[narrator] Previously on The Ghost Town Terror
It really feels like we're in another time period.
It's getting stronger every day.
[Tim] The dark energy seems to be infecting
Anaconda and Butte.
It says, "Butte woman found beaten."
[Tim] "She died at the hospital
but the coroner ruled it a homicide."
[Sapphire] A victim named Al, he took his own life,
his throat was cut.
William Roberts was found dead with throat slit...
...here, in this gulch.
[recording playing]
[Tim] It says, "I am a demon."
-A demon? -What?
[Tim] This sketch is the first time we were able to get a face.
[woman] It's my ex-boyfriend's watch.
We had a fire in the church.
[Sapphire] You tell me what you see.
It reminds me of the sketch I just drew.
[woman] Oh, my God, wow, it's Josh.
[recording playing]
[Tim] Beelzebub is one of the seven princes of hell.
That was a name that I got in Wilkes-Barre.
-Your former house? -Yeah.
[Tim] That house had a demonic hold on me.
-[man] Are you all right? -No.
Do you want to show yourself?
Do you want to take a picture of me?
[Tim speaking]
It's summoning stuff up.
That's a really dangerous place to play.
[woman] Is Tim okay?
People who are touched by this demon, they all die.
[woman] Help! Somebody pull her out!
-You're okay. -[anguished crying]
[Tim] We're gonna have Sapphire put on the God's helmet
and open up herself to past trauma.
[Scott] Oh, my God, something just popped up behind Sapphire.
[Tim] Hey, Kristin, did you finish the sketch?
I did.
-Oh, God. -Whoa.
-[Sapphire] Is that me? -[Kristin] Yes.
And I kept hearing, "It feeds me."
[Tim] Jeez.
"It feeds me."
I want to know who is in this room right now.
You cannot use pain as a doorway
to affect the living anymore.
How are you doing? Are you okay?
I mean, right before you guys pulled me out,
I was feeling like getting the spins and feeling really nauseous.
-So, I feel like you pulled me out at the right moment. -Yeah.
Then we were getting evidence on the SLS
that there was something on her.
What I saw was pretty horrible.
This is like a shifter that comes off of Beelzebub over here.
He sends out lower-level entities
and they feed on pain.
This was just enveloping you
and just feeding.
-I don't like looking at it. -It weirds me out.
While you were sketching, I was recording some EVPs.
So, we'll just review this.
[muffled voice speaking]
-"Take her." -"Take her."
Yeah.
Am I the "her", or is Karen?
-I think it could be anyone. -Anyone, I think.
-[Sapphire] Didn't your sketch say, "Take her?" -Yeah.
-Where was that sketch? At the school? -Yes.
-[Sarah] That's really interesting. -[Tim] That's [bleep].
-It's like almost like it was, like, a message for tonight. -Tonight.
Right.
One last question for you, Kristin.
Is this right here...
Is there any way to cut this connection to Beelzebub?
You would want to try to maybe bind the negative energy
so that it can't escape out from him.
Any idea of how or why he got here?
[sighs] I mean, he goes where he wants to go.
[Tim] So last night it was pretty interesting.
It was really intense.
Yeah, I mean the session was one of the most compelling sessions
that we've ever done here at the ranch.
And I think we got evidence regarding who we were with.
-[Scott] This was the first sketch Kristin did? -[Tim]Yep.
And the second one, and last night's.
[Tim] If you go back to, like, our earlier investigation
-that Scott and I did at St. James Hospital, -Mmm-hmm.
this looks very similar to what was caught
on the Polaroids at the hospital
when we asked it to show itself.
-Oh, my God, it looks just like it. -Yeah.
And then Scott was getting hits, like, crazy
-on the SLS camera. -[Scott]Yeah, on the SLS.
[Tim] This is the footage here. I'm just gonna play it.
She's lying down here.
Sarah's right here, and I'm in the back.
And there's a figure just right behind Sapphire.
Check that out. That's insane.
-Its arm is on you. -[Sapphire] Oh, my gosh.
-[Scott] It's coming in front of you, right? -[bleep]
But if you keep watching,
something else interesting happens, right where you start crying.
