 01:26:54,877 to any object at all without our prescription. 1462 01:26:55,544 --> 01:26:56,587 So... 1463 01:26:58,339 --> 01:27:00,507 these shears are not shears. 1464 01:27:01,550 --> 01:27:03,135 They're a key 1465 01:27:03,135 --> 01:27:05,804 to open whatever doors we may come to. 1466 01:27:07,681 --> 01:27:10,225 And this, this is a chain 1467 01:27:11,268 --> 01:27:13,395 to bind us to whomever we meet. 1468 01:27:15,731 --> 01:27:16,899 And this... 1469 01:27:19,109 --> 01:27:20,444 this is a sword 1470 01:27:21,987 --> 01:27:23,030 for protection. 1471 01:27:26,158 --> 01:27:27,159 Hmm. 1472 01:27:45,386 --> 01:27:46,887 And this... 1473 01:27:48,222 --> 01:27:49,515 is the oil... 1474 01:27:52,017 --> 01:27:53,268 with which... 1475 01:27:55,521 --> 01:27:57,731 we will anoint ourselves... 1476 01:27:58,774 --> 01:28:00,109 as we await... 1477 01:28:01,360 --> 01:28:02,569 the day... 1478 01:28:04,071 --> 01:28:05,739 of our Pentecost. 1479 01:28:21,130 --> 01:28:22,172 (CHUCKLES SOFTLY) 1480 01:28:27,928 --> 01:28:29,013 (SIGHS) 1481 01:28:38,814 --> 01:28:40,524 Why are you doing this? 1482 01:28:41,817 --> 01:28:43,444 I'm not doing anything. 1483 01:28:45,029 --> 01:28:46,864 We are doing this. 1484 01:28:48,032 --> 01:28:49,283 Because if we don't, 1485 01:28:50,451 --> 01:28:51,744 we'll regret it forever. 1486 01:28:54,079 --> 01:28:57,041 When are you and I ever gonna be in the same room again 1487 01:28:57,041 --> 01:28:58,876 after all this is done? 1488 01:29:01,211 --> 01:29:02,796 You'll take your dress 1489 01:29:03,464 --> 01:29:04,882 and you'll go away, 1490 01:29:05,883 --> 01:29:07,176 and I'll be here, 1491 01:29:08,052 --> 01:29:09,928 haunting my own house, 1492 01:29:12,222 --> 01:29:13,557 all alone. 1493 01:29:15,392 --> 01:29:18,395 We have to do this now while we can. 1494 01:29:20,147 --> 01:29:21,565 Now... (SIGHS) 1495 01:29:21,565 --> 01:29:23,692 ...what was that spell you chanted? 1496 01:29:26,820 --> 01:29:28,072 (MARY EXHALES) 1497 01:29:28,697 --> 01:29:30,657 (CHANTING IN IRISH) 1498 01:29:30,657 --> 01:29:33,702 (CHANTING IN IRISH) 1499 01:29:40,751 --> 01:29:42,419 (IN ENGLISH) Oh, a rose is a rose is a rose. 1500 01:29:42,419 --> 01:29:43,712 Just give me your hands. 1501 01:29:45,506 --> 01:29:46,507 Yes. 1502 01:29:46,507 --> 01:29:48,092 (THUNDER RUMBLING) 1503 01:29:49,676 --> 01:29:50,928 Close your eyes 1504 01:29:51,929 --> 01:29:53,388 and breathe with me. 1505 01:29:57,976 --> 01:29:59,144 And out. 1506 01:29:59,144 --> 01:30:00,896 (BOTH EXHALING) 1507 01:30:02,189 --> 01:30:03,398 Breathe. 1508 01:30:07,194 --> 01:30:08,612 Breathe. 1509 01:30:13,033 --> 01:30:14,243 Breathe. 1510 01:30:18,664 --> 01:30:19,790 Breathe. 1511 01:30:24,628 --> 01:30:27,881 (BOTH BREATHING DEEPLY) 1512 01:30:52,406 --> 01:30:53,448 Spirit... 1513 01:30:55,534 --> 01:30:57,161 if you're here, 1514 01:30:57,828 --> 01:30:59,663 give us something. 