1
00:00:16,200 --> 00:00:17,920
[plane engines roaring overhead]

2
00:00:20,840 --> 00:00:23,800
[speaking inaudibly]

3
00:00:40,440 --> 00:00:42,440
[indistinct announcement on PA]

4
00:00:51,360 --> 00:00:54,080
["La Dolce Vita" playing]

5
00:01:05,200 --> 00:01:07,200
[upbeat Italian song continues]

6
00:01:29,200 --> 00:01:32,880
[Orestis]
that separates our position on something.

7
00:01:32,960 --> 00:01:34,200
It's so thin,

8
00:01:34,280 --> 00:01:37,400
we sometimes don't realize
we cross it at all.

9
00:01:37,480 --> 00:01:40,040
While other times, we cross it carelessly.

10
00:01:41,040 --> 00:01:44,480
A musical staff has five lines,
and that's not a random number.

11
00:01:44,560 --> 00:01:48,320
Each of these lines delineates the notes
and their position on the staff.

12
00:01:48,840 --> 00:01:54,160
Similar to a human being, a note exists
only when it takes its place between,

13
00:01:54,240 --> 00:01:56,360
above, or beyond the lines.

14
00:01:57,200 --> 00:02:00,880
So thin is the line in life
that separates right from wrong.

15
00:02:01,600 --> 00:02:03,080
Good from evil.

16
00:02:12,280 --> 00:02:15,840
In some places, beautiful things
occur at the same time

17
00:02:15,920 --> 00:02:17,760
as terrible things.

18
00:02:19,080 --> 00:02:22,080
Humans have this ability
to embody both extremities,

19
00:02:22,160 --> 00:02:24,520
good and evil, all at once.

20
00:02:24,600 --> 00:02:26,720
This is the thin line
that sets humans apart.

21
00:02:34,920 --> 00:02:36,920
[shouting inaudibly]

22
00:02:44,440 --> 00:02:46,440
[speaking inaudibly]

23
00:02:52,400 --> 00:02:54,200
[Orestis]
something keeping me

24
00:02:54,280 --> 00:02:55,920
from crossing that line.

25
00:02:56,000 --> 00:02:57,360
And that was music.

26
00:02:58,440 --> 00:02:59,680
When I first came here,

27
00:02:59,760 --> 00:03:03,400
I never expected that this island
would change my life completely.

28
00:03:03,920 --> 00:03:07,720
Nor that all these people
would be somehow connected.

29
00:03:07,800 --> 00:03:11,520
CHAPTER IV
A FINE LINE

30
00:03:11,600 --> 00:03:13,240
[calming Italian song ends]

31
00:03:13,320 --> 00:03:14,360
PROGRAM

32
00:03:15,120 --> 00:03:18,120
So, here's the festival program
and all the locations.

33
00:03:18,200 --> 00:03:19,880
If anything changes, we'll adjust it.

34
00:03:19,960 --> 00:03:22,200
But I'd rather not have any changes made.

35
00:03:22,280 --> 00:03:23,920
Mrs. Maria.
Together with the Cultural Club

36
00:03:24,000 --> 00:03:27,200
and the Folk Dance Club, you'll be dancing
at the Ipapanti like last time.

37
00:03:27,280 --> 00:03:31,600
Antonis, you'll sing in Agios Nikolaos,
and people will be getting there by boat.

38
00:03:31,680 --> 00:03:33,960
Klelia, you'll perform the concerto
with the strings.

39
00:03:34,040 --> 00:03:36,680
The choir will be singing
at various locations.

40
00:03:36,760 --> 00:03:38,880
For the final night,
Mrs. Haris will sing outside,

41
00:03:38,960 --> 00:03:40,760
accompanied by the symphonic orchestra.

42
00:03:40,840 --> 00:03:43,560
Klelia on the piano,
and Antonis, the mandolin.

43
00:03:44,120 --> 00:03:47,200
We'll be rehearsing every day
for at least five hours.

44
00:03:47,280 --> 00:03:48,880
Before each and every performance,

45
00:03:48,960 --> 00:03:52,200
I also want all of you to be present
for additional rehearsals.

46
00:03:52,280 --> 00:03:54,320
Spyros, what's up with the stages?

47
00:03:54,400 --> 00:03:56,880
They're coming from Corfu.
We've already given them dimensions.

48
00:03:56,960 --> 00:03:59,320
Good. The space outside
will be set up accordingly

49
00:03:59,400 --> 00:04:01,440
so everyone can be
at the top of the stage.

50
00:04:01,520 --> 00:04:03,960
People will be watching the shows
from the boats and the sides.

51
00:04:04,040 --> 00:04:06,480
Please make sure that you do
not miss a single rehearsal…

52
00:04:06,560 --> 00:04:08,800
-Look how severe he is.
-[Haris] Hmm.

53
00:04:08,880 --> 00:04:10,400
He took my job.

54
00:04:10,960 --> 00:04:12,960
-He's gorgeous.
-[Orestis] Be punctual.

55
00:04:13,040 --> 00:04:16,080
Don't come at the last minute. Agreed?

56
00:04:16,160 --> 00:04:17,280
[gulls calling]

57
00:04:24,200 --> 00:04:25,480
Miss Milonas?

58
00:04:27,280 --> 00:04:30,520
-Will this embargo go on for much longer?
-It's not an embargo.

59
00:04:30,600 --> 00:04:32,680
-Is it quarantine?
-More like distance.

60
00:04:33,200 --> 00:04:34,800
Shall we go for a swim, then?

61
00:04:35,320 --> 00:04:37,120
-Orestis?
-What?

62
00:04:38,040 --> 00:04:39,880
You told me that here before.

63
00:04:39,960 --> 00:04:42,240
What was it you said?
"We don't have to analyze

64
00:04:42,320 --> 00:04:43,800
or talk or anything, really."

65
00:04:43,880 --> 00:04:46,160
"We'll just sit quietly
and listen to some music."

66
00:04:46,240 --> 00:04:48,840
"That's all. We'll just go for a swim.
Does that sound so weird?"

67
00:04:48,920 --> 00:04:50,160
Your

68
00:04:50,240 --> 00:04:52,720
-I was much cuter.
-But I was more confident.

69
00:04:52,800 --> 00:04:53,920
I was younger.

70
00:04:54,000 --> 00:04:57,040
I was younger too, but I'll fail
if I talk about age today. Miserably.

71
00:04:57,120 --> 00:04:58,400
I don't know. We better not.

72
00:04:59,200 --> 00:05:00,560
[Orestis sighs]

73
00:05:00,640 --> 00:05:02,800
-Do you want me to follow you?
-Yep!

74
00:05:02,880 --> 00:05:07,400
[electronic rendition
of "Can't Help Falling in Love" playing]

75
00:05:09,280 --> 00:05:10,160
Wait.

76
00:05:10,240 --> 00:05:14,800
♪ Wise men say ♪

77
00:05:16,680 --> 00:05:22,520
♪ Only fools rush in ♪

78
00:05:25,440 --> 00:05:30,320
♪ But I can't help ♪

79
00:05:31,240 --> 00:05:38,000
♪ Falling in love with you ♪

80
00:05:40,720 --> 00:05:46,120
♪ Shall I stay? ♪

81
00:05:47,200 --> 00:05:53,800
♪ Would it be a sin ♪

82
00:05:56,400 --> 00:06:01,480
♪ If I can't help ♪

83
00:06:02,320 --> 00:06:09,000
♪ Falling in love with you? ♪

84
00:06:09,520 --> 00:06:11,160
[romantic song fades]

85
00:06:40,160 --> 00:06:42,640
[on headphones]

86
00:06:43,360 --> 00:06:47,160
♪ Darling, so it goes ♪

87
00:06:47,240 --> 00:06:52,960
♪ Some things are meant to be ♪

88
00:06:54,840 --> 00:07:00,000
♪ Take my hand ♪

89
00:07:01,200 --> 00:07:07,440
♪ Take my whole life too ♪

90
00:07:10,200 --> 00:07:15,360
♪ 'Cause I can't help ♪

91
00:07:16,240 --> 00:07:23,040
♪

92
00:07:23,880 --> 00:07:25,440
[excited chatter]

93
00:07:26,880 --> 00:07:30,080
[music blasting inside]

94
00:07:35,920 --> 00:07:37,680
[keys jangle]

95
00:07:41,000 --> 00:07:42,400
[somber music rises]

96
00:07:43,000 --> 00:07:44,480
Good evening, my friends.

97
00:07:44,560 --> 00:07:47,960
It's such a pleasure to see all of you
here again at this beloved venue.

98
00:07:48,560 --> 00:07:50,920
The last time we were gathered here,

99
00:07:51,000 --> 00:07:54,360
we got to witness
a truly phenomenal festival.

100
00:07:55,520 --> 00:07:57,040
Now, much time has passed.

101
00:07:57,120 --> 00:08:00,040
So much has happened,
and together, we've gotten through it all.

102
00:08:00,120 --> 00:08:03,360
And with hard work and faith
from all of you good people here,

103
00:08:03,440 --> 00:08:05,960
we achieved something
of great significance.

104
00:08:07,360 --> 00:08:10,680
Personally, through my institutional role,
I contributed to

105
00:08:10,760 --> 00:08:14,960
and championed initiatives designed
to enhance the lives of our community.

106
00:08:15,040 --> 00:08:18,880
And I want you all to know that,
for me, artistic efforts are crucial

107
00:08:19,640 --> 00:08:23,640
as they connect us to each other
and throughout many generations to come.

108
00:08:24,560 --> 00:08:28,840
Music was and will be a curative force
in tumultuous circumstances

109
00:08:28,920 --> 00:08:31,040
for the rest of our lives and beyond.

110
00:08:31,560 --> 00:08:34,680
[ominous string music building]

111
00:08:36,000 --> 00:08:38,600
So, this summer,
and on the initiative of Haris,

112
00:08:38,680 --> 00:08:41,960
the festival has been brought
back to life.

113
00:08:42,600 --> 00:08:44,880
I would like to thank Orestis Emmanuel

114
00:08:44,960 --> 00:08:48,040
from the bottom of my heart
for being with us again,

115
00:08:48,560 --> 00:08:52,240
to help the island,
that he may very well call his own by now.

116
00:08:52,760 --> 00:08:56,120
Miss Maria as well, for her contribution.

117
00:08:57,280 --> 00:09:00,120
Now, the festival will take place
at various locations on the island,

118
00:09:00,200 --> 00:09:02,400
just like last year.

119
00:09:02,480 --> 00:09:04,040
And one last thing, my dear friends.

120
00:09:04,120 --> 00:09:07,000
I honestly didn't think we would make it.

121
00:09:07,560 --> 00:09:11,320
But thanks to all these people here,
my family,

122
00:09:12,480 --> 00:09:15,000
I daresay they accomplished what
many thought could not be done

123
00:09:15,080 --> 00:09:16,760
in such a brief period.

