1 00:00:01,811 --> 00:00:03,246 [upbeat music] 2 00:00:03,280 --> 00:00:05,682 narrator: On this episode of "My Life on MTV"... 3 00:00:05,715 --> 00:00:06,783 ♪ 4 00:00:06,816 --> 00:00:08,218 [hip-hop music] 5 00:00:08,251 --> 00:00:10,854 In an era where hip-hop and pop rule the world... 6 00:00:10,887 --> 00:00:12,589 - U2. 7 00:00:12,622 --> 00:00:14,457 - Coldplay! 8 00:00:14,491 --> 00:00:15,759 [cheers and applause] 9 00:00:15,792 --> 00:00:17,160 narrator: Two alternative rock bands 10 00:00:17,193 --> 00:00:18,461 have not only survived, 11 00:00:18,495 --> 00:00:21,131 but thrived across multiple decades. 12 00:00:21,164 --> 00:00:24,200 - The hardest thing is to make it look spontaneous. 13 00:00:24,234 --> 00:00:26,503 narrator: Both are products of the UK, 14 00:00:26,536 --> 00:00:28,004 and transcend language, 15 00:00:28,038 --> 00:00:30,273 country, and culture. 16 00:00:30,307 --> 00:00:31,474 - These people think we're some sort of 17 00:00:31,508 --> 00:00:32,809 major label made-up band, 18 00:00:32,842 --> 00:00:34,377 but we did it all ourselves. 19 00:00:34,411 --> 00:00:36,346 narrator: With dynamic frontmen, 20 00:00:36,379 --> 00:00:38,248 thoughtful, hard-hitting hooks... 21 00:00:38,281 --> 00:00:40,350 - I write lyrics about things that affect me. 22 00:00:40,383 --> 00:00:42,552 narrator: And some of the highest-grossing 23 00:00:42,586 --> 00:00:44,321 concert tours of all time. 24 00:00:44,354 --> 00:00:45,855 [rock music] 25 00:00:45,889 --> 00:00:47,357 [Coldplay's "Violet Hill"] 26 00:00:47,390 --> 00:00:50,126 narrator: Coldplay went from low-key obscurity... 27 00:00:50,160 --> 00:00:51,861 - Coldplay! 28 00:00:51,895 --> 00:00:53,129 narrator: To high-key celebrity 29 00:00:53,163 --> 00:00:55,899 in the blink of an eye. 30 00:00:55,932 --> 00:00:58,702 - Coldplay, "Speed of Sound." 31 00:00:59,436 --> 00:01:01,104 - I think we're being shut down. 32 00:01:01,104 --> 00:01:03,406 narrator: U2 made its mark on the world... 33 00:01:03,440 --> 00:01:04,908 - All cameras! 34 00:01:05,475 --> 00:01:08,445 - What a wanker you have for president. 35 00:01:08,478 --> 00:01:10,413 - Kicking politicians in the shins 36 00:01:10,447 --> 00:01:13,283 and making some savage rock and roll along the way. 37 00:01:13,316 --> 00:01:14,451 [rock music] 38 00:01:14,484 --> 00:01:17,454 - ♪ For you, I'd blame myself 39 00:01:17,487 --> 00:01:19,189 narrator: We're busting open the archives, 40 00:01:19,222 --> 00:01:21,925 sharing everything they did for our cameras only. 41 00:01:21,958 --> 00:01:24,461 This is "My Life on MTV." 42 00:01:24,494 --> 00:01:25,862 ♪ 43 00:01:25,896 --> 00:01:27,230 announcer: Ladies and gentlemen. 44 00:01:27,264 --> 00:01:28,999 ♪ 45 00:01:29,032 --> 00:01:30,934 Rock and roll. 46 00:01:30,967 --> 00:01:32,802 [Coldplay's "Viva La Vida"] 47 00:01:32,836 --> 00:01:34,638 narrator: While Chris Martin was once named 48 00:01:34,671 --> 00:01:37,140 the world's sexiest vegetarian... 49 00:01:37,140 --> 00:01:38,975 [Coldplay's "Clocks"] 50 00:01:39,009 --> 00:01:39,976 - ♪ Never stops 51 00:01:40,010 --> 00:01:41,311 [Coldplay's "Paradise"] 52 00:01:41,344 --> 00:01:43,013 narrator: These four hot Brits have been 53 00:01:43,046 --> 00:01:45,148 frying up bangers for decades. 54 00:01:45,148 --> 00:01:46,850 [Coldplay's "Adventure of a Lifetime"] 55 00:01:46,883 --> 00:01:49,719 narrator: Coldplay's fandom spans the globe, 56 00:01:49,753 --> 00:01:53,056 making them one of only a handful of bands to see 57 00:01:53,156 --> 00:01:55,525 a $1/2 billion in ticket sales 58 00:01:55,559 --> 00:01:57,160 in a single tour. 59 00:01:57,160 --> 00:01:59,696 [Coldplay's "Head Full of Dreams"] 60 00:01:59,729 --> 00:02:02,732 narrator: And their story begins right here on MTV. 61 00:02:02,766 --> 00:02:04,100 [rock music] 62 00:02:04,134 --> 00:02:06,236 - The wave of plaintive British folk rock bands 63 00:02:06,269 --> 00:02:08,805 washed up on America's shores in 2000. 64 00:02:08,838 --> 00:02:10,307 The London quartet, Coldplay, 65 00:02:10,340 --> 00:02:13,109 made the biggest critical splash of all. 66 00:02:13,109 --> 00:02:15,212 Not bad for a group of early 20-somethings 67 00:02:15,245 --> 00:02:16,846 who first started playing together 68 00:02:16,880 --> 00:02:18,782 in their dorm room just two years ago. 69 00:02:19,616 --> 00:02:20,984 [warm music] 70 00:02:21,017 --> 00:02:23,119 - Five. 71 00:02:23,119 --> 00:02:24,187 - Hello. 72 00:02:24,221 --> 00:02:27,357 We're Coldplay, and this is MTV2. 73 00:02:29,993 --> 00:02:31,761 - That was good, but it's not right. 74 00:02:31,795 --> 00:02:32,829 [group laughing] 75 00:02:32,862 --> 00:02:34,431 - That's such TV talk. 76 00:02:34,464 --> 00:02:36,566 Why don't you just admit it was [bleep]? 