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Tonight is a double performance…
2
00:00:12,840 --> 00:00:13,720
Oh, my God.
3
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…and a double elimination.
4
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[gasping]
5
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-[Celine exclaims]
-[Keenan] Don't touch me.
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Only two choreographers
can make it through to the final.
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Two people are going home.
The competition just got real.
8
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This is crazy.
9
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And a chance to bag that $100,000 prize.
10
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Yet another fire lit
under our asses, so really bring it.
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Let's just give 'em a show, y'all.
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[audience cheering]
13
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The two choreographers
that make it through to the final
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will have to create a piece
for all 100 of the Dance 100.
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Here to give you a taste of the scale
of this challenge with their own routine,
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they're the best dancers on Earth,
it's the Dance 100.
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[audience cheering]
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{\an8}[Nothin' by N.O.R.E. playing]
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{\an8}♪ Oh! Millitainment ♪
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{\an8}♪ Oh! Millitainment ♪
21
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♪ Oh! ♪
22
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-♪ Millitainment ♪
-♪ Come on ♪
23
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♪ Millitainment
Oh! Millitainment ♪
24
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♪ Millitainment ♪
25
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♪ Hey, yo! Millitainment ♪
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♪ Homeboy, I came to party ♪
27
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♪ Yo' girl was lookin at me ♪
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♪ She's a haggler
Naw I'm not taggin her ♪
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♪ But you don't want them boys
To come over and start askin ya ♪
30
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♪ Whatcha wanna do?
Shh… Nothing ♪
31
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♪ Whatcha tryin do?
Nothing ♪
32
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♪ Whatcha wanna do?
Nothing ♪
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♪ Whatcha tryin do?
Nothing ♪
34
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♪ Yo, N-O-R papi say what
That the man ♪
35
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♪ With manager Chris
And the label that Jams ♪
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♪ Still flossin
Showin your rocks ♪
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♪ Ain't you heard grimey man
We stole your watch ♪
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♪ I'm in da club
Drunk like da-da-da-da-da-da ♪
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♪ And mami took her papa like
Da-da-da-da-da ♪
40
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♪ They gave me a brick
Ain't seen me since ♪
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♪ Coulda woulda
Had them hoppin' the fence ♪
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♪ Homeboy, I came to party ♪
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♪ Your girl was looking at me ♪
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♪ She's a haggler
Naw I'm not taggin her ♪
45
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♪ But you don't want them boys
To come over and start askin ya ♪
46
00:02:10,440 --> 00:02:12,760
♪ Whatcha wanna do?
Shh… Nothing ♪
47
00:02:12,840 --> 00:02:15,199
♪ Whatcha tryin do?
Nothing ♪
48
00:02:15,280 --> 00:02:17,760
♪ Whatcha wanna do?
Nothing ♪
49
00:02:17,840 --> 00:02:20,200
♪ Whatcha tryin do?
Nothing ♪
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♪ Oh! ♪
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♪ Oh! ♪
52
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♪ Oh! ♪
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♪ Oh! ♪
54
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♪ Oh! ♪
55
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♪ Oh! ♪
56
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♪ Oh! ♪
57
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♪ Oh! ♪
58
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[song ends]
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[audience cheering]
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[Ally] Wow, that was amazing.
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Give it up for all 100
of our incredible Dance 100.
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So for the second performance
in our semifinal,
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it's time for the narrative challenge.
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The choreographers have to tell
a story through dance.
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Our first choreographer is known
to have quite a few tricks up his sleeve,
66
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and he is here to mix it up.
67
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It's Keenan.
68
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[audience cheering]
69
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-You ready?
-Yes!
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{\an8}[Ally] Your next challenge
is the narrative challenge.
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Inside the envelope, you'll find
a short story you must tell through dance.
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♪ You got that freaky root ♪
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Hey, y'all! "Drinks under the stars."
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"You're having cocktails under the stars."
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"The love of your life walks towards you.
What happens next?"
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Let's hear this song.
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Oh, okay, cute, kind of. Kind of.
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It's very slow.
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I'm not a slow person.
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I like to move.
I like energy. I like vibes.
81
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Okay, it's cute.
82
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We got this really
corny-ass narrative. [laughs]
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"You see the love of your life
for the first time. Is it real?"
84
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My main concern with the narrative
challenge is the fact it's really slow.
85
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Enough talking. Let's get started.
86
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I need to bring life to the song.
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[scatting]
88
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I need to show a little bit
of versatility, maybe some partnering.
89
00:04:14,720 --> 00:04:18,560
I chose James and Lucia to do the lifts
because they have great chemistry.
90
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Lucia is really light, so you can
throw her ass all over the place,
91
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doing one-handed lifts,
doing multiple lifts at a time.
92
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It's gonna be tough.
93
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-The nerves, the short time. I'm scared!
-Mmm-hmm.
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We've gotta do our best,
there's responsibility,
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but that doesn't mean we'll vote for him.
This is a competition.
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We've not seen anyone else's pieces.
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Semifinals, you gotta bring
something different.
98
00:04:42,280 --> 00:04:44,200
You're holding somebody up with one hand.
99
00:04:44,280 --> 00:04:46,760
If you aren't strong enough,
you'll drop them.
100
00:04:46,840 --> 00:04:48,160
It has to be precise.
101
00:04:48,760 --> 00:04:51,640
♪ Wild and dangerous
No need to worry about… ♪
102
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There's a lot of pressure
for the semifinals.
103
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So I hope my narrative reads.
I hope people understand the story.
104
00:04:58,640 --> 00:05:01,600
Having more dancers on this stage
is sometimes an advantage,
105
00:05:01,680 --> 00:05:07,080
but I think with such an intimate story,
it would be easier to have less dancers.
106
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I want to thank you for being down
for me from the beginning.
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I couldn't have done it without you,
so I appreciate you so much.
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-Thank you. We've got you.
-Love.
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This narrative just has to be clean.
We have to really tell this story.
110
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We have to make people fall in love
and feel like they're with us.
111
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If we can make that happen,
we could make it to the finale.
112
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Let's make people fall in love!