124
00:09:17,720 --> 00:09:19,120
So at the very least,

125
00:09:19,800 --> 00:09:24,040
they deserve a big thank you,
along with our most enthusiastic applause.

126
00:09:27,880 --> 00:09:29,880
[gentle music rising]

127
00:10:11,960 --> 00:10:13,240
[sighs]

128
00:10:14,160 --> 00:10:15,520
[music fades]

129
00:10:15,600 --> 00:10:17,480
[Fanis] What are you doing here this late?

130
00:10:17,560 --> 00:10:20,160
[Sofia] Do I need to remind you
that this is my home?

131
00:10:20,840 --> 00:10:22,920
[water running, stops]

132
00:10:23,000 --> 00:10:25,200
You can't stand the other one anymore?

133
00:10:27,080 --> 00:10:30,120
-Trouble with Michalis?
-Not your business.

134
00:10:30,200 --> 00:10:32,160
Was it too much for him
and he kicked you out?

135
00:10:35,720 --> 00:10:37,440
-Yes.
-He'll get over it.

136
00:10:37,520 --> 00:10:40,880
He loves you too much to leave you.
Unless you're sick of him.

137
00:10:44,800 --> 00:10:45,880
I'm so sorry.

138
00:10:47,520 --> 00:10:49,040
I know how much you care about him.

139
00:10:49,640 --> 00:10:50,760
[Sofia sighs]

140
00:10:51,360 --> 00:10:52,440
May I?

141
00:10:53,880 --> 00:10:55,240
Help yourself, please.

142
00:11:03,040 --> 00:11:04,440
Where are the kids?

143
00:11:07,680 --> 00:11:09,400
You think they tell me anything?

144
00:11:10,160 --> 00:11:14,200
I hope at least you understand
that I'm trying to protect them.

145
00:11:14,720 --> 00:11:19,960
-You have a funny way of showing it.
-I do. You used to like that way.

146
00:11:20,040 --> 00:11:21,880
-[somber music playing]
-I never liked it.

147
00:11:22,680 --> 00:11:24,040
Then why did you stay, Sofia?

148
00:11:25,480 --> 00:11:28,520
What the fuck did we build this house for?
We made many things together.

149
00:11:28,600 --> 00:11:29,760
Was it all in my head?

150
00:11:31,600 --> 00:11:32,840
No, it wasn't.

151
00:11:39,120 --> 00:11:41,840
Our kids hate us.
We're terrible parents, aren't we?

152
00:11:41,920 --> 00:11:45,040
We must have done something right,
as the kids turned out okay.

153
00:11:46,600 --> 00:11:48,680
They are unlike their parents.

154
00:11:52,160 --> 00:11:54,080
I'd appreciate it if you could share

155
00:11:54,160 --> 00:11:56,840
when I may have disappointed you
to this extent.

156
00:11:58,040 --> 00:11:59,520
Why, would you change anything?

157
00:11:59,600 --> 00:12:00,720
I want to know.

158
00:12:02,280 --> 00:12:05,120
-When you started to terrify me.
-You're afraid of me?

159
00:12:06,800 --> 00:12:08,080
Tell me honestly.

160
00:12:09,840 --> 00:12:11,600
After 30 years, do you love me at all?

161
00:12:16,840 --> 00:12:17,680
Yes.

162
00:12:20,880 --> 00:12:23,000
The Italians invited us on their boat.

163
00:12:24,480 --> 00:12:28,360
I managed to buy us a little time
by scaring the detective off the island.

164
00:12:29,680 --> 00:12:31,880
To protect Antonis and Klelia.

165
00:12:31,960 --> 00:12:34,400
To stop being on thin ice
with the Italians.

166
00:12:34,480 --> 00:12:38,480
Great. So what happened, then?
He doesn't care about your money.

167
00:12:40,640 --> 00:12:41,640
I'm going to bed.

168
00:12:47,840 --> 00:12:49,000
What's this, Fanis?

169
00:12:49,080 --> 00:12:51,840
I should be afraid of you,
not the other way around.

170
00:12:52,360 --> 00:12:54,640
I don't quite know
how decent we are as parents.

171
00:12:54,720 --> 00:12:57,880
But you should know,
I'd never screw you over like this, Sofia.

172
00:12:58,400 --> 00:13:00,800
Next time, I urge you to consider
the impact of your actions

173
00:13:00,880 --> 00:13:04,320
on our children and whether you want them
to remain alive, my dear.

174
00:13:05,000 --> 00:13:06,080
[recorder beeps]

175
00:13:06,640 --> 00:13:08,400
[Sofia]

176
00:13:09,440 --> 00:13:12,160
You want Fanis
because you know about his business,

177
00:13:12,240 --> 00:13:14,320
and you want to catch
the people he works for.

178
00:13:14,400 --> 00:13:15,720
Isn't that the truth?

179
00:13:15,800 --> 00:13:17,200
[Demosthenes]

180
00:13:17,280 --> 00:13:19,800
[Sofia]
of Charalambos alone.

181
00:13:20,880 --> 00:13:22,400
Forget all about it.

182
00:13:23,880 --> 00:13:27,080
And I'll be able to give you
all the information you're looking for

183
00:13:27,600 --> 00:13:29,720
to help you catch the people you want.

184
00:13:30,400 --> 00:13:32,240
[Demosthenes]
a political figure,

185
00:13:32,320 --> 00:13:34,920
and this is a very big case
we're talking about here.

186
00:13:36,000 --> 00:13:38,320
[somber music peaks, fades]

187
00:13:46,960 --> 00:13:48,680
How are you, Mr. Kouvas?

188
00:13:49,600 --> 00:13:50,960
[groggily] Did I make it?

189
00:13:51,720 --> 00:13:54,440
With quite a few stitches,
but you got lucky.

190
00:13:54,960 --> 00:13:57,720
The knife didn't hit the aorta
or any of your organs.

191
00:13:57,800 --> 00:14:00,360
You lost a lot of blood,
but we caught it in time.

192
00:14:01,240 --> 00:14:03,400
Get some rest.
You're weak from the sedation.

193
00:14:03,920 --> 00:14:07,920
He could have killed me if he wanted.
He wanted to scare me off.

194
00:14:08,800 --> 00:14:11,760
-Who did?
-Come on, Doctor. Not now…

195
00:14:12,560 --> 00:14:13,840
It was a break-in.

196
00:14:14,480 --> 00:14:17,120
The police and the whole island
are looking for the perpetrator.

197
00:14:17,200 --> 00:14:19,360
[laughs] Let me make a wild guess.

198
00:14:20,040 --> 00:14:21,280
They haven't found him yet.

199
00:14:21,360 --> 00:14:24,040
This whole thing
is a first for the island.

200
00:14:24,120 --> 00:14:27,000
Some think it was a foreigner
who broke into other homes.

201
00:14:27,080 --> 00:14:28,960
Uh, to steal what?

202
00:14:29,040 --> 00:14:31,320
Place mats? [chuckles weakly]

203
00:14:31,400 --> 00:14:32,680
I know.

204
00:14:33,200 --> 00:14:36,520
Just for the sake of appearances.
That fucker.

205
00:14:36,600 --> 00:14:37,960
[groans]

206
00:14:38,040 --> 00:14:40,280
What have you given me? Morphine?

207
00:14:41,400 --> 00:14:43,520
Don't give me that shit again.
I can't take it.

208
00:14:43,600 --> 00:14:46,480
-I'm getting dizzy. I shouldn't talk.
-Please rest now.

209
00:14:46,560 --> 00:14:48,840
I just came by to tell you you're okay.

210
00:14:49,360 --> 00:14:51,840
Tomorrow an ambulance
will take you across,

211
00:14:51,920 --> 00:14:55,680
so you can be transported to a hospital
off the island for further examinations.

212
00:14:55,760 --> 00:14:57,440
I'm not going anywhere.

213
00:14:58,200 --> 00:14:59,880
Did Haris get to sing?

214
00:15:00,480 --> 00:15:01,320
Excuse me?

215
00:15:01,400 --> 00:15:02,960
The festival!

216
00:15:03,040 --> 00:15:04,240
[groans loudly]

217
00:15:04,760 --> 00:15:06,600
Whoa, what did you give me?

218
00:15:06,680 --> 00:15:09,320
I feel like I smoked a dozen joints.

219
00:15:09,400 --> 00:15:11,120
Did Haris sing or not?

220
00:15:11,200 --> 00:15:13,240
[groans] Did I miss it?

221
00:15:13,320 --> 00:15:15,680
["Aloha 'Oe" playing on radio]

222
00:15:16,680 --> 00:15:20,320
-How's the new job going for you?
-Many things need to be set up.

223
00:15:21,160 --> 00:15:24,120
I like it, but sometimes I feel
like I don't care at all.

224
00:15:24,200 --> 00:15:26,000
I also had a new nanny come in.

225
00:15:26,600 --> 00:15:27,560
She's really good.

226
00:15:27,640 --> 00:15:29,600
But I don't want
to leave her alone too long.

227
00:15:30,360 --> 00:15:32,080
When you come back,
you'll take care of her

228
00:15:32,160 --> 00:15:34,440
as well as giving me
some time to myself, hmm?

229
00:15:34,520 --> 00:15:38,160
-[baby babbling]
-I don't want her just for the weekends.

230
00:15:41,320 --> 00:15:42,720
We'll create a schedule.

231
00:15:43,240 --> 00:15:44,640
-[Orestis] Mm-hmm.
-[Alexandra] Hmm?

232
00:15:47,080 --> 00:15:48,200
Ah.

233
00:15:48,280 --> 00:15:50,240
Did you just notice it? [chuckles]

234
00:15:50,320 --> 00:15:51,200
Yeah.

235
00:15:53,000 --> 00:15:54,400
How's the festival going?

236
00:15:56,440 --> 00:15:57,400
Good.

237
00:15:58,400 --> 00:16:00,640
It reminds me of
what I'm natural at, and I love it.

238
00:16:03,640 --> 00:16:05,240
I spoke to the school.

239
00:16:06,400 --> 00:16:09,480
I explained a couple things
and told them it was a misunderstanding.

240
00:16:12,000 --> 00:16:13,040
[Orestis sighs]

241
00:16:13,120 --> 00:16:16,000
What I did was very cruel. I know.

242
00:16:16,080 --> 00:16:17,520
[baby exclaiming happily]

243
00:16:19,680 --> 00:16:22,080
I want to take her with me to the school
to hear some music.

244
00:16:22,160 --> 00:16:23,520
-She may like it.
-[Alexandra] Mm.

245
00:16:24,200 --> 00:16:26,680
-I envy you.
-Why?

246
00:16:27,200 --> 00:16:29,520
Because you're so passionate
about what you do.

247
00:16:29,600 --> 00:16:33,240
Anyone else in your position
would have run away with all this madness.