77 00:02:36,600 --> 00:02:39,302 [Coldplay's "Yellow"] 78 00:02:39,336 --> 00:02:41,571 - ♪ I swam across 79 00:02:41,605 --> 00:02:43,740 ♪ I jumped across for you 80 00:02:43,773 --> 00:02:45,475 narrator: "Yellow" soon became one of 81 00:02:45,508 --> 00:02:48,345 the most requested videos on MTV. 82 00:02:48,378 --> 00:02:49,446 - Hello? - How are you doing? 83 00:02:51,281 --> 00:02:52,482 - Awesome. 84 00:02:52,515 --> 00:02:54,184 - We heard that you requested Coldplay. 85 00:02:54,217 --> 00:02:55,585 - Yeah, I'd love to hear it. That'd be awesome. 86 00:02:55,619 --> 00:02:57,320 - Why? They're rubbish. 87 00:02:57,354 --> 00:02:59,789 - ♪ You know 88 00:02:59,823 --> 00:03:01,391 narrator: Jokes aside, 89 00:03:01,424 --> 00:03:02,993 "Yellow" took them from being a band 90 00:03:03,093 --> 00:03:04,761 from the local pub... 91 00:03:04,794 --> 00:03:07,130 - ♪ You know I love you so 92 00:03:07,163 --> 00:03:08,565 ♪ 93 00:03:08,598 --> 00:03:11,401 narrator: To a headliner on the international tour. 94 00:03:11,434 --> 00:03:14,104 But they never forgot where they came from... 95 00:03:14,104 --> 00:03:15,605 - And this is MTV. 96 00:03:15,639 --> 00:03:18,608 narrator: And took their dry British humor on the road. 97 00:03:19,776 --> 00:03:21,478 - We all went to the Backstreet Boys auditions, 98 00:03:21,511 --> 00:03:22,746 got turned down. 99 00:03:22,779 --> 00:03:25,115 Just talking about it in the bar afterwards, 100 00:03:25,115 --> 00:03:28,118 said that, well, why don't we do some sort of guitar thing? 101 00:03:29,219 --> 00:03:32,122 [Coldplay's "Clocks"] 102 00:03:32,155 --> 00:03:34,257 ♪ 103 00:03:34,291 --> 00:03:35,392 - After their hit "Yellow," 104 00:03:35,425 --> 00:03:37,227 Coldplay almost broke up. 105 00:03:37,260 --> 00:03:39,162 Why would they do something like that, you ask? 106 00:03:39,195 --> 00:03:42,399 - We came to America for, what, two weeks or so 107 00:03:42,432 --> 00:03:44,334 thinking that we've done most of the record back home. 108 00:03:44,367 --> 00:03:47,137 And then we went home and listened to it on a train 109 00:03:47,170 --> 00:03:49,873 to Liverpool, and it sounded rubbish. 110 00:03:49,906 --> 00:03:52,375 - So Coldplay headed back into the studio to record 111 00:03:52,409 --> 00:03:54,044 some last-minute tracks 112 00:03:54,144 --> 00:03:56,146 that would completely change the album. 113 00:03:56,179 --> 00:03:57,414 - We put everything into it, 114 00:03:57,447 --> 00:03:59,015 and we know that we gave it our best shot, 115 00:03:59,049 --> 00:04:00,450 but we don't know whether that's good enough. 116 00:04:01,117 --> 00:04:02,252 [cheers and applause] 117 00:04:02,285 --> 00:04:03,286 narrator: Drummer, Will Champion, 118 00:04:03,320 --> 00:04:04,955 and the rest of Coldplay 119 00:04:04,988 --> 00:04:06,590 would soon find out performing 120 00:04:06,623 --> 00:04:08,725 unreleased tracks of their new album 121 00:04:08,758 --> 00:04:11,461 at an MTV $2 Bill concert. 122 00:04:11,494 --> 00:04:14,764 - Ladies and gentlemen, Coldplay! 123 00:04:14,798 --> 00:04:16,533 [cheers and applause] 124 00:04:16,566 --> 00:04:19,803 [Coldplay's "Politik"] 125 00:04:19,836 --> 00:04:26,877 ♪ 126 00:04:28,812 --> 00:04:31,348 - We wanted to make the most passionate, 127 00:04:31,381 --> 00:04:34,017 moving, melodic, 128 00:04:34,117 --> 00:04:36,887 uplifting, and sad record of all time, you know? 129 00:04:38,355 --> 00:04:43,827 - ♪ Look at Earth from outer space ♪ 130 00:04:43,860 --> 00:04:45,462 - Our music isn't entirely melancholy, 131 00:04:45,495 --> 00:04:46,796 it isn't entirely happy. 132 00:04:46,830 --> 00:04:48,131 It reflects the fact that you go through 133 00:04:48,131 --> 00:04:50,000 different emotions in a day. 134 00:04:50,033 --> 00:04:55,472 - ♪ Tell me your own politik 135 00:04:58,875 --> 00:05:00,944 narrator: Soon, bigger and bigger audiences 136 00:05:00,977 --> 00:05:03,547 were feeling the band's infectious passion... 137 00:05:04,514 --> 00:05:06,416 - Next up for these guys is a tour of the U.S. 138 00:05:06,449 --> 00:05:07,517 to promote their new album, 139 00:05:07,551 --> 00:05:08,785 "A Rush of Blood to the Head." 140 00:05:08,818 --> 00:05:10,520 narrator: And opening the rise to 141 00:05:10,554 --> 00:05:12,889 a wildfire of newfound fame. 142 00:05:12,923 --> 00:05:13,924 - They're one of the first rock bands 143 00:05:13,957 --> 00:05:15,091 to ever make me cry. 144 00:05:15,091 --> 00:05:16,293 - I love Coldplay. 145 00:05:16,326 --> 00:05:17,861 - They take musical risks 146 00:05:17,894 --> 00:05:20,397 but maintain their integrity and their sound. 147 00:05:20,430 --> 00:05:21,264 - How about those guys from Coldplay? 148 00:05:22,598 --> 00:05:24,730 {\an7}- Ladies and gentlemen, 149 00:05:22,598 --> 00:05:24,730 {\an7}\h\h\hthe greatest band in the world, Coldplay. 