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00:00:59,364 --> 00:01:01,630
(low, indistinct chattering)
2
00:01:06,198 --> 00:01:08,472
(indistinct chatter
grows louder)
3
00:01:17,283 --> 00:01:18,814
TÁR:
You ready?
4
00:01:18,950 --> 00:01:22,047
No, just... Yeah, just-just
ignore the microphone.
5
00:01:22,182 --> 00:01:24,055
Yeah, just-just act as if
it's not there.
6
00:01:24,191 --> 00:01:26,756
Sing as if it's not there.
7
00:01:26,891 --> 00:01:30,461
Yeah, uh... (stammers
speaking foreign language)
8
00:01:38,839 --> 00:01:40,030
Okay?
9
00:01:40,166 --> 00:01:43,474
(woman speaking
foreign language)
10
00:01:45,248 --> 00:01:47,511
(woman singing
in foreign language)
11
00:02:03,493 --> 00:02:05,694
(singing continues)
12
00:02:24,049 --> 00:02:26,352
♪ ♪
13
00:02:42,232 --> 00:02:44,535
♪ ♪
14
00:03:06,927 --> 00:03:09,230
♪ ♪
15
00:03:26,914 --> 00:03:28,942
♪ ♪
16
00:04:01,212 --> 00:04:03,482
♪ ♪
17
00:04:22,134 --> 00:04:24,404
♪ ♪
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00:04:47,053 --> 00:04:49,330
(singing ends, woman sighs)
19
00:04:58,664 --> 00:04:59,938
(sniffs)
20
00:05:00,073 --> 00:05:01,370
(exhales)
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00:05:01,505 --> 00:05:04,041
(audience chattering)
22
00:05:04,176 --> 00:05:06,703
(exhales)
23
00:05:06,838 --> 00:05:08,844
(inhales deeply)
24
00:05:12,283 --> 00:05:14,084
(inhales deeply)
25
00:05:14,219 --> 00:05:15,889
(exhales slowly)
26
00:05:16,024 --> 00:05:17,223
(exhales sharply)
27
00:05:17,358 --> 00:05:19,558
(audience continues chattering)
28
00:05:25,801 --> 00:05:27,698
(sniffs)
29
00:05:38,044 --> 00:05:39,710
(sniffs)
30
00:05:43,614 --> 00:05:45,577
-Ready for them?
-Yes.
31
00:05:45,712 --> 00:05:46,853
Let's go.
32
00:05:46,988 --> 00:05:49,049
(applause)
33
00:05:52,160 --> 00:05:54,519
(applause quiets)
34
00:05:54,654 --> 00:05:56,763
ADAM GOPNIK: If you're here,
then you already know
35
00:05:56,898 --> 00:05:59,199
who she is, and that is one
of the most important
36
00:05:59,334 --> 00:06:01,596
musical figures of our time.
37
00:06:01,732 --> 00:06:03,660
Lydia Tár is many things:
38
00:06:03,796 --> 00:06:07,097
a piano performance graduate
at the Curtis Institute,
39
00:06:07,232 --> 00:06:09,602
Phi Beta Kappa from Harvard.
40
00:06:09,737 --> 00:06:13,777
She got her PhD in Musicology
from the University of Vienna,
41
00:06:13,913 --> 00:06:16,374
specializing in
the indigenous music
42
00:06:16,509 --> 00:06:19,350
of the Ucayali Valley
in Eastern Peru,
43
00:06:19,486 --> 00:06:21,386
where she spent five years
44
00:06:21,521 --> 00:06:23,380
among the Shipibo-Konibo peopl.
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00:06:23,516 --> 00:06:27,018
As a conductor,
Tár began her career
46
00:06:27,153 --> 00:06:28,385
with the Cleveland Orchestra,
47
00:06:28,520 --> 00:06:29,992
one of the so-called
"Big Five."
48
00:06:30,127 --> 00:06:32,291
A string of
important posts followed,
49
00:06:32,426 --> 00:06:34,794
including
the Philadelphia Orchestra,
50
00:06:34,929 --> 00:06:36,159
the Chicago Symphony Orchestra,
51
00:06:36,294 --> 00:06:37,501
the Boston Symphony Orchestra,
52
00:06:37,636 --> 00:06:39,406
until she at last arrived here
53
00:06:39,541 --> 00:06:42,506
at our own
New York Philharmonic.
54
00:06:42,641 --> 00:06:43,973
With the latter, she organized
55
00:06:44,108 --> 00:06:46,580
the Highway 10
refugee concerts in Zaatari,
56
00:06:46,715 --> 00:06:50,979
which were attended
by over 75,000 people.
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00:06:51,115 --> 00:06:52,651
She's become particularly
well-known
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00:06:52,787 --> 00:06:54,479
for commissioning
contemporary work
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00:06:54,615 --> 00:06:57,689
from, among others,
Jennifer Higdon, Caroline Shaw,
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00:06:57,824 --> 00:07:00,155
Julia Wolfe
and Hildur Gudnadóttir.
61
00:07:00,290 --> 00:07:03,321
And she's made a point
of programming their works
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00:07:03,456 --> 00:07:06,398
alongside composers
of the canon.
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00:07:06,533 --> 00:07:07,832
She's been quoted as saying,
64
00:07:07,968 --> 00:07:10,669
"These composers
are having a conversation
65
00:07:10,804 --> 00:07:13,665
and it may not always
be so polite."
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00:07:13,800 --> 00:07:16,273
Lydia Tár has also written
music for the stage and screen.