248
00:16:34,520 --> 00:16:35,520
When are you leaving?

249
00:16:36,480 --> 00:16:37,600
Very soon.

250
00:16:39,240 --> 00:16:41,480
Now that Fanis took care of
that nosey cop.

251
00:16:41,560 --> 00:16:42,720
I didn't think he'd do it.

252
00:16:42,800 --> 00:16:44,960
It was the smartest thing he did
to scare him off.

253
00:16:45,040 --> 00:16:46,200
How do you know it was Fanis?

254
00:16:46,280 --> 00:16:49,280
Because that's exactly what I'd have done,
to protect my loved ones.

255
00:16:49,360 --> 00:16:50,720
My own ass too.

256
00:16:50,800 --> 00:16:51,840
[Orestis] Come. Come on.

257
00:16:52,640 --> 00:16:55,600
Come see Daddy. Hey, hey. Yes. Yes.

258
00:16:55,680 --> 00:16:59,400
-Yes. Yes. Yes. Yes. Yes.
-[giggles happily]

259
00:16:59,920 --> 00:17:02,800
Do you realize that you and I are
the only family she has?

260
00:17:05,000 --> 00:17:06,000
Yeah.

261
00:17:08,240 --> 00:17:12,280
And in some ways too,
this is the only family you and I have.

262
00:17:12,360 --> 00:17:14,360
[somber music playing]

263
00:17:30,280 --> 00:17:31,800
[speaking inaudibly]

264
00:17:35,600 --> 00:17:37,120
[music fades]

265
00:17:37,200 --> 00:17:38,560
Good evening, Michalis.

266
00:17:39,240 --> 00:17:40,960
This is Mr. Sotiriou from Corfu.

267
00:17:41,040 --> 00:17:44,400
He runs the Prosecutor's Office,
and he sent Mr. Kouvas here.

268
00:17:44,480 --> 00:17:46,800
-How is he today?
-He's fine. He's out of danger.

269
00:17:46,880 --> 00:17:48,280
Thank God. I'm so relieved.

270
00:17:48,360 --> 00:17:52,440
They've been looking for the perpetrator,
but I'm sure he's already fled the island.

271
00:17:52,520 --> 00:17:55,960
We've notified the stations
in Parga, Igoumenitsa... All over.

272
00:17:56,040 --> 00:17:57,960
-I think it was just a bad moment.
-Hmm.

273
00:17:58,040 --> 00:18:01,320
What's really important is that he's
all right and he's going to live.

274
00:18:02,120 --> 00:18:05,640
You know, I never thought
there would come a day

275
00:18:06,160 --> 00:18:08,480
when something like that
would take place on my island.

276
00:18:09,400 --> 00:18:11,280
-Can I see him now?
-Of course you can.

277
00:18:11,360 --> 00:18:12,800
I'd better not bother you anymore.

278
00:18:12,880 --> 00:18:15,680
Mr. Sotiriou,
I'll see you later at my office.

279
00:18:15,760 --> 00:18:18,800
-Michalis, do you… need anything else?
-No, I'm okay.

280
00:18:18,880 --> 00:18:19,840
Great.

281
00:18:23,040 --> 00:18:24,160
[door opens]

282
00:18:29,000 --> 00:18:30,360
[chuckles wryly]

283
00:18:34,320 --> 00:18:37,840
If I told you the son of a bitch got me,
would you believe me?

284
00:18:38,720 --> 00:18:40,160
[Sotiriou sighs]

285
00:18:40,240 --> 00:18:42,320
-Yeah.
-And you won't do anything about it?

286
00:18:44,120 --> 00:18:47,120
If it were up to me, maybe I would.
But it's not worth it.

287
00:18:48,080 --> 00:18:50,800
Demosthenes, the case has been closed.

288
00:18:51,320 --> 00:18:52,600
The higher-ups demanded it.

289
00:18:54,000 --> 00:18:54,960
[Demosthenes sighs]

290
00:18:55,040 --> 00:18:57,440
-You've been recalled.
-They got to you as well?

291
00:18:58,760 --> 00:18:59,800
Who?

292
00:19:01,560 --> 00:19:03,520
You have to stop insisting.

293
00:19:05,120 --> 00:19:06,680
Demosthenes, look at yourself.

294
00:19:06,760 --> 00:19:09,360
What are you doing, exactly?
Is this really worth it?

295
00:19:12,760 --> 00:19:15,000
Fuck me, I should've taken
the money he offered.

296
00:19:15,080 --> 00:19:19,600
Maybe you should've stopped insisting
on something that's bigger than any of us.

297
00:19:19,680 --> 00:19:20,760
Did

298
00:19:23,680 --> 00:19:25,240
I came to see how you were.

299
00:19:25,960 --> 00:19:28,880
And I also brought you the file
with all your papers.

300
00:19:28,960 --> 00:19:31,240
There's no longer a case
for you to keep digging.

301
00:19:33,320 --> 00:19:34,840
You're not on duty anymore.

302
00:19:34,920 --> 00:19:37,680
I can't keep you at the station.
Do you understand?

303
00:19:39,040 --> 00:19:41,600
On the first of next month,
you'll start getting your pension,

304
00:19:41,680 --> 00:19:44,160
which will be an honorary one
for your work on the force.

305
00:19:44,240 --> 00:19:46,040
That's what I managed to get for you.

306
00:19:46,640 --> 00:19:47,920
[sarcastically] I'm touched.

307
00:19:50,400 --> 00:19:53,880
As soon as you get better,
you're leaving this island.

308
00:19:54,400 --> 00:19:56,000
We'll talk more when you're outta here.

309
00:19:56,080 --> 00:19:59,360
-Do you need anything else from me?
-It was his son who did it.

310
00:20:00,080 --> 00:20:02,720
He's covering for him, so they won't find
more evidence on him

311
00:20:02,800 --> 00:20:04,000
and the ring he's set up.

312
00:20:05,440 --> 00:20:09,960
He's a puppet for the Italians.
He's laundering money for those gangsters.

313
00:20:14,960 --> 00:20:16,120
My family is worth

314
00:20:17,440 --> 00:20:20,200
a lot more than any scumbag
in this fucking world.

315
00:20:20,280 --> 00:20:22,400
[somber music playing]

316
00:20:27,680 --> 00:20:28,840
See you.

317
00:20:33,200 --> 00:20:34,280
[door opens]

318
00:20:37,440 --> 00:20:38,640
[door closes]

319
00:20:43,560 --> 00:20:45,120
[sighs deeply]

320
00:20:48,040 --> 00:20:49,320
When are you leaving?

321
00:20:50,520 --> 00:20:52,320
Soon as the festival's over.

322
00:20:53,640 --> 00:20:55,080
When are you coming back?

323
00:20:56,680 --> 00:20:57,720
I don't know.

324
00:20:58,720 --> 00:21:01,160
I have no reason to come back besides you.

325
00:21:01,720 --> 00:21:03,000
And also, my grandmother.

326
00:21:03,920 --> 00:21:06,960
This house was two stories tall…
not so long ago.

327
00:21:08,320 --> 00:21:10,560
-Would you live in this house?
-Yeah.

328
00:21:11,360 --> 00:21:13,120
I'd fix up the roof
as well as the casings,

329
00:21:13,200 --> 00:21:15,000
and it would be fine.

330
00:21:16,320 --> 00:21:17,520
[Antonis] The bathroom?

331
00:21:18,280 --> 00:21:19,480
[Spyros] Over there.

332
00:21:20,040 --> 00:21:22,280
And over here,
a living room and a bedroom.

333
00:21:24,440 --> 00:21:25,880
And a small kitchen over there.

334
00:21:25,960 --> 00:21:27,640
I don't need anything else.

335
00:21:28,160 --> 00:21:29,520
[Antonis chuckles softly]

336
00:21:30,640 --> 00:21:32,560
-What about upstairs?
-[sighs]

337
00:21:33,200 --> 00:21:35,200
All yours, you little show-off.

338
00:21:39,480 --> 00:21:40,960
[Antonis sighs]

339
00:21:41,800 --> 00:21:43,720
Hey, don't feel so bad.

340
00:21:44,320 --> 00:21:45,960
He's alive, and he's fine.

341
00:21:46,880 --> 00:21:49,320
The most important thing is
that the case has been closed.

342
00:21:49,840 --> 00:21:52,240
We no longer have anything
to be afraid of.

343
00:21:53,160 --> 00:21:54,120
Right?

344
00:21:57,160 --> 00:21:58,200
Hey.

345
00:22:06,240 --> 00:22:07,760
[Spyros sighs]

346
00:22:10,080 --> 00:22:14,200
[Orestis]
is enough to make us cross that thin line.

347
00:22:14,720 --> 00:22:16,320
We don't have to act on it.

348
00:22:17,200 --> 00:22:21,080
Just knowing alone
makes it feel like we're complicit.

349
00:22:21,960 --> 00:22:24,160
But when we rid ourselves from the fear,

350
00:22:25,480 --> 00:22:26,720
it's a relief.

351
00:22:27,680 --> 00:22:28,520
For everyone.

352
00:22:28,600 --> 00:22:30,120
[music fades]

353
00:22:33,600 --> 00:22:36,360
-So, Michalis? How's he doing?
-He's fine.

354
00:22:36,440 --> 00:22:38,520
-Ah.
-No, Mrs. Haris, you can't go in.

355
00:22:38,600 --> 00:22:40,160
Why? What happened?

356
00:22:40,240 --> 00:22:43,520
He's much better, actually.
He's just asked not to be disturbed.

357
00:22:44,040 --> 00:22:46,160
Huh. You mean me, don't you?

358
00:22:46,800 --> 00:22:47,840
[Michalis] Hmm.

359
00:22:47,920 --> 00:22:50,320
I don't think he'd have
any other visitors.

360
00:22:51,000 --> 00:22:53,600
Fine. You want some fresh orange juice?

361
00:22:54,840 --> 00:22:56,840
And cookies from Loukas? Here.

362
00:23:00,240 --> 00:23:03,560
-You're sure he'll be fine, right?
-Yes. In a few days, I said.

363
00:23:04,760 --> 00:23:06,720
Do you have any idea who did it?

364
00:23:08,160 --> 00:23:10,920
Mrs. Haris, I know things
that I wish I didn't know about.

365
00:23:11,440 --> 00:23:13,160
Things I shouldn't know.

366
00:23:14,840 --> 00:23:15,880
Do you?

367
00:23:17,360 --> 00:23:20,160
I act like I don't know
because I have no other choice.

368
00:23:20,240 --> 00:23:21,920
Don't ask me, then.

369
00:23:23,600 --> 00:23:24,840
[Haris] Hmm.

370
00:23:26,640 --> 00:23:30,280
You're by far the quietest man
on the island. How do you manage?

371
00:23:30,360 --> 00:23:31,880
And you see where this has gotten me.