150 00:05:24,730 --> 00:05:26,324 {\an7}[cheers and applause] 151 00:05:26,324 --> 00:05:28,093 {\an7}[Coldplay’s "The Scientist"] 152 00:05:28,093 --> 00:05:30,961 {\an7}- ♪ Come up to meet you 153 00:05:30,961 --> 00:05:33,829 {\an7}♪ Tell you I’m sorry 154 00:05:33,829 --> 00:05:35,291 {\an7}♪ You don’t know 155 00:05:35,291 --> 00:05:39,555 {\an7}♪ How lovely you are 156 00:05:39,555 --> 00:05:40,489 {\an7}- The song, "The Scientist," 157 00:05:40,489 --> 00:05:43,291 {\an7}was really the turning point \h\h\h\h\h\h\hfor our record, 158 00:05:43,291 --> 00:05:45,928 {\an7}and we recorded it in about two days. 159 00:05:45,928 --> 00:05:47,555 {\an7}It really saved our bacon. 160 00:05:47,555 --> 00:05:50,555 {\an7}narrator: Coldplay wasn’t \h\hjust there to perform. 161 00:05:50,555 --> 00:05:52,093 {\an7}\h\h\h\hTheir video for "The Scientist," 162 00:05:52,093 --> 00:05:53,829 {\an7}shot completely in reverse, 163 00:05:53,829 --> 00:05:56,027 {\an7}launched the band \hstraight forward 164 00:05:56,027 --> 00:05:59,093 {\an7}\h\hwith nominations in three categories. 165 00:05:59,093 --> 00:05:59,829 {\an7}- This is a band 166 00:05:59,829 --> 00:06:02,027 {\an7}that has discovered gradually \h\h\h\h\h\h\h\han audience, 167 00:06:02,027 --> 00:06:05,258 {\an7}\hnot only in this country, but really around the world. 168 00:06:05,258 --> 00:06:06,258 {\an7}- Group hug. 169 00:06:06,258 --> 00:06:10,291 {\an7}\h\h\h\h\h\h\h\h- And the award for best group video goes to... 170 00:06:10,291 --> 00:06:11,664 {\an7}- Coldplay, "The Scientist." 171 00:06:11,664 --> 00:06:16,489 {\an7}\h- ♪ No one ever said it would be so hard ♪ 172 00:06:16,489 --> 00:06:17,522 {\an7}- Thank you so much 173 00:06:17,522 --> 00:06:18,730 {\an7}for giving us this, 174 00:06:18,730 --> 00:06:19,862 {\an7}and we’ll see you again. \h\h\h\h\h\h\h\h\h\hBye. 175 00:06:19,862 --> 00:06:23,324 {\an7}- ♪ I’m going back \h\hto the start ♪ 176 00:06:23,324 --> 00:06:24,928 {\an7}\h\h\h\h\hnarrator: Chris and the rest of the group 177 00:06:24,928 --> 00:06:27,093 {\an7}were so caught off guard \h\h\h\h\h\h\hby the win, 178 00:06:27,093 --> 00:06:30,324 {\an7}they nearly forgot \h\htheir Moonman. 179 00:06:30,324 --> 00:06:31,390 {\an7}[dinging] 180 00:06:31,390 --> 00:06:32,192 {\an7}- Life is short, 181 00:06:32,192 --> 00:06:35,598 {\an7}and you have to make the most \h\hdesperate, and passionate, 182 00:06:35,598 --> 00:06:37,961 {\an7}and melodic, and loud, 183 00:06:37,961 --> 00:06:40,225 {\an7}and quiet record possible, \h\h\h\h\h\h\h\h\hyou know? 184 00:06:40,225 --> 00:06:41,390 {\an7}[cheers and applause] 185 00:06:41,390 --> 00:06:43,390 {\an7}- I hope you didn’t \hslit your wrists 186 00:06:43,390 --> 00:06:45,093 {\an7}to that one. \h\h\h\hOkay. 187 00:06:45,093 --> 00:06:46,159 {\an7}[Coldplay’s "Speed of Sound"] 188 00:06:46,159 --> 00:06:49,522 {\an7}narrator: With their third album, "X&Y," finally out, 189 00:06:49,522 --> 00:06:51,258 {\an7}Coldplay gained another spot 190 00:06:51,258 --> 00:06:52,456 {\an7}playing at the VMAs. 191 00:06:52,456 --> 00:06:56,258 {\an7}- ♪ And birds go flying at the speed of sound ♪ 192 00:06:56,258 --> 00:06:59,598 {\an7}\h\h\h♪ To show you how it all began ♪ 193 00:06:59,598 --> 00:07:00,192 {\an7}♪ 194 00:07:00,192 --> 00:07:02,994 {\an7}narrator: Later that year, \h\hthe band traveled back 195 00:07:02,994 --> 00:07:04,357 {\an7}to their side of the pond 196 00:07:04,357 --> 00:07:05,994 {\an7}for an EMA nomination. 197 00:07:05,994 --> 00:07:09,192 {\an7}- Coldplay, "Speed of Sound." 198 00:07:09,192 --> 00:07:12,291 {\an7}[cheers and applause] 199 00:07:12,291 --> 00:07:14,093 {\an7}- This means an awful lot to us, 200 00:07:14,093 --> 00:07:15,928 {\an7}\h\h\h\hand we’re all very, very grateful. 201 00:07:15,928 --> 00:07:19,555 {\an7}\h\h\h\hnarrator: 2005 was a good year for Coldplay. 202 00:07:19,555 --> 00:07:22,291 {\an7}- ♪ Oh! 203 00:07:22,291 --> 00:07:24,730 {\an7}[cheers and applause] 204 00:07:24,730 --> 00:07:26,697 {\an7}Thanks, everyone. 205 00:07:28,796 --> 00:07:31,664 {\an7}narrator: With 175 \hdifferent stops, 206 00:07:31,664 --> 00:07:33,522 {\an7}Coldplay’s Viva la Vida Tour 207 00:07:33,522 --> 00:07:36,291 {\an7}averaged a show every four days. 208 00:07:36,291 --> 00:07:38,763 {\an7}MTV caught up with the band \h\h\h\h\h\h\h\h\hin Japan, 209 00:07:38,763 --> 00:07:40,796 {\an7}where they played \hfor an audience 210 00:07:40,796 --> 00:07:42,522 {\an7}of over 20,000. 