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Last time, The Piano began its
journey at Birmingham New Street...
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Last time, The Piano began its
journey at Birmingham New Street...
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I do not understand how she is doing
what she is doing.
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I do not understand how she is doing
what she is doing.
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I do not understand how she is doing
what she is doing.
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..where Tiffany Poon and Mika
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chose Grace to perform
at the final concert.
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chose Grace to perform
at the final concert.
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But she may not be
Birmingham's only finalist.
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But she may not be
Birmingham's only finalist.
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If we felt somebody deserved
a second chance,
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If we felt somebody deserved
a second chance,
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what we have come up with this year
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what we have come up with this year
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is this idea of a wild card.
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The wild card goes to Megan.
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The wild card goes to Megan.
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APPLAUSE
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Honestly, I can't tell you.
It means so much to me.
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Honestly, I can't tell you.
It means so much to me.
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Need to get wild, don't I,
really, for the next time.
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Need to get wild, don't I,
really, for the next time.
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MEGAN LAUGHS
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The Piano was on its way to
celebrate
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The Piano was on its way to
celebrate
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the incredible
amateur pianists of Scotland.
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the incredible
amateur pianists of Scotland.
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And we were headed for Glasgow's
stunning Central Station,
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And we were headed for Glasgow's
stunning Central Station,
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but had to change our plans.
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A huge fire destroyed
a neighbouring building.
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A huge fire destroyed
a neighbouring building.
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Luckily, no-one was hurt,
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but Glasgow Central had to be
closed.
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but Glasgow Central had to be
closed.
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Fortunately, the busiest station in
the country saved the day.
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Fortunately, the busiest station in
the country saved the day.
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Fortunately, the busiest station in
the country saved the day.
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So our brilliant pianists who were
gonna come
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and play for us in Scotland,
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we've brought them here
to Liverpool Street.
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we've brought them here
to Liverpool Street.
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Liverpool Street came to
the rescue. Yeah.
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At the last minute,
they told us that we could come
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At the last minute,
they told us that we could come
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and set up and bring everybody
with us.
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And that's not all that's new,
right?
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And that's not all that's new,
right?
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That's not. Come on.
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That's not. Come on.
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# I've got you under my skin... #
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# I've got you under my skin... #
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# I've got you under my skin... #
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# I've got you under my skin... #
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Tell me about today's mentor.
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He is a brilliant pianist.
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He is a brilliant pianist.
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He is also the most successful
UK jazz musician of all-time.
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He is also the most successful
UK jazz musician of all-time.
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He is also the most successful
UK jazz musician of all-time.
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What?
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# Deep in my heart... #
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# Deep in my heart... #
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He is phenomenal.
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It is the brilliant Jamie Cullum.
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It is the brilliant Jamie Cullum.
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# Cos I've got you
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# Cos I've got you
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# Under my ski-iin... #
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# Under my ski-iin... #
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# Under my ski-iin... #
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# Under my ski-iin... #
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He's just brilliant. Amazing.
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CHEERS AND APPLAUSE
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CHEERS AND APPLAUSE
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Hey.
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Hey, Jamie. Good to see you.
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Hi, darling.
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Welcome to The Piano, finally.
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Welcome to The Piano, finally.
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It's amazing to be here.
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Jamie Cullum!
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CHEERS AND APPLAUSE
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TANNOY:The train at platform two is
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TANNOY:The train at platform two is
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the 11.12 Greater Anglia
service to...
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the 11.12 Greater Anglia
service to...
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Jamie, thank you so much
for joining us.
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Can I apologise for what's in my
lap?
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No apologies necessary.
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That's Claudia's dog, Skip.
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That's Claudia's dog, Skip.
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I couldn't find anyone
to look after him.
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How was that for you?
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Have you ever played in
a station before?
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I have played in stations before,
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and I'm a big, joyous lover of
the piano in public spaces.
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and I'm a big, joyous lover of
the piano in public spaces.
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This is a broad question,
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but do you know when you see
something brilliant?
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but do you know when you see
something brilliant?
102
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Is it a gut feeling?
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If you are at the piano,
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you have a touch at the instrument
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you have a touch at the instrument
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where your humanity comes through.
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And I think the piano releases
that sadness, the joy.
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And I think the piano releases
that sadness, the joy.
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The confusing nature
of being kind of human
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The confusing nature
of being kind of human
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all comes out on this collection
of wood and metal.
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all comes out on this collection
of wood and metal.
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How do you think our pianists
will cope?
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How do you think our pianists
will cope?
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Because they thought they were
gonna play in Glasgow,
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which might've been down
the road from their house.
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which might've been down
the road from their house.
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Now we're like, "Come to the busiest
station in the UK."
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Now we're like, "Come to the busiest
station in the UK."
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When you sit down at the instrument,
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it's a familiar place wherever
it is. Yeah.
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Whether you're in... That's true.
..Glasgow, whether you're in London,
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Whether you're in... That's true.
..Glasgow, whether you're in London,
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it will hopefully feel like some
sort of home,
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and they'll get a great reaction,
I'm sure.
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and they'll get a great reaction,
I'm sure.
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OK. I'm going to breast-feed the
dog.
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OK. I'm going to breast-feed the
dog.
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Nice. And then I'm
going to welcome our first pianist.
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Nice. And then I'm
going to welcome our first pianist.
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This is a magnificently strange
show. I love it.
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This is a magnificently strange
show. I love it.
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He prefers the left.Oh, lovely.
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He prefers the left.Oh, lovely.
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Come on, Skip.Enjoy.
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God.
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My name's Cailean, I'm 19 years old,
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My name's Cailean, I'm 19 years old,
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and I'm from the Highlands
of Scotland.
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and I'm from the Highlands
of Scotland.
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What was it like, growing up?
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It was perfect.
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There wasn't really much internet
or telly.
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There wasn't really much internet
or telly.
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I was so lucky just being outdoors
all the time.
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I was so lucky just being outdoors
all the time.
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It's the best place in the world,
I think.
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It's the best place in the world,
I think.
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Hello, Cailean.Hi. How are you?
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So nice to meet you.
Nice to meet you.
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You look lovely.Thank you.
Come and have a seat.
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You look lovely.Thank you.
Come and have a seat.
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I'm so sorry that we're not
in Glasgow.
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I'm so sorry that we're not
in Glasgow.
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And it's probably quite a lot for
you
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because you were like,
"No, I'm just going there."
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And now you're here.Yeah.
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I'm OK with travelling,
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but I literally live in the middle
of nowhere.
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It's a 45-minute walk to the most
rural bus stop in the world, so.
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It's a 45-minute walk to the most
rural bus stop in the world, so.
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It's a 45-minute walk to the most
rural bus stop in the world, so.
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Wow.What?
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What do you love playing?
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I play Scottish traditional music.
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I play Scottish traditional music.
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I love how community-based it is,
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but, I think people misunderstand
that.
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but, I think people misunderstand
that.
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It's like, "OK, so he's a Ceilidh
plinky plonky player."
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It's like, "OK, so he's a Ceilidh
plinky plonky player."
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It's not really like that.
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I'm not that familiar
with Ceilidh music.
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I'm not that familiar
with Ceilidh music.
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I can imagine there's
a lot of fiddle.
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There's a lot of fiddle. There's...
And a lot of spirit. Yeah.
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And the slidy notes, and
"Rrum-diddle-um..." Yes.
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And the slidy notes, and
"Rrum-diddle-um..." Yes.
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How do you do all that with
the piano, though?
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I guess we're gonna find out.
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Wow.
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He's the first person, ever,
in four years,
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He's the first person, ever,
in four years,
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to literally be playing
a riff as intense as that
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to literally be playing
a riff as intense as that
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only with the right hand.
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I love how the... Whoa! ..intensity
is just growing and growing.
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I love how the... Whoa! ..intensity
is just growing and growing.
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It's like a whirling dervish.
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FAST PIANO PLAYING
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FAST PIANO PLAYING
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The piece was written by one of
the best composers ever,
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The piece was written by one of
the best composers ever,
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in my opinion, Gordon Duncan.
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But it's written for the bagpipes,
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so I've built an
arrangement around that,
197
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so I've built an
arrangement around that,
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and it's not really got
a time signature.
199
00:05:53,440 --> 00:05:53,680
and it's not really got
a time signature.
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It doesn't have one steady beat.
201
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It changes every single bit.
202
00:06:00,440 --> 00:06:02,440
Oh, here we go. Ts-ts-ts-tststs.
203
00:06:02,480 --> 00:06:02,680
Oh, here we go. Ts-ts-ts-tststs.
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Mm!
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00:06:04,600 --> 00:06:05,960
Amazing how he's getting
the rhythm going.
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He wants someone to drum with him.
Yeah.
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00:06:15,400 --> 00:06:16,560
Yes!
208
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I mean, it just keeps on giving.
209
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I mean, it just keeps on giving.
210
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Think he also needs credit here for
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00:06:26,880 --> 00:06:28,440
the fact that he arranged
this as well.
212
00:06:31,880 --> 00:06:33,280
It's got this rock spirit.
213
00:06:33,320 --> 00:06:35,320
It's like if Pete Townsend was
playing the piano.
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00:06:35,360 --> 00:06:36,200
It's like if Pete Townsend was
playing the piano.
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00:06:47,880 --> 00:06:49,760
CHEERS AND APPLAUSE
216
00:06:51,120 --> 00:06:52,640
Yes!
217
00:06:52,680 --> 00:06:54,680
Thank you so much.
You were so brilliant.
218
00:06:54,720 --> 00:06:54,960
Thank you so much.
You were so brilliant.
219
00:06:55,000 --> 00:06:56,560
Cailean, everyone!
220
00:06:56,600 --> 00:06:58,600
CHEERS
221
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CHEERS
222
00:06:58,920 --> 00:07:00,920
I'd love to have that intensity at
the final concert.
223
00:07:00,960 --> 00:07:02,200
I'd love to have that intensity at
the final concert.
224
00:07:02,240 --> 00:07:04,240
Well, I don't know how many piano
players you're gonna have like
225
00:07:04,280 --> 00:07:05,000
Well, I don't know how many piano
players you're gonna have like
226
00:07:05,040 --> 00:07:06,520
this, but... You would consider him?
227
00:07:06,560 --> 00:07:08,560
I would absolutely consider
him, yeah. Yeah, so, would I.
228
00:07:08,600 --> 00:07:09,040
I would absolutely consider
him, yeah. Yeah, so, would I.
229
00:07:09,080 --> 00:07:11,080
I was worried about bringing
Glasgow to London,
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00:07:11,120 --> 00:07:12,600
I was worried about bringing
Glasgow to London,
231
00:07:12,640 --> 00:07:14,640
but I'm so happy that we start
with something excellent.
232
00:07:14,680 --> 00:07:16,680
but I'm so happy that we start
with something excellent.
233
00:07:16,720 --> 00:07:16,960
but I'm so happy that we start
with something excellent.
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What did you think?
235
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He's Spanish. He can't speak any
English, but he's delighted.
236
00:07:20,400 --> 00:07:20,880
He's Spanish. He can't speak any
English, but he's delighted.
237
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Fine!He loved it.
238
00:07:22,560 --> 00:07:24,320
Si.Si.
239
00:07:26,800 --> 00:07:28,800
My name's Jim, I'm from Aberdeen,
240
00:07:28,840 --> 00:07:29,160
My name's Jim, I'm from Aberdeen,
241
00:07:29,200 --> 00:07:31,200
and two years ago I was 84.
242
00:07:31,240 --> 00:07:32,400
and two years ago I was 84.
243
00:07:32,440 --> 00:07:34,440
And I'm just glad my son's with me.
244
00:07:34,480 --> 00:07:35,160
And I'm just glad my son's with me.
245
00:07:35,200 --> 00:07:37,200
What does his T-shirt say?
"Never underestimate the...?"
246
00:07:37,240 --> 00:07:37,680
What does his T-shirt say?
"Never underestimate the...?"
247
00:07:37,720 --> 00:07:39,720
"Never underestimate an old man
who loves playing the piano."
248
00:07:39,760 --> 00:07:41,760
"Never underestimate an old man
who loves playing the piano."
249
00:07:41,800 --> 00:07:42,040
"Never underestimate an old man
who loves playing the piano."
250
00:07:42,080 --> 00:07:44,080
Best T-shirt ever. Yeah.
251
00:07:44,120 --> 00:07:44,400
Best T-shirt ever. Yeah.
252
00:07:44,440 --> 00:07:46,440
I think we should get you one.
In a heartbeat. Yeah.
253
00:07:46,480 --> 00:07:46,840
I think we should get you one.
In a heartbeat. Yeah.
254
00:08:01,440 --> 00:08:03,440
# Hop a flight to Miami beach... #
255
00:08:03,480 --> 00:08:04,560
# Hop a flight to Miami beach... #
256
00:08:04,600 --> 00:08:06,600
Never underestimate the old man.
257
00:08:06,640 --> 00:08:07,440
Never underestimate the old man.
258
00:08:07,480 --> 00:08:09,080
He doesn't just love the piano,
he can play it.
259
00:08:09,120 --> 00:08:10,800
Yeah.
260
00:08:10,840 --> 00:08:12,840
# I'm taking a Greyhound... #
261
00:08:12,880 --> 00:08:13,080
# I'm taking a Greyhound... #
262
00:08:13,120 --> 00:08:13,920
It really suits you.
263
00:08:13,960 --> 00:08:15,080
# On the Hudson River Line... #
264
00:08:22,880 --> 00:08:24,880
I've never been far away from
a piano, ever, in my life.
265
00:08:24,920 --> 00:08:26,240
I've never been far away from
a piano, ever, in my life.
266
00:08:29,040 --> 00:08:31,040
Do you think the piano keeps
you young?
267
00:08:31,080 --> 00:08:31,320
Do you think the piano keeps
you young?
268
00:08:31,360 --> 00:08:32,280
I'd like to think so.
269
00:08:32,320 --> 00:08:34,320
But my wife would probably disagree.
270
00:08:34,360 --> 00:08:35,280
But my wife would probably disagree.
271
00:08:35,320 --> 00:08:37,320
We used to do a lot of hotel
and club work.
272
00:08:37,360 --> 00:08:38,720
We used to do a lot of hotel
and club work.
273
00:08:38,760 --> 00:08:40,760
Nowadays we're just doing
pensioners' concerts and care homes,
274
00:08:40,800 --> 00:08:42,800
Nowadays we're just doing
pensioners' concerts and care homes,
275
00:08:42,840 --> 00:08:43,120
Nowadays we're just doing
pensioners' concerts and care homes,
276
00:08:43,160 --> 00:08:45,160
but most of the residents are
younger than me.
277
00:08:45,200 --> 00:08:46,000
but most of the residents are
younger than me.
278
00:08:46,040 --> 00:08:47,840
JIM CHUCKLES
279
00:08:55,880 --> 00:08:57,400
He's taken this really
familiar tune,
280
00:08:57,440 --> 00:08:58,760
New York State of Mind...
281
00:08:58,800 --> 00:09:00,720
Yeah. ..and he's using it as
a jumping off point
282
00:09:00,760 --> 00:09:02,120
to take him where he wants to go.
283
00:09:06,000 --> 00:09:08,000
I can guarantee he probably hasn't
figured out this bit.
284
00:09:08,040 --> 00:09:09,080
I can guarantee he probably hasn't
figured out this bit.
285
00:09:09,120 --> 00:09:11,120
This is probably something he's
feeling in the moment.
286
00:09:11,160 --> 00:09:11,360
This is probably something he's
feeling in the moment.
287
00:09:15,360 --> 00:09:16,560
You're right.