372
00:23:32,960 --> 00:23:35,480
Her car is
in front of her house every morning.

373
00:23:36,720 --> 00:23:38,600
You couldn't stand it.

374
00:23:38,680 --> 00:23:41,720
We all have our limits,
and I've reached my limit a long time ago.

375
00:23:41,800 --> 00:23:43,080
[Haris] Hmm.

376
00:23:43,720 --> 00:23:44,920
For the first time in her life,

377
00:23:45,000 --> 00:23:47,840
she tried to be happy
by being in a relationship with you.

378
00:23:49,680 --> 00:23:51,080
[sighs]

379
00:23:52,000 --> 00:23:55,400
You get out of life exactly
what you put into it, isn't that true?

380
00:23:56,400 --> 00:23:58,880
I don't say that
because she's my daughter,

381
00:23:58,960 --> 00:24:02,120
but it breaks my heart,
seeing her imprisoned like that.

382
00:24:04,200 --> 00:24:05,760
You should grab a cookie.

383
00:24:07,560 --> 00:24:09,560
[gentle Greek tune playing]

384
00:24:43,080 --> 00:24:44,160
[door opens]

385
00:24:45,520 --> 00:24:46,560
[door closes]

386
00:24:49,280 --> 00:24:51,160
Hey, what's going on?

387
00:24:51,920 --> 00:24:54,480
Yianna, you opening a clothing store?
What's this?

388
00:24:54,560 --> 00:24:56,800
[crying] I'm packing my bags, Miss Maria.

389
00:24:57,600 --> 00:24:59,240
This is where we part ways.

390
00:24:59,760 --> 00:25:01,760
I wouldn't really say that, Yianna.
Come on.

391
00:25:01,840 --> 00:25:04,000
You're moving three houses up the street.
Turn this off.

392
00:25:04,080 --> 00:25:05,400
[gasps]

393
00:25:06,160 --> 00:25:07,080
[quietly] Fine.

394
00:25:08,680 --> 00:25:10,080
[somber tune stops]

395
00:25:10,160 --> 00:25:12,720
[sighs, sniffles]

396
00:25:19,400 --> 00:25:20,920
I wanna give you this.

397
00:25:21,640 --> 00:25:24,400
It's my favorite, and I'd like
you to have it, you know.

398
00:25:25,560 --> 00:25:27,560
I got it when I was in Mursi in Albania.

399
00:25:27,640 --> 00:25:29,440
Thanks, Yianna. It's nice of you.

400
00:25:30,760 --> 00:25:32,800
You know, Mrs. Maria,
I'll always consider you

401
00:25:32,880 --> 00:25:34,160
like a second mom to me.

402
00:25:34,240 --> 00:25:36,400
Come here, silly you. Come here.

403
00:25:36,480 --> 00:25:39,800
-Everything will be fine.
-How can you say that, Mrs. Maria?

404
00:25:39,880 --> 00:25:42,920
Do you think I like having
to go back to my parents?

405
00:25:44,640 --> 00:25:46,480
I liked it here.

406
00:25:47,360 --> 00:25:51,120
And just when I was doing fine
and had everything taken care of,

407
00:25:51,880 --> 00:25:54,400
I now have to start from scratch again.

408
00:25:54,480 --> 00:25:58,280
Honey, what are you talking about?
You can't think this way. It's not right.

409
00:25:58,360 --> 00:26:00,800
You should be glad that you're so young
and can start over.

410
00:26:00,880 --> 00:26:03,400
[blows nose] Yeah, right.

411
00:26:03,480 --> 00:26:05,720
Who gets pumped
about starting from scratch?

412
00:26:05,800 --> 00:26:06,760
I do.

413
00:26:08,600 --> 00:26:11,440
I'll tell you something
I haven't told anyone, not even Spyros.

414
00:26:11,960 --> 00:26:13,680
I'm going to sell the restaurant.

415
00:26:14,200 --> 00:26:16,800
-What'll you do?
-I'll figure it out.

416
00:26:18,440 --> 00:26:21,680
You're such a strong person.
But I'm different.

417
00:26:21,760 --> 00:26:23,360
You think

418
00:26:23,440 --> 00:26:26,080
Terrible things had to happen
for me to wake up.

419
00:26:26,160 --> 00:26:27,600
You're wrong about us both.

420
00:26:27,680 --> 00:26:29,640
You are much stronger, sweetheart.

421
00:26:29,720 --> 00:26:33,520
And if you hadn't settled
in pretending to be somebody else,

422
00:26:33,600 --> 00:26:36,480
you could have been doing
amazing things in life by now.

423
00:26:37,000 --> 00:26:38,160
[Yianna sighs]

424
00:26:39,800 --> 00:26:40,960
[exhales deeply]

425
00:26:44,560 --> 00:26:45,520
[sniffles]

426
00:26:46,080 --> 00:26:48,440
[bittersweet Greek tune resumes playing]

427
00:27:03,680 --> 00:27:05,680
-[song ends]
-[indistinct chatter]

428
00:27:19,000 --> 00:27:20,400
[somber piano music playing]

429
00:27:38,520 --> 00:27:41,240
[gentle music playing]

430
00:27:45,240 --> 00:27:49,680
COFFEEHOUSE
IPAPANTI

431
00:27:49,760 --> 00:27:50,600
Klelia.

432
00:28:00,360 --> 00:28:02,240
How's everything going with the festival?

433
00:28:03,080 --> 00:28:04,240
Good.

434
00:28:06,080 --> 00:28:08,600
You think it's weird
I asked you to sit with me?

435
00:28:08,680 --> 00:28:09,720
Yeah.

436
00:28:11,760 --> 00:28:14,040
I just think it's time you and I
had a little conversation.

437
00:28:14,120 --> 00:28:15,720
Hmm? A proper one.

438
00:28:15,800 --> 00:28:18,280
-A proper one?
-I have opinions.

439
00:28:20,320 --> 00:28:23,200
I really don't want to get involved
in your relationship with Orestis.

440
00:28:23,720 --> 00:28:25,480
[Klelia] I don't want
to talk about Orestis.

441
00:28:25,560 --> 00:28:28,560
[Alexandra] My relationship with him
is a given. And so is yours.

442
00:28:30,160 --> 00:28:31,600
He's very much in love.

443
00:28:32,320 --> 00:28:33,920
He's also an idiot.

444
00:28:34,000 --> 00:28:37,840
He'll fall flat on his face.
You'll eventually grow tired of him, so…

445
00:28:37,920 --> 00:28:39,800
Not my business, though. [chuckles]

446
00:28:40,840 --> 00:28:44,640
I'd like for us to talk about my daughter
and his future relationship with her.

447
00:28:44,720 --> 00:28:46,320
Why do we need to talk about that now?

448
00:28:46,400 --> 00:28:48,760
Because if you're going to be
with Orestis,

449
00:28:49,280 --> 00:28:50,600
you'll have to deal with this too.

450
00:28:53,480 --> 00:28:56,320
-What's your opinion?
-No opinion.

451
00:28:59,400 --> 00:29:02,280
-It's not very nice, what you're doing.
-Yeah? What, exactly?

452
00:29:02,360 --> 00:29:05,400
Making people feel so uncomfortable
around you. Why do you do that?

453
00:29:06,680 --> 00:29:10,040
I'm not the third wheel in your marriage,
and I've been trying to keep my distance.

454
00:29:10,120 --> 00:29:11,440
Why do you think that is?

455
00:29:12,440 --> 00:29:15,080
-'Cause there is a child involved.
-Exactly.

456
00:29:15,960 --> 00:29:18,400
So if you'd like,
we can have that cup of coffee. Fine.

457
00:29:18,480 --> 00:29:20,280
But don't make me uncomfortable
in that way.

458
00:29:21,840 --> 00:29:23,640
I'm sorry. I won't.

459
00:29:24,680 --> 00:29:28,320
I've forgotten what it's like to have
a normal conversation in a normal place.

460
00:29:29,560 --> 00:29:33,240
-You remind me of my father.
-Oh? Shall I take that as an insult?

461
00:29:33,320 --> 00:29:34,160
Yeah.

462
00:29:35,040 --> 00:29:37,360
Yeah, I can understand someone
wanting to control everything

463
00:29:37,440 --> 00:29:39,000
and fuck over everyone.

464
00:29:40,640 --> 00:29:44,520
-That's how I grew up.
-Same, but I'm not like him.

465
00:29:44,600 --> 00:29:46,200
You got lucky.

466
00:29:47,000 --> 00:29:49,400
-I've turned out just like him.
-It's a bummer.

467
00:29:51,480 --> 00:29:53,600
So I guess that means
somewhere deep inside,

468
00:29:53,680 --> 00:29:55,640
you and I have something in common.

469
00:29:57,400 --> 00:29:59,880
-Do you talk to your father?
-Not anymore.

470
00:30:00,400 --> 00:30:01,880
But I'm sure I will in the future.

471
00:30:01,960 --> 00:30:04,480
He has a way of pulling you back
into his world.

472
00:30:04,560 --> 00:30:05,960
Yeah, mine too.

473
00:30:08,480 --> 00:30:11,520
I don't want her to have that kind
of relationship with her dad.

474
00:30:12,320 --> 00:30:15,160
-What's it like, having a kid?
-Why do you ask?

475
00:30:15,240 --> 00:30:18,400
-I'm just curious.
-I'd rather if it was simpler.

476
00:30:19,400 --> 00:30:22,880
-Does it change you?
-I wouldn't be here talking to you.

477
00:30:25,120 --> 00:30:28,080
Orestis isn't like my dad,
and neither is he like yours.

478
00:30:28,720 --> 00:30:30,000
That's something you should know.

479
00:30:30,080 --> 00:30:32,120
You're so in love with him?

480
00:30:34,200 --> 00:30:36,480
I hope you'll be able to take it.

481
00:30:37,240 --> 00:30:41,240
Because he'll always have our kid and me,
and it'll be hard.

482
00:30:42,480 --> 00:30:43,960
Who really knows? Maybe I don't care.

483
00:30:44,040 --> 00:30:45,640
You

484
00:30:46,560 --> 00:30:50,760
But you're strong enough to fight it.
You and I have that in common.

485
00:30:50,840 --> 00:30:51,960
[Klelia sighs]

486
00:30:52,040 --> 00:30:54,480
And you're so annoyingly beautiful,

487
00:30:54,560 --> 00:30:56,480
it's only fair
I make you feel uncomfortable.

488
00:30:56,560 --> 00:30:59,000
[both chuckle]

489
00:31:02,520 --> 00:31:03,960
[cheerful music fades]

490
00:31:06,760 --> 00:31:08,200
[Michalis] Honey, I'm home.

491
00:31:08,720 --> 00:31:09,680
I won't stay long.

492
00:31:09,760 --> 00:31:12,280
Kouvas is still at the clinic,
and I have to go back.

