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Downloaded from
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Official YIFY movies site:
YTS.MX
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[audience applauding]
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King Gustaf: In his novels,
his plays and essays,
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this writer has redefined
modern literature.
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He has shown us the condition
of modern man,
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00:01:24,345 --> 00:01:26,738
in all its absurdity
and futility,
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00:01:27,174 --> 00:01:29,698
with dark humor
and profound insight.
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It is our great honor
to recognize this writer today.
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The Nobel Prize for Literature
is hereby awarded to...
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Samuel Beckett.
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[audience applauding]
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[in French]
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[in English] Mr. Beckett,
there is no speech?
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[audience murmuring]
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- [audience gasping]
- [breathes heavily]
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00:02:31,890 --> 00:02:37,287
[audience gasping]
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[whimsical music playing]
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00:03:02,573 --> 00:03:04,009
[music concludes]
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00:03:05,489 --> 00:03:06,447
[sighs]
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00:03:08,405 --> 00:03:09,493
[exhales sharply]
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[Inner Sam chuckles softly]
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00:03:14,281 --> 00:03:15,804
So, you took the prize money?
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00:03:17,240 --> 00:03:18,415
I'm gonna give it away.
25
00:03:19,329 --> 00:03:21,201
Do you really think
that's gonna help?
26
00:03:22,376 --> 00:03:24,334
No. Do you?
27
00:03:25,074 --> 00:03:27,163
If anything,
it might make things worse.
28
00:03:28,817 --> 00:03:30,079
I'm still gonna do it.
29
00:03:31,298 --> 00:03:32,212
Hmm.
30
00:03:33,256 --> 00:03:34,997
So, who are the candidates
for this money?
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Whose forgiveness
do you need the most?
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00:03:40,524 --> 00:03:43,484
You know,
I'm spoiled for choice.
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You know this is going to be
a journey through your shame?
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00:03:50,447 --> 00:03:51,405
Isn't everything?
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00:03:54,103 --> 00:03:55,104
So then...
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00:03:59,326 --> 00:04:00,892
We shall begin with Mother.
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00:04:01,980 --> 00:04:02,981
How could we not?
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00:04:06,985 --> 00:04:09,336
Child Samuel: Had I
The heavens' embroidered cloth
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00:04:09,510 --> 00:04:11,990
Enwrought with golden
And silver light
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00:04:12,164 --> 00:04:15,211
The blue and the dim
And the dark cloth
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00:04:15,559 --> 00:04:18,475
Of night and light
And the half-light
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00:04:18,997 --> 00:04:21,217
I'd spread the cloth
Under your feet
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00:04:21,696 --> 00:04:24,438
- But I, being poor...
- "But I."
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00:04:27,615 --> 00:04:29,834
But I, being poor
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00:04:30,139 --> 00:04:32,446
He's shifting the focus
of the poem.
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00:04:32,837 --> 00:04:34,839
You were astray
with your emphasis.
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[inhales sharply]
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00:04:37,189 --> 00:04:39,148
[sighs] No, thank you.
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00:04:43,500 --> 00:04:44,371
What did you say?
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00:04:45,328 --> 00:04:46,808
I'm happy with the delivery.
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00:04:47,504 --> 00:04:48,897
And I...
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00:04:49,245 --> 00:04:50,377
am not.
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00:04:51,378 --> 00:04:54,076
And I have considered
your suggestion,
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00:04:54,424 --> 00:04:56,731
and find it inferior to my own.
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Either will do.
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00:05:01,692 --> 00:05:02,693
Either will do.
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00:05:07,002 --> 00:05:10,571
But I, being poor
Have only my dreams...
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I spread my dreams
Under your feet
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Tread softly
Because you tread on my dreams
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00:05:18,753 --> 00:05:20,929
[dramatic music playing]
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00:05:22,887 --> 00:05:24,759
[Child Samuel
and William chuckling]
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00:05:25,542 --> 00:05:28,110
William:
Come on, faster, faster!
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00:05:34,290 --> 00:05:36,466
William: Let go, let go!
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[Child Samuel chuckling]
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00:06:16,680 --> 00:06:17,638
It's time to go.
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00:06:18,943 --> 00:06:20,118
Child Samuel: Not yet.
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00:06:20,815 --> 00:06:22,294
Not while the kite still flies.
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[breathes deeply]
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00:06:42,227 --> 00:06:43,881
[music fades]
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[clock ticking in distance]
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00:07:09,037 --> 00:07:10,604
[breathes shakily]
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[footsteps approaching]
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That's not for you.
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00:07:25,488 --> 00:07:27,447
What is this obscenity?
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00:07:28,839 --> 00:07:30,275
This is me!
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00:07:32,103 --> 00:07:36,194
This me you are demonizing
with your poison!
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You could only
ever imagine it as you,
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because the whole world is you.
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- You are a liar!
- [book thudding]
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00:08:12,883 --> 00:08:15,407
[footsteps departing]
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00:08:39,431 --> 00:08:41,782
This will be your last chance
to speak...
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00:08:43,697 --> 00:08:45,394
to conspire against me.
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00:08:49,267 --> 00:08:52,053
[footsteps departing]
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[exhales sharply]
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Fight.
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00:09:26,391 --> 00:09:27,262
Fight.
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00:09:31,832 --> 00:09:32,746
Fight.
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[exhales sharply]
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00:09:36,880 --> 00:09:39,448
[breathes shakily]
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00:09:47,499 --> 00:09:54,202
[clock chiming in distance]
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00:10:00,643 --> 00:10:01,818
[May sighing]
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00:10:22,709 --> 00:10:24,101
Did you read my story?
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00:10:27,104 --> 00:10:28,105
I did not.
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00:10:29,672 --> 00:10:30,934
If it's good enough
to be published,
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00:10:31,108 --> 00:10:32,109
it's good enough for you.
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00:10:32,370 --> 00:10:34,895
[tea pouring]
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00:10:36,070 --> 00:10:37,071
Hmm.
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00:10:39,203 --> 00:10:42,424
There will always be
a call for titillation.
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00:10:43,773 --> 00:10:45,209
So, you did read it?
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00:10:51,825 --> 00:10:53,217
What a waste.
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00:11:00,398 --> 00:11:03,358
[rain pattering]
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00:11:18,765 --> 00:11:21,376
I'm going to Paris,
and I hope never to return.
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00:11:25,859 --> 00:11:30,820
The continent is peopled
almost entirely by homosexuals.
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00:11:34,302 --> 00:11:35,172
Hmm.
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00:11:37,435 --> 00:11:40,047
There is, of course,
a central flaw in your theory.
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00:11:43,572 --> 00:11:46,096
Always so clever.
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00:11:47,837 --> 00:11:50,535
You assumed
eternal ownership over me.
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00:11:55,453 --> 00:11:56,933
Like I was yours to control.
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00:11:57,107 --> 00:11:58,761
It could only ever end
like this.
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00:12:04,332 --> 00:12:06,116
I gave you everything.
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00:12:08,031 --> 00:12:10,120
I hope, for your sake,
that's not true.
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00:12:13,515 --> 00:12:14,385
[cutlery clinking]
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00:12:19,913 --> 00:12:22,002
[footsteps departing]
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00:12:38,496 --> 00:12:40,368
I could give the money
to the hospital...
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00:12:41,456 --> 00:12:42,370
where she died.
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00:12:43,414 --> 00:12:46,548
She...
she didn't exactly go quietly.
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00:12:46,983 --> 00:12:48,158
No.
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00:12:48,855 --> 00:12:51,248
You've already paid her all
the repentance you could afford.
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00:12:52,075 --> 00:12:53,511
You're referring
to what I told her?
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00:12:53,685 --> 00:12:54,643
As she died.
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00:12:54,817 --> 00:12:56,210
That I had regrets.
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00:12:56,688 --> 00:13:00,780
And telling her that became
your greatest regret of all.
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00:13:01,215 --> 00:13:03,391
I knew that,
even as I was telling her.
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00:13:04,261 --> 00:13:06,263
You might name
your scars after her?
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00:13:06,568 --> 00:13:09,658
Hmm. I might name
my joys as well.
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00:13:10,572 --> 00:13:12,792
Hmm, isn't that always the way
with love?
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00:13:17,448 --> 00:13:18,493
Suzanne?
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00:13:20,190 --> 00:13:21,452
No, not yet.
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00:13:23,324 --> 00:13:24,499
So, it's Lucia?
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00:13:26,980 --> 00:13:29,330
It is Lucia.
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00:13:33,203 --> 00:13:35,423
[intriguing violin music
playing]
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00:13:35,727 --> 00:13:38,818
[church bell tolling]
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00:13:40,471 --> 00:13:44,127
[indistinct conversation
in French]
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00:13:49,698 --> 00:13:51,569
[passerby whistling]
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00:13:55,312 --> 00:13:59,142
[indistinct chatter]
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00:14:13,200 --> 00:14:14,636
[car horn blares]
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00:14:35,178 --> 00:14:36,527
[music fades]
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00:14:36,701 --> 00:14:37,877
[rain pattering]
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00:14:40,270 --> 00:14:41,271
Mr. Joyce?
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00:14:41,489 --> 00:14:42,794
I am in thought!
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00:14:57,940 --> 00:15:00,900
[intriguing piano music playing]
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00:15:07,776 --> 00:15:11,258
- [dog barking in distance]
- [indistinct chatter]
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00:15:12,563 --> 00:15:13,825
[Waiter speaks French]
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00:15:33,671 --> 00:15:35,412
[music concludes]
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00:15:35,978 --> 00:15:37,849
Mr. Joyce,
my name is Samuel Beckett.
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00:15:38,938 --> 00:15:41,244
I'm studying English
at EÉcole Normale Supérieure,
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00:15:41,766 --> 00:15:42,854
I'm from Dublin,
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00:15:43,203 --> 00:15:44,595
and I've a great respect
for your work.
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00:15:48,512 --> 00:15:51,211
"I'm from Dublin"
was wholly superfluous.
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00:15:51,385 --> 00:15:53,039
And there would have been
no harm in starting out
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00:15:53,256 --> 00:15:54,736
with the admiration now,
would there?
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00:15:55,998 --> 00:15:57,173
No harm at all.
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00:16:00,524 --> 00:16:02,439
[in Irish]
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00:16:03,875 --> 00:16:06,530
[in English] You know,
Mr. Beckett,
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00:16:07,749 --> 00:16:09,272
my great shame,
and how could it not be,
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00:16:09,446 --> 00:16:11,971
is that I... don't know Greek.
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00:16:14,582 --> 00:16:15,496
Right.
158
00:16:16,410 --> 00:16:18,890
Of course,
I can handle modern Greek,
159
00:16:19,195 --> 00:16:22,807
and I have spent
a great deal of time with Greeks
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00:16:23,330 --> 00:16:26,072
of all kinds, from noblemen,
down to onion sellers.
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00:16:26,681 --> 00:16:27,725
Chiefly the latter.
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00:16:30,293 --> 00:16:34,167
You know, I'm superstitious
about Greek onion sellers.
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00:16:35,429 --> 00:16:36,343
Aren't you?
164
00:16:38,171 --> 00:16:39,433
Well, I...
165
00:16:39,999 --> 00:16:41,565
I mean, having not met one,
it would be presumptuous.
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00:16:41,739 --> 00:16:44,307
Ah, but look,
you show bewilderment.
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00:16:44,568 --> 00:16:45,787
Never show bewilderment,
Beckett,
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00:16:46,005 --> 00:16:47,397
it surrenders control.
169
00:16:47,658 --> 00:16:51,140
My point is, of course,
that I do not speak Irish.
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00:16:51,314 --> 00:16:53,490
- Right.
- Joyce: And neither do you.
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00:16:53,664 --> 00:16:55,797
[breathes deeply] No.
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00:16:58,017 --> 00:17:00,845
I hope you do not think
that you can learn from me...
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00:17:02,195 --> 00:17:03,718
that you have come
to seek epiphany
174
00:17:03,935 --> 00:17:06,199
at my broken altar?
175
00:17:07,156 --> 00:17:09,767
No, that... I thought...
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00:17:11,856 --> 00:17:13,510
I wanted to make
your acquaintance,
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00:17:14,033 --> 00:17:15,469
perhaps offer my services.
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00:17:16,122 --> 00:17:17,297
Some reading, or some research.
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00:17:17,471 --> 00:17:19,299
I know
from my professors at Trinity
180
00:17:19,473 --> 00:17:20,778
that you've offered
similar postings
181
00:17:20,952 --> 00:17:22,171
to students in the past.
