- I have searched the heavens for the right
combination of stars, angles and lines.
Everything you have asked, Keziah.
Now grant me passage beyond this world.
Allow me to see things that cannot be seen.
Now forwards and backwards through time,
the pages of the book have revealed
its countless horrors and pleasures to those.
- Alice?
- Yeah, I'm up here. - What're you doin'?
- Readin'. - What are you reading?
- It's a H.P. Lovecraft story.
This mad mathematician named Vespuli
just plucked his own frickin' eye out.
- Nasty.
What's with the bags?
- Here, read this.
- Hm.
Wow.
Drew's parents have some nerve to send you
some snail mail letter after what he did to you.
Mm-mm.
- I know, right? - Yeah.
- Their precious little boy beats the shit out of me,
makes me lose my baby, and now this?
- You fucking bitch.
You really did it this time, didn't you?
You...
Are nothing.
Without
me!
- I went and talked to an old professor,
and he told me that there's a place right by the campus
where I can get a room and no one will find me.
- Oh, you're perfectly safe here.
- Look, Kel, I really appreciate you
letting me stay with you for the past few months.
- Of course.
- But I have to get out of here.
He's gonna find me and he's gonna kill me.
I know he will.
- Oh, sweetheart.
I'm sorry.
Come here.
- Why is this happening to me, Kelly?
Hello?
Anyone there?
- What're you doing in my house?
- Uh, sorry.
I knocked and no one came, so-
- And that gives you the right to just walk in?
- Well, there must be a misunderstanding.
Professor Sherfick sent me and he said
that you might have a room for rent?
Look, I have money, and please,
I need to be here, I can feel it.
- I suppose you can stay in the attic. Follow me.
- Thank you. - Don't say that yet.
You have not seen it.
There's a lot of junk in here.
Maybe an old bed or a mattress you can use.
Most of the stuff can go out to the dumpster for all I care,
but if you think you can use somethin' up here,
you're more than welcome to it.
- I'll take it. Thank you, I really-
- No loud parties, no beer bottles, no squeaky mattresses.
Don't leave food out.
We have a corn field across the street,
so you will see a mouse from time to time.
- Do you, um-
- I stay in the back of the house,
should there be an emergency.
My niece Tommi, she's around here somewhere,
and my brother Joe lives downstairs.
People say he's crazy. He just loves Jesus and his whisky.
You don't bother him, he won't bother you.
- Uh, do you have a key for me?
- I'll get you one made tomorrow.
Don't leave food out.
- Oh, hey.
Hi, I'm Alice.
I'm just moving into the attic.
- Have you been saved?
- Oh.
You must be Joe.
- Have you been saved?
- Uh, I need to go get some stuff out of the car.
- Only the blood of Jesus can save you now.
♪ Come on and reach for the sky ♪
♪ With you and I ♪
♪ I don't want to be alive ♪
- So sorry!
I didn't mean to scare you like that.
Really, I feel bad. I'm Tommi.
- It's fine. I'm Alice.
- So what did you do to get put up here?
- Your aunt said this was all she had.
- Do you know how many rooms are in this house?
She definitely could've gotten a better one for you.
You know, I'm gonna have her fix this.
- No, wait!
I wanna be up here.
- No, you don't.
This house is infested with rats and probably most of 'em
are up here with god knows what else.
- Oh.
This is perfect.
I mean, look at the suggested geometric shapes.
It's perfect for my studies.
- Well, if it's any consolation for scaring
the living shit out of you, uh,
I could help you set up your room?
- Yeah, I'll just take you up on that.
- Yeah!
- Look at that car right there.
- Yeah!
- It has like, you could pick your-
- Come on, guys, it's time for cake!
- Yeah!
- Don't you wanna open up your presents?
- Yeah. - All right!
Come on, come on, come on, come on!
- I'm actually tempted to eat it right now.
Oh, hey, bro. Hey, guys.
- Hi, everybody. - Hi.
- Can I pee first?
- Well, hurry up.
- Are you kidding me? - The guests will wait on ya.
♪ Let the heat go to the top ♪
♪ Let the cold go down below ♪
- There.
♪ Feelings all around ♪
- Bend with the knees, don't use your back.
- Eww.
Gross.
♪ Let your feelings overtake you ♪
♪ Overtake you ♪
- Come on.