There's two figures.
There it is. Look at Sapphire.
[Scott] It's almost, like, pushing you away.
[Sapphire] Yeah, it was totally, like, pushing me away.
Um, uh-uh, it's weird.
-Isn't that incredible? -Mmm-hmm.
During the session, we had the paranormal box set up,
and when I asked, "Who are you?"
The response that we got was "Tom."
-Shut up. -Isn't that crazy?
-For what? -Incredible.
And then I asked, "Why are you here?"
-And it said, "Memories." -That's...
[Tim] And I don't think it was talking about Karen's memories,
it's talking about your memories.
[Karen] Yeah, that makes sense.
[Scott] It's the exact thing you were doing, going back.
It was trying to feed off the emotions of the memories.
I think just it goes to show you that this entity
will not stop at Karen.
It will go after anyone that is thinking of harmful or bad memories.
Well, the last time they were here,
something, like, touched my hand.
Wait, I felt something on my hand.
Something touched me right here.
I feel like ever since then things have just been... off.
This is kind of unsettling to see,
like, all this proof that there's stuff around me.
We know now what it needs to flourish,
and so I think we can tell Karen,
"You need to sever all the negativity on the ranch."
[Sarah] We should probably find the spot
where William Roberts killed himself.
Yeah, I'm curious.
And Sarah, do you think, like, once we find him,
you can remove that psychic scar from the property?
Yeah, if I can connect with him.
-[Tim] Hopefully, this will help us move forward. -[Scott] Yeah.
Thanks for meeting with us tonight.
I know you expressed a lot of concerns
about the experiment that we were doing in the church.
I'm still unclear really what you guys were doing,
but it did not sound like a good environment
for anyone to be in.
I think it was through that experiment, though, that
we captured a lot of the compelling evidence
that answered a lot of the questions that we had.
We put the God's helmet on Sapphire,
and it was almost immediately that we started getting responses.
We had Kristin out there too drawing a sketch.
And so she drew this sketch you identified as being Josh.
And when we were at the school,
Kristin drew this sketch.
[Kristin] I'm not even sure what it is.
I kept hearing that there's an agreement of some kind
with the people that are being affected.
The main thing that we were concerned about,
you know, this is you, and there's this stark shadow figure behind you.
And when we were at the school,
Sarah picked up on this same type of figure.
Yeah, we've seen this shadow figure many times.
It's been in places where there's a lot of pain and suffering.
[Tim] This is what she picked up upon what was happening.
This is by far the scariest sketch she has done.
But when you put it like this...
[Scott] Wow, look at that.
[Tim] Yeah. It's almost identical.
That's the first thing I noticed is the similarity between that.
[Tim] Like this too. It's strange, right?
The way that Kristin described it is that
this is almost like an appendage.
It works in cohort with this entity here.
But this, this thrives and feeds off of trauma.
She described this energy
as the one that is affecting the whole area.
But this will be the end of this.
We're gonna show you another piece of evidence.
So we were using this device called a Paranormal Puck,
which it's theorized
that energies can intelligently communicate
-when asked a question. -Mmm-hmm.
I asked, um, "Who are you?"
And it replied with, "Tom."
The next question I asked was, "Why are you here?"
And it said, "Memories."
At that moment, when I'd asked that, Sapphire was crying.
Scott was directly across from her,
and he was filming her.
You know, she was going through a lot of pain.
So, as Sapphire was doing the God's helmet sessions,
Sarah is off to her right,
and then a figure appeared.
[static interference]
[Karen] It is right on your shoulder.
[Scott] Yep, the left shoulder.
Did you feel that?
I kind of just felt like a general presence here.
-That's huge. -[Tim] Yeah.
[Sarah] Now she starts to really get emotional and it jumps...
-Whoa! Who is this? -[Sarah] Exactly.
[Tim] Yeah, isn't that interesting? It's something else.
[Karen] There's another one.
[Tim] Yeah, I thought it was interesting that there
-were two figures that appeared. -[Scott] Yeah.
There's definitely a big size difference
-between the two of them. -[Tim] Right.
