1
00:00:00,000 --> 00:00:00,677
The following programme contains
strong language and violent scenes.

2
00:00:16,437 --> 00:00:17,917
(GROANS)
NURIA: What is the truth?

3
00:00:17,917 --> 00:00:19,957
Do you kill people?
No.

4
00:00:19,957 --> 00:00:21,197
No more lies, please.

5
00:00:21,197 --> 00:00:22,757
JACKAL: No more lies.

6
00:00:22,757 --> 00:00:24,757
OSI: My American friend
picked up some chatter.

7
00:00:24,757 --> 00:00:26,357
Rodin price point agreed.

8
00:00:26,357 --> 00:00:27,997
Jackal en route.

9
00:00:27,997 --> 00:00:30,717
KEITH: A contract's been
taken out on your life.

10
00:00:30,717 --> 00:00:33,757
UDC Who's taken out this contract?
We don't have that information, sir.

11
00:00:33,757 --> 00:00:35,757
BIANCA: Norman definitely knew
we were coming.

12
00:00:36,757 --> 00:00:38,637
Who exactly is this Norman Stoke?

13
00:00:38,637 --> 00:00:41,357
BIANCA: The sniper took the weapon
he used to kill Fest

14
00:00:41,357 --> 00:00:43,357
with him, and this is how he did it.

15
00:00:43,357 --> 00:00:45,637
All thanks to Norman Stoke.
LARRY: Norman...

16
00:00:45,637 --> 00:00:47,117
...I need an address.

17
00:00:47,117 --> 00:00:48,197
I'll talk to my man.

18
00:00:49,677 --> 00:00:50,997
I want you to see this.

19
00:00:51,797 --> 00:00:53,317
(JASMINE SCREAMS)
(LARRY CRIES OUT)

20
00:00:53,317 --> 00:00:55,317
Tell me everything I need to know.
JASMINE Mum!

21
00:00:55,317 --> 00:00:57,197
WINTHROP:
The Jackal, where is he now?

22
00:00:57,197 --> 00:00:58,317
He should be in Tallinn.

23
00:00:58,317 --> 00:01:00,237
You need to find him
and stay with him.

24
00:01:02,077 --> 00:01:03,557
Hello.

25
00:01:03,557 --> 00:01:04,997
(SUSPENSEFUL MUSIC)

26
00:01:04,997 --> 00:01:06,277
(MUSIC HALTS)

27
00:01:09,557 --> 00:01:10,677
(FOGHORN BLARES)

28
00:01:13,597 --> 00:01:15,037
(FOGHORN BLARES)

29
00:01:23,757 --> 00:01:25,277
(MYSTERIOUS MUSIC)

30
00:01:50,797 --> 00:01:52,797
You've taken twenty million dollars
from people

31
00:01:52,797 --> 00:01:54,597
who are used
to getting what they paid for.

32
00:01:55,837 --> 00:01:57,317
And they didn't pay you

33
00:01:57,317 --> 00:01:59,037
to go rogue in Munich.

34
00:02:04,277 --> 00:02:06,437
If I don't deliver, if YOU...

35
00:02:06,437 --> 00:02:08,557
...don't deliver,

36
00:02:09,877 --> 00:02:11,957
they will take extreme measures.

37
00:02:13,677 --> 00:02:16,797
You do not want to make enemies
of these people.

38
00:02:16,797 --> 00:02:18,877
They're more powerful than you know.

39
00:02:21,077 --> 00:02:22,597
(MUSIC GROWS TENSE)

40
00:02:27,277 --> 00:02:28,837
If you don't believe me...

41
00:02:29,717 --> 00:02:31,437
...just ask Norman Stoke.

42
00:02:35,357 --> 00:02:37,117
(TENSE MUSIC STOPS)
(SEAGULLS CALLING)

43
00:02:37,877 --> 00:02:40,117
Nobody wants you
to succeed more than me.

44
00:02:42,717 --> 00:02:44,877
I'm a huge admirer of your work.

45
00:03:06,157 --> 00:03:08,677
CELESTE: # Some flowers

46
00:03:08,677 --> 00:03:13,117
♪ Never get to bloom and see the day

47
00:03:14,437 --> 00:03:16,437
♪ Some flowers

48
00:03:16,437 --> 00:03:21,637
♪ Are content to wish
their lives away

49
00:03:23,037 --> 00:03:26,837
♪ Some may rise

50
00:03:26,837 --> 00:03:30,957
♪ And some may fall

51
00:03:30,957 --> 00:03:32,997
♪ But only

52
00:03:32,997 --> 00:03:35,357
♪ You make

53
00:03:35,357 --> 00:03:37,277
♪ Heaven

54
00:03:37,277 --> 00:03:39,237
♪ Seem it's true

55
00:03:39,237 --> 00:03:41,357
♪ So, only

56
00:03:41,357 --> 00:03:43,517
♪ You can

57
00:03:43,517 --> 00:03:45,517
♪ Tell them

58
00:03:45,517 --> 00:03:50,437
♪ This is who I am

59
00:03:53,557 --> 00:03:57,597
♪ This is who I am!

60
00:03:57,597 --> 00:03:59,357
♪ No lie

61
00:03:59,357 --> 00:04:01,997
♪ Know that

62
00:04:01,997 --> 00:04:06,117
♪ This is who I am ♪

63
00:04:06,117 --> 00:04:07,757
(INDISTINCT CHATTER)

64
00:04:15,677 --> 00:04:18,677
I'll be staying in Tallinn
until delivery, so...

65
00:04:20,117 --> 00:04:22,197
If you need anything
you can call me.

66
00:04:22,837 --> 00:04:24,157
My phone's secure.

67
00:04:25,117 --> 00:04:26,277
A babysitter(!)

68
00:04:27,637 --> 00:04:28,717
Anything.
(CHUCKLES)

69
00:04:37,397 --> 00:04:39,077
(CAR DOOR CLOSES)
(ENGINE STARTS)

70
00:04:42,797 --> 00:04:44,437
(DISTANT CHATTER)

71
00:04:45,317 --> 00:04:47,117
(INDISTINCT CONVERSATION)

72
00:04:50,037 --> 00:04:51,397
(MYSTERIOUS MUSIC)

73
00:04:54,117 --> 00:04:56,717
(INDISTINCT CHATTER)
(PHONES RINGING)

74
00:05:05,677 --> 00:05:07,637
You alright?

75
00:05:07,637 --> 00:05:08,917
Great.

76
00:05:13,197 --> 00:05:14,437
Look, Bianca when we...

77
00:05:14,437 --> 00:05:16,077
He tried to kill my daughter.

78
00:05:18,197 --> 00:05:19,397
Fair point.

79
00:05:22,197 --> 00:05:23,357
Outside.

80
00:05:24,437 --> 00:05:25,477
Go on, off you fuck.

81
00:05:26,677 --> 00:05:29,237
No-one comes in. Understood?
(DOOR CLOSES)

82
00:05:30,077 --> 00:05:31,157
(SIGHS SOFTLY)

83
00:05:33,477 --> 00:05:35,197
(MUFFLED SCREAMS)

84
00:05:37,437 --> 00:05:38,837
(MUFFLED WHIMPERING)

85
00:05:44,157 --> 00:05:45,717
(GASPS, COUGHS)

86
00:05:46,277 --> 00:05:47,637
Where's Norman?

87
00:05:47,637 --> 00:05:48,837
Fuck you.

88
00:05:48,837 --> 00:05:50,917
(CRIES OUT)

89
00:05:50,917 --> 00:05:53,117
Trust me when I say,

90
00:05:53,117 --> 00:05:57,677
I will find Norman
and I will kill him myself.

91
00:05:57,677 --> 00:05:59,397
(MUFFLED SHOUTING)
(LARRY GASPS)

92
00:06:00,437 --> 00:06:01,597
(COUGHS)

93
00:06:02,157 --> 00:06:03,717
She ain't fucking about.