182
00:17:22,693 --> 00:17:23,912
You know, Mr. Beckett,
183
00:17:24,086 --> 00:17:27,263
I am not the James Joyce
of Ulysses.
184
00:17:28,482 --> 00:17:31,050
I am the James Joyce
of failed endeavor,
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00:17:32,225 --> 00:17:35,315
fading glory
and encroaching decay.
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00:17:36,446 --> 00:17:38,666
My head is full of pebbles,
and rubbish,
187
00:17:38,840 --> 00:17:42,278
and bits of glass,
and broken matches.
188
00:17:44,802 --> 00:17:47,936
Why would you wish to set out
on such a dispiriting journey?
189
00:17:50,634 --> 00:17:52,375
Mr. Joyce,
I'd rather watch you fail
190
00:17:52,549 --> 00:17:53,855
than anyone else succeed.
191
00:18:02,820 --> 00:18:04,083
[Joyce sighs]
192
00:18:06,955 --> 00:18:08,043
Do not come early.
193
00:18:09,000 --> 00:18:10,915
I am easily startled
in the mornings.
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00:18:12,047 --> 00:18:14,615
[whimsical piano music playing]
195
00:18:15,311 --> 00:18:17,922
- [breathes deeply]
- [doorbell chiming]
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00:18:18,140 --> 00:18:19,402
[door closing]
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00:18:19,707 --> 00:18:25,669
- [music continues]
- [parakeets twittering]
198
00:18:37,551 --> 00:18:39,770
[music concludes]
199
00:18:43,600 --> 00:18:44,645
Don't do it.
200
00:18:46,516 --> 00:18:47,387
What?
201
00:18:47,778 --> 00:18:48,779
Write.
202
00:18:50,999 --> 00:18:52,043
Only something
I was considering.
203
00:18:52,479 --> 00:18:53,828
Ah, good! Well...
204
00:18:54,959 --> 00:18:58,049
stay there... in consideration.
205
00:18:59,834 --> 00:19:00,922
It's safe there.
206
00:19:05,970 --> 00:19:09,191
[exhales] A book should not be
planned out beforehand,
207
00:19:10,149 --> 00:19:11,193
Mr. Beckett.
208
00:19:12,760 --> 00:19:15,458
As one writes,
the book will form itself,
209
00:19:15,632 --> 00:19:18,200
subject to, and shaped by,
210
00:19:18,374 --> 00:19:20,333
the constant
emotional promptings
211
00:19:20,507 --> 00:19:21,595
of one's personality.
212
00:19:22,857 --> 00:19:23,901
[Lucia giggles]
213
00:19:25,251 --> 00:19:28,993
In Ulysses,
I wanted only to give the color
214
00:19:29,168 --> 00:19:34,085
and tone of Dublin,
its hallucinatory vapors, its...
215
00:19:34,303 --> 00:19:35,348
[Nora and Lucia chattering]
216
00:19:35,522 --> 00:19:37,045
...tattered confusion.
217
00:19:37,872 --> 00:19:40,918
The atmosphere of its bars,
its social immobility.
218
00:19:41,919 --> 00:19:43,747
These could only be conveyed
by the texture of...
219
00:19:43,921 --> 00:19:44,879
Dumplings.
220
00:19:48,839 --> 00:19:50,841
For supper,
we shall be having dumplings.
221
00:19:52,103 --> 00:19:53,322
He is to stay?
222
00:19:53,801 --> 00:19:55,281
Lucia would like him to stay.
223
00:19:56,412 --> 00:19:57,370
Is that wise?
224
00:19:58,893 --> 00:20:00,982
Lucia would like him to stay.
225
00:20:04,855 --> 00:20:06,030
Then he shall stay.
226
00:20:10,034 --> 00:20:11,035
Thank you, sir.
227
00:20:12,123 --> 00:20:13,168
It's very kind.
228
00:20:13,908 --> 00:20:16,127
Joyce: Whether indeed
this is a kindness, Mr. Beckett,
229
00:20:16,302 --> 00:20:17,477
I suggest you...
230
00:20:18,782 --> 00:20:20,915
save your conclusion
for another day.
231
00:20:22,743 --> 00:20:24,527
Younger Samuel: I was interested
in something you said
232
00:20:24,701 --> 00:20:25,963
in The Paris Review, Mr. Joyce,
233
00:20:26,137 --> 00:20:28,488
that while life
is fundamentally tragic,
234
00:20:28,662 --> 00:20:30,403
that it also must be seen
as humorous.
235
00:20:30,577 --> 00:20:32,883
Ah, yes. Well, what I was
clumsily aiming for there...
236
00:20:33,057 --> 00:20:35,843
Do you know,
the first night I met Jim,
237
00:20:36,365 --> 00:20:38,846
I mistook him
for a Swedish sailor,
238
00:20:39,586 --> 00:20:41,718
what with his cap
and his plimsolls.
239
00:20:44,634 --> 00:20:46,506
I'm sorry, Mr. Joyce,
The Paris Review...
240
00:20:46,680 --> 00:20:48,377
Joyce: Yeah, the object
of any work of art
241
00:20:48,595 --> 00:20:50,205
is the transference
of emotion...
242
00:20:50,423 --> 00:20:52,773
Nora: But when he spoke,
sure I knew him at once
243
00:20:53,208 --> 00:20:55,166
to be just another
Dublin jackeen
244
00:20:55,384 --> 00:20:56,864
chatting up a country girl.
245
00:20:57,081 --> 00:20:59,475
- Did you arrive in Paris alone?
- Uh, I did.
246
00:20:59,997 --> 00:21:01,390
- Lucia: Oh.
- Younger Samuel: Yeah.
247
00:21:02,391 --> 00:21:04,480
I'm sorry, Mr. Joyce,
the, uh, the role of humor...
248
00:21:04,654 --> 00:21:05,916
Joyce: There must be humor.
249
00:21:06,526 --> 00:21:08,832
For the disparity of what a man
wants to be and what he is,
250
00:21:09,006 --> 00:21:12,445
- is... no doubt laughable.
- [Lucia giggling]
251
00:21:12,749 --> 00:21:14,447
Do you know,
I wish he'd been a musician.
252
00:21:15,491 --> 00:21:16,710
I always said,
253
00:21:17,058 --> 00:21:18,755
Jim's a better singer
than he is a writer.
254
00:21:18,929 --> 00:21:20,583
So sorry, would you let him
finish his thought, please?
255
00:21:20,801 --> 00:21:22,063
Would you take me dancing?
256
00:21:22,759 --> 00:21:24,152
[hesitates] Me?
257
00:21:24,500 --> 00:21:25,414
Tonight?
258
00:21:25,632 --> 00:21:27,286
Now, there's an idea.
259
00:21:27,590 --> 00:21:29,897
- I... I don't think that I...
- Oh, it would be a blessing.
260
00:21:31,855 --> 00:21:32,813
Right.
261
00:21:33,509 --> 00:21:34,380
Not for you.
262
00:21:34,989 --> 00:21:37,513
[Lucia humming]
263
00:21:37,687 --> 00:21:40,168
Then you can return tomorrow,
to work.
264
00:21:40,473 --> 00:21:42,388
Oh, but we are to dance.
265
00:21:43,432 --> 00:21:46,479
And here's me,
without a stitch to wear.
266
00:21:46,696 --> 00:21:47,654
[chuckles]
267
00:21:47,871 --> 00:21:50,961
[jaunty jazz music playing]
268
00:21:51,353 --> 00:21:53,442
[indistinct chatter]
269
00:22:41,447 --> 00:22:44,537
[indistinct chatter continues]
270
00:23:09,083 --> 00:23:10,780
[laughs]
271
00:23:12,782 --> 00:23:14,001
[music concludes]
272
00:23:14,393 --> 00:23:16,873
[accordion music playing]
273
00:23:17,874 --> 00:23:21,182
[giggles] So, you're a writer?
274
00:23:22,270 --> 00:23:23,402
How did you know?
275
00:23:24,098 --> 00:23:27,841
Because you're in Paris,
and because you can't dance.
276
00:23:28,102 --> 00:23:30,321
- [chuckles softly]
- And you?
277
00:23:31,235 --> 00:23:33,542
- And me?
- Younger Samuel: Yes, Lucia,
278
00:23:33,760 --> 00:23:36,327
what will you do
in this paltry life of ours?
279
00:23:37,372 --> 00:23:40,070
I will dance! [chuckles]
280
00:23:40,897 --> 00:23:43,117
- Why not?
- I'll look after you.
281
00:23:44,031 --> 00:23:45,293
Excuse me?
282
00:23:45,902 --> 00:23:49,079
Well, can you imagine my father
without my mother? [laughs]
283
00:23:49,950 --> 00:23:50,951
I often do.
284
00:23:51,952 --> 00:23:55,259
We must tell them, Beckett,
of our plans.
285
00:23:57,697 --> 00:23:59,612
- [chuckles softly]
- [sighs]
286
00:23:59,786 --> 00:24:01,614
Lucia: The world must know!
287
00:24:08,751 --> 00:24:10,057
[giggles]
288
00:24:16,846 --> 00:24:18,282
Younger Samuel: Lucia is...
289
00:24:18,544 --> 00:24:19,762
[music concludes]
290
00:24:20,067 --> 00:24:22,156
Well, one might say,
291
00:24:22,330 --> 00:24:24,985
and I mean this
with no pejorative intention,
292
00:24:25,202 --> 00:24:30,251
that she possesses...
at least to some degree,
293
00:24:31,252 --> 00:24:32,427
a certain giddiness.
294
00:24:33,210 --> 00:24:35,212
Oh, she's mad, Beckett.
295
00:24:36,387 --> 00:24:37,476
Gloriously so.
296
00:24:39,652 --> 00:24:40,566
Right.
297
00:24:42,611 --> 00:24:44,134
- [Joyce sighs]
- I'm sorry,
298
00:24:44,308 --> 00:24:46,876
I'm not sure that I understand
your usage of that term.
299
00:24:47,355 --> 00:24:49,531
My use of it is, uh,
medical, Beckett.
300
00:24:49,705 --> 00:24:51,446
She is medically mad.
301
00:24:52,621 --> 00:24:54,493
- Younger Samuel: I see.
- The worst kind.
302
00:24:55,581 --> 00:24:56,625
Undoubtedly.
303
00:24:57,408 --> 00:24:59,149
Joyce: Her mother wants
to send her off to live
304
00:24:59,323 --> 00:25:01,848
in some institution or other,
but I... well, I don't know.
305
00:25:02,849 --> 00:25:03,893
Because you see,
306
00:25:04,633 --> 00:25:07,462
if she's here, then we can
always send her there.
307
00:25:07,636 --> 00:25:09,246
But if she's there...
308
00:25:10,378 --> 00:25:12,598
[sighs] ...then there's nowhere
else to send her.
309
00:25:13,512 --> 00:25:14,687
Do you see?
310
00:25:15,165 --> 00:25:16,297
Only too clearly.
311
00:25:17,124 --> 00:25:19,605
Good, then we're squared away.
312
00:25:21,998 --> 00:25:24,435
But perhaps... and... and...
I mean, with hindsight,
313
00:25:24,610 --> 00:25:26,394
perhaps you could
have told me of this condition,
314
00:25:26,568 --> 00:25:27,917
before I'd agreed to escort her.
315
00:25:28,091 --> 00:25:29,484
Oh, I couldn't do that, Beckett.
316
00:25:29,658 --> 00:25:31,007
For then you wouldn't
have agreed. Do you see?
317
00:25:31,617 --> 00:25:34,271
You would have run
for the hills, and rightly so.
318
00:25:37,318 --> 00:25:40,060
Dumplings. For supper,
we shall be having dumplings.
319
00:25:40,234 --> 00:25:43,106
I'm afraid, this evening
I must reluctantly decline
320
00:25:43,324 --> 00:25:44,760
your offer of kindness.
321
00:25:45,065 --> 00:25:46,632
Oh, no, you can't!
322
00:25:46,980 --> 00:25:50,026
Lucia's expecting you to stay,
and then take her dancing.
323
00:25:50,766 --> 00:25:53,203
And Lucia's not a spirit
to unsettle,
324
00:25:53,726 --> 00:25:56,206
as I...
I suspect you have detected.
325
00:25:57,251 --> 00:26:00,341
And we need that time,
young Mr. Beckett.
326
00:26:00,515 --> 00:26:02,473
We need
that blessed tranquility,
327
00:26:02,648 --> 00:26:03,736
we need it.
328
00:26:04,519 --> 00:26:06,260
So, you can have
your hot supper,
329
00:26:06,434 --> 00:26:11,831
and then take Lucia dancing,
or you can leave and not return.
330
00:26:13,528 --> 00:26:14,573
So, what is it now?
