1 00:00:05,405 --> 00:00:05,506 . 2 00:00:05,656 --> 00:00:07,900 - Previously on "The Hunting Party"... 3 00:00:07,966 --> 00:00:09,243 - It's called the Pit. It's home to the most 4 00:00:09,343 --> 00:00:10,878 dangerous and violent criminals in history, 5 00:00:10,944 --> 00:00:12,613 all of whom the world believes are dead. 6 00:00:12,746 --> 00:00:15,015 Or at least it was until the blast hit. 7 00:00:15,082 --> 00:00:16,783 [explosion booms] 8 00:00:16,884 --> 00:00:19,520 - I didn't serve, and I haven't been in the field. 9 00:00:19,586 --> 00:00:21,388 That was the first time I've ever drawn a weapon. 10 00:00:21,488 --> 00:00:23,348 You were impressive. 11 00:00:23,415 --> 00:00:25,359 - Are you gonna ask me out, or what? 12 00:00:25,425 --> 00:00:27,294 - No. 13 00:00:27,427 --> 00:00:28,929 Maybe. 14 00:00:29,029 --> 00:00:31,899 - You really think Lazarus attacked Cyrus's convoy? 15 00:00:31,965 --> 00:00:32,966 - I do. 16 00:00:33,066 --> 00:00:34,801 [gunshots] - We still don't have proof. 17 00:00:34,835 --> 00:00:36,536 - Well, we need to find some. 18 00:00:36,603 --> 00:00:38,664 [tense music] 19 00:00:40,707 --> 00:00:42,609 [smooth jazz music] 20 00:00:42,676 --> 00:00:45,045 [laughter] 21 00:00:45,112 --> 00:00:46,980 - You know what else I love about this city? 22 00:00:47,047 --> 00:00:48,348 About Boulder? - Yeah, what? 23 00:00:48,415 --> 00:00:50,342 - The cops on bicycles. 24 00:00:50,375 --> 00:00:51,652 How intimidating is that? 25 00:00:51,718 --> 00:00:52,878 All right, pull over. 26 00:00:52,945 --> 00:00:55,222 Ching, ching, ching, ching. 27 00:00:55,289 --> 00:00:56,857 What do they do when they arrest somebody? 28 00:00:56,924 --> 00:00:58,725 All right, in the basket. 29 00:00:58,825 --> 00:01:00,394 You can always tell the rookie cops. 30 00:01:00,460 --> 00:01:02,512 They're the ones with playing cards in their spokes. 31 00:01:02,546 --> 00:01:03,555 Halt! 32 00:01:03,622 --> 00:01:05,299 Diggy, diggy, diggy, diggy. 33 00:01:05,365 --> 00:01:07,534 [laughter] 34 00:01:07,601 --> 00:01:08,735 - Well, thank you, folks. 35 00:01:08,835 --> 00:01:10,270 Hope you have a wonderful evening. 36 00:01:10,370 --> 00:01:11,563 Say goodbye, Marvin. 37 00:01:11,630 --> 00:01:12,606 - Goodbye, Marvin. 38 00:01:12,673 --> 00:01:13,907 You've been great. 39 00:01:13,974 --> 00:01:16,810 [applause] - Thank you. 40 00:01:16,877 --> 00:01:18,445 Thank you. 41 00:01:18,512 --> 00:01:24,384 ♪ ♪ 42 00:01:24,451 --> 00:01:25,644 Great crowd tonight, kid. 43 00:01:25,711 --> 00:01:26,787 Break a leg. 44 00:01:26,887 --> 00:01:28,580 - Or a string. - [chuckles] 45 00:01:28,647 --> 00:01:29,815 ♪ ♪ 46 00:01:29,915 --> 00:01:31,358 - All right, all right. 47 00:01:31,491 --> 00:01:33,660 Please welcome to the stage our next performer-- 48 00:01:33,727 --> 00:01:35,529 a debut, in fact. 49 00:01:35,562 --> 00:01:39,132 Put your hands together for Dylan Myles and Lil Barney. 50 00:01:39,199 --> 00:01:46,273 ♪ ♪ 51 00:01:49,593 --> 00:01:51,211 - Hello. 52 00:01:51,278 --> 00:01:54,181 This is--this is Barney. 53 00:01:54,247 --> 00:01:55,616 I'm Dylan. 54 00:01:55,682 --> 00:01:58,652 So, um, Barney, 55 00:01:58,752 --> 00:02:00,904 what did you do last weekend? 56 00:02:00,937 --> 00:02:02,356 - I met a girl. 57 00:02:02,422 --> 00:02:04,491 Didn't go very well. 58 00:02:04,558 --> 00:02:05,559 - Oh, no. 59 00:02:05,626 --> 00:02:07,094 What happened, Barney? 60 00:02:07,160 --> 00:02:09,796 - She said I was too stiff. - [chuckles] 61 00:02:09,863 --> 00:02:12,799 [tense music] 62 00:02:12,899 --> 00:02:15,202 ♪ ♪ 63 00:02:15,302 --> 00:02:17,195 W-what? Um-- 64 00:02:17,295 --> 00:02:18,338 Why? 65 00:02:18,405 --> 00:02:20,574 I mean, 66 00:02:20,607 --> 00:02:22,509 why did she think you were too stiff? 67 00:02:22,576 --> 00:02:25,646 - Because I'm made of wood, dummy. 68 00:02:25,746 --> 00:02:28,382 ♪ ♪ 69 00:02:28,482 --> 00:02:31,051 - Bring Marvin back out, yeah? 70 00:02:31,151 --> 00:02:33,487 [cheers and applause] 71 00:02:33,587 --> 00:02:36,148 [jeering] 72 00:02:36,214 --> 00:02:38,425 ♪ ♪ 73 00:02:38,492 --> 00:02:40,460 - Looks like someone-- 74 00:02:40,527 --> 00:02:42,054 like someone-- 75 00:02:42,154 --> 00:02:43,797 - [imitates stuttering] 76 00:02:43,864 --> 00:02:46,767 Get off the stage, loser. 77 00:02:46,800 --> 00:02:49,670 [laughter] 78 00:02:49,770 --> 00:02:56,843 ♪ ♪ 79 00:02:58,311 --> 00:03:01,073 [pounding] 80 00:03:01,139 --> 00:03:04,785 - [panting] 81 00:03:04,818 --> 00:03:08,522 [laughter] 82 00:03:14,261 --> 00:03:17,297 - Somebody should teach that guy a lesson. 83 00:03:17,431 --> 00:03:20,992 [ominous music] 84 00:03:21,026 --> 00:03:23,270 - I was thinking the same thing. 85 00:03:23,370 --> 00:03:25,872 [music intensifies] 86 00:03:25,972 --> 00:03:28,542 ♪ ♪ 87 00:03:28,642 --> 00:03:32,112 [indistinct speech on TV] 88 00:03:32,179 --> 00:03:35,173 [TV continues indistinctly] 89 00:03:39,377 --> 00:03:41,555 [glass shatters] 90 00:03:41,621 --> 00:03:44,549 [tense music] 91 00:03:44,616 --> 00:03:48,829 ♪ ♪ 92 00:03:48,929 --> 00:03:51,998 [wind whooshing] 93 00:03:52,032 --> 00:03:55,168 [rustling] 94 00:03:55,302 --> 00:03:58,238 [chilling music] 95 00:03:58,338 --> 00:04:05,370 ♪ ♪ 96 00:04:12,252 --> 00:04:14,721 - Want to hear a joke? 97 00:04:14,754 --> 00:04:18,024 What's black and blue 98 00:04:18,158 --> 00:04:21,394 and red all over? 99 00:04:21,428 --> 00:04:23,680 - You are. [thuds] 100 00:04:25,699 --> 00:04:27,367 - I'd be interested in eating Thai, 101 00:04:27,434 --> 00:04:28,426 maybe Italian, something like-- 102 00:04:28,493 --> 00:04:29,770 [screams] 103 00:04:29,870 --> 00:04:36,943 ♪ ♪ 104 00:04:40,280 --> 00:04:43,049 - ♪ I will swing ♪ 105 00:04:43,183 --> 00:04:45,652 ♪ Swing that hammer ♪ 106 00:04:45,752 --> 00:04:47,988 - It doesn't matter what we think we know about Lazarus. 107 00:04:48,054 --> 00:04:49,790 Without definitive proof that she was involved 108 00:04:49,856 --> 00:04:52,626 in the attack on the convoy, we have nothing. 109 00:04:52,692 --> 00:04:54,394 - Then we get something. - [scoffs] 110 00:04:54,427 --> 00:04:57,097 Hey, she's way too smart to leave a paper trail. 111 00:04:57,164 --> 00:04:58,865 - Well, anything she does have-- 112 00:04:58,965 --> 00:05:00,901 flash drives, hard copies, whatever-- 113 00:05:00,967 --> 00:05:03,403 they'd be stashed at her place, which... 114 00:05:03,436 --> 00:05:05,422 only one of us has access to. 115 00:05:05,455 --> 00:05:07,307 - Mm. 116 00:05:07,407 --> 00:05:08,942 - So what are you gonna do? 117 00:05:09,009 --> 00:05:11,036 Invite yourself over and search her place 118 00:05:11,136 --> 00:05:12,913 while she burns another lasagna? 119 00:05:12,946 --> 00:05:15,916 - Shane, this is way too risky. No. 120 00:05:16,049 --> 00:05:19,269 - Why does dinner need to be at her place? 121 00:05:19,302 --> 00:05:21,421 If Shane invites her out somewhere, 122 00:05:21,454 --> 00:05:24,524 you two can go in, have a look around 123 00:05:24,591 --> 00:05:27,427 while he keeps her occupied. 