94
00:06:03,717 --> 00:06:05,877
We're not police.
We don't need arrest warrants.

95
00:06:05,877 --> 00:06:07,957
She finds him, she's gonna kill him.

96
00:06:09,277 --> 00:06:11,837
Tell us what we need to know...

97
00:06:11,837 --> 00:06:13,837
...and one,

98
00:06:15,397 --> 00:06:17,117
we don't kill Norman.

99
00:06:17,117 --> 00:06:19,637
Two, instead of you

100
00:06:19,637 --> 00:06:22,997
going to prison for life,
the two of you do...

101
00:06:22,997 --> 00:06:25,517
...what, five years max.

102
00:06:25,517 --> 00:06:28,437
Nice, comfy prison. You'll do five
standing on your head, Larry.

103
00:06:29,357 --> 00:06:30,557
And three...

104
00:06:30,557 --> 00:06:32,917
You get to go home

105
00:06:32,917 --> 00:06:37,437
to bury Alison, Emma,
and say your goodbyes.

106
00:06:38,717 --> 00:06:40,437
So, you gonna to speak to me?

107
00:06:42,397 --> 00:06:43,557
No?

108
00:06:43,557 --> 00:06:44,637
Fuck you.

109
00:06:45,237 --> 00:06:47,837
(ECG BEEPING RAPIDLY)
(LARRY SCREAMS)

110
00:06:47,837 --> 00:06:49,597
(SCREAMING CONTINUES)

111
00:06:54,277 --> 00:06:55,997
(ZIPS UP)
(EXHALES)

112
00:07:10,957 --> 00:07:12,437
(SOFT, TENSE MUSIC)

113
00:07:24,997 --> 00:07:26,557
(KEYBOARD CLACKING GENTLY)

114
00:07:30,677 --> 00:07:32,317
(MOBILE RINGING)

115
00:07:34,277 --> 00:07:35,597
(LINE RINGING)

116
00:07:36,197 --> 00:07:38,677
'Congratulations
on your last performance.'

117
00:07:38,677 --> 00:07:42,277
Thank you. It was only made possible
by a very fine instrument.

118
00:07:42,277 --> 00:07:43,797
Made by a maestro.

119
00:07:43,797 --> 00:07:46,477
'Yeah, the best.
That's why I keep coming back.'

120
00:07:46,477 --> 00:07:48,437
'What do you need this time?'

121
00:07:48,997 --> 00:07:51,597
Er, before I get to that, um...

122
00:07:52,717 --> 00:07:54,717
I've got a question for you, Norman.

123
00:07:55,437 --> 00:07:56,517
'Shoot.'

124
00:07:58,077 --> 00:08:00,237
What's been going on with you?

125
00:08:00,237 --> 00:08:02,077
(SOFT, TENSE MUSIC)

126
00:08:05,557 --> 00:08:07,597
What'd you mean?
'I mean...'

127
00:08:07,597 --> 00:08:12,157
Have you experienced
anything unusual...

128
00:08:12,157 --> 00:08:13,637
'..recently?'

129
00:08:14,677 --> 00:08:18,117
You could say 'unusual', yeah.

130
00:08:18,117 --> 00:08:19,997
'How did you know?'
What exactly?

131
00:08:21,197 --> 00:08:24,517
I need to know before
we can... go any further.

132
00:08:26,117 --> 00:08:28,117
'I was on a business trip.'

133
00:08:28,117 --> 00:08:31,997
Abroad. Some visitors showed up.

134
00:08:33,397 --> 00:08:36,597
They weren't invited
and they weren't bringing flowers.

135
00:08:38,237 --> 00:08:39,237
'Who were they?'

136
00:08:41,277 --> 00:08:42,877
I didn't stop to chat.

137
00:08:42,877 --> 00:08:44,837
'Let's just say I gave 'em
a wee Belfast welcome,

138
00:08:44,837 --> 00:08:46,117
then I got out of there.'

139
00:08:46,117 --> 00:08:48,197
'I dealt with them.'
(SCOFFS SOFTLY)

140
00:08:49,717 --> 00:08:52,557
Right, and you're 100% secure now?

141
00:08:52,557 --> 00:08:53,917
'One hundred percent.'

142
00:08:57,237 --> 00:08:59,157
You know I don't like risks.

143
00:08:59,157 --> 00:09:00,757
'You know I don't either.'

144
00:09:02,797 --> 00:09:05,117
(SOFT, TENSE MUSIC CONTINUES)

145
00:09:08,757 --> 00:09:11,077
Distance to the target is 75 metres.

146
00:09:11,077 --> 00:09:12,717
'Not like you to get that snug.'

147
00:09:12,717 --> 00:09:15,277
'Yeah.
Unfortunately, it's my only option.'

148
00:09:15,277 --> 00:09:16,917
What are the obstacles?
'A...'

149
00:09:16,917 --> 00:09:19,277
...metal detector
and an ultra-sensitive scanner

150
00:09:19,277 --> 00:09:20,677
but I've got an idea for that.

151
00:09:20,677 --> 00:09:22,237
When you need it?

152
00:09:22,877 --> 00:09:24,717
'Well, the job's in five days.'

153
00:09:25,397 --> 00:09:26,797
There's a problem.

154
00:09:26,797 --> 00:09:28,917
Name your price, old man.
'Nah.'

155
00:09:28,917 --> 00:09:31,797
It's not about the money.
The visitors I mentioned?

156
00:09:32,797 --> 00:09:35,557
I got clipped in the arm.
Can't even wipe my arse properly.

157
00:09:35,557 --> 00:09:38,157
'On my own
I won't make your deadline.'

158
00:09:38,157 --> 00:09:40,397
Well, is there anyone
that can help you?

159
00:09:41,237 --> 00:09:42,317
'No-one I trust.'

160
00:09:45,477 --> 00:09:46,557
Would you trust me?

161
00:09:52,357 --> 00:09:54,157
LARRY: OK! Stop!

162
00:09:55,557 --> 00:09:56,637
No more!

163
00:09:57,197 --> 00:09:58,237
(LARRY COUGHING)

164
00:10:00,997 --> 00:10:02,197
You won't kill him?

165
00:10:02,197 --> 00:10:03,637
Is that a guarantee?

166
00:10:03,637 --> 00:10:06,117
Cast iron.
Where is he, Larry?

167
00:10:06,117 --> 00:10:07,477
Where's Norman?

168
00:10:08,957 --> 00:10:10,357
(LARRY SIGHS DEEPLY)

169
00:10:12,437 --> 00:10:13,597
Budapest.

170
00:10:14,517 --> 00:10:16,117
Budapest?

171
00:10:16,117 --> 00:10:19,237
What's the address?
I was only there the once.

172
00:10:19,237 --> 00:10:21,277
He picked me up at the airport.
How long did it take

173
00:10:21,277 --> 00:10:23,677
to get from the airport to his
- place?
- I don't know, about an hour?

174
00:10:23,677 --> 00:10:25,277
It was out of town.
Was it a village?

175
00:10:25,277 --> 00:10:27,437
A suburb? What'd it look like?
There, there was a...

176
00:10:27,437 --> 00:10:29,797
...coffee shop at the corner
of Norman's street.

177
00:10:29,797 --> 00:10:32,317
And there were stables
out the back. With horses.

178
00:10:32,317 --> 00:10:33,557
What sort of place has he got?

179
00:10:33,557 --> 00:10:34,637
A house, apartment?

180
00:10:34,637 --> 00:10:37,317
It not a house,
it's a big white building.

181
00:10:37,317 --> 00:10:40,797
With a gate. And a yard.
That's all I know. I swear.

182
00:10:40,797 --> 00:10:42,957
That is all I know!
(STRAINED COUGHING)

183
00:10:43,717 --> 00:10:45,437
How'd you find out where I live?