331
00:26:16,009 --> 00:26:17,140
Is it banishment...
332
00:26:18,359 --> 00:26:19,403
or is it dumplings?
333
00:26:23,538 --> 00:26:24,583
It is dumplings.
334
00:26:27,107 --> 00:26:28,543
It is dumplings.
335
00:26:38,814 --> 00:26:40,816
You know, Beckett, there's a...
336
00:26:43,602 --> 00:26:46,866
a curious kind of honor code...
337
00:26:47,910 --> 00:26:52,741
among men, which obliges them
to assist one another
338
00:26:53,046 --> 00:26:56,092
and huddle together
for protection.
339
00:26:56,615 --> 00:26:58,791
The result, quite often,
is that they...
340
00:27:00,401 --> 00:27:04,797
wake up the next morning
sitting in the same ditch.
341
00:27:13,283 --> 00:27:14,633
Welcome to the ditch.
342
00:27:19,812 --> 00:27:26,557
♪ I ain't got nobody ♪
343
00:27:26,819 --> 00:27:33,129
♪ And ain't nobody cares
About me ♪
344
00:27:33,913 --> 00:27:37,830
♪ That's why I'm sad ♪
345
00:27:38,004 --> 00:27:41,616
♪ And lonely ♪
346
00:27:43,531 --> 00:27:46,055
♪ Won't some sweet daddy ♪
347
00:27:46,229 --> 00:27:51,321
♪ Take a chance with me? ♪
348
00:27:53,672 --> 00:27:56,631
♪ I ain't ♪
349
00:27:56,805 --> 00:28:01,680
♪ Got nobody ♪
350
00:28:02,942 --> 00:28:06,119
♪ And ain't nobody care ♪
351
00:28:06,293 --> 00:28:10,384
♪ About poor, silly me ♪
352
00:28:15,041 --> 00:28:16,216
[chuckles]
353
00:28:16,477 --> 00:28:19,262
[jaunty jazz music playing]
354
00:28:32,188 --> 00:28:34,451
[music continues]
355
00:28:45,245 --> 00:28:47,726
[inaudible]
356
00:28:50,859 --> 00:28:52,992
[music continues]
357
00:29:01,609 --> 00:29:04,090
[inaudible]
358
00:29:16,972 --> 00:29:18,757
[inaudible]
359
00:29:46,785 --> 00:29:48,221
[music concludes]
360
00:29:59,275 --> 00:30:00,842
You know, Beckett, I have, uh,
361
00:30:01,060 --> 00:30:02,583
found myself
recently considering,
362
00:30:02,757 --> 00:30:04,237
in some depth,
363
00:30:04,411 --> 00:30:07,849
the central conflict
of the writer.
364
00:30:08,676 --> 00:30:10,243
Would you like to hear
my findings?
365
00:30:10,504 --> 00:30:11,810
[Lucia laughing in distance]
366
00:30:11,984 --> 00:30:13,072
I would, but I fear
you won't be given
367
00:30:13,246 --> 00:30:14,421
the time to tell me.
368
00:30:15,639 --> 00:30:16,989
The important thing...
369
00:30:18,468 --> 00:30:21,515
is not what we write,
but how we write.
370
00:30:22,995 --> 00:30:25,214
We must write dangerously,
Beckett.
371
00:30:26,912 --> 00:30:29,044
What is imaginative
is the contrary
372
00:30:29,218 --> 00:30:31,351
to all that
is concise and clear.
373
00:30:32,265 --> 00:30:33,962
Most people's lives
are made up of jugs,
374
00:30:34,136 --> 00:30:36,138
and pots, and plates,
backstreets,
375
00:30:36,312 --> 00:30:39,446
and blousy living rooms,
inhabited by blousy women...
376
00:30:40,926 --> 00:30:43,754
and a thousand
daily sordid incidents
377
00:30:43,929 --> 00:30:45,800
that seep into our minds,
378
00:30:45,974 --> 00:30:48,455
no matter how we strive
to keep them out.
379
00:30:51,066 --> 00:30:52,981
These are the furniture
of our lives.
380
00:30:55,070 --> 00:30:57,246
The greatest secret
of them all, Beckett...
381
00:30:57,464 --> 00:30:58,726
[footsteps approaching]
382
00:30:58,987 --> 00:31:00,859
...the biggest key
to the biggest door...
383
00:31:01,033 --> 00:31:02,208
Lucia: It's time.
384
00:31:03,339 --> 00:31:06,081
- Nora: Yes, it is. It is time.
- For fuck's sake.
385
00:31:06,255 --> 00:31:09,650
- What? What is it?
- Father, go easy on him.
386
00:31:09,824 --> 00:31:11,565
Don't drag him over the coals.
[chuckles]
387
00:31:11,739 --> 00:31:14,524
He will not. He will support
the endeavor, as I do.
388
00:31:14,698 --> 00:31:17,353
This is the most wonderful
moment of my life! [chuckles]
389
00:31:17,527 --> 00:31:18,615
What is?
390
00:31:18,877 --> 00:31:20,095
Our engagement.
391
00:31:22,968 --> 00:31:24,317
[exhales]
392
00:31:26,014 --> 00:31:27,146
This is the end.
393
00:31:28,408 --> 00:31:29,539
Oh, Christ.
394
00:31:30,453 --> 00:31:32,194
I'm sorry,
but this is the end of it.
395
00:31:33,152 --> 00:31:34,283
Would it be so bad?
396
00:31:34,588 --> 00:31:35,719
[loudly] So bad?
397
00:31:36,198 --> 00:31:38,418
Mother,
this is cause for jubilation!
398
00:31:38,635 --> 00:31:41,029
No, Lucia,
this is cause for revelation.
399
00:31:42,770 --> 00:31:45,860
Shall we move to dessert?
I've risked a trifle.
400
00:31:46,469 --> 00:31:48,036
Younger Samuel:
I've offered you companionship
401
00:31:48,210 --> 00:31:51,039
these past few months
as a kindness and as a favor...
402
00:31:52,345 --> 00:31:54,260
but it's not
what you think it is, Lucia.
403
00:31:54,521 --> 00:31:56,697
And that's troubled me greatly,
because I always assumed
404
00:31:56,871 --> 00:31:58,220
that it would lead
to this outcome.
405
00:31:58,438 --> 00:32:01,223
And... now, here we are.
406
00:32:03,660 --> 00:32:07,360
I am sorry, Lucia...
for my part.
407
00:32:14,149 --> 00:32:15,107
Was this you, Mother?
408
00:32:17,892 --> 00:32:21,940
We simply encouraged the...
Well, I mean, there is a...
409
00:32:22,549 --> 00:32:23,811
there is a wonderful bond.
410
00:32:25,117 --> 00:32:26,770
I mean, you are bonded,
are you not?
411
00:32:30,122 --> 00:32:31,253
There is a bond.
412
00:32:31,688 --> 00:32:33,429
There's more
of an unhappy welding.
413
00:32:44,310 --> 00:32:48,575
[screams]
414
00:32:49,532 --> 00:32:55,321
[sobs]
415
00:33:00,761 --> 00:33:04,069
[sobbing echoes]
416
00:33:10,858 --> 00:33:12,903
They took her away
soon after that.
417
00:33:14,383 --> 00:33:15,819
Inner Sam:
How could they not?
418
00:33:17,691 --> 00:33:20,259
I could help her
with the money...
419
00:33:21,564 --> 00:33:23,610
pay for her... care.
420
00:33:25,090 --> 00:33:27,831
She's been in the same asylum
for 32 years.
421
00:33:28,615 --> 00:33:30,747
You must have a great impression
of yourself
422
00:33:30,965 --> 00:33:35,100
that you can take the blame
for 32 years and counting.
423
00:33:37,189 --> 00:33:40,583
She hung over us, Joyce and I.
424
00:33:41,410 --> 00:33:44,544
Every conversation,
from that day on, there she was.
425
00:33:44,718 --> 00:33:46,415
Dancing behind the words.
426
00:33:46,807 --> 00:33:49,766
Don't you think that applies
to all his conversations,
427
00:33:49,984 --> 00:33:52,204
all his words?
She was his daughter.
428
00:33:52,421 --> 00:33:55,424
[sighs] He never forgave me.
429
00:33:55,772 --> 00:33:58,340
Oh, he told you he forgave you.
430
00:33:59,907 --> 00:34:02,692
No, he had his revenge.
431
00:34:04,520 --> 00:34:05,652
We'll come to that.
432
00:34:06,914 --> 00:34:09,612
So who deserves
this prize money?
433
00:34:12,267 --> 00:34:14,226
[sighs]
Do we have to go on with this?
434
00:34:14,704 --> 00:34:16,489
You were the one who started it.
435
00:34:17,098 --> 00:34:18,926
I'm ill with regret.
436
00:34:20,275 --> 00:34:21,537
You mean Suzanne?
437
00:34:21,929 --> 00:34:23,104
No, no, not yet.
438
00:34:25,715 --> 00:34:26,716
Alfred?
439
00:34:31,547 --> 00:34:32,505
Alfy.
440
00:34:38,032 --> 00:34:39,077
Alfy.
441
00:34:39,381 --> 00:34:42,167
Do not use Alfy
to sneak in Suzanne.
442
00:34:43,211 --> 00:34:45,257
You have my word, I promise.
443
00:34:46,780 --> 00:34:49,783
[intriguing music playing]
444
00:34:52,046 --> 00:34:55,354
[typewriter clacking]
445
00:35:28,604 --> 00:35:30,302
[music concludes]
446
00:35:33,827 --> 00:35:34,828
Good.
447
00:35:37,265 --> 00:35:38,223
Keep going.
448
00:35:53,238 --> 00:35:54,891
He'll never forgive me, Alfy.
449
00:35:58,591 --> 00:36:00,854
Do you think he would let us
translate his work
450
00:36:01,028 --> 00:36:02,551
if you weren't already forgiven?
451
00:36:04,945 --> 00:36:07,513
I think he'd find
such simplicity insulting.
452
00:36:07,904 --> 00:36:10,211
[telephone ringing in distance]
453
00:36:13,127 --> 00:36:14,476
[flashbulb crackling]
454
00:36:14,694 --> 00:36:17,436
[attendees murmuring]
455
00:36:18,480 --> 00:36:20,656
Thank you, thank you.
456
00:36:21,570 --> 00:36:24,573
I speak not just
for the publishing house,
457
00:36:24,791 --> 00:36:28,621
but for Mr. Joyce himself,
when I say that this work
458
00:36:28,925 --> 00:36:31,493
is a masterpiece
of modern translation.
459
00:36:32,059 --> 00:36:34,148
First, we must thank
two students,
460
00:36:34,322 --> 00:36:36,455
Samuel Beckett and Alfred Péron,
461
00:36:36,629 --> 00:36:39,371
for a valiant first attempt.
[chuckles softly]
462
00:36:39,588 --> 00:36:41,547
- Alfred: A what?
- Here we go.
463
00:36:41,721 --> 00:36:43,549
Sylvia: Which was then
so expertly corrected
464
00:36:43,723 --> 00:36:45,028
by our translators,
465
00:36:45,203 --> 00:36:47,292
Paul Léon, Ivan Gul, and...
466
00:36:47,466 --> 00:36:49,555
- Who the fuck are they?
- ...of course,
Mr. Joyce himself.
467
00:36:49,729 --> 00:36:51,121
- Revenge.
- [Sylvia chuckles]
468
00:36:51,339 --> 00:36:52,514
Joyce: Welcome, Paul.
469
00:36:58,607 --> 00:37:00,479
We were working with gold.
470
00:37:01,741 --> 00:37:05,223
All we had to do was polish it.
But let us be clear...
471
00:37:05,397 --> 00:37:07,094
- [whispers] Why?
- ...this was not work.
472
00:37:07,268 --> 00:37:08,443
Because she's in an asylum now.
473
00:37:08,617 --> 00:37:09,836
Paul:
This was the greatest fortune...
474
00:37:10,010 --> 00:37:11,272
And you must be punished
for that?
475
00:37:11,490 --> 00:37:13,100
...we could have
ever been granted.
476
00:37:13,666 --> 00:37:14,971
And I must be punished for that?
477
00:37:15,145 --> 00:37:16,625
Paul: To learn at the feet
of a master.
478
00:37:16,799 --> 00:37:20,281
I'm sorry, Alfy,
you're collateral damage.
479
00:37:20,455 --> 00:37:24,938
...literary jewels, and to turn
them to catch the light.
480
00:37:25,678 --> 00:37:26,940
What shall we do?
481
00:37:27,157 --> 00:37:28,855
- [crowd applauding]
- We shall drink.
