1
00:00:05,339 --> 00:00:06,966
I'm the youngest of four kids.
2
00:00:08,676 --> 00:00:11,512
And we had a ladder
that went up to this attic.
3
00:00:12,388 --> 00:00:14,098
The attic was the playroom.
4
00:00:15,349 --> 00:00:19,729
That's where all the imagination came in,
all the make-believe stories.
5
00:00:19,729 --> 00:00:21,064
(GIGGLING)
6
00:00:21,272 --> 00:00:24,567
I would want to play
with my sisters and my brother.
7
00:00:25,359 --> 00:00:27,320
But I never had a speaking part.
8
00:00:27,320 --> 00:00:29,572
(INDISTINCT CHATTER, LAUGHTER)
9
00:00:29,781 --> 00:00:33,576
So I would therefore be
the pet of the family.
10
00:00:33,576 --> 00:00:34,744
(CAT MEOWS)
11
00:00:35,620 --> 00:00:39,165
But I had so much emotion
12
00:00:39,165 --> 00:00:42,710
and wanting to be heard as the youngest.
13
00:00:46,964 --> 00:00:51,302
When I was seven or eight, I started
doing these camps with my friends.
14
00:00:51,302 --> 00:00:53,930
And we did three musicals a summer.
15
00:00:54,263 --> 00:00:56,682
And that, like, sealed it for me.
16
00:00:56,682 --> 00:01:01,813
I just loved having a space
to be seen and heard.
17
00:01:02,814 --> 00:01:06,275
So much mugging, and so much being a ham.
18
00:01:07,151 --> 00:01:10,988
And it was like, I could do it for my job.
19
00:01:12,198 --> 00:01:13,574
It was amazing.
20
00:01:13,574 --> 00:01:15,660
(CROWD CHEERING)
21
00:01:16,577 --> 00:01:18,996
I'm unstoppable
22
00:01:19,413 --> 00:01:22,333
I'm a Porsche with no brakes
23
00:01:22,333 --> 00:01:27,547
I'm invincible, yeah,
I win every single game
24
00:01:27,922 --> 00:01:33,136
I'm so powerful,
I don't need batteries to play
25
00:01:33,344 --> 00:01:38,683
I'm so confident, yeah,
I'm unstoppable today
26
00:01:38,850 --> 00:01:44,272
Unstoppable today,
unstoppable today
27
00:01:44,272 --> 00:01:47,066
Unstoppable today
28
00:01:47,066 --> 00:01:49,777
I'm unstoppable today
29
00:01:54,699 --> 00:01:58,244
KAT DENNINGS: Most superheroes start
from something very traumatic.
30
00:01:58,244 --> 00:01:59,579
Wanda Maximoff,
31
00:01:59,579 --> 00:02:02,582
orphaned at ten when a shell collapsed
their apartment building.
32
00:02:02,582 --> 00:02:05,376
{\an8}Something that they'd use and overcome.
33
00:02:05,626 --> 00:02:09,255
{\an8}And become a hero version of themselves.
34
00:02:12,175 --> 00:02:14,886
But they're always still vulnerable.
35
00:02:16,637 --> 00:02:19,932
NATE MOORE: There's a notion
that vulnerability is not heroic.
36
00:02:19,932 --> 00:02:26,063
But Wanda Maximoff, the Scarlet Witch,
is such a troubled and tragic heroine,
37
00:02:26,063 --> 00:02:29,650
{\an8}and yet still manages to be
an incredibly powerful character.
38
00:02:30,860 --> 00:02:32,820
{\an8}TRINH TRAN: Wanda
in the Marvel Universe...
39
00:02:32,945 --> 00:02:34,030
{\an8}- (EXPLOSION)
- (SCREAMS)
40
00:02:34,030 --> 00:02:38,451
{\an8}...is one of
the strongest superheroes ever.
41
00:02:39,619 --> 00:02:44,081
{\an8}Her vulnerability and her emotional life
is when she's at her most powerful.
42
00:02:45,333 --> 00:02:48,211
JAC SCHAEFFER: We get to see
that feelings are okay.
43
00:02:48,211 --> 00:02:51,631
You took everything from me.
44
00:02:51,631 --> 00:02:54,508
SCHAEFFER: And sometimes,
life is not easy.
45
00:02:54,508 --> 00:02:56,219
It can be very turbulent.
46
00:02:56,219 --> 00:02:57,178
(SOBBING)
47
00:02:57,386 --> 00:03:00,139
{\an8}But you have
everything you need inside of you.
48
00:03:00,973 --> 00:03:05,645
{\an8}We are the source of our own power.
Trauma happens to all of us.
49
00:03:05,937 --> 00:03:07,271
That's just part of life.
50
00:03:07,271 --> 00:03:11,275
We can't reverse death,
no matter how sad it makes us.
51
00:03:11,776 --> 00:03:13,903
But we can get through it.
52
00:03:13,903 --> 00:03:16,614
MONICA: I lost the person
closest to me, too.
53
00:03:17,281 --> 00:03:20,409
{\an8}There are extreme issues
that these characters are dealing with.
54
00:03:20,409 --> 00:03:24,747
I can't control this pain anymore.
And I don't think I want to.
55
00:03:24,747 --> 00:03:28,709
PARRIS: But we can take their motivations
56
00:03:28,709 --> 00:03:31,587
and bring it into our own lives,
and it empowers us.
57
00:03:33,214 --> 00:03:36,634
VICTORIA ALONSO: I think there's something
about the power of "I can"
58
00:03:36,634 --> 00:03:39,262
{\an8}that somehow rings a bell.
59
00:03:40,179 --> 00:03:44,850
And your superheroness
shows up at that door.
60
00:03:51,023 --> 00:03:52,817
(DENNINGS CHUCKLING)
Who is Wanda Maximoff?
61
00:03:52,817 --> 00:03:54,485
Very complicated answer.
62
00:03:54,485 --> 00:03:56,070
I think at the most simple, it's...
63
00:03:56,570 --> 00:04:00,533
Wanda came from
an immensely traumatic childhood.
64
00:04:03,494 --> 00:04:07,832
She was radicalized and was given
the power of the Mind Stone.
65
00:04:13,421 --> 00:04:19,385
{\an8}Wanda Maximoff is from a made-up
Eastern European country called Sokovia,
66
00:04:21,095 --> 00:04:25,266
who lost both her parents
at a young age from a Stark bomb.
67
00:04:25,266 --> 00:04:26,350
(EXPLOSION)
68
00:04:28,311 --> 00:04:34,775
{\an8}So she thinks that Tony Stark, Iron Man,
is one of the worst people on Earth,
69
00:04:35,484 --> 00:04:41,907
{\an8}and volunteers for a program
that could do experiments on her
70
00:04:41,907 --> 00:04:46,329
to potentially avenge
her parents' death with her brother.
