1 00:00:00,917 --> 00:00:02,502 [TV static drones] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:02,585 --> 00:00:04,754 [bright tone] 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:11,636 --> 00:00:14,681 [soft music] 6 00:00:14,764 --> 00:00:21,730 ♪ ♪ 7 00:01:17,660 --> 00:01:22,582 [indistinct chatter] 8 00:01:22,664 --> 00:01:25,919 - Okay, this is it. 9 00:01:26,002 --> 00:01:30,256 We are live... 10 00:01:30,340 --> 00:01:33,884 [chuckles] Beautifully, terrifyingly live. 11 00:01:33,926 --> 00:01:35,345 I know, I'm reminded. 12 00:01:35,387 --> 00:01:37,222 I don't need to remind you guys of what's at stake here. 13 00:01:37,305 --> 00:01:39,057 But this is a really amazing thing, 14 00:01:39,098 --> 00:01:42,560 and there's so many of us that are just 15 00:01:42,644 --> 00:01:45,188 so excited about doing this but on the edge of our seats, 16 00:01:45,229 --> 00:01:47,232 because, I mean, truly, anything could happen. 17 00:01:47,273 --> 00:01:50,235 But that's what rock and roll is, right? 18 00:01:50,318 --> 00:01:52,445 That's what it is. It's a risk. 19 00:01:52,529 --> 00:01:56,116 And we're here in the beautiful Laurel Canyon. 20 00:01:56,199 --> 00:01:57,908 The scenery is breathtaking. 21 00:01:57,951 --> 00:02:01,079 And we wanted to do this while it was still light out, 22 00:02:01,121 --> 00:02:03,248 as we sort of follow the arc 23 00:02:03,331 --> 00:02:05,125 through this trajectory of getting dark 24 00:02:05,208 --> 00:02:06,918 so that you guys could see and feel 25 00:02:06,960 --> 00:02:08,627 the sunset in this place 26 00:02:08,711 --> 00:02:12,841 and put yourself there in the 1960s and 1970s, 27 00:02:12,924 --> 00:02:16,553 when some of the most lush and beautiful and strange 28 00:02:16,594 --> 00:02:19,305 and trippy Americana music was made 29 00:02:19,389 --> 00:02:21,766 by people that lived here and spent their time here, 30 00:02:21,850 --> 00:02:24,227 from CSN to Jimi Hendrix, even, 31 00:02:24,269 --> 00:02:26,980 Glenn Frey, Linda Ronstadt, The Byrds, 32 00:02:27,063 --> 00:02:29,441 Mama Cass and The Mamas & the Papas, 33 00:02:29,524 --> 00:02:34,320 and, of course, our beloved Joni Mitchell. 34 00:02:34,404 --> 00:02:37,115 It's interesting--everybody thinks about Americana music 35 00:02:37,156 --> 00:02:39,159 as originating in the South 36 00:02:39,242 --> 00:02:42,287 or even our beloved one-of-a-kind Nashville, 37 00:02:42,328 --> 00:02:44,748 but an important cornerstone of modern Americana music 38 00:02:44,789 --> 00:02:47,459 happened and started to happen right here in California, 39 00:02:47,500 --> 00:02:50,170 right here in Laurel Canyon. 40 00:02:50,253 --> 00:02:52,005 One time, Joni said to me-- 41 00:02:52,088 --> 00:02:53,798 and I haven't told you guys this yet-- 42 00:02:53,840 --> 00:02:55,716 "Anyone in America-- 43 00:02:55,800 --> 00:02:58,970 "if you ask anyone in America where the craziest people live, 44 00:02:59,012 --> 00:03:00,930 "they'll tell you California. 45 00:03:00,972 --> 00:03:02,640 "If you ask anyone in California 46 00:03:02,682 --> 00:03:04,476 "where the craziest people live, 47 00:03:04,559 --> 00:03:07,479 "they're going to tell you Los Angeles. 48 00:03:07,520 --> 00:03:09,647 "If you ask anyone in Los Angeles 49 00:03:09,731 --> 00:03:13,485 where the craziest people in California live, 50 00:03:13,526 --> 00:03:15,653 "and they'll tell you Hollywood. 51 00:03:15,737 --> 00:03:18,323 "Ask anybody in Hollywood where the craziest people live, 52 00:03:18,365 --> 00:03:20,408 "they'll tell you Laurel Canyon. 53 00:03:20,492 --> 00:03:23,036 "Ask anyone in Laurel Canyon where the craziest people live, 54 00:03:23,119 --> 00:03:24,496 "and they'll say Lookout Mountain. 55 00:03:24,579 --> 00:03:26,498 So I bought a house up on Lookout Mountain." 56 00:03:26,539 --> 00:03:28,291 Joni Mitchell. [laughter] 57 00:03:28,333 --> 00:03:30,210 [playing notes] 58 00:03:30,293 --> 00:03:32,962 We're here to conjure the spirits 59 00:03:33,004 --> 00:03:34,172 of the living legends 60 00:03:34,214 --> 00:03:36,466 and the ones that have gone before us from Laurel Canyon, 61 00:03:36,508 --> 00:03:41,221 as we reimagine our album "In These Silent Days," 62 00:03:41,304 --> 00:03:43,848 live in the canyon haze. 63 00:03:43,890 --> 00:03:45,183 We ready? - I think so. 64 00:03:45,266 --> 00:03:47,727 - Are we really ready? - I mean... 65 00:03:47,811 --> 00:03:51,648 Ah, yeah. 66 00:03:51,690 --> 00:03:53,525 Two, three, and-- 67 00:03:53,608 --> 00:03:59,989 ♪ Come back now, even if you call me out ♪ 68 00:04:00,031 --> 00:04:03,993 ♪ You might be angry now ♪ 69 00:04:04,035 --> 00:04:06,496 ♪ Of course you are ♪ 70 00:04:06,538 --> 00:04:09,457 ♪ ♪ 71 00:04:09,541 --> 00:04:16,214 ♪ I'm scared, too, didn't mean to take it out on you ♪ 72 00:04:16,297 --> 00:04:20,468 ♪ I know I always do ♪ 73 00:04:20,552 --> 00:04:26,141 ♪ You're the strongest person in the room ♪ 74 00:04:26,224 --> 00:04:32,689 ♪ Turn back time, help me to rewind ♪ 75 00:04:32,731 --> 00:04:38,028 ♪ And we can find ourselves ♪ 76 00:04:38,069 --> 00:04:41,239 ♪ Again ♪ 77 00:04:41,281 --> 00:04:44,701 ♪ It's not too late ♪ 78 00:04:44,743 --> 00:04:47,871 ♪ Either way ♪ 79 00:04:47,912 --> 00:04:52,207 ♪ I lose you in these silent days ♪ 80 00:04:52,250 --> 00:04:57,589 ♪ It wasn't right ♪ 81 00:04:57,630 --> 00:05:03,678 ♪ But it was right on time ♪ 82 00:05:03,762 --> 00:05:07,098 ♪ ♪ 83 00:05:07,140 --> 00:05:09,809 ♪ Don't look down ♪ 84 00:05:09,893 --> 00:05:13,605 ♪ I can feel it when your heart starts pounding ♪ 85 00:05:13,646 --> 00:05:17,942 ♪ It's beyond your control ♪ 86 00:05:17,984 --> 00:05:20,570 ♪ You know it is ♪ 87 00:05:20,612 --> 00:05:23,365 ♪ ♪ 88 00:05:23,406 --> 00:05:27,786 ♪ It's getting to the point where I can't carry on ♪ 89 00:05:27,869 --> 00:05:31,790 ♪ I never held my breath for quite this long ♪ 90 00:05:31,831 --> 00:05:36,586 ♪ And I don't take it back, I did what I had to do ♪ 91 00:05:36,628 --> 00:05:38,463 ♪ ♪ 92 00:05:38,505 --> 00:05:42,133 ♪ It's not too late ♪ 93 00:05:42,175 --> 00:05:45,178 ♪ Either way ♪ 94 00:05:45,261 --> 00:05:49,015 ♪ I lose you in these silent days ♪ 95 00:05:49,099 --> 00:05:54,646 ♪ It wasn't right ♪ 96 00:05:54,688 --> 00:06:00,735 ♪ But it was right on time ♪ 97 00:06:00,819 --> 00:06:07,784 ♪ ♪ 98 00:06:24,509 --> 00:06:28,179 ♪ It's not too late ♪ 99 00:06:28,221 --> 00:06:31,349 ♪ Either way ♪ 100 00:06:31,433 --> 00:06:35,478 ♪ I lose you in these silent days ♪ 101 00:06:35,520 --> 00:06:42,652 ♪ It wasn't right ♪ 102 00:06:44,738 --> 00:06:50,994 ♪ But it was right on time ♪ 103 00:06:52,620 --> 00:06:55,206 Yeah! [laughter] 104 00:06:55,248 --> 00:06:56,582 - Got that one out of the way, huh? 105 00:06:56,666 --> 00:06:58,668 - So good! [singing high notes] 106 00:06:58,710 --> 00:07:00,545 That was up there, Phil. - Yeah, it was. 107 00:07:00,628 --> 00:07:02,589 - I want to get my wife up here with me. 108 00:07:02,672 --> 00:07:05,258 Catherine Carlile, you nervous and beautiful beast. 109 00:07:05,342 --> 00:07:07,427 [cheering] 110 00:07:07,510 --> 00:07:10,638 [laughter] 111 00:07:13,058 --> 00:07:16,644 [playing notes] 112 00:07:16,728 --> 00:07:19,022 This one's big for you, babe. 113 00:07:21,066 --> 00:07:23,109 Look at you taking your own microphone. 114 00:07:23,193 --> 00:07:24,527 She's a pro. 115 00:07:24,569 --> 00:07:26,321 Catherine-- - She's lying. 116 00:07:26,404 --> 00:07:28,573 - [laughs] 117 00:07:28,656 --> 00:07:30,867 Sweetheart, do you know what today is? 118 00:07:30,909 --> 00:07:33,787 - The live stream of "In the Canyon Haze," right? 119 00:07:33,870 --> 00:07:35,538 - Yeah. Are your hands shaking a tad? 120 00:07:35,580 --> 00:07:37,123 - No. - Mine are. 121 00:07:37,207 --> 00:07:38,541 - Steady. - It's cool. 122 00:07:38,582 --> 00:07:40,585 Steady, steady as we go. 123 00:07:40,627 --> 00:07:43,254 Today, Catherine... 124 00:07:43,338 --> 00:07:46,091 Are you nervous? - No. 125 00:07:46,132 --> 00:07:47,425 Slightly. 126 00:07:47,467 --> 00:07:49,469 - Is our ten-year anniversary. 127 00:07:49,552 --> 00:07:51,304 - It is, yeah. We forgot about that this morning. 128 00:07:51,388 --> 00:07:53,014 - Yeah, we forgot about that this morning. 129 00:07:53,098 --> 00:07:54,933 - We were a bit distracted. - We got married three times. 130 00:07:55,016 --> 00:07:56,267 We had three weddings. 131 00:07:56,308 --> 00:07:57,977 And this is the ten-year anniversary 132 00:07:58,061 --> 00:08:00,397 of the wedding that happened on the West Coast, in Seattle. 133 00:08:00,438 --> 00:08:01,439 - It is indeed. 134 00:08:01,523 --> 00:08:03,316 - Yeah, and it's an important day. 135 00:08:03,400 --> 00:08:06,277 But I think it's even more monumental and more important 136 00:08:06,319 --> 00:08:08,530 that this is the first time that you and I are going to do 137 00:08:08,613 --> 00:08:10,615 something like this together. - I know. 138 00:08:10,699 --> 00:08:12,200 - Yes. And you've been practicing-- 139 00:08:12,283 --> 00:08:14,369 - I'm more nervous today than I was on our wedding day, 140 00:08:14,452 --> 00:08:15,995 by the way. - And you were very nervous. 141 00:08:16,079 --> 00:08:17,997 - I promise not to do that with a deep voice. 142 00:08:18,081 --> 00:08:19,249 - Right. 143 00:08:19,332 --> 00:08:21,126 - [deep voice] I, Catherine Carlile, 144 00:08:21,167 --> 00:08:22,794 do take Brandi Carlile... 145 00:08:22,836 --> 00:08:24,629 - That may have happened. - To be-- 146 00:08:24,713 --> 00:08:26,631 - [normal voice] That may have happened. 147 00:08:26,715 --> 00:08:28,383 [laughter] That may have happened. 148 00:08:28,466 --> 00:08:30,719 Do you promise not to get drunk and sing Lady Gaga later? 149 00:08:30,802 --> 00:08:31,928 - I promise. - Okay. 150 00:08:31,970 --> 00:08:32,971 - Yeah. 151 00:08:33,054 --> 00:08:34,472 - Well, I wrote this-- - I can't promise anything. 152 00:08:34,556 --> 00:08:36,224 - No, you can't. You can't. 153 00:08:36,307 --> 00:08:38,268 I wrote this song about you. 154 00:08:38,308 --> 00:08:40,979 And it's been my dream to get you to sing it with me. 155 00:08:41,062 --> 00:08:43,356 And now you're doing it in front of thousands of people 156 00:08:43,440 --> 00:08:44,983 in IMAX theaters across the country. 157 00:08:45,025 --> 00:08:47,694 - Thank you for reminding me of that, yeah. 158 00:08:47,777 --> 00:08:49,738 - And I'm sure that they can see just every detail 159 00:08:49,821 --> 00:08:50,989 of our faces, very close up. 160 00:08:51,072 --> 00:08:54,617 - [laughs] Happy anniversary. - Just joking. 161 00:08:56,411 --> 00:08:58,413 - It's called "You and Me on the Rock." 162 00:08:58,496 --> 00:09:03,335 ♪ ♪ 163 00:09:03,418 --> 00:09:04,794 Yeah. 164 00:09:04,836 --> 00:09:08,006 ♪ ♪ 165 00:09:08,048 --> 00:09:11,718 ♪ They build wooden houses on frozen ponds ♪ 166 00:09:11,801 --> 00:09:14,637 ♪ In the summertime when the water's gone ♪ 167 00:09:14,679 --> 00:09:17,432 ♪ Diagonal lines in their rolled-out lawns ♪ 168 00:09:17,474 --> 00:09:20,143 ♪ And the sage always smells so pretty ♪ 169 00:09:20,185 --> 00:09:22,729 ♪ But nobody cares where the birds have gone ♪ 170 00:09:22,812 --> 00:09:25,815 ♪ Or when the rain comes down on Babylon ♪ 171 00:09:25,857 --> 00:09:28,610 ♪ The stonemason's phone rings all day long ♪ 172 00:09:28,693 --> 00:09:31,654 ♪ And you got to get back to the city ♪ 173 00:09:31,696 --> 00:09:34,657 both: ♪ I build my house up on this rock, baby ♪ 174 00:09:34,699 --> 00:09:36,951 ♪ Every day with you ♪ 175 00:09:37,035 --> 00:09:40,038 ♪ There's nothing in that town I need ♪ 176 00:09:40,121 --> 00:09:42,874 ♪ After everything we've been through ♪ 177 00:09:42,957 --> 00:09:47,754 ♪ Me out in my garden and you out on your walk ♪ 178 00:09:47,837 --> 00:09:51,049 ♪ Is all the distance this poor girl can take ♪ 179 00:09:51,091 --> 00:09:54,636 ♪ Without listening to you talk ♪ 180 00:09:54,719 --> 00:09:57,305 ♪ I don't need their money, baby ♪ 181 00:09:57,389 --> 00:10:00,475 ♪ Just you and me on the rock ♪ 182 00:10:00,558 --> 00:10:03,770 - Yeah! 183 00:10:03,853 --> 00:10:06,147 - ♪ On the rock ♪ 184 00:10:06,231 --> 00:10:09,943 ♪ ♪ 185 00:10:10,026 --> 00:10:13,196 ♪ I built paper planes when I learned to fly ♪ 186 00:10:13,238 --> 00:10:15,949 ♪ Like a 747 falling out of the sky ♪ 187 00:10:16,032 --> 00:10:18,743 ♪ I folded 'em crooked, and now I'm wondering why ♪ 188 00:10:18,827 --> 00:10:21,788 ♪ I could always end up in the water ♪ 189 00:10:21,871 --> 00:10:24,374 ♪ But nobody's asking why she looking so thin ♪ 190 00:10:24,416 --> 00:10:27,127 ♪ Why she's laughing too hard, why she's drinking again ♪ 191 00:10:27,210 --> 00:10:30,130 ♪ A falling star, she's a paper plane ♪ 192 00:10:30,213 --> 00:10:33,341 ♪ And she was going down when you caught her ♪ 193 00:10:33,425 --> 00:10:36,720 both: ♪ I built my house up on this rock, baby ♪ 194 00:10:36,761 --> 00:10:38,972 ♪ Every day with you ♪ 195 00:10:39,055 --> 00:10:42,100 ♪ There's nothing in that town I need 196 00:10:42,183 --> 00:10:45,228 ♪ After everything we've been through ♪ 197 00:10:45,270 --> 00:10:50,150 ♪ Me out in my garden and you out on your walk ♪ 198 00:10:50,233 --> 00:10:53,778 ♪ Is all the distance this poor girl can take ♪ 199 00:10:53,862 --> 00:10:57,073 ♪ Without listening to you talk ♪ 200 00:10:57,115 --> 00:10:59,701 ♪ I don't need their money, baby ♪ 201 00:10:59,784 --> 00:11:03,079 ♪ Just you and me on the rock ♪ 202 00:11:03,121 --> 00:11:04,205 - Yeah. 203 00:11:04,289 --> 00:11:06,750 ♪ ♪ 204 00:11:06,791 --> 00:11:12,464 - ♪ It's an earthquake, it's a hard wind ♪ 205 00:11:12,505 --> 00:11:18,219 ♪ It's a record-breaking tide, and it is rolling in ♪ 206 00:11:18,303 --> 00:11:23,308 ♪ It's a big sea, but it can't touch you and me ♪ 207 00:11:23,350 --> 00:11:26,936 ♪ It's just a water view ♪ 208 00:11:26,978 --> 00:11:33,985 ♪ And what a view ♪ 209 00:11:34,069 --> 00:11:36,654 ♪ I don't need their money, baby ♪ 210 00:11:36,738 --> 00:11:40,617 - ♪ I don't need their money, baby ♪ 211 00:11:40,658 --> 00:11:43,161 - ♪ It's you and me on the rock ♪ 212 00:11:43,244 --> 00:11:46,289 - ♪ It's you and me ♪ - ♪ Oh, it's you and me ♪ 213 00:11:46,331 --> 00:11:50,460 both: ♪ It's you and me on the rock, yeah ♪ 214 00:11:50,502 --> 00:11:53,046 ♪ ♪ 215 00:11:53,129 --> 00:11:56,966 ♪ I build my house up on this rock, baby ♪ 216 00:11:57,008 --> 00:11:59,511 ♪ Every day with you ♪ 217 00:11:59,594 --> 00:12:02,889 ♪ There's nothing in that town I need ♪ 218 00:12:02,972 --> 00:12:05,767 ♪ After everything we've been through ♪ 219 00:12:05,850 --> 00:12:10,772 ♪ Me out in my garden and you out on your walk ♪ 220 00:12:10,855 --> 00:12:14,192 ♪ Is all the distance this old girl can take ♪ 221 00:12:14,234 --> 00:12:17,612 ♪ Without listening to you talk ♪ 222 00:12:17,696 --> 00:12:20,156 ♪ I don't need their money, baby ♪ 223 00:12:20,198 --> 00:12:23,993 - ♪ Just you and me on the rock ♪ 224 00:12:24,035 --> 00:12:26,162 ♪ ♪ 225 00:12:26,204 --> 00:12:29,290 ♪ It's you and me on the rock ♪ 226 00:12:29,374 --> 00:12:31,668 - ♪ It's you and me ♪ 227 00:12:31,710 --> 00:12:33,878 - ♪ I don't need their money, baby ♪ 228 00:12:33,962 --> 00:12:38,049 - ♪ I don't need their money, baby ♪ 229 00:12:38,133 --> 00:12:40,885 - ♪ It's you and me on the rock ♪ 230 00:12:40,927 --> 00:12:43,805 - ♪ It's you and me ♪ - ♪ Yeah, it's you and me ♪ 231 00:12:43,888 --> 00:12:47,308 both: ♪ It's you and me on the rock ♪ 232 00:12:47,392 --> 00:12:50,061 ♪ ♪ 233 00:12:50,103 --> 00:12:54,357 ♪ You and me on the rock ♪ 234 00:12:56,026 --> 00:12:58,737 [cheers and applause] - Sweating. 235 00:12:58,820 --> 00:13:01,114 [laughter] 236 00:13:01,197 --> 00:13:04,200 - Happy anniversary, darling. [laughter continues] 237 00:13:08,163 --> 00:13:10,123 - All right, back to the professionals. 238 00:13:10,206 --> 00:13:13,376 - Yeah, go do a shot now. We all know you're going to. 239 00:13:13,418 --> 00:13:16,338 [instruments tuning] 240 00:13:18,256 --> 00:13:19,883 - Oh, excuse me. 241 00:13:32,354 --> 00:13:36,191 - I hope everybody's having a wonderful time. 242 00:13:36,274 --> 00:13:37,567 I already am. 243 00:13:43,323 --> 00:13:46,826 This song's interesting, because... 244 00:13:46,910 --> 00:13:50,330 of all the songs on "In These Silent Days," 245 00:13:50,413 --> 00:13:53,249 this is the one that actually was influenced so much 246 00:13:53,290 --> 00:13:54,334 by Laurel Canyon. 247 00:13:54,417 --> 00:13:57,212 And I didn't fight the urge to go down that road, 248 00:13:57,295 --> 00:13:59,130 did we, Tim and Phil? - Oh, no. 249 00:13:59,214 --> 00:14:01,925 - No, we did this CSN-style on the album. 250 00:14:01,966 --> 00:14:04,761 And we were fighting the urge to be Laurel Canyon 251 00:14:04,803 --> 00:14:06,388 on a lot of that album-- 252 00:14:06,471 --> 00:14:08,973 just the lushness and some of the sounds we wanted to do, 253 00:14:09,057 --> 00:14:10,975 but we also really wanted to kind of dive 254 00:14:11,059 --> 00:14:13,144 a little bit further into glam rock and roll 255 00:14:13,186 --> 00:14:14,688 as it intersects with Americana. 256 00:14:14,771 --> 00:14:16,147 And so we did a different thing. 257 00:14:16,231 --> 00:14:18,817 But the guilty pleasure of it was nagging 258 00:14:18,858 --> 00:14:20,151 at the back of our minds, 259 00:14:20,235 --> 00:14:21,820 and we really went there on this song 260 00:14:21,903 --> 00:14:23,154 and embraced it and did this one 261 00:14:23,238 --> 00:14:25,031 like "Helplessly Hoping" or something. 262 00:14:25,115 --> 00:14:27,867 So, when it came time to Laurel Canyon the album, 263 00:14:27,951 --> 00:14:29,494 we didn't really know what to do with this one. 264 00:14:29,577 --> 00:14:31,955 So I was like, all right, let's do it the opposite. 265 00:14:31,996 --> 00:14:34,249 Let's do this one 266 00:14:34,332 --> 00:14:38,003 like "Love of My Life" by Queen. 267 00:14:38,086 --> 00:14:42,173 ♪ Love of my life, you heard me ♪ 268 00:14:42,215 --> 00:14:44,426 It's called "This Time Tomorrow." 269 00:14:44,509 --> 00:14:51,474 ♪ ♪ 270 00:14:54,185 --> 00:14:57,605 ♪ When the fire inside that burns so bright ♪ 271 00:14:57,689 --> 00:15:01,067 ♪ Begins to grow faded ♪ 272 00:15:01,151 --> 00:15:06,489 ♪ It can be hard to see the ground on which you stand ♪ 273 00:15:07,866 --> 00:15:14,164 ♪ Though you may not be afraid of walking in the darkness ♪ 274 00:15:14,205 --> 00:15:18,501 ♪ You will feel like a stranger in this land ♪ 275 00:15:20,253 --> 00:15:25,342 ♪ You can try to carve a faith out of your own ♪ 276 00:15:27,010 --> 00:15:31,681 ♪ But a broken spirit may dry out the bone ♪ 277 00:15:33,308 --> 00:15:39,272 ♪ And the edges of the night may cause you sorrow ♪ 278 00:15:39,356 --> 00:15:45,195 ♪ You know I may not be around this time tomorrow ♪ 279 00:15:45,236 --> 00:15:49,699 ♪ But I'll always be with you ♪ 280 00:15:49,741 --> 00:15:56,706 ♪ ♪ 281 00:16:00,585 --> 00:16:03,213 ♪ When the hope that you hold tightly to ♪ 282 00:16:03,254 --> 00:16:06,591 ♪ Has all but vanished ♪ 283 00:16:06,675 --> 00:16:13,431 ♪ And there are no words of comfort to be found ♪ 284 00:16:13,515 --> 00:16:19,396 ♪ You will know what it means to be lost and without love ♪ 285 00:16:19,437 --> 00:16:24,067 ♪ May you fight to kill that deafening sound ♪ 286 00:16:25,568 --> 00:16:31,574 ♪ But our holy dreams of yesterday aren't gone ♪ 287 00:16:31,616 --> 00:16:36,579 ♪ They still haunt us like the ghosts of Babylon ♪ 288 00:16:38,164 --> 00:16:44,170 ♪ And the breaking of the day might bring you sorrow ♪ 289 00:16:44,254 --> 00:16:50,135 ♪ You know I may not be around this time tomorrow ♪ 290 00:16:50,176 --> 00:16:54,764 ♪ But I'll always be with you ♪ 291 00:16:54,806 --> 00:17:01,771 ♪ ♪ 292 00:17:17,162 --> 00:17:23,542 ♪ You can try to carve a faith out of your own ♪ 293 00:17:23,626 --> 00:17:28,464 ♪ But a broken spirit may dry out the bone ♪ 294 00:17:29,966 --> 00:17:35,764 ♪ And the edges of the night may cause you sorrow ♪ 295 00:17:35,847 --> 00:17:42,020 ♪ You know I may not be around this time tomorrow ♪ 296 00:17:42,103 --> 00:17:45,815 ♪ But I'll always be with you ♪ 297 00:17:45,857 --> 00:17:48,610 ♪ ♪ 298 00:17:48,693 --> 00:17:52,489 ♪ I'll always be ♪ 299 00:17:52,530 --> 00:17:54,449 ♪ With you ♪ 300 00:17:54,532 --> 00:18:00,663 ♪ ♪ 301 00:18:04,668 --> 00:18:06,544 [whispers indistinctly] 302 00:18:10,590 --> 00:18:13,510 [indistinct chatter] 303 00:18:23,561 --> 00:18:26,690 Okay. 304 00:18:26,731 --> 00:18:28,358 [playing notes] 305 00:18:28,400 --> 00:18:31,361 [humming] 306 00:18:33,488 --> 00:18:37,367 [telephone rings] Now, what could that be? 307 00:18:39,911 --> 00:18:41,121 Hello? 308 00:18:41,204 --> 00:18:43,039 - Sorry to interrupt this transmission. 309 00:18:43,081 --> 00:18:44,749 - Catherine, is that you? - It's me. 310 00:18:44,791 --> 00:18:46,418 - Well, where are you now? 311 00:18:46,459 --> 00:18:48,003 - Well, I ran to the telephone 312 00:18:48,044 --> 00:18:49,421 because we've got all these questions 313 00:18:49,462 --> 00:18:50,588 coming in from these people 314 00:18:50,672 --> 00:18:52,757 watching live from IMAX theaters. 315 00:18:52,799 --> 00:18:55,135 - Okay, all right. - Are you up for a question? 316 00:18:55,218 --> 00:18:58,138 - I mean, always. - Okay, so Macy Franklin, 317 00:18:58,221 --> 00:19:01,474 who is watching from the Chinese Theatre IMAX 318 00:19:01,558 --> 00:19:04,019 here in Hollywood... - Okay. Local. 319 00:19:04,102 --> 00:19:05,603 - She's got a great question. - Okay. 320 00:19:05,687 --> 00:19:07,814 - She wants to know, it's the year 1970, 321 00:19:07,897 --> 00:19:09,774 and you're strolling through Laurel Canyon 322 00:19:09,816 --> 00:19:10,942 with your guitar. 323 00:19:11,026 --> 00:19:12,569 Whose door would you knock on? 324 00:19:12,610 --> 00:19:14,612 - Whose door would I knock on? Hmm. 325 00:19:14,654 --> 00:19:16,448 I'm going to get right back to you. 326 00:19:16,489 --> 00:19:17,866 - Okay. 327 00:19:17,949 --> 00:19:20,452 - I'm going to talk to the folks at the theaters. 328 00:19:20,535 --> 00:19:23,246 I think the door that I would knock on-- 329 00:19:23,288 --> 00:19:24,205 and I'm interested 330 00:19:24,289 --> 00:19:26,332 in what you guys think about this, too, so-- 331 00:19:26,416 --> 00:19:30,170 It would be Mama Cass... 332 00:19:30,253 --> 00:19:33,381 because that's somebody that I feel like-- 333 00:19:33,465 --> 00:19:36,176 She's a hero, but she's too unsung for how much 334 00:19:36,259 --> 00:19:38,178 she had to do with bringing everybody together 335 00:19:38,261 --> 00:19:39,888 and causing people spiritually to congregate. 336 00:19:39,971 --> 00:19:42,140 And I just have a feeling that if I knocked on her door, 337 00:19:42,182 --> 00:19:44,142 that all of the legends of the canyon 338 00:19:44,225 --> 00:19:46,144 would probably already be there. 339 00:19:46,227 --> 00:19:47,479 - I'd be inside already. - Yeah. 340 00:19:47,520 --> 00:19:49,147 - Yeah. - Tripping balls. 341 00:19:49,189 --> 00:19:51,649 [laughter] - One can hope. 342 00:19:51,733 --> 00:19:53,151 [laughs] 343 00:19:53,193 --> 00:19:55,153 - Yeah, that's what-- It would be Mama Cass. 344 00:19:55,236 --> 00:19:58,531 That's whose door I'd knock on. 345 00:19:58,615 --> 00:20:00,658 I have a feeling that phone's going to ring again-- 346 00:20:00,700 --> 00:20:02,702 Yeah, yes it is. [telephone ringing] 347 00:20:02,786 --> 00:20:03,661 - Hello. 348 00:20:03,703 --> 00:20:05,872 - What could you possibly want now? 349 00:20:05,955 --> 00:20:07,665 - Well, there's a lot of people watching, 350 00:20:07,707 --> 00:20:09,292 so we have a lot of questions. 351 00:20:09,334 --> 00:20:10,543 - All right, darling. 352 00:20:10,627 --> 00:20:12,170 - Okay, I've got one more question for you 353 00:20:12,212 --> 00:20:13,797 before you sing your next song, okay? 354 00:20:13,838 --> 00:20:14,756 - Okay, yeah. 355 00:20:14,839 --> 00:20:16,508 - This is from Kate McCartney at the AMC 356 00:20:16,549 --> 00:20:18,510 in Georgetown, Washington, D.C. 357 00:20:18,551 --> 00:20:21,179 - Okay, yeah. - This is a good question. 358 00:20:21,262 --> 00:20:23,682 It's quite a long one. - Okay. 359 00:20:23,765 --> 00:20:25,517 - You mentioned "You, Me, and the Rock" 360 00:20:25,600 --> 00:20:27,394 was inspired by a lesson you learned 361 00:20:27,477 --> 00:20:29,396 at Vacation Bible School. - Yes. 362 00:20:29,479 --> 00:20:31,439 - Were you openly gay during that time? 363 00:20:31,523 --> 00:20:33,900 And how did you reconcile your faith with your sexuality? 364 00:20:33,983 --> 00:20:36,319 - Well, okay, I'm going to address the people. 365 00:20:36,361 --> 00:20:37,696 - Okay, goodbye. 366 00:20:37,779 --> 00:20:39,823 - All right, I'll talk to you soon, darling. 367 00:20:39,864 --> 00:20:42,450 Happy anniversary. 368 00:20:42,534 --> 00:20:44,828 So I wasn't openly gay at Vacation Bible School 369 00:20:44,869 --> 00:20:47,706 that I know of, because I think I was about seven. 