1
00:00:34,236 --> 00:00:36,240
(SOFT PIANO MUSIC PLAYING)
2
00:00:46,260 --> 00:00:47,680
JOAN: There's nothing
like seeing
3
00:00:47,680 --> 00:00:49,475
a child on stage
for the first time.
4
00:00:49,643 --> 00:00:54,109
They get up there, the lights hit,
and suddenly, the whole world opens up.
5
00:00:54,360 --> 00:00:55,571
Theater for children,
6
00:00:55,571 --> 00:00:57,658
it's unbelievable
what they learn.
7
00:00:57,658 --> 00:01:02,167
They learn to improvise,
dance, sing, work with each other,
8
00:01:02,585 --> 00:01:05,382
and some of them really
need it, they really do.
9
00:01:05,716 --> 00:01:07,344
That's why I built this camp.
10
00:01:07,344 --> 00:01:08,931
I wanted to make a place
11
00:01:08,931 --> 00:01:11,060
where anyone is free
to be themselves.
12
00:01:11,812 --> 00:01:13,982
But keeping the camp open
is a year-round job.
13
00:01:14,274 --> 00:01:17,406
That's why we spend
the whole spring on the road,
14
00:01:17,573 --> 00:01:20,203
raising money,
recruiting young talent.
15
00:01:20,788 --> 00:01:23,209
And, you know, we're
theater people, so. (CHUCKLES)
16
00:01:23,376 --> 00:01:24,921
We know how to work a crowd.
17
00:01:30,223 --> 00:01:31,893
Being at camp
for a whole summer,
18
00:01:31,893 --> 00:01:32,979
- what it can do for a child.
- (UPBEAT MUSIC PLAYING)
19
00:01:32,979 --> 00:01:34,064
We don't have
that much room left.
20
00:01:34,064 --> 00:01:35,233
We have not much room.
21
00:01:35,233 --> 00:01:36,820
No, we have a little bit of
wiggle room at the camp.
22
00:01:36,987 --> 00:01:38,740
Maybe four more kids?
23
00:01:38,907 --> 00:01:40,870
- We're almost full...
- JOAN: We are.
24
00:01:41,036 --> 00:01:43,082
...so I think you should
register early for your girl.
25
00:01:43,082 --> 00:01:44,168
JOAN: For sure.
26
00:01:44,334 --> 00:01:46,297
And Ronald, I'm so sorry
to hear about your divorce.
27
00:01:46,297 --> 00:01:47,382
RITA: I know.
28
00:01:47,382 --> 00:01:48,509
I mean,
she was just too young.
29
00:01:48,677 --> 00:01:50,472
But if your son
needs a place to go,
30
00:01:50,681 --> 00:01:53,436
AdirondACTS is the perfect
place for him to come.
31
00:01:53,604 --> 00:01:57,319
We found a lot of star campers
at this school.
32
00:01:59,908 --> 00:02:01,452
I know Willow was freaked out
by the bedbugs,
33
00:02:01,452 --> 00:02:02,537
tell her they're gone.
34
00:02:06,045 --> 00:02:07,548
Why are you smiling?
35
00:02:07,715 --> 00:02:09,802
(GROANS) He drives me crazy.
He's practically drunk.
36
00:02:09,969 --> 00:02:10,971
RITA: I know.
37
00:02:10,971 --> 00:02:12,892
JOAN: But I think we got him
to sign up his kid.
38
00:02:14,436 --> 00:02:16,524
(SIGHS) We're so behind
this year.
39
00:02:16,691 --> 00:02:18,236
We need to raise more money.
40
00:02:18,444 --> 00:02:21,325
I know. I was thinking
we could give Leo a lead.
41
00:02:21,534 --> 00:02:22,536
Leo? No.
42
00:02:22,703 --> 00:02:23,705
He's awful.
43
00:02:23,914 --> 00:02:25,375
I know he's awful
and he's tone-deaf,
44
00:02:25,375 --> 00:02:27,212
but his parents
are really rich.
45
00:02:27,379 --> 00:02:30,093
Oh, come on. You know
we don't do things that way.
46
00:02:30,260 --> 00:02:31,680
It's always gotta be
about the talent.
47
00:02:31,847 --> 00:02:33,516
- How rich?
- So rich.
48
00:02:33,516 --> 00:02:34,686
(UPBEAT MUSIC PLAYING)
49
00:02:34,686 --> 00:02:36,480
(SINGING)
If you're really sincere
50
00:02:36,480 --> 00:02:38,192
If you're really sincere
51
00:02:38,652 --> 00:02:40,488
If you feel it in here
52
00:02:40,656 --> 00:02:42,868
Then it's gotta be right
Oh, baby
53
00:02:42,868 --> 00:02:44,204
- Oh!
- Look at him.
54
00:02:44,371 --> 00:02:45,540
- Sebastian?
- I know.
55
00:02:45,708 --> 00:02:47,920
JOAN: He is giving 110%.
56
00:02:48,087 --> 00:02:49,841
- Suffer
- (JOAN CHEERING)
57
00:02:50,593 --> 00:02:52,429
(AUDIENCE CHEERING)
58
00:02:53,139 --> 00:02:56,896
(SINGING)
Oh, oh, oh, you gotta be sincere
59
00:02:57,063 --> 00:03:00,863
Oh, oh, oh, you gotta feel it in here
60
00:03:01,030 --> 00:03:03,159
- RITA: Oh, my God! Joan!
- (SINGING) Oh, my baby
61
00:03:03,326 --> 00:03:04,328
RITA: Joan!
62
00:03:04,328 --> 00:03:06,540
This is... Somebody help me!
Somebody help me.
63
00:03:06,708 --> 00:03:08,044
She's not breathing.
64
00:03:08,210 --> 00:03:10,173
This is not part of the show.
65
00:03:10,340 --> 00:03:11,885
I need help! (ECHOING)
66
00:03:21,780 --> 00:03:24,911
(GASPS) It's beautiful.
67
00:03:29,962 --> 00:03:31,340
(MELLOW MUSIC PLAYING)
68
00:03:46,705 --> 00:03:49,711
What's up, Troy-jans?
It's your boy, Troy.
69
00:03:49,877 --> 00:03:51,965
Just right off the bat, wanna
keep it real with you guys,
70
00:03:52,132 --> 00:03:53,802
feeling a little naked
without my ring light.
71
00:03:53,802 --> 00:03:54,971
But you know what?
72
00:03:55,388 --> 00:03:56,432
We still out here.
73
00:03:56,599 --> 00:03:57,601
As you guys know,
74
00:03:57,601 --> 00:04:00,440
I don't usually like to talk
about my... (CLEARS THROAT)
75
00:04:03,989 --> 00:04:05,116
To be honest,
I've been going through
76
00:04:05,116 --> 00:04:06,452
some low-key
personal stuff lately
77
00:04:06,619 --> 00:04:08,957
and I just feel obligated
to let you guys know that.
78
00:04:09,124 --> 00:04:10,293
Long story short,
79
00:04:11,044 --> 00:04:12,464
theater gave my mom a coma.
80
00:04:13,382 --> 00:04:14,594
She's down for the count
81
00:04:15,094 --> 00:04:18,392
for... (INHALES DEEPLY) we
really don't know how long.
82
00:04:19,019 --> 00:04:22,150
Unfortunately, that's just
kinda how comas go.
83
00:04:22,317 --> 00:04:23,737
But fear not, fam.
84
00:04:23,904 --> 00:04:26,492
Even though I never really
vibed with my mom's camp
85
00:04:26,659 --> 00:04:29,414
and spent my summers doing
dope shit with my friends,
86
00:04:29,582 --> 00:04:31,460
I happen to be
a financial guru
87
00:04:31,628 --> 00:04:34,926
and world-renowned
business mentor.
88
00:04:35,092 --> 00:04:36,846
Yeah, I do that kind of stuff.
89
00:04:37,013 --> 00:04:38,892
Your boy has the BDE.
90
00:04:39,059 --> 00:04:42,858
That's right. The business
development expertise
91
00:04:43,025 --> 00:04:44,444
- to hold down the fort.
- (GASPS)
92
00:04:45,238 --> 00:04:46,866
Oh, my God, there's a person.
93
00:04:47,033 --> 00:04:48,578
I'm sorry. I'm so sorry.
94
00:04:48,745 --> 00:04:50,248
I was in here
fixing the blinds,
95
00:04:50,248 --> 00:04:51,333
and then you came in
96
00:04:51,500 --> 00:04:52,920
and I panicked and stayed.
97
00:04:52,920 --> 00:04:54,047
(TROY EXHALES DEEPLY)
98
00:04:54,047 --> 00:04:56,301
I'm Glenn.
I'm the technical director.
99
00:04:58,557 --> 00:04:59,559
TROY: How you doing, man?
100
00:04:59,767 --> 00:05:01,144
Over the next three weeks,
101
00:05:01,144 --> 00:05:03,107
I'm gonna give you
an inside look
102
00:05:03,274 --> 00:05:06,781
at how I can take a business
from lame... to lit.
103
00:05:06,948 --> 00:05:08,284
Let's build.
(MAKES WHOOSHING SOUND)
104
00:05:08,450 --> 00:05:10,204
The most pressing matters
are in the main stage.
105
00:05:10,204 --> 00:05:11,791
Right now,
the cyclorama is buckling.
106
00:05:11,791 --> 00:05:12,960
It needs to be re-anchored.
107
00:05:13,085 --> 00:05:14,547
Uh, we're gonna
need to prioritize
108
00:05:14,547 --> 00:05:16,551
the remaining equipment
for the musicals,
109
00:05:16,718 --> 00:05:20,559
which means the straight plays
are gonna have to be acoustic.
110
00:05:20,893 --> 00:05:22,646
Uh, which is actually
how they do it on Broadway.
111
00:05:22,646 --> 00:05:25,652
Can I just (CLICKS TONGUE)
cut you off? Real quick.
112
00:05:25,652 --> 00:05:26,821
- Um...
- It seems like you've got
113
00:05:26,821 --> 00:05:28,073
a pretty good handle
on this...
114
00:05:28,073 --> 00:05:29,451
- Yeah.
- ...so I'm just gonna take
115
00:05:29,451 --> 00:05:31,623
"understanding a word
you're saying"
116
00:05:32,540 --> 00:05:33,542
off my list
117
00:05:33,710 --> 00:05:34,879
and let you take it
from here, brother.
118
00:05:34,879 --> 00:05:35,964
Okay.
119
00:05:35,964 --> 00:05:38,135
Quick question, though,
what's a straight play?
120
00:05:38,302 --> 00:05:39,847
Well, there are musicals,
121
00:05:39,847 --> 00:05:41,350
and then
there are straight plays.
122
00:05:42,435 --> 00:05:44,064
So then what would be
a gay play?
123
00:05:47,028 --> 00:05:48,990
I guess (STUTTERS) a musical.
124
00:05:50,201 --> 00:05:51,579
- Oh, cool.
- (DRUMS BEATING)
125
00:05:52,205 --> 00:05:54,794
RITA: This one.
Okay. Thanks. Okay.
126
00:05:56,213 --> 00:05:57,507
BOY: Yes. Yes!
RITA: Oh, yes!
127
00:06:00,847 --> 00:06:02,517
GIRL 1: Wait,
we have to bunk together.
128
00:06:02,685 --> 00:06:03,687
We have to.
129
00:06:03,812 --> 00:06:06,108
So, you're in bunk five, Ellen.
130
00:06:06,275 --> 00:06:08,028
Okay, 'kay, 'kay.
That's good. That's good.
131
00:06:08,195 --> 00:06:10,993
Great, great. Great.
What's he doing? Perfect.
132
00:06:11,451 --> 00:06:14,457
Okay. Hi, everybody.
Welcome back.
133
00:06:14,625 --> 00:06:18,090
Mickey, Nicky. Nicky, Mickey,
Mickey, Nicky. Who knows?
134
00:06:18,257 --> 00:06:20,971
Don't switch shirts.
I'll get too confused.
135
00:06:21,138 --> 00:06:22,473
(UPBEAT MUSIC PLAYING)
136
00:06:22,473 --> 00:06:23,643
(GIGGLING)
137
00:06:27,651 --> 00:06:28,903
(BOTH LAUGHING EXCITEDLY)
138
00:06:29,780 --> 00:06:31,116
(HUMMING)
139
00:06:45,896 --> 00:06:46,898
- AMOS: Beck, stop.
- (REBECCA-DIANE SCREAMS)
140
00:06:46,898 --> 00:06:47,983
Beck, stop the car.
141
00:06:48,818 --> 00:06:50,363
- Let me in.
- I am letting you in.
142
00:06:50,529 --> 00:06:51,866
- It's not opening.
- I'm letting you in.
143
00:06:52,450 --> 00:06:54,705
AMOS: Oh, God. (GROANS)
144
00:06:54,705 --> 00:06:56,124
I've been here 10 minutes
and it's unbearable.
145
00:06:56,124 --> 00:06:57,251
REBECCA-DIANE: Oh, my God!
146
00:07:00,842 --> 00:07:02,178
(PERCUSSION MUSIC PLAYING)
147
00:07:13,993 --> 00:07:15,831
He's, like, wandering about.
148
00:07:15,831 --> 00:07:17,166
He has no idea where he is,
what he's doing.
149
00:07:17,166 --> 00:07:18,252
He can't see?
150
00:07:18,252 --> 00:07:20,256
No, he only talks
to his camera.
151
00:07:20,256 --> 00:07:21,341
Oh, my God.
152
00:07:21,508 --> 00:07:22,594
The least creative person
I've ever met,
153
00:07:22,594 --> 00:07:23,721
and I've yet
to speak to the man.
154
00:07:24,514 --> 00:07:25,892
TROY: Play ball.
155
00:07:26,727 --> 00:07:27,771
She's hot.
156
00:07:27,938 --> 00:07:29,023
And half the staff
has been cut.
157
00:07:29,023 --> 00:07:30,109
They're not even coming back.
158
00:07:30,234 --> 00:07:31,278
We need a coup.
159
00:07:31,904 --> 00:07:33,448
Well, there's not even enough
of us to have a coup now.
160
00:07:33,616 --> 00:07:35,161
- Oh, my God.
- AMOS: Jesus.
161
00:07:35,161 --> 00:07:36,998
- She wouldn't even want it.
- No.
162
00:07:37,165 --> 00:07:39,837
AMOS: We really have to hold
this place down artistically.
163
00:07:40,004 --> 00:07:41,632
I can't believe
that Joan's not here.
164
00:07:41,632 --> 00:07:42,801
I can't believe it.
165
00:07:43,177 --> 00:07:44,387
(INDISTINCT CHATTER)
166
00:07:49,314 --> 00:07:51,067
All I was doing
was blowing the roof off
167
00:07:51,067 --> 00:07:52,654
of Honestly, Sincere
in Bye Bye Birdie.
168
00:07:52,821 --> 00:07:54,073
Then I look over
to my house seats
169
00:07:54,199 --> 00:07:56,161
and there's Joan, convulsing.
170
00:07:56,621 --> 00:07:57,915
CHRISTOPHER L: What?
SEBASTIAN: It was frightening.
171
00:07:58,081 --> 00:08:00,044
I obviously
stayed in character.
172
00:08:00,044 --> 00:08:01,839
CHRISTOPHER L:
That's not real.
173
00:08:06,306 --> 00:08:07,516
(OVER MIC) All right.
Let's take a knee
174
00:08:07,516 --> 00:08:08,645
with the talking, fam.
175
00:08:09,730 --> 00:08:10,815
Listen up!
176
00:08:12,611 --> 00:08:13,696
Keep it down.
177
00:08:13,863 --> 00:08:14,865
Fam?
178
00:08:15,742 --> 00:08:16,911
Squad? Gang?
179
00:08:18,581 --> 00:08:20,501
Maybe, uh, zip it?
180
00:08:21,086 --> 00:08:22,338
Everybody.
181
00:08:23,048 --> 00:08:24,342
Can we just get you guys to...
182
00:08:24,509 --> 00:08:27,223
(SINGING) Oh, what a beautiful
183
00:08:27,390 --> 00:08:29,937
CHILDREN: (SINGING) Morning
184
00:08:31,439 --> 00:08:32,441
TROY: Dope.
185
00:08:35,114 --> 00:08:36,116
That was dope.
186
00:08:37,368 --> 00:08:40,917
Whaddup, AdirondACTS?
187
00:08:40,917 --> 00:08:43,673
(IMITATES FANFARE)
188
00:08:44,340 --> 00:08:45,593
Um...
189
00:08:45,802 --> 00:08:47,013
You guys know Joan, right?
190
00:08:47,138 --> 00:08:48,515
(CHILDREN CHEERING)
191
00:08:49,685 --> 00:08:51,146
(CHANTING) Joan, Joan, Joan!
192
00:08:51,313 --> 00:08:53,568
Joan, Joan, Joan!
193
00:08:53,735 --> 00:08:55,321
Joan, Joan, Joan!
194
00:08:55,487 --> 00:08:58,076
Yeah, um, so she's not here.
195
00:08:59,287 --> 00:09:02,418
Um, you know, which
we're all very sad about.
196
00:09:02,586 --> 00:09:03,796
But don't worry.
197
00:09:04,130 --> 00:09:05,675
I'm her son.
198
00:09:05,842 --> 00:09:08,096
Troy!
199
00:09:13,190 --> 00:09:14,275
Um...
200
00:09:14,275 --> 00:09:15,361
Don't worry, guys.
201
00:09:15,527 --> 00:09:18,826
I just wanna reassure you
this will be a normal summer.
202
00:09:18,993 --> 00:09:20,329
You can check out my website.
203
00:09:20,496 --> 00:09:21,999
- Oh, yeah, go ahead. Yeah.
- We're good. Thanks so much.
204
00:09:22,124 --> 00:09:23,126
Hi, guys.
205
00:09:23,126 --> 00:09:24,963
(ALL CHEERING)
206
00:09:25,506 --> 00:09:27,259
We love you, Gigi!
207
00:09:29,807 --> 00:09:30,975
So a few reminders.
208
00:09:30,975 --> 00:09:32,979
I just need to know
all of your updated sizes.
209
00:09:32,979 --> 00:09:34,650
Also, sad news,
210
00:09:34,650 --> 00:09:36,821
I will not be doing
piercings any more in the hut.
211
00:09:37,572 --> 00:09:40,578
Yeah. Because there's
a narc amongst us.
212
00:09:40,578 --> 00:09:42,081
Um, Cassie has narced.
213
00:09:42,248 --> 00:09:44,168
It's totally fine. Uh, yeah.
214
00:09:44,335 --> 00:09:45,462
Okay, I love you guys.
215
00:09:45,462 --> 00:09:47,508
- Love you.
- (CHILDREN CHEERING)
216
00:09:49,137 --> 00:09:50,682
(CHEERING INTENSIFIES)
217
00:09:54,857 --> 00:09:55,859
As you all know,
218
00:09:55,859 --> 00:09:57,278
I'm Amos Klobuchar,
head of drama.
219
00:09:57,278 --> 00:09:59,282
Rebecca-Diane,
head of music theory.
220
00:09:59,449 --> 00:10:02,288
We are now going to announce,
as we do every summer,
221
00:10:03,081 --> 00:10:04,375
this session's productions.
222
00:10:05,043 --> 00:10:06,839
Five, six, seven, eight.
223
00:10:06,839 --> 00:10:08,258
(BOTH STOMPING RHYTHMICALLY)
224
00:10:09,595 --> 00:10:10,847
(SINGING)
There once was a story
225
00:10:10,847 --> 00:10:12,391
'Bout a girl named Lisa
226
00:10:12,559 --> 00:10:15,397
She wanted to perform
But she didn't have her visa
227
00:10:15,565 --> 00:10:16,984
BOTH: Sorry about your visa, Lisa
228
00:10:16,984 --> 00:10:18,236
Five, six, seven, eight
229
00:10:18,236 --> 00:10:19,363
Playing baseball
with the devil
230
00:10:19,363 --> 00:10:20,658
in a baseball diamond.
231
00:10:20,825 --> 00:10:22,829
BOTH: Damn Yankees
in the outdoor stage.
232
00:10:22,996 --> 00:10:23,998
(WHINING
IN HIGH-PITCHED TONE)
233
00:10:23,998 --> 00:10:25,627
- AMOS: Who goes there?
- (CONTINUES WHINING)
234
00:10:25,627 --> 00:10:26,837
Is it a ghost?
235
00:10:27,004 --> 00:10:28,048
Is it a witch?
236
00:10:28,215 --> 00:10:30,511
BOTH: The Crucible junior
in the lobby.
237
00:10:30,678 --> 00:10:32,641
(SINGING)
In the land of Andrew Lloyd
238
00:10:32,641 --> 00:10:35,229
Where the felines sing and dance
239
00:10:35,395 --> 00:10:37,817
Whisker faced in unitards
240
00:10:37,817 --> 00:10:39,780
You can join their feral prance
241
00:10:40,155 --> 00:10:41,784
Cats immersive.
242
00:10:41,951 --> 00:10:42,994
Well, I guess
that's all, folks.
243
00:10:42,994 --> 00:10:44,080
I gotta start walking home.
244
00:10:44,247 --> 00:10:45,290
I'm taking a cab.
245
00:10:45,290 --> 00:10:46,961
BOTH: Whoa!
246
00:10:47,086 --> 00:10:48,171
(SINGING)
An original piece
247
00:10:48,171 --> 00:10:49,257
And it's fully brand new
248
00:10:49,423 --> 00:10:51,637
And it's fresh from our hearts
Written just for you
249
00:10:51,804 --> 00:10:53,808
But you've gotta be good, yeah
You've gotta be great
250
00:10:53,808 --> 00:10:54,935
You've gotta be the crème de la crème
251
00:10:54,935 --> 00:10:56,020
Of the place
252
00:11:08,880 --> 00:11:10,465
This summer it's a story...
253
00:11:10,633 --> 00:11:12,637
About a woman in her glory.
254
00:11:12,804 --> 00:11:14,307
The founding of a space...
255
00:11:14,473 --> 00:11:16,896
That has become
our favorite place.
256
00:11:17,062 --> 00:11:19,442
A woman who all in this room
deeply love.
257
00:11:19,610 --> 00:11:22,741
And she's looking down,
not quite from above.
258
00:11:22,908 --> 00:11:24,201
Joan can...
259
00:11:24,368 --> 00:11:26,331
- Joan will...
- Joan here?
260
00:11:26,331 --> 00:11:27,584
(SNAPPING FINGERS)
261
00:11:29,211 --> 00:11:30,965
BOTH: Joan, Still!