211 00:07:42,522 --> 00:07:44,225 {\an7}[cheers and applause] 212 00:07:44,225 --> 00:07:46,324 {\an7}- Everything that we’re trying \h\h\h\hto do at the moment is 213 00:07:46,324 --> 00:07:47,961 {\an7}about not starting again \h\h\h\h\h\h\h\hso much 214 00:07:47,961 --> 00:07:50,324 {\an7}\h\h\h\h\has breaking down what we’ve built up before 215 00:07:50,324 --> 00:07:52,159 {\an7}and trying to build something different, 216 00:07:52,159 --> 00:07:53,291 {\an7}[dramatic music] 217 00:07:53,291 --> 00:07:54,697 {\an7}Hopefully, as good or better 218 00:07:54,697 --> 00:07:56,489 {\an7}or worse in a good way. 219 00:07:56,489 --> 00:07:57,664 {\an7}[cheers and applause] 220 00:07:57,664 --> 00:08:00,829 {\an7}[Coldplay’s "Viva La Vida"] 221 00:08:00,829 --> 00:08:02,324 {\an7}- One of the main things \h\h\hwe try to focus on 222 00:08:02,324 --> 00:08:04,664 {\an7}this record is trying to change 223 00:08:04,664 --> 00:08:05,994 {\an7}vocal identities 224 00:08:05,994 --> 00:08:09,522 {\an7}\hbecause I think Chris has a very recognizable voice. 225 00:08:09,522 --> 00:08:10,258 {\an7}- Thank you. 226 00:08:10,258 --> 00:08:13,730 {\an7}- ♪ I hear Jerusalem bells \h\h\h\h\h\h\hare ringing ♪ 227 00:08:13,730 --> 00:08:17,027 {\an7}♪ Roman Cavalry choirs \h\h\h\h\hare singing ♪ 228 00:08:17,027 --> 00:08:20,522 {\an7}\h\h\h\h♪ Be my mirror, my sword, and shield ♪ 229 00:08:20,522 --> 00:08:23,291 {\an7}\h\h\h\hThat song is one of our favorites because 230 00:08:23,291 --> 00:08:24,489 {\an7}none of us are doing anything 231 00:08:24,489 --> 00:08:26,258 {\an7}\h\h\h\h\h\h\h\h\h\h\h\hon it that we’ve ever done before. 232 00:08:26,258 --> 00:08:28,093 {\an7}♪ I can’t explain 233 00:08:28,093 --> 00:08:29,522 {\an7}The longer you go on \h\h\h\h\has a band, 234 00:08:29,522 --> 00:08:31,126 {\an7}\h\hthe harder it is to surprise yourself. 235 00:08:31,126 --> 00:08:34,862 {\an7}[cheers and applause] 236 00:08:34,862 --> 00:08:37,730 {\an7}- ♪ Ooh 237 00:08:37,730 --> 00:08:39,862 {\an7}\hnarrator: Sold out international tours 238 00:08:39,862 --> 00:08:43,829 {\an7}and over 10 million albums \h\h\h\h\hsold worldwide, 239 00:08:43,829 --> 00:08:46,126 {\an7}"Viva la Vida" had Coldplay 240 00:08:46,126 --> 00:08:47,390 {\an7}living the life. 241 00:08:47,390 --> 00:08:49,060 {\an7}[Kanye and Chris Martin’s \h\h\h\h\h\h"Homecoming"] 242 00:08:49,060 --> 00:08:51,060 {\an7}\h\hColdplay’s fandom in the music community 243 00:08:51,060 --> 00:08:54,862 {\an7}led to quite a few hit collabs over the years 244 00:08:54,862 --> 00:08:56,423 {\an7}with artists so big, 245 00:08:56,423 --> 00:08:57,423 {\an7}it’s hard to say 246 00:08:57,423 --> 00:08:58,994 {\an7}who is featuring who. 247 00:08:58,994 --> 00:09:01,060 {\an7}We’ll give this one to Kanye. 248 00:09:01,060 --> 00:09:03,796 {\an7}\h\h\h\h\h- ♪ I met this girl when I was three years old ♪ 249 00:09:03,796 --> 00:09:06,423 {\an7}♪ And what I loved most, \hshe had so much soul ♪ 250 00:09:06,423 --> 00:09:08,060 {\an7}\h\h\h\h\h\h\h\h♪ She said, "Excuse me, little homie ♪ 251 00:09:08,060 --> 00:09:09,093 {\an7}♪ I know you don’t know me" 252 00:09:09,093 --> 00:09:11,357 {\an7}[Rihanna and Coldplay’s \h\h"Princess of China"] 253 00:09:11,357 --> 00:09:13,555 {\an7}narrator: And let’s not forget \h\h\h\h\h\h\h\h\h\hthat time 254 00:09:13,555 --> 00:09:14,489 {\an7}Chris Martin and Rihanna 255 00:09:14,489 --> 00:09:17,093 {\an7}\h\h\h\hdefied gravity with some ninja moves. 256 00:09:17,093 --> 00:09:20,093 {\an7}- ♪ Once upon a time \hon the same side ♪ 257 00:09:20,093 --> 00:09:22,697 {\an7}♪ Once upon a time on the same side ♪ 258 00:09:22,697 --> 00:09:24,027 {\an7}♪ In the same game 259 00:09:24,027 --> 00:09:25,763 {\an7}[Coldplay and Beyoncé’s "Hymn for the Weekend"] 260 00:09:25,763 --> 00:09:28,291 {\an7}narrator: And no collab career \h\h\h\h\h\hwould be complete 261 00:09:28,291 --> 00:09:30,192 {\an7}without a track from Beyoncé 262 00:09:30,192 --> 00:09:33,357 {\an7}and a high-budget video \h\h\h\hshot in Kolkata. 263 00:09:33,357 --> 00:09:35,555 {\an7}- ♪ Oh-ah-oh-ah 264 00:09:35,555 --> 00:09:39,423 {\an7}narrator: No matter where they \h\hgo or who they sing with, 265 00:09:39,423 --> 00:09:41,027 {\an7}Coldplay sees the world 266 00:09:41,027 --> 00:09:42,763 {\an7}\h\hthrough the eyes of global citizens, 267 00:09:42,763 --> 00:09:45,829 {\an7}\h\hdrawing inspiration from different cultures 268 00:09:45,829 --> 00:09:47,159 {\an7}and artists as they continue 269 00:09:47,159 --> 00:09:49,555 {\an7}\h\h\h\htheir careers as global phenomenons. 270 00:09:49,555 --> 00:09:52,225 {\an7}- ♪ That we shoot across the 271 00:09:52,225 --> 00:09:56,829 {\an7}- If your TV hasn’t blown up, \h\h\h\h\h\h\hkeep watching. 272 00:09:56,829 --> 00:09:58,291 {\an7}- Rock and roll. 273 00:10:00,034 --> 00:10:01,374 {\an7}\h\h\h\h\h\hannouncer: Ladies and gentlemen. 274 00:10:01,374 --> 00:10:02,671 {\an7}[rock music] 275 00:10:02,671 --> 00:10:05,001 {\an7}Rock and roll. 276 00:10:05,001 --> 00:10:06,341 {\an7}[rock music] 277 00:10:06,341 --> 00:10:09,001 {\an7}\h\h\h\h- U2 set fire to the streets of Dublin... 