288
00:09:16,600 --> 00:09:18,600
He's using the song as like
the comforting structure, right?
289
00:09:18,640 --> 00:09:19,640
He's using the song as like
the comforting structure, right?
290
00:09:19,680 --> 00:09:20,640
Yeah, exactly.
291
00:09:23,840 --> 00:09:25,840
And now we're Gershwinning
for the outro.
292
00:09:25,880 --> 00:09:26,440
And now we're Gershwinning
for the outro.
293
00:09:26,480 --> 00:09:28,160
Take us to the outro, Jim!
294
00:09:36,120 --> 00:09:38,120
This is the definition of somebody
making the most of an opportunity.
295
00:09:38,160 --> 00:09:40,160
This is the definition of somebody
making the most of an opportunity.
296
00:09:40,200 --> 00:09:40,440
This is the definition of somebody
making the most of an opportunity.
297
00:09:40,480 --> 00:09:42,080
Yes, definitely.
298
00:09:44,080 --> 00:09:45,360
Yes!
299
00:09:45,400 --> 00:09:46,760
CHEERS AND APPLAUSE
Woohoo!
300
00:09:46,800 --> 00:09:47,960
Brilliant.
301
00:09:48,000 --> 00:09:50,000
And I've never been more for it.
302
00:09:50,040 --> 00:09:50,240
And I've never been more for it.
303
00:09:50,280 --> 00:09:52,040
Jim, everybody!
304
00:09:52,080 --> 00:09:54,080
CHEERS AND APPLAUSE
Look what... Everybody up there!
305
00:09:54,120 --> 00:09:54,560
CHEERS AND APPLAUSE
Look what... Everybody up there!
306
00:09:54,600 --> 00:09:55,600
I know.
307
00:09:55,640 --> 00:09:56,920
Huge audience. Absolutely love him.
308
00:09:56,960 --> 00:09:58,640
Two-tiered audience. Yeah.
309
00:09:58,680 --> 00:10:00,360
The biggest crowd we've ever had.
310
00:10:00,400 --> 00:10:01,560
Thank you so much. For you.
311
00:10:01,600 --> 00:10:03,240
I'm not just saying that.,
312
00:10:03,280 --> 00:10:05,280
He's sold out the stalls
and he's filling up the circle.
313
00:10:05,320 --> 00:10:06,240
He's sold out the stalls
and he's filling up the circle.
314
00:10:06,280 --> 00:10:07,720
Oh, that's so good!
315
00:10:07,760 --> 00:10:08,840
He's good, isn't he?
316
00:10:10,040 --> 00:10:12,040
That was beyond my wildest dreams,
that reception.
317
00:10:12,080 --> 00:10:13,560
That was beyond my wildest dreams,
that reception.
318
00:10:13,600 --> 00:10:15,520
Thank you. It's a fountain of youth
319
00:10:15,560 --> 00:10:17,400
having a kind of relationship with
an instrument like this,
320
00:10:17,440 --> 00:10:19,440
The years can slip away when
you're playing.
321
00:10:19,480 --> 00:10:20,440
The years can slip away when
you're playing.
322
00:10:20,480 --> 00:10:22,240
We give reverence to the youth,
and actually,
323
00:10:22,280 --> 00:10:23,520
in other musical cultures,
324
00:10:23,560 --> 00:10:25,560
you're not considered a master,
however good you are,
325
00:10:25,600 --> 00:10:25,880
you're not considered a master,
however good you are,
326
00:10:25,920 --> 00:10:27,920
until you're old
and you've paid your dues.
327
00:10:27,960 --> 00:10:28,360
until you're old
and you've paid your dues.
328
00:10:28,400 --> 00:10:30,400
There is no expiry date to
the spirit.
329
00:10:30,440 --> 00:10:30,640
There is no expiry date to
the spirit.
330
00:10:31,960 --> 00:10:33,440
What you guys gonna do now?
331
00:10:33,480 --> 00:10:35,480
A vindaloo, I think, is required
to celebrate.
332
00:10:35,520 --> 00:10:37,280
A vindaloo, I think, is required
to celebrate.
333
00:10:37,320 --> 00:10:39,320
He was gonna take me for
a curry last night,
334
00:10:39,360 --> 00:10:39,640
He was gonna take me for
a curry last night,
335
00:10:39,680 --> 00:10:41,680
but he was just scared there might
be some repercussions today.
336
00:10:41,720 --> 00:10:43,400
but he was just scared there might
be some repercussions today.
337
00:10:43,440 --> 00:10:44,720
LAUGHTER
338
00:10:45,960 --> 00:10:47,960
TANNOY: The train at platform eight
is the service to Clacton-on-Sea.
339
00:10:48,000 --> 00:10:50,000
TANNOY: The train at platform eight
is the service to Clacton-on-Sea.
340
00:10:50,040 --> 00:10:51,200
TANNOY: The train at platform eight
is the service to Clacton-on-Sea.
341
00:10:51,240 --> 00:10:52,560
My name is Gabby,
342
00:10:52,600 --> 00:10:54,600
I live in Edinburgh with my husband,
my daughters, and my two cats.
343
00:10:54,640 --> 00:10:56,520
I live in Edinburgh with my husband,
my daughters, and my two cats.
344
00:10:56,560 --> 00:10:57,800
Yes.
345
00:10:57,840 --> 00:10:59,840
Hi, Gabby.Oh, hi, Claudia.
346
00:10:59,880 --> 00:11:00,080
Hi, Gabby.Oh, hi, Claudia.
347
00:11:00,120 --> 00:11:01,400
You look gorgeous.
348
00:11:01,440 --> 00:11:03,440
That looks like a South American
embroidery top. Yes, yes.
349
00:11:03,480 --> 00:11:04,720
That looks like a South American
embroidery top. Yes, yes.
350
00:11:04,760 --> 00:11:06,760
Tell me all about you and the piano.
351
00:11:06,800 --> 00:11:07,040
Tell me all about you and the piano.
352
00:11:07,080 --> 00:11:09,080
Well, I started playing
when I was 13,
353
00:11:09,120 --> 00:11:10,040
Well, I started playing
when I was 13,
354
00:11:10,080 --> 00:11:12,080
and the first time I sat and played,
it was, "Yes, this is me"
355
00:11:12,120 --> 00:11:13,760
and the first time I sat and played,
it was, "Yes, this is me"
356
00:11:13,800 --> 00:11:15,360
Yeah, and where was this?
357
00:11:15,400 --> 00:11:16,400
Mexico. Mexico.
358
00:11:16,440 --> 00:11:17,960
Yes, I'm from Mexico. You can tell?
359
00:11:18,000 --> 00:11:19,800
Oh, that's it. There you go.
Of course. There you go.
360
00:11:22,240 --> 00:11:24,240
What do you have in Mexico that you
don't see so much in Scotland?
361
00:11:24,280 --> 00:11:25,560
What do you have in Mexico that you
don't see so much in Scotland?
362
00:11:25,600 --> 00:11:26,640
Sun.
363
00:11:26,680 --> 00:11:28,240
GABBY LAUGHS
We have sun.
364
00:11:29,480 --> 00:11:31,480
We moved to Scotland
because of my husband's job.
365
00:11:31,520 --> 00:11:32,400
We moved to Scotland
because of my husband's job.
366
00:11:32,440 --> 00:11:34,240
SPEAKING SPANISH
367
00:11:34,280 --> 00:11:36,280
He got an interview
here in Scotland,
368
00:11:36,320 --> 00:11:36,680
He got an interview
here in Scotland,
369
00:11:36,720 --> 00:11:38,720
and we thought maybe it's a
good environment to raise the girls,
370
00:11:38,760 --> 00:11:40,200
and we thought maybe it's a
good environment to raise the girls,
371
00:11:40,240 --> 00:11:42,240
and we said,
"OK, what about the cats?
372
00:11:42,280 --> 00:11:43,160
and we said,
"OK, what about the cats?
373
00:11:43,200 --> 00:11:44,320
"We cannot leave them."
374
00:11:47,000 --> 00:11:49,000
My cats are Misho and Toffee.
375
00:11:49,040 --> 00:11:50,160
My cats are Misho and Toffee.
376
00:11:50,200 --> 00:11:51,680
Come on.
377
00:11:51,720 --> 00:11:53,720
They are family, but sadly,
378
00:11:53,760 --> 00:11:55,760
you cannot bring
a cat directly from Mexico.
379
00:11:55,800 --> 00:11:56,880
you cannot bring
a cat directly from Mexico.
380
00:11:58,440 --> 00:12:00,400
You have to fly into the
European Union
381
00:12:00,440 --> 00:12:02,200
and then bring them by car.
382
00:12:02,240 --> 00:12:04,240
But I didn't have the money,
of course.
383
00:12:04,280 --> 00:12:04,960
But I didn't have the money,
of course.
384
00:12:05,000 --> 00:12:07,000
Well, I want to have
a proper home for the girls,
385
00:12:07,040 --> 00:12:08,720
Well, I want to have
a proper home for the girls,
386
00:12:08,760 --> 00:12:10,760
and we said, "OK,
and what about my piano?"
387
00:12:10,800 --> 00:12:12,600
and we said, "OK,
and what about my piano?"
388
00:12:12,640 --> 00:12:14,640
I just got my dream piano.
389
00:12:14,680 --> 00:12:14,920
I just got my dream piano.
390
00:12:14,960 --> 00:12:16,960
It wasn't new, but I mean,
still, it was just my dream.
391
00:12:17,000 --> 00:12:19,000
It wasn't new, but I mean,
still, it was just my dream.
392
00:12:19,040 --> 00:12:19,320
It wasn't new, but I mean,
still, it was just my dream.
393
00:12:19,360 --> 00:12:21,360
But I sold the piano to get
the cats to Scotland.
394
00:12:21,400 --> 00:12:22,880
But I sold the piano to get
the cats to Scotland.
395
00:12:22,920 --> 00:12:24,600
Was it hard selling your piano,
396
00:12:24,640 --> 00:12:26,640
something that you'd wanted for
so long?
397
00:12:26,680 --> 00:12:27,120
something that you'd wanted for
so long?
398
00:12:27,160 --> 00:12:29,120
It was really hard.
399
00:12:29,160 --> 00:12:31,160
This is what happens
when you're a mother.
400
00:12:31,200 --> 00:12:31,600
This is what happens
when you're a mother.
401
00:12:31,640 --> 00:12:33,200
I stopped playing.
402
00:12:33,240 --> 00:12:35,240
So I think playing at the
train station's gonna be...
403
00:12:35,280 --> 00:12:37,280
So I think playing at the
train station's gonna be...
404
00:12:37,320 --> 00:12:37,880
So I think playing at the
train station's gonna be...
405
00:12:39,280 --> 00:12:40,480
..huge.
406
00:12:49,240 --> 00:12:51,240
I'm gonna be playing
a piece by Julio Ituarte,
407
00:12:51,280 --> 00:12:52,640
I'm gonna be playing
a piece by Julio Ituarte,
408
00:12:52,680 --> 00:12:54,200
a Mexican composer.
409
00:12:54,240 --> 00:12:56,240
Rompe Pianos could be translate
as "piano breaker,"
410
00:12:56,280 --> 00:12:58,280
Rompe Pianos could be translate
as "piano breaker,"
411
00:12:58,320 --> 00:12:58,640
Rompe Pianos could be translate
as "piano breaker,"
412
00:12:58,680 --> 00:13:00,680
because I'm gonna smash the piano.
413
00:13:00,720 --> 00:13:00,920
because I'm gonna smash the piano.
414
00:13:02,160 --> 00:13:04,160
Oh! Yeah, love that.
415
00:13:04,200 --> 00:13:04,440
Oh! Yeah, love that.
416
00:13:12,320 --> 00:13:14,320
I love to see someone play a chord
like that.
417
00:13:14,360 --> 00:13:16,280
I love to see someone play a chord
like that.
418
00:13:16,320 --> 00:13:18,320
And hit the right notes.
Every time. Yeah.
419
00:13:18,360 --> 00:13:18,760
And hit the right notes.
Every time. Yeah.
420
00:13:25,840 --> 00:13:27,840
She has an elegantly
flamboyant technique.
421
00:13:27,880 --> 00:13:28,520
She has an elegantly
flamboyant technique.
422
00:13:28,560 --> 00:13:30,160
It's not for the sake of it.
423
00:13:30,200 --> 00:13:32,200
It's part of the dance of her hands
on the keys.
424
00:13:32,240 --> 00:13:32,600
It's part of the dance of her hands
on the keys.
425
00:13:43,160 --> 00:13:45,160
The piece and me,
I think we're connected.
426
00:13:45,200 --> 00:13:46,880
The piece and me,
I think we're connected.
427
00:13:46,920 --> 00:13:48,920
It has different phases.
428
00:13:48,960 --> 00:13:49,160
It has different phases.
429
00:13:52,440 --> 00:13:54,440
I am a mum.
430
00:13:54,480 --> 00:13:54,800
I am a mum.
431
00:13:57,920 --> 00:13:59,920
I am a chef,
432
00:13:59,960 --> 00:14:00,160
I am a chef,
433
00:14:00,200 --> 00:14:02,200
I am a cleaner, and also a pianist.
434
00:14:02,240 --> 00:14:04,240
I am a cleaner, and also a pianist.
435
00:14:04,280 --> 00:14:04,440
I am a cleaner, and also a pianist.
436
00:14:12,320 --> 00:14:14,320
But after all, it's just one piece,
it's just one person.
437
00:14:14,360 --> 00:14:16,280
But after all, it's just one piece,
it's just one person.
438
00:14:19,960 --> 00:14:21,960
Textured, colourful.
439
00:14:22,000 --> 00:14:22,280
Textured, colourful.
440
00:14:22,320 --> 00:14:24,320
It's just genius. Yeah. Everything
about it is genius.
441
00:14:24,360 --> 00:14:25,600
It's just genius. Yeah. Everything
about it is genius.
442
00:14:29,200 --> 00:14:31,200
I want to see it in person.
Shall we abseil down?
443
00:14:31,240 --> 00:14:31,640
I want to see it in person.
Shall we abseil down?
444
00:14:33,760 --> 00:14:35,760
I think I gave up a lot of things,
445
00:14:35,800 --> 00:14:37,160
I think I gave up a lot of things,
446
00:14:37,200 --> 00:14:39,200
but it's really important now
for me
447
00:14:39,240 --> 00:14:39,920
but it's really important now
for me
448
00:14:39,960 --> 00:14:41,960
that my girls see me not just
like Mummy,
449
00:14:42,000 --> 00:14:43,600
that my girls see me not just
like Mummy,
450
00:14:43,640 --> 00:14:45,640
the lady who cleans, the lady who
cooks.
451
00:14:45,680 --> 00:14:46,160
the lady who cleans, the lady who
cooks.
452
00:14:48,560 --> 00:14:50,200
That's real power.
453
00:14:50,240 --> 00:14:52,240
Because Mummy likes piano,
and Mummy has life.
454
00:14:52,280 --> 00:14:54,280
Because Mummy likes piano,
and Mummy has life.
455
00:14:54,320 --> 00:14:54,520
Because Mummy likes piano,
and Mummy has life.
456
00:15:02,120 --> 00:15:04,120
CHEERING AND APPLAUSE
Boom!
457
00:15:04,160 --> 00:15:05,280
CHEERING AND APPLAUSE
Boom!
458
00:15:05,320 --> 00:15:07,320
You are brilliant.
I can't stop smiling.
459
00:15:07,360 --> 00:15:09,360
You are brilliant.
I can't stop smiling.
460
00:15:09,400 --> 00:15:09,680
You are brilliant.