And if we go back to Kristin's sketch that she did,
there are always two figures in them.
It's so crazy.
[Sarah] It has been a lot. It's been a lot.
I don't think that this is something
that is only affecting you.
I think it's something anyone that is experiencing trauma
-it will interact with you and torment you. -Sure.
-It will affect anyone. -Mmm-hmm.
So, in 1913, a man named William Roberts,
he came out here to this gulch
and he slit his own throat with a razor.
And his body was found by three kids,
and one of those kids was 11-year-old Theresa Harrington.
Interesting.
It's more than ironic that, you know,
we're sitting in this saloon where Theresa grew up,
-who also died of a violent death. -[Sapphire] Correct, yeah.
So, what does this all mean?
I mean, what do we do from here?
If we go back to the psychic scar
that, you know, William left on the property
with Theresa and that whole event,
I think it would be first to start there
to try to remove that negative cord.
And then the step after that would be to clear that from the property.
And I think Sarah can help with that.
-[Sarah] Oh, yeah. -[Tim] Yeah.
And then to further sever the chord,
we need to do a cleansing ritual outside of the property
for that dark shadow figure.
I think by doing that,
that should take this out of the equation
because if we go back to Kristin's original sketch,
she had always believed that if this darkness could be cleared,
everything else, that portal, will be removed.
This entity will have no power.
If it's okay with you, I think, you know,
tomorrow, Sarah can walk around the property
and try to find the spot where, you know, I think it all began.
I'd be very curious to see where that spot is at.
[Sarah] Are you drawn to any location?
[Sapphire] It's hard to explain what I'm experiencing.
He's very angry.
Just a hurting.
It's like I'm being pulled up here
to where he took his life.
We don't know the exact location
where William Roberts killed himself,
but Sarah's guides are leading us
away from the town and towards the pit,
which I guess isn't that surprising.
This energy is pulsing, kind of moving from the pit
all the way through the town.
[Sapphire] Like an energy source?
Like, you know, when you take out Christmas lights and they all light up,
and you take one of the bulbs out, and it stops?
It's like that.
If that didn't happen there,
what was happening from the pit
-wouldn't be coming to this town. -Right.
[Sarah] Last night I was trying to get to bed
and I kept seeing this guy,
-and he's just wandering. -Weird.
It was in this direction.
This seems right.
This is where William slit his throat.
I feel like he stumbled.
He's under the influence of alcohol.
There's a lot of anger. There's a lot of frustration.
And then he takes out the razor blade
and ends his life.
[sighing]
-You can feel the sorrow in the land. -Mm.
His family and friends had been aware
that he was planning on killing himself.
Like, he would walk around with poison tablets in his pocket
because he never knew when he would actually wanna do it.
No wonder it left a mark.
Yeah, it's really heavy.
And then the energy of Theresa Harrington,
and only 11 years old, finding that.
-Two other kids too. -That's just too much.
A key piece to this puzzle is said William Roberts
killed himself because of the darkness at the gulch,
or did he bring darkness to the gulch
when he killed himself?
We'll never really definitively know for sure,
but we can't move forward until we heal this scar.
[Sarah] That's crazy. X marks the spot.
Sarah and Sapphire have found the original spot
where William Roberts committed suicide
over a hundred years ago.
We believe that this caused a scar
that opened a door to dark energy.
So, tonight, we're gonna try to remove the scar,
and hopefully rid Karen's property of this dark energy.
So it's over in this area here where I was shown
through a vision from my guides.
-Is this where he died? -Yes, right here.
Was he alone when he died?
Yes, he had been drinking. He was stumbling around.
Finally falls down and then he slits his throat.
Okay, so how're you gonna try to remove that scar?
So, first of all, I'm gonna honor the space
-with tobacco. -Okay
So, it's a gift.
And then I'm gonna move right into salting the area,
cleansing the space.
And then I'm gonna go right into working with frankincense,
to honor the ancestors.
And then, of course, the sage.
[Sarah] We honor this energy and we ask it to move on.
This space and place is no longer there for you to dwell.
And so it is.
This area is cleansed.