71
00:04:47,580 --> 00:04:53,502
{\an8}When we first meet Wanda in the movies,
she's part of Hydra, um,
72
00:04:53,836 --> 00:04:57,882
and she's being experimented upon
in their facility with her brother.
73
00:04:58,674 --> 00:05:02,219
And she's framed as this kind of creepy,
74
00:05:02,219 --> 00:05:06,223
uber-powerful goth girl
with telekinetic powers.
75
00:05:07,391 --> 00:05:08,434
(SCREAMS, WHIMPERS)
76
00:05:08,434 --> 00:05:12,772
But once she realizes that she's being
somewhat manipulated by Ultron...
77
00:05:12,772 --> 00:05:17,276
You said we would destroy the Avengers,
make a better world.
78
00:05:17,276 --> 00:05:18,611
It will be better.
79
00:05:18,944 --> 00:05:20,613
When everyone is dead?
80
00:05:20,613 --> 00:05:22,531
She changes her tune
and, and joins our heroes
81
00:05:22,531 --> 00:05:24,909
and, and becomes a part of the Avengers.
82
00:05:33,334 --> 00:05:34,668
SCHAEFFER: She loses her brother,
83
00:05:37,296 --> 00:05:38,923
who's her everything.
84
00:05:41,467 --> 00:05:44,678
He was her last remaining tie
to her humanity.
85
00:05:46,389 --> 00:05:50,184
OLSEN: And so the Avengers becomes
a surrogate family for her.
86
00:05:51,727 --> 00:05:55,314
So she's now processing
a lot of grief and trauma
87
00:05:55,314 --> 00:06:01,028
that she has dealt with
as a displaced person.
88
00:06:02,947 --> 00:06:05,491
But she's able to sort of
keep moving forward
89
00:06:05,491 --> 00:06:08,369
but not really
at a full version of herself.
90
00:06:10,162 --> 00:06:15,960
{\an8}We see her almost as a young, fragile girl
who's encouraged to seize her power.
91
00:06:15,960 --> 00:06:19,088
BARTON: Doesn't matter what you did
or what you were.
92
00:06:19,088 --> 00:06:22,174
If you step out that door,
you are an Avenger.
93
00:06:22,883 --> 00:06:25,511
It's a character
that has a huge evolution.
94
00:06:25,511 --> 00:06:29,765
And Elizabeth was
the perfect person to play this
95
00:06:30,015 --> 00:06:33,269
because she has such depth
and complexity as an actress,
96
00:06:33,269 --> 00:06:35,062
and such vulnerability.
97
00:06:36,689 --> 00:06:41,193
But to see where the character's gone,
I honestly never could've imagined.
98
00:06:41,694 --> 00:06:45,614
She's a magical gal in a small-town locale
99
00:06:45,781 --> 00:06:49,368
He's a hubby who's part machine
100
00:06:49,368 --> 00:06:52,997
How will this duo fit in and fulfill...
101
00:06:53,122 --> 00:06:56,333
SCHAEFFER: With WandaVision
it was this gorgeous opportunity
102
00:06:56,333 --> 00:06:58,335
to see so many other sides of her.
103
00:06:59,545 --> 00:07:03,924
{\an8}Wanda
WandaVision
104
00:07:04,842 --> 00:07:06,177
{\an8}(DISTORTED LAUGHTER)
105
00:07:06,177 --> 00:07:08,429
- Is that...
- Yeah, it looks like her.
106
00:07:08,429 --> 00:07:09,346
You move at...
107
00:07:09,597 --> 00:07:13,684
In WandaVision, we get
to see her be funny, and silly,
108
00:07:13,684 --> 00:07:16,687
and sweet, and charming, and effervescent.
109
00:07:17,104 --> 00:07:19,273
Yes! Yes!
110
00:07:20,274 --> 00:07:22,902
Such a strange sensation.
It's kind of fluttery.
111
00:07:22,902 --> 00:07:25,863
Jeez Louise, did you have
to learn to walk?
112
00:07:25,863 --> 00:07:28,782
I finally got to be funny. (LAUGHING)
113
00:07:28,782 --> 00:07:31,160
- (LAUGHING)
- WandaVision.
114
00:07:31,160 --> 00:07:33,162
You're welcome to draw
your own conclusions,
115
00:07:33,162 --> 00:07:36,165
but that's just where I'm at. (CHUCKLES)
116
00:07:36,165 --> 00:07:40,878
{\an8}Wanda's literally trying to escape
her grief through television. (CHUCKLES)
117
00:07:42,463 --> 00:07:46,342
This dream world where she doesn't
have to face any of her sadness.
118
00:07:46,342 --> 00:07:48,135
Zip. Zero. Zilch.
119
00:07:48,135 --> 00:07:52,848
She has an entire town captive,
living in a sitcom space.
120
00:07:52,848 --> 00:07:55,559
- What are we lookin' at here?
- It's a sitcom.
121
00:07:55,559 --> 00:07:58,854
SCHAEFFER: The comfort for her are
these TV shows that she loved as a kid.
122
00:07:58,854 --> 00:08:04,360
And because she happens to be
an enormously powerful psychic individual,
123
00:08:04,360 --> 00:08:07,863
she can literally physicalize
that comfort for herself.
124
00:08:07,863 --> 00:08:09,949
Well, we're just tickled pink.
125
00:08:09,949 --> 00:08:13,577
It's the most ambitious possible concept.
126
00:08:13,994 --> 00:08:19,083
It's over decades, it's through sitcoms,
it's just unbelievable.
127
00:08:20,584 --> 00:08:21,877
WandaVision!
128
00:08:25,422 --> 00:08:26,423
(WANDA EXHALES)
129
00:08:26,423 --> 00:08:27,758
What are they?
130
00:08:27,758 --> 00:08:30,302
What the stone was warning me about.
131
00:08:30,970 --> 00:08:35,224
These superhero movies become
the highest stakes every time.
132
00:08:36,475 --> 00:08:38,227
(INDISTINCT SHOUTING)
133
00:08:38,227 --> 00:08:42,731
OLSEN: The world's ending
or computers are taking over.
134
00:08:43,566 --> 00:08:44,567
(GRUNTS)
135
00:08:44,567 --> 00:08:46,151
There's something so massive.
136
00:08:47,486 --> 00:08:49,488
(SCREAMS)
137
00:08:50,322 --> 00:08:51,323
(GRUNTS)
138
00:08:52,741 --> 00:08:57,204
OLSEN: But the really human experience
of falling in love
139
00:08:57,204 --> 00:09:00,165
and finding a partnership and a comfort...
140
00:09:00,165 --> 00:09:02,459
- We should've stayed in bed.