493
00:31:13,120 --> 00:31:16,440
But if you feel like it,
we can grab a drink in Taxidi tonight.

494
00:31:17,040 --> 00:31:18,800
[breathing shakily]

495
00:31:25,600 --> 00:31:27,600
[somber music playing]

496
00:31:44,760 --> 00:31:46,760
[crying softly]

497
00:32:29,520 --> 00:32:32,080
[music fades slowly]

498
00:32:32,160 --> 00:32:37,040
♪ There must be something ♪

499
00:32:37,960 --> 00:32:40,400
♪ About her ♪

500
00:32:40,920 --> 00:32:46,400
♪ That you love, don't you, dear? ♪

501
00:32:48,080 --> 00:32:54,440
♪ Something about her ♪

502
00:33:01,240 --> 00:33:03,960
♪ It'd be wiser for me ♪

503
00:33:04,640 --> 00:33:08,280
♪ To run away from all I see ♪

504
00:33:08,360 --> 00:33:11,040
♪ I can't resist ♪

505
00:33:11,120 --> 00:33:13,360
♪ What good is love ♪

506
00:33:13,440 --> 00:33:16,280
♪ If not to miss your hands ♪

507
00:33:16,360 --> 00:33:18,000
♪ Or your eyes ♪

508
00:33:18,080 --> 00:33:21,160
♪ Or the way that yours
Just look in mine? ♪

509
00:33:21,240 --> 00:33:23,320
♪ I'd die ♪

510
00:33:23,400 --> 00:33:29,520
♪ To live for any little part of this ♪

511
00:33:31,240 --> 00:33:35,360
♪ There must be something ♪

512
00:33:36,840 --> 00:33:39,800
♪ About her ♪

513
00:33:39,880 --> 00:33:45,200
♪ That you love, don't you, dear? ♪

514
00:33:47,200 --> 00:33:49,800
♪ Something ♪

515
00:33:50,560 --> 00:33:53,240
♪ About her ♪

516
00:33:53,320 --> 00:33:59,160
♪ Terrifies all my fears ♪

517
00:34:00,280 --> 00:34:06,440
♪ She sits in a smile
With eyes looking through ♪

518
00:34:06,520 --> 00:34:10,160
♪ What's the point of all this music ♪

519
00:34:10,240 --> 00:34:14,120
♪ If I'm not here to dance with you? ♪

520
00:34:14,200 --> 00:34:16,880
♪ There must be ♪

521
00:34:17,640 --> 00:34:20,920
♪ Something ♪

522
00:34:21,000 --> 00:34:24,640
♪ About her ♪

523
00:34:24,720 --> 00:34:28,520
♪ Ooh ♪

524
00:34:29,480 --> 00:34:33,120
♪ Must be ♪

525
00:34:33,640 --> 00:34:37,880
♪ Something ♪

526
00:34:38,600 --> 00:34:42,280
♪ About her ♪

527
00:34:42,360 --> 00:34:44,240
[crowd cheers and appaluds]

528
00:35:01,200 --> 00:35:02,400
[gasps]

529
00:35:05,520 --> 00:35:08,520
Antonis? What are you doing here?

530
00:35:09,840 --> 00:35:11,400
Did my father do this to you?

531
00:35:14,760 --> 00:35:15,800
Yeah.

532
00:35:17,120 --> 00:35:18,800
How did you get in here?

533
00:35:20,040 --> 00:35:21,880
Please, you'd better leave.

534
00:35:25,800 --> 00:35:27,880
If I hadn't shot him,
he would have killed Spyros.

535
00:35:27,960 --> 00:35:28,840
You know that.

536
00:35:29,560 --> 00:35:30,560
I know.

537
00:35:34,920 --> 00:35:36,160
I know everything.

538
00:35:37,840 --> 00:35:40,200
But the case is closed.
It doesn't matter anymore.

539
00:35:41,480 --> 00:35:44,400
I had no idea
how uncanny this feeling would be.

540
00:35:47,240 --> 00:35:48,560
So strange.

541
00:35:51,480 --> 00:35:53,120
I'll never get over this.

542
00:35:58,400 --> 00:36:01,360
You should thank God
that these feelings are unnatural.

543
00:36:01,880 --> 00:36:03,600
[ominous music rises]

544
00:36:21,280 --> 00:36:23,680
[speaking inaudibly]

545
00:36:29,200 --> 00:36:31,520
[unsettling music peaks, fades]

546
00:36:31,600 --> 00:36:34,480
We need to do everything we can
to get all the surrounding land.

547
00:36:34,560 --> 00:36:36,720
Investors are already here,
and we're still talking.

548
00:36:36,800 --> 00:36:39,760
Fanis, many of our people will riot.

549
00:36:39,840 --> 00:36:42,080
They won't like the idea
of the island being corroded.

550
00:36:42,160 --> 00:36:44,080
They'll ask for favors.
Nothing will be corroded.

551
00:36:44,160 --> 00:36:47,720
We have all this green land.
We're not a third-world country.

552
00:36:47,800 --> 00:36:50,080
Can't you see how lucrative this'll be?

553
00:36:50,160 --> 00:36:52,720
We'll have an airport and more tourists.
More money for everyone.

554
00:36:52,800 --> 00:36:55,280
I disagree. Let's put it to a vote.

555
00:36:55,360 --> 00:36:56,480
What are you talking about?

556
00:36:57,080 --> 00:37:01,200
Sakis, I was elected mayor,
so we aren't putting anything to vote.

557
00:37:01,280 --> 00:37:04,360
The decision is mine, and it's
an important project for the island.

558
00:37:04,440 --> 00:37:07,240
So, let's move on to the next topic.

559
00:37:12,600 --> 00:37:14,600
[indistinct chatter]

560
00:37:23,720 --> 00:37:24,920
[Fanis] How's it going?

561
00:37:26,120 --> 00:37:28,440
Fine. They're setting up the stages.

562
00:37:28,520 --> 00:37:29,880
Yeah, I know. I paid for them.

563
00:37:29,960 --> 00:37:31,760
-[Orestis scoffs]
-Is everyone ready?

564
00:37:32,520 --> 00:37:33,640
They should be.

565
00:37:34,360 --> 00:37:36,760
We haven't had the chance to talk,
my friend.

566
00:37:36,840 --> 00:37:37,760
I came by to thank you.

567
00:37:37,840 --> 00:37:40,960
I really appreciate that you
and Alexandra didn't say anything.

568
00:37:42,720 --> 00:37:46,080
-I heard she left.
-She did. You wanted to say goodbye?

569
00:37:47,160 --> 00:37:50,440
When I come to Athens,
I'd like us to meet up.

570
00:37:50,520 --> 00:37:52,000
Only if you want to, of course.

571
00:37:52,080 --> 00:37:53,200
Meet for what?

572
00:37:53,840 --> 00:37:56,440
I'm helming some serious investments
for the island.

573
00:37:56,520 --> 00:37:59,880
Would you and Alexandra be interested
in participating in such a project?

574
00:37:59,960 --> 00:38:03,720
It's a great opportunity,
and I owe it to you both.

575
00:38:03,800 --> 00:38:06,440
As you already know,
Alexandra and I are divorced.

576
00:38:07,240 --> 00:38:08,920
We have no financial connections.

577
00:38:09,000 --> 00:38:11,000
Well, will you set up a meeting with her?

578
00:38:12,520 --> 00:38:13,560
Yeah.

579
00:38:14,280 --> 00:38:16,640
-Is that why you came here?
-To say goodbye too.

580
00:38:16,720 --> 00:38:17,840
I know you love this island.

581
00:38:17,920 --> 00:38:21,600
And if your relationship
with my daughter goes on, who knows?

582
00:38:21,680 --> 00:38:24,240
Maybe you'll visit more often.
It's a great opportunity.

583
00:38:24,320 --> 00:38:25,840
[Orestis scoffs]

584
00:38:26,520 --> 00:38:30,200
Fanis, why the hell do you want
to destroy the island too?

585
00:38:30,280 --> 00:38:32,000
You're such a romantic.

586
00:38:32,920 --> 00:38:34,080
That's good for my daughter.

587
00:38:38,080 --> 00:38:39,400
[Fanis] How are we doing here?

588
00:38:40,480 --> 00:38:43,720
Please be careful. The stage is brand new.
Let's not damage it, okay?

589
00:38:45,240 --> 00:38:47,360
[groaning]

590
00:38:49,120 --> 00:38:51,160
[inhales sharply, moans]

591
00:38:51,680 --> 00:38:54,240
-Mr. Kouvas, what are you doing?
-I'm just going out.

592
00:38:54,320 --> 00:38:55,680
You're not ready for that. Come on.

593
00:38:55,760 --> 00:38:58,520
Fine. I'll just go out
and be right back, okay?

594
00:38:58,600 --> 00:39:00,920
The stitches aren't fully healed yet.
You're not fit to walk.

595
00:39:01,000 --> 00:39:02,280
I'm fine. Trust me.

596
00:39:02,360 --> 00:39:05,000
Doctor, it's really important
for me to go now.

597
00:39:05,080 --> 00:39:07,680
You're not going anywhere, Mr. Kouvas.
Sit down.

598
00:39:07,760 --> 00:39:09,440
What if I promise you

599
00:39:09,520 --> 00:39:13,560
I'll get in the ambulance and go
to the hospital in Ioannina tomorrow? Huh?

600
00:39:13,640 --> 00:39:16,720
I'm sure you'd love to get rid of me.
That's an offer you can't refuse. Come on.

601
00:39:16,800 --> 00:39:18,080
Please, help me with my shirt.

602
00:39:18,160 --> 00:39:20,520
For crying out loud, man.
Where do you want to go?

603
00:39:20,600 --> 00:39:22,240
To the festival. [groans]

604
00:39:22,320 --> 00:39:23,960
Easy, easy. Easy with the sleeve.

605
00:39:24,040 --> 00:39:25,440
[groans]

606
00:39:25,960 --> 00:39:27,520
If you want, you can take me.

607
00:39:27,600 --> 00:39:31,400
I just want to watch them from afar.
I don't want her to see us. Huh?

608
00:39:31,480 --> 00:39:33,960
-Will you say goodbye for me?
-To who?

609
00:39:35,320 --> 00:39:37,520
Beautiful woman, isn't she? Ow!

610
00:39:37,600 --> 00:39:40,960
-Easy Are you always so grumpy?
-You have no idea.

611
00:39:41,040 --> 00:39:43,280
Don't you know when to accept defeat?

612
00:39:44,400 --> 00:39:46,200
Whenever I lose, I go.

613
00:39:47,720 --> 00:39:50,120
This whole thing is bigger than all of us.

614
00:39:51,120 --> 00:39:52,360
Will you say goodbye for me?

615
00:39:53,960 --> 00:39:55,680
-I will.
-That's my boy.

