1
00:00:09,080 --> 00:00:11,840
TONY: <i>Gazza, you don't think someone here,
one of us...?</i>

2
00:00:11,840 --> 00:00:13,040
GAZZA: <i>What? Did that?</i>

3
00:00:13,640 --> 00:00:14,760
Mate, piss off!

4
00:00:14,920 --> 00:00:17,200
So, you're pregnant.

5
00:00:17,640 --> 00:00:19,800
Yvgeny, the officials...

6
00:00:21,200 --> 00:00:22,400
<i>Nobody wants this.</i>

7
00:00:24,280 --> 00:00:26,720
AUTOMATED VOICE: <i>Hello, you've reached
Mt. Lawley Family Planning Centre.</i>

8
00:00:26,720 --> 00:00:28,440
<i>We're sorry we can't take your call...</i>

9
00:00:30,120 --> 00:00:31,320
Got us out of the office.

10
00:00:31,480 --> 00:00:33,240
- (INDISTINCT CHATTER)
- Not me.

11
00:00:33,400 --> 00:00:35,960
I'm thinking what the hell is Wayne up to.

12
00:00:35,960 --> 00:00:38,440
Stubborn as he is stupid as he is suss.

13
00:00:38,680 --> 00:00:40,920
Now I have to find Bob's
"Malaysian bloke."

14
00:00:41,520 --> 00:00:45,360
He knows someone at the refugee camp.
Bob gave him our money.

15
00:00:45,560 --> 00:00:47,160
He's a liar. A crook.

16
00:00:47,280 --> 00:00:50,520
It's your dream, not mine.

17
00:00:50,520 --> 00:00:52,320
- What is then?
- I don't know...

18
00:00:53,000 --> 00:00:54,400
- Bowie, music.
- (CHUCKLES)

19
00:00:54,520 --> 00:00:57,160
- BILYA: Uncle Adam warned me.
- What?

20
00:00:57,280 --> 00:00:58,800
That you’d bow down to ’em.

21
00:00:58,800 --> 00:01:01,640
To keep my job.
To keep the roof over our head.

22
00:01:01,840 --> 00:01:04,840
- That's what they did to us.
- Time to go, mate.

23
00:01:06,360 --> 00:01:07,560
You haven't told her yet, have you?

24
00:01:08,120 --> 00:01:10,440
- Listen, George.
- (GROANS) Fuck.

25
00:01:10,840 --> 00:01:12,000
(BREATHES SHARPLY)

26
00:01:14,040 --> 00:01:17,880
RADIO OPERATOR: <i>95 FM.
The best of the West never sounded better.</i>

27
00:01:18,120 --> 00:01:20,320
PETE: <i>The North American Defence Centre</i>

28
00:01:20,440 --> 00:01:24,280
<i>said this Yank Skylab space station
is plunging to Earth.</i>

29
00:01:24,440 --> 00:01:27,040
<i>But no-one knows
where the damn thing is going to land.</i>

30
00:01:27,040 --> 00:01:29,960
MAL: <i>Well, you say that, Pete,
but we've a young Perth woman on the line</i>

31
00:01:30,080 --> 00:01:32,560
<i>who claims to know
exactly where Skylab is coming down.</i>

32
00:01:32,560 --> 00:01:34,360
Tilly! Are you listening to this?

33
00:01:34,360 --> 00:01:37,080
PETE: <i>Okay, so, Tilly,
where is this thing going to hit?</i>

34
00:01:37,080 --> 00:01:39,520
- TILLY: <i>Perth, Mal.</i>
- PETE: <i>I’m Pete. He’s Mal.</i>

35
00:01:39,520 --> 00:01:42,040
<i>- Let's get the names right.</i>
- TILLY: <i>Perth, Pete. In about a week.</i>

36
00:01:42,160 --> 00:01:43,160
Tilly?

37
00:01:43,160 --> 00:01:44,440
MAL: <i>NASA and the folks in Canberra</i>

38
00:01:44,440 --> 00:01:47,280
<i>don't seem to know where Skylab will fall,
what makes you so clever?</i>

39
00:01:47,400 --> 00:01:51,400
TILLY: <i>I've been working with a professor
on this, we applied linear regression.</i>

40
00:01:51,400 --> 00:01:56,520
<i>The results give a 95 percent confidence
interval of it landing near Perth.</i>

41
00:01:56,520 --> 00:01:57,600
Tilly?

42
00:01:57,600 --> 00:02:00,480
TILLY: <i>Uh, Skylab will create
a debris field 100 miles wide</i>

43
00:02:00,600 --> 00:02:02,560
<i>and a 1000 miles long.</i>

44
00:02:02,680 --> 00:02:06,120
PETE: <i>Okay, Tilly, I mean,
aren’t you being just a touch alarmist?</i>

45
00:02:06,520 --> 00:02:08,640
TILLY: <i>What?
That in a week your audience will be zero?</i>

46
00:02:08,640 --> 00:02:13,480
PETE: <i>Ouch! Oh, Tilly!
All gloom and doom this morning.</i>

47
00:02:13,800 --> 00:02:17,160
TILLY: <i>No, uh, just... science, Mal.</i>

48
00:02:17,480 --> 00:02:19,760
- PETE: <i>Yeah, I'm Pete.</i>
- TILLY: (CHUCKLES LIGHTLY) <i>I know.</i>

49
00:02:21,160 --> 00:02:22,880
(LINE DISCONNECTS)

50
00:02:23,200 --> 00:02:25,120
PETE: <i>Well, it appears
we've lost Tilly there...</i>

51
00:02:25,120 --> 00:02:27,000
- JUDY: Hey, while you're in there...
- (BREATHES DEEPLY)

52
00:02:27,000 --> 00:02:28,320
...have a shower, we've got school.

53
00:02:28,320 --> 00:02:30,760
MAL: <i>...thanks to our budding
scientist there, but don’t panic people.</i>

54
00:02:30,880 --> 00:02:32,520
Come on, sweetie.
You were great, they're just...

55
00:02:32,662 --> 00:02:34,600
- Idiots. Arrogant, stupid men.
- (INDISTINCT CHATTER OVER RADIO)

56
00:02:34,840 --> 00:02:37,160
- Well, there’s a few of them about.
- (UPBEAT MUSIC PLAYING OVER RADIO)

57
00:02:37,160 --> 00:02:39,720
Come on, get ready.
I'll drop you at school.

58
00:02:39,840 --> 00:02:42,640
You know what?
If we're lucky maybe we can run over

59
00:02:42,800 --> 00:02:44,320
a breakfast DJ on the way.

