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♪ Malu Mabu Liyan... ♪
♪ Troubles in my heart ♪
♪ Ooh, whoa ♪
♪ Malu Mabu Liyan... ♪
Yeah, I reckon, hey?
Mum.
Someone tried to push open my door.
Back in your room.
Whoa, whoa, whoa! Where you going, baby girl?
I just wanted you to come out and have some fun for once.
Mum!
I said, get back in your room!
Murra! Murra!
Get out!
Fuck this.
All of you, get the fuck out now!
You alright? Stay here.
- What's going on, Grace?
What the fuck are you doing here?
Grace, Grace, calm down!
Called you again, didn't she?
- Back on the gear? - Nah! Fuck off!
And the bus leaves from the shire at nine o'clock?
- OK. Seven days, did you say?
Thank you. Yeah, yeah, I appreciate it.
Look, I know it's short notice.
Alright, I gotta go. Thank you.
Get these things off me, arsehole!
Morning, sis.
You happy now?
DCP gonna come for you. They can fucking have you!
I'd rather be out on the streets
then stay in this ngarbie house with you!
Get these fucking things off me.
- No, Uncle. - Gotta go goomboo.
Are you gonna let me piss myself?
How long has she been back on for?
Mum? Mum!
Don't leave!
Murra, we need to make
some serious changes around here, OK?
But I want you to think about your future, alright,
what being independent means.
Maybe... maybe that's without Mum for a little while, OK?
- I'm not staying here. - No, you're not.
I've organised for you to go away.
It's some kind of photo safari for at-risk kids.
- Mental cases? - No, for kids like you, Murra.
I'm not going.
Hey.
You're my niece and I love you, alright?
But we've run out of options here.
I'm not going on that stupid trip.
Mum!
Everything OK?
You want some breakfast?
Well, get ready, then.
Oi!
Ya cheeky buggers!
- Hello, everyone.
My name is Fernando Castillo.
Feel free to call me Nando if that's easier for you.
I'm a youth worker and the photography team leader.
You guys have met my colleague Mitch.
Look, guys, I just wanted to say
I know you may seem to feel a little bit nervous
about our seven days travelling to the Pilbara country,
but I want to... to promise to you guys
and I want to assure you that we are going to create
something wonderful on our road trip together...
...with this, but more importantly this,
to capture poignant moments with these magnificent beauties,
embracing the old to re-examine our place
in this constantly changing world in which we live in,
which is why I'm going to remind you
that all gadgets, including mobile phones,
are going to be excluded from the trip.
Well, you know, we want you to look at the world
through a lens, not a screen.
So here's to you guys,
the time that we are going to have together
and, uh, our brave new adventure.
Yeah, we can clap. We can clap. Yeah.
OK. That's it.
You text me every hour, OK?
- Hey... - No, not here.
Mum?
Keep your hands off my man, yeah?
Shut ya trap, Kylie! Get on the bus.
Tell 'em straightaway
if you start to feel...
...sad, OK?
You'll be right.
Alright, be safe, listen to country and stay out of trouble.
Glad you could join us, Murra.
Mitch, uh, lovely to put a face to the name.
Thank you for doing this at short notice.
Oh, no worries, no worries.
Oh, you're lucky you got a good uncle.
He worked a small miracle to get you on the bus.
Yeah, so lucky.
She's actually a really good kid.
We've only caught her shoplifting the one time.
OK, guys,
come together for our first group photo.
- Alright, in you get.
Hey, get in there.
Yeah. Close. Close, close, close!
OK.
Wait for it.
Did that work?
- Yeah. It's great. - Great.
Uh-uh-uh! Not so fast, Elvis.
Your phones. Alright, give 'em here.
I promise you are going to survive.
Uh, but what are we gonna do for music?
You see, there's this mystical device called a radio.
- Come on.
Thank you.
Sean, thank you.
Kylie.
It's OK, Murra.
Your Uncle Ian will let us know
if there's any news from your mum.
Alright, in you go.
- Let's do this! - Whoo-hoo! Vamos!
Cadjup, you mob!