262
00:11:33,679 --> 00:11:35,307
(ALL CHEERING)
263
00:11:44,743 --> 00:11:46,496
(FUNKY MUSIC PLAYING)
264
00:11:59,648 --> 00:12:01,484
TROY: Your resume
is absolutely stacked.
265
00:12:01,819 --> 00:12:03,154
- Thank you.
- Yeah.
266
00:12:03,989 --> 00:12:05,827
How did you learn
stage combat?
267
00:12:06,077 --> 00:12:07,413
Oh! Oh, man.
268
00:12:08,206 --> 00:12:09,710
It's hard to even say
269
00:12:09,710 --> 00:12:10,837
'cause I've been doing it
for so long.
270
00:12:11,045 --> 00:12:12,047
- Totally.
- Yeah.
271
00:12:12,214 --> 00:12:13,508
How about accent work?
272
00:12:13,508 --> 00:12:15,262
(IN AN ACCENT) Oh.
You no worry.
273
00:12:15,262 --> 00:12:16,598
I can do it, don't worry.
274
00:12:17,851 --> 00:12:18,894
That's really neat.
275
00:12:19,061 --> 00:12:20,313
How about horseback riding?
276
00:12:20,313 --> 00:12:22,569
- Jousting? Is that like with the...?
- (IN NORMAL VOICE) Yeah.
277
00:12:22,569 --> 00:12:24,990
That is with those. Yeah.
278
00:12:25,157 --> 00:12:26,827
And then when did you learn
how to juggle?
279
00:12:26,827 --> 00:12:30,793
Well, um... Oh, there was
a fire at my house.
280
00:12:31,419 --> 00:12:33,381
And that's sort of how I dealt
with the trauma.
281
00:12:37,557 --> 00:12:39,518
Wow!
282
00:12:39,686 --> 00:12:40,938
BOBBY: Wow!
283
00:12:41,105 --> 00:12:42,734
Yes. Progressions
across the floor.
284
00:12:42,734 --> 00:12:44,487
Very nice, both of you, yes.
285
00:12:44,613 --> 00:12:45,740
Front.
286
00:12:45,907 --> 00:12:47,451
Higher. Higher.
287
00:12:47,451 --> 00:12:49,080
Ah! Ah!
288
00:12:49,080 --> 00:12:52,127
Listen, these are some
Cassie battements.
289
00:12:52,252 --> 00:12:53,923
You're doing
a little cheater flick.
290
00:12:57,972 --> 00:12:59,225
(FAST TEMPO MUSIC PLAYING)
291
00:12:59,475 --> 00:13:01,772
I am running late
for my niece's christening.
292
00:13:04,401 --> 00:13:06,907
I don't want to find another
therapist, David.
293
00:13:07,282 --> 00:13:09,245
AMOS: Welcome,
group two of auditioners.
294
00:13:09,411 --> 00:13:10,413
REBECCA-DIANE:
I know it's been a long day
295
00:13:10,413 --> 00:13:11,541
for you guys, but...
296
00:13:11,541 --> 00:13:12,627
AMOS: If you drop a line,
297
00:13:12,627 --> 00:13:14,088
or a note
is a little off-key,
298
00:13:14,213 --> 00:13:15,423
you crack or something,
299
00:13:15,423 --> 00:13:16,509
just, what does that
300
00:13:16,509 --> 00:13:17,762
- say about you?
- Mmm-hmm.
301
00:13:22,312 --> 00:13:23,314
Yo.
302
00:13:24,233 --> 00:13:25,402
Sorry I'm late.
303
00:13:25,527 --> 00:13:27,657
- I don't think you were... Oh.
- (TROY GRUNTS)
304
00:13:28,784 --> 00:13:32,584
Emma, 10,
has a goldfish named Johnny.
305
00:13:33,001 --> 00:13:34,128
And she's gonna kick us off
306
00:13:34,128 --> 00:13:36,507
with I Dreamed a Dream
from Les Mis.
307
00:13:37,009 --> 00:13:38,052
Oh, you know what?
308
00:13:38,052 --> 00:13:39,138
That's a good song choice
for her.
309
00:13:39,305 --> 00:13:41,267
I do believe her
as a French prostitute.
310
00:13:41,434 --> 00:13:42,436
REBECCA-DIANE: Amos.
311
00:13:42,604 --> 00:13:44,691
Oh, I'm sorry, I'm sorry.
Sex worker.
312
00:13:44,858 --> 00:13:46,068
REBECCA-DIANE: Thank you.
313
00:13:46,444 --> 00:13:48,197
(FRANTIC PIANO MUSIC PLAYING)
314
00:13:52,539 --> 00:13:53,541
(SINGING)
There's a hole in the world
315
00:13:53,541 --> 00:13:54,628
Like a great black pit
316
00:13:54,628 --> 00:13:56,255
And it's filled with people
Who are filled with shit
317
00:13:56,422 --> 00:13:58,217
And the vermin in the world inhabit it
318
00:13:59,930 --> 00:14:03,186
But not for long
319
00:14:03,604 --> 00:14:09,323
Darla, 15, is 2,073
on the IMDb Star Meter.
320
00:14:09,490 --> 00:14:11,828
(SINGING)
What if when he sees me
321
00:14:11,828 --> 00:14:13,707
I like him and he knows it
322
00:14:14,333 --> 00:14:15,460
(WHISPERS)
This is an example of a kid
323
00:14:15,460 --> 00:14:16,922
who started working
way too young.
324
00:14:17,089 --> 00:14:19,761
(SINGING)
And I can't close it?
325
00:14:19,928 --> 00:14:22,558
- You got snacks?
- No, I don't have anything.
326
00:14:22,725 --> 00:14:24,729
(SINGING)
And even if Karen were hotter than Sharon
327
00:14:24,729 --> 00:14:26,650
I still would've filed for divorce
328
00:14:26,984 --> 00:14:28,904
Um, that rhythm was wrong.
Can we do that again?
329
00:14:29,071 --> 00:14:30,115
(SINGING)
That was the last time
330
00:14:30,115 --> 00:14:31,618
I laid eyes on
331
00:14:31,618 --> 00:14:33,371
(VOCALIZING)
332
00:14:49,153 --> 00:14:50,447
Margaret Thatcher
333
00:14:50,614 --> 00:14:53,161
(SINGING)
Though we all deserve to die
334
00:14:53,996 --> 00:14:59,048
Even you, Mrs. Lovett
Even I
335
00:14:59,465 --> 00:15:02,764
It says you're allergic
to polyester. Why?
336
00:15:03,347 --> 00:15:07,607
Devon, 13. He has
a green belt in taekwondo.
337
00:15:12,199 --> 00:15:14,119
(SINGING)
You know, I think that I'm better now
338
00:15:14,119 --> 00:15:15,497
Better now
339
00:15:15,664 --> 00:15:17,877
You only say that 'cause I'm not around
340
00:15:17,877 --> 00:15:18,921
Not around
341
00:15:19,088 --> 00:15:21,258
You know I never meant to let you down
342
00:15:21,258 --> 00:15:22,344
Let you down
343
00:15:22,511 --> 00:15:25,976
Would've gave you anything
Would've gave you everything
344
00:15:26,143 --> 00:15:28,397
You know, I think that I am better now
345
00:15:28,397 --> 00:15:29,525
Better now
346
00:15:29,692 --> 00:15:31,822
You only say that 'cause I'm not around
347
00:15:31,822 --> 00:15:33,032
Not around
348
00:15:33,199 --> 00:15:35,411
You know I never meant to let you down
349
00:15:35,411 --> 00:15:36,539
Let you down
350
00:15:36,706 --> 00:15:38,417
BOTH: (SINGING)
Would've gave you anything
351
00:15:38,417 --> 00:15:40,088
Would've gave you everything
352
00:15:40,255 --> 00:15:42,092
Whoa
353
00:15:43,136 --> 00:15:45,724
That's what's up, dawg. Finally.
354
00:15:45,891 --> 00:15:46,935
Can you clear now, please?
Thank you.
355
00:15:46,935 --> 00:15:48,104
TROY: That was bussin'.
356
00:15:48,271 --> 00:15:49,314
AMOS: Inappropriate to give
feedback during the audition.
357
00:15:49,314 --> 00:15:50,400
REBECCA-DIANE: Yeah.
358
00:15:50,400 --> 00:15:51,570
AMOS: Please don't
internalize that.
359
00:15:51,736 --> 00:15:52,738
It's Devon?
360
00:15:53,322 --> 00:15:55,160
- Yeah.
- Your first summer?
361
00:15:55,326 --> 00:15:56,453
- Here?
- REBECCA-DIANE: Yeah.
362
00:15:56,453 --> 00:15:57,707
- AMOS: Yes.
- Yeah.
363
00:15:57,874 --> 00:15:59,168
Do you know
any other Post songs
364
00:15:59,168 --> 00:16:01,005
that you could like,
rattle off the dome,
365
00:16:01,172 --> 00:16:03,301
like maybe
Wow or Congratulations...
366
00:16:03,467 --> 00:16:05,764
or the one from
the Spider-Verse soundtrack?
367
00:16:05,931 --> 00:16:08,562
Abby, 11, chose this session
368
00:16:08,562 --> 00:16:11,025
over sitting shiva
for her cousin.
369
00:16:11,192 --> 00:16:13,029
CLIVE: Putting the work first.
370
00:16:14,323 --> 00:16:15,408
WOMAN: Oh, uh, excuse me,
I just need a second.
371
00:16:15,408 --> 00:16:16,493
RITA: Ma'am,
you can't be back here.
372
00:16:16,661 --> 00:16:17,830
WOMAN: I'm sorry. Um...
373
00:16:19,416 --> 00:16:20,836
Hi.
374
00:16:23,717 --> 00:16:26,723
My name's Caroline Krauss.
I'm a rep from Camp Lakeside.
375
00:16:33,987 --> 00:16:36,033
- (BUS HONKING)
- RITA: Shut up!
376
00:16:36,200 --> 00:16:37,870
- (MUSIC PLAYING ON SPEAKERS)
- Turn down your music!
377
00:16:38,037 --> 00:16:40,124
This is a bucolic setting!
378
00:16:40,291 --> 00:16:42,254
Okay, well,
whatever it is you're selling,
379
00:16:42,254 --> 00:16:43,297
we don't want any.
380
00:16:43,422 --> 00:16:45,385
Oh, I was actually here
to introduce myself
381
00:16:45,385 --> 00:16:47,347
to the, uh, new boss.
382
00:16:47,514 --> 00:16:49,686
Is there... Is Troy here?
383
00:16:49,852 --> 00:16:53,401
I am so sorry
to hear about your mom.
384
00:16:54,904 --> 00:16:56,908
My entire team
at Barnswell Capital
385
00:16:56,908 --> 00:16:58,327
is sending healing thoughts.
386
00:16:58,494 --> 00:17:01,668
Wait, Barnswell Capital?
Like the Barnswell Capital?
387
00:17:02,043 --> 00:17:03,672
- Yeah.
- Whoa.
388
00:17:04,757 --> 00:17:06,553
Your work is so inspiring.
389
00:17:06,720 --> 00:17:08,890
I mean,
the Gentri-vacation Project.
390
00:17:09,057 --> 00:17:10,059
I have to say
391
00:17:10,059 --> 00:17:11,896
Gentri-vacation
was my brainchild.
392
00:17:12,480 --> 00:17:14,151
- Wow, you know, um...
- You know...
393
00:17:14,318 --> 00:17:15,779
- I'm sorry.
- You go.
394
00:17:15,946 --> 00:17:16,948
I was just gonna say that
395
00:17:16,948 --> 00:17:18,451
you seem to know
a lot about business.
396
00:17:18,618 --> 00:17:19,787
I'm a bit
of a money man myself.
397
00:17:20,748 --> 00:17:22,000
You know, I've been trying
to bring some of my
398
00:17:23,210 --> 00:17:26,050
en-Troy-preneurship
to the AdirondACTS.
399
00:17:26,216 --> 00:17:28,847
That's funny.
That's catchy, en-Troy.
400
00:17:29,014 --> 00:17:30,350
- My name's Troy.
- I know.
401
00:17:30,516 --> 00:17:32,312
I understood it completely
the first time I heard it.
402
00:17:32,479 --> 00:17:33,481
Yeah.
403
00:17:33,481 --> 00:17:35,109
That's kind of what we're
doing with Lakeside.
404
00:17:35,276 --> 00:17:37,072
- Yeah?
- Yeah, we recently acquired it
405
00:17:37,238 --> 00:17:39,159
so I'm doing
kind of a complete overhaul
406
00:17:39,326 --> 00:17:41,038
- of the management structure.
- Wow!
407
00:17:41,205 --> 00:17:42,207
CAROLINE:
I think it's commendable
408
00:17:42,207 --> 00:17:43,417
what you're doing here.
409
00:17:43,627 --> 00:17:45,296
Taking on the burden
of your mother's condition.
410
00:17:45,463 --> 00:17:48,135
- Yeah.
- And her struggling business.
411
00:17:48,637 --> 00:17:50,473
That's gotta be so much weight
on your shoulders.
412
00:17:50,641 --> 00:17:52,060
Yeah. It is.
413
00:17:52,937 --> 00:17:54,732
Excuse me.
So sorry.
414
00:17:54,899 --> 00:17:57,487
This is an active work zone.
415
00:17:57,655 --> 00:17:59,116
I'm gonna need you
to vacate the area.
416
00:17:59,282 --> 00:18:00,953
CAROLINE: Uh, just one moment.
417
00:18:01,120 --> 00:18:02,330
Troy, I think this could be
418
00:18:02,330 --> 00:18:04,000
an exciting opportunity
for the both of us.
419
00:18:04,167 --> 00:18:06,255
- Wow. Yeah.
- GLENN: You know what?
420
00:18:06,422 --> 00:18:08,092
I'm gonna need
this exact space
421
00:18:08,092 --> 00:18:10,263
to get up
really high for some work.
422
00:18:10,639 --> 00:18:12,935
Look, Troy,
I don't need to tell you
423
00:18:12,935 --> 00:18:15,189
that the bank
has filed a notice of default.
424
00:18:15,566 --> 00:18:16,651
What?
425
00:18:16,651 --> 00:18:18,780
And it's not news to you,
of course,
426
00:18:18,780 --> 00:18:22,328
that they're weeks away from
foreclosing on this place.
427
00:18:24,792 --> 00:18:27,715
No, that's definitely
not news to me.
428
00:18:31,723 --> 00:18:35,438
Listen, I think I can help you
get out of this jam.
429
00:18:35,606 --> 00:18:36,941
I know I speak on behalf
430
00:18:36,941 --> 00:18:38,737
of my entire
board of directors
431
00:18:38,904 --> 00:18:41,283
when I say
that Barnswell Capital
432
00:18:41,450 --> 00:18:44,247
would love to get into bed
with AdirondACTS.
433
00:18:44,414 --> 00:18:50,594
(SINGING)
Tell them how I am defying gravity
434
00:18:50,761 --> 00:18:55,979
I'm flying high defying gravity
435
00:18:56,355 --> 00:18:57,357
I'm so sorry.
I didn't mean
436
00:18:57,357 --> 00:18:58,902
to interrupt
that conversation.
437
00:18:58,902 --> 00:18:59,987
That was very
out of character for me.
438
00:19:00,112 --> 00:19:01,490
- A little brazen...
- Hey, you can't tell anyone
439
00:19:01,658 --> 00:19:04,246
about this
foreclosure thing, okay?
440
00:19:04,246 --> 00:19:05,498
It's between me and you.
441
00:19:05,833 --> 00:19:09,130
Uh, yeah.
Uh, our little secret.
442
00:19:09,130 --> 00:19:11,009
But I do think
you should know,
443
00:19:11,468 --> 00:19:13,097
Barnswell Capital,
they're not people
444
00:19:13,097 --> 00:19:15,142
that we should be
getting into bed with.
445
00:19:15,309 --> 00:19:17,857
Lakeside is the enemy.
446
00:19:18,357 --> 00:19:19,735
They've been trying
to get this land
447
00:19:19,735 --> 00:19:21,363
for a very long time,
448
00:19:21,530 --> 00:19:23,743
and I think Joan's success is,
in large part,
449
00:19:23,743 --> 00:19:25,831
due to the fact
that she has leaned on us,
450
00:19:25,998 --> 00:19:27,292
AdirondACTS family,
451
00:19:27,835 --> 00:19:29,839
and your mother used to say,
452
00:19:30,006 --> 00:19:31,216
"We're theater people.
453
00:19:31,216 --> 00:19:34,014
"We know how to turn
cardboard into gold."
454
00:19:34,180 --> 00:19:37,730
(SINGING) Bring me down
455
00:19:37,938 --> 00:19:39,274
(PIANO PLAYING)
456
00:19:41,111 --> 00:19:42,698
- (POWER SHUTS DOWN)
- (PIANO STOPS)
457
00:19:42,698 --> 00:19:44,034
CHRISTOPHER L: What?
REBECCA-DIANE: Oh, my God.
458
00:19:44,034 --> 00:19:45,119
Troy.
459
00:19:45,286 --> 00:19:47,457
Okay, you're not ruining
my final note. (CHUCKLES)
460
00:19:47,791 --> 00:19:49,670
(VOCALIZING)
461
00:19:51,674 --> 00:19:52,885
TROY: Yeah.
462
00:19:53,720 --> 00:19:55,807
I really need to start
reading the mail.
463
00:20:05,869 --> 00:20:08,207
(SINGING SOFTLY)
Peters, Foster, Streisand, LuPone
464
00:20:08,207 --> 00:20:10,545
Give us a role we can make our own
465
00:20:10,712 --> 00:20:13,217
Audra McDonald, Idina Menzel
466
00:20:13,384 --> 00:20:15,722
We are gay witches, and this is our spell
467
00:20:15,889 --> 00:20:16,933
- RITA: Move on. We're gonna move on.
- AMOS: Okay.
468
00:20:17,100 --> 00:20:18,687
RITA: Okay. What about this?
The Crucible or Cats?
469
00:20:18,853 --> 00:20:20,231
I think that she's
in the running for Tituba.
470
00:20:20,398 --> 00:20:21,734
- No.
- In the running.
471
00:20:21,901 --> 00:20:22,986
How are we gonna
talk about Tituba
472
00:20:22,986 --> 00:20:24,364
when we haven't
picked a Proctor?
473
00:20:24,364 --> 00:20:26,076
AMOS: Do you think
you could channel her for us?
474
00:20:26,703 --> 00:20:28,455
Just try. I know you don't
like to do it on command,
475
00:20:28,623 --> 00:20:31,086
but maybe Joan has some wisdom
to offer in this moment.
476
00:20:31,086 --> 00:20:32,213
CLIVE: Here
in this situation room.
477
00:20:32,213 --> 00:20:33,298
RITA: Oh, I would love to...
478
00:20:33,465 --> 00:20:34,760
Oh, I wanna talk to her.
479
00:20:34,927 --> 00:20:36,221
Please do it.
480
00:20:37,641 --> 00:20:39,477
I have so many things
to tell her.
481
00:20:39,477 --> 00:20:40,605
CLIVE: Joan!
RITA: Joan.
482
00:20:40,605 --> 00:20:41,691
Joan, are you there?
483
00:20:41,858 --> 00:20:43,026
- RITA: Are you here, Joan?
- Guys, real quick.
484
00:20:43,193 --> 00:20:44,279
CLIVE: Joan, speak to us.
TROY: I'm gonna head out
485
00:20:44,279 --> 00:20:46,158
just 'cause the candles
and kids thing
486
00:20:46,158 --> 00:20:47,326
is making me
feel a little bit weird.
487
00:20:47,326 --> 00:20:48,663
We don't have
that much time to begin with.
488
00:20:48,830 --> 00:20:49,874
- Thank you.
- That's fine. Please.
489
00:20:49,999 --> 00:20:51,001
AMOS: Oh, my God!
490
00:20:51,001 --> 00:20:52,211
CLIVE: Can we get back
to the business at hand?
491
00:20:52,211 --> 00:20:53,965
AMOS: Can we open up the
discussion in terms of Lolas?
492
00:20:54,132 --> 00:20:55,594
I'm just gonna
throw a name out. Chantal.
493
00:20:55,761 --> 00:20:56,804
CLIVE: Chantal. Yes, Chantal.
494
00:20:56,804 --> 00:20:58,182
It's exactly what
I was thinking. Chantal.
495
00:20:58,348 --> 00:21:00,979
- Chantal. Chantal.
- Chantal.
496
00:21:01,146 --> 00:21:02,523
Which one... Okay. Chantal.
497
00:21:02,523 --> 00:21:03,651
CLIVE: Yes, yes.
498
00:21:03,651 --> 00:21:04,737
Okay, Chantal.
She's going where?
499
00:21:04,737 --> 00:21:05,989
Damn Yankees.
500
00:21:05,989 --> 00:21:07,158
REBECCA-DIANE: I'm just
worried she doesn't have...
501
00:21:07,158 --> 00:21:08,535
No, don't place her there!
502
00:21:08,703 --> 00:21:10,582
I'm worried she doesn't have
the sexuality to play it.
503
00:21:10,749 --> 00:21:12,836
Obviously, everyone
on this board is a virgin,
504
00:21:13,003 --> 00:21:14,089
but Chantal
seems like a virgin...
505
00:21:14,089 --> 00:21:15,174
AMOS: I agree.
506
00:21:15,341 --> 00:21:16,719
...the minute that she
steps into a room.
507
00:21:16,886 --> 00:21:18,388
Her name. I don't wanna see
Chantal in a feather.
508
00:21:18,556 --> 00:21:19,725
AMOS: I hate to admit
that it's a great point.
509
00:21:19,725 --> 00:21:20,852
Okay, let's just
table the virgins.
510
00:21:20,852 --> 00:21:21,938
CLIVE: Well,
can't we get her there?
511
00:21:22,063 --> 00:21:23,148
GIGI: Get her there?
How do we get her there?
512
00:21:23,148 --> 00:21:24,317
Get her there?
What do you want us to do?
513
00:21:24,985 --> 00:21:26,071
I don't know
how you get a virgin there.
514
00:21:26,071 --> 00:21:27,281
You get them there.
515
00:21:28,158 --> 00:21:30,789
Okay. Where do you
think this one goes?
516
00:21:32,416 --> 00:21:34,964
Well, it looks like it was
some kind of short.
517
00:21:35,130 --> 00:21:37,218
- Did you check the...
- Breakers?
518
00:21:37,385 --> 00:21:38,470
Yeah, I killed them already.
519
00:21:39,849 --> 00:21:41,309
(ELECTRIC BEEPING)
520
00:21:42,688 --> 00:21:44,692
(GLENN VOCALIZING)
521
00:21:52,749 --> 00:21:54,712
Wow,
that's really pretty, Glenn.