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[dancers cheering]
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[audience cheering]
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["Never Be Like You" by Flume playing]
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{\an8}♪ What I would do to take away
This fear of being loved ♪
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♪ Allegiance to the pain ♪
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♪ Now I'm fucked up and I'm missing you ♪
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♪ He'll never be like you ♪
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[audience cheering]
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♪ I would give anything to change
This fickle-minded heart ♪
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♪ That loves fake shiny things ♪
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♪ Now I'm fucked up and I'm missing you ♪
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♪ He'll never be like you ♪
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[woman] Yes!
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♪ I'm only human, can't you see?
I made, I made a mistake ♪
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♪ Please just look me in my face
Tell me everything's okay ♪
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♪ 'Cause I got it
Ooh, he'll never be like you ♪
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♪ I'm only human, can't you see?
I made, I made a mistake ♪
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♪ Please just look me in my face
Tell me everything's okay ♪
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♪ 'Cause I got it
Ooh, he'll never be like you ♪
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[audience cheering]
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♪ Baby, baby, please believe me ♪
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[Ally] Yes!
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♪ Come on, take it easy ♪
136
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♪ Please don't ever leave me ♪
137
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♪ Ooh, he'll never be like you ♪
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[song ends]
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[audience cheering]
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-That's so beautiful.
-[Ally] Literally, sparkles from the sky.
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Y'all, keep it going
for Keenan and his dancers!
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[audience cheering]
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-Keenan, that was incredible.
-Thank you.
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What's the story behind this piece?
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The narrative was
"A Night Under the Stars."
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"You see the love of your life
for the first time. Is it real?" Yeah.
147
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So when I got it, I knew
I wanted to do some type of partnering,
148
00:07:39,880 --> 00:07:44,560
because I know that James and Lu
have this great partnering chemistry.
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And there's so many people
on this team that have technique.
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I wanted it to feel nice. I wanted it
to feel like this euphoric moment.
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00:07:53,480 --> 00:07:55,560
[audience cheering]
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All right, let's send it up
to our eyes in the sky.
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Joseph, it was "A Night Under the Stars."
Were you on board?
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{\an8}Keenan, congratulations
on executing this narrative piece.
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00:08:05,360 --> 00:08:08,440
It was clear from the beginning
they were star-crossed lovers.
156
00:08:08,520 --> 00:08:15,200
Also with the song, how fear is that thing
that's blocking her from getting there.
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He's like, "I'm here, I can support you."
She's like… [exclaiming]
158
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And I'm just like, "My heartstrings!
Just say yes, say yes!"
159
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Oh, my goodness.
It was so beautiful, so celestial.
160
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I enjoyed everything. Great,
great work, everyone. Great work.
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[applause]
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[Ally] Jackie, let me talk to you next.
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Some of your dancers are more
well-versed in this style than others.
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You can tell the difference and it clashes
a little bit. Other than that, I love it.
165
00:08:47,799 --> 00:08:50,480
[Ally] Armando, were you
and Keenan on the same page?
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{\an8}I am such a sucker for love stories.
167
00:08:55,000 --> 00:08:59,200
And I think from start
to finish, it was very clear.
168
00:08:59,280 --> 00:09:03,800
Honestly, at the end, when Luc just had
that moment, I got goosebumps.
169
00:09:03,880 --> 00:09:06,240
And I loved it. It was great.
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00:09:06,320 --> 00:09:08,080
-[Ally] All right.
-[audience cheering]
171
00:09:08,160 --> 00:09:10,600
A different side of you. Tell me about it.
172
00:09:10,680 --> 00:09:13,600
It's the semifinals.
Would you do anything differently?
173
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My goal coming on this show
174
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was to show people
I could do everything, you know?
175
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So it was important to show I could be
a ratchet bitch and give you that.
176
00:09:24,840 --> 00:09:28,320
But to do this and for you guys
to feel it, it means so much to me
177
00:09:28,400 --> 00:09:30,640
'cause I was so nervous about it.
178
00:09:30,720 --> 00:09:33,880
So I'm happy it read the way
I wanted it to.
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00:09:33,960 --> 00:09:36,680
Let's give it up for Keenan
and his 25 dancers.
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00:09:36,760 --> 00:09:39,000
[all cheering]
181
00:09:42,880 --> 00:09:43,920
So good.
182
00:09:47,400 --> 00:09:49,680
[overlapping chatter]
183
00:09:49,760 --> 00:09:50,880
[Ally] Y'all, good?
184
00:09:50,960 --> 00:09:52,800
[audience cheering]
185
00:09:52,880 --> 00:09:54,960
It's time for our next choreographer.
186
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His narrative was "On the Run."
187
00:09:57,360 --> 00:10:00,000
But will it be a marathon or a sprint?
188
00:10:00,080 --> 00:10:01,240
It's Max!
189
00:10:01,320 --> 00:10:02,840
[audience cheering]
190
00:10:04,080 --> 00:10:06,920
We have to create a performance
with a narrative.
191
00:10:07,000 --> 00:10:08,560
My narrative is,
192
00:10:08,640 --> 00:10:13,720
I'm a secret agent on the run,
and I'm being chased and what happens?
193
00:10:16,160 --> 00:10:19,680
I don't know about y'all,
but I definitely ran into a wall.
194
00:10:19,760 --> 00:10:22,920
I'm tired, exhausted.
I can feel it in my body.
195
00:10:23,000 --> 00:10:26,200
I think I've hit my first obstacle.
196
00:10:26,280 --> 00:10:28,320
Uh… Uh…
197
00:10:28,400 --> 00:10:29,560
How's that chorus start?
198
00:10:29,640 --> 00:10:32,280
Creatively, you're trying
to lead 25 people.
199
00:10:32,360 --> 00:10:34,560
Like, "Follow me!
But we're going into the dark."
200
00:10:34,640 --> 00:10:36,120
We can just leave it here.
201
00:10:39,200 --> 00:10:42,400
I was stressed the past couple days,
a bit overwhelmed.
202
00:10:43,120 --> 00:10:45,240
Kind of ran into a creative roadblock.
203
00:10:45,920 --> 00:10:48,960
I took the last two days to have
some conversations with friends,
204
00:10:49,040 --> 00:10:52,400
and I was reminded to enjoy it.
We're so close.
205
00:10:54,240 --> 00:10:56,880
{\an8}-What have you been doing?
-Kind of the same old.
206
00:10:56,960 --> 00:10:59,240
{\an8}-Same?
-Yeah, still trying to create.