482
00:37:29,203 --> 00:37:30,291
Yes.
483
00:37:30,465 --> 00:37:31,640
- For a long time.
- Forever.
484
00:37:33,076 --> 00:37:34,687
We should certainly
give it a go.
485
00:37:41,389 --> 00:37:43,826
[accordion playing in distance]
486
00:37:46,742 --> 00:37:48,353
[Man groans, mumbles]
487
00:37:49,005 --> 00:37:51,878
Well, Alfy, we gave it a go.
488
00:37:53,271 --> 00:37:56,099
Let me leave, while dignity
still remains a possibility.
489
00:37:56,535 --> 00:37:57,405
Nah.
490
00:37:57,623 --> 00:37:59,581
[footsteps approaching]
491
00:38:01,279 --> 00:38:02,367
Good evening, Sam.
492
00:38:05,195 --> 00:38:06,806
Alfred: Lucky for Stalin,
we're drunk.
493
00:38:07,023 --> 00:38:09,809
[scoffs]
You've come to take him away...
494
00:38:11,463 --> 00:38:14,204
to drag my friend
from a life of possibility
495
00:38:14,553 --> 00:38:16,903
to the eternal drudgery
of commitment.
496
00:38:18,905 --> 00:38:20,950
No, Sam, we came to join you.
497
00:38:22,561 --> 00:38:24,258
It is Suzanne from the tennis.
498
00:38:27,957 --> 00:38:28,915
Hello, Sam.
499
00:38:30,612 --> 00:38:34,616
You've come to capture me,
to add me to your tribe.
500
00:38:35,356 --> 00:38:37,402
What makes you think
that I want to capture you?
501
00:38:37,880 --> 00:38:40,361
[indistinct quiet chatter]
502
00:38:44,496 --> 00:38:46,193
Then let us both avoid the trap.
503
00:38:54,767 --> 00:38:58,771
- [lively chatter]
- [doorbell chiming]
504
00:39:12,175 --> 00:39:17,355
Hey. [blows kiss]
Hey, mon cheri.[speaks French]
505
00:39:18,181 --> 00:39:19,226
Hey.
506
00:39:19,487 --> 00:39:22,534
Hey, Irish, you want a girl?
507
00:39:22,969 --> 00:39:24,187
Hey.
508
00:39:24,753 --> 00:39:27,234
Prudent, your stamina
for this exchange is remarkable,
509
00:39:27,408 --> 00:39:28,670
but I would never want...
[groans]
510
00:39:28,844 --> 00:39:30,411
[Prostitutes gasping]
511
00:39:30,672 --> 00:39:31,804
- [Prostitutes speaking French]
- [Younger Samuel groans]
512
00:39:31,978 --> 00:39:33,240
Why? [gasps]
513
00:39:33,414 --> 00:39:34,850
[in French]
514
00:39:35,198 --> 00:39:36,809
[Younger Samuel coughs]
515
00:39:37,113 --> 00:39:38,245
[dog barking in distance]
516
00:39:38,419 --> 00:39:40,465
[Younger Samuel
breathes heavily]
517
00:39:41,422 --> 00:39:43,729
[whimpers]
518
00:39:44,251 --> 00:39:47,254
[pensive music playing]
519
00:40:08,667 --> 00:40:09,755
[exhales sharply]
520
00:40:21,723 --> 00:40:22,811
[in English] Suzanne.
521
00:40:23,072 --> 00:40:24,944
[music fades]
522
00:40:27,033 --> 00:40:28,034
Yes.
523
00:40:28,643 --> 00:40:29,905
Younger Suzanne:
From the tennis.
524
00:40:32,038 --> 00:40:33,300
Yes.
525
00:40:35,215 --> 00:40:36,825
So, they gave you
a private room.
526
00:40:37,565 --> 00:40:38,610
Younger Samuel: Joyce.
527
00:40:39,741 --> 00:40:42,222
You know, you shouldn't let
a man be your keeper.
528
00:40:42,875 --> 00:40:44,920
Younger Samuel:
Thank you for your advice.
529
00:40:45,965 --> 00:40:47,445
No, this is not advice.
530
00:40:48,750 --> 00:40:50,143
This is instruction.
531
00:40:51,579 --> 00:40:55,017
And... if this is to happen,
532
00:40:55,714 --> 00:40:57,411
I suggest that you
grow accustomed
533
00:40:57,585 --> 00:40:59,152
to taking my instruction.
534
00:40:59,892 --> 00:41:01,154
If what is to happen?
535
00:41:01,589 --> 00:41:02,851
[scoffs]
536
00:41:06,115 --> 00:41:07,247
Such coyness.
537
00:41:09,815 --> 00:41:11,425
You do not like attraction.
538
00:41:13,079 --> 00:41:14,210
And neither do I.
539
00:41:14,733 --> 00:41:15,864
[groans]
540
00:41:16,256 --> 00:41:18,606
Younger Suzanne:
So, I think that this side of it
541
00:41:19,041 --> 00:41:20,303
will be agreeable.
542
00:41:21,479 --> 00:41:24,786
- But more importantly, I...
- [footsteps approaching]
543
00:41:24,960 --> 00:41:26,266
[in French]
544
00:41:26,440 --> 00:41:27,572
- Oui?
- [in French]
545
00:41:27,746 --> 00:41:29,617
Younger Suzanne:
546
00:41:30,009 --> 00:41:31,314
Nurse: Bien sûr, madame.
547
00:41:31,489 --> 00:41:33,491
[footsteps departing]
548
00:41:35,884 --> 00:41:37,451
Younger Suzanne: [in English]
I brought you this.
549
00:41:39,061 --> 00:41:40,280
It's Calvados.
550
00:41:43,283 --> 00:41:45,894
Samuel,
you should write about this...
551
00:41:47,592 --> 00:41:49,332
because it feels
like an experience
552
00:41:50,029 --> 00:41:51,334
a writer should explore.
553
00:41:52,118 --> 00:41:54,947
Especially one like you,
with your great love of death.
554
00:41:55,425 --> 00:41:56,731
[chuckles softly]
555
00:41:58,603 --> 00:41:59,865
I did read your book.
556
00:42:00,605 --> 00:42:02,694
Well,
you were in exclusive company.
557
00:42:03,129 --> 00:42:05,000
No, I must speak
to your publisher
558
00:42:05,174 --> 00:42:07,176
about why I had to work
so hard to find it.
559
00:42:07,394 --> 00:42:08,438
[footsteps approaching]
560
00:42:10,789 --> 00:42:12,094
[in French]
561
00:42:15,794 --> 00:42:16,925
[groans]
562
00:42:27,980 --> 00:42:29,329
[in English]
What's more important?
563
00:42:30,635 --> 00:42:33,333
You said there is something
more important than attraction.
564
00:42:34,247 --> 00:42:35,248
What is it?
565
00:42:39,818 --> 00:42:40,906
Well...
566
00:42:43,038 --> 00:42:44,605
you have a great talent...
567
00:42:46,302 --> 00:42:48,348
and I don't think
that you should waste it.
568
00:42:50,437 --> 00:42:51,481
In fact...
569
00:42:53,353 --> 00:42:55,616
I think that you would benefit
from a companion
570
00:42:55,790 --> 00:42:57,705
who would stop you
from doing so.
571
00:42:59,881 --> 00:43:02,536
And I think I would benefit
from being that companion.
572
00:43:08,716 --> 00:43:09,717
Hmm.
573
00:43:18,596 --> 00:43:19,553
Well...
574
00:43:26,255 --> 00:43:27,169
Um...
575
00:43:28,127 --> 00:43:30,651
I will return tomorrow,
if you'd like me to?
576
00:43:37,440 --> 00:43:39,573
Yes, you will return tomorrow.
577
00:43:43,490 --> 00:43:46,145
[serene music playing]
578
00:43:57,809 --> 00:43:59,941
[footsteps departing]
579
00:44:00,159 --> 00:44:02,727
[music continues]
580
00:44:31,712 --> 00:44:33,801
[music continues]
581
00:44:34,672 --> 00:44:37,065
[indistinct chatter]
582
00:44:39,981 --> 00:44:41,896
- [music fades]
- [doorbell chiming]
583
00:44:42,070 --> 00:44:43,550
It is an unlikely match.
584
00:44:45,421 --> 00:44:46,509
It's not a match.
585
00:44:46,988 --> 00:44:48,773
She is so serious. And you?
586
00:44:48,947 --> 00:44:50,383
Well,
you were stabbed by a pimp.
587
00:44:50,688 --> 00:44:52,385
I was a winged bird, Alfy,
588
00:44:53,168 --> 00:44:55,431
and she came to me
with a box of straw.
589
00:44:57,651 --> 00:44:59,871
Well, I'm sure you can
fit in one more.
590
00:45:00,698 --> 00:45:01,742
Tone.
591
00:45:02,569 --> 00:45:04,397
You and your archaic monogamy.
592
00:45:04,658 --> 00:45:06,965
It brings rewards
beyond the carnal, Samuel.
593
00:45:07,879 --> 00:45:09,619
It is a higher state of being.
594
00:45:10,359 --> 00:45:12,318
Well, maybe someday
I'll clamber up from the dirt
595
00:45:12,492 --> 00:45:14,407
and join on you
in that higher state.
596
00:45:16,322 --> 00:45:18,106
Perhaps with Suzanne
from the tennis.
597
00:45:18,759 --> 00:45:19,717
No.
598
00:45:21,893 --> 00:45:23,590
The hand will not be overbid.
599
00:45:24,983 --> 00:45:27,246
[chuckles]
600
00:45:31,641 --> 00:45:34,644
[somber music playing]
601
00:45:37,691 --> 00:45:42,000
[lively chatter]
602
00:45:47,657 --> 00:45:50,312
[air raid siren blaring]
603
00:45:53,011 --> 00:45:54,969
[Soldiers chattering in German]
604
00:45:55,448 --> 00:45:57,363
[car engine rumbling]
605
00:45:57,537 --> 00:45:58,930
[music fades]
606
00:46:01,671 --> 00:46:02,760
Younger Samuel: Are you safe?
607
00:46:04,500 --> 00:46:05,937
Safer than most Jews.
608
00:46:12,552 --> 00:46:13,509
And you?
609
00:46:16,948 --> 00:46:18,688
As long as Ireland
stays neutral.
610
00:46:20,038 --> 00:46:23,476
And you, Sam?
Will you be staying neutral?
611
00:46:25,217 --> 00:46:26,174
You've joined.
612
00:46:29,351 --> 00:46:30,178
I have joined.
613
00:46:31,789 --> 00:46:34,879
Well... you're a soldier now.
614
00:46:39,187 --> 00:46:41,102
And they do not
just need soldiers.
615
00:46:41,929 --> 00:46:42,843
Lucky for you.
616
00:46:43,235 --> 00:46:44,323
Lucky for us.
617
00:46:49,458 --> 00:46:50,459
Take me to them.
618
00:46:52,200 --> 00:46:53,071
[scoffs]
619
00:46:55,595 --> 00:46:56,552
Sam.
620
00:47:01,079 --> 00:47:02,820
You should speak
to Suzanne first.
621
00:47:05,518 --> 00:47:06,475
I don't need to.
622
00:47:09,174 --> 00:47:10,218
We are one...
623
00:47:11,089 --> 00:47:12,220
she and I.
624
00:47:14,744 --> 00:47:15,745
Poor Suzanne.
625
00:47:16,137 --> 00:47:18,836
[chuckles] Poor Suzanne.
626
00:47:23,971 --> 00:47:26,974
[pensive music playing]
627
00:47:29,890 --> 00:47:31,022
[fire crackling]
628
00:47:38,681 --> 00:47:40,074
[footsteps approaching]
629
00:47:48,039 --> 00:47:49,431
[sighs]
630
00:47:51,477 --> 00:47:52,521
[exhales softly]
631
00:47:54,001 --> 00:47:55,873
I cannot let him join
without me.
632
00:48:07,406 --> 00:48:08,363
[gulps]
633
00:48:09,147 --> 00:48:12,672
[indistinct chatter]
634
00:48:16,589 --> 00:48:18,721
[music fades]
635
00:48:27,034 --> 00:48:28,296
[glass clinking]
636
00:48:31,952 --> 00:48:34,172
[in French]
637
00:48:35,129 --> 00:48:37,784
[group repeats]
638
00:48:49,187 --> 00:48:50,928
[indistinct chatter]
639
00:48:54,018 --> 00:48:54,975
[in English] What now?
640
00:48:56,324 --> 00:48:57,325
We write.
641
00:48:59,849 --> 00:49:02,069
Alfred: Troop movements
from all over France.