522
00:21:57,718 --> 00:21:59,512
Okay. Uh...
523
00:21:59,512 --> 00:22:00,974
You want him
and Sebastian in Joan?
524
00:22:00,974 --> 00:22:02,059
AMOS: Listen.
Hey, how about...
525
00:22:02,059 --> 00:22:03,270
I have no one.
526
00:22:03,270 --> 00:22:04,355
You take Sean,
we'll take Sebastian.
527
00:22:04,355 --> 00:22:05,441
- Hmm?
- RITA: All right.
528
00:22:05,441 --> 00:22:06,526
- GIGI: Now we have a deal.
- All right. All right.
529
00:22:06,694 --> 00:22:08,155
- He can be Mr. Mistoffelees.
- Okay. Okay.
530
00:22:08,322 --> 00:22:10,242
- CLIVE: Put him in there.
- Okay. Sean is Mistoffelees.
531
00:22:10,409 --> 00:22:13,332
If we can have Darla
for Joan, Still.
532
00:22:14,042 --> 00:22:15,044
CLIVE: You can have Darla.
533
00:22:15,252 --> 00:22:17,633
I'm sorry.
For what in Joan, Still?
534
00:22:17,799 --> 00:22:19,093
To play Joan. Old Joan.
535
00:22:19,260 --> 00:22:20,429
AMOS: She's not
even on my list.
536
00:22:20,597 --> 00:22:22,643
- She's obviously the best one.
- Joan is the most organic
537
00:22:22,643 --> 00:22:23,728
and warm person that I know.
538
00:22:23,895 --> 00:22:24,897
It emanates from her
539
00:22:25,105 --> 00:22:26,567
and Darla, it's sort of like,
put on and then another layer,
540
00:22:26,567 --> 00:22:27,986
put on and then another layer,
put on...
541
00:22:28,153 --> 00:22:29,155
Like all of the work
she's done...
542
00:22:29,155 --> 00:22:30,659
- I find her so free.
- All the sets
543
00:22:30,659 --> 00:22:32,245
she's been on
just reek on her.
544
00:22:32,411 --> 00:22:33,665
Just sit with it for a second.
545
00:22:33,915 --> 00:22:35,167
(POWER SWITCHES ON)
546
00:22:35,334 --> 00:22:37,380
(CHILDREN CHEERING)
547
00:22:39,802 --> 00:22:41,681
(INTRIGUING MUSIC PLAYING)
548
00:22:51,701 --> 00:22:54,372
AMOS: Please
don't disappoint Joan.
549
00:22:54,581 --> 00:22:56,376
(MICROPHONE FEEDBACK)
550
00:22:58,505 --> 00:22:59,507
(SIGHS)
551
00:23:01,177 --> 00:23:02,179
Campers,
552
00:23:02,889 --> 00:23:04,434
the cast lists are up.
553
00:23:04,893 --> 00:23:07,273
(ALL CLAMORING EXCITEDLY)
554
00:23:18,003 --> 00:23:19,380
Oh, my God!
Oh, my God! Oh, my God!
555
00:23:19,380 --> 00:23:20,800
SEBASTIAN: Out of the way!
556
00:23:23,890 --> 00:23:25,392
(CHILDREN SQUEALING)
557
00:23:27,188 --> 00:23:28,482
GIRL: Am I going to be a cat?
558
00:23:30,069 --> 00:23:32,114
ALICE:
Little person coming through.
559
00:23:32,783 --> 00:23:34,828
(CHILDREN CHATTERING)
560
00:23:42,510 --> 00:23:44,097
(ALL CHEERING)
561
00:23:45,265 --> 00:23:46,560
ALICE: I'm so proud of you.
562
00:23:53,991 --> 00:23:55,160
(LAUGHS)
563
00:23:55,160 --> 00:23:56,872
ALAN: You've got to hear
her sing, Marty.
564
00:23:57,039 --> 00:23:59,753
She just booked the title role
in Joan, Still...
565
00:24:00,379 --> 00:24:01,674
...and I'm this close
to signing her.
566
00:24:01,841 --> 00:24:03,176
She's the whole package.
567
00:24:03,343 --> 00:24:04,345
WOMAN: (ON PHONE)
My daughter is a genius.
568
00:24:04,512 --> 00:24:05,682
I hear you loud and clear.
Believe me, you're not the
569
00:24:05,682 --> 00:24:07,769
only one who's upset.
I've been getting a lot of calls.
570
00:24:07,936 --> 00:24:09,105
How dare you do this
to my daughter?
571
00:24:09,272 --> 00:24:10,692
I'm seriously
going to do something
572
00:24:10,692 --> 00:24:12,194
if my daughter
is not the lead by tomorrow.
573
00:24:12,361 --> 00:24:13,530
Ma'am, again,
I was not involved
574
00:24:13,530 --> 00:24:14,783
in the casting decision.
575
00:24:14,783 --> 00:24:16,327
I will be sure
to pass that on.
576
00:24:16,327 --> 00:24:17,956
But in the meantime,
if you wanna bribe me,
577
00:24:18,123 --> 00:24:19,626
- I am very open to...
- DARLA: Troy, right?
578
00:24:19,793 --> 00:24:20,837
- Are you listening to me?
- Hold on one second.
579
00:24:20,837 --> 00:24:21,881
Hi, yes.
580
00:24:21,881 --> 00:24:23,216
- Hi. I'm Darla.
- Hi, Darla.
581
00:24:23,341 --> 00:24:24,678
I just wanna thank you
for entrusting me
582
00:24:24,678 --> 00:24:26,431
to inhabit your mother
in Joan, Still.
583
00:24:27,224 --> 00:24:29,730
Wasn't me who made
the decision, but of course.
584
00:24:29,897 --> 00:24:31,232
I'd love to have a sit-down.
585
00:24:31,232 --> 00:24:33,069
Go over her mannerisms, tics,
586
00:24:33,236 --> 00:24:34,363
favorite foods and traumas.
587
00:24:34,530 --> 00:24:35,532
Right on. Um...
588
00:24:35,700 --> 00:24:37,328
Do you happen
to have her dream journal?
589
00:24:37,494 --> 00:24:39,498
Dream journal. Um,
you might have to come back.
590
00:24:39,498 --> 00:24:40,835
Troy, all the freezers
were out last night,
591
00:24:40,835 --> 00:24:42,672
so the meat turned.
So what do we serve for lunch?
592
00:24:43,089 --> 00:24:45,260
- DARLA: I'll come back later.
- (FLAPPING LIPS)
593
00:24:45,929 --> 00:24:47,014
Have a big breakfast.
594
00:24:48,016 --> 00:24:49,435
(SIGHS) Rita.
595
00:24:50,521 --> 00:24:51,522
CLIVE: Class,
596
00:24:52,776 --> 00:24:55,782
to dance
is the highest expression
597
00:24:55,949 --> 00:24:57,577
of human existence.
598
00:24:57,744 --> 00:25:01,125
Acting is remembering
and then choosing to forget.
599
00:25:01,292 --> 00:25:05,175
Music is the closest thing
we have to the other side.
600
00:25:05,175 --> 00:25:07,429
(SYNTH MUSIC
PLAYING ON SPEAKER)
601
00:25:10,603 --> 00:25:12,356
(MAKING SQUEAKING SOUND)
602
00:25:14,026 --> 00:25:15,989
(FEET STOMPING)
603
00:25:17,241 --> 00:25:18,285
Mask work.
604
00:25:18,493 --> 00:25:19,663
Who's next?
605
00:25:19,830 --> 00:25:20,832
So, I'm gonna be
teaching you guys
606
00:25:20,832 --> 00:25:22,084
a little fashion history
607
00:25:22,251 --> 00:25:23,461
and we're gonna
really look closely
608
00:25:23,461 --> 00:25:25,299
at the period costuming.
609
00:25:25,465 --> 00:25:26,467
I see...
610
00:25:26,635 --> 00:25:27,637
clavicle realness.
611
00:25:27,637 --> 00:25:28,889
Showing off the clav.
612
00:25:29,850 --> 00:25:31,895
You need to know
when to use a clavicle.
613
00:25:32,062 --> 00:25:34,233
- Right.
- It's once a week.
614
00:25:34,442 --> 00:25:36,404
This is me at Coachella.
615
00:25:36,572 --> 00:25:38,576
Kind of cross-faded. I'm
looking for my friend, Chad.
616
00:25:38,743 --> 00:25:40,329
I was running.
"Chad!"
617
00:25:40,495 --> 00:25:42,584
I'm hating everything
about this except for the
618
00:25:43,335 --> 00:25:44,503
peekaboo vaginal sleeve.
619
00:25:46,174 --> 00:25:47,343
Characterization.
620
00:25:47,509 --> 00:25:48,554
Let's say it.
621
00:25:48,721 --> 00:25:50,767
- Characterization.
- ALL: Characterization.
622
00:25:50,933 --> 00:25:52,812
It's time to dive in
to our first exercise.
623
00:25:52,979 --> 00:25:55,359
Somebody wants to maybe
give it a shot?
624
00:25:55,525 --> 00:25:56,737
Anybody.
625
00:25:57,321 --> 00:25:58,323
Nobody?
626
00:25:59,910 --> 00:26:01,663
Darla, why don't you come up
here and demonstrate with me?
627
00:26:02,666 --> 00:26:05,963
So Darla is going to say
just a basic fact about me,
628
00:26:06,130 --> 00:26:07,967
anything that she observes.
629
00:26:08,134 --> 00:26:09,638
Just anything that comes to
mind when you look at me.
630
00:26:09,805 --> 00:26:11,224
No wrong answers.
Just throw something out.
631
00:26:11,725 --> 00:26:12,977
You're an acting teacher.
632
00:26:13,144 --> 00:26:14,146
Okay. I'm gonna stop you
right there.
633
00:26:14,355 --> 00:26:17,152
So that's actually
wildly opinionated.
634
00:26:17,319 --> 00:26:19,407
That was a really simplistic
way of looking at it.
635
00:26:19,574 --> 00:26:22,622
I am a performer
who works full time
636
00:26:22,622 --> 00:26:23,833
as an acting teacher, right?
637
00:26:25,168 --> 00:26:27,089
(PLAYING PEACEFUL TUNE
ON FLUTE)
638
00:26:34,896 --> 00:26:36,190
Sing that back to me.
639
00:26:37,484 --> 00:26:39,238
(CHILDREN VOCALIZING TUNE)
640
00:26:39,573 --> 00:26:41,451
Now we're gonna do
a little bit of an exercise
641
00:26:41,451 --> 00:26:42,996
to just strengthen our mouths.
642
00:26:42,996 --> 00:26:44,498
ALL: (SINGING)
I was with Al Gore
643
00:26:44,498 --> 00:26:45,960
By the old cheese store
644
00:26:46,127 --> 00:26:48,716
And he brought his own bag
From the ocean floor
645
00:26:48,883 --> 00:26:52,347
ALL: Wolf Blitzer has
a blister on his upper lip.
646
00:26:52,514 --> 00:26:54,059
You are a family...
647
00:26:55,353 --> 00:26:56,522
of influencers.
648
00:26:56,732 --> 00:26:58,401
The mom is the manager.
649
00:26:58,569 --> 00:27:01,032
You're dating
a basketball player,
650
00:27:01,199 --> 00:27:03,203
but he's constantly
cheating on you.
651
00:27:03,369 --> 00:27:04,706
And if that isn't enough,
652
00:27:04,831 --> 00:27:06,835
all your names
start with the same letter.
653
00:27:09,089 --> 00:27:10,091
Oh, nice.
654
00:27:11,302 --> 00:27:13,431
Your show's canceled!
Your show's canceled!
655
00:27:14,308 --> 00:27:15,561
It's back.
656
00:27:16,563 --> 00:27:17,565
Whoa.
657
00:27:17,565 --> 00:27:20,070
Wanting to learn
about stagecraft
658
00:27:20,237 --> 00:27:22,407
is an act of nobility.
659
00:27:22,575 --> 00:27:25,706
You know, even if it's just
because dance was full.
660
00:27:26,374 --> 00:27:29,338
Something that we like
to dig into here
661
00:27:29,505 --> 00:27:32,344
is the art of the spotlight.
662
00:27:39,191 --> 00:27:42,699
No offense,
but this is really easy.
663
00:27:42,865 --> 00:27:44,786
Can you make it harder?
664
00:27:46,455 --> 00:27:47,457
Okay.
665
00:27:52,259 --> 00:27:54,848
(UPBEAT PIANO MUSIC PLAYING)
666
00:28:14,846 --> 00:28:16,767
(UPBEAT INSTRUMENTAL
MUSIC PLAYING)
667
00:28:32,715 --> 00:28:34,176
(PANTING)
668
00:28:37,642 --> 00:28:39,813
You know, if there was
a real dancer on stage,
669
00:28:39,813 --> 00:28:40,898
that would be...
670
00:28:42,067 --> 00:28:43,361
that would be different.
671
00:28:43,528 --> 00:28:44,698
Better, probably.
672
00:28:44,864 --> 00:28:46,200
Whoa, that was amazing.
673
00:28:46,367 --> 00:28:47,995
GLENN: (STAMMERS)
Let's take a break.
674
00:28:49,415 --> 00:28:50,500
- AMOS: So we have like...
- (PLAYING PIANO)
675
00:28:50,668 --> 00:28:52,714
(SINGING) You never
676
00:28:52,714 --> 00:28:54,926
- (SINGING) Listen to me
- Yeah.
677
00:28:55,093 --> 00:28:56,095
And then...
678
00:28:56,095 --> 00:28:57,472
- (SINGING) Daddy
- Yeah.
679
00:28:57,640 --> 00:28:59,644
I want her to say that loudly.
680
00:28:59,811 --> 00:29:01,439
- Write that down.
- Mmm-hmm. Like guttural.
681
00:29:01,606 --> 00:29:03,109
- That's very Joan.
- A guttural "Daddy."
682
00:29:03,276 --> 00:29:05,321
It would be great to go
into the first rehearsal
683
00:29:05,488 --> 00:29:07,409
with like,
three or four songs.
684
00:29:07,577 --> 00:29:10,081
For Joan's song at Studio 54,
I've been thinking...
685
00:29:10,081 --> 00:29:11,585
(SCATTING)
686
00:29:13,171 --> 00:29:14,131
AMOS: (SINGING) Lower now
687
00:29:14,339 --> 00:29:15,801
(BOTH SCATTING)
688
00:29:16,970 --> 00:29:18,139
AMOS: Okay. That's good.
689
00:29:18,139 --> 00:29:21,103
What are we doing for,
in the Wall Street piece?
690
00:29:21,270 --> 00:29:23,357
(SINGING) Selling the stock
Buying the stock
691
00:29:24,359 --> 00:29:25,361
It's tap.
692
00:29:25,528 --> 00:29:26,990
- It's tap.
- It's tap.
693
00:29:27,867 --> 00:29:29,913
- Like, stocks and bonds.
- (SINGING) Stocks things
694
00:29:30,079 --> 00:29:31,583
- Bonds and selling
- Stocks.
695
00:29:31,750 --> 00:29:33,169
- I work on Wall Street
- Stocks.
696
00:29:33,336 --> 00:29:34,631
I don't know
when I'm gonna be able
697
00:29:34,631 --> 00:29:37,385
- to really get to the finale.
- Yeah, yeah, I got it.
698
00:29:37,595 --> 00:29:38,680
- You can take that?
- Yeah, I got it.
699
00:29:38,847 --> 00:29:40,810
So, I'm writing,
Rebecca-Diane...
700
00:29:41,268 --> 00:29:42,270
finale.
701
00:29:43,356 --> 00:29:44,734
It's for her.
It's all for her.
702
00:29:44,901 --> 00:29:46,278
- It's for her.
- (TURNS PAGE)
703
00:29:47,782 --> 00:29:49,994
DARLA: Well, it makes sense.
I've been taking tap
704
00:29:49,994 --> 00:29:51,080
- since I was two.
- CHRISTOPHER L: Oh, my gosh.
705
00:29:51,080 --> 00:29:52,165
DARLA: So, I'm like...
That's why I, like, have it.
706
00:29:52,165 --> 00:29:53,585
Performers, attention.
707
00:29:55,088 --> 00:29:56,633
Welcome to the first rehearsal
of Joan, Still.
708
00:29:57,467 --> 00:29:58,971
I'm not gonna sugarcoat it.
709
00:29:59,137 --> 00:30:00,683
Emotionally,
physically and spiritually,
710
00:30:00,850 --> 00:30:02,770
this is our most complicated
piece we've ever tried to do.
711
00:30:02,770 --> 00:30:03,856
Most ambitious.
712
00:30:04,022 --> 00:30:07,697
Now, we only have three weeks
to create a masterpiece.
713
00:30:08,030 --> 00:30:09,491
It's on you now.
It's up to you.
714
00:30:09,659 --> 00:30:10,661
So that's on your shoulders
715
00:30:10,661 --> 00:30:12,999
as well as Joan's well-being
and her legacy. All on you.
716
00:30:13,917 --> 00:30:15,754
But you so deserve it
on every level.
717
00:30:15,921 --> 00:30:18,092
You guys are so talented,
so unbelievable.
718
00:30:18,259 --> 00:30:19,261
This will break you.
719
00:30:20,221 --> 00:30:21,892
This will fully destroy you.
720
00:30:22,058 --> 00:30:23,979
Congratulations on being the
most talented kids at camp.
721
00:30:24,271 --> 00:30:26,191
(JAUNTY MUSIC PLAYING)
722
00:30:26,525 --> 00:30:28,112
(INAUDIBLE CONVERSATIONS)
723
00:30:31,870 --> 00:30:33,749
On a "mi," go.
724
00:30:33,916 --> 00:30:35,084
ALL: (SINGING) Mi, mi, mi
725
00:30:38,299 --> 00:30:39,719
Um, I'm just gonna go
and see if there's
726
00:30:39,719 --> 00:30:40,888
any alcohol
that's been confiscated.
727
00:30:41,055 --> 00:30:42,558
I'll just grab it
and I'll meet you at the fire pit?
728
00:30:42,725 --> 00:30:44,394
You know what? I just can't.
I can't come tonight.
729
00:30:44,394 --> 00:30:46,315
I'm having insane
creative inspiration.
730
00:30:46,315 --> 00:30:47,652
It's just coming out of me
at all ends.
731
00:30:47,818 --> 00:30:48,820
No. Rebecca, Rebecca.
732
00:30:48,820 --> 00:30:50,239
I'm not going
to the staff hang without you.
733
00:30:50,406 --> 00:30:51,910
I'm gonna get stuck
listening to a story
734
00:30:51,910 --> 00:30:54,749
about how Clive was nude
for the entire '80s.
735
00:30:54,916 --> 00:30:56,795
And the dancers
start applauding for me.
736
00:30:56,962 --> 00:30:58,715
And I had no idea why.
737
00:30:58,882 --> 00:31:01,261
But, of course, I obliged
them with a deep curtsy.
738
00:31:01,680 --> 00:31:05,729
And as I'm bowing,
I realize I'm still nude.
739
00:31:06,815 --> 00:31:08,067
(BOTH LAUGHING)
740
00:31:08,777 --> 00:31:11,658
CLIVE: Oh, still nude.
741
00:31:13,578 --> 00:31:14,580
Um, let's do a toast.
742
00:31:15,373 --> 00:31:17,460
- Shall we, a toast to Joan?
- CLIVE: Praise be.
743
00:31:17,670 --> 00:31:19,757
Right? A little toast.
Let me top everyone off.
744
00:31:19,924 --> 00:31:22,345
I can feel that her spirit
is with us right now.
745
00:31:22,345 --> 00:31:23,431
GIGI: Yes.
746
00:31:23,598 --> 00:31:24,642
- She's here.
- She's here. She's here.
747
00:31:24,809 --> 00:31:26,020
I have a little story for us.
748
00:31:26,520 --> 00:31:30,028
So I was a camper here
and Joan said to me,
749
00:31:30,194 --> 00:31:31,781
she looked me in the eyes,
she said,
750
00:31:32,950 --> 00:31:34,036
"You're untalented.
751
00:31:35,538 --> 00:31:37,083
"You can't dance.
You can't sing.
752
00:31:38,085 --> 00:31:39,087
"You can't act.
753
00:31:40,006 --> 00:31:41,551
"You're very bad at this.
754
00:31:41,718 --> 00:31:43,304
"But you look amazing.
755
00:31:43,471 --> 00:31:46,477
"Your skin is glowing and
your outfit is unbelievable."
756
00:31:48,648 --> 00:31:49,984
And she was right.
757
00:31:50,401 --> 00:31:51,863
RITA: At camp,
we have a tradition.
758
00:31:52,030 --> 00:31:54,159
Every night,
a staff member or counselor
759
00:31:54,159 --> 00:31:55,996
is gonna come in here
and do a show for you.
760
00:31:56,413 --> 00:31:59,044
Tonight was supposed to be
Joan's night,
761
00:31:59,211 --> 00:32:00,296
but Joan isn't here.
762
00:32:00,463 --> 00:32:03,344
So tonight, I am going
to take her place
763
00:32:03,511 --> 00:32:06,768
and read you
a special bedtime story.
764
00:32:06,935 --> 00:32:10,399
(SINGING)
My friends, by the fire with my friends
765
00:32:10,567 --> 00:32:14,533
Having fun with my friends
766
00:32:14,533 --> 00:32:16,245
(VOCALIZING)
767
00:32:18,415 --> 00:32:20,086
Gorgeous. Thank you, Rebecca.
768
00:32:20,253 --> 00:32:22,006
Sorry. Sorry.
769
00:32:22,173 --> 00:32:25,429
I just feel like this mood
is getting kind of like, sad.
770
00:32:25,931 --> 00:32:27,392
You know what I mean?
Let's get crunk a little.
771
00:32:27,560 --> 00:32:28,562
Janet.
772
00:32:30,273 --> 00:32:32,068
What are you doing here
at the camp?
773
00:32:32,235 --> 00:32:34,239
Oh, I mean, like,
what are any of us doing here
774
00:32:34,239 --> 00:32:35,533
- at the camp?
- No, no, no.
775
00:32:35,701 --> 00:32:36,911
What are you doing?
776
00:32:37,078 --> 00:32:40,293
I just wanna say your energy
is so chaotic.
777
00:32:40,459 --> 00:32:41,503
I don't think so.
778
00:32:41,503 --> 00:32:42,882
And I actually do
some energy healing
779
00:32:43,007 --> 00:32:44,760
and any time
you wanna talk outside class,
780
00:32:44,760 --> 00:32:46,639
I'm really happy
to sit down with you.
781
00:32:46,639 --> 00:32:47,725
I'm chilling.