Sarah, do you mind if we grab some dirt
for the protection ritual that we're gonna do?
-No, it's up to you, totally up to you. -All right.
[Tim] I think it would be good to use dirt from here
rather than just dirt from anywhere else on the property,
'cause it's significant to the ranch.
Okay, so we're set.
I think what we can do now, Sarah,
is Scott and I are gonna go down to the front of the property.
-We're gonna go do the protection barrier. -Okay.
Why don't you both start with the buildings on the ranch?
Yep, sure.
See you.
Eliminating the scar is just the first step.
We need to free these spirits who've been oppressed on Karen's property.
So, while Sarah and Sapphire
are sealing off the individual buildings,
Scott and I are gonna create a protective barrier
around the whole ranch
to keep this dark force from ever entering again.
[Scott] What are we doing?
[Tim] So, we're just outside Karen's gate here.
We're gonna be starting now the binding ritual.
And what we're gonna be doing
is basically putting a barrier here
so Beelzebub will no longer be able to affect Karen...
-Okay -...and her family.
-So, the ritual itself, we have a jar... -Yeah, we have a jar.
-...with some symbols on it. -Yep, protection symbols.
-So, the Holy Ghost... -The Trinity, two crosses.
These are all symbols too for protection
to help bind Beelzebub from entering this property.
[Sapphire] I'm just really hoping that what we're doing
will at least bring some peace
to this property, to this family, to this home.
[Tim] We have William's dirt here, but first,
we're gonna take this twine here,
and we're gonna bind this sigil for Beelzebub
and that's gonna create a spiritual barrier,
and then we're gonna place it in the jar.
And as I'm doing that, you can start the ritual.
I bind Beelzebub, and all the beings and energies
associated with Beelzebub on Karen's property.
[Sarah] I ask my spirit guides my angels, to be with me now.
I ask that the energy that's in this building in this space,
that is of anger, is of fear, affliction and anxiety,
that you leave and you do so now out that door, and not return.
I bind that from doing any harm or malevolent acts
against the living, and especially Karen's family
and anyone who visits Gunslinger Gulch.
[Sapphire] Any energies here that do not serve
the highest good of the family or any other guests who come through here
you're asked to leave and never return.
I revoke the ability of Beelzebub
to influence anyone on Karen's property.
[Sapphire] Any lingering energy here
from the night that Kay was attacked by the dark witch
you are now asked to leave.
If what was here was Tom,
and Tom's not here to serve the family's highest good,
you are asked to leave and never return.
Through the authority of God, the Father, Jesus Christ, and the Holy Spirit,
you are now bound to this sigil.
The sigil's not burning.
This thing is not going down without a fight, Tim.
Any energies that cross this threshold
have to be of peace, love and joy.
Any negative energies in here
that do not serve the family's highest good,
you are asked to leave and never return.
Abide Beelzebub, and all the beings and energies
associated with Beelzebub.
All the portals and doorways,
gateways that you have utilized
are now closed and sealed by the blood of Jesus Christ.
-Wow. -[Scott] That's weird.
...closed and sealed by the blood of Jesus Christ.
-Wow. -[Scott] That's weird.
-[Scott] That was crazy. -[Tim] As soon as it heard Jesus Christ it, like...
[Scott] Punched back.
-All right, so first, I could actually put this down. -Yep.
To the burial of these stones and this capsule,
you no longer have authority on Karen's ranch.
You'll be here until God sees fit to set you free
and return to where you belong.
I hope that this cleansing brings a balance back to the property again.
I hope that it at least shows the family
how the place can be when it's cleaned.
All right, that's that.
-[Tim] You know, I think what we did here was good. -Yeah.
But I think we just picked a fight.
[Scott] Seriously. It didn't seem happy.
[Tim] So, you guys, thanks for meeting with us.
A lot has happened.
We found out why your mom called us out again.
-Because there was a fire, yeah, in the church. -Mmm-hmm.
[Sapphire] When Karen called us back to her property,
I was concerned that we were going to be confronting something bigger and darker.
And I was right.
What your mom didn't tell you
is that when she went to inspect the inside of the steeple...
