1
00:00:16,466 --> 00:00:17,434
(GUNSHOT)

2
00:00:20,474 --> 00:00:23,180
I was shown a photograph
of two dead bodies in the snow.

3
00:00:23,180 --> 00:00:25,785
<i>The director of the refugee camp
was shot dead,</i>

4
00:00:25,785 --> 00:00:27,589
<i>along with
his head of communications.</i>

5
00:00:27,589 --> 00:00:29,291
In the manner
of the Russian FSB.

6
00:00:30,662 --> 00:00:31,564
ADILAH: (ON PHONE)
<i>I need to find out</i>

7
00:00:31,564 --> 00:00:32,498
<i>if she knows anything
about our plan.</i>

8
00:00:32,498 --> 00:00:34,603
Remember, once you've exposed
the cores

9
00:00:34,603 --> 00:00:36,273
of the radiology machines,

10
00:00:36,273 --> 00:00:38,745
you will have three minutes
to get them out of their casings

11
00:00:38,745 --> 00:00:40,649
and into the water
inside the lead containers.

12
00:00:40,649 --> 00:00:42,586
<i>Within one minute
of exposure to the cores,</i>

13
00:00:42,586 --> 00:00:43,521
<i>you'll be very sick.</i>

14
00:00:43,521 --> 00:00:45,525
<i>After two minutes,
you may be blind.</i>

15
00:00:45,525 --> 00:00:48,631
<i>After three minutes...
you will be dead.</i>

16
00:00:48,631 --> 00:00:49,767
MALIK: <i>If you know
you're being surveilled,</i>

17
00:00:49,767 --> 00:00:51,169
<i>why did you make a rendezvous?</i>

18
00:00:51,169 --> 00:00:52,806
We arranged the real rendezvous
on the plane

19
00:00:52,806 --> 00:00:54,543
because I knew
my phone would be bugged.

20
00:00:54,543 --> 00:00:56,881
Explain to me
why you're helping me.

21
00:00:56,881 --> 00:00:58,785
IMOGEN:
Obsession with annihilation,

22
00:00:58,785 --> 00:01:01,222
and those who seek it.

23
00:01:01,222 --> 00:01:02,793
I do need you
to do something for me.

24
00:01:02,793 --> 00:01:04,763
I want confirmation
that the TDKP

25
00:01:04,763 --> 00:01:05,698
was a cover for the CIA,

26
00:01:05,698 --> 00:01:08,170
and they assassinated
Marcus Seabright.

27
00:01:08,170 --> 00:01:11,811
Mighty big ask for you
to work out some daddy issues.

28
00:01:11,811 --> 00:01:13,548
IMOGEN: <i>She's playing
a double game.</i>

29
00:01:13,548 --> 00:01:15,552
<i>She's still working for them
and she knows everything,</i>

30
00:01:15,552 --> 00:01:17,856
<i>but she's also trying
to escape with her daughter.</i>

31
00:01:17,856 --> 00:01:19,827
<i>I need her to believe
I'm helping her with that,</i>

32
00:01:19,827 --> 00:01:20,695
<i>and she'll stay close to me.</i>

33
00:01:20,695 --> 00:01:23,200
I can protect
you from the Americans

34
00:01:23,200 --> 00:01:25,471
but the deal is Yasmina
has to go back to Noor

35
00:01:25,471 --> 00:01:26,707
until we know exactly
what we're doing.

36
00:01:26,707 --> 00:01:27,742
<i>She's not safe with us.</i>

37
00:01:27,742 --> 00:01:29,512
ADILAH: <i>Everything depends
on her safety.</i>

38
00:01:30,146 --> 00:01:31,550
So, what's your real name?

39
00:01:35,892 --> 00:01:37,528
The best lies are mostly true.

40
00:01:43,674 --> 00:01:45,811
(THUNDER RUMBLING)

41
00:01:55,865 --> 00:01:59,773
(LOUD THUNDER
AND STARTS RAINING)

42
00:02:11,930 --> 00:02:13,767
(WOMAN HUMMING)

43
00:02:17,575 --> 00:02:19,244
(CONTINUES HUMMING)

44
00:02:29,666 --> 00:02:30,901
Are you fan of his music?

45
00:02:33,306 --> 00:02:35,578
You know what the inscription
on his tomb says?

46
00:02:36,246 --> 00:02:38,651
The inscription is in Greek,

47
00:02:38,651 --> 00:02:41,957
and it says, "He was true
to his own demon."

48
00:02:43,627 --> 00:02:44,495
(INHALES)

49
00:02:50,307 --> 00:02:51,543
I love him, too.

50
00:02:53,480 --> 00:02:55,785
That's why I came
all the way from Baltimore.

51
00:02:55,785 --> 00:02:58,657
What about you,
why are you here?

52
00:03:00,327 --> 00:03:02,565
I too am true to my demons.