60
00:02:44,880 --> 00:02:47,960
Did you hear that? Tilly, that was nuts!

61
00:02:48,080 --> 00:02:50,960
No! School. Now!

62
00:02:51,080 --> 00:02:53,480
- Waves. Me. Surfing. See ya!
- No. Not.

63
00:02:53,800 --> 00:02:56,720
But there's a surf comp’ tour
that I wanna enter. I have to practise.

64
00:02:56,880 --> 00:02:58,440
Look, I've told you.

65
00:02:58,440 --> 00:03:01,240
You quit school for college or a job,
that’s it.

66
00:03:01,440 --> 00:03:03,640
(UPBEAT MUSIC CONTINUES PLAYING
OVER RADIO)

67
00:03:04,120 --> 00:03:05,280
Tell you what,

68
00:03:06,160 --> 00:03:07,480
why don't you get ready?

69
00:03:08,560 --> 00:03:10,560
We're gonna try the job option today.

70
00:03:11,920 --> 00:03:13,280
(GRUNTS)

71
00:03:17,240 --> 00:03:20,160
(THEME MUSIC PLAYING)

72
00:03:44,800 --> 00:03:47,080
(THEME MUSIC CONCLUDES)

73
00:03:47,400 --> 00:03:49,800
(SOFT MUSIC PLAYING OVER SPEAKER)

74
00:03:52,600 --> 00:03:53,760
(BILYA CHUCKLING)

75
00:03:54,680 --> 00:03:56,160
You're almost as good as Poppy.

76
00:03:57,320 --> 00:03:58,800
When she's got her roller skates on.

77
00:03:58,800 --> 00:04:00,360
- Oh, bugger off!
- (BOTH CHUCKLE)

78
00:04:00,800 --> 00:04:03,240
- You're good at this.
- BILYA: Ta.

79
00:04:03,520 --> 00:04:05,520
Don't let anyone tell you different, yeah?

80
00:04:06,040 --> 00:04:07,320
(CHUCKLES)

81
00:04:07,960 --> 00:04:10,400
Does Rocco know you're taking his daughter
to the deb?

82
00:04:10,800 --> 00:04:11,887
(CHUCKLES)

83
00:04:11,887 --> 00:04:15,440
I don't think Rocco knows much
about what Poppy or Rose get up to.

84
00:04:16,120 --> 00:04:17,320
I don't think he cares.

85
00:04:17,880 --> 00:04:19,360
Oh, he'll care if some Black kid

86
00:04:19,360 --> 00:04:21,360
turns up with this daughter
on the dance floor.

87
00:04:23,800 --> 00:04:24,880
(SIGHS)

88
00:04:25,320 --> 00:04:27,200
Listen, I've got to rehearse too.

89
00:04:28,720 --> 00:04:29,800
(CLEARS THROAT)

90
00:04:29,960 --> 00:04:32,800
"I'm honoured to be asked to come on air
and talk with you.

91
00:04:33,040 --> 00:04:36,160
"I've lived in Scarborough for 20 years
and listened to this station.

92
00:04:36,600 --> 00:04:38,600
"The coastal suburb of Scarborough was..."

93
00:04:38,720 --> 00:04:40,280
But you don't have to do this, right?

94
00:04:41,240 --> 00:04:42,360
It's all right.

95
00:04:43,200 --> 00:04:45,520
It's just a natter about
how I become a teacher.

96
00:04:45,920 --> 00:04:47,880
- I don't even have to show my face.
- (BILYA GRUNTING)

97
00:04:48,760 --> 00:04:50,040
You can come along.

98
00:04:50,720 --> 00:04:52,400
(SIGHS) Really?

99
00:04:53,720 --> 00:04:55,960
And do they wanna know
what you’ve really been through?

100
00:04:56,120 --> 00:04:57,200
Or what, Nan?

101
00:04:59,080 --> 00:05:00,720
Hey, you've gotta tell them the truth.

102
00:05:04,200 --> 00:05:06,520
Don't let anyone tell you any different.
Yeah?

103
00:05:07,960 --> 00:05:10,080
Leave it. You can't change the past.

104
00:05:10,640 --> 00:05:11,640
BILYA: Yeah?

105
00:05:12,360 --> 00:05:15,080
But Mum reckons we should never forget it.

106
00:05:19,480 --> 00:05:20,920
Could've told us the truth about Bob.

107
00:05:21,760 --> 00:05:23,360
Man, he seemed all right. (CHUCKLES)

108
00:05:24,040 --> 00:05:26,800
- He could've even...
- What's with the bullseye on my bedsheet?

109
00:05:28,720 --> 00:05:30,760
(CLICKS TONGUE) What?

110
00:05:31,880 --> 00:05:34,320
Me? No, no.

111
00:05:35,360 --> 00:05:37,320
- That's weird.
- EILEEN: Hmm.

112
00:05:37,600 --> 00:05:39,480
(SOFT MUSIC CONCLUDES)
(BIRDS CHIRPING)

113
00:05:39,600 --> 00:05:40,800
(DOOR CLOSING)

114
00:05:47,000 --> 00:05:48,040
No temple?

115
00:05:48,680 --> 00:05:49,680
You all right?

116
00:05:51,440 --> 00:05:54,520
- Binh will be late for school.
- LAM: Where is he?

117
00:05:58,800 --> 00:06:00,000
But you're okay?

118
00:06:01,720 --> 00:06:02,720
I don't know.

119
00:06:03,680 --> 00:06:08,840
I thought maybe this time
with Bob's contact and all that money...

120
00:06:09,920 --> 00:06:12,680
(SOFT MUSIC PLAYING)

121
00:06:17,360 --> 00:06:21,640
- That we’d have something to show for.
- (BREATHES DEEPLY)

122
00:06:22,640 --> 00:06:23,640
Someone.

123
00:06:29,600 --> 00:06:30,840
(KISSES)

124
00:06:40,520 --> 00:06:42,400
- (BREATHES DEEPLY)
- (SOFT MUSIC FADES)

125
00:06:42,680 --> 00:06:46,360
(ROCK MUSIC PLAYING OVER RADIO)

126
00:06:53,400 --> 00:06:54,600
LAM: You'll be late.

