[tense music]
Yeah.
Can you read this?
Oh, no.
* *
Why not?
I'll tell you over there.
I mean, I made damn sure
that this couldn't be traced back to me.
* *
[birds chirping]
Turn the sound down, because this is gonna get pretty loud.
Queenie, you ready to sing for daddy?
Okay. [howls]
[howling]
[dog barks and howls]
[both howling]
[gentle music]
* *
[laughs]
Good girl, Queenie. Good girl.
[dramatic music]
* *
[birds chittering]
They're out on bail.
They're off to The Bahamas, and the mob blows up the boat.
- Oh, okay. [laughs] - Yeah.
- All right. - Yeah.
Yeah. Exactly.
- So that didn't happen, but it will.
It will in this. Yeah.
- Yeah. - Yes.
So they're dead as far as we know.
And so this is their funeral.
And, you know, of course, uh,
I thought about who should come to her funeral,
and of course it should be all her girls.
Exterior. A cemetery day.
Audrey's funeral.
Young girls with short, skimpy dresses
and cleavage everywhere are in attendance.
- Paul, this may not be the best time,
but we've got some good news for you.
What's up, Alan?
You're a very wealthy man.
What are you talking about?
- The IRS froze her bank accounts.
They took the taxes out.
How much did they find?
- They found 2.5 million and took 2.5 million.
Really?
Yeah.
And you get 30% from the whistleblower program.
The check is at my office.
Wow.
Congratulations.
Thank you.
Paul turns and walks away.
He leaves the grave site walking along a winding path.
As he gets to the street...
[tires screech]
Daddy!
Get in.
[dramatic music]
- And so begins "The Chronicles."
* *
The thing in Hollywood today is franchise.
"Batman" franchise.
"Star Wars." "Star Trek."
I want to create a "Duplicity" franchise
and write some fictional sequels
to the non-fiction "Duplicity."
I had Paul and Johnny be kidnapped by the mob,
which would leave it open for "The Chronicles"
to take over.
But what am I gonna do?
[deep sigh]
I thought back to chapter 22 of "Duplicity,"
about Royce's international
human trafficking organization.
Holy shit!
When I discovered a picture of a young Asian girl
in Royce's trash, the conclusion I drew
was that Royce was bringing in girls to join the ring.
So I wrote the "Paul T. Goldman Chronicles,"
where Paul goes to London and Paris and Moscow
and on and on fighting against global sex trafficking.
Fiction whose origins are non-fiction.
This is a huge ring.
We're talking Royce, Borelli, lots of girls.
So "The Chronicles" are like, "Hello, Mr. FBI.
Get your people to-to bust this ring."
* *
Johnny, what happened?
- They took me from the school playground.
Hey, put these blindfolds on.
First your son then you.
- What the hell do you want with us?
- Man, that's one question I can't answer.
But my guess is you meddled in someone else's business.
- Yeah, Johnny, you don't want to see these guys.
Hey, shut up.
- Unless the Royals can clench that division
with a win over the Angels,
last night's one nothing streak gave the Royals...
[tires screech, glass shatters]
[alarm blaring]
- Get up. Go on. Get up.
Go on. Move.
Get in the room. Get in there.
Get in the fucking closet.
[gunshots, men grunting]
- Paul, there's no time to explain.
You have to believe me.
I'm here to get you and Johnny out of here to safety.
We gotta get outta here now. Move.
Lead the way.
[dramatic music]
- Johnny, I want you to keep your eyes closed.
Close them tight till we get through the garage, okay?
Keep 'em closed.
- So you're not a cop, and you're certainly not
with the guys who kidnapped us.
Who are you?
You can call me Dan.
Dan Hardwick.
Me and my boss can help you bring these guys down.
Who's your boss?
In due time.
Right now, I want you and Johnny to focus on
getting your cover story straight.
Is he cool or what?
- Yeah. - Yeah.
How we doing?
- Did you like my last line? Did you hear it?
At the end, I turned to Johnny and said,
"Is he cool or what?" [mumbles]
I'm just expressing about Frank what everybody is thinking.
- Yeah. - 'Cause he is.
- He is cool. - Yeah.
[sighs]
Yeah. Yeah.
[chuckling]
Frank's the best.
That's all I wanted to say.
I knew that Paul T. Goldman could not be the author
of "The Paul T. Goldman Chronicles."
