1
00:00:02,600 --> 00:00:05,319
The following programme
contains strong language,

2
00:00:05,320 --> 00:00:08,280
violence,
and scenes of a sexual nature.

3
00:00:19,440 --> 00:00:21,440
(BRAKES SQUEAK)

4
00:00:36,040 --> 00:00:38,040
(INDISTINCT)

5
00:00:40,600 --> 00:00:42,600
(BELL CHIMES FIVE TIMES)

6
00:00:53,120 --> 00:00:55,120
(SECOND BELL CHIMES FIVE TIMES)

7
00:01:03,160 --> 00:01:05,559
(DRAMATIC MUSIC)

8
00:01:05,560 --> 00:01:08,240
CESARE: (IN ITALIAN)

9
00:02:52,960 --> 00:02:55,000
(GHOSTLY MUTTERING)

10
00:03:10,280 --> 00:03:12,280
(POWERFUL, DRAMATIC MUSIC)

11
00:03:19,720 --> 00:03:21,959
(ANGRY CROWD NOISE)

12
00:03:21,960 --> 00:03:25,240
MUSSOLINI:

13
00:04:27,720 --> 00:04:28,960
(FLY BUZZES)

14
00:05:03,160 --> 00:05:05,160
(BUZZING)

15
00:05:57,640 --> 00:05:58,640
Mm.

16
00:06:03,280 --> 00:06:05,960
(INAUDIBLE WHISPERING)

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00:06:19,360 --> 00:06:21,200
MUSSOLINI:

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00:06:37,640 --> 00:06:39,280
(ECHOING)

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00:06:41,080 --> 00:06:43,080
(YELLING)

20
00:06:49,560 --> 00:06:51,640
(SPITS)
DE BONO:

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00:07:17,800 --> 00:07:19,760
(DOOR OPENS)

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00:07:55,320 --> 00:07:57,799
(WHEEZY LAUGH)

23
00:07:57,800 --> 00:07:59,840
(LAUGHS)

24
00:08:55,280 --> 00:08:57,280
(FLIES BUZZING)

25
00:09:15,680 --> 00:09:17,880
(BUZZING)

26
00:10:07,640 --> 00:10:09,640
(HUSHED MUTTERING)

27
00:10:47,120 --> 00:10:50,240
(MUSSOLINI'S SPEECH CONTINUES,
ECHOEY AND INDISTINCT)

28
00:10:51,400 --> 00:10:53,400
(GRUNTS SOFTLY)

29
00:11:08,080 --> 00:11:10,079
(HONKING)

30
00:11:10,080 --> 00:11:12,120
(INDISTINCT CHATTER)

31
00:12:57,680 --> 00:12:59,600
(CHUCKLES)

32
00:13:02,000 --> 00:13:04,000
(EXHALES, LAUGHS)

33
00:16:42,840 --> 00:16:46,200
(ECHOING)

34
00:17:56,280 --> 00:17:57,920
(SIGHS)

35
00:18:15,360 --> 00:18:16,999
(EERIE MUSIC)

36
00:18:17,000 --> 00:18:18,480
(FLIES BUZZING)

37
00:18:22,560 --> 00:18:24,400
(TENSE MUSIC BUILDING)

38
00:18:26,080 --> 00:18:28,080
(WHISTLES)
Leila!

39
00:18:35,440 --> 00:18:37,760
(TENSE MUSIC INTENSIFIES)

40
00:18:52,920 --> 00:18:54,920
(LEILA BARKING IN DISTANCE)

41
00:19:11,640 --> 00:19:13,880
(FLIES BUZZING)
(TENSE MUSIC BUILDING)

42
00:19:35,120 --> 00:19:37,560
Ah!
(GROANS)

43
00:20:10,880 --> 00:20:12,880
(DRAMATIC MUSIC BUILDING)

44
00:20:33,960 --> 00:20:36,400
INVESTIGATOR:

45
00:21:06,680 --> 00:21:08,680
(TENSE MUSIC)

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00:21:10,160 --> 00:21:11,920
INVESTIGATOR:

47
00:21:37,040 --> 00:21:38,800
MUSSOLINI:

48
00:23:47,880 --> 00:23:49,400
(SERVANT CLEARS THROAT)

49
00:23:54,840 --> 00:23:57,440
(OMINOUS MUSIC)

50
00:24:35,400 --> 00:24:37,400
(OMINOUS MUSIC CONTINUES)

51
00:24:50,600 --> 00:24:52,600
(BRAKES SQUEAK)

52
00:24:59,680 --> 00:25:01,680
(OMINOUS MUSIC CONTINUES)

53
00:25:32,000 --> 00:25:34,000
(OMINOUS MUSIC CONTINUES)

54
00:25:58,480 --> 00:26:00,720
VELIA:

55
00:26:40,560 --> 00:26:42,560
(FOOTSTEPS RECEDE)

56
00:27:03,320 --> 00:27:05,320
(FLIES BUZZ)

57
00:28:14,720 --> 00:28:16,720
(DOOR OPENS)

58
00:28:18,640 --> 00:28:19,640
(DOOR CLOSES)

