- ♪♪ MTV ♪♪
- I'm Tami Roman.
I have been cheated on before.
You [bleep] my man when I was married to him.
I even wrote a book about it.
And I've made it my mission to help suspicious lovers
catch their cheating partners in the act.
- You know what's been going on ever since--
- You're disrespectful as [bleep].
- What is this? - What the [bleep]?
- Oh!
- Together with my relationship expert...
- She just slept with him last night.
Is that the kind of guy that you wanna be with?
- And stealthy investigation team...
- What do we have here? She's busted now.
- We won't stop until we find the truth.
Are you sure you wanna see this footage?
Once our investigation is complete,
the suspicious lover can team up
with the partner's other lover...
- I think we have a person in common.
- Or take down both of them in an undercover ambush.
- That's what the [bleep] we're doing, Katy?
- We're not together.
- So I'm not taking care of your kids at the crib?
- Cheaters, beware.
- Why do you have cameras? - Consider them my team.
- You put her in a position to act like it.
- Do you want him?
- Both of you are the victim of deception.
- Do you see him taking his [bleep] pic?
- He's taking what?
- Tami!
Tami!
- Nobody should think they're better than anybody else
because y'all all [bleep] been played.
And that's just the truth.
This is "Caught in the Act: Unfaithful."
- ♪♪ I can't express how quickly you had me ♪♪
♪♪ Took me by surprise ♪♪
♪♪ Tripped me up inside ♪♪
♪♪ I fell for you instantly ♪♪
- Hello there, Alex.
- Thanks, Tami, for having me.
- Oh, thank you for coming in.
It's a pleasure to meet you. Have a seat.
- Likewise.
- So I know that you want to talk to me
about your relationship. - Yes.
- That's usually why people sit on that side of the couch.
But before we talk about all that,
I want to hear more about you.
- You want to get to know me too?
- I want to get to know you.
That's the only way I'm going to be able to help you.
- Let's get into it, then.
- OK, so tell me about your childhood.
Both parents in the household?
- Just my mama.
- OK. - You know--
- Single parent household. - Single parent household.
- How was that, growing up? Is it just you?
- No, I got a twin brother.
- OK.
- You know, he's older than me by one minute.
Whenever something comes up, I'll be like, Tyler,
you got to handle that.
You big bro.
You know, we came from a rough background.
You know, we was the only two white boys
in an all-Black neighborhood.
We was fighting every day from the school,
you know, getting chased home with baseball bats.
- Wow.
- We finally overcame it and became part of the community,
you know, and that's what my family was because my mom,
she had other stuff going on.
- How was that for you and your brother?
- I mean, it made it easier to go through.
You know, if I was all by myself,
it might have been different, you know,
but I had my best friend there, my right-hand man.
We, you know, knew how to make some sandwiches
and get through the night and wait until mama
come back the next day.
That's my brother.
He always come through for me.
- Do you feel like you guys kind of raised yourselves?
- I mean, moms was always there,
you know, and then later on, my mom got a boyfriend,
you know, my stepdad.
Around that time, I had a little sister
and a little brother.
So they're like, we want to raise them right.
Who is this coming in and out all types of nights?
So we moved out at, like, 15.
- Hold, please.
So-- [both chuckle]
You and your brother are 15. - Yeah.
My mom knew we was going to be good on our own,
and we got each other.
I feel like it matured us and made us better
people at the end of the day.
We independent men.
Now we have our own business. You know?
Me and my twin were plumbers. - OK.
- You know what I mean? It's a good trade.
You know, people always going to need something
fixed around the house. - This is true.
OK, so you skipped all the way from 15 to present day.
We got our own business.
A whole lot of life happened in the middle.
I'm sure you had relationships.
Tell me about that.
- Don't get me wrong, I have had a lot
of good women in my life.
- OK.
- But me, I was always in the streets.
You know, I was out doing--
- So you weren't doing the right thing.
- Yes, I never been doing what I'm supposed to be doing.
I was always worried about me, me, me, me, me.
- But there had to be one that really meant something to you.
- I got two kids by one girl, my baby mama.
She's good. She's a nurse.
I've done so much cheating on females in the past,
but now I'm getting older. - Uh-huh.
- Kids getting older.
You know, they're looking up to me.
- Right.
- You know, now, I'm trying to show them something, you know,
how to be a real man.
You know, you shouldn't be stepping out on your own
if you're going to be with this woman.
- If you're going to be with this woman.
- Be with this woman. - Mm-hmm.
OK, so tell me how you met La'Niece.
- So we met at a restaurant.
She was trying to figure out what she was getting, you know,
so I'm like, you better get some of that white meat.
- Oh. - [laughs]
- And she caught it.
She was like, boom, caught it.
- You know, and threw a little tongue back,
and I knew she was interested.