127
00:07:02,680 --> 00:07:04,080
- (DOOR SLAMMING)
- (CHUCKLES)

128
00:07:04,240 --> 00:07:07,200
- (ROCK MUSIC CONCLUDES)
- (CAR HORN BLARING)

129
00:07:07,200 --> 00:07:10,040
(INDISTINCT CHATTER)

130
00:07:11,840 --> 00:07:13,760
REPORTER: (OVER TV)
<i>How big is it? This Skylab?</i>

131
00:07:13,920 --> 00:07:16,640
<i>It's a bit hard to find
an earthbound thing to compare it with.</i>

132
00:07:16,760 --> 00:07:19,960
<i>But as it was when it was launched,
as is now that it's in orbit...</i>

133
00:07:20,080 --> 00:07:21,400
- (CLICKS TONGUE)
- (YVGENY HUMMING TUNE)

134
00:07:21,520 --> 00:07:23,880
REPORTER: <i>...and as it will be
when it falls out of that orbit,</i>

135
00:07:24,000 --> 00:07:25,080
<i>hits the Earth's atmosphere...</i>

136
00:07:25,080 --> 00:07:26,880
You have already told your superior,

137
00:07:27,000 --> 00:07:29,360
so why must you keep us locked up in here?

138
00:07:29,720 --> 00:07:32,040
YVGENY:
Because he told me to deal with it.

139
00:07:32,040 --> 00:07:34,240
So only three of us know.

140
00:07:34,800 --> 00:07:37,480
We cannot afford for anyone to see that.

141
00:07:38,520 --> 00:07:42,560
- Five days... we'll be gone.
- (KNOCKING ON DOOR)

142
00:07:42,800 --> 00:07:45,720
(REPORTER SPEAKING INDISTINCTLY OVER TV)

143
00:07:45,920 --> 00:07:49,600
REPORTER: <i>Our story goes back to 1973,
the beginning of Skylab's...</i>

144
00:07:49,600 --> 00:07:51,320
(KNOCKING ON DOOR)

145
00:07:55,960 --> 00:07:58,960
(TENSE MUSIC PLAYING)

146
00:08:00,480 --> 00:08:06,000
- Yes, how can I help you?
- Yvgeny, open the door, please.

147
00:08:06,640 --> 00:08:09,120
Svetlana has missed
three call times already.

148
00:08:09,320 --> 00:08:14,480
- I'd like to see her, please.
- Not possible, she's still sick, you see.

149
00:08:15,360 --> 00:08:16,520
She's asleep now.

150
00:08:17,120 --> 00:08:22,560
I have 75 girls to look after,
and I'm spending all my time on Svetlana!

151
00:08:23,360 --> 00:08:26,120
I... I'm sorry, but cannot be helped.

152
00:08:27,880 --> 00:08:29,640
Miss Adelaide?

153
00:08:31,840 --> 00:08:36,080
We get drunk again. You flirt. I smile.

154
00:08:36,560 --> 00:08:39,120
It... It will fix all this? No?

155
00:08:39,720 --> 00:08:43,160
Tell Svetlana,
if she misses today's ball gown parade,

156
00:08:43,160 --> 00:08:45,040
she will be disqualified!

157
00:08:46,560 --> 00:08:49,840
You cannot do that,
she's the representative of the Soviet...

158
00:08:49,840 --> 00:08:52,480
We can. And we will!

159
00:08:54,400 --> 00:08:57,320
And you are appalling at flirting.

160
00:09:05,240 --> 00:09:06,240
What do we do now?

161
00:09:10,360 --> 00:09:11,760
We could get Mick to help.

162
00:09:14,000 --> 00:09:15,600
He knows a dressmaker that can help...

163
00:09:17,840 --> 00:09:18,840
hide this.

164
00:09:18,840 --> 00:09:23,800
Mick’s business is selling stories
like this. He cannot know.

165
00:09:24,960 --> 00:09:26,120
He already knows.

166
00:09:26,480 --> 00:09:30,840
- You told him! Why?
- Yvgeny, it's all right. We can trust him.

167
00:09:31,880 --> 00:09:33,560
Just let me call him, huh?

168
00:09:34,520 --> 00:09:36,760
(BREATHES DEEPLY) What choice do we have?

169
00:09:41,400 --> 00:09:43,960
(WAVES CRASHING)

170
00:09:45,360 --> 00:09:46,680
(DOOR CLOSING)

171
00:09:48,200 --> 00:09:50,160
JUDY: Hmm. Nice to see you up.

172
00:09:50,920 --> 00:09:52,080
(TONY GRUNTING)

173
00:09:53,720 --> 00:09:58,160
Update, your eldest daughter
has locked herself in the bathroom

174
00:09:58,440 --> 00:10:00,360
and I don't have time to wait around
for that

175
00:10:00,360 --> 00:10:02,600
because I am running late for work.

176
00:10:03,000 --> 00:10:05,840
Besides, it doesn't matter,
it's all gonna be over in a week.

177
00:10:06,080 --> 00:10:08,360
Life, the universe, the lot...

178
00:10:08,520 --> 00:10:11,160
(SLURPS) ...apparently. Just ask Tilly.

179
00:10:11,520 --> 00:10:15,480
- Tilly, hurry up. You're gonna be late.
- You've got a mystery package.

180
00:10:16,160 --> 00:10:17,400
Do you have a secret admirer, Dad?

181
00:10:17,640 --> 00:10:20,240
And, uh, this one's coming to work
with me today.

182
00:10:22,000 --> 00:10:23,880
- Come on.
- Go get the bastards, Mia.

183
00:10:25,760 --> 00:10:29,080
(DOOR OPENING, CLOSING)

184
00:10:41,600 --> 00:10:44,720
- (SIGHING)
- (TILLY SPEAKING INDISTINCTLY)

185
00:10:45,200 --> 00:10:46,280
Tilly.

186
00:10:49,040 --> 00:10:51,280
(TILLY CONTINUES SPEAKING)

187
00:10:52,840 --> 00:10:54,680
Tilly, unlock this door.

188
00:10:58,320 --> 00:10:59,560
Mm-hmm.

189
00:11:00,600 --> 00:11:02,520
(BIRDS CHIRPING)

190
00:11:03,640 --> 00:11:04,840
What are you doing?

191
00:11:07,600 --> 00:11:08,760
What do you think?

192
00:11:10,120 --> 00:11:12,840
This is the safest place in the house.

193
00:11:13,240 --> 00:11:14,320
Tilly.

194
00:11:14,640 --> 00:11:16,480
Walls and pipes.

195
00:11:16,720 --> 00:11:18,000
- Sweetheart.
- TILLY: It’s true.

196
00:11:18,240 --> 00:11:21,480
When Cyclone Tracey hit Darwin,
this... this is where people survived.