You're with Sandy Dann across the Pilbara.
We're moving to a chilly 27 degrees out there.
Might be time to get those jumpers out.
Listen, these cameras have film inside,
but each roll of film takes only 24 photos.
- So we have to be selective. - These are stupid.
Maybe different is what you mean, no?
No, I meant stupid. Yeah, what's the point?
I mean, you have to really consider
each photo that you choose to take.
This is not like with the smartphones where it's...
...point and shoot frenzy.
You know, like, you have to stop and take the time
to see the story that is in front of you.
- Like...
...the 'Ball Breaker'?
- You watch it.
Yeah. That is the title.
But, uh, what is the story behind our 'Ball Breaker'?
Because, remember, every picture has a story.
My grandad used to play the didgeridoo.
He would say, "This is our story, not a tune."
Yeah. I mean, that... that is it.
The camera will be our instrument
for telling our stories.
She's going to be a natural, no?
OK, so we want you to take this time now
to play around with the cameras.
Remember that your vision, your heart,
this is what creates a great photo, in my opinion.
Alright, everybody, let's pack up our chairs.
We gotta hit the road.
Flasher than these ones.
You is rich, boy!
♪ Aboriginal woman, she's here to stay ♪
♪ Aboriginal woman, never fade away... ♪
Work it, Kylie.
Elvis, get out of my shot!
How do you look at the photos?
Sean, my God, if you don't stop
kicking the back of my seat...
- Sean, I'm serious.
- Fuck off! - Sorry.
These seats are uncomfortable.
Next up we're chatting to Sylvia Clarke
on the release of her new album 'Shapes',
a mixture of country and electro-pop.
Does anyone have any snacks? Anything?
OK, guys. Out you come.
- Hey, brother! - Hey, Murra!
- Hey! Hello, my girl! - Hey, hey!
- Hey, Pop Jimmy! - Hey, Murra!
Hey, I know that cheeky face there.
- You're Jerry's grandson. - Yeah.
Sorry for your loss of your nan, my boy.
- Sorry, Uncle. - Sorry, my brother.
- Sorry there, cuz. - Sorry, my little uncle.
Sorry, brother.
You guys seem to have family everywhere.
- Hello, my girl!
- Who you? - Here, sissy!
- Come this way. - Yeah, you go.
Hey, Uncle.
I'm Mitch Kotonel.
- Yeah, I'm from over east way. - You sure?
You look like different mob to me.
True? Yeah, well, I grew up that way.
But, um, my mum, she's still looking for her mob.
Yeah? You look after yourself, my girl.
- You got family here. - Hey, girl.
- Thanks, Uncle. - No worries.
OK, you mob be good, now.
- You too. - Love you. Be good.
- See yas! See you! Bye!
- Love ya! - See ya!
OK, chicos!
Kylie, try to keep up with the group, please.
Ai yi yi!
I put new film inside your cameras.
This is our first stop.
Remember, we want you to use the cameras
to explore the landscape.
We're going to meet back here at the bus in two hours.
Watch out for snakes!
Stick with me. I eat snakes for breakfast.
Weet-Bix are for weak bits.
Was that your grandfather before?
Gran's mum's brother's son.
Our families are the same like that.
So big and so wonderful.
Same, same.
Yeah. Same, same.
Cooee!
Hairy nuts!
Hairy nut hole!
Sean's got a stupid hat!
- Hey!
- Dave's got a big 'ole!
Dave's got a big 'ole!
Hey!
Are you serious?
Look at where we are.
Country offers you so much
and this is how you treat it?
I'm sorry, Aunty.
- Sorry. - Sorry.
You mob got an opportunity here.
Don't waste it.
Come on.
Right, girls' room, boys' room.
Restaurant, 6:30.
Take your cameras. You are all free till then.
So go and explore and experiment, OK?
- We can go anywhere? - Within reason.
- Alright? - Sweet.
I've never stayed in a motel before.
Oh, they're so little!
Huh! Look!
Look how many there is!
Where's my money? Fuckin' poxy phone!
Oi, stop breaking our phone, you dog!
You'll keep.