278 00:10:09,001 --> 00:10:10,308 {\an7}[U2’s "Sunday Bloody Sunday"] 279 00:10:10,308 --> 00:10:12,133 {\an7}\h\h\h\h\h\hnarrator: And the world listened 280 00:10:12,133 --> 00:10:13,869 {\an7}to a rebel song 281 00:10:13,869 --> 00:10:15,199 {\an7}[U2’s "In the Name of Love"] 282 00:10:15,199 --> 00:10:17,836 {\an7}narrator: That would earn them \h\h\h\h\h\h\h\h\ha reputation 283 00:10:17,836 --> 00:10:20,506 {\an7}for lit live performances, 284 00:10:20,506 --> 00:10:22,539 {\an7}\h\h\h\h\hcausing some of the biggest venues 285 00:10:22,539 --> 00:10:25,034 {\an7}\h\h\h\h\hin the world to bust at the seams. 286 00:10:25,034 --> 00:10:25,935 {\an7}[U2’s "Beautiful Day"] 287 00:10:25,935 --> 00:10:29,133 {\an7}narrator: And we were there \hto watch it all go down... 288 00:10:29,133 --> 00:10:30,199 {\an7}- ♪ It’s a beautiful day 289 00:10:30,199 --> 00:10:31,341 {\an7}[U2’s "Every Breaking Wave"] 290 00:10:31,341 --> 00:10:33,308 {\an7}narrator: Center stage. 291 00:10:33,308 --> 00:10:35,572 {\an7}behind the curtain, 292 00:10:35,572 --> 00:10:37,671 {\an7}and everywhere in between. 293 00:10:37,671 --> 00:10:39,166 {\an7}[U2’s "Vertigo"] 294 00:10:39,166 --> 00:10:41,539 {\an7}- ♪ Hello, hello \h\h\h\h\h\h- Hola! 295 00:10:41,539 --> 00:10:44,869 {\an7}\h\hnarrator: But before U2 had a tidal wave of fans... 296 00:10:44,869 --> 00:10:46,671 {\an7}- One, two, three, four! 297 00:10:46,671 --> 00:10:47,473 {\an7}[U2’s "Gloria"] 298 00:10:47,473 --> 00:10:50,133 {\an7}narrator: They were playing \h\h\hany venue they could, 299 00:10:50,133 --> 00:10:51,803 {\an7}hoping success was on deck. 300 00:10:51,803 --> 00:10:56,199 {\an7}- ♪ I try to sing this song \h\h\h\h\h\h\h\h\h\h\hnow ♪ 301 00:10:56,199 --> 00:10:57,605 {\an7}- The problem with America 302 00:10:57,605 --> 00:10:59,374 {\an7}has to overcome in many ways 303 00:10:59,374 --> 00:11:02,275 {\an7}is the radio is so tightly programmed 304 00:11:02,275 --> 00:11:03,803 {\an7}so that there’s no room 305 00:11:03,803 --> 00:11:06,968 {\an7}\h\h\hfor introduction to new material really. 306 00:11:06,968 --> 00:11:09,869 {\an7}\h- This is why stations like this are important, 307 00:11:09,869 --> 00:11:12,506 {\an7}\h\h\hbecause you can actually show people 308 00:11:12,506 --> 00:11:14,638 {\an7}what is happening in music. 309 00:11:14,638 --> 00:11:15,638 {\an7}- Hi. 310 00:11:15,638 --> 00:11:16,704 {\an7}I’m Bono. 311 00:11:16,704 --> 00:11:18,902 {\an7}\h- And over here you can see MTV. 312 00:11:18,902 --> 00:11:19,506 {\an7}- [laughs] 313 00:11:19,506 --> 00:11:21,803 {\an7}- Whoa, whoa, whoa, whoa. \h\h\h\h\h\h\hWhoa, whoa. 314 00:11:21,803 --> 00:11:23,803 {\an7}- This is MTV’s short cable. 315 00:11:23,803 --> 00:11:25,671 {\an7}[U2’s "New Year’s Day"] 316 00:11:25,671 --> 00:11:28,770 {\an7}\h\hnarrator: Their first two albums, "Boy" and "October," 317 00:11:28,770 --> 00:11:32,671 {\an7}\hsolidified U2’s European fan base. 318 00:11:32,671 --> 00:11:34,374 {\an7}Their third album, "War," 319 00:11:34,374 --> 00:11:37,034 {\an7}was their passport to the U.S. 320 00:11:37,034 --> 00:11:38,506 {\an7}♪ 321 00:11:38,506 --> 00:11:40,836 {\an7}- ♪ All is quiet 322 00:11:40,836 --> 00:11:43,407 {\an7}♪ On New Year’s Day 323 00:11:43,407 --> 00:11:45,605 {\an7}♪ 324 00:11:45,605 --> 00:11:48,232 {\an7}♪ A world in white 325 00:11:48,232 --> 00:11:49,704 {\an7}♪ Gets underway 326 00:11:49,704 --> 00:11:51,902 {\an7}- There was a lot of rioting \h\h\h\h\h\h\h\h\hin Britain, 327 00:11:51,902 --> 00:11:53,836 {\an7}\hand there was a lot of trouble in Ireland 328 00:11:53,836 --> 00:11:54,737 {\an7}with the hunger strikers 329 00:11:54,737 --> 00:11:57,275 {\an7}as regards to North and \heverything like that, 330 00:11:57,275 --> 00:11:58,638 {\an7}and it came through \h\h\hin the music 331 00:11:58,638 --> 00:12:00,308 {\an7}that we were recording \h\h\h\h\hat the time. 332 00:12:00,308 --> 00:12:02,704 {\an7}- ♪ Nothing changes 333 00:12:11,770 --> 00:12:14,308 {\an7}\h\h\h\h\hThis song is not a rebel song. 334 00:12:14,308 --> 00:12:17,001 {\an7}\h\h\h\h\hThis song is "Sunday Bloody Sunday." 335 00:12:17,001 --> 00:12:19,166 {\an7}[U2’s "Sunday Bloody Sunday"] 336 00:12:19,166 --> 00:12:21,473 {\an7}[cheers and applause] 337 00:12:21,473 --> 00:12:22,704 {\an7}It’s not a rebel song. 338 00:12:22,704 --> 00:12:24,473 {\an7}We’re not taking sides. \h\h\hWe’re just saying, 339 00:12:24,473 --> 00:12:26,770 {\an7}"How long must we sing this song?" 340 00:12:26,770 --> 00:12:29,341 {\an7}I’m trying to say \hthat worse than 341 00:12:29,341 --> 00:12:30,968 {\an7}\h\h\hthe wreckage of Northern Ireland 342 00:12:30,968 --> 00:12:33,275 {\an7}\his the bitterness in people’s hearts. 