124 00:05:27,561 --> 00:05:30,130 - I mean, I can text her right now. 125 00:05:30,163 --> 00:05:31,965 I'll have eyes on her the whole time. 126 00:05:32,032 --> 00:05:33,617 I can text you guys when we're leaving, 127 00:05:33,650 --> 00:05:35,602 make sure you got plenty of time to get out. 128 00:05:35,735 --> 00:05:38,672 [tense music] 129 00:05:38,772 --> 00:05:39,998 ♪ ♪ 130 00:05:40,065 --> 00:05:42,108 - All right, fine. 131 00:05:42,142 --> 00:05:43,627 - All right. [notification whooshes] 132 00:05:43,660 --> 00:05:44,628 Done. 133 00:05:44,661 --> 00:05:47,180 [phone buzzing] 134 00:05:48,415 --> 00:05:50,517 - Go for Hassani. 135 00:05:54,321 --> 00:05:56,356 - Hey, are you sure? 136 00:05:58,483 --> 00:05:59,960 - Of course. 137 00:05:59,993 --> 00:06:01,895 - That was Peck. We got work. 138 00:06:01,962 --> 00:06:06,633 ♪ ♪ 139 00:06:06,666 --> 00:06:08,001 - What have we got? 140 00:06:08,068 --> 00:06:09,769 - Puppet maker was shot in his workshop 141 00:06:09,836 --> 00:06:11,905 near Rapid City, South Dakota. 142 00:06:11,972 --> 00:06:13,765 - Did you say puppet maker? 143 00:06:13,865 --> 00:06:14,975 - I sure did. 144 00:06:15,041 --> 00:06:16,668 - We don't have crime scene photos yet, 145 00:06:16,701 --> 00:06:19,104 but that's our victim, Nicholas Fletcher. 146 00:06:19,204 --> 00:06:21,214 He's currently in a medically-induced coma, 147 00:06:21,281 --> 00:06:24,709 but fingerprints at the scene match Pit inmate H71. 148 00:06:24,776 --> 00:06:26,319 - Ah, Dylan Myles. 149 00:06:26,453 --> 00:06:28,255 - You want to take it from here? 150 00:06:28,355 --> 00:06:29,723 - Yeah. Believe it or not, 151 00:06:29,823 --> 00:06:31,591 our fugitive killer here, Mr. Myles, 152 00:06:31,658 --> 00:06:33,852 was actually an aspiring comedian. 153 00:06:33,885 --> 00:06:35,896 - Of course, because murder is hilarious. 154 00:06:35,962 --> 00:06:37,364 - Mm. 155 00:06:37,430 --> 00:06:39,457 As a kid, he was diagnosed with delayed language development 156 00:06:39,524 --> 00:06:40,934 and selective mutism. 157 00:06:41,034 --> 00:06:44,104 He was completely non-verbal until nearly ten years old. 158 00:06:44,204 --> 00:06:45,839 - That must have been tough on the playground. 159 00:06:45,872 --> 00:06:47,674 - The real breakthrough happened when he started 160 00:06:47,741 --> 00:06:50,110 communicating through one of his sister's dolls, 161 00:06:50,176 --> 00:06:52,045 a common form of projective play. 162 00:06:52,078 --> 00:06:53,613 As he matured, he developed the capacity 163 00:06:53,680 --> 00:06:55,282 to communicate for himself, but he still felt 164 00:06:55,348 --> 00:06:57,384 more comfortable speaking through his proxies. 165 00:06:57,450 --> 00:07:01,037 - But when did he go from talking dolls to murder? 166 00:07:01,071 --> 00:07:03,248 - June 5, 2015. 167 00:07:03,315 --> 00:07:05,025 - Dylan would perform at small comedy clubs 168 00:07:05,091 --> 00:07:06,293 all over the Midwest. 169 00:07:06,359 --> 00:07:08,086 All of his victims were people who 170 00:07:08,153 --> 00:07:09,763 heckled him during the show. 171 00:07:09,829 --> 00:07:11,531 He'd wait for a month or even up to a year 172 00:07:11,598 --> 00:07:13,391 before enacting revenge. 173 00:07:14,734 --> 00:07:16,169 - I can really see the anger. 174 00:07:16,269 --> 00:07:17,804 - And the humiliation. 175 00:07:17,904 --> 00:07:20,407 All he wanted was to connect with people through his act, 176 00:07:20,473 --> 00:07:22,600 which is why when he got teased or heckled, 177 00:07:22,667 --> 00:07:26,813 he would return the humiliation he felt on the victims tenfold, 178 00:07:26,913 --> 00:07:28,440 which is why a lot of the crime scenes 179 00:07:28,506 --> 00:07:29,816 happened in a public place. 180 00:07:29,883 --> 00:07:31,718 He wanted his victims to be seen. 181 00:07:31,785 --> 00:07:33,219 He wanted them to be remembered 182 00:07:33,253 --> 00:07:34,988 in their final moments of indignity. 183 00:07:35,088 --> 00:07:36,589 - Says here he killed seven victims 184 00:07:36,656 --> 00:07:37,924 over a two-year period. 185 00:07:37,991 --> 00:07:40,452 Is there any chance Dylan knew this dollmaker guy 186 00:07:40,518 --> 00:07:42,696 from back in the day? - We're looking into it. 187 00:07:42,762 --> 00:07:43,955 Get going to the crime scene. 188 00:07:44,022 --> 00:07:45,365 We'll send you what we find. 189 00:07:45,465 --> 00:07:48,301 [suspenseful music] 190 00:07:48,401 --> 00:07:50,261 ♪ ♪ 191 00:07:50,295 --> 00:07:53,173 [light music playing] 192 00:07:53,239 --> 00:07:55,842 ♪ ♪ 193 00:07:55,942 --> 00:07:57,869 - Ah. [chuckles] 194 00:07:57,969 --> 00:08:00,647 [bell chimes] 195 00:08:00,714 --> 00:08:02,766 Hello? 196 00:08:02,799 --> 00:08:06,820 - We're closed. 197 00:08:06,920 --> 00:08:13,994 ♪ ♪ 198 00:08:48,194 --> 00:08:50,363 [thuds] [floorboard creaks] 199 00:08:52,866 --> 00:08:54,317 - Excuse me. 200 00:08:54,350 --> 00:08:56,169 [ominous music] 201 00:08:56,236 --> 00:08:57,695 W-who are you? 202 00:08:57,762 --> 00:09:04,477 ♪ ♪ 203 00:09:04,511 --> 00:09:06,371 - I'm a big fan of your work. 204 00:09:06,438 --> 00:09:10,316 ♪ ♪ 205 00:09:10,450 --> 00:09:12,052 [chilling tone] 206 00:09:12,152 --> 00:09:16,840 ♪ ♪ 207 00:09:16,873 --> 00:09:19,893 [dramatic music] 208 00:09:19,993 --> 00:09:27,025 ♪ ♪ 209 00:09:35,058 --> 00:09:35,241 . 210 00:09:35,308 --> 00:09:37,510 [The Chords' "Sh-Boom"] - ♪ Day dong da ding-dong ♪ 211 00:09:37,577 --> 00:09:39,045 ♪ Sha-lang da lang-a-lang ♪ 212 00:09:39,078 --> 00:09:41,706 [scatting] 213 00:09:41,739 --> 00:09:43,850 ♪ Oh, life could be a dream ♪ 214 00:09:43,983 --> 00:09:47,921 ♪ If I could take you up in paradise up above ♪ 215 00:09:47,987 --> 00:09:51,024 ♪ If you would tell me I'm the only one that you love ♪ 216 00:09:51,057 --> 00:09:52,417 ♪ Life could be a dream ♪ 217 00:09:52,484 --> 00:09:53,693 - I know what you're doing. 218 00:09:53,726 --> 00:09:55,695 - ♪ Hello, hello again, sh-boom ♪ 219 00:09:55,829 --> 00:09:56,963 - Where's Barney? 220 00:09:57,063 --> 00:09:58,932 These are not mine. 221 00:09:58,998 --> 00:10:00,600 Where's Barney? 222 00:10:00,700 --> 00:10:03,061 - ♪ My precious plans would come true ♪ 223 00:10:03,094 --> 00:10:06,389 ♪ If you would let me spend my whole life loving you ♪ 224 00:10:06,422 --> 00:10:11,436 ♪ Life could be a dream, sweetheart ♪ 225 00:10:11,503 --> 00:10:15,548 ♪ Now every time I look at you ♪ 226 00:10:15,615 --> 00:10:19,277 ♪ Something is on my mind ♪ 227 00:10:19,344 --> 00:10:22,722 ♪ If you do what I want you to ♪ 228 00:10:22,755 --> 00:10:25,792 [crashing] 229 00:10:26,993 --> 00:10:28,595 ♪ Sh-boom, sh-boom ♪ 230 00:10:28,628 --> 00:10:29,796 ♪ La-la-la-la-la-la la-la-la-la ♪ 231 00:10:29,863 --> 00:10:32,432 ♪ Sh-boom ♪ 232 00:10:32,499 --> 00:10:34,434 ♪ Sh-boom, sh-boom ♪ 233 00:10:34,467 --> 00:10:36,269 ♪ La-la-la-la-la-la la-la-la-la ♪ 234 00:10:36,336 --> 00:10:38,204 ♪ Sh-boom, sh-boom ♪ 235 00:10:38,304 --> 00:10:40,106 ♪ La-la-la-la-la-la la-la-la-la ♪ 236 00:10:40,173 --> 00:10:41,875 ♪ Sh-boom, sh-boom ♪ 237 00:10:41,975 --> 00:10:43,610 ♪ La-la-la-la-la-la la-la-la-la ♪ 238 00:10:43,676 --> 00:10:46,137 ♪ Sh-boom, sh-boom ♪ 239 00:10:46,204 --> 00:10:47,447 - I know what you're doing. 