616
00:39:55,760 --> 00:39:58,600
Come on. Help me out with the shoes.

617
00:39:59,520 --> 00:40:01,680
[sighs] Come on.

618
00:40:02,720 --> 00:40:03,800
[groans]

619
00:40:03,880 --> 00:40:05,480
Easy. Easy.

620
00:40:05,560 --> 00:40:06,560
Come on.

621
00:40:06,640 --> 00:40:08,000
[groans]

622
00:40:11,720 --> 00:40:13,640
[grunting]

623
00:40:13,720 --> 00:40:15,760
Easy. Easy, Doc, easy.

624
00:40:15,840 --> 00:40:19,360
[moans in pain]

625
00:40:20,120 --> 00:40:24,160
Doctor, shall we stop
for a cappuccino before the festival?

626
00:40:24,240 --> 00:40:26,680
Oh! I'll be a laughingstock
if they see me like that.

627
00:40:26,760 --> 00:40:27,760
Oh! Ow!

628
00:40:27,840 --> 00:40:32,040
Talk about a bad temper.
And they keep telling

629
00:40:32,120 --> 00:40:34,120
[continues groaning]

630
00:40:37,360 --> 00:40:40,160
-[ominous string music playing]
-[crows cawing]

631
00:40:46,360 --> 00:40:49,240
[orchestra warming up]

632
00:40:49,320 --> 00:40:52,040
[ominous music building]

633
00:40:52,120 --> 00:40:54,360
[instruments tuning]

634
00:41:18,800 --> 00:41:20,800
[excited chatter]

635
00:41:35,640 --> 00:41:37,640
[speaking inaudibly]

636
00:41:40,000 --> 00:41:41,760
[exhales slowly]

637
00:41:41,840 --> 00:41:43,840
[light, jazzy music playing]

638
00:41:51,880 --> 00:41:56,040
-[instruments tuning]
-[doing vocal warm-up]

639
00:41:56,120 --> 00:41:57,880
Not so much vibrato.

640
00:41:59,320 --> 00:42:02,160
-How we doing here?
-Haris, please stop moving. Come on.

641
00:42:02,240 --> 00:42:04,400
-[sighs] How do I look?
-Gorgeous.

642
00:42:04,480 --> 00:42:06,640
-I feel so stressed out.
-Me too.

643
00:42:06,720 --> 00:42:08,320
And you're stressing me out. Enough.

644
00:42:08,400 --> 00:42:10,520
Orestis, after this,
I want you to come by my house.

645
00:42:10,600 --> 00:42:11,920
-Why, what happened?
-Nothing.

646
00:42:12,000 --> 00:42:13,360
I want to have you over for dinner.

647
00:42:13,440 --> 00:42:15,480
Come on, is this really the time
to talk about that?

648
00:42:15,560 --> 00:42:17,960
[upbeat, jazzy tune continues]

649
00:42:33,040 --> 00:42:35,520
-Where's Fanis?
-With Giovanni.

650
00:42:37,160 --> 00:42:38,800
Things are tough between you two, huh?

651
00:42:38,880 --> 00:42:40,000
A bit, yeah.

652
00:42:41,320 --> 00:42:42,840
What can I do to help you?

653
00:42:44,520 --> 00:42:45,960
From my own personal experience,

654
00:42:46,040 --> 00:42:50,040
I can say that women are typically better
at handling a crisis than men are.

655
00:42:53,400 --> 00:42:57,080
[orchestra warming up]

656
00:42:57,160 --> 00:42:59,320
Enough, enough, enough.
All right. Listen up.

657
00:42:59,400 --> 00:43:01,160
Everything will be fine.

658
00:43:01,240 --> 00:43:03,760
We've had our rehearsals.
There's no need to be nervous.

659
00:43:03,840 --> 00:43:07,040
I know what I'm asking of you seems hard,
but we have to enjoy it as well.

660
00:43:07,120 --> 00:43:10,400
Making a mistake is really not a big deal.
No one will notice.

661
00:43:10,480 --> 00:43:12,080
I just want you to be focused,

662
00:43:12,160 --> 00:43:15,440
to listen to one another,
to communicate with the eyes.

663
00:43:15,520 --> 00:43:17,880
If anyone has a problem, just look at me.

664
00:43:17,960 --> 00:43:21,200
Okay? And above all,
I don't want you to be afraid.

665
00:43:22,440 --> 00:43:26,160
I spent many years in America.
Giovanni's the reason I went to Europe.

666
00:43:27,520 --> 00:43:32,560
I run all the projects we have in Italy,
and I also travel abroad when I have to.

667
00:43:32,640 --> 00:43:34,640
-Can I be frank with you?
-Of course you can.

668
00:43:36,880 --> 00:43:40,680
I think it's important that we figure out
how to keep everyone's positions intact.

669
00:43:45,400 --> 00:43:48,840
Tell me what it is you're afraid of.
Giovanni?

670
00:43:49,520 --> 00:43:50,760
Fanis is…

671
00:43:51,280 --> 00:43:53,040
He's under a lot of pressure.

672
00:43:54,760 --> 00:43:56,840
[Joana]
with our men?

673
00:43:57,360 --> 00:43:59,920
They never see the point to look ahead.
Right, Sofia?

674
00:44:00,000 --> 00:44:00,960
[Sofia] Mm.

675
00:44:04,280 --> 00:44:05,840
Don't be afraid of Giovanni.

676
00:44:06,440 --> 00:44:10,440
He only wants the business to keep rolling
and to avoid further exposure.

677
00:44:10,960 --> 00:44:14,080
-For everyone involved.
-How can we do that, though?

678
00:44:14,160 --> 00:44:18,160
Hey. That's what we're here for.
To find a solution.

679
00:44:19,920 --> 00:44:23,960
Be honest with me.
Do you think Fanis can keep on doing this?

680
00:44:26,160 --> 00:44:30,000
Well… I know he's trying to act
in everyone's best interest,

681
00:44:30,080 --> 00:44:32,160
Even if he makes mistakes.

682
00:44:32,240 --> 00:44:34,440
You know what they love to say in America?

683
00:44:34,520 --> 00:44:35,960
Women gotta stick together.

684
00:44:36,040 --> 00:44:37,360
[both laugh]

685
00:44:40,920 --> 00:44:42,840
[instruments tuning]

686
00:44:51,000 --> 00:44:52,000
Good luck, Klelia.

687
00:44:52,960 --> 00:44:54,240
Good luck to us.

688
00:44:58,960 --> 00:45:00,560
[exhales deeply]

689
00:45:03,120 --> 00:45:03,960
Guys!

690
00:45:04,040 --> 00:45:05,520
[silence falls]

691
00:45:06,320 --> 00:45:07,280
Are we ready?

692
00:45:10,360 --> 00:45:11,840
[sighs deeply]

693
00:45:13,160 --> 00:45:15,240
[crowd applauding and cheering]

694
00:45:50,800 --> 00:45:52,360
[gulls calling]

695
00:45:58,560 --> 00:46:01,520
-[Fanis] What did you talk about?
-She's on your side, so…

696
00:46:02,800 --> 00:46:04,480
If she is, he is too.

697
00:46:06,320 --> 00:46:10,360
She'll ask him to bring in
someone else temporarily

698
00:46:10,440 --> 00:46:11,920
Giovanni won't accept it.

699
00:46:12,000 --> 00:46:13,680
Are you fucking her?

700
00:46:14,480 --> 00:46:15,320
Yeah.

701
00:46:15,400 --> 00:46:17,040
Is that why she likes you so much?

702
00:46:17,120 --> 00:46:19,960
I was looking for a way to feel cared for.

703
00:46:20,960 --> 00:46:22,360
And I was lonely.

704
00:46:26,520 --> 00:46:28,520
I want us to get out of here, please.

705
00:46:28,600 --> 00:46:29,880
I want to go home.

706
00:46:35,680 --> 00:46:36,920
Thank you.

707
00:46:38,400 --> 00:46:40,360
I wouldn't have managed
without you here today.

708
00:46:42,160 --> 00:46:45,680
I assure you
that I will do everything I can

709
00:46:46,200 --> 00:46:48,160
to prevent this from happening again.

710
00:46:49,320 --> 00:46:50,440
You have my word.

711
00:46:50,520 --> 00:46:52,480
[gentle tune playing]

712
00:47:06,600 --> 00:47:13,520
[in Greek] ♪

713
00:47:15,640 --> 00:47:21,480
♪ And rose to the sky

714
00:47:22,480 --> 00:47:25,920
♪ Its silver is an ailment

715
00:47:26,560 --> 00:47:30,600
♪ And you are like host

716
00:47:31,120 --> 00:47:33,800
♪ On my palate

717
00:48:01,280 --> 00:48:07,920
♪ A mirror of my haunted dreams

718
00:48:09,920 --> 00:48:15,320
♪ Conveyed by a Mercury god

719
00:48:16,400 --> 00:48:19,920
♪ Shine on me, look

720
00:48:20,640 --> 00:48:23,840
♪ For in my heart

721
00:48:24,440 --> 00:48:27,640
♪ There's a bitter paper airplane

722
00:48:27,720 --> 00:48:34,080
♪ I breathe my bloody love

723
00:48:34,160 --> 00:48:40,920
♪ Like a flailing stingray

724
00:48:55,360 --> 00:49:02,280
♪ A wintering eagle sighs in your chest

725
00:49:04,040 --> 00:49:10,040
♪ A plane tree reminisces on your lips

726
00:49:10,800 --> 00:49:14,480
♪ How beautiful you are, my light

727
00:49:15,000 --> 00:49:21,280
♪ A sprig of immortality, and a brother

728
00:49:21,840 --> 00:49:28,040
♪ I soar upon your silver mane

729
00:49:28,120 --> 00:49:34,760
♪ And everything is born anew

730
00:49:52,000 --> 00:49:58,720
♪ The moon claimed your eyes

731
00:50:00,440 --> 00:50:04,440
♪ So that I'd have a beacon

732
00:50:04,520 --> 00:50:06,640
♪ To light my nights

733
00:50:08,560 --> 00:50:10,160
[music ends abruptly]

734
00:50:10,240 --> 00:50:12,520
[crowd cheering]

735
00:50:36,280 --> 00:50:38,760
[cheering grows louder]

736
00:52:37,040 --> 00:52:38,200
[sighs]

737
00:52:40,760 --> 00:52:43,560
Before we have dinner,
I'd like to tell you all something.

738
00:52:45,360 --> 00:52:46,960
I invited you over

739
00:52:47,680 --> 00:52:51,240
to have dinner with all of you
because I owe each of you something.

740
00:52:52,040 --> 00:52:55,720
Uh, I know it may seem a bit out of place
after everything that's happened, but,

741
00:52:55,800 --> 00:52:59,400
for once, I want to have something normal
happen in this house. You know?