782
00:32:47,725 --> 00:32:48,852
- You know what I mean?
- REBECCA-DIANE: Mmm-hmm.
783
00:32:48,852 --> 00:32:50,396
I don't like this type of, um,
784
00:32:50,396 --> 00:32:51,858
voice.
785
00:32:52,025 --> 00:32:53,027
This is my voice.
786
00:32:53,194 --> 00:32:55,782
No, I think it sounded
different three seconds ago.
787
00:32:55,949 --> 00:32:57,285
No, that's how I talk.
788
00:32:57,452 --> 00:33:00,876
"She was so excited to be
at this Equity open call.
789
00:33:01,043 --> 00:33:03,590
"But she'd been waiting
for hours and hours.
790
00:33:03,757 --> 00:33:07,055
"She could hear people singing
on the other side of the door.
791
00:33:07,556 --> 00:33:10,604
"And then finally,
it was her turn.
792
00:33:10,771 --> 00:33:12,983
"But when she walked
in the room,
793
00:33:12,983 --> 00:33:15,029
"the men turned her away
794
00:33:15,196 --> 00:33:18,912
"because she was non-union."
795
00:33:19,079 --> 00:33:20,081
The end.
796
00:33:21,458 --> 00:33:22,836
AMOS: We at one time
were going to pursue
797
00:33:22,836 --> 00:33:24,924
an education in the theater
798
00:33:25,049 --> 00:33:26,678
and we both actually
auditioned together
799
00:33:26,678 --> 00:33:29,600
for a little-known institution
called Juilliard.
800
00:33:29,767 --> 00:33:30,894
We were in
the waiting room, you know.
801
00:33:30,894 --> 00:33:32,272
I had my monologue
all prepared.
802
00:33:32,438 --> 00:33:34,694
I was doing
"Gallop Apace," Juliet.
803
00:33:34,860 --> 00:33:36,572
She had Romeo in the tomb.
804
00:33:36,739 --> 00:33:37,825
And then...
805
00:33:37,992 --> 00:33:40,121
Gerald walked into
the waiting room. Gerald '08.
806
00:33:40,288 --> 00:33:41,290
REBECCA-DIANE:
Gerald '08 walked in.
807
00:33:41,290 --> 00:33:42,542
AMOS:
Just to catch you up, Janet,
808
00:33:42,542 --> 00:33:43,837
we had a torrid affair.
809
00:33:44,004 --> 00:33:45,256
Lot of, like,
will they, won't they.
810
00:33:45,423 --> 00:33:46,425
The camp
was all abuzz about it.
811
00:33:46,592 --> 00:33:49,347
We never really spoke or
touched or kissed, but it...
812
00:33:49,514 --> 00:33:51,268
You know,
it was on everybody's lips.
813
00:33:51,728 --> 00:33:54,567
And so he really threw
my pH balance, like, way off.
814
00:33:54,734 --> 00:33:56,571
And Rebecca
could feel it, too,
815
00:33:56,571 --> 00:33:58,575
because we kind
of share a soul.
816
00:33:58,742 --> 00:34:01,079
And we are linked
artistically, emotionally...
817
00:34:01,246 --> 00:34:03,500
- Completely. We are one.
- You're codependent?
818
00:34:03,710 --> 00:34:05,630
Well, no, I would say that
we're dependent on each other.
819
00:34:05,797 --> 00:34:06,758
So, anyways,
820
00:34:06,883 --> 00:34:07,885
we were inches
from a callback,
821
00:34:07,885 --> 00:34:09,137
slipped from our hands.
822
00:34:09,137 --> 00:34:10,640
- It didn't happen.
- It didn't go our way.
823
00:34:10,640 --> 00:34:11,809
- We both bombed.
- No.
824
00:34:11,934 --> 00:34:12,936
Bombed.
825
00:34:12,936 --> 00:34:14,230
REBECCA-DIANE: Yeah,
we've always wanted to do
826
00:34:14,230 --> 00:34:15,399
a gender-reversed production
827
00:34:15,567 --> 00:34:16,903
- of Romeo and Juliet.
- Mmm-hmm.
828
00:34:18,782 --> 00:34:19,784
Why don't you do it?
829
00:34:21,119 --> 00:34:22,873
Well, I would love to do it
with you.
830
00:34:23,040 --> 00:34:24,752
And I've been working
really hard and taking...
831
00:34:24,919 --> 00:34:28,217
I mean, you know, the absolute
goal at the end of the day
832
00:34:28,384 --> 00:34:29,637
is, of course, to perform,
833
00:34:29,637 --> 00:34:32,058
but I don't think
we're quite at that place.
834
00:34:34,855 --> 00:34:36,441
(HIP-HOP MUSIC PLAYING)
835
00:34:48,173 --> 00:34:49,802
- (CELL PHONE BUZZING)
- TROY: Ay, yikes.
836
00:34:49,802 --> 00:34:50,971
MAN: (ON PHONE)
Hi, Mr. Rubinsky,
837
00:34:50,971 --> 00:34:53,100
this is Carl
from Warwick Bank.
838
00:34:53,267 --> 00:34:55,146
If you do not make a payment
on your mortgage this week,
839
00:34:55,312 --> 00:34:57,316
we will initiate
foreclosure proceedings.
840
00:34:57,316 --> 00:35:00,574
Please take action to avoid
repossession of your camp.
841
00:35:01,199 --> 00:35:02,243
(CELL PHONE BEEPS)
842
00:35:02,243 --> 00:35:03,495
AUTOMATED VOICE:
"Repossession" means
843
00:35:03,495 --> 00:35:05,249
the action of retaking
possession of something.
844
00:35:05,416 --> 00:35:07,713
In particular, when a buyer
defaults on payments.
845
00:35:07,713 --> 00:35:09,048
Whoa.
846
00:35:09,257 --> 00:35:10,552
(HIP-HOP MUSIC CONTINUES)
847
00:35:13,892 --> 00:35:17,482
(CLEARS THROAT)
Oh, what a beautiful...
848
00:35:17,858 --> 00:35:19,235
ALL: Morning!
849
00:35:19,402 --> 00:35:22,659
(ON MIC) All right. First up,
minor housekeeping issue.
850
00:35:22,826 --> 00:35:25,707
Whoever stole my CBD gummies,
please return them.
851
00:35:25,874 --> 00:35:27,502
No questions asked.
852
00:35:27,669 --> 00:35:29,799
I'm pretty sure
I know who it was,
853
00:35:29,799 --> 00:35:31,552
so just go ahead
and cough that up.
854
00:35:31,677 --> 00:35:32,971
I can't sleep without them.
855
00:35:32,971 --> 00:35:34,474
GIRL: CisHet bitch.
856
00:35:34,474 --> 00:35:35,894
(CHILDREN LAUGHING)
857
00:35:36,019 --> 00:35:37,355
Okay. Thank you for that.
858
00:35:40,528 --> 00:35:41,530
Thank you.
859
00:35:41,530 --> 00:35:43,200
Food has been so good.
Keep it up.
860
00:35:46,456 --> 00:35:47,458
(CHAIR SLIDES)
861
00:35:47,458 --> 00:35:49,128
GLENN: Ow!
TROY: Oh.
862
00:35:49,128 --> 00:35:50,924
- Hey, sorry. Are you...
- Sorry.
863
00:35:50,924 --> 00:35:53,095
No, it was completely
my fault. You're fine.
864
00:35:56,434 --> 00:35:59,023
Hey, uh, do you wanna
have lunch with me?
865
00:36:02,446 --> 00:36:04,994
By the way,
thanks for not telling anyone
866
00:36:04,994 --> 00:36:06,162
about the foreclosure.
867
00:36:06,622 --> 00:36:07,958
I really appreciate that.
868
00:36:09,460 --> 00:36:11,506
I don't know
if I can do this, man.
869
00:36:11,674 --> 00:36:13,970
I have no idea how my mom
kept this place afloat.
870
00:36:14,555 --> 00:36:16,767
I mean,
the bank's way up my ass.
871
00:36:16,976 --> 00:36:18,520
Plus, Tim keeps complaining
872
00:36:18,520 --> 00:36:20,149
about being woken up
by the kids' singing.
873
00:36:20,482 --> 00:36:22,153
Who's Tim?
874
00:36:23,071 --> 00:36:24,532
My Airbnb bunkie.
875
00:36:24,532 --> 00:36:26,036
This guy named Tim. That guy.
876
00:36:27,998 --> 00:36:29,292
- Hey!
- I really can't afford
877
00:36:29,292 --> 00:36:30,502
a bad review right now.
878
00:36:31,338 --> 00:36:33,342
I swear, dude, I can usually
get down with any vibe.
879
00:36:33,760 --> 00:36:35,012
But these kids, man.
880
00:36:35,179 --> 00:36:36,514
They just don't wanna
meet me halfway.
881
00:36:36,514 --> 00:36:37,643
Every time I come up
with a plan,
882
00:36:37,643 --> 00:36:38,811
they call me the Music Man .
883
00:36:38,811 --> 00:36:39,939
I don't even know
what that is.
884
00:36:41,107 --> 00:36:42,234
Well, it's a musical.
885
00:36:42,401 --> 00:36:43,905
Everything's a goddamn
musical here, man.
886
00:36:44,072 --> 00:36:45,407
GLENN: Well, yeah, it is.
887
00:36:45,532 --> 00:36:47,370
'Cause it's sort
of their entire lives.
888
00:36:47,829 --> 00:36:48,831
Like those kids.
889
00:36:49,332 --> 00:36:51,587
That's actually
last year's cast of Rent.
890
00:36:51,754 --> 00:36:53,423
It was a very
formative production.
891
00:36:53,549 --> 00:36:55,804
It's all about family.
It's all about community.
892
00:36:55,971 --> 00:36:57,766
Okay, see, that's...
893
00:36:57,933 --> 00:36:59,310
- that's helpful.
- Good.
894
00:36:59,477 --> 00:37:00,479
What about them?
895
00:37:00,647 --> 00:37:02,609
GLENN: Those are Fosse kids.
896
00:37:02,609 --> 00:37:03,736
If they snap at you,
897
00:37:03,736 --> 00:37:05,573
just know that they're not
trying to be demanding.
898
00:37:05,740 --> 00:37:07,368
It's just part
of the vocabulary.
899
00:37:07,535 --> 00:37:08,579
These kids are smart.
900
00:37:08,746 --> 00:37:09,999
If you need their help,
you just have to
901
00:37:09,999 --> 00:37:11,251
sort of meet them
on their level.
902
00:37:12,003 --> 00:37:14,048
CLIVE: And starfish, starfish,
903
00:37:14,215 --> 00:37:16,011
starfish, and starfish.
904
00:37:16,219 --> 00:37:17,471
Jiggle like a jackal.
905
00:37:17,639 --> 00:37:18,808
Jiggle like a jackal.
906
00:37:18,975 --> 00:37:21,521
You need to know that only
3% of people make it.
907
00:37:21,689 --> 00:37:24,611
The rest of them
end up in a mental facility
908
00:37:24,611 --> 00:37:26,741
or on a go-go box
in Hell's Kitchen.
909
00:37:27,116 --> 00:37:28,911
AMOS: Let's just get a few
more selections today
910
00:37:28,911 --> 00:37:31,082
from my collected
original works,
911
00:37:31,249 --> 00:37:32,334
as we do every year.
912
00:37:32,334 --> 00:37:33,671
That's a low blow, Eileen.
913
00:37:33,671 --> 00:37:34,923
And don't pretend my IBS
914
00:37:34,923 --> 00:37:36,009
isn't part of
why you haven't wanted
915
00:37:36,009 --> 00:37:37,470
to touch me
in almost a decade.
916
00:37:37,637 --> 00:37:40,059
It's got nothing to do
with your IBS, Roger.
917
00:37:40,225 --> 00:37:41,436
I want you
to live a little bit more
918
00:37:41,436 --> 00:37:42,814
with the reality
of having IBS
919
00:37:42,814 --> 00:37:43,983
and what that might do
to your character.
920
00:37:44,358 --> 00:37:46,864
Because I'm not really feeling
the detail of the IBS.
921
00:37:47,031 --> 00:37:48,659
I wanna live, Mother.
922
00:37:48,659 --> 00:37:51,039
Let's just try to throw some
different spices in there.
923
00:37:51,206 --> 00:37:53,628
A little bit of pain,
a little bit of stepfather.
924
00:37:53,920 --> 00:37:57,051
Got it. So hand me
my goddamn lipstick.
925
00:37:58,011 --> 00:37:59,890
- And let me live.
- Good.
926
00:38:00,265 --> 00:38:01,518
Mostly a lot better.
927
00:38:01,644 --> 00:38:02,646
Thank you, Darla. Take a seat.
928
00:38:02,646 --> 00:38:03,898
JANET: Okay.
Today's a new thing.
929
00:38:03,898 --> 00:38:06,277
I'm teaching, um,
930
00:38:06,570 --> 00:38:07,864
stage combat.
931
00:38:09,075 --> 00:38:10,160
What is it?
932
00:38:11,538 --> 00:38:12,540
What is it?
933
00:38:12,707 --> 00:38:13,918
It's the art of surprise.
934
00:38:13,918 --> 00:38:16,172
It pushes the envelope
of what theater can be.
935
00:38:16,297 --> 00:38:17,551
Absolutely.
936
00:38:19,136 --> 00:38:21,391
But also
what do we think it is?
937
00:38:21,600 --> 00:38:24,815
It causes our heart to skip
a beat, but safely.
938
00:38:24,940 --> 00:38:27,403
Does anybody have an answer
that's like, not poetry?
939
00:38:27,904 --> 00:38:28,948
Maybe? You know what I mean?
940
00:38:28,948 --> 00:38:31,202
Like a legal definition
of what it is.
941
00:38:31,202 --> 00:38:33,708
It's basically like
teaching us how to fight.
942
00:38:34,167 --> 00:38:35,168
Oh.
943
00:38:35,377 --> 00:38:37,464
We are starting
our past lives seminar.
944
00:38:37,464 --> 00:38:39,845
(ALL HUMMING)
945
00:38:41,389 --> 00:38:43,561
You were a nurse
in World War II.
946
00:38:43,561 --> 00:38:45,857
You fell in love with
one of your fellow nurses
947
00:38:45,857 --> 00:38:47,819
and you were
the first lesbian nurse couple
948
00:38:47,819 --> 00:38:49,071
that had ever lived.
949
00:38:49,363 --> 00:38:50,783
Let that inform your singing.
950
00:38:50,783 --> 00:38:53,873
You were President William
Howard Taft.
951
00:38:55,208 --> 00:38:56,502
(CHILDREN CHEERING)
952
00:38:56,502 --> 00:38:59,216
You are the oldest soul
in this room.
953
00:38:59,383 --> 00:39:00,678
This is your last life.
954
00:39:01,764 --> 00:39:02,766
(CHIME DINGS)
955
00:39:05,312 --> 00:39:06,649
Wow, thank you all.
956
00:39:06,649 --> 00:39:07,859
Thank you all for that.
957
00:39:08,235 --> 00:39:09,738
All right, artists.
958
00:39:09,738 --> 00:39:11,074
Next, we're going
to be doing some...
959
00:39:11,074 --> 00:39:12,159
(CELL PHONE BUZZING)
960
00:39:13,829 --> 00:39:16,292
Um... Uh...
(CHUCKLES AWKWARDLY)
961
00:39:16,292 --> 00:39:18,798
I'm so sorry. (STUTTERS)
962
00:39:18,798 --> 00:39:20,050
I'll be back.
I just have to take this.
963
00:39:21,386 --> 00:39:22,388
It's all good.
964
00:39:24,183 --> 00:39:25,227
Hello?
965
00:39:25,394 --> 00:39:28,275
Hi. Yes, I can be
available tonight.
966
00:39:36,124 --> 00:39:37,292
(MOUTHING)
967
00:39:37,459 --> 00:39:38,503
(MOUTHING)
968
00:39:38,921 --> 00:39:40,132
(WHIMSICAL MUSIC PLAYING)
969
00:39:48,481 --> 00:39:50,360
(INAUDIBLE)
970
00:39:53,951 --> 00:39:56,205
All right, all-stars.
971
00:39:56,331 --> 00:39:57,709
Whoa!
972
00:39:58,418 --> 00:40:00,088
Look at this turnout.
973
00:40:00,422 --> 00:40:01,717
Um, yes?
974
00:40:02,259 --> 00:40:03,386
Are we doing a cabaret?
975
00:40:03,386 --> 00:40:04,556
A what?
976
00:40:04,556 --> 00:40:06,184
I think
it's a night of scene work.
977
00:40:06,184 --> 00:40:08,898
That's totally what this is.
It's a night of scene work.
978
00:40:09,566 --> 00:40:11,152
And here's the scene.
979
00:40:12,154 --> 00:40:13,824
You guys are the staff
980
00:40:14,826 --> 00:40:16,872
of a fine
dining establishment.
981
00:40:17,039 --> 00:40:19,376
So anything those guys
in there order,
982
00:40:20,003 --> 00:40:22,675
you say, "Yes,"
and then you bring it to them.
983
00:40:22,842 --> 00:40:24,638
Like an improv exercise.
984
00:40:24,805 --> 00:40:26,432
Can we make up
our own characters?
985
00:40:26,600 --> 00:40:28,520
- MACKENZIE: And do accents?
- Okay.
986
00:40:28,687 --> 00:40:30,858
Let's just get together here, Rotarians...
987
00:40:31,025 --> 00:40:33,948
...and kick Oklahoma City's
fundraising ass.
988
00:40:33,948 --> 00:40:35,701
Should we do that?
Huh? Cheers!
989
00:40:35,701 --> 00:40:36,787
ROTARIANS: Cheers!
MAN: Cheers, cheers!
990
00:40:36,787 --> 00:40:38,289
We're here thanks
to Troy Rubinsky.
991
00:40:38,289 --> 00:40:39,500
- We're happy to have you guys.
- BILL: Thanks so much.
992
00:40:39,500 --> 00:40:40,753
Thank you. Good. And I guess
993
00:40:40,753 --> 00:40:43,424
we're gonna get served
by the campers here,
994
00:40:43,592 --> 00:40:45,095
which I was not aware of.
995
00:40:45,095 --> 00:40:46,305
(BILL CHUCKLES AWKWARDLY)
996
00:40:47,141 --> 00:40:48,602
BILL: Dressing?
No. Is there...
997
00:40:48,602 --> 00:40:49,729
All right. Well...
998
00:40:49,729 --> 00:40:50,898
(LAUGHTER)
999
00:40:51,107 --> 00:40:53,236
Hey, just eat it dry,
I guess, huh.
1000
00:40:54,321 --> 00:40:55,741
It's crazy that this is their
1001
00:40:55,741 --> 00:40:57,579
first immersive
theater experience.
1002
00:40:57,745 --> 00:40:59,749
I know.
We have a big responsibility.
1003
00:41:01,043 --> 00:41:02,463
Can I offer you a roll?
1004
00:41:02,881 --> 00:41:05,218
Or the chilling tale
about how I lost my daughter?
1005
00:41:05,218 --> 00:41:07,640
- (COUGHS)
- (MUSIC STOPS)
1006
00:41:10,145 --> 00:41:11,272
(HUMMING)
1007
00:41:15,488 --> 00:41:16,617
(CLICKS TONGUE) Ooh.
1008
00:41:16,617 --> 00:41:18,453
Reminder. Pay rent to mom.
1009
00:41:18,621 --> 00:41:21,292
Remember to check in
with RD about the finale.
1010
00:41:21,960 --> 00:41:23,463
Papier-mâché nose.
1011
00:41:24,591 --> 00:41:25,593
LAINY: Amos!
1012
00:41:26,385 --> 00:41:27,387
Amos!
1013
00:41:27,889 --> 00:41:31,229
Rebecca missed her
nighttime performance.
1014
00:41:31,939 --> 00:41:33,984
That doesn't
sound like Rebecca.
1015
00:41:34,151 --> 00:41:37,407
Okay, but I'm craving
a performance.
1016
00:41:37,407 --> 00:41:39,996
- (UPBEAT PIANO MUSIC PLAYING)
- (ROTARIANS MURMURING)
1017
00:41:41,875 --> 00:41:43,336
I think it's going
pretty good.
1018
00:41:43,837 --> 00:41:45,507
The kids are getting
real into it.
1019
00:41:46,342 --> 00:41:47,637
GLENN: Your mom knows
what she's talking about.
1020
00:41:47,804 --> 00:41:49,014
We help our own.
1021
00:41:49,181 --> 00:41:51,603
Men!
There's been an attack.
1022
00:41:51,770 --> 00:41:53,022
BOY: This is how we go.
1023
00:41:53,356 --> 00:41:54,651
It's been a pleasure
serving with you.
1024
00:41:54,651 --> 00:41:55,861
My son! My son!
1025
00:41:55,861 --> 00:41:58,826
All of my children
are dying in this war.
1026
00:41:58,993 --> 00:42:00,412
Are they getting too into it?
1027
00:42:00,412 --> 00:42:02,332
- ALICE: Save yourselves!
- I just, um...
1028
00:42:03,001 --> 00:42:04,461
I just really wanna go home.
1029
00:42:05,171 --> 00:42:06,842
AMOS: Well,
as we all know by now,
1030
00:42:06,842 --> 00:42:09,430
our bedtime performer
is missing in action.
1031
00:42:10,015 --> 00:42:11,517
Uh, I really apologize.
1032
00:42:11,685 --> 00:42:13,438
Waiting for entertainment
that's expected
1033
00:42:13,438 --> 00:42:14,691
is a painful experience.
1034
00:42:14,691 --> 00:42:16,068
This is very impromptu,
1035
00:42:16,068 --> 00:42:17,655
so I didn't really
have anything prepared, but...
1036
00:42:17,822 --> 00:42:20,661
Peter Piper picked a peck
of pickled peppers. Wait.
1037
00:42:21,913 --> 00:42:24,043
The peppers were pickled
when he picked them?
1038
00:42:24,335 --> 00:42:26,088
Peter Piper picked a priority.
1039
00:42:26,255 --> 00:42:27,257
And what was that priority
1040
00:42:27,257 --> 00:42:28,886
that Peter Piper picked?
Family.
1041
00:42:30,138 --> 00:42:32,225
Friends. Connection.
1042
00:42:33,478 --> 00:42:34,480
He picked a life.
1043
00:42:34,773 --> 00:42:35,816
These were triggers.
1044
00:42:35,816 --> 00:42:37,737
This has lasting effects, okay?
1045
00:42:37,737 --> 00:42:40,033
One guy had sort of
a Vietnam flashback
1046
00:42:40,200 --> 00:42:42,329
and you had kids
serving liquor.
1047
00:42:42,496 --> 00:42:43,749
That's gotta be illegal.