184
00:10:47,517 --> 00:10:49,037
Norman told me.

185
00:10:49,037 --> 00:10:51,077
How did Norman know?

186
00:10:51,077 --> 00:10:53,797
Norman moves in different
circles than me.

187
00:10:53,797 --> 00:10:56,037
He can find stuff out.

188
00:11:03,117 --> 00:11:05,037
(INDISTINCT ANNOUNCEMENT
PLAYING IN SPANISH)

189
00:11:05,037 --> 00:11:06,437
(GENTLE SCRAPING)

190
00:11:11,197 --> 00:11:12,797
(CHATTER IN SPANISH NEARBY)

191
00:11:12,797 --> 00:11:14,597
(PENSIVE MUSIC)

192
00:11:16,477 --> 00:11:17,757
(LINE RINGING)

193
00:11:19,877 --> 00:11:21,557
(MOBILE BUZZING)

194
00:11:30,957 --> 00:11:32,037
(VOICEMAIL BEEPS)

195
00:11:32,037 --> 00:11:34,037
(VOICEMAIL, IN SPANISH)
'Hi. It's Nuria.'

196
00:11:34,037 --> 00:11:35,397
(CALL BEEPS OFF)

197
00:11:38,757 --> 00:11:40,357
(PENSIVE MUSIC CONTINUES)

198
00:11:41,437 --> 00:11:42,637
(CHILDREN LAUGHING)

199
00:11:43,877 --> 00:11:45,477
(LIVELY CHATTER)

200
00:11:45,477 --> 00:11:47,037
(PA) 'A call'

201
00:11:47,037 --> 00:11:51,077
'for all remaining passengers on
flight EST119 flying to Budapest.'

202
00:11:51,077 --> 00:11:53,197
'Please, proceed immediately
to gate five'

203
00:11:53,197 --> 00:11:55,237
'and have your boarding passes
ready.'

204
00:11:55,237 --> 00:11:57,157
VINCE: So, one of these guys...

205
00:11:57,157 --> 00:12:01,437
...is a dirty little mole...
Yep. Just, give me a minute.

206
00:12:01,437 --> 00:12:03,717
(INDISTINCT CHATTER)
(PHONES RINGING)

207
00:12:10,277 --> 00:12:12,557
I have an update
on Alexander Duggan.

208
00:12:12,557 --> 00:12:14,157
Uh-huh?

209
00:12:14,157 --> 00:12:18,077
He was a loner. Details freak.
Pure sniper material.

210
00:12:18,077 --> 00:12:21,037
His unit specialised
in eliminating Taliban leaders.

211
00:12:21,037 --> 00:12:22,597
Killed a lot of people.

212
00:12:22,597 --> 00:12:25,637
But they were taken out
by an IED in Helmand in 2013.

213
00:12:26,757 --> 00:12:28,997
So, Duggan is dead?

214
00:12:28,997 --> 00:12:30,637
Yep.

215
00:12:30,637 --> 00:12:32,237
Was his body recovered?

216
00:12:32,717 --> 00:12:34,277
Well, I assume so, but I can check.

217
00:12:35,197 --> 00:12:36,197
Yep.

218
00:12:36,877 --> 00:12:37,877
OK...

219
00:12:40,037 --> 00:12:42,797
Hey, bit of a weird
atmosphere in the office.

220
00:12:43,557 --> 00:12:45,837
Paranoia levels are going through-
Can you...

221
00:12:45,837 --> 00:12:48,277
...get a photograph
of Duggan while you're at it.

222
00:12:48,277 --> 00:12:49,757
Yeah, copy that.
Alright.

223
00:12:49,757 --> 00:12:51,477
ANALYST: I've widened the parameters

224
00:12:51,477 --> 00:12:53,957
to make it
a 90-minute radius from the airport.

225
00:12:53,957 --> 00:12:57,837
He described it as a big, white
building with a gate and a yard.

226
00:12:57,837 --> 00:13:00,477
Coffee shop on the corner
of the street, stables at the back.

227
00:13:00,477 --> 00:13:01,917
(KEYBOARD CLACKING QUICKLY)

228
00:13:01,917 --> 00:13:04,117
How long until we have
a precise location?

229
00:13:04,117 --> 00:13:05,277
It's a little vague.

230
00:13:05,277 --> 00:13:07,557
Might take a while.
Well,

231
00:13:07,557 --> 00:13:10,637
get a move on.
An assassin's on the run.

232
00:13:11,717 --> 00:13:13,757
Right. No pressure then(!)

233
00:13:15,117 --> 00:13:17,237
You haven't given me
much to work with.

234
00:13:19,717 --> 00:13:22,117
'The Thinker or the Stinker?'

235
00:13:22,117 --> 00:13:23,597
(BIANCA SCOFFS)

236
00:13:23,597 --> 00:13:24,837
Shit.

237
00:13:26,637 --> 00:13:29,957
Rodan is UDC.
The Jackal's next target.

238
00:13:31,397 --> 00:13:33,637
OSI: Well,
that certainly raises the stakes.

239
00:13:33,637 --> 00:13:36,717
He's been pissing off
a lot of powerful people.

240
00:13:37,557 --> 00:13:40,157
I assume you've shared this
with Isabel?

241
00:13:40,157 --> 00:13:41,957
You said keep the circle tight.

242
00:13:43,677 --> 00:13:45,517
He knows. We go way back.

243
00:13:47,677 --> 00:13:50,117
Alright. What's your next step?

244
00:13:50,117 --> 00:13:52,957
I need to find Norman Stoke
and we think

245
00:13:52,957 --> 00:13:54,957
we have a rough idea
of where Norman is.

246
00:13:54,957 --> 00:13:56,077
Where?

247
00:13:59,397 --> 00:14:01,317
I get it.

248
00:14:01,317 --> 00:14:03,837
But I'm assuming as soon as you have
a precise location,

249
00:14:03,837 --> 00:14:05,517
you'll want to move quickly
and pick him up?

250
00:14:05,517 --> 00:14:06,677
Yeah, that's the plan.

251
00:14:06,677 --> 00:14:08,957
For which you'll need authorisation
and logistical support.

252
00:14:08,957 --> 00:14:11,997
Apart from Isabel the only person
who can do that, under the radar,

253
00:14:11,997 --> 00:14:13,197
is me.

254
00:14:13,197 --> 00:14:14,477
If I'm to help,

255
00:14:14,477 --> 00:14:16,997
I need the details. Where is he?

256
00:14:16,997 --> 00:14:18,797
Somewhere near Budapest.

257
00:14:19,477 --> 00:14:22,717
We don't know where exactly,
but as soon as we do we can move.

258
00:14:23,717 --> 00:14:25,117
I'll start making arrangements.

259
00:14:25,997 --> 00:14:28,517
When you're ready to roll,
let me know.

260
00:14:35,757 --> 00:14:36,997
(MOBILE BUZZING)

261
00:14:41,517 --> 00:14:42,877
Yeah, in your own time.

262
00:14:43,757 --> 00:14:46,077
Been standing here
for the past 20 minutes.

263
00:14:46,077 --> 00:14:47,637
NORMAN: 'I know.'

264
00:14:47,637 --> 00:14:49,597
'You're taller than I imagined.'

265
00:14:49,597 --> 00:14:52,517
'And slimmer.'
'OK, where the fuck are you?'

266
00:14:52,517 --> 00:14:55,077
Go to the south-east corner
of the square.

267
00:14:55,077 --> 00:14:56,557
'I'll pick you up.'