370 00:20:47,747 --> 00:20:51,167 But, you know, I certainly didn't like to wear dresses, 371 00:20:51,209 --> 00:20:55,588 and I had a strangeness about me. 372 00:20:55,672 --> 00:21:00,260 But I did love being there, and I loved the lessons. 373 00:21:00,343 --> 00:21:04,848 Reconciling faith with spirituality is... 374 00:21:06,391 --> 00:21:07,726 It's my lot in life. 375 00:21:07,809 --> 00:21:11,062 It'll probably be my long-term dance. 376 00:21:11,104 --> 00:21:13,606 I don't want to call it a battle or anything negative, 377 00:21:13,690 --> 00:21:16,067 because... 378 00:21:16,151 --> 00:21:18,528 queerness can be so juxtaposed 379 00:21:18,570 --> 00:21:22,157 with conventional monotheism 380 00:21:22,198 --> 00:21:25,493 that it can make people feel really scarred 381 00:21:25,577 --> 00:21:28,455 and traumatized for long periods of their life, 382 00:21:28,538 --> 00:21:30,915 but there's also something really beautiful about coming 383 00:21:30,957 --> 00:21:34,586 back to the redeeming concept of a higher power 384 00:21:34,669 --> 00:21:37,922 and universal forgiveness of all people and things 385 00:21:37,964 --> 00:21:38,882 time and time again. 386 00:21:38,923 --> 00:21:40,884 And sometimes the more you have to overcome 387 00:21:40,925 --> 00:21:41,760 in those situations, 388 00:21:41,843 --> 00:21:44,929 the more beautiful your faith is to you. 389 00:21:45,013 --> 00:21:47,599 And so, as I grew up from Vacation Bible School, 390 00:21:47,640 --> 00:21:49,267 I took those lessons with me. 391 00:21:49,309 --> 00:21:51,353 And because they were harder to hold on to, 392 00:21:51,436 --> 00:21:54,606 I think they meant and still mean more. 393 00:21:54,647 --> 00:21:56,608 And the song that you're referring to 394 00:21:56,649 --> 00:21:58,109 would be "You and Me on the Rock," 395 00:21:58,151 --> 00:21:59,819 and I was learning a lesson there 396 00:21:59,903 --> 00:22:02,864 at Vacation Bible School called "Build Your House on a Rock." 397 00:22:02,947 --> 00:22:04,824 And one day I just looked up at home, 398 00:22:04,908 --> 00:22:06,159 and I saw my family, 399 00:22:06,242 --> 00:22:08,286 and I realized that I had done that, 400 00:22:08,328 --> 00:22:11,831 and I had built my house on a rock. 401 00:22:11,915 --> 00:22:16,127 And even if it wasn't exactly what Vacation Bible School 402 00:22:16,211 --> 00:22:17,462 intended for me to learn, 403 00:22:17,545 --> 00:22:20,131 I do think it was what my higher power 404 00:22:20,215 --> 00:22:22,467 intended for me to learn. 405 00:22:22,550 --> 00:22:24,719 So good question. Good question. 406 00:22:24,803 --> 00:22:25,804 Thank you. 407 00:22:25,845 --> 00:22:28,473 [strumming guitar] 408 00:22:28,556 --> 00:22:31,142 How about some acoustic rock and roll? 409 00:22:31,184 --> 00:22:34,104 [continues strumming] 410 00:22:36,606 --> 00:22:38,817 We had a hard time adapting this song 411 00:22:38,858 --> 00:22:43,154 because it's about six minutes long. 412 00:22:43,238 --> 00:22:44,531 So we decided to go ahead 413 00:22:44,614 --> 00:22:46,991 and make it about two minutes longer for this. 414 00:22:47,075 --> 00:22:49,119 [laughs] 415 00:22:49,160 --> 00:22:52,163 Yeah, baby. 416 00:22:52,247 --> 00:22:55,166 ["Broken Horses" playing] 417 00:22:55,208 --> 00:22:58,128 ♪ ♪ 418 00:22:58,169 --> 00:22:59,254 [shouts] 419 00:22:59,337 --> 00:23:06,469 ♪ ♪ 420 00:23:11,224 --> 00:23:15,645 ♪ I wear my father's leather on the inside of my skin ♪ 421 00:23:15,687 --> 00:23:17,814 ♪ I'm a tried and weathered woman ♪ 422 00:23:17,856 --> 00:23:20,608 ♪ But I won't be tried again ♪ 423 00:23:20,692 --> 00:23:23,153 ♪ I don't think that you can come for me ♪ 424 00:23:23,194 --> 00:23:25,447 ♪ Without your Sunday best ♪ 425 00:23:25,530 --> 00:23:27,615 ♪ You had better call your priest ♪ 426 00:23:27,699 --> 00:23:32,996 ♪ And hope, oh, the Devil gets the rest before I do ♪ 427 00:23:33,038 --> 00:23:36,791 ♪ Oh, and I will do ♪ 428 00:23:36,875 --> 00:23:40,712 ♪ ♪ 429 00:23:40,795 --> 00:23:43,256 ♪ I've worn the jester's bells ♪ 430 00:23:43,340 --> 00:23:45,842 ♪ And I have vanished with the fools ♪ 431 00:23:45,884 --> 00:23:50,847 ♪ I have worshiped at the altar of the puppet master's rules ♪ 432 00:23:50,889 --> 00:23:53,683 ♪ I have held my tongue too many scenes ♪ 433 00:23:53,725 --> 00:23:55,769 ♪ Before the final act ♪ 434 00:23:55,852 --> 00:24:00,940 ♪ With my children in the cheap seats and a zipper on my back ♪ 435 00:24:01,024 --> 00:24:03,985 ♪ Thanks to you ♪ 436 00:24:04,069 --> 00:24:06,988 ♪ Oh, no thanks to you ♪ 437 00:24:07,072 --> 00:24:11,451 ♪ ♪ 438 00:24:11,534 --> 00:24:16,748 ♪ And they're tethered in wide-open spaces ♪ 439 00:24:16,831 --> 00:24:22,003 ♪ In fields that lead for miles ♪ 440 00:24:22,087 --> 00:24:29,052 ♪ Right into the barrel of a gun ♪ 441 00:24:29,177 --> 00:24:32,347 ♪ ♪ 442 00:24:32,430 --> 00:24:35,934 ♪ Mending up your fences ♪ 443 00:24:35,975 --> 00:24:42,649 ♪ With my horses running wild ♪ 444 00:24:42,732 --> 00:24:48,363 ♪ Only broken horses know to run ♪ 445 00:24:48,446 --> 00:24:49,864 - Whoo! 446 00:24:49,948 --> 00:24:56,538 ♪ ♪ 447 00:24:56,621 --> 00:25:00,417 - ♪ I have ever so politely treaded softly ♪ 448 00:25:00,458 --> 00:25:02,043 ♪ For your praise ♪ 449 00:25:02,127 --> 00:25:04,337 ♪ I have whispered through the tears ♪ 450 00:25:04,421 --> 00:25:07,257 ♪ And pleaded sweetly to your face ♪ 451 00:25:07,298 --> 00:25:09,634 ♪ It is time to spit you out ♪ 452 00:25:09,718 --> 00:25:12,053 ♪ Like lukewarm water from my mouth ♪ 453 00:25:12,137 --> 00:25:14,639 ♪ I will always taste the apathy ♪ 454 00:25:14,723 --> 00:25:17,142 ♪ But I won't pass it down ♪ 455 00:25:17,183 --> 00:25:20,603 ♪ Enough with you ♪ 456 00:25:20,645 --> 00:25:23,898 ♪ Oh, with you ♪ 457 00:25:23,982 --> 00:25:27,986 ♪ ♪ 458 00:25:28,028 --> 00:25:33,491 ♪ And they're tethered in wide-open spaces ♪ 459 00:25:33,575 --> 00:25:38,872 ♪ In fields that lead for miles ♪ 460 00:25:38,955 --> 00:25:45,962 ♪ Right into the barrel of a gun ♪ 461 00:25:46,004 --> 00:25:49,174 ♪ ♪ 462 00:25:49,215 --> 00:25:52,677 ♪ Mending up your fences ♪ 463 00:25:52,719 --> 00:25:59,517 ♪ With my horses running wild ♪ 464 00:25:59,601 --> 00:26:06,107 ♪ Only broken horses know to run ♪ 465 00:26:06,191 --> 00:26:07,317 Yeah. 466 00:26:07,359 --> 00:26:14,324 ♪ ♪ 467 00:26:50,068 --> 00:26:54,739 ♪ I wear my father's leather on the inside of my skin ♪ 468 00:26:54,823 --> 00:26:56,825 ♪ I'm a tried and weathered woman ♪ 469 00:26:56,908 --> 00:26:59,703 ♪ But I won't be tried again ♪ 470 00:26:59,744 --> 00:27:02,330 ♪ Don't think that you can come for me ♪ 471 00:27:02,414 --> 00:27:04,499 ♪ Without your Sunday best ♪ 472 00:27:04,541 --> 00:27:06,835 ♪ Well, you had better call your priest ♪ 473 00:27:06,918 --> 00:27:12,048 ♪ And hope, oh, the Devil gets the rest before I do ♪ 474 00:27:12,090 --> 00:27:16,011 ♪ Oh, no, no, and I will do ♪ 475 00:27:16,094 --> 00:27:20,140 ♪ ♪ 476 00:27:20,223 --> 00:27:25,603 ♪ And they're tethered in wide-open spaces ♪ 477 00:27:25,687 --> 00:27:30,775 ♪ In fields that lead for miles ♪ 478 00:27:30,859 --> 00:27:37,866 ♪ Right into the barrel of a gun ♪ 479 00:27:37,949 --> 00:27:41,327 ♪ ♪ 480 00:27:41,411 --> 00:27:44,622 ♪ Mending up your fences ♪ 481 00:27:44,706 --> 00:27:51,463 ♪ With my horses running wild ♪ 482 00:27:51,546 --> 00:27:56,676 ♪ Only broken horses know ♪ 483 00:27:56,760 --> 00:28:00,138 ♪ Mending up your fences ♪ 484 00:28:00,180 --> 00:28:07,187 ♪ With my horses running wild ♪ 485 00:28:07,395 --> 00:28:12,650 ♪ Only broken horses know ♪ 486 00:28:12,692 --> 00:28:18,156 ♪ Only broken horses know ♪ 487 00:28:18,239 --> 00:28:25,246 ♪ Only broken horses know to run ♪ 488 00:28:25,330 --> 00:28:29,834 ♪ ♪ 489 00:28:29,876 --> 00:28:33,338 - [chuckles] Yeah. - [laughs] 490 00:28:33,421 --> 00:28:35,548 - That was a jam. 491 00:28:35,632 --> 00:28:38,510 - Whoo! We're rocking now! 492 00:28:38,551 --> 00:28:41,304 [laughter] 493 00:28:44,724 --> 00:28:47,852 - All right. 494 00:28:47,936 --> 00:28:51,356 - Come on in. - [strumming guitar] 495 00:28:51,398 --> 00:28:54,567 Come on in tight, boys. 496 00:28:54,651 --> 00:28:57,195 This is Phil Hanseroth. - Hello. 497 00:28:57,237 --> 00:28:59,239 - And this is Tim Hanseroth. - Hi. 498 00:28:59,322 --> 00:29:01,658 - For those of you that just accidentally walked 499 00:29:01,700 --> 00:29:03,284 into an IMAX movie theater not knowing 500 00:29:03,368 --> 00:29:05,245 that you were going to see the Brandi Carlile band. 501 00:29:05,328 --> 00:29:08,832 We've been in a band together for about 22 years. 502 00:29:08,873 --> 00:29:11,710 I know we don't look old enough, but-- 503 00:29:11,751 --> 00:29:14,671 We do look old enough. 504 00:29:14,713 --> 00:29:16,631 - On an IMAX screen, we do. - I know, man. 505 00:29:16,715 --> 00:29:18,008 That thing is, like-- 506 00:29:18,049 --> 00:29:20,176 Just how big is my head on that thing? 507 00:29:22,012 --> 00:29:23,346 The thing that brought us together 508 00:29:23,388 --> 00:29:26,558 in the late '90s in Seattle, Washington, 509 00:29:26,599 --> 00:29:30,645 was our love of three-part harmony. 510 00:29:30,729 --> 00:29:32,230 And I don't know if you know 511 00:29:32,272 --> 00:29:34,274 what was going on in the late '90s in Seattle, Washington, 512 00:29:34,357 --> 00:29:36,735 but it was not three-part harmony. 513 00:29:36,776 --> 00:29:40,113 It wasn't cool there at the time, was it? 514 00:29:40,196 --> 00:29:41,698 - No, farthest thing from cool. 515 00:29:41,740 --> 00:29:44,117 - Yeah, grunge rock and roll, 516 00:29:44,200 --> 00:29:47,620 practicing your band underneath a freeway overpass, 517 00:29:47,704 --> 00:29:50,331 that was cool in the '90s. - Literally. 518 00:29:50,415 --> 00:29:54,294 - But you know where it was still cool even in the '90s? 519 00:29:54,377 --> 00:29:55,837 Right here. 520 00:29:55,920 --> 00:29:59,966 So we love to do a three-part harmony song 521 00:30:00,050 --> 00:30:02,093 at each of our shows because I want everybody 522 00:30:02,177 --> 00:30:04,095 to see how beautiful their voices are 523 00:30:04,179 --> 00:30:06,014 and how the three of us have been singing together 524 00:30:06,097 --> 00:30:10,352 for so long and what makes our band who we really are. 525 00:30:10,435 --> 00:30:14,481 And this one we've never done before, though. 526 00:30:14,564 --> 00:30:16,149 We adapted a song 527 00:30:16,232 --> 00:30:19,527 into a Laurel Canyon three-part harmony, CSN-style, 528 00:30:19,611 --> 00:30:21,404 from our record that nobody's ever heard this way. 529 00:30:21,446 --> 00:30:23,573 And it's called "Letter to the Past." 530 00:30:26,076 --> 00:30:28,370 Pray to the gods of vocal tightness, boys. 531 00:30:28,453 --> 00:30:34,876 ♪ ♪ 532 00:30:34,959 --> 00:30:38,046 all: [vocalizing] 533 00:30:38,088 --> 00:30:43,301 ♪ ♪ 534 00:30:43,343 --> 00:30:47,764 ♪ It's a game, baby, it's just a game ♪ 535 00:30:47,806 --> 00:30:50,725 ♪ And nobody loses when you learn to love ♪ 536 00:30:50,809 --> 00:30:54,604 ♪ The one who finally wins sometimes ♪ 537 00:30:54,646 --> 00:30:59,317 ♪ You'll be wrong, 'cause sometimes we get it wrong ♪ 538 00:30:59,359 --> 00:31:01,528 ♪ But nobody leaves here alive ♪ 539 00:31:01,611 --> 00:31:06,324 ♪ And nothing holy comes from being right ♪ 540 00:31:06,366 --> 00:31:12,288 ♪ So don't hold your breath like that, baby, let it go ♪ 541 00:31:12,330 --> 00:31:14,708 ♪ You're gonna feel it in your back ♪ 542 00:31:14,791 --> 00:31:17,752 ♪ Believe me, I ought to know ♪ 543 00:31:17,836 --> 00:31:24,009 ♪ You're a stone wall in a world full of rubber bands ♪ 544 00:31:24,050 --> 00:31:26,177 ♪ You're a pillar of belief ♪ 545 00:31:26,261 --> 00:31:29,139 ♪ Still hiding your shaking hands ♪ 546 00:31:29,180 --> 00:31:32,017 ♪ Folks are gonna lean on you ♪ 547 00:31:32,100 --> 00:31:34,769 ♪ And leave when the cracks appear ♪ 548 00:31:34,853 --> 00:31:39,816 ♪ But, darling, I'll be here ♪ - ♪ I'll be the last ♪ 549 00:31:39,858 --> 00:31:43,153 ♪ You're my letter to the past ♪ 550 00:31:44,529 --> 00:31:47,449 all: [vocalizing] 551 00:31:47,532 --> 00:31:50,035 ♪ ♪ 552 00:31:50,076 --> 00:31:51,327 ♪ You can cry ♪ 553 00:31:51,369 --> 00:31:54,664 ♪ You know, it's always okay to cry ♪ 554 00:31:54,748 --> 00:31:57,042 ♪ You don't even need to know why ♪ 555 00:31:57,125 --> 00:32:02,047 ♪ But don't