343 00:12:33,275 --> 00:12:36,902 {\an7}- ♪ Sunday, bloody Sunday 344 00:12:36,902 --> 00:12:38,133 {\an7}♪ 345 00:12:38,133 --> 00:12:41,836 {\an7}♪ Sunday, bloody Sunday 346 00:12:43,067 --> 00:12:44,100 {\an7}How long? 347 00:12:44,100 --> 00:12:47,100 {\an7}How long must we sing \h\h\h\h\hthis song? 348 00:12:47,100 --> 00:12:48,902 {\an7}How long, how long? 349 00:12:48,902 --> 00:12:51,770 {\an7}\hnarrator: "New Year’s Day" and "Sunday Bloody Sunday," 350 00:12:51,770 --> 00:12:53,968 {\an7}began the everlasting \h\h\h\h\hlove affair 351 00:12:53,968 --> 00:12:57,100 {\an7}\h\h\h\h\h\hbetween U2 and MTV’s young fans. 352 00:12:57,100 --> 00:13:00,473 {\an7}\h\h\h\h\h[U2’s "Pride (In the Name of Love)"] 353 00:13:00,473 --> 00:13:02,341 {\an7}[cheers and applause] 354 00:13:02,341 --> 00:13:03,232 {\an7}- For me personally, 355 00:13:03,232 --> 00:13:05,034 {\an7}live work is probably \hthe most rewarding 356 00:13:05,034 --> 00:13:08,067 {\an7}\h\h\h\h\h\hbecause it’s almost a direct contact. 357 00:13:08,067 --> 00:13:09,935 {\an7}- ♪ Ooh 358 00:13:14,374 --> 00:13:17,133 {\an7}\h\h- For Reverend Martin Luther King. 359 00:13:20,067 --> 00:13:24,341 {\an7}- ♪ In the name of love 360 00:13:24,341 --> 00:13:27,374 {\an7}narrator: After electrifying \h\h\h\h\hcrowds worldwide, 361 00:13:27,374 --> 00:13:28,572 {\an7}U2 was on top, 362 00:13:28,572 --> 00:13:30,407 {\an7}but then, they found their golden ticket 363 00:13:30,407 --> 00:13:34,275 {\an7}with their next album, \h\h"The Joshua Tree." 364 00:13:34,275 --> 00:13:37,869 {\an7}[U2’s "Where the Streets \h\h\h\h\hHave No Name"] 365 00:13:37,869 --> 00:13:38,902 {\an7}♪ 366 00:13:38,902 --> 00:13:40,440 {\an7}- ♪ We’re still building 367 00:13:40,440 --> 00:13:42,869 {\an7}♪ And burning down love 368 00:13:42,869 --> 00:13:46,275 {\an7}[U2’s "With or Without You"] 369 00:13:46,275 --> 00:13:50,737 {\an7}♪ 370 00:13:50,737 --> 00:13:53,341 {\an7}- ♪ My hands are tied 371 00:13:53,341 --> 00:13:55,440 {\an7}♪ 372 00:13:55,440 --> 00:13:56,902 {\an7}♪ My body bruised 373 00:13:56,902 --> 00:14:01,407 {\an7}\h\h\h\h♪ She got me with nothing to win ♪ 374 00:14:01,407 --> 00:14:05,935 {\an7}- ♪ And nothing left to lose 375 00:14:05,935 --> 00:14:08,133 {\an7}♪ And you give 376 00:14:08,133 --> 00:14:10,232 {\an7}♪ And you give 377 00:14:10,232 --> 00:14:14,407 {\an7}♪ And you give yourself away 378 00:14:14,407 --> 00:14:17,869 {\an7}♪ With or without you 379 00:14:18,275 --> 00:14:19,836 {\an7}\h\h\h\h\h\h\h\hnarrator: "With or Without You" won 380 00:14:19,836 --> 00:14:22,133 {\an7}over an entire generation \h\h\h\h\h\hof listeners, 381 00:14:22,133 --> 00:14:25,232 {\an7}and nabbed Viewers’ Choice \h\h\h\h\h\h\h\h\hin 1987 382 00:14:25,232 --> 00:14:27,133 {\an7}at the VMAs. 383 00:14:27,133 --> 00:14:29,034 {\an7}- U2, "With or Without You." 384 00:14:29,034 --> 00:14:31,737 {\an7}[cheers and applause] 385 00:14:31,737 --> 00:14:36,001 {\an7}narrator: With over 25 million \h\h\h\hcopies sold worldwide, 386 00:14:36,001 --> 00:14:38,308 {\an7}"The Joshua Tree" became U2’s 387 00:14:38,308 --> 00:14:40,935 {\an7}highest-selling album. 388 00:14:41,166 --> 00:14:43,968 {\an7}Four years later in 1991... 389 00:14:43,968 --> 00:14:44,869 {\an7}- Go on, please. 390 00:14:44,869 --> 00:14:46,100 {\an7}[indistinct speech] 391 00:14:46,100 --> 00:14:49,605 {\an7}\h\hnarrator: U2 was releasing their long-awaited follow-up, 392 00:14:49,605 --> 00:14:50,638 {\an7}"Achtung Baby," 393 00:14:50,638 --> 00:14:53,506 {\an7}\h\h\h\h\hand we were on location in Ireland 394 00:14:53,506 --> 00:14:54,473 {\an7}for the madness. 395 00:14:54,473 --> 00:14:56,067 {\an7}\h\h\h\h\h\hall: One. [cheers and applause] 396 00:14:56,067 --> 00:14:57,539 {\an7}[U2’s "Mysterious Ways"] 397 00:14:57,539 --> 00:14:59,968 {\an7}\h\h\hnarrator: U2 fans from all over the world 398 00:14:59,968 --> 00:15:02,341 {\an7}descended on Dublin \h\hto be the first 399 00:15:02,341 --> 00:15:04,506 {\an7}to get a copy. 400 00:15:11,539 --> 00:15:13,638 {\an7}narrator: "Achtung Baby" \h\h\h\h\h\h\hwas edgy, 401 00:15:13,638 --> 00:15:16,803 {\an7}\h\h\h\h\h\h\hexperimental, and flying off the shelves. 402 00:15:16,803 --> 00:15:18,308 {\an7}But the Zoo TV Tour 403 00:15:18,308 --> 00:15:19,935 {\an7}became a monster of its own. 404 00:15:19,935 --> 00:15:23,199 {\an7}- Zoo TV, this thing. \h\h\h\h\hWhat is it? 405 00:15:23,199 --> 00:15:23,968 {\an7}- It’s the ’90s. 406 00:15:23,968 --> 00:15:26,133 {\an7}It’s convergence of technologies. 407 00:15:26,133 --> 00:15:28,001 {\an7}It’s the future. 408 00:15:28,001 --> 00:15:30,308 {\an7}- Aw [bleep] off, Edge. \h\h\h\h\h\h- [laughs] 409 00:15:30,308 --> 00:15:31,671 {\an7}- We don’t know what it is, 410 00:15:33,642 --> 00:15:35,977 [rock music] 411 00:15:36,011 --> 00:15:39,414 narrator: The '90s were U2's era of experimentation. 