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["Dance You Outta My Head"
by Cat Janice playing]
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What in the America's Next Top Model
with fine-ass Nigel Barker
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is goin' on right now?
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Let's start the show!
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Peppermint!
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He is an Italian stallion
with a heart of gold.
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He speaks four languages,
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but his most fluent language
is the language of love, bitches.
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It's giving tall, dark, and stormy
with a bit of baggage.
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Hey, but who doesn't love a challenge?
It is Luca Berrada!
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What?
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Stripping is not your thing.
I mean, I like it, go on, but damn.
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I have a question for you, Mavis.
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Huh?
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How was your day?
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No, absolutely not.
You cannot do that to my ovaries.
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- They have been through enough.
- Make it work, Mavis.
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- Make what work, Peppermint?
- How was your day?
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- [Peppermint] You better make it work.
- How was your day?
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Make it work!
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[speaks in Italian]
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- [in English] Make it work, bitch.
- Make what work, bitch?
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[gasps]
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[funky beat playing]
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♪ Okay
One time for the big girls in the crowd ♪
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♪ Hey! Hear me now ♪
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♪ Go on, sis, yeah
Show 'em how to work it out ♪
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What's up, bitches?
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{\an8}All right, Mavis,
do you have a Daphne lunch outfit?
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{\an8}Something gray and dingy
that makes me look like "the people."
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{\an8}Absolutely. Very approachable outfit
in the dressing room waiting for you.
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[sighs] Thank you. Hey, Nala.
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- Hey.
- [Marley] Okay.
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So what's the latest on Charles Renee?
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Oh, well, going viral
at the, uh, fashion show
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actually got me booked
on that podcast, Culture Chat.
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[Marley] Ooh, I love Culture Chat, honey.
That shit's so messy.
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But I'm gonna just promote
the shit out of the store
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and I'm gonna get a lotta inventory
and sell that shit out,
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and so I just... I'mma need you
to have some faith in me right now.
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- I know you're mad.
- Bitch!
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To make it in business, honey,
you gotta swing big,
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which is what you did.
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So, yes, I have faith in you.
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Otherwise, I would not be here.
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Hoo, why you bitches
always gotta think the worst?
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- Oh, it's your tone, mostly.
- Always the delivery.
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Oh, babe, I'll always have your back.
We're partners.
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But this lease is comin' up,
so guess what?
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If you fuck this up,
we gonna burn this bitch down
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and collect that insurance money.
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That is literally fraud.
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Oh, so you too good for fraud? Ugh.
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[Khalil] And the word
for next week's project is...
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"rancorous." Lock that in, all right?
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We'll use that in your next piece.
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All right, see y'all next week.
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Uh... Thank you, Mr. Khalil.
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- I got you. See you next week, man.
- For sure.
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- Hello.
- Hey. Ooh.
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I'm sorry,
but... late registration is closed.
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Okay. Actually, I wanted
to share some news with you.
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- Oh yeah?
- Mm-hmm.
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What's up?
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I sold your painting
inspired by Peppermint.
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No shit. For real?
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[Simone] Mm-hmm.
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For $30,000.
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- $30,000?
- Mm-hmm.
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My client was at the showcase,
and he fell in love with it.
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What? W... Am... am I part of the 1% now?
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- Not yet.
- Not yet?
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Who bought it?
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Who bought it?
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Please tell me it wasn't the dude
who kept on asking me
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how I overcame being an at-risk youth.
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Or not the redhead dude
that kept on saying, "My man."
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It was the guy who kept talking
about how Harlem is safe now.
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So he'll have a piece of my art
hangin' in his house...
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forever?
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Yes.
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Look, it's an amazing offer.
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Especially for an artist
who's new on the scene.
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Yeah.
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{\an8}All right. It's Iman the Don,
and welcome to Culture Chat.
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{\an8}You know what we do here, guys.
We chat about...
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{\an8}- The culture.
- The culture.
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{\an8}And it's your boy, Celvin the King.
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{\an8}- [plays air-horn sound effect]
- Pew-pew-pew!
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{\an8}So what do we have today?
We have plus-size stylist Mavis Beaumont.
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{\an8}She went viral
for calling out designer Charles Renee.
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{\an8}Uh, she says he's lying about his sizing,
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{\an8}and she staged a protest
at New York Fashion Week.
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{\an8}You wore this ill-fitting number.
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{\an8}Your biscuits were out
all over the place for everybody.
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{\an8}Yes. Biscuits were all the way out.
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{\an8}Personally, I like my women
thicker than a Snicker. [chuckles]
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{\an8}That's disgusting. Um...
But thank you for having me.
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{\an8}Um...
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{\an8}Plus-sized baddies
are always being forgotten,
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{\an8}you know, in the industry,
the fashion industry.
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{\an8}And designers like Charles Renee,
when they throw us a bone,
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{\an8}it's always a ill-fitting bone.
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{\an8}So, you know,
I'm just saying, Charles Renee,
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{\an8}why can't you make
a cute-ass dress for real-ass women?
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{\an8}- Well, damn. Shots fired.
- [air horn]
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{\an8}Honestly, I said what I said.
That's right.
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{\an8}He should leave
dressing skinny white women to Kanye.
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{\an8}- That's his thing.
