[shots]
[Paco] Sab, is that clear?
[Sab] OK, that's clear.
[Martin] OK Sab, we're leaving the house towards the HPZ.
[Sab] Received, I answer.
[not in a hurry]
[shots]
[gasping breath]
[metal squeaks]
[breathing]
[weak oppressive music]
[Martin whispers] Sab? Sab, can you hear me?
[gasping breath]
[muffled cry]
[gasping breath]
- [shots] - [muffled cry]
[signal lost]
I want full coverage of the region.
I want three groups now.
[male] Twelve is positioned on Abu Halil.
So you tell them to come back.
I want all channels enabled: CIA, DGSE ASSAYECH.
If they have something in their panties, now is the time to get it out.
Sir, the Americans are here.
[rock music]
[in English] I have two drones on this sector and a satellite.
So far, we have nothing.
We sent a group there at dawn.
There was no one. They may have fled to Syria.
It is believed that they will keep her alive.
Sorry about your soldier.
We will do what we can to bring her back.
Count on me.
- Are we going through the files? - Yes.
[in French] Have you seen the Americans?
They put us two drones and a satellite in the area.
Good, very good.
I know it's not really the time,
but it would be nice to tell them about Olivier.
OK.
You want me to do it myself or do you do it?
You. [clears her throat]
Martin! [he clears his throat]
Martin.
Can I talk to you for five minutes?
[sad music]
[alarm]
Martin.
- Are you OK honey ? - This is Milo.
- What ? - Your son.
No no…
He was born on Thursday.
He weighs two kilos seven,
and he's doing very, very well.
Hey my heart?
You are well my love.
I'm fine, I'm resting.
- Yeah. - Eh ?
Are you coming to see him soon?
Martin?
How are you ?
- I'm sorry. - What is happening ?
I'm sorry…
- Is that Oliver? - Yeah.
[she sobs]
- Oh my heart. - Please don't cry.
My love. Come back.
Come back. Please.
[helicopter]
[Paco] Get up!
Come on get up!
[he cuffs him]
[heavy music]
What has happened ?
She was injured during the exfiltration.
But his condition is stable.
His vital prognosis is no longer engaged.
- I need to talk to him. - No.
NOW ! I want to talk to him, let me talk to him!
Let me talk to him, let me! Let me talk to him!
I want to talk to him… Let me talk to him!
Where was she when you lost her?
In an agricultural farm, in the Al Jamiyah region.
- It was when ? - Eight hours ago.
It's late, it's very late...
I can not do anything …
Alright, stop kidding yourself out of our mouth there?
I can't do anything from here.
[Adèle] That is to say?
If you want me to help you, I have to go out.
What are you going out?
[Zaïd] I have to go see people in Mosul.
It's information you can't get over the phone.
It's your only chance to find her alive.
I didn't do all this to let Yanis and Salwa here in Iraq.
They must return to France.
How are you going to find Farès?
- [Zaïd] He moves a lot… - Well, what's the plan?
I'll take care of it, and I'll bring it back to you.
[heavy music]
- How much time do you need? - A few hours.
Only. Without microphone, drone or snitch.
In the old town.
I need a gun too.
For you it is tempting?
The guy is believable. He has a big network in Mosul
but that he will never be able to activate from here.
They know they are listened to, my general. They won't do anything over the phone.
[Abot] What guarantees us will he come back?
Nothing. But we have his daughter and his grandson,
and he really cares about his family,
otherwise he wouldn't have come looking for them in the middle of a war zone.
His daughter and the kid have no official existence with us,
so he knows that if he screws up they are handed over to FEDPOL.
OK. You plan to set up what device?
We stalled that with the Kurds of Assayech,
they have undercover sources in the old town.
We will be behind him we're not going to let go, believe me.
[Abot] Everyone is well aware
that he is going to look for to do it upside down?
Of course, but we studied all possible options
and frankly it's the best.
If we want to have a chance to find her alive.
OK.
Let's go.
[eerie music]
Take. Don't try to fuck us.
Otherwise your daughter I deliver her to the Kurds. It's clear ?