412 00:15:40,115 --> 00:15:41,149 The Zoo TV Tour 413 00:15:41,183 --> 00:15:42,651 was inspired by the effect 414 00:15:42,684 --> 00:15:44,286 music videos and television 415 00:15:44,319 --> 00:15:46,588 had on live performances. 416 00:15:47,289 --> 00:15:49,658 [cheers and applause] 417 00:15:49,691 --> 00:15:52,828 - Let's see if we can find some MTV in Detroit. 418 00:15:52,861 --> 00:15:55,063 [cheers and applause] 419 00:15:55,096 --> 00:15:57,065 Hey. 420 00:15:57,098 --> 00:15:58,700 I hear you play the drums, man. 421 00:15:58,733 --> 00:16:00,135 [U2's "Even Better than the Real Thing"] 422 00:16:00,168 --> 00:16:01,236 narrator: U2 was in the middle 423 00:16:01,269 --> 00:16:03,538 of their sold-out Zoo TV Tour 424 00:16:03,572 --> 00:16:06,775 when they did their first performance on the VMAs, 425 00:16:06,808 --> 00:16:08,477 all via satellite. 426 00:16:08,510 --> 00:16:10,045 - ♪ Give me one more chance 427 00:16:10,078 --> 00:16:12,080 ♪ And you'll be satisfied 428 00:16:12,113 --> 00:16:15,083 ♪ 429 00:16:15,116 --> 00:16:16,351 - I'm not worthy! 430 00:16:16,384 --> 00:16:17,652 - ♪ The real thing 431 00:16:17,686 --> 00:16:19,120 narrator: Worthy indeed, 432 00:16:19,154 --> 00:16:21,656 U2's video for "Even Better Than the Real Thing" 433 00:16:21,690 --> 00:16:24,426 picked up Best Group Video. 434 00:16:24,459 --> 00:16:25,794 - U2. 435 00:16:25,827 --> 00:16:28,864 [cheers and applause] 436 00:16:28,897 --> 00:16:31,466 ♪ 437 00:16:31,500 --> 00:16:35,270 [U2's "Last Night on Earth"] 438 00:16:35,370 --> 00:16:37,572 narrator: U2 continued to push the boundaries 439 00:16:37,606 --> 00:16:39,374 of who they were as a band. 440 00:16:39,374 --> 00:16:40,942 - ♪ You got to give it away 441 00:16:40,976 --> 00:16:43,011 - It's got pop metal, 442 00:16:43,044 --> 00:16:44,880 you know, some hip-hop influences. 443 00:16:44,913 --> 00:16:47,983 narrator: Trying out a variety of looks and personas. 444 00:16:48,016 --> 00:16:50,152 [cheers and applause] 445 00:16:50,185 --> 00:16:52,754 - Look what you've done to me. 446 00:16:52,787 --> 00:16:54,489 [cheers and applause] 447 00:16:54,523 --> 00:16:55,490 [rock music] 448 00:16:55,524 --> 00:16:56,825 narrator: In the studio, 449 00:16:56,858 --> 00:16:58,994 in arenas, and at the podium, 450 00:16:59,027 --> 00:17:01,630 U2 have always been activists, 451 00:17:01,663 --> 00:17:03,832 and at the 1995 EMAs... 452 00:17:03,865 --> 00:17:06,134 - What a city. 453 00:17:06,168 --> 00:17:07,802 What a night. 454 00:17:07,836 --> 00:17:10,906 - Bono had a message for the president of France. 455 00:17:10,939 --> 00:17:13,675 - What a wanker you have for president. 456 00:17:13,708 --> 00:17:15,577 What are you gonna do about it? 457 00:17:15,610 --> 00:17:18,947 [U2's "Beautiful Day"] 458 00:17:18,980 --> 00:17:21,683 narrator: U2 always used their far-reaching voice 459 00:17:21,716 --> 00:17:23,418 to speak up for injustice. 460 00:17:23,451 --> 00:17:26,955 - ♪ Beautiful day 461 00:17:26,988 --> 00:17:28,990 - It's not a put your hand in your pocket moment. 462 00:17:29,024 --> 00:17:31,526 It's more like put your fist in the air. 463 00:17:31,560 --> 00:17:33,862 ♪ You can touch 464 00:17:33,895 --> 00:17:35,764 ♪ Me 465 00:17:35,797 --> 00:17:38,266 narrator: Bono created the Red Campaign 466 00:17:38,366 --> 00:17:40,035 to fight the AIDS epidemic 467 00:17:40,068 --> 00:17:42,504 and helped raise millions of dollars. 468 00:17:42,537 --> 00:17:44,439 - ♪ I know I'm not 469 00:17:44,472 --> 00:17:46,241 We call the White House every second night, 470 00:17:46,274 --> 00:17:48,276 and we asked to speak to George. 471 00:17:48,376 --> 00:17:49,978 They're very cool about it, 472 00:17:50,011 --> 00:17:51,913 but they don't take the call. [laughs] 473 00:17:51,947 --> 00:17:54,649 [U2's "Elevation"] 474 00:17:54,683 --> 00:17:57,719 - The Elevation 2001 Tour has been elevating spirits 475 00:17:57,752 --> 00:18:01,256 and touching hearts across North America. 476 00:18:01,289 --> 00:18:03,525 - ♪ Ooh 477 00:18:03,558 --> 00:18:05,160 ♪ Ooh 478 00:18:05,193 --> 00:18:07,629 narrator: After a monster tour for Elevation 479 00:18:07,662 --> 00:18:09,831 and at the start of a new millennium, 480 00:18:09,865 --> 00:18:12,267 the world saw a new U2. 481 00:18:12,300 --> 00:18:14,536 - And right now, U2's rocking out up on the roof. 482 00:18:14,569 --> 00:18:16,304 They're going to take us to break. 483 00:18:16,404 --> 00:18:18,907 - ♪ A star, lit up like a cigar ♪ 484 00:18:18,940 --> 00:18:21,510 ♪ Strung out like a guitar 485 00:18:21,543 --> 00:18:25,180 ♪ Maybe you could educate my mind ♪ 486 00:18:25,213 --> 00:18:26,648 ♪ Explain all these controls 487 00:18:26,681 --> 00:18:28,550 narrator: They were playing stripped down songs 488 00:18:28,583 --> 00:18:31,453 packed with power chords and lively lyrics. 