- (BOTH CHUCKLE)
141
00:09:02,459 --> 00:09:04,795
...is such a basic desire and need.
142
00:09:06,922 --> 00:09:10,009
So that is the element
that we took from these movies
143
00:09:11,093 --> 00:09:13,554
and blew up for WandaVision,
144
00:09:13,554 --> 00:09:18,058
and made it
the central relationship to root for.
145
00:09:19,518 --> 00:09:23,022
So as opposed to saving a planet,
146
00:09:23,856 --> 00:09:27,693
it became trying to save
this relationship.
147
00:09:30,279 --> 00:09:34,950
{\an8}We wanted to bring a little bit more
of that personal journey for her
148
00:09:35,117 --> 00:09:37,411
{\an8}and how it can be developed with Vision.
149
00:09:38,120 --> 00:09:41,540
Thank you for humoring me
and wearing this ridiculous getup.
150
00:09:41,540 --> 00:09:44,668
I know you have a secret thing
for Mexican wrestlers.
151
00:09:44,668 --> 00:09:47,338
- Oh! (CHUCKLES)
- (GROWLS)
152
00:09:50,007 --> 00:09:53,052
MOORE: In the comic books,
Wanda Maximoff was a mutant.
153
00:09:54,136 --> 00:09:56,597
She was born with the power
to manipulate probability,
154
00:09:56,597 --> 00:09:59,141
which is a crazy power,
155
00:09:59,141 --> 00:10:02,853
{\an8}and so was always a bit on the fringes
of people not trusting her,
156
00:10:02,853 --> 00:10:05,648
{\an8}people not understanding
how she could be heroic
157
00:10:05,648 --> 00:10:08,776
when she didn't punch the hardest
or shoot bolts out of her hands.
158
00:10:10,361 --> 00:10:13,656
And then later, in the Avengers,
people not quite understanding
159
00:10:13,656 --> 00:10:17,409
her relationship with the Vision,
because he was a synthezoid.
160
00:10:18,744 --> 00:10:22,081
TRAN: In the comics,
Wanda and Vision's relationship
161
00:10:22,081 --> 00:10:25,376
is a big part of the story
that we wanted to bring forward.
162
00:10:26,794 --> 00:10:31,298
OLSEN: So it was exciting to me that
that's where I ended up with WandaVision
163
00:10:31,298 --> 00:10:35,052
and we were able to honor the comics.
164
00:10:42,935 --> 00:10:44,728
(BELL DINGING)
165
00:10:45,604 --> 00:10:47,815
FINN: I loved seeing Wanda Maximoff
166
00:10:47,815 --> 00:10:51,652
in this flourishing,
loving relationship with Vision.
167
00:10:51,652 --> 00:10:53,153
- WANDA: Aw.
- (BABY COOS)
168
00:10:53,862 --> 00:10:56,115
I loved seeing her as a mother.
169
00:10:58,200 --> 00:11:01,328
We get to live in a bubble
with her for a little while
170
00:11:01,328 --> 00:11:03,664
that she never got to live out.
171
00:11:05,624 --> 00:11:09,503
{\an8}Wanda Maximoff gets her own space
in the Marvel Cinematic Universe.
172
00:11:09,503 --> 00:11:14,550
And we get to see what an ideal life
for Wanda and Vision actually looks like.
173
00:11:15,884 --> 00:11:19,513
{\an8}Through Vision, she has found comfort...
174
00:11:19,638 --> 00:11:21,640
All I feel is excitement, happiness.
175
00:11:22,015 --> 00:11:25,018
...after the loss
of her parents and her brother.
176
00:11:25,728 --> 00:11:30,065
And so this idea of family being
this ultimate need for her
177
00:11:30,065 --> 00:11:34,027
is the "why" for WandaVision.
178
00:11:36,321 --> 00:11:38,657
{\an8}I remember whenever
I watched those movies...
179
00:11:38,657 --> 00:11:41,201
I haven't actually ever
eaten anything before, so...
180
00:11:41,201 --> 00:11:43,245
- May I?
- Please.
181
00:11:43,245 --> 00:11:45,539
...seeing those little moments
between them,
182
00:11:46,206 --> 00:11:51,879
and just feeling so much for them
in the middle of all this chaos.
183
00:11:51,879 --> 00:11:52,796
- What is it?
- (PANTS)
184
00:11:53,046 --> 00:11:54,298
The irony is not lost on me
185
00:11:54,298 --> 00:11:59,344
that the most human of the Avengers
happens to be the android.
186
00:11:59,762 --> 00:12:00,679
I'm sorry.
187
00:12:00,888 --> 00:12:06,101
His purity and vulnerability is so tender.
188
00:12:06,852 --> 00:12:10,898
So I was very excited
to be a part of something
189
00:12:10,898 --> 00:12:14,526
that took those little moments
and drew them out.
190
00:12:21,366 --> 00:12:26,163
MOORE: The arc of Wanda and Vision
in the movies and in the show
191
00:12:26,914 --> 00:12:30,459
{\an8}is the love story of people
who find this commonality
192
00:12:30,459 --> 00:12:32,377
{\an8}in being different than everyone else.
193
00:12:33,170 --> 00:12:34,296
(GASPS)
194
00:12:34,296 --> 00:12:37,716
So, when the Vision is taken from her
at the end of Infinity War...
195
00:12:39,134 --> 00:12:39,927
(GROANS)
196
00:12:39,927 --> 00:12:43,096
...you also understand the psychology
that thrust her into WandaVision.
197
00:12:43,096 --> 00:12:44,306
No!
198
00:12:46,350 --> 00:12:49,102
It was the ultimate loss
that she could have.
199
00:12:50,437 --> 00:12:53,315
SCHAEFFER: After the loss of
her parents and her brother,
200
00:12:53,315 --> 00:12:57,820
then for Vision, who helped her
find her footing, to be ripped from her.
201
00:12:58,695 --> 00:13:01,657
{\an8}Really at that point,
she truly had nothing.
202
00:13:03,325 --> 00:13:08,455
We always knew that WandaVision
would be the story of Wanda's grief...
203
00:13:08,455 --> 00:13:13,877
What is grief, if not love persevering?
204
00:13:14,670 --> 00:13:18,465
And that we wanted to see
her become the Scarlet Witch.
205
00:13:20,592 --> 00:13:21,677
And so to do that,
206
00:13:22,135 --> 00:13:26,098
we aligned the episodes
according to the stages of grief.
207
00:13:32,145 --> 00:13:33,772
It's a special day!
208
00:13:33,772 --> 00:13:35,858
- Perhaps an evening...
- Of great significance...
209
00:13:35,858 --> 00:13:36,817
- To us both!
- Naturally.
210
00:13:37,109 --> 00:13:38,694
You really are very dashing.