He's a snitch?
I don't recommend turning it off.
What if I lose the network?
It's not my problem.
I need money too.
Take. Come on, here.
Don't try to piss us off. It's clear ?
[operator] It's good, the phone marks.
[beeps]
[Adele in English] Bedad, Nalin, Karzan, you receive me ?
Yes.
[eerie music]
Zaïd has just entered in the neighborhood by the west side.
Bedad, he's coming into your alley.
I got it.
[rapid breathing]
He turns right again.
He turns left.
Bedad, stop.
Naline, over to you.
He heads for Second Avenue.
Yes. He turns left. You see it ?
[Nalin] Not yet.
I see him.
[Zaid] Hussein!
- [in Arabic] Where is your father? - [in Arabic] At the cafe.
[Nalin, in English] He's talking to someone in a shop.
Do you see who he's talking to?
No.
[in Arabic] Give him that.
Give me one.
Quick quick.
[heavy music]
- [call to prayer] - [rapid breathing]
[Nalin] I'm behind him.
Stay back. Don't get too close, he'll see you.
Karzan, over to you.
He's going north and he takes...
The first on the right. You see it ?
Yes.
[Adele in French] It's too dark, you can't see anything!
[she sighs]
[in English] I lost the visual.
[in French] Shit, it's a dead end.
[in English] Karzan is a dead end.
[Karzan] I don't see it.
[Karzan] I don't know where he is.
[in French] Damn, he's leaving us here.
[Adèle] He is in D5.
[Adele in English] Stop it, Karzan.
Retrace your steps.
He is in D5.
D5.
[heavy music]
[Zaïd, in Arabic] Open, quick!
[grid closes]
[Roques] Damn, where is this jerk.
Salam aleykum.
He is in D4.
[in English] He is in E4.
[suspense music]
Guys, we have it in sight. He is in the street.
It goes up to the main street.
[light hubbub]
He turns left. Don't let go.
Hurry up.
[Karzan] I'm behind him.
[Adèle in English] He turned left.
[in Arabic] Open!
Zaid?
Hi bro.
[in English] He walked into a house.
Is there another entry?
[Karzan] I can't see from here.
[Adele] Bedad, go around and check the accesses.
Nalin, Karzan, hold your position.
[in Arabic] Since time… I was worried about you.
Don't worry, my friend.
I told you I would come back. I am the.
Thanks to God.
We want to get out of here.
Rachida and the children can't take it anymore.
Do you have the money?
Yes.
[eerie music]
[Bedad in English] No other access.
[in Arabic] Put it there.
It's not enough.
You are the main treasurer.
I swear to you, before God.
That's all we could bring back.
Times are hard, the boxes are empty.
There is nothing to do.
Want to see the logs?
Sit down.
I trust you.
Thank you, Zaid.
- Shall I call Rachida and the little ones? - Wait, be patient.
You are going to call your cousin, Ahmad.
- Ahmad Chaffik? - Yes.
- For what ? - It is important.
Bring him here I want to talk to him.
I dunno if he's still in town.
It's been a while that I haven't seen.
You won't leave without my seeing it.
Call him.
Don't tell him I'm here.
It will be a surprise.
What kind ?
Call him.
- And you'll get us out of here? - [he nods]
I send him a message.
[Zaïd] Call him.
Hello Ahmed.
Come to my house right away.
It's important, you'll see.
He will come.
Your phone.
Are they upstairs?
No, next.
The phone still scores inside, General.
- How long has he been there? - [Adèle] Twenty minutes.
You had a visual confirmation is it still there?
No, but the Kurds have blocked access and we have a drone on surveillance.
And on the side of the farm where was she captured?
[Roques] The Americans have a drone too but nothing to report.
Still no claims or sign of life?
No, General.
We know that Sabrina Besson was operational at the time of its capture,
and according to what we know of Farès,
he will want to monetize it at a high price, i.e. alive.
That may explain why he needs time to get organized.
We are also not immune to receiving an execution video at any time.