There was an image of Josh burnt onto the plywood.
[Chloe] Wow, that's a hard one.
-[Sapphire] Yeah. -[Chloe] No matter what's said about him,
I go into this state of mind for days at a time.
It's the only thing that I can think about.
This second investigation at Gunslinger Gulch
has been far more troubling than the first time we were here.
It's clear that we have been battling against two entities,
a higher-level demon that's been operating from afar
and it's shape-shifting minion that's been feeding off of pain.
And he's the shape-shifter that's been lurking around,
you know, the property.
While we detached this shape-shifting entity from Karen
during our first investigation,
it came back with a new mask,
calling itself, "Tom."
We have a very love-hate relationship.
Tom likes to dominate.
[Sapphire] It caused the fire in the church.
And then it presented itself as this protector
who would defend her from its own maligned influence.
[Tim] The spirits inhabiting these buildings
have warned us repeatedly about what we've been up against,
and even asked us to save them.
Do you have a message for Karen and your family?
[entity speaking]
"Save us."
[Tim] We owe it to Karen and to these trapped spirits
to block these demonic entities
from ever entering Gunslinger Gulch again.
I believe we've cut it off from the spirits
on the property that he was feeding on.
So, with everything that's happened, like, with the fire and everything,
what's gonna happen without anyone here?
[Tim] I feel pretty good about closing the property,
and I think it's gonna really, you know, provide some relief to your family.
I feel like we finally finished the job
and we rid Karen's property of this demonic influence.
But the Broussards have to be careful
not to do anything that would invite them back in.
-[Scott] This is it, guys. -[Sapphire] This is it.
[Karen] Yeah, it's been a long journey.
[Scott] I personally will miss this place,
but I feel like we're in a way better place than we were last time.
[Tim] Yeah, I'd have to agree, and I think, you know,
just to maintain that balance.
Any time you feel things are off, you know, just sage the area
and try to stay on top of the, the cleansing,
-and I think, you know, things will be great here. -Mmm-hmm.
-Well, thank you guys. -Thank you.
-[Karen] Appreciate all your help. -Yeah.
I feel like we can leave here
knowing that we left the property in a better place
than when we came in.
But I've been investigating the paranormal for 20 years, and this has been
one of the most elusive entities that we've dealt with.
So, even though the Broussards' cases are solved,
there's this darkness that still seems to be lingering over Anaconda,
Butte, and even over the team.
You know, this entity, this darkness is far more sinister and malevolent
than what we dealt with here on the ranch.
And I think we have to come to terms with that
and figure out how to confront that.
I know, um, we said goodbye to the Broussards today.
And I feel like we have, like, a lot to be proud of and accomplished.
But I still feel that there's something left to investigate.
I think there's two parts to this investigation.
One was the shadow figure.
[Sapphire] That's me.
-[Kristin] Yes. -[Sapphire] Oh, God.
[Scott] Whoa.
But there's this whole other thing that I think that we have to dig into
and figure out what, what it is
and how it's affecting people in this area,
and possibly how it was affecting me.
To me, it seems like a church or spirit that's drawing on memories to get you.
I don't think it's Beelzebub.
You call it Beelzebub, call it Satan, call it, you know, Egyn,
or whatever.
It's evil. It's darkness.
To me, the evidence that we've collected here
matches up with what was happening in Pennsylvania.
High suicide rate, high crime rate, high murder rate,
How would we as a group
even begin to tackle this larger darkness
that's affecting not just one town, but multiple towns?
The first thing we have to do is to investigate
what the connection is between these places.
What I'm seeing is that there is a connection.
It's affecting the population in some of these towns.
There's something that is causing people to lose their [bleep] minds.
-It could be real dangerous and real dark? -[Tim] Yep.
I gotta figure out for my own sanity
what pulled me out to Wilkes-Barre
and what pulled me out here to help, you know, Karen.
Now that we've closed the chapter on Gunslinger Gulch,
the team and I have decided to investigate why people are drawn
to these old blue-collar towns.
They tend to have traumatic pasts,
and they're just strange places to be pulled to.