207
00:10:59,320 --> 00:11:01,640
{\an8}Clay Lee is a mentor of mine.
208
00:11:01,720 --> 00:11:04,200
The guy that gave me my first teaching job
209
00:11:04,280 --> 00:11:06,560
at the local community center in Boise.
210
00:11:06,640 --> 00:11:11,080
{\an8}We would come here every Friday and dance
until this place closed at what, 10:00?
211
00:11:11,160 --> 00:11:12,840
-11:00.
-11:00 p.m.
212
00:11:12,920 --> 00:11:15,840
[Max] So I think, without Clay
supporting my dance career
213
00:11:15,920 --> 00:11:19,520
and wanting me to pursue my dreams
of being a professional dancer,
214
00:11:19,600 --> 00:11:24,400
I think that things would probably look
a lot different than they do right now.
215
00:11:24,480 --> 00:11:28,720
You were always
the most driven, dedicated kid ever.
216
00:11:28,800 --> 00:11:30,280
I would say passionate.
217
00:11:30,360 --> 00:11:34,080
You can fail at something,
but you won't lose unless you quit.
218
00:11:35,280 --> 00:11:37,480
I think I just have to
keep doing my thing.
219
00:11:40,160 --> 00:11:42,200
Definitely I like "I'm coming for you."
220
00:11:42,280 --> 00:11:45,640
The narrative piece
is a story of a secret agent.
221
00:11:45,720 --> 00:11:47,760
One of my guys, Robbie,
222
00:11:47,840 --> 00:11:51,680
having to ward off
a battalion of army dancers.
223
00:11:51,760 --> 00:11:52,920
It's fun to watch him.
224
00:11:53,000 --> 00:11:54,440
[scatting]
225
00:11:56,320 --> 00:11:59,360
So much character, you know,
but the dancing is exciting.
226
00:11:59,440 --> 00:12:03,000
It's meant to feel
in-your-face and aggressive,
227
00:12:03,080 --> 00:12:06,720
and a bit overwhelming
because it's basically one on 25.
228
00:12:06,800 --> 00:12:08,600
There has to be a clear story line,
229
00:12:08,680 --> 00:12:11,680
because if there's any room
for feedback, it's on a narrative piece.
230
00:12:11,760 --> 00:12:15,400
And if you can't follow the story,
you're gonna hear something about it.
231
00:12:17,280 --> 00:12:21,600
We've got a little surprise at the end,
and I can't wait to see it unfold.
232
00:12:25,200 --> 00:12:26,960
[audience cheering]
233
00:12:27,040 --> 00:12:29,280
["Chun-Li" by Nicki Minaj playing]
234
00:12:36,400 --> 00:12:37,440
{\an8}♪ Ayy, yo ♪
235
00:12:37,520 --> 00:12:39,240
{\an8}♪ Look like I'm goin' for a swim ♪
236
00:12:39,320 --> 00:12:42,280
{\an8}♪ Dunked on 'em
Now I'm swingin' off the rim ♪
237
00:12:42,360 --> 00:12:44,280
♪ Bitch ain't comin' off the bench ♪
238
00:12:44,360 --> 00:12:47,120
♪ While I'm comin' off the court
Fully drenched ♪
239
00:12:47,200 --> 00:12:49,040
♪ Some haterade
Get your thirst quenched ♪
240
00:12:49,120 --> 00:12:51,720
♪ Style'd on 'em in this Burberry trench ♪
241
00:12:51,800 --> 00:12:54,120
♪ These birds copy
Every word, every inch ♪
242
00:12:54,200 --> 00:12:56,560
♪ But gang-gang
Got the hammer and the wrench ♪
243
00:12:56,640 --> 00:12:58,920
♪ I pull up in that quarter milli'
Off the lot ♪
244
00:12:59,000 --> 00:13:01,640
♪ Oh, now she tryna be friends
Like I forgot ♪
245
00:13:01,720 --> 00:13:03,920
♪ Show off my diamonds
Like I'm signed by the Roc ♪
246
00:13:04,000 --> 00:13:06,400
♪ Ain't pushin' babies
'Til he buy the rock ♪
247
00:13:06,480 --> 00:13:08,680
♪ Ayy, yo, I been on
Bitch, you been corn ♪
248
00:13:08,760 --> 00:13:11,200
♪ Bentley tints on, Fendi prints on ♪
249
00:13:11,280 --> 00:13:13,720
♪ I mean I been Storm
X-Men been formed ♪
250
00:13:13,800 --> 00:13:16,200
♪ He keep dialin' Nicki
Like the Prince song ♪
251
00:13:16,280 --> 00:13:18,760
♪ I been on, bitch, you been corn ♪
252
00:13:18,840 --> 00:13:21,320
♪ Bentley tints on, Fendi prints on ♪
253
00:13:21,400 --> 00:13:23,560
♪ Ayy, yo, I been North
Laura been Croft ♪
254
00:13:23,640 --> 00:13:26,520
♪ Plates say "Chun-Li"
Drop the Benz off, uh ♪
255
00:13:26,600 --> 00:13:27,840
♪ Oh, I get it ♪
256
00:13:29,040 --> 00:13:31,200
♪ They paintin' me out to be the bad guy ♪
257
00:13:31,280 --> 00:13:35,240
♪ Well, it's the last time you're gonna
See a bad guy do the rap game like me ♪
258
00:13:36,720 --> 00:13:38,640
♪ I went and copped the chopsticks ♪
259
00:13:38,720 --> 00:13:40,880
♪ Put it in my bun just to pop shit ♪
260
00:13:42,080 --> 00:13:43,600
♪ I'm always in the top ♪
261
00:13:43,680 --> 00:13:46,280
♪ Box seats, bitch, fuck the gossip ♪
262
00:13:46,360 --> 00:13:48,400
♪ I been on, bitch, you been corn ♪
263
00:13:48,480 --> 00:13:50,760
♪ Bentley tints on, Fendi prints on ♪
264
00:13:50,840 --> 00:13:52,840
♪ Ayy, yo, I been North
Laura been Croft ♪
265
00:13:52,920 --> 00:13:55,720
♪ Plates say "Chun-Li"
Drop the Benz off, uh ♪
266
00:13:55,800 --> 00:13:56,920
[song ends]
267
00:13:58,160 --> 00:14:00,040
[all cheering]
268
00:14:08,880 --> 00:14:11,080
[Ally] Y'all, keep it going
for Max and his dancers.