268
00:15:03,597 --> 00:15:06,157
("RAISE HELL"
BY BRANDI CARLILE PLAYING ON RADIO)

269
00:15:06,157 --> 00:15:08,717
♪ I've been down with a broken heart

270
00:15:08,717 --> 00:15:11,117
♪ Since the day I learned to speak

271
00:15:12,317 --> 00:15:13,917
♪ The devil gave me a crooked start

272
00:15:13,917 --> 00:15:16,477
♪ When he gave me crooked feet

273
00:15:16,477 --> 00:15:18,037
♪ But Gabriel done came to me

274
00:15:18,957 --> 00:15:21,277
♪ And kissed me in my sleep

275
00:15:21,277 --> 00:15:24,237
♪ And I'll be singing like an angel

276
00:15:24,237 --> 00:15:27,037
♪ Until I'm six feet deep

277
00:15:30,157 --> 00:15:31,917
♪ I found myself an omen

278
00:15:31,917 --> 00:15:34,717
♪ And I tattooed on a sign

279
00:15:34,717 --> 00:15:35,957
(GROANS)

280
00:15:35,957 --> 00:15:40,077
♪ I set my mind to wandering
And I walk a broken line

281
00:15:41,357 --> 00:15:43,677
♪ You have a mind to keep me quiet

282
00:15:43,677 --> 00:15:47,237
♪ And although you can try

283
00:15:47,237 --> 00:15:49,837
♪ Better men have hit their knees
And bigger men have died... ♪

284
00:15:49,837 --> 00:15:50,877
What's the update?

285
00:15:50,877 --> 00:15:53,317
(SPEAKERS) ANALYST: 'We've got
seventeen possible locations'

286
00:15:53,317 --> 00:15:55,877
'within 90 minutes of the airport.'
Yeah, that's not gonna work.

287
00:15:55,877 --> 00:15:59,757
Take it down to sixty.
'A 60-minute radius gives you...'

288
00:15:59,757 --> 00:16:02,357
'..eleven locations
that fit your criteria.'

289
00:16:02,357 --> 00:16:04,037
Ah, still too many.

290
00:16:04,037 --> 00:16:06,037
'Do you have anything else
to narrow it down?'

291
00:16:06,037 --> 00:16:07,197
Nope.

292
00:16:08,037 --> 00:16:11,397
'Alright, we'll see
what else we can come up with.'

293
00:16:11,397 --> 00:16:13,437
(LINE DISCONNECTS)
Fingers crossed, hey.

294
00:16:14,837 --> 00:16:16,597
Their house is the next left.

295
00:16:16,597 --> 00:16:17,957
(INDICATOR CLICKING)

296
00:16:19,917 --> 00:16:21,397
(SIGHS)
(KNOCKING ON DOOR)

297
00:16:22,557 --> 00:16:24,037
Hi, Angela-
D'you have any idea

298
00:16:24,037 --> 00:16:25,837
how much damage you're causing?
Wow.

299
00:16:25,837 --> 00:16:28,237
Straight in. I'm just here
to talk to my husband and my child.

300
00:16:28,237 --> 00:16:29,877
Can you call them, please-
A good mother

301
00:16:29,877 --> 00:16:31,797
wouldn't have to be here.
- A good mother?
- That's enough.

302
00:16:31,797 --> 00:16:33,797
You do NOT want me to comment
on you-I do NOT want...

303
00:16:33,797 --> 00:16:35,357
Angela, go inside.
I'll deal with this.

304
00:16:35,357 --> 00:16:37,877
No-one's trying to speak to you.
I'm trying to talk to my husband...

305
00:16:37,877 --> 00:16:40,477
Please, just go back inside... and
my child! 'I'll deal with this.'

306
00:16:40,477 --> 00:16:42,397
Really?! Please.
Think of it from her point of view.

307
00:16:42,397 --> 00:16:44,797
Why do I need to look at it from her
point of view... Hey! Hey, hey...

308
00:16:44,797 --> 00:16:47,037
...when I'm here to speak to you
and my child and she's chatting-

309
00:16:47,037 --> 00:16:48,757
What happened might be normal
to you, but for us,

310
00:16:48,757 --> 00:16:50,717
it's really fucking scary!
OK. Jasmine, is she there?

311
00:16:50,717 --> 00:16:51,757
What's going on?

312
00:16:51,757 --> 00:16:54,157
She's fine, she's with the boys.
They've been really great with her.

313
00:16:54,157 --> 00:16:55,517
So has Angela.

314
00:16:58,957 --> 00:17:00,277
Are you coming home?

315
00:17:00,837 --> 00:17:03,637
Or are you staying here
with your fucking ex-wife?

316
00:17:04,397 --> 00:17:05,797
Hm?
OK.

317
00:17:07,717 --> 00:17:10,517
From the start, you've been
really upfront with me

318
00:17:10,517 --> 00:17:12,997
about how much you love your job
and how important it is to you, OK?

319
00:17:12,997 --> 00:17:16,557
But last night you brought danger
into our home.

320
00:17:16,557 --> 00:17:19,117
And between that knife being held at
my daughters neck

321
00:17:19,117 --> 00:17:21,317
and that gun you had pointed
in her direction,

322
00:17:21,317 --> 00:17:22,797
Jasmine could've been
fucking killed.

323
00:17:22,797 --> 00:17:25,717
But she wasn't. I dealt with it.
She said you tortured the man.

324
00:17:27,117 --> 00:17:31,677
He had information and
I needed to get it from him.

325
00:17:31,677 --> 00:17:33,677
I don't, I don't even wanna know

326
00:17:33,677 --> 00:17:35,517
what you're saying
with that statement, but...

327
00:17:35,517 --> 00:17:36,917
...either way, Jesus Christ, it's...

328
00:17:36,917 --> 00:17:38,877
It's not really ideal
mothering is it, Bianca?

329
00:17:38,877 --> 00:17:42,757
I am trying, Paul, but
I have a job to do-

330
00:17:42,757 --> 00:17:43,917
We've all got jobs to do!

331
00:17:43,917 --> 00:17:46,117
It's just that some of us
understand that in family,

332
00:17:46,117 --> 00:17:50,037
you've gotta make compromises.
In your job, you can...

333
00:17:50,037 --> 00:17:52,717
...be late for a conference or

334
00:17:52,717 --> 00:17:55,397
bring in a paper late
and it's just...

335
00:17:56,437 --> 00:17:57,877
My job,

336
00:17:57,877 --> 00:18:00,197
if I'm not where they tell me to be,

337
00:18:00,197 --> 00:18:03,197
at the exact time that they tell me
to be there,

338
00:18:03,197 --> 00:18:06,037
then someone dies.

339
00:18:06,037 --> 00:18:07,717
Do you understand?!

340
00:18:08,277 --> 00:18:09,997
(SOMBRE MUSIC)

341
00:18:16,717 --> 00:18:18,757
I don't recognise you anymore.

342
00:18:27,757 --> 00:18:29,757
(SOMBRE MUSIC ENDS)

343
00:18:43,201 --> 00:18:44,321
(MYSTERIOUS MUSIC)

344
00:19:07,081 --> 00:19:09,201
(MUSIC GROWS ETHEREAL)

345
00:19:17,881 --> 00:19:19,681
NORMAN: Welcome to my humble abode.

346
00:19:41,321 --> 00:19:43,001
(RESOLUTE MUSIC)

347
00:20:02,721 --> 00:20:04,281
(INAUDIBLE)

348
00:20:08,281 --> 00:20:10,121
Seventy-five metres, you said?

349
00:20:10,841 --> 00:20:11,921
Yeah.

350
00:20:11,921 --> 00:20:13,481
What are the limitations?
Right. So,

351
00:20:13,481 --> 00:20:14,881
main limitation's gonna be size,

352
00:20:14,881 --> 00:20:18,201
so the action and bolt should be
no bulkier than about that.

353
00:20:18,201 --> 00:20:20,721
D'you need a trigger guard?
No, but I was wondering

354
00:20:20,721 --> 00:20:22,801
if I could get the trigger removable
like the last one,

355
00:20:22,801 --> 00:20:25,081
so that I can attach it
just before firing.