- Murra making friends.
I found the gaming room.
- We found the gaming room. - Yeah.
I got a better idea.
Oi, can you help me?
Oi.
You get me a goon bag?
Yeah, sure. Sweet.
There you go, Simmo. Enjoy your lolly water.
Yeah.
You drinking alone?
My cousin used to have a BMX.
It was red, so I went really fast.
- Greedy-guts. - Settle down!
Save some for us.
- I've never been kissed. - What?
Don't look at me, you little perve.
Yeah, Sean.
Kylie's only got eyes for me, hey?
Uh, uh, uh, uh. You couldn't handle this, Elvis.
Come on, Murra. Help a brother out.
Go away. You look like one of my cousins.
Hey, if, uh, Fernando looked like a cousin,
I'd still pash him.
- Gross!
You're a virgin, I see.
How boring.
Yeah, you're not, I see. How boring.
I call this one the Elvis dance.
- Oh, my God.
Dad reckons I came out feet-first.
- Howling like a hound dog. - You're so embarrassing.
He said, "That's an 'Elvis' right there for sure."
Stop it.
My entire family's called 'Sean',
just boring old 'Sean'.
But your name is so beautiful.
Murra!
It's Rumurra. It means 'the sun'.
My mum said I was her sunshine.
♪ Murra! Oh, Murra! ♪
- Oh, God. - Shut up!
- Oh, my God! - Stop it!
- Sit down! - ♪ Oh, Murra, sunshine! ♪
Why are we all here, then,
if our poxy parents are so great?
Why do dingoes howl with their eyes closed?
Try it.
- Shit.
- Yo, run! - Run!
- Go, go, go, go, go! - Hurry up!
♪ When the lights and the shadow ♪
♪ Cross your face ♪
♪ Coming on, I can feel it close enough ♪
♪ I can steal it away... ♪
- Oh, look at that! - Look how blue it is.
- Awesome. - Let's get in there.
♪ I can feel it close enough ♪
- ♪ I can steal it away... ♪ - Let's go.
Sean, pass me the goon bag!
You need floaties, Sean?
♪ And we steal ♪
♪ It all ♪
♪ From tomorrow ♪
♪ We just want ♪
♪ It all ♪
♪ Today ♪
♪ Stealing all the fun away... ♪
- No!
Murra? Murra!
Get her, Sean!
What is happening? Sean!
Murra, are you OK?
What just happened? Are you OK?
Sean, where are you going?
Wait!
So stupid! You're stupid!
- Oh, don't be a baby. - Don't call me that!
Well, that's what you are, a crybaby.
Why are you even here anyways?
'Cause I think about killing myself all the time.
Hey, Sean, bud, are you right?
Sean, wait up.
Murra making friends...
...again.
Hey, what happened?
In the pool?
Nothing.
Let's go.
Hey, smell that?
Who's got the gunja?
Oh, hello, girls.
It's my old mate from the bottle-o.
- It's me underage drinker.
- You want a toke? - Might be.
I'll take that.
- Oh.
Whoa, head spin.
- Which room is it?
Hey!
- Where have you been? - Swimming.
Drinking.
Where are the girls?
It looks like a little pink mushroom!
Oh, the bottle's empty.
Kylie, we should get going.
Why the rush?
Back off, you perve.
What did you say, you little cock-teaser?
- We're just gonna get going, OK? - Murra?
That's that cheeky little dawg from today!
They're trying to moonj ya big bungee balls, Simmo.
Have fun, girls.
You wanna go busting yourself, cheeky girls, eh?
Get off me, you bitch!
Murra! Murra! Stop!
- Stop it! - Oh, shit.
- You're lucky this time, dog! - You the dog!
What the hell's going on?
Where have youse been?!
Get on the bus.
- My camera. - Get on the bloody bus!
I don't know.
How can we trust any of you?
I mean, Jesus Christ, it's not even the first day.
Just... just give us one more chance, please.
Why?
The camera.
You said every picture has a story.
Maybe we have one.
So you'd each take responsibility
of keeping each other on track?
Yes.