269
00:14:12,960 --> 00:14:14,000
Whoa!
270
00:14:14,080 --> 00:14:19,120
I mean, Max, you gotta talk me
through the storytelling of this routine.
271
00:14:19,200 --> 00:14:21,680
[Max] I actually ran into a creative wall.
272
00:14:21,760 --> 00:14:23,520
The prompt was "Secret Agent."
273
00:14:23,600 --> 00:14:26,520
"You're being chased through
the streets. What happens next?"
274
00:14:26,600 --> 00:14:27,760
[applause]
275
00:14:27,840 --> 00:14:30,080
-Okay.
-So that's what we had with our 007.
276
00:14:30,160 --> 00:14:33,640
I wanted to lean into the narrative
and create a bit of a video game.
277
00:14:33,720 --> 00:14:35,960
-[audience cheering]
-[Ally] All right.
278
00:14:36,040 --> 00:14:38,920
Let's go ahead and talk to the Dance 100.
279
00:14:39,000 --> 00:14:43,120
Ola, do you think Max handled
the storytelling challenge well?
280
00:14:43,200 --> 00:14:47,880
{\an8}Yeah. I wasn't sure at the beginning
who was good or bad in this story.
281
00:14:47,960 --> 00:14:52,880
{\an8}But I was engaged with it, and following
what was happening, and you got me.
282
00:14:52,960 --> 00:14:54,840
I didn't know you swapped the people.
283
00:14:54,920 --> 00:14:57,640
That shows how smart you are
as a choreographer
284
00:14:57,720 --> 00:15:01,600
to execute this whole story
that you created.
285
00:15:01,680 --> 00:15:03,480
[Ally] All right. Thanks, Ola.
286
00:15:04,480 --> 00:15:08,720
Brooke, would that choreography be running
through your mind when it comes to a vote?
287
00:15:09,320 --> 00:15:11,560
I think it definitely will.
288
00:15:11,640 --> 00:15:15,000
{\an8}I enjoyed the piece.
Your chorography speaks for itself.
289
00:15:15,080 --> 00:15:18,960
But I will say, I wish there was
a little bit more engagement with us.
290
00:15:19,040 --> 00:15:23,880
I wish the whole group was more involved
within his journey.
291
00:15:24,560 --> 00:15:25,680
[Ally] Thanks, Brooke.
292
00:15:25,760 --> 00:15:28,440
Reece, you're smiling.
What did you think of the concept?
293
00:15:28,520 --> 00:15:30,040
I really enjoyed it.
294
00:15:30,120 --> 00:15:34,040
{\an8}I agree with Brooke. I wish
the others were involved more.
295
00:15:34,120 --> 00:15:38,560
Obviously, the breaking, you've got
choreo in there. Travelling, it was cute.
296
00:15:39,080 --> 00:15:41,160
It was cute. All right, we heard it.
297
00:15:41,920 --> 00:15:45,320
Max and your dancers, go ahead.
The 25 and you, take five.
298
00:15:45,400 --> 00:15:47,800
♪ I was meant to be a champion ♪
299
00:15:47,880 --> 00:15:49,840
♪ So apart as a champion ♪
300
00:15:50,880 --> 00:15:53,400
[indistinct chatter]
301
00:15:53,480 --> 00:15:56,080
♪ I survived through any situation ♪
302
00:15:56,160 --> 00:15:58,280
[Max] We did all
we needed to get to the final.
303
00:15:58,360 --> 00:16:02,400
The comment to utilize everybody more,
I totally understand.
304
00:16:02,480 --> 00:16:04,720
Whatever happens now is out of my hands.
305
00:16:05,320 --> 00:16:07,760
[Ally] It's now time
for our next choreographer.
306
00:16:07,840 --> 00:16:12,120
Her narrative challenge is to simulate
breaking free of a mundane job,
307
00:16:12,200 --> 00:16:14,000
but she's anything but boring.
308
00:16:14,080 --> 00:16:16,240
-It's Celine.
-[audience cheering]
309
00:16:16,320 --> 00:16:19,280
-Let's break free.
-[dancers] Yes!
310
00:16:19,360 --> 00:16:23,600
{\an8}♪ I did, got it
Pop it, now ♪
311
00:16:23,680 --> 00:16:28,520
It means a lot to me to have made it
to the semifinals, and I feel like…
312
00:16:29,120 --> 00:16:31,000
-[dancers exclaiming]
-[Celine sobs]
313
00:16:31,080 --> 00:16:32,480
[squeals]
314
00:16:32,560 --> 00:16:34,320
I feel like I have something to prove,
315
00:16:34,400 --> 00:16:37,640
not just to the world
or the dance industry, but to myself.
316
00:16:38,200 --> 00:16:42,680
As much as I love the Brooklynettes,
I've been with them for seven seasons.
317
00:16:42,760 --> 00:16:45,880
And this competition
has been the perfect time
318
00:16:45,960 --> 00:16:48,240
for me to break free from the mold.
319
00:16:48,320 --> 00:16:50,600
This week, we have a narrative challenge.
320
00:16:50,680 --> 00:16:53,120
They've given me the song
and the story to tell.
321
00:16:53,200 --> 00:16:56,440
We're breaking free.
We're breaking free from jobs we hate.
322
00:16:57,000 --> 00:17:01,080
My idea is that we're all factory workers.
We'll all be wearing the same thing.
323
00:17:01,160 --> 00:17:03,680
On your face, you'll have mask things on.
324
00:17:03,760 --> 00:17:06,200
So you have no individuality at all.
325
00:17:06,280 --> 00:17:10,200
And then we break free,
and we're our own people and stuff.
326
00:17:17,000 --> 00:17:20,280
One, two, three, four. Stop here.
327
00:17:20,359 --> 00:17:23,920
I don't expect the win to be handed to me.
I'm working my ass off.
328
00:17:24,000 --> 00:17:26,680
Six, thrash here, seven, eight.
329
00:17:26,760 --> 00:17:27,599
Rip it off.
330
00:17:28,079 --> 00:17:29,480
Does that make sense?
331
00:17:29,560 --> 00:17:30,760
-[dancer] Yeah.
-One more time.
332
00:17:31,599 --> 00:17:35,560
I just really want
to show the world who Celine is.