1048
00:42:43,916 --> 00:42:45,251
It was interesting, but no.
1049
00:42:45,418 --> 00:42:46,420
It was a bit.
She was doing...
1050
00:42:46,420 --> 00:42:47,632
No. But let's settle
on 40 bucks.
1051
00:42:47,632 --> 00:42:49,051
- TROY: Mmm-hmm.
- Troy, please.
1052
00:42:49,051 --> 00:42:50,428
You let me down.
1053
00:42:50,596 --> 00:42:51,848
This did not work out.
1054
00:42:52,057 --> 00:42:53,518
Yeah. Okay. Um...
1055
00:42:53,518 --> 00:42:56,399
- (TENSE MUSIC PLAYING)
- (SIGHS HEAVILY)
1056
00:43:03,496 --> 00:43:04,708
(UPBEAT MUSIC PLAYING)
1057
00:43:04,708 --> 00:43:07,087
(INDISTINCT CONVERSATION)
1058
00:43:15,270 --> 00:43:16,857
(CHILDREN TALKING
INDISTINCTLY)
1059
00:43:17,399 --> 00:43:20,405
Mikey. I'm still this close
to signing Darla.
1060
00:43:21,365 --> 00:43:22,367
Alan?
1061
00:43:22,367 --> 00:43:24,288
I'm in a middle
of a conversation.
1062
00:43:24,288 --> 00:43:25,498
You're supposed to be at dance
class. Come on. Let's go.
1063
00:43:25,498 --> 00:43:26,835
Ugh, jeez. Fine.
1064
00:43:27,502 --> 00:43:29,298
(BUSY SIGNAL)
1065
00:43:29,757 --> 00:43:31,427
- ALAN: I even told her...
- Alan!
1066
00:43:31,427 --> 00:43:32,680
...that she would
get top billing.
1067
00:43:32,680 --> 00:43:33,849
RITA: Off the phone!
1068
00:43:33,974 --> 00:43:35,518
(SIGHS) Just one second.
1069
00:43:35,518 --> 00:43:37,063
RITA: No seconds. Let's go.
1070
00:43:37,355 --> 00:43:39,193
(UPBEAT MUSIC CONTINUES)
1071
00:43:40,821 --> 00:43:42,199
Um...
1072
00:43:42,784 --> 00:43:44,495
How much for three bags?
1073
00:43:44,662 --> 00:43:46,290
That was never the rate.
1074
00:43:46,290 --> 00:43:47,960
It has always been
five dollars.
1075
00:43:48,169 --> 00:43:49,881
These better be
genuine Throat Coat.
1076
00:43:50,633 --> 00:43:52,344
(INHALES DEEPLY)
1077
00:43:52,344 --> 00:43:54,431
That's genuine Throat Coat.
That's genuine.
1078
00:43:55,391 --> 00:43:56,895
I don't even recognize you.
1079
00:43:57,270 --> 00:43:58,857
Where is my little Joan gone?
1080
00:43:58,857 --> 00:44:00,611
I'm still me, Tata.
1081
00:44:00,611 --> 00:44:02,949
No, your face is a new face.
1082
00:44:03,115 --> 00:44:04,744
MACKENZIE:
It's called rouge, Tata.
1083
00:44:04,744 --> 00:44:05,829
DEVON: The cheeks of a hussy.
1084
00:44:05,829 --> 00:44:07,917
- Yeah, yeah.
- Let's hold. Let's hold.
1085
00:44:08,084 --> 00:44:09,253
Devon, you are on the stage,
1086
00:44:09,253 --> 00:44:11,090
but your partner
is fully alone.
1087
00:44:11,298 --> 00:44:12,718
And I think
you really need to...
1088
00:44:12,885 --> 00:44:14,597
I think that ultimately,
Devon, you need to just
1089
00:44:14,764 --> 00:44:16,016
kind of let in the pain
of being a father.
1090
00:44:16,016 --> 00:44:17,394
Like we need
to feel that pain.
1091
00:44:17,770 --> 00:44:18,897
(CHUCKLES NERVOUSLY, STUTTERS)
1092
00:44:18,897 --> 00:44:20,358
But I'm not a father.
1093
00:44:20,358 --> 00:44:21,778
I don't know how to do that.
1094
00:44:21,945 --> 00:44:23,824
Did Julianne Moore
really have dementia? (SCOFFS)
1095
00:44:24,283 --> 00:44:25,578
(WHISPERS) No. No. No.
1096
00:44:25,828 --> 00:44:26,872
AMOS: Do the
connection exercise.
1097
00:44:27,873 --> 00:44:29,586
And then we'll try it again.
1098
00:44:29,752 --> 00:44:30,880
REBECCA-DIANE: Deliver.
1099
00:44:30,880 --> 00:44:31,965
Thank you
for all you're doing.
1100
00:44:31,965 --> 00:44:33,009
Thank you.
1101
00:44:34,303 --> 00:44:35,388
Aren't you gonna
say something?
1102
00:44:35,388 --> 00:44:36,473
REBECCA-DIANE: Oh!
1103
00:44:36,473 --> 00:44:37,602
You missed
your bedtime performance.
1104
00:44:37,602 --> 00:44:39,104
That's so unlike you.
What happened?
1105
00:44:39,229 --> 00:44:40,315
I'm so sorry.
I was just finishing
1106
00:44:40,315 --> 00:44:41,483
the finale
and I got distracted...
1107
00:44:41,483 --> 00:44:44,908
Yeah, I'm sure... This finale,
it's like this is repeated.
1108
00:44:44,908 --> 00:44:46,118
It's like, I love you,
1109
00:44:46,118 --> 00:44:47,412
but, we're getting
towards crunch time, okay?
1110
00:44:47,412 --> 00:44:48,624
And you have
other responsibilities
1111
00:44:48,624 --> 00:44:50,501
- which I know you know.
- I'm just playing catch up.
1112
00:44:51,211 --> 00:44:52,924
Okay, but just I need
my gal with me, so...
1113
00:44:53,090 --> 00:44:54,761
- I got you.
- Okay.
1114
00:44:54,928 --> 00:44:56,640
I'm still me, Tata.
1115
00:44:56,640 --> 00:44:59,771
No. Using your little hands
to write letters to the devil
1116
00:44:59,771 --> 00:45:01,398
and never once
to shape pierogi.
1117
00:45:02,025 --> 00:45:04,656
Just because dumplings
aren't my priority
1118
00:45:04,656 --> 00:45:05,866
anymore doesn't mean any...
1119
00:45:05,866 --> 00:45:08,245
You never once sent a suitor
home to your dying Tata.
1120
00:45:09,456 --> 00:45:11,126
This is not the Joan
that I know.
1121
00:45:13,422 --> 00:45:14,550
You know what, Tata?
1122
00:45:15,259 --> 00:45:16,261
You're right.
1123
00:45:16,846 --> 00:45:20,688
I decide who Joan is,
and I may not be who Joan was,
1124
00:45:21,397 --> 00:45:24,528
but, Tata, I am Joan, still.
1125
00:45:28,536 --> 00:45:31,458
- That got better.
- Better.
1126
00:45:31,626 --> 00:45:34,047
BOTH: (CHANTING)
That got better.
1127
00:45:34,214 --> 00:45:35,466
Very good.
Devon, the accent's
1128
00:45:35,466 --> 00:45:36,553
all over the place,
but it's much better.
1129
00:45:36,553 --> 00:45:37,805
REBECCA-DIANE: Yeah.
Mackenzie, extraordinary.
1130
00:45:37,805 --> 00:45:38,974
Mac. That was so good.
1131
00:45:38,974 --> 00:45:40,476
- Thank you.
- SEBASTIAN: Amazing.
1132
00:45:40,476 --> 00:45:41,896
- CHRISTOPHER L: She killed it.
- Stop!
1133
00:45:42,773 --> 00:45:44,192
(WHISPERS) She's using.
1134
00:45:54,630 --> 00:45:56,133
(SIGHS) Lift up your hands.
1135
00:45:59,766 --> 00:46:01,561
(BOTH SNIFFING)
1136
00:46:02,312 --> 00:46:03,481
(WHISPERS) She wouldn't.
1137
00:46:03,481 --> 00:46:05,276
Tear stick.
1138
00:46:05,401 --> 00:46:06,988
It's just Chapstick, I swear.
1139
00:46:06,988 --> 00:46:08,157
Give it to me.
1140
00:46:08,449 --> 00:46:09,702
REBECCA-DIANE: Oh, my God.
1141
00:46:10,119 --> 00:46:12,123
Mackenzie, I'm not mad.
I'm just furious.
1142
00:46:12,290 --> 00:46:14,587
Your tears should come
from within, from the story,
1143
00:46:14,587 --> 00:46:15,964
from the words on the page,
1144
00:46:16,173 --> 00:46:18,804
not from some emotional
grenade that you smuggled in.
1145
00:46:18,804 --> 00:46:20,014
What's a tear stick?
1146
00:46:20,014 --> 00:46:21,726
AMOS: Insult to the material.
Okay?
1147
00:46:21,726 --> 00:46:23,897
It's a mentholated eyeliner
that helps you cry.
1148
00:46:24,064 --> 00:46:27,905
Joan is screaming
and furious at you.
1149
00:46:28,239 --> 00:46:32,205
Because tear sticks
are doping for actors.
1150
00:46:32,832 --> 00:46:35,545
Do you wanna be the
Lance Armstrong of theater?
1151
00:46:35,545 --> 00:46:38,175
- No.
- Get off the stick.
1152
00:46:39,804 --> 00:46:41,891
(SNIFFLES) Get off the stick.
1153
00:46:43,102 --> 00:46:44,312
- (SNIFFLES)
- (TEAR STICK CLATTERS)
1154
00:46:44,312 --> 00:46:45,566
One day it's tear stick.
1155
00:46:45,691 --> 00:46:47,862
The next
you're calling for line
1156
00:46:48,028 --> 00:46:49,281
and pretty soon
your understudy's
1157
00:46:49,281 --> 00:46:50,408
on eight times a week
1158
00:46:50,576 --> 00:46:52,997
in Weehawken
or God knows where. Okay?
1159
00:46:52,997 --> 00:46:55,418
It's a slip-ry, slip-ry slope.
1160
00:46:56,336 --> 00:46:57,505
Devon, I'm so sorry.
1161
00:46:58,633 --> 00:46:59,886
(DEVON CHUCKLES AWKWARDLY)
1162
00:47:00,554 --> 00:47:01,806
Really, it's fine.
1163
00:47:01,806 --> 00:47:02,975
Tell him you're sorry.
1164
00:47:03,894 --> 00:47:05,104
I'm sorry, Devon.
1165
00:47:05,271 --> 00:47:06,649
It's really fine.
1166
00:47:07,651 --> 00:47:08,862
I choose to forgive.
1167
00:47:09,029 --> 00:47:10,072
But we don't forget.
1168
00:47:10,489 --> 00:47:12,995
But until the end,
the law can forgive.
1169
00:47:13,162 --> 00:47:14,832
(WHISPERS)
But without ever forgetting.
1170
00:47:16,293 --> 00:47:17,838
(CALL ME BY YOUR NAME
BY LIL NAS X PLAYING)
1171
00:47:57,041 --> 00:48:00,632
Hi! Welcome to AdirondACTS.
You guys having fun?
1172
00:48:00,632 --> 00:48:01,884
Enjoying the party? Yeah.
1173
00:48:03,137 --> 00:48:04,139
- (FRANNY GRUNTS)
- (ALL GASP)
1174
00:48:04,264 --> 00:48:06,894
FRANNY: Oh, my God, Lainy,
why would you do that?
1175
00:48:07,061 --> 00:48:09,692
You piss me off, like, a lot.
1176
00:48:13,032 --> 00:48:14,534
JANET: (CLAPPING) Whoo!
1177
00:48:14,534 --> 00:48:15,704
Let's go.
1178
00:48:15,704 --> 00:48:17,457
Stage combat.
1179
00:48:17,750 --> 00:48:19,962
You think this is fun
and games? Hitting?
1180
00:48:19,962 --> 00:48:21,465
It's not funny.
You're right. It's art.
1181
00:48:21,465 --> 00:48:23,218
- WENDY: No. It's not.
- Grow up.
1182
00:48:24,764 --> 00:48:26,266
Excuse me.
Have you seen Rebecca-Diane?
1183
00:48:26,893 --> 00:48:28,228
Is she out there? No?
1184
00:48:29,648 --> 00:48:30,650
Enjoy.
1185
00:48:31,903 --> 00:48:33,197
Where is she?
1186
00:48:43,843 --> 00:48:45,722
TROY: (ON MIC)
Yo, what up, AdirondACTS?
1187
00:48:45,889 --> 00:48:46,974
Welcome, Lakeside.
1188
00:48:47,141 --> 00:48:50,565
Just want you to know this
is not a free event for you.
1189
00:48:50,732 --> 00:48:52,235
Okay? Unless you're verified.
1190
00:48:52,945 --> 00:48:54,072
Thanks for coming out.
1191
00:48:54,197 --> 00:48:56,201
Man, this is a dream show
for me.
1192
00:48:56,493 --> 00:48:58,915
I know this one's
a theater camp classic, so
1193
00:48:59,416 --> 00:49:02,296
thought I'd put
a little twist on it.
1194
00:49:03,132 --> 00:49:05,929
MALE SINGER: (ON SPEAKERS)
Give my regards to Broadway
1195
00:49:06,096 --> 00:49:08,267
Remember me to Herald Square
1196
00:49:08,433 --> 00:49:11,064
Send my regards
to Broadway, bitch!
1197
00:49:12,483 --> 00:49:15,657
MALE SINGER:
Whisper of how I'm yearning
1198
00:49:15,824 --> 00:49:16,868
To mingle
with the old-time throng
1199
00:49:16,868 --> 00:49:18,370
TROY: Put 'em up!
Put 'em up! Put 'em up!
1200
00:49:18,370 --> 00:49:19,790
(ALL CHEERING)
1201
00:49:19,999 --> 00:49:22,921
MALE SINGER:
Give my regards to Old Broadway
1202
00:49:23,088 --> 00:49:25,509
And say
I'll be there 'ere long
1203
00:49:25,509 --> 00:49:26,596
TROY: That's what's up!
1204
00:49:27,096 --> 00:49:28,600
TROY: I know you're busy,
so I don't wanna
1205
00:49:28,600 --> 00:49:29,685
take too much of your time,
1206
00:49:29,852 --> 00:49:31,856
but the vibes are pretty good
in there, huh?
1207
00:49:32,023 --> 00:49:33,776
- Uh, sure.
- That was me DJing.
1208
00:49:33,943 --> 00:49:34,945
But look.
1209
00:49:35,154 --> 00:49:37,241
So I know, you know,
the Rotary Club thing
1210
00:49:37,241 --> 00:49:38,578
didn't really go to plan.
1211
00:49:38,745 --> 00:49:40,206
You took a lot of my kids
out of rehearsal for that.
1212
00:49:40,372 --> 00:49:41,667
I get that and I'm sorry,
1213
00:49:41,667 --> 00:49:43,588
and I'm still perfecting
the formula here,
1214
00:49:43,588 --> 00:49:46,594
but I've recently had,
like, a surge of ideas,
1215
00:49:47,094 --> 00:49:48,848
you know, that would bring
some additional revenue.
1216
00:49:49,015 --> 00:49:51,562
You know, one of 'em is, like,
maybe we send the kids
1217
00:49:51,729 --> 00:49:55,110
into the city to do,
like, singing telegrams.
1218
00:49:55,277 --> 00:49:56,697
Okay. Incredibly dangerous.
1219
00:49:56,864 --> 00:49:58,283
Maybe we do
like remote students.
1220
00:49:58,283 --> 00:49:59,452
But, okay. I'm sorry.
I'm sorry. I'm sorry.
1221
00:49:59,452 --> 00:50:00,537
TROY: Maybe, maybe...
1222
00:50:00,537 --> 00:50:02,416
We don't need any
of these ideas, okay, Troy?
1223
00:50:02,416 --> 00:50:03,670
We don't need
any of these ideas.
1224
00:50:03,670 --> 00:50:04,755
Yeah.
1225
00:50:04,755 --> 00:50:05,966
Your mother managed
to keep this place running
1226
00:50:06,132 --> 00:50:08,011
in the face
of a lot of financial trouble
1227
00:50:08,011 --> 00:50:09,264
and never once
did she compromise
1228
00:50:09,264 --> 00:50:11,727
the artistic vision
to save money. Okay?
1229
00:50:11,894 --> 00:50:13,565
Right. (STUTTERS) You know,
that's kind of what
1230
00:50:13,565 --> 00:50:15,526
I'm trying to get after.
1231
00:50:15,526 --> 00:50:17,071
Yes. No, no, no. I understand.
1232
00:50:17,071 --> 00:50:18,866
I understand that.
But what you don't understand
1233
00:50:18,866 --> 00:50:20,536
is the importance
of what we do here, okay?
1234
00:50:20,536 --> 00:50:22,874
This place is for people
who need it, okay?
1235
00:50:22,874 --> 00:50:24,460
People who aren't accepted
anywhere else.
1236
00:50:24,460 --> 00:50:26,298
You are not
one of those people, Troy.
1237
00:50:26,298 --> 00:50:28,010
You are not one of us.
1238
00:50:35,942 --> 00:50:37,738
- (SIGHS)
- (SOFT MUSIC PLAYING)
1239
00:50:40,117 --> 00:50:41,244
Becks-Di?
1240
00:50:42,204 --> 00:50:44,125
Rebecca...
Oh. Not her.
1241
00:50:48,216 --> 00:50:50,012
Be sure to cherish
these relationships, okay?
1242
00:50:50,012 --> 00:50:51,389
'Cause they're gone
in a flash.
1243
00:50:52,893 --> 00:50:54,103
Just wanted you to know that.
1244
00:50:54,103 --> 00:50:55,272
CAROLINE: Of course,
she's gonna cry.
1245
00:50:55,272 --> 00:50:56,901
I'm laying her off
'cause she cries too much.
1246
00:50:56,901 --> 00:50:59,030
- TROY: Mrs. Krauss.
- Oh. Hi.
1247
00:50:59,030 --> 00:51:00,240
Dope that you made it.
1248
00:51:00,992 --> 00:51:04,248
(CHUCKLES, STAMMERS)
I'm happy to be here.
1249
00:51:04,415 --> 00:51:05,585
- Yeah.
- Yeah.
1250
00:51:05,752 --> 00:51:08,925
So, um, things have taken
a bit of a turn here
1251
00:51:08,925 --> 00:51:12,056
and I've been thinking
about the offer.
1252
00:51:12,431 --> 00:51:13,433
Me too.
1253
00:51:13,976 --> 00:51:14,978
A lot.
1254
00:51:15,145 --> 00:51:16,732
Yeah. Um...
1255
00:51:17,818 --> 00:51:19,571
I just feel like
it would be a,
1256
00:51:20,364 --> 00:51:21,449
you know, lucrative
1257
00:51:21,449 --> 00:51:23,328
and mutually beneficial partnership.
1258
00:51:24,205 --> 00:51:25,457
Like for the both of us though.
1259
00:51:27,086 --> 00:51:29,967
Wow. Well, that's great.
(CHUCKLES)
1260
00:51:30,092 --> 00:51:32,681
So, like,
does the offer still stand?
1261
00:51:32,848 --> 00:51:33,850
Yes, Troy.
1262
00:51:34,517 --> 00:51:36,020
Barnswell would love
to work with you.
1263
00:51:36,020 --> 00:51:37,148
Wow!
1264
00:51:37,273 --> 00:51:38,358
- Yeah.
- Nice.
1265
00:51:38,358 --> 00:51:40,655
I have to say I'm super
excited to work with someone
1266
00:51:40,655 --> 00:51:43,201
who knows the TUVs
of deal making.
1267
00:51:43,368 --> 00:51:44,746
Did you just say the TUVs?
1268
00:51:45,707 --> 00:51:47,543
Trust. You won't regret it.
And vibes.
1269
00:51:47,543 --> 00:51:48,838
Trust. Won't regret it. Vibes.
1270
00:51:48,838 --> 00:51:50,507
You've been watching my vlogs?
1271
00:51:50,717 --> 00:51:52,344
(CHUCKLES) Religiously.
1272
00:51:52,511 --> 00:51:53,556
Stop.
1273
00:51:54,766 --> 00:51:55,935
The GoPro loves you.
1274
00:51:57,271 --> 00:51:58,523
- Don't understand.
- SEBASTIAN: I'm here
1275
00:51:58,523 --> 00:52:00,277
- having a wonderful time.
- CHRISTOPHER L: Devon!
1276
00:52:01,154 --> 00:52:02,156
SEBASTIAN: Where?
1277
00:52:02,156 --> 00:52:03,868
(CHRISTOPHER L
AND SEBASTIAN GASP)
1278
00:52:04,828 --> 00:52:05,955
(STUTTERS) It's not
what it looks like.
1279
00:52:05,955 --> 00:52:07,291
SEBASTIAN:
What the hell is this?
1280
00:52:07,291 --> 00:52:10,172
We were supposed to be
manifesting. It's a full moon.
1281
00:52:10,339 --> 00:52:11,341
They were saying no one
at theater camp
1282
00:52:11,341 --> 00:52:12,384
could play football.
1283
00:52:12,384 --> 00:52:14,305
I'm just proving to them
that I could.
1284
00:52:14,640 --> 00:52:16,184
(UPBEAT DANCE MUSIC PLAYING)
1285
00:52:16,184 --> 00:52:17,979
(ALL CHEERING)
1286
00:52:29,168 --> 00:52:30,170
(CAR HORN HONKS)
1287
00:52:30,170 --> 00:52:31,339
(REBECCA-DIANE GROANS)
1288
00:52:34,220 --> 00:52:35,264
Oh, my God.
1289
00:52:41,610 --> 00:52:43,614
Good morning, girlboss.
1290
00:52:43,614 --> 00:52:46,411
Coffee. You've gone crazy.
1291
00:52:46,411 --> 00:52:47,496
TROY: I'm wild.
1292
00:52:48,540 --> 00:52:50,043
- Oh, man.
- CAROLINE: Mmm.
1293
00:52:50,753 --> 00:52:51,755
Wow.
1294
00:52:52,256 --> 00:52:53,216
Thank you.
1295
00:52:53,759 --> 00:52:56,890
So, last night
was pretty hot, huh?
1296
00:52:57,057 --> 00:52:58,476
(CHUCKLES) It was really hot.
1297
00:52:58,476 --> 00:53:00,188
You were so bussin'.
1298
00:53:00,355 --> 00:53:02,652
I came here just to do work
1299
00:53:02,819 --> 00:53:04,781
and I ended up
meeting someone
1300
00:53:05,700 --> 00:53:07,369
- who took my breath away.