197
00:11:21,960 --> 00:11:25,480
- Tilly, you've got school.
- No one is taking this seriously.

198
00:11:25,840 --> 00:11:29,520
We have to get ready.
We’ll only get a couple of hours warning.

199
00:11:30,080 --> 00:11:32,600
Now you listen to me, young lady.

200
00:11:38,280 --> 00:11:41,480
We'll... We’ll kill each other in here
before Skylab gets us.

201
00:11:43,920 --> 00:11:44,920
Come with me.

202
00:11:45,600 --> 00:11:46,680
I've got an idea.

203
00:11:47,600 --> 00:11:52,680
(WHIMSICAL MUSIC PLAYING)

204
00:11:56,440 --> 00:11:58,920
(GRUNTS) Come on.

205
00:12:11,960 --> 00:12:13,400
This way, keep up.

206
00:12:32,240 --> 00:12:34,280
(BOTH BREATHE DEEPLY)

207
00:12:35,240 --> 00:12:36,280
That...

208
00:12:37,760 --> 00:12:38,880
is our shelter.

209
00:12:39,080 --> 00:12:42,080
- (BIRD CHIRPING)
- (WHIMSICAL MUSIC CONCLUDES)

210
00:12:45,280 --> 00:12:48,400
- (CHIMNEY CHUGGING)
- (INTENSE MUSIC PLAYING)

211
00:12:49,960 --> 00:12:51,800
(MUSIC TURNS MISCHIEVOUS)

212
00:12:57,200 --> 00:12:58,560
(SIGHS)

213
00:13:02,480 --> 00:13:06,080
- What? Do you think he's onto us?
- No, he’s not clever enough.

214
00:13:15,200 --> 00:13:17,840
(LOCK RATTLING)

215
00:13:23,560 --> 00:13:24,560
Ta-da!

216
00:13:25,400 --> 00:13:28,280
You do realize you can get three years
hard labour for that?

217
00:13:30,320 --> 00:13:31,760
Are you sure you want to do this?

218
00:13:32,520 --> 00:13:33,520
No.

219
00:13:34,040 --> 00:13:36,960
But don’t want to do another round
of redundancies either.

220
00:13:36,960 --> 00:13:40,000
So we need to get in there,
figure out what the hell he's up to.

221
00:13:40,280 --> 00:13:43,240
Find out why he’s trying to block us
from fixing this.

222
00:13:43,680 --> 00:13:46,520
(BREATHES HEAVILY)

223
00:13:47,080 --> 00:13:49,760
I'm so done with being the Angel of Death.

224
00:13:50,760 --> 00:13:51,760
FRANCESCA: Girls!

225
00:13:59,160 --> 00:14:01,240
(PAPERS RUSTLING)

226
00:14:01,640 --> 00:14:02,640
Hey, look.

227
00:14:03,840 --> 00:14:04,960
Do it.

228
00:14:18,252 --> 00:14:19,400
(DRAWER CLOSING)

229
00:14:21,200 --> 00:14:22,600
An old speeding ticket.

230
00:14:23,560 --> 00:14:25,760
A warning from the tax office.

231
00:14:27,240 --> 00:14:29,320
(CHUCKLING) A threatening letter
from an ex-girlfriend.

232
00:14:34,680 --> 00:14:36,280
Does Wayne do business overseas?

233
00:14:36,480 --> 00:14:39,520
Wayne? He thinks Sydney
is a foreign country.

234
00:14:43,560 --> 00:14:47,120
Japan? Maybe? He’s never mentioned it.

235
00:14:50,400 --> 00:14:52,360
You know what, this looks like a contract.

236
00:14:54,080 --> 00:14:55,760
Know any Japanese interpreters?

237
00:14:57,240 --> 00:14:58,840
- (GRUNTS)
- (MISCHIEVOUS MUSIC FADES)

238
00:14:59,720 --> 00:15:02,440
(BIRDS CHIRPING)

239
00:15:02,880 --> 00:15:05,000
- Thanks for this, Dad.
- (TONY GRUNTING)

240
00:15:05,600 --> 00:15:08,680
- We do what we have to. To stay safe.
- (PANTS)

241
00:15:10,560 --> 00:15:12,680
- Where did you learn to do this?
- (TONY GRUNTING)

242
00:15:12,880 --> 00:15:14,040
Here and there.

243
00:15:15,160 --> 00:15:17,640
- When you were in the army?
- (BREATHES HEAVILY)

244
00:15:18,080 --> 00:15:19,400
Does it matter? (GRUNTING)

245
00:15:21,120 --> 00:15:23,160
- You reckon this is deep enough?
- (TONY GRUNTING)

246
00:15:24,080 --> 00:15:25,560
Dad? Dad?

247
00:15:25,920 --> 00:15:28,920
Hey? No. Keep digging.

248
00:15:31,027 --> 00:15:32,200
(GRUNTS)

249
00:15:38,040 --> 00:15:41,760
I’m telling you. Sandy will have Svetlana
ready for tonight's event.

250
00:15:42,000 --> 00:15:46,200
- Yeah. But can she keep secret?
- Yeah, you can trust her.

251
00:15:49,520 --> 00:15:52,560
You said she is Vietnamese?

252
00:15:53,920 --> 00:15:54,920
South?

253
00:15:55,320 --> 00:15:56,640
Anti-communist?

254
00:15:57,440 --> 00:16:00,440
Mate, I was there for two years.
I didn’t care what they were,

255
00:16:00,560 --> 00:16:02,120
as long as they weren’t anti-me.

256
00:16:04,080 --> 00:16:05,440
This cannot go wrong.

257
00:16:08,560 --> 00:16:12,800
What’s it gonna be like for Svetlana,
returning home as a single mum?

258
00:16:13,680 --> 00:16:14,760
Why you care?

259
00:16:16,600 --> 00:16:21,640
The State helped to look after my boy.
Be same for Svetlana and her baby.

260
00:16:22,000 --> 00:16:23,280
(SNIFFLES)

261
00:16:29,760 --> 00:16:32,160
Don’t worry. We will hide your baby.

262
00:16:37,040 --> 00:16:38,440
You have been here a few years?

263
00:16:39,480 --> 00:16:40,640
In Australia.

264
00:16:42,200 --> 00:16:43,400
And Vietnam, you just...

265
00:16:44,560 --> 00:16:45,560
left?

266
00:16:48,200 --> 00:16:51,600
We paid someone all we had
to be squeezed into a boat.