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00:07:16,408 --> 00:07:21,012
She is in fact one of only 15
so-called EGOTs, meaning those
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00:07:21,147 --> 00:07:25,344
who have won all four
major entertainment awards:
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00:07:25,479 --> 00:07:29,013
an Emmy, a Grammy,
an Oscar and a Tony.
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00:07:29,149 --> 00:07:30,591
It is, as you can imagine,
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00:07:30,726 --> 00:07:33,055
an extremely short
and shimmering list
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00:07:33,191 --> 00:07:36,224
that includes Richard Rodgers,
Audrey Hepburn,
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00:07:36,360 --> 00:07:40,133
Andrew Lloyd Webber
and, of course, Mel Brooks.
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00:07:40,269 --> 00:07:42,999
(audience laughing)
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00:07:44,169 --> 00:07:47,365
GOPNIK: In 2010, with
the support of Eliot Kaplan,
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00:07:47,501 --> 00:07:50,371
she founded the Accordion
Conducting Fellowship,
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00:07:50,507 --> 00:07:53,404
which fosters entrepreneurship
and performance opportunities
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00:07:53,540 --> 00:07:56,616
for female conductors,
allowing them residencies
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00:07:56,751 --> 00:07:59,544
with major orchestras
around the world.
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00:07:59,680 --> 00:08:04,653
In 2013, Berlin elected Tár
as its principal conductor,
81
00:08:04,789 --> 00:08:07,251
in succession to Andris Davis,
82
00:08:07,387 --> 00:08:10,221
and she's remained there
ever since.
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00:08:10,356 --> 00:08:12,060
Like her mentor,
Leonard Bernstein,
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00:08:12,195 --> 00:08:15,226
Tár has a particular
affinity for Mahler,
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00:08:15,362 --> 00:08:17,402
whose nine symphonies
she recorded
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00:08:17,537 --> 00:08:19,696
during her Big Five stints.
87
00:08:20,599 --> 00:08:22,171
However, she never managed
to complete
88
00:08:22,307 --> 00:08:25,903
the so-called "cycle" with
a single orchestra until now.
89
00:08:26,039 --> 00:08:27,308
Under her direction,
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00:08:27,443 --> 00:08:29,408
Berlin has recorded eight
of the Mahler symphonies,
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00:08:29,543 --> 00:08:32,244
saving the big one,
Symphony No. 5, for last.
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00:08:32,380 --> 00:08:34,314
Due to the pandemic,
that performance,
93
00:08:34,450 --> 00:08:37,081
which was scheduled for
last year, had to be canceled.
94
00:08:37,217 --> 00:08:38,923
But I'm told that next month,
95
00:08:39,058 --> 00:08:41,624
she'll make a live recording
of Mahler's Fifth,
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00:08:41,760 --> 00:08:43,257
which will complete the cycle
97
00:08:43,392 --> 00:08:46,928
and will be issued in a box set
by Deutsche Grammophon
98
00:08:47,064 --> 00:08:49,099
just in time
for Mahler's birthday.
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00:08:49,235 --> 00:08:52,970
As if that's not enough,
her new book, Tár on Tár,
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00:08:53,106 --> 00:08:56,766
will be published by Nan
Talese's imprint at Doubleday,
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00:08:56,902 --> 00:08:59,943
just in time for Christmas,
a perfect stocking stuffer,
102
00:09:00,079 --> 00:09:02,346
especially if you have
a very large stocking.
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00:09:02,482 --> 00:09:03,881
(audience laughing)
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00:09:04,016 --> 00:09:05,552
All of us at The New Yorker
welcome you.
105
00:09:05,688 --> 00:09:07,386
Thank you for joining us,
Maestro, today.
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00:09:07,521 --> 00:09:09,213
Thank you, Adam. Thank you.
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00:09:09,348 --> 00:09:11,823
-(applause)
-Thank you.
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00:09:13,152 --> 00:09:15,059
Lydia, I couldn't...
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00:09:15,194 --> 00:09:18,396
I couldn't help but see you
flinch just a little bit
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00:09:18,532 --> 00:09:20,030
as I was reading your bio.
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00:09:20,165 --> 00:09:22,129
Was it because I forgot
some other amazing achievement?
112
00:09:22,265 --> 00:09:24,636
Or do you have
a slight self-consciousness
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00:09:24,772 --> 00:09:26,800
about the incredibly
varied things
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00:09:26,936 --> 00:09:28,841
that you've accomplished?
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00:09:28,976 --> 00:09:33,975
Well, in today's world,
"varied," it-it's a dirty word.
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00:09:34,111 --> 00:09:36,079
I mean,
our era is one of specialists,
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00:09:36,214 --> 00:09:39,013
and if you're trying to do
more than one thing,
118
00:09:39,149 --> 00:09:40,815
it's, you know,
it's often frowned upon.
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00:09:40,950 --> 00:09:42,420
Every artist gets typecast.
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00:09:42,556 --> 00:09:43,922
Oh, yes. Aggressively so.
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00:09:44,057 --> 00:09:45,690
Well, do you think there'll be
a moment, though,
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00:09:45,825 --> 00:09:47,859
when the classical music
community,
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00:09:47,994 --> 00:09:51,330
uh, decides not to use
sexual distinctions
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00:09:51,466 --> 00:09:53,500
to differentiate artists?
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00:09:53,636 --> 00:09:55,700
I'm probably
the wrong person to ask
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00:09:55,836 --> 00:09:58,161
since I don't, uh,
read reviews.
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00:09:58,297 --> 00:09:59,730
-Never, really?