240 00:10:47,514 --> 00:10:48,715 I know what you're doing! 241 00:10:48,781 --> 00:10:50,984 [crashing] 242 00:10:51,050 --> 00:10:53,920 - ♪ Sh-boom, sh-boom ♪ 243 00:10:54,053 --> 00:10:54,921 - Where's Barney? 244 00:10:55,054 --> 00:10:56,489 Where's Barney? 245 00:10:59,058 --> 00:11:00,894 - ♪ Sh-boom, sh-boom ♪ 246 00:11:00,994 --> 00:11:02,445 ♪ La-la-la-la-la-la la-la-la-la ♪ 247 00:11:02,478 --> 00:11:03,446 ♪ Sh-boom ♪ 248 00:11:03,479 --> 00:11:06,299 [monitor beeping] 249 00:11:06,366 --> 00:11:10,061 - ♪ Every time I look at you ♪ 250 00:11:10,128 --> 00:11:13,540 ♪ Something is on my mind ♪ 251 00:11:13,606 --> 00:11:15,833 ♪ If you do what I want you to ♪ 252 00:11:15,900 --> 00:11:18,011 - What's you name? 253 00:11:18,077 --> 00:11:19,404 - Peter. 254 00:11:19,470 --> 00:11:21,114 - It's nice to meet you. 255 00:11:21,147 --> 00:11:24,784 - What does a guy have to do to get a drink around here? 256 00:11:24,918 --> 00:11:26,411 - You're funny. 257 00:11:26,511 --> 00:11:27,912 - No, I'm not. 258 00:11:28,012 --> 00:11:29,956 I'm hilarious. 259 00:11:29,989 --> 00:11:32,125 - ♪ Life could be a dream, sweetheart ♪ 260 00:11:32,258 --> 00:11:34,360 - I think we've had a breakthrough, Dylan. 261 00:11:34,460 --> 00:11:36,296 - ♪ Sweetheart ♪ 262 00:11:36,329 --> 00:11:38,231 - You know, he's really good at that. 263 00:11:38,331 --> 00:11:40,033 I couldn't even see his mouth move. 264 00:11:40,099 --> 00:11:43,536 - Um, that's what ventriloquism is. 265 00:11:43,603 --> 00:11:47,040 - Dude's doing group therapy with himself. 266 00:11:47,106 --> 00:11:50,743 As far as Pit treatments go, that feels pretty normal. 267 00:11:50,810 --> 00:11:53,037 I mean, look, the dolls are weird, 268 00:11:53,104 --> 00:11:54,814 but we've seen womb therapy. 269 00:11:54,847 --> 00:11:56,541 - Yeah, well, according to his file, 270 00:11:56,608 --> 00:11:58,251 typical therapies failed to yield any results. 271 00:11:58,351 --> 00:12:00,253 And Dylan refused to speak to the Pit doctors, 272 00:12:00,353 --> 00:12:02,488 so eventually they leaned into his comfort zone. 273 00:12:02,522 --> 00:12:03,881 There's a precedent. 274 00:12:03,948 --> 00:12:05,116 It's a variation of gestalt therapy's 275 00:12:05,183 --> 00:12:06,759 empty chair technique. 276 00:12:06,826 --> 00:12:08,353 - I heard of that. 277 00:12:08,386 --> 00:12:10,455 Basically, the patient has a conversation 278 00:12:10,555 --> 00:12:13,433 with an empty chair, which is supposed to represent 279 00:12:13,499 --> 00:12:15,868 the person he has a conflict with, 280 00:12:15,902 --> 00:12:18,838 giving them a chance to talk out their repressed emotions. 281 00:12:18,905 --> 00:12:20,231 - Yeah, you're right. 282 00:12:20,298 --> 00:12:21,566 So, Dylan, with the dummies, 283 00:12:21,633 --> 00:12:23,910 it allowed him to feel in control of every conversation, 284 00:12:24,010 --> 00:12:25,737 allowing him to externalize his inner world. 285 00:12:25,803 --> 00:12:28,114 - Because he can play patient and therapist. 286 00:12:28,214 --> 00:12:30,016 - He even went so far as to name the dummies. 287 00:12:30,083 --> 00:12:32,485 According to this, Peter and Debbie had 288 00:12:32,552 --> 00:12:34,454 fully developed personalities. 289 00:12:34,554 --> 00:12:37,323 So while Dylan's playing therapy with the dummies, 290 00:12:37,423 --> 00:12:38,858 the doctors have a unique insight 291 00:12:38,925 --> 00:12:41,027 into his core trauma, which was the public shame 292 00:12:41,127 --> 00:12:42,654 of being teased. 293 00:12:42,720 --> 00:12:44,664 - I can't really remember the first time he teased me. 294 00:12:44,764 --> 00:12:46,157 I was six or eight. 295 00:12:46,257 --> 00:12:48,384 - What do you remember? 296 00:12:48,418 --> 00:12:49,769 - Anger. 297 00:12:49,836 --> 00:12:51,437 - He shouldn't have treated you that way. 298 00:12:51,504 --> 00:12:53,139 - He got what he deserved. 299 00:12:53,206 --> 00:12:56,559 I punched him in the stomach, watched him gasp for air. 300 00:12:56,592 --> 00:12:59,112 It was hilarious. 301 00:12:59,178 --> 00:13:01,272 Hey, Dylan, want to hear a joke? 302 00:13:01,339 --> 00:13:02,949 - Sure, Peter, I'd love to. 303 00:13:03,016 --> 00:13:06,519 - What's the difference between a Lamborghini and a dead body? 304 00:13:06,619 --> 00:13:08,621 - I don't know, what? 305 00:13:08,688 --> 00:13:11,124 - I've never had a Lamborghini in my garage. 306 00:13:11,224 --> 00:13:14,252 [maniacal laughter] - [chuckles] 307 00:13:15,728 --> 00:13:16,896 - All right, that's enough of that. 308 00:13:17,030 --> 00:13:18,798 We get the point. 309 00:13:18,865 --> 00:13:22,602 - Well, at least he's not smashing the dummies, yeah? 310 00:13:22,669 --> 00:13:25,071 - Well, speaking of, it says here these dolls were 311 00:13:25,104 --> 00:13:27,807 handmade by Nicholas Fletcher. 312 00:13:29,367 --> 00:13:31,577 - Wait, the guy who Dylan just put in a coma? 313 00:13:31,644 --> 00:13:35,473 - He was special ordered by Pit doctors. 314 00:13:35,540 --> 00:13:39,102 - You think Dylan knew that? 315 00:13:39,135 --> 00:13:40,453 - That's right. 316 00:13:40,486 --> 00:13:42,021 Nicholas Fletcher signs the head stick 317 00:13:42,088 --> 00:13:43,523 on every doll he ever made. 318 00:13:43,589 --> 00:13:46,459 - I've been his assistant for five years now. 319 00:13:46,492 --> 00:13:49,262 I can't believe this happened to him. 320 00:13:49,295 --> 00:13:51,464 The guy is a legend. 321 00:13:51,497 --> 00:13:53,725 Nicholas Fletcher is the preeminent figure maker 322 00:13:53,791 --> 00:13:56,060 in the United States. 323 00:13:56,127 --> 00:13:58,338 You ever heard of Slappy Sammy? 324 00:13:58,404 --> 00:14:01,332 [somber music] 325 00:14:01,399 --> 00:14:02,608 ♪ ♪ 326 00:14:02,742 --> 00:14:04,610 Jeff Miller uses him in his act, 327 00:14:04,677 --> 00:14:05,945 and Nicholas made him. 328 00:14:05,978 --> 00:14:07,338 - So if you're in this world, 329 00:14:07,405 --> 00:14:08,915 you've definitely heard of Nicholas. 330 00:14:09,015 --> 00:14:10,641 - Oh, yeah. 331 00:14:14,587 --> 00:14:17,515 [ominous music] 332 00:14:17,582 --> 00:14:23,730 ♪ ♪ 333 00:14:23,796 --> 00:14:25,631 - Whoa. 334 00:14:25,698 --> 00:14:27,133 Thought this guy liked dolls. 335 00:14:27,266 --> 00:14:28,534 - Victim's blood. 336 00:14:30,570 --> 00:14:33,664 - This is definitely not what I expected. 337 00:14:33,698 --> 00:14:36,109 Pre-Pit Dylan, he would beat his victims to death, 338 00:14:36,209 --> 00:14:38,911 but then leave their homes relatively untouched. 339 00:14:39,011 --> 00:14:41,247 Now he's shooting an old man without laying a hand on him 340 00:14:41,314 --> 00:14:42,849 and trashing the whole shop? 341 00:14:42,882 --> 00:14:44,650 - It's like his early days at the Pit when he was 342 00:14:44,751 --> 00:14:47,320 smashing all his puppets. 343 00:14:47,387 --> 00:14:51,224 - Why come all the way here to do that, though? 344 00:14:51,290 --> 00:14:54,719 - None of these look like Debbie or Peter. 345 00:14:54,786 --> 00:14:56,429 ♪ ♪ 346 00:14:56,529 --> 00:14:58,498 - OK, you're Dylan. 347 00:14:58,531 --> 00:15:00,625 You leave the Pit and you lose your ventriloquist dummies 348 00:15:00,725 --> 00:15:01,834 in the blast. 