- Oh shit. Kanye catching strays.
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{\an8}Okay!
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{\an8}- Okay, so you standing on business.
- Yeah.
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{\an8}And that is exactly why we have
Charles Renee on the line.
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{\an8}- Say what now?
- Let's get this convo poppin'.
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{\an8}[air horn]
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{\an8}- [Charles] Yes, yes.
- [Iman] Hey.
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{\an8}So Mavis here says that,
Charles, that you are a size bigot,
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{\an8}and she also says you can't sew.
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{\an8}No, didn't say that.
What I said was I need a cute-ass dress--
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{\an8}[Charles] I wanna keep it short, a'ight.
Not all skinfolk are kinfolk.
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{\an8}What?
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{\an8}Now, listen, you can take my word,
a world-renowned designer,
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{\an8}or the word of this thirsty fraud.
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{\an8}- It's on you.
- Here we go!
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{\an8}- [air horn]
- Excuse me.
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{\an8}- I have styled celebrities, like--
- [Charles] Hey, listen.
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{\an8}Iman, this is why
you cannot help people, okay?
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{\an8}I stepped out of my comfort zone
to accommodate bigger women.
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{\an8}Maybe they should
step outta their comfort zone
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{\an8}and... and... and be a little grateful.
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{\an8}Charles, that is a bit incendiary.
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{\an8}Okay, associate's degree.
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{\an8}I'm sorry, okay? I get heated when
my good name is called into question.
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{\an8}Yeah, well, I get heated when, um,
you can't even call me what I am.
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{\an8}Why can't you say "plus-size woman"?
Why can't you say that?
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{\an8}I have no problem saying
"small-dick energy."
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{\an8}Oh wow!
I thought you were against body-shaming.
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{\an8}So you're saying that people
with small dicks are inherently worthless?
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{\an8}No, not you.
That's not what I'm sayin'. What I said...
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{\an8}You guys
are tuned into Culture Chat, folks.
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{\an8}We gotta take a quick pause for a cause.
We'll be right Black.
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{\an8}[air horn]
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What just happened?
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[Mavis] Go off.
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Do you know how many pieces of clothing
I have to sell in order to make $30K?
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- You don't know how many.
- I really don't.
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But you're amazing.
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Yeah.
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What's up?
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Money changes people, Mavis. I mean,
can you even be a good rich person?
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That sounds like a trick question.
I don't know how to answer.
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I just don't wanna spend all my time
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pumping out pieces
for, you know, rich white collectors.
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- Get up.
- Nuh...
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- Khalil, get up!
- Oh my God, rapid-fire style.
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- Yeah, duh, bitch, rapid-fire style.
- [sighs]
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Khalil, does earning money
help you help yourself?
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Yeah.
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- Does earning money help you help others?
- Yeah, my moms, and...
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Do you believe that you can
create your own version of success?
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Exactly.
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You're never gonna be anything
you don't wanna be... ever.
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Just... follow your intuition.
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Like... yo, look at all
the shit I manifested
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because I followed my intuition.
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I mean, sure, I got dragged on a podcast,
but I'll figure it out.
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And so will you.
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Yeah.
It's definitely something to think about.
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[Mavis] I've been thinkin'
about a lot of things.
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Oh!
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You mean like this?
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Um... [sighs]
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"Fertile Beginnings"?
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Yes. I, um...
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I went to a fertility clinic.
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Oh yeah?
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Yeah, and they gave me so much intel
on, um, possible donors.
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You know, their height, their weight,
where they went to school.
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So wait.
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You got pregnancy-scared
into having a baby?
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Yeah. I wanna be a mom.
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And I know I can't do it by myself,
but... I know I've got Marley.
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And I've got you.
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Hell yeah, you got me.
Uncle Khalil! What you talkin' 'bout?
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We're about to be 40. I'm about to be 40.
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I need to get
on this baby-making train immediately.
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Which sounds crazy to say out loud, but...
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I gotta make this big life decision.
No matter what.
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Like, no matter what job I want.
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Or what man I want.
I have to do this for me.
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- You know one thing I do know?
- What's that?
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00:09:01,707 --> 00:09:03,583
- You gonna be a great mom.
- Thank you.
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00:09:03,584 --> 00:09:06,419
- I mean, you damn near raised me.
- True.
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00:09:06,420 --> 00:09:08,714
I ain't drink nothing but Mountain Dew
before you.
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00:09:09,465 --> 00:09:11,801
I mean, I can't believe
you still have teeth in your head.
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00:09:12,301 --> 00:09:14,928
It was insane.
The amount of cavities you had?
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00:09:14,929 --> 00:09:17,764
- It was like they were givin' them away.
- It wasn't that bad.
197
00:09:17,765 --> 00:09:19,767
Your mom never wanted
to go to the dentist.
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00:09:20,643 --> 00:09:22,727
- Don't tell her I said that.
- I ain't gonna tell her.
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♪ Life is well, I'm in a better space ♪
200
00:09:24,730 --> 00:09:27,899
♪ My brother told me time is fake
I say my prayers before I start my day ♪
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[Mavis] M.STUDIO says that they're not
gonna send us any more jumpsuits?
202
00:09:31,445 --> 00:09:33,822
Culture Chat was supposed
to help business.