We exchanged numbers after that,
and we went out to, like, a movie and some more food.
You know?
- OK, dinner and a movie.
- You know, and it's usually because, you know,
[bleep], the first time I hang out with you, I think--
I usually get [bleep] the first night.
You know? - On the first night?
- First night, but she didn't let me hit it.
- Right.
- But I feel like that made me more interested.
You know what I mean? - Yeah. Yeah.
So how long did you guys do this
whole "let's get to know each other
before sex happens" thing.
- I mean, it was, like, a-- just, like, a week or two.
- You made it seem like she had held out--
- She ain't made me wait that long.
- For 90 day.
How was that after?
Did she still have your interest after?
- Yeah, she still had my interest.
It was cool.
I mean, she's just real loving and caring.
Like, you know, she's, like, a mom to me.
- So she has maternal qualities.
OK.
- I want some love and attention,
and that's what she does for me, you know?
- Which goes back to your childhood,
which is completely opposite, and you're missing
that cuddly, cozy, like--
- Sometimes, I just be wanting a hug, you know?
She's real independent.
She does makeup and handle her business.
- Oh, she's a makeup artist? - Yeah.
- OK, OK.
- Our kids hit it off, and--
- Do they view themselves as brothers and sisters,
and they understand mommy and daddy are together?
- We have a blended family.
This is something I never had before,
so now, we've been serious for four years.
- OK.
Do you live together?
- No, no.
- OK, so you don't live together.
- I live with my twin still.
- Does he like La'Niece?
- Yeah, we're all--you know.
That's his sis. - Oh, I love it.
I love it.
No, because, sometimes, it's like,
well, I don't think that's the right person for you.
They get a little jealous because you're moving on.
- I have been in a lot of relationships
where my female don't like my twin,
but that's just because they don't like that,
or my bond with my twin is stronger
than the bond with her.
In a lot of relationships, they do get jealous,
but she's a twin too.
- She's a twin too?
- Yeah, so she gets it.
- What are the chances?
- That's why she's not in competition with my twin
like the rest of the females were.
Or me and my twin lease is going to be
over in about six months now.
You know, that's why I'm here, trying to make sure she's
the one for me, so let me see before we
even move in together. You know what I mean?
- So you do want to move in?
- I do want to move in, yes.
- So what is the issue?
- For the last six months, she ain't been as loving
and caring for me as she usually is,
and, you know, the sex is different now.
- But I mean, is it--when you say sex is different,
it's like we used to do it five times a week,
now we do it once?
Or sex is different like now she don't let me
smack her on the ass no more?
You know, like, there's levels to sex is different.
- I mean, we was doing a lot more, yes, and now, we, like--
I damn near got to ask for it now.
You know, she was throwing it at me,
and she just be in her phone a little more
than she usually is-- - OK.
- And been with her long enough to know when
something else is going on.
- Hoo, yeah, that's a lot.
I understand why you're here--
"I want to find out if she's the one."
- Yeah, that's something I don't want to let go.
I love her.
I love the family we have together,
and that's something I feel like it's worth saving.
You know? - OK.
- You know?
- What I'm going to need from you is, since you guys don't
live together, I would need, like, a couple of places
that La'Niece likes to frequent, you know,
so that I can get my surveillance team out there
to see what she's up to.
And then I call you, and you come in,
and we look at what they found together.
- OK. - OK?
- All right, let's get this done.
- Period.
- ♪♪ Ooh-la-la-la, it's so good ♪♪
♪♪ ♪♪
♪♪ It's so good ♪♪
♪♪ It's so, so, so ♪♪
- It's day one.
I got this new case from Tami.
You know, the client, his name is Alex,
who believes that his girl is cheating.
I'm arrived at her house.
So right now, we're just going to sit here
and see what we get, any movement.
- ♪♪ So fresh, so new ♪♪
♪♪ Can't no one do what we do ♪♪
♪♪ So good ♪♪
- There's a man that's just coming to see--
Oh, OK.
It's just a delivery. All right.
[light hip-hop music]
♪♪ ♪♪
There she go.
[suspenseful music]
Mama on the move.
♪♪ ♪♪
She gonna come this way, so I might have to bend down.
Make the loop. Make the loop.
Cool.
♪♪ ♪♪
So I followed her to her salon.
We're going to sit here for the long haul
until she get ready to leave.
[hip-hop music]
♪♪ ♪♪
Oh, [bleep] there she go.
She's dressed up.
She got on some heels.
She got on a real short dress.
So that tell me she going somewhere.
[tense music]
♪♪ ♪♪
All right, I done followed this chick to a little plaza.
Oh, OK, here we go.
[device beeps]
I'm going to this lounge.
The hat camera got a little pinhole
right there for the camera,
so that way the hat look natural.