That's like James Bond writing the "James Bond" books.
So that's when I met Ryan Sinclair.
- Hi. Sorry.
I just happened to notice the papers with the big FBI on it.
Are you with the FBI?
No, I'm not. No.
I just happened to go through a really crazy experience
with my second wife in the last year.
- What kind of experience, if you don't mind my asking?
- Is it okay if I-- - Yeah. Yeah. Have a seat.
- Have a seat. - Ryan Sinclair.
Paul Goldman.
- In real life, who is Ryan Sinclair?
Real life?
There is no real life in "The Chronicles."
[laughs]
- But the books are written by Ryan Sinclair.
- Hi. I'm Ryan Sinclair.
I met Paul T. Goldman on a Wednesday morning
at the Starbucks on Thayer Street.
I just picked up my Frappuccino
and was searching for a place to sit down.
There was something about this mild-mannered guy.
I could sense some kind of inner strength.
- So who is Ryan Sinclair? - Oh, I'm Ryan Sinclair.
Ryan Sinclair's my pseudonym, my second pseudonym.
My first pseudonym is Paul T. Goldman.
Oh, thanks.
Paul is now working to bring down
the international human trafficking ring
that his ex-wife
and her pimp/boyfriend Royce Rocco are a part of.
I volunteered to help Paul in his mission.
My part would be to focus the light of public outrage
onto those cockroaches who are abusing the world's children.
Certainly, it could be confusing.
I understand that. Yeah, no shit.
[laughs]
- So you--you created my character like it was--
- You're a gung-ho investigative author.
- Yeah. - Okay.
- Josh, you wanna try one more like Paul?
- Be more like Paul? - Yeah. Yeah.
'Cause he's an extension of you kind of.
- Yeah, let's see what happens. We'll try it.
He's like a mirror, you know?
Action.
Hi.
I just happened to notice the paper,
especially the one with the big FBI on it.
Are you with the FBI?
No, I'm not with the FBI.
It's just that in the last year,
I went through a crazy experience
with my second wife, and I'm turning my notes into a book.
What kind of...
experience was it,
if you don't mind my asking?
No, it's okay.
Um, my lawyer subpoenaed her cell phone records
and her bank statements,
and we discovered that my wife
was leading a secret double life.
- Can I just say something? - Sure.
I'm an investigative author.
If there is anything that I can do for you...
Ryan Sinclair.
Nice to meet you, Ryan.
- Good luck. - Thanks. Thanks.
That was the best. Absolutely.
That's the tone.
Ryan Sinclair and I have declared war
against global human trafficking,
starting with the ring I uncovered
in chapter 22 of "Duplicity."
Tweet.
Right now, there are five "Chronicles" on Amazon.
Each is about 40, 50 pages, ends with a cliffhanger.
Well, how am I gonna market these?
So I create a Twitter page, creating some tweets,
talking about "The Chronicles."
But you gotta have followers.
So I did a search for true crime readers.
You can follow up to 1,000 people on Twitter a day.
They would follow me back.
Sales started picking up.
Then I did a search for anti-human trafficking groups
and following these followers
and sales started picking up some more.
My little book, "Duplicity,"
became number one in its true crime category.
That was amazing.
This person and 126 others followed you.
This person mentioned me in a tweet that they sent out.
What did they say?
- Oh. [laughs]
I can't tell you, because it's in, uh--
I don't know what language this is.
Person by the name of Who Got.
"Good afternoon to all our new allies.
"You are allies, not followers,
because we are all in this together."
And that one is posted.
Next.
"With your help, we will increase public awareness
"of sex trafficking, and we will bring down
criminal organizations."
Well, I created a whole bunch of tweets.
Some for morning. Some for afternoon.
Some for evening.
The-the themes are the same.
Talking about "The Chronicles"
then giving a link to the Amazon page
if people wanna learn more.
Next tweet.
"Phase one, make 'Duplicity' a bestseller.
Phase two, get the movie made based on 'Duplicity.'"
Done.
This is not spamming.
This is talking about "Duplicity"
in a variety of ways.
Many ways.
- Now, does Twitter let you tweet the same stuff?
- Well, you don't wanna be a scammer.
That's why I avoid that
by changing one character in the tweet.
And I usually give about a minute between tweets
so people can have time to read it.
48 seconds.
That's good enough.
Tweet.
And there we go.