203
00:09:33,823 --> 00:09:35,490
And we're getting roasted on socials.
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00:09:35,491 --> 00:09:39,327
They sayin' that you stirring up shit
with Charles Renee for likes and views
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00:09:39,328 --> 00:09:42,498
and that you don't have a real store
since no one's ever heard of it.
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00:09:44,834 --> 00:09:48,087
At least we have no customers
to see we ain't got no clothes.
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00:09:48,754 --> 00:09:49,671
Silver lining.
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00:09:49,672 --> 00:09:52,757
People need to mind
their own damn business.
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00:09:52,758 --> 00:09:55,386
That's why that shit with Daphne
got me fucked up.
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You know, fashion is my armor, Mavis,
and yours too,
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and we are not gonna let those ugly
motherfuckers online decide our value.
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00:10:04,061 --> 00:10:05,186
[Nala] Mm-hmm.
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00:10:05,187 --> 00:10:07,063
Well, at least Charles Renee
is fucked too.
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00:10:07,064 --> 00:10:12,027
Yeah. Some of his thick models that walked
in his show are organizin' a boycott.
215
00:10:12,028 --> 00:10:13,821
It's trendin' on TikTok.
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00:10:14,530 --> 00:10:19,326
This doesn't make sense, but... I just wish
two fucks would make an unfuck.
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00:10:19,327 --> 00:10:21,119
- You know what I mean?
- [Nala] Hold up.
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Charles needs to rehab his image
and stop the boycott,
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00:10:24,373 --> 00:10:27,500
and you need to get your vendors
and customers back.
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00:10:27,501 --> 00:10:31,463
So maybe if y'all get together
and do a little somethin'.
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Bitch, you are smart.
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00:10:33,674 --> 00:10:34,883
Heh! And fine.
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00:10:34,884 --> 00:10:40,640
Okay, uh, no shade, but why would
Charles Renee wanna help us?
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Because together, if we can create
one truly plus-size, dope-ass piece,
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00:10:47,480 --> 00:10:48,730
everybody wins.
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00:10:48,731 --> 00:10:51,441
Mm-hmm. A little collab for that ass.
227
00:10:51,442 --> 00:10:53,401
["Karma" by SiR & Isaiah Rasha playing]
228
00:10:53,402 --> 00:10:54,653
♪ Hey, hey-hey ♪
229
00:10:54,654 --> 00:10:58,031
♪ Jackie youngest baby
I been crazy since the sixth grade ♪
230
00:10:58,032 --> 00:11:01,368
♪ Full clip on my mental
Too official for your mixtape ♪
231
00:11:01,369 --> 00:11:04,537
♪ I can paint a picture
So wavy the boat bends ♪
232
00:11:04,538 --> 00:11:07,958
♪ But lately
I been burning the candle at both ends... ♪
233
00:11:13,130 --> 00:11:14,005
- Yo.
- Khalil.
234
00:11:14,006 --> 00:11:15,216
Yeah. Uh...
235
00:11:15,716 --> 00:11:17,677
Glad I caught you. Got a second?
236
00:11:18,177 --> 00:11:19,427
- Sure.
- Yeah?
237
00:11:19,428 --> 00:11:20,346
Yeah.
238
00:11:27,937 --> 00:11:29,020
Hey, what's up?
239
00:11:29,021 --> 00:11:30,272
So, uh...
240
00:11:31,732 --> 00:11:34,360
I need to be clear
on what I want for my career.
241
00:11:34,860 --> 00:11:37,195
And I know you've been helping me
become the artist
242
00:11:37,196 --> 00:11:39,990
that people are dying to have
in their collection, but...
243
00:11:41,075 --> 00:11:42,535
I don't wanna be collected.
244
00:11:44,704 --> 00:11:45,621
Okay.
245
00:11:47,206 --> 00:11:50,334
Yes, I want to sell my art, of course.
246
00:11:51,585 --> 00:11:54,587
But I wanna be able
to control who owns that shit,
247
00:11:54,588 --> 00:11:57,299
like... who... who... who I sell it to.
248
00:11:58,050 --> 00:12:02,178
I mean, and definitely not, like, old boy
from the other night from the showcase?
249
00:12:02,179 --> 00:12:05,558
Come on,
and if... if you can't rock with that, then...
250
00:12:08,018 --> 00:12:10,311
I'll have to find somebody else
to work with.
251
00:12:10,312 --> 00:12:14,024
You are extremely... talented, Khalil.
252
00:12:15,025 --> 00:12:16,986
And I believe in you, clearly.
253
00:12:18,612 --> 00:12:20,865
But that's just not how my business works.
254
00:12:21,866 --> 00:12:22,992
Those are my clients.
255
00:12:23,617 --> 00:12:24,535
So...
256
00:12:26,620 --> 00:12:28,831
I think you should work with someone else.
257
00:12:31,333 --> 00:12:32,877
Hmm. Okay.
258
00:12:33,961 --> 00:12:36,338
Well, I really appreciate everything
259
00:12:37,673 --> 00:12:39,633
you've done for me. I do.
260
00:12:46,140 --> 00:12:47,349
Where are you goin'?
261
00:12:48,726 --> 00:12:52,271
Didn't you just hear me say
you aren't my artist anymore?