742
00:53:00,920 --> 00:53:02,960
[sighs] Orestis, I want to thank you.

743
00:53:03,040 --> 00:53:05,520
I also want you to know,
before you leave the island,

744
00:53:05,600 --> 00:53:08,480
that even it was only for a short time,
we all appreciate

745
00:53:08,560 --> 00:53:12,040
how you helped us remember
how important it is to do what you love.

746
00:53:12,840 --> 00:53:15,440
Hopefully, the next time around,
with less drama.

747
00:53:17,960 --> 00:53:20,320
You two, make sure to overcome your fears.

748
00:53:20,840 --> 00:53:24,640
You know firsthand how much people suffer
when they hide who they truly are.

749
00:53:28,080 --> 00:53:30,560
Haris, you have
become a true friend to me.

750
00:53:30,640 --> 00:53:31,840
And you always will be.

751
00:53:33,720 --> 00:53:36,120
Klelia, I want you to know
that if you were my daughter,

752
00:53:36,200 --> 00:53:38,240
I'd be really proud of you.

753
00:53:38,320 --> 00:53:41,720
You're the only person at this table
that wasn't afraid to claim what you love.

754
00:53:41,800 --> 00:53:44,560
And you're lucky
that you're in love with someone

755
00:53:44,640 --> 00:53:46,880
who shares your passion for what you do.

756
00:53:46,960 --> 00:53:48,280
[Klelia sighs]

757
00:53:48,360 --> 00:53:51,960
Don't confine yourself
like me and your mother did in the past.

758
00:53:52,040 --> 00:53:53,800
We're paying for our mistakes.

759
00:53:54,840 --> 00:53:58,480
Your life is ahead of you.
Live your dreams to the fullest.

760
00:53:59,120 --> 00:54:01,880
That's all I have to say right now.
Cheers everyone.

761
00:54:01,960 --> 00:54:04,520
[all] Cheers!

762
00:54:04,600 --> 00:54:06,840
[ominous music rises]

763
00:54:06,920 --> 00:54:08,360
[Spyros]

764
00:54:08,440 --> 00:54:10,920
-[Haris]
-[Maria]

765
00:54:11,000 --> 00:54:11,880
[Orestis]

766
00:54:11,960 --> 00:54:13,960
-Here. No?
-[Haris] The meat is more than enough.

767
00:54:14,040 --> 00:54:15,800
Here, Haris. You deserve a nice slice.

768
00:54:15,880 --> 00:54:18,600
I'll cut it for you. You'll tell me
what you think of my sauce.

769
00:54:19,120 --> 00:54:21,120
[ominous music building]

770
00:54:28,000 --> 00:54:29,280
[Klelia, muffled] Mom?

771
00:54:29,840 --> 00:54:31,320
[sounds echoing]

772
00:54:31,400 --> 00:54:32,560
[Klelia, louder] Mom?

773
00:54:33,920 --> 00:54:35,200
Mom!

774
00:54:36,440 --> 00:54:38,080
[distortion subsides]

775
00:54:38,160 --> 00:54:39,080
What's wrong with you?

776
00:54:40,000 --> 00:54:43,120
Nothing. I'm just feeling a little off.

777
00:54:43,880 --> 00:54:46,080
I have a migraine
and didn't get any sleep.

778
00:54:47,320 --> 00:54:48,840
You didn't come yesterday.

779
00:54:50,240 --> 00:54:51,520
I know. I'm sorry.

780
00:54:52,040 --> 00:54:53,400
I wasn't feeling well.

781
00:54:55,320 --> 00:54:56,560
We're about to leave.

782
00:54:59,120 --> 00:55:00,160
What about Dad?

783
00:55:04,000 --> 00:55:05,120
I don't know.

784
00:55:05,760 --> 00:55:07,240
I haven't seen him today.

785
00:55:07,320 --> 00:55:08,680
[footsteps approaching]

786
00:55:08,760 --> 00:55:09,760
You ready?

787
00:55:10,600 --> 00:55:11,880
[sighs]

788
00:55:13,440 --> 00:55:14,800
Will you come to Athens?

789
00:55:18,560 --> 00:55:19,760
As soon as possible.

790
00:55:20,760 --> 00:55:22,000
I promise you guys.

791
00:55:27,440 --> 00:55:29,960
I love you two
more than anything in the world.

792
00:55:37,720 --> 00:55:39,080
[sighs deeply]

793
00:55:51,520 --> 00:55:52,600
[crying silently]

794
00:55:56,200 --> 00:55:57,720
[gentle piano music playing]

795
00:55:57,800 --> 00:55:59,280
[sobs]

796
00:56:41,520 --> 00:56:42,600
[boat horn toots]

797
00:56:44,800 --> 00:56:45,880
[gulls crying]

798
00:57:00,800 --> 00:57:02,440
[music ends abruptly]

799
00:57:06,720 --> 00:57:08,000
[knocking on door]

800
00:57:10,120 --> 00:57:12,720
He's not answering my calls.
What should I do?

801
00:57:13,360 --> 00:57:16,280
-Do you want me to call the police?
-Yes, I think you should.

802
00:57:17,000 --> 00:57:18,720
Him disappearing just doesn't feel right.

803
00:57:22,160 --> 00:57:23,240
[door closes]

804
00:57:57,280 --> 00:57:58,640
[breathing shakily]

805
00:58:08,280 --> 00:58:10,320
[Sofia]

806
00:58:11,160 --> 00:58:13,160
in the cruelest way possible.

807
00:58:15,040 --> 00:58:17,040
From the bottom of my heart, I would…

808
00:58:18,120 --> 00:58:20,720
I would like to ask you all
to forgive him, please.

809
00:58:21,240 --> 00:58:22,680
Especially our children.

810
00:58:23,800 --> 00:58:25,440
We are devastated.

811
00:58:25,960 --> 00:58:29,280
It will definitely take us a long time to

812
00:58:30,080 --> 00:58:32,120
figure out why he did this.

813
00:58:32,640 --> 00:58:34,440
Fanis was a good person.

814
00:58:34,520 --> 00:58:37,960
He loved his island very much, his family.

815
00:58:40,080 --> 00:58:41,760
As I was his spouse,

816
00:58:42,720 --> 00:58:44,360
I have no other choice

817
00:58:46,440 --> 00:58:47,800
but to continue his work.

818
00:58:47,880 --> 00:58:50,040
[unsettling music playing]

819
00:58:50,120 --> 00:58:52,560
[Sofia]

820
00:58:53,440 --> 00:58:57,040
but by being close
to the people of this island.

821
00:58:57,120 --> 00:59:00,520
By helping them out in any way I can,
with discretion, like he did.

822
00:59:01,960 --> 00:59:05,400
For me, his legacy is our family.

823
00:59:07,600 --> 00:59:11,920
And all the memories we made together
that will stay forever etched in my soul.

824
00:59:13,720 --> 00:59:15,320
[unsettling music fades]

825
00:59:17,880 --> 00:59:20,560
FOR SALE

826
00:59:27,240 --> 00:59:28,600
[indistinct chatter]

827
00:59:28,680 --> 00:59:31,600
Hello. Hi, dear. Are you all right?

828
00:59:31,680 --> 00:59:32,800
Everything okay?

829
00:59:32,880 --> 00:59:36,040
Keep writing.
Give me five minutes and come in.

830
00:59:37,400 --> 00:59:40,400
-[Yianna] Good morning, Mrs. Maria.
-Good morning, girls. How are you?

831
00:59:42,000 --> 00:59:45,360
Yianna has just been showing us the photos
of the women we were talking about.

832
00:59:45,440 --> 00:59:46,640
And here we have,

833
00:59:46,720 --> 00:59:48,480
uh, the reports on the photo shoots

834
00:59:48,560 --> 00:59:50,840
we'll be doing
for the center later this week.

835
00:59:51,480 --> 00:59:55,640
Your safety is our priority here.
We'll facilitate the process for you.

836
00:59:55,720 --> 00:59:57,440
In here you'll find institutions

837
00:59:57,520 --> 01:00:00,320
and names of counselors
that I want you to start seeing.

838
01:00:00,400 --> 01:00:03,880
I've already told them about you
and they're expecting your visit.

839
01:00:04,400 --> 01:00:07,920
Whenever you require support,
day or night, I'll always be here for you.

840
01:00:08,000 --> 01:00:09,400
Me and Leta as well.

841
01:00:15,480 --> 01:00:17,000
Yianna will make a video of you

842
01:00:17,960 --> 01:00:19,880
so we'll have a record of everything.

843
01:00:19,960 --> 01:00:24,240
And then we can find a good lawyer
and send that scumbag to jail.

844
01:00:26,080 --> 01:00:27,120
[chuckles softly]

845
01:00:28,120 --> 01:00:28,960
Are you scared?

846
01:00:37,160 --> 01:00:39,000
Do you want to hear my story now?

847
01:00:41,960 --> 01:00:44,960
["Να Μ' Αγαπάς" playing on headphones]

848
01:00:56,560 --> 01:00:58,840
[introspective Greek tune grows louder]

849
01:01:08,640 --> 01:01:10,120
[song cuts out]

850
01:01:12,640 --> 01:01:14,520
-This is Doctor Michalis.
-Nice meeting you.

851
01:01:14,600 --> 01:01:16,880
-Likewise.
-And this is Elena.

852
01:01:16,960 --> 01:01:19,920
-Hi. Elena? Michalis.
-[Elena] Elena. Nice to meet you.

853
01:01:20,000 --> 01:01:22,120
["Να Μ' Αγαπάς" continues]

854
01:01:33,040 --> 01:01:35,040
[music cuts out]

855
01:01:42,200 --> 01:01:46,120
[introspective tune continues]

856
01:02:19,720 --> 01:02:21,200
[song ends]

857
01:02:21,280 --> 01:02:23,880
[police siren wailing]

858
01:02:26,000 --> 01:02:33,000
ATHENS POLICE DIRECTORATE
AMPELOKIPOI POLICE STATION

859
01:02:49,240 --> 01:02:53,120
MAESTRO IN BLUE

860
01:02:54,320 --> 01:02:57,800
I'm a bit confused. That line
we've been talking about, you know?

861
01:02:58,520 --> 01:03:00,560
It's an allegory
for the world around us, right?

862
01:03:00,640 --> 01:03:03,000
-Correct.
-And what does that have to do with music?

863
01:03:03,720 --> 01:03:06,480
The line is
what the musical notes rest on, right?

864
01:03:06,560 --> 01:03:08,200
Yeah. I don't get it, though.

865
01:03:08,280 --> 01:03:11,400
For me, music is a response
to everything we've been talking about.

866
01:03:11,480 --> 01:03:12,840
It's not a mirror of society.

867
01:03:12,920 --> 01:03:14,040
I don't disagree with you.

868
01:03:14,120 --> 01:03:17,520
But a musical piece
is like a small society in itself.