53
00:03:09,746 --> 00:03:12,685
(THUNDER RUMBLING)

54
00:03:20,333 --> 00:03:21,770
(MOBILE PHONE VIBRATING)

55
00:03:25,611 --> 00:03:27,314
Anything?

56
00:03:27,314 --> 00:03:29,620
The intel was correct.
It's definitely a comms spot.

57
00:03:29,620 --> 00:03:30,555
He picked something up.

58
00:03:30,555 --> 00:03:31,590
What was it?

59
00:03:31,590 --> 00:03:33,460
PHILLIPA: <i>It was a card
from the grave.</i>

60
00:03:33,460 --> 00:03:35,598
I don't know what kind of card.
I didn't see.

61
00:03:35,598 --> 00:03:37,334
He left a bouquet of flowers,

62
00:03:37,334 --> 00:03:39,973
but he was wearing gloves
so, no prints.

63
00:03:39,973 --> 00:03:42,612
Fuck! You got his description?

64
00:03:42,612 --> 00:03:43,714
PHILLIPA: <i>He has dark hair,</i>

65
00:03:43,714 --> 00:03:45,652
6'1", medium build,

66
00:03:45,652 --> 00:03:47,354
dark overcoat, black hat.

67
00:03:47,354 --> 00:03:49,058
MAX: <i>Okay, if you don't
have eyes on him,</i>

68
00:03:49,058 --> 00:03:50,662
<i>make your way
back to the grave.</i>

69
00:03:50,662 --> 00:03:52,833
Isolate the flowers.
Make it quick.

70
00:03:52,833 --> 00:03:54,335
There could be
DNA on the wrapper.

71
00:03:54,335 --> 00:03:56,039
<i>We need to know
who the fuck this guy is</i>

72
00:03:56,039 --> 00:03:57,474
<i>- and where he's going.</i>
- PHILLIPA: Copy that.

73
00:03:59,378 --> 00:04:00,949
(MOBILE PHONE VIBRATING)

74
00:04:00,949 --> 00:04:01,951
Yep?

75
00:04:01,951 --> 00:04:04,523
MAX: <i>Six-one,
medium build, black hat.</i>

76
00:04:04,523 --> 00:04:05,525
And you call me
if you get your eyes on him.

77
00:04:05,525 --> 00:04:06,560
Copy that.

78
00:04:23,393 --> 00:04:24,495
(SIGHS)

79
00:04:32,812 --> 00:04:35,384
(MOBILE PHONE VIBRATING)

80
00:04:35,384 --> 00:04:37,856
I saw a guy, same build
with different clothes

81
00:04:37,856 --> 00:04:39,392
and I'm looking for him now.
MAX:<i>Okay, hold on.</i>

82
00:04:39,392 --> 00:04:40,828
You're heavy on theory,
light on practice.

83
00:04:40,828 --> 00:04:42,064
Just stay calm.

84
00:04:42,064 --> 00:04:43,701
<i>Don't take any chances</i>

85
00:04:43,701 --> 00:04:45,370
<i>and you do not
get close to him.</i>

86
00:04:45,370 --> 00:04:46,405
- Do you hear me?
- PHILLIPA: Copy that.

87
00:04:50,447 --> 00:04:51,884
(MOBILE PHONE VIBRATING)

88
00:04:51,884 --> 00:04:53,854
- MAX: <i>Anything?</i>
- No.

89
00:04:53,854 --> 00:04:55,090
All right. Fuck it.
Get in there.

90
00:04:55,090 --> 00:04:56,727
<i>See if you can
get eyes on him, now.</i>

91
00:04:56,727 --> 00:04:57,762
I'm on my way.

92
00:05:05,711 --> 00:05:07,414
(PANTING)

93
00:05:07,414 --> 00:05:10,622
Oh, Mama, this is not
how I thought Paris would be.

94
00:05:10,622 --> 00:05:12,893
Okay, she's heading due south
towards the perimeter wall.

95
00:05:12,893 --> 00:05:15,030
- You see him?
- MATTHEW:
<i>No.</i>

96
00:05:15,030 --> 00:05:16,099
No sign of the target.

97
00:05:16,099 --> 00:05:17,535
You just keep her
in your sight.

98
00:05:20,908 --> 00:05:22,043
(THUNDER RUMBLING)

99
00:05:27,655 --> 00:05:28,724
(GASPS)

100
00:05:28,724 --> 00:05:29,759
(GUNSHOT)

101
00:05:35,103 --> 00:05:36,807
MATTHEW: Agent down! Fuck!

102
00:05:36,807 --> 00:05:38,376
<i>Target headed towards
the northwest perimeter.</i>

103
00:05:38,376 --> 00:05:39,411
Get after him.

104
00:05:40,881 --> 00:05:41,883
Shit!