[hip-hop music playing]
♪♪ ♪♪
- That's Alex.
- Mm.
Well, she was sitting with a friend of hers,
and Alex walked in.
This look like them.
Is this--yeah, this is them.
OK.
Yeah, she meeting her man at a lounge.
There are two different cars.
All right, so I need to get ready and follow some peoples.
All right, so we're going to follow her.
[tense music]
♪♪ ♪♪
We pulling up to her house.
I don't see no other vehicles.
I'm going to go ahead and call it a night.
I'ma get back out here in the morning.
- ♪♪ Bruh keep it real ♪♪
♪♪ I'm just killing, no defense ♪♪
♪♪ I really made it the second my niece said ♪♪
- My second day on this case.
Yesterday, really nothing much to report,
so I'm back out here at her house on day two.
Oh, [bleep], showtime.
[camera beeps]
See where she takes us.
[tense music]
♪♪ ♪♪
Look like she's going back to her salon.
So what I want to do is go up here and loop around
and see if I can see what's going on in that shop
from a different vantage point from yesterday.
So she's back at work already.
She got a female client.
Nothing suspicious about that.
Oh, that's Alex.
My man.
And you bringing flowers and donuts.
Hmm. Uh-oh.
Something ain't right.
He tried to pull her close, and she wouldn't come.
She pushed him off.
Whoa, she did that "Get the [bleep] off."
Damn, she done trashed the man flowers,
but she kept the damn coffee and donuts.
Just a waiting game.
[light hip-hop music]
♪♪ ♪♪
The hell?
Wait a minute.
Oh, [bleep], Alex.
Damn, you done came back, bro?
You done change clothes.
You're in a different car.
He done got lunch.
[bleep]. Hold on.
That's the twin.
Damn, I mean, they are identical.
Wait a minute.
Yo, grabbing ass?
[dramatic music]
- ♪♪ Let's go to war ♪♪
♪♪ Let's go to war ♪♪
♪♪ Yeah ♪♪
♪♪ I never diminish ♪♪
♪♪ You started off finished ♪♪
- Hey, Alex. - Hi. Hello.
- How are you?
- Hello, hello.
- Good seeing you again. - Good to see you.
- Looking nice. Looking nice.
This is my dear friend, Coach Ken.
- How you doing?
- Nice to meet you. - Nice to meet you too.
- Have a seat on that side, please.
He's a relationship expert, and sometimes,
when people look at what I have to show them,
they don't really understand what they're feeling.
He's here to help you process some of those emotions.
OK? - Doing all right?
- Yeah, I'm all right. I'm good.
I'm blessed. I'm blessed.
- OK, you ready to look at everything?
- Yeah, I'm ready to get to it.
- All right, well, then, let's get to it.
This is our first day of surveillance,
and we start out at La'Niece's home.
She finally comes outside with a tote overnight bag.
We didn't really know where this was going to lead us.
[tense music]
- Overnight bag?
♪♪ ♪♪
- We follow her to this establishment.
- That's work.
She going to work. - Exactly.
She went straight to work.
We hung out outside just to see if there'd be
any other activity, if anything would go on.
- Yeah.
- She finally comes outside.
- She getting dressed leaving work, though?
Why's she--why is she in that?
- Well, that's definitely a change of attire.
- She got dressed like she going out,
and she ain't tell me she was going out.
- She went to go have a little drinky drink with her friends.
- I don't mind.
Just tell me.
- So there you are.
- She ain't tell me-- that's who?
That ain't me. That ain't my glasses.
Nah, that's my twin right there.
[dramatic music]
♪♪ ♪♪
That's my twin.
That's my twin right there.
- Wow.
Y'all definitely are identical.
- It's getting kind of weird right now.
- Well, maybe he just treating your lady with respect.
- But dang, she ain't telling me Tyler and them went out.
The [bleep] they got going on?
- Very gentleman-like, putting her in the car.
Going on about his business, and she going on about hers.
Damn, he look just like you.
- Yeah, that's my twin, and it definitely ain't me.
I know the difference.
- Well, tell me the difference.
[laughs]
- But what else y'all got. - You ready?
- Yeah. Show me some more.
- Day two of our surveillance, there she is doing a client.
- Oh, look there.
That's me right there.
- Taking care of your lady.
- I'm a gentleman.
- OK. All right.
- You know, she was acting a little funny, though,
when I came.
I don't know if she was trying to show off for her client.
She going to throw them on the floor.
That's crazy.
- You probably pissed her off.
- See, I had that feeling. I shouldn't have did that.
- You probably pissed her off. - Yeah.
- Look, there go my twin right there.
The [bleep] he pulling up there for?
♪♪ ♪♪
[bleep] kidding me?
I don't even want to watch this.
[chair crashes]
- Sit down. - But nah, I'm just saying--
- Because you need to watch this.