1515 01:31:01,373 --> 01:31:02,958 Give us a sign. 1516 01:31:05,127 --> 01:31:06,837 (THUNDERCLAP) 1517 01:31:08,213 --> 01:31:09,631 SAM: Spirit... 1518 01:31:12,926 --> 01:31:14,219 if you are with us... 1519 01:31:16,346 --> 01:31:18,015 know you are welcome... 1520 01:31:20,267 --> 01:31:21,894 and well-loved. 1521 01:31:23,896 --> 01:31:25,022 Spirit... 1522 01:31:26,190 --> 01:31:27,357 if you are here, 1523 01:31:29,234 --> 01:31:32,613 know that you have a home, but it is not within us. 1524 01:31:33,572 --> 01:31:36,033 We cannot be your respite. 1525 01:31:37,451 --> 01:31:39,745 Our house is full, 1526 01:31:40,537 --> 01:31:44,166 so let my voice be your light 1527 01:31:44,166 --> 01:31:48,754 as you make your way towards the door. 1528 01:31:53,717 --> 01:31:57,888 Listen, as I name the rungs of your ladder. 1529 01:31:59,765 --> 01:32:01,391 Come On & On. 1530 01:32:02,476 --> 01:32:03,644 Mother Mary. 1531 01:32:06,313 --> 01:32:07,564 Magnificat. 1532 01:32:10,609 --> 01:32:12,569 Abashed The Devil. 1533 01:32:15,614 --> 01:32:16,907 Poor Thing. 1534 01:32:19,910 --> 01:32:21,245 Cut Me Out. 1535 01:32:23,038 --> 01:32:24,414 Exhalation. 1536 01:32:28,001 --> 01:32:31,922 The Greatest Hits from the years of Our Lord 1537 01:32:31,922 --> 01:32:35,842 2003 to 2015. 1538 01:32:37,636 --> 01:32:40,097 The Third Mary. 1539 01:32:53,110 --> 01:32:54,194 Past that... 1540 01:32:54,861 --> 01:32:55,946 is the door. 1541 01:32:57,364 --> 01:32:58,699 And it is open. 1542 01:32:59,616 --> 01:33:01,827 And the world outside... 1543 01:33:04,371 --> 01:33:05,580 is brighter... 1544 01:33:06,665 --> 01:33:09,751 and more beautiful than ever. 1545 01:33:12,045 --> 01:33:13,130 So come out. 1546 01:33:14,172 --> 01:33:15,173 Out. 1547 01:33:16,466 --> 01:33:17,467 Out. 1548 01:33:19,052 --> 01:33:20,053 Out. 1549 01:33:21,888 --> 01:33:22,973 Out. 1550 01:33:22,973 --> 01:33:24,474 Sam. 1551 01:33:24,474 --> 01:33:25,475 Out. 1552 01:33:26,685 --> 01:33:27,728 Sam. 1553 01:33:28,520 --> 01:33:29,604 Out. 1554 01:33:29,604 --> 01:33:31,315 Sam, she can't hear you. 1555 01:33:31,315 --> 01:33:33,317 She can. Just listen. 1556 01:33:33,317 --> 01:33:35,944 -Out. This is going to work. -Sam. 1557 01:33:36,570 --> 01:33:37,779 -Out. -Sam. 1558 01:33:37,779 --> 01:33:39,114 Clear your mind. 1559 01:33:39,823 --> 01:33:41,658 -She's coming. -Sam. 1560 01:33:41,658 --> 01:33:44,202 -She's coming. -You forgot something. 1561 01:33:44,202 --> 01:33:45,537 What? 1562 01:33:49,499 --> 01:33:51,084 She needs a way out. 1563 01:33:56,423 --> 01:33:57,466 (GASPS) 1564 01:33:59,885 --> 01:34:02,095 (ETHEREAL MUSIC PLAYING) 1565 01:34:20,322 --> 01:34:21,865 (BREATHES DEEPLY) 1566 01:34:23,033 --> 01:34:24,076 Now what? 1567 01:34:25,327 --> 01:34:26,661 I don't know. 1568 01:34:27,245 --> 01:34:28,789 Maybe she needs more. 1569 01:34:37,089 --> 01:34:38,215 A key... 1570 01:34:39,758 --> 01:34:41,134 to open the door. 1571 01:34:42,511 --> 01:34:43,929 -(GASPS) -(MUSIC INTENSIFIES) 1572 01:34:56,817 --> 01:34:57,901 (SOBBING) 1573 01:35:02,656 --> 01:35:04,366 (PANICKED BREATHING) 1574 01:35:04,366 --> 01:35:05,700 (SHUSHING) 1575 01:35:09,329 --> 01:35:11,373 -(MUSIC FADES) -(HEART BEATING) 1576 01:35:17,170 --> 01:35:20,590 (HEART BEATING) 1577 01:35:29,558 --> 01:35:31,601 (BOTH INHALING) 1578 01:35:47,284 --> 01:35:48,326 (MARY GASPS) 1579 01:35:54,458 --> 01:35:56,501 (HEART CONTINUES BEATING) 1580 01:36:15,312 --> 01:36:17,355 (ETHEREAL MUSIC PLAYING) 1581 01:37:51,408 --> 01:37:52,659 (DOOR SLAMS OPEN) 1582 01:37:52,659 --> 01:37:54,536 (INDISTINCT CHATTER) 1583 01:37:57,497 --> 01:37:58,999 Jesus fucking Christ. 1584 01:38:02,794 --> 01:38:04,671 (THUNDER RUMBLES) 1585 01:38:06,381 --> 01:38:07,424 (DOOR OPENS) 1586 01:38:12,846 --> 01:38:15,098 (INDISTINCT CHATTER) 1587 01:38:25,150 --> 01:38:27,027 (HELICOPTER HOVERING) 1588 01:39:02,145 --> 01:39:04,147 (ETHEREAL MUSIC PLAYING) 1589 01:39:25,835 --> 01:39:26,878 (INDISTINCT CHATTER) 1590 01:39:36,846 --> 01:39:38,807 (PEOPLE CLAMORING) 1591 01:39:44,729 --> 01:39:45,772 SAM: Hey. 1592 01:39:47,148 --> 01:39:48,441 Get some rest, huh? 1593 01:39:50,568 --> 01:39:52,153 Get a nice bit of sleep 1594 01:39:52,153 --> 01:39:54,447 and when you wake up, 1595 01:39:54,447 --> 01:39:56,616 I might just have something to show you. 1596 01:39:57,325 --> 01:39:58,535 You will. 1597 01:40:00,078 --> 01:40:01,955 And it'll be perfect. 1598 01:40:10,964 --> 01:40:12,382 (WHIRRING) 1599 01:40:40,869 --> 01:40:41,953 SAM: What's the time? 1600 01:40:42,662 --> 01:40:43,913 HILDA: Almost 12:00. 1601 01:40:45,832 --> 01:40:47,083 Tell me what's happening. 1602 01:40:48,668 --> 01:40:49,753 Well... 1603 01:40:50,795 --> 01:40:52,964 right about now, 1604 01:40:52,964 --> 01:40:56,593 Miel Contrera is probably finishing Paper Moon. 1605 01:40:56,593 --> 01:40:58,219 (INAUDIBLE) 1606 01:41:00,513 --> 01:41:02,474 She's waving goodnight to the audience. 1607 01:41:02,974 --> 01:41:04,392 (CROWD CHEERING) 1608 01:41:04,392 --> 01:41:06,311 -What time is it? -HILDA: Darkness is falling. 1609 01:41:06,311 --> 01:41:09,022 All right, it's six minutes to midnight, everyone. 1610 01:41:09,022 --> 01:41:11,065 -(MIEL GIGGLES) -(CROWD CHEERING) 1611 01:41:15,487 --> 01:41:16,988 But then there's a light. 1612 01:41:19,240 --> 01:41:21,242 Not on the stage, but... 1613 01:41:21,242 --> 01:41:22,952 from the back of the theater. 1614 01:41:24,037 --> 01:41:25,622 Everyone turns to look. 1615 01:41:27,624 --> 01:41:28,708 There she is. 1616 01:41:30,460 --> 01:41:31,544 Mother Mary. 1617 01:41:33,046 --> 01:41:34,464 Shining bright. 1618 01:41:36,132 --> 01:41:37,801 She's coming down the aisle. 1619 01:41:39,594 --> 01:41:43,097 She's coming from far beyond the aisle. 1620 01:41:44,557 --> 01:41:46,142 From across the ocean. 1621 01:41:47,644 --> 01:41:48,895 From another world. 