356
00:20:25,081 --> 00:20:28,401
- Why?
- Ah, because the whole mechanism

357
00:20:28,401 --> 00:20:29,961
needs to fit into that.

358
00:20:32,241 --> 00:20:33,321
(GASPS SOFTLY)

359
00:20:33,321 --> 00:20:35,121
Oh, yes.
(CHUCKLES)

360
00:20:36,001 --> 00:20:38,681
That's nice. That's very clever.
Thank you.

361
00:20:39,521 --> 00:20:41,201
And I mentioned the scanner.

362
00:20:41,201 --> 00:20:43,761
And I think that's gonna be
pretty sensitive.

363
00:20:44,321 --> 00:20:47,841
Ah, fracture boots
are made of plastic and polymer.

364
00:20:47,841 --> 00:20:49,521
They'll get
through the scanner easy,

365
00:20:49,521 --> 00:20:53,961
but the... the firing mechanism
and... the barrel,

366
00:20:53,961 --> 00:20:55,121
they're gonna show up.

367
00:20:55,121 --> 00:20:57,961
So, I was wondering about
the whole thing plastic?

368
00:20:59,481 --> 00:21:01,841
Y-You can't make a barrel
out of plastic.

369
00:21:01,841 --> 00:21:06,601
Doesn't matter
if it's machined or 3D printed,

370
00:21:06,601 --> 00:21:08,161
but we could try...

371
00:21:08,161 --> 00:21:13,601
...a low-round-count
disposable barrel made from...

372
00:21:13,601 --> 00:21:14,881
...a lightweight alloy.

373
00:21:14,881 --> 00:21:16,801
Right, and how many rounds
would that get me?

374
00:21:16,801 --> 00:21:18,121
Usually it'll be a...

375
00:21:18,121 --> 00:21:21,721
...one-shot throwaway, but
with a maestro like me,

376
00:21:21,721 --> 00:21:23,721
you can get up to eight shots.

377
00:21:23,721 --> 00:21:25,081
Seven, for sure.

378
00:21:25,081 --> 00:21:26,481
Alright, no, that'll be plenty.

379
00:21:26,481 --> 00:21:27,921
Er, can I get a silencer as well?

380
00:21:27,921 --> 00:21:30,041
We could print the suppressor core.

381
00:21:31,041 --> 00:21:33,321
It would confuse
the... scanner operators.

382
00:21:33,321 --> 00:21:35,761
What we thinking time wise?
Ah, it's gonna takes us

383
00:21:35,761 --> 00:21:37,721
four or five hours
to write the programme

384
00:21:37,721 --> 00:21:40,361
and then... another ten hours
to print.

385
00:21:41,681 --> 00:21:42,801
Do you have time for that?

386
00:21:42,801 --> 00:21:45,121
If we start now, yeah.
Alright, well...

387
00:21:45,121 --> 00:21:49,121
I'm off for a shite,
a shower, and a smoke.

388
00:21:49,121 --> 00:21:50,361
Then I'll be ready.

389
00:21:52,401 --> 00:21:55,361
(NURIA SPEAKING SPANISH)

390
00:22:18,441 --> 00:22:20,241
(TENSE MUSIC)

391
00:22:21,081 --> 00:22:22,761
(FOOTSTEPS APPROACHING)

392
00:22:26,161 --> 00:22:27,441
NORMAN: Right.

393
00:22:28,321 --> 00:22:30,201
Shall we get started?

394
00:22:30,201 --> 00:22:31,641
Let us.

395
00:22:31,641 --> 00:22:33,601
G, nine...

396
00:22:33,601 --> 00:22:35,321
...M, eight, two.
(KEYBOARD CLACKING)

397
00:22:35,321 --> 00:22:37,081
Yeah.

398
00:22:37,081 --> 00:22:38,681
M, one, four, zero.
(KEYBOARD CLACKING)

399
00:22:38,681 --> 00:22:40,841
(RESOLUTE MUSIC)
Yeah.

400
00:22:40,841 --> 00:22:43,521
S, one, four.

401
00:22:43,521 --> 00:22:45,161
(PRINTERS WHIRRING AND CLICKING)

402
00:22:56,041 --> 00:22:58,481
(RESOLUTE MUSIC CONTINUES)

403
00:23:09,201 --> 00:23:11,121
That's the printing started.
It'll take...

404
00:23:11,121 --> 00:23:12,841
...ten, twelve hours.

405
00:23:12,841 --> 00:23:14,561
(BOTH GROAN)

406
00:23:16,601 --> 00:23:18,121
Pain medication.
(CHUCKLES)

407
00:23:18,121 --> 00:23:19,441
Yeah, yeah(!)

408
00:23:19,441 --> 00:23:20,681
You have a wee drop?

409
00:23:20,681 --> 00:23:23,281
No, I'm good thank you.
Ah, you might change your mind.

410
00:23:27,361 --> 00:23:28,681
There we go.

411
00:23:31,961 --> 00:23:33,041
Cheers.

412
00:23:35,041 --> 00:23:37,801
Go on then. Well done.

413
00:23:43,601 --> 00:23:46,081
(GROANS)
(CHUCKLES)

414
00:23:46,081 --> 00:23:47,721
Jesus, look at these glasses.

415
00:23:48,521 --> 00:23:50,761
This place could do
with a woman's touch.

416
00:23:53,241 --> 00:23:54,561
Did you ever have a wife?

417
00:23:55,401 --> 00:23:57,561
A wife?
- Yeah.
- Nah.

418
00:23:57,561 --> 00:24:00,441
Well, once... nearly.

419
00:24:00,441 --> 00:24:03,241
She was a great woman, great cook,

420
00:24:03,241 --> 00:24:04,841
great in bed...

421
00:24:04,841 --> 00:24:06,121
She was great company.

422
00:24:07,681 --> 00:24:10,161
Ah, but sure in... our game...

423
00:24:10,161 --> 00:24:12,281
(SIGHS DEEPLY)

424
00:24:12,281 --> 00:24:13,601
...you can't have a wife.

425
00:24:13,601 --> 00:24:14,761
You think?

426
00:24:14,761 --> 00:24:16,481
A hundred percent. Especially

427
00:24:16,481 --> 00:24:17,921
if you fall in love with them.

428
00:24:18,681 --> 00:24:21,521
And I was always falling in love.

429
00:24:21,521 --> 00:24:22,801
(LAUGHS)

430
00:24:22,801 --> 00:24:25,881
Fucking nightmare.
I'm a hopeless romantic.

431
00:24:25,881 --> 00:24:28,761
Is that what that trip abroad was?
Was that a romantic thing?

432
00:24:28,761 --> 00:24:31,761
No, no. No. That was...
That was business.

433
00:24:31,761 --> 00:24:35,401
A client with specialist needs,
like you.

434
00:24:37,241 --> 00:24:38,241
Where'd you go?

435
00:24:43,281 --> 00:24:45,321
Client confidentiality.

436
00:24:50,641 --> 00:24:52,241
Where'd you go?

437
00:24:53,041 --> 00:24:54,201
(CHUCKLES)

438
00:24:59,961 --> 00:25:02,081
The silence makes me...

439
00:25:02,081 --> 00:25:03,121
...a bit nervous.

440
00:25:06,361 --> 00:25:09,361
It was Belarus... alright?
Does that settle your nerves?

441
00:25:09,361 --> 00:25:12,281
Who came calling for you
in Belarus, Norman? Russians?

442
00:25:14,441 --> 00:25:15,881
They had English accents.

443
00:25:17,321 --> 00:25:18,321
D'you see them?

444
00:25:18,321 --> 00:25:20,921
The bitch who shot me, I saw her
alright, aye-A woman?

445
00:25:20,921 --> 00:25:23,441
Black woman. She had a Glock 17.

446
00:25:26,921 --> 00:25:30,361
A black... armed British woman...