-No.
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00:09:59,866 --> 00:10:03,941
But it is odd, I-I think,
that anyone ever felt compelled
129
00:10:04,076 --> 00:10:06,913
to substitute
"maestro" with "maestra."
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00:10:07,049 --> 00:10:10,244
I mean, we don't call women
astronauts "astronettes."
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00:10:10,379 --> 00:10:12,015
-GOPNIK: Mm-hmm. Right.
-(audience chuckling)
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00:10:12,150 --> 00:10:15,788
But as to the question
of, uh, gender bias,
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00:10:15,923 --> 00:10:18,353
I really have nothing
to complain about.
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00:10:18,489 --> 00:10:21,519
Nor, for that matter, should
Marin Alsop, JoAnn Falletta,
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00:10:21,654 --> 00:10:23,795
uh, Laurence Equilbey
and Nathalie Stutzmann.
136
00:10:23,930 --> 00:10:26,562
I mean, there's so many
incredible women
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00:10:26,698 --> 00:10:28,031
who came before us.
138
00:10:28,166 --> 00:10:30,467
You know, women who did
the-the real lifting.
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00:10:30,603 --> 00:10:31,701
That-that's fascinating.
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00:10:31,837 --> 00:10:33,700
Can you... Who, for instance?
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00:10:33,835 --> 00:10:34,938
Uh, okay, sure.
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00:10:35,073 --> 00:10:37,139
Uh, first and foremost,
Nadia Boulanger.
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00:10:37,274 --> 00:10:40,107
I mean, that would be
the, uh, happy example.
144
00:10:40,243 --> 00:10:43,377
Uh, the sad one would be
Antonia Brico,
145
00:10:43,512 --> 00:10:46,281
who by all accounts
was an incredible conductor
146
00:10:46,416 --> 00:10:49,652
but was ghettoized
into the nonglamorous status
147
00:10:49,787 --> 00:10:51,723
of a "guest conductor"
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00:10:51,859 --> 00:10:54,627
and essentially
treated as a dog act.
149
00:10:54,763 --> 00:10:56,890
A dog...
Uh, she never got the chance
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00:10:57,026 --> 00:10:58,060
to lead a major orchestra?
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00:10:58,195 --> 00:11:00,130
Well, yes.
Yes, she did, uh, conduct
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00:11:00,266 --> 00:11:02,559
the, uh, Berlin Philharmonic,
as well as the Met,
153
00:11:02,695 --> 00:11:05,728
but, again,
only as a guest conductor.
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00:11:05,864 --> 00:11:07,572
You know, at, I mean,
at that time it was...
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00:11:07,707 --> 00:11:09,838
it was all gender spectacle.
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00:11:09,974 --> 00:11:11,502
But fortunately, times change,
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00:11:11,637 --> 00:11:13,242
and-and the Pauline
conversion is...
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00:11:13,377 --> 00:11:15,075
-(chuckling): "Pauline..."
-... if not complete,
159
00:11:15,210 --> 00:11:16,750
then it's-it's evolving nicely.
160
00:11:16,885 --> 00:11:19,410
N-No less, um,
having fallen off its horse.
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00:11:19,546 --> 00:11:21,686
Um, Lydia, could we talk
a little bit
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00:11:21,821 --> 00:11:23,821
-about, uh, translation?
-Mm-hmm.
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00:11:23,957 --> 00:11:25,453
'Cause I think
there's still people
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00:11:25,589 --> 00:11:28,960
who think of the conductor
as a kind of human metronome.
165
00:11:30,129 --> 00:11:32,864
Well, yeah,
that's-that's partly true.
166
00:11:32,999 --> 00:11:34,697
-Yeah, but it's...
-But keeping time,
167
00:11:34,833 --> 00:11:36,265
it's-it's no small thing.
168
00:11:36,401 --> 00:11:38,462
But I suspect there's
a lot more to it than that.
169
00:11:38,598 --> 00:11:39,968
Yeah, well,
I-I would hope so, yes.
170
00:11:40,104 --> 00:11:42,766
-But time is the thing.
-Uh-huh.
171
00:11:42,902 --> 00:11:46,974
Time is-is the essential piece
of, uh, interpretation.
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00:11:47,109 --> 00:11:48,776
You cannot start without me.
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00:11:48,912 --> 00:11:50,850
See, I start the clock.
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00:11:50,986 --> 00:11:54,283
Now, my left hand shapes,
but my right hand,
175
00:11:54,419 --> 00:11:58,783
the second hand, marks time
and moves it forward.
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00:11:58,918 --> 00:12:02,660
However, unlike a clock,
sometimes my second hand stops,
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00:12:02,795 --> 00:12:05,798
which means that time stops.
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00:12:05,933 --> 00:12:08,968
Now, the illusion is that,
like you,
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00:12:09,103 --> 00:12:11,204
I'm responding to
the orchestra in real time...
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00:12:11,339 --> 00:12:13,464
-Right, right. -... making the
decision about the right moment
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00:12:13,600 --> 00:12:14,973
to restart the thing,
or reset it,
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00:12:15,108 --> 00:12:17,801
or throw time out
the window altogether.
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00:12:17,937 --> 00:12:20,977
The reality is that right
from the very beginning,
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00:12:21,112 --> 00:12:23,080
I know precisely
what time it is...
185
00:12:23,216 --> 00:12:25,018
-Really? That's...
-... and the exact moment
186
00:12:25,154 --> 00:12:28,019
that you and I will arrive
at our destination together.