- My contact at the DHS gave me this report, Paul.
Now, as you can see, it mentioned you.
[pensive music]
Whoa.
- Royce, Munson, and co-conspirators
may be a cell of group X.
Royce's frequent phone calls to England,
as well as his involvement in illegal immigration from Asia,
suggest a high level of international involvement.
Oh, wow.
I can't tell you, Dan, how good it makes me feel
that somebody is finally taking this seriously.
Well, I was wondering
if you'd like to come work for me.
Oh. Me work for you?
I'm just a small businessman.
- Actually, the investigation of Audrey that you did,
it showed me that you have real intelligence gathering talent.
Oh, speaking about that.
Your report, it's a little dated.
Audrey and Royce, they're dead.
Killed in a boat accident.
Royce is alive.
[dramatic music]
What?
* *
- He survived the explosion and fled the country.
[groans]
- Damn it. That changes everything, Dan.
Yes, it does, Paul.
My employer and I have had our eyes on you
for quite a long time, Paul,
and you've shown a lot of smarts.
- I got the proof of her frauds.
- And a lot of guts. - Objection.
Sustained.
- How would you like to help take down
Royce's international organization?
- I still don't think I have the skills.
- Now, all that takes, better training,
and the guts to put yourself in harm's way.
Now, I know you got the guts.
I'm willing to give you the training.
* *
I headed to the Black Hills
for a week of training at Dan's cabin.
I won't say much about that, except that I learned
some vital things about protecting myself.
I learned to watch a guy's hands if I didn't know him.
Elbow to the face.
- I spent days on target practice
in the field behind the cabin.
- Off the wood. Off the wood, Paul.
[gunshots]
- Somebody has to turn Paul into James Bond.
Paul is just a schlemiel.
- Schlemiel. There's a word.
Eh, well, you know.
Yeah, something to put on to match.com
as I continue my search for a decent relationship.
- Yeah. You and me both.
- [laughs] - I was married.
So now is the first time that I've ever been--
that I've ever dated.
It's the worst.
Yeah.
I mean, I'm having a-- kind of a fun time, but...
[dramatic music]
Ooh!
No, don't shoot!
Sorry, pal. You're dead.
- Line this side up. [gunshot]
- Hey. - There you go.
One. Two. One. Two.
Bam! Yes!
Proud of you.
* *
- Queenie, look. [quacking]
Queenie, look at the ducks.
[laughs]
I'm not Paul T. Goldman of "The Chronicles,"
because I'm not a secret agent.
But I am like Paul T. Goldman of "The Chronicles,"
'cause I'm now, hopefully, gonna start fighting
against human trafficking as spokesperson
for "The Chronicles."
I think there'll be a demand for me to be a public speaker.
People might be interested hearing the story
right from the horse's mouth. [laughs]
- We have a great stable of people.
Hopefully, it's gonna include you.
We represent a lot of celebrities,
Nobel Peace Prize winners,
Mikhail Gorbachev, and Dan Rather,
and Archbishop Desmond Tutu and lots of others.
People that have changed the world in some way, and--
- Your company sounds just a great fit for me,
because I hope to change the world too.
Well, that's good.
[curious string music]
* *
[chuckling]
[applause]
Hello, everybody.
I have an interesting
and all-true story to tell you.
I got a catalog in the mail from Russian brides.
So I started corresponding with Svetlana.
Things were going well,
but then they weren't going so well.
So I met this girl, Talia.
Wasn't much of a marriage, so I won't go into that.
So Audrey Munson.
[exhales] We got engaged.
Through becoming a public speaker,
you can influence a lot of people
and do a lot of good in this world.
Ten calls a day every single day to this one guy,
Royce Rocco.
Think about this.
Governments triple the money they're spending
against human trafficking, and one girl is saved.
It's a win-win situation.
There he is.
There's our sex trafficker.
It's the calm before the storm, I believe.
So that's it.
That's basically the story, and yeah.
So now we're gonna do a five-minute Q&A.
Anybody has any questions, he's got a microphone right there.
Quick question.
Aren't mail order brides a form of sex trafficking?
[audience jeers, chatters]
- I don't--I don't think the sex traffickers
have it in mind to marry the girls
that they're bringing over.
* *
Here you go. My pleasure.
- You can keep tabs on my progress at my website,
www.stop-child sex-trafficking.org
First page is "Duplicity" on the left,
a few reviews underneath talking about it.