869
01:03:17,600 --> 01:03:19,080
Think of people as notes.

870
01:03:19,160 --> 01:03:22,520
And so putting them in the right sequence
will give you a melody.

871
01:03:22,600 --> 01:03:24,240
If not, you'll get a cacophony.

872
01:03:24,800 --> 01:03:26,440
The notes are seven, you all agree?

873
01:03:27,240 --> 01:03:29,520
The different characters
around us are not that many.

874
01:03:29,600 --> 01:03:33,080
These seven notes are enough to describe
the entire spectrum of the human soul.

875
01:03:33,160 --> 01:03:34,320
[discordant notes playing]

876
01:03:34,400 --> 01:03:38,000
The question is what the relationship
amongst these notes will be.

877
01:03:38,080 --> 01:03:40,560
And where they'll be placed on the line.

878
01:03:40,640 --> 01:03:43,920
It's like… it's like paths leading us,
the instrument players.

879
01:03:44,960 --> 01:03:48,600
That's why they say music is universal.
Because humans look alike.

880
01:03:49,120 --> 01:03:53,560
Just imagine the world we live in
as the score and us as the notes.

881
01:03:53,640 --> 01:03:56,000
If we happen to pick
the wrong place on the line,

882
01:03:56,080 --> 01:03:58,080
what we'll be hearing will be awful.

883
01:03:58,160 --> 01:04:00,240
But if we pick the right place,

884
01:04:00,320 --> 01:04:02,480
we'll hear the most beautiful melody
in the world.

885
01:04:02,560 --> 01:04:04,200
[gasps]

886
01:04:04,280 --> 01:04:05,760
[panting]

887
01:04:06,680 --> 01:04:08,680
[sirens wailing in distance]

888
01:04:44,440 --> 01:04:46,760
[playing frenetic melody]

889
01:05:11,800 --> 01:05:12,840
[panting]

890
01:05:16,160 --> 01:05:19,120
And what if we think we're
in the right place on the line,

891
01:05:19,200 --> 01:05:20,440
but we're completely wrong.

892
01:05:22,960 --> 01:05:25,800
At some point,
we'll come to realize and change places.

893
01:05:26,960 --> 01:05:28,040
We'll move on.

894
01:05:28,720 --> 01:05:31,520
-[crowd cheering]
-[fireworks popping in distance]

895
01:05:32,920 --> 01:05:34,920
[joyful music playing]

896
01:05:42,280 --> 01:05:43,560
Excuse me.

897
01:05:43,640 --> 01:05:45,560
And what if we can't move on?

898
01:05:46,080 --> 01:05:49,000
We're not all so strong.
Not all of us are the same, right?

899
01:05:51,160 --> 01:05:54,000
Then we'll keep producing the same
cacophony, won't we?

900
01:05:54,080 --> 01:05:56,680
And since everyone around us
will be used to it,

901
01:05:56,760 --> 01:05:58,080
they'll think it's a melody.

902
01:05:58,880 --> 01:05:59,920
But it's not.

903
01:06:00,000 --> 01:06:03,040
-["A Night Like This" playing]
-♪ On a night like this ♪

904
01:06:03,120 --> 01:06:06,000
-♪ When the stars are bright ♪
-♪ In the sky above ♪

905
01:06:06,080 --> 01:06:09,040
-♪ And the moon is high ♪
-♪ What a perfect life ♪

906
01:06:09,120 --> 01:06:12,080
-♪ In the sky ♪
-♪ To fall in love ♪

907
01:06:12,160 --> 01:06:14,200
♪ If we steal a kiss ♪

908
01:06:14,280 --> 01:06:16,360
-[song cuts out]
-[baby fussing]

909
01:06:21,200 --> 01:06:24,120
♪ The band is softly playing ♪

910
01:06:24,200 --> 01:06:27,560
♪ I hear a voice that's saying ♪

911
01:06:27,640 --> 01:06:29,160
♪ Every slow ♪

912
01:06:29,240 --> 01:06:32,120
-[song cuts out]
-[baby fussing]

913
01:06:39,720 --> 01:06:41,120
[baby exclaims]

914
01:06:41,640 --> 01:06:45,200
♪ Just might start a romance ♪

915
01:06:45,280 --> 01:06:46,920
♪ I've often dreamed ♪

916
01:06:47,000 --> 01:06:49,560
-♪ Every night in my sleep ♪
-♪ That you'd come along ♪

917
01:06:49,640 --> 01:06:50,880
♪ Like a melody ♪

918
01:06:50,960 --> 01:06:52,880
What you're saying
isn't really optimistic.

919
01:06:52,960 --> 01:06:56,320
You're wrong.
It's much more optimistic than you think.

920
01:06:56,400 --> 01:06:59,280
It can only be good for you
to be aware of the reality.

921
01:06:59,360 --> 01:07:00,560
It fuels you.

922
01:07:00,640 --> 01:07:04,440
It makes you hear what can't be heard.
And that makes you a better musician.

923
01:07:05,040 --> 01:07:09,240
It's only when you get to know reality,
you find the imagination needed to create.

924
01:07:11,320 --> 01:07:12,200
That's not simple.

925
01:07:12,280 --> 01:07:14,840
Well, you're the one
who wants to be a maestro.

926
01:07:14,920 --> 01:07:17,800
That's complicated in itself.
What do you think, then?

927
01:07:17,880 --> 01:07:20,480
That all the music you admire
and want to conduct,

928
01:07:20,560 --> 01:07:22,720
one day, was created out of simple lives?

929
01:07:22,800 --> 01:07:27,000
No. But I don't think suffering is
a prerequisite for something beautiful

930
01:07:27,080 --> 01:07:28,200
or worthy to be created.

931
01:07:28,280 --> 01:07:32,720
Sure, but that doesn't negate the fact
that people are complicated and restless.

932
01:07:32,800 --> 01:07:33,800
[scoffs]

933
01:07:33,880 --> 01:07:37,040
Personally, I find love the only thing
comparable to music.

934
01:07:37,120 --> 01:07:38,880
[plane engines roaring overhead]

935
01:07:48,680 --> 01:07:51,400
[indistinct chatter]

936
01:07:58,400 --> 01:07:59,320
Yes.

937
01:08:01,640 --> 01:08:02,680
Why is that?

938
01:08:04,320 --> 01:08:07,000
Maybe because it's the only
equally strong feeling.

939
01:08:07,600 --> 01:08:11,040
Because love is a state of creation.
That's the reason.

940
01:08:11,120 --> 01:08:12,400
And you're right there.

941
01:08:12,480 --> 01:08:15,400
It's the only thing comparable
to what a musician feels.

942
01:08:15,480 --> 01:08:18,000
Love is a necessity. A principle.

943
01:08:18,080 --> 01:08:21,560
It's the strength we gain
in order to build something beautiful.

944
01:08:22,320 --> 01:08:26,640
And since you brought up love,
what else do music and love both share?

945
01:08:27,920 --> 01:08:29,000
Hmm?

946
01:08:30,360 --> 01:08:31,520
No one?

947
01:08:35,360 --> 01:08:36,640
Harmony.

948
01:08:37,640 --> 01:08:41,240
Harmony is as much necessary
in a composition as it is in love.

949
01:08:41,760 --> 01:08:43,600
Only harmony can bring continuity.

950
01:08:45,680 --> 01:08:48,840
So then… what's more important
for you, sir?

951
01:08:48,920 --> 01:08:50,280
To be in love or music?

952
01:08:52,440 --> 01:08:53,600
[indistinct chatter]

953
01:09:08,040 --> 01:09:10,600
[gentle piano tune playing]

954
01:09:17,840 --> 01:09:20,000
[background sounds fade]

955
01:09:56,200 --> 01:09:58,000
[indistinct chatter resumes]

956
01:10:04,520 --> 01:10:06,640
So, music is more important.

957
01:10:06,720 --> 01:10:07,720
Yes.

958
01:10:08,680 --> 01:10:12,000
If love
then it will come back to you

959
01:10:12,080 --> 01:10:13,160
in the future.

960
01:10:13,960 --> 01:10:15,760
And it will be harmonic too.

961
01:10:16,640 --> 01:10:17,880
Just like your music.

962
01:10:28,360 --> 01:10:30,360
[somber music playing]

963
01:10:40,920 --> 01:10:42,040
[sighs]

964
01:11:02,320 --> 01:11:04,320
[crying inaudibly]

965
01:11:19,040 --> 01:11:22,360
[melancholic music building]

966
01:13:46,240 --> 01:13:47,480
[tender tune fades]

967
01:13:47,560 --> 01:13:48,720
Again.

968
01:13:48,800 --> 01:13:50,600
[playing simple tune]

969
01:13:52,120 --> 01:13:54,000
Bravo! [chuckles]

970
01:13:55,920 --> 01:13:58,120
Bravo, Eleonora.

971
01:13:59,000 --> 01:14:01,560
Do you two hear
how beautifully she's playing?

972
01:14:02,440 --> 01:14:03,600
[speaking inaudibly]

973
01:14:06,720 --> 01:14:07,800
Again.

974
01:14:19,160 --> 01:14:21,880
♪ One, two, three, four! ♪

975
01:14:21,960 --> 01:14:23,960
["Bittersweet Symphony" playing]

976
01:14:42,880 --> 01:14:48,720
♪ 'Cause it's a bittersweet symphony ♪

977
01:14:48,800 --> 01:14:51,200
♪ That's life ♪

978
01:14:53,760 --> 01:14:56,840
♪ Tryna make ends meet ♪

979
01:14:56,920 --> 01:15:02,640
♪ You're a slave to money, then you die ♪

980
01:15:05,320 --> 01:15:09,680
♪ I'll take you down the only road

981
01:15:09,760 --> 01:15:14,200
♪

982
01:15:16,600 --> 01:15:19,520
♪ You know the one that takes you ♪

983
01:15:19,600 --> 01:15:24,240
♪ To the places
Where all the veins meet, yeah

984
01:15:25,560 --> 01:15:27,560
♪ Yeah ♪

985
01:15:29,120 --> 01:15:33,280
♪ No change, I can change
I can change, I can change ♪

986
01:15:33,360 --> 01:15:38,640
♪ But I'm here in my mold
I am here in my mold ♪

987
01:15:38,720 --> 01:15:44,440
♪ But I'm a million different people
From one day to the next ♪

988
01:15:44,520 --> 01:15:49,960
♪ I can't change my mold
No, no, no, no, no ♪

989
01:15:50,040 --> 01:15:52,480
♪ Have you ever been down? ♪

990
01:15:55,280 --> 01:15:58,040
♪ Have you ever been down? ♪

991
01:15:58,120 --> 01:15:59,800
♪ Change ♪

992
01:15:59,880 --> 01:16:02,040
[lively orchestral music playing]

993
01:18:26,400 --> 01:18:27,880
[energetic music concludes]