- Sit down for what?
Like, I don't even want to watch this.
I'm trying to change and be a better man to a woman.
- Well, part of the change has to be
a better way to communicate--
- And that's why--
- And articulate what's on your mind.
- And that's why I'm here.
- OK, so let's get to it.
- I'm trying to-- so I could tur--
I'm finna to go [bleep] Tyler up after this.
- There's La'Niece.
- There she go.
- And there you are, so I gathered
that she was coming over to spend a little time
at your place with you. - Yeah.
Yeah, she was coming to the house.
- You were there, so you know what's
happening in this moment. - Yeah, I was there.
- Y'all chilling, kicking it. - Yeah.
- So you sleeping, she texting, and then the two of you
get up and go into the bedroom where we did not have cameras.
- You got some more, though? Let's watch some more.
- I do.
This is the next day.
There's Tyler.
- Oh, now I can about tell them apart.
- And there you are.
- He got a tail.
- Yeah, that's that one.
- So you took the call for the service order.
- The service, service call.
- And you head out, which left Tyler home with La'Niece,
and you can clearly see. - This--this--
- No, this is the part you need to watch.
- This is, like my twin.
- This is the part you need to watch.
- This is my [bleep] twin.
- Because [bleep] happens in this moment.
- No, no, this is crazy.
- Like, I can't--
I don't--I can't deal with this [bleep]
- It is disrespectful from both of them.
- Alex? - Yeah.
- You mind if we just talk through this?
- No.
- I'd just like to share some things with you.
I know you're-- I know you're upset.
- Do you got a twin brother? - I don't.
- Then shut the [bleep] up.
[dramatic music]
[tense music]
- I know you're upset.
- Do you got a twin brother?
- I don't.
- Then shut the [bleep] up.
If your brother was [bleep] on your girl, how would you feel?
- I would-- I'm not asking you--
- You know this is crazy, right?
I don't even want to talk about this [bleep].
This [bleep]-- I don't know, bro.
Play this [bleep].
You know, I'm ready to get the [bleep]
up out of here at this point and go,
you know, tear some [bleep] up. - OK.
- [bleep].
Y'all don't know how the [bleep] I feel!
- I know--
- My twin's [bleep] with my girl that
I really wanted to be with. - But the truth is--
- I really wanted to be with her!
- I get it! - [bleep] that.
- I get it, but--
- Do you want to--
- But listen, everybody been through when--
when their heart been broken. That's what I'm talking about.
- They ain't been through what I been through.
- I get that. - My twin.
That's my right-hand man.
- But who are you more mad at, your brother or her?
- I'm mad more at my brother, really, because he
should have told me.
Communication is key with me, you know,
and I have not stepped out on her, not one time.
You know, so I'm always telling her, checking in.
- Let's go sit down. - This is crazy.
I want to know everything.
I want to know the truth.
- You've seen the truth.
- That's it? We ain't got no more?
- I ain't got no more for you to see.
- Here's the problem.
- Oh, here the problem. Tell me.
- Step up and, you know, G to G.
The real problem is, is the boundaries
that you and your brother have gone past, or he's gone past.
- Yeah. - Right?
And that [bleep] right there is what we need to deal with.
- Yeah, he's crossing boundaries.
- There's a term in psychology called enmeshment.
It's a psychological term when boundaries are
crossed within either romantic relationship
or brotherhood, when the boundaries are blurred.
And right now, the boundaries in your relationship
with your brother are blurred.
I get it. She hurt you.
She cheated.
But who she cheat with?
The person who was supposed to adhere
to the boundaries we set. - Yeah.
- But he didn't adhere to it.
- Yeah, being my twin brother and my right-hand man,
you should not be [bleep] someone that I really
want to settle down with.
- So potentially, when you say, I want to settle down with her,
maybe it triggered that moment of,
like, you think she the one, so let me show you she not.
- Now, that's very possible.
- Come on, bro.
I thought we was better than this.
- Figuring out what the next step should be
is very, very important.
We offer two options here.
The first one is you can go talk to your brother,
or you can go and just talk to La'Niece.
Y'all can chat it up, and then the two of you
can team up and have a conversation
with the third party.
I personally don't think that's right in this moment.
I think the next option is better.
The next time those two are together,
you roll up in that moment and catch them in the act
and confront both of them at the same time.
That is what we call a takedown.
- This [bleep] got me mad as [bleep].
I want to see this [bleep] in 3D.
Let's take them down. - So before we can do it,
I have to be able to get my surveillance team
back out there to see when they are together.
That's what I have to be able to do.
You just got to act normal when you leave here.
- [bleep].
Damn, let's catch them in the act because we know
they ain't finna keep playing with my feelings and my heart.