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00:12:28,154 --> 00:12:31,686
You know, the only real,
uh, discovery for me
188
00:12:31,821 --> 00:12:33,583
is in rehearsal.
189
00:12:33,719 --> 00:12:35,490
It's never,
never in performance.
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00:12:35,626 --> 00:12:39,524
Hard question, I know, but
if you could define one thing
191
00:12:39,660 --> 00:12:42,528
that Bernstein gave you,
what would it be?
192
00:12:44,306 --> 00:12:45,770
Kavvanah.
193
00:12:45,905 --> 00:12:47,102
Yeah, it's-it's the Hebrew word
194
00:12:47,238 --> 00:12:50,041
for attention to meaning
or-or intent.
195
00:12:50,177 --> 00:12:51,903
You know, what are
the composer's priorities,
196
00:12:52,038 --> 00:12:54,178
and what are yours, and how do
they complement one another?
197
00:12:54,313 --> 00:12:56,181
Right, kavvanah. I think
that's a word that will have
198
00:12:56,317 --> 00:12:58,381
a slightly different meaning
for many in our audience.
199
00:12:58,516 --> 00:13:01,721
-Well, yes, yes, I imagine so.
-(audience murmuring)
200
00:13:01,857 --> 00:13:03,087
Am I right in thinking
that a conductor
201
00:13:03,222 --> 00:13:05,858
was not always, uh,
an onstage presence
202
00:13:05,994 --> 00:13:07,290
-in classical music?
-No, that's right.
203
00:13:07,425 --> 00:13:09,359
I-I think I read someplace
that it actually was
204
00:13:09,495 --> 00:13:11,427
the first violin, for a long
time, who was responsible.
205
00:13:11,563 --> 00:13:14,258
Yes, the first violinist,
whether they had any interest
206
00:13:14,394 --> 00:13:15,858
or-or skill in it or not.
207
00:13:15,994 --> 00:13:18,697
Wh-When did that change,
and-and who changed it?
208
00:13:18,832 --> 00:13:21,865
With the French composer,
Jean-Baptiste Lully,
209
00:13:22,000 --> 00:13:25,870
who reportedly, uh,
used a, uh, rather enormous,
210
00:13:26,006 --> 00:13:29,879
rather pointy staff to pound
the tempi into the floor.
211
00:13:30,014 --> 00:13:31,148
It's not something I imagine
212
00:13:31,283 --> 00:13:33,614
the players particularly,
uh, appreciated.
213
00:13:33,750 --> 00:13:37,555
Uh, anyway, uh, that technique
ended during a performance
214
00:13:37,691 --> 00:13:39,554
when Lully accidentally
215
00:13:39,689 --> 00:13:41,885
stabbed himself in the foot
with the thing and died.
216
00:13:42,020 --> 00:13:44,726
-(audience laughter)
-Yeah, of-of-of gangrene.
217
00:13:44,862 --> 00:13:46,631
But anyway...
218
00:13:46,766 --> 00:13:49,502
-(applause)
-Yeah.
219
00:13:49,638 --> 00:13:52,896
Anyway, but the conductor
220
00:13:53,031 --> 00:13:56,633
really becomes essential
as the ensembles get bigger.
221
00:13:56,769 --> 00:13:59,177
And once again,
we go back to Beethoven.
222
00:13:59,312 --> 00:14:02,245
♪ Buh, buh, buh, bum,
buh, buh, buh, bum. ♪
223
00:14:02,380 --> 00:14:04,279
Now, that doesn't start
with the eighth note.
224
00:14:04,414 --> 00:14:06,848
The downbeat--
♪ Buh, buh, buh ♪--
225
00:14:06,984 --> 00:14:08,645
it's silent, right?
226
00:14:08,781 --> 00:14:11,156
So someone had to start
that clock.
227
00:14:11,291 --> 00:14:14,155
Someone had to, uh,
plant their flag in the sand
228
00:14:14,290 --> 00:14:16,855
and say, "Follow me," you know?
229
00:14:16,991 --> 00:14:20,263
And when that someone was
Lenny, the orchestra was led
230
00:14:20,399 --> 00:14:24,432
on the most extraordinary
tour of pleasures.
231
00:14:24,568 --> 00:14:27,497
'Cause he knew the music,
Mahler especially,
232
00:14:27,633 --> 00:14:29,633
as well or better than anyone.
233
00:14:29,768 --> 00:14:32,944
And he would often play
with the form.
234
00:14:33,080 --> 00:14:34,342
'Cause he wanted an orchestra
to feel
235
00:14:34,478 --> 00:14:36,607
that they had never seen,
let alone heard
236
00:14:36,742 --> 00:14:39,610
or-or performed
any of that music.
237
00:14:39,745 --> 00:14:41,887
So he-he would do
radical things,
238
00:14:42,023 --> 00:14:44,154
like, uh, disregarding
the tempo primo
239
00:14:44,290 --> 00:14:46,683
or-or ending this phrase
molto ritardando,
240
00:14:46,819 --> 00:14:49,320
even though
it had no such marking.
241
00:14:49,455 --> 00:14:50,696
Was he over-egging it?
242
00:14:50,831 --> 00:14:52,197
Oh, no, no, no. Not at all.
243
00:14:52,332 --> 00:14:55,998
He, he, he celebrated the joy
of his discovery.
244
00:14:56,134 --> 00:14:57,532
You just told us a moment ago
245
00:14:57,667 --> 00:15:00,039
that your discovery
takes place in rehearsal.
246
00:15:00,174 --> 00:15:02,668
When will that process
begin again for you?