I can't stop smiling.
461
00:15:09,720 --> 00:15:11,720
It just makes you want to smile.
You're amazing. Gabby, everybody!
462
00:15:11,760 --> 00:15:13,400
It just makes you want to smile.
You're amazing. Gabby, everybody!
463
00:15:13,440 --> 00:15:15,440
CHEERING AND APPLAUSE
464
00:15:15,480 --> 00:15:16,760
CHEERING AND APPLAUSE
465
00:15:19,640 --> 00:15:21,640
Your mummy was amazing.Wow.
466
00:15:21,680 --> 00:15:22,600
Your mummy was amazing.Wow.
467
00:15:22,640 --> 00:15:24,280
She was amazing!
468
00:15:24,320 --> 00:15:26,320
Ah! I mean, I would love that kind
of light at the concert.
469
00:15:26,360 --> 00:15:27,680
Ah! I mean, I would love that kind
of light at the concert.
470
00:15:27,720 --> 00:15:29,720
Wow, wow!
471
00:15:29,760 --> 00:15:30,400
Wow, wow!
472
00:15:30,440 --> 00:15:32,360
Depends where you need that kind
of light and shade.
473
00:15:32,400 --> 00:15:34,400
If you could describe Mummy's
performance in one word,
474
00:15:34,440 --> 00:15:36,000
If you could describe Mummy's
performance in one word,
475
00:15:36,040 --> 00:15:37,280
what would it be?
476
00:15:37,320 --> 00:15:39,320
Erm...love?
477
00:15:39,360 --> 00:15:39,640
Erm...love?
478
00:15:39,680 --> 00:15:41,680
Love. You love it?
479
00:15:41,720 --> 00:15:41,920
Love. You love it?
480
00:15:41,960 --> 00:15:43,960
The playfulness was so wonderful,
481
00:15:44,000 --> 00:15:44,240
The playfulness was so wonderful,
482
00:15:44,280 --> 00:15:46,280
but you feel the crunch
and the bumps and the lumps
483
00:15:46,320 --> 00:15:46,880
but you feel the crunch
and the bumps and the lumps
484
00:15:46,920 --> 00:15:48,640
in a really kind of exciting way.
485
00:15:48,680 --> 00:15:50,680
But actually, maybe it's
lacking... Crunch?
486
00:15:50,720 --> 00:15:51,600
But actually, maybe it's
lacking... Crunch?
487
00:15:51,640 --> 00:15:53,640
The lumps and the bumps, but maybe
it's lacking some of that...
488
00:15:53,680 --> 00:15:53,960
The lumps and the bumps, but maybe
it's lacking some of that...
489
00:15:54,000 --> 00:15:56,000
The crunch and the lumps and
the bumps? ..delicacy. Yeah, yeah.
490
00:15:56,040 --> 00:15:56,520
The crunch and the lumps and
the bumps? ..delicacy. Yeah, yeah.
491
00:15:56,560 --> 00:15:58,560
Wow. I've never heard someone talk
about piano like...
492
00:15:58,600 --> 00:15:59,800
Wow. I've never heard someone talk
about piano like...
493
00:15:59,840 --> 00:16:01,640
..muesli.
494
00:16:01,680 --> 00:16:03,680
That's what you've been missing.
Yeah!
495
00:16:03,720 --> 00:16:04,360
That's what you've been missing.
Yeah!
496
00:16:07,070 --> 00:16:07,200
{\an8}UPBEAT MUSIC
497
00:16:07,720 --> 00:16:09,720
TANNOY:The train
at platform seven...
498
00:16:09,760 --> 00:16:11,760
A fire next to Glasgow Central
Station meant we had
499
00:16:11,800 --> 00:16:12,360
A fire next to Glasgow Central
Station meant we had
500
00:16:12,400 --> 00:16:14,400
to divert our brilliant Scottish
pianists to London Liverpool Street.
501
00:16:14,440 --> 00:16:16,440
to divert our brilliant Scottish
pianists to London Liverpool Street.
502
00:16:16,480 --> 00:16:18,040
to divert our brilliant Scottish
pianists to London Liverpool Street.
503
00:16:18,080 --> 00:16:20,080
Hi. How are you?
504
00:16:20,120 --> 00:16:20,360
Hi. How are you?
505
00:16:20,400 --> 00:16:22,400
And they aren't the only unexpected
arrivals from north of the border.
506
00:16:22,440 --> 00:16:24,280
And they aren't the only unexpected
arrivals from north of the border.
507
00:16:24,320 --> 00:16:26,320
Oh, my gosh, there's the guy
from the Traitors.
508
00:16:26,360 --> 00:16:27,000
Oh, my gosh, there's the guy
from the Traitors.
509
00:16:27,040 --> 00:16:28,840
I'm much friendlier on this show.
510
00:16:28,880 --> 00:16:30,880
Claudia Winkleman and Steven from
The Traitors in one building?
511
00:16:30,920 --> 00:16:32,800
Claudia Winkleman and Steven from
The Traitors in one building?
512
00:16:32,840 --> 00:16:34,840
Is he going to play the piano?
That is hilarious.
513
00:16:34,880 --> 00:16:35,920
Is he going to play the piano?
That is hilarious.
514
00:16:35,960 --> 00:16:37,960
I love you.Have a wonderful day.
You, too.
515
00:16:38,000 --> 00:16:38,280
I love you.Have a wonderful day.
You, too.
516
00:16:38,320 --> 00:16:40,320
So nice. What a lovely surprise!
Bye! Amazing!
517
00:16:40,360 --> 00:16:41,040
So nice. What a lovely surprise!
Bye! Amazing!
518
00:16:41,080 --> 00:16:43,080
When The Piano meets Traitors.
519
00:16:43,120 --> 00:16:44,280
When The Piano meets Traitors.
520
00:16:44,320 --> 00:16:46,280
I'm Paul from Glasgow.
521
00:16:46,320 --> 00:16:48,320
Today, my wife Katie and son
Elliot's going to be here.
522
00:16:48,360 --> 00:16:50,320
Today, my wife Katie and son
Elliot's going to be here.
523
00:16:50,360 --> 00:16:52,360
Is your daddy going to play the
piano?
524
00:16:52,400 --> 00:16:52,640
Is your daddy going to play the
piano?
525
00:16:52,680 --> 00:16:54,680
Yes. You're very smiley!
526
00:16:54,720 --> 00:16:55,120
Yes. You're very smiley!
527
00:16:55,160 --> 00:16:57,160
And what was the journey like to
London with a four-month-old baby?
528
00:16:57,200 --> 00:16:59,160
And what was the journey like to
London with a four-month-old baby?
529
00:16:59,200 --> 00:17:01,200
So much better than I thought.
530
00:17:01,240 --> 00:17:01,440
So much better than I thought.
531
00:17:01,480 --> 00:17:03,480
Hi, Paul. I'm Claudia.Hi, there.
532
00:17:03,520 --> 00:17:04,280
Hi, Paul. I'm Claudia.Hi, there.
533
00:17:04,320 --> 00:17:06,160
Lovely to meet you, Claudia.
So lovely to meet you.
534
00:17:06,200 --> 00:17:07,880
Thank you. Come and have a seat.
535
00:17:07,920 --> 00:17:09,920
Tell me all about you
and the piano.
536
00:17:09,960 --> 00:17:10,280
Tell me all about you
and the piano.
537
00:17:10,320 --> 00:17:12,320
When I was about 14 or 15,
538
00:17:12,360 --> 00:17:14,360
we had a substitute music teacher
who played the piano for fun.
539
00:17:14,400 --> 00:17:15,920
we had a substitute music teacher
who played the piano for fun.
540
00:17:15,960 --> 00:17:17,960
Yeah.And from that day, I said,
"I want to do that."
541
00:17:18,000 --> 00:17:18,880
Yeah.And from that day, I said,
"I want to do that."
542
00:17:22,640 --> 00:17:23,600
NOTE PLAYS
543
00:17:25,000 --> 00:17:27,000
Oh, you made that noise.
What's that noise?
544
00:17:27,040 --> 00:17:27,320
Oh, you made that noise.
What's that noise?
545
00:17:27,360 --> 00:17:29,360
Music does something
to me that I can't explain.
546
00:17:29,400 --> 00:17:30,520
Music does something
to me that I can't explain.
547
00:17:30,560 --> 00:17:31,960
When I was 15,
548
00:17:32,000 --> 00:17:34,000
all my friends are listening
to DJ this and DJ that,
549
00:17:34,040 --> 00:17:35,240
all my friends are listening
to DJ this and DJ that,
550
00:17:35,280 --> 00:17:37,280
and I'm sitting here,
thinking Chopin is where it's at.
551
00:17:37,320 --> 00:17:39,320
and I'm sitting here,
thinking Chopin is where it's at.
552
00:17:39,360 --> 00:17:40,640
and I'm sitting here,
thinking Chopin is where it's at.
553
00:17:40,680 --> 00:17:42,680
I managed to get into university
as a musician.
554
00:17:42,720 --> 00:17:44,240
I managed to get into university
as a musician.
555
00:17:44,280 --> 00:17:46,280
Everybody was celebrating cos
I was the first person in my family
556
00:17:46,320 --> 00:17:47,480
Everybody was celebrating cos
I was the first person in my family
557
00:17:47,520 --> 00:17:49,520
to go to university.
But, about four short months later,
558
00:17:49,560 --> 00:17:51,560
to go to university.
But, about four short months later,
559
00:17:51,600 --> 00:17:52,160
to go to university.
But, about four short months later,
560
00:17:52,200 --> 00:17:54,200
I started getting these headaches.
561
00:17:54,240 --> 00:17:55,400
I started getting these headaches.
562
00:17:55,440 --> 00:17:57,440
It felt like a crushing sensation.
563
00:17:57,480 --> 00:17:58,680
It felt like a crushing sensation.
564
00:17:58,720 --> 00:18:00,720
So they sent me for a CT scan.
565
00:18:00,760 --> 00:18:01,120
So they sent me for a CT scan.
566
00:18:01,160 --> 00:18:03,160
And then that's when I was told that
I had the brain tumour, erm...
567
00:18:03,200 --> 00:18:04,480
And then that's when I was told that
I had the brain tumour, erm...
568
00:18:06,760 --> 00:18:07,800
..when I was 17.
569
00:18:07,840 --> 00:18:09,840
The surgery was meant
to be about four hours long.
570
00:18:09,880 --> 00:18:10,840
The surgery was meant
to be about four hours long.
571
00:18:10,880 --> 00:18:12,880
It didn't go quite as planned.
it was 14 and a half hours long.
572
00:18:12,920 --> 00:18:14,120
It didn't go quite as planned.
it was 14 and a half hours long.
573
00:18:14,160 --> 00:18:15,520
Good God. Wow.
574
00:18:15,560 --> 00:18:17,560
And when I came round,
my right hand didn't function.
575
00:18:17,600 --> 00:18:19,000
And when I came round,
my right hand didn't function.
576
00:18:19,040 --> 00:18:20,160
My surgeon said,
577
00:18:20,200 --> 00:18:22,200
"The only thing it really affects is
writing and playing the piano."
578
00:18:22,240 --> 00:18:23,560
"The only thing it really affects is
writing and playing the piano."
579
00:18:23,600 --> 00:18:25,600
And you went, "No,
that's what I really love doing!"
580
00:18:25,640 --> 00:18:26,680
And you went, "No,
that's what I really love doing!"
581
00:18:26,720 --> 00:18:28,600
And that was one of my things.
Ugh!
582
00:18:28,640 --> 00:18:30,640
I had a meeting with my uni,
just to see where we could go.
583
00:18:30,680 --> 00:18:31,440
I had a meeting with my uni,
just to see where we could go.
584
00:18:31,480 --> 00:18:33,480
Yeah.My professor said,
585
00:18:33,520 --> 00:18:33,760
Yeah.My professor said,
586
00:18:33,800 --> 00:18:35,800
"I've heard of left-hand
piano repertoire,"
587
00:18:35,840 --> 00:18:36,240
"I've heard of left-hand
piano repertoire,"
588
00:18:36,280 --> 00:18:38,280
and it was very difficult, but what
choice do you have?
589
00:18:38,320 --> 00:18:39,520
and it was very difficult, but what
choice do you have?
590
00:18:39,560 --> 00:18:40,640
Wow.
591
00:18:40,680 --> 00:18:42,320
So today I'm going to play
592
00:18:42,360 --> 00:18:44,360
Scriabin's Nocturne
for the Left Hand.
593
00:18:44,400 --> 00:18:45,080
Scriabin's Nocturne
for the Left Hand.
594
00:18:45,120 --> 00:18:47,120
This was the first piece that
I had come across as
595
00:18:47,160 --> 00:18:47,920
This was the first piece that
I had come across as
596
00:18:47,960 --> 00:18:49,200
a left-handed pianist.
597
00:18:49,240 --> 00:18:51,240
Is that someone you've heard of?
Yes. Russian composer, Scriabin,
598
00:18:51,280 --> 00:18:52,680
Is that someone you've heard of?
Yes. Russian composer, Scriabin,
599
00:18:52,720 --> 00:18:54,720
he injured his right hand,
so he developed his left hand
600
00:18:54,760 --> 00:18:55,400
he injured his right hand,
so he developed his left hand
601
00:18:55,440 --> 00:18:57,440
and then wrote compositions for
the left hand.
602
00:18:57,480 --> 00:18:57,680
and then wrote compositions for
the left hand.
603
00:19:03,560 --> 00:19:05,120
Never heard of this.
604
00:19:20,520 --> 00:19:21,480
Oh!
605
00:19:27,160 --> 00:19:29,160
Jamie, this is crazy.
It's incredible, isn't it?
606
00:19:29,200 --> 00:19:29,920
Jamie, this is crazy.
It's incredible, isn't it?
607
00:19:29,960 --> 00:19:31,960
I see two hands! Yeah.
608
00:19:32,000 --> 00:19:32,160
I see two hands! Yeah.
609
00:19:34,480 --> 00:19:36,480
It's great. It's really beautiful
to watch. It's like a dance.
610
00:19:36,520 --> 00:19:38,520
It's great. It's really beautiful
to watch. It's like a dance.
611
00:19:38,560 --> 00:19:38,760
It's great. It's really beautiful
to watch. It's like a dance.
612
00:19:44,560 --> 00:19:46,560
The notes playing the top line
melody are being played
613
00:19:46,600 --> 00:19:47,720
The notes playing the top line
melody are being played
614
00:19:47,760 --> 00:19:49,760
with a completely
different intensity.
615
00:19:49,800 --> 00:19:50,040
with a completely
different intensity.
616
00:19:52,680 --> 00:19:54,680
To do that with one hand, and just
have your index finger play with
617
00:19:54,720 --> 00:19:56,160
To do that with one hand, and just
have your index finger play with
618
00:19:56,200 --> 00:19:58,200
a completely different sensitivity,
619
00:19:58,240 --> 00:19:58,800
a completely different sensitivity,
620
00:19:58,840 --> 00:20:00,840
it's like a magic trick to me.
621
00:20:00,880 --> 00:20:01,200
it's like a magic trick to me.
622
00:20:01,240 --> 00:20:03,240
It's like having two brains in,
in one hand, right? Yes. Yeah.
623
00:20:03,280 --> 00:20:04,200
It's like having two brains in,
in one hand, right? Yes. Yeah.
624
00:20:08,920 --> 00:20:10,920
This piece gave me the feeling that
I could still be a musician.
625
00:20:10,960 --> 00:20:12,960
This piece gave me the feeling that
I could still be a musician.