262
00:12:53,063 --> 00:12:54,981
Yeah, that's why
I was about to head out into...
263
00:12:54,982 --> 00:12:56,232
["JEANS" Jessie Reyez playing]
264
00:12:56,233 --> 00:12:59,402
[Miguel] ♪ The atoms between us
Have melted away ♪
265
00:12:59,403 --> 00:13:02,155
♪ And we're one tonight ♪
266
00:13:02,156 --> 00:13:03,282
♪ Yeah ♪
267
00:13:03,783 --> 00:13:09,412
♪ When I see the white of your eyes
I know I, I'm doing it right... ♪
268
00:13:09,413 --> 00:13:10,664
[Khalil] Mm.
269
00:13:11,207 --> 00:13:12,208
Oh.
270
00:13:13,042 --> 00:13:15,920
- Oh, I'm no longer your artist.
- Mm-hmm.
271
00:13:17,004 --> 00:13:18,339
[Miguel] ♪ Yeah ♪
272
00:13:19,131 --> 00:13:23,760
[Jessie Reyez] ♪ And I feel you growing
But love how you hold back for me ♪
273
00:13:23,761 --> 00:13:26,346
[Miguel] ♪ Yeah, I get conceited
When you say that I'm the best ♪
274
00:13:26,347 --> 00:13:28,681
- [Miguel] ♪ Say it again ♪
- [Jessie Reyez] ♪ You the best ♪
275
00:13:28,682 --> 00:13:32,477
- ♪ Say it again ♪
- ♪ You the best ♪
276
00:13:32,478 --> 00:13:34,270
- ♪ Take me to bed ♪
- ♪ Yeah, yeah ♪
277
00:13:34,271 --> 00:13:36,773
- [both] ♪ You fit ♪
- [Reyez] ♪ Baby ♪
278
00:13:36,774 --> 00:13:38,608
[Miguel] ♪ Better than a pair of jeans
Baby ♪
279
00:13:38,609 --> 00:13:40,276
♪ Better than a pair of jeans, baby ♪
280
00:13:40,277 --> 00:13:42,695
- [Reyez] ♪ Fill me up ♪
- [both] ♪ Better than a feast, baby ♪
281
00:13:42,696 --> 00:13:44,239
[Reyez] ♪ Better than a feast, baby ♪
282
00:13:44,240 --> 00:13:46,908
[Miguel] ♪ Don't think
I could ever let you leave, baby ♪
283
00:13:46,909 --> 00:13:49,577
- [Reyez] ♪ Ever let you leave ♪
- [Miguel] ♪ Yeah, yeah, yeah, yeah ♪
284
00:13:49,578 --> 00:13:51,788
- [both] ♪ And you fit ♪
- [Reyez] ♪ You fit ♪
285
00:13:51,789 --> 00:13:54,290
[both] ♪ Like your mama made you
Just for me, baby ♪
286
00:13:54,291 --> 00:13:55,626
[Reyez] ♪ Just for me... ♪
287
00:13:56,293 --> 00:13:58,546
- What do you want to do?
- [door creaks open]
288
00:14:02,925 --> 00:14:06,886
- Hello?
- Hey... Luca.
289
00:14:06,887 --> 00:14:10,932
[Luca] I hope it's okay.
I stopped by your house and ran into Jade.
290
00:14:10,933 --> 00:14:13,519
Oh my God.
She doesn't even live there any...
291
00:14:14,270 --> 00:14:15,436
It doesn't even matter.
292
00:14:15,437 --> 00:14:18,648
Anyway, you said in your text
that you are busy,
293
00:14:18,649 --> 00:14:20,818
which was maybe you distancing yourself.
294
00:14:21,485 --> 00:14:24,446
But I know when you're busy,
you forget to eat, so
295
00:14:25,531 --> 00:14:29,368
I took a chance and... made you a sandwich.
296
00:14:32,538 --> 00:14:37,126
It doesn't sound like much when I say it,
I guess. "I made you a sandwich."
297
00:14:37,626 --> 00:14:39,627
[breathes shakily]
298
00:14:39,628 --> 00:14:42,089
Actually, I... I don't know what to say.
299
00:14:49,013 --> 00:14:50,890
This place is really beautiful.
300
00:14:51,765 --> 00:14:56,645
It's so bright and colorful and original.
301
00:14:57,396 --> 00:14:58,480
It's very...
302
00:15:02,484 --> 00:15:03,694
very you.
303
00:15:06,322 --> 00:15:08,490
I should let you get back to work.
304
00:15:09,992 --> 00:15:10,993
Okay.
305
00:15:14,705 --> 00:15:20,085
You asked me if love is just
hurting each other and getting over it.
306
00:15:20,961 --> 00:15:22,004
I don't think so.
307
00:15:22,671 --> 00:15:25,674
But I don't think
it's just grand gestures either.
308
00:15:27,384 --> 00:15:32,139
I think... it actually might be
all the small things in between.
309
00:15:34,141 --> 00:15:35,142
Buona notte.
310
00:15:39,188 --> 00:15:41,230
[door opens, closes]
311
00:15:41,231 --> 00:15:43,317
[funky music playing]
312
00:15:44,360 --> 00:15:45,569
[knocking on door]
313
00:15:46,570 --> 00:15:47,571
Coming.