211
00:13:38,694 --> 00:13:40,320
Mmm. Thank you, darling.
212
00:13:40,320 --> 00:13:42,781
- It stopped.
- Yes.
213
00:13:43,657 --> 00:13:47,828
The first three episodes
really are in the denial space...
214
00:13:47,828 --> 00:13:48,745
Have a good day, dear!
215
00:13:49,288 --> 00:13:52,082
...especially the first episode
in the 1950s.
216
00:13:52,082 --> 00:13:57,421
I mean, that's post-war optimism
and it's peak sort of appearances only,
217
00:13:57,421 --> 00:14:02,134
where Wanda didn't have to plum
any of her own depths at all.
218
00:14:02,634 --> 00:14:05,554
And looking at shows
like The Dick van Dyke Show,
219
00:14:07,514 --> 00:14:08,765
and Bewitched,
220
00:14:09,766 --> 00:14:14,938
there's this real sort of frothy,
sexy innocence to those couples.
221
00:14:15,939 --> 00:14:21,194
And to see Wanda and Vision be loose
and in love and unencumbered.
222
00:14:21,194 --> 00:14:25,073
- You were tremendous, Glamour.
- As were you, Illusion.
223
00:14:25,073 --> 00:14:27,326
There is an element of denial in there.
224
00:14:27,326 --> 00:14:29,494
I have everything under control.
225
00:14:30,329 --> 00:14:31,914
(WANDA SINGING)
226
00:14:31,914 --> 00:14:34,833
SARAH TRULY BEERS: Wanda creates
a safe place
227
00:14:34,833 --> 00:14:39,046
{\an8}where she can try to live out
the life she thought she was owed.
228
00:14:39,713 --> 00:14:41,006
Welcome home.
229
00:14:41,715 --> 00:14:42,799
Shall we stay in tonight?
230
00:14:44,009 --> 00:14:48,221
{\an8}If I could create my own world
and be happy for a short time,
231
00:14:48,680 --> 00:14:50,307
{\an8}wouldn't we all do that?
232
00:14:51,433 --> 00:14:57,314
We wanted to pay Wanda the respect
of taking her mental health seriously.
233
00:14:57,314 --> 00:14:58,774
(MAN SPEAKING INDISTINCTLY)
234
00:14:58,774 --> 00:15:02,527
And so we had a grief counselor come
and speak to the writers of the show,
235
00:15:03,028 --> 00:15:07,074
which was really helpful
making the story of Wanda's pain...
236
00:15:07,074 --> 00:15:07,991
...a black dress.
237
00:15:07,991 --> 00:15:10,494
...have all of those layers.
238
00:15:10,494 --> 00:15:11,954
(SPEAKING INDISTINCTLY)
239
00:15:11,954 --> 00:15:15,582
{\an8}It's so helpful when you know
that the people behind the scenes
240
00:15:15,707 --> 00:15:17,459
{\an8}identify with your character.
241
00:15:19,711 --> 00:15:23,674
Teyonah's character, Monica Rambeau,
of course, loses her mom.
242
00:15:23,674 --> 00:15:24,758
(GASPS)
243
00:15:25,717 --> 00:15:29,805
{\an8}When we first meet Monica,
she's trying to process
244
00:15:30,514 --> 00:15:34,184
{\an8}what it's like to lose her mom.
245
00:15:34,184 --> 00:15:35,727
- Dr. Highland!
- I can't believe it.
246
00:15:35,727 --> 00:15:37,104
Where's my mom?
247
00:15:38,188 --> 00:15:40,565
Your mom, she died, honey.
248
00:15:41,358 --> 00:15:44,069
- What?
- The cancer came back.
249
00:15:44,069 --> 00:15:48,448
Okay, stop, stop. No, you're...
My mom is Maria Rambeau.
250
00:15:48,448 --> 00:15:51,660
I have a really,
really close relationship with my mom,
251
00:15:51,660 --> 00:15:54,246
and she's pretty much my best friend.
252
00:15:56,456 --> 00:16:01,670
I cannot imagine going through life
and some of the things I've been through
253
00:16:01,670 --> 00:16:04,089
without her support and love.
254
00:16:08,010 --> 00:16:11,471
But how Monica feels
with the loss of her mom
255
00:16:12,139 --> 00:16:14,182
is she just wants to get back to work.
256
00:16:14,182 --> 00:16:16,309
Monica Rambeau, S.W.O.R.D.
257
00:16:16,309 --> 00:16:21,898
She doesn't want to deal with
falling too deeply into the loss.
258
00:16:21,898 --> 00:16:23,692
She is really compartmentalizing,
259
00:16:23,692 --> 00:16:25,027
and says, "You know what?
260
00:16:25,027 --> 00:16:27,654
"That will be dealt with,
but right now there's other things to do."
261
00:16:29,573 --> 00:16:31,241
Maximoff located.
262
00:16:31,241 --> 00:16:32,242
Well done.
263
00:16:32,784 --> 00:16:37,205
She's also processing her grief
by trying to help Wanda...
264
00:16:37,205 --> 00:16:40,584
This is Captain Monica Rambeau.
Can you hear me?
265
00:16:40,584 --> 00:16:43,920
...by just being
a voice of reason for her.
266
00:16:43,920 --> 00:16:45,630
I just wanna talk. That's it.
267
00:16:47,090 --> 00:16:48,675
MEGAN MCDONNELL: Both of them
are in denial,
268
00:16:48,675 --> 00:16:50,761
trying to not address
what they really need.
269
00:16:51,136 --> 00:16:55,348
{\an8}And I think that's a big part of the show,
is like, figuring out what you need.
270
00:17:00,771 --> 00:17:02,939
(BREATH TREMBLING) Who are you?
271
00:17:02,939 --> 00:17:05,817
Wanda's really good at anger.
272
00:17:05,817 --> 00:17:07,486
(BABY CRYING)
273
00:17:07,486 --> 00:17:09,905
At the end of Episode Three,
274
00:17:09,905 --> 00:17:13,950
Wanda sees Monica as being a threat.
275
00:17:15,327 --> 00:17:18,038
OLSEN: Wanda feels threatened
at the moment she becomes a mother.
276
00:17:18,038 --> 00:17:19,039
MONICA: Wanda...
277
00:17:19,664 --> 00:17:22,459
And so mama bear really kicks in.
278
00:17:22,459 --> 00:17:27,005
And any other that feels like
a potential threat to her and her family,
279
00:17:27,005 --> 00:17:29,424
like, just forget about it.
280
00:17:29,424 --> 00:17:31,510
You're definitely not my friend.
281
00:17:31,510 --> 00:17:34,513
SCHAEFFER: And then we see in Episode Four
282
00:17:34,513 --> 00:17:37,933
that she kicks Monica out
of this hex that she created.