642
00:49:02,243 --> 00:49:04,506
Tips from farmers,
postal workers,
643
00:49:04,724 --> 00:49:07,335
anyone allowed to travel,
they all come through to us,
644
00:49:07,683 --> 00:49:08,815
God knows how.
645
00:49:08,989 --> 00:49:10,382
And then we work through them.
646
00:49:10,686 --> 00:49:13,298
We correlate, cross-reference.
647
00:49:13,820 --> 00:49:15,909
We need two sources,
or it doesn't count.
648
00:49:16,214 --> 00:49:19,043
And then we put it all together,
and we write our story.
649
00:49:20,609 --> 00:49:21,697
Take a photograph.
650
00:49:22,437 --> 00:49:24,657
And, once a week,
the film is sent to Britain.
651
00:49:25,223 --> 00:49:26,746
And how does it get
to the Brits?
652
00:49:27,007 --> 00:49:28,835
[orchestral music playing]
653
00:49:29,314 --> 00:49:30,663
I only know how it leaves here.
654
00:49:31,838 --> 00:49:35,450
[chuckles] You will like
that part, just you wait.
655
00:49:43,806 --> 00:49:46,244
[music continues]
656
00:49:55,818 --> 00:49:56,819
This.
657
00:49:59,474 --> 00:50:00,388
You see?
658
00:50:03,174 --> 00:50:04,653
Yeah, this part.
659
00:50:04,871 --> 00:50:06,351
I can do it? Okay, thank you,
that's very kind.
660
00:50:06,525 --> 00:50:08,440
[both chuckle]
661
00:50:10,703 --> 00:50:12,444
[typewriter clacking]
662
00:50:25,631 --> 00:50:29,678
Metaphors, Alfy. Metaphors...
663
00:50:30,679 --> 00:50:31,854
[Alfred chuckling]
664
00:50:40,211 --> 00:50:41,038
Hmm.
665
00:50:42,648 --> 00:50:44,171
[music fades]
666
00:50:44,780 --> 00:50:47,000
[ominous music playing]
667
00:50:47,218 --> 00:50:50,960
[banging on door]
668
00:50:55,530 --> 00:50:58,011
[footsteps approaching]
669
00:51:01,841 --> 00:51:04,626
They have taken Alfy.
They are taking everyone.
670
00:51:04,974 --> 00:51:06,019
Who?
671
00:51:06,672 --> 00:51:07,803
Mania: [whispers] Gestapo!
672
00:51:08,935 --> 00:51:10,110
Go, go!
673
00:51:10,719 --> 00:51:12,460
[footsteps departing]
674
00:51:14,027 --> 00:51:15,463
[music continues]
675
00:51:15,637 --> 00:51:17,074
[breathes shakily]
676
00:51:20,251 --> 00:51:21,252
[match scraping]
677
00:51:22,862 --> 00:51:25,560
[Younger Suzanne
breathing heavily]
678
00:51:31,349 --> 00:51:35,135
[Younger Samuel
breathes heavily]
679
00:52:00,378 --> 00:52:02,293
[rotary dial whirring]
680
00:52:04,860 --> 00:52:07,733
- [banging on distant door]
- [Soldier shouting in German]
681
00:52:13,434 --> 00:52:15,088
The train is cancelled,
rain at Poitiers.
682
00:52:21,399 --> 00:52:22,617
[Younger Suzanne
exhales sharply]
683
00:52:22,965 --> 00:52:24,793
The train is cancelled,
rain at Poitiers.
684
00:52:24,967 --> 00:52:29,015
- [Soldiers yelling in distance]
- [Residents screaming]
685
00:52:30,625 --> 00:52:31,539
Sam!
686
00:52:34,238 --> 00:52:37,850
- [Resident grunting]
- [Soldiers speaking German]
687
00:52:39,765 --> 00:52:42,507
- [Resident groaning]
- [sighs]
688
00:52:47,773 --> 00:52:49,470
The train is cancelled,
rain at Poitiers.
689
00:52:51,646 --> 00:52:55,084
- [breathes heavily]
- [Soldier shouting in German]
690
00:52:55,781 --> 00:52:57,261
[Younger Samuel grunts]
691
00:53:00,438 --> 00:53:01,656
[Younger Suzanne grunts]
692
00:53:03,571 --> 00:53:05,051
The train is cancelled,
rain at Poitiers.
693
00:53:07,314 --> 00:53:09,316
[Soldier speaking German]
694
00:53:10,448 --> 00:53:12,885
[distant chatter]
695
00:53:14,626 --> 00:53:16,497
- Younger Suzanne: Sam!
- [banging on distant door]
696
00:53:16,671 --> 00:53:17,803
Younger Suzanne: Sam, now!
697
00:53:18,064 --> 00:53:20,588
[crowd clamoring]
698
00:53:21,763 --> 00:53:22,764
[distant gunshot]
699
00:53:24,636 --> 00:53:27,073
- [distant gunshot]
- [crowd screaming]
700
00:53:41,609 --> 00:53:44,830
- [train rumbling]
- [music continues]
701
00:54:03,152 --> 00:54:06,199
[music turns serene]
702
00:54:18,907 --> 00:54:20,866
[music fades]
703
00:54:23,085 --> 00:54:24,478
[Resistance Soldier 1
speaking French]
704
00:54:28,047 --> 00:54:29,309
[Resistance Soldier 2
calling out]
705
00:54:32,834 --> 00:54:35,228
[groans]
706
00:54:36,838 --> 00:54:38,057
[grunts]
707
00:54:49,068 --> 00:54:50,025
[Younger Suzanne grunting]
708
00:54:50,678 --> 00:54:52,463
[pants]
709
00:55:16,008 --> 00:55:18,837
- [cicadas chirping]
- [pensive music playing]
710
00:55:53,350 --> 00:55:55,526
[water trickling]
711
00:55:58,529 --> 00:56:00,661
[birds chirping]
712
00:56:14,022 --> 00:56:15,502
[music fades]
713
00:56:20,159 --> 00:56:21,378
Why are you happy?
714
00:56:25,947 --> 00:56:27,862
We spend our days
scratching through the dirt
715
00:56:28,036 --> 00:56:29,386
in hope of a potato,
716
00:56:29,560 --> 00:56:31,605
while Europe falls around us,
and yet...
717
00:56:32,737 --> 00:56:33,607
you're happy.
718
00:56:34,826 --> 00:56:36,958
I mean, being here could be
many things, Sam.
719
00:56:38,351 --> 00:56:40,875
Of course, there's the war,
the fear...
720
00:56:43,269 --> 00:56:44,401
But not for me.
721
00:56:46,098 --> 00:56:48,274
Because, you see, for me,
it's just you and I together
722
00:56:48,448 --> 00:56:49,710
that stepped away from life.
723
00:56:51,016 --> 00:56:52,496
There's no one
who can get to you
724
00:56:52,670 --> 00:56:53,714
or take you away.
725
00:56:55,455 --> 00:56:57,152
And being trapped here
with you...
726
00:56:58,806 --> 00:57:01,200
it's a happiness
I have never known before,
727
00:57:02,114 --> 00:57:03,942
and I will likely
never know again.
728
00:57:10,209 --> 00:57:11,863
You know, I think you could
probably leave the pot
729
00:57:12,037 --> 00:57:13,255
for a little while.
730
00:57:13,865 --> 00:57:15,388
- Just for a little while.
- [Younger Samuel chuckles]
731
00:57:15,693 --> 00:57:17,303
You should take that
as a compliment.
732
00:57:17,521 --> 00:57:18,565
[chuckles softly]
733
00:57:20,393 --> 00:57:23,396
How far we have to fall for you
to risk a compliment.
734
00:57:24,832 --> 00:57:26,443
Well, let us fall further still.
735
00:57:31,143 --> 00:57:34,276
[soft violin music playing]
736
00:57:35,800 --> 00:57:36,757
[both kissing]
737
00:57:44,765 --> 00:57:46,114
[crickets chirping]
738
00:57:46,332 --> 00:57:48,377
[breathes deeply]
739
00:57:50,075 --> 00:57:52,033
[music fades]
740
00:57:54,035 --> 00:57:55,036
Younger Suzanne: Sam.
741
00:57:55,776 --> 00:57:57,648
Are you thinking of Alfy again?
742
00:57:59,824 --> 00:58:01,303
Do you think he's still alive?
743
00:58:06,700 --> 00:58:08,093
He stays alive in you.
744
00:58:10,574 --> 00:58:11,966
[banging on door]
745
00:58:12,271 --> 00:58:13,490
Resistance Soldier: [in French]
746
00:58:19,278 --> 00:58:20,497
[in English] Well, go on then...
747
00:58:21,759 --> 00:58:22,977
my brave soldier.
748
00:58:24,936 --> 00:58:26,503
You know they've given me
a gun now?
749
00:58:37,209 --> 00:58:38,210
I love you.
750
00:58:41,909 --> 00:58:42,867
I love you.
751
00:58:48,699 --> 00:58:50,527
[door opening]
752
00:58:52,267 --> 00:58:53,530
[door closing]
753
00:58:58,752 --> 00:59:01,581
- [crickets chirping]
- [footsteps approaching]
754
00:59:24,952 --> 00:59:26,214
[owl hooting]
755
00:59:36,877 --> 00:59:39,967
[breathes shakily]
756
00:59:42,274 --> 00:59:43,710
[rattling in distance]
757
00:59:49,411 --> 00:59:50,674
[in French]
758
00:59:52,371 --> 00:59:54,678
[rifles cocking]
759
01:00:02,076 --> 01:00:04,122
[train brakes squeaking]
760
01:00:04,513 --> 01:00:06,515
[breathes shakily]
761
01:00:08,082 --> 01:00:10,389
[vehicle engines rumbling]
762
01:00:17,222 --> 01:00:19,920
[rattling draws nearer]
763
01:00:20,747 --> 01:00:23,445
[breathes shakily]
764
01:00:24,403 --> 01:00:27,798
[rattling receding]
765
01:00:34,152 --> 01:00:35,719
[in French]
766
01:00:39,853 --> 01:00:42,900
[breathes heavily]
767
01:01:04,835 --> 01:01:09,013
[Younger Samuel
breathing heavily]
768
01:01:09,491 --> 01:01:12,669
[low, mysterious music playing]
769
01:01:15,541 --> 01:01:17,064
[Samuel sighing]
770
01:01:18,283 --> 01:01:20,415
[in English] Oh, what a hero.
771
01:01:21,155 --> 01:01:22,417
[chuckles softly]
772
01:01:23,549 --> 01:01:26,944
Like a Boy Scout, with a toy gun
in the wet grass,
773
01:01:27,771 --> 01:01:29,120
waiting for Nazis,
774
01:01:29,294 --> 01:01:31,470
who didn't have the decency
to show up.
775
01:01:31,818 --> 01:01:34,647
[scoffs] They gave you
the Croix de Guerre.
776
01:01:34,821 --> 01:01:36,997
Oh, they give you that
for staying alive.
777
01:01:38,956 --> 01:01:42,002
Is that your guilt,
that you stayed alive?
778
01:01:42,220 --> 01:01:43,221
It was me.
779
01:01:45,353 --> 01:01:49,880
I was the one who filled
Alfy's head full of... nonsense,
780
01:01:50,054 --> 01:01:52,926
of dreams,
and... and... and rainbows,
781
01:01:53,535 --> 01:01:55,320
and... and Baudelaire.
782
01:01:55,668 --> 01:01:57,975
But you were the one
staring at the stars.
783
01:01:58,366 --> 01:02:00,804
Because I knew he'd be staring
at the same ones.
784
01:02:01,152 --> 01:02:03,328
Even in that horrible place,
785
01:02:03,632 --> 01:02:05,852
they couldn't turn off
the stars.
786
01:02:06,766 --> 01:02:08,159
And what did I do?
787
01:02:08,550 --> 01:02:11,945
I went home to a warm bed,
a warm woman, while he...
788
01:02:12,424 --> 01:02:13,468
He...
789
01:02:17,734 --> 01:02:18,865
[sobs]
790
01:02:20,258 --> 01:02:21,172
Hmm.
791
01:02:22,564 --> 01:02:25,176
You know that, in the camp...
792
01:02:26,177 --> 01:02:29,049
they said that he sang
to the others.
793
01:02:29,354 --> 01:02:32,313
Oh, that's just... fairy tales
794
01:02:32,487 --> 01:02:34,315
that we tell each other
about death.
795
01:02:34,489 --> 01:02:35,882
Inner Sam: But you used that...
796
01:02:36,927 --> 01:02:38,493
in Waiting for Godot.