- Same.
1301
00:53:07,369 --> 00:53:08,664
Then, like,
shoved it back in my mouth.
1302
00:53:09,081 --> 00:53:10,793
God, I just feel like
I can really, like,
1303
00:53:11,754 --> 00:53:13,883
reach my full potential here.
You know.
1304
00:53:14,050 --> 00:53:15,595
Yeah. Me too.
1305
00:53:15,762 --> 00:53:19,518
With Barnswell's backing,
like, I can finally,
1306
00:53:20,187 --> 00:53:21,565
you know, start to implement
1307
00:53:21,565 --> 00:53:23,109
some real change
around this place.
1308
00:53:25,072 --> 00:53:26,909
Troy, don't you remember
the agreement
1309
00:53:26,909 --> 00:53:28,370
that you signed last night?
1310
00:53:29,038 --> 00:53:31,501
Yeah, it was to get us out
of the foreclosure.
1311
00:53:31,501 --> 00:53:33,965
(FRANTIC MUSIC PLAYING)
1312
00:53:36,929 --> 00:53:38,473
Welcome to Tech Week, campers.
1313
00:53:38,473 --> 00:53:40,561
(ON SPEAKERS) Performances
are just a few days away,
1314
00:53:40,561 --> 00:53:43,233
so let's stay focused on
bringing those shows to life.
1315
00:53:43,233 --> 00:53:45,571
And if you have any issues,
you look for Glenn.
1316
00:53:45,571 --> 00:53:46,657
I'm sure he'll have time
to help you.
1317
00:53:46,657 --> 00:53:48,368
- MAN 1: (ON RADIO) Glenn.
- Go for Glenn.
1318
00:53:48,368 --> 00:53:50,038
LAINY: Glenn,
we need you in props.
1319
00:53:50,038 --> 00:53:51,124
MAN 1: Glenn,
where's our bush?
1320
00:53:51,124 --> 00:53:53,211
MAN 2: Glenn, where's my damn
wagon wheel?
1321
00:53:53,545 --> 00:53:54,548
MAN 1: Glenn?
1322
00:53:54,548 --> 00:53:55,633
WOMAN: Glenn,
what's your 20?
1323
00:53:55,633 --> 00:53:56,802
There's a leak in the lobby.
1324
00:53:56,802 --> 00:53:59,098
MAN 1: Glenn, we're missing
the king's cane.
1325
00:53:59,223 --> 00:54:00,267
(MUSIC STOPS)
1326
00:54:11,164 --> 00:54:12,332
(MUSIC RESUMES)
1327
00:54:12,332 --> 00:54:13,878
Oh, my God, Gigi,
move it along.
1328
00:54:13,878 --> 00:54:15,172
- I'm trying.
- This is not giving.
1329
00:54:15,172 --> 00:54:17,594
I'm trying, okay?
My nails are gonna break.
1330
00:54:17,594 --> 00:54:19,723
RITA: (ON RADIO) Glenn, Glenn,
1331
00:54:19,723 --> 00:54:22,061
the smoke machine
is out of control.
1332
00:54:23,606 --> 00:54:25,066
GLENN: Zeroing in
on the source.
1333
00:54:25,192 --> 00:54:26,235
(CHILDREN COUGHING)
1334
00:54:26,235 --> 00:54:28,908
Oh, God, I'm dodging pilgrims
left and right.
1335
00:54:34,293 --> 00:54:35,295
Nice.
1336
00:54:35,504 --> 00:54:37,174
- Thank you.
- MAN 1: Glenn?
1337
00:54:37,508 --> 00:54:38,510
Go for Glenn.
1338
00:54:38,510 --> 00:54:39,638
AMOS: (ON MIC)
Darla, can you just move
1339
00:54:39,638 --> 00:54:40,765
a little bit to your right?
1340
00:54:40,932 --> 00:54:43,019
Just scooch the... Yes, bring
the bassinet. That's right.
1341
00:54:43,478 --> 00:54:44,856
REBECCA-DIANE: See?
And I think it should just
1342
00:54:44,856 --> 00:54:46,484
be a little bit to the left.
1343
00:54:46,944 --> 00:54:48,530
I think it just
doesn't make sense.
1344
00:54:49,323 --> 00:54:50,325
Darla, step to the right.
1345
00:54:50,534 --> 00:54:51,912
REBECCA-DIANE: No,
I think we had discussed
1346
00:54:51,912 --> 00:54:52,997
that everything
would be on the left
1347
00:54:52,997 --> 00:54:54,083
for this number,
so let's just...
1348
00:54:54,083 --> 00:54:55,168
We're gonna go ahead
and put it where we...
1349
00:54:55,168 --> 00:54:56,254
Darla, this is your
director speaking.
1350
00:54:56,254 --> 00:54:57,339
You're gonna go ahead
and move to the right
1351
00:54:57,339 --> 00:54:58,424
- with the bassinet.
- Co-director here as well.
1352
00:54:58,592 --> 00:55:00,680
And just move on
over to the left
1353
00:55:00,680 --> 00:55:02,559
and get too far on that side
1354
00:55:02,559 --> 00:55:03,978
so we can't quite
bring you back.
1355
00:55:03,978 --> 00:55:06,107
Joan's whole world has been
established stage right.
1356
00:55:06,107 --> 00:55:07,944
So you're gonna take
two steps to the right.
1357
00:55:07,944 --> 00:55:09,781
That's where we always
play her hero moments.
1358
00:55:09,781 --> 00:55:11,492
Now cheat out. Cheat out.
1359
00:55:11,660 --> 00:55:12,996
REBECCA-DIANE: (WHISPERING)
Why are you acting like this?
1360
00:55:13,747 --> 00:55:16,002
I'm just a little bit tired
of co-directing with a ghost.
1361
00:55:16,628 --> 00:55:17,630
Well, I'm not a ghost.
1362
00:55:17,630 --> 00:55:19,843
I am a human person
that is alive. I am here.
1363
00:55:19,843 --> 00:55:21,053
I care about this show.
1364
00:55:21,304 --> 00:55:23,976
Do you?
I wouldn't have any idea.
1365
00:55:23,976 --> 00:55:25,897
You've been completely absent
1366
00:55:25,897 --> 00:55:27,190
since the beginning
of the session, okay?
1367
00:55:27,190 --> 00:55:28,569
And I need to run
my rehearsal now.
1368
00:55:29,028 --> 00:55:30,030
So, thank you.
1369
00:55:30,155 --> 00:55:31,198
Darla, let's just
run the song, okay?
1370
00:55:31,198 --> 00:55:32,326
You're fine right there.
1371
00:55:32,744 --> 00:55:33,787
Music, please.
1372
00:55:34,623 --> 00:55:36,334
(GENTLE PIANO MUSIC PLAYING)
1373
00:55:36,334 --> 00:55:37,712
(SIGHS DEEPLY)
1374
00:55:46,520 --> 00:55:49,068
(SINGING)
Thought my dreaming was done
1375
00:55:49,569 --> 00:55:52,199
All I needed was one
1376
00:55:52,366 --> 00:55:56,207
Revelation to show me my boy
1377
00:55:56,833 --> 00:56:00,967
That my life had truly begun
1378
00:56:01,133 --> 00:56:03,597
So I offer the sun
1379
00:56:04,098 --> 00:56:08,147
Salutation Hello to my Troy
1380
00:56:08,565 --> 00:56:12,489
I will build this theatrical place
1381
00:56:14,201 --> 00:56:19,003
Giving children a safe, loving space
1382
00:56:20,046 --> 00:56:24,013
It will grow from the magic and grace
1383
00:56:24,430 --> 00:56:27,937
That I see in your face
1384
00:56:28,104 --> 00:56:29,106
Rebecca-Diane.
1385
00:56:29,356 --> 00:56:30,860
Rebecca-Diane,
can I talk to you?
1386
00:56:30,860 --> 00:56:31,987
No, I'm in the middle of tech.
1387
00:56:31,987 --> 00:56:33,072
Just...
1388
00:56:33,072 --> 00:56:34,199
- Troy.
- Real quick. Real quick.
1389
00:56:34,199 --> 00:56:35,995
DARLA: (SINGING)
Know your dream's never done
1390
00:56:36,162 --> 00:56:38,374
You're my moon and my sun
1391
00:56:38,876 --> 00:56:42,592
My foundation, my beautiful Troy
1392
00:56:42,759 --> 00:56:45,723
TROY: Hey. Look.
I'm sorry for even asking.
1393
00:56:45,890 --> 00:56:49,606
I feel really weird
even bringing this up.
1394
00:56:50,398 --> 00:56:52,194
I don't have time. We're
in the middle of tech week.
1395
00:56:52,360 --> 00:56:53,864
- TROY: No, I get that.
- So just tell me what's up.
1396
00:56:54,031 --> 00:56:55,033
I get that. I just...
1397
00:56:56,703 --> 00:56:58,539
Do you think you could give my
mom a message for me?
1398
00:56:58,707 --> 00:56:59,793
Yeah, for sure.
I'll give your mom a message.
1399
00:56:59,918 --> 00:57:01,128
TROY: No, no, no.
Please. It's really important.
1400
00:57:01,128 --> 00:57:02,214
Troy.
1401
00:57:02,214 --> 00:57:03,466
- I hear that.
- TROY: It's really important.
1402
00:57:03,466 --> 00:57:04,510
REBECCA-DIANE:
I just don't have time.
1403
00:57:04,510 --> 00:57:05,638
Just tell her I need her help.
1404
00:57:05,638 --> 00:57:07,224
Say, "Troy needs your help."
1405
00:57:07,390 --> 00:57:09,228
Five, six, seven, eight.
1406
00:57:09,228 --> 00:57:10,689
We're going towards the nose.
1407
00:57:11,482 --> 00:57:13,236
Live it up and step.
1408
00:57:13,402 --> 00:57:15,991
Step towards the nose.
Head to the nose.
1409
00:57:16,158 --> 00:57:18,956
I don't choose
when she comes inside of me.
1410
00:57:19,123 --> 00:57:20,458
Okay, but can you just try?
1411
00:57:20,626 --> 00:57:22,003
Mom, please!
1412
00:57:23,214 --> 00:57:25,051
- What are you doing?
- You said she was in you.
1413
00:57:25,051 --> 00:57:26,596
She's not in my breasts.
1414
00:57:26,763 --> 00:57:28,892
I'm not that...
I'm not... That's not...
1415
00:57:29,101 --> 00:57:30,311
Tell her it's important.
Just tell her...
1416
00:57:30,311 --> 00:57:31,480
Please tell her
it's important.
1417
00:57:31,480 --> 00:57:32,567
Tell her
it's really important.
1418
00:57:32,567 --> 00:57:33,652
Okay. Okay, I'm gonna...
All right.
1419
00:57:33,819 --> 00:57:34,863
I just need to talk to her.
1420
00:57:35,029 --> 00:57:36,115
- Okay.
- Okay.
1421
00:57:40,331 --> 00:57:41,333
(IMITATES JOAN) Troy.
1422
00:57:42,127 --> 00:57:43,212
Mom?
1423
00:57:43,421 --> 00:57:44,549
It's your mom.
1424
00:57:44,883 --> 00:57:45,843
Mom.
1425
00:57:46,553 --> 00:57:48,472
Thank God. It's so good
to hear your voice.
1426
00:57:49,016 --> 00:57:52,272
I know it's been a minute
since we've chatted.
1427
00:57:53,232 --> 00:57:54,234
Um...
1428
00:57:57,115 --> 00:57:58,201
I miss you.
1429
00:57:59,203 --> 00:58:00,413
Kind of a lot.
1430
00:58:01,123 --> 00:58:03,837
You know, I'm sorry
for not trying harder
1431
00:58:03,837 --> 00:58:06,593
to understand
what you were doing here
1432
00:58:06,593 --> 00:58:08,471
with this place and this camp.
1433
00:58:08,471 --> 00:58:10,475
I was a kid, you know.
I just wanted to
1434
00:58:11,018 --> 00:58:12,520
go to sleepovers
at Dakota's house
1435
00:58:12,520 --> 00:58:14,233
and set cool away messages
1436
00:58:14,233 --> 00:58:15,569
and make my Sims
have sex and...
1437
00:58:15,694 --> 00:58:16,738
(IN NORMAL VOICE) Troy,
you said there was something
1438
00:58:16,738 --> 00:58:17,823
that you actually needed.
1439
00:58:17,823 --> 00:58:19,159
- You're right. I always do this.
- And it was urgent.
1440
00:58:20,746 --> 00:58:21,998
Look,
I should have tried harder
1441
00:58:21,998 --> 00:58:23,961
to understand
what you were doing here.
1442
00:58:24,127 --> 00:58:26,841
Because, you know, I get it.
1443
00:58:27,008 --> 00:58:28,469
These people are really weird.
1444
00:58:29,096 --> 00:58:30,139
Especially Rebecca-Diane.
1445
00:58:30,683 --> 00:58:32,018
But they're wonderful.
1446
00:58:33,605 --> 00:58:35,734
Look, I messed up, Mom. Okay?
1447
00:58:36,945 --> 00:58:39,701
And I'm really sorry,
and I hope you forgive me.
1448
00:58:40,243 --> 00:58:41,705
And I really need
your advice right now,
1449
00:58:41,705 --> 00:58:43,082
but I'm sorry I sold the camp.
1450
00:58:45,754 --> 00:58:46,756
Hey.
1451
00:58:46,923 --> 00:58:48,217
AMOS: (ON MIC) Rebecca-Diane?
1452
00:58:48,384 --> 00:58:49,511
What'd my mom say?
1453
00:58:51,140 --> 00:58:52,142
What the...
1454
00:58:53,227 --> 00:58:54,229
(TROY SIGHS)
1455
00:58:56,568 --> 00:58:57,778
(EXHALES DEEPLY)
1456
00:58:58,279 --> 00:59:00,659
Rebecca-Diane,
we are at a standstill.
1457
00:59:00,909 --> 00:59:01,911
Good work, you guys.
1458
00:59:01,911 --> 00:59:02,997
REBECCA-DIANE: Yes?
1459
00:59:03,749 --> 00:59:04,876
Welcome back.
1460
00:59:05,711 --> 00:59:06,963
Uh, we need to see
the finale now.
1461
00:59:07,339 --> 00:59:08,424
- Yeah.
- We are out of time.
1462
00:59:08,592 --> 00:59:10,178
- So we need to hear it.
- Let's do the finale tomorrow.
1463
00:59:10,345 --> 00:59:11,430
REBECCA-DIANE: Sounds good?
1464
00:59:11,430 --> 00:59:12,558
Okay, well,
tomorrow's our only chance
1465
00:59:12,558 --> 00:59:13,643
to run the entire show.
1466
00:59:13,643 --> 00:59:15,271
So I at least
need to hear it musically,
1467
00:59:15,271 --> 00:59:16,482
so I can block something,
1468
00:59:16,482 --> 00:59:17,651
and these kids
can start to learn it.
1469
00:59:17,651 --> 00:59:18,904
- (GROANS)
- Because tomorrow they have
1470
00:59:18,904 --> 00:59:20,365
to run it top to bottom
and then perform it.
1471
00:59:20,365 --> 00:59:22,703
So let's hear
the finale song, please.
1472
00:59:22,995 --> 00:59:23,997
It's just so unfortunate,
1473
00:59:23,997 --> 00:59:25,208
because we do not
have the track,
1474
00:59:25,208 --> 00:59:26,460
so that we don't have any way
to play the song.
1475
00:59:26,460 --> 00:59:28,089
So you can just
sing it for us.
1476
00:59:28,339 --> 00:59:29,424
I've lost my voice.
1477
00:59:29,424 --> 00:59:31,638
Okay, well... You're gonna
have to find it again.
1478
00:59:31,638 --> 00:59:33,934
And we have this.
So you can just
1479
00:59:34,894 --> 00:59:36,564
play it yourself for us. Okay?
1480
00:59:37,482 --> 00:59:39,737
You love this.
1481
00:59:40,948 --> 00:59:41,950
There you go.
1482
00:59:42,910 --> 00:59:44,622
Who's excited
to hear the finale?
1483
00:59:44,622 --> 00:59:46,041
(ALL CHEERING)
1484
00:59:49,506 --> 00:59:50,634
(AMOS CLEARS THROAT)
1485
00:59:50,634 --> 00:59:51,845
And what is it called?
1486
00:59:54,559 --> 00:59:55,936
It's called...
1487
00:59:57,773 --> 00:59:58,775
"Camp."
1488
01:00:00,403 --> 01:00:01,405
That's original.
1489
01:00:06,039 --> 01:00:07,751
(PLAYING ZITHER)
1490
01:00:08,335 --> 01:00:11,801
(SINGING)
Girl with an open Snapple
1491
01:00:14,222 --> 01:00:17,980
A boy who's looking down
1492
01:00:18,857 --> 01:00:23,032
We all come here for
1493
01:00:23,199 --> 01:00:25,495
Summertime
1494
01:00:28,083 --> 01:00:29,085
Camp
1495
01:00:30,631 --> 01:00:32,342
Isn't home
1496
01:00:35,807 --> 01:00:36,935
But isn't it?
1497
01:00:38,020 --> 01:00:39,356
In a way
1498
01:00:40,651 --> 01:00:42,863
It kind of is
1499
01:00:43,197 --> 01:00:44,617
Oh, it
1500
01:00:46,078 --> 01:00:50,587
Kind of is
1501
01:00:51,548 --> 01:00:53,467
Let's raise a toast
1502
01:00:53,635 --> 01:00:55,889
But in the glass isn't alcohol
1503
01:00:55,889 --> 01:00:59,062
It's something more profound than alcohol
It's truth
1504
01:00:59,229 --> 01:01:01,066
Drums, boom, boom, boom.
1505
01:01:01,066 --> 01:01:02,987
(IMITATES DRUMS PLAYING)
1506
01:01:03,487 --> 01:01:04,489
Flute.
1507
01:01:04,489 --> 01:01:05,826
(IMITATES FLUTE PLAYING)
1508
01:01:06,368 --> 01:01:07,370
Sustained.
1509
01:01:07,580 --> 01:01:09,667
(RESUMES FLUTE PLAYING)
1510
01:01:09,667 --> 01:01:12,297
(SINGING)
All coming together for
1511
01:01:13,883 --> 01:01:14,844
Boom.
1512
01:01:26,325 --> 01:01:27,578
What the fuck was that?
1513
01:01:28,872 --> 01:01:30,124
It was the finale.
1514
01:01:30,959 --> 01:01:31,961
You're telling me
that's something
1515
01:01:31,961 --> 01:01:33,213
that you wrote
before just now?
1516
01:01:34,759 --> 01:01:36,804
That's the song
that you needed time away
1517
01:01:36,804 --> 01:01:38,182
from meaningful traditions,
1518
01:01:38,307 --> 01:01:39,894
missing time with the kids,
1519
01:01:40,604 --> 01:01:43,025
ruining the process of
creating this piece together
1520
01:01:43,359 --> 01:01:45,404
because you've been running
off working on the finale.
1521
01:01:45,572 --> 01:01:46,574
It was that?
1522
01:01:47,576 --> 01:01:48,703
Rebecca,
I'm not an idiot, okay?
1523
01:01:48,703 --> 01:01:49,789
You made that up.
1524
01:01:50,456 --> 01:01:51,668
So I'm just
trying to understand
1525
01:01:51,668 --> 01:01:53,379
what you thought
we were gonna do today.
1526
01:01:53,379 --> 01:01:54,590
You were just gonna
have these kids
1527
01:01:54,590 --> 01:01:56,093
have no ending to the show?
1528
01:01:56,093 --> 01:01:58,097
You said, "I got the finale.
I can do it."
1529
01:01:58,389 --> 01:02:00,059
So I trusted you
like I always do.
1530
01:02:00,518 --> 01:02:01,562
What have you been doing
all this time?
1531
01:02:01,562 --> 01:02:03,482
I got a job, okay?
1532
01:02:05,236 --> 01:02:07,741
What, like you're tutoring
kids in singing?
1533
01:02:07,741 --> 01:02:08,910
What are you talking about?
1534
01:02:08,910 --> 01:02:11,874
I just signed a two-year
contract with Duchess Cruises.
1535
01:02:12,417 --> 01:02:15,172
I'm a featured soloist in
Cole Porter on the Waves.
1536
01:02:15,172 --> 01:02:16,926
So yeah,
I've been a little distracted.
1537
01:02:17,553 --> 01:02:19,682
AMOS: Sorry, you're taking
a performance job?
1538
01:02:19,682 --> 01:02:21,059
Since when are you
taking performance jobs?
1539
01:02:21,059 --> 01:02:22,604
Because I wanna be
a performer!
1540
01:02:22,604 --> 01:02:23,690
Okay, I thought we were both
1541
01:02:23,690 --> 01:02:25,192
full-time teachers
aspiring to be performers.
1542
01:02:25,192 --> 01:02:26,696
When is that gonna happen?
1543
01:02:26,696 --> 01:02:28,073
I wanna perform.
1544
01:02:28,073 --> 01:02:29,744
Well, that's great. I just
wish maybe you'd told me.
1545
01:02:29,744 --> 01:02:31,664
I always thought maybe we'd
make that decision together
1546
01:02:31,664 --> 01:02:32,750
- like we do most things.
- It's impossible
1547
01:02:32,750 --> 01:02:33,877
to tell you anything
because you interrupt
1548
01:02:33,877 --> 01:02:35,045
- everything that I say.
- That's not true.
1549
01:02:35,045 --> 01:02:36,214
I do not interrupt everything
that you say, Rebecca.
1550
01:02:36,214 --> 01:02:37,383
I'm just trying to share
my feelings with you...
1551
01:02:37,383 --> 01:02:38,427
Every single thing that I...
1552
01:02:38,427 --> 01:02:39,764
...the way
that I have for 15 years.
1553
01:02:39,764 --> 01:02:41,934
- Every single thing that I...
- That's not true, Rebecca.
1554
01:02:48,113 --> 01:02:49,240
Everything that I say.
I am unable to...
1555
01:02:49,240 --> 01:02:50,409
That's not true, Rebecca.
That is not true.
1556
01:02:50,409 --> 01:02:52,246
How could you do this to me?
1557
01:02:53,373 --> 01:02:54,375
You?
1558
01:02:55,127 --> 01:02:56,546
This has nothing
to do with you.
1559
01:02:57,215 --> 01:02:58,467
Exactly.
Why would you do something
1560
01:02:58,467 --> 01:02:59,762
that has nothing
to do with me?
1561
01:03:01,014 --> 01:03:03,143
Let that statement
just sit in the space.