489 00:18:31,486 --> 00:18:34,156 - ♪ The goal is elevation 490 00:18:34,189 --> 00:18:36,758 ♪ A mole, digging in a hole 491 00:18:36,791 --> 00:18:38,894 ♪ Digging up my soul 492 00:18:38,927 --> 00:18:42,264 ♪ Going down, excavation 493 00:18:42,364 --> 00:18:44,666 ♪ 494 00:18:44,699 --> 00:18:46,468 narrator: Sometimes New York traffic 495 00:18:46,501 --> 00:18:48,770 feels like a concert just let out, 496 00:18:48,803 --> 00:18:52,240 and sometimes New York traffic is the concert. 497 00:18:52,274 --> 00:18:54,242 [sirens wailing] - We love you! 498 00:18:54,276 --> 00:18:55,577 [U2's "All Because of You"] 499 00:18:55,610 --> 00:18:59,047 - ♪ Racing with your bullet train ♪ 500 00:18:59,080 --> 00:19:01,049 ♪ Some people get squashed crossing the tracks ♪ 501 00:19:01,082 --> 00:19:02,884 - U2 is on a truck in Manhattan 502 00:19:02,918 --> 00:19:04,886 driving down the road, and I'm watching them. 503 00:19:04,920 --> 00:19:06,955 - They just drove down street, like, past school. 504 00:19:06,988 --> 00:19:08,824 - Like, I can't breathe right now. 505 00:19:08,857 --> 00:19:10,458 - Ah! 506 00:19:10,492 --> 00:19:12,027 - 92.3, KROCK. 507 00:19:12,060 --> 00:19:14,462 U2 is driving all over Manhattan. 508 00:19:14,496 --> 00:19:16,398 If you see a flatbed truck 509 00:19:16,431 --> 00:19:18,099 with four Irish guys on it, that's them. 510 00:19:18,133 --> 00:19:20,936 They're filming their video for "All Because of You." 511 00:19:20,969 --> 00:19:23,705 - ♪ All because of you 512 00:19:23,738 --> 00:19:26,842 ♪ I am 513 00:19:26,875 --> 00:19:29,411 - We love New York, and I think New York kind of loves us too. 514 00:19:29,444 --> 00:19:30,979 - It's definitely one of the coolest things 515 00:19:31,012 --> 00:19:32,547 I've done in the last couple of years. 516 00:19:32,581 --> 00:19:35,217 [U2's "Vertigo"] 517 00:19:35,250 --> 00:19:36,485 - Hola! 518 00:19:36,518 --> 00:19:39,521 - ♪ We're at a place called Vertigo ♪ 519 00:19:39,888 --> 00:19:42,724 narrator: To wrap things up, MTV gave a free concert 520 00:19:42,757 --> 00:19:45,560 under the Brooklyn Bridge right at sunset. 521 00:19:45,594 --> 00:19:47,395 - ♪ I can feel 522 00:19:49,431 --> 00:19:53,068 ♪ Feel 523 00:19:53,101 --> 00:19:56,371 [cheers and applause] 524 00:19:56,404 --> 00:19:58,373 [U2's "Get Out of Your Own Way"] 525 00:19:58,373 --> 00:20:01,443 - ♪ Now you're the girl who's left with no words ♪ 526 00:20:01,476 --> 00:20:02,444 ♪ Your heart's a balloon 527 00:20:02,477 --> 00:20:05,547 - U2 changed my life. 528 00:20:05,580 --> 00:20:08,483 - ♪ It doesn't take a cannon, just a pin ♪ 529 00:20:08,517 --> 00:20:10,619 - They teach us that it's okay 530 00:20:10,652 --> 00:20:13,588 to mix art and politics, 531 00:20:13,622 --> 00:20:15,257 to start a revolution, 532 00:20:15,290 --> 00:20:17,926 and say [bleep] you. 533 00:20:17,959 --> 00:20:20,529 [cheers and applause] 534 00:20:20,562 --> 00:20:22,097 - ♪ The amorous, the glamorous ♪ 535 00:20:22,130 --> 00:20:23,965 narrator: From the cobbled streets of Dublin, Ireland, 536 00:20:23,999 --> 00:20:26,268 to rock arenas around the globe, 537 00:20:26,301 --> 00:20:28,970 U2 continues to reinvent themselves. 538 00:20:29,004 --> 00:20:30,805 - ♪ Get out of your own way 539 00:20:30,839 --> 00:20:32,841 - The global icons, U2. 540 00:20:32,874 --> 00:20:35,210 [cheers and applause] 541 00:20:35,243 --> 00:20:36,511 - People always ask, 542 00:20:36,545 --> 00:20:38,947 "How have you kept your band together?" 543 00:20:38,980 --> 00:20:40,482 You know, it's four 544 00:20:40,515 --> 00:20:42,851 incredibly strong individuals, 545 00:20:42,884 --> 00:20:45,887 but there has to be a boss, 546 00:20:45,921 --> 00:20:47,355 and it's not an easy gig, 547 00:20:47,355 --> 00:20:49,090 let me tell you, 548 00:20:49,124 --> 00:20:51,693 but I could not have done it without these guys' support. 549 00:20:51,726 --> 00:20:54,362 [cheers and applause] 550 00:20:54,396 --> 00:20:55,931 narrator: They knew where they were headed 551 00:20:55,964 --> 00:20:57,465 from the very beginning, 552 00:20:57,499 --> 00:21:00,202 and we're not looking away any time soon. 553 00:21:00,235 --> 00:21:03,138 - Thank you, king. 554 00:21:03,171 --> 00:21:06,241 If you don't like it, fine, leave the room, but this is it. 555 00:21:06,274 --> 00:21:09,010 We're not just another English band 556 00:21:09,044 --> 00:21:11,012 over kind of playing their once off 557 00:21:11,046 --> 00:21:12,647 and then taking off home again. 558 00:21:12,681 --> 00:21:15,717 [cheers and applause] 559 00:21:15,750 --> 00:21:16,785 - Rock and roll. 560 00:21:18,218 --> 00:21:20,821 [upbeat music] 561 00:21:20,854 --> 00:21:27,895 ♪