The link's up at the top to the Amazon page.
What's...
Is there anything on the site about child sex trafficking?
- You know, there isn't, and you're right.
You're right.
We should probably start doing that too.
That's a good idea.
Yeah.
[dramatic music]
The next lead I had was to England.
Inching through the traffic of London's crowded streets,
I thought that I needed someone to know the truth,
someone I could trust,
and that someone was Ryan Sinclair.
Terry had told me I had to be careful,
so I stepped into a small storefront
and picked up a postcard.
This way, someone beside Dan
would at least know where I was.
I received this postcard from him.
He said he was in London.
He explained to me what had happened to him since we met.
As a special bonus to the first thousand people
who download "The Chronicle,"
I will scan and email you Paul's postcard from London
that I received.
- Paul's trip to London, that is based on the phone bill
from Royce's trash making calls to London,
probably having to do with the sex trafficking.
So you're basing fictional stuff,
again, on something factual.
We're in London.
Jolly Old London.
Cheerio. Cheerio and all that rubbish.
[chuckles]
The next evening, I found myself
sitting in a café in London
with $1,000 cash in my pocket
and a pistol in my briefcase
waiting for a prostitute, probably underage--
no place I ever expected to be.
Hey, sport.
Long time no see.
I understand you don't wanna pay
before you've seen the goods.
[mysterious music]
* *
You look very young.
Do you really want to be doing this?
Oh, yes.
I love spending evenings with handsome businessman.
No, that's not what I mean.
If you could go home to your family,
if I could get you out of England tonight,
would you go?
All right, you wanker.
Are you a copper or some kind of missionary?
- I'm not a wanker, you piece of shit, and I'm not a copper.
I'm just curious. That's all.
I like to talk to the girls a little bit before we--
hey, look at me, look at me!
I'm thinking of adding, "Buzz off."
I love it.
- Just curious. That's all.
I like to chat a little bit with the girls
before I, you know.
Are you gonna leave me alone so I can enjoy my evening
with this lovely lady?
Buzz off, pal.
- I'm afraid we aren't gonna be able to help you.
It's been great catching up with you.
Have a lovely time in London.
We must fly.
So good to meet you.
That's when I saw it.
An address.
Paris.
[line ringing]
Ryan, this is Paul Goldman.
Remember me from the coffee house a few weeks ago?
- Of course I do. I was hoping you'd call.
What's up?
- You won't believe what has happened since we met.
I feel weird dumping all this on you
after only meeting you once,
but I'm also not sure what to do.
I think I probably should go to this address in Paris.
What do you think?
- Paul, I know what I would do.
I would go to Paris.
- I said, "I'm here now with the producer
"who will make 'Duplicity.'
"They've been filming me all morning.
It has been a blast."
Tweet.
What's the best way to increase public awareness
of any problem?
A movie.
Erin Brockovich, she had a thing happen to them.
They had the movie.
And, uh,
has she done a lot of good in the world?
I think so.
I noticed up on the top of Twitter,
it had the hourglass thing.
You could search. So I searched film directors.
Then I started direct messaging
all these film directors
to see if they might be interested
in making the movie.
And once in a while, I got a bite from, you know,
these independent directors saying,
"Well, if you have $1 million,
I'll direct your movie."
Well, that didn't do me any good.
So I kept on it, and several months later,
I got an email out of the blue
from a director named Jason Woliner who said,
"I read everything that you wrote,
and I'm interested in making the movie."
And the rest, as they say, is history.
What is this?
- It's this scene they're shooting tomorrow.
- Oh, this is the stuff you wrote for me?
Yeah.
- I don't know that I should be a character in this.
- You're chickening out on me, eh?
- I don't know that it makes-- I don't--
yeah, I just think I shouldn't be the one doing it.
I think, like--I think you should be the person
who is you, and the rest-- everyone else in the show,
like Terry, everyone else should be actors.
And so we'll just get a guy to do my stuff,
- and we'll see how it goes. - Yeah, fine.
- Is that okay? That's okay with you?
- Yes. - Okay.
- Hey. - You know,
nobody can play Jason but you.
- I don't want to do it. - [snickering]
I don't want to do it.
- It's just one little line here.
- I have the other guy waiting though.
- Hi. - Hi.
So you'll start here.
- Okay, great. - And that's it.