626
00:20:13,000 --> 00:20:13,520
This piece gave me the feeling that
I could still be a musician.
627
00:20:15,600 --> 00:20:17,600
And the piece itself goes through
these peaks and troughs of beauty,
628
00:20:17,640 --> 00:20:19,640
And the piece itself goes through
these peaks and troughs of beauty,
629
00:20:19,680 --> 00:20:21,680
And the piece itself goes through
these peaks and troughs of beauty,
630
00:20:21,720 --> 00:20:21,960
And the piece itself goes through
these peaks and troughs of beauty,
631
00:20:22,000 --> 00:20:24,000
and then despair.
632
00:20:24,040 --> 00:20:24,200
and then despair.
633
00:20:27,440 --> 00:20:29,440
It reflects the emotions that
I felt after the surgery.
634
00:20:29,480 --> 00:20:31,480
It reflects the emotions that
I felt after the surgery.
635
00:20:31,520 --> 00:20:32,200
It reflects the emotions that
I felt after the surgery.
636
00:20:40,640 --> 00:20:42,640
What he's doing is so delicate
and so fine,
637
00:20:42,680 --> 00:20:43,640
What he's doing is so delicate
and so fine,
638
00:20:43,680 --> 00:20:45,680
to maintain that intimacy in
a train station, you know...
639
00:20:45,720 --> 00:20:46,840
to maintain that intimacy in
a train station, you know...
640
00:20:46,880 --> 00:20:48,880
Oh, I forgot. ..let's take aside the
fact that he's only playing
641
00:20:48,920 --> 00:20:49,560
Oh, I forgot. ..let's take aside the
fact that he's only playing
642
00:20:49,600 --> 00:20:51,120
with his left hand. We forgot it.
Yeah.
643
00:20:51,160 --> 00:20:52,920
He's just a wonderful piano player.
644
00:20:58,360 --> 00:21:00,360
At the end, it returns back to this
hush melody.
645
00:21:00,400 --> 00:21:02,400
At the end, it returns back to this
hush melody.
646
00:21:02,440 --> 00:21:03,400
At the end, it returns back to this
hush melody.
647
00:21:05,920 --> 00:21:07,920
Yes. Yeah. I think so.
648
00:21:07,960 --> 00:21:08,160
Yes. Yeah. I think so.
649
00:21:08,200 --> 00:21:10,200
I never, for a million years,
650
00:21:10,240 --> 00:21:10,680
I never, for a million years,
651
00:21:10,720 --> 00:21:12,720
would've thought I would be able
to sit here with a wife
652
00:21:12,760 --> 00:21:14,280
would've thought I would be able
to sit here with a wife
653
00:21:14,320 --> 00:21:16,320
and get Elliot.
His smiles do it all.
654
00:21:16,360 --> 00:21:17,640
and get Elliot.
His smiles do it all.
655
00:21:24,800 --> 00:21:26,760
Brilliant.
APPLAUSE
656
00:21:26,800 --> 00:21:28,800
Thank you so much, Paul.
657
00:21:28,840 --> 00:21:30,120
Thank you so much, Paul.
658
00:21:30,160 --> 00:21:32,160
I don't feel a difficult story,
I don't feel struggle.
659
00:21:32,200 --> 00:21:33,880
I don't feel a difficult story,
I don't feel struggle.
660
00:21:33,920 --> 00:21:35,920
Everything just evaporates and the
only thing that stays is music.
661
00:21:35,960 --> 00:21:37,960
Everything just evaporates and the
only thing that stays is music.
662
00:21:38,000 --> 00:21:38,840
Everything just evaporates and the
only thing that stays is music.
663
00:21:38,880 --> 00:21:40,520
Yeah.
664
00:21:40,560 --> 00:21:42,560
{\an8}Yay! He loved watching you play.
Aw!
665
00:21:42,600 --> 00:21:44,280
{\an8}Yay! He loved watching you play.
Aw!
666
00:21:44,320 --> 00:21:46,320
I would love to hear him on
a grand piano, in a concert hall,
667
00:21:46,360 --> 00:21:47,160
I would love to hear him on
a grand piano, in a concert hall,
668
00:21:47,200 --> 00:21:49,200
where you're really able to control
the fineness of the touch
669
00:21:49,240 --> 00:21:50,920
where you're really able to control
the fineness of the touch
670
00:21:50,960 --> 00:21:52,960
and the fineness of the voicing of
the chords. Exactly, in a room
671
00:21:53,000 --> 00:21:53,760
and the fineness of the voicing of
the chords. Exactly, in a room
672
00:21:53,800 --> 00:21:55,800
that's made for hyper detail.
Yeah, exactly.
673
00:21:55,840 --> 00:21:56,840
that's made for hyper detail.
Yeah, exactly.
674
00:21:56,880 --> 00:21:58,880
Ooh!
675
00:21:58,920 --> 00:22:00,920
This is really difficult.
It's good, isn't it? Yeah.
676
00:22:00,960 --> 00:22:01,720
This is really difficult.
It's good, isn't it? Yeah.
677
00:22:06,520 --> 00:22:08,520
My name is Alex,
and I'm currently a student.
678
00:22:08,560 --> 00:22:09,080
My name is Alex,
and I'm currently a student.
679
00:22:09,120 --> 00:22:11,120
I think I was learning
to walk holding on to the piano,
680
00:22:11,160 --> 00:22:11,440
I think I was learning
to walk holding on to the piano,
681
00:22:11,480 --> 00:22:13,240
and that was when I played
my first notes.
682
00:22:16,440 --> 00:22:18,240
Ooh! OK!
683
00:22:18,280 --> 00:22:19,840
Great choice of song.
684
00:22:25,440 --> 00:22:27,440
I'm going to play Baba O'Riley
because from when I was very little,
685
00:22:27,480 --> 00:22:28,440
I'm going to play Baba O'Riley
because from when I was very little,
686
00:22:28,480 --> 00:22:29,960
I absolutely loved The Who.
687
00:22:33,560 --> 00:22:35,560
I wanted to be Keith Moon. You know,
I used to bash the drum kit,
688
00:22:35,600 --> 00:22:35,960
I wanted to be Keith Moon. You know,
I used to bash the drum kit,
689
00:22:36,000 --> 00:22:38,000
pretending I was
a rock star in my bedroom.
690
00:22:38,040 --> 00:22:38,240
pretending I was
a rock star in my bedroom.
691
00:22:43,520 --> 00:22:45,440
It's pretty complex,
what he's doing.
692
00:22:45,480 --> 00:22:47,480
He's separating the timings of his
left hand and his right hand.
693
00:22:47,520 --> 00:22:48,720
He's separating the timings of his
left hand and his right hand.
694
00:22:48,760 --> 00:22:50,680
Yeah, he's creating the whole band,
right there,
695
00:22:50,720 --> 00:22:52,720
with his two hands, isn't he?
Without losing the groove.
696
00:22:52,760 --> 00:22:53,240
with his two hands, isn't he?
Without losing the groove.
697
00:22:56,680 --> 00:22:58,680
It's almost like he's put a kind of
third hand in the middle. Yeah!
698
00:22:58,720 --> 00:23:00,560
It's almost like he's put a kind of
third hand in the middle. Yeah!
699
00:23:07,640 --> 00:23:09,640
He's even doing the delay.
He's doing the delay.
700
00:23:09,680 --> 00:23:10,000
He's even doing the delay.
He's doing the delay.
701
00:23:10,040 --> 00:23:12,040
I think that's really clever.
Ba-ba-ba-ba-ba, ba-ba-ba-ba-ba.
702
00:23:12,080 --> 00:23:12,360
I think that's really clever.
Ba-ba-ba-ba-ba, ba-ba-ba-ba-ba.
703
00:23:12,400 --> 00:23:13,760
Yeah, no, he's really kind of
translating
704
00:23:13,800 --> 00:23:15,360
what he's heard on the record.
705
00:23:22,440 --> 00:23:24,440
I wonder if the people walking
through the station are like,
706
00:23:24,480 --> 00:23:24,800
I wonder if the people walking
through the station are like,
707
00:23:24,840 --> 00:23:26,840
"Oh, wait a minute,
that's Baba O'Riley."
708
00:23:26,880 --> 00:23:27,640
"Oh, wait a minute,
that's Baba O'Riley."
709
00:23:27,680 --> 00:23:29,680
Dum, dum-dum! They must've
recognised that, surely.
710
00:23:29,720 --> 00:23:31,440
Dum, dum-dum! They must've
recognised that, surely.
711
00:23:31,480 --> 00:23:33,480
It's The Who, isn't it?
Baba O'Riley.
712
00:23:33,520 --> 00:23:33,720
It's The Who, isn't it?
Baba O'Riley.
713
00:23:41,600 --> 00:23:43,600
It's hard to say exactly how much
time I've spent on this piece.
714
00:23:43,640 --> 00:23:44,320
It's hard to say exactly how much
time I've spent on this piece.
715
00:23:44,360 --> 00:23:46,360
It always evolves for me,
it builds up and builds up.
716
00:23:46,400 --> 00:23:47,320
It always evolves for me,
it builds up and builds up.
717
00:23:47,360 --> 00:23:49,360
There's a lot of, like, different
parts, like in the band,
718
00:23:49,400 --> 00:23:50,160
There's a lot of, like, different
parts, like in the band,
719
00:23:50,200 --> 00:23:52,000
like the guitar
and the bass that I want to fit in,
720
00:23:52,040 --> 00:23:54,040
so it can be quite
a challenge sometimes.
721
00:23:54,080 --> 00:23:54,360
so it can be quite
a challenge sometimes.
722
00:23:54,400 --> 00:23:56,400
But that's part of the fun of it,
trying to figure it all out.
723
00:23:56,440 --> 00:23:57,000
But that's part of the fun of it,
trying to figure it all out.
724
00:24:04,200 --> 00:24:06,200
It's making me want to learn how
to do it, actually. I'm thinking,
725
00:24:06,240 --> 00:24:06,520
It's making me want to learn how
to do it, actually. I'm thinking,
726
00:24:06,560 --> 00:24:08,560
"Oh, I might have a go at that when
I go home!" Yeah, it's brilliant.
727
00:24:08,600 --> 00:24:09,640
"Oh, I might have a go at that when
I go home!" Yeah, it's brilliant.
728
00:24:12,880 --> 00:24:14,880
Can you imagine the thrill of
hearing this in a gorgeous,
729
00:24:14,920 --> 00:24:16,440
Can you imagine the thrill of
hearing this in a gorgeous,
730
00:24:16,480 --> 00:24:18,480
acoustically perfect room like
the Birmingham Symphony Hall?
731
00:24:18,520 --> 00:24:20,520
acoustically perfect room like
the Birmingham Symphony Hall?
732
00:24:20,560 --> 00:24:20,760
acoustically perfect room like
the Birmingham Symphony Hall?
733
00:24:27,520 --> 00:24:29,520
CHEERING AND APPLAUSE
734
00:24:29,560 --> 00:24:31,560
CHEERING AND APPLAUSE
735
00:24:31,600 --> 00:24:31,840
CHEERING AND APPLAUSE
736
00:24:31,880 --> 00:24:33,880
You were brilliant.Thank you very
much, thank you.
737
00:24:33,920 --> 00:24:34,160
You were brilliant.Thank you very
much, thank you.
738
00:24:34,200 --> 00:24:36,200
Thank you so much. Alex, everyone!
739
00:24:36,240 --> 00:24:36,720
Thank you so much. Alex, everyone!
740
00:24:36,760 --> 00:24:38,760
Well done.Thank you.
Very, very impressive.
741
00:24:38,800 --> 00:24:39,800
Well done.Thank you.
Very, very impressive.
742
00:24:39,840 --> 00:24:41,400
Works really well as
a piece of piano music,
743
00:24:41,440 --> 00:24:43,440
but you've got to be able to play it
well, and he really did. Yeah.
744
00:24:43,480 --> 00:24:44,160
but you've got to be able to play it
well, and he really did. Yeah.
745
00:24:44,200 --> 00:24:46,200
Let's see those hands.
You did all of that with those?
746
00:24:46,240 --> 00:24:46,680
Let's see those hands.
You did all of that with those?
747
00:24:46,720 --> 00:24:48,720
Yeah, I know, I've got short, stubby
little hands, haven't I?
748
00:24:48,760 --> 00:24:49,000
Yeah, I know, I've got short, stubby
little hands, haven't I?
749
00:24:49,040 --> 00:24:51,040
Yeah, it's weird, I know.
750
00:24:51,080 --> 00:24:51,320
Yeah, it's weird, I know.
751
00:24:51,360 --> 00:24:53,360
There's an organ on Baba O'Riley.
Yeah.
752
00:24:53,400 --> 00:24:53,680
There's an organ on Baba O'Riley.
Yeah.
753
00:24:53,720 --> 00:24:55,360
I've played that organ. You've
played that organ? Yeah.
754
00:24:55,400 --> 00:24:57,400
Oh, that's cool. Where is it?
It's in Pete Townshend's house.
755
00:24:57,440 --> 00:24:57,720
Oh, that's cool. Where is it?
It's in Pete Townshend's house.
756
00:24:57,760 --> 00:24:59,760
Oh, OK. What were you doing
in Pete Townshend's house?
757
00:24:59,800 --> 00:25:00,040
Oh, OK. What were you doing
in Pete Townshend's house?
758
00:25:00,080 --> 00:25:01,720
I don't remember, but...
759
00:25:04,280 --> 00:25:06,280
TANNOY:The train at platform nine
is the Greater Anglia service
760
00:25:06,320 --> 00:25:08,320
TANNOY:The train at platform nine
is the Greater Anglia service
761
00:25:08,360 --> 00:25:08,640
TANNOY:The train at platform nine
is the Greater Anglia service
762
00:25:08,680 --> 00:25:10,680
to Norwich, calling at
Chelmsford...
763
00:25:10,720 --> 00:25:12,240
to Norwich, calling at
Chelmsford...
764
00:25:12,280 --> 00:25:14,280
Do you mind if I say hello
to your friend? What's her name?
765
00:25:14,320 --> 00:25:15,200
Do you mind if I say hello
to your friend? What's her name?
766
00:25:15,240 --> 00:25:16,520
Bella. Hi, Bella.
767
00:25:16,560 --> 00:25:18,560
Does she walk around with you like
this? This is...?
768
00:25:18,600 --> 00:25:18,840
Does she walk around with you like
this? This is...?
769
00:25:18,880 --> 00:25:20,280
She comes out with me everywhere.
770
00:25:20,320 --> 00:25:22,040
Can you just walk around town with
a parrot?
771
00:25:22,080 --> 00:25:24,080
Yeah, well, you didn't know it, but
now you do.
772
00:25:24,120 --> 00:25:25,360
Yeah, well, you didn't know it, but
now you do.
773
00:25:25,400 --> 00:25:27,400
Do we think Bella likes
piano music?
774
00:25:27,440 --> 00:25:28,320
Do we think Bella likes
piano music?
775
00:25:28,360 --> 00:25:30,360
No, I don't know whether I do.
I'm a bit scared.
776
00:25:30,400 --> 00:25:31,320
No, I don't know whether I do.
I'm a bit scared.
777
00:25:31,360 --> 00:25:33,360
What do you mean hold it out?
You're being quite casual.
778
00:25:33,400 --> 00:25:33,720
What do you mean hold it out?
You're being quite casual.
779
00:25:33,760 --> 00:25:35,760
No, I want to see you do it first.
780
00:25:35,800 --> 00:25:36,920
No, I want to see you do it first.
781
00:25:36,960 --> 00:25:38,960
She doesn't want it anyway. Oh!