Because if one of you, just one of you messes up,
you're all gone.
- You understand? - Yes, Aunty.
- Yes, Mitch. - Yes, Aunty.
Oh, Jesus, help me.
Alright, let's go. Come on.
- Yes! - Whoo!
Gotta get to this camp site.
Whoo! Let's hit the road.
These are all free, right?
Elvis, seriously, come on.
Come on, man.
- Elvis!
Join us for our next segment
'Good Nuff Feed'
where we learn about what deadly bushtucker is in season
and who is the single lovely people out there.
♪ Unfolding like a flower ♪
♪ Dewdrop in the dawn ♪
♪ Rising like a mountain... ♪
Hey, are you OK?
I just want you to know, for whatever reason
if you feel like you need to talk to someone, I'm here, OK?
OK.
♪ Starting to rise now ♪
♪ My shadow's up the wall ♪
♪ And I'm rolling like a roadtrain ♪
♪ Four dogs and 30 tonne ♪
♪ Gliding like a mountain ♪
♪ Towards the blazing sun ♪
♪ Sun... ♪
Alright, gang,
here's our home for the next two nights.
OK, chicos, let's set up the tents.
- That's it.
What youse doing?
Come on! This tent's not gonna build itself!
We've still got dinner to cook.
OK, so we just need to fold it up for the night
and I think we're pretty good.
And, of course, I'm a proud Pilbara breed.
I got family everywhere.
I'm deadly, as you can see.
I like fishing, hunting and my culture.
And I love reggae music.
- Like Bob Marley? - Yeah.
So who's up next? Kylie?
I'm a Cancer.
I like walks in the park
and setting fire to things.
Cancer is above us now,
uh, right over there by the moon.
- See? - Hmph.
Old Man Emu's up there too, hidden in the Milky Way.
Can you guys see?
Oh, yeah. Cool.
I had to follow Old Man Emu to get home once.
OK. I'll have a turn now.
I was born in Nicaragua,
but, uh, when I was very young,
my parents and I, we had to leave from there
for some very complicated reasons.
But, uh, my mother was a very well-known photographer
and my father was a journalist.
So I was lucky enough to... to travel
and... and to live in many, many different places.
And in the process of that time,
she passed her love of photography on to me.
Photography allowed me to express what I was feeling.
Hence why I love to pass
my love of photography on to you guys.
Things that I love?
Photography, of course.
And mountains.
I, uh... I like mountains.
I think you forgot to mention the word 'photography'.
- Ahh! - Good one, Kylie.
May I go to bed now?
You know you don't have to ask that, man.
God, why didn't you say that earlier?
Hey, hey, hey! Dishes. Come on.
I was about to get the marshmallows out.
- Mm-hm. More for us. - Yeah.
Hey, take that for me, please.
How do you know when a guy likes you likes you?
Because he wants to fuck you.
- Oh, no reception!
Do you need some help to get down or no?
Yeah? So put your foot there.
Careful. There you go.
- Thank you. - That's OK.
Waiba country.
Hello, ancestors.
Waiba old people.
I'm Mitch, Michelle Kotonel.
Um, I come here with respect,
with a good heart
and I ask that I have safe passage
and safe passage for our friends
on your beautiful country.
Come over.
Get a rock.
Rub it and make sure you get your sweat on it.
Why your sweat?
So ancestors will recognise you.
Huh! Cool.
Never done this before.
So I, uh...
...wanted to get you started on the manual cameras.
Here. Hold onto this.
What a place to learn, huh?
- Work it, Kylie. - OK, chicos!
We're going to head off into the gorges.
- Who's coming? - I'll come.
We'll stay for our model shoot.
Fantastic.
I'll be staying here with these two.
OK, we'll be back before dark.
Let's go, guys.
See there, with a manual,
you can choose to focus.
Wow!
Whoa.
- This camera's amazing. - Yeah?
What were you taking a photo of?
The waterfall.
- Just there? - Yeah.
So here now, you see how it is AF? That is auto focus.
So that's what you have been using
for the time that we have been on the trip.
- But if I come down... - Mm-hm.