314
00:15:50,032 --> 00:15:51,032
- [Khalil] What's up?
- Hey.
315
00:15:51,033 --> 00:15:53,076
- Hey.
- I got an idea. I need your help.
316
00:15:53,077 --> 00:15:55,495
- Okay.
- I need paint.
317
00:15:55,496 --> 00:15:58,247
Charles Renee doesn't know color,
but I know color.
318
00:15:58,248 --> 00:16:02,585
You know... We both know color,
and this dress needs a pattern.
319
00:16:02,586 --> 00:16:06,005
Uh, yeah. I mean, we can figure it out,
but let me ask you this.
320
00:16:06,006 --> 00:16:10,468
Why him? I mean, why you workin' so hard?
You don't need Charles Renee.
321
00:16:10,469 --> 00:16:15,139
Okay. I've actually never been this close
to an actual designer,
322
00:16:15,140 --> 00:16:19,018
and they're the ones that can make
plus-size high fashion a reality.
323
00:16:19,019 --> 00:16:22,606
And... you know, I know it's just one dress,
324
00:16:23,107 --> 00:16:25,316
and it's just, like, a drop in the bucket
or whatever,
325
00:16:25,317 --> 00:16:28,028
but, like, change has gotta
start somewhere, right?
326
00:16:28,779 --> 00:16:30,363
- Fuck it, let's get it.
- Let's get it.
327
00:16:30,364 --> 00:16:31,447
Let's get it.
328
00:16:31,448 --> 00:16:34,117
["Let Me Be Great"
by Sampa The Great playing]
329
00:16:34,118 --> 00:16:37,328
♪ These certainly are the signs
Many men left to their own devices ♪
330
00:16:37,329 --> 00:16:40,373
♪ Tell the story, leaving out the cries
It's "Say me, say me" ♪
331
00:16:40,374 --> 00:16:42,291
♪ Uh, quite sucks to be the boss ♪
332
00:16:42,292 --> 00:16:44,502
♪ The hunter should be licking
At my balls, I'm a lion ♪
333
00:16:44,503 --> 00:16:45,962
- ♪ Now, king, men... ♪
- [Mavis] Mm-mm.
334
00:16:45,963 --> 00:16:47,505
♪ Applause I'm feelin' this ♪
335
00:16:47,506 --> 00:16:49,924
♪ But of course
What is the cost I'm healing now ♪
336
00:16:49,925 --> 00:16:52,301
♪ Dealing with my heroes
Always shitting on my flaws ♪
337
00:16:52,302 --> 00:16:54,095
♪ When I was younger
You was on my walls ♪
338
00:16:54,096 --> 00:16:55,221
♪ Now it's "Replace this" ♪
339
00:16:55,222 --> 00:16:57,140
♪ Don't wanna ever be an enemy nigga ♪
340
00:16:57,141 --> 00:16:59,183
♪ So I figure I could carve my own path ♪
341
00:16:59,184 --> 00:17:01,602
♪ Soaring, I'm am exhibit an' my name ♪
342
00:17:01,603 --> 00:17:04,605
♪ I'm Sammy, I'm Tembo
I'm Eve, I'm Sampa, I'm great ♪
343
00:17:04,606 --> 00:17:06,733
♪ Remember when there's doubt, fear ♪
344
00:17:06,734 --> 00:17:09,068
♪ You would have your voice
In the song, in your ear ♪
345
00:17:09,069 --> 00:17:11,404
♪ You can time travel
Any month, any year ♪
346
00:17:11,405 --> 00:17:12,780
♪ Young Tembo we... ♪
347
00:17:12,781 --> 00:17:15,658
♪ Ah, yeah, yeah-eh-eh, yeah ♪
348
00:17:15,659 --> 00:17:17,410
♪ Ah, yeah, yeah-eh-eh ♪
349
00:17:17,411 --> 00:17:20,246
♪ Let me, let me be great... ♪
350
00:17:20,247 --> 00:17:22,540
Yeah, I've been chasing
Amy Sherald for a minute.
351
00:17:22,541 --> 00:17:24,625
I can't believe
she finally got one for me.
352
00:17:24,626 --> 00:17:28,296
Okay, Mr. Renee, this is like that club
where Leo DiCaprio spits in your mouth,
353
00:17:28,297 --> 00:17:30,965
so I'm gonna call Simone
and let her know that we're here.
354
00:17:30,966 --> 00:17:33,886
Don't call Simone.
Simone's not coming. Hi, Charles.
355
00:17:34,386 --> 00:17:36,763
I know I got you here
under false pretenses,
356
00:17:36,764 --> 00:17:38,765
which isn't entirely legal,
357
00:17:38,766 --> 00:17:41,642
but I knew you'd never agree
to talk to me after that podcast.
358
00:17:41,643 --> 00:17:44,479
That's right.
Greta, call the car, call the podcast,
359
00:17:44,480 --> 00:17:47,356
and call my lawyer, my real lawyer.
In that order.
360
00:17:47,357 --> 00:17:48,274
Okay.
361
00:17:48,275 --> 00:17:50,486
[Mavis] I think I can help you
stop the boycott.