267
00:16:52,120 --> 00:16:53,680
But yes, we left.

268
00:16:56,280 --> 00:16:57,360
(SIGHS)

269
00:16:58,480 --> 00:17:02,840
People here. They have no idea
what it is like in our countries.

270
00:17:05,040 --> 00:17:06,040
How could they?

271
00:17:07,640 --> 00:17:08,640
They’re free.

272
00:17:09,320 --> 00:17:11,000
(BREATHES DEEPLY)

273
00:17:22,400 --> 00:17:26,880
You see, my friend.
Your spring rolls are great. The best.

274
00:17:29,520 --> 00:17:31,280
But our Malaysian roti?

275
00:17:32,520 --> 00:17:34,280
Well! (LAUGHS)

276
00:17:38,040 --> 00:17:39,040
And our rice...

277
00:17:40,120 --> 00:17:41,440
tastes better the next day.

278
00:17:42,280 --> 00:17:44,960
Oh, we could never compete with your rice.

279
00:17:46,080 --> 00:17:49,320
You know who would really love your roti?

280
00:17:50,360 --> 00:17:51,960
Your son, I know.

281
00:17:53,280 --> 00:17:55,040
There is no news. There is nothing.

282
00:17:55,320 --> 00:17:59,160
- Bob gave you our money to find.
- Bob is gone.

283
00:18:02,640 --> 00:18:07,040
Hey, try the roti, please.
Not many guests get the owner cooking.

284
00:18:12,480 --> 00:18:14,520
You weren't running a diner in Vietnam?

285
00:18:16,880 --> 00:18:20,200
Those hands of yours are more suited
to a chalkboard? A desk?

286
00:18:20,840 --> 00:18:23,320
Engineering professor. Hanoi.

287
00:18:23,680 --> 00:18:26,880
(LAUGHS) And now you sell "dimmies"
to the Aussies.

288
00:18:29,160 --> 00:18:33,560
Hey, sorry, my friend.
No insult. Just a fact.

289
00:18:34,640 --> 00:18:36,280
I was a journalist in Malaysia.

290
00:18:36,680 --> 00:18:38,480
(SCOFFS) Not the best career there.

291
00:18:38,760 --> 00:18:42,440
But promising more than you can deliver
is a good business here?

292
00:18:45,360 --> 00:18:47,320
And so we find ourselves here.

293
00:18:48,680 --> 00:18:51,280
Different worlds. Different lives.

294
00:18:51,920 --> 00:18:56,280
- Everything changing.
- But my son is still missing.

295
00:18:56,440 --> 00:18:58,760
And that can change.
Bob gave you a chance.

296
00:18:59,040 --> 00:19:02,720
- Five thousand dollars bought us that.
- And bought you this roti.

297
00:19:05,160 --> 00:19:06,840
But no guarantees.

298
00:19:10,360 --> 00:19:12,760
We have done everything that we can.

299
00:19:13,400 --> 00:19:17,440
Your money has not gone into my pocket.
That's for others.

300
00:19:20,800 --> 00:19:22,680
And now we wait.

301
00:19:24,760 --> 00:19:26,320
(BREATHES DEEPLY)

302
00:19:29,920 --> 00:19:32,560
MR TEO: Today, Van is missing,

303
00:19:33,240 --> 00:19:34,800
tomorrow, who knows?

304
00:19:35,720 --> 00:19:36,720
But you...

305
00:19:38,600 --> 00:19:40,160
must look after your life.

306
00:19:41,000 --> 00:19:42,080
Look after your family.

307
00:19:44,440 --> 00:19:46,280
Not torture yourself.

308
00:19:56,560 --> 00:19:58,320
And not come here again, my friend.

309
00:20:02,320 --> 00:20:03,440
(DOOR CLOSING)

310
00:20:04,320 --> 00:20:05,560
(SIGHS)

311
00:20:09,000 --> 00:20:11,400
(TYPEWRITER KEYS CLACKING)

312
00:20:12,760 --> 00:20:13,880
FRANCESCA: Judy?

313
00:20:14,640 --> 00:20:16,360
Hiroshi. Judy.

314
00:20:16,520 --> 00:20:20,640
The best barman in Perth,
meet the best general manager.

315
00:20:20,640 --> 00:20:23,040
(EXCLAIMING) Thanks for coming.

316
00:20:30,720 --> 00:20:33,280
- HIROSHI: Huh! Saké?
- (FRANCESCA SIGHING)

317
00:20:33,880 --> 00:20:36,120
- Sambuca.
- (HIROSHI SCOFFS)

318
00:20:36,400 --> 00:20:38,480
I take it you're not here
for Fran's rocket fuel.

319
00:20:39,440 --> 00:20:42,560
I do my best to educate her
about real drinks.

320
00:20:43,840 --> 00:20:45,600
- Where is it?
- (PAPERS RUSTLING)

321
00:20:47,480 --> 00:20:48,640
It’s a contract.

322
00:20:49,440 --> 00:20:50,560
Contract for what?

323
00:20:51,080 --> 00:20:52,600
Contract of sale.

324
00:20:53,640 --> 00:20:54,840
Sale of what?

325
00:20:56,000 --> 00:20:57,520
Looks like a company.

326
00:20:58,360 --> 00:21:00,160
How can he afford to buy a company?

327
00:21:00,280 --> 00:21:02,920
Doull's Power Supplies
is barely staying afloat as it is.

328
00:21:03,720 --> 00:21:08,400
Ah, it’s Doull Power Supplies
that’s being sold.

329
00:21:11,640 --> 00:21:13,960
- I might need that drink after all.
- (GLASS CLINKING)

330
00:21:18,360 --> 00:21:20,960
(INDISTINCT CHATTER)

331
00:21:25,080 --> 00:21:26,880
(CHILD BABBLING)

332
00:21:27,640 --> 00:21:29,600
Are you from North or South?

333
00:21:30,240 --> 00:21:31,280
North.

334
00:21:31,680 --> 00:21:35,560
But we had to flee to the South,
and then we had to leave there too.

335
00:21:37,400 --> 00:21:38,920
Tell no one!

336
00:21:40,200 --> 00:21:42,560
Hi! (LAUGHS)

337
00:21:43,560 --> 00:21:44,560
What's her name?

338
00:21:44,560 --> 00:21:46,400
- Anna.
- SVETLANA: Anna. (CHUCKLES)

339
00:21:47,760 --> 00:21:51,760
- Tell me, where did you get that pram?
- Boans. Third floor.