333
00:17:35,640 --> 00:17:37,680
I want us to leave it all on the floor.
334
00:17:37,760 --> 00:17:39,520
-Yeah?
-[dancers] Yeah!
335
00:17:43,960 --> 00:17:46,600
[audience cheering]
336
00:17:47,160 --> 00:17:48,960
["Genetics" by Meghan Trainor playing]
337
00:17:55,720 --> 00:18:01,040
♪ Beauty queen since seventeen
At least to me ♪
338
00:18:01,120 --> 00:18:03,440
♪ I was born with it ♪
339
00:18:03,520 --> 00:18:08,920
♪ Maybelline is good to me
But I believe ♪
340
00:18:09,000 --> 00:18:10,480
♪ I was born with it ♪
341
00:18:10,560 --> 00:18:13,960
♪ I'm workin', workin, workin'
I've been working on myself ♪
342
00:18:14,040 --> 00:18:18,400
♪ But I can't take cred
'Cause it's from somebody else ♪
343
00:18:18,480 --> 00:18:22,080
♪ Watch me work it, work it, work it
I've been sweating on myself ♪
344
00:18:22,160 --> 00:18:26,080
♪ All them boys, all them girls
Make them stop
345
00:18:26,160 --> 00:18:28,080
♪ How you get that bod? ♪
346
00:18:28,160 --> 00:18:29,520
♪ Is it from God? ♪
347
00:18:30,440 --> 00:18:32,160
♪ Did you work real hard? ♪
348
00:18:32,240 --> 00:18:34,000
♪ G-E-N-E-T-I-C-S ♪
349
00:18:34,080 --> 00:18:36,280
♪ How you get that bass? ♪
350
00:18:36,360 --> 00:18:38,160
♪ Is it all fake? ♪
351
00:18:38,240 --> 00:18:39,840
♪ Made in LA ♪
352
00:18:39,920 --> 00:18:42,280
♪ G-E-N-E-T-I-C-S ♪
353
00:18:43,200 --> 00:18:44,360
♪ My genetics ♪
354
00:18:45,240 --> 00:18:46,680
♪ My genetics ♪
355
00:18:47,360 --> 00:18:48,640
♪ My genetics ♪
356
00:18:48,720 --> 00:18:50,760
♪ G-E-N-E-T-I-C-S ♪
357
00:18:50,840 --> 00:18:52,560
♪ My genetics ♪
358
00:18:53,240 --> 00:18:54,840
♪ My genetics ♪
359
00:18:54,920 --> 00:18:56,320
♪ My genetics ♪
360
00:18:56,400 --> 00:18:57,720
♪ G-E-N-E-T-I-C-S ♪
361
00:18:57,800 --> 00:19:00,280
♪ How you get that bod? ♪
362
00:19:00,360 --> 00:19:02,160
♪ Is it from God? ♪
363
00:19:02,240 --> 00:19:03,480
♪ Did you work real hard? ♪
364
00:19:03,560 --> 00:19:05,520
♪ G-E-N-E-T-I-C-S ♪
365
00:19:05,600 --> 00:19:07,440
♪ How you get that bass? ♪
366
00:19:07,520 --> 00:19:09,280
♪ Is it all fake? ♪
367
00:19:09,440 --> 00:19:11,400
♪ Made in LA ♪
368
00:19:11,480 --> 00:19:13,400
♪ G-E-N-E-T-I-C-S ♪
369
00:19:13,480 --> 00:19:14,960
[vocalizing]
370
00:19:15,040 --> 00:19:16,400
♪ My genetics ♪
371
00:19:17,280 --> 00:19:18,360
♪ My genetics ♪
372
00:19:18,440 --> 00:19:19,600
♪ My genetics ♪
373
00:19:19,680 --> 00:19:22,040
♪ G-E-N-E-T-I-C-S ♪
374
00:19:22,120 --> 00:19:23,840
-[song ends]
-[audience cheering]
375
00:19:29,320 --> 00:19:30,920
[Ally] Wow! They worked it!
376
00:19:31,000 --> 00:19:34,120
Y'all, give it up and keep it going
for Celine and her dancers.
377
00:19:34,200 --> 00:19:36,680
[audience cheering]
378
00:19:37,640 --> 00:19:41,200
Celine, that was incredible.
Give me the story behind the story.
379
00:19:41,280 --> 00:19:44,600
So the story was breaking free
from the everyday nine-to-five
380
00:19:44,680 --> 00:19:46,160
and living your dream.
381
00:19:46,640 --> 00:19:49,400
And I told my dancers that, for me,
382
00:19:49,480 --> 00:19:52,480
it meant breaking free
from my self-limitations,
383
00:19:52,960 --> 00:19:54,040
from my own inhibitions.
384
00:19:54,120 --> 00:19:57,600
The past isn't here, right?
We only have the present.
385
00:19:57,680 --> 00:20:01,280
I'm breaking free from that old Celine,
and I'm here, baby.
386
00:20:01,840 --> 00:20:05,880
Okay. We're going to throw it up
and see what our Dance 100 think.
387
00:20:05,960 --> 00:20:09,320
Lily, you're smiling big.
Was this story told well?
388
00:20:09,400 --> 00:20:12,880
{\an8}Celine, you had
your dancers dancing, girl!
389
00:20:12,960 --> 00:20:15,680
{\an8}I saw them running, jumping, leaping.
390
00:20:15,760 --> 00:20:18,320
I mean, overall,
you created a very solid piece,
391
00:20:18,880 --> 00:20:21,440
but I would have loved to have seen, like,
392
00:20:21,520 --> 00:20:24,640
feeling limited,
feeling like you can't break out more.
393
00:20:24,720 --> 00:20:26,400
The beginning was a little blurred,
394
00:20:26,480 --> 00:20:29,280
so I was kind of
figuring out the story as we went,
395
00:20:29,360 --> 00:20:31,560
versus following along
through the process.
396
00:20:31,640 --> 00:20:33,080
-[audience cheering]
-Thanks.
397
00:20:36,120 --> 00:20:39,760
[Ally] Dobbin, did Celine make
the right use of her 25 dancers?
398
00:20:39,840 --> 00:20:44,280
I definitely think Celine made
the right use of her 25 dancers.