59
00:28:21,200 --> 00:28:23,359
(PHONE RINGS)

60
00:28:23,360 --> 00:28:25,400
(TENSE MUSIC)

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00:28:54,720 --> 00:28:55,960
RACHELE:

62
00:29:01,640 --> 00:29:03,080
(CRACKLY)

63
00:29:15,320 --> 00:29:17,320
(TENSE MUSIC CONTINUES)

64
00:29:34,520 --> 00:29:36,520
(BANG)

65
00:29:51,320 --> 00:29:54,479
(RACHELE BECOMES ECHOEY, INDISTINCT)

66
00:29:54,480 --> 00:29:56,520
(OVERLAPPING ECHOEY VOICES)

67
00:30:34,240 --> 00:30:35,680
(THUD!)

68
00:31:12,360 --> 00:31:14,360
(INSECTS CHIRPING)

69
00:32:18,640 --> 00:32:20,919
(BANGING ON DOOR, MAN SHOUTS)

70
00:32:20,920 --> 00:32:22,960
(VIOLIN PLAYS)

71
00:32:41,920 --> 00:32:43,920
(TENSE MUSIC CONTINUES)

72
00:32:47,600 --> 00:32:49,600
(CHUCKLES)

73
00:32:55,360 --> 00:32:57,360
(HE PLAYS, TENSE MUSIC CONTINUES)

74
00:33:31,160 --> 00:33:33,160
(TENSE MUSIC CRESCENDOES)

75
00:33:41,040 --> 00:33:43,040
(TENSE MUSIC CONTINUES)

76
00:35:20,800 --> 00:35:22,800
(TENSE MUSIC CONTINUES BUILDING)

77
00:35:56,800 --> 00:35:58,800
(TENSE MUSIC CONTINUES)

78
00:36:04,360 --> 00:36:06,360
(PANTING IN TIME WITH MUSIC)

79
00:36:07,440 --> 00:36:09,480
(PANTING AND TENSE MUSIC CONTINUES)

80
00:36:12,480 --> 00:36:14,480
(RHYTHMIC THUMPING)

81
00:36:20,480 --> 00:36:22,480
(TENSE MUSIC AND THUMPING CONTINUE)

82
00:36:56,720 --> 00:36:58,719
(TENSE MUSIC CRESCENDOES)

83
00:36:58,720 --> 00:37:00,440
(MUSIC ENDS)

84
00:38:57,240 --> 00:38:58,600
NAVARRA:

85
00:39:28,320 --> 00:39:30,320
(PEN SCRATCHING)

86
00:39:42,960 --> 00:39:44,960
(DISTANT SHOUTS)

87
00:39:48,640 --> 00:39:50,640
(INDISTINCT CHATTER)

88
00:40:07,880 --> 00:40:09,360
MUSSOLINI:

89
00:40:36,520 --> 00:40:39,520
CESARE:

90
00:41:59,003 --> 00:42:01,000
(MUSIC FADES IN, MAN SINGING OPERA)

91
00:42:36,480 --> 00:42:38,480
(INDISTINCT CHATTER)

92
00:42:58,960 --> 00:43:00,960
(SOUND DISTORTS, BECOMES ECHOEY)

93
00:43:15,760 --> 00:43:17,760
(SOUND RETURNS)

94
00:43:27,560 --> 00:43:29,839
(IN FRENCH)

95
00:43:29,840 --> 00:43:32,680
(IN ITALIAN)

96
00:43:37,800 --> 00:43:39,800
(SOUND DISTORTS)
(WHISPERED CHATTER)

97
00:44:01,880 --> 00:44:02,880
Hm.

98
00:44:23,160 --> 00:44:24,920
(CROWD MUTTERING)

99
00:44:29,040 --> 00:44:31,040
(APPLAUSE)

100
00:44:32,960 --> 00:44:34,960
(GASPING)

101
00:44:36,240 --> 00:44:38,240
(HUFFS)

102
00:44:40,520 --> 00:44:42,560
(IN FRENCH)

103
00:45:00,560 --> 00:45:02,560
(CHATTER AND MUSIC FADE)

104
00:45:09,240 --> 00:45:11,240
(TENSE MUSIC BUILDING)

105
00:46:02,480 --> 00:46:04,160
MATTEOTTI:

106
00:46:08,880 --> 00:46:10,480
(GUNSHOTS)
(PAINED GRUNTS)

107
00:47:12,080 --> 00:47:14,080
(ECHOING)

108
00:47:32,760 --> 00:47:34,640
(UNSETTLING MUSIC)

109
00:48:27,040 --> 00:48:29,040
(SLIDES AN OBJECT ON DESK)

110
00:49:17,000 --> 00:49:19,000
(SNIFFS)

111
00:52:21,680 --> 00:52:23,680
(TENSE MUSIC)

112
00:54:10,000 --> 00:54:13,320
(TENSE MUSIC CONTINUES)

113
00:55:45,840 --> 00:55:47,000
(WHISPERS)

114
00:56:08,960 --> 00:56:12,400
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