- ♪♪ Yeah, we take it to the top ♪♪
♪♪ Step up on the scene ♪♪
♪♪ Yeah, I'm way too fresh ♪♪
♪♪ I got bands on the bands ♪♪
♪♪ Do more and talk less ♪♪
♪♪ I don't never stress ♪♪
♪♪ I just jump over the hurdles ♪♪
- All right.
- Appreciate it.
- ♪♪ Yeah, we take it to the top ♪♪
The private investigation team hit me and said that
La'Niece and Tyler are at a sports bar.
- [laughs] - So I called Alex.
He's actually at a job.
- Working on somebody's house?
- Yes, and he was like, come get me.
[tense music]
There he is.
- Oh, man, let's go.
Come on in, my dude.
- How's it going, y'all?
I guess y'all got some more bad news for me, huh?
- Well, the investigation team found them together--
- Oh, they found them together?
- At a sports bar, yes.
- I want the truth. That's why I'm here.
You know? I'm just pissed off.
I really thought I was going to settle down with her, and to,
you know, to find out she's sneaking around
with my brother--
- So when you see him today, what is that conversation
going to look like?
- I'm going to ask, what the [bleep] is this,
and why didn't you come forward and tell me?
The bond I have with my twin is unbreakable, I thought.
You know what I mean? You know--
- Is there anything La'Niece can say to make it right?
- I don't--I don't know.
I need to-- I don't know.
This is kind of hard to come back from,
sleeping with my twin.
- You know, all of the ladies that you, you know, cheated on,
played with, do you think, on some level,
that now that it's happened to you,
is it going to help you understand
what you did to them?
- I have realized it's not good to play with people's feelings,
so this is why I'm here, trying to step up.
I was trying to step up for La'Niece.
If this doesn't work out, I'm not going
to go back to the streets and start [bleep] around again.
I'm still going to look for that one woman.
You know what I mean? Because that's what I want.
- That's good to know.
- I just want to make sure it's the right woman.
- It is what it is right now. - Yeah.
- We can't change what you've already seen
and what has already happened, so that means
some questions need to be asked
so that you can get answers-- - For sure.
- So that you know how to move forward from this moment.
- Yeah.
I'm not trying to leave here in the dark about nothing.
- Have you thought about any of those things
that you specifically want to ask?
- I mean, I just want to know why.
You know what I mean?
Is it something that he got that I don't,
or--you know what I mean?
Like, if y'all want to [bleep] with it, go ahead,
but I'm not finna be--
I don't want this to be a [bleep] love triangle.
- OK, so we are almost there.
Now, what I'd like to explain to you is,
the way this van is set up, we've got cameras on top,
so we'll be able to see them at this sports bar.
OK?
But I want you to just remember a couple of things.
I know sometimes it's hard for us to control our emotions,
and I can't really tell you how to react
to the emotions or the feelings that you're having right now.
What I do want to be able to tell you is, at some point,
you've got to have a actual conversation.
- Yeah. - So as you can see,
there they are at the sports bar.
Any time you want to get out and go have the conversation,
you are free to.
Ken and I will be able to monitor everything,
and when we need to step in, we will.
[suspenseful music]
♪♪ ♪♪
- Where they at, right here?
- You ready to go to work, man?
- Yeah, I'm ready to go over there.
- Let's go to work, guy.
They're right over there.
♪♪ ♪♪
- [indistinct speech]
- What's going on, y'all?
I thought you was better than this, Tyler.
What the [bleep]?
- I had to [bleep] tell you!
[dramatic music]
- I thought you was better than this, Tyler.
You over here sleeping with--
- I had to [bleep] tell you [bleep].
She was trying to take you away from me.
You wanna know why I was doing this?
- "She was trying to take you away."
- I said. Ooh, I said!
- Damn, you said it.
- He said, I had to show you.
- Oh, he said that.
- What the [bleep] these cameras is here for?
- You done. You [bleep] both of us?
- Come on. - You said it.
Let's go.
- But you know I love you, so-- [indistinct shouting]
- I don't love you.
I don't love you. - Hey! Hey!
- Why is all these cameras out here?
- Hey, y'all!
How y'all doing?
My name is Tami Roman, OK, and this is a show called
"Caught in the Act: Unfaithful."
- Get the [bleep] off me!
- Tyler. Tyler.
How about-- - The [bleep].
- How about you calm down-- - Calm down?
Why is all these cameras right here?
- Because I want to talk to you.
- No! Talk to me about what?
- You look like Alex. You're so cute.
- Let me tell you something real quick.
He came to me-- - OK.
- Because he was having problems
in his relationship. - OK.
- So we put her under surveillance--
- And I'm here. - And found out that she--
- I knew they was having problems.
- You [bleep] both of us.
- It's not what it looks like for us.
I swear to God. You ain't got no proof,
- I don't want to hear it.