♪ Overtake you ♪
♪ Gotta be tough ♪
♪ Overtake you ♪
♪ Feel and change, feel and change ♪
- Yeah, if you don't mind, just stick it over there.
- What the hell's in this?
Oh, my god.
♪ And let them overtake you ♪
♪ Let your feelings overtake you ♪
- All right, well, I'm gonna go downstairs.
Do you wanna check out the kitchen?
- No.
I really need to get some sleep. Maybe tomorrow.
I have a really important meeting in the morning.
- All right.
- Goodnight. - Goodnight.
- Wow.
- Hey.
What's the matter?
Hi.
Hey, where are you?
Where are you guys?
Okay, I'll see you in a minute.
- Alice? - Yes.
- It's a pleasure. - Hey.
- Come on in.
- Well, first off, let me start by saying, um,
that what a dream of a lifetime it is to have you mentor me.
- I'm astonished with what you've been able to accomplish.
- Thank you.
- Although your work does border on science-fiction,
I am intrigued by some of the connections
you were able to draw between three-dimensional geometry
and the way we perceive these angles.
- See, I am trying to prove that structures are built
for several different reasons.
One, as a place, um,
for worship or living,
and two, as a gateway to somewhere else.
Another plane, another dimension, um...
Like, the Egyptians, the Druids and Stonehenge.
- Like the Nazis at Wewelsburg in their magic castle?
- Yes, exactly!
These places exist and with the use of sacred geometry
and architecture, I believe these people gained certain
powers or abilities that we don't quite fully understand.
- I do have a few concerns and if you want my help,
you're gonna have to work around my very busy schedule.
And, uh, one more thing.
- Uh-huh. - Go over these notes.
- Okay.
- They will help you get caught up,
as well as help you with your research.
- Um, thank you. I appreciate it.
- You're very welcome.
Just make sure you're at my next lecture.
- I don't like anyone being here.
Anyway, Thomasina, I'm going to the back of the house.
Make sure you turn everything off when you're done.
- Hey.
- How was your meeting?
- Oh, it went well, thanks.
- That's good.
- So, could I call you Thomasina, too?
- No.
- Oh, come on. - No.
- So, why do you let her talk to you like that anyhow?
Like, don't you get sick of that?
- I just don't let her bother me.
She's kind of my only sane relative.
- All right, well,
have you lived here your whole life or what?
- Pretty much. - Yeah?
So, does she...
Does your aunt know the history of the house?
Can we maybe talk to her about it sometime?
- I mean, she knows everything about this house, but,
as you can see, she's not really much of a people person.
I mean, I know some things about the house.
I could take you on a tour.
- That'd be great, sure. - All right.
- Right now? - Yep.
- All right. I'm down.
Which way?
- Follow me.
And this is Keziah.
She was a servant girl a long time ago.
- Why would they paint a servant?
- I don't know.
But my aunt likes to come in here and talk to it for hours.
- I thought you said she was the sane one?
She's talkin' to the painting?
- I don't know what she hears.
Oh, but come check this out.
Okay, so here's where Etta keeps all the historic paperwork.
Why she hides it back here, I don't know.
- Wow, that is so amazing.
Do you mind if I look around? - Not at all.
- Yay. - Just please be quiet.
If she knew that we were up here, she'd kill us.
- Oh, of course. I'll be quiet, I promise.
- Hey, I'm gonna get some wine. Would you like some?
- Yeah, sure. That sounds good.
- All right, I'll be right back.
- All right. Thanks.
- Have fun. - Oh, I will.
- Here you go.
- Thank you.
- You're welcome.
- I found some really interesting stuff.
Check out these blueprints.
And, and...
Yeah, there's these old newspaper articles
in there that have...
I think it was a murder that actually happened here.
Was I reading that right?
And why wouldn't you tell me about this?
- I already told you that my Aunt Etta
is into all that stuff.
I think that you should check out this room
with me across the hall.
- Okay.
- Yeah.
You're so...
♪ And then they say ♪
♪ It's all the same ♪
- Sleep.
Sleep!
Soon, you will awake!
- Don't turn away!
We're doing all this, all this, for you!
- Now,
Keziah.
With the blood of innocence,
bring forth the beast.
- Oh, god.
Shit!
God.
That means space and time are not inseparable
and if plotted on a graph, the resultant curvature,
or frame shift that's a part of each of us,
creates a weak spot in the spacetime that surrounds us.