105
00:05:46,660 --> 00:05:49,097
Talk to me, Matthew.
Matthew? Matthew, talk to me.

106
00:06:00,888 --> 00:06:02,190
- Target breaching the perimeter.
- Fuck!

107
00:06:02,190 --> 00:06:04,963
MATTHEW: <i>Scaling the bridge
on Rue De Bagnolet. Lost him.</i>

108
00:06:04,963 --> 00:06:06,499
Go check on Phillipa, now.

109
00:06:06,499 --> 00:06:07,802
Right fucking now!

110
00:06:07,802 --> 00:06:08,637
(PANTING)

111
00:06:17,487 --> 00:06:19,458
He shot her at point-blank range
in the head.

112
00:06:19,458 --> 00:06:20,493
<i>She's dead, sir.</i>

113
00:07:12,698 --> 00:07:14,468
(CHILDREN LAUGHING FAINTLY)

114
00:07:21,683 --> 00:07:23,019
(GASPING)

115
00:07:23,554 --> 00:07:25,023
(BREATHING HEAVILY)

116
00:07:39,819 --> 00:07:42,525
(YASMINA SPEAKING IN FRENCH)

117
00:07:57,220 --> 00:07:58,924
(ADILAH SPEAKING INDISTINCTLY)

118
00:08:01,095 --> 00:08:03,032
(BOTH SPEAKING IN FRENCH)

119
00:08:08,276 --> 00:08:09,946
(ADILAH KISSING)

120
00:08:13,620 --> 00:08:15,089
(YASMINA SPEAKING)

121
00:08:28,750 --> 00:08:30,186
(ADILAH SPEAKING)

122
00:09:08,797 --> 00:09:10,133
(EXHALES DEEPLY)

123
00:09:16,178 --> 00:09:17,013
(EXHALES DEEPLY)

124
00:09:28,336 --> 00:09:30,607
Yasmina... (IN FRENCH)

125
00:09:31,175 --> 00:09:32,010
Okay?

126
00:09:34,782 --> 00:09:36,152
Adilah...

127
00:09:36,152 --> 00:09:38,155
(IN FRENCH)

128
00:10:00,868 --> 00:10:02,036
(HORN HONKING)

129
00:10:05,443 --> 00:10:06,846
(IN FRENCH)

130
00:11:09,772 --> 00:11:10,807
(JINGLING SOFTLY)

131
00:11:50,086 --> 00:11:52,457
IMOGEN: (IN ENGLISH)
<i>"Dear, Michael,</i>

132
00:11:52,457 --> 00:11:56,165
<i>"When you depart from me,
sorrow abides,</i>

133
00:11:56,165 --> 00:11:57,968
<i>"and happiness takes his leave.</i>

134
00:11:58,369 --> 00:11:59,404
<i>"I miss you."</i>

135
00:12:38,349 --> 00:12:40,486
"To my comrade."

136
00:13:04,902 --> 00:13:05,504
ADILAH: Hey.

137
00:13:15,256 --> 00:13:17,093
I tried to sleep but I couldn't.

138
00:13:25,978 --> 00:13:28,382
You know, Yasmina hasn't ever
been inside a place like this.

139
00:13:29,251 --> 00:13:32,056
The man who owns it
must be very rich.

140
00:13:33,927 --> 00:13:34,929
Michael?

141
00:13:39,939 --> 00:13:40,941
Yeah.

142
00:13:41,943 --> 00:13:42,611
(SCOFFS SOFTLY)

143
00:13:47,588 --> 00:13:49,424
You say his name
in a strange way.

144
00:13:50,092 --> 00:13:51,294
Do I?

145
00:13:52,063 --> 00:13:53,031
ADILAH: Yeah.

146
00:13:57,440 --> 00:13:58,510
He was my father's friend.

147
00:14:01,448 --> 00:14:02,551
Was that all he was to you?

148
00:14:08,462 --> 00:14:11,401
After my father died,
he was my guardian.

149
00:14:14,174 --> 00:14:15,309
And then my mentor...

150
00:14:18,517 --> 00:14:19,585
and then more.

151
00:14:22,591 --> 00:14:23,593
MICHAEL: <i>Silly girl.</i>

152
00:14:28,102 --> 00:14:29,572
He made me who I am today.

153
00:14:35,049 --> 00:14:36,485
And you still see each other?

154
00:14:36,485 --> 00:14:37,320
IMOGEN: No.

155
00:14:40,994 --> 00:14:41,596
Not really.

156
00:14:45,002 --> 00:14:46,606
Fuck the past.
I need a martini.

157
00:14:59,164 --> 00:15:00,132
(MAGRITTE IN FRENCH)

158
00:15:19,337 --> 00:15:20,339
(IN FRENCH)

159
00:15:23,078 --> 00:15:24,381
(KNOCK AT DOOR)

160
00:15:24,381 --> 00:15:25,216
(MAGRITTE SPEAKING)

161
00:15:31,261 --> 00:15:32,532
Malik, Cesar.