283
00:17:39,017 --> 00:17:41,061
(YELPS, GRUNTS)
284
00:17:41,061 --> 00:17:42,562
(YELLING)
285
00:17:42,562 --> 00:17:44,523
OLSEN: But what Wanda didn't realize
286
00:17:45,232 --> 00:17:48,193
was Monica Rambeau,
the person that she feared the most...
287
00:17:48,193 --> 00:17:49,277
(GRUNTS)
288
00:17:49,277 --> 00:17:52,656
...was the woman who was
her real, honest ally.
289
00:17:54,991 --> 00:17:59,746
But what took over her judgment was anger.
290
00:18:01,748 --> 00:18:04,251
PARRIS: But Monica keeps going,
291
00:18:04,251 --> 00:18:07,838
trying to be a voice
and an ally, really, for her.
292
00:18:09,339 --> 00:18:15,428
OLSEN: The thing that is always unspoken
is their mutual pain of loss.
293
00:18:16,221 --> 00:18:20,559
And that is something
that really connects Monica and Wanda.
294
00:18:26,398 --> 00:18:28,525
(INDISTINCT SHOUTING)
295
00:18:28,525 --> 00:18:31,611
SCHAEFFER: At the end of Episode Five,
296
00:18:31,611 --> 00:18:35,157
we see Wanda wants
to keep things as they are.
297
00:18:37,159 --> 00:18:40,370
Our big bargaining moment is
when she storms out of the hex...
298
00:18:40,370 --> 00:18:41,621
Is this yours?
299
00:18:42,247 --> 00:18:45,083
...then interfaces with Hayward.
300
00:18:45,083 --> 00:18:46,459
Stay out of my home.
301
00:18:46,459 --> 00:18:49,671
You don't bother me, I won't bother you.
302
00:18:49,671 --> 00:18:51,548
I wish it could be that simple.
303
00:18:51,548 --> 00:18:54,718
It's her trying to, you know,
have her cake and eat it, too.
304
00:18:54,718 --> 00:18:56,678
You've taken an entire town hostage.
305
00:18:56,678 --> 00:18:59,306
Well, I'm not the one
with the guns, Director.
306
00:18:59,306 --> 00:19:00,765
MCDONNELL: But this is not something
307
00:19:00,765 --> 00:19:02,267
where, like,
she, doesn't have a handle.
308
00:19:02,267 --> 00:19:07,272
It's like, no, actually, she is very much
in control of everything.
309
00:19:07,689 --> 00:19:10,150
What could you possibly have to offer me?
310
00:19:10,150 --> 00:19:11,276
SCHAEFFER: With bargaining...
311
00:19:11,276 --> 00:19:12,569
What do you want?
312
00:19:12,569 --> 00:19:15,030
...Monica tries to move in
313
00:19:15,030 --> 00:19:18,283
with the least amount
of impact and destruction.
314
00:19:18,283 --> 00:19:21,536
It's about understanding really
what's going on with people
315
00:19:21,536 --> 00:19:23,538
and trying to untangle things.
316
00:19:23,538 --> 00:19:24,748
I want to help you.
317
00:19:25,790 --> 00:19:27,792
OLSEN: Monica is coming in, saying,
318
00:19:27,792 --> 00:19:30,045
"Let me help you."
319
00:19:30,045 --> 00:19:33,215
{\an8}And that's just not the place
that Wanda is in.
320
00:19:36,009 --> 00:19:37,302
- Wanda.
- Stand down.
321
00:19:37,302 --> 00:19:38,762
She's going through grief.
322
00:19:39,262 --> 00:19:41,932
And she didn't want to accept
that this woman
323
00:19:41,932 --> 00:19:44,267
is potentially someone
that could help her.
324
00:19:45,185 --> 00:19:50,148
And so she goes back
to this safe space she created.
325
00:19:58,698 --> 00:20:00,992
WANDA: Look, we've all been there, right?
(CHUCKLES)
326
00:20:01,451 --> 00:20:03,828
Letting our fear and anger
get the best of us,
327
00:20:03,828 --> 00:20:07,457
intentionally expanding the borders
of the false world we created.
328
00:20:07,457 --> 00:20:09,084
(SIGHS IN EXASPERATION)
329
00:20:09,084 --> 00:20:13,004
SCHAEFFER: We had a lot of fun
with Episode Seven,
330
00:20:13,004 --> 00:20:16,841
{\an8}leaning into the tropes
of depression, you know.
331
00:20:17,008 --> 00:20:20,136
She's in her pajamas,
and her hair's messy,
332
00:20:20,136 --> 00:20:23,306
and she's eating,
and she's watching TV,
333
00:20:23,306 --> 00:20:26,393
all that sort of like
"girl who's been dumped,"
334
00:20:26,393 --> 00:20:28,520
you know, like,
"can't kind of keep it together."
335
00:20:28,520 --> 00:20:33,316
I'd get up, but...
(CHUCKLES) I... just don't want to.
336
00:20:33,942 --> 00:20:37,112
But the subtext is so much more profound.
337
00:20:37,237 --> 00:20:40,031
(MAN SPEAKING ON TV)
338
00:20:40,031 --> 00:20:44,244
Who hasn't had those moments
of depression, or anxiety, or pain?
339
00:20:44,244 --> 00:20:46,913
It's probably just a case of the Mondays.
(CHUCKLES)
340
00:20:46,913 --> 00:20:48,039
Am I right?
341
00:20:48,623 --> 00:20:50,959
HAHN: And there's something
different on the inside
342
00:20:50,959 --> 00:20:52,627
{\an8}than they're presenting to the world.
343
00:20:52,627 --> 00:20:53,962
{\an8}I mean, it's so human.
344
00:20:53,962 --> 00:20:55,922
(MAN SPEAKS ON TV)
345
00:20:55,922 --> 00:21:00,010
You really can see how vulnerable she is,
how fragile she is.
346
00:21:00,468 --> 00:21:05,682
I'm fine.
(CHUCKLES) I'm fine. I'm fine. I'm fine.
347
00:21:06,141 --> 00:21:07,058
I'm fine.
348
00:21:07,684 --> 00:21:09,144
KHODAI: Everyone goes through loss...
349
00:21:09,144 --> 00:21:10,437
I'm fine.
350
00:21:10,437 --> 00:21:13,773
{\an8}...and to explore that
on such an intimate level,
351
00:21:14,316 --> 00:21:19,863
{\an8}I found really, um, cathartic.
352
00:21:20,238 --> 00:21:22,741
My dad died
almost seven years ago of cancer,
353
00:21:22,741 --> 00:21:27,412
and so I knew how difficult it was
to go through that.
354
00:21:28,788 --> 00:21:33,293
You lose a little bit of yourself
and implode a little bit.