797
01:02:38,755 --> 01:02:42,802
You used your worst fears
about Alfy in your own work.
798
01:02:43,194 --> 01:02:47,589
I... I... I thought
it might resolve something in...
799
01:02:48,068 --> 01:02:49,330
[scoffs] How could it?
800
01:02:51,724 --> 01:02:52,943
[sighs]
801
01:02:56,163 --> 01:02:58,775
You know, there are some men
802
01:02:59,253 --> 01:03:01,342
who need to believe
in a better world,
803
01:03:01,516 --> 01:03:04,215
just like you need to believe
in a world that's worse.
804
01:03:05,259 --> 01:03:07,348
Who betrayed us to the Germans?
805
01:03:08,436 --> 01:03:12,092
Who sent Alfy
to that horrible place?
806
01:03:13,093 --> 01:03:14,225
It was the priest.
807
01:03:14,703 --> 01:03:16,053
Of course, it was.
808
01:03:16,531 --> 01:03:17,837
[sighs] Oh...
809
01:03:18,055 --> 01:03:21,754
[chuckles] And to think
that I mislaid my faith.
810
01:03:23,800 --> 01:03:25,845
At least Alfy would have
enjoyed that.
811
01:03:26,715 --> 01:03:27,978
Inner Sam: Listen to me.
812
01:03:28,500 --> 01:03:31,720
You cannot blame yourself
for the war.
813
01:03:32,199 --> 01:03:34,114
Oh, I can try.
814
01:03:34,288 --> 01:03:35,724
No. Alfy's been dead.
815
01:03:35,899 --> 01:03:37,509
He's been dead
for a very long time,
816
01:03:37,683 --> 01:03:40,251
and he does not need
your money.
817
01:03:42,166 --> 01:03:42,993
Now...
818
01:03:44,472 --> 01:03:45,343
it's time.
819
01:03:46,387 --> 01:03:47,432
Suzanne.
820
01:03:48,346 --> 01:03:49,347
Properly.
821
01:03:52,872 --> 01:03:53,830
Can...
822
01:03:54,743 --> 01:03:56,006
can she come alone?
823
01:03:58,791 --> 01:03:59,661
No.
824
01:04:01,750 --> 01:04:04,884
[pensive music playing]
825
01:04:13,414 --> 01:04:14,372
Sam?
826
01:04:18,637 --> 01:04:19,551
Sam...
827
01:04:20,639 --> 01:04:21,814
you must go now.
828
01:04:23,729 --> 01:04:25,383
Itinerary and tickets.
829
01:04:25,862 --> 01:04:28,516
Don't sign anything
without speaking to me first.
830
01:04:30,127 --> 01:04:31,868
And don't drink
before the meeting.
831
01:04:32,129 --> 01:04:33,260
[music concludes]
832
01:04:33,608 --> 01:04:34,914
[exhales]
833
01:04:35,393 --> 01:04:38,962
Do you really think
the BBC will want to do this?
834
01:04:40,311 --> 01:04:41,312
Yes!
835
01:04:42,487 --> 01:04:44,489
They would not want to meet you
if they did not.
836
01:04:45,925 --> 01:04:46,883
Samuel: But...
837
01:04:47,927 --> 01:04:49,755
you like it, don't you?
838
01:04:50,538 --> 01:04:51,713
Yes, I do.
839
01:04:53,411 --> 01:04:54,934
[in French]
840
01:05:18,697 --> 01:05:19,785
[kisses softly]
841
01:05:27,793 --> 01:05:28,881
Sam?
842
01:05:31,623 --> 01:05:32,667
[in English] I love you.
843
01:05:37,150 --> 01:05:38,282
I love you, too.
844
01:05:46,638 --> 01:05:50,076
[soft piano music playing]
845
01:06:11,184 --> 01:06:13,404
[indistinct chatter]
846
01:06:14,231 --> 01:06:15,493
Receptionist: Hello, sir.
How can I help?
847
01:06:15,667 --> 01:06:17,016
Samuel: Barbara Bray, please.
848
01:06:17,190 --> 01:06:18,670
Receptionist: Okay.
Take a seat, please.
849
01:06:26,112 --> 01:06:27,984
[indistinct chatter]
850
01:06:29,986 --> 01:06:32,162
- [music fades]
- [footsteps approaching]
851
01:06:35,643 --> 01:06:36,557
Mr. Beckett?
852
01:06:37,471 --> 01:06:39,821
I'm Barbara Bray
from the Drama Department.
853
01:06:40,518 --> 01:06:41,388
Sam.
854
01:06:42,302 --> 01:06:44,652
What a bloody miserable day, hmm?
855
01:06:45,914 --> 01:06:48,221
Well then, Sam, if, um,
856
01:06:48,526 --> 01:06:51,094
if I were to sneak you up
to the BBC bar for a whiskey...
857
01:06:52,182 --> 01:06:55,054
and tell you everything
I love about your work,
858
01:06:55,228 --> 01:06:57,317
and beg you to bestow it
upon us,
859
01:06:58,144 --> 01:07:01,191
would that cause you to turn
all Irish and bashful?
860
01:07:02,018 --> 01:07:03,236
That would depend
on the whiskey.
861
01:07:03,410 --> 01:07:04,629
[Barbara laughs]
862
01:07:07,284 --> 01:07:09,068
Well, this way.
863
01:07:16,206 --> 01:07:17,294
[elevator dings]
864
01:07:17,859 --> 01:07:18,860
After you.
865
01:07:19,165 --> 01:07:22,212
[soft music playing]
866
01:07:27,695 --> 01:07:29,001
[elevator dings]
867
01:07:41,622 --> 01:07:42,928
[elevator clunks]
868
01:07:52,590 --> 01:07:53,591
[Samuel sighs]
869
01:07:56,202 --> 01:07:57,247
[sighs heavily]
870
01:07:58,857 --> 01:08:00,554
[music fades]
871
01:08:05,298 --> 01:08:06,473
[glasses clinking]
872
01:08:09,781 --> 01:08:11,870
[footsteps approaching]
873
01:08:13,176 --> 01:08:15,134
So, they want the rights?
874
01:08:17,876 --> 01:08:18,746
Yes.
875
01:08:19,660 --> 01:08:20,618
Good.
876
01:08:21,923 --> 01:08:23,708
We'll do a separate deal
with the BBC
877
01:08:23,882 --> 01:08:25,057
for the translation.
878
01:08:27,929 --> 01:08:29,801
You must keep writing
in French, Sam.
879
01:08:30,541 --> 01:08:31,759
We get paid twice.
880
01:08:32,804 --> 01:08:33,631
[chuckles] Hmm.
881
01:08:37,417 --> 01:08:38,288
Please...
882
01:08:39,245 --> 01:08:41,639
tell me you did not offer him
a translation?
883
01:08:42,944 --> 01:08:44,990
[breathes heavily]
884
01:08:52,171 --> 01:08:53,129
Her.
885
01:09:04,444 --> 01:09:05,489
She will pay.
886
01:09:08,970 --> 01:09:10,146
For the translation.
887
01:09:11,321 --> 01:09:12,191
Yes.
888
01:09:15,716 --> 01:09:16,717
She...
889
01:09:17,283 --> 01:09:18,893
she'll pay for the translation.
890
01:09:26,553 --> 01:09:27,902
[sighs]
891
01:09:29,774 --> 01:09:32,777
- [Barbara laughing]
- [soft piano music playing]
892
01:09:34,039 --> 01:09:35,649
[pages rustling]
893
01:10:06,985 --> 01:10:08,247
Nothing happens.
894
01:10:08,639 --> 01:10:10,815
Twice. Nothing happens, twice.
895
01:10:11,468 --> 01:10:13,121
Don't short-change me.
896
01:10:13,296 --> 01:10:15,950
Barbara: [chuckles]
It is maddening!
897
01:10:17,125 --> 01:10:18,214
I hope so.
898
01:10:21,042 --> 01:10:22,348
It is a masterpiece.
899
01:10:24,132 --> 01:10:25,090
God...
900
01:10:26,265 --> 01:10:27,266
I hope not.
901
01:10:29,877 --> 01:10:34,708
What is this place,
this wasteland where they wait?
902
01:10:36,232 --> 01:10:37,972
[hesitates] It's...
903
01:10:39,583 --> 01:10:44,675
it's the place we all go to,
when life drives us there.
904
01:10:48,548 --> 01:10:50,855
I should probably tell you
that I'm moving.
905
01:10:51,464 --> 01:10:52,813
- Samuel: Hmm.
- Hmm.
906
01:10:54,293 --> 01:10:55,729
And I should certainly tell you
907
01:10:55,903 --> 01:10:57,296
that I'm moving to Paris.
908
01:11:01,474 --> 01:11:02,910
[music concludes]
909
01:11:03,128 --> 01:11:04,608
[Samuel exhaling]
910
01:11:06,740 --> 01:11:10,135
[laughs]
911
01:11:10,396 --> 01:11:11,658
No joy without pain.
912
01:11:11,832 --> 01:11:12,833
Indeed not.
913
01:11:13,965 --> 01:11:15,793
[sighs] Quite the conundrum.
914
01:11:15,967 --> 01:11:16,837
Mm-hmm.
915
01:11:18,709 --> 01:11:20,885
So, what do you do?
916
01:11:22,800 --> 01:11:25,846
What does escape look like
at that time,
917
01:11:26,282 --> 01:11:27,457
to a man like you?
918
01:11:33,114 --> 01:11:34,812
[pensive music playing]
919
01:11:34,986 --> 01:11:36,857
[indistinct chatter]
920
01:11:38,424 --> 01:11:39,382
[sniffs]
921
01:11:43,342 --> 01:11:44,909
[exhales]
922
01:12:35,829 --> 01:12:37,614
[music fades]
923
01:12:37,875 --> 01:12:38,876
Why?
924
01:12:43,620 --> 01:12:44,664
Samuel: Because...
925
01:12:50,322 --> 01:12:51,976
Because I want her
to have the royalties
926
01:12:52,150 --> 01:12:53,630
of my work after I die,
927
01:12:54,195 --> 01:12:55,501
and she deserves it.
928
01:12:56,589 --> 01:12:58,852
She gave me the best days
of her life.
929
01:12:59,244 --> 01:13:01,159
She was the one
who said, "Keep writing,"
930
01:13:01,333 --> 01:13:03,509
when everybody else
said, "Stop."
931
01:13:07,383 --> 01:13:10,603
But all you are doing
is moving pain between us.
932
01:13:11,691 --> 01:13:14,390
No, you are who you are,
933
01:13:15,129 --> 01:13:16,696
and she is who she is.
934
01:13:18,568 --> 01:13:19,482
So...
935
01:13:20,787 --> 01:13:22,093
I'm in Paris...
936
01:13:23,660 --> 01:13:25,096
and nothing has changed?
937
01:13:26,837 --> 01:13:29,753
You're in Paris
and nothing has changed.
938
01:13:46,552 --> 01:13:47,858
So, uh...
939
01:13:49,033 --> 01:13:50,687
they want to produce the play.
940
01:13:51,470 --> 01:13:54,430
In London and Germany and...
941
01:13:55,431 --> 01:13:56,301
No.
942
01:13:58,912 --> 01:14:00,566
I know you don't like the play.
943
01:14:01,219 --> 01:14:02,394
I haven't read it.
944
01:14:03,047 --> 01:14:04,527
- Oh, really?
- No.
945
01:14:04,701 --> 01:14:06,485
If you haven't read it, why...
946
01:14:06,659 --> 01:14:09,488
Germany, London?
It's too much, Sam.
947
01:14:09,836 --> 01:14:12,186
- They said it's really good.
- Suzanne: Yes, it's good.
948
01:14:12,665 --> 01:14:13,623
You know why?
949
01:14:14,406 --> 01:14:17,409
[in French]
950
01:14:26,287 --> 01:14:29,856
[in English] It's too much, Sam.
It's all getting too much!
951
01:14:35,862 --> 01:14:38,299
Barbara: "When he came again,
we had it out."
952
01:14:39,823 --> 01:14:42,129
"He went on
about why he had to tell her,
953
01:14:42,434 --> 01:14:43,740
too risky and so on."
954
01:14:45,219 --> 01:14:46,960
"That meant he'd gone
back to her...
955
01:14:48,614 --> 01:14:50,007
back to that."
956
01:14:52,618 --> 01:14:53,750
This is about us.
957
01:14:54,446 --> 01:14:55,708
How could it not be?
958
01:14:59,103 --> 01:15:01,366
- Has she read it?
- Yes.
959
01:15:02,062 --> 01:15:03,411
And what she did she say?