447
00:25:30,961 --> 00:25:32,361
...in Belarus.

448
00:25:35,681 --> 00:25:37,041
You lied to me, old man.

449
00:25:37,041 --> 00:25:38,921
Wh... How am I lying to you?

450
00:25:38,921 --> 00:25:40,641
I'm telling you all about it,
aren't I-

451
00:25:40,641 --> 00:25:43,601
How did you get away from
an MI6 snatch squad, Norman?

452
00:25:46,401 --> 00:25:47,641
I had a bit of help.

453
00:25:47,641 --> 00:25:49,921
Yeah.
I got a tip-off

454
00:25:49,921 --> 00:25:51,801
they were on their way.
Who from?

455
00:25:53,801 --> 00:25:54,801
I don't know.

456
00:25:55,641 --> 00:25:56,801
There was no number...

457
00:25:56,801 --> 00:25:59,761
It was... it was just a message
said, 'Clear out now.'

458
00:26:08,481 --> 00:26:10,081
(FOREBODING MUSIC)

459
00:26:18,761 --> 00:26:20,601
You're an artist, my friend,

460
00:26:20,601 --> 00:26:22,481
and you've always been discreet.

461
00:26:25,161 --> 00:26:26,681
But if that changes...

462
00:26:47,401 --> 00:26:48,721
(MOBILE BUZZING)

463
00:26:52,001 --> 00:26:54,041
(SOMBRE MUSIC)

464
00:27:03,201 --> 00:27:04,281
Yeah?

465
00:27:04,281 --> 00:27:07,921
VINCE: 'I've got good news. We think
we found Norman's location.'

466
00:27:07,921 --> 00:27:11,041
'It fits all the parameters, an
abandoned factory in a place called'

467
00:27:11,041 --> 00:27:13,441
'Lorinci.'
Are you sure?

468
00:27:13,441 --> 00:27:15,201
'As sure as we can be.'

469
00:27:15,201 --> 00:27:18,721
'Large white building, 56 minutes
from Budapest airport.'

470
00:27:18,721 --> 00:27:20,081
'Right now it's our best shot.'

471
00:27:20,081 --> 00:27:23,161
(LINE RINGING)
BIANCA: Osi,
we might have a location.

472
00:27:23,161 --> 00:27:24,481
Do we have authorisation?

473
00:27:24,481 --> 00:27:26,041
OSI: 'So, it is Budapest?'

474
00:27:27,201 --> 00:27:29,401
Yeah, it's Budapest.
'I'll inform the Hungarians'

475
00:27:29,401 --> 00:27:31,681
'that we're going to be operating
on their turf.'

476
00:27:31,681 --> 00:27:33,881
'You get to the airport,
I'll get the authorisation.'

477
00:27:33,881 --> 00:27:34,961
(INAUDIBLE CONVERSATION)

478
00:27:34,961 --> 00:27:38,081
'If you need anything else,
give me a call.'

479
00:27:38,081 --> 00:27:39,761
(LINE DISCONNECTS)

480
00:27:40,841 --> 00:27:42,601
Do you trust him?

481
00:27:44,201 --> 00:27:45,281
Do you?

482
00:27:52,121 --> 00:27:54,041
(SOMBRE MUSIC FADES)

483
00:27:56,241 --> 00:27:57,321
(GROANS)

484
00:27:58,201 --> 00:27:59,641
Try it on.

485
00:28:04,361 --> 00:28:05,441
(SIGHS SOFTLY)

486
00:28:09,361 --> 00:28:11,321
Yeah that's...

487
00:28:11,321 --> 00:28:13,121
...weirdly comfortable.
(NORMAN CHUCKLES)

488
00:28:13,121 --> 00:28:16,121
The scanner will pick up
the metal components,

489
00:28:16,121 --> 00:28:18,041
but that shouldn't surprise
the operator.

490
00:28:18,041 --> 00:28:19,401
If he asks you to take it off,

491
00:28:19,401 --> 00:28:21,801
you can tell him
to fuck off on medical grounds.

492
00:28:23,961 --> 00:28:25,201
Show me how to build it.

493
00:28:26,201 --> 00:28:28,121
(VOICES DIP UNDER RESOLUTE MUSIC)

494
00:28:47,321 --> 00:28:49,161
(INAUDIBLE)

495
00:29:07,521 --> 00:29:09,121
(RESOLUTE MUSIC FADES)

496
00:29:10,401 --> 00:29:14,201
That is a fucking work
of art, that is.(LAUGHS)

497
00:29:15,521 --> 00:29:17,801
So, where's the nearest place
I can take this for a spin

498
00:29:17,801 --> 00:29:22,161
without attracting attention?
Oh, top of the road, turn right.

499
00:29:22,161 --> 00:29:24,681
Left at the train tracks
and keep going

500
00:29:24,681 --> 00:29:26,481
until you get to some woods.
Right.

501
00:29:26,481 --> 00:29:28,841
(GROANS)
You can take my car.

502
00:29:28,841 --> 00:29:30,521
I'm off to bed.

503
00:29:30,521 --> 00:29:31,561
Oh.

504
00:29:34,121 --> 00:29:35,961
You'll need these.

505
00:29:35,961 --> 00:29:38,401
Couple of special ones
in there, too.

506
00:29:39,201 --> 00:29:41,161
(CHUCKLES)
Remember...

507
00:29:41,161 --> 00:29:43,121
It's not gunmetal.

508
00:29:43,121 --> 00:29:45,481
You'll get eight shots from it.

509
00:29:45,481 --> 00:29:48,561
To be on the safe side,
keep the test firing to a minimum.

510
00:29:53,041 --> 00:29:55,961
ATTENDANT: 'Welcome to Budapest.
The local time is...'

511
00:29:55,961 --> 00:29:59,521
'..01:35. We'd like to
wish you a safe onward journey.'

512
00:30:00,321 --> 00:30:01,601
There he is.

513
00:30:01,601 --> 00:30:02,641
(TENSE MUSIC)

514
00:30:19,441 --> 00:30:21,241
Actually sorry, d'you know what,

515
00:30:21,241 --> 00:30:22,881
can I get the small one?

516
00:30:24,001 --> 00:30:26,241
JACKAL: How much is that?
Two thousand, please.

517
00:30:26,241 --> 00:30:28,281
Two thousand, thank you very much.

518
00:30:29,481 --> 00:30:31,361
(INDISTINCT)

519
00:30:38,761 --> 00:30:40,761
(TENSE MUSIC)

520
00:31:02,321 --> 00:31:04,561
(TENSE MUSIC FADES)
(BIRDSONG)

521
00:32:09,721 --> 00:32:10,721
(WOOD CREAKS)

522
00:32:54,121 --> 00:32:55,561
(METAL CLINKING)

523
00:33:34,718 --> 00:33:36,238
(TENSE MUSIC)

524
00:33:42,798 --> 00:33:44,398
(MOBILE BUZZING)

525
00:33:47,758 --> 00:33:49,198
Hi...

526
00:33:49,198 --> 00:33:50,758
'..stranger.'

527
00:33:51,598 --> 00:33:52,758
(IN SPANISH) Hello, my love.

528
00:33:52,758 --> 00:33:54,758
Are you alright?

529
00:33:54,758 --> 00:33:56,518
(RADIO PLAYING INDISTINCTLY)

530
00:33:56,518 --> 00:33:58,038
Yes.

531
00:33:58,038 --> 00:33:59,158
'Are you sure?'

532
00:34:00,198 --> 00:34:01,798
'I've been trying you.'

533
00:34:01,798 --> 00:34:03,358
'You sure you're OK?'

534
00:34:04,398 --> 00:34:06,798
'I'm fine. I just...'

535
00:34:06,798 --> 00:34:09,558
'..needed some time to think.'
OK.