247
00:15:03,612 --> 00:15:04,907
We start on Monday.
248
00:15:05,043 --> 00:15:06,879
-Immediately?
-Mm.
249
00:15:07,015 --> 00:15:09,314
With this one,
it really is about
250
00:15:09,450 --> 00:15:13,843
trying to read the tea leaves
of-of Mahler's intention.
251
00:15:13,979 --> 00:15:15,478
I mean, we know a great deal
about this
252
00:15:15,614 --> 00:15:17,146
with his other symphonies.
253
00:15:17,282 --> 00:15:19,389
You know, he was so inspired
by the poetry of Rückert
254
00:15:19,524 --> 00:15:21,828
that for years he didn't set
another author to music.
255
00:15:21,963 --> 00:15:24,828
But all of this changes
with the Five.
256
00:15:24,963 --> 00:15:27,161
The Five is a mystery.
257
00:15:27,297 --> 00:15:29,936
And the only clue he leaves us
258
00:15:30,072 --> 00:15:32,004
is on the cover
of the manuscript itself.
259
00:15:32,140 --> 00:15:36,008
Yes, the-the dedication
to his new wife, Alma.
260
00:15:36,144 --> 00:15:38,007
So if you're gonna partner
with Mahler
261
00:15:38,142 --> 00:15:40,845
on his, uh, fifth symphony,
262
00:15:40,980 --> 00:15:42,379
the first thing you must do
263
00:15:42,514 --> 00:15:46,846
is try to understand
that very complex marriage.
264
00:15:46,982 --> 00:15:49,714
And would you say that you have
a different interpretation
265
00:15:49,849 --> 00:15:52,157
of that marriage
than Bernstein did?
266
00:15:53,692 --> 00:15:58,126
You mentioned my ethnographic
fieldwork in the Amazon.
267
00:15:58,262 --> 00:16:00,933
Well, Adam, the Shipibo-Konibo
268
00:16:01,068 --> 00:16:03,703
only receive an icaro, or song,
269
00:16:03,839 --> 00:16:05,436
if the singer is there, right?
270
00:16:05,572 --> 00:16:09,308
On the same side of the-the
spirit that-that created it.
271
00:16:09,443 --> 00:16:12,903
And in that way, the past
and the present converge.
272
00:16:13,038 --> 00:16:16,413
It's the flip sides
of the same cosmic coin.
273
00:16:16,548 --> 00:16:19,413
That definition of fidelity
makes sense to me.
274
00:16:19,549 --> 00:16:21,944
But Lenny,
he believed in teshuvah.
275
00:16:22,080 --> 00:16:24,387
The Talmudic power
to reach back into time
276
00:16:24,522 --> 00:16:27,384
and-and transform
the, uh, significance
277
00:16:27,520 --> 00:16:28,954
of one's past deeds.
278
00:16:29,090 --> 00:16:33,094
So when he played the Adagietto
at Robert Kennedy's funeral,
279
00:16:33,229 --> 00:16:35,266
it ran for 12 minutes.
280
00:16:35,402 --> 00:16:37,731
-He treated it as a mass.
-(agreeing murmur)
281
00:16:37,867 --> 00:16:39,568
And, you know, if you listen
to a recording of it,
282
00:16:39,703 --> 00:16:43,338
you will no doubt feel
the tragedy and-and the pathos.
283
00:16:43,474 --> 00:16:46,011
And of course
that, uh, interpretation
284
00:16:46,147 --> 00:16:48,147
was very true for Mahler
later in life,
285
00:16:48,282 --> 00:16:50,246
after the professional bottom
dropped out
286
00:16:50,382 --> 00:16:52,316
and Alma had left him
for Gropius.
287
00:16:52,452 --> 00:16:57,586
But, as I said before,
we are dealing with time.
288
00:16:57,721 --> 00:17:02,157
And this piece was not born
into aching tragedy.
289
00:17:02,292 --> 00:17:04,597
It was born into young love.
290
00:17:04,733 --> 00:17:06,861
And so you chose...
291
00:17:06,996 --> 00:17:08,432
Love.
292
00:17:08,568 --> 00:17:11,462
-(audience murmuring)
-Right, but precisely how long?
293
00:17:11,597 --> 00:17:12,868
(quietly):
Well...
294
00:17:13,004 --> 00:17:14,936
seven minutes.
295
00:17:15,071 --> 00:17:17,341
(laughter)
296
00:17:19,071 --> 00:17:21,978
WOMAN: I was so taken
by what you said to Adam
297
00:17:22,114 --> 00:17:25,279
about, um, interpretation
298
00:17:25,414 --> 00:17:28,786
and specifically about feelings,
299
00:17:28,922 --> 00:17:31,181
and that you chose love.
300
00:17:32,250 --> 00:17:34,517
And I know it's said
that you should leave the tears
301
00:17:34,653 --> 00:17:36,624
for the audience, but...
302
00:17:36,760 --> 00:17:39,394
do you ever find yourself
overwhelmed by emotion
303
00:17:39,530 --> 00:17:41,130
when you're up there
at the podium?
304
00:17:41,265 --> 00:17:43,032
-TÁR: Yes.
-(sighs)
305
00:17:43,167 --> 00:17:44,995
Yes, that does happen.
306
00:17:45,130 --> 00:17:48,139
There's an...
an expectation-reward cycle
307
00:17:48,275 --> 00:17:50,243
with some works
and the spots in them
308
00:17:50,378 --> 00:17:53,177
that I find so incredible,
that when I'm conducting,
309
00:17:53,313 --> 00:17:55,578
it's not that
I'm rushing exactly,
310
00:17:55,713 --> 00:17:58,316
but, oh, I just can't wait
to get to that spot,
311
00:17:58,452 --> 00:18:00,751
and, yeah, it does it.