162
00:15:32,532 --> 00:15:33,365
(CONTINUES IN FRENCH)

163
00:15:43,219 --> 00:15:44,387
(CESAR BREATHING LOUDLY)

164
00:15:46,425 --> 00:15:47,226
(MALIK CLEARS THROAT)

165
00:15:47,661 --> 00:15:49,063
(MALIK SPEAKING)

166
00:16:00,419 --> 00:16:01,421
(MAGRITTE SPEAKING)

167
00:16:24,467 --> 00:16:25,269
(MALIK SPEAKING)

168
00:16:34,321 --> 00:16:35,155
(CESAR SPEAKING)

169
00:16:55,496 --> 00:16:57,100
(GAGGING)

170
00:16:57,100 --> 00:16:58,469
(CESAR SPEAKING)

171
00:16:58,469 --> 00:16:59,304
(MALIK SPEAKING)

172
00:17:31,201 --> 00:17:32,136
(MAGRITTE SPEAKING)

173
00:18:25,209 --> 00:18:26,144
Bold move.

174
00:18:36,298 --> 00:18:36,899
(SIGHS)

175
00:18:39,572 --> 00:18:42,210
I really hate
these types of hotels

176
00:18:42,210 --> 00:18:43,880
where all the rich Americans go.

177
00:18:44,615 --> 00:18:45,583
It makes me sick.

178
00:18:48,556 --> 00:18:50,593
But you seem
quite comfortable in this world.

179
00:18:53,365 --> 00:18:55,369
It's my job to be comfortable
in different kinds of places.

180
00:19:03,419 --> 00:19:05,422
I've played
so many people in my life,

181
00:19:07,895 --> 00:19:09,263
I don't know
where I belong anymore.

182
00:19:16,512 --> 00:19:19,450
(EXHALES) But for the next hour,
this will do.

183
00:19:26,331 --> 00:19:28,269
Why do you hate it so much?

184
00:19:28,269 --> 00:19:29,303
Does it remind you
of your modelling days?

185
00:19:32,477 --> 00:19:34,448
I don't know
if I should tell you.

186
00:19:34,448 --> 00:19:36,285
(WHISPERS) Well, then you
absolutely have to tell me.

187
00:19:36,285 --> 00:19:37,319
(CHUCKLES WRYLY)

188
00:19:45,670 --> 00:19:46,639
ADILAH: I was 21.

189
00:19:48,510 --> 00:19:50,279
They dressed me
in beautiful clothes.

190
00:19:51,314 --> 00:19:52,349
<i>Talked about heaven.</i>

191
00:19:54,622 --> 00:19:55,422
You see...

192
00:19:55,824 --> 00:19:57,226
my time had come.

193
00:19:58,530 --> 00:19:59,631
It was my day of days.

194
00:20:01,702 --> 00:20:03,472
They had strapped
explosives to my body.

195
00:20:04,809 --> 00:20:06,780
<i>The waiter just smiled at me,</i>

196
00:20:06,780 --> 00:20:09,283
<i>as I walked
into the lounge like death.</i>

197
00:20:10,019 --> 00:20:11,221
I was death.

198
00:20:12,524 --> 00:20:13,794
<i>There were enough explosives</i>

199
00:20:13,794 --> 00:20:17,433
<i>to bring the ceiling down
on all of us.</i>

200
00:20:17,433 --> 00:20:19,505
<i>There were children
in the room...</i>

201
00:20:19,505 --> 00:20:22,376
<i>Lovers, families, friends...</i>

202
00:20:23,713 --> 00:20:26,485
<i>Mostly American tourists,</i>

203
00:20:26,485 --> 00:20:28,656
<i>all completely unaware
as they ate their breakfasts.</i>

204
00:20:30,527 --> 00:20:34,367
Sleepy rich people, and me.

205
00:20:36,873 --> 00:20:40,514
The switch was right here,
inside my coat.

206
00:20:40,514 --> 00:20:42,617
<i>All I had to do
was push it down.</i>

207
00:20:43,720 --> 00:20:45,289
So why are you still here?

208
00:21:14,414 --> 00:21:15,517
A wire had worked loose.

209
00:21:19,959 --> 00:21:21,427
Why are you telling me this?

210
00:21:22,598 --> 00:21:23,600
I thought you'd be interested

211
00:21:23,600 --> 00:21:25,603
in what the moment
of annihilation feels like.

212
00:21:27,941 --> 00:21:29,545
From somebody who survived it.

213
00:21:30,880 --> 00:21:32,918
IMOGEN: Just to be clear,

214
00:21:32,918 --> 00:21:35,422
the annihilation I spoke of
was purely personal.

215
00:21:36,626 --> 00:21:37,594
It would only affect me.