1622 01:41:50,355 --> 01:41:51,856 Now she's taking the stage. 1623 01:41:53,441 --> 01:41:55,401 The light's in her eyes, it's too bright. 1624 01:41:57,445 --> 01:41:59,364 She looks to the audience and... 1625 01:42:00,657 --> 01:42:02,325 she says, 1626 01:42:02,325 --> 01:42:05,995 "I've missed you all so much. It's so good to be back." 1627 01:42:08,414 --> 01:42:11,668 But what she really wants to say is... 1628 01:42:14,295 --> 01:42:16,673 What she really means to say is... 1629 01:42:18,550 --> 01:42:20,176 What she's saying is... 1630 01:42:22,011 --> 01:42:23,847 "This song isn't for you. 1631 01:42:34,399 --> 01:42:35,650 "It's for you." 1632 01:42:39,737 --> 01:42:41,823 (ETHEREAL MUSIC CONTINUES) 1633 01:42:53,835 --> 01:42:56,629 -Hey, what the fuck? -Wait, wait, wait, wait. 1634 01:42:56,629 --> 01:42:57,922 What is she doing? 1635 01:43:13,021 --> 01:43:14,814 And then she closes her eyes, 1636 01:43:16,441 --> 01:43:18,902 at five minutes to midnight. 1637 01:43:20,862 --> 01:43:22,655 She opens her mouth. 1638 01:43:22,655 --> 01:43:25,033 -She's gonna sing the song. -She's gonna sing her song. 1639 01:43:25,033 --> 01:43:26,868 She's gonna sing her song. 1640 01:43:26,868 --> 01:43:28,369 And she sings your song. 1641 01:43:33,499 --> 01:43:37,754 And it's the greatest song in the history of songs. 1642 01:44:08,868 --> 01:44:10,328 Hey, Sam? 1643 01:44:10,328 --> 01:44:11,579 Yes? 1644 01:44:14,499 --> 01:44:15,583 I'm sorry. 1645 01:44:17,251 --> 01:44:18,419 I'm sorry. 1646 01:44:19,754 --> 01:44:20,880 I'm sorry. 1647 01:44:21,881 --> 01:44:23,091 (THUNDER RUMBLES) 1648 01:44:42,485 --> 01:44:44,529 ♪ Everybody has an obsession ♪ 1649 01:44:45,321 --> 01:44:47,240 ♪ Everybody has a true angel ♪ 1650 01:44:48,032 --> 01:44:51,035 ♪ Everybody has an obsession ♪ 1651 01:44:51,035 --> 01:44:53,246 ♪ Everybody has a dark cradle ♪ 1652 01:44:53,997 --> 01:44:57,125 ♪ Everybody has an obsession ♪ 1653 01:44:57,125 --> 01:45:00,044 ♪ Everybody has a secret ♪ 1654 01:45:00,044 --> 01:45:02,922 ♪ Everybody has an obsession ♪ 1655 01:45:02,922 --> 01:45:05,258 ♪ Everybody has a dark cradle ♪ 1656 01:45:20,398 --> 01:45:22,692 ♪ Everybody hurts ♪ 1657 01:45:23,401 --> 01:45:26,362 ♪ Everybody crawls ♪ 1658 01:45:26,362 --> 01:45:29,532 ♪ Every heart will twist knees to the stone ♪ 1659 01:45:29,532 --> 01:45:32,452 ♪ Dark eyes will cry ♪ 1660 01:45:32,452 --> 01:45:35,413 ♪ Everybody aches ♪ 1661 01:45:35,413 --> 01:45:38,332 ♪ Everybody writhes ♪ 1662 01:45:38,332 --> 01:45:40,501 ♪ Every wrist is blessed ♪ 1663 01:45:40,501 --> 01:45:42,837 ♪ Behind a back, then tied ♪ 1664 01:45:42,837 --> 01:45:45,673 ♪ We can never stop the clocks on time ♪ 1665 01:45:45,673 --> 01:45:48,801 ♪ History is rooted deep inside us ♪ 1666 01:45:48,801 --> 01:45:51,429 ♪ Intertwined together ♪ 1667 01:45:51,429 --> 01:45:54,432 ♪ Pass the blade and make the sacrifice ♪ 1668 01:45:54,432 --> 01:45:57,143 ♪ Now I got the taste of blood in