340
00:21:54,520 --> 00:21:58,560
Well, when the time comes,
I will go to Boans on the third floor.

341
00:22:00,320 --> 00:22:02,200
You’ll be back in the USSR.

342
00:22:03,040 --> 00:22:04,040
No, no.

343
00:22:05,280 --> 00:22:06,680
I'll be at Boans on the third floor.

344
00:22:08,680 --> 00:22:10,320
You’re going to help me defect.

345
00:22:10,720 --> 00:22:11,880
(ELEVATOR BELL DINGING)

346
00:22:12,920 --> 00:22:14,320
(CHUCKLES)

347
00:22:14,560 --> 00:22:16,600
(MYSTERIOUS MUSIC PLAYING)

348
00:22:22,520 --> 00:22:25,000
(WAVES CRASHING)

349
00:22:25,800 --> 00:22:26,800
This morning.

350
00:22:28,040 --> 00:22:29,200
The makeup.

351
00:22:30,040 --> 00:22:31,960
LAM: (SIGHS) Really? Now?

352
00:22:35,000 --> 00:22:36,360
It's gonna be a part of my music.

353
00:22:37,760 --> 00:22:41,120
My performance.
Like, all the artists are doing it now.

354
00:22:42,920 --> 00:22:45,080
Your music? Performance?

355
00:22:47,560 --> 00:22:48,560
Dad.

356
00:22:49,440 --> 00:22:52,240
You were meant to be studying hard, remember?

357
00:22:53,760 --> 00:22:58,440
(CHUCKLES) But I’m working hard to...
to be a musician.

358
00:22:59,440 --> 00:23:00,520
Like Bowie.

359
00:23:01,800 --> 00:23:04,000
Ambitions are important, Son.

360
00:23:05,040 --> 00:23:06,680
But remember what Mick Jagger says,

361
00:23:07,440 --> 00:23:09,920
"You can’t always get what you want."

362
00:23:11,680 --> 00:23:15,680
We just want you to be happy, healthy,

363
00:23:16,040 --> 00:23:19,440
safe, secure. That's all.

364
00:23:20,800 --> 00:23:23,120
(SPEAKING VIETNAMESE)

365
00:23:24,800 --> 00:23:30,240
(IN ENGLISH) A good job, a career,
medicine gives you that.

366
00:23:32,160 --> 00:23:34,840
I don’t want this for you. Huh.

367
00:23:37,080 --> 00:23:41,640
And I want my only son
to be able to look after his parents

368
00:23:41,960 --> 00:23:42,960
when they’re old.

369
00:23:45,480 --> 00:23:46,480
Van’s alive.

370
00:23:48,280 --> 00:23:49,280
I heard Mum.

371
00:23:52,840 --> 00:23:56,280
- I’m not the only one, Dad.
- No, Binh.

372
00:23:58,000 --> 00:23:59,240
You are.

373
00:24:01,440 --> 00:24:02,520
(BREATHES DEEPLY)

374
00:24:06,400 --> 00:24:08,520
(FOOTSTEPS APPROACHING)

375
00:24:09,160 --> 00:24:12,240
Matty, this won't take long.
We'll have you out of here by 8:00.

376
00:24:13,440 --> 00:24:15,400
- There you go.
- SCOTT: I did a few prompt cards for you,

377
00:24:15,400 --> 00:24:18,600
so talk about your education,
primary to high school,

378
00:24:18,600 --> 00:24:21,400
uh, entry to Teachers College,
studies there.

379
00:24:21,800 --> 00:24:23,640
Uh, who you received support from.

380
00:24:24,400 --> 00:24:25,480
All right, and just, um,

381
00:24:25,600 --> 00:24:28,040
make sure you smile while you speak,
helps with the tone.

382
00:24:28,280 --> 00:24:31,480
And keep it short and sweet.
Emphasis on the "sweet."

383
00:24:32,360 --> 00:24:34,560
So don’t issue an eviction notice, got it!

384
00:24:35,200 --> 00:24:36,200
Scotty!

385
00:24:36,520 --> 00:24:38,440
- SCOTT: Gavvo! Yeah!
- How are you, mate?

386
00:24:38,600 --> 00:24:40,160
- Looking good. Nice suit.
- SCOTT: Thank you.

387
00:24:40,320 --> 00:24:41,640
You must be Eileen.

388
00:24:42,240 --> 00:24:45,080
I hope you're going to be as much fun
as that Mr Bertrude we had in.

389
00:24:45,200 --> 00:24:46,640
- (LAUGHING)
- (SCOTT LAUGHING)

390
00:24:46,840 --> 00:24:50,440
He was a... He was a riot.
Right. Have a seat, please.

391
00:24:50,680 --> 00:24:53,440
- (CLEARS THROAT)
- (MAL SPEAKING INDISTINCTLY OVER RADIO)

392
00:24:53,720 --> 00:24:54,880
All right.

393
00:24:55,560 --> 00:24:57,280
- Yeah?
- PETE: (LAUGHS) <i>No fear, mate.</i>

394
00:24:57,480 --> 00:24:59,280
<i>- Home to the better half...</i>
- Okay.

395
00:24:59,280 --> 00:25:00,880
PETE: <i>...and J.R.,
it's</i> Dallas <i>night tonight.</i>

396
00:25:01,000 --> 00:25:02,600
MAL: <i>Ooh, good on ya, Pete. Enjoy J.R.,</i>

397
00:25:02,600 --> 00:25:04,200
<i>and we'll catch you tomorrow, Perth.</i>

398
00:25:04,200 --> 00:25:08,320
RADIO OPERATOR: <i>95 FM.
The best of the West never sounded better.</i>

399
00:25:08,520 --> 00:25:10,320
Turn up the radio, Eileen’s next.

400
00:25:10,440 --> 00:25:13,400
GAVIN: <i>Tonight, as part
of the 150th celebrations,</i>

401
00:25:13,400 --> 00:25:17,400
<i>we welcome another local teaching hero.</i>

402
00:25:17,960 --> 00:25:21,160
<i>She's one of our own,
she's also a qualified Aboriginal teacher.</i>

403
00:25:21,280 --> 00:25:23,400
<i>Please welcome Eileen Wilberforce.</i>

404
00:25:25,120 --> 00:25:26,480
Uh. Ta.

405
00:25:26,960 --> 00:25:28,280
Thank you, Gavin.

406
00:25:28,680 --> 00:25:32,560
Now, Scott Williamson tells me
that you are a testament

407
00:25:32,680 --> 00:25:36,400
to how far Aboriginal people
have come in the last 150 years.