- ...it's manual focusing. - Can I see?
Yeah, of course.
- Can you teach me sometime? - Yes. Yes, of course.
I can teach all of you.
Awesome. Thanks so much.
OK. Let's go.
Just watch your step.
This is incredible.
Wow! Look at the forms.
The contrast of the colour palette, the layers.
It is just fantastic.
OK, guys, let's keep moving.
The waterfall should be further this way.
Oh, I cannot believe
that we have this place to ourselves.
This place is like...
I don't know how to say it.
Like, it's like nothing I have ever seen.
Wow!
I mean, imagine this place in the monsoon season.
Look where the waterline comes up.
It's just fantastic.
Where is Sean?
It's OK. I seen him not too long ago.
He's taking a photo.
He'll catch up with us.
Come in.
I should probably go get Sean. No?
He knows where we are.
Come on. The water's so nice.
OK, then. Yeah.
It'll be nice to cool down while we wait for Sean.
Stay like that for a second.
What does the photo say about me?
What's my story?
It's called 'Little Hero'.
You are strong.
And brave.
I'm not that little.
Murra, you have the wrong idea. I'm sorry.
We have to go.
Come on. Get your things, please.
Sean!
Sean! Sean!
This is too late, mate.
Any darker and it gets dangerous.
I know.
- Is Sean here? - No.
Everybody, grab a torch.
We have one hour until it gets dark.
Fernando, Elvis, you head out that way.
Kylie, you're with me. Murra, you stay here.
- Elvis, come with me. - Come on, come on!
- Let's hustle! - Now!
Come on!
- Sean! - Sean! I'm serious!
Sean!
Sean, where are you?
Sean! Can you hear me?
Sean!
Where are you, Sean?
Sean?
Sean!
I guess we better get back before it's too dark.
Sean!
- Sean! - Sean!
- Sean, Sean... - Are you alright?
- Are you OK? - What happened?
Are you hurt, bub?
You, with me.
What happened? Did you just fucking leave him?
- No, he stopped following us. - God, you are such a bitch.
How would you feel if we abandoned you?
Been there, done that, so back the fuck off.
- Oh, you want to go?! - Let's go.
- Get off me! - Let's go!
I am over all of this. I am done!
- Kylie?
What are you doing?
Where are you going?
Kylie! Stop!
Don't act like you give a shit.
I can't get reception out here.
He loses his mind if I don't text back.
Well, that's his problem.
You don't know fuck all about fuck all.
You're just a stupid virgin giving love eyes to Fernando.
- I'm doing what, bitch? - OK. That's enough.
Give me the phone, Kylie.
No.
Murra, back to the tent, please.
Hey, are you alright?
Yeah.
I've been sleeping on my back again.
Well, we're headed out today.
Give the spirits some peace and quiet, hey?
Now, why don't you go wake up Sean?
Buddy, are you awake? Sean?
Where is she?
You kids, you're not making it easier for us, true God.
We knew that coming on board.
Now, her I can read.
You, not so much.
I've been watching you,
walking around with your camera,
giving everyone and everything a story.
And I wonder, what's yours?
Do you think you're here just 'cause we needed to fill a seat?
'Cause what's next after this, Murra?
What do you want?
♪ In the middle of my heart ♪
♪ And the face ♪
♪ 'Cause, baby, I'm the only one ♪
♪ Who's keeping me alive ♪
♪ Love my darkness ♪
♪ Just maybe you can show me the light ♪
♪ We all have these moments to cry ♪
♪ Lay me in a bed of roses ♪
♪ When I die ♪
♪ Ooh-ooh-ooh... ♪
Come on, come on, come on. Game on!
Oh, thank God. Anything but a photo.
Elvis, Sean, you're with me. The other two, with him.
- Come on! - OK, let's go! Come on, Murra.
If you can, if you can, if you can!
Oh!
- No, he didn't! - Come on, Fernando.
- Come on, Sean. Get on Murra! - Go on, Murra!
You're supposed to be helping, Sean.
- Fernando, here! - Come on, Elvis!
Here, here, here. No! What?