960
01:15:04,587 --> 01:15:05,849
That she hadn't read it.
961
01:15:06,023 --> 01:15:07,328
[laughs]
962
01:15:10,027 --> 01:15:12,290
She can't hide
from this forever.
963
01:15:13,030 --> 01:15:15,119
[sighs] I wish she could.
964
01:15:18,688 --> 01:15:20,472
I shall review it
for The Observer.
965
01:15:21,342 --> 01:15:24,563
[scoffs] Is there no end
to your sinning?
966
01:15:24,781 --> 01:15:25,999
[laughs]
967
01:15:26,260 --> 01:15:29,525
No, we passed that
a long time ago.
968
01:15:31,004 --> 01:15:33,006
When he came again,
we had it out.
I felt like death.
969
01:15:33,180 --> 01:15:34,660
He went on about
why he had to tell her,
970
01:15:34,834 --> 01:15:36,053
too risky and so on.
971
01:15:36,532 --> 01:15:38,055
That meant he had gone
back to her, back to that.
972
01:15:38,229 --> 01:15:39,535
Pudding face, puffy, spots,
blubber mouth, jowls,
973
01:15:39,709 --> 01:15:41,145
no neck, dugs you could...
974
01:15:42,059 --> 01:15:43,495
Actress 2: He went on and on.
I could hear a mower,
an old hand mower.
975
01:15:43,669 --> 01:15:44,931
I stopped him and said
that whatever I might feel,
976
01:15:45,105 --> 01:15:46,454
I had no silly threats to offer,
977
01:15:46,629 --> 01:15:48,108
but not much stomach
for her leavings either.
978
01:15:48,282 --> 01:15:49,457
He thought that over
for a bit.
979
01:15:49,632 --> 01:15:51,155
Calves like a flunkey.
980
01:15:51,372 --> 01:15:52,548
When I saw her again,
she knew she was looking...
981
01:15:52,722 --> 01:15:53,940
[hiccups] ...wretched.
982
01:15:54,114 --> 01:15:56,813
- Pardon.
- [audience laughing]
983
01:15:59,555 --> 01:16:01,208
[lively chatter]
984
01:16:03,471 --> 01:16:06,910
[applause]
985
01:16:20,358 --> 01:16:21,359
Well?
986
01:16:21,707 --> 01:16:24,536
Were the words
not humiliation enough,
987
01:16:25,015 --> 01:16:27,365
that you had to also put me
in a pot?
988
01:16:27,800 --> 01:16:29,106
Samuel: It's an urn.
989
01:16:30,498 --> 01:16:34,328
That is your defense, Sam,
that it is an urn?
990
01:16:36,156 --> 01:16:38,855
Sorry, but I have to write
what I s--
991
01:16:42,249 --> 01:16:44,556
- This is, uh...
- The other pot.
992
01:16:48,299 --> 01:16:49,387
I, um...
993
01:16:50,954 --> 01:16:52,520
I thought it was very brave.
994
01:16:52,738 --> 01:16:54,174
- [chuckles]
- Thank you.
995
01:16:54,348 --> 01:16:56,568
It could not possibly have
been more cowardly.
996
01:17:02,139 --> 01:17:03,314
Thank you for coming.
997
01:17:05,055 --> 01:17:07,448
Please, be kind in your review.
998
01:17:07,971 --> 01:17:10,277
We have a tax bill to settle
in November.
999
01:17:14,151 --> 01:17:17,154
Well... it was very nice
to meet you.
1000
01:17:18,111 --> 01:17:19,286
Don't be absurd.
1001
01:17:26,380 --> 01:17:27,381
Barbara: Good evening.
1002
01:17:30,820 --> 01:17:33,300
She... she shouldn't have come.
1003
01:17:34,824 --> 01:17:35,868
Sorry about that.
1004
01:17:37,000 --> 01:17:37,914
It is not her.
1005
01:17:38,871 --> 01:17:39,785
It is them.
1006
01:17:40,046 --> 01:17:41,004
What do you mean?
1007
01:17:42,005 --> 01:17:43,397
There are so many of them.
1008
01:17:43,746 --> 01:17:46,574
Publishers, theater agents, journalists.
1009
01:17:47,663 --> 01:17:49,969
They are talking about you
as if they know you,
1010
01:17:50,491 --> 01:17:51,579
as if they own you.
1011
01:17:51,797 --> 01:17:53,190
Isn't that what we wanted,
1012
01:17:53,364 --> 01:17:55,409
after all these years,
after all the struggle?
1013
01:17:56,019 --> 01:17:57,281
All... all the years of you,
1014
01:17:57,455 --> 01:17:58,935
running from publisher
to publisher,
1015
01:17:59,109 --> 01:18:02,068
living like hermits.
The denial, the sacrifice.
1016
01:18:02,242 --> 01:18:03,548
- Isn't the...
- Mr. Beckett?
1017
01:18:04,070 --> 01:18:06,246
It's a masterpiece,
you're a genius.
1018
01:18:06,943 --> 01:18:08,684
- Thank you.
- Thank you so much.
1019
01:18:10,860 --> 01:18:12,470
- So...
- All the years of sacrifice,
1020
01:18:12,644 --> 01:18:13,689
of struggle.
1021
01:18:14,037 --> 01:18:16,648
This is what we wanted.
We need them.
1022
01:18:17,475 --> 01:18:20,347
But you have them.
So, you don't need me.
1023
01:18:21,348 --> 01:18:23,437
Oh, so you want us
to stay in obscurity?
1024
01:18:23,611 --> 01:18:25,352
You don't want us
to have success?
1025
01:18:25,526 --> 01:18:29,052
You want us to be scratching
in the mud for potatoes again?
1026
01:18:29,661 --> 01:18:32,446
You and I, Sam,
we're not made for victory.
1027
01:18:32,708 --> 01:18:33,926
We won't survive it.
1028
01:18:34,100 --> 01:18:35,754
[Attendee laughing]
1029
01:18:36,320 --> 01:18:38,583
The fight? We need to fight.
1030
01:18:39,192 --> 01:18:42,326
So, let us retreat
from these people, from victory.
1031
01:18:43,588 --> 01:18:44,632
Please...
1032
01:18:45,372 --> 01:18:46,591
don't let us win.
1033
01:18:47,810 --> 01:18:50,813
[whimsical music playing]
1034
01:19:03,477 --> 01:19:05,479
King Gustaf:
The Nobel Prize for Literature
1035
01:19:05,958 --> 01:19:08,352
is hereby awarded to...
1036
01:19:09,396 --> 01:19:10,615
Samuel Beckett.
1037
01:19:18,057 --> 01:19:19,580
[in French]
1038
01:19:30,026 --> 01:19:32,289
[music concludes]
1039
01:19:37,860 --> 01:19:39,775
[in English]
I didn't deserve it. [sighs]
1040
01:19:40,645 --> 01:19:42,386
Suzanne: No, you do not.
1041
01:19:43,604 --> 01:19:44,780
But the work does.
1042
01:19:45,955 --> 01:19:47,260
And for the work...
1043
01:19:48,131 --> 01:19:49,132
I'm happy.
1044
01:19:52,875 --> 01:19:53,832
Goodnight.
1045
01:20:21,599 --> 01:20:24,907
[low, mysterious music playing]
1046
01:20:27,518 --> 01:20:30,086
Hard to take a man seriously
in pajamas.
1047
01:20:32,566 --> 01:20:34,046
You should wear them more often.
1048
01:20:35,265 --> 01:20:38,181
I've decided I'm giving
the money to Trinity College.
1049
01:20:39,443 --> 01:20:40,836
Set up a scholarship,
1050
01:20:41,532 --> 01:20:43,316
so that some boy like me
1051
01:20:43,490 --> 01:20:45,666
doesn't have to rely
on a mother like her.
1052
01:20:47,973 --> 01:20:49,105
Hmm.
1053
01:20:49,322 --> 01:20:51,629
We've taken a long time
to get to that.
1054
01:20:52,195 --> 01:20:54,632
Hmm.
So, now, you can leave me alone.
1055
01:20:55,459 --> 01:20:56,590
I wish I could.
1056
01:20:57,678 --> 01:21:01,944
[dramatic music playing]
1057
01:21:08,951 --> 01:21:11,997
- [indistinct chatter]
- [music continues]
1058
01:21:45,857 --> 01:21:47,903
- Bonjour, Marie.
- Bonjour, monsieur.
1059
01:21:56,824 --> 01:22:00,959
[Samuel pants]
1060
01:22:05,964 --> 01:22:07,009
[sighs]
1061
01:22:14,842 --> 01:22:15,974
[pants]
1062
01:22:17,802 --> 01:22:18,759
Fight.
1063
01:22:19,760 --> 01:22:20,848
Fight.
1064
01:22:22,111 --> 01:22:23,112
Fight.
1065
01:22:28,813 --> 01:22:30,467
[music fades]
1066
01:22:35,385 --> 01:22:36,777
This is yesterday's bread.
1067
01:22:37,648 --> 01:22:38,910
[in French]
1068
01:22:41,173 --> 01:22:42,914
[in English] Don't you know
they put at the front
1069
01:22:43,088 --> 01:22:45,656
yesterday's bread
to trick the likes of you?
1070
01:22:53,142 --> 01:22:54,926
[in French]
1071
01:22:55,579 --> 01:22:57,146
[in English] These peaches
aren't ripe.
1072
01:22:58,495 --> 01:23:00,584
We can barely mark them
with a finger.
1073
01:23:03,282 --> 01:23:06,198
[sighs] It's like sending
a child to the market.
1074
01:23:07,460 --> 01:23:08,592
A child!
1075
01:23:10,986 --> 01:23:13,466
May: These olives are Italian.
1076
01:23:14,206 --> 01:23:17,775
They'll have called them French,
but they are Italian.
1077
01:23:18,036 --> 01:23:20,169
They are too big to be French.
1078
01:23:20,821 --> 01:23:24,390
You need to trust your eyes,
not the traders.
1079
01:23:26,566 --> 01:23:27,567
What...
1080
01:23:28,003 --> 01:23:29,482
a waste.
1081
01:23:31,397 --> 01:23:34,009
[whispering] You are a liar!
1082
01:23:40,624 --> 01:23:43,801
You used to tell me
when you were going to her.
1083
01:23:45,107 --> 01:23:46,325
Now you just go.
1084
01:23:50,721 --> 01:23:55,943
There is none
of the other... business.
1085
01:23:58,076 --> 01:23:59,686
Not for a long time.
1086
01:24:01,297 --> 01:24:02,211
It's...
1087
01:24:03,908 --> 01:24:05,475
just about work.
1088
01:24:06,867 --> 01:24:08,173
That makes it worse.
1089
01:24:09,827 --> 01:24:10,784
I know.
1090
01:24:14,092 --> 01:24:16,529
I notice you have been gilding
her cage.
1091
01:24:17,922 --> 01:24:19,663
I can still read a cheque book.
1092
01:24:20,881 --> 01:24:22,274
My eyes can go on, Sam...
1093
01:24:23,493 --> 01:24:25,451
for the last of your betrayals.
1094
01:24:35,374 --> 01:24:36,549
She's a widow.
1095
01:24:39,683 --> 01:24:40,814
So am I.
1096
01:24:43,034 --> 01:24:45,602
[sobs quietly]
1097
01:24:59,181 --> 01:25:02,358
The character slip, Sam.
The voice, well, it...
1098
01:25:03,576 --> 01:25:05,012
it comes and goes.
1099
01:25:06,579 --> 01:25:08,103
You haven't found it...
1100
01:25:09,365 --> 01:25:11,541
because you haven't looked.
1101
01:25:12,716 --> 01:25:16,154
Oh, you're so cruel
to an old man.
1102
01:25:18,548 --> 01:25:21,464
Sadism is all I have left.
1103
01:25:23,553 --> 01:25:25,250
The most worthwhile part
1104
01:25:26,208 --> 01:25:27,165
of writing...
1105
01:25:28,688 --> 01:25:29,733
the giving up.
1106
01:25:31,082 --> 01:25:33,040
If you abandon this one...
1107
01:25:34,868 --> 01:25:37,044
there will never be another.
1108
01:25:38,045 --> 01:25:38,916
Good.
1109
01:25:41,179 --> 01:25:44,051
[sighs] I never wanted
to be a writer.
1110
01:25:45,140 --> 01:25:47,142
Whatever I had, Barbara...
1111
01:25:49,056 --> 01:25:50,101
long gone.
1112
01:25:53,017 --> 01:25:56,368
I'm sorry for having to drag you
through all this.
1113
01:26:02,200 --> 01:26:05,160
It was never
about the work, Sam.