Yeah, let's just run it a few times.
- Sounds good. - Okay, cool.
[snickers]
Camera and action.
- When I got a tweet from Paul asking me
if I would be interested in directing the movie
based on his book, the first thing I did
was call Paul and arranged a lunch meeting with him.
I read your book.
Audrey, her double life, the sex trafficking,
the cops, the press, the FBI, Interpol,
the story goes on and on.
Is it true?
- It's all true, just how I wrote it.
- I wanted to be as honest and genuine as Paul was
regardless of what I thought
the reality might or might not be.
- It happened. It happened to me.
That's amazing.
I gotta get it on tape.
Hey, can I bring a film crew to your place next week?
And can you tell the whole story?
You bet.
- Awesome. - Great, Paul.
- Any notes or anything? - No, it's great.
Well, you know, what about if you come over
and you sit in Jake's place and run the lines?
- Paul seems to be good heartedly,
actively trying to get me removed from this project.
- You know, he's better than this guy.
- Yeah. - Just that this guy's voice
is just like a squeaky tin can.
- Yeah. - Yeah.
- You wanna do the scene with me?
- Mm-hmm.
- Um, yeah, we can do a take like that.
Yeah, I'll need to change and get Mike to direct.
[quirky music]
I can do that.
- All right. I think I'm leaving.
* *
[laughs]
- Okay, cool. - [laughing]
Look. [indistinct chatter]
- All right. How do you want me to do it?
Say anything you want.
- First, you know what my first question is.
- Okay. - Very quiet please.
- Of course you know what my--
okay, of course you know what my first question is.
Audrey, her double life, the sex trafficking...
Of course, you know what my first question is?
The double life, the sex trafficking,
the cops, the press, the FBI.
Is it true?
- It's true. It's all true.
Just the way I wrote it, it all happened to me.
- Amazing. I gotta get it all on tape.
Can I bring a film crew to your place next week?
And can you tell the whole story?
You bet I can.
[both chuckle]
- All right. - All right.
I think we--I think we got enough there.
[dramatic string music]
- You wanna make a blockbuster movie?
You wanna make a franchise
that will be the equivalent of "James Bond"?
Paul T. Goldman is an action hero for the 21st century.
That was 2012.
And so delays and delays and more delays
in finding investors and this and that.
* *
- I don't think you fucking know who you're talking to.
Do you understand what I'm saying?
- This is my forever marriage. You know that, right?
Bye.
- Today was one of the most exciting days of my life.
Paul, wait up.
- What's up, Jason? Did I forget something?
- Uh, I forgot to get you to sign something.
It's a contract.
It's about signing the rights to your story over to me.
- Oh, okay. I'll sign it.
- It isn't exactly as how smoothly it went.
I remember--didn't you negotiate for months?
- Oh, do you want to--
- But you didn't wanna give them up, right?
- When they gave me the contract,
- they wanted everything. - Of course.
And I said, "Absolutely not."
And so I hired an entertainment attorney
who went over their contract line by line,
read it out and changed things and added stuff for me.
All right, let's roll camera.
They refused everything.
It's okay. I signed it.
Okay, sure.
I'll sign it.
So this is acceptable?
Of course.
I have no desire to go to anyone else
but you, 'cause we're a team.
We're brothers, compadres, fraires.
- I think people will have mixed feelings
about Jason Woliner.
Is he using someone,
or is he offering something to someone?
Like, he gets to sort of make that choice.
Is he abusing the trust of this person,
or is he going to honor his story in whatever way he can?
There we go.
That was great. Um...
Okay. [stammers]
I think we should get the other guy to do this.
- [laughs] No, this is great.
Cut. Done. Print.
- I think we should get the other guy
to just do a pass on it.
It won't be the same.
My feelings won't be the same.
How can I talk to that guy and say what I just said to you?
- But he's here. We brought him in.
- We don't have to use him. - It's done.
It's already done. You've been filmed.
It's done.
Take five minutes.
[sighs]
And action.
I'll sign it.
- After this, it's gonna be you and me, right?
- Yes, it's gonna be you and me.
We're in this together.
- Paul, we're gonna be collaborators
until the day we die.
- I feel the same way too. Hug it out.
Hug it out. Yeah.
[chuckles]
- Okay. - Great.
What did you think?
Thought it was good.
- Go get it. Lunchtime.
And of course, anything that drops is Queenie's.