But I was pulled to Anaconda 13 years after being pulled to another old mining town
in Scranton, Wilkes-Barre, Pennsylvania.
One thing these towns all have in common is a history of greed.
So I'm hoping we'll find the answers
at the old smelting plant in Anaconda.
This would have been ground zero
for all of the raw material coming in from the mines and buttes.
This facility represents greed.
And I believe it placed a cloud
over the people in the area ever since.
-This place has never been investigated before. -[Sapphire] Ever?
-[Scott] Wow. -[Tim] Never.
[Sarah] Extremely creepy.
[Tim] This refinery opened up in 1898.
All the copper in the area was brought down here
to be refined and made into casings, wires,
anything you can think of.
And they were bringing it in, uh, with a train, right?
[Tim] They'd bring it in from a train.
They would take it up to the smelter, melt it down,
then bring it down here to be worked on.
Man, look at this place! Wow!
[Sapphire] Whoa.
-This is insane. -[Sarah] Wow.
[Tim] Copper would come down here blazing hot.
-And you can only imagine, like, how many... -[Sarah] People got burnt.
-...burnt, lost their lives, lost limbs. -[Sarah] Yeah.
I think in order for us to document this location properly,
-we need to send one of us alone. -[Sarah] Okay.
-[Sapphire] I can do it. -[Tim] Okay.
-All right. Closing the door. -[thud]
[Sapphire] Okay. I am going down...
...into the basement.
If any spirits or energies are willing to communicate with me,
can you give me some type of sign that you are here with me?
That's weird.
If anything here doesn't like what I have in my hand right now,
you can let me know how you feel about it.
[gasps] Oh, my God!
Did someone touch my hair?
Okay.
All right. This is Sapphire in the basement of the copper factory.
If there's anyone here who would like to communicate with me,
I have a recorder right here on the corner of this pallet.
If you could speak into that recorder that'd be great.
[thud]
Okay, I just heard, like a bang.
Was that you?
Does anyone here wanna tell me the story of how they died?
Is there a dark entity looming over Anaconda and Butte?
-[squeaking] -Is someone over there?
Hey, Sapphire, uh, everything's okay down there?
[Sapphire] Yeah. I just finished an EVP session,
so I was gonna listen back.
And you promise no one's inside, right? Because...
-[Sarah] No one's inside. -No.
No, we are completely outside of the building.
[Sapphire] But there was [bleep] footsteps.
-We're gonna come to you. -Yeah.
So, what happened?
[Sapphire] It felt kind of quiet at first.
And then I sort of was drawn to that weird little closet,
so I pulled out the cross, I placed it near the recorder,
and then heard like a pretty loud thud...
-[Tim] Oh. -...in that corner.
-And then... -[Scott] Same as... Yeah.
...I heard footsteps right there.
And it started right as I was recording.
-[Scott] Good. Do EVP? -[Sapphire] And I haven't...
Yeah. So, I haven't listened back to it yet.
-You guys wanna listen? -[Scott] Yeah.
[Tim] Let's see what we hear.
[recorder crackles]
[Sapphire] Does anyone here wanna tell me how they died?
-[entity speaking] -[Tim] Right here.
You asked about how they died
Said, "Right here.
[Sapphire] Does anyone here wanna tell me how they died?
-[entity speaking] -[Sapphire] Whoa.
-[Tim] Oh, [chuckles] you hear that? -[Sapphire] Yeah.
[Tim] It says, "Right here."
[Scott] That was interesting.
[Tim speaking]
-Let's do an EVP session. -[Scott] Yeah.
I wanna talk to the darkness that resides...
...in this space.
Where did you go?
There's been a name that has been popping up
that's caused a lot of tension in the team.
Is that you?
I wanna talk to the darkness that resides in this space.
[entity speaking]
[Tim and Sarah] "I am right here."
[Tim] That's [bleep] creepy.
There's been a name that has been popping up...
[Entity speaking]
It's like a threat.
...that's caused a lot of tension in the team.
[entity speaking]
What? "I'm going to take you."
I swear to God.
[Scott] What are you thinking, Tim?
[Tim] Well, if you guys are open to it, I wanna go to Butte.