Say that [bleep]. Alex this, Alex that.
I don't wanna hear [bleep].
- It ain't what it looks like. - I don't wanna hear [bleep].
- It's exactly what it looks like!
- What the [bleep] you talking about?
- Come with me, so they can--- What's really going on?
Why y'all got cameras out? - Come on.
- It's real life [bleep] going on.
- I really came to the [bleep] to [bleep] your [bleep]
so I can show you that these [bleep]--
- You could have told me. That's [bleep] up.
- Look, these [bleep] that be with you,
As soon as you leave, they going
to [bleep] your twin brother.
- But you could have been told me.
- That's what I wanted to. - So--so--
- I didn't know how to tell you.
- You just left me in the dark.
- You thought he could be hurt?
- Y'all creeping while I'm at work.
- Why would I want to hurt my twin brother?
- But you [bleep] her.
- If you knew, why you didn't you come to me?
- Oh. - You came to them?
- Alex called me up and said he was having
problems in his relationship.
He explained everything to me, how y'all been together.
The kids know each other.
You know, he wanted to spend his life with you,
have a relationship with you.
OK, and so he said, but something ain't right.
So we put you under surveillance,
and then we saw you having
a full-on relationship with his twin.
- Y'all don't know me.
Y'all don't know the [bleep] I've been through.
- You're right. I don't.
- I've been sitting up here trying to be loyal, faithful.
I can't help that the brother--
- La'Niece, I'm not trying to hear that [bleep] now.
Now, normally, I don't go off on my guest,
but I'm not trying to hear that [bleep].
OK? You've been out there-- - But that's not--
- [bleep] on the man's twin brother!
- I feel bad for what the [bleep] I'm doing to him.
But what y'all not going do is try to paint me
as a [bleep]-- - OK.
- [bleep]-up-ass individual. - OK.
All right, so let me say this.
I apologize because you're right.
I don't know you.
I don't know everything that you've been through.
I don't know your life story.
So what I would like, because now we both on our feet,
and that could go left, you have a seat, I have a seat--
- Absolutely. - And then let's--
let's finish our conversation.
- Absolutely.
- Do you love your brother?
- I would die for my brother.
- Well, why are you hurting your brother right now?
- I didn't know how to break it to him.
- You should have told me--
- Because like I said, this is my little brother.
- If you were going to do this,
why choose his twin brother?
- Because Alex wasn't giving me the affection that I needed.
I love both of these men.
They both say that they--
- You legitimately love--
- I do, and I cannot help that I fell in love with twins.
- And then he told me you were a twin.
- And I am.
I am, and the thing is, you know, she's married,
so I'm still looking for my--my husband.
- Got it.
- I did not mean to hurt him at all.
I did not mean to be with his brother.
And that's wrong of me.
That's wrong, but the thing is,
I can't help what the heart wants.
- You done look at me with the big baby doll eyes
and said, that's wrong of me. - It's wrong.
- Yes!
- It's wrong, and I know I'm wrong, so at this point,
it's like our kids know each other.
We've been together.
I want to make it work with him, but I feel embarrassed.
- Let me go get Alex, and let's find out what he wants.
- OK. - OK?
- You betrayed your brother. - Like we talked about--
- You do know that, right?
- We talk about anything. - Can we be honest?
Can we be keeping up on--
- I don't even want to think about that
because that's the last person I want to betray.
- You--you betrayed your brother, though.
- Look, you wanted to settle down.
That done hurt me. - Ah!
- You settling down hurt me!
- What, you want me to be outside with you forever?
- Oh, [bleep]. - You my twin!
- I'm just saying though.
- If she had you, she taking you away from me.
♪♪ ♪♪
[dramatic music]
♪♪ ♪♪
- You settling down hurt me!
- What, you want me to be outside with you forever?
- Oh, [bleep]. - You're my twin!
- I'm just saying, though.
- If she have you, she taking you away from me.
♪♪ ♪♪
- Hey, Alex. - [bleep].
- But he was-- - Come here for a second.
- [bleep].
- I want to have a conversation with you--
me, you, and La'Niece.
She wants to know what it is that you want.
- So what's really going on? I don't understand this.
- I'm just saying, you could have--like, come on.
I've been knowing there was something going on.
- What?
- But like, you know, I've been knew you were stepping out.
I felt the distance from the jump.
- But then-- - You know?
No, no, no, no, and then you sneaking up behind my back
with my twin though?
That's crazy, though.
How you think I'm supposed to come back from this?
- Babe, look at me. Babe, look at me.
- Tell him what it is about Tyler.
- I apologize.
You ain't been showing me no attention.
You've been gone. - I be at work.
- You be at work too, but--
- When I'm not working, I got other [bleep] going on too.
- Exactly. - I'm a businessman.