399
00:20:44,360 --> 00:20:47,080
One thing that I would have changed,
400
00:20:47,160 --> 00:20:50,120
I think it would have been so dope
if Shaquille was the boss,
401
00:20:50,200 --> 00:20:52,880
so it was very apparent
what was happening.
402
00:20:52,960 --> 00:20:55,640
But besides that, the energy was amazing.
403
00:20:56,200 --> 00:21:00,400
All right, well, let's give it up
for Celine and her dancers!
404
00:21:00,480 --> 00:21:02,040
[audience cheering]
405
00:21:11,560 --> 00:21:13,880
[Celine] Whatever happens, I gave my all.
406
00:21:13,960 --> 00:21:16,680
We gave our all tonight,
'cause I'm staying!
407
00:21:16,760 --> 00:21:18,480
[all cheering]
408
00:21:18,560 --> 00:21:20,680
We're just one routine away
from finding out
409
00:21:20,760 --> 00:21:24,000
which of our amazing choreographers
has done enough
410
00:21:24,080 --> 00:21:26,680
-to make it to the Dance 100 final.
-[audience] Ooh!
411
00:21:26,760 --> 00:21:30,920
Last, but certainly not least,
make some noise for Brandi.
412
00:21:31,000 --> 00:21:32,840
[audience cheering]
413
00:21:32,920 --> 00:21:37,920
Closing out the semifinals, baby.
I feel hype, I feel so good.
414
00:21:38,000 --> 00:21:40,360
I'm ready to smash it. Get me out there.
415
00:21:41,400 --> 00:21:42,240
[sighs]
416
00:21:42,320 --> 00:21:46,680
All right, let me open this envelope
and see what my narrative challenge is.
417
00:21:46,760 --> 00:21:48,000
Phew!
418
00:21:48,560 --> 00:21:50,680
"Underground circus."
419
00:21:50,760 --> 00:21:53,120
I gotta sit
and let that marinate for a second.
420
00:21:53,200 --> 00:21:55,360
I don't know
what "underground circus" means.
421
00:21:55,440 --> 00:21:58,920
"You are in the audience
at an underground circus."
422
00:21:59,000 --> 00:22:03,600
"The ringleader pulls you in.
What happens next?"
423
00:22:04,920 --> 00:22:07,720
[laughing]
I wonder what I'm gonna do with this.
424
00:22:07,800 --> 00:22:09,960
Can I request a lion? Can I get a whip?
425
00:22:10,520 --> 00:22:13,120
{\an8}♪ Now you waiting
Keep on waiting ♪
426
00:22:13,200 --> 00:22:17,320
My theme that I got
is "Underground Circus."
427
00:22:17,400 --> 00:22:19,360
Basically, I'll be the ringleader,
428
00:22:19,440 --> 00:22:22,560
you are my circus family,
and we're going to feature Brooke.
429
00:22:22,640 --> 00:22:23,800
[dancers] Yay.
430
00:22:23,880 --> 00:22:28,680
She'll be our little,
sweet angel that gets pulled up,
431
00:22:28,760 --> 00:22:31,680
and we just turn her into this feisty,
432
00:22:31,760 --> 00:22:35,560
little underground circus member
of our family, yeah?
433
00:22:36,120 --> 00:22:39,920
Brooke's one of my favorites.
Like, she honestly is such a little beast,
434
00:22:40,000 --> 00:22:42,960
and she's got strong feminine vibes.
435
00:22:43,680 --> 00:22:47,360
And that is something
that is very, very important for me
436
00:22:47,440 --> 00:22:51,960
because I come from a family
of strong, stubborn females.
437
00:22:52,040 --> 00:22:56,760
My mom, my grandma, and my great grandma,
they're all badass bitches.
438
00:22:57,320 --> 00:23:00,360
♪ I'ma go harder than most
I put it all in the ropes ♪
439
00:23:00,440 --> 00:23:03,760
♪ I'm going up and I know
Slow me down, you can't and I won't ♪
440
00:23:03,840 --> 00:23:07,600
I mean, I'm a little nervous
just because being the focal point,
441
00:23:07,680 --> 00:23:10,000
I feel like that is a certain pressure.
442
00:23:10,080 --> 00:23:12,960
With this lift, it's a little stressful
443
00:23:13,040 --> 00:23:17,800
because it is a big platform to be doing
something that I've never done before,
444
00:23:18,280 --> 00:23:19,920
but I feel like if you're not nervous,
445
00:23:20,000 --> 00:23:22,280
-you don't want to be your best.
-Absolutely.
446
00:23:22,360 --> 00:23:25,240
We're here to execute her vision,
point blank, period,
447
00:23:25,320 --> 00:23:27,760
-so we just need to be… [clicks tongue]
-Yeah.
448
00:23:29,120 --> 00:23:33,240
It's definitely a challenge,
this performance.
449
00:23:33,320 --> 00:23:35,280
The storyline needs to be clear,
450
00:23:35,360 --> 00:23:38,480
so I'm less worried about the dance moves
451
00:23:38,560 --> 00:23:41,920
and more worried
about how it's being presented.
452
00:23:42,720 --> 00:23:45,880
Some will love it, some will hate it.
You honestly don't know.
453
00:23:45,960 --> 00:23:51,480
But I am not playing, I mean business.
I want to be in the damn finals.
454
00:23:53,480 --> 00:23:56,280
[audience cheering]
455
00:23:58,400 --> 00:24:00,920
["Renegades" by Dawn Richard playing]
456
00:24:03,520 --> 00:24:05,160
Wow, already.