216
00:21:39,497 --> 00:21:41,467
It would not take place
in the lounge of a hotel.

217
00:21:42,604 --> 00:21:43,405
(ADILAH HUMS SOFTLY)

218
00:21:47,781 --> 00:21:49,484
Was Yasmina born yet?

219
00:21:49,484 --> 00:21:50,520
No.

220
00:21:52,658 --> 00:21:54,762
You know, there's no greater
suffering for a parent

221
00:21:54,762 --> 00:21:56,331
than when
your child is suffering.

222
00:21:57,634 --> 00:21:59,403
A mother's blood
is her child's blood.

223
00:22:07,453 --> 00:22:08,455
Yes, it is.

224
00:22:17,473 --> 00:22:20,046
All right.
Well, I have to go to the loo.

225
00:22:20,046 --> 00:22:21,481
I'll be back.

226
00:22:22,416 --> 00:22:23,418
By the way...

227
00:22:24,955 --> 00:22:27,459
I don't think you ever
would have flicked the switch.

228
00:22:42,858 --> 00:22:45,931
You are fucking amazing.

229
00:22:45,931 --> 00:22:47,032
She wouldn't shut up.

230
00:22:47,834 --> 00:22:49,471
Did you get anything?

231
00:22:49,471 --> 00:22:51,140
Phase two has just begun.
Thanks to you.

232
00:22:52,811 --> 00:22:53,613
I need more time.

233
00:22:55,684 --> 00:22:57,487
I thought that would satisfy

234
00:22:57,487 --> 00:22:58,857
your insatiable
American appetite.

235
00:22:58,857 --> 00:23:02,496
(CHUCKLES) Yeah, well,
I'll tell you what...

236
00:23:04,167 --> 00:23:05,435
Welcome to America.

237
00:23:07,841 --> 00:23:09,144
I had an operative
shot in the head

238
00:23:09,144 --> 00:23:11,014
this morning
at point-blank range.

239
00:23:11,014 --> 00:23:12,416
I am sorry to hear that.

240
00:23:13,485 --> 00:23:14,487
MAX: Take it.

241
00:23:20,767 --> 00:23:23,038
Maybe not another coincidence.
ISIS doesn't usually go in

242
00:23:23,038 --> 00:23:25,510
for clean assassinations
like that.

243
00:23:25,510 --> 00:23:26,946
It's like they were trained
by another entity.

244
00:23:26,946 --> 00:23:28,783
Like a proxy operation?

245
00:23:28,783 --> 00:23:30,119
Hmm.

246
00:23:30,119 --> 00:23:31,723
I'll look into it.

247
00:23:31,723 --> 00:23:32,858
Description of who did it?

248
00:23:32,858 --> 00:23:34,662
Six-one, dark hair,
medium build,

249
00:23:34,662 --> 00:23:35,897
likely a member of the cell.

250
00:23:35,897 --> 00:23:38,837
Listen, you have 24 hours

251
00:23:38,837 --> 00:23:41,576
to bring me tangible results
or we will resort

252
00:23:41,576 --> 00:23:43,813
to conventional methods
of interrogation

253
00:23:43,813 --> 00:23:45,483
to get that fucking woman
to tell us what she knows.

254
00:23:45,483 --> 00:23:46,919
She won't.

255
00:23:46,919 --> 00:23:48,188
I'm sorry, she won't.

256
00:23:48,188 --> 00:23:49,825
You can pull out all her nails,

257
00:23:49,825 --> 00:23:51,228
you can break all of her bones,

258
00:23:51,228 --> 00:23:53,065
she will never
tell you anything

259
00:23:53,065 --> 00:23:56,170
because she thinks if she does,
they will kill her daughter.

260
00:23:57,507 --> 00:23:59,210
Now I think I can reach
the part of her

261
00:23:59,210 --> 00:24:00,813
that will change her mind.

262
00:24:02,884 --> 00:24:05,188
I'm sorry to say,
I'm your only hope.

263
00:24:06,257 --> 00:24:07,594
Twenty-four hours.

264
00:24:09,798 --> 00:24:11,234
The intel about my father,

265
00:24:11,234 --> 00:24:12,469
where is it?

266
00:24:14,240 --> 00:24:15,475
Almost forgot.

267
00:24:16,779 --> 00:24:20,754
Marcus Seabright.
Interesting man, your daddy.

268
00:24:20,754 --> 00:24:22,724
It's not easy to be so bad
that they wanna kill you.

269
00:24:25,597 --> 00:24:27,232
And by the way,
what happened in Morocco,

270
00:24:27,934 --> 00:24:29,203
it wasn't what it looked like.

271
00:24:30,874 --> 00:24:31,875
Never is.

272
00:24:33,780 --> 00:24:34,581
MAX: You were right.

273
00:24:36,919 --> 00:24:37,721
Excellent martini.