1562
01:03:04,229 --> 01:03:05,732
It looks great. I stand by it.
1563
01:03:05,732 --> 01:03:07,276
I mean... (STUTTERS) What?
1564
01:03:07,401 --> 01:03:08,655
I don't understand
what you're getting at.
1565
01:03:08,655 --> 01:03:10,074
I just want something else.
That should be okay.
1566
01:03:10,074 --> 01:03:11,702
That's really nice for you,
Rebecca, but you shouldn't
1567
01:03:11,702 --> 01:03:13,080
leave the best kids
in the camp in the lurch
1568
01:03:13,080 --> 01:03:14,290
with no show to perform.
1569
01:03:14,290 --> 01:03:15,669
- Okay, I've...
- That was selfish.
1570
01:03:15,669 --> 01:03:17,088
I make sacrifices for them.
1571
01:03:17,088 --> 01:03:19,509
Because they're talented
and they deserve it.
1572
01:03:19,509 --> 01:03:21,388
I sacrifice
everything else in my life
1573
01:03:21,388 --> 01:03:23,225
for this job and for them.
What do you sacrifice?
1574
01:03:23,225 --> 01:03:25,354
I got a callback
for Juilliard.
1575
01:03:29,905 --> 01:03:33,495
And I didn't go because
I wanted to be here with you.
1576
01:03:33,997 --> 01:03:36,126
You've just kinda been lying
to me for like, 10 years.
1577
01:03:41,344 --> 01:03:42,430
I'm happy for you, Rebecca.
1578
01:03:42,430 --> 01:03:43,515
I'm thrilled for you.
1579
01:03:44,350 --> 01:03:46,521
I think it's great that
you've left these kids
1580
01:03:46,814 --> 01:03:47,816
with no show
1581
01:03:48,358 --> 01:03:49,778
and all for a cruise.
1582
01:03:50,906 --> 01:03:52,743
A non-narrative piece
on a cruise.
1583
01:03:57,084 --> 01:03:58,378
(DOOR OPENS)
1584
01:04:00,007 --> 01:04:01,384
(FOOTSTEPS APPROACHING)
1585
01:04:02,846 --> 01:04:03,848
- Excuse me.
- Hi.
1586
01:04:04,558 --> 01:04:07,063
Um... Guys,
this is a teardown.
1587
01:04:07,564 --> 01:04:09,610
Um, can we get this up?
Can we see what's under here?
1588
01:04:09,610 --> 01:04:11,237
Yeah, we're gonna tear the...
1589
01:04:11,237 --> 01:04:12,574
- TROY: Maybe don't. Maybe...
- ...the place down.
1590
01:04:12,574 --> 01:04:14,787
- Let's see what's under here.
- TROY: Do we need to do this?
1591
01:04:14,787 --> 01:04:16,289
Let's talk this out first.
1592
01:04:16,289 --> 01:04:17,541
I don't think
we need to do that.
1593
01:04:17,541 --> 01:04:18,878
Sorry, we're in the middle
of rehearsal.
1594
01:04:18,878 --> 01:04:21,091
Hi. We're in the middle
of something too. Hi.
1595
01:04:21,091 --> 01:04:22,594
Troy, what's going on?
1596
01:04:22,928 --> 01:04:24,138
No, it...
Everything's fine, guys.
1597
01:04:24,138 --> 01:04:25,934
Everything is gonna be okay.
1598
01:04:25,934 --> 01:04:28,105
- It doesn't look okay.
- ALICE: No, it's not.
1599
01:04:28,105 --> 01:04:29,440
No, it's not.
What are they doing?
1600
01:04:29,440 --> 01:04:31,946
Listen, I know this place
meant a lot to you.
1601
01:04:31,946 --> 01:04:33,532
But I do hope you'll consider
1602
01:04:33,532 --> 01:04:35,996
joining the Lakeside family
next summer.
1603
01:04:35,996 --> 01:04:37,289
ALICE: No.
1604
01:04:37,289 --> 01:04:39,002
- What does that mean?
- Not happening, lady.
1605
01:04:39,002 --> 01:04:41,089
Troy, you sold the camp
to Lakeside?
1606
01:04:41,089 --> 01:04:42,926
It's more of a partnership.
1607
01:04:42,926 --> 01:04:45,431
- Demolition is next week.
- Just stop. Please, stop.
1608
01:04:45,431 --> 01:04:46,516
Next week? Tell them...
1609
01:04:46,516 --> 01:04:47,811
CHRISTOPHER L:
Can she be gone now?
1610
01:04:47,811 --> 01:04:50,859
Please.
Nobody wants you here.
1611
01:04:50,859 --> 01:04:52,069
CHRISTOPHER S: Get her and her
1612
01:04:52,069 --> 01:04:53,906
knockoff Chanel bag
out of here.
1613
01:04:53,906 --> 01:04:55,744
TROY: It will be okay.
1614
01:04:58,206 --> 01:05:00,544
(JAZZ MUSIC PLAYING)
1615
01:05:40,667 --> 01:05:42,086
CLIVE: Cheer up, kids.
1616
01:05:43,088 --> 01:05:44,800
(JAZZ MUSIC
PLAYING OVER SPEAKERS)
1617
01:05:51,647 --> 01:05:52,816
MACKENZIE: This is like,
my first time sneaking out.
1618
01:05:52,816 --> 01:05:54,068
SEBASTIAN: Shh! Guys.
1619
01:05:54,068 --> 01:05:55,237
ALICE: Shush!
1620
01:05:55,529 --> 01:05:56,991
DARLA: I know
we're all scared right now
1621
01:05:56,991 --> 01:05:58,410
and we don't know
if the show's happening.
1622
01:05:58,410 --> 01:05:59,955
I heard that the Lakeside kids
1623
01:05:59,955 --> 01:06:01,416
get to be
in all the shows now, too.
1624
01:06:01,416 --> 01:06:04,255
Lainy told me
that Troy smokes drugs.
1625
01:06:04,255 --> 01:06:05,758
I heard, that they're cutting
all of the tone-deaf kids.
1626
01:06:05,758 --> 01:06:06,927
SEBASTIAN: Hey, guys.
1627
01:06:06,927 --> 01:06:08,305
Rumors are rumors.
1628
01:06:09,098 --> 01:06:11,436
This could be our
last week here. Maybe ever.
1629
01:06:11,729 --> 01:06:13,900
So let's make our mark
while we can.
1630
01:06:13,900 --> 01:06:15,402
We don't know
what's gonna happen.
1631
01:06:15,570 --> 01:06:17,323
But as Joan always says,
1632
01:06:17,489 --> 01:06:18,910
summers come and go.
1633
01:06:19,076 --> 01:06:21,372
But what happens
on this stage,
1634
01:06:22,416 --> 01:06:23,669
that's eternal.
1635
01:06:36,152 --> 01:06:37,279
AMOS: Jesus.
1636
01:06:37,279 --> 01:06:39,367
Hey, sorry to bother you,
1637
01:06:39,367 --> 01:06:40,954
but are we planning
on rehearsing later?
1638
01:06:41,496 --> 01:06:43,333
Let's see. Our composer
has deserted us
1639
01:06:43,333 --> 01:06:46,047
and I refuse to tell
a slapdash,
1640
01:06:46,047 --> 01:06:47,759
trainwreck version
of Joan's story,
1641
01:06:47,759 --> 01:06:49,262
so, no.
1642
01:06:49,428 --> 01:06:50,640
The show is dead in the water.
1643
01:06:50,890 --> 01:06:53,980
Okay, well, I have this
Zoom director's session
1644
01:06:53,980 --> 01:06:55,733
for a movie
about a pregnant gymnast.
1645
01:06:55,733 --> 01:06:58,238
They're already filming,
and someone dropped out.
1646
01:06:58,238 --> 01:06:59,950
And I was wondering
if you could help me?
1647
01:07:00,994 --> 01:07:02,204
I...
1648
01:07:02,956 --> 01:07:05,252
I can't stomach industry sides
right now.
1649
01:07:05,252 --> 01:07:07,632
So just let me
hang my shirts in peace.
1650
01:07:12,474 --> 01:07:15,857
I could really use your help
with the characterization.
1651
01:07:19,113 --> 01:07:20,532
What are the character's
allergies?
1652
01:07:21,075 --> 01:07:22,077
What?
1653
01:07:22,077 --> 01:07:23,455
Oh, God,
we have a lot of work to do.
1654
01:07:23,455 --> 01:07:25,417
Let's get a notebook,
and let's start taking some notes.
1655
01:07:26,628 --> 01:07:27,714
Wow, "one of,"
I'd love to know
1656
01:07:27,714 --> 01:07:28,966
who these other teachers are.
1657
01:07:33,433 --> 01:07:35,270
(LIVELY MUSIC PLAYING)
1658
01:07:35,270 --> 01:07:36,774
(INDISTINCT CONVERSATION)
1659
01:07:37,524 --> 01:07:38,526
DEVON'S DAD: Here he comes.
1660
01:07:39,028 --> 01:07:40,698
Hi, baby!
1661
01:07:40,698 --> 01:07:42,284
(DEVON'S DAD CHUCKLES)
1662
01:07:42,284 --> 01:07:43,411
DEVON: Hey, Dads.
1663
01:07:43,411 --> 01:07:44,956
DEVON'S DAD:
Oh, God, I missed you.
1664
01:07:44,956 --> 01:07:46,794
(INDISTINCT CONVERSATION)
1665
01:07:49,674 --> 01:07:52,680
- (KNOCK AT DOOR)
- TROY: My guy, massive news.
1666
01:07:53,390 --> 01:07:54,851
I think I figured out
how to save the camp.
1667
01:07:54,851 --> 01:07:56,020
How?
1668
01:07:56,020 --> 01:07:57,774
So I was going over the
Barnswell deal that I signed,
1669
01:07:57,774 --> 01:07:59,653
like all last night
and this morning
1670
01:07:59,653 --> 01:08:02,742
and I noticed they only take
possession of the camp
1671
01:08:02,742 --> 01:08:05,122
if the bank forecloses.
1672
01:08:05,122 --> 01:08:08,002
Caroline just assumed that we
would fail. But the truth is
1673
01:08:08,002 --> 01:08:10,298
we still can come up with the
money to hold off the bank.
1674
01:08:10,967 --> 01:08:13,096
And how do you expect us
to find this money, Troy?
1675
01:08:13,096 --> 01:08:16,018
That is where the
en-Troy-preneurship comes in.
1676
01:08:16,185 --> 01:08:17,730
- Right.
- I sent out an email blast
1677
01:08:17,730 --> 01:08:19,024
to my ride or dies,
1678
01:08:19,024 --> 01:08:20,318
the Founding Ballers,
1679
01:08:20,318 --> 01:08:22,030
and I invited them
to the show.
1680
01:08:22,030 --> 01:08:23,617
Right? These guys are like
1681
01:08:23,617 --> 01:08:26,038
primo business influencers, Glenn.
1682
01:08:26,038 --> 01:08:27,291
So if they come here,
1683
01:08:27,291 --> 01:08:29,420
and they see
our little freaky-deakies
1684
01:08:29,420 --> 01:08:31,675
in action,
crushing Joan, Still,
1685
01:08:32,134 --> 01:08:33,344
they'll have to invest.
1686
01:08:33,344 --> 01:08:34,639
They'll be
emptying their pockets.
1687
01:08:34,639 --> 01:08:37,562
Yeah, no, they sound,
uh, extremely legit.
1688
01:08:37,562 --> 01:08:38,647
Yeah.
1689
01:08:38,772 --> 01:08:40,610
Um, and I think it's nice that
you wanna do this for the camp
1690
01:08:40,610 --> 01:08:42,446
and for your mom,
1691
01:08:42,446 --> 01:08:45,368
but we don't have any creative
visionaries left. Okay?
1692
01:08:45,368 --> 01:08:47,039
What are you talking about?
Yes, we do.
1693
01:08:48,374 --> 01:08:49,460
We have you, Glenn.
1694
01:08:50,838 --> 01:08:51,924
Show everyone how much
1695
01:08:51,924 --> 01:08:53,301
they've been
underestimating you.
1696
01:08:53,886 --> 01:08:54,930
Finish the job.
1697
01:08:54,930 --> 01:08:57,434
CHILDREN: Yes!
SEBASTIAN: Totally, Glenn. Come on, Glenn.
1698
01:08:57,434 --> 01:08:58,604
Glenn, you got this.
1699
01:08:58,604 --> 01:08:59,814
Come on, Glenn.
1700
01:09:00,273 --> 01:09:01,568
TROY: What do you say, man?
1701
01:09:09,918 --> 01:09:11,295
(LIVELY MUSIC CONTINUES)
1702
01:09:18,769 --> 01:09:20,522
What's up,
my little dollar ballers?
1703
01:09:20,690 --> 01:09:21,692
It's your boy Salem here
1704
01:09:21,692 --> 01:09:23,988
with my other
Founding Ballers out here.
1705
01:09:23,988 --> 01:09:25,240
And we're out here checking
1706
01:09:25,240 --> 01:09:27,119
on a potential
investment opportunity.
1707
01:09:27,119 --> 01:09:29,708
Things are a little crazy,
and your boy, Salem...
1708
01:09:29,708 --> 01:09:31,252
I'm feeling a little volatile.
1709
01:09:31,252 --> 01:09:32,672
So I'm gonna take a chance,
1710
01:09:32,672 --> 01:09:34,383
- and we're gonna see some little kids...
- Ballers. Wow.
1711
01:09:34,383 --> 01:09:35,510
Given the current ecosystem
of the crypto...
1712
01:09:35,510 --> 01:09:36,763
The whole squad. What's up, Salem?
1713
01:09:36,763 --> 01:09:38,224
Yeah, give me a second here. Yeah,
I'm just gonna finish this one quick.
1714
01:09:38,224 --> 01:09:39,310
Yeah, yeah, totally.
1715
01:09:39,310 --> 01:09:40,813
What's bussin'?
What's bussin'?
1716
01:09:40,813 --> 01:09:42,149
Hey. What's bussin', guys?
1717
01:09:42,149 --> 01:09:43,234
I can't believe you guys came.
1718
01:09:43,359 --> 01:09:44,361
Yeah, man.
Thanks for having us.
1719
01:09:44,361 --> 01:09:46,073
- I've seen like every vlog.
- Oh, yeah? Yeah. Yeah.
1720
01:09:46,073 --> 01:09:47,284
I got your merch.
I have that shirt.
1721
01:09:48,369 --> 01:09:49,748
Heard she's the lead in this one.
1722
01:09:49,956 --> 01:09:52,377
TROY: I just wanna say thank
you all for all your hard work
1723
01:09:52,377 --> 01:09:53,631
in the last 24 hours.
1724
01:09:53,631 --> 01:09:55,885
I look around and I see
a lot of prepared faces.
1725
01:09:55,885 --> 01:09:57,512
I'd say no pressure, but...
1726
01:09:58,264 --> 01:09:59,516
it's a little bit of pressure.
1727
01:10:00,143 --> 01:10:01,980
You know?
Gigi, you got anything?
1728
01:10:02,649 --> 01:10:04,736
Um, I would like to say
that I was very angry
1729
01:10:04,736 --> 01:10:06,364
with you guys
a couple hours ago.
1730
01:10:06,740 --> 01:10:08,409
Uh, but I'm over it.
1731
01:10:08,661 --> 01:10:09,996
All right, guys.
Put your hands in. Come on.
1732
01:10:10,163 --> 01:10:12,710
- One, two, three!
- ALL: Joan, Still!
1733
01:10:12,835 --> 01:10:14,839
(ALL CHEERING)
1734
01:10:15,883 --> 01:10:16,885
BOY: Let's do this!
1735
01:10:20,058 --> 01:10:22,312
Sorry. Uh, can someone
just tell me
1736
01:10:22,312 --> 01:10:24,567
like, the status
on this woman?
1737
01:10:24,776 --> 01:10:27,072
Is she alive or dead?
1738
01:10:30,746 --> 01:10:31,748
You're a liar.
1739
01:10:35,338 --> 01:10:36,340
Excuse me?
1740
01:10:37,175 --> 01:10:38,177
A very good one.
1741
01:10:39,848 --> 01:10:41,977
I think you'd make
a fantastic agent.
1742
01:10:42,394 --> 01:10:44,231
I'm trying to get my company
off the ground.
1743
01:10:44,774 --> 01:10:45,985
Think about it.
1744
01:10:47,154 --> 01:10:48,156
I'm always here.
1745
01:10:51,287 --> 01:10:52,289
Excuse me.
1746
01:10:59,596 --> 01:11:01,725
(INTRIGUING MUSIC PLAYING)
1747
01:11:06,317 --> 01:11:08,029
(FRANTIC MUSIC PLAYING)
1748
01:11:09,866 --> 01:11:12,412
AMOS: Kids. Kids, have you
seen Darla? Darla anywhere?
1749
01:11:15,210 --> 01:11:16,253
Darla!
1750
01:11:16,838 --> 01:11:17,840
Darla!
1751
01:11:20,805 --> 01:11:22,015
Darla, you have to go on.
1752
01:11:22,182 --> 01:11:23,602
(PANTING) You see
what they're doing?
1753
01:11:23,769 --> 01:11:24,771
They're ruining our show.
1754
01:11:24,979 --> 01:11:26,315
Why are you leaving?
1755
01:11:26,315 --> 01:11:28,152
I'm sorry.
I'm sorry, Amos, okay?
1756
01:11:28,862 --> 01:11:30,490
You must be Amos.
1757
01:11:31,033 --> 01:11:33,747
Oh, my granddaughter has had
1758
01:11:33,747 --> 01:11:35,416
the best time with you
this summer.
1759
01:11:36,127 --> 01:11:38,549
We have got
the most gushing letters.
1760
01:11:38,549 --> 01:11:40,594
Well, she said you were
a little tough on her, but...
1761
01:11:41,136 --> 01:11:42,765
her craft
has never been better.
1762
01:11:43,432 --> 01:11:44,434
Oh, um...
1763
01:11:44,434 --> 01:11:45,646
Hurry up and say
your goodbyes, honey.
1764
01:11:45,646 --> 01:11:47,900
Quickly, because we don't
wanna catch traffic. (KISSES)
1765
01:11:53,620 --> 01:11:55,415
You always told me
that I needed
1766
01:11:55,415 --> 01:11:57,294
to open myself up
to character roles,
1767
01:11:57,460 --> 01:12:00,133
that ingénue isn't everything.
1768
01:12:01,093 --> 01:12:04,183
I listened,
and I booked the job.
1769
01:12:17,710 --> 01:12:19,171
Maybe I'll see you
next summer.
1770
01:12:30,778 --> 01:12:31,863
(ENGINE STARTS)
1771
01:12:36,957 --> 01:12:38,961
Good evening, AdirondACTS.
1772
01:12:39,544 --> 01:12:41,256
(AUDIENCE CHEERING)
1773
01:12:43,679 --> 01:12:46,183
Special shout-out to my crew,
Founding Ballers.
1774
01:12:46,183 --> 01:12:47,519
Thanks for coming out.
1775
01:12:47,519 --> 01:12:49,649
As most of you know,
1776
01:12:49,857 --> 01:12:51,318
my name is Troy,
1777
01:12:51,485 --> 01:12:55,034
and I've been blessed
with having an amazing mother.
1778
01:12:55,201 --> 01:12:56,746
- A woman...
- Oh, my God.
1779
01:12:56,913 --> 01:12:58,625
...all of you know and love.
1780
01:12:58,625 --> 01:13:02,215
Unfortunately, she is unable
to be with us tonight.
1781
01:13:03,009 --> 01:13:04,344
So we've decided
1782
01:13:04,762 --> 01:13:07,852
to bring the show
to her via a live feed.
1783
01:13:08,019 --> 01:13:09,856
Give it up for Joan!
1784
01:13:17,747 --> 01:13:19,374
She really looks good.
1785
01:13:19,834 --> 01:13:21,170
I think she's lost weight.
1786
01:13:21,713 --> 01:13:23,007
I think so, too.
1787
01:13:23,174 --> 01:13:25,637
Our kids have worked their
little butts off all summer
1788
01:13:25,637 --> 01:13:29,019
to do my mom's story justice
and to hopefully bring you
1789
01:13:29,186 --> 01:13:31,440
the best night of your lives.
Are you ready?
1790
01:13:31,858 --> 01:13:33,820
(ALL CHEERING)
1791
01:13:33,820 --> 01:13:35,323
This one's for you, Mom.
1792
01:13:35,490 --> 01:13:38,789
Let's blow the roof off
that ICU!
1793
01:13:42,963 --> 01:13:46,011
CHORUS: (SINGING) Joan then
1794
01:13:46,428 --> 01:13:49,476
Joan now
1795
01:13:49,852 --> 01:13:53,025
Joan does
1796
01:13:53,234 --> 01:13:56,031
Somehow
1797
01:13:56,616 --> 01:13:58,787
Troy, it's me. Troy, it's me.
1798
01:13:59,454 --> 01:14:00,999
You know, I don't think
this show is gonna work out.
1799
01:14:00,999 --> 01:14:02,628
- Shh.
- Joan will
1800
01:14:02,795 --> 01:14:03,797
Shh. Are you playing a game?
1801
01:14:03,964 --> 01:14:06,803
Joan can
1802
01:14:07,137 --> 01:14:11,938
Joan still
1803
01:14:12,857 --> 01:14:14,359
Tonight we take you
to the start
1804
01:14:14,359 --> 01:14:16,321
of our great founder's
beating heart.
1805
01:14:16,614 --> 01:14:18,534
Our tale begins in '63.
1806
01:14:18,534 --> 01:14:20,581
A young girl
and her father flee.
1807
01:14:20,956 --> 01:14:23,127
Though planes could fly
and girls could vote,
1808
01:14:23,544 --> 01:14:25,716
for some reason,
they took a boat.
1809
01:14:30,016 --> 01:14:32,395
CHORUS: (SINGING) America
1810
01:14:32,563 --> 01:14:35,067
America
1811
01:14:35,234 --> 01:14:37,656
We're sailing to America
1812
01:14:37,865 --> 01:14:41,915
In 1963
1813
01:14:43,459 --> 01:14:45,504
Oh, my little Joan, come.
1814
01:14:45,672 --> 01:14:47,425
Look at the horizon.
1815
01:14:47,593 --> 01:14:50,473
Think of all the possibilities
that await you.