782
00:25:39,000 --> 00:25:39,840
She doesn't want it anyway. Oh!
783
00:25:39,880 --> 00:25:41,000
Bella's full.
784
00:25:48,840 --> 00:25:50,840
My name is Diana. I live in Glasgow.
785
00:25:50,880 --> 00:25:51,760
My name is Diana. I live in Glasgow.
786
00:25:51,800 --> 00:25:53,800
I have two very special friends,
Suzanne and Pauline.
787
00:25:53,840 --> 00:25:55,840
I have two very special friends,
Suzanne and Pauline.
788
00:25:55,880 --> 00:25:56,200
I have two very special friends,
Suzanne and Pauline.
789
00:25:56,240 --> 00:25:58,240
"Gaun yersel, Diana."
Do you know what that is?
790
00:25:58,280 --> 00:25:59,640
"Gaun yersel, Diana."
Do you know what that is?
791
00:25:59,680 --> 00:26:01,680
Scottish. Basically it just means
"Go for it".
792
00:26:01,720 --> 00:26:02,400
Scottish. Basically it just means
"Go for it".
793
00:26:02,440 --> 00:26:04,280
It's a lovely Scottish phrase.
794
00:26:04,320 --> 00:26:06,320
# Took my love, I took it down
795
00:26:06,360 --> 00:26:07,400
# Took my love, I took it down
796
00:26:12,520 --> 00:26:14,520
# Climbed a mountain
and turned around... #
797
00:26:14,560 --> 00:26:15,840
# Climbed a mountain
and turned around... #
798
00:26:15,880 --> 00:26:17,880
Mm. Oh, beautiful accompaniment.
799
00:26:17,920 --> 00:26:18,160
Mm. Oh, beautiful accompaniment.
800
00:26:18,200 --> 00:26:20,200
# And I saw my reflection in
the snow covered hills
801
00:26:20,240 --> 00:26:22,240
# And I saw my reflection in
the snow covered hills
802
00:26:22,280 --> 00:26:24,280
# And I saw my reflection in
the snow covered hills
803
00:26:24,320 --> 00:26:25,680
# And I saw my reflection in
the snow covered hills
804
00:26:25,720 --> 00:26:27,720
# Till the landslide brought me down
805
00:26:27,760 --> 00:26:29,760
# Till the landslide brought me down
806
00:26:29,800 --> 00:26:30,320
# Till the landslide brought me down
807
00:26:33,120 --> 00:26:34,640
# Oh, mirror... #
808
00:26:34,680 --> 00:26:36,520
The singing is not at
the same standard as the playing,
809
00:26:36,560 --> 00:26:38,560
but she's singing like
a mum would sing to her kid.
810
00:26:38,600 --> 00:26:40,600
but she's singing like
a mum would sing to her kid.
811
00:26:40,640 --> 00:26:41,120
but she's singing like
a mum would sing to her kid.
812
00:26:41,160 --> 00:26:43,160
# I've been afraid of changing
813
00:26:43,200 --> 00:26:45,200
# I've been afraid of changing
814
00:26:45,240 --> 00:26:46,200
# I've been afraid of changing
815
00:26:47,600 --> 00:26:49,400
# Cos I've... #
816
00:26:49,440 --> 00:26:51,440
I've chosen the song
Landslide because of the words,
817
00:26:51,480 --> 00:26:51,960
I've chosen the song
Landslide because of the words,
818
00:26:52,000 --> 00:26:54,000
they're all totally relevant
for me, like, in my life.
819
00:26:54,040 --> 00:26:56,040
they're all totally relevant
for me, like, in my life.
820
00:26:56,080 --> 00:26:56,320
they're all totally relevant
for me, like, in my life.
821
00:26:56,360 --> 00:26:58,360
# But time makes you bolder
822
00:26:58,400 --> 00:26:58,600
# But time makes you bolder
823
00:26:58,640 --> 00:27:00,640
# Even children get older
824
00:27:00,680 --> 00:27:02,680
# Even children get older
825
00:27:02,720 --> 00:27:03,480
# Even children get older
826
00:27:03,520 --> 00:27:05,520
# And I'm getting older too... #
827
00:27:05,560 --> 00:27:07,560
# And I'm getting older too... #
828
00:27:07,600 --> 00:27:09,600
# And I'm getting older too... #
829
00:27:09,640 --> 00:27:11,640
It's a milestone year for me.
I'm going to be 60.
830
00:27:11,680 --> 00:27:12,840
It's a milestone year for me.
I'm going to be 60.
831
00:27:12,880 --> 00:27:14,880
I'm a palliative care nurse, and
I've been working in the hospice
832
00:27:14,920 --> 00:27:15,600
I'm a palliative care nurse, and
I've been working in the hospice
833
00:27:15,640 --> 00:27:17,640
in Glasgow for about 20 years,
so I'm acutely aware
834
00:27:17,680 --> 00:27:19,560
in Glasgow for about 20 years,
so I'm acutely aware
835
00:27:19,600 --> 00:27:21,600
turning 60's not to be sniffed at.
836
00:27:21,640 --> 00:27:23,640
turning 60's not to be sniffed at.
837
00:27:23,680 --> 00:27:24,120
turning 60's not to be sniffed at.
838
00:27:24,160 --> 00:27:26,160
# You'll see my reflection in
the snow covered hills... #
839
00:27:26,200 --> 00:27:28,200
# You'll see my reflection in
the snow covered hills... #
840
00:27:28,240 --> 00:27:29,680
# You'll see my reflection in
the snow covered hills... #
841
00:27:29,720 --> 00:27:31,720
You should really make
the most of every single minute.
842
00:27:31,760 --> 00:27:33,280
You should really make
the most of every single minute.
843
00:27:33,320 --> 00:27:34,960
You get one shot at life,
don't you?
844
00:27:38,640 --> 00:27:40,640
This is clearly someone who
understands about living
845
00:27:40,680 --> 00:27:40,960
This is clearly someone who
understands about living
846
00:27:41,000 --> 00:27:42,680
in the moment, if she's dealing in
palliative care.
847
00:27:42,720 --> 00:27:44,680
It's different to just confidence,
isn't it?
848
00:27:44,720 --> 00:27:46,720
That someone who's here
to take this moment now and so,
849
00:27:46,760 --> 00:27:48,160
That someone who's here
to take this moment now and so,
850
00:27:48,200 --> 00:27:50,200
in terms of whether she should be at
the final, I think one of
851
00:27:50,240 --> 00:27:51,320
in terms of whether she should be at
the final, I think one of
852
00:27:51,360 --> 00:27:53,360
the most joyful things about it is
that she's not thinking about that.
853
00:27:53,400 --> 00:27:54,520
the most joyful things about it is
that she's not thinking about that.
854
00:27:54,560 --> 00:27:56,560
She's here to play. Absolutely.
855
00:27:56,600 --> 00:27:57,040
She's here to play. Absolutely.
856
00:28:03,120 --> 00:28:05,120
Yes!
CHEERING AND APPLAUSE
857
00:28:05,160 --> 00:28:05,720
Yes!
CHEERING AND APPLAUSE
858
00:28:05,760 --> 00:28:07,760
Thank you so much for coming. That
was beautiful. Did you enjoy it?
859
00:28:07,800 --> 00:28:08,720
Thank you so much for coming. That
was beautiful. Did you enjoy it?
860
00:28:08,760 --> 00:28:10,760
Yeah, thank you.
Well done. Diana, everyone!
861
00:28:10,800 --> 00:28:11,600
Yeah, thank you.
Well done. Diana, everyone!
862
00:28:13,560 --> 00:28:15,560
I thought that was really moving.
Yeah, it really was.
863
00:28:15,600 --> 00:28:16,000
I thought that was really moving.
Yeah, it really was.
864
00:28:16,040 --> 00:28:18,040
We're not in Liverpool Street
Station. We're not in Glasgow even.
865
00:28:18,080 --> 00:28:19,360
We're not in Liverpool Street
Station. We're not in Glasgow even.
866
00:28:19,400 --> 00:28:21,400
We're in her front room.
And that's beautiful.
867
00:28:21,440 --> 00:28:22,960
We're in her front room.
And that's beautiful.
868
00:28:23,000 --> 00:28:25,000
Hold up that sign, just so we have
one more look at it, please.
869
00:28:25,040 --> 00:28:26,600
Hold up that sign, just so we have
one more look at it, please.
870
00:28:26,640 --> 00:28:28,640
It's really good.
871
00:28:28,680 --> 00:28:28,840
It's really good.
872
00:28:29,960 --> 00:28:31,200
It's lovely.
873
00:28:31,240 --> 00:28:33,240
No rush, babe. No rush, Pauline.
874
00:28:33,280 --> 00:28:33,840
No rush, babe. No rush, Pauline.
875
00:28:33,880 --> 00:28:35,880
There you go."Gaun yersel!"
876
00:28:35,920 --> 00:28:36,440
There you go."Gaun yersel!"
877
00:28:36,480 --> 00:28:38,320
I'll see you later.
I'll make you one if you like.
878
00:28:38,360 --> 00:28:40,360
Thank you very much.
An orange one, please.
879
00:28:40,400 --> 00:28:42,000
Thank you very much.
An orange one, please.
880
00:28:44,190 --> 00:28:44,200
{\an8}UPBEAT MUSIC
881
00:28:45,400 --> 00:28:47,400
{\an8}Next to play for us
is a Scottish pianist
882
00:28:47,440 --> 00:28:47,720
{\an8}Next to play for us
is a Scottish pianist
883
00:28:47,760 --> 00:28:49,760
{\an8}who has commuted
further than anyone else.
884
00:28:49,800 --> 00:28:51,320
{\an8}who has commuted
further than anyone else.
885
00:28:51,360 --> 00:28:53,360
{\an8}Hi.Nice to meet you.
I'm Claudia, nice to meet you.
886
00:28:53,400 --> 00:28:54,560
{\an8}Hi.Nice to meet you.
I'm Claudia, nice to meet you.
887
00:28:54,600 --> 00:28:56,600
I love your family.
Tell me, who's here with you?
888
00:28:56,640 --> 00:28:57,680
I love your family.
Tell me, who's here with you?
889
00:28:57,720 --> 00:28:59,720
So, I've got my mum and my grandad.
And you've come really far.
890
00:28:59,760 --> 00:29:00,560
So, I've got my mum and my grandad.
And you've come really far.
891
00:29:00,600 --> 00:29:02,600
Yeah. Isle of Lewis.
Isle of Lewis.Yeah.
892
00:29:02,640 --> 00:29:03,560
Yeah. Isle of Lewis.
Isle of Lewis.Yeah.
893
00:29:03,600 --> 00:29:05,600
One of the most beautiful places on
Earth, right?Yeah. You should come.
894
00:29:05,640 --> 00:29:06,440
One of the most beautiful places on
Earth, right?Yeah. You should come.
895
00:29:06,480 --> 00:29:07,680
I will.
896
00:29:09,720 --> 00:29:11,720
Isle of Lewis is in the northwest
of Scotland in the Outer Hebrides.
897
00:29:11,760 --> 00:29:12,840
Isle of Lewis is in the northwest
of Scotland in the Outer Hebrides.
898
00:29:12,880 --> 00:29:14,880
Paint a picture for anyone
who doesn't know what it's like.
899
00:29:14,920 --> 00:29:15,200
Paint a picture for anyone
who doesn't know what it's like.
900
00:29:15,240 --> 00:29:17,240
Picture a town, a beach,
and some sheep,
901
00:29:17,280 --> 00:29:19,080
Picture a town, a beach,
and some sheep,
902
00:29:19,120 --> 00:29:21,120
and that's literally the Isle
of Lewis in a nutshell, I'd say.
903
00:29:21,160 --> 00:29:23,080
and that's literally the Isle
of Lewis in a nutshell, I'd say.
904
00:29:23,120 --> 00:29:25,120
Can you smell it? Smell what?
Smells amazing. The sea.
905
00:29:25,160 --> 00:29:26,440
Can you smell it? Smell what?
Smells amazing. The sea.
906
00:29:26,480 --> 00:29:28,480
{\an8}Eva's very resilient, very
independent. Too much at times.
907
00:29:28,520 --> 00:29:30,520
{\an8}Eva's very resilient, very
independent. Too much at times.
908
00:29:30,560 --> 00:29:30,920
{\an8}Eva's very resilient, very
independent. Too much at times.
909
00:29:32,880 --> 00:29:34,880
I absolutely love growing up here,
910
00:29:34,920 --> 00:29:35,280
I absolutely love growing up here,
911
00:29:35,320 --> 00:29:37,320
it's such a great place,
you know, it's so safe.
912
00:29:37,360 --> 00:29:37,680
it's such a great place,
you know, it's so safe.
913
00:29:37,720 --> 00:29:39,720
I'm still in secondary school,
I'm just going in to sixth year now,
914
00:29:39,760 --> 00:29:40,520
I'm still in secondary school,
I'm just going in to sixth year now,
915
00:29:40,560 --> 00:29:42,280
so that'll be my final year.
916
00:29:42,320 --> 00:29:44,320
I have no idea
what I want to do as a career.
917
00:29:44,360 --> 00:29:44,640
I have no idea
what I want to do as a career.
918
00:29:44,680 --> 00:29:46,680
I think, sometimes, when you're
from this island you feel
919
00:29:46,720 --> 00:29:48,080
I think, sometimes, when you're
from this island you feel
920
00:29:48,120 --> 00:29:50,120
a bit isolated from opportunities.
Yeah, totally. But, you know...
921
00:29:50,160 --> 00:29:52,160
a bit isolated from opportunities.
Yeah, totally. But, you know...
922
00:29:52,200 --> 00:29:53,000
a bit isolated from opportunities.
Yeah, totally. But, you know...
923
00:29:53,040 --> 00:29:55,040
You've got to keep trying.
Yeah, exactly.
924
00:29:55,080 --> 00:29:56,040
You've got to keep trying.
Yeah, exactly.
925
00:29:56,080 --> 00:29:58,080
Eva heading off to the mainland...
926
00:29:58,120 --> 00:29:59,880
Eva heading off to the mainland...
927
00:29:59,920 --> 00:30:01,920
I've always threatened
that I'll follow behind her,
928
00:30:01,960 --> 00:30:02,240
I've always threatened
that I'll follow behind her,
929
00:30:02,280 --> 00:30:04,240
but obviously can't do that,
you have to let them go off
930
00:30:04,280 --> 00:30:06,280
and live their own lives.
931
00:30:06,320 --> 00:30:06,560
and live their own lives.
932
00:30:06,600 --> 00:30:08,600
Do you think you'll leave soon,
then, Eva?
933
00:30:08,640 --> 00:30:08,920
Do you think you'll leave soon,
then, Eva?
934
00:30:08,960 --> 00:30:10,960
It depends if I decide
to go to university or not.
935
00:30:11,000 --> 00:30:11,520
It depends if I decide
to go to university or not.
936
00:30:11,560 --> 00:30:13,560
But I'll see what happens
in the next year or so.
937
00:30:13,600 --> 00:30:14,080
But I'll see what happens
in the next year or so.
938
00:30:14,120 --> 00:30:16,120
Maybe you could move to London.
Maybe I could move to London.
939
00:30:16,160 --> 00:30:16,640
Maybe you could move to London.
Maybe I could move to London.
940
00:30:16,680 --> 00:30:18,680
After your performance, you know,
who knows where you'll end up.
941
00:30:18,720 --> 00:30:20,200
After your performance, you know,
who knows where you'll end up.
942
00:30:32,120 --> 00:30:34,120
So in the station,
I'm going to play Mangersta Beach.
943
00:30:34,160 --> 00:30:35,520
So in the station,
I'm going to play Mangersta Beach.