This is called the Versiera, or Witches' Curve.
And certain geometric shapes can magnify
the potential energy of human thought, completely freeing us
from the constraints of spacetime,
and making it possible to be at any place or at any time.
This is why extra-dimensional beings are so dangerous.
There's almost nothing you can do against one.
If you're very, very lucky,
it won't notice you and accidentally kill you,
and if you encountered a structure built
by an extra-dimensional one...
- Alice? Alice.
- Is she okay?
- Yo.
- What happened?
What happened?
- Is she all right?
- Yeah, it's okay. I've got it, thank you.
Thank you.
- I don't know what's happening to me.
I feel...
Like there's some spiritual force using me.
I slip in and out of dreams.
I woke up at home and thought I was here.
Even this could be a dream.
I don't even know what day it is.
I...
- I know somebody and I think that he can help us, okay?
We'll go.
- What seems to be the problem, Kelly?
You seemed quiet upset when you called.
- Are you familiar with the Hannah house?
- There's a lot of stories surrounding that place.
Why do you ask?
- Have you ever heard of Keziah Mason, by chance?
- It says here she was an immigrant servant girl
for the Hannah family.
You know, girls went missing.
The local people accused her of using black magic
to lure them into the house and kill them in the attic.
So, she was burned at the stake.
Soon after death, people found bones
under the floorboards of the attic at the Hannah house.
We still have an unusual number of children going missing
to this day.
She's more than a witch.
She's a Versiera. A wife of the devil.
My advice to you girls is to stay away from that house.
- You know, Alice,
I think you really need to get out of that house.
- You know that's not gonna happen right now. I can't leave.
- Did you not hear anything that my friend was saying?
- Mm-hm, but I am this close to proving my theory, so...
- Please listen to yourself.
I mean, I'm sorry,
but just yesterday, in class,
you had the most epic meltdown and all of a sudden, today,
you're this witch house detective and it kind of-
- Shh. - Worries me.
- Shh. I wanna hear this.
- From Hidden Pines City Park
near Miskatonic University.
She was wearing a orange jumpsuit with matching headband.
Several search teams have been combing Carson County
and surrounding woods.
Police aren't saying if this is connected
to any other recent missing children.
Nine-year-old Josh Gibson is still missing...
- Wait. Did you hear that?
That's the missing kids. That's what he was...
That's what he was talking about.
- I didn't wanna tell you this,
'cause I didn't wanna worry you,
and it's really messed up, but I had this realistic,
like really real dream
that there was a baby being sacrificed.
- What?
Oh, my god.
That's it. I'm gonna call the cops.
- Wait, no. Why?
Like, seriously, what're they gonna do?
You gonna tell them that "my friend had a bad dream"?
Come on.
- It seems better than nothing at this point,
with everything going on, I think...
Alice, you need to get out of that damn attic.
- That's not gonna happen tonight, so,
I'm gonna go in and get some sleep, I'm really tired.
We'll talk about this later.
- Well, can you at least promise me
that you'll think about it, about getting out?
- I promise, Kel.
Goodnight.
- Commonly referred to as the Markt Kirche,
or "the church on the market",
this striking 14th century brick structure currently houses
the Marktkirche Church in Hannover, Germany.
Thanks to its large-scale flourishings of ancient symbolism,
it was the subject of comments and many conspiracy theories,
most commonly referred to as "the giant pentagram"
on the church's western tower, and as if that weren't enough
a giant hexagram surrounds that tower's clock.
Of course, the truth of the matter is that five
and six pointed stars have a long fluid history in Germany.
First used by the Teutonic pagans
and then adopted by the church at the time of construction.
The pentagram in particular was the symbol of the epiphany.
This church in particular, with its grand organ,
is a striking example of Germany's
rich gothic brick tradition.
- Oh, my god. What the...
Oh, my god.
- Alice! Wake up!
Alice!
Come on! Hey, it's Tommi! - No!
- You're safe.
You had a fever.
I just need you to relax so I can take care of you.
- My head.
I think I might have actually proven my dissertation.
- What?
- Yeah.
My research is correct.
The geometry, it all adds up.
It's like I opened a portal and it warped reality.
Something. I don't know what.
- You know I love this stuff,
but I think you might still be a bit delirious.
- Alice?
Dr. Harmon is ready for you.
- Alice, thanks for coming in.
I wanted to discus with you the results of your blood work.