Hey, Murra, that was for Kylie.
What the hell? Here, Murra!
Find space! Go! Pass to Kylie!
In, Sean! Pass to me. Pass to me.
Hey, that's for Kylie.
- Oh, in! - Ohh!
- Sean! - Kylie, find space.
- Yeah, Fernando! - Kylie, Kylie!
- This one's for you.
- Hey! - What the hell are you doing?
- We're on the same team, idiot! - Are we?!
He's not that into you, Murra. He's being nice to you.
- That's all. - OK, that's enough.
- Everyone needs to relax now. - You know what?
You're just a jealous loser with a paedo boyfriend.
And you are the one who's made this all about dick.
Yo, yo, yo! Stop it! Stop it.
- Hey! Hey! - Hey, Kylie, stop!
- Get off me! - Stop!
- Settle! - Relax!
Relax.
Well, there's a photo for you,
the travelling fucking freak show!
- No, we're not. - Yes, you are. You're losers.
I don't need any of youse. I'm out.
Murra!
- Murra! Murra! - Murra!
- Come back! - Just get in the bus!
- Quick! - Come on!
- In the bus! - Kylie! Now!
- Sucked in, ya dumb dog!
Murra!
Stop, please.
Yor, yor!
Min Min light gonna get you!
Murra, come get back in the bus, bub!
- Guys! - Hello?
I don't know where they went.
Murra, get out here right now!
Mitch!
- Mitch! - Hello?
Where the hell are they?
Maybe they got abducted.
- Not funny, Elvis. - I can't believe they did this.
How could we not hear them leave?
People die like this all the time.
Screw this. I am outta here.
Uh, I think they went that way.
You shouldn't do that.
You should never leave your vehicle.
- What vehicle, idiot?
I call this one 'Smash It Out'.
You kids wanna argue? Wanna fight?
Go on, then. Smash it out.
Yeah, that's what I thought.
Now, let's show this mob what Pilbara breed be like.
Let's go.
This is hardly enough water.
- This is not gonna last. - There's water somewhere.
We just need shopping gear.
Something...
This'll do.
Oh, dear. I know how this ends.
You twist it...
...and then you suck the honey out.
Oi.
Shh! It's a bush turkey.
- Yeah!
That was pretty hot.
You can't handle all this, Kylie.
That was delicious.
- Who'd have thought it?
Yeah, there's big mob tucker out there.
Next time, we'll go my country.
We've got oysters bigger than the size of your hand.
Ooh!
I can't wait to do that.
Me too.
Gather 'round.
- 'The Deadlyz', - Yes, we are.
- Deadlyz. I love it. - That's us.
'Deadly' is good, right?
I'm sorry, Elvis.
I never asked why you were here, brother.
I was walking back home
and a couple of blokes grabbed me and took me outta town.
They roughed me up pretty bad.
And then they left me there to die.
Like, really die.
I haven't left my community since.
I guess I just wasn't ready.
But I'm really glad that I did.
I'm glad we're fricken here too together.
- Hey, look out.
Swearing. Good go.
I'm Rumurra Nagula.
I like strolls along the beach and chocolate mint ice-cream
and photography.
I'm sorry I've been such a dickhead.
The truth is...
...my mum abandoned me.
Has on and off
ever since I was a little girl.
I suppose that's why I'm here.
And a little run-in with some frozen goods.
Munga frozen goods.
But I felt invisible for a long time now.
I'd do stupid things
just so Mum would see me...
...and wouldn't leave me again.
But you guys see me.
And this camera...
...it's given me a story.
I'm Rumurra Nagula.
And I'm gonna be OK.
♪ I'll be sleeping under stars tonight ♪
♪ Not sure exactly where I'll be... ♪
Try not to jibber all night, Elvis.
I don't know what I'm doing
when I'm asleep, you Munyong,
just like you don't know
that you fart all night, you durring devil.