you ever feel alone inside ♪ 556 00:32:02,088 --> 00:32:04,215 ♪ If you need to know the truth ♪ 557 00:32:04,257 --> 00:32:07,510 ♪ I still haven't got a clue ♪ 558 00:32:07,552 --> 00:32:10,680 ♪ If the blind can lead the blind, baby ♪ 559 00:32:10,722 --> 00:32:13,099 ♪ I'm just like you ♪ 560 00:32:13,183 --> 00:32:19,230 ♪ You're a stone wall in a world full of rubber bands ♪ 561 00:32:19,272 --> 00:32:21,399 ♪ You're a pillar of belief ♪ 562 00:32:21,483 --> 00:32:24,319 ♪ Still fighting your empty hands ♪ 563 00:32:24,402 --> 00:32:27,238 ♪ Folks are gonna lean on you ♪ 564 00:32:27,322 --> 00:32:30,158 ♪ And leave when the cracks appear ♪ 565 00:32:30,241 --> 00:32:34,996 ♪ But, darling, I'll be here ♪ - ♪ I'll be the last ♪ 566 00:32:35,080 --> 00:32:41,878 ♪ You're my letter to the past ♪ 567 00:32:41,920 --> 00:32:47,842 ♪ ♪ 568 00:32:47,926 --> 00:32:54,265 all: ♪ You're a stone wall in a world full of rubber bands ♪ 569 00:32:54,349 --> 00:32:56,810 ♪ You're a pillar of belief ♪ 570 00:32:56,893 --> 00:32:59,938 ♪ Still hiding your empty hands ♪ 571 00:33:00,021 --> 00:33:02,816 ♪ Folks are gonna lean on you ♪ 572 00:33:02,899 --> 00:33:05,568 ♪ And leave when the cracks appear ♪ 573 00:33:05,610 --> 00:33:10,907 ♪ Darling, I will be here ♪ - ♪ I'll be the last ♪ 574 00:33:10,949 --> 00:33:15,078 ♪ You're my letter to the past ♪ 575 00:33:15,120 --> 00:33:18,248 all: [vocalizing] 576 00:33:18,289 --> 00:33:25,255 ♪ ♪ 577 00:33:27,173 --> 00:33:28,466 ♪ It's a game ♪ 578 00:33:28,550 --> 00:33:31,636 ♪ You know, it's okay to lose a game ♪ 579 00:33:31,720 --> 00:33:35,890 ♪ But always remember your name and have no shame ♪ 580 00:33:35,974 --> 00:33:41,771 ♪ Because you're built to last ♪ 581 00:33:43,481 --> 00:33:46,735 [cheers] - Yes! 582 00:33:46,776 --> 00:33:49,320 That was tight! [playing notes] 583 00:33:49,362 --> 00:33:51,197 - I need a drink after that one. 584 00:33:51,281 --> 00:33:52,991 - Oh! Was that the one you were nervous about? 585 00:33:53,033 --> 00:33:55,285 - Yeah. - Oh, man. 586 00:33:55,326 --> 00:33:57,078 Man, I'm nervous about all of 'em. 587 00:33:57,162 --> 00:33:59,622 But it's starting to fade. It's starting to go away. 588 00:33:59,664 --> 00:34:02,542 [instruments playing] 589 00:34:02,625 --> 00:34:09,591 ♪ ♪ 590 00:34:11,592 --> 00:34:13,344 I want to introduce the band, though, right now. 591 00:34:13,386 --> 00:34:14,512 I think everybody's got to know 592 00:34:14,554 --> 00:34:16,181 who all these beautiful people are 593 00:34:16,264 --> 00:34:17,766 while it's still light out, right? 594 00:34:17,849 --> 00:34:21,853 On the piano, my favorite piano player, Mr. Philip Towns. 595 00:34:21,936 --> 00:34:24,147 [cheering] Welcome, Philip. 596 00:34:24,188 --> 00:34:25,982 Beautiful job. 597 00:34:26,024 --> 00:34:27,775 You met Tim Hanseroth, so we'll skip him, 598 00:34:27,817 --> 00:34:30,235 and we'll go to the band Lucius. 599 00:34:30,320 --> 00:34:34,114 We've got Jess and Holly from Lucius with us tonight, 600 00:34:34,199 --> 00:34:36,784 rocking their beautiful harmonies 601 00:34:36,868 --> 00:34:41,206 and just being the absolute essence of Laurel Canyon. 602 00:34:41,246 --> 00:34:44,208 They radiate it. They radiate California. 603 00:34:44,292 --> 00:34:48,380 ♪ California, I'm coming home ♪ 604 00:34:48,420 --> 00:34:50,507 ♪ I want to see the folks I dig ♪ 605 00:34:50,547 --> 00:34:53,385 all: ♪ I'll even kiss a sunset pig ♪ 606 00:34:53,426 --> 00:34:56,721 ♪ California, I'm coming home ♪ 607 00:34:56,763 --> 00:34:59,182 - You didn't even know I was throwing that one at you, 608 00:34:59,224 --> 00:35:00,934 and you got it. 609 00:35:01,017 --> 00:35:03,019 Back here on the drums is somebody 610 00:35:03,061 --> 00:35:05,397 who we first met in California, 611 00:35:05,480 --> 00:35:07,899 but we've idolized this guy growing up in Seattle. 612 00:35:07,941 --> 00:35:10,235 And making music together, he's been our favorite drummer 613 00:35:10,318 --> 00:35:11,820 since as long as I can remember. 614 00:35:11,903 --> 00:35:15,782 And it's taken him a long time to decide to join our band. 615 00:35:15,865 --> 00:35:18,326 [laughter] 616 00:35:18,410 --> 00:35:19,619 But we got him here. 617 00:35:19,703 --> 00:35:21,621 And he left us eventually up north 618 00:35:21,705 --> 00:35:24,082 and moved down here to be with everybody in California. 619 00:35:24,165 --> 00:35:25,417 I can't say that I blame you, brother. 620 00:35:25,500 --> 00:35:27,877 The greatest drummer on the planet, 621 00:35:27,961 --> 00:35:30,255 indisputable, Mr. Matt Chamberlain. 622 00:35:30,338 --> 00:35:32,757 - Yeah, Matt. [cheering] 623 00:35:32,841 --> 00:35:34,384 - That's right. 624 00:35:34,426 --> 00:35:36,594 - And now back here, we have this string quartet, 625 00:35:36,678 --> 00:35:39,389 which is so much more than a string quartet. 626 00:35:39,431 --> 00:35:42,517 These guys sound like an entire symphony orchestra. 627 00:35:42,600 --> 00:35:45,061 And we haven't really got into it yet, 628 00:35:45,103 --> 00:35:47,063 but what you all are about to hear 629 00:35:47,105 --> 00:35:49,274 towards the second half of this concert 630 00:35:49,357 --> 00:35:51,776 is nothing short of miraculous. 631 00:35:51,818 --> 00:35:53,445 No pressure. 632 00:35:53,486 --> 00:35:57,157 But these four people, they wrote these parts themselves, 633 00:35:57,240 --> 00:35:58,908 these arrangements-- Kyleen King, SistaStrings, 634 00:35:58,950 --> 00:36:01,077 and Josh Neumann, right here in the front on the cello, 635 00:36:01,119 --> 00:36:04,289 OG cellist for 20 years, 636 00:36:04,372 --> 00:36:06,708 from California, Mr. Josh Neumann. 637 00:36:06,791 --> 00:36:11,004 [cheers and applause] 638 00:36:11,087 --> 00:36:12,714 Behind them, our string MD 639 00:36:12,797 --> 00:36:15,342 and the person who's written so many of our arrangements, 640 00:36:15,425 --> 00:36:16,634 one of my favorite string arrangers, 641 00:36:16,676 --> 00:36:19,304 next to Paul Buckmaster... - Ooh! 642 00:36:19,387 --> 00:36:22,390 - Mm-hmm, the queen, Kyleen King. 643 00:36:22,474 --> 00:36:25,226 [cheers and applause] 644 00:36:25,310 --> 00:36:28,229 And these two out here on the end, 645 00:36:28,271 --> 00:36:31,524 they are called SistaStrings when they are together. 646 00:36:31,608 --> 00:36:35,153 But apart, we got Monique Ross on the cello... 647 00:36:35,236 --> 00:36:36,654 [cheers and applause] 648 00:36:36,696 --> 00:36:39,157 And Chauntee Ross on the violin. 649 00:36:39,199 --> 00:36:40,950 And they, too, wrote some of the arrangements 650 00:36:40,992 --> 00:36:42,535 that you're going to hear tonight. 651 00:36:42,619 --> 00:36:45,121 They've changed our life. They've changed our band. 652 00:36:45,163 --> 00:36:47,374 And what you're seeing up here 653 00:36:47,457 --> 00:36:49,793 is my family in music and in life, 654 00:36:49,834 --> 00:36:51,002 my spiritual family, 655 00:36:51,086 --> 00:36:56,007 and it's really beautiful to be with everybody in this way. 656 00:36:56,049 --> 00:36:58,301 How we doing, y'all? - Okay. 657 00:36:58,343 --> 00:37:00,053 - We're settling in, right? - Yeah. 658 00:37:00,136 --> 00:37:01,930 - We're feeling good. All right. 659 00:37:02,013 --> 00:37:04,974 [strumming guitar] 660 00:37:05,016 --> 00:37:08,895 Oh, the way it feels out here right now with this breeze... 661 00:37:08,978 --> 00:37:10,772 Mm-hmm. 662 00:37:10,855 --> 00:37:12,482 ♪ Mm-hmm ♪ 663 00:37:12,524 --> 00:37:14,109 All right, let's get dark. 664 00:37:14,192 --> 00:37:16,653 ♪ ♪ 665 00:37:16,695 --> 00:37:20,865 Yeah, this feels good! [laughter] 666 00:37:20,907 --> 00:37:22,367 - Two, three, four. 667 00:37:22,450 --> 00:37:26,705 ["Mama Werewolf" playing] 668 00:37:26,788 --> 00:37:31,418 - ♪ Your mama is a werewolf with long, sharp teeth ♪ 669 00:37:31,501 --> 00:37:35,505 ♪ I'm up all night when the world should sleep ♪ 670 00:37:35,547 --> 00:37:40,218 ♪ I curse the darkness when it's killing time ♪ 671 00:37:40,301 --> 00:37:44,723 ♪ I got a river of fear running through my mind ♪ 672 00:37:44,764 --> 00:37:49,310 ♪ When the moon shines through those parting clouds ♪ 673 00:37:49,394 --> 00:37:53,898 ♪ I hear the call, and I howl out loud ♪ 674 00:37:53,940 --> 00:37:58,695 ♪ I stalk the streets where the shadows lie ♪ 675 00:37:58,737 --> 00:38:03,241 ♪ And I pray to God that that sun will rise ♪ 676 00:38:03,283 --> 00:38:06,870 ♪ But that sun don't always rise ♪ 677 00:38:08,496 --> 00:38:13,460 ♪ If my good intentions go running wild ♪ 678 00:38:13,543 --> 00:38:18,256 ♪ If I cause you pain, my own sweet child ♪ 679 00:38:18,298 --> 00:38:23,094 ♪ Won't you promise me you'll be the one ♪ 680 00:38:23,136 --> 00:38:27,390 ♪ My silver bullet in the gun? ♪ 681 00:38:27,432 --> 00:38:31,644 ♪ Would you strike me down right where I stand? ♪ 682 00:38:31,728 --> 00:38:36,441 ♪ Would you change me back, make me kind again? ♪ 683 00:38:36,524 --> 00:38:41,279 ♪ Won't you promise me you'll be the one ♪ 684 00:38:41,363 --> 00:38:48,203 ♪ My silver bullet in the gun? ♪ 685 00:38:48,286 --> 00:38:49,954 ♪ ♪ 686 00:38:49,996 --> 00:38:52,457 Yeah. 687 00:38:52,540 --> 00:38:56,836 ♪ When I awaken and I'm reborn ♪ 688 00:38:56,920 --> 00:39:01,424 ♪ My body aches, and my soul is torn ♪ 689 00:39:01,466 --> 00:39:05,804 ♪ I search the void for any clue ♪ 690 00:39:05,845 --> 00:39:09,974 ♪ And I feel ashamed for what I put you through ♪ 691 00:39:10,058 --> 00:39:14,479 ♪ And this curse a gift from my father's kin ♪ 692 00:39:14,562 --> 00:39:18,608 ♪ They fought the beast I feel within ♪ 693 00:39:18,650 --> 00:39:23,446 ♪ But we don't talk about it, and we don't call its name ♪ 694 00:39:23,488 --> 00:39:27,784 ♪ We just carry on, hoping it'll change ♪ 695 00:39:27,826 --> 00:39:32,664 ♪ We know it don't ever change ♪ 696 00:39:32,747 --> 00:39:38,003 ♪ If my good intentions go running wild ♪ 697 00:39:38,086 --> 00:39:42,507 ♪ If I cause you pain, my own sweet child ♪ 698 00:39:42,590 --> 00:39:47,429 ♪ Won't you promise me you'll be the one ♪ 699 00:39:47,512 --> 00:39:54,352 ♪ My silver bullet in the gun? ♪ 700 00:39:54,394 --> 00:39:56,396 ♪ ♪ 701 00:39:56,479 --> 00:39:59,190 - Yeah, let's get twisty! 702 00:39:59,274 --> 00:40:02,193 all: [vocalizing] 703 00:40:02,235 --> 00:40:09,200 ♪ ♪ 704 00:40:33,975 --> 00:40:39,064 - ♪ If my good intentions go running wild ♪ 705 00:40:39,105 --> 00:40:43,777 ♪ If I cause you pain, my own sweet child ♪ 706 00:40:43,860 --> 00:40:48,490 ♪ Won't you promise me you'll be the one ♪ 707 00:40:48,573 --> 00:40:52,744 ♪ My silver bullet in the gun? ♪ 708 00:40:52,827 --> 00:40:57,207 ♪ And would you strike me down right where I stand? ♪ 709 00:40:57,248 --> 00:41:02,087 ♪ Would you change me back, make me kind again? ♪ 710 00:41:02,128 --> 00:41:06,925 ♪ Won't you promise me you'll be the one ♪ 711 00:41:06,966 --> 00:41:13,973 ♪ My silver bullet in the gun? ♪ 712 00:41:14,099 --> 00:41:17,519 ♪ ♪ 713 00:41:20,814 --> 00:41:23,900 [indistinct chatter, laughter] 714 00:41:23,983 --> 00:41:26,903 [instruments tuning] 715 00:41:38,790 --> 00:41:41,876 ["When You're Wrong" playing] 716 00:41:41,960 --> 00:41:48,883 ♪ ♪ 717 00:42:06,484 --> 00:42:08,987 ♪ "Don't go borrowing trouble" ♪ 718 00:42:09,029 --> 00:42:12,407 ♪ That's what you used to say ♪ 719 00:42:12,490 --> 00:42:18,747 ♪ But we don't keep in touch the way we used to nowadays ♪ 720 00:42:18,830 --> 00:42:24,711 ♪ Your eyes are not as bright as I remember them to be ♪ 721 00:42:24,794 --> 00:42:27,505 ♪ The light inside's grown dim ♪ 722 00:42:27,589 --> 00:42:31,801 ♪ And that's hard for me to see ♪ 723 00:42:33,345 --> 00:42:39,017 ♪ The creases on your forehead run like treads on a tire ♪ 724 00:42:39,059 --> 00:42:41,811 ♪ The white stripe running through your bangs ♪ 725 00:42:41,853 --> 00:42:45,023 ♪ A long twisted spire ♪ 726 00:42:45,106 --> 00:42:47,025 ♪ You're sweeping up the floods ♪ 727 00:42:47,108 --> 00:42:50,820 ♪ And you've been vacuuming the fires ♪ 728 00:42:50,862 --> 00:42:57,160 ♪ And you lay down every night next to a goddamn liar ♪ 729 00:42:59,037 --> 00:43:04,709 ♪ We may be here today, but tomorrow you're a ghost ♪ 730 00:43:04,793 --> 00:43:08,213 ♪ I guess the most someone could hope for ♪ 731 00:43:08,296 --> 00:43:11,341 ♪ Is to find a place to lay ♪ 732 00:43:11,383 --> 00:43:14,469 ♪ Someone to tell your secrets to ♪ 733 00:43:14,552 --> 00:43:17,180 ♪ When the nights get long and blue ♪ 734 00:43:17,222 --> 