my mouth ♪ 1669 01:45:57,143 --> 01:45:58,394 ♪ Hate the way you cut me ♪ 1670 01:45:58,394 --> 01:46:00,229 ♪ But I ain't gonna spit you out ♪ 1671 01:46:00,229 --> 01:46:02,607 ♪ I've been running but I fall to the ground ♪ 1672 01:46:02,607 --> 01:46:04,025 ♪ We go round and round ♪ 1673 01:46:04,025 --> 01:46:06,444 ♪ And round and round and round ♪ 1674 01:46:06,444 --> 01:46:09,113 ♪ Now I got the taste of blood in my mouth ♪ 1675 01:46:09,113 --> 01:46:10,448 ♪ Kiss me like you love me ♪ 1676 01:46:10,448 --> 01:46:12,450 ♪ While you're pulling me deeper down ♪ 1677 01:46:12,450 --> 01:46:14,577 ♪ Tied together here forever we're bound ♪ 1678 01:46:14,577 --> 01:46:15,870 ♪ We go round ♪ 1679 01:46:15,870 --> 01:46:18,748 ♪ And round and round and round and round ♪ 1680 01:46:20,666 --> 01:46:23,503 ♪ Every tired cry ♪ 1681 01:46:23,503 --> 01:46:26,547 ♪ Every wild desire ♪ 1682 01:46:26,547 --> 01:46:29,467 ♪ Every moment feels so brutal ♪ 1683 01:46:29,467 --> 01:46:32,470 ♪ When it's you and I ♪ 1684 01:46:32,470 --> 01:46:35,598 ♪ My whole body aches ♪ 1685 01:46:35,598 --> 01:46:38,434 ♪ Every single time ♪ 1686 01:46:38,434 --> 01:46:42,980 ♪ Every broken dance we do brings me to life ♪ 1687 01:46:42,980 --> 01:46:45,942 ♪ We can never stop the clocks on time ♪ 1688 01:46:45,942 --> 01:46:49,112 ♪ History is rooted deep inside us ♪ 1689 01:46:49,112 --> 01:46:51,364 ♪ Intertwined together ♪ 1690 01:46:51,364 --> 01:46:54,867 ♪ Pass the blade and make the sacrifice ♪ 1691 01:46:54,867 --> 01:46:57,286 ♪ Now I got the taste of blood in my mouth ♪ 1692 01:46:57,286 --> 01:46:58,454 ♪ Hate the way you cut me ♪ 1693 01:46:58,454 --> 01:47:00,623 ♪ But I ain't gonna spit you out ♪ 1694 01:47:00,623 --> 01:47:02,834 ♪ I've been running but I fall to the ground ♪ 1695 01:47:02,834 --> 01:47:04,252 ♪ We go round and round ♪ 1696 01:47:04,252 --> 01:47:06,546 ♪ And round and round and round ♪ 1697 01:47:06,546 --> 01:47:09,132 ♪ Now I got the taste of blood in my mouth ♪ 1698 01:47:09,132 --> 01:47:10,424 ♪ Kiss me like you love me ♪ 1699 01:47:10,424 --> 01:47:12,510 ♪ While you're pulling me deeper down ♪ 1700 01:47:12,510 --> 01:47:14,846 ♪ Tied together here forever we're bound ♪ 1701 01:47:14,846 --> 01:47:16,180 ♪ We go round and round ♪ 1702 01:47:16,180 --> 01:47:18,933 ♪ And round and round and round ♪ 1703 01:47:18,933 --> 01:47:23,521 ♪ All of the power in me leads to the power in you ♪ 1704 01:47:23,521 --> 01:47:30,403 ♪ All of the power in me leads to the power in you ♪ 1705 01:47:30,403 --> 01:47:33,322 ♪ Everybody has an obsession ♪ 1706 01:47:33,322 --> 01:47:36,242 ♪ Everybody has a true angel ♪ 1707 01:47:36,242 --> 01:47:39,328 ♪ Everybody has an obsession ♪ 1708 01:47:39,328 --> 01:47:42,373 ♪ Everybody has a dark cradle ♪ 1709 01:47:42,373 --> 01:47:45,376 ♪ Everybody has an obsession ♪ 1710 01:47:45,376 --> 01:47:48,337 ♪ Everybody has a true angel ♪ 1711 01:47:48,337 --> 