944
00:30:35,560 --> 00:30:37,560
It's a piece written about
a beach on the Isle of Lewis.
945
00:30:37,600 --> 00:30:39,040
It's a piece written about
a beach on the Isle of Lewis.
946
00:30:39,080 --> 00:30:41,080
It's an absolutely beautiful beach.
947
00:30:41,120 --> 00:30:41,720
It's an absolutely beautiful beach.
948
00:30:41,760 --> 00:30:43,760
I've got so many memories
from there.
949
00:30:43,800 --> 00:30:44,520
I've got so many memories
from there.
950
00:30:44,560 --> 00:30:46,560
Was such a big part
of when I was growing up.
951
00:30:46,600 --> 00:30:47,560
Was such a big part
of when I was growing up.
952
00:30:54,880 --> 00:30:56,880
Delicious sentimentality.
953
00:30:56,920 --> 00:30:57,840
Delicious sentimentality.
954
00:31:00,840 --> 00:31:02,840
Got very mature control. Yeah.
955
00:31:02,880 --> 00:31:04,440
Got very mature control. Yeah.
956
00:31:06,000 --> 00:31:07,960
There's something about those
little...
957
00:31:08,000 --> 00:31:10,000
Grace notes between the notes.
Grace notes. Mm. Yeah.
958
00:31:10,040 --> 00:31:11,760
Grace notes between the notes.
Grace notes. Mm. Yeah.
959
00:31:11,800 --> 00:31:13,800
It just immediately transports you
somewhere else.
960
00:31:13,840 --> 00:31:15,680
It just immediately transports you
somewhere else.
961
00:31:31,520 --> 00:31:33,520
REBECCA:I definitely don't think
she'll stay on the island,
962
00:31:33,560 --> 00:31:35,560
I think the island's
a little bit too small for her.
963
00:31:35,600 --> 00:31:36,880
I think the island's
a little bit too small for her.
964
00:31:36,920 --> 00:31:38,920
Yeah, maybe one day
you'll come back.
965
00:31:38,960 --> 00:31:39,240
Yeah, maybe one day
you'll come back.
966
00:31:39,280 --> 00:31:41,280
I think will end up coming back
here, no matter what.
967
00:31:41,320 --> 00:31:41,600
I think will end up coming back
here, no matter what.
968
00:31:50,120 --> 00:31:52,120
And that's it. Oh.
It's the end of it. OK.
969
00:31:52,160 --> 00:31:52,960
And that's it. Oh.
It's the end of it. OK.
970
00:31:54,640 --> 00:31:56,160
It's Eva!
971
00:31:57,880 --> 00:31:59,880
I loved that, I loved how candid
and unpretentious that was.
972
00:31:59,920 --> 00:32:01,920
I loved that, I loved how candid
and unpretentious that was.
973
00:32:01,960 --> 00:32:02,440
I loved that, I loved how candid
and unpretentious that was.
974
00:32:02,480 --> 00:32:04,360
I wish it'd been longer.
Yeah, exactly,
975
00:32:04,400 --> 00:32:06,400
this is one situation where you're
like, "Why wasn't that longer?"
976
00:32:06,440 --> 00:32:07,960
this is one situation where you're
like, "Why wasn't that longer?"
977
00:32:08,000 --> 00:32:10,000
It was sentimental,
but in the right way.
978
00:32:10,040 --> 00:32:10,320
It was sentimental,
but in the right way.
979
00:32:10,360 --> 00:32:12,360
It was simple,
but in the right way.
980
00:32:12,400 --> 00:32:12,680
It was simple,
but in the right way.
981
00:32:17,160 --> 00:32:19,160
It was like a postcard.... Yeah.
..for the Isle of Lewis. Yeah.
982
00:32:19,200 --> 00:32:20,240
It was like a postcard.... Yeah.
..for the Isle of Lewis. Yeah.
983
00:32:20,280 --> 00:32:22,280
PA SYSTEM:The train at platform 13
is the service to Colchester Town.
984
00:32:22,320 --> 00:32:24,320
PA SYSTEM:The train at platform 13
is the service to Colchester Town.
985
00:32:24,360 --> 00:32:26,160
PA SYSTEM:The train at platform 13
is the service to Colchester Town.
986
00:32:26,200 --> 00:32:28,200
This is the best hair
I've ever seen. It's got...
987
00:32:28,240 --> 00:32:28,520
This is the best hair
I've ever seen. It's got...
988
00:32:28,560 --> 00:32:30,560
Stop it. ..stripes... I mean it.
Stop it. What's your name?
989
00:32:30,600 --> 00:32:32,160
Stop it. ..stripes... I mean it.
Stop it. What's your name?
990
00:32:32,200 --> 00:32:34,200
Margaret. Margaret, I'm Claudia.
Great to meet you, Claudia.
991
00:32:34,240 --> 00:32:34,880
Margaret. Margaret, I'm Claudia.
Great to meet you, Claudia.
992
00:32:34,920 --> 00:32:36,920
OK, well, it's nice to meet you.
Your hair is always beautiful, too.
993
00:32:36,960 --> 00:32:37,720
OK, well, it's nice to meet you.
Your hair is always beautiful, too.
994
00:32:37,760 --> 00:32:39,760
It's a wig, Margaret.
995
00:32:39,800 --> 00:32:40,080
It's a wig, Margaret.
996
00:32:40,120 --> 00:32:41,520
LAUGHTER
997
00:32:42,960 --> 00:32:44,960
My name's Samm,
I'm 28 and I live in Glasgow.
998
00:32:45,000 --> 00:32:46,400
My name's Samm,
I'm 28 and I live in Glasgow.
999
00:32:46,440 --> 00:32:48,440
Really enjoyed it there, it's a
really buzzing, creative community,
1000
00:32:48,480 --> 00:32:48,960
Really enjoyed it there, it's a
really buzzing, creative community,
1001
00:32:49,000 --> 00:32:50,880
and I've stayed in Scotland
ever since.
1002
00:32:50,920 --> 00:32:52,920
I never wanted to learn the piano.
I wanted to learn drums. But my mum,
1003
00:32:52,960 --> 00:32:54,320
I never wanted to learn the piano.
I wanted to learn drums. But my mum,
1004
00:32:54,360 --> 00:32:56,360
you know, we're a family of eight
in a very small terraced house,
1005
00:32:56,400 --> 00:32:57,160
you know, we're a family of eight
in a very small terraced house,
1006
00:32:57,200 --> 00:32:59,200
she was like,
"We're not doing drums."
1007
00:32:59,240 --> 00:32:59,520
she was like,
"We're not doing drums."
1008
00:32:59,560 --> 00:33:01,560
Hi, Samm. I'm Claudia.
You look magnificent.Thank you.
1009
00:33:01,600 --> 00:33:03,560
Hi, Samm. I'm Claudia.
You look magnificent.Thank you.
1010
00:33:03,600 --> 00:33:05,600
He does. You work with sound,
don't you, for a living?
1011
00:33:05,640 --> 00:33:06,960
He does. You work with sound,
don't you, for a living?
1012
00:33:07,000 --> 00:33:09,000
Yeah. I work with gongs, bowls. Got
a little something here, actually.
1013
00:33:09,040 --> 00:33:11,040
Yeah. I work with gongs, bowls. Got
a little something here, actually.
1014
00:33:11,080 --> 00:33:11,840
Yeah. I work with gongs, bowls. Got
a little something here, actually.
1015
00:33:11,880 --> 00:33:13,880
Yes, please.This is just
one of my little beautiful...
1016
00:33:13,920 --> 00:33:14,920
Yes, please.This is just
one of my little beautiful...
1017
00:33:14,960 --> 00:33:16,960
TING!
1018
00:33:17,000 --> 00:33:17,240
TING!
1019
00:33:17,280 --> 00:33:19,280
He's such an intriguing cat,
isn't he?
1020
00:33:19,320 --> 00:33:21,320
When you absorb sound that way,
it reduces anxiety.
1021
00:33:21,360 --> 00:33:21,880
When you absorb sound that way,
it reduces anxiety.
1022
00:33:21,920 --> 00:33:23,920
I think you're totally right.
I had a sound bath once.
1023
00:33:23,960 --> 00:33:24,360
I think you're totally right.
I had a sound bath once.
1024
00:33:24,400 --> 00:33:26,400
I was asleep for seven days.
1025
00:33:26,440 --> 00:33:26,720
I was asleep for seven days.
1026
00:33:26,760 --> 00:33:28,760
LAUGHTER
1027
00:33:28,800 --> 00:33:29,680
LAUGHTER
1028
00:33:29,720 --> 00:33:31,520
Tell me about you and the piano.
1029
00:33:31,560 --> 00:33:33,560
Well, I've been playing
since I was about 11.
1030
00:33:33,600 --> 00:33:33,880
Well, I've been playing
since I was about 11.
1031
00:33:33,920 --> 00:33:35,920
And when I discovered jazz,
that really got me going.
1032
00:33:35,960 --> 00:33:37,320
And when I discovered jazz,
that really got me going.
1033
00:33:37,360 --> 00:33:39,280
One of my favourite pianists
is Erroll Garner
1034
00:33:39,320 --> 00:33:41,320
who does these really beautiful,
elaborate intros
1035
00:33:41,360 --> 00:33:41,920
who does these really beautiful,
elaborate intros
1036
00:33:41,960 --> 00:33:43,960
where you don't even know what
the tune is until it drops.
1037
00:33:44,000 --> 00:33:44,280
where you don't even know what
the tune is until it drops.
1038
00:33:44,320 --> 00:33:46,120
I'm going to do something like
that today. Oh, wow. Good.
1039
00:33:46,160 --> 00:33:47,600
I'm very excited to hear that.
1040
00:34:03,080 --> 00:34:04,920
He's just hinting
at the melody for now.
1041
00:34:06,440 --> 00:34:08,440
This complicated, beautiful tune,
Sophisticated Lady.
1042
00:34:08,480 --> 00:34:09,720
This complicated, beautiful tune,
Sophisticated Lady.
1043
00:34:12,720 --> 00:34:14,720
# Sophisticated lady, dah-dum... #
1044
00:34:14,760 --> 00:34:16,760
# Sophisticated lady, dah-dum... #
1045
00:34:16,800 --> 00:34:18,080
# Sophisticated lady, dah-dum... #
1046
00:34:20,000 --> 00:34:22,000
He loves these arpeggiated runs.
1047
00:34:22,040 --> 00:34:22,760
He loves these arpeggiated runs.
1048
00:34:22,800 --> 00:34:24,800
This is all classic Erroll Garner
kind of territory.
1049
00:34:24,840 --> 00:34:25,920
This is all classic Erroll Garner
kind of territory.
1050
00:34:31,680 --> 00:34:33,680
There's a little bit of that
Thelonious Monk kind of feel.
1051
00:34:33,720 --> 00:34:34,840
There's a little bit of that
Thelonious Monk kind of feel.
1052
00:34:37,960 --> 00:34:39,960
But he's doing his version of it
with his own textures,
1053
00:34:40,000 --> 00:34:41,280
But he's doing his version of it
with his own textures,
1054
00:34:41,320 --> 00:34:43,320
and you can see
how instinctive it is.
1055
00:34:43,360 --> 00:34:43,680
and you can see
how instinctive it is.
1056
00:34:46,280 --> 00:34:48,280
I play in train stations
quite often,
1057
00:34:48,320 --> 00:34:48,600
I play in train stations
quite often,
1058
00:34:48,640 --> 00:34:50,560
because I don't have access
to a real piano at home.
1059
00:34:53,920 --> 00:34:55,920
I think there's something beautiful
about working with the space
1060
00:34:55,960 --> 00:34:56,720
I think there's something beautiful
about working with the space
1061
00:34:56,760 --> 00:34:58,760
and noises. PA SYSTEM:
This is a security message.
1062
00:34:58,800 --> 00:34:59,480
and noises. PA SYSTEM:
This is a security message.
1063
00:34:59,520 --> 00:35:01,520
If you see something... The hustle
and bustle, the odd announcement.
1064
00:35:01,560 --> 00:35:03,240
If you see something... The hustle
and bustle, the odd announcement.
1065
00:35:04,640 --> 00:35:06,640
Things rolling.
1066
00:35:06,680 --> 00:35:07,000
Things rolling.
1067
00:35:07,040 --> 00:35:09,000
Conversations, school kids.
1068
00:35:10,640 --> 00:35:12,640
For me, it's not something
to ignore or shut out.
1069
00:35:12,680 --> 00:35:14,400
For me, it's not something
to ignore or shut out.
1070
00:35:14,440 --> 00:35:16,200
It's something to work with.
1071
00:35:26,200 --> 00:35:28,200
I think if you're talking about it
in kind of a jazz performance way,
1072
00:35:28,240 --> 00:35:30,040
I think if you're talking about it
in kind of a jazz performance way,
1073
00:35:30,080 --> 00:35:32,080
you could put more harmonic
complexity in the chords
1074
00:35:32,120 --> 00:35:32,360
you could put more harmonic
complexity in the chords
1075
00:35:32,400 --> 00:35:33,520
that he's doing.
1076
00:35:35,320 --> 00:35:37,320
But in terms of an individuality
1077
00:35:37,360 --> 00:35:37,600
But in terms of an individuality
1078
00:35:37,640 --> 00:35:39,640
and something that speaks
of his interest in sound
1079
00:35:39,680 --> 00:35:40,640
and something that speaks
of his interest in sound
1080
00:35:40,680 --> 00:35:42,680
and texture in sound,
he's really delivering that,
1081
00:35:42,720 --> 00:35:43,080
and texture in sound,
he's really delivering that,
1082
00:35:43,120 --> 00:35:45,040
which I love that
about what he's done.
1083
00:35:47,400 --> 00:35:49,400
My name's Sophie,
I'm 14 years old,
1084
00:35:49,440 --> 00:35:49,680
My name's Sophie,
I'm 14 years old,
1085
00:35:49,720 --> 00:35:51,720
and I'm from Nairn in Scotland.
1086
00:35:51,760 --> 00:35:52,040
and I'm from Nairn in Scotland.
1087
00:35:52,080 --> 00:35:54,080
Who have you come with today? Er,
my mum, my dad, and my twin brother.
1088
00:35:54,120 --> 00:35:55,600
Who have you come with today? Er,
my mum, my dad, and my twin brother.
1089
00:35:55,640 --> 00:35:57,360
Where do you want me to stand?
1090
00:35:57,400 --> 00:35:59,400
Anywhere you want.
You can stand with Archie.
1091
00:35:59,440 --> 00:36:00,120
Anywhere you want.
You can stand with Archie.
1092
00:36:00,160 --> 00:36:02,160
Archie.
Are you proud of your sister?
1093
00:36:02,200 --> 00:36:02,480
Archie.
Are you proud of your sister?
1094
00:36:02,520 --> 00:36:03,920
Yeah.
1095
00:36:03,960 --> 00:36:05,960
I'll take it.
1096
00:36:06,000 --> 00:36:06,200
I'll take it.
1097
00:36:06,240 --> 00:36:07,640
Who was born first?
1098
00:36:07,680 --> 00:36:09,680
Sophie. Sophie, obviously. First.
Sophie's first in everything.
1099
00:36:09,720 --> 00:36:11,720
Sophie. Sophie, obviously. First.
Sophie's first in everything.
1100
00:36:11,760 --> 00:36:12,640
Sophie. Sophie, obviously. First.
Sophie's first in everything.
1101
00:36:12,680 --> 00:36:14,680
I was born one minute before him,
1102
00:36:14,720 --> 00:36:15,160
I was born one minute before him,
1103
00:36:15,200 --> 00:36:17,200
and we always say
that I took the height off him.