349 00:15:01,901 --> 00:15:03,636 So you look up the guy that made them. 350 00:15:03,736 --> 00:15:05,738 You come here to repair or replace them. 351 00:15:05,805 --> 00:15:09,475 - But you don't find what you're looking for. 352 00:15:09,542 --> 00:15:13,513 So you go nuts and you trash the place. 353 00:15:13,546 --> 00:15:15,665 - So where does Dylan go from here? 354 00:15:17,250 --> 00:15:20,787 - I think Dylan came here to find another Peter and Debbie, 355 00:15:20,887 --> 00:15:24,482 and I don't think he's gonna stop looking until he does. 356 00:15:24,582 --> 00:15:25,758 Give me a sec. 357 00:15:27,585 --> 00:15:30,046 [doll squeaks] 358 00:15:30,079 --> 00:15:33,549 [pensive music] 359 00:15:33,583 --> 00:15:34,600 - Hi. 360 00:15:34,700 --> 00:15:36,636 I'm so sorry to bother you. 361 00:15:36,736 --> 00:15:38,704 I need to see Nicholas's sales records, 362 00:15:38,838 --> 00:15:40,273 names, numbers, 363 00:15:40,373 --> 00:15:42,208 anyone who might have bought a dummy from him. 364 00:15:42,341 --> 00:15:43,976 - I told the cops already. 365 00:15:44,076 --> 00:15:47,346 Nicholas's ledger, it's gone. 366 00:15:47,413 --> 00:15:49,549 - What about computer records? 367 00:15:49,582 --> 00:15:51,776 - No, Nicholas is old school. 368 00:15:51,843 --> 00:15:54,120 He only keeps handwritten records. 369 00:15:54,187 --> 00:15:55,755 Sorry. 370 00:15:55,788 --> 00:15:57,356 - Thank you. 371 00:15:57,423 --> 00:15:59,283 Hey, guys. 372 00:15:59,350 --> 00:16:01,727 Looks like Dylan stole Fletcher's sales ledger. 373 00:16:01,761 --> 00:16:03,588 If he's looking for another Debbie and Peter-- 374 00:16:03,621 --> 00:16:06,357 - That means anyone who's ever bought either of them 375 00:16:06,457 --> 00:16:09,101 is in danger. 376 00:16:09,135 --> 00:16:11,304 - Hey, Morales, I need you to scrub the internet. 377 00:16:11,370 --> 00:16:13,264 Look for anyone who's posted about or with 378 00:16:13,297 --> 00:16:14,866 a Peter and Debbie dummy. - On it. 379 00:16:14,966 --> 00:16:15,908 - Keep us posted, OK? 380 00:16:16,008 --> 00:16:17,510 - OK, get you something when I have it. 381 00:16:17,577 --> 00:16:24,650 ♪ ♪ 382 00:16:42,627 --> 00:16:43,786 - [screams] 383 00:16:43,819 --> 00:16:46,672 [chilling music] 384 00:16:46,772 --> 00:16:53,846 ♪ ♪ 385 00:16:59,485 --> 00:17:03,014 [floorboard creaks] 386 00:17:03,080 --> 00:17:10,112 ♪ ♪ 387 00:17:13,966 --> 00:17:15,201 [gasps] 388 00:17:15,301 --> 00:17:17,870 ♪ ♪ 389 00:17:22,900 --> 00:17:23,042 . 390 00:17:23,226 --> 00:17:24,810 [helicopter whirring] 391 00:17:24,877 --> 00:17:28,247 [suspenseful music] 392 00:17:28,281 --> 00:17:30,383 - Got another one. Gary, Indiana. 393 00:17:30,483 --> 00:17:32,151 - Me too. Galveston, Texas. 394 00:17:32,218 --> 00:17:34,378 - But none of them are Peter or Debbies. 395 00:17:34,478 --> 00:17:35,655 - All right, get me addresses. 396 00:17:35,721 --> 00:17:37,323 I'll send the black and whites to keep a lookout. 397 00:17:37,390 --> 00:17:39,675 - I had no idea so many people had talking dolls. 398 00:17:39,709 --> 00:17:41,294 - Figures. - What does? 399 00:17:41,360 --> 00:17:45,489 - No, the community prefers the term figures over dolls. 400 00:17:45,556 --> 00:17:47,391 [computer beeps] 401 00:17:47,491 --> 00:17:49,160 - Oh, crud. - What is it? 402 00:17:49,193 --> 00:17:51,270 - A woman named Jane Hines was just found shot dead 403 00:17:51,337 --> 00:17:52,997 in her home 20 minutes from Fletcher's shop. 404 00:17:53,064 --> 00:17:54,165 - Is it our guy? 405 00:17:54,231 --> 00:17:56,175 - He was carrying a wooden figure. 406 00:17:56,242 --> 00:17:57,568 - Yeah, that'll do it. 407 00:17:57,635 --> 00:17:58,711 All right, get this to Bex. 408 00:17:58,811 --> 00:18:00,246 I'll call the locals and give them a heads up 409 00:18:00,346 --> 00:18:01,847 that the team's on the way. 410 00:18:01,948 --> 00:18:05,534 [distant siren blaring] [radio chatter] 411 00:18:05,568 --> 00:18:08,546 [somber music] 412 00:18:08,646 --> 00:18:11,924 ♪ ♪ 413 00:18:11,958 --> 00:18:15,052 [camera shutter clicking] 414 00:18:17,722 --> 00:18:19,899 - Jane didn't have any enemies. 415 00:18:19,966 --> 00:18:22,259 Everyone loved my sister. 416 00:18:22,326 --> 00:18:24,061 - I'm sure they did, ma'am. 417 00:18:25,763 --> 00:18:27,198 Y'all must be the Feds. 418 00:18:27,264 --> 00:18:28,524 We heard you were coming. 419 00:18:28,591 --> 00:18:30,334 - Yeah, your sergeant already briefed us. 420 00:18:30,401 --> 00:18:32,269 We'll take it from here. 421 00:18:32,336 --> 00:18:34,438 - I'm sorry for your loss, ma'am. 422 00:18:34,505 --> 00:18:38,034 ♪ ♪ 423 00:18:38,100 --> 00:18:39,710 - Why don't you give me a minute? 424 00:18:39,777 --> 00:18:41,120 - Sure, yeah. 425 00:18:44,882 --> 00:18:46,592 - It's Kari, right? 426 00:18:46,692 --> 00:18:47,952 - Yes. 427 00:18:48,052 --> 00:18:49,729 - Do you mind if I ask you a couple questions? 428 00:18:49,795 --> 00:18:51,047 - Of course. 429 00:18:51,113 --> 00:18:54,066 But I don't know anything. 430 00:18:54,133 --> 00:18:55,760 - You might know more than you think. 431 00:18:55,860 --> 00:18:58,629 ♪ ♪ 432 00:18:58,729 --> 00:19:02,375 This might sound odd, but did your sister own 433 00:19:02,441 --> 00:19:05,269 any dolls made by a man named Nicholas Fletcher? 434 00:19:05,369 --> 00:19:06,904 - A doll? 435 00:19:06,971 --> 00:19:08,280 No. 436 00:19:08,381 --> 00:19:10,941 Jane really wasn't the doll type. 437 00:19:11,042 --> 00:19:14,420 ♪ ♪ 438 00:19:14,520 --> 00:19:16,072 - What is it? 439 00:19:17,990 --> 00:19:21,594 - Well, that name, Nicholas Fletcher-- 440 00:19:21,660 --> 00:19:24,747 I've heard it before. 441 00:19:24,814 --> 00:19:27,833 [phone buzzing] 442 00:19:27,900 --> 00:19:29,468 - It's Lazarus. 443 00:19:29,535 --> 00:19:31,303 Says she leaves for DC tomorrow, 444 00:19:31,404 --> 00:19:33,005 but she's down for dinner tonight 445 00:19:33,105 --> 00:19:34,874 if we make it back in time. 446 00:19:34,907 --> 00:19:36,667 - Well, sounds like she's taking the bait. 447 00:19:36,767 --> 00:19:38,878 Nice work. - Hey. 448 00:19:38,944 --> 00:19:41,814 So turns out Jane didn't own a dummy, 449 00:19:41,881 --> 00:19:43,849 she was the inspiration for one. 450 00:19:43,949 --> 00:19:45,284 - What? 451 00:19:45,384 --> 00:19:47,253 - According to the sister, she met Nicholas at a county fair, 452 00:19:47,286 --> 00:19:49,221 and he asked if she would model for one of the dummies. 453 00:19:49,288 --> 00:19:51,991 - Debbie the dummy is based on Jane. 454 00:19:52,091 --> 00:19:53,692 I don't know why, but that makes all of this 455 00:19:53,759 --> 00:19:54,994 a lot creepier. 456 00:19:55,094 --> 00:19:57,154 - So maybe Dylan shows up, looking to meet 457 00:19:57,254 --> 00:19:58,789 the real-life version of his doll. 458 00:19:58,823 --> 00:20:00,649 He freaks her out, things go bad, and he kills her. 459 00:20:00,683 --> 00:20:02,368 - I mean, if a guy's showing up at my front doorstep 460 00:20:02,435 --> 00:20:03,636 saying he lived in a missile silo 461 00:20:03,736 --> 00:20:05,963 for eight years playing with a doll version of me, 462 00:20:05,996 --> 00:20:07,673 yeah, I think he might be nuts. 463 00:20:07,740 --> 00:20:09,041 - Yeah, sure. 464 00:20:09,108 --> 00:20:11,035 But if Jane rejected him or called him crazy, 465 00:20:11,135 --> 00:20:13,446 why didn't he beat her like he did all the other victims 466 00:20:13,512 --> 00:20:14,780 who humiliated him? 467 00:20:14,847 --> 00:20:16,273 - No, you're right. 