According to the test, you're pregnant.
- What?
- I understand your history, but you're pregnant.
- No, that can't be. I can't get pregnant.
I can't.
- Look, we have somebody on our staff
who you can speak with, if you like.
- No, that won't be necessary.
- Alice, take some time.
And take care of yourself.
- I have to go.
I have to go.
- "And you shall loathe yourselves in your own sight,
because of all the evils that you have committed.
There, you shall remember your ways and all your doings
with which you were defiled and you shall loathe yourselves
in your own sight,
because of all the evils that you have committed.
There, you shall remember your ways and all your doings
with which you were defiled and you shall loathe yourselves
in your own sight,
because of all the evils that you have committed.
And all your doings with which you were defiled
and you shall loathe yourselves in your sight,
because of all the evils that you have committed.
And there, you shall remember your ways
and all your doings with which you were defiled
and you shall loathe yourselves in your own sight,
because of all the evils that you have committed.
And there, you shall remember your ways
and all your doings with which you were defiled
and you shall loathe yourselves...
- Did you miss me?
- No, no!
Help!
Drew, stop!
I'm pregnant!
- Don't you fucking lie to me.
You and I both know you can't get pregnant.
I know, because I made sure of it!
You son of a bitch.
- Joe, I think you killed him.
- He isn't the only one I've killed for you.
The covenant's been quiet for a long time now.
And because of you, she's back.
- You're the one that's taken the children.
- She controls me.
She makes me do it.
Hurry, Alice! The evil grows inside of you!
- Tommi?
How?
- Alice, you're still sleeping.
- You were there.
I saw you there.
You're a part of this.
- Keziah's been using you as a vessel
for the birth of the antichrist.
- Tommi, help me.
- This is the source of her power.
Open the gateway. Take it with you and use it against her.
- It has begun.
- What do we do about Tommi?
- She's made her choice.
- It will be taken care of.
- Kill yourself.
Kill yourself, Joe.
- Kill yourself, Joe.
I know you can do it.
- Kill yourself, Joe!
- Grab the razor.
- Cut.
Cut.
- Cut.
- Do it.
Cut!
- Kill yourself, Joe.
- Cut.
- I love you.
But you betrayed the coven.
- No more desire.
- What do you want from me?
No!
- Alice.
Why are you running from me?
Just give me the knife.
- I know it's you, Keziah.
- Just give me the fucking knife!
- Alice.
Alice.
- Kelly, what...
What the...
What?
Oh, my...
♪ You paint your blue sky ♪
♪ An isolated gray ♪
♪ Your birthday party's now ♪
♪ A headless masquerade ♪
♪ Blood on the rocks and sun-bleached ♪
♪ Bones upon the shore ♪
♪ My leather heart's beating ♪
♪ A pathway to your door ♪
♪ You can't hide ♪
♪ From who you really are ♪
♪ You can't deny now ♪
♪ Who you really are ♪
♪ Meat like a wax museum ♪
♪ A room with a thousand eyes ♪
♪ Your rival hands now peel ♪
♪ The skin off your disguise ♪
♪ These scars are deeper than ♪
♪ The footprints on the moon ♪
♪ Flies in the Milky Way ♪
♪ And no elephants in the room ♪
♪ Engage the alarms ♪
♪ And lock the world outside ♪
♪ You can't hide now ♪
♪ From who you really are ♪
♪ One foot in the grave ♪
♪ The cross you bear is where you'll end ♪
♪ Cast out in a wave ♪
♪ Forget your past and change your name ♪
♪ Witness protection ♪
♪ Is so much safer now ♪
♪ Pack up all your fears ♪
♪ And move 'em out ♪
♪ Lay your heart in a casket and dig it a hole ♪
♪ Make a wish, crack the bone, you can do it alone ♪
♪ Mice and men, charlatans hide in petrified trees ♪
♪ Crucified and denied sings the bird to the bees ♪
♪ One foot in the grave ♪
♪ The cross you bear is where you'll end ♪
♪ Cast out in a wave ♪
♪ Forget your past and change your name ♪
♪ You can't hide ♪
♪ From who you really are ♪
♪ You can't deny now ♪
♪ Who you really are ♪
♪ Engage the alarms ♪
♪ And lock the world outside ♪
♪ You can't hide now ♪
♪ From who you really are ♪
♪ Lock the world outside ♪