355
00:21:34,377 --> 00:21:36,046
OLSEN: We all in different ways can relate
356
00:21:36,046 --> 00:21:39,883
to a feeling of either
loneliness or abandonment
357
00:21:39,883 --> 00:21:42,302
in different aspects of our life.
358
00:21:42,302 --> 00:21:45,930
And feeling like
there's no bottom to hold you.
359
00:21:45,930 --> 00:21:47,599
(SOBS)
360
00:21:47,599 --> 00:21:50,393
(ROARING)
361
00:22:02,572 --> 00:22:07,494
SCHAEFFER: Her acceptance is
when Agatha offers her
362
00:22:07,494 --> 00:22:09,829
the opportunity to live without pain.
363
00:22:11,206 --> 00:22:15,835
The name's Agatha Harkness.
Lovely to finally meet you, dear.
364
00:22:17,754 --> 00:22:20,715
HAHN: What I thought was so brilliant
was that we would see
365
00:22:20,715 --> 00:22:23,885
Agatha first playing
a character called Agnes,
366
00:22:24,677 --> 00:22:28,098
this nosy neighbor trope
that we've seen in sitcoms
367
00:22:28,098 --> 00:22:30,475
{\an8}throughout the entirety of sitcoms.
368
00:22:30,934 --> 00:22:31,935
(KNOCK AT DOOR)
369
00:22:32,310 --> 00:22:33,269
Oh!
370
00:22:33,269 --> 00:22:34,187
Hello, dear.
371
00:22:34,354 --> 00:22:36,231
- (DOORBELL RINGS)
- Hiya, kids.
372
00:22:36,773 --> 00:22:38,691
Hi, Agnes, come on in.
373
00:22:38,691 --> 00:22:41,903
{\an8}I think it was really fun
and challenging to write Agatha.
374
00:22:41,903 --> 00:22:46,199
That you should stumble when
you walk into a room so he can catch you.
375
00:22:46,199 --> 00:22:49,035
Because she is a mentor
and a villain and a friend.
376
00:22:49,035 --> 00:22:52,247
And to kind of set her up as Agnes,
who's like that friend that's there
377
00:22:52,247 --> 00:22:54,082
and always comes in when she needs help.
378
00:22:54,082 --> 00:22:57,293
Auntie Agnes is here, and I've got
a couple of tricks up my sleeve.
379
00:22:57,293 --> 00:22:59,379
- Why don't we give your mom some me time?
- (GASPS)
380
00:22:59,379 --> 00:23:02,882
But then you see
that she is like a succubus,
381
00:23:03,675 --> 00:23:06,803
{\an8}constantly on the prowl for more power.
382
00:23:09,222 --> 00:23:12,684
{\an8}Agatha Harkness is
a centuries-old witch...
383
00:23:12,684 --> 00:23:14,060
(GASPS)
384
00:23:14,060 --> 00:23:16,980
...that has been told that she was bad.
385
00:23:16,980 --> 00:23:19,107
You have betrayed your coven.
386
00:23:19,107 --> 00:23:20,233
Please...
387
00:23:20,233 --> 00:23:21,651
I can be good.
388
00:23:22,360 --> 00:23:23,695
No, you cannot.
389
00:23:24,654 --> 00:23:26,781
And so what happens to a being...
390
00:23:26,781 --> 00:23:28,116
(SCREAMS)
391
00:23:28,116 --> 00:23:30,493
...that is told that they are not worthy?
392
00:23:33,663 --> 00:23:35,999
Is that of course it becomes this person.
393
00:23:36,791 --> 00:23:38,835
I think that's very relatable to anyone
394
00:23:38,835 --> 00:23:42,255
that, like myself, would consider
themselves a weirdo. (CHUCKLES)
395
00:23:45,967 --> 00:23:51,306
When I was a kid in Cleveland,
I had a lot of feelings of self-doubt.
396
00:23:52,056 --> 00:23:54,642
But I knew I was gonna be an actor.
397
00:23:55,518 --> 00:23:59,147
I felt the biggest,
and most beautiful and powerful,
398
00:23:59,147 --> 00:24:02,192
and most myself, when I was performing.
399
00:24:02,192 --> 00:24:05,069
(CROWD CLAPPING)
400
00:24:05,069 --> 00:24:10,074
And to be able to have scale
and have voice and have power
401
00:24:10,074 --> 00:24:13,161
was a really thrilling thing
about this part.
402
00:24:13,161 --> 00:24:15,497
(LAUGHING)
403
00:24:16,206 --> 00:24:19,083
{\an8}And I think Agatha considered herself
404
00:24:19,083 --> 00:24:21,669
{\an8}the most powerful witch
that there ever had been
405
00:24:22,253 --> 00:24:25,256
{\an8}before this young hotshot showed up...
406
00:24:25,256 --> 00:24:26,758
(CHUCKLES)
407
00:24:26,758 --> 00:24:30,970
...who's created a world
and held hundreds of people captive.
408
00:24:31,554 --> 00:24:33,848
A lot of jealousy and a lot of also just
409
00:24:33,848 --> 00:24:36,976
trying to figure out how,
and then steal it.
410
00:24:36,976 --> 00:24:38,311
(CHUCKLES)
411
00:24:41,231 --> 00:24:42,565
AGATHA: Wanda, Wanda.
412
00:24:43,066 --> 00:24:46,819
You didn't think you were
the only magical girl in town, did you?
413
00:24:48,112 --> 00:24:53,618
So finally, Agnes shows herself
as Agatha to Wanda.
414
00:24:53,618 --> 00:24:55,703
I need you to tell me how you did this.
415
00:24:56,412 --> 00:24:57,789
I didn't do anything.
416
00:24:58,498 --> 00:24:59,958
(GRUNTS, GROANS)
417
00:24:59,958 --> 00:25:00,959
OLSEN: From Agatha,
418
00:25:01,626 --> 00:25:05,672
Wanda is given this gift
of knowledge and tools...
419
00:25:05,672 --> 00:25:09,300
You'd rather fall apart
than face your truth.
420
00:25:09,300 --> 00:25:12,262
...that help her process her grief.
421
00:25:13,221 --> 00:25:14,347
AGATHA: Parents dead.
422
00:25:15,056 --> 00:25:16,140
Brother dead.
423
00:25:17,475 --> 00:25:18,685
- Vision dead.
- (EXHALES)
424
00:25:20,562 --> 00:25:24,566
What happened when he wasn't there
to pull you back from the darkness, Wanda?
425
00:25:24,566 --> 00:25:26,818
- I can't do this anymore...
- Come on, Wanda.
426
00:25:26,818 --> 00:25:29,696
You are right there.
427
00:25:29,696 --> 00:25:33,533
And one of her tools is the Darkhold.