362
00:17:51,653 --> 00:17:54,573
I can. I just need
five minutes of your time.
363
00:17:56,116 --> 00:17:58,993
- Three minutes, 30 seconds.
- Great.
364
00:17:58,994 --> 00:18:01,954
Starting the timer, and go.
365
00:18:01,955 --> 00:18:04,041
Okay, then, let's walk faster, then.
366
00:18:05,042 --> 00:18:06,335
[Mavis clears her throat]
367
00:18:08,253 --> 00:18:10,254
- Charles Victor Renee.
- [gentle piano music playing]
368
00:18:10,255 --> 00:18:13,008
Born in Monroe, Louisiana in 1980.
369
00:18:13,675 --> 00:18:16,928
When the other boys
were playing Pogs and basketball,
370
00:18:16,929 --> 00:18:21,307
you were watching runway shows
and sketching your own designs.
371
00:18:21,308 --> 00:18:24,520
The first dress you made
was for your sister's prom.
372
00:18:25,145 --> 00:18:27,772
Your family could barely afford TJ Maxx,
373
00:18:27,773 --> 00:18:29,732
and you wanted
to make her something special.
374
00:18:29,733 --> 00:18:31,442
♪ Butterfly... ♪
375
00:18:31,443 --> 00:18:34,780
And you took that ambition
all the way to fashion school.
376
00:18:35,405 --> 00:18:37,532
But after you graduated,
377
00:18:37,533 --> 00:18:39,742
just like the rest
of the fashion industry,
378
00:18:39,743 --> 00:18:44,664
you decided to focus on thin bodies
and neutral colors to get ahead.
379
00:18:44,665 --> 00:18:49,085
But there's plenty of women
just like your sister,
380
00:18:49,086 --> 00:18:52,798
and like me, that want and crave
381
00:18:53,423 --> 00:18:55,508
to experience high fashion too.
382
00:18:55,509 --> 00:19:01,390
♪ Child, butterfly flyin' home ♪
383
00:19:02,391 --> 00:19:04,517
[song ends]
384
00:19:04,518 --> 00:19:05,602
Wait.
385
00:19:06,687 --> 00:19:09,564
So I took the silhouette
of your signature backless dress,
386
00:19:09,565 --> 00:19:12,233
and I fabricated a bold print to it.
387
00:19:12,234 --> 00:19:15,778
You know, at first glance,
sure, it probably doesn't make sense,
388
00:19:15,779 --> 00:19:18,198
seems a little chaotic, but...
389
00:19:19,283 --> 00:19:20,701
I honestly believe...
390
00:19:22,703 --> 00:19:25,914
that you and I could make
something beautiful together.
391
00:19:26,665 --> 00:19:28,833
Okay, I just have to say I love the dress.
392
00:19:28,834 --> 00:19:31,170
- Thank you! It's so good, huh?
- [Charles clears his throat]
393
00:19:33,130 --> 00:19:34,131
[sighs]
394
00:19:36,216 --> 00:19:37,217
We can sit.
395
00:19:39,720 --> 00:19:40,721
We can chat.
396
00:19:41,680 --> 00:19:44,933
["Out Of Love" by Busty and the Bass
featuring Macy Gray playing]
397
00:19:47,352 --> 00:19:48,353
[mouths]
398
00:19:50,439 --> 00:19:53,859
♪ I just wanna come out
And say I'm sick of waitin’ ♪
399
00:19:54,735 --> 00:19:57,361
♪ Tired of the way you pull that string... ♪
400
00:19:57,362 --> 00:20:00,990
So, um... you know, we decided
to put our differences aside
401
00:20:00,991 --> 00:20:05,119
for the greater good
because equality in sizing is paramount...
402
00:20:05,120 --> 00:20:06,495
- Mm.
- ...for fashion's future.
403
00:20:06,496 --> 00:20:09,040
Yes, it is. Yes, it is.
With Mavis' tenacity,
404
00:20:09,041 --> 00:20:12,251
we have Khalil Holland's
unique, beautiful print,
405
00:20:12,252 --> 00:20:13,586
with my expertise.
406
00:20:13,587 --> 00:20:17,298
What you see before you today,
all of this, this is just the beginning.
407
00:20:17,299 --> 00:20:18,299
- It is.
- Yeah.
408
00:20:18,300 --> 00:20:23,971
Hi. Yeah, um, how do you go
from Culture Chat to partners?
409
00:20:23,972 --> 00:20:27,308
Well, you know what I realized?
I realized that it's up to us, uh,
410
00:20:27,309 --> 00:20:30,394
to just create a space
for everyone at the table.
411
00:20:30,395 --> 00:20:33,231
And to also go off of what he just said,
412
00:20:33,232 --> 00:20:35,483
thick girls, we ain't just a moment.
413
00:20:35,484 --> 00:20:37,485
We the movement, honey. Okay?!
414
00:20:37,486 --> 00:20:38,778
- Okay!
- [woman] Yeah!
415
00:20:38,779 --> 00:20:40,322
You better say it, Mave.
416
00:20:41,323 --> 00:20:43,408
[mellow acoustic guitar strumming]
417
00:20:44,201 --> 00:20:47,871
♪ One time
For the big girls in the crowd ♪
418
00:20:48,872 --> 00:20:52,542
♪ Go on, sis, yeah,
Show 'em how to work it out... ♪
419
00:20:53,543 --> 00:20:55,294
Congratulations, Mavis.