1114
01:26:06,248 --> 01:26:08,685
It was about working together.
1115
01:26:11,775 --> 01:26:14,125
And I ask you
not to take that from me.
1116
01:26:15,213 --> 01:26:16,083
Hmm.
1117
01:26:17,563 --> 01:26:18,390
[chuckles softly]
1118
01:26:20,262 --> 01:26:21,176
Not yet.
1119
01:26:27,138 --> 01:26:29,488
[accordion music playing]
1120
01:26:41,413 --> 01:26:44,634
[sighs] Fight, fight, fight.
1121
01:26:45,722 --> 01:26:47,811
Inner Sam:
Oh, don't be so dramatic.
1122
01:26:47,985 --> 01:26:49,726
Oh, why don't you go away?
1123
01:26:50,857 --> 01:26:52,250
You're like a nomad.
1124
01:26:53,033 --> 01:26:56,428
Walking between the two of them
with your life on your back.
1125
01:26:56,689 --> 01:26:57,951
Yes, but you see...
1126
01:26:59,692 --> 01:27:02,521
the walking is the thing.
1127
01:27:03,914 --> 01:27:05,872
It's like a blissful limbo.
1128
01:27:07,091 --> 01:27:09,572
The walk is peace...
1129
01:27:10,747 --> 01:27:11,835
hope.
1130
01:27:13,706 --> 01:27:16,579
You used to walk out here
with Lucia, didn't you?
1131
01:27:16,753 --> 01:27:17,797
Oh, yes.
1132
01:27:19,234 --> 01:27:21,671
Yes. And Joyce.
1133
01:27:23,194 --> 01:27:24,239
And Alfy.
1134
01:27:25,457 --> 01:27:26,893
I like to be out here,
1135
01:27:27,677 --> 01:27:28,982
alone with them.
1136
01:27:31,637 --> 01:27:33,422
The dead are easy companions.
1137
01:27:33,596 --> 01:27:34,597
Oh.
1138
01:27:34,771 --> 01:27:35,859
Samuel: Easier than you.
1139
01:27:36,033 --> 01:27:37,208
[chuckles] Hmm.
1140
01:27:37,382 --> 01:27:38,949
Though anybody is easier
than you.
1141
01:27:40,472 --> 01:27:43,780
Well, it won't be long now
for you and me.
1142
01:27:43,954 --> 01:27:44,911
Samuel: Ah.
1143
01:27:46,348 --> 01:27:49,046
Does it... does it get worse?
1144
01:27:50,526 --> 01:27:52,441
Well, let's put it
this way, Sam.
1145
01:27:54,443 --> 01:27:55,966
It doesn't get any better.
1146
01:27:59,099 --> 01:28:01,014
- [groans]
- [Samuel grunts]
1147
01:28:01,928 --> 01:28:02,929
Samuel: That's it.
1148
01:28:06,193 --> 01:28:07,282
Okay.
1149
01:28:08,761 --> 01:28:09,588
Right.
1150
01:28:11,024 --> 01:28:11,938
Right.
1151
01:28:14,158 --> 01:28:15,028
Right.
1152
01:28:16,421 --> 01:28:18,162
- [Suzanne grunts]
- [Samuel sighing]
1153
01:28:21,905 --> 01:28:22,862
[exhales]
1154
01:28:27,040 --> 01:28:28,520
[oxygen mask hisses]
1155
01:28:29,521 --> 01:28:30,653
[exhales deeply]
1156
01:28:30,870 --> 01:28:32,872
[breathes deeply]
1157
01:28:33,612 --> 01:28:34,744
[pants]
1158
01:28:38,617 --> 01:28:40,315
Suzanne: Oh, such a noise.
1159
01:28:46,233 --> 01:28:47,278
I'm sorry.
1160
01:28:51,587 --> 01:28:53,371
I always got the worst of you.
1161
01:28:57,114 --> 01:28:58,115
Sometimes...
1162
01:28:59,334 --> 01:29:00,596
I think back to...
1163
01:29:01,727 --> 01:29:02,685
Roussillon.
1164
01:29:03,599 --> 01:29:04,817
Our days there...
1165
01:29:05,949 --> 01:29:06,950
in the war.
1166
01:29:08,386 --> 01:29:09,431
Our little room.
1167
01:29:11,215 --> 01:29:12,956
You bending over the fire.
1168
01:29:16,916 --> 01:29:17,917
The nights.
1169
01:29:19,789 --> 01:29:21,268
The warmth of the bed.
1170
01:29:24,837 --> 01:29:25,969
The warmth of you.
1171
01:29:29,625 --> 01:29:32,105
I remember you said once
that you could never...
1172
01:29:32,845 --> 01:29:33,977
imagine...
1173
01:29:35,935 --> 01:29:36,936
being happier.
1174
01:29:38,503 --> 01:29:39,504
And I thought,
1175
01:29:40,244 --> 01:29:41,288
"Oh...
1176
01:29:41,941 --> 01:29:44,335
that's a mad thing to say."
1177
01:29:47,643 --> 01:29:48,644
But now...
1178
01:29:50,036 --> 01:29:51,995
now I think
you're completely right.
1179
01:29:56,478 --> 01:29:57,392
I said I...
1180
01:30:00,090 --> 01:30:01,265
I had been...
1181
01:30:02,484 --> 01:30:03,398
so happy.
1182
01:30:05,574 --> 01:30:07,663
And I will never be
so happy again.
1183
01:30:07,880 --> 01:30:09,969
[pensive music playing]
1184
01:30:10,143 --> 01:30:11,797
Suzanne: And I was right
with both.
1185
01:30:13,277 --> 01:30:14,539
Because I knew you,
1186
01:30:14,887 --> 01:30:17,629
and I knew the... the life
that was to come.
1187
01:30:20,415 --> 01:30:22,591
I knew that I would never
have you again.
1188
01:30:24,941 --> 01:30:25,942
Not like that.
1189
01:30:31,077 --> 01:30:33,340
I owe everything...
1190
01:30:35,212 --> 01:30:36,169
to you.
1191
01:30:38,041 --> 01:30:39,129
And I...
1192
01:30:39,912 --> 01:30:42,524
owe... everything...
1193
01:30:43,307 --> 01:30:44,482
to you.
1194
01:31:00,063 --> 01:31:02,326
[music fades]
1195
01:31:17,341 --> 01:31:18,995
[Samuel breathing heavily]
1196
01:31:49,852 --> 01:31:53,029
[melancholic music playing]
1197
01:33:11,368 --> 01:33:13,065
- Samuel: Hmm?
- [music concludes]
1198
01:33:15,154 --> 01:33:16,721
It's so hard...
1199
01:33:18,941 --> 01:33:20,203
to lose you.
1200
01:33:22,597 --> 01:33:23,598
But...
1201
01:33:24,642 --> 01:33:27,079
to lose you to England...
[sniffles]
1202
01:33:30,343 --> 01:33:32,607
You never did
like writing endings.
1203
01:33:32,781 --> 01:33:34,260
- Samuel: Hmm.
- [chuckles]
1204
01:33:40,484 --> 01:33:41,833
When I was a boy...
1205
01:33:43,618 --> 01:33:45,358
the happiest I ever was...
1206
01:33:46,577 --> 01:33:48,535
was one day with my father...
1207
01:33:51,538 --> 01:33:52,844
flying a kite.
1208
01:33:55,325 --> 01:33:56,892
And I stood on the hillside...
1209
01:33:57,980 --> 01:34:00,852
and I willed
with everything in me
1210
01:34:01,940 --> 01:34:03,594
for it to stay in the sky.
1211
01:34:04,160 --> 01:34:07,206
Because... up there,
there was hope...
1212
01:34:08,381 --> 01:34:09,382
and breath...
1213
01:34:10,557 --> 01:34:11,602
and freedom.
1214
01:34:13,082 --> 01:34:15,084
But... when it landed...
1215
01:34:16,912 --> 01:34:17,913
there was nothing.
1216
01:34:23,440 --> 01:34:25,877
I'm so happy that you're leaving
when the...
1217
01:34:26,661 --> 01:34:28,793
when the kite is still
in the air.
1218
01:34:45,810 --> 01:34:47,377
[Barbara breathing shakily]
1219
01:34:47,682 --> 01:34:50,467
[melancholic music playing]
1220
01:35:06,396 --> 01:35:08,615
[pigeon cooing]
1221
01:35:32,988 --> 01:35:34,119
[groans softly]
1222
01:35:47,002 --> 01:35:49,047
Barbara:
What a bloody miserable day.
1223
01:35:49,874 --> 01:35:51,354
Joyce: Welcome to the ditch.
1224
01:35:51,702 --> 01:35:53,922
Prudent: Hey, Irish,
you want a girl?
1225
01:35:54,096 --> 01:35:55,750
Alfred: Well, I'm sure
you can fit in one more.
1226
01:35:55,924 --> 01:35:58,796
Lucia:
♪ Take a chance with me! ♪
1227
01:35:58,970 --> 01:36:00,058
Younger Suzanne: I love you.
1228
01:36:00,493 --> 01:36:02,626
William: Fight. Fight.
1229
01:36:03,453 --> 01:36:04,367
Fight.
1230
01:36:04,541 --> 01:36:06,891
May: What a waste.
1231
01:36:07,544 --> 01:36:10,242
[music continues]
1232
01:36:25,040 --> 01:36:27,303
[breathes deeply]
1233
01:36:27,520 --> 01:36:28,783
[music fades]
1234
01:36:33,091 --> 01:36:34,527
Inner Sam: So, then...
1235
01:36:34,963 --> 01:36:37,879
Oh, just let me go. [chuckles]
1236
01:36:38,357 --> 01:36:39,445
Listen to me...
1237
01:36:39,619 --> 01:36:42,231
Oh, you're such a torture.
1238
01:36:43,319 --> 01:36:44,276
Listen to me.
1239
01:36:46,278 --> 01:36:48,803
There was joy.
1240
01:36:51,153 --> 01:36:52,719
For them, for you...
1241
01:36:53,459 --> 01:36:55,635
there was joy.
1242
01:36:56,549 --> 01:36:58,682
You know
there's nothing interesting...
1243
01:36:59,465 --> 01:37:00,597
about joy.
1244
01:37:02,381 --> 01:37:05,776
Well, I... I...
I would agree with you there.
1245
01:37:08,779 --> 01:37:09,824
Do you remember...
1246
01:37:10,955 --> 01:37:12,391
years ago...
1247
01:37:14,002 --> 01:37:16,918
a student asked you about life?
1248
01:37:18,745 --> 01:37:19,834
And you said...
1249
01:37:20,878 --> 01:37:22,488
"Dance first..."
1250
01:37:22,662 --> 01:37:23,533
Oh.
1251
01:37:23,707 --> 01:37:25,100
"...think later."
1252
01:37:25,404 --> 01:37:28,494
Well, it's later now.
1253
01:37:28,668 --> 01:37:30,366
Oh, it always was, Sam.
1254
01:37:31,758 --> 01:37:34,413
You couldn't wait to get through
the pleasure to the pain.
1255
01:37:36,415 --> 01:37:39,157
Samuel: That's not the way
to talk to a dying man.
1256
01:37:39,375 --> 01:37:40,767
[Inner Sam laughs]
1257
01:37:40,942 --> 01:37:44,293
Oh, it is the way to talk
to a dying man.
1258
01:37:49,646 --> 01:37:52,388
It was some life,
wasn't it, Sam?
1259
01:37:52,692 --> 01:37:54,912
[breathes deeply]
1260
01:37:56,261 --> 01:37:57,306
It was...
1261
01:37:59,656 --> 01:38:00,700
A life.
1262
01:38:02,659 --> 01:38:03,616
Well...
1263
01:38:05,096 --> 01:38:06,097
then...
1264
01:38:10,362 --> 01:38:11,886
There's nothing left...
1265
01:38:14,366 --> 01:38:15,498
to say.
1266
01:38:19,719 --> 01:38:22,244
- [serene music playing]
- [Samuel gasping softly]
1267
01:38:22,461 --> 01:38:24,899
- [echoing cheerful chatter]
- [Samuel sighs]
1268
01:38:34,169 --> 01:38:36,649
[breathes shakily]
1269
01:39:14,339 --> 01:39:17,255
[music continues]
1270
01:40:40,817 --> 01:40:42,123
[music concludes]
1271
01:40:42,297 --> 01:40:45,256
[jaunty jazz music playing]
1272
01:42:13,083 --> 01:42:14,650
[music concludes]
1273
01:42:16,042 --> 01:42:18,306
[intriguing music playing]
1274
01:44:13,377 --> 01:44:16,946
[music concludes]