♪ Black smoke ♪
♪ Writing in the sky tonight ♪
♪ Everything will be alright ♪
♪ If you let go ♪
♪ Humans ♪
♪ All gathered in the place tonight ♪
♪ Everything will be alright ♪
♪ If you let go ♪
♪ Ooh-ooh-ooh-ooh ♪
♪ Ooo-ooh ♪
♪ Ooh-ooh. ♪
How long is this gonna take?
Shh, I can hear the bus, I can hear the bus.
I'm suffocating under here!
- Shut up! - Stay still!
Sean, get your foot out of my face!
Sean!
- Elvis! - Murra!
- Kylie! - We never should have left them.
- This was a terrible...
Arggh, recycled bush turkey!
Oh, yuck!
What are you doing, ya stinky ring?
For the love of God, get out the way!
- Oh, yuck! - No, no, no, no...
- Oh, my God! - Arggh!
What were you guys thinking?
What were you guys doing?!
Oh, I'm so happy to see you guys.
Is everybody OK?
Why would you do that?
- Why would you do that? - No, no...
We weren't that far away.
We were just up the river.
- And just pull that down? - Pull that down. Yeah.
Oh, no, sorry.
- OK, here.
Push in the clutch,
then ease off the clutch.
Slow... Like, slowly press the accelerator.
- OK. - Right?
- Yeah? - Now.
Now. Nice one.
♪ Why don't you ask me ♪
♪ To bend the rules? ♪
♪ I'd shake off this cloak for you... ♪
♪ Dark days haunt you, yeah ♪
♪ These past sins weigh ♪
♪ Deeply decay your mind ♪
♪ Ooh-ooh-ooh, ooh-ooh-ooh ♪
♪ Ooh-ooh-ooh... ♪
- ♪ Oh-oh-oh ♪
♪ Ooh-ooh-ooh, ooh-ooh-ooh ♪
♪ Ooh-ooh-ooh ♪
♪ Oh-oh-oh-oh ♪
♪ It takes a moment just like this ♪
♪ For two people to exist ♪
♪ Don't blame your head noise ♪
♪ Or what you've once destroyed ♪
♪ 'Cause it will only work ♪
♪ To make it worse ♪
♪ Ooh-ooh-ooh, ooh-ooh-ooh ♪
♪ Ooh-ooh-ooh, oh-oh-oh-oh ♪
♪ Ooh-ooh-ooh, ooh-ooh-ooh... ♪
♪ Oh-oh-oh-oh ♪
♪ Ooh-ooh-ooh, ooh-ooh-ooh ♪
♪ Ooh-ooh-ooh, oh-oh-oh-oh ♪
♪ Ooh-ooh-ooh, ooh-ooh-ooh ♪
♪ Ooh-ooh-ooh, oh-oh-oh-oh ♪
♪ Why don't you ask me ♪
♪ To bend the rules? ♪
♪ I'd shake off this cloak for you ♪
♪ Dark days haunt you, yeah ♪
♪ These past sins weigh ♪
♪ Deeply decay ♪
♪ Your mind ♪
♪ It takes a moment just like this ♪
♪ For two people to exist ♪
♪ Don't blame your head noise ♪
♪ Or what you've once destroyed ♪
♪ 'Cause it will only work to make it worse ♪
♪ Ooh-ooh-ooh... ♪
♪ Ooh-ooh-ooh, oh-oh-oh-oh ♪
♪ Ooh-ooh-ooh, ooh-ooh-ooh ♪
♪ Ooh-ooh-ooh, oh-oh-oh-oh. ♪
Excuse me.
You seen anyone by the name of Murra?
She about your height.
That good, eh?
Come here.
Missed ya, Pop.
Mum.
You won't believe what I got.
And it was all free!
Oi!
No, no, no, no, no. I don't think so, buddy.
- Get outta my way. - Hey...
Hey!
I don't think so.
- You alright? - Yeah, yeah.
Kylie, over here!
This everything?
Ready to go?
Give me a sec.
- Heya. - Ahh.
Thank you.
Well, that's it!
What next for you mob, I wonder.
Great things.
Oh, yeah? I reckon so.
- And you? - Oh, well, I got stuff to do.
You know, I got, uh... I got places to go,
I got people to meet.