420
00:20:55,295 --> 00:20:56,837
- Thank you.
- You know somethin'?
421
00:20:56,838 --> 00:20:57,797
What's that?
422
00:20:57,798 --> 00:20:59,966
- I underestimated you.
- Did you now?
423
00:20:59,967 --> 00:21:01,467
- I did.
- Okay.
424
00:21:01,468 --> 00:21:04,513
And you even got designer instincts
in there.
425
00:21:05,180 --> 00:21:06,847
- You really think so?
- Mm-hmm.
426
00:21:06,848 --> 00:21:08,058
So you're welcome.
427
00:21:08,642 --> 00:21:09,685
For the shine.
428
00:21:10,894 --> 00:21:12,145
This is huge for you.
429
00:21:12,729 --> 00:21:13,730
[Charles] Let's go.
430
00:21:14,398 --> 00:21:16,274
- Have a good night.
- [Charles] You too.
431
00:21:16,275 --> 00:21:19,611
♪ Throw your hands up
This is your anthem... ♪
432
00:21:22,281 --> 00:21:23,572
- I'll...
- Go on over there.
433
00:21:23,573 --> 00:21:25,324
- I'll be right back.
- Go on over there.
434
00:21:25,325 --> 00:21:26,617
[Marley] Oh, babe!
435
00:21:26,618 --> 00:21:28,704
[both chuckling]
436
00:21:30,622 --> 00:21:32,331
Look at you. You came.
437
00:21:32,332 --> 00:21:35,544
- Of course.
- Looking fuckin' expensive.
438
00:21:36,128 --> 00:21:37,837
- Is that a compliment?
- Oh.
439
00:21:37,838 --> 00:21:39,839
City Councilor Moore. Over here.
440
00:21:39,840 --> 00:21:40,924
Oh.
441
00:21:42,634 --> 00:21:44,302
- Now, how about a fun one?
- Oh, hell no.
442
00:21:44,303 --> 00:21:47,055
- That's as fun as it's gonna get.
- What are you, an opp?
443
00:21:49,766 --> 00:21:52,977
Anyway, babe,
I... I didn't think you would come.
444
00:21:52,978 --> 00:21:54,479
I had to.
445
00:21:55,272 --> 00:21:58,483
Listen, Marley, I am so sorry.
446
00:21:58,984 --> 00:22:00,610
I don't wanna change you.
447
00:22:02,029 --> 00:22:03,988
And I'm gonna have to compromise, too,
448
00:22:03,989 --> 00:22:07,075
if you're gonna be joining me
on my campaign trail.
449
00:22:07,826 --> 00:22:09,494
Is that an invitation?
450
00:22:10,662 --> 00:22:12,664
[mellow R&B music playing]
451
00:22:13,498 --> 00:22:15,207
♪ It's the little things... ♪
452
00:22:15,208 --> 00:22:17,044
- [Mavis] Hey!
- Yo. Yo.
453
00:22:17,627 --> 00:22:20,629
- You killed that shit tonight.
- It was so good. Look at this.
454
00:22:20,630 --> 00:22:21,756
- Yo.
- We did it.
455
00:22:21,757 --> 00:22:23,299
- Killin'.
- I know.
456
00:22:23,300 --> 00:22:26,010
- Couldn't have done it without you.
- Oh. Glad to be a part.
457
00:22:26,011 --> 00:22:27,679
- You know what I mean?
- Thanks.
458
00:22:28,930 --> 00:22:29,847
I gotta roll.
459
00:22:29,848 --> 00:22:31,557
Where are you goin' with that weird smile...
460
00:22:31,558 --> 00:22:33,309
- Who's smilin'?
- ...and that long-legged walk?
461
00:22:33,310 --> 00:22:35,227
- Who's smilin'? Ain't nobody smilin'.
- You!
462
00:22:35,228 --> 00:22:36,312
This is not a smile.
463
00:22:36,313 --> 00:22:38,397
You look like
four out of five dentists approve.
464
00:22:38,398 --> 00:22:40,275
I'm goin' to kick it with Simone.
465
00:22:40,859 --> 00:22:43,861
- Oh, okay.
- Yeah. Look, your boy got his "uh" back.
466
00:22:43,862 --> 00:22:45,821
- Well, congratulations.
- Yeah, thank you.
467
00:22:45,822 --> 00:22:47,323
- I love that for you.
- I love you.
468
00:22:47,324 --> 00:22:48,449
- I love you too.
- All right.
469
00:22:48,450 --> 00:22:50,201
Congratulations on
your dick workin' again.
470
00:22:50,202 --> 00:22:51,286
Oh my God. Mavis!
471
00:22:52,037 --> 00:22:53,913
What? Congratulations
on your dick workin' again!
472
00:22:53,914 --> 00:22:55,957
[Khalil] Okay. My dick has always worked.
473
00:22:58,293 --> 00:23:00,796
Rome? I've never been to Rome.
474
00:23:03,757 --> 00:23:04,965
I...
475
00:23:04,966 --> 00:23:06,051
No, thanks.
476
00:23:13,392 --> 00:23:14,767
Hey. Yeah.