00:43:20,600 ♪ Someone strong enough to lean on ♪ 735 00:43:20,684 --> 00:43:23,269 ♪ When the roses fall away ♪ 736 00:43:23,353 --> 00:43:29,901 ♪ Someone strong enough to love you when you're wrong ♪ 737 00:43:29,984 --> 00:43:35,865 ♪ Someone strong enough to love you when you're wrong ♪ 738 00:43:35,907 --> 00:43:39,369 ♪ When you're wrong ♪ 739 00:43:39,411 --> 00:43:42,247 ♪ ♪ 740 00:43:42,288 --> 00:43:44,499 ♪ When you're wrong ♪ 741 00:43:44,582 --> 00:43:50,046 ♪ ♪ 742 00:43:50,088 --> 00:43:55,760 ♪ When the day is winding down, my heart abandons me for you ♪ 743 00:43:55,802 --> 00:43:58,930 ♪ You forgot yourself so long ago ♪ 744 00:43:58,972 --> 00:44:01,850 ♪ And I wish I could, too ♪ 745 00:44:01,933 --> 00:44:04,728 ♪ But you live inside a quiet hell ♪ 746 00:44:04,769 --> 00:44:08,273 ♪ No one can pray away ♪ 747 00:44:08,314 --> 00:44:10,817 ♪ Leaving would be easy ♪ 748 00:44:10,900 --> 00:44:16,531 ♪ I understand why you stay ♪ 749 00:44:16,614 --> 00:44:22,620 ♪ Well, you may be here today, but tomorrow you're a ghost ♪ 750 00:44:22,662 --> 00:44:26,416 ♪ I guess the most someone could hope for ♪ 751 00:44:26,458 --> 00:44:29,377 ♪ Is to find a place to lay ♪ 752 00:44:29,419 --> 00:44:32,130 ♪ Someone to tell you secrets to ♪ 753 00:44:32,213 --> 00:44:35,050 ♪ When the nights get long and blue ♪ 754 00:44:35,133 --> 00:44:38,470 ♪ Someone strong enough to lean on ♪ 755 00:44:38,553 --> 00:44:40,972 ♪ When the roses fall away ♪ 756 00:44:41,014 --> 00:44:47,228 ♪ Someone strong enough to love you when you're wrong ♪ 757 00:44:47,312 --> 00:44:53,568 ♪ Someone strong enough to love you when you're wrong ♪ 758 00:44:53,651 --> 00:44:59,366 ♪ Someone strong enough to love you when you're wrong ♪ 759 00:44:59,449 --> 00:45:04,079 ♪ When you're wrong ♪ 760 00:45:04,162 --> 00:45:05,955 ♪ ♪ 761 00:45:05,997 --> 00:45:08,249 ♪ When you're wrong ♪ 762 00:45:08,333 --> 00:45:10,293 ♪ ♪ 763 00:45:10,335 --> 00:45:12,462 ♪ Oh, oh, oh ♪ 764 00:45:12,504 --> 00:45:14,631 ♪ ♪ 765 00:45:14,673 --> 00:45:17,592 all: [vocalizing] 766 00:45:17,676 --> 00:45:23,807 ♪ ♪ 767 00:45:25,809 --> 00:45:28,436 ♪ You'll be wrong if you were thinking ♪ 768 00:45:28,520 --> 00:45:30,855 ♪ We all don't fade away ♪ 769 00:45:30,939 --> 00:45:33,858 ♪ Like dewdrops in the dawn ♪ 770 00:45:33,942 --> 00:45:36,736 ♪ Like sunbeams through the haze ♪ 771 00:45:36,820 --> 00:45:39,197 ♪ It's a long way to be sinking ♪ 772 00:45:39,239 --> 00:45:42,701 ♪ Holding tightly to the weights ♪ 773 00:45:42,784 --> 00:45:45,704 ♪ Of the one who holds you down ♪ 774 00:45:45,787 --> 00:45:52,585 ♪ While you slowly waste your days ♪ 775 00:45:52,669 --> 00:45:59,300 ♪ Someone strong enough to love you when you're wrong ♪ 776 00:45:59,384 --> 00:46:05,932 ♪ Someone strong enough to love you when you're wrong ♪ 777 00:46:06,016 --> 00:46:12,272 ♪ Someone strong enough to love you when you're wrong ♪ 778 00:46:12,355 --> 00:46:18,028 ♪ Someone strong enough to love you when you're wrong ♪ 779 00:46:18,069 --> 00:46:23,199 ♪ When you're wrong ♪ 780 00:46:24,659 --> 00:46:26,327 ♪ When you're wrong ♪ 781 00:46:26,411 --> 00:46:31,291 ♪ ♪ 782 00:46:31,374 --> 00:46:34,294 [vocalizing] 783 00:46:34,377 --> 00:46:41,301 ♪ ♪ 784 00:47:04,115 --> 00:47:05,492 Whew! 785 00:47:05,575 --> 00:47:08,912 [laughter, applause] 786 00:47:08,953 --> 00:47:10,580 [indistinct chatter] 787 00:47:10,622 --> 00:47:13,291 Everybody's clapping for you, but I'm going to be the-- 788 00:47:13,333 --> 00:47:16,461 I'll be the one doing it here live. 789 00:47:16,503 --> 00:47:19,130 Oh. [telephone rings] 790 00:47:19,214 --> 00:47:21,591 That might be my wife. Hang on, I've got to take this. 791 00:47:23,760 --> 00:47:27,305 Hello? Yeah? - Wow, that was powerful. 792 00:47:27,347 --> 00:47:30,266 - That was heavy, wasn't it? - Heavy, yeah, amazing. 793 00:47:30,308 --> 00:47:32,519 Well done, everyone. - Thank you very much. 794 00:47:32,602 --> 00:47:34,771 - Okay, I'm going to ask a lighter question. 795 00:47:34,813 --> 00:47:36,690 - Okay. All right. 796 00:47:36,773 --> 00:47:38,483 - So this is Steve Mason from... 797 00:47:38,566 --> 00:47:39,567 - Steve Mason. 798 00:47:39,651 --> 00:47:42,612 - The IMAX theater in our hometown of Seattle. 799 00:47:42,654 --> 00:47:44,823 - [British accent] Seattle? 800 00:47:44,906 --> 00:47:46,408 - Seattle. Seattle. - Seattle? 801 00:47:46,491 --> 00:47:48,993 - So he wants to know, what's more important to you-- 802 00:47:49,077 --> 00:47:51,496 your six Grammy Awards or your fishing boat. 803 00:47:51,538 --> 00:47:52,330 Answer carefully. 804 00:47:52,372 --> 00:47:53,832 - [normal voice] He wants to know, 805 00:47:53,873 --> 00:47:54,874 what's more important to me, 806 00:47:54,958 --> 00:47:56,668 my six Grammy Awards or my fishing boat? 807 00:47:56,751 --> 00:47:57,794 - Yeah. 808 00:47:57,836 --> 00:48:00,797 [laughter] 809 00:48:00,839 --> 00:48:03,883 Well, that doesn't even deserve a goodbye, 810 00:48:03,967 --> 00:48:05,343 because for one thing, 811 00:48:05,427 --> 00:48:07,220 she knows the answer to that question, 812 00:48:07,303 --> 00:48:09,681 which is that, without my six Grammy Awards, 813 00:48:09,764 --> 00:48:11,933 I wouldn't have a fishing boat. 814 00:48:12,017 --> 00:48:15,437 [laughter] 815 00:48:15,520 --> 00:48:17,022 - You might have a boat. 816 00:48:17,063 --> 00:48:19,524 - I might have a boat, but I'd be up shit's creek 817 00:48:19,607 --> 00:48:21,735 without a paddle. 818 00:48:21,818 --> 00:48:24,946 Tanya Tucker just took over my soul for a second there. 819 00:48:24,988 --> 00:48:28,742 Okay, well, I think there should be another question. 820 00:48:28,825 --> 00:48:30,744 But it was a good one. Good job, Steve. 821 00:48:30,827 --> 00:48:32,746 Yeah. [telephone rings] 822 00:48:32,829 --> 00:48:35,790 Mm, hello? [laughter] 823 00:48:35,874 --> 00:48:37,208 I answered as my grandma Dolores. 824 00:48:37,250 --> 00:48:40,003 - Hello. - Hello, baby. 825 00:48:40,045 --> 00:48:43,256 What's going on, honey? - I have another question. 826 00:48:43,340 --> 00:48:45,550 - Okay. 827 00:48:45,592 --> 00:48:47,177 - So Joy Thornton, 828 00:48:47,218 --> 00:48:49,846 who is watching from the Texas State History Museum 829 00:48:49,888 --> 00:48:52,682 in Austin, Texas, would like to know... 830 00:48:52,724 --> 00:48:54,225 - Austin, Texas? All right, Joy. 831 00:48:54,267 --> 00:48:56,144 - This is an amazing question. - Okay. 832 00:48:56,227 --> 00:48:58,938 - Brandi, I've always really admired your activism, 833 00:48:59,022 --> 00:49:01,024 and I love the message of "Stay Gentle." 834 00:49:01,066 --> 00:49:03,234 It's almost like a mantra to me now. 835 00:49:03,276 --> 00:49:05,320 But how do you stay gentle 836 00:49:05,403 --> 00:49:09,949 when your fundamental human rights are under attack? 837 00:49:10,033 --> 00:49:11,326 - Joy--Okay. 838 00:49:11,409 --> 00:49:13,411 Baby, I'm going to hang up, and I'm going to answer Joy. 839 00:49:13,453 --> 00:49:15,830 All right. 840 00:49:15,914 --> 00:49:19,542 Joy likes the message of "Stay Gentle," 841 00:49:19,584 --> 00:49:22,796 but she wonders how I could stay gentle, 842 00:49:22,879 --> 00:49:24,422 or how any of us could stay gentle, 843 00:49:24,464 --> 00:49:28,093 when our basic human and civil rights 844 00:49:28,134 --> 00:49:29,886 are constantly being challenged 845 00:49:29,928 --> 00:49:32,430 and you know, drug before the Supreme Court 846 00:49:32,514 --> 00:49:35,266 in the country that we're living in. 847 00:49:35,308 --> 00:49:38,478 And I guess that I would approach the-- 848 00:49:38,561 --> 00:49:40,313 First of all... 849 00:49:40,397 --> 00:49:42,107 I'm looking at the set list, and I feel, Catherine, 850 00:49:42,190 --> 00:49:43,566 that this is a little bit manipulative, 851 00:49:43,608 --> 00:49:45,235 like you might have chosen this question 852 00:49:45,276 --> 00:49:46,486 out of the other questions 853 00:49:46,569 --> 00:49:49,072 because you knew we were about to play this song. 854 00:49:49,114 --> 00:49:50,949 But I'm here for it. 855 00:49:51,032 --> 00:49:53,785 I wouldn't confuse 856 00:49:53,827 --> 00:49:58,289 the word "gentle" with apathy 857 00:49:58,331 --> 00:50:01,292 or being inactive in some way. 858 00:50:01,334 --> 00:50:04,295 Gentle activism isn't polite. 859 00:50:04,337 --> 00:50:08,258 Being gentle, I think, is something that you do 860 00:50:08,299 --> 00:50:10,468 to yourself, first of all, 861 00:50:10,510 --> 00:50:14,305 and something that you do for yourself, 862 00:50:14,389 --> 00:50:17,726 because allowing yourself to become hardened 863 00:50:17,809 --> 00:50:22,272 while you fight injustice 864 00:50:22,313 --> 00:50:26,151 is like losing just a little bit to the powers that be. 865 00:50:26,192 --> 00:50:28,111 So staying gentle is not something 866 00:50:28,153 --> 00:50:29,654 that we do for others' sakes. 867 00:50:29,696 --> 00:50:31,823 It's something that we do for ourselves, I think, 868 00:50:31,865 --> 00:50:33,491 and for God-- 869 00:50:33,575 --> 00:50:35,660 in my case, anyway. 870 00:50:35,702 --> 00:50:38,329 That was a perfectly timed question, wasn't that? 871 00:50:38,413 --> 00:50:40,749 - Mm. - Beautifully answered, too. 872 00:50:40,832 --> 00:50:41,916 - Oh, thank you. 873 00:50:42,000 --> 00:50:45,003 I've thought about it a lot, because I've always worried, 874 00:50:45,086 --> 00:50:47,630 you know, especially when we played, 875 00:50:47,672 --> 00:50:50,425 like, Austin, Texas, or Dallas, Texas, this summer, 876 00:50:50,508 --> 00:50:53,136 singing "Stay Gentle" and wanting to dedicate that 877 00:50:53,178 --> 00:50:56,931 to the audience, you know, with my... 878 00:50:57,015 --> 00:50:58,433 [sighs] 879 00:50:58,516 --> 00:51:02,437 Hope, reverence, and belief that people that are living 880 00:51:02,520 --> 00:51:05,357 in places in this country right now that are hard to live in 881 00:51:05,398 --> 00:51:06,900 would be able to stay gentle, 882 00:51:06,983 --> 00:51:09,527 but I was always worried that that message 883 00:51:09,611 --> 00:51:13,073 would come across as, like, don't fight, you know? 884 00:51:13,156 --> 00:51:15,867 Don't be tough, don't resist. 885 00:51:15,909 --> 00:51:17,702 And it's the opposite of that. 886 00:51:17,786 --> 00:51:22,207 I think staying gentle for yourself and to yourself 887 00:51:22,290 --> 00:51:26,628 are principal to what I mean in that song. 888 00:51:26,670 --> 00:51:28,046 I think we should sing it. 889 00:51:28,129 --> 00:51:29,589 I hear a helicopter in the background, 890 00:51:29,673 --> 00:51:32,217 but it might make a great accompanist. 891 00:51:32,300 --> 00:51:34,803 Are you taking my jacket? What a gentleman. 892 00:51:34,886 --> 00:51:36,054 Chivalry's not dead 893 00:51:36,137 --> 00:51:37,681 in Laurel Canyon, ladies and gentlemen. 894 00:51:37,722 --> 00:51:39,683 [chuckles] 895 00:51:43,061 --> 00:51:45,230 All right, Kyleen, how you feeling? 896 00:51:45,271 --> 00:51:46,731 - I feel great. 