468 00:20:16,340 --> 00:20:18,342 Shooting her in the head is perfunctory, not rage-driven. 469 00:20:18,442 --> 00:20:21,454 - But even if Dylan just came here looking for answers, 470 00:20:21,520 --> 00:20:23,489 how did he even know about this woman? 471 00:20:23,556 --> 00:20:24,949 - I spoke to Ronnie, 472 00:20:24,982 --> 00:20:26,258 Nicholas Fletcher's assistant. 473 00:20:26,292 --> 00:20:28,552 Apparently what makes every Nicholas Fletcher dummy 474 00:20:28,619 --> 00:20:30,221 so special is the fact that they're 475 00:20:30,321 --> 00:20:32,331 all based off of real people. 476 00:20:32,431 --> 00:20:34,325 That ledger wasn't just a bill of sales, 477 00:20:34,391 --> 00:20:37,303 it had a record of every real person whose likeness he used. 478 00:20:37,369 --> 00:20:39,004 - And now Dylan has that too. 479 00:20:39,105 --> 00:20:41,006 OK, so if Jane is the basis for the Debbie dummy, 480 00:20:41,107 --> 00:20:43,300 then we need to figure out who the inspiration for Peter is. 481 00:20:43,334 --> 00:20:45,211 That's where he's going next. 482 00:20:45,277 --> 00:20:48,180 [wild laughter on TV] 483 00:20:48,247 --> 00:20:51,509 [suspenseful music] 484 00:20:51,542 --> 00:20:55,354 - I actually like you a lot more now, Jeff. 485 00:20:55,421 --> 00:20:58,182 [laughter] 486 00:20:58,215 --> 00:21:02,228 So was it love at first sight? - Pretty much. 487 00:21:02,294 --> 00:21:04,488 - I asked Nicholas Fletcher very nicely 488 00:21:04,522 --> 00:21:06,031 to make me another Peter doll. 489 00:21:06,132 --> 00:21:07,366 Huh. 490 00:21:07,433 --> 00:21:09,902 And he still refused. 491 00:21:09,969 --> 00:21:13,506 - Are you gonna let me go when you're done? 492 00:21:13,572 --> 00:21:16,233 Please, talk to me. 493 00:21:16,333 --> 00:21:20,838 ♪ ♪ 494 00:21:20,871 --> 00:21:24,041 - That scar is new. 495 00:21:24,108 --> 00:21:26,610 What happened? 496 00:21:26,677 --> 00:21:28,754 - R-rock climbing. 497 00:21:28,854 --> 00:21:30,055 - Hmm. 498 00:21:30,122 --> 00:21:31,290 Interesting. 499 00:21:31,390 --> 00:21:33,584 I hear it's very dangerous. 500 00:21:33,684 --> 00:21:36,395 ♪ ♪ 501 00:21:36,462 --> 00:21:39,548 - [sobbing] 502 00:21:43,135 --> 00:21:45,871 - Please, stay still. 503 00:21:45,905 --> 00:21:49,642 Peter needs to look just like you. 504 00:21:49,708 --> 00:21:51,560 [chilling tone] 505 00:21:53,579 --> 00:21:55,381 - Hey. You get something? 506 00:21:55,447 --> 00:21:57,575 - Yeah, speaking to Fletcher's assistant got me thinking. 507 00:21:57,641 --> 00:21:59,618 So I checked into Jane's finances. 508 00:21:59,685 --> 00:22:01,545 - Smart. And? 509 00:22:01,612 --> 00:22:03,480 - And in Jane's bank statement, 510 00:22:03,547 --> 00:22:05,816 I found a $500 money order that Fletcher sent 511 00:22:05,916 --> 00:22:07,426 to her back in 2015. 512 00:22:07,493 --> 00:22:08,928 - So we can now then go-- - Already did. 513 00:22:08,994 --> 00:22:10,462 - Here are all the money orders 514 00:22:10,563 --> 00:22:11,597 that Nicholas Fletcher ever sent. 515 00:22:11,664 --> 00:22:13,916 And here are who he sent them to. 516 00:22:13,983 --> 00:22:15,501 - Morales, can you enlarge 517 00:22:15,601 --> 00:22:18,095 four in, second row from the bottom? 518 00:22:18,162 --> 00:22:21,599 Kind of looks like the Peter doll, right? 519 00:22:21,665 --> 00:22:22,908 - Keith Jones. 520 00:22:22,975 --> 00:22:24,710 - Looks like he's a Nebraska native. 521 00:22:24,777 --> 00:22:26,278 Lives just over the Wyoming state line in Scottsbluff. 522 00:22:26,345 --> 00:22:28,405 - I'll tell the team. 523 00:22:28,439 --> 00:22:30,107 - Then get your gun. 524 00:22:30,174 --> 00:22:31,575 You too, Ben. 525 00:22:31,609 --> 00:22:33,219 We're way closer than Bex and the team. 526 00:22:33,285 --> 00:22:34,987 I'll tell them we got this. 527 00:22:35,087 --> 00:22:38,023 [tense music] 528 00:22:38,123 --> 00:22:41,360 ♪ ♪ 529 00:22:41,427 --> 00:22:42,862 [tires screech] 530 00:22:45,089 --> 00:22:52,037 ♪ ♪ 531 00:22:57,109 --> 00:22:59,536 - Ben. 532 00:22:59,603 --> 00:23:06,635 ♪ ♪ 533 00:23:32,636 --> 00:23:39,585 ♪ ♪ 534 00:23:45,816 --> 00:23:48,185 - Looks like Dylan took off. 535 00:23:48,252 --> 00:23:49,420 Gun! 536 00:23:49,520 --> 00:23:52,097 [gunshots] 537 00:23:52,164 --> 00:23:53,265 [groans] 538 00:23:53,332 --> 00:23:54,500 [dramatic music] 539 00:23:54,566 --> 00:23:56,393 [gunshots] 540 00:23:56,493 --> 00:24:03,442 ♪ ♪ 541 00:24:06,103 --> 00:24:07,212 - Peck's hit. 542 00:24:07,279 --> 00:24:08,247 - Which way? 543 00:24:08,314 --> 00:24:09,715 - He went out the back. 544 00:24:09,782 --> 00:24:11,617 - [Peck groans] - You're gonna be OK. 545 00:24:11,650 --> 00:24:12,776 Just hang in there, John. 546 00:24:12,843 --> 00:24:14,853 We're gonna get you to a hospital. 547 00:24:14,920 --> 00:24:16,714 [breathing heavily] 548 00:24:16,780 --> 00:24:18,207 You got this. 549 00:24:18,273 --> 00:24:20,626 [dramatic music] 550 00:24:25,656 --> 00:24:25,798 . 551 00:24:26,023 --> 00:24:27,766 [suspenseful music] 552 00:24:27,800 --> 00:24:28,901 - Dylan's in the wind. 553 00:24:28,934 --> 00:24:30,469 He had a car stashed out back. 554 00:24:30,536 --> 00:24:32,137 I lost him. How is he? 555 00:24:32,204 --> 00:24:33,739 - [groans] - He needs a hospital. 556 00:24:33,839 --> 00:24:35,374 Hep me get him outside. 557 00:24:35,474 --> 00:24:36,976 - [groaning] 558 00:24:37,042 --> 00:24:38,210 - OK. 559 00:24:38,277 --> 00:24:39,536 - We passed a hospital in Bluffside, 560 00:24:39,603 --> 00:24:40,546 just a few miles back. 561 00:24:40,646 --> 00:24:41,880 - Stay here. Secure the scene. 562 00:24:41,947 --> 00:24:43,282 Tell Bex and the guys what happened. 563 00:24:43,315 --> 00:24:44,875 We need to find Dylan. 564 00:24:44,942 --> 00:24:47,786 [jet engine whirring] 565 00:24:47,886 --> 00:24:49,121 - OK. 566 00:24:49,221 --> 00:24:51,023 One sec. 567 00:24:51,090 --> 00:24:52,825 - Yo. - Can you guys see me OK? 568 00:24:52,891 --> 00:24:54,318 - Yeah, we got you, Ben. What's up? 569 00:24:54,418 --> 00:24:56,428 - What happened? - Dylan ambushed us. 570 00:24:56,495 --> 00:24:57,930 Keith was dead before we got here, 571 00:24:57,996 --> 00:24:59,131 and Peck got shot. - What? 572 00:24:59,231 --> 00:25:00,399 Is he OK? - Where did he get hit? 573 00:25:00,466 --> 00:25:01,592 - Bullet clipped him in the side. 574 00:25:01,658 --> 00:25:02,726 He was bleeding a lot. 575 00:25:02,793 --> 00:25:03,936 - OK. Why aren't you with him? 576 00:25:04,036 --> 00:25:05,371 - Morales is taking him to the hospital. 577 00:25:05,437 --> 00:25:06,839 She asked me to stay behind and walk you 578 00:25:06,905 --> 00:25:08,465 through the crime scene. - Love that woman. 