1104
00:36:17,240 --> 00:36:17,720
and we always say
that I took the height off him.
1105
00:36:19,400 --> 00:36:21,160
They're chalk and cheese.
1106
00:36:21,200 --> 00:36:23,200
Archie likes playing golf,
he likes playing football.
1107
00:36:23,240 --> 00:36:23,520
Archie likes playing golf,
he likes playing football.
1108
00:36:23,560 --> 00:36:25,560
But with Sophie,
music will always be involved.
1109
00:36:25,600 --> 00:36:26,040
But with Sophie,
music will always be involved.
1110
00:36:26,080 --> 00:36:28,080
I think I've played
the piano every day.
1111
00:36:28,120 --> 00:36:28,800
I think I've played
the piano every day.
1112
00:36:28,840 --> 00:36:30,880
Since...?
1113
00:36:30,920 --> 00:36:32,920
Since I started playing it, I guess,
when I was five.
1114
00:36:32,960 --> 00:36:34,520
Since I started playing it, I guess,
when I was five.
1115
00:36:34,560 --> 00:36:36,240
Sometimes she'll wear her headphones
1116
00:36:36,280 --> 00:36:38,240
so you can't actually hear her
playing piano
1117
00:36:38,280 --> 00:36:40,280
and it's like thump, thump, thump.
"Sophie!"
1118
00:36:40,320 --> 00:36:42,000
and it's like thump, thump, thump.
"Sophie!"
1119
00:36:43,440 --> 00:36:45,440
Come and check the height,
do you want it lower, higher? Erm...
1120
00:36:45,480 --> 00:36:45,800
Come and check the height,
do you want it lower, higher? Erm...
1121
00:36:45,840 --> 00:36:47,480
She's taught herself all that stuff
and you're like,
1122
00:36:47,520 --> 00:36:49,520
"How does she do it and still keep
her feet on the ground?"
1123
00:36:49,560 --> 00:36:50,440
"How does she do it and still keep
her feet on the ground?"
1124
00:36:50,480 --> 00:36:52,480
Sometimes she doesn't realise
the talent that she has.
1125
00:36:52,520 --> 00:36:53,760
Sometimes she doesn't realise
the talent that she has.
1126
00:36:53,800 --> 00:36:55,800
OK. We are all set.
1127
00:36:55,840 --> 00:36:56,000
OK. We are all set.
1128
00:37:14,640 --> 00:37:16,640
# Got me to stay... #
1129
00:37:16,680 --> 00:37:17,160
# Got me to stay... #
1130
00:37:17,200 --> 00:37:18,320
Oh.
1131
00:37:18,360 --> 00:37:20,360
# Said that you need me
1132
00:37:20,400 --> 00:37:21,840
# Said that you need me
1133
00:37:21,880 --> 00:37:23,880
# Stop, cos these words
1134
00:37:23,920 --> 00:37:24,080
# Stop, cos these words
1135
00:37:25,360 --> 00:37:27,360
# Don't have a meaning
1136
00:37:27,400 --> 00:37:27,760
# Don't have a meaning
1137
00:37:27,800 --> 00:37:29,800
# No, they don't... #
1138
00:37:29,840 --> 00:37:30,400
# No, they don't... #
1139
00:37:30,440 --> 00:37:31,560
Wow.
1140
00:37:31,600 --> 00:37:33,600
# Not to your face
1141
00:37:33,640 --> 00:37:34,280
# Not to your face
1142
00:37:36,840 --> 00:37:38,840
# Mmm, I'll take my pride
1143
00:37:38,880 --> 00:37:40,880
# Mmm, I'll take my pride
1144
00:37:40,920 --> 00:37:41,840
# Mmm, I'll take my pride
1145
00:37:41,880 --> 00:37:43,880
# Stand here for you
1146
00:37:43,920 --> 00:37:45,840
# Stand here for you
1147
00:37:45,880 --> 00:37:47,880
# No, I'm not blind
1148
00:37:47,920 --> 00:37:49,120
# No, I'm not blind
1149
00:37:49,160 --> 00:37:51,160
# Just seeing it through
1150
00:37:51,200 --> 00:37:53,200
# Just seeing it through
1151
00:37:53,240 --> 00:37:55,240
# You take my life... #
Where did she come from?
1152
00:37:55,280 --> 00:37:56,520
# You take my life... #
Where did she come from?
1153
00:37:56,560 --> 00:37:58,560
# Just for the thrill
1154
00:37:58,600 --> 00:38:00,120
# Just for the thrill
1155
00:38:00,160 --> 00:38:02,160
# And I'll take tonight
1156
00:38:02,200 --> 00:38:03,600
# And I'll take tonight
1157
00:38:03,640 --> 00:38:05,640
# And die on this hill... # She's
just opened out the voice there,
1158
00:38:05,680 --> 00:38:05,960
# And die on this hill... # She's
just opened out the voice there,
1159
00:38:06,000 --> 00:38:08,000
there's real texture in there,
right?
1160
00:38:08,040 --> 00:38:08,320
there's real texture in there,
right?
1161
00:38:08,360 --> 00:38:10,360
# I always
1162
00:38:10,400 --> 00:38:12,400
# I always
1163
00:38:12,440 --> 00:38:13,320
# I always
1164
00:38:13,360 --> 00:38:15,360
# Will
1165
00:38:15,400 --> 00:38:16,160
# Will
1166
00:38:17,840 --> 00:38:19,720
# I know that I look
1167
00:38:21,800 --> 00:38:23,800
# Stubborn and patient... #
1168
00:38:23,840 --> 00:38:24,080
# Stubborn and patient... #
1169
00:38:24,120 --> 00:38:26,120
The piano playing is simple,
but it's totally in sync...
1170
00:38:26,160 --> 00:38:28,160
The piano playing is simple,
but it's totally in sync...
1171
00:38:28,200 --> 00:38:28,480
The piano playing is simple,
but it's totally in sync...
1172
00:38:28,520 --> 00:38:30,440
Yeah. ..with the singing.
1173
00:38:30,480 --> 00:38:32,480
# To be loved
1174
00:38:32,520 --> 00:38:34,320
# To be loved
1175
00:38:34,360 --> 00:38:36,360
# To be loved... #
It wouldn't have the same power
1176
00:38:36,400 --> 00:38:36,680
# To be loved... #
It wouldn't have the same power
1177
00:38:36,720 --> 00:38:38,640
if someone was accompanying her
at the piano.
1178
00:38:38,680 --> 00:38:40,680
# It's all just levels
1179
00:38:40,720 --> 00:38:40,960
# It's all just levels
1180
00:38:41,000 --> 00:38:43,000
# Tell me now
1181
00:38:43,040 --> 00:38:43,440
# Tell me now
1182
00:38:43,480 --> 00:38:45,400
# Oh... #
1183
00:38:45,440 --> 00:38:47,440
She has the music in her,
1184
00:38:47,480 --> 00:38:48,040
She has the music in her,
1185
00:38:48,080 --> 00:38:50,080
she was born
to be playing and singing.
1186
00:38:50,120 --> 00:38:52,120
she was born
to be playing and singing.
1187
00:38:52,160 --> 00:38:52,560
she was born
to be playing and singing.
1188
00:38:52,600 --> 00:38:54,600
# I'll take my pride
1189
00:38:54,640 --> 00:38:55,760
# I'll take my pride
1190
00:38:55,800 --> 00:38:57,800
# Stand here for you... #
1191
00:38:57,840 --> 00:38:59,080
# Stand here for you... #
1192
00:38:59,120 --> 00:39:01,120
I'm just so proud, of both of them.
1193
00:39:01,160 --> 00:39:01,400
I'm just so proud, of both of them.
1194
00:39:01,440 --> 00:39:03,440
Very much wanted children.
They're actually IVF twins.
1195
00:39:03,480 --> 00:39:05,480
Very much wanted children.
They're actually IVF twins.
1196
00:39:05,520 --> 00:39:06,760
Very much wanted children.
They're actually IVF twins.
1197
00:39:06,800 --> 00:39:08,800
We had a few attempts.
1198
00:39:08,840 --> 00:39:10,000
We had a few attempts.
1199
00:39:10,040 --> 00:39:12,040
Quite a few miscarriages.
1200
00:39:12,080 --> 00:39:12,880
Quite a few miscarriages.
1201
00:39:12,920 --> 00:39:14,920
And our final attempt was when
we got Sophie and Archie,
1202
00:39:14,960 --> 00:39:15,440
And our final attempt was when
we got Sophie and Archie,
1203
00:39:15,480 --> 00:39:17,480
so we were very lucky. Very lucky.
1204
00:39:17,520 --> 00:39:18,920
so we were very lucky. Very lucky.
1205
00:39:18,960 --> 00:39:20,960
We've got a lot
to thank the NHS for. Yeah.
1206
00:39:21,000 --> 00:39:21,240
We've got a lot
to thank the NHS for. Yeah.
1207
00:39:21,280 --> 00:39:23,280
# I know nothing could matter
1208
00:39:23,320 --> 00:39:24,080
# I know nothing could matter
1209
00:39:24,120 --> 00:39:26,120
# God, I wish something mattered
1210
00:39:26,160 --> 00:39:27,440
# God, I wish something mattered
1211
00:39:27,480 --> 00:39:29,480
# To you-u-u-u-u-u-u-u... #
1212
00:39:29,520 --> 00:39:31,520
# To you-u-u-u-u-u-u-u... #
1213
00:39:31,560 --> 00:39:33,560
# To you-u-u-u-u-u-u-u... #
1214
00:39:33,600 --> 00:39:33,920
# To you-u-u-u-u-u-u-u... #
1215
00:39:33,960 --> 00:39:35,960
Whoa. Whoo!
# I'll take my pride
1216
00:39:36,000 --> 00:39:38,000
Whoa. Whoo!
# I'll take my pride
1217
00:39:38,040 --> 00:39:38,800
Whoa. Whoo!
# I'll take my pride
1218
00:39:38,840 --> 00:39:40,840
# Stand here for you
1219
00:39:40,880 --> 00:39:42,120
# Stand here for you
1220
00:39:42,160 --> 00:39:44,160
# No, I'm not blind
1221
00:39:44,200 --> 00:39:44,880
# No, I'm not blind
1222
00:39:44,920 --> 00:39:46,920
# Just seeing it through
1223
00:39:46,960 --> 00:39:48,440
# Just seeing it through
1224
00:39:48,480 --> 00:39:50,480
# You take my life... #
1225
00:39:50,520 --> 00:39:51,640
# You take my life... #
1226
00:39:51,680 --> 00:39:53,680
I think we should go down
and see her.
1227
00:39:53,720 --> 00:39:54,640
I think we should go down
and see her.
1228
00:39:54,680 --> 00:39:56,680
# And I'll take tonight
1229
00:39:56,720 --> 00:39:58,720
# And I'll take tonight
1230
00:39:58,760 --> 00:39:59,160
# And I'll take tonight
1231
00:39:59,200 --> 00:40:01,200
# And die on this hill
1232
00:40:01,240 --> 00:40:03,240
# And die on this hill
1233
00:40:03,280 --> 00:40:03,440
# And die on this hill
1234
00:40:05,040 --> 00:40:07,040
# I always
1235
00:40:07,080 --> 00:40:08,200
# I always
1236
00:40:11,440 --> 00:40:13,440
# I always
1237
00:40:13,480 --> 00:40:14,680
# I always
1238
00:40:16,280 --> 00:40:18,280
# Will. #
1239
00:40:18,320 --> 00:40:20,320
# Will. #
1240
00:40:20,360 --> 00:40:21,160
# Will. #
1241
00:40:25,320 --> 00:40:26,720
Oh, God.
1242
00:40:30,360 --> 00:40:32,360
That's your fault
for coming down here.
1243
00:40:32,400 --> 00:40:32,760
That's your fault
for coming down here.
1244
00:40:39,880 --> 00:40:41,880
Well done. Hi! Hi, nice to meet you.
Nice to meet you.
1245
00:40:41,920 --> 00:40:43,640
Well done. Hi! Hi, nice to meet you.
Nice to meet you.
1246
00:40:43,680 --> 00:40:45,680
That was so beautiful. Thank you.
Absolutely gorgeous.
1247
00:40:45,720 --> 00:40:46,280
That was so beautiful. Thank you.
Absolutely gorgeous.
1248
00:40:46,320 --> 00:40:48,320
My God, your voice, the piano,
it's so amazing. Thank you so much.
1249
00:40:48,360 --> 00:40:49,680
My God, your voice, the piano,
it's so amazing. Thank you so much.
1250
00:40:49,720 --> 00:40:51,720
What a pleasure to hear you,
you absolutely nailed it.
1251
00:40:51,760 --> 00:40:52,120
What a pleasure to hear you,
you absolutely nailed it.
1252
00:40:52,160 --> 00:40:53,920
Oh, my goodness.
1253
00:40:53,960 --> 00:40:55,960
Do your parents cry like that
all the time? Yeah! Do they?
1254
00:40:56,000 --> 00:40:57,480
Do your parents cry like that
all the time? Yeah! Do they?
1255
00:40:57,520 --> 00:40:59,520
Don't worry, it's normal.
1256
00:40:59,560 --> 00:40:59,800
Don't worry, it's normal.
1257
00:40:59,840 --> 00:41:01,840
Very beautiful. Thank you.
We'll see you later. Bye.
1258
00:41:01,880 --> 00:41:02,680
Very beautiful. Thank you.
We'll see you later. Bye.
1259
00:41:02,720 --> 00:41:04,360
Sophie, everyone!
1260
00:41:10,160 --> 00:41:12,040
She was really bloody good,
wasn't she?
1261
00:41:12,080 --> 00:41:13,640
So proud of you.
1262
00:41:15,240 --> 00:41:17,240
So proud. 14, blimey.
1263
00:41:17,280 --> 00:41:17,680
So proud. 14, blimey.
1264
00:41:17,720 --> 00:41:19,720
Give your sister a hug? Nah.
1265
00:41:19,760 --> 00:41:20,200
Give your sister a hug? Nah.
1266
00:41:23,070 --> 00:41:23,200
{\an8}UPBEAT MUSIC
1267
00:41:24,640 --> 00:41:26,400
{\an8}All of the pianists
who swapped Glasgow
1268
00:41:26,440 --> 00:41:28,440
for London Liverpool Street
have gathered to find out
1269
00:41:28,480 --> 00:41:29,000
for London Liverpool Street
have gathered to find out
1270
00:41:29,040 --> 00:41:31,040
{\an8}who Mika and Jamie have chosen
to play in the final concert.
1271
00:41:31,080 --> 00:41:33,080
{\an8}who Mika and Jamie have chosen
to play in the final concert.
1272
00:41:33,120 --> 00:41:33,800
{\an8}who Mika and Jamie have chosen
to play in the final concert.
1273
00:41:33,840 --> 00:41:35,840
What did you think of our pianists?
1274
00:41:35,880 --> 00:41:36,200
What did you think of our pianists?
1275
00:41:36,240 --> 00:41:38,200
There were some incredible
techniques on display,
1276
00:41:38,240 --> 00:41:40,240
but also ways of playing the piano
that I was surprised to see.
1277
00:41:40,280 --> 00:41:41,760
but also ways of playing the piano
that I was surprised to see.
1278
00:41:43,800 --> 00:41:45,800
We had Alex, and he played The Who.
1279
00:41:45,840 --> 00:41:46,320
We had Alex, and he played The Who.