897 00:51:46,815 --> 00:51:49,526 - Kyleen wrote this arrangement from the ground up. 898 00:51:54,197 --> 00:51:57,075 ["Stay Gentle" playing] 899 00:51:57,117 --> 00:52:04,290 ♪ ♪ 900 00:52:08,545 --> 00:52:14,718 ♪ Stay gentle, keep the eyes of a child ♪ 901 00:52:14,759 --> 00:52:20,724 ♪ Don't harden your heart or your hands ♪ 902 00:52:22,392 --> 00:52:28,773 ♪ Know to find joy in the darkness is wise ♪ 903 00:52:28,815 --> 00:52:33,695 ♪ Although they will think you don't understand ♪ 904 00:52:33,778 --> 00:52:36,156 ♪ ♪ 905 00:52:36,239 --> 00:52:39,367 ♪ Don't let the world make you callous ♪ 906 00:52:39,451 --> 00:52:43,079 ♪ Be ready to laugh ♪ 907 00:52:43,121 --> 00:52:45,915 ♪ No one's forgotten about us ♪ 908 00:52:45,957 --> 00:52:51,504 ♪ There is light on your path ♪ 909 00:52:51,588 --> 00:52:58,303 ♪ Stay gentle, keep the eyes of a child ♪ 910 00:52:58,386 --> 00:53:03,933 ♪ And wear your heart on your sleeve ♪ 911 00:53:05,602 --> 00:53:12,275 ♪ Know to find joy in the darkness is wise ♪ 912 00:53:12,317 --> 00:53:17,447 ♪ Although they will think you are naive ♪ 913 00:53:17,489 --> 00:53:19,324 ♪ ♪ 914 00:53:19,407 --> 00:53:22,494 ♪ Don't let 'em lower your shoulders ♪ 915 00:53:22,535 --> 00:53:26,122 ♪ Love 'em more while they try ♪ 916 00:53:26,206 --> 00:53:29,334 ♪ Grow younger while you're growing older ♪ 917 00:53:29,417 --> 00:53:34,798 ♪ Be amazed by the sky ♪ 918 00:53:36,174 --> 00:53:41,638 ♪ Darlings, stay wild if you can ♪ 919 00:53:41,680 --> 00:53:47,477 ♪ The girls with the world in your hands ♪ 920 00:53:48,770 --> 00:53:55,443 ♪ The kingdom of heaven belongs to a boy ♪ 921 00:53:55,527 --> 00:54:00,115 ♪ While his worry belongs to a man ♪ 922 00:54:00,198 --> 00:54:03,535 ♪ ♪ 923 00:54:03,618 --> 00:54:09,833 ♪ Stay gentle, stay gentle ♪ 924 00:54:09,874 --> 00:54:15,338 ♪ The most powerful thing you can do ♪ 925 00:54:15,380 --> 00:54:18,508 both: [vocalizing] 926 00:54:18,550 --> 00:54:23,388 ♪ ♪ 927 00:54:23,471 --> 00:54:30,478 - ♪ Oh, gentle, unbreakable you ♪ 928 00:54:30,562 --> 00:54:37,527 ♪ ♪ 929 00:55:02,135 --> 00:55:04,971 ["Sinners, Saints and Fools" playing] 930 00:55:05,055 --> 00:55:12,020 ♪ ♪ 931 00:56:00,610 --> 00:56:03,655 ♪ Where the winds of change were blowing ♪ 932 00:56:03,738 --> 00:56:06,783 ♪ There lived a God-fearing man ♪ 933 00:56:06,825 --> 00:56:09,661 ♪ He was turning through his Bible ♪ 934 00:56:09,703 --> 00:56:12,997 ♪ When he came up with a plan ♪ 935 00:56:13,039 --> 00:56:18,795 ♪ He painted up a sign and held it high above his head ♪ 936 00:56:18,837 --> 00:56:22,173 ♪ Waved it proudly in the air ♪ 937 00:56:22,257 --> 00:56:25,760 ♪ And this is what it read ♪ 938 00:56:25,844 --> 00:56:28,638 ♪ You can't break the law ♪ 939 00:56:28,680 --> 00:56:31,850 ♪ There are reasons for the rules ♪ 940 00:56:31,933 --> 00:56:35,353 ♪ They keep things safe here for everyone ♪ 941 00:56:35,437 --> 00:56:38,773 ♪ You sinners, saints, and fools ♪ 942 00:56:38,857 --> 00:56:44,654 ♪ The poor and huddled masses who are hungry and afraid ♪ 943 00:56:44,696 --> 00:56:47,365 ♪ You got to do it by the book ♪ 944 00:56:47,449 --> 00:56:51,786 ♪ And there'll be no exceptions made ♪ 945 00:56:51,870 --> 00:56:54,664 ♪ ♪ 946 00:56:54,706 --> 00:57:00,754 ♪ To the weary, desperate souls who washed up on the sand ♪ 947 00:57:00,837 --> 00:57:04,132 ♪ He said, we haven't seen your paperwork ♪ 948 00:57:04,215 --> 00:57:07,344 ♪ And he withdrew his hand ♪ 949 00:57:07,385 --> 00:57:10,388 ♪ But he never felt any safer ♪ 950 00:57:10,472 --> 00:57:13,558 ♪ All the peace he hoped he'd find ♪ 951 00:57:13,600 --> 00:57:16,561 ♪ Oh, and up until the day he died ♪ 952 00:57:16,644 --> 00:57:20,190 ♪ He never changed his mind ♪ 953 00:57:20,231 --> 00:57:22,942 ♪ You can't break the law ♪ 954 00:57:23,026 --> 00:57:26,488 ♪ There are reasons for the rules ♪ 955 00:57:26,571 --> 00:57:29,574 ♪ They keep things safe here for everyone ♪ 956 00:57:29,657 --> 00:57:33,161 ♪ You sinners, saints, and fools ♪ 957 00:57:33,244 --> 00:57:39,292 ♪ The poor and huddled masses who are hungry and afraid ♪ 958 00:57:39,376 --> 00:57:41,753 ♪ You got to do it by the Book ♪ 959 00:57:41,836 --> 00:57:48,843 ♪ And there'll be no exceptions made ♪ 960 00:57:48,927 --> 00:57:55,892 ♪ ♪ 961 00:58:15,328 --> 00:58:21,668 ♪ By the time he got to heaven, it was surrounded by a wall ♪ 962 00:58:21,751 --> 00:58:24,879 ♪ The pearly gates were locked up tight ♪ 963 00:58:24,963 --> 00:58:27,465 ♪ The golden chains and all ♪ 964 00:58:27,507 --> 00:58:33,930 ♪ They said, we cannot let just anyone walk in here anymore ♪ 965 00:58:33,972 --> 00:58:36,808 ♪ You didn't do it by the book ♪ 966 00:58:36,891 --> 00:58:42,105 ♪ And then they pointed to the floor ♪ 967 00:58:43,732 --> 00:58:46,484 ♪ You can't break the law ♪ 968 00:58:46,526 --> 00:58:49,779 ♪ There are reasons for the rules ♪ 969 00:58:49,821 --> 00:58:52,991 ♪ Oh, they keep things safe here for everyone ♪ 970 00:58:53,074 --> 00:58:56,119 ♪ You sinners, saints, and fools ♪ 971 00:58:56,161 --> 00:59:02,375 ♪ The poor and huddled masses who are hungry and afraid ♪ 972 00:59:02,459 --> 00:59:05,378 ♪ You got to do it by the book ♪ 973 00:59:05,462 --> 00:59:12,302 ♪ And there'll be no exceptions made ♪ 974 00:59:12,344 --> 00:59:19,351 ♪ ♪ 975 00:59:19,476 --> 00:59:22,937 One, two, one, two, three, four! 976 00:59:23,021 --> 00:59:24,981 ♪ ♪ 977 00:59:25,023 --> 00:59:26,941 SistaStrings! 978 00:59:27,025 --> 00:59:33,990 ♪ ♪ 979 01:00:18,410 --> 01:00:21,287 both: [vocalizing] 980 01:00:21,371 --> 01:00:28,336 ♪ ♪ 981 01:00:53,028 --> 01:00:56,322 [cheering] - Yeah, Sistas! 982 01:00:56,406 --> 01:01:00,410 [laughter] 983 01:01:00,452 --> 01:01:03,496 - Yeah! [chuckles] 984 01:01:03,580 --> 01:01:06,207 Killer! - Whoo! 985 01:01:06,291 --> 01:01:07,417 - Whoo! 986 01:01:16,551 --> 01:01:18,470 [telephone rings] 987 01:01:18,511 --> 01:01:20,096 - Oh, boy. 988 01:01:21,806 --> 01:01:23,975 Hello? - Hello. It's me again. 989 01:01:24,059 --> 01:01:25,769 - Hello, Catherine. What a surprise. 990 01:01:25,810 --> 01:01:27,270 - That was insane. 991 01:01:27,312 --> 01:01:29,105 - Oh, it was insane, wasn't it? [chuckles] 992 01:01:29,147 --> 01:01:31,649 My heart's pounding. [laughter] 993 01:01:31,733 --> 01:01:33,318 - Those SistaStrings, I tell you. 994 01:01:33,401 --> 01:01:34,527 - Oh, I know. 995 01:01:34,611 --> 01:01:35,987 - So I actually have a question 996 01:01:36,071 --> 01:01:37,864 relating to SistaStrings. - Okay. 997 01:01:37,947 --> 01:01:40,075 - So Missy Clark, who's watching 998 01:01:40,158 --> 01:01:44,162 from the Regal IMAX theater in Atlanta, Georgia... 999 01:01:44,204 --> 01:01:45,872 - Okay. - Would like to know-- 1000 01:01:45,955 --> 01:01:47,916 I'm a huge fan of SistaStrings--aren't we all? 1001 01:01:47,999 --> 01:01:49,542 - Yep. - She said-- 1002 01:01:49,626 --> 01:01:52,587 This is interesting--she's quoting Malcolm Gladwell, 1003 01:01:52,671 --> 01:01:54,631 but she says, they have clearly put in 1004 01:01:54,673 --> 01:01:56,591 their 10,000 hours. - Oh, yeah. 1005 01:01:56,633 --> 01:01:59,761 - Who inspired them to get into music? 1006 01:01:59,844 --> 01:02:02,764 - Oh, you know, I know the answer to this question, 1007 01:02:02,806 --> 01:02:05,058 but I'm actually going to walk over to them with my mic 1008 01:02:05,141 --> 01:02:06,810 and let them holler at you-- hang on a second. 1009 01:02:06,851 --> 01:02:08,645 - All right. 1010 01:02:08,687 --> 01:02:11,564 - [clears throat] 1011 01:02:11,648 --> 01:02:13,441 Okay, I hope this is going to work. 1012 01:02:13,525 --> 01:02:15,860 We're taking a risk here, friends. 1013 01:02:15,902 --> 01:02:17,445 Hand them the golden microphone. 1014 01:02:17,529 --> 01:02:18,446 - I was gonna say-- 1015 01:02:18,530 --> 01:02:20,115 I've been wanting to get my hands on this thing. 1016 01:02:20,198 --> 01:02:21,866 I've been wanting to get my hands on this thing, 1017 01:02:21,950 --> 01:02:23,702 so this is wonderful. [laughter] 1018 01:02:23,743 --> 01:02:24,869 Yes, I started violin 1019 01:02:24,953 --> 01:02:26,621 copying off of my oldest sister, Rakeena. 1020 01:02:26,705 --> 01:02:28,373 I just was a copycat of whatever she did. 1021 01:02:28,456 --> 01:02:31,501 And she doesn't even play violin now, so, thanks, sis. 1022 01:02:31,543 --> 01:02:35,338 - [laughs] Yeah, definitely copying our older sister. 1023 01:02:35,380 --> 01:02:37,132 Chauntee and I were always paired as two, 1024 01:02:37,215 --> 01:02:39,217 so we did everything together. 1025 01:02:39,300 --> 01:02:41,219 We're the two youngest of five, we were homeschooled, 1026 01:02:41,302 --> 01:02:44,264 and we all did music, so thank you, Mama. 1027 01:02:44,347 --> 01:02:47,559 Oh, our amazing mom that loves to come 1028 01:02:47,642 --> 01:02:51,021 to our shows and holler and heckle at us 1029 01:02:51,062 --> 01:02:52,439 and tell us what to play, 1030 01:02:52,522 --> 01:02:54,733 even though we have setlists planned--it's great. 1031 01:02:54,774 --> 01:02:56,860 We adore her, but she raised five children 1032 01:02:56,901 --> 01:02:58,611 who are all musicians. 1033 01:02:58,695 --> 01:03:01,531 We love you, too, Dad. [laughter] 1034 01:03:05,118 --> 01:03:06,995 - Man, their mom came out to a show recently 1035 01:03:07,078 --> 01:03:09,164 we were doing in Nashville at City Winery, 1036 01:03:09,247 --> 01:03:11,958 and she sat out in the audience heckling them all night, 1037 01:03:12,042 --> 01:03:15,420 telling them what song to play, what key to play it in. 1038 01:03:15,462 --> 01:03:17,547 Yeah, they'd be playing-- they were like, Mom, stop it! 1039 01:03:17,630 --> 01:03:19,090 And she'd go, come on, Black babies! 1040 01:03:19,132 --> 01:03:21,176 Come on, Black-- [laughter] 1041 01:03:21,259 --> 01:03:22,719 - Yep, yep. 1042 01:03:22,761 --> 01:03:24,888 - In, like, the whitest room ever. 1043 01:03:24,929 --> 01:03:28,141 And I was like, yeah, bring it, SistaStrings' Mom. 1044 01:03:28,224 --> 01:03:30,894 [laughter] 1045 01:03:30,935 --> 01:03:32,520 [strumming guitar] 1046 01:03:32,604 --> 01:03:34,773 Man, I'm definitely inspired by your all's mother, 1047 01:03:34,856 --> 01:03:37,067 and I'm inspired by you two as well. 1048 01:03:37,108 --> 01:03:39,778 ♪ ♪ 1049 01:03:39,861 --> 01:03:41,780 [telephone rings] 1050 01:03:41,863 --> 01:03:44,783 Now what? - [laughs] 1051 01:03:44,824 --> 01:03:46,284 - It reminds me of when I used to play golf. 1052 01:03:46,368 --> 01:03:48,370 This used to happen the whole time. 1053 01:03:48,453 --> 01:03:49,537 Hello? 1054 01:03:49,621 --> 01:03:51,915 - I'm sorry, but there are a lot of people 1055 01:03:51,956 --> 01:03:53,583 watching tonight, all right? - Okay, okay. 1056 01:03:53,625 --> 01:03:55,960 All right, I've got another question for you. 1057 01:03:56,044 --> 01:03:57,462 - Okay, what's that? 1058 01:03:57,545 --> 01:04:00,090 - Well, since you're about to do this very beautiful version 1059 01:04:00,131 --> 01:04:02,175 of "Throwing Good After Band"-- 1060 01:04:02,258 --> 01:04:04,052 "Bad," I should say, three-part harmony, 1061 01:04:04,135 --> 01:04:07,972 Jordan Marks from the IMAX theater in Chicago... 1062 01:04:08,014 --> 01:04:10,975 - In Chicago, cool. - Yeah, shout-out to Chicago. 1063 01:04:11,017 --> 01:04:13,895 - Shout-out to Chicago! - Is wondering if-- 1064 01:04:13,978 --> 01:04:15,647 You and the twins have been together in a band 1065 01:04:15,730 --> 01:04:16,981 for so many years now, 1066 01:04:17,065 --> 01:04:19,192 and in her opinion, you three 1067 01:04:19,275 --> 01:04:21,861 are the best three-part harmony singers out there. 1068 01:04:21,945 --> 01:04:24,656 all: Ooh! - Thank you. 1069 01:04:24,739 --> 01:04:26,825 - I mean, I wouldn't disagree. 1070 01:04:26,866 --> 01:04:31,413 But are things always harmonious at home 1071 01:04:31,496 --> 01:04:33,623 on the compound? 1072 01:04:33,665 --> 01:04:35,834 [laughter] 1073 01:04:35,875 --> 01:04:37,836 - Next question. 1074 01:04:37,919 --> 01:04:39,963 - Pass. No. 1075 01:04:40,005 --> 01:04:42,340 You take this one, twins. 1076 01:04:42,424 --> 01:04:46,302 - Pretty harmonious, I'd say, like, yeah, 98% of the time. 1077 01:04:46,344 --> 01:04:47,554 - Yeah. 1078 01:04:47,637 --> 01:04:49,514 - You know, unless you need the wood splitter 1079 01:04:49,597 --> 01:04:50,724 and Brandi hasn't returned it 1080 01:04:50,807 --> 01:04:52,350 to where the wood splitter goes. 1081 01:04:52,392 --> 01:04:54,352 [laughter] - And left it out in the rain 1082 01:04:54,436 --> 01:04:56,563 because it's too heavy for me to move. 1083 01:04:56,646 --> 01:04:57,897 - No, we get along great. 1084 01:04:57,981 --> 01:04:59,357 - Yeah, for people that don't know, 1085 01:04:59,441 --> 01:05:03,111 we live together like a benevolent cult... 1086 01:05:03,194 --> 01:05:05,572 in the Cascade foothills outside of Seattle, Washington, 1087 01:05:05,655 --> 01:05:08,033 and we've lived together for quite a few years now. 1088 01:05:08,116 --> 01:05:10,410 And we spend a lot of time together 1089 01:05:10,493 --> 01:05:12,912 when we're not on the road and when we are on the road. 1090 01:05:12,996 --> 01:05:16,583 And I mean, "harmonious" is such a funny word 1091 01:05:16,666 --> 01:05:19,085 because there are times when we'll get together 1092 01:05:19,169 --> 01:05:21,338 and sing three-part harmony, like, on the I. 1093 01:05:21,379 --> 01:05:22,839 And we'll do "Helplessly Hoping" 1094 01:05:22,881 --> 01:05:24,049 or a CSN song. 1095 01:05:24,132 --> 01:05:25,759 And I'll think that it was out of tune, 1096 01:05:25,842 --> 01:05:28,219 or it was out of pitch, or you know, it was out of time, 1097 01:05:28,303 --> 01:05:29,888 or something wasn't right about it. 1098 01:05:29,929 --> 01:05:31,598 And then I'll look back on the performance, 1099 01:05:31,681 --> 01:05:32,807 and I'll watch it, 1100 01:05:32,849 --> 01:05:34,476 and I'll see that it was fully harmonious, 1101 01:05:34,559 --> 01:05:36,728 and that any imperfection there, I think, 1102 01:05:36,811 --> 01:05:39,189 only made us human as singers. 