It does it every time.
312
00:18:00,886 --> 00:18:02,319
(laughs softly)
313
00:18:02,455 --> 00:18:04,320
So it's physical
as well as emotional.
314
00:18:04,455 --> 00:18:06,320
-Hmm. Hmm.
-God, it must take hours
315
00:18:06,455 --> 00:18:08,559
to come back down to earth.
316
00:18:08,694 --> 00:18:12,029
You say things after others
remember, but you won't.
317
00:18:12,164 --> 00:18:14,265
And sleep, it's impossible.
318
00:18:14,400 --> 00:18:16,393
It's like my freshman year
at Smith.
319
00:18:16,529 --> 00:18:18,327
(Tár chuckles)
320
00:18:18,463 --> 00:18:19,663
(sighs)
321
00:18:19,799 --> 00:18:21,497
Which piece does that to you?
322
00:18:21,633 --> 00:18:22,934
Oh, I saw you.
323
00:18:23,070 --> 00:18:25,206
I saw you conduct, uh,
The Rite of Spring
324
00:18:25,341 --> 00:18:26,712
at the Met last year.
325
00:18:26,848 --> 00:18:28,839
It was so powerful.
326
00:18:28,974 --> 00:18:31,017
TÁR:
Thank you. Thank you.
327
00:18:31,152 --> 00:18:34,017
It's...
It's the 11 pistol shots--
328
00:18:34,152 --> 00:18:35,386
it's a prime number--
329
00:18:35,521 --> 00:18:37,881
that strike you as both victim
and perpetrator.
330
00:18:38,017 --> 00:18:39,457
You know, it's not until
I conducted it
331
00:18:39,592 --> 00:18:43,196
that I became convinced
we're all capable of murder.
332
00:18:43,331 --> 00:18:45,955
That is a fantastic handbag,
by the way.
333
00:18:46,091 --> 00:18:48,524
Thank you.
I'm glad you like it.
334
00:18:48,659 --> 00:18:50,127
Oh, I do. I do.
335
00:18:50,262 --> 00:18:52,035
(quietly): Sorry.
Your lunch with Mr. Kaplan.
336
00:18:52,170 --> 00:18:53,771
His driver is waiting.
337
00:18:53,906 --> 00:18:55,031
All right.
338
00:18:55,167 --> 00:18:56,207
I-I'm sorry,
I've forgotten your name.
339
00:18:56,342 --> 00:18:57,809
-Whitney. Whitney Reese.
-Whitney.
340
00:18:57,945 --> 00:18:58,942
Whitney, of course.
341
00:18:59,077 --> 00:19:00,445
I'm, I'm so sorry,
342
00:19:00,580 --> 00:19:02,138
and unfortunately
I've left things a bit late
343
00:19:02,273 --> 00:19:03,539
-and there's something
I can't get out of. -Oh.
344
00:19:03,675 --> 00:19:04,716
I understand.
345
00:19:04,851 --> 00:19:07,253
Can I text you?
346
00:19:26,369 --> 00:19:28,571
It's perfect, Aldo.
347
00:19:31,202 --> 00:19:33,602
Oh. I was hoping
we could celebrate.
348
00:19:33,738 --> 00:19:35,739
No. So was I.
349
00:19:35,875 --> 00:19:37,408
I've got a class at Juilliard.
350
00:19:37,543 --> 00:19:38,574
Oh, good.
351
00:19:38,709 --> 00:19:40,112
I promised Ben.
352
00:19:40,248 --> 00:19:43,685
I'm sure you'll have a few
elbowing for an Accordion slot.
353
00:19:44,588 --> 00:19:47,260
We should open up
the fellowship.
354
00:19:47,395 --> 00:19:49,593
-What, expand our numbers?
-No, our sex.
355
00:19:49,729 --> 00:19:52,931
I mean, it feels quaint
to keep things single-gender.
356
00:19:53,066 --> 00:19:54,266
We've made our point.
357
00:19:54,401 --> 00:19:56,025
And, honestly,
we've had no real trouble
358
00:19:56,161 --> 00:19:58,000
successfully placing
any of them.
359
00:19:58,135 --> 00:19:59,936
Except one.
360
00:20:00,071 --> 00:20:01,707
Oh, well.
361
00:20:01,842 --> 00:20:03,841
She had issues.
362
00:20:03,977 --> 00:20:05,476
So I've heard.
363
00:20:05,612 --> 00:20:07,603
The topic comes up
in every Citibank meeting
364
00:20:07,738 --> 00:20:10,014
with her father.
365
00:20:10,149 --> 00:20:11,618
I'm sorry about that.
366
00:20:11,753 --> 00:20:12,809
It's fine.
367
00:20:12,944 --> 00:20:15,115
It's nothing I can't handle.
368
00:20:16,084 --> 00:20:20,320
So, you want to torpedo
Accordion's founding principle?
369
00:20:20,456 --> 00:20:22,357
We'd likely lose donors.
370
00:20:22,492 --> 00:20:24,955
Yeah, I suppose that's true.
371
00:20:25,091 --> 00:20:27,031
M-Maybe it's something
we revisit
372
00:20:27,166 --> 00:20:29,027
-down the line.
-Sure.
373
00:20:29,162 --> 00:20:31,533
Now, Bryant Park's locked
for the 25th.