477
00:23:14,768 --> 00:23:17,853
- Oh my God, that singer was amazing.
- Incredible.
478
00:23:17,854 --> 00:23:19,939
- Wow.
- Was she not?
479
00:23:19,940 --> 00:23:21,482
I mean, the whole night.
480
00:23:21,483 --> 00:23:23,526
- Amazing.
- The whole night. The whole night.
481
00:23:23,527 --> 00:23:24,485
You did it.
482
00:23:24,486 --> 00:23:25,820
- Day.
- Yes.
483
00:23:25,821 --> 00:23:26,946
- Oh my God.
- You did it.
484
00:23:26,947 --> 00:23:28,782
- Day, I love you so much.
- I love you.
485
00:23:30,742 --> 00:23:32,035
[sighs deeply]
486
00:23:41,002 --> 00:23:43,463
Let me guess.
Jade told you where to find me.
487
00:23:46,716 --> 00:23:48,218
Thank you for these.
488
00:23:49,302 --> 00:23:51,847
But you missed the party.
Why didn't you come in?
489
00:23:53,098 --> 00:23:54,766
I didn't want to...
490
00:23:56,726 --> 00:23:57,811
do too much.
491
00:23:59,146 --> 00:24:01,523
But it looked like a great night, Mavis.
492
00:24:02,566 --> 00:24:03,859
I'm happy for you.
493
00:24:04,901 --> 00:24:05,861
Thank you.
494
00:24:06,778 --> 00:24:09,156
That really means a lot, Luca. Honestly.
495
00:24:11,450 --> 00:24:15,619
I, um... I ha... I just have so much stuff
to get home.
496
00:24:15,620 --> 00:24:18,080
Yes, of course. You must be exhausted.
497
00:24:18,081 --> 00:24:19,248
[Mavis] I'm so tired.
498
00:24:19,249 --> 00:24:22,293
- Do you need help?
- No, I'm good. I'm a New Yorker. Let's go.
499
00:24:22,294 --> 00:24:23,462
Taxi!
500
00:24:24,629 --> 00:24:26,298
Fuck. Oh, taxi!
501
00:24:28,216 --> 00:24:30,468
Thank you. Wait a minute.
That was my taxi, man.
502
00:24:30,469 --> 00:24:31,510
- Hey!
- 72nd and 5th.
503
00:24:31,511 --> 00:24:35,097
- What the fuck? Are you serious?
- Hey, get out! Go! Get the fuck out!
504
00:24:35,098 --> 00:24:37,559
You saw her standing there,
and you stole it.
505
00:24:38,143 --> 00:24:39,853
This is her taxi, capisce?
506
00:24:40,353 --> 00:24:41,688
Whatever, dude.
507
00:24:43,440 --> 00:24:46,359
Uh, this is going in the trunk.
Thank you so much.
508
00:24:58,705 --> 00:25:00,332
[Luca] We'll talk later, Mavis.
509
00:25:01,249 --> 00:25:03,460
- Get home safe.
- You too.
510
00:25:22,646 --> 00:25:23,480
Hey!
511
00:25:24,689 --> 00:25:28,735
Uh... I think we're goin'
in the same direction if you want a ride.
512
00:25:31,530 --> 00:25:33,656
["It Ain't Over 'Til It's Over" playing]
513
00:25:33,657 --> 00:25:35,742
[funky string intro playing]
514
00:25:45,085 --> 00:25:50,298
♪ Here we are still together ♪
515
00:25:51,132 --> 00:25:52,926
♪ We are one ♪
516
00:25:55,512 --> 00:25:58,222
♪ So many tears I've cried ♪
517
00:25:58,223 --> 00:26:01,392
♪ So much pain inside ♪
518
00:26:01,393 --> 00:26:07,398
♪ But, baby, it ain't over
Till it's over ♪
519
00:26:07,399 --> 00:26:10,401
♪ So many years we tried ♪
520
00:26:10,402 --> 00:26:13,404
♪ To keep our love alive ♪
521
00:26:13,405 --> 00:26:19,411
♪ 'Cause, baby, it ain't over
Till it's over ♪
522
00:26:19,995 --> 00:26:22,413
♪ How many times ♪
523
00:26:22,414 --> 00:26:25,416
♪ Did we give up? ♪
524
00:26:25,417 --> 00:26:28,252
♪ But we always worked things out ♪
525
00:26:28,253 --> 00:26:29,421
♪ Yeah ♪
526
00:26:30,714 --> 00:26:35,426
♪ And all my doubts and fears
Kept me wondering, yeah ♪
527
00:26:35,427 --> 00:26:40,432
♪ If I'd always, always be in love ♪
528
00:26:42,434 --> 00:26:45,269
♪ So many tears I've cried ♪
529
00:26:45,270 --> 00:26:48,188
♪ So much pain inside ♪
530
00:26:48,189 --> 00:26:53,986
♪ But, baby, it ain't over
Till it's over ♪
531
00:26:53,987 --> 00:26:56,905
♪ So many years we've tried ♪
532
00:26:56,906 --> 00:26:59,825
♪ And kept our love alive ♪
533
00:26:59,826 --> 00:27:01,453
♪ But, baby, it ain't... ♪