1103 01:05:39,230 --> 01:05:41,149 And anytime we perceive imperfections 1104 01:05:41,232 --> 01:05:44,819 in our relationships, I think, or our family bond 1105 01:05:44,903 --> 01:05:46,654 in all this time that we've spent together, 1106 01:05:46,738 --> 01:05:48,823 I think when we look back on them at the end of our lives, 1107 01:05:48,907 --> 01:05:51,785 we'll see them as, like, some of our most triumphant moments 1108 01:05:51,868 --> 01:05:55,455 or the moments that the most beautiful songs came from, 1109 01:05:55,538 --> 01:05:56,498 you know? 1110 01:05:56,581 --> 01:05:59,376 I don't think we've ever had a really gnarly fight. 1111 01:05:59,459 --> 01:06:00,543 - But we're family, 1112 01:06:00,585 --> 01:06:03,171 so even the disharmonious stuff's harmonious, you know? 1113 01:06:03,254 --> 01:06:06,675 - Yeah, and we still could have a gnarly fight. 1114 01:06:06,758 --> 01:06:08,677 [laughter] 1115 01:06:08,760 --> 01:06:11,638 [strumming guitar] 1116 01:06:11,721 --> 01:06:18,687 ♪ ♪ 1117 01:06:20,021 --> 01:06:22,649 This is probably the most Laurel Canyon-influenced 1118 01:06:22,732 --> 01:06:26,403 reworking of any song on "In the Canyon Haze." 1119 01:06:26,444 --> 01:06:28,822 And I absolutely love this rework. 1120 01:06:28,905 --> 01:06:30,407 I like it better than the original. 1121 01:06:30,448 --> 01:06:33,952 And there were a few times I like the rework better 1122 01:06:33,993 --> 01:06:35,787 than the original, but-- 1123 01:06:35,829 --> 01:06:39,040 [strumming guitar] 1124 01:06:39,124 --> 01:06:40,875 And, actually, reworking this song 1125 01:06:40,917 --> 01:06:42,627 is how I knew we had to get Jess and Holly 1126 01:06:42,711 --> 01:06:43,878 to come out and sing with us, 1127 01:06:43,962 --> 01:06:46,297 because we've been on tour with these guys all summer long, 1128 01:06:46,381 --> 01:06:48,550 and they put out a beautiful album this year 1129 01:06:48,633 --> 01:06:49,718 called "Second Nature." 1130 01:06:49,801 --> 01:06:53,304 And there's just really nothing like these harmonies, 1131 01:06:53,346 --> 01:06:55,265 this huge family of harmony. 1132 01:06:55,306 --> 01:06:56,808 I cannot get enough of it. 1133 01:06:56,850 --> 01:06:58,309 And we were reworking this thing. 1134 01:06:58,393 --> 01:07:00,603 And we wanted that Mamas & the Papas, you know? 1135 01:07:00,645 --> 01:07:04,065 ♪ All the leaves are brown, and the sky is gray ♪ 1136 01:07:04,149 --> 01:07:06,192 all: ♪ And the sky is gray ♪ 1137 01:07:06,276 --> 01:07:08,028 - And I just knew that this would be the one 1138 01:07:08,111 --> 01:07:10,155 for the call-and-answer all-part harmony. 1139 01:07:10,196 --> 01:07:13,324 And my friends, ladies, it's been a real pleasure 1140 01:07:13,366 --> 01:07:14,617 to sing this show with you. 1141 01:07:14,659 --> 01:07:16,327 I'll never forget it. 1142 01:07:16,369 --> 01:07:19,122 And I think I even have it on tape somewhere, they told me. 1143 01:07:19,164 --> 01:07:22,876 [strumming guitar] 1144 01:07:22,959 --> 01:07:25,003 Ready, boss? 1145 01:07:25,045 --> 01:07:28,006 - All right. - Yeah. 1146 01:07:28,089 --> 01:07:30,925 ["Throwing Good After Bad" playing] 1147 01:07:31,009 --> 01:07:36,681 ♪ ♪ 1148 01:07:36,765 --> 01:07:39,768 Yeah. 1149 01:07:39,851 --> 01:07:43,146 all: ♪ Ooh, ooh, ooh, ooh ♪ 1150 01:07:43,188 --> 01:07:46,191 ♪ Ooh, ooh, ooh, ooh ♪ 1151 01:07:46,274 --> 01:07:52,447 ♪ Ooh, ooh, ooh, ooh, ooh, ooh, ooh ♪ 1152 01:07:52,530 --> 01:07:55,158 ♪ I know you're leaving me ♪ 1153 01:07:55,200 --> 01:07:58,453 ♪ I know I'm not your home ♪ 1154 01:07:58,536 --> 01:08:01,206 ♪ You want a movie dancer ♪ 1155 01:08:01,289 --> 01:08:05,085 ♪ You want blood from a stone ♪ 1156 01:08:05,168 --> 01:08:07,671 ♪ But I'm onto you ♪ 1157 01:08:07,712 --> 01:08:13,385 ♪ And you will pour your heart into any shimmering fad ♪ 1158 01:08:13,426 --> 01:08:16,845 ♪ Throwing good after bad ♪ 1159 01:08:16,888 --> 01:08:20,517 ♪ People get addicted to ♪ 1160 01:08:20,558 --> 01:08:22,935 ♪ The rush, the chase, the new ♪ 1161 01:08:23,019 --> 01:08:26,231 ♪ Just hoping that all that chaos ♪ 1162 01:08:26,314 --> 01:08:29,651 ♪ Will lead to something like this ♪ 1163 01:08:29,734 --> 01:08:35,156 ♪ I'll get over you, but you won't be home until you do ♪ 1164 01:08:35,240 --> 01:08:38,410 ♪ You won't find what you had ♪ 1165 01:08:38,451 --> 01:08:41,746 ♪ Throwing good after bad ♪ 1166 01:08:41,787 --> 01:08:48,252 ♪ And I'll always feel a little left behind ♪ 1167 01:08:48,294 --> 01:08:51,840 ♪ But that lying wind that calls your name ♪ 1168 01:08:51,923 --> 01:08:54,426 ♪ Will leave you flying blind ♪ 1169 01:08:54,466 --> 01:08:57,095 all: ♪ Leave you blind ♪ 1170 01:08:57,136 --> 01:09:01,057 - ♪ And are you fantasizing? ♪ 1171 01:09:01,099 --> 01:09:03,225 ♪ You're taking us for granted ♪ 1172 01:09:03,268 --> 01:09:06,354 ♪ I know you're bored ♪ 1173 01:09:06,438 --> 01:09:09,482 ♪ You always say I'm heavy-handed ♪ 1174 01:09:09,566 --> 01:09:15,447 ♪ You got a beautiful mind and the soul of a coyote ♪ 1175 01:09:15,488 --> 01:09:18,283 ♪ Hunger driving you mad ♪ 1176 01:09:18,323 --> 01:09:21,411 ♪ Throwing good after bad ♪ 1177 01:09:21,453 --> 01:09:24,288 ♪ Hunger driving you mad ♪ 1178 01:09:24,330 --> 01:09:27,375 ♪ Throwing good after bad ♪ 1179 01:09:27,459 --> 01:09:30,420 all: ♪ Ooh, ooh, ooh, ooh ♪ 1180 01:09:30,462 --> 01:09:34,049 ♪ Ooh, ooh, ooh, ooh ♪ 1181 01:09:34,131 --> 01:09:40,430 ♪ Ooh, ooh, ooh, ooh, ooh, ooh, ooh ♪ 1182 01:09:40,471 --> 01:09:43,183 - ♪ I know you loved me once ♪ 1183 01:09:43,265 --> 01:09:46,353 ♪ You were something to prove ♪ 1184 01:09:46,435 --> 01:09:49,272 ♪ I was an unfinished song ♪ 1185 01:09:49,314 --> 01:09:53,109 ♪ You were nothing to lose ♪ 1186 01:09:53,151 --> 01:09:55,570 ♪ I'm a dandelion ♪ 1187 01:09:55,653 --> 01:10:01,451 ♪ And when my color suited you, you allowed me to grow ♪ 1188 01:10:01,493 --> 01:10:04,329 ♪ But you know when you know ♪ 1189 01:10:04,371 --> 01:10:07,957 ♪ And now the party's over ♪ 1190 01:10:07,999 --> 01:10:11,628 ♪ And you're dancing alone ♪ 1191 01:10:11,670 --> 01:10:14,673 ♪ You've been spinning round forever ♪ 1192 01:10:14,714 --> 01:10:20,512 ♪ The band have all gone home ♪ 1193 01:10:20,553 --> 01:10:24,349 ♪ And you're fantasizing ♪ 1194 01:10:24,391 --> 01:10:26,476 ♪ You're taking us for granted ♪ 1195 01:10:26,518 --> 01:10:29,521 ♪ I know you're bored ♪ 1196 01:10:29,604 --> 01:10:32,774 ♪ You always say I'm heavy-handed ♪ 1197 01:10:32,857 --> 01:10:38,863 ♪ You got a beautiful mind and the soul of a coyote ♪ 1198 01:10:38,905 --> 01:10:41,866 ♪ Hunger driving you mad ♪ 1199 01:10:41,950 --> 01:10:45,036 ♪ Throwing good after bad ♪ 1200 01:10:45,120 --> 01:10:51,042 ♪ And you got a beautiful mind and the soul of a coyote ♪ 1201 01:10:51,126 --> 01:10:54,045 ♪ Hunger driving you mad ♪ 1202 01:10:54,129 --> 01:10:57,048 ♪ Throwing good after bad ♪ 1203 01:10:57,090 --> 01:11:00,176 ♪ Hunger driving you mad ♪ all: ♪ Hunger driving you mad ♪ 1204 01:11:00,218 --> 01:11:02,929 - ♪ Throwing good after bad ♪ 1205 01:11:03,013 --> 01:11:06,558 ♪ Hunger driving you mad ♪ all: ♪ Hunger driving you mad ♪ 1206 01:11:06,599 --> 01:11:09,394 ♪ Throwing good after bad ♪ 1207 01:11:09,477 --> 01:11:12,814 ♪ Hunger driving you mad ♪ 1208 01:11:12,897 --> 01:11:15,525 ♪ ♪ 1209 01:11:15,567 --> 01:11:18,903 all: ♪ Ooh, ooh, ooh, ooh ♪ 1210 01:11:18,945 --> 01:11:21,740 ♪ Ooh, ooh, ooh, ooh ♪ 1211 01:11:21,823 --> 01:11:27,078 ♪ Ooh, ooh, ooh, ooh, ooh, ooh, ooh ♪ 1212 01:11:27,162 --> 01:11:32,375 ♪ Ooh, ooh, ooh, ooh ♪ 1213 01:11:35,587 --> 01:11:38,673 [cheers and laughter] 1214 01:11:40,550 --> 01:11:43,636 [instruments tuning] 1215 01:11:46,806 --> 01:11:49,309 - Anybody that went today and listened to, 1216 01:11:49,392 --> 01:11:52,103 streamed, or bought "In the Canyon Haze" 1217 01:11:52,145 --> 01:11:53,521 is asking themselves, 1218 01:11:53,605 --> 01:11:56,649 why did she put a David Bowie song at the end of this thing? 1219 01:11:56,733 --> 01:11:59,110 [laughing] 1220 01:11:59,152 --> 01:12:02,864 Well, because, you know, 1221 01:12:02,947 --> 01:12:07,035 I've always loved doing things that are slightly incongruent 1222 01:12:07,118 --> 01:12:11,623 to where, you know, I feel at any given time musically. 1223 01:12:11,706 --> 01:12:15,293 And when I think about David Bowie, 1224 01:12:15,377 --> 01:12:17,587 Elton John, and Queen and Annie Lennox 1225 01:12:17,629 --> 01:12:19,798 and some of the glam-rock elements 1226 01:12:19,881 --> 01:12:22,425 that we've been bringing into our music these last few years 1227 01:12:22,467 --> 01:12:25,345 that have given me so much joy and fulfillment onstage-- 1228 01:12:25,428 --> 01:12:29,057 and, you know, it's given me the excuse 1229 01:12:29,140 --> 01:12:31,184 to dress really flamboyantly 1230 01:12:31,267 --> 01:12:35,480 and embrace my inner Elton John-- 1231 01:12:35,522 --> 01:12:39,359 you know, I feel that that's the path for us musically. 1232 01:12:39,442 --> 01:12:42,445 But when we got to do this as a project... 1233 01:12:42,487 --> 01:12:44,447 it was really special. 1234 01:12:44,489 --> 01:12:45,532 And it was amazing 1235 01:12:45,615 --> 01:12:47,534 to kind of just get it out of our systems, you know? 1236 01:12:47,617 --> 01:12:48,910 The influence is right there. 1237 01:12:48,993 --> 01:12:50,912 I've been spending such a lot of time with Joni Mitchell. 1238 01:12:50,995 --> 01:12:54,165 And I wanted to just really go there 1239 01:12:54,249 --> 01:12:56,209 unabashedly, unapologetically, 1240 01:12:56,292 --> 01:12:58,795 and embrace this sound in our music. 1241 01:12:58,837 --> 01:13:00,630 But kind of at the end of the album, 1242 01:13:00,672 --> 01:13:03,258 I wanted to have something where I said, just kidding. 1243 01:13:03,341 --> 01:13:05,343 [laughter] 1244 01:13:05,385 --> 01:13:08,596 Just kidding. Here's some glam rock for you. 1245 01:13:08,638 --> 01:13:12,392 So we threw this one at the end of it, just for some contrast. 1246 01:13:12,475 --> 01:13:14,185 And we're going to do it tonight. 1247 01:13:14,227 --> 01:13:17,147 [strumming guitar] 1248 01:13:25,363 --> 01:13:28,199 [David Bowie's "Space Oddity" playing] 1249 01:13:28,241 --> 01:13:35,206 ♪ ♪ 1250 01:13:51,181 --> 01:13:54,684 ♪ Ground Control to Major Tom ♪ 1251 01:13:54,726 --> 01:13:57,437 ♪ ♪ 1252 01:13:57,520 --> 01:14:00,982 ♪ Ground Control to Major Tom ♪ 1253 01:14:01,066 --> 01:14:03,693 ♪ ♪ 1254 01:14:03,735 --> 01:14:09,699 ♪ Take your protein pills and put your helmet on ♪ 1255 01:14:09,741 --> 01:14:13,453 ♪ ♪ 1256 01:14:13,536 --> 01:14:16,831 ♪ Ground Control to Major Tom ♪ 1257 01:14:16,915 --> 01:14:19,417 ♪ ♪ 1258 01:14:19,501 --> 01:14:23,713 ♪ Commencing countdown, engines on ♪ 1259 01:14:23,755 --> 01:14:25,965 ♪ ♪ 1260 01:14:26,049 --> 01:14:32,222 ♪ Check ignition, and may God's love be with you ♪ 1261 01:14:32,263 --> 01:14:39,229 ♪ ♪ 1262 01:14:41,690 --> 01:14:46,319 ♪ This is Ground Control to Major Tom ♪ 1263 01:14:46,403 --> 01:14:51,282 ♪ You've really made the grade ♪ 1264 01:14:51,324 --> 01:14:57,831 ♪ And the papers want to know whose shirts you wear ♪ 1265 01:14:57,914 --> 01:15:01,584 ♪ Now it's time to leave the capsule ♪ 1266 01:15:01,626 --> 01:15:05,171 ♪ If you dare ♪ 1267 01:15:05,255 --> 01:15:10,468 ♪ Oh, this is Major Tom to Ground Control ♪ 1268 01:15:10,510 --> 01:15:15,682 ♪ I'm stepping through the door ♪ 1269 01:15:15,765 --> 01:15:22,147 ♪ And I'm floating in the most peculiar way ♪ 1270 01:15:22,230 --> 01:15:29,237 ♪ And the stars look very different today ♪ 1271 01:15:29,320 --> 01:15:32,949 ♪ For here ♪ 1272 01:15:32,991 --> 01:15:37,328 ♪ Am I sitting in a tin can ♪ all: ♪ Sitting in a tin can ♪ 1273 01:15:37,412 --> 01:15:43,501 ♪ Far above the world ♪ 1274 01:15:43,543 --> 01:15:46,588 ♪ Planet Earth is blue ♪ 1275 01:15:46,671 --> 01:15:51,092 - ♪ And there's nothing I can do ♪ 1276 01:15:51,176 --> 01:15:58,141 ♪ ♪ 1277 01:16:18,787 --> 01:16:23,541 ♪ Though I'm past 100,000 miles ♪ 1278 01:16:23,583 --> 01:16:28,630 ♪ I'm feeling very slow ♪ 1279 01:16:28,672 --> 01:16:35,053 ♪ And I think my spaceship knows which way to go ♪ 1280 01:16:35,095 --> 01:16:39,224 ♪ Tell my wife I love her very much ♪ 1281 01:16:39,307 --> 01:16:42,602 ♪ She knows ♪ 1282 01:16:42,686 --> 01:16:45,355 ♪ Ground Control to Major Tom ♪ 1283 01:16:45,397 --> 01:16:48,983 ♪ Your circuit's dead, there's something wrong ♪ 1284 01:16:49,067 --> 01:16:52,570 ♪ Can you hear me, Major Tom? ♪ 1285 01:16:52,654 --> 01:16:55,573 ♪ Can you hear me, Major Tom? ♪ 1286 01:16:55,657 --> 01:16:59,077 ♪ Can you hear me, Major Tom? ♪ 1287 01:16:59,119 --> 01:17:00,078 ♪ Can you-- ♪ 1288 01:17:00,161 --> 01:17:04,666 ♪ Here am I floating in a tin can ♪ 1289 01:17:04,749 --> 01:17:06,584 all: ♪ Floating in a tin can ♪ 1290 01:17:06,626 --> 01:17:13,258 - ♪ Far above the moon ♪ 1291 01:17:13,299 --> 01:17:16,094 ♪ Planet Earth is blue ♪ 1292 01:17:16,136 --> 01:17:21,433 ♪ And there's nothing I can do ♪ 1293 01:17:21,516 --> 01:17:28,064 ♪ There's nothing I can do ♪ 1294 01:17:29,482 --> 01:17:32,402 ♪ There's nothing I can do ♪ 1295 01:17:32,444 --> 01:17:34,612 ♪ ♪ 1296 01:17:34,654 --> 01:17:38,450 ♪ There's nothing I can do ♪ 1297 01:17:38,491 --> 01:17:40,452 ♪ Ooh, ooh ♪ 1298 01:17:40,535 --> 01:17:44,956 ♪ There's nothing I can do ♪ 1299 01:17:44,998 --> 01:17:48,251 ♪ There's nothing I can do ♪ 1300 01:17:48,335 --> 01:17:50,962 ♪ There's nothing I can do ♪ 1301 01:17:51,004 --> 01:17:55,967 ♪ There's nothing I can do ♪ 1302 01:17:56,051 --> 01:18:00,221 ♪ Oh, oh ♪ 1303 01:18:00,305 --> 01:18:02,932 ♪ Nothing I can do ♪ 1304 01:18:02,974 --> 01:18:06,978 ♪ Nothing I can do ♪ 1305 01:18:07,020 --> 01:18:14,027 ♪ There's nothing I can do ♪ 1306 01:18:14,027 --> 01:18:20,075 ♪ There's nothing I can do, no ♪ 1307 01:18:20,158 --> 01:18:27,123 ♪ ♪ 1308 01:18:30,001 --> 01:18:33,338 Glam rock in the canyon. 