274
00:24:59,063 --> 00:25:00,700
(MOBILE PHONE RINGING)

275
00:25:01,802 --> 00:25:03,272
<i>Salut mon mec.</i>

276
00:25:03,272 --> 00:25:05,710
MALIK: <i>Listen,
I can't say I'm surprised,</i>

277
00:25:05,710 --> 00:25:08,583
<i>but I found out about
your cosy relationship</i>

278
00:25:08,583 --> 00:25:10,654
<i>with Max
and the Americans, okay?</i>

279
00:25:10,654 --> 00:25:12,290
You are not allowed

280
00:25:12,290 --> 00:25:14,728
to handle a terrorist target
in this country

281
00:25:14,728 --> 00:25:16,031
without joint custody

282
00:25:16,031 --> 00:25:18,636
with a French
intelligence operative.

283
00:25:18,636 --> 00:25:20,640
<i>Not American... French.</i>

284
00:25:20,640 --> 00:25:22,043
<i>Find a way to sneak out</i>

285
00:25:22,043 --> 00:25:23,880
<i>when the target
is secure tonight.</i>

286
00:25:23,880 --> 00:25:26,752
Meet me
at our bench in the canal. Hmm?

287
00:25:26,752 --> 00:25:30,627
And courtesy of the Americans,
I know where you're staying.

288
00:25:30,627 --> 00:25:32,764
They have bugged the place,
and so have we.

289
00:25:32,764 --> 00:25:35,069
Oh, grow up, Malik.
Don't be jealous.

290
00:25:35,069 --> 00:25:35,870
I'll see you tonight.

291
00:25:42,717 --> 00:25:44,053
Enough of the rich Americans.

292
00:25:45,389 --> 00:25:47,193
I will take you
to the real Paris.

293
00:25:47,193 --> 00:25:48,896
Somewhere I used to go
in the old days.

294
00:25:58,381 --> 00:25:59,183
Got a light?

295
00:26:09,403 --> 00:26:10,673
SAMHURES:
<i>Everything is in place.</i>

296
00:26:12,209 --> 00:26:13,646
The ship has departed,

297
00:26:13,646 --> 00:26:15,349
and is en route to Marseille
to meet you

298
00:26:15,349 --> 00:26:17,855
and head to America.

299
00:26:17,855 --> 00:26:20,059
The Djinn Al Raqqah
confirms she's still in Paris

300
00:26:20,059 --> 00:26:21,160
with the British woman.

301
00:26:21,662 --> 00:26:23,198
But she's never alone.

302
00:26:23,198 --> 00:26:24,802
She never lets her
out of her sight.

303
00:26:24,802 --> 00:26:26,037
EMIR: <i>I know
about the British woman.</i>

304
00:26:26,037 --> 00:26:29,945
Tell everyone I will be back
at the ship by tomorrow night.

305
00:26:29,945 --> 00:26:32,684
<i>The explosive device
is secure on board,</i>

306
00:26:32,684 --> 00:26:35,055
and soon we will depart
for the US harbour.

307
00:26:38,261 --> 00:26:39,263
(SPLASHES)

308
00:27:30,365 --> 00:27:32,136
EMIR: <i>Tell everyone
I will be back on the ship</i>

309
00:27:32,136 --> 00:27:34,140
<i>by tomorrow night.</i>

310
00:27:34,140 --> 00:27:36,879
<i>The explosive device
is secure on board.</i>

311
00:27:36,879 --> 00:27:39,183
<i>And soon we will depart
for the US harbour.</i>

312
00:27:45,530 --> 00:27:46,330
(BOTH SPEAKING FRENCH)

313
00:28:20,833 --> 00:28:21,835
(MALIK SPEAKING)

314
00:28:39,838 --> 00:28:40,974
(IN ENGLISH) Okay.

315
00:28:40,974 --> 00:28:42,342
(BOTH CONTINUE IN FRENCH)

316
00:28:46,284 --> 00:28:47,085
Malik...

317
00:29:09,998 --> 00:29:12,269
(GOLDFRAPP, <i>TRAIN</i> PLAYING)

318
00:29:15,275 --> 00:29:18,549
<i>♪ Plastic brain scar</i>

319
00:29:18,549 --> 00:29:22,557
<i>♪ I want laser</i>

320
00:29:22,557 --> 00:29:27,834
<i>♪ I'm your chauffeur
With high</i>

321
00:29:28,636 --> 00:29:32,944
<i>♪ Gloss highs</i>

322
00:29:34,614 --> 00:29:39,490
<i>♪ Take you where you want</i>

323
00:29:41,160 --> 00:29:42,496
Are you hoping
to see some old friends?

324
00:29:44,300 --> 00:29:45,870
No.

325
00:29:45,870 --> 00:29:47,305
I just haven't been here
in years.