579 00:25:08,499 --> 00:25:09,933 All right, give it to us. 580 00:25:10,000 --> 00:25:11,343 - You seeing all this? 581 00:25:11,443 --> 00:25:13,137 - Uh-huh. 582 00:25:13,170 --> 00:25:14,279 Oh, what's that? 583 00:25:14,380 --> 00:25:15,739 - What? - No, back. 584 00:25:15,806 --> 00:25:17,674 The box on the table. Yeah. 585 00:25:17,741 --> 00:25:19,843 - It looks like a doll-making kit. 586 00:25:19,943 --> 00:25:21,987 Eyeballs, paint-- 587 00:25:22,021 --> 00:25:24,848 Dylan stole it from Nicholas Fletcher's shop. 588 00:25:24,915 --> 00:25:27,518 - He's remaking the dummies. 589 00:25:27,618 --> 00:25:28,761 He lost Peter and Debbie in the blast, 590 00:25:28,794 --> 00:25:30,462 so now he's visiting the inspirations 591 00:25:30,496 --> 00:25:32,097 that they were based on in order to remake them. 592 00:25:32,197 --> 00:25:33,590 I mean, look at the kit. 593 00:25:33,657 --> 00:25:35,926 You don't lug that around unless you're using it. 594 00:25:35,993 --> 00:25:37,636 There were some unfinished, blank-faced dummies 595 00:25:37,736 --> 00:25:38,804 at the workshop. 596 00:25:38,904 --> 00:25:40,264 That's why he went there. 597 00:25:40,330 --> 00:25:41,640 So now he's got the dummy, the dummy-making kit. 598 00:25:41,673 --> 00:25:43,509 He's remade Peter and Debbie. 599 00:25:43,542 --> 00:25:45,744 - OK, he's got his dolls, so where does he go next? 600 00:25:45,778 --> 00:25:47,646 - Oh, and why smash up the place? 601 00:25:47,713 --> 00:25:49,381 I mean, look at that TV. 602 00:25:49,448 --> 00:25:51,608 Looks like he's used it as a punching bag. 603 00:25:51,675 --> 00:25:54,286 - What are those videos on the ground? 604 00:25:54,353 --> 00:25:56,722 - It seems like a mixed bag of comedy shows, 605 00:25:56,822 --> 00:26:00,159 solo performances, bootleg specials, 606 00:26:00,259 --> 00:26:02,853 how-to comedian videos. 607 00:26:02,886 --> 00:26:04,263 - Wait, no, back it up. 608 00:26:04,329 --> 00:26:06,990 That open DVD, what is that? 609 00:26:07,057 --> 00:26:10,302 - "Live with Jeff Miller and Mr. Bonkers: 610 00:26:10,369 --> 00:26:12,070 A Killer Good Time." 611 00:26:12,137 --> 00:26:14,231 - You don't think Jeff modeled Mr. Bonkers 612 00:26:14,331 --> 00:26:16,400 after Dylan, do you? 613 00:26:16,500 --> 00:26:18,869 - That's exactly what I think. 614 00:26:18,902 --> 00:26:20,145 - Hi, everybody. 615 00:26:20,212 --> 00:26:22,014 I'm Jeff, and this is my friend, Mr. Bonkers. 616 00:26:22,114 --> 00:26:23,415 Come on out, Mr. Bonkers. 617 00:26:23,482 --> 00:26:25,684 Say hi. - I don't wanna. 618 00:26:25,717 --> 00:26:26,910 - Why not? 619 00:26:27,010 --> 00:26:28,454 What's there to be afraid of? 620 00:26:28,520 --> 00:26:31,081 - It's just so humiliating. 621 00:26:31,148 --> 00:26:32,257 - What? 622 00:26:32,357 --> 00:26:33,826 Nobody's gonna laugh at you. 623 00:26:33,892 --> 00:26:36,695 - I know. That's the trouble. 624 00:26:36,795 --> 00:26:39,590 No one laughs. 625 00:26:39,656 --> 00:26:40,858 - Well-- 626 00:26:40,924 --> 00:26:43,802 - But if I can't kill 'em with comedy, 627 00:26:43,869 --> 00:26:46,705 I'll hammer home the humor. 628 00:26:46,738 --> 00:26:49,600 [maniacal laughter] 629 00:26:49,700 --> 00:26:52,611 [applause] 630 00:26:52,678 --> 00:26:54,246 - That's a bit violent, isn't it? 631 00:26:54,346 --> 00:26:55,514 - And? 632 00:26:55,581 --> 00:26:57,049 - Well, you can't just go around killing people. 633 00:26:57,082 --> 00:26:58,383 - Why not? 634 00:26:58,484 --> 00:27:03,055 How do you think I got these nifty striped pajamas? 635 00:27:03,088 --> 00:27:05,624 [laughter] 636 00:27:05,691 --> 00:27:08,560 - I'm guessing Dylan wasn't too flattered about this. 637 00:27:08,660 --> 00:27:10,596 - Nope. It's the ultimate form of heckling. 638 00:27:10,696 --> 00:27:12,931 If anything could trigger Dylan's rage, it'd be this. 639 00:27:13,031 --> 00:27:14,366 So he gets out of the Pit, 640 00:27:14,466 --> 00:27:16,268 finds out that another comic got famous using him 641 00:27:16,368 --> 00:27:18,637 as the punchline. 642 00:27:18,704 --> 00:27:20,973 [tense music] 643 00:27:21,073 --> 00:27:22,474 He's going after Jeff next. 644 00:27:22,574 --> 00:27:28,747 ♪ ♪ 645 00:27:28,780 --> 00:27:31,750 - Well, here we are. 646 00:27:31,850 --> 00:27:34,253 Beautiful house. 647 00:27:34,319 --> 00:27:36,922 All that touring money, must be nice. 648 00:27:36,955 --> 00:27:38,991 You know, the first time I ever saw the special, 649 00:27:39,057 --> 00:27:42,152 I was hiding out in a shelter right after the blast. 650 00:27:42,252 --> 00:27:46,665 They had a Goodwill with all these $0.99 DVDs. 651 00:27:46,765 --> 00:27:49,301 - Oh, my God, with the sob story. 652 00:27:49,401 --> 00:27:51,103 Why are we sitting on our asses? 653 00:27:51,136 --> 00:27:52,496 - Be nice. 654 00:27:52,596 --> 00:27:55,007 Dylan needs time to process everything, find his voice. 655 00:27:55,073 --> 00:27:56,775 - I think he's changing his mind. 656 00:27:56,808 --> 00:27:57,910 - I'm not. 657 00:27:57,976 --> 00:27:59,244 - You're making the right decision. 658 00:27:59,311 --> 00:28:00,612 It's been a long time coming. 659 00:28:00,646 --> 00:28:03,482 This guy's gonna get what he deserves. 660 00:28:03,582 --> 00:28:05,117 - What do you think, Dr. Debbie? 661 00:28:05,217 --> 00:28:07,085 - It's like I always say, Dylan, 662 00:28:07,119 --> 00:28:08,954 you need to make your own decisions. 663 00:28:09,054 --> 00:28:10,522 - He's a hack. 664 00:28:10,622 --> 00:28:16,995 ♪ ♪ 665 00:28:17,029 --> 00:28:18,422 - I want to hurt him. 666 00:28:18,488 --> 00:28:20,933 - Then I think it's important that you hurt him. 667 00:28:21,033 --> 00:28:23,293 - I want him to feel exactly how I felt 668 00:28:23,360 --> 00:28:26,171 the first time I saw that video. 669 00:28:26,204 --> 00:28:28,307 Hey, Peter. 670 00:28:28,407 --> 00:28:29,808 Knock, knock. 671 00:28:29,908 --> 00:28:31,210 - Who's there? 672 00:28:31,276 --> 00:28:32,769 - I'm-a. 673 00:28:32,836 --> 00:28:34,212 - I'm-a who? 674 00:28:34,313 --> 00:28:37,774 ♪ ♪ 675 00:28:37,841 --> 00:28:41,011 - I'm-a go kill Jeff. 676 00:28:48,961 --> 00:28:51,730 [ominous music] 677 00:28:51,830 --> 00:28:58,862 ♪ ♪ 678 00:29:03,567 --> 00:29:04,910 [glass clinking] 679 00:29:10,983 --> 00:29:12,918 - Knock, knock. 680 00:29:13,018 --> 00:29:14,244 ♪ ♪ 681 00:29:14,311 --> 00:29:15,220 - You-- 682 00:29:15,320 --> 00:29:17,322 - No. 683 00:29:17,389 --> 00:29:18,757 That's not how the joke goes. 684 00:29:18,857 --> 00:29:20,759 - You shouldn't be here. I'm calling the cops. 685 00:29:20,859 --> 00:29:22,694 ♪ ♪ 686 00:29:22,794 --> 00:29:24,963 - I saw your act, Jeff. 687 00:29:25,030 --> 00:29:26,932 I gotta say, I didn't laugh. 688 00:29:27,032 --> 00:29:29,101 ♪ ♪ 689 00:29:34,172 --> 00:29:34,272 . 690 00:29:34,498 --> 00:29:35,774 [siren blaring] 691 00:29:35,907 --> 00:29:36,867 - Morales. 692 00:29:36,933 --> 00:29:38,235 - Hey, Bex. 693 00:29:38,268 --> 00:29:39,603 - How's Peck? 694 00:29:39,736 --> 00:29:41,046 - He's still in surgery. 695 00:29:41,146 --> 00:29:42,914 He lost a lot of blood. 