1309 01:18:33,421 --> 01:18:37,509 Ah, this has been high energy, 1310 01:18:37,550 --> 01:18:38,885 high tension. 1311 01:18:38,968 --> 01:18:41,721 We put some pressure on ourselves tonight. 1312 01:18:41,805 --> 01:18:44,641 I hope that everyone has had an amazing time. 1313 01:18:44,683 --> 01:18:46,476 Our amazing director, Sam Wrench, 1314 01:18:46,518 --> 01:18:48,186 and our incredible crew out there, 1315 01:18:48,228 --> 01:18:49,979 they came up with the idea of doing this all in one shot. 1316 01:18:50,021 --> 01:18:53,858 I mean, there's this big camera out here on a big stand, 1317 01:18:53,900 --> 01:18:55,819 and it's moving some of the time. 1318 01:18:55,860 --> 01:18:57,737 But sometimes it's just a guy with a camera, 1319 01:18:57,821 --> 01:18:59,489 and I'm watching him, like, back up, 1320 01:18:59,531 --> 01:19:01,241 and I'm so afraid he's going to fall down, because if he does, 1321 01:19:01,324 --> 01:19:04,911 the only camera that's on us would then fall down. 1322 01:19:04,994 --> 01:19:07,205 And so every single person here took a risk, 1323 01:19:07,247 --> 01:19:09,791 and I just want to say, it was incredible. 1324 01:19:09,874 --> 01:19:11,835 And I hope that everybody at IMAX has loved it 1325 01:19:11,876 --> 01:19:13,294 as much as we have. 1326 01:19:13,378 --> 01:19:16,214 And we're going to take another risk right now 1327 01:19:16,256 --> 01:19:20,176 because we have left our final song 1328 01:19:20,260 --> 01:19:22,721 up to the audience. 1329 01:19:22,762 --> 01:19:25,682 So that phone is going to ring, 1330 01:19:25,724 --> 01:19:27,392 and it's going to tell us what to play, 1331 01:19:27,475 --> 01:19:29,853 and all we can do is hope it's not "Bohemian Rhapsody." 1332 01:19:29,894 --> 01:19:33,148 [telephone rings] 1333 01:19:33,189 --> 01:19:33,982 Hello, darling. 1334 01:19:34,065 --> 01:19:36,192 - Hello. Congratulations. 1335 01:19:36,234 --> 01:19:38,236 - Thank you. - That was incredible. 1336 01:19:38,319 --> 01:19:40,030 - How'd we do, sweetie? - Amazing. 1337 01:19:40,071 --> 01:19:40,989 - Yeah? - I approve. 1338 01:19:41,072 --> 01:19:43,825 - You did really well, too. - Oh, thanks. 1339 01:19:43,908 --> 01:19:45,076 Moving on... 1340 01:19:45,118 --> 01:19:46,619 - [British accent] Moving on... 1341 01:19:46,703 --> 01:19:48,079 Don't compliment me. I'm British. 1342 01:19:48,163 --> 01:19:50,248 - So it's Jonathan Meyers' lucky day. 1343 01:19:50,331 --> 01:19:51,583 - Okay, Jonathan Meyers. 1344 01:19:51,666 --> 01:19:55,420 - Because guess where he's put his question in from? 1345 01:19:55,503 --> 01:19:56,463 - Where? 1346 01:19:56,546 --> 01:20:01,676 - He is watching in the Cineplex in Saskatoon, 1347 01:20:01,760 --> 01:20:03,762 the IMAX theater in Saskatoon. - What? 1348 01:20:03,803 --> 01:20:05,972 Okay, I think I know what's going to happen. 1349 01:20:06,056 --> 01:20:07,974 Okay, which one is it? - Well... 1350 01:20:08,058 --> 01:20:09,267 - Which Joni song is it? 1351 01:20:09,351 --> 01:20:11,436 - I mean, of course, it's "Woodstock." 1352 01:20:11,519 --> 01:20:12,354 - [sighs] 1353 01:20:12,437 --> 01:20:14,105 - Because you're in her stomping ground, 1354 01:20:14,147 --> 01:20:15,648 it's got to be "Woodstock." 1355 01:20:15,732 --> 01:20:17,817 - Okay, well, "Woodstock" it is. 1356 01:20:17,901 --> 01:20:19,277 We can do that, right, my friends? 1357 01:20:19,361 --> 01:20:20,820 We've been doing this all summer long. 1358 01:20:20,904 --> 01:20:22,781 Let me just see if I can get an electric guitar. 1359 01:20:22,864 --> 01:20:24,532 Everybody just hang on. 1360 01:20:24,616 --> 01:20:28,036 - Best of luck, everyone. - Nobody go to the bathroom. 1361 01:20:28,119 --> 01:20:31,206 [instruments tuning] 1362 01:20:37,754 --> 01:20:40,965 Hang on. Let me just test that guitar out 1363 01:20:41,007 --> 01:20:44,427 because I haven't played it yet. 1364 01:20:44,469 --> 01:20:46,096 Make sure it's on. 1365 01:20:49,474 --> 01:20:53,436 - [strumming guitar] 1366 01:20:53,478 --> 01:20:54,813 - I don't know. 1367 01:20:54,896 --> 01:20:56,731 Should I turn the distortion pedal on? 1368 01:20:56,815 --> 01:20:58,274 - All the way on. [feedback whines] 1369 01:20:58,358 --> 01:20:59,818 - Ooh! [laughter] 1370 01:20:59,901 --> 01:21:02,195 [feedback whines] - Okay. 1371 01:21:02,278 --> 01:21:04,656 [laughter] 1372 01:21:04,698 --> 01:21:06,449 Okay. 1373 01:21:06,491 --> 01:21:08,702 All right, Phil, are you going to go to that keyboard? 1374 01:21:08,785 --> 01:21:10,662 Okay. Is everybody ready for this? 1375 01:21:10,704 --> 01:21:13,665 All right. [clears throat] 1376 01:21:13,707 --> 01:21:16,501 [Joni Mitchell's "Woodstock" playing] 1377 01:21:16,584 --> 01:21:20,296 ♪ ♪ 1378 01:21:20,338 --> 01:21:23,675 Philip, why don't you give them your long intro? 1379 01:21:23,717 --> 01:21:25,135 Don't worry. 1380 01:21:25,176 --> 01:21:27,137 Nobody's going anywhere. 1381 01:21:27,178 --> 01:21:29,305 Mr. Phil Towns. - Whoo! 1382 01:21:29,347 --> 01:21:30,432 - Yeah! 1383 01:21:30,515 --> 01:21:37,480 ♪ ♪ 1384 01:21:47,949 --> 01:21:50,326 - Yes, Phil! 1385 01:21:52,871 --> 01:21:59,002 ♪ ♪ 1386 01:22:00,879 --> 01:22:04,215 ♪ I came upon a child of God ♪ 1387 01:22:04,299 --> 01:22:08,219 ♪ He was walking along the road ♪ 1388 01:22:08,261 --> 01:22:11,514 ♪ So I asked him, where are you going? ♪ 1389 01:22:11,556 --> 01:22:16,186 ♪ And this he told me ♪ 1390 01:22:16,227 --> 01:22:19,439 ♪ ♪ 1391 01:22:19,522 --> 01:22:23,276 ♪ He said, I'm going down to Yasgur's Farm ♪ 1392 01:22:23,360 --> 01:22:27,405 ♪ I'm going to join in a rock-and-roll band ♪ 1393 01:22:27,447 --> 01:22:30,367 ♪ I'm gonna sleep up on the land ♪ 1394 01:22:30,408 --> 01:22:35,497 ♪ I'm gonna set my soul free ♪ 1395 01:22:35,580 --> 01:22:38,041 ♪ ♪ 1396 01:22:38,083 --> 01:22:42,545 ♪ We are stardust ♪ 1397 01:22:42,587 --> 01:22:45,924 ♪ We are golden ♪ 1398 01:22:46,007 --> 01:22:49,761 ♪ And we've got to get ourselves ♪ 1399 01:22:49,844 --> 01:22:54,516 ♪ Back to the garden ♪ 1400 01:22:54,599 --> 01:23:01,564 ♪ ♪ 1401 01:23:05,443 --> 01:23:08,988 ♪ Then can I walk beside you? ♪ 1402 01:23:09,072 --> 01:23:12,784 ♪ I have come here to lose the smog ♪ 1403 01:23:12,867 --> 01:23:15,954 ♪ And I feel to be a cog ♪ 1404 01:23:15,995 --> 01:23:19,833 ♪ In something turning ♪ 1405 01:23:19,916 --> 01:23:21,543 Yeah, it's turning. 1406 01:23:21,626 --> 01:23:24,337 ♪ ♪ 1407 01:23:24,421 --> 01:23:28,133 ♪ Well, maybe it's the time of year ♪ 1408 01:23:28,216 --> 01:23:31,970 ♪ Or maybe it's the time of man ♪ 1409 01:23:32,053 --> 01:23:34,681 ♪ Well, I don't know who I am ♪ 1410 01:23:34,764 --> 01:23:41,271 ♪ But you know that life is for learning ♪ 1411 01:23:41,312 --> 01:23:43,106 ♪ ♪ 1412 01:23:43,148 --> 01:23:46,943 ♪ We are stardust ♪ 1413 01:23:46,985 --> 01:23:50,155 ♪ We are golden ♪ 1414 01:23:50,238 --> 01:23:53,825 ♪ And we've got to get ourselves ♪ 1415 01:23:53,908 --> 01:23:58,663 ♪ Back to the garden ♪ 1416 01:23:58,747 --> 01:24:05,462 ♪ ♪ 1417 01:24:05,503 --> 01:24:09,174 ♪ By the time we got to Woodstock ♪ 1418 01:24:09,257 --> 01:24:13,094 ♪ We were half a million strong ♪ 1419 01:24:13,136 --> 01:24:19,476 ♪ And everywhere there were songs and celebrations ♪ 1420 01:24:19,517 --> 01:24:21,311 ♪ Celebrations ♪ 1421 01:24:21,353 --> 01:24:24,230 ♪ ♪ 1422 01:24:24,314 --> 01:24:27,859 ♪ And I dreamed I saw the bombers ♪ 1423 01:24:27,942 --> 01:24:30,403 ♪ Riding shotgun in the sky ♪ 1424 01:24:30,487 --> 01:24:35,992 ♪ And they were turning into butterflies ♪ 1425 01:24:36,034 --> 01:24:41,456 ♪ Above our nation ♪ 1426 01:24:41,539 --> 01:24:43,708 ♪ ♪ 1427 01:24:43,750 --> 01:24:48,213 ♪ We are stardust ♪ 1428 01:24:48,254 --> 01:24:51,549 ♪ Billion-year-old carbon ♪ 1429 01:24:51,591 --> 01:24:55,929 ♪ We are golden ♪ 1430 01:24:56,012 --> 01:24:58,932 ♪ Caught in the Devil's bargain ♪ 1431 01:24:59,015 --> 01:25:01,393 ♪ And we've got to get ourselves ♪ 1432 01:25:01,476 --> 01:25:05,021 ♪ Oh, we have got to get ourselves ♪ 1433 01:25:05,063 --> 01:25:09,192 ♪ Oh, we have got to get ourselves ♪ 1434 01:25:09,234 --> 01:25:14,864 ♪ Back to the garden ♪ 1435 01:25:14,906 --> 01:25:16,991 ♪ Yeah! ♪ 1436 01:25:17,075 --> 01:25:22,372 ♪ Whoo! ♪ 1437 01:25:22,414 --> 01:25:29,379 ♪ ♪ 1438 01:26:50,335 --> 01:26:53,213 [all cheering] 1439 01:26:53,296 --> 01:26:56,174 Yeah! [laughter] 1440 01:26:56,216 --> 01:26:58,093 Well, I don't know how that translated, 1441 01:26:58,176 --> 01:27:00,011 the rock-and-roll moment. 1442 01:27:00,095 --> 01:27:01,846 We definitely took it into the canyon 1443 01:27:01,888 --> 01:27:03,181 on another level, didn't we? 1444 01:27:03,223 --> 01:27:05,517 We have had an incredible time. 1445 01:27:05,600 --> 01:27:07,686 This put us in a kind of pressure 1446 01:27:07,769 --> 01:27:11,147 that I think that we all need and made me feel really alive. 1447 01:27:11,189 --> 01:27:13,400 And I want to thank everybody in this band 1448 01:27:13,483 --> 01:27:14,901 for going through this with me. 1449 01:27:14,984 --> 01:27:16,861 This is such a special thing that we just did, 1450 01:27:16,903 --> 01:27:18,697 and we're always going to be able to remember it. 1451 01:27:18,738 --> 01:27:21,700 I want to thank Sam Wrench, the incredible Sam Wrench, 1452 01:27:21,741 --> 01:27:23,618 who conceptualized so much of this, 1453 01:27:23,702 --> 01:27:24,869 IMAX, 1454 01:27:24,953 --> 01:27:27,956 my crew, who is exhausted and has been getting up 1455 01:27:28,039 --> 01:27:31,501 at the crack of dawn to come out here and sweat in the sun. 1456 01:27:31,543 --> 01:27:33,753 [cheers and applause] 1457 01:27:33,837 --> 01:27:37,215 And I want to thank my wife, Catherine Carlile. 1458 01:27:37,298 --> 01:27:41,219 And I want to thank the great icons and legends 1459 01:27:41,261 --> 01:27:42,554 of the Canyon 1460 01:27:42,595 --> 01:27:43,847 for influencing us so deeply 1461 01:27:43,888 --> 01:27:46,891 and giving us so many things about Americana music 1462 01:27:46,975 --> 01:27:48,184 that we love. 1463 01:27:48,226 --> 01:27:51,104 It's been an honor and a pleasure. 1464 01:27:51,187 --> 01:27:52,647 We love y'all. 1465 01:27:52,731 --> 01:27:54,357 Bye! - Bye! 1466 01:27:54,399 --> 01:27:56,526 - See you next time. 1467 01:27:59,195 --> 01:28:03,241 - Laurel Canyon! [all cheering] 1468 01:28:03,283 --> 01:28:05,702 - Yeah! [excited chatter] 1469 01:28:05,785 --> 01:28:07,078 - It was excellent! 1470 01:28:07,162 --> 01:28:08,830 - That was great. - Yeah! 1471 01:28:08,913 --> 01:28:10,874 - That was, like, the best we've done everything so far. 1472 01:28:10,915 --> 01:28:12,083 - Yeah, it was. 1473 01:28:12,125 --> 01:28:15,045 [continues indistinctly] 1474 01:28:24,346 --> 01:28:27,223 [all cheering, shouting happily] 1475 01:28:27,265 --> 01:28:30,393 [chatter continues] 1476 01:29:45,218 --> 01:29:46,052 [bright tone]