374
00:20:31,669 --> 00:20:33,635
Nan asked me
to help fill the place,
375
00:20:33,771 --> 00:20:35,467
so the Kaplan Fund
is gonna buy some radio
376
00:20:35,603 --> 00:20:37,633
and outdoor advertising.
377
00:20:37,769 --> 00:20:39,812
And claqueurs.
378
00:20:39,948 --> 00:20:41,136
It's too big, Eliot.
379
00:20:41,272 --> 00:20:42,681
She should have booked
the Strand.
380
00:20:42,816 --> 00:20:44,013
Relax.
381
00:20:44,148 --> 00:20:46,252
It'll be great.
382
00:20:46,388 --> 00:20:48,783
And it almost falls
on your birthday.
383
00:20:50,690 --> 00:20:53,091
I was, uh, I was sorry
you weren't able to make it
384
00:20:53,227 --> 00:20:55,295
to my Mahler Three in London.
385
00:20:56,126 --> 00:20:57,825
Me, too.
386
00:20:59,167 --> 00:21:01,532
Uh, Petra had a school thing.
387
00:21:01,667 --> 00:21:06,306
Uh, and I promised Sharon
I'd be there.
388
00:21:07,336 --> 00:21:09,341
Of course.
389
00:21:09,477 --> 00:21:12,576
I was just hoping
for your honest opinion.
390
00:21:12,711 --> 00:21:15,443
My player rating sheets
were off the charts.
391
00:21:15,579 --> 00:21:17,416
Those are confidential, Eliot.
392
00:21:17,551 --> 00:21:19,847
Well, the principal oboist
is a big fan.
393
00:21:21,086 --> 00:21:22,355
On the way back,
394
00:21:22,490 --> 00:21:24,181
I was listening to yours
with the Israeli Phil,
395
00:21:24,317 --> 00:21:26,182
and I was struck
by what you managed to pull
396
00:21:26,318 --> 00:21:28,524
from the strings
in the last movement.
397
00:21:28,660 --> 00:21:32,127
I mean, how did you
get them there?
398
00:21:32,262 --> 00:21:33,690
Was it the hall?
399
00:21:33,826 --> 00:21:35,291
Was it the players?
400
00:21:35,426 --> 00:21:38,369
(scoffs) The players weren't
very obliging.
401
00:21:38,505 --> 00:21:40,104
The principal violinist
came up to me
402
00:21:40,240 --> 00:21:41,372
after the first rehearsal
403
00:21:41,508 --> 00:21:43,533
-and asked if I was a Jew.
-What?
404
00:21:43,668 --> 00:21:46,479
It seemed to him unusual, if
not suspicious, that a non-Jew
405
00:21:46,614 --> 00:21:49,580
would be interested
in conducting Jewish music.
406
00:21:49,715 --> 00:21:52,583
-(Eliot chuckles)
-Felt like Max Bruch.
407
00:21:52,718 --> 00:21:56,046
Well, big Jew that I am,
the Kaplan Fund has, uh,
408
00:21:56,181 --> 00:21:58,048
committed a sizable
amount to them
409
00:21:58,183 --> 00:21:59,657
-for a klezmer commission.
-Mm-hmm.
410
00:21:59,792 --> 00:22:01,657
Uh, maybe they'll invite me
to guest conduct.
411
00:22:01,793 --> 00:22:03,719
Oh, well, they'd be lucky
to have you.
412
00:22:03,854 --> 00:22:05,622
Oh, please.
413
00:22:05,757 --> 00:22:07,597
I know my place.
414
00:22:07,733 --> 00:22:10,370
Money can't always
buy you everything.
415
00:22:11,305 --> 00:22:13,439
You don't really believe that.
416
00:22:13,575 --> 00:22:15,569
I'll have you know
I tried to bribe Francesca
417
00:22:15,704 --> 00:22:17,272
to let me look at your notation.
418
00:22:17,408 --> 00:22:18,844
She sent me packing.
419
00:22:18,979 --> 00:22:20,470
Good girl.
420
00:22:21,473 --> 00:22:23,106
That gentleman sitting
over there with the gnome
421
00:22:23,242 --> 00:22:25,484
is urgently focused
on our table.
422
00:22:25,619 --> 00:22:28,749
At first, I thought
he was looking at me,
423
00:22:28,885 --> 00:22:31,023
but I think he's got
his eye on you.
424
00:22:31,159 --> 00:22:32,920
Please try and ignore him.
425
00:22:33,055 --> 00:22:35,159
I can excuse myself
and go wash my hands
426
00:22:35,295 --> 00:22:36,920
if you'd like to be alone.
427
00:22:37,056 --> 00:22:39,796
And I would never forgive you.
428
00:22:39,932 --> 00:22:42,024
The last thing I need
is to be buttonholed in here
429
00:22:42,159 --> 00:22:44,096
by someone exactly like me.
430
00:22:45,639 --> 00:22:47,607
Uh, what time are you
leaving tomorrow?
431
00:22:48,443 --> 00:22:50,833
Francesca's looking
into flights.
432
00:22:50,969 --> 00:22:52,175
Well, call her off.
433
00:22:52,311 --> 00:22:54,002
Leave when you like.
434
00:22:54,138 --> 00:22:55,778
You don't have to do that.
435
00:22:55,913 --> 00:22:59,618
My motives are not entirely
altruistic.
436
00:22:59,753 --> 00:23:02,151
Just one peek. One peek
at your performing score.
437
00:23:02,287 --> 00:23:04,889
(Tár chuckles)
438
00:23:05,024 --> 00:23:06,390
Fine.