Do you know, uh, Hulu?
- Of course. - Hulu wants to do it.
Hulu wants to do it.
This story, it's not just a two-hour movie anymore.
It's more than that.
It's gotta be a series.
Are they going to be generous this time?
On the movie, I was planning to make $2 million.
You were?
- A movie grosses $200 million.
- You were banking on it making $200 million?
- This is Paul with the general.
Can I help you?
And then we shot the pilot, which was absolutely amazing.
How many people get to-- get to have their life
on the screen, right?
It's incredible.
The crew called this my badass outfit.
I call it the warrior.
So what do you think?
There are no words to express
how--how incredible this is.
I was firmly convinced that Hulu was gonna pick it up.
You're calling me. This must be good news.
Well, it must be news.
Hulu said, uh, no.
I'm shocked.
I am shocked too.
- So we had to start again. Back to scratch one.
- Did you think, "I'll try a different way.
I'll just keep writing them"? Like...
Um, I would nag Jason.
- Really? - [laughs]
You did? Yeah.
What's a Quibi?
- Uh, have you heard the name Jeffrey Katzenberg?
- Wasn't he partners with Steven Spielberg?
Right.
And he's starting up a new network,
and he's commissioning series for people
to watch on their phones through the Quibi app
when they're in line at the bank or the store.
Nice.
- Also, we have a meeting next week with Jeffrey
and the top executives.
- Wanna say hi to Jeffrey, Meg, and all the people at Quibi.
What you're looking at is a photo taken by my private eye
of my ex-wife meeting with her girls
for over three hours right here in Sandsprit Park.
We've got hookers, we got pimps,
and we got Paul T. Goldman.
Jeffrey Katzenberg loved the idea.
Our series will do for Quibi
what "House of Cards" did for Netflix.
- Quibi is shutting down six months after launching
its short-form streaming service.
- Quibi had a great idea, but they had really bad timing.
- No one was going to the store, the bank, the office.
They were all locked down at home.
We had to start from scratch.
The good news was by 2021,
there were a bunch of new streaming networks to pitch.
And here we are on Peacock. The journey continues.
And cut.
Everything that's going on is because of you...
[pensive string music]
This much, and me this much.
- Well, that's not true at all. - [chuckles]
Okay, let's call it-- I don't know what to do.
It's you and me in this together.
You are my brother.
I don't give a shit about anybody else.
We're a team.
Beyond words, the connection
that you and I have for ten years.
women: Fast as you can, slam the man.
- We get a hug. That's when...
Hey, Paul. How are you?
Oh, everything's just fine.
- We're gonna come back down there and interview you
one more time if you're up for it.
Neat.
So what can you tell me that I don't already know?
Um...
Beautiful.
You're good.
- So you might not love where this goes.
I jolted, awake, choking.
My right side was bruised.
My left eye swollen and painful to touch.
My ribs were tender, maybe even broken.
There was dry blood on my shirt.
[yelping, groaning]
[dramatic music]
Clouds of black smoke were bleeding into the night.
* *
The Parisian sky was bruised.
[flames crackling]
The building was being consumed before my eyes...
[women shrieking]
Along with the people inside.
- Okay. Let's lie down again.
[grunting]
- One more. - [giggles]
And...action.
- Ah! [groaning]
Ugh. Ugh.
Ugh!
[laughter]
- Let's unfold history now. [both laugh]
- And then he got me-- makes me dangling off the roof
of a two-story building.
Oh.
Can you come that day?
I don't know.
- Do they allow you? - I don't think so.
No?
Well, you know, I might just--
I might just have a little in with the director.
[shouting]
Ah.
He's like Tom Cruise.
- There's only one unforgettable experience
of this--of this whole three weeks.
- And that's meeting here. - Aww.
I feel the same way. I do.
This is tru-- like, truly meaningful.
Thank you.
[dramatic music]
* *
[screams]
[flames whoosh]
* *
[gentle music]
[shouting in slow motion]
[dramatic music]
* *
- Royce. He had to be behind this.
[tense music]
- Yeah, we're ready. - Okay. Let's slate it.
Camera. Talk right to me.
Okay.
- Who are you? Tell us who you are.
- My name's John Cadillac McDaniel.
- Is there another name you might be known by?
- Cadillac's the only name, really,
that most of my friends know me by,
but there was another name for me.
Royce Rocco.