Well, then I feel [bleep] betrayed.
You've got the kids involved.
You know, I [bleep] you and the kids at that,
and now, you're [bleep] on my twin.
Like, this [bleep] is crazy.
- 'Cause y'all look alike, bro. - Because we look alike?
- Y'all look alike. - Like, come on.
So what, are you going [bleep] my daddy too?
- No.
- I ain't in your house [bleep] your sister.
Should I go [bleep] your twin sister?
- No. - See how you feel.
Because I could do it all. Feel me?
I changed my life.
I'm trying to settle down with you.
- So why we can't fix it?
- For you to go ahead and do this for me?
This is a betrayal.
You betrayed me.
- Let me try to go talk to him.
Let me try to--let me try.
- Can you please help me save this?
- Let me try to see what I can do.
- Bro, I would be stupid to go walk down the aisle
and marry someone that [bleep] my twin.
That's crazy.
- Now, is there a world where Tyler
still wants to be with her?
- [bleep], if he want to go ahead and do that, I'm done.
- Would you be OK with that?
- I don't care what they do. [bleep].
- Let's go see if Tyler still wants to be
in a relationship with her.
- Let's go see him.
- Tyler, would you be willing to sit down and talk with me?
- Yeah, I would be.
- Let me grab-- let me grab this.
- Grab a chair. Grab a chair.
- Here you go.
[tense music]
You calm? - I'm fine.
- OK. - You fine?
- He's calmed down.
He's calmed down now.
I heard you say when Alex first approached you,
"I wanted to show you that she wasn't the one for you."
Why do you feel that was your responsibility to do?
And why did you choose that route to do it?
Because your brother's really hurting right now.
- I understand that.
In reality, look, I want him to be happy.
You know, he thought he was happy.
I seen right through her bull-[bleep].
I wanted to be the first one to show him that
this ain't really the one.
- Why didn't you just tell your brother, though?
- I felt like she was trying to take--pull him away from me.
- You see the dynamics of what's happening?
Tyler, he didn't want you to take his place.
- I [bleep] up really bad.
I would never-- I would never even try
to compete with-- you know what I'm saying--
you and your brother relationship.
Like, that's so deep on another level.
Because I'm a twin, so I understand that relationship.
Why he didn't say that to me? - Well, he's scared.
I mean, think about it. He's scared.
It's been him and his brother his whole life.
- But could have been in with this.
I just want to fix it.
Can y'all please help me?
- Why did you view her as someone who's trying
to take him away from you?
Because the bond that you two have is never
going to be broken by anybody.
And both of y'all should be afforded the opportunity--
- But I'm saying you should have came--
- To have happiness.
You could have just told him.
- I didn't want her from the jump.
- What you want?
- What you wanted her to do was choose you over Alex.
- No, I was just trying to see how weak that [bleep] was.
- I think that's inaccurate.
I think he's always going to try to make every woman--
- So I'm just trying to sabotage him?
That's what you're saying, Tami?
- That is what I'm saying.
- Look, she's trying to pull you away from me too.
- No, I'm not.
- They all want to pull us away!
You letting this [bleep] in your [indistinct]?
She's [bleep] both of us. - OK, you could have came
to say that. - Don't turn up on me.
What are we going to do? - What are we going to do?
- If you're going to jump up on me,
I'm going to show you some real [bleep].
And I don't know who [bleep] you think I am,
on some for real [bleep], but I'm not her.
OK? OK?
[tense music]
- What are we going to do? - Jump up on--
- What are we going to do?
- I'm going to show you some real [bleep].
And I don't know who the [bleep] you think I am,
on some for real [bleep], but I'm not her.
- OK. - OK? OK?
- All right, Tami. You right.
- OK? - My bad, Tami.
- [bleep] with me. Now, let me tell you something.
Sit your ass down. - All right, Tami.
All of us sit down.
- At the end of the day, Tyler--
- We could have talked about it.
- You really should have just talked to your brother.
This is not how you show him somebody is not right for him.
And when I hear y'all history,
y'all story, it reminds me of my relationship with my mother.
Every time I tried to get a dude,
my mom was like, nah, that ain't the one.
She never wanted it to work, ever.
And I had to sit her down one day and say,
you do know you're always going to be my mother?
- Yeah.
- That's what I'm feeling right here.
This man right here--
- I'm always going to be your brother.
- Love his twin!
He--you ain't going nowhere no matter who he find,
and vice versa.
- What is it that Tyler brings to you that
you're not getting from Alex?
- His brother is more, you know, softer.
- OK.
- He's more telling me what he like about me.
I'm not saying that Alex is not like that,
but Alex is busy.
And I just feel like--
- Well, his brother does send him on work trips
so he can be with you.
I mean--I mean, just-- just being honest.
Come on. Come on.