696 00:29:42,981 --> 00:29:44,941 I-I should have cleared the whole house before I-- 697 00:29:45,075 --> 00:29:46,543 - Hey, stop. 698 00:29:46,610 --> 00:29:48,754 Morales, none of this is your fault, OK? 699 00:29:48,787 --> 00:29:51,056 It was your quick thinking in getting him to the hospital, 700 00:29:51,089 --> 00:29:53,492 that is the reason he's alive. 701 00:29:53,558 --> 00:29:54,826 - Yeah. 702 00:29:54,893 --> 00:29:56,261 Yeah, OK. 703 00:29:56,361 --> 00:29:58,730 [tense music] 704 00:29:58,797 --> 00:30:01,958 - Look, I know that you and Peck are close, OK? 705 00:30:02,059 --> 00:30:03,226 When he comes out of surgery, 706 00:30:03,293 --> 00:30:04,394 it's gonna be your face 707 00:30:04,461 --> 00:30:06,263 that he wants to see. 708 00:30:07,773 --> 00:30:09,808 - Get this guy, Bex. 709 00:30:12,210 --> 00:30:13,779 - On it. 710 00:30:13,912 --> 00:30:20,944 ♪ ♪ 711 00:30:22,979 --> 00:30:25,624 - It was a joke. 712 00:30:25,657 --> 00:30:27,826 I thought you were dead. 713 00:30:27,926 --> 00:30:29,428 Please, 714 00:30:29,461 --> 00:30:32,064 just take the dummy. 715 00:30:32,130 --> 00:30:33,665 Let me go. 716 00:30:37,794 --> 00:30:39,838 - Stay still, please. 717 00:30:42,607 --> 00:30:45,310 - I'll do anything you want. 718 00:30:45,444 --> 00:30:46,812 Anything. 719 00:30:46,945 --> 00:30:51,883 ♪ ♪ 720 00:30:51,950 --> 00:30:54,302 - Jeff, 721 00:30:54,336 --> 00:30:55,554 meet Dead Jeff. 722 00:30:55,620 --> 00:31:00,559 ♪ ♪ 723 00:31:00,625 --> 00:31:03,820 What do you think? 724 00:31:03,854 --> 00:31:06,031 - You're insane. 725 00:31:06,131 --> 00:31:08,800 - I don't think he likes us. 726 00:31:08,900 --> 00:31:11,303 - Me neither. 727 00:31:11,336 --> 00:31:13,997 - And I don't care. 728 00:31:14,030 --> 00:31:15,507 - Me neither. 729 00:31:15,640 --> 00:31:18,210 ♪ ♪ 730 00:31:19,694 --> 00:31:21,705 - Hey, guys, police just got to the scene. 731 00:31:21,838 --> 00:31:23,248 Dylan and Jeff are both gone, 732 00:31:23,315 --> 00:31:24,683 but there's clear evidence of a struggle. 733 00:31:24,816 --> 00:31:26,651 - Is there a body? - No. 734 00:31:26,752 --> 00:31:28,186 And from the looks of it, 735 00:31:28,286 --> 00:31:29,671 this just became an abduction case. 736 00:31:29,704 --> 00:31:32,824 [dramatic music] 737 00:31:32,924 --> 00:31:34,893 [engine revs] 738 00:31:34,960 --> 00:31:37,863 [tense music] 739 00:31:37,996 --> 00:31:41,066 ♪ ♪ 740 00:31:41,199 --> 00:31:42,601 - Come on. 741 00:31:42,667 --> 00:31:44,803 Get up. 742 00:31:44,870 --> 00:31:47,873 - [panting] Please. 743 00:31:48,006 --> 00:31:52,360 ♪ ♪ 744 00:31:52,394 --> 00:31:54,813 [siren blaring, engine revving] 745 00:31:54,880 --> 00:31:56,915 - I sent you the security footage from Jeff's house. 746 00:31:57,048 --> 00:31:58,917 This is from 30 minutes ago. 747 00:31:58,984 --> 00:32:01,253 - He's keeping Jeff alive? 748 00:32:01,319 --> 00:32:02,754 - Well, he took him alive. 749 00:32:02,888 --> 00:32:04,556 Don't think the plan is to keep him that way. 750 00:32:04,656 --> 00:32:06,691 Question is, what is he gonna do with him? 751 00:32:06,758 --> 00:32:08,994 - OK, so Dylan's ultimate trigger is humiliation. 752 00:32:09,060 --> 00:32:10,862 It makes sense that he's going after Jeff. 753 00:32:10,929 --> 00:32:12,881 With Keith and Jane, their kills were pragmatic. 754 00:32:12,914 --> 00:32:14,024 He needed to remake his dummies. 755 00:32:14,090 --> 00:32:16,968 But Jeff is who he really wants. 756 00:32:17,035 --> 00:32:18,220 - Jeff! 757 00:32:18,253 --> 00:32:20,238 I didn't know you were coming in tonight. 758 00:32:20,305 --> 00:32:22,073 Hey, are you OK? 759 00:32:22,174 --> 00:32:24,309 [grunts, thuds] 760 00:32:24,376 --> 00:32:26,236 - You don't have to do this. 761 00:32:26,269 --> 00:32:28,104 - OK, well, if this is about humiliation 762 00:32:28,205 --> 00:32:30,106 like his other kills, then I would say 763 00:32:30,240 --> 00:32:32,117 he's planning something public. 764 00:32:32,250 --> 00:32:34,186 - For that, he'll need an audience. 765 00:32:34,252 --> 00:32:37,289 [indistinct chatter] 766 00:32:39,658 --> 00:32:42,594 [soft dramatic music] 767 00:32:42,727 --> 00:32:47,958 ♪ ♪ 768 00:32:48,091 --> 00:32:50,393 - Hello, folks. It's good to be back. 769 00:32:50,460 --> 00:32:52,838 We're gonna start the show a little early tonight. 770 00:32:52,904 --> 00:32:59,978 ♪ ♪ 771 00:33:02,781 --> 00:33:05,350 I want to introduce you to someone. 772 00:33:05,417 --> 00:33:07,769 This is Dead Jeff. 773 00:33:07,802 --> 00:33:10,689 [ominous music] 774 00:33:10,755 --> 00:33:12,224 ♪ ♪ 775 00:33:12,290 --> 00:33:13,275 Hey, Jeff. 776 00:33:13,308 --> 00:33:14,926 Looks like you had a rough night. 777 00:33:14,993 --> 00:33:16,428 - You should see the other guy. 778 00:33:16,461 --> 00:33:20,332 [laughter] 779 00:33:20,398 --> 00:33:23,001 [chilling music] 780 00:33:23,134 --> 00:33:24,903 - All right, Ben, what do you got? 781 00:33:24,936 --> 00:33:26,805 - There are 12 dedicated comedy clubs 782 00:33:26,905 --> 00:33:28,139 in the greater Denver area 783 00:33:28,206 --> 00:33:30,508 and another 18 venues promoting open mics tonight. 784 00:33:30,642 --> 00:33:32,102 We don't have time to check them all. 785 00:33:32,168 --> 00:33:34,479 - Wait, they both performed at a place in Boulder called 786 00:33:34,546 --> 00:33:36,773 the Colorado Comedy Club back in 2015. 787 00:33:36,840 --> 00:33:38,617 And it looks like a few years ago, 788 00:33:38,683 --> 00:33:39,843 Jeff Miller bought it. 789 00:33:39,976 --> 00:33:42,621 [suspenseful music] 790 00:33:42,687 --> 00:33:45,023 [siren blaring, engine revving] 791 00:33:45,123 --> 00:33:47,817 - You know Jeff, I don't think that was heaven. 792 00:33:47,851 --> 00:33:49,294 - Go to hell. 793 00:33:49,327 --> 00:33:52,447 [laughter] 794 00:33:54,858 --> 00:33:58,203 - How many of you recognize my friend here? 795 00:33:58,336 --> 00:34:00,472 Who knows who Dead Jeff is based on? 796 00:34:00,572 --> 00:34:01,965 - Jeff Miller. 797 00:34:02,032 --> 00:34:03,500 - You got it. 798 00:34:03,533 --> 00:34:05,669 This is Dead Jeff Miller. 799 00:34:05,702 --> 00:34:07,295 - Oh, you're hilarious. 800 00:34:10,031 --> 00:34:11,917 - But, you know, really, I should rename you 801 00:34:11,983 --> 00:34:14,019 Not Dead Yet Jeff. 802 00:34:14,052 --> 00:34:15,754 But what do you think? 803 00:34:15,820 --> 00:34:17,188 Should I kill him? 804 00:34:17,322 --> 00:34:20,692 ♪ ♪ 805 00:34:20,725 --> 00:34:22,294 I'm serious. 806 00:34:22,360 --> 00:34:25,096 Who here thinks I should kill Jeff? 807 00:34:25,163 --> 00:34:28,366 ♪ ♪ 808 00:34:28,400 --> 00:34:31,403 - Um, I don't. Does that count? 809 00:34:31,536 --> 00:34:34,522 [laughter] 810 00:34:34,556 --> 00:34:35,907 - No. 811 00:34:35,974 --> 00:34:37,375 Come on. 812 00:34:37,475 --> 00:34:39,110 Jeff "the Dud" Miller got famous 813 00:34:39,177 --> 00:34:40,512 off an act that wasn't his. 814 00:34:40,578 --> 00:34:41,738 He stole it. 815 00:34:41,871 --> 00:34:43,406 Did you all know that? 816 00:34:43,540 --> 00:34:45,917 Mr. Bonkers? 817 00:34:46,017 --> 00:34:47,786 Please. 