536
00:34:10,718 --> 00:34:13,238
Well, all good I'm hoping?
'Yeah, I think so.'

537
00:34:18,278 --> 00:34:22,078
'When are you coming back?'
Four or five days. A week at most.

538
00:34:22,838 --> 00:34:25,758
And then I promise you,
you are gonna be so bored of me,

539
00:34:25,758 --> 00:34:28,038
you're gonna be begging me to leave.

540
00:34:28,038 --> 00:34:30,878
I just want everything to be
the way it used to be.

541
00:34:33,958 --> 00:34:36,238
BIANCA:
It's just up here on the left.

542
00:34:36,238 --> 00:34:39,358
'JACKAL: How's our little boy
doing?''NURIA: He's great.'

543
00:34:39,358 --> 00:34:42,518
'Exhausting, but great.'
I miss you both so much.

544
00:34:43,598 --> 00:34:45,278
'We miss you, too.'

545
00:34:45,278 --> 00:34:48,318
'But there's something we need
to discuss, Charles.'

546
00:34:50,598 --> 00:34:52,078
'Did you hear me?'
Yeah...

547
00:34:58,438 --> 00:35:00,558
Certainly fits Larry's description.

548
00:35:02,678 --> 00:35:04,958
This is important, Charles.

549
00:35:04,958 --> 00:35:07,758
I've gotta run now, but I'll
speak to you in a sec, OK? Love you.

550
00:35:07,758 --> 00:35:09,118
'Bye.'
Bye, bye.

551
00:35:14,438 --> 00:35:16,278
(SPEAKS SPANISH)

552
00:35:35,558 --> 00:35:37,038
(SPEAKS HUNGARIAN)

553
00:35:37,038 --> 00:35:38,438
(IN ENGLISH) We can cut the power,

554
00:35:38,438 --> 00:35:40,238
it's all arranged.

555
00:35:40,798 --> 00:35:42,958
I just don't want
a repeat of Belarus.

556
00:35:44,078 --> 00:35:45,678
What d'you wanna do?

557
00:35:45,678 --> 00:35:46,958
It's your call.

558
00:35:49,398 --> 00:35:50,598
(SIGHS)

559
00:35:52,518 --> 00:35:54,718
(CHATTER IN HUNGARIAN)
(TENSE MUSIC)

560
00:36:10,758 --> 00:36:11,918
(SOFTLY) Fuck...

561
00:36:25,758 --> 00:36:27,558
(TENSE MUSIC CONTINUES)

562
00:36:36,798 --> 00:36:38,478
(SPEAKS HUNGARIAN)

563
00:36:41,678 --> 00:36:43,718
(CHATTER IN HUNGARIAN)

564
00:36:46,718 --> 00:36:48,118
(LINE RINGING)

565
00:36:48,118 --> 00:36:50,358
(BREATHING HEAVILY)
(MOBILE RINGING)

566
00:36:55,798 --> 00:36:59,518
Right. Remember we need him alive,
yeah? OK...

567
00:37:00,078 --> 00:37:01,958
(LINE RINGING)

568
00:37:07,518 --> 00:37:10,038
(MOBILE RINGING)

569
00:37:15,998 --> 00:37:17,998
(GRUNTS)

570
00:37:19,998 --> 00:37:21,558
(LINE CLICKS)
NORMAN: 'Yeah?'

571
00:37:21,558 --> 00:37:23,118
You've got visitors. One of them

572
00:37:23,118 --> 00:37:26,278
'looks like your friend from MI6.
Clean up and get out now.'

573
00:37:26,278 --> 00:37:28,398
Just make sure you clean up.

574
00:37:29,198 --> 00:37:30,398
(GROANS)

575
00:37:33,198 --> 00:37:34,638
(TENSE MUSIC BUILDING)

576
00:37:36,078 --> 00:37:37,198
Fuck...

577
00:37:43,078 --> 00:37:44,158
(ENGINE STARTS)

578
00:37:46,238 --> 00:37:47,798
(BREATHING HEAVILY)

579
00:37:54,478 --> 00:37:55,998
Fuck.

580
00:37:59,918 --> 00:38:01,558
(GRUNTS)

581
00:38:04,638 --> 00:38:06,758
(TENSE MUSIC CONTINUES)

582
00:38:09,838 --> 00:38:12,678
OK. Not this one.

583
00:38:16,438 --> 00:38:17,878
(GRUNTS)

584
00:38:28,478 --> 00:38:29,918
(TENSE MUSIC FADES)

585
00:38:31,958 --> 00:38:33,678
(DISTANT THUD)
(GASPS SOFTLY)

586
00:38:33,678 --> 00:38:35,518
(SUSPENSEFUL MUSIC)

587
00:38:51,678 --> 00:38:53,198
(GUNSHOTS CONTINUE)

588
00:38:53,958 --> 00:38:55,638
Come on, you bastards!

589
00:38:58,438 --> 00:39:00,158
(GUN CLICKS)
VINCE: Breaching!

590
00:39:03,318 --> 00:39:05,318
Move!
(GUNSHOTS)

591
00:39:11,878 --> 00:39:13,118
Fuck off!

592
00:39:15,798 --> 00:39:16,798
Fuck off!

593
00:39:21,638 --> 00:39:22,718
Move!

594
00:39:22,718 --> 00:39:24,278
(GUNFIRE CONTINUES)

595
00:39:25,358 --> 00:39:27,358
(GROANS) Fuck.

596
00:39:27,358 --> 00:39:28,638
Fuck.
(RAPID BEEPING)

597
00:39:31,878 --> 00:39:33,918
(GROANING)

598
00:39:35,318 --> 00:39:36,758
BIANCA: Hello, Norman.

599
00:39:37,358 --> 00:39:38,798
(DROPS PATTERING)

600
00:39:41,158 --> 00:39:42,198
Hmm...

601
00:39:45,798 --> 00:39:47,158
I know you made the gun

602
00:39:47,158 --> 00:39:48,558
that killed Manfred Fest.

603
00:39:48,558 --> 00:39:51,598
You know fuck all.
And here you are...

604
00:39:51,598 --> 00:39:53,638
...making a new one already, Norman.

605
00:39:56,038 --> 00:39:57,918
Is this for the Jackal as well?

606
00:39:57,918 --> 00:40:00,198
I haven't the foggiest idea
what you're talking about.

607
00:40:00,198 --> 00:40:02,958
Must be impossible
with just the one arm?

608
00:40:05,438 --> 00:40:06,798
Oh, what's all this?

609
00:40:08,078 --> 00:40:10,678
Did you have
a little friend over, Norman?

610
00:40:10,678 --> 00:40:12,318
Well, that makes sense.

611
00:40:12,318 --> 00:40:15,078
You're a pretty sad
specimen on your own, eh?

612
00:40:16,638 --> 00:40:18,038
Fuck you.

613
00:40:18,038 --> 00:40:20,278
Tell us who the Jackal is.

614
00:40:21,598 --> 00:40:25,998
I haven't the foggiest idea
what you're talking about.

615
00:40:25,998 --> 00:40:27,558
Ah, come on Norman...

616
00:40:27,558 --> 00:40:29,318
What's the Jackal's name?

617
00:40:31,718 --> 00:40:34,918
I haven't the foggiest idea
what you're talking about.

618
00:40:34,918 --> 00:40:37,558
Oh, I think you do, Norman.
We know the Jackal's

619
00:40:37,558 --> 00:40:39,318
been contracted for another hit.

620
00:40:39,318 --> 00:40:41,998
Makes sense he'd need another
bespoke weapon.

621
00:40:41,998 --> 00:40:43,958
And after you did such a good job

622
00:40:43,958 --> 00:40:45,798
with the last one.
Well, if it was me,

623
00:40:45,798 --> 00:40:48,438
I'd be hurt if
he didn't ask me for the next one.

624
00:40:48,438 --> 00:40:51,998
This is his. This... This is HIS.