326
00:29:51,982 --> 00:29:57,325
<i>♪ Train, yeah, yeah, yeah</i>

327
00:29:59,531 --> 00:30:03,038
<i>♪ Wolf lady</i>

328
00:30:03,038 --> 00:30:07,012
<i>♪ Sucks my brain</i>

329
00:30:07,012 --> 00:30:10,887
<i>- ♪ Apricot</i>
- (INDISTINCT CONVERSATION)

330
00:30:10,887 --> 00:30:13,325
<i>♪ Sunrise came</i>

331
00:30:13,325 --> 00:30:18,034
<i>♪ LA nights</i>

332
00:30:19,638 --> 00:30:24,179
<i>♪ Just roll in</i>

333
00:30:29,223 --> 00:30:34,000
<i>♪ Can't stop, oh, off the train</i>

334
00:30:34,000 --> 00:30:36,337
Hey, I'm gonna get a drink.

335
00:30:36,337 --> 00:30:41,615
<i>♪ Train, yeah, yeah, yeah</i>

336
00:30:44,019 --> 00:30:49,029
<i>♪ Can't stop, oh, off the train</i>

337
00:30:51,100 --> 00:30:56,043
<i>♪ Train, yeah, yeah, yeah</i>

338
00:30:58,516 --> 00:31:01,689
<i>♪ Nasal douche</i>

339
00:31:01,689 --> 00:31:05,997
- (INDISTINCT CONVERSATION)
<i>- ♪ Poolside line</i>

340
00:31:05,997 --> 00:31:09,470
<i>♪ Soft lit tan</i>

341
00:31:09,470 --> 00:31:12,376
<i>♪ What's your sign?</i>

342
00:31:12,376 --> 00:31:17,620
<i>♪ Hold my hand</i>

343
00:31:18,656 --> 00:31:23,365
<i>♪ Just roll in</i>

344
00:31:23,365 --> 00:31:24,466
(INDISTINCT CONVERSATION)

345
00:31:44,541 --> 00:31:45,408
Your hair.

346
00:31:49,450 --> 00:31:51,522
You dress like her.

347
00:31:51,522 --> 00:31:54,393
Adilah, this insanity
has to stop.

348
00:31:54,393 --> 00:31:56,130
You can't do this.
Come with me now.

349
00:31:57,767 --> 00:31:59,102
You have to trust me.

350
00:32:16,204 --> 00:32:17,405
IMOGEN: I know who he is.

351
00:32:18,074 --> 00:32:19,109
Fuck you.

352
00:32:23,184 --> 00:32:24,621
ADILAH: It's not what you think.

353
00:32:24,621 --> 00:32:26,424
- (GUNSHOTS)
- (GASPS)

354
00:32:26,424 --> 00:32:28,394
- (WOMAN SCREAMING)
- (TYRES SCREECH)

355
00:32:28,896 --> 00:32:30,599
(PEOPLE CLAMOURING)

356
00:32:32,503 --> 00:32:33,304
IMOGEN: Come on!

357
00:32:34,206 --> 00:32:35,441
(WHISTLES)

358
00:32:37,614 --> 00:32:38,582
Get in.

359
00:32:45,663 --> 00:32:47,165
(IN FRENCH)

360
00:32:48,669 --> 00:32:51,174
- What the fuck is going on?
- I didn't know...

361
00:32:51,174 --> 00:32:52,243
Did you know about this?

362
00:32:52,243 --> 00:32:53,311
- No, I didn't.
- (CAR HORN HONKING)

363
00:32:57,219 --> 00:33:01,461
(DRIVER YELLING IN FRENCH)

364
00:33:01,461 --> 00:33:03,198
(BOTH GRUNTING, YELLING)

365
00:33:03,198 --> 00:33:04,499
ADILAH: (IN ENGLISH) Quick, go!

366
00:33:05,836 --> 00:33:06,638
- (GUNSHOT)
- (MAN GRUNTS)

367
00:33:12,784 --> 00:33:14,220
(GRUNTS)

368
00:33:14,220 --> 00:33:15,054
(EMPTY CHAMBER CLICKING)

369
00:33:16,157 --> 00:33:17,192
Fuck!

370
00:33:18,862 --> 00:33:20,064
(ADILAH GRUNTS)

371
00:33:22,804 --> 00:33:23,772
(MAN GROANS)

372
00:33:24,173 --> 00:33:25,475
(IMOGEN GRUNTING)

373
00:33:26,678 --> 00:33:27,713
Come on!