818 00:34:47,852 --> 00:34:49,721 I say we kill him. 819 00:34:49,854 --> 00:34:54,593 ♪ ♪ 820 00:34:54,659 --> 00:34:56,461 Should I do it? 821 00:34:56,528 --> 00:34:58,088 - Whoo! 822 00:34:58,188 --> 00:34:59,764 [clapping] 823 00:34:59,864 --> 00:35:01,566 - Yeah? 824 00:35:01,600 --> 00:35:03,727 - No, no, don't do it! 825 00:35:05,537 --> 00:35:06,438 [crashes] 826 00:35:06,504 --> 00:35:09,407 [tense music] 827 00:35:09,541 --> 00:35:16,531 ♪ ♪ 828 00:35:26,524 --> 00:35:26,624 . 829 00:35:26,808 --> 00:35:29,060 [tires screech, siren blares] 830 00:35:29,127 --> 00:35:32,122 [suspenseful music] 831 00:35:32,188 --> 00:35:33,732 ♪ ♪ 832 00:35:33,765 --> 00:35:35,300 - Hey, watch your background. 833 00:35:35,367 --> 00:35:36,801 It's full of friendlies in there. 834 00:35:36,868 --> 00:35:38,670 - Copy that. I'll circle around the front. 835 00:35:38,737 --> 00:35:41,673 ♪ ♪ 836 00:35:41,740 --> 00:35:44,476 - [panting] Yeah, all right. 837 00:35:47,712 --> 00:35:49,080 That was just the warm-up. 838 00:35:49,114 --> 00:35:50,815 Buckle up, everyone. 839 00:35:50,915 --> 00:35:53,818 ♪ ♪ 840 00:35:53,885 --> 00:35:55,920 [crowd gasping] 841 00:35:55,954 --> 00:35:58,381 [panicked murmuring] 842 00:35:58,481 --> 00:35:59,591 - I'm calling the cops. 843 00:35:59,624 --> 00:36:02,052 - This isn't funny. - Oh, I disagree. 844 00:36:02,152 --> 00:36:04,462 I think it's hilarious. 845 00:36:04,496 --> 00:36:07,132 [screaming] 846 00:36:07,165 --> 00:36:08,600 - FBI, drop your weapon! 847 00:36:08,633 --> 00:36:10,301 - Everyone out! Get out. Get out the nearest exit. 848 00:36:10,368 --> 00:36:11,661 Keep your head low. Stay calm. 849 00:36:11,728 --> 00:36:13,455 Keep your heads down. Keep moving. 850 00:36:13,488 --> 00:36:14,639 You're all right, just keep moving. 851 00:36:14,706 --> 00:36:16,941 Get out. Everybody out. 852 00:36:16,975 --> 00:36:18,576 - It's over, Dylan. 853 00:36:18,676 --> 00:36:20,178 You made your point, OK? 854 00:36:20,278 --> 00:36:22,080 Let him go. - My point? 855 00:36:22,180 --> 00:36:23,281 He's a hack. 856 00:36:23,314 --> 00:36:24,949 Got famous using me as a prop. 857 00:36:25,083 --> 00:36:26,951 - And you wanted to humiliate him in return, right? 858 00:36:27,018 --> 00:36:28,578 Well done, you did that. 859 00:36:28,645 --> 00:36:30,355 - Just one more step, 860 00:36:30,422 --> 00:36:32,682 and I pop his head like a cherry. 861 00:36:32,749 --> 00:36:34,426 - You're not gonna do that. 862 00:36:34,526 --> 00:36:35,927 Think about it, Dylan. 863 00:36:36,027 --> 00:36:37,487 What's worse than dying? 864 00:36:37,520 --> 00:36:38,997 Let him live with this. 865 00:36:39,064 --> 00:36:41,132 He's the idiot who got humiliated on his own stage 866 00:36:41,266 --> 00:36:42,367 by his own dummy. 867 00:36:42,434 --> 00:36:44,369 He will never recover from that. 868 00:36:44,469 --> 00:36:48,406 ♪ ♪ 869 00:36:48,473 --> 00:36:52,335 You want to humiliate him forever? 870 00:36:52,368 --> 00:36:53,878 Don't kill him. Let him live. 871 00:36:53,978 --> 00:36:56,448 ♪ ♪ 872 00:36:56,548 --> 00:36:59,501 Dylan, put the gun down. 873 00:36:59,534 --> 00:37:01,219 - You're right. 874 00:37:03,288 --> 00:37:05,023 My job is done. 875 00:37:05,090 --> 00:37:07,475 Hey, Jeff, what's red and full of holes? 876 00:37:09,194 --> 00:37:10,678 Me. [gun clicks] 877 00:37:10,712 --> 00:37:12,397 [dramatic music] 878 00:37:12,464 --> 00:37:14,799 [thuds] No! 879 00:37:14,866 --> 00:37:16,401 Don't send me back. 880 00:37:16,468 --> 00:37:17,727 - I got him. Shane, get the gun. 881 00:37:17,794 --> 00:37:18,903 - Copy. 882 00:37:21,064 --> 00:37:23,533 - You OK? - All right. 883 00:37:23,566 --> 00:37:25,076 - Yeah. - You sure? 884 00:37:25,143 --> 00:37:26,578 - Thank you. - Come on. 885 00:37:26,644 --> 00:37:28,279 - Hey, Ben, we're gonna need an ambulance. 886 00:37:28,379 --> 00:37:29,848 - Copy, contacting dispatch. 887 00:37:29,981 --> 00:37:32,041 ETA ten minutes. 888 00:37:32,075 --> 00:37:35,587 [soft music] 889 00:37:35,653 --> 00:37:36,921 - Easy there. 890 00:37:39,124 --> 00:37:42,594 Those are some pretty heavy painkillers. 891 00:37:42,694 --> 00:37:45,213 - These pills are good. [chuckles] 892 00:37:45,246 --> 00:37:46,464 [winces] 893 00:37:46,531 --> 00:37:49,534 - Let's get you to bed before they wear off. 894 00:37:49,567 --> 00:37:51,102 - That sounds nice. 895 00:37:53,271 --> 00:37:55,607 Have I told you how beautiful you are? 896 00:37:55,673 --> 00:37:57,542 - [chuckles] OK there, Casanova. 897 00:37:57,609 --> 00:37:59,644 You can tell me that when you're sober. 898 00:37:59,711 --> 00:38:01,045 - Okay. 899 00:38:01,079 --> 00:38:03,448 - Shane just sat down to dinner with Lazarus. 900 00:38:03,548 --> 00:38:04,674 - Got it. 901 00:38:04,774 --> 00:38:06,317 Find anything on Noah Cyrus and the convoy? 902 00:38:06,417 --> 00:38:08,086 - Nothing in there. 903 00:38:08,153 --> 00:38:11,114 [melancholy rock music] 904 00:38:11,181 --> 00:38:18,213 ♪ ♪ 905 00:38:22,367 --> 00:38:27,972 - ♪ Sweet like honey ♪ 906 00:38:28,039 --> 00:38:32,477 ♪ Taken from the blade ♪ 907 00:38:32,577 --> 00:38:37,282 ♪ ♪ 908 00:38:37,348 --> 00:38:42,620 ♪ Joy dies slowly ♪ 909 00:38:42,654 --> 00:38:47,158 ♪ Don't let it go to waste ♪ 910 00:38:47,258 --> 00:38:52,430 ♪ ♪ 911 00:38:52,463 --> 00:38:56,601 ♪ Oh ♪ 912 00:38:56,668 --> 00:38:58,203 - Searched everything. 913 00:38:58,303 --> 00:38:59,671 This place is clean. 914 00:38:59,771 --> 00:39:02,123 - Yeah, because she's too smart to leave anything around 915 00:39:02,156 --> 00:39:03,541 for us to find. 916 00:39:03,608 --> 00:39:06,311 ♪ ♪ 917 00:39:06,377 --> 00:39:08,471 - ♪ It's dangerous ♪ 918 00:39:08,504 --> 00:39:10,632 - [groans] Getting shot hurts. 919 00:39:10,665 --> 00:39:12,408 - I don't know what you expected. 920 00:39:12,475 --> 00:39:14,452 Here, let me help you. 921 00:39:14,519 --> 00:39:16,588 There we go. 922 00:39:16,654 --> 00:39:18,189 - [grunts] 923 00:39:19,674 --> 00:39:22,277 - Hey, what happened here? 924 00:39:24,629 --> 00:39:26,965 You been out shooting a rifle or something? 925 00:39:27,098 --> 00:39:29,601 - Shh. 926 00:39:29,701 --> 00:39:31,769 - Uh-- - [groaning] 927 00:39:31,836 --> 00:39:33,905 - But I-I thought that you said you-- 928 00:39:34,005 --> 00:39:35,999 you didn't shoot. - [grunts] 929 00:39:36,032 --> 00:39:38,643 Secret stuff. 930 00:39:38,676 --> 00:39:40,511 - What do you mean? 931 00:39:40,545 --> 00:39:43,214 - We don't talk about missions. 932 00:39:44,616 --> 00:39:50,280 - ♪ How far can we go ♪ 933 00:39:50,380 --> 00:39:54,550 ♪ Till there's nothing left ♪ 934 00:39:54,617 --> 00:40:01,649 ♪ ♪ 935 00:40:06,237 --> 00:40:08,006 ♪ It's dangerous ♪ 936 00:40:08,039 --> 00:40:10,742 [gunfire banging] 937 00:40:14,404 --> 00:40:16,247 - Tango down. All clear. 938 00:40:16,347 --> 00:40:17,882 ♪ ♪ 939 00:40:17,949 --> 00:40:19,450 In position. 940 00:40:19,517 --> 00:40:22,453 ♪ ♪ 941 00:40:22,553 --> 00:40:25,523 - Breach. Breach. 942 00:40:25,556 --> 00:40:27,926 [explosion booms] 943 00:40:27,992 --> 00:40:31,829 [dramatic music] 944 00:40:31,930 --> 00:40:34,532 [gunshots] 945 00:40:34,599 --> 00:40:36,801 - Target eliminated. 946 00:40:36,868 --> 00:40:43,942 ♪ ♪ 947 00:41:09,033 --> 00:41:11,961 [dramatic music] 948 00:41:12,028 --> 00:41:19,060 ♪ ♪