625
00:40:51,998 --> 00:40:54,278
Isn't it, Norman?

626
00:40:54,278 --> 00:40:55,318
Eh?

627
00:40:57,238 --> 00:40:58,878
The Jackal's here, isn't he?

628
00:40:58,878 --> 00:41:01,278
Come on. Let's get him in the car.
No.

629
00:41:01,278 --> 00:41:02,558
Wait.

630
00:41:04,038 --> 00:41:07,518
The Jackal's been here.
His things are here...

631
00:41:07,518 --> 00:41:09,478
...so he'll be back.

632
00:41:10,558 --> 00:41:13,158
Tell Lina and Tamas
to keep watch on the street.

633
00:41:14,198 --> 00:41:16,358
Change of plan. Lina,
stay by the car.

634
00:41:16,358 --> 00:41:18,318
Tamas, take your position.
TAMAS: 'Copy.'

635
00:41:18,318 --> 00:41:21,398
Well, while we're waiting, Norman,

636
00:41:22,958 --> 00:41:27,398
you can tell me
how you got my home address.

637
00:41:27,398 --> 00:41:28,678
Hm?

638
00:41:29,718 --> 00:41:33,198
Was it the same person that tipped
you off that we were in Belarus?

639
00:41:33,198 --> 00:41:34,918
(TENSE MUSIC)

640
00:41:41,438 --> 00:41:44,598
I haven't the foggiest idea
what you're talking about.

641
00:41:44,598 --> 00:41:45,918
(LAUGHS)

642
00:41:45,918 --> 00:41:47,758
Huh...

643
00:41:48,718 --> 00:41:51,198
Aren't you wondering
who tipped us off about you?

644
00:41:51,198 --> 00:41:52,318
Huh?

645
00:41:53,078 --> 00:41:55,318
It was Larry.

646
00:41:55,318 --> 00:41:56,758
Yeah, that's right.

647
00:41:59,398 --> 00:42:02,158
Man, it must be really hard,

648
00:42:02,158 --> 00:42:05,838
finding out that it was
your own brother who sold you out.

649
00:42:05,838 --> 00:42:07,438
And it must be even harder,

650
00:42:07,438 --> 00:42:10,038
when the person
standing in front of you

651
00:42:10,038 --> 00:42:13,718
is the one who made him talk,
and is gonna put you both

652
00:42:13,718 --> 00:42:16,838
in jail for the rest
of your fucking lives.

653
00:42:19,518 --> 00:42:21,158
Shooter. Flanking left.

654
00:42:35,038 --> 00:42:37,638
VINCE: (COMMS) 'Does anyone
have eyes on? Can you see him?!'

655
00:42:37,638 --> 00:42:39,878
LINA: 'Negative.'
TAMAS: 'Negative.'

656
00:42:46,518 --> 00:42:48,518
(TENSE MUSIC)

657
00:42:52,798 --> 00:42:54,638
'I have eyes on.
He's by the stables.'

658
00:42:54,638 --> 00:42:56,318
(GUNSHOT CONTINUE)

659
00:42:56,318 --> 00:42:58,278
VINCE: 'Copy that. Eyes on.'

660
00:43:13,158 --> 00:43:14,158
Hup!

661
00:43:15,198 --> 00:43:17,918
He's going mobile...
on a fucking horse.

662
00:43:19,638 --> 00:43:20,798
LINA: 'In pursuit.'

663
00:43:21,598 --> 00:43:22,798
BIANCA: 'Lina, pick me up.'

664
00:43:22,798 --> 00:43:25,558
VINCE: 'You didn't tell me
you were after John-fucking-Wayne.'

665
00:43:27,798 --> 00:43:29,078
(TYRES SCREECH)

666
00:43:44,318 --> 00:43:45,718
(TENSE MUSIC CONTINUES)

667
00:43:50,438 --> 00:43:51,438
Go, go, go!

668
00:43:57,678 --> 00:43:59,758
(GRUNTS, GASPS)
(MUSIC ENDS)

669
00:44:03,998 --> 00:44:04,998
(RUSTLING)

670
00:44:09,238 --> 00:44:10,598
(CLOPPING FADING)

671
00:44:16,638 --> 00:44:17,638
(EXHALES SHAKILY)

672
00:44:18,958 --> 00:44:20,318
(MUFFLED GUNSHOT)
(LINA GRUNTS)

673
00:44:20,318 --> 00:44:21,438
(BODY THUDS)

674
00:44:22,598 --> 00:44:23,718
(LINA PANTING)

675
00:44:24,758 --> 00:44:26,198
You OK?
Yes.

676
00:44:26,198 --> 00:44:27,598
He hit the vest.

677
00:44:30,958 --> 00:44:32,198
(OWL HOOTS)

678
00:44:33,318 --> 00:44:34,438
(EXHALES SHAKILY)

679
00:44:40,878 --> 00:44:42,878
(TWO GUNSHOTS FIRING)
(BODY THUDS)

680
00:44:48,798 --> 00:44:50,918
(SUSPENSEFUL MUSIC)

681
00:44:58,518 --> 00:44:59,838
(TENSE MUSIC BUILDING)

682
00:45:02,958 --> 00:45:03,998
(GUNSHOT)

683
00:45:13,318 --> 00:45:14,318
Fuck!

684
00:45:17,118 --> 00:45:18,918
(TENSE MUSIC SWELLING)

685
00:45:21,318 --> 00:45:22,718
(SUSPENSEFUL MUSIC)

686
00:45:26,158 --> 00:45:27,158
(RAPID GUNFIRE)

687
00:45:45,598 --> 00:45:47,078
(BREATHING HEAVILY)

688
00:45:56,838 --> 00:45:59,078
(SCREAMING) FUCK!

689
00:45:59,078 --> 00:46:00,558
FUCK!

690
00:46:29,438 --> 00:46:30,918
(WATER SPLASHING GENTLY)

691
00:46:33,398 --> 00:46:35,038
(WATER SPLASHING)

692
00:46:35,638 --> 00:46:36,958
(BREATHING SHAKILY)

693
00:46:48,478 --> 00:46:49,918
(THUNDER RUMBLING)

694
00:46:56,678 --> 00:46:57,958
(RAIN POURING)

695
00:47:26,398 --> 00:47:27,838
(THUNDER RUMBLING)

696
00:47:33,678 --> 00:47:35,158
(FOOTSTEPS APPROACHING)

697
00:47:50,478 --> 00:47:52,078
(THUNDER ROARS)

698
00:47:52,078 --> 00:47:53,478
(GRUNTS, GROANS)

699
00:47:54,678 --> 00:47:55,918
(SOMBRE MUSIC)

700
00:48:00,238 --> 00:48:01,878
(METAL LOCKS CLANGING)

701
00:48:11,558 --> 00:48:13,758
♪ LAURA MARLING:
Devil's Resting Place

702
00:48:16,638 --> 00:48:21,118
♪ I woke up one morning
To know that I had gone

703
00:48:21,958 --> 00:48:27,118
♪ Finally taken the step
And jumped right off the wall

704
00:48:27,118 --> 00:48:31,878
♪ When you come to call on me
That's why my eyes are glazed

705
00:48:32,718 --> 00:48:37,318
♪ I've been with the devil
In the devil's resting place

706
00:48:37,318 --> 00:48:42,878
♪ I am loathed to say
It's the devil's taste

707
00:48:42,878 --> 00:48:47,278
♪ I've been with the devil
In the devil's resting place

708
00:48:51,158 --> 00:48:55,678
♪ Water won't clean you

709
00:48:56,758 --> 00:49:01,798
♪ You only hold yourself
To the things you do

710
00:49:04,118 --> 00:49:05,718
(SONG ENDS)

711
00:49:05,718 --> 00:49:08,758
Subtitles by Sky Access Services
www.skyaccessibility.sky