428
00:25:33,533 --> 00:25:38,788
Did you know there's an entire chapter
devoted to you in the Darkhold?
429
00:25:39,497 --> 00:25:41,499
That's the Book of the Damned.
430
00:25:42,959 --> 00:25:45,837
OLSEN: And it's something
that Wanda learns from.
431
00:25:45,837 --> 00:25:49,299
AGATHA: Your power exceeds
that of the Sorcerer Supreme.
432
00:25:49,799 --> 00:25:52,218
I'm not a witch. I don't cast spells.
433
00:25:52,218 --> 00:25:53,428
Oh, really?
434
00:25:54,012 --> 00:25:55,722
{\an8}She didn't really know
the extent of her powers.
435
00:25:55,722 --> 00:25:57,348
{\an8}They'd gotten away from her.
436
00:25:57,348 --> 00:26:00,351
{\an8}And she's forced to look inward
to solve that problem,
437
00:26:00,351 --> 00:26:01,978
once she learns from the Darkhold
438
00:26:01,978 --> 00:26:05,815
that she's created this bubble
so she didn't have to deal with her grief.
439
00:26:05,815 --> 00:26:07,358
We feel your pain.
440
00:26:07,358 --> 00:26:10,194
- No. No, stop.
- Your grief is poisoning us.
441
00:26:10,194 --> 00:26:12,405
- Please, let us go.
- Please stop.
442
00:26:12,405 --> 00:26:15,617
LIVANOS: Once Wanda realizes
that the reality is of her own making,
443
00:26:15,617 --> 00:26:17,201
she can't un-know.
444
00:26:17,577 --> 00:26:20,747
{\an8}And we go with her
on a journey of self-discovery.
445
00:26:21,789 --> 00:26:25,752
SCHAEFFER: She has to choose
between this false world she's created
446
00:26:25,752 --> 00:26:29,547
and the safety and happiness
of innocent people.
447
00:26:29,547 --> 00:26:32,884
And Wanda Maximoff is,
in her core, a hero.
448
00:26:32,884 --> 00:26:35,553
I will let you go. I will. I will.
449
00:26:36,679 --> 00:26:39,807
OLSEN: She owns her power,
quite literally,
450
00:26:40,475 --> 00:26:44,103
and embraces that part of her
that she was running away from.
451
00:26:44,103 --> 00:26:45,605
(PEOPLE GROANING, GASPING)
452
00:26:45,605 --> 00:26:48,399
(GRUNTING, ROARING)
453
00:26:52,820 --> 00:26:54,280
OLSEN: It's her acceptance.
454
00:26:56,324 --> 00:26:57,825
(GRUNTS)
455
00:26:57,825 --> 00:26:59,535
- MAN: Come on, run!
- (PEOPLE CLAMORING)
456
00:26:59,535 --> 00:27:02,997
MOORE: The lesson is, maybe you have
more power than you think you do.
457
00:27:03,623 --> 00:27:04,874
That's Wanda's whole arc.
458
00:27:06,250 --> 00:27:09,295
And it's only by realizing
that the power is inside her...
459
00:27:11,172 --> 00:27:12,674
that she can control her power.
460
00:27:12,674 --> 00:27:13,758
(SCREAMING)
461
00:27:16,386 --> 00:27:19,389
And we see her become the Scarlet Witch.
462
00:27:30,900 --> 00:27:35,113
MAYES C. RUBEO: We all have
to confront grief sooner or later,
463
00:27:35,947 --> 00:27:37,490
but this makes you stronger.
464
00:27:39,367 --> 00:27:42,328
{\an8}I have personal losses in my life.
465
00:27:42,328 --> 00:27:45,707
{\an8}And I tell you that it's two ways,
466
00:27:45,707 --> 00:27:48,334
you go down or you go upward.
467
00:27:49,669 --> 00:27:53,756
And she became strong
through acknowledging this,
468
00:27:54,716 --> 00:27:58,010
so she could become the Scarlet Witch.
469
00:28:00,179 --> 00:28:04,434
And so now having this new discovery
of her own mythology,
470
00:28:04,434 --> 00:28:05,977
of being this witch,
471
00:28:07,228 --> 00:28:10,690
is where we pick up with her
in Doctor Strange.
472
00:28:10,690 --> 00:28:11,649
The Darkhold.
473
00:28:11,858 --> 00:28:13,401
WANDA: You're familiar with the Darkhold.
474
00:28:13,401 --> 00:28:15,069
I know it's the Book of the Damned.
475
00:28:15,069 --> 00:28:17,113
The Darkhold only showed me the truth.
476
00:28:17,780 --> 00:28:19,824
MOORE: Doctor Strange
in the Multiverse of Madness,
477
00:28:19,824 --> 00:28:22,827
that power has grown even more
since she started to study the Darkhold.
478
00:28:23,411 --> 00:28:26,956
WANDA: If you knew there was a universe
where you were happy...
479
00:28:26,956 --> 00:28:28,708
- Chocolate!
- Hey!
480
00:28:29,208 --> 00:28:30,585
...wouldn't you wanna go there?
481
00:28:30,585 --> 00:28:33,838
OLSEN: She wants to recapture
this family nucleus
482
00:28:33,838 --> 00:28:36,799
that she created from WandaVision.
483
00:28:36,799 --> 00:28:38,885
I'm going to leave this reality,
484
00:28:38,885 --> 00:28:41,304
and go to one
where I can be with my children.
485
00:28:41,304 --> 00:28:44,557
This is where she uses the most power
486
00:28:45,433 --> 00:28:46,559
that she has yet.
487
00:28:47,310 --> 00:28:49,562
And it's for the love of her children.
488
00:28:49,562 --> 00:28:50,646
(GRUNTS)
489
00:28:59,363 --> 00:29:00,865
OLSEN: In a negative way,
490
00:29:00,865 --> 00:29:05,661
Wanda Maximoff could be distilled
into female hysteria.
491
00:29:06,746 --> 00:29:09,749
But the way I like to think of her arc
492
00:29:10,249 --> 00:29:12,001
is through mental health.
493
00:29:13,795 --> 00:29:17,757
We're in this amazing time
of embracing mental health,
494
00:29:17,757 --> 00:29:20,760
and it becoming less taboo
to use the language
495
00:29:20,760 --> 00:29:23,137
of depression, and panic and anxiety.
496
00:29:24,931 --> 00:29:27,934
And the more we can tell stories about it,
497
00:29:27,934 --> 00:29:30,895
- then the people having the experiences,
-(DISTANT SCREAMING)
498
00:29:30,895 --> 00:29:33,773
potentially, could stop feeling shame
499
00:29:33,773 --> 00:29:35,775
or isolation.