So if I summarize,
no trace of Sab Besson, or Zaïd Osman for the moment.
Zaid Osman needs time to activate his contacts,
then 30 mins without showing up, it's believable.
If in an hour we are still without news of him we get him back.
My general, if we intervene, we burn Zaïd
and our only chance to get Sab back.
And it's a probable attack campaign on French soil which is at stake,
with dozens of potential victims.
Sorry.
Good General.
We are getting ready for an exfiltration of Zaïd.
OK.
[heavy music]
- Rimbaud? - Yeah ?
I can talk to you ?
Come.
I could use a little pick-me-up.
Enough to ?
- Something a little louder. - No. I can't give you that shit.
You're in no shape, stop your bullshit there.
Don't worry, it will.
No, I told you it was dangerous.
Just the time we find her, please.
After I promise, I stop everything.
Either way you need me, you know.
With that you're good for 48 hours.
After the descent it will be tough.
OK.
THANKS.
[in English] A motorcycle park in front of the house.
The guy goes down. He is armed
a kalash.
Black pants.
Khaki jacket.
[eerie music]
He enters.
[in Arabic] Come home!
- What is he doing there? - Ahmad.
Shed your gun, he is there on a mission.
He is right.
If I had called you you wouldn't have come.
What do you have to tell me?
I know, for the French military.
I want to talk to Fares.
Farès doesn't want to talk to you.
We are not going to talk family problems.
Raqqa sent me.
I have orders for Fares, I have to talk to him.
What do I get in return?
If you don't call him... I don't know.
But look what you get back if you do.
Just a call.
You call her now.
[tone]
[Farès] Why are you calling me?
Fares, Zaïd is with us.
[action music]
What did you do !
[in English] Two shots!
- Do you see something ? - No. Nothing from my side.
- [in French] Adèle we enter. - No not right now.
[in English] Try to see inside.
OK.
No visual.
[Adèle] Don't come in yet.
[Roques in French] You don't have time, Adele.
[suspense music]
[alarm]
We have a message from Zaid. It's a phone number.
A Thuraya satellite.
[in Arabic] Omar?
Everything is ready ?
I'm coming.
- OK, we have the Fares satellite. - [Adèle] Launch the geoloc'.
[in English] OK guys, come in.
[music stops]
Two bodies.
[Adèle] Zaïd, where is he?
[Nalin] We have his phone.
[Adèle] Do you see Zaïd?
[Nalin] He took off.
- What ? - [Nalin] He's gone.
- [in French] What does he say? - He walked away.
Holy shit!
Shit !
He fucked us motherfucker!
Tell them they're searching the neighborhood.
[in English] Check the neighborhood.
[in French] We can't fucking lose him.
It's good, we have the geoloc' of Farès.
He came back. He is in Mosul.
[Adèle] It's ten kilometers from here.
This is the industrial district.
[Roques] Brief in five minutes.
[heavy music]
We are going to intervene in this area.
We type, we recover Sab and we exfiltrate by the same route.
It will be done jointly with the group 46 of Lieutenant Richet.
Thank you Lt.
Paco it's good, for the transmissions?
Yeah, everyone has the new frequencies F1 and F3.
- We'll have TACSAT. - The QRF?
No None, the area is 100% hostile,
no helicopter can land to get us back.
Once there, we'll be alone.
No armed drone support either?
No, the area is too dense for aerial fire support,
there is too much civilian collateral damage.
And an exfiltrate is it possible with armor?
No. Too conspicuous.
It's good for everyone ?
- Clear. - Understood.
Come on.
[suspense music]
[honk]
[Salar in English] Arrival in a minute.
[Martin in French] 45 pour 46, cible à droite.
[man] Well taken.
[music stops]
[heavy music]
OK, go!
[whispers] OK Paco.
Clear.
[suspense music]
[Martin] Don't move! Show your hands! Don't move I tell you!
- Don't move, on your stomach! - [Rimbaud] Don't move!
- Do not move! - Turn around!
Turn around, don't move. Put your hands behind.
- [Rimbaud] Give your hands. - Don't move!