408
00:25:36,800 --> 00:25:40,680
Tell me, Eileen, how many of those years
have you called Scarborough home?

409
00:25:42,080 --> 00:25:45,760
Um, I’ve lived in Scarborough
for 20 years now.

410
00:25:46,240 --> 00:25:48,040
(LAUGHS) You're practically one of us!

411
00:25:55,600 --> 00:25:57,360
- So...
- Um...

412
00:26:00,960 --> 00:26:03,080
I was told recently that I...

413
00:26:04,600 --> 00:26:06,320
that I should never forget my past.

414
00:26:08,080 --> 00:26:10,720
I haven’t. I’ve just not talked about it.

415
00:26:11,760 --> 00:26:13,080
Seemed easier that way.

416
00:26:14,720 --> 00:26:18,680
But I’m learning that staying silent
doesn’t help...

417
00:26:20,040 --> 00:26:21,360
anyone.

418
00:26:24,240 --> 00:26:26,120
I... I didn't mean to suggest...

419
00:26:26,120 --> 00:26:28,800
Even though I’ve lived in Scarborough
for over 20 years...

420
00:26:30,440 --> 00:26:32,240
I'm a Binjareb Noongar woman.

421
00:26:34,080 --> 00:26:36,360
I was born in a little town south of here.

422
00:26:37,360 --> 00:26:39,880
You might've heard of the place
through your history books,

423
00:26:40,480 --> 00:26:43,200
the Battle of Pinjarra in 1834.

424
00:26:44,360 --> 00:26:46,720
Well... let me tell you...

425
00:26:47,480 --> 00:26:52,360
- it wasn’t a battle, it was a massacre.
- Oh, now that's... that's a big call.

426
00:26:52,480 --> 00:26:58,920
Stirling and his band of merry men
killed about 80 Aboriginal men,

427
00:26:59,200 --> 00:27:00,680
women and children.

428
00:27:00,880 --> 00:27:02,480
- (INHALES SHARPLY)
- EILEEN: And guess what?

429
00:27:03,160 --> 00:27:05,200
Only one of Stirling’s men died.

430
00:27:07,760 --> 00:27:10,640
My great grandfather’s sisters,
they were kids at the time...

431
00:27:11,760 --> 00:27:12,960
they were also murdered.

432
00:27:15,480 --> 00:27:19,680
Um, I'm sorry.
I've... I've never heard that.

433
00:27:20,400 --> 00:27:21,520
Yeah, well...

434
00:27:22,320 --> 00:27:25,480
over the generations
not a lot of progress was made for us lot.

435
00:27:26,800 --> 00:27:30,200
Eileen, look at you. (CHUCKLES)
You're... You're a teacher.

436
00:27:30,880 --> 00:27:31,880
Yeah.

437
00:27:32,280 --> 00:27:34,240
But I'm only one of a handful
in this state.

438
00:27:35,800 --> 00:27:37,800
And that's not good enough,
is it, Mr Simmonds?

439
00:27:41,640 --> 00:27:44,200
Now, do you wanna hear my story or not?

440
00:27:45,040 --> 00:27:46,280
(CHUCKLES)

441
00:27:47,520 --> 00:27:48,560
Please.

442
00:27:49,280 --> 00:27:51,320
EILEEN: You see, Gavin...

443
00:27:52,320 --> 00:27:56,040
<i>through the generations
not a lot of progress was made for us lot.</i>

444
00:27:57,920 --> 00:27:59,040
<i>When I was a kid...</i>

445
00:27:59,960 --> 00:28:02,960
<i>my mum used to cover me
and my sister in black ash,</i>

446
00:28:03,560 --> 00:28:06,960
<i>every time the authorities raided
the camps for fair skinned kids</i>

447
00:28:07,080 --> 00:28:10,400
<i>to... to civilise and enslave.</i>

448
00:28:11,000 --> 00:28:12,520
<i>They could do anything to us.</i>

449
00:28:13,600 --> 00:28:14,960
<i>We weren’t citizens.</i>

450
00:28:15,760 --> 00:28:19,960
<i>In their eyes, by their laws,
we were just merely flora and fauna.</i>

451
00:28:20,720 --> 00:28:24,240
<i>But that didn’t stop my dad
fighting for his country.</i>

452
00:28:25,200 --> 00:28:27,800
<i>In World War I,
he was equal on the battlefield.</i>

453
00:28:29,000 --> 00:28:32,600
<i>But back home, he couldn’t even go
to the pub with his mates.</i>

454
00:28:34,640 --> 00:28:37,080
<i>It was only 12 years ago
we got citizenship.</i>

455
00:28:38,520 --> 00:28:41,960
<i>And sadly, that was too late for my dad.</i>

456
00:28:43,520 --> 00:28:46,840
<i>And this kinda treatment was happening
all over Australia.</i>

457
00:28:48,920 --> 00:28:50,400
When I was a young bride...

458
00:28:51,560 --> 00:28:53,600
I was living on my husband’s country.

459
00:28:54,000 --> 00:28:56,520
Beautiful desert country
in South Australia.

460
00:28:57,840 --> 00:29:02,000
Until we were herded off
to Yalata Mission, uh,

461
00:29:02,480 --> 00:29:04,000
that was a couple 100Ks away...

462
00:29:05,840 --> 00:29:10,320
to make way for the British
and the Australian governments

463
00:29:10,440 --> 00:29:11,920
to do their nuclear tests.

464
00:29:15,280 --> 00:29:16,560
<i>You might know the place...</i>

465
00:29:17,560 --> 00:29:18,560
<i>Maralinga.</i>

466
00:29:20,600 --> 00:29:25,240
<i>But then, maybe not, because it was all
hush-hush, you know, top secret stuff.</i>

467
00:29:26,480 --> 00:29:28,520
<i>The government denies it ever happening...</i>

468
00:29:29,640 --> 00:29:32,120
<i>but those tests, they went on
for over ten years.</i>

469
00:29:33,560 --> 00:29:36,000
<i>My husband’s people,
they were still out on country,</i>

470
00:29:36,480 --> 00:29:37,960
<i>not knowing what was happening.</i>

471
00:29:39,280 --> 00:29:43,720
<i>In 1954, my husband,
he went out searching for ‘em, you know...</i>

472
00:29:43,920 --> 00:29:46,400
- Tony.
- EILEEN: <i>...bring ‘em into safety.</i>

473
00:29:47,160 --> 00:29:48,520
<i>And I waited...</i>

474
00:29:50,520 --> 00:29:52,120
<i>and I waited for him to come home.</i>

475
00:29:54,960 --> 00:29:55,960
He never did.