-[Scott] Yeah. -[Sarah] Okay.
[Tim] Our experience here in the old smelting factory
was like so many of our other investigations.
No clear image.
Just paranormal breadcrumbs leading us to the birthplace of greed.
Hopefully, we'll be able to get some definitive answers from this dark figure
as to why I and so many others
are being pulled to these old industrial towns.
-Welcome to The Original Mine. -[Sarah] Wow.
This is the first mine in Butte.
It was built in the 1870s.
Everything that was taken out of the ground here wound up in Anaconda.
[Scott] This is the, uh... This is the platform...
-[Tim] Yeah. -...where they bring them in and out.
[Tim] These elevator compartments here would go straight down,
-about a mile down into the earth. -[Sarah] No way.
[Tim] Yeah. And a hoist room over there
would power, you know, this huge platform here.
-[Sarah] A mile into the freakin' planet? -[Tim] Into the darkness.
-That's insane. -[Sapphire] That's insane.
And as you can imagine too, there were a lot of mining,
-like, horrible mining accidents here. -[Sapphire] Oh, for sure.
[Tim] There's 43 confirmed deaths.
But I mean, there's probably a lot more than what were recorded.
It's almost in a way sort of like a graveyard
because when people fall, they don't retrieve the bodies
-usually, like they're just... -[Scott] They can't reach them or... Yeah.
There's... So... Yeah, we're standing over a grave.
-That's weird. -[Scott] I'm sure people were buried alive.
-Yeah, that's pretty sad just thinking about it. -Yeah, it is.
Oh, I can't even imagine.
[Tim] All righty, guys, this is the hoist room.
-[Scott] Oh, wow. Wow. -[Tim] The main engine room for the platform.
[Tim] Sarah, what do you feel?
[Sarah] I don't like it in here.
I'm just completely overwhelmed.
Like, the energy reminds me of the prison.
What do you mean, um, it feels like the prison?
At the prison, like, it was literally hard for me to walk
because it felt... there was so much anxiety.
And when there's anxiety, it's spirit telling me to watch out.
But it's not just a kinda watch out,
it's, "You need to watch out."
[Tim] Watch out for what?
-[Sarah] For whatever's in this space. -[Tim] Okay, so keep...
-[Scott] Hold on. -[Tim] Is there something...
-[Sapphire] What? -[Scott] I hear... I hear walking.
[Sarah] You hear... Shh.
Hello?
Over there.
[Tim] I'm gonna walk down to the thermal camera just for a second.
Hello?
-[metal clangs] -[Sarah and Sapphire gasp]
-Did you hear that? -[Sapphire] Yeah.
-Yeah. What did you hear? -A dropping of something. Something falling.
-Did you hear it from over here? -[Sarah] Yes.
-[Scott] Something's there. -[Tim] Are you gonna come out?
Cold spot, right here.
-[Sarah] Okay. -[Scott] Mmm.
-Right there? -[Sarah] I just...
Did someone breathe on me?
-No. -No, I'm not breathing on you.
I just felt like...
-That's weird. -[Sarah] Really?
Yeah, like... I thought you were breathing down my neck.
No, I'm, I'm too short, man.
Whatever this thing is is moving under the equipment
and then it comes up out of the equipment again.
I feel like just... It's just kinda, like, hunting us a little bit.
[Sarah] Hurting us?
Yeah.
I feel, like, prey in here.
[Tim] Let's try to just do the EVP session here.
Yeah, that's a good idea. Want me to hold that for you
-for a second? -[Tim] Yeah, you can have that.
Trying to reach out to the dark presence that Sarah's feeling.
Do you travel back and forth from Anaconda to Butte?
What's next to Sapphire?
[Scott] What? You see anything.
[Sarah] Right there, right there. See it?
-[Scott] Yeah. -[Sarah] What's that? It's moving.
-[Scott] Is it a shadow? -Do you see what I'm seeing?
And it's, it's getting darker.
[Scott] That's reading colder.
[Sarah] Right there, right there, yes.
It's really cold.
I wanna talk to the darkness that resides in this building.