- Give the legs. Given. - [Martin] Here, Serflex.
- [Rimbaud] Don't move! - [Martin] Don't move, we told you!
- Clear. - OK.
[Rimbaud] Here, don't move!
Here, come on, turn around.
- Turn around! - [Martin] Come on.
Go fucking ahead!
[Rimbaud] Go ahead.
[Martin] Don't move, come with us. Come with us !
- [Martin] Here, check it there. - [Rimbaud] Give.
Where is she ? Fares! Where is she ?
[Rimbaud whispers] Ah, damn it.
Where the fuck is she?
Tell me where the fuck is she. Tell me where she is!
[Farès] I don't think you understood.
It's her against me.
It's you who didn't understand man, we did not come here to discuss.
Where is she ?
Oh fuck.
Fuck tell me where she is.
[Paco] Martin, Martin. Wait, Martin, no.
Stay the fuck! It's an order !
Rimbaud, wake up the fuck!
Oh, what are you doing here
[Martin] Farès, don't play dumb.
I swear, I'm gonna blow your knee. Tell me where she is.
Tell me where the fuck is she!
OKAY…
- [Fares yells] - Martin, damn it!
But what are you doing ? What are you playing at !
Rimbaud, say the fuck something! What are you doing here?
[Fares groans in pain]
If you do that, we'll never find her.
Clear !
Tell me where the fuck is she!
I swear, I'm going to smash your face.
- Tell me where she is. - Talk, talk. Whore !
Where the fuck is she?
[Farès] In the garage… Behind.
OK. How many men with her?
How many men with her!
- How much the fuck? How much ? - Two…
- They are two. - They are two. OK.
Spit, Rimbaud you stay there. Paco, you're coming with me.
[Farès gasps and grunts]
Why didn't you talk, you asshole!
- Are you really going to cure this bastard? - [Fares growls]
Shut up !
[eerie music]
[Paco whispers] Is that it?
What the fuck is this?
Son of a bitch!
[Farès moans]
Where did you take him, huh?
She wasn't fucking there! Where did you take him?
- How so ? - She wasn't there.
- I swear, I told you the truth. - Stop swearing! Whore.
- I told the truth ! I swear to you ! - Hold on…
[Fares] Stop! I swear. Stopped !
- [Martin] Where the fuck is she! - I swear, I said it!
Stop swearing I told you!
I swear ! I...
Where the fuck is she?
[Rimbaud] Martin, Martin…
Martin. Stopped.
Whore !
I swear.
[soft music]
[Rimbaud] Come, hurry up.
Go ahead, go ahead.
[Farès moans]
[whirring]
- Hello Salva. - [Salwa] Hello.
Do you recognize me?
I do not believe.
We spoke on the phone when you were at the women's house.
I was sent by your father.
So I know that it's not easy to understand,
but I will explain to you where you are.
For Iraqis, you're just an idiot Frenchwoman who came to do her jihad.
They will condemn you in a quarter of an hour and hang you the next day.
For the French people, you have chosen your camp, you are their enemy.
You can die in the bottom of a Kurdish prison, Nobody cares.
If I don't interest you,
Why did you come looking for me then?
It's a good question.
Look at.
[she moans]
[Adele] Do you see the soldier next to Yanis?
His name is Salar, he comes from Ramadi.
When they took over the city from Daesh he was able to return home,
find his wife, sons, and daughter.
Daesh had slaughtered them two months ago.
The bodies were still there.
So this is it.
where you tell me everything you know on Fares, Qalb Aswad and your father,
and Yanis will be repatriated to France,
he will have the right to a new life:
school, a host family.
Or he leaves with Salar.
And here I let you imagine the rest,
when he finds out whose son Yanis is.
I could see it?
[Adèle] That depends on you.
It's up to you.
And it is now.
Yes.
I'm listening to you.
- No, not now. - Yes, sir.
You must come immediately.
What is happening ?
[Castles] Look. We just received this.
[beep]
[not]
- [disturbing music] - [rapid breathing]
NOW we can talk you and me.
[rock music]