476
00:29:56,760 --> 00:30:00,680
Like other Anangu people,
he died from those bombs.

477
00:30:02,480 --> 00:30:05,720
And I... You know, I couldn’t be there
without him, it was too hard, so...

478
00:30:06,520 --> 00:30:08,040
I came back to my country,

479
00:30:08,640 --> 00:30:12,880
with my eight-year-old daughter
and my unborn son.

480
00:30:13,520 --> 00:30:15,880
And I rolled up my sleeves
and I just got on with it.

481
00:30:16,280 --> 00:30:18,680
And I kept the past in the past.

482
00:30:19,840 --> 00:30:21,200
I've rebuilt my life.

483
00:30:22,200 --> 00:30:23,480
For me. For them.

484
00:30:25,120 --> 00:30:27,200
And, yeah, it was hard work,
but I became a teacher.

485
00:30:30,160 --> 00:30:31,240
But...

486
00:30:32,520 --> 00:30:34,240
my silence has cost me.

487
00:30:37,120 --> 00:30:40,120
My daughter, I can see that
she's angry at me for it.

488
00:30:41,320 --> 00:30:43,520
She’s spent her life
trying to break my silence.

489
00:30:44,920 --> 00:30:48,480
And my son, he hasn’t talked to me
in over a year.

490
00:30:49,360 --> 00:30:52,360
He’s with his father’s people now,
back at Maralinga,

491
00:30:52,720 --> 00:30:55,280
trying to make sense of all the wasteland
that was left there.

492
00:30:59,440 --> 00:31:00,840
And I realize now that...

493
00:31:02,080 --> 00:31:06,400
(SIGHS) ...you know,
it's okay to live and speak my truth.

494
00:31:08,760 --> 00:31:10,480
For some things, it’s too late...

495
00:31:12,800 --> 00:31:14,120
but right now I feel...

496
00:31:16,640 --> 00:31:17,840
I feel <i>moorditj...</i>

497
00:31:18,840 --> 00:31:20,960
deadly for finally giving it breath.

498
00:31:23,320 --> 00:31:24,400
So yeah,

499
00:31:25,000 --> 00:31:29,000
I'll let you decide if you think my story
is a great example

500
00:31:29,000 --> 00:31:32,720
of how far Aboriginal people have come
in the last 150 years?

501
00:31:39,760 --> 00:31:41,040
Eileen Wilberforce...

502
00:31:42,840 --> 00:31:44,560
thank you so very much.

503
00:31:48,240 --> 00:31:49,320
(EXHALES DEEPLY)

504
00:31:51,920 --> 00:31:53,800
(INSPIRING MUSIC PLAYING)

505
00:32:29,080 --> 00:32:32,480
(BREATHES DEEPLY)

506
00:32:32,640 --> 00:32:35,360
- (FOOTSTEPS APPROACHING)
- JUDY: You coming?

507
00:32:36,720 --> 00:32:39,200
(MUSIC FADES)

508
00:32:51,120 --> 00:32:52,240
What are you doing with that?

509
00:32:54,480 --> 00:32:55,600
Look at that handwriting.

510
00:32:59,800 --> 00:33:01,200
Gazza was the one that threw it.

511
00:33:04,320 --> 00:33:05,320
What?

512
00:33:06,440 --> 00:33:08,520
Don’t be stupid. He would never do that.

513
00:33:09,840 --> 00:33:10,840
But he did.

514
00:33:17,920 --> 00:33:19,520
I don’t understand. Why?

515
00:33:21,240 --> 00:33:24,200
I mean, he... he’s like family to you.

516
00:33:25,160 --> 00:33:26,160
To us.

517
00:33:31,720 --> 00:33:33,280
Well, what are we going to do about it?

518
00:33:36,087 --> 00:33:37,160
Not us.

519
00:33:38,960 --> 00:33:39,960
You.

520
00:33:41,800 --> 00:33:44,200
This is your battle. Has been for a while.

521
00:33:45,680 --> 00:33:50,960
You don’t need me to fight yours.
I can’t fight it like you. (SCOFFS)

522
00:33:52,480 --> 00:33:53,520
You’re brilliant.

523
00:33:57,800 --> 00:33:59,080
(EXHALES HEAVILY)

524
00:34:09,120 --> 00:34:10,280
What a dickhead.

525
00:34:14,120 --> 00:34:15,280
Eileen was...

526
00:34:20,760 --> 00:34:24,040
I know, she spoke so well, I had no idea.

527
00:34:28,160 --> 00:34:29,160
I was there.

528
00:34:29,880 --> 00:34:32,600
(INTENSE MUSIC PLAYING)

529
00:34:34,400 --> 00:34:35,480
In a trench...

530
00:34:38,200 --> 00:34:40,120
three miles from those A-bombs.

531
00:34:44,320 --> 00:34:45,720
Waiting for the flash.

532
00:34:48,400 --> 00:34:49,440
Maralinga?

533
00:35:02,600 --> 00:35:03,840
I was just a kid.

534
00:35:07,600 --> 00:35:09,680
Stood in my own piss.

535
00:35:10,960 --> 00:35:12,800
My own fear.

536
00:35:20,360 --> 00:35:25,240
You could see...
You could see your own... bones.

537
00:35:26,600 --> 00:35:30,440
Your own skeleton through the darkness.

538
00:35:42,480 --> 00:35:43,720
Why didn't you tell me?

539
00:35:48,160 --> 00:35:50,200
I’ve been trying to forget
about that for years.

540
00:35:51,400 --> 00:35:52,720
Bloody decades.

541
00:35:54,720 --> 00:35:55,800
But I can’t.

542
00:35:58,200 --> 00:35:59,240
What happened to us.

543
00:36:02,360 --> 00:36:04,080
What happened to the Aboriginals...

544
00:36:06,320 --> 00:36:07,720
to Eileen’s family.

545
00:36:14,640 --> 00:36:16,360
(GASPS)

546
00:36:21,200 --> 00:36:22,320
(EXHALES SHARPLY)

547
00:36:25,200 --> 00:36:26,440
(SNIFFLES)

548
00:36:29,960 --> 00:36:31,760
Well, I guess you've found your battle.

549
00:36:38,560 --> 00:36:42,120
(BREATHES HEAVILY)

550
00:37:23,400 --> 00:37:26,000
(INTENSE MUSIC CONCLUDES)