1280
00:41:46,360 --> 00:41:48,360
He didn't just play The Who,
he did one of the most technical
1281
00:41:48,400 --> 00:41:50,400
He didn't just play The Who,
he did one of the most technical
1282
00:41:50,440 --> 00:41:50,720
He didn't just play The Who,
he did one of the most technical
1283
00:41:50,760 --> 00:41:52,760
and complicated things that
you could turn in to a piano piece.
1284
00:41:52,800 --> 00:41:53,400
and complicated things that
you could turn in to a piano piece.
1285
00:41:56,400 --> 00:41:58,320
You also loved Paul.
1286
00:41:58,360 --> 00:42:00,360
Learning that you can create that
much drama and beauty with one hand,
1287
00:42:00,400 --> 00:42:02,400
Learning that you can create that
much drama and beauty with one hand,
1288
00:42:02,440 --> 00:42:03,560
Learning that you can create that
much drama and beauty with one hand,
1289
00:42:03,600 --> 00:42:05,600
I was really deeply moved
by that performance.
1290
00:42:05,640 --> 00:42:05,880
I was really deeply moved
by that performance.
1291
00:42:05,920 --> 00:42:07,080
Let's talk about Gabby.
1292
00:42:08,520 --> 00:42:10,520
She just communicated so much joy.
1293
00:42:10,560 --> 00:42:11,320
She just communicated so much joy.
1294
00:42:11,360 --> 00:42:13,360
I mean, it's just a different kind
of sunlight that she brought,
1295
00:42:13,400 --> 00:42:13,960
I mean, it's just a different kind
of sunlight that she brought,
1296
00:42:14,000 --> 00:42:16,000
and all of that is only possible
1297
00:42:16,040 --> 00:42:16,760
and all of that is only possible
1298
00:42:16,800 --> 00:42:18,800
cos she's actually a really,
really good, technical player.
1299
00:42:18,840 --> 00:42:19,480
cos she's actually a really,
really good, technical player.
1300
00:42:19,520 --> 00:42:21,000
She's really,
really good technically.
1301
00:42:21,040 --> 00:42:23,040
# I'll take my pride... #
1302
00:42:23,080 --> 00:42:24,080
# I'll take my pride... #
1303
00:42:24,120 --> 00:42:26,120
The biggest crowd
gathered round a 14-year-old girl.
1304
00:42:26,160 --> 00:42:27,680
The biggest crowd
gathered round a 14-year-old girl.
1305
00:42:27,720 --> 00:42:29,520
To accompany yourself so simply
1306
00:42:29,560 --> 00:42:31,560
and really be able
to communicate that emotion,
1307
00:42:31,600 --> 00:42:31,840
and really be able
to communicate that emotion,
1308
00:42:31,880 --> 00:42:33,880
at that age, it's really unusual,
1309
00:42:33,920 --> 00:42:34,440
at that age, it's really unusual,
1310
00:42:34,480 --> 00:42:36,480
and I think everyone
could sense that.
1311
00:42:36,520 --> 00:42:37,200
and I think everyone
could sense that.
1312
00:42:37,240 --> 00:42:39,240
You two now have to choose somebody
1313
00:42:39,280 --> 00:42:39,600
You two now have to choose somebody
1314
00:42:39,640 --> 00:42:41,640
who you want to put onstage in
front of 2,000 paying spectators.
1315
00:42:41,680 --> 00:42:43,680
who you want to put onstage in
front of 2,000 paying spectators.
1316
00:42:43,720 --> 00:42:45,240
who you want to put onstage in
front of 2,000 paying spectators.
1317
00:42:45,280 --> 00:42:47,280
OK, let's do it.
I'm going to have a little nap
1318
00:42:47,320 --> 00:42:47,920
OK, let's do it.
I'm going to have a little nap
1319
00:42:47,960 --> 00:42:49,960
because I sense
this might take some time.
1320
00:42:50,000 --> 00:42:51,040
because I sense
this might take some time.
1321
00:42:51,080 --> 00:42:53,080
For seven days.
OK. I need those chimes.
1322
00:42:53,120 --> 00:42:53,840
For seven days.
OK. I need those chimes.
1323
00:42:59,120 --> 00:43:01,120
Hello, everybody. It is so lovely
to see you all together.
1324
00:43:01,160 --> 00:43:03,160
Hello, everybody. It is so lovely
to see you all together.
1325
00:43:03,200 --> 00:43:03,480
Hello, everybody. It is so lovely
to see you all together.
1326
00:43:03,520 --> 00:43:05,520
I'm so sorry we couldn't do this
in Glasgow,
1327
00:43:05,560 --> 00:43:06,360
I'm so sorry we couldn't do this
in Glasgow,
1328
00:43:06,400 --> 00:43:08,400
but we're so happy
that you made your way down here,
1329
00:43:08,440 --> 00:43:09,280
but we're so happy
that you made your way down here,
1330
00:43:09,320 --> 00:43:10,880
cos you were all brilliant.
1331
00:43:10,920 --> 00:43:12,920
You weren't only playing
for the commuters,
1332
00:43:12,960 --> 00:43:13,240
You weren't only playing
for the commuters,
1333
00:43:13,280 --> 00:43:15,280
you were also playing
for two superstars -
1334
00:43:15,320 --> 00:43:16,800
you were also playing
for two superstars -
1335
00:43:16,840 --> 00:43:18,840
Mika and Jamie Cullum!
1336
00:43:18,880 --> 00:43:19,240
Mika and Jamie Cullum!
1337
00:43:23,560 --> 00:43:25,560
Hi, everybody. Hi, everyone.
1338
00:43:25,600 --> 00:43:26,000
Hi, everybody. Hi, everyone.
1339
00:43:26,040 --> 00:43:28,040
It's been such a privilege
for me to hear you all play.
1340
00:43:28,080 --> 00:43:29,480
It's been such a privilege
for me to hear you all play.
1341
00:43:29,520 --> 00:43:31,520
I've been introduced to composers
I didn't know before,
1342
00:43:31,560 --> 00:43:32,680
I've been introduced to composers
I didn't know before,
1343
00:43:32,720 --> 00:43:34,720
so thank you for that.
Cailean, your performance,
1344
00:43:34,760 --> 00:43:35,280
so thank you for that.
Cailean, your performance,
1345
00:43:35,320 --> 00:43:37,320
just watching your hands dance
on the piano,
1346
00:43:37,360 --> 00:43:37,680
just watching your hands dance
on the piano,
1347
00:43:37,720 --> 00:43:39,720
that set everyone up, but all of you
were such a privilege to watch.
1348
00:43:39,760 --> 00:43:41,400
that set everyone up, but all of you
were such a privilege to watch.
1349
00:43:42,880 --> 00:43:44,880
We are planning a final concert,
this one's in Birmingham,
1350
00:43:44,920 --> 00:43:46,040
We are planning a final concert,
this one's in Birmingham,
1351
00:43:46,080 --> 00:43:48,080
our biggest concert yet,
all of you are all invited
1352
00:43:48,120 --> 00:43:50,040
our biggest concert yet,
all of you are all invited
1353
00:43:50,080 --> 00:43:52,080
to be part of this family
that is The Piano.
1354
00:43:52,120 --> 00:43:53,320
to be part of this family
that is The Piano.
1355
00:43:53,360 --> 00:43:55,360
Today we are going to be choosing
one pianist
1356
00:43:55,400 --> 00:43:56,880
Today we are going to be choosing
one pianist
1357
00:43:56,920 --> 00:43:58,920
to go and perform onstage,
and that person is...
1358
00:43:58,960 --> 00:44:00,960
to go and perform onstage,
and that person is...
1359
00:44:01,000 --> 00:44:01,200
to go and perform onstage,
and that person is...
1360
00:44:08,440 --> 00:44:10,440
Gabby. Gabby. Oh, my God.
1361
00:44:10,480 --> 00:44:10,880
Gabby. Gabby. Oh, my God.
1362
00:44:13,280 --> 00:44:15,280
For real?
1363
00:44:15,320 --> 00:44:15,520
For real?
1364
00:44:15,560 --> 00:44:17,560
Gabby, you look so shocked.
1365
00:44:17,600 --> 00:44:17,760
Gabby, you look so shocked.
1366
00:44:19,120 --> 00:44:21,120
Oh...
1367
00:44:21,160 --> 00:44:21,400
Oh...
1368
00:44:21,440 --> 00:44:23,440
I can't believe it, it's...
I wasn't expecting it, really.
1369
00:44:23,480 --> 00:44:24,960
I can't believe it, it's...
I wasn't expecting it, really.
1370
00:44:25,000 --> 00:44:27,000
Oh, my God. Thank you.
Thank you so much. Congratulations.
1371
00:44:27,040 --> 00:44:27,800
Oh, my God. Thank you.
Thank you so much. Congratulations.
1372
00:44:27,840 --> 00:44:29,840
I always think less of myself
but, apparently,
1373
00:44:29,880 --> 00:44:31,880
I always think less of myself
but, apparently,
1374
00:44:31,920 --> 00:44:32,200
I always think less of myself
but, apparently,
1375
00:44:32,240 --> 00:44:34,240
no, so I think I need to start
believing more in myself. Yes.
1376
00:44:34,280 --> 00:44:36,280
no, so I think I need to start
believing more in myself. Yes.
1377
00:44:36,320 --> 00:44:38,120
no, so I think I need to start
believing more in myself. Yes.
1378
00:44:42,480 --> 00:44:44,480
We picked Gabby because
she expressed so much joy
1379
00:44:44,520 --> 00:44:45,520
We picked Gabby because
she expressed so much joy
1380
00:44:45,560 --> 00:44:46,760
when she played.
1381
00:44:46,800 --> 00:44:48,800
And I love that she brought music
from her own cultural heritage
1382
00:44:48,840 --> 00:44:50,160
And I love that she brought music
from her own cultural heritage
1383
00:44:50,200 --> 00:44:52,200
and did it with such expertise.
1384
00:44:52,240 --> 00:44:52,640
and did it with such expertise.
1385
00:44:52,680 --> 00:44:54,680
We had this sun-kissed energy
from Mexico
1386
00:44:54,720 --> 00:44:56,120
We had this sun-kissed energy
from Mexico
1387
00:44:56,160 --> 00:44:58,160
that's just entered
the final concert,
1388
00:44:58,200 --> 00:44:58,800
that's just entered
the final concert,
1389
00:44:58,840 --> 00:45:00,840
and the potential that she has
is enormous.
1390
00:45:00,880 --> 00:45:02,880
and the potential that she has
is enormous.
1391
00:45:02,920 --> 00:45:03,160
and the potential that she has
is enormous.
1392
00:45:03,200 --> 00:45:04,920
I think I'd like to go to the gym
1393
00:45:04,960 --> 00:45:06,960
to get ready
for smash all the pianos.
1394
00:45:07,000 --> 00:45:07,880
to get ready
for smash all the pianos.
1395
00:45:07,920 --> 00:45:09,920
Any piano I can find, smash them.
1396
00:45:09,960 --> 00:45:11,760
Any piano I can find, smash them.
1397
00:45:11,800 --> 00:45:13,720
Yay. Bravo.
1398
00:45:13,760 --> 00:45:15,760
But Gabby might not be
the only one of today's pianists
1399
00:45:15,800 --> 00:45:16,680
But Gabby might not be
the only one of today's pianists
1400
00:45:16,720 --> 00:45:18,720
to play at the final concert.
1401
00:45:18,760 --> 00:45:19,320
to play at the final concert.
1402
00:45:19,360 --> 00:45:21,360
This year, we have held back
one place at the final concert.
1403
00:45:21,400 --> 00:45:23,400
This year, we have held back
one place at the final concert.
1404
00:45:23,440 --> 00:45:24,160
This year, we have held back
one place at the final concert.
1405
00:45:24,200 --> 00:45:26,200
If somebody impressed us enormously,
they could get a wild card.
1406
00:45:26,240 --> 00:45:28,240
If somebody impressed us enormously,
they could get a wild card.
1407
00:45:28,280 --> 00:45:28,560
If somebody impressed us enormously,
they could get a wild card.
1408
00:45:28,600 --> 00:45:30,600
And so the question is,
did anybody impress us enough
1409
00:45:30,640 --> 00:45:31,960
And so the question is,
did anybody impress us enough
1410
00:45:32,000 --> 00:45:34,000
to get one of those wild cards and
have another chance to play for us
1411
00:45:34,040 --> 00:45:35,800
to get one of those wild cards and
have another chance to play for us
1412
00:45:35,840 --> 00:45:37,840
and maybe be in that final concert
in Birmingham?
1413
00:45:37,880 --> 00:45:39,360
and maybe be in that final concert
in Birmingham?
1414
00:45:39,400 --> 00:45:40,880
The answer is yes.
1415
00:45:42,280 --> 00:45:43,920
And the person we've chosen
1416
00:45:43,960 --> 00:45:45,960
to have a chance to go through
to the final is...
1417
00:45:46,000 --> 00:45:46,560
to have a chance to go through
to the final is...
1418
00:45:49,040 --> 00:45:51,040
Next time, we reveal which Scottish
pianist has been given a wild card,
1419
00:45:51,080 --> 00:45:53,080
Next time, we reveal which Scottish
pianist has been given a wild card,
1420
00:45:53,120 --> 00:45:55,120
Next time, we reveal which Scottish
pianist has been given a wild card,
1421
00:45:55,160 --> 00:45:57,160
before pulling in
to the historic city of York...
1422
00:45:57,200 --> 00:45:58,040
before pulling in
to the historic city of York...
1423
00:45:58,080 --> 00:46:00,080
I'm Claudia.
I know all about you. OK.
1424
00:46:00,120 --> 00:46:01,240
I'm Claudia.
I know all about you. OK.
1425
00:46:01,280 --> 00:46:03,280
..where Mika will be joined
by a jazz piano superstar.
1426
00:46:03,320 --> 00:46:04,440
..where Mika will be joined
by a jazz piano superstar.
1427
00:46:04,480 --> 00:46:06,440
Hiromi, everybody!
1428
00:46:06,480 --> 00:46:07,960
CHEERING
1429
00:46:08,000 --> 00:46:10,000
They'll hear more
incredible pianists...
1430
00:46:10,040 --> 00:46:10,480
They'll hear more
incredible pianists...
1431
00:46:10,520 --> 00:46:12,520
She means each note.
1432
00:46:12,560 --> 00:46:12,880
She means each note.
1433
00:46:12,920 --> 00:46:14,680
Oh, that was my favourite bit!
1434
00:46:14,720 --> 00:46:16,600
..and face the toughest decision...
1435
00:46:16,640 --> 00:46:18,520
No way!
1436
00:46:18,560 --> 00:46:20,200
..of the series so far.
1437
00:46:20,240 --> 00:46:22,240
I didn't see that coming. It's too
hard. They're equally beautiful.
1438
00:46:22,280 --> 00:46:24,280
I didn't see that coming. It's too
hard. They're equally beautiful.
1439
00:46:24,320 --> 00:46:24,600
I didn't see that coming. It's too
hard. They're equally beautiful.
1440
00:46:24,640 --> 00:46:26,640
I think this might be
the hardest one.
1441
00:46:26,680 --> 00:46:27,040
I think this might be
the hardest one.
1442
00:46:27,080 --> 00:46:29,080
I'm not looking, Hiromi.
So cute.
1443
00:46:29,120 --> 00:46:29,680
I'm not looking, Hiromi.
So cute.
1444
00:46:56,960 --> 00:46:58,960
Subtitles by Red Bee Media
1445
00:46:59,000 --> 00:47:00,200
Subtitles by Red Bee Media
1446
00:47:00,720 --> 00:47:00,760
{\an8}UPBEAT MUSIC