457
00:24:05,760 --> 00:24:07,600
[audience cheering]
458
00:24:13,160 --> 00:24:17,320
♪ I know you like it
When I remind you that I'm yours ♪
459
00:24:20,880 --> 00:24:24,160
♪ I push it on you real good
Let that glitter fall ♪
460
00:24:28,440 --> 00:24:34,080
♪ Let me decorate my love all on you
So everyone knows ♪
461
00:24:34,760 --> 00:24:37,160
♪ I got my name on you ♪
462
00:24:37,240 --> 00:24:41,680
♪ Let me escape with you
On this strip of gold, strip of gold ♪
463
00:24:42,760 --> 00:24:45,440
♪ With my renegade, renegade ♪
464
00:24:45,520 --> 00:24:49,120
♪ With my renegade, ren-renegade ♪
465
00:24:49,960 --> 00:24:53,200
♪ With my renegade, renegade ♪
466
00:24:53,280 --> 00:24:56,480
♪ With my renegade, ren-renegade ♪
467
00:24:57,520 --> 00:24:59,640
[audience cheering]
468
00:24:59,720 --> 00:25:01,160
♪ Renegade ♪
469
00:25:02,360 --> 00:25:04,720
♪ Rene-Renegade ♪
470
00:25:05,720 --> 00:25:08,520
♪ You're my renegade ♪
471
00:25:09,560 --> 00:25:12,200
♪ You're my renegade ♪
472
00:25:12,280 --> 00:25:15,840
♪ You're my renegade ♪
473
00:25:15,920 --> 00:25:19,760
♪ Run a-run away with you, rene-renegade ♪
474
00:25:19,840 --> 00:25:23,280
♪ Run a-run away with you, rene-renegade ♪
475
00:25:23,360 --> 00:25:26,920
♪ Run a-run away with you, rene-renegade ♪
476
00:25:27,000 --> 00:25:28,800
[vocalizing]
477
00:25:41,320 --> 00:25:42,400
[song ends]
478
00:25:42,480 --> 00:25:44,200
[audience cheering]
479
00:25:49,120 --> 00:25:51,720
Y'all, keep it going
for Brandi and her dancers!
480
00:25:57,040 --> 00:25:58,360
Wow!
481
00:25:58,440 --> 00:26:01,200
Brandi! Brandi! Brandi!
482
00:26:02,160 --> 00:26:06,960
[audience chanting]
Brandi! Brandi! Brandi!
483
00:26:07,040 --> 00:26:09,400
The crowd is screaming
your name right now.
484
00:26:10,800 --> 00:26:13,280
Bro, this audience is eating her up!
485
00:26:16,080 --> 00:26:20,360
Brandi, the crowd was
just screaming your name!
486
00:26:20,440 --> 00:26:21,680
How does that feel?
487
00:26:22,480 --> 00:26:24,280
Feels amazing! Thank you, guys.
488
00:26:24,360 --> 00:26:26,000
[audience cheering]
489
00:26:26,080 --> 00:26:28,240
Wow. It was all the fun of the fair.
490
00:26:28,320 --> 00:26:31,120
I mean, you took us
to an underground circus.
491
00:26:31,200 --> 00:26:32,720
Talk me through this creation.
492
00:26:32,800 --> 00:26:36,200
You know, I just felt like
if I'm gonna be the ringleader,
493
00:26:36,280 --> 00:26:40,240
I need some whips,
and it needs to come out of my head.
494
00:26:40,320 --> 00:26:42,920
[cheering and laughter]
495
00:26:43,000 --> 00:26:45,760
Let's go ahead and talk to Brooke.
Brooke, come on down.
496
00:26:45,840 --> 00:26:47,680
[audience cheering]
497
00:26:47,760 --> 00:26:48,760
-Come on, Brooke!
-Yeah!
498
00:26:48,840 --> 00:26:51,040
You showed up, and they turned you out.
499
00:26:51,120 --> 00:26:52,640
{\an8}How did you feel about it?
500
00:26:52,720 --> 00:26:56,560
{\an8}I mean, it was…
a dancer's dream, you know?
501
00:26:56,640 --> 00:27:00,400
Like, this is like why we dance,
is to tell stories.
502
00:27:00,480 --> 00:27:04,200
Sure, I was a focal point, but for me,
like, it was because of them.
503
00:27:04,280 --> 00:27:07,840
Like, it's a group effort,
and Brandi made that very clear,
504
00:27:07,920 --> 00:27:10,560
and that's why it
turned out the way it did.
505
00:27:10,640 --> 00:27:12,520
-[audience cheering]
-Thank you, Brooke.
506
00:27:14,960 --> 00:27:17,720
Let's hear from some more dancers,
our Dance 100.
507
00:27:17,800 --> 00:27:19,480
Look alive, let me get your thoughts.
508
00:27:19,560 --> 00:27:23,400
Jamal, did you enjoy this front row
at the underground circus?
509
00:27:23,480 --> 00:27:25,320
[chuckles] Yes, I did.
510
00:27:25,400 --> 00:27:27,680
{\an8}-I did! I did! I did!
-Yeah!
511
00:27:31,840 --> 00:27:35,280
Every performance, I feel
Brandi should deliver something different.
512
00:27:35,360 --> 00:27:37,680
And I've always said,
when you are so high,
513
00:27:38,160 --> 00:27:40,400
you can either go down
or you can keep exceeding
514
00:27:40,480 --> 00:27:43,360
to keep going higher,
and you impressed us every week,
515
00:27:43,440 --> 00:27:45,160
so job well done.
516
00:27:45,240 --> 00:27:47,520
[audience cheering]
517
00:27:49,200 --> 00:27:52,720
Joseph, I know you have something to say,
so please share your pro take.
518
00:27:52,800 --> 00:27:55,920
{\an8}Brandi, you freaking octopussy!
519
00:27:56,560 --> 00:28:01,080
I can't! You, honestly, your mind…
520
00:28:01,160 --> 00:28:03,200
I can't… I don't even know what to say.
521
00:28:03,280 --> 00:28:07,360
This is just insane. It was clear
from the beginning to the end.
522
00:28:07,440 --> 00:28:10,960
I got goosebumps
over and over, and Brandi, amazing!
523
00:28:11,040 --> 00:28:14,640
I want to be
your next victim that you convert!
524
00:28:15,680 --> 00:28:18,000
All right, Lily,
did you see the choreography
525
00:28:18,080 --> 00:28:20,360
of a potential finalist on this stage?
526
00:28:21,240 --> 00:28:26,800
Plain and simple, this is the best dance
that has hit the Dance 100 stage, by far.
527
00:28:26,880 --> 00:28:29,480
[audience cheering]
528
00:28:33,000 --> 00:28:35,240
-[screaming]
-[audience laughing]
529
00:28:35,320 --> 00:28:39,280
No words. No, but thank you so much.
I really appreciate it.
530
00:28:39,880 --> 00:28:40,840
And it was…
531
00:28:40,920 --> 00:28:43,000
Honestly couldn't have done it
532
00:28:43,080 --> 00:28:47,080
without such an amazing cast
of dancers that are just down.