01:47:51,340 ♪ Everybody has an obsession ♪ 1712 01:47:51,340 --> 01:47:54,302 ♪ Everybody has a dark cradle ♪ 1713 01:47:54,302 --> 01:47:57,305 ♪ Everybody has an obsession ♪ 1714 01:47:57,305 --> 01:48:00,308 ♪ Everybody has a secret ♪ 1715 01:48:00,308 --> 01:48:03,227 ♪ Everybody has an obsession ♪ 1716 01:48:03,227 --> 01:48:06,355 ♪ Everybody has a dark cradle ♪ 1717 01:48:06,355 --> 01:48:09,358 ♪ Everybody has an obsession ♪ 1718 01:48:09,358 --> 01:48:12,320 ♪ Everybody has a true angel ♪ 1719 01:48:12,320 --> 01:48:15,406 ♪ Everybody has an obsession ♪ 1720 01:48:15,406 --> 01:48:17,742 ♪ Everybody has a dark cradle ♪ 1721 01:48:17,742 --> 01:48:20,119 (MOODY ELECTRONIC MUSIC PLAYING) 1722 01:48:33,674 --> 01:48:35,885 ♪ Blue flame ♪ 1723 01:48:35,885 --> 01:48:37,845 ♪ Is burning out ♪ 1724 01:48:38,596 --> 01:48:41,140 ♪ She's reaching out ♪ 1725 01:48:41,140 --> 01:48:43,226 ♪ She's reaching out ♪ 1726 01:48:44,352 --> 01:48:46,520 ♪ Your name ♪ 1727 01:48:46,520 --> 01:48:49,273 ♪ Was in my mouth ♪ 1728 01:48:49,273 --> 01:48:51,984 ♪ She took it out ♪ 1729 01:48:51,984 --> 01:48:53,319 ♪ She took it out ♪ 1730 01:48:53,319 --> 01:48:55,029 ♪ She took it out ♪ 1731 01:48:55,029 --> 01:48:56,739 ♪ Blue flame ♪ 1732 01:48:57,406 --> 01:48:59,283 ♪ Is burning out ♪ 1733 01:48:59,951 --> 01:49:01,994 ♪ She's reaching out ♪ 1734 01:49:03,287 --> 01:49:05,790 (VOCALIZING) 1735 01:49:05,790 --> 01:49:07,333 ♪ Your name ♪ 1736 01:49:08,084 --> 01:49:10,753 ♪ Was in my mouth ♪ 1737 01:49:10,753 --> 01:49:12,880 ♪ She took it out ♪ 1738 01:49:15,841 --> 01:49:18,469 ♪ Don't speak ♪ 1739 01:49:18,469 --> 01:49:20,263 ♪ Look at us now ♪ 1740 01:49:21,180 --> 01:49:23,891 ♪ Beautiful sounds ♪ 1741 01:49:23,891 --> 01:49:25,851 ♪ Above the ground ♪ 1742 01:49:25,851 --> 01:49:29,105 ♪ Oh, don't speak ♪ 1743 01:49:29,105 --> 01:49:30,815 ♪ Look at us now ♪ 1744 01:49:32,108 --> 01:49:34,735 ♪ She took it out ♪ 1745 01:49:34,735 --> 01:49:36,779 ♪ She took it out ♪ 1746 01:49:48,874 --> 01:49:51,460 (VOCALIZING) 1747 01:50:42,345 --> 01:50:43,804 ♪ Blue flame ♪ 1748 01:50:44,597 --> 01:50:46,390 ♪ Is burning out ♪ 1749 01:50:47,099 --> 01:50:49,810 ♪ She's reaching out ♪ 1750 01:50:49,810 --> 01:50:51,729 ♪ She's reaching out ♪ 1751 01:50:52,980 --> 01:50:54,482 ♪ Your name ♪ 1752 01:50:55,232 --> 01:50:57,109 ♪ Was in my mouth ♪ 1753 01:50:57,818 --> 01:50:59,779 ♪ She took it out ♪ 1754 01:51:00,613 --> 01:51:02,531 ♪ She took it out ♪ 1755 01:51:03,657 --> 01:51:05,159 ♪ Blue flame ♪ 1756 01:51:06,035 --> 01:51:08,537 ♪ Is burning out ♪ 1757 01:51:08,537 --> 01:51:10,623 ♪ She's reaching out ♪ 1758 01:51:11,290 --> 01:51:13,209 ♪ She's reaching out ♪ 1759 01:51:14,293 --> 01:51:16,712 ♪ Your name ♪ 1760 01:51:16,712 --> 01:51:18,631 ♪ Was in my mouth ♪ 1761 01:51:19,423 --> 01:51:21,967 ♪ She took it out ♪ 1762 01:51:21,967 --> 01:51:24,053 ♪ She took it out ♪ 1763 01:51:28,140 --> 01:51:29,183 (MUSIC FADES)