Hey, koonj, just leave us, then.
Yeah!
Alright. Look, enough of that. I don't do goodbyes.
Not so fast.
One last time?
Yeah!
- Come on. - OK.
- Come on. - Ready?
- All say, "Mabu Liyan!" - Mabu Liyan!
OK, guys. Hey, bring it in. Come on.
Stay brave. OK?
- Oh! Whoa!
Alright, alright, alright.
See you.
- Stay safe, bro. - Yep.
- See you, guys. - Bye, Elvis!
Bye!
Here.
Don't ever put it down.
Yeah. OK!
I'm coming.
Bye, Murra.
You alright?
Hey! Where's mine?
I thought you was saving that for me, Elvis!
- See ya, Kylie! - Bye, loser!
See ya, Kylie!
Kid brain.
- You alright? - Can I stay at yours?
- No.
Yes.
[gulls squawking
Hey, why don't you sleep over here tonight?
And we can look at them slides together, hey?
Yeah. That'd be nice.
I'll call Uncle, let him know.
♪ Something inside sayin' don't you worry ♪
♪ It's all in good time, no need to hurry ♪
♪ So don't you worry, baby, don't you worry, baby ♪
♪ Don't you worry, baby ♪
♪ We're on the train now ♪
♪ Here on the track, the diesel's humming ♪
♪ You gotta watch out ♪
♪ You gotta know the beat you're drumming ♪
♪ Didn't you know, didn't you know? ♪
♪ Didn't you know? ♪
♪ Didn't you know now? ♪
♪ Ohh, ohh, ohh, all of the diamonds ♪
♪ All of the diamonds in your pocket ♪
♪ Didn't you know now? ♪
♪ They're all for you, baby ♪
♪ They're all for you ♪
♪ Ohh, ohh, ohh ♪
♪ So don't you worry, baby, don't you worry, baby ♪
♪ Something inside sayin' don't you worry ♪
♪ It's all in good time, no need to hurry ♪
♪ So don't you worry, baby, don't you worry, baby ♪
♪ Don't you worry, baby, don't you worry ♪
♪ So don't give up on me now, baby ♪
♪ Don't give up, no, don't, don't give up ♪
♪ Don't give up on me now, baby ♪
♪ Don't give up, no, don't, don't give up ♪
♪ Don't give up on me now, baby ♪
♪ Don't give up, no, don't, don't give up ♪
♪ Don't give up on me now, baby ♪
♪ Hey, hey ♪
♪ Back on the track now ♪
♪ Every day is a silver dollar ♪
♪ Didn't you know now? ♪
♪ It ain't about what's in your wallet ♪
♪ Didn't you know, didn't you know? ♪
♪ Didn't you know? ♪
♪ Didn't you know, child? ♪
♪ Ohh, ohh, ohh, all of the diamonds ♪
♪ All of the diamonds in your pocket ♪
♪ Didn't you know now? ♪
♪ They're all for you, baby ♪
♪ They're all for you, baby, ohh, ohh, ohh ♪
♪ So don't you worry, baby, don't you worry, baby ♪
♪ Something inside sayin' don't you worry ♪
♪ It's all in good time, no need to hurry ♪
♪ So don't you worry, baby, don't you worry, baby ♪
♪ Don't you worry, baby, don't you worry ♪
♪ So don't give up on me now, baby ♪
♪ Don't give up, no, don't, don't give up ♪
♪ Don't give up on me now, baby ♪
♪ Don't give up, I got you, baby ♪
♪ Something inside sayin' don't you worry ♪
♪ I got you, baby, it's all in good time ♪
♪ No need to hurry ♪
♪ So don't you worry, baby, don't you worry ♪
♪ I got you, baby, don't you worry ♪
♪ I got you, baby, no need to hurry ♪
♪ So don't you worry, baby, don't you worry ♪
♪ I got you, baby, something inside ♪
♪ No need to hurry ♪
♪ So don't you worry, baby, don't you worry ♪
♪ I got you, baby, don't you worry ♪
♪ I got you, baby, no need to hurry ♪
♪ I got you, baby... ♪