533
00:28:47,160 --> 00:28:48,440
[chuckles]
534
00:28:48,520 --> 00:28:50,760
Keep it going for Brandi
and her 25 dancers!
535
00:28:50,840 --> 00:28:52,640
[audience cheering]
536
00:28:56,120 --> 00:28:57,200
{\an8}Like a piece of art.
537
00:28:57,280 --> 00:28:59,200
{\an8}-Like, that was awesome.
-[Celine] It was lit.
538
00:28:59,280 --> 00:29:01,800
{\an8}It was like a dominatrix…
539
00:29:01,880 --> 00:29:04,680
-Dark like…
-Dark circus.
540
00:29:04,760 --> 00:29:07,160
So I hope that hell
looks like that because I'm down.
541
00:29:07,240 --> 00:29:08,680
[laughs]
542
00:29:09,480 --> 00:29:12,480
-[chanting] Brandi!
-[chanting] Brandi!
543
00:29:16,040 --> 00:29:18,760
Audience, who do you think
looked like a finalist out there?
544
00:29:19,240 --> 00:29:22,680
[audience calling out names]
545
00:29:24,440 --> 00:29:26,200
Okay, we got some mixed reactions.
546
00:29:26,280 --> 00:29:28,760
I heard a lot of Celine though,
I'm not going to lie.
547
00:29:28,840 --> 00:29:30,240
[audience cheering]
548
00:29:32,080 --> 00:29:35,320
This is super tough,
and it's gonna come down to fine details.
549
00:29:35,400 --> 00:29:37,560
This was the toughest challenge yet,
550
00:29:37,640 --> 00:29:43,040
with our choreographers having to create
two performances for 25 of the Dance 100.
551
00:29:43,120 --> 00:29:46,760
It's now time for the Dance 100 to vote.
552
00:29:52,240 --> 00:29:53,440
{\an8}Remember, dancers,
553
00:29:54,720 --> 00:29:57,920
{\an8}your decision should be based
on both the decades piece…
554
00:30:00,240 --> 00:30:02,000
{\an8}and the narrative piece.
555
00:30:16,960 --> 00:30:20,320
Please join me
in welcoming back our semi-finalists!
556
00:30:20,960 --> 00:30:22,800
-Keenan!
-[audience cheering]
557
00:30:22,880 --> 00:30:23,720
Max!
558
00:30:24,280 --> 00:30:25,160
Celine!
559
00:30:26,040 --> 00:30:27,000
And Brandi!
560
00:30:32,720 --> 00:30:34,680
This is it.
561
00:30:37,280 --> 00:30:41,080
Tonight will be a double elimination.
562
00:30:41,160 --> 00:30:44,040
Who deserves to go through to the final?
563
00:30:45,120 --> 00:30:49,600
In a moment, I'm going to ask
each choreographer's group of 25 dancers
564
00:30:49,680 --> 00:30:54,040
to stand behind the person that they think
deserves to go through to the final.
565
00:30:54,120 --> 00:30:58,200
But remember, it does not have
to be who they danced with tonight.
566
00:30:59,880 --> 00:31:03,880
Celine's dancers, make your move now.
567
00:31:03,960 --> 00:31:05,840
[audience cheering]
568
00:31:09,960 --> 00:31:11,400
Thanks, guys.
569
00:31:11,480 --> 00:31:12,880
I love you, but I'm sorry.
570
00:31:13,880 --> 00:31:15,360
It's okay, thank you.
571
00:31:18,640 --> 00:31:19,880
Oh, my God.
572
00:31:27,120 --> 00:31:29,560
I'm going to move over to Brandi.
Jordan, step on out.
573
00:31:29,640 --> 00:31:31,680
You've been working
with Celine for a while,
574
00:31:31,760 --> 00:31:35,200
but you cast your vote for Brandi.
Why the change of heart?
575
00:31:35,280 --> 00:31:37,640
Honestly, out of
all the choreographers today,
576
00:31:38,800 --> 00:31:43,440
the one that said to me,
"You have to be in the final," was Brandi.
577
00:31:43,520 --> 00:31:45,760
The only way I can help
that happen is to be here.
578
00:31:45,840 --> 00:31:47,600
[Ally] Thank you, Jordan. Tough decision.
579
00:31:48,160 --> 00:31:51,480
Keenan's dancers, make your move
580
00:31:53,680 --> 00:31:54,600
now.
581
00:31:54,680 --> 00:31:57,080
[audience cheering]
582
00:32:11,560 --> 00:32:13,880
Fifty dancers have voted so far.
583
00:32:14,360 --> 00:32:16,960
Keenan has 21 votes.
584
00:32:17,040 --> 00:32:18,800
Max has two.
585
00:32:19,280 --> 00:32:21,040
Celine has three.
586
00:32:21,800 --> 00:32:23,600
And Brandi has 24.
587
00:32:24,160 --> 00:32:26,880
And 50 dancers are still to vote.
588
00:32:28,480 --> 00:32:31,120
Brandi's dancers, make your move
589
00:32:32,360 --> 00:32:33,200
now.
590
00:32:33,280 --> 00:32:35,080
[audience cheering]
591
00:32:52,280 --> 00:32:59,000
Seventy-five dancers have voted so far,
and as it stands, Brandi has 49 votes,
592
00:32:59,080 --> 00:33:02,400
meaning Brandi has secured
her place in the final.
593
00:33:02,880 --> 00:33:05,120
[audience cheering]
594
00:33:06,600 --> 00:33:08,720
Keenan still has 21 votes.
595
00:33:10,320 --> 00:33:12,160
Max still has two.
596
00:33:13,400 --> 00:33:15,360
And Celine still has three.
597
00:33:17,040 --> 00:33:21,840
But with 25 dancers still to vote,
the second spot is still up for grabs.
598
00:33:23,440 --> 00:33:27,680
Max, you need 23
of your 25 dancers to vote for you
599
00:33:27,760 --> 00:33:30,080
to guarantee your place in the final.
600
00:33:30,560 --> 00:33:31,760
Max's dancers,
601
00:33:33,040 --> 00:33:34,280
make your move
602
00:33:35,880 --> 00:33:36,720
now.
603
00:33:36,800 --> 00:33:38,520
[audience cheering]
604
00:33:52,640 --> 00:33:54,640
[theme music playing]