500
00:29:36,901 --> 00:29:39,862
And that's a very important topic for me
501
00:29:39,862 --> 00:29:43,866
because it's everywhere
and we don't see it,
502
00:29:43,866 --> 00:29:45,034
because it's private,
503
00:29:45,952 --> 00:29:48,621
but you need to communicate with someone.
504
00:29:50,248 --> 00:29:52,458
It shouldn't be
an, an isolated experience.
505
00:30:02,844 --> 00:30:04,011
{\an8}I am Dr. Janina Scarlet.
506
00:30:04,011 --> 00:30:07,473
{\an8}I am a clinical psychologist,
author and a full-time-geek.
507
00:30:07,723 --> 00:30:10,852
{\an8}And my favorite character in the MCU
is Wanda Maximoff,
508
00:30:10,852 --> 00:30:12,478
aka the Scarlet Witch.
509
00:30:14,981 --> 00:30:19,068
When I was a small child,
my family and I lived in Ukraine,
510
00:30:20,027 --> 00:30:23,531
and I was exposed to Chernobyl radiation.
511
00:30:24,365 --> 00:30:27,910
I spent most of my childhood
in and out of the hospital,
512
00:30:27,910 --> 00:30:31,455
not knowing
if I would make it to adulthood.
513
00:30:35,209 --> 00:30:36,127
When I was 12,
514
00:30:36,335 --> 00:30:39,422
my family and I managed to immigrate
to the United States
515
00:30:39,422 --> 00:30:41,048
as refugees in secret
516
00:30:41,549 --> 00:30:43,801
in order to get away from violence.
517
00:30:43,801 --> 00:30:47,388
I had experienced health trauma,
I had been subjected to bullying,
518
00:30:47,388 --> 00:30:48,806
antisemitism.
519
00:30:51,684 --> 00:30:55,396
And so I was that awkward and weird kid
520
00:30:55,396 --> 00:30:57,523
that didn't quite fit in.
521
00:30:58,816 --> 00:31:01,235
I thought I was the only one going through
522
00:31:01,235 --> 00:31:04,030
PTSD and depression and anxiety,
523
00:31:04,030 --> 00:31:05,865
but I didn't know any of those terms,
524
00:31:05,865 --> 00:31:08,993
because nobody talked about mental health.
525
00:31:11,579 --> 00:31:15,041
And so I really became fascinated
with Wanda
526
00:31:16,918 --> 00:31:20,254
when I went to see Age of Ultron.
527
00:31:23,132 --> 00:31:28,346
Watching the way that she deals
with trauma and grief
528
00:31:28,346 --> 00:31:29,555
really resonated with me.
529
00:31:32,183 --> 00:31:33,476
Like Wanda,
530
00:31:33,476 --> 00:31:39,315
I had to learn that the only way we heal
is by processing our emotions.
531
00:31:41,359 --> 00:31:43,110
And, like Wanda,
532
00:31:43,110 --> 00:31:45,863
it was a really painful lesson
for me to learn,
533
00:31:45,863 --> 00:31:47,281
but it was a life-changing one.
534
00:31:51,702 --> 00:31:52,536
A lot of times,
535
00:31:52,787 --> 00:31:57,458
what I do with my clients
is ask who their favorite superhero is.
536
00:31:58,459 --> 00:32:02,046
And if there was a time that character
went through loss, grief, or trauma
537
00:32:02,588 --> 00:32:04,090
that they can relate to.
538
00:32:04,090 --> 00:32:07,468
Because realizing
that there is at least one other person,
539
00:32:07,468 --> 00:32:11,180
or even a fictional character,
that has gone through something similar
540
00:32:11,180 --> 00:32:13,808
can allow that person to feel less alone.
541
00:32:13,808 --> 00:32:17,603
And can actually help people understand
that their traumatic experience
542
00:32:17,603 --> 00:32:19,271
is merely an origin story,
543
00:32:19,271 --> 00:32:22,149
but the rest of our life choices
are up to us.
544
00:32:23,401 --> 00:32:27,905
Seeing Wanda become the Scarlet Witch
was a really important reminder for me
545
00:32:27,905 --> 00:32:33,536
that I had my identity change
from the little quiet girl that I was,
546
00:32:33,536 --> 00:32:35,788
to the woman that I am now.
547
00:32:37,248 --> 00:32:41,168
And that I was able to find
what my own superpower is,
548
00:32:41,168 --> 00:32:46,298
so that I can help other people
find their own superpowers, too.
549
00:32:49,093 --> 00:32:52,930
{\an8}I think most people can find a superhero
that they specifically relate to.
550
00:32:52,930 --> 00:32:55,599
I think that's
the power of, of superheroes.
551
00:32:55,599 --> 00:32:56,809
(GASPS) Oh, no!
552
00:32:58,102 --> 00:32:59,729
HAHN: If watching WandaVision...
553
00:32:59,729 --> 00:33:01,105
Oh, that's better.
554
00:33:01,105 --> 00:33:03,858
...And seeing these women in these roles
555
00:33:04,650 --> 00:33:07,695
had helped anybody through a tough time,
556
00:33:07,695 --> 00:33:10,740
or helped them to find their own power,
557
00:33:11,198 --> 00:33:15,411
or to not be afraid to be weird
or not afraid to come out,
558
00:33:15,411 --> 00:33:17,705
not afraid to, like,
be exactly who they are
559
00:33:17,705 --> 00:33:19,957
in their beautiful, whole selves,
560
00:33:19,957 --> 00:33:23,419
then I'll never forget it,
and I'll hold that to my heart forever.
561
00:33:25,337 --> 00:33:27,298
MCDONNELL: Superheroes are
not always successful,
562
00:33:27,298 --> 00:33:28,883
and they don't
always make right choices.
563
00:33:28,883 --> 00:33:31,886
But to see someone
try to use their power for good
564
00:33:31,886 --> 00:33:36,348
{\an8}I think is just so important
to internalize and to aspire to.
565
00:33:37,683 --> 00:33:39,060
OLSEN: Playing this character,
566
00:33:39,060 --> 00:33:43,439
it's quite literally been
watching a young woman become a woman,
567
00:33:43,439 --> 00:33:46,233
and have emotional growth...
568
00:33:46,233 --> 00:33:47,610
(BREATHING HEAVILY)
569
00:33:47,610 --> 00:33:49,153
...and acceptance and love for herself.
570
00:33:50,488 --> 00:33:53,074
And I think we all
in different ways in our lives...
571
00:33:53,074 --> 00:33:53,991
I love you.
572
00:33:54,241 --> 00:33:56,327
...can relate to Wanda's journey.
573
00:33:57,369 --> 00:33:58,496
(BOTH GRUNT)
574
00:33:59,622 --> 00:34:00,623
(SCREAMING)