When I count to three, can you come and show yourself to everyone?
One.
Two.
I feel like I can't breathe.
[Sarah] You feel like you can't breathe?
-Are you okay? -I just feel weird.
Three.
Feel a bit weird.
-[Sarah] That's what I did in the prison. -[Tim] Yeah.
[Sarah] I couldn't get air in.
It feels like I'm being suffocated right now.
There's something here with me right now.
It's coming up from the ground through my leg.
Without... Yeah, it's coming up from the ground.
-[quiet breath] -[Sarah] Did you hear that?
-[Tim] What was that? -[Scott] Did you hear that, that [exhales air]?
-Yeah, what was it? -[Scott] I don't know.
It sounded like it came from my right.
This is, like, crazy.
It's like the house of horror.
[Sarah] So what are you thinking, Tim?
Um, I'm thinking I wanna pull this thing out.
And so I was thinking that maybe we could do a ganzfeld experiment
down in the lower bowels of the engine room.
Maybe bring whatever is here forward out of the shadows.
-[Scott] Down there? -[Sarah] Yeah.
I invite you to communicate through me.
Yeah, I'm ready for you.
-[thud] -[Sapphire speaking]
-[Scott] That was a cry. -[Sarah] Yeah, it was a cry.
Holy [bleep]!
[Tim] Yeah, you like me talking about this? Are you ready?
Yeah, I feel like we're to the point
where this thing is just, like...
...luring us around.
So it's luring you, and you're gonna go?
I feel like we have to.
[Scott] How you feeling, Tim?
Connected, already.
Let me get this on your eyes.
The ganzfeld experiment allows energy to communicate directly through me,
and it's a form of sensory deprivation.
I'll be blindfolded,
and the ghost box will be playing through my headphones
so that it will drown out any outside noise.
Why are we using red light?
To help him get into more of a relaxed state.
[Tim] My hands will also be on the spirit board
which will allow the energy to communicate through my body.
Now, this method is extremely effective,
but extremely dangerous.
[device crackles]
I'm opening up myself to the energy in this building.
One this is over, you can't follow me home
or affect anyone else in this room.
[device continues crackling]
Is there a dark energy in this room with us?
-[Tim speaking] -[Scott] Yes.
We invite you to come forward
and talk to us.
We have Tim Wood here.
We know you were with him...
...at the Welles House in Pennsylvania.
-[Tim speaking] -[Sapphire] "I was."
"I was."
What do you want from Tim?
[device crackling]
[Tim speaking]
[Sapphire] "Wanna come back to the house."
Do you wanna come back to the house?
-That's what... That's what Tim's saying. -[Tim speaking]
You want Tim to come back to the Welles House?
-[entity speaking] -[Sapphire] "Yes."
[Tim] That one.
[Sarah] W.
-[Sapphire and Sarah] W. -[Scott] For Welles.
This is a place where Tim felt suicidal.
Does that make you happy?
[Tim speaking]
-[Sarah] Was that "Die?" -Yes.
He said, "Die."
[Tim speaking]
"He's coming back."
That is crazy.
-He's keeping his finger on the W. -[Scott] Yeah.
-Keeping it there. -It's not moved.
His breathing is really weird.
[Scott] Come on.
Okay. I took it off, so we're gonna listen
-to what he's saying. -[Tim grunts]
What do you want from Tim?
-[Tim speaking] -[Sarah] "Bad boy."
What's your name?
-[Tim speaking] -"We're on our way."
Who's on their way?
[Tim speaking]
"We are seven."
[Tim speaking]
[Sarah] "You're not leaving."
Who's not leaving here?
[Tim speaking]
-[Sarah] "He's coming." -[Scott] "He's coming."
[Sapphire] There's something behind you guys.
Who's coming?
[Tim speaking]
-[Scott] You all right. -[Sarah] Are you okay? [bleep]!
-[Sapphire] Oh, my God! -[Scott] Tim?
-I just felt something. -[Sapphire] It's everywhere.
We're not alone.
[Tim speaking indistinctly]
[Sapphire] Look at me. Look at me.
He's not inhaling and exhaling.
Should we pull him out?