We about to find out what's going to happen.
- Now, La'Niece may not be the right person.
OK, we found that out.
It is what it is.
But at the end of the day, both of y'all deserve happiness.
And it's not all "bitches ain't [bleep]."
Both of y'all are going to find people that really
rock with y'all and love y'all for real.
And y'all got to allow the other one to experience that.
- Oh, my God.
- Let's her sit right here
so that she's not sitting so close.
I'm just going to stand.
So, La'Niece, I came out to have a conversation
with both of the gentlemen.
And the truth of the matter is,
Tyler saw that Alex was really falling for you,
although there was something inside of you
that he felt like "she not the right one."
So he felt it his responsibility
to prove to Alex that you weren't the right one for him.
[tense music]
But every last one of y'all crossed boundaries.
- Right. - In the family dynamic,
in the relation, interpersonal dynamic.
So let's try to get where everybody stands out of this.
La'Niece.
- I want to be with Alex.
[dramatic music]
♪♪ ♪♪
- We've been together for a while now,
and I've been telling you how I want to settle down
with you, you know.
And for you to step out on me behind my back with my twin?
But I really love you and wanted to be with you.
But after this, it's like, I don't know where--
I don't know where we stand now.
You know? I'm hurt. I'm hurt.
Both of y'all hurt me.
- Don't you think you should apologize to your brother?
Like, you ain't even apologize to him.
- Why is you speaking on what I got to do?
- Because you need to. The [bleep]?
- We got our own situation going on.
I don't need apologize in front of all
these mother-[bleep] cameras.
- You should because you came [bleep] me.
- You were [bleep] my [bleep].
- Stop calling me a bitch.
And I ain't [indistinct].
- [bleep]. - Oh, this is a lot.
- It's cool. It's cool. - I want y'all to be--
I want y'all to be straight up for a minute.
I want y'all to look each other in the eye.
Let's really get to the core of it.
You don't want to lose your brother.
- I don't.
- I ain't going nowhere, bruh.
[soft dramatic music]
- Hey, hey.
I'm not right.
I'm not proud of it.
But now, look.
Don't no [bleep] got you like I got you.
- But he's got to have you for real in a way
that you're still allowed to have peace.
And you've got to do the same for him.
- You right. I shouldn't have--
I should have never went out-- went about it that way.
- That way.
OK? So my job is done.
You ready, Ken?
- I'm ready.
- Hopefully we can talk about it.
That's all I got to say. - Bye, y'all.
- I never wanted to hurt Alex.
I never thought it would end up here today.
I hope, you know, that he can forgive me, personally,
because I [bleep] up.
- When I seen her cheating with my brother,
it was just like all the love I had for her
just went out the window.
- I need to realize that at the end of the day,
what makes him happy might not make me happy.
- Yeah. - I want him to be happy.
- We still is our own person.
- This is my brother.
- We twins, but we still our own person.
[laughter] - Get this [bleep].
- ♪♪ Know I got that faith walk ♪♪
♪♪ Why you got that drip? I let my wave talk ♪♪
♪♪ Told me pick a side, but now my plate stuck ♪♪
[line trilling]
- How you doing, Alex?
- Hey, Tami.
I'm doing good. - OK.
Because I know the last time that we saw each other,
whoo, child, it was so much going on.
Have you spoken to La'Niece?
- A couple of times, but we ain't really talking.
We decided to call it off.
It ain't no coming back after that.
- Absolutely.
Now, how has the relationship with you and your twin changed?
- I feel like it got stronger.
- Really? - We still real tight.
I could be mad, but I'm just going to take it
as a learning situation.
- I understand y'all bond is never going to be broken.
But you as an individual have to enlist
some boundaries with your twin.
That's just what has to happen so that this situation
never happens again.
- For sure.
- Where your brother at?
- Tyler, all good?
- What's up, Tyler?
- What's going on? We doing it together?
- Yeah, come on in here.
So, listen, I wanted to make sure that you learned something
going through this experience.
- Yeah, I learned that at the end of the day,
family comes first.
- I know you love your brother, but don't take drastic measures
to try to teach him anything.
He's always looked up to you.
So the one person on this planet that he's always
going to listen to is you.
All it takes is communication. OK?
- Right. - All right, y'all.
- Don't be sleeping with none of my girls.
Bruh, come on.
- Yeah, I mean, I had to teach you a life lesson.
- I'm done with y'all.
I can't--I can't continue this conversation no more.
- Bros over hoes.
- [laughs] Bye!
Cheaters, beware.
- We're not together.
- What the [bleep] is you talking about?
- Next time you want to be unfaithful, think again.
Where are you going?
Because I just might--
This is a mess. Come on, Ken.
- All right. - Catch you in the act.
- But I'm not caught in the act.
- We've seen it all!