1816
01:14:50,641 --> 01:14:52,895
(SINGING) In America
1817
01:14:53,479 --> 01:14:55,274
Enlightened nation
1818
01:14:55,441 --> 01:14:59,115
Where even women get education
1819
01:14:59,115 --> 01:15:02,080
From clean to cook, every skill you need
1820
01:15:02,080 --> 01:15:04,459
Don't fret, I'll tell the recipes
1821
01:15:04,459 --> 01:15:06,129
'Cause women cannot read
1822
01:15:06,129 --> 01:15:08,425
Hey! Women cannot read
1823
01:15:08,425 --> 01:15:10,429
Women cannot read
1824
01:15:10,429 --> 01:15:13,435
A, B, C, D, she don't know
'Cause women cannot read
1825
01:15:13,603 --> 01:15:14,689
MACKENZIE: Okay, I know
there's something better
1826
01:15:14,814 --> 01:15:15,816
DEVON: America
1827
01:15:15,941 --> 01:15:17,110
MACKENZIE:
Than to cook and do the cleaning
1828
01:15:17,110 --> 01:15:18,195
DEVON: Enlightened nation
1829
01:15:18,195 --> 01:15:19,824
- But I look at every letter
- Where even women
1830
01:15:19,824 --> 01:15:21,619
- And I wanna know its meaning
- Get education
1831
01:15:21,619 --> 01:15:22,788
I'm wrestling with these words
1832
01:15:22,788 --> 01:15:23,873
DEVON: From clean to cook
1833
01:15:23,999 --> 01:15:25,084
That I'm an inch away
from knowing
1834
01:15:25,084 --> 01:15:26,169
DEVON: Every skill you need
1835
01:15:26,169 --> 01:15:27,547
My eyes are moving
back and forth
1836
01:15:27,547 --> 01:15:30,679
The sense of it is growing
1837
01:15:31,681 --> 01:15:33,475
(STUTTERS)
1838
01:15:34,144 --> 01:15:37,483
- Jifka was shot!
- (CHORUS GASP)
1839
01:15:37,943 --> 01:15:39,029
CHORUS: (SINGING)
Maybe she can read
1840
01:15:39,029 --> 01:15:40,866
- No way!
- Maybe she can read
1841
01:15:41,074 --> 01:15:43,454
DEVON: That's luck
A, B, C, D, she can't know!
1842
01:15:43,621 --> 01:15:44,999
CHORUS: Or maybe she can read!
1843
01:15:45,584 --> 01:15:47,211
(AUDIENCE CLAPPING
IN DISTANCE)
1844
01:15:47,755 --> 01:15:49,257
So Joan ended the affair
1845
01:15:49,257 --> 01:15:50,886
with her
astrology professor
1846
01:15:50,886 --> 01:15:51,929
and she used her diploma
1847
01:15:51,929 --> 01:15:53,182
to get a job
as a mailroom clerk
1848
01:15:53,182 --> 01:15:55,186
at the New York
Stock Exchange.
1849
01:15:55,937 --> 01:15:57,983
(INDISTINCT,
OVERLAPPING CHATTER)
1850
01:15:58,735 --> 01:15:59,779
SEBASTIAN: If I'm not making money,
1851
01:15:59,779 --> 01:16:00,947
then I'm losing money.
1852
01:16:00,947 --> 01:16:03,202
If I'm losing money,
you're losing your job
1853
01:16:03,202 --> 01:16:04,537
and you're all fired!
1854
01:16:07,085 --> 01:16:08,797
(SINGING)
From my corner in the mailroom
1855
01:16:08,797 --> 01:16:10,091
Under the ground I hear
1856
01:16:10,091 --> 01:16:11,343
CHORUS: The Wall Street noise!
1857
01:16:11,343 --> 01:16:13,765
It's a beautiful sound
Sorting letters, getting older
1858
01:16:13,765 --> 01:16:16,604
Makin' minimum pay
While the brokers get richer
1859
01:16:16,604 --> 01:16:17,981
I could listen all day
1860
01:16:17,981 --> 01:16:20,862
When you buy, it's the feeling
Of a-jumpin' to the ceiling
1861
01:16:21,196 --> 01:16:23,785
CHORUS: Buy the stock
Buy the stock
1862
01:16:23,910 --> 01:16:24,912
Buy the stock
1863
01:16:25,037 --> 01:16:26,248
Then martini time, boys.
1864
01:16:26,248 --> 01:16:29,588
(SINGING) Will I ever be part
of the Wall Street noise?
1865
01:16:29,588 --> 01:16:31,592
(BROADWAY MUSIC PLAYING)
1866
01:16:31,592 --> 01:16:33,095
It's a shimmy in the shoulders
1867
01:16:33,095 --> 01:16:34,682
When you talk to the shareholders
1868
01:16:34,682 --> 01:16:37,061
Guiltless greed
is one of life's great joys
1869
01:16:37,061 --> 01:16:40,151
Maybe someday I'll stomp
In the Wall Street
1870
01:16:40,151 --> 01:16:42,990
Noise
1871
01:16:44,534 --> 01:16:47,248
They messed up one
little turn, but it's okay.
1872
01:16:47,248 --> 01:16:48,333
I didn't see it.
1873
01:16:48,333 --> 01:16:49,502
I think we should
just move forward.
1874
01:16:49,502 --> 01:16:50,881
(SINGING)
Sell the stocks shareholders buy
1875
01:16:50,881 --> 01:16:52,008
Sell the stocks shareholders buy
1876
01:16:52,008 --> 01:16:53,595
Sell the stocks, shareholders!
1877
01:16:53,595 --> 01:16:55,807
And as Joan rose through
the ranks of the company
1878
01:16:55,807 --> 01:16:58,395
and her profits
grew and grew,
1879
01:16:58,395 --> 01:17:00,734
so did she!
1880
01:17:02,445 --> 01:17:03,948
(SCATTERED CLAPPING)
1881
01:17:10,544 --> 01:17:11,923
Is that the tech guy?
1882
01:17:13,843 --> 01:17:16,348
Somebody get me portfolios
on line four.
1883
01:17:17,851 --> 01:17:20,022
I'll be in my corner office.
1884
01:17:20,189 --> 01:17:22,443
- Sure thing, boss.
- Let's do this.
1885
01:17:22,443 --> 01:17:23,988
(SINGING) You do this
You do that
1886
01:17:23,988 --> 01:17:26,076
Fix that graph and get me stats
1887
01:17:26,076 --> 01:17:28,832
CHORUS: She's a stock broker
Deep down and dirty dealing
1888
01:17:28,832 --> 01:17:30,501
Got the checks
Got the cash
1889
01:17:30,501 --> 01:17:32,213
And I'm smashing that glass ceiling
1890
01:17:32,213 --> 01:17:33,967
CHORUS:
Now she's part of this sound
1891
01:17:33,967 --> 01:17:35,637
And I found my voice
1892
01:17:35,804 --> 01:17:39,060
CHORUS: As she's making people millions
Screwing innocent civilians
1893
01:17:39,060 --> 01:17:41,899
With her fab flap and brilliance
In the Wall Street
1894
01:17:43,277 --> 01:17:44,279
Noise!
1895
01:17:44,947 --> 01:17:46,366
(AUDIENCE CHEERING)
1896
01:17:55,134 --> 01:17:57,054
(DISCO MUSIC PLAYING)
1897
01:17:59,058 --> 01:18:00,687
CHORUS: Studio 54!
1898
01:18:01,062 --> 01:18:02,816
Dark room
Bright lights
1899
01:18:03,025 --> 01:18:04,862
Debbie Harry wearing tights
1900
01:18:04,862 --> 01:18:06,908
CHORUS: Stiff drink
High heels
1901
01:18:06,908 --> 01:18:08,786
David Geffen doing deals
1902
01:18:08,786 --> 01:18:12,501
CHORUS:
Lovers and strangers and big chandeliers
1903
01:18:12,501 --> 01:18:14,547
Got no home to go to
1904
01:18:14,547 --> 01:18:16,636
So I'm staying here
1905
01:18:16,636 --> 01:18:18,848
- CHORUS: Live it up
- Like there's no tomorrow
1906
01:18:18,848 --> 01:18:21,311
CHORUS: Tomorrow, give it up
1907
01:18:21,311 --> 01:18:22,856
GLENN: To the groovy
1908
01:18:22,856 --> 01:18:24,568
- CHORUS: Disco glittery light
- Disco glittery light
1909
01:18:24,568 --> 01:18:25,737
CHORUS: Live it up
1910
01:18:25,737 --> 01:18:28,785
'Cause if there's no tomorrow
1911
01:18:28,785 --> 01:18:30,245
Nothing matters to me
1912
01:18:30,245 --> 01:18:33,043
So get lost inside the boogie tonight
1913
01:18:35,422 --> 01:18:36,634
And cue cocaine.
1914
01:18:36,801 --> 01:18:37,844
CHORUS: (SINGING)
Live it up
1915
01:18:37,844 --> 01:18:39,932
Don't you have school tomorrow?
1916
01:18:39,932 --> 01:18:41,184
CHORUS: Give it up
1917
01:18:41,184 --> 01:18:43,522
Suddenly, the disco doesn't feel right
1918
01:18:43,522 --> 01:18:46,946
CHORUS: Give away
The troubles and the sorrow
1919
01:18:46,946 --> 01:18:48,156
Someone's gotta save ya
1920
01:18:48,156 --> 01:18:50,536
From degenerate behavior tonight
1921
01:18:50,536 --> 01:18:52,498
Quick. Give me
your hand, little girl.
1922
01:18:52,498 --> 01:18:53,751
I'll save you.
1923
01:18:53,751 --> 01:18:55,045
I'm an artiste,
1924
01:18:55,045 --> 01:18:57,133
and artistes
don't need saving.
1925
01:18:57,133 --> 01:19:00,724
Sometimes they do!
1926
01:19:04,773 --> 01:19:06,610
Wow, Joan. You were right.
1927
01:19:06,610 --> 01:19:08,740
I guess I did need your help.
1928
01:19:09,157 --> 01:19:10,785
Have you ever
considered becoming...
1929
01:19:11,787 --> 01:19:13,165
a teacher?
1930
01:19:15,044 --> 01:19:18,843
GLENN: (SINGING)
I'll make it through tomorrow
1931
01:19:19,762 --> 01:19:22,809
Only gonna have three cocktails a week
1932
01:19:24,228 --> 01:19:27,611
I'll quit my job tomorrow
1933
01:19:28,528 --> 01:19:31,869
These children matter to me
1934
01:19:32,036 --> 01:19:35,501
So I'll apply to SUNY
1935
01:19:36,002 --> 01:19:40,385
Tonight
1936
01:19:41,096 --> 01:19:42,181
Jesus, he's good.
1937
01:19:43,266 --> 01:19:46,272
(SINGING)
Thought my dreaming was done
1938
01:19:46,439 --> 01:19:49,112
All I needed was one
1939
01:19:49,278 --> 01:19:53,203
Revelation to show me my boy
1940
01:19:53,704 --> 01:19:54,873
(WHISPERING) That kid's good.
1941
01:19:55,040 --> 01:19:56,167
I'm gonna make him a star.
1942
01:19:56,334 --> 01:19:57,921
I was actually
just thinking the same thing.
1943
01:19:58,088 --> 01:20:02,471
GLENN: Now I offer this sun Salutation
1944
01:20:02,889 --> 01:20:05,310
Hello to my Troy
1945
01:20:05,477 --> 01:20:07,732
I will build this theatrical place
1946
01:20:07,899 --> 01:20:08,901
Hey.
1947
01:20:09,736 --> 01:20:11,322
Hey, do you like this?
1948
01:20:12,199 --> 01:20:14,120
I'm over here, I'm like...
(SNORES, CHUCKLES)
1949
01:20:15,665 --> 01:20:17,042
CHRISTOPHER S: And finally,
1950
01:20:17,042 --> 01:20:19,673
after selling her father's
beloved pierogi recipe
1951
01:20:19,673 --> 01:20:21,050
for a small fortune,
1952
01:20:21,217 --> 01:20:23,471
Joan purchased
a beautiful plot of land
1953
01:20:23,639 --> 01:20:26,185
located right in the middle
of the Adirondack Mountains.
1954
01:20:29,860 --> 01:20:32,866
This land is beautiful.
1955
01:20:33,200 --> 01:20:35,370
And the stage could go here.
1956
01:20:36,707 --> 01:20:39,796
And all the children looking
for somewhere to belong.
1957
01:20:40,547 --> 01:20:42,719
I can almost see them.
1958
01:20:44,556 --> 01:20:47,604
(SINGING)
A girl with an open Snapple
1959
01:20:48,063 --> 01:20:51,069
A boy who's looking down
1960
01:20:51,486 --> 01:20:54,743
The faces and the memories
1961
01:20:54,910 --> 01:20:58,918
That we have from right now
1962
01:20:59,377 --> 01:21:02,592
Raise a glass for everyone
1963
01:21:02,759 --> 01:21:05,640
That will come through these halls
1964
01:21:06,474 --> 01:21:08,813
But in the glass isn't alcohol
1965
01:21:08,980 --> 01:21:11,401
It's something more profound
1966
01:21:11,568 --> 01:21:13,071
And the halls aren't halls at all
1967
01:21:13,238 --> 01:21:14,908
Of course, they're trees
1968
01:21:15,075 --> 01:21:16,160
And lakes
1969
01:21:16,662 --> 01:21:20,377
And birds
1970
01:21:21,129 --> 01:21:22,924
CHORUS: We all fly
1971
01:21:23,091 --> 01:21:27,391
To find a place we can belong
1972
01:21:27,559 --> 01:21:29,186
We all fly
1973
01:21:29,186 --> 01:21:34,071
To find a place we can call home
1974
01:21:35,532 --> 01:21:38,329
Camp isn't home
1975
01:21:39,833 --> 01:21:42,964
But is it kind of?
1976
01:21:43,131 --> 01:21:45,177
Kind of it is
1977
01:21:45,344 --> 01:21:48,099
I think it kind of is
1978
01:21:48,559 --> 01:21:51,022
BOTH: Camp isn't home
1979
01:21:52,650 --> 01:21:55,740
But is it kind of?
1980
01:21:55,740 --> 01:22:00,332
I think it kind of is
1981
01:22:01,877 --> 01:22:05,133
Where every kid picked last in gym
1982
01:22:05,300 --> 01:22:07,639
Finally makes the team
1983
01:22:07,889 --> 01:22:10,686
BOTH:
Where square pegs find their holes
1984
01:22:10,853 --> 01:22:13,692
And outcasts find their dreams
1985
01:22:13,859 --> 01:22:16,698
BOTH:
It's a melting pot where belting girls
1986
01:22:16,865 --> 01:22:19,412
And boys in tiny shorts
1987
01:22:19,746 --> 01:22:22,126
CHORUS:
Come to find forever friendships
1988
01:22:22,292 --> 01:22:25,257
Just four hours from New York
1989
01:22:25,257 --> 01:22:26,677
We all fly
1990
01:22:26,677 --> 01:22:30,977
To find a place we can belong
1991
01:22:30,977 --> 01:22:32,521
We all fly
1992
01:22:32,521 --> 01:22:37,657
To find a place we can call home
1993
01:22:37,657 --> 01:22:39,703
A place we can call Joan
1994
01:22:39,703 --> 01:22:42,082
Camp isn't home
1995
01:22:43,460 --> 01:22:46,592
But is it kind of?
1996
01:22:46,592 --> 01:22:48,511
Kind of it is
1997
01:22:48,679 --> 01:22:51,517
I think it kind of is
It kind of is
1998
01:22:51,517 --> 01:22:55,442
Camp isn't home
1999
01:22:55,442 --> 01:22:58,239
But is it kind of?
2000
01:22:58,239 --> 01:23:02,539
I think it kind of is
2001
01:23:03,876 --> 01:23:06,840
We all fly
2002
01:23:07,382 --> 01:23:09,345
Camp taught me
that my words are powerful.
2003
01:23:09,512 --> 01:23:11,683
Without camp,
I would've never known
2004
01:23:11,683 --> 01:23:13,562
I could sing a high F
above middle C.
2005
01:23:14,396 --> 01:23:15,691
At camp, I learned that
2006
01:23:15,691 --> 01:23:17,110
you don't have to be pretty
to be talented.
2007
01:23:17,110 --> 01:23:18,238
It's just a bonus.
2008
01:23:20,533 --> 01:23:21,536
(WHISPERING) I'm sorry.
2009
01:23:21,662 --> 01:23:23,624
- I'm sorry.
- You finished the song.
2010
01:23:24,375 --> 01:23:25,628
It's so beautiful.
2011
01:23:25,795 --> 01:23:27,005
I did it for you.
2012
01:23:27,757 --> 01:23:30,387
You should do whatever
you wanna do
2013
01:23:30,387 --> 01:23:31,848
and pursue your dreams, okay?
2014
01:23:32,558 --> 01:23:33,852
I'm going to stay here.
2015
01:23:33,852 --> 01:23:35,898
If there is a here,
I belong here.
2016
01:23:36,733 --> 01:23:38,319
Well, I'll come back
all the time.
2017
01:23:38,444 --> 01:23:39,530
- Promise?
- I promise.
2018
01:23:39,698 --> 01:23:40,783
You're not getting rid of me.
2019
01:23:41,492 --> 01:23:43,121
At camp,
I learned to live in my truth
2020
01:23:43,121 --> 01:23:44,582
as a heterosexual man.
2021
01:23:46,085 --> 01:23:47,296
We knew. (SOBBING)
2022
01:23:47,462 --> 01:23:49,383
We always knew, buddy.
Good job.
2023
01:23:50,427 --> 01:23:51,555
Glenn is amazing.
2024
01:23:51,722 --> 01:23:52,974
Glenn is so good,
it makes me upset.
2025
01:23:53,141 --> 01:23:55,145
- It's insane.
- It makes me upset.
2026
01:23:55,145 --> 01:23:56,690
(VOCALIZING)
2027
01:23:57,357 --> 01:23:59,486
CHORUS: (SINGING) We all fly
2028
01:24:02,702 --> 01:24:04,496
Camp isn't home
2029
01:24:06,835 --> 01:24:11,553
But is it kind of?
Kind of it is
2030
01:24:11,720 --> 01:24:14,266
I think it kind of is
2031
01:24:14,433 --> 01:24:17,064
Camp isn't home
2032
01:24:18,316 --> 01:24:24,453
But is it kind of?
I think it kind of is
2033
01:24:26,415 --> 01:24:29,589
Camp isn't home
But is it kind of?
2034
01:24:30,507 --> 01:24:35,141
Kind of it is
I think it kind of is
2035
01:24:35,308 --> 01:24:37,020
Camp isn't home
2036
01:24:39,274 --> 01:24:41,947
But is it kind of?
2037
01:24:41,947 --> 01:24:46,330
I think it kind of is
2038
01:24:47,541 --> 01:24:49,044
I hope I see you next summer.
2039
01:24:50,088 --> 01:24:51,550
Thanks for being
so hard on me.
2040
01:24:51,675 --> 01:24:53,177
I know it was
for a good reason.
2041
01:24:53,177 --> 01:24:55,265
Harness this pain and use it
in the future, okay?
2042
01:24:57,979 --> 01:24:59,816
CHORUS: (SINGING)
Camp isn't home
2043
01:24:59,816 --> 01:25:02,697
But is it kind of?
2044
01:25:02,697 --> 01:25:07,289
I think it kind of is
2045
01:25:09,251 --> 01:25:12,340
Joan, Still
2046
01:25:17,852 --> 01:25:19,564
- (MUSIC ENDS)
- (ALL CHEERING)
2047
01:25:24,699 --> 01:25:25,701
TROY: Yeah.
2048
01:25:27,037 --> 01:25:28,289
AMOS: That's lit!
2049
01:25:43,946 --> 01:25:45,406
(AUDIENCE CHEERING)
2050
01:25:49,916 --> 01:25:51,962
- WOMAN: Bravo! Bravo!
- She's awake!
2051
01:25:53,256 --> 01:25:55,385
I have no idea what this was,
2052
01:25:55,553 --> 01:25:58,099
who set this up,
why I'm watching this,
2053
01:25:58,307 --> 01:25:59,434
but what a pleasure!
2054
01:25:59,434 --> 01:26:01,731
What a thrill! What talent!
2055
01:26:01,731 --> 01:26:02,984
Uh, must have set it up
in the wrong room.
2056
01:26:02,984 --> 01:26:04,152
You lifted my spirits, kids.
2057
01:26:04,319 --> 01:26:05,363
Yeah, that was my bad.
2058
01:26:05,573 --> 01:26:07,994
And Joan, what a woman she is.
2059
01:26:08,160 --> 01:26:09,956
But Joan, Still, right?
2060
01:26:10,081 --> 01:26:11,542
That is something
to celebrate.
2061
01:26:11,542 --> 01:26:14,131
I can't wait to see you
on Broadway.
2062
01:26:14,131 --> 01:26:16,051
You kids are wonderful.
2063
01:26:16,051 --> 01:26:18,264
You're all going to be big,
big stars!
2064
01:26:19,642 --> 01:26:21,312
(BETTER NOW
BY POST MALONE PLAYING)
2065
01:26:29,411 --> 01:26:30,538
(GASPS)
2066
01:26:30,956 --> 01:26:32,627
Don't let Troy run the camp!
2067
01:26:33,252 --> 01:26:34,881
Oh, you're up, huh?
2068
01:26:35,549 --> 01:26:37,344
I just saw a whole show
about your life.
2069
01:26:37,344 --> 01:26:38,930
The kids did an amazing job.
2070
01:26:39,097 --> 01:26:41,018
(SINGING) Camp isn't home
2071
01:26:41,018 --> 01:26:42,605
Oh, what a song.
2072
01:26:42,605 --> 01:26:44,692
You slept through it.
I watched it.
2073
01:26:44,692 --> 01:26:46,613
Well, um, do you know
why I'm here?
2074
01:26:47,823 --> 01:26:48,825
No.
2075
01:26:48,825 --> 01:26:50,621
( BETTER NOW CONTINUES)
2076
01:28:23,138 --> 01:28:25,393
(FRANTIC JAZZ MUSIC PLAYING)
2077
01:31:46,879 --> 01:31:48,507
REBECCA-DIANE:
(SINGING) Bye class
2078
01:31:48,967 --> 01:31:50,720
We're done
2079
01:31:52,599 --> 01:31:56,983
The ghosts of our past selves are done
2080
01:31:57,233 --> 01:32:00,824
We are gone, we are gone
2081
01:32:00,824 --> 01:32:03,453
We are now new people
2082
01:32:03,621 --> 01:32:06,167
We are now new people
2083
01:32:06,334 --> 01:32:11,094
We are now the children of the plants
2084
01:32:13,766 --> 01:32:15,311
REBECCA-DIANE:
Thank you guys so much.
2085
01:32:15,937 --> 01:32:17,899
I'll see you next week.
2086
01:32:18,066 --> 01:32:20,029
Or tomorrow. I don't remember.