374
00:33:29,818 --> 00:33:30,820
(BIKE REVVING)

375
00:33:30,820 --> 00:33:32,489
(GUNSHOTS)

376
00:33:43,679 --> 00:33:44,479
(CRASHES)

377
00:33:47,887 --> 00:33:49,156
(IMOGEN GRUNTING)

378
00:33:53,599 --> 00:33:54,499
(GROANS)

379
00:33:57,205 --> 00:33:59,076
(IMOGEN GRUNTING)

380
00:34:02,750 --> 00:34:03,619
- (GRUNTING)
- (MAN GROANS)

381
00:34:05,823 --> 00:34:06,791
(GRUNTS)

382
00:34:07,894 --> 00:34:09,096
(CLANGING)

383
00:34:11,868 --> 00:34:14,340
(PANTING)

384
00:34:14,340 --> 00:34:16,745
I had no idea that was going
to happen, I swear.

385
00:34:16,745 --> 00:34:17,880
I didn't know
he was following us.

386
00:34:17,880 --> 00:34:20,820
So, one of the drawbacks
of my job is, occasionally,

387
00:34:20,820 --> 00:34:23,224
I have to associate with people
who are trying to kill me,

388
00:34:23,224 --> 00:34:24,460
but this is fucking extreme.

389
00:34:24,460 --> 00:34:25,395
ADILAH: Why would
I want you killed?

390
00:34:25,395 --> 00:34:27,132
You're the only person
that's helping me.

391
00:34:29,604 --> 00:34:31,575
Imogen, you know that
doesn't make any sense.

392
00:34:31,575 --> 00:34:33,110
- Please.
- (SIRENS APPROACHING)

393
00:34:40,926 --> 00:34:42,262
Are you coming?

394
00:34:42,663 --> 00:34:43,799
Yes.

395
00:35:38,241 --> 00:35:38,842
(GASPS)

396
00:35:43,652 --> 00:35:44,854
MALIK: I'm so glad you're okay.

397
00:35:46,825 --> 00:35:47,827
(WHISPERING) I'm okay now.

398
00:35:48,796 --> 00:35:49,797
(SIGHING)

399
00:35:54,607 --> 00:35:57,212
(SOFTLY) Imogen, we received
fresh intelligence.

400
00:35:58,381 --> 00:35:59,985
There is a ship.

401
00:35:59,985 --> 00:36:02,590
It's going to set sail
to the United States.

402
00:36:02,590 --> 00:36:04,561
It contains some kind of device

403
00:36:04,561 --> 00:36:07,667
that will be detonated
in a US harbour.

404
00:36:07,667 --> 00:36:10,640
We know it's being organised
by a terrorist cell.

405
00:36:10,640 --> 00:36:13,311
They are using names
that are taken from

406
00:36:13,311 --> 00:36:15,516
something called
<i>The Book of Surprises.</i>

407
00:36:15,516 --> 00:36:18,220
She showed me
that book in Istanbul.

408
00:36:20,358 --> 00:36:22,228
It's like she wants
me to figure it out.

409
00:36:23,565 --> 00:36:26,003
You will, you will.

410
00:36:26,003 --> 00:36:27,674
IMOGEN: I'll continue
in the company of the target,

411
00:36:27,674 --> 00:36:29,911
and I'll continue
to promise protection

412
00:36:29,911 --> 00:36:31,013
for her and her daughter,

413
00:36:31,013 --> 00:36:33,251
and I'll concentrate
my investigation

414
00:36:33,251 --> 00:36:34,988
on getting her to tell me
the name of the ship,

415
00:36:34,988 --> 00:36:37,392
and the nature
of the device on board.

416
00:36:37,392 --> 00:36:41,267
You are now
an identified target for them.

417
00:36:41,267 --> 00:36:42,770
And the Americans lost
an agent this morning.

418
00:36:44,039 --> 00:36:45,208
I'm worried about you.

419
00:36:51,955 --> 00:36:53,357
I can't walk away now.

420
00:36:54,561 --> 00:36:56,832
I'm getting closer.

421
00:36:56,832 --> 00:36:58,000
We are getting closer.

422
00:37:00,906 --> 00:37:01,908
Fuck...

423
00:37:08,487 --> 00:37:11,393
I wish you were not staying
in Michael's apartment.

424
00:37:14,433 --> 00:37:15,334
I have to do this.

425
00:37:19,076 --> 00:37:19,877
We'll be okay.

426
00:37:22,984 --> 00:37:23,952
But I have to do this.

427
00:37:28,427 --> 00:37:29,429
I know.

428
00:37:31,400 --> 00:37:32,402
I know.

429
00:37:40,084 --> 00:37:40,886
(SIGHS)

430
00:38:17,893 --> 00:38:18,962
(MOBILE PHONE VIBRATING)

431
00:39:06,625 --> 00:39:08,027
(INTENSE
CLASSICAL MUSIC PLAYING)

432
00:39:42,697 --> 00:39:43,932
(WHIMPERS SOFTLY)

433
00:40:14,527 --> 00:40:16,463
(JACQUES DUTRONC <i>ON NOUS CACHE
TOUT, ON NOUS DIT RIEN</i>
PLAYING)