439
00:23:06,525 --> 00:23:09,519
-Would 5:15 be okay?
-Sure.
440
00:23:09,655 --> 00:23:12,494
Okay, I mean, I do... I have
to get turned around fast.
441
00:23:12,629 --> 00:23:14,828
We're filling a vacant position.
442
00:23:14,963 --> 00:23:17,002
Oh, please tell me
it's Sebastian.
443
00:23:17,138 --> 00:23:18,369
Now, be fair, Eliot.
444
00:23:18,504 --> 00:23:20,829
Sebastian has decent technique.
445
00:23:20,965 --> 00:23:22,231
He has baton.
446
00:23:22,367 --> 00:23:23,741
A month ago,
I dropped into Bunkamura
447
00:23:23,876 --> 00:23:26,974
to watch the Turing machine
trot out Chopin One.
448
00:23:27,109 --> 00:23:30,510
Ol' Sebastian really
is Mr. Tempo Rubato.
449
00:23:30,646 --> 00:23:32,215
Robot-o is more like it.
450
00:23:32,351 --> 00:23:33,551
Why do you keep him on?
451
00:23:33,686 --> 00:23:35,883
Oh, he's Andris's man,
you know that.
452
00:23:36,018 --> 00:23:37,657
Exactly. You inherited
that decision.
453
00:23:37,792 --> 00:23:39,658
Seven years is a long time
to pretend you respect it.
454
00:23:39,793 --> 00:23:42,121
They have different
labor contracts over there.
455
00:23:44,398 --> 00:23:47,361
He's a... he's a strange guy.
456
00:23:47,496 --> 00:23:48,857
Who? Andris?
457
00:23:48,993 --> 00:23:50,861
No, Sebastian.
458
00:23:50,996 --> 00:23:53,335
He has, uh, fetishes.
459
00:23:53,471 --> 00:23:55,333
Fetishes? Like what?
460
00:23:55,468 --> 00:23:59,035
Nostalgia for prewar Kalmus
miniature scores,
461
00:23:59,170 --> 00:24:01,004
dead-stock pencils he's seen
462
00:24:01,139 --> 00:24:03,039
von Karajan hold in photographs.
463
00:24:03,175 --> 00:24:05,007
You know, that sort of thing.
464
00:24:05,143 --> 00:24:07,487
(scoffs)
That's just sad.
465
00:24:11,556 --> 00:24:14,021
Yeah, but you're not wrong.
466
00:24:14,156 --> 00:24:17,156
I am gonna have to rotate him
at some point.
467
00:24:19,428 --> 00:24:21,831
For who?
468
00:24:26,164 --> 00:24:27,601
What Love Teaches Me.
469
00:24:27,736 --> 00:24:30,004
That string notation.
470
00:24:31,445 --> 00:24:33,678
Mahler gives it to you himself.
471
00:24:36,174 --> 00:24:37,382
-Come on.
-Trust me.
472
00:24:37,517 --> 00:24:38,880
You do not want to go to school
473
00:24:39,016 --> 00:24:41,416
on someone else's
red and blue pencil.
474
00:24:41,552 --> 00:24:43,054
Least of all, mine.
475
00:24:43,190 --> 00:24:44,547
Oh, but I do.
476
00:24:44,682 --> 00:24:45,956
(sighs) All right.
Will you quit pestering me?
477
00:24:46,092 --> 00:24:48,059
Yes.
478
00:24:48,194 --> 00:24:50,189
Free bowing.
479
00:24:51,622 --> 00:24:53,929
It's not pretty
for an audience to look at,
480
00:24:54,064 --> 00:24:55,562
but if you can manage
to keep your players
481
00:24:55,698 --> 00:24:57,570
out of the weeds...
482
00:24:58,405 --> 00:25:00,606
... the sound's ferocious.
483
00:25:02,207 --> 00:25:04,104
Oh.
484
00:25:07,538 --> 00:25:10,583
There's no glory
for a robot, Eliot.
485
00:25:14,221 --> 00:25:16,215
Do your own thing.
486
00:25:18,322 --> 00:25:20,593
Hmm.
487
00:25:24,265 --> 00:25:25,926
(piano plays deep chord)
488
00:25:26,062 --> 00:25:28,568
(playing "Ró"
by Anna Thorvaldsdóttir)
489
00:25:31,802 --> 00:25:34,068
-(hollow thump)
-(soft knock)
490
00:25:36,070 --> 00:25:38,367
-(soft knock)
-(hollow thump)
491
00:25:38,503 --> 00:25:40,970
-All right, um...
-(playing stops)
492
00:25:41,106 --> 00:25:43,615
Let's... stop here.
493
00:25:43,750 --> 00:25:45,451
-Thank you, Max. Very good.
-Thanks.
494
00:25:45,586 --> 00:25:50,388
Um, just for my own
edification...
495
00:25:50,524 --> 00:25:52,619
why did you come to Juilliard?
496
00:25:52,755 --> 00:25:54,959
(Max clicks tongue)
497
00:25:55,995 --> 00:25:58,194
Uh, it's the best music
conservatory in the country?
498
00:25:58,329 --> 00:26:01,324
People from Curtis, Eastman,
and others may beg to differ.
499
00:26:01,460 --> 00:26:03,801
I mean,
Juilliard's a brand, right?
500
00:26:03,936 --> 00:26:06,637
So, did you come to study
with a brand?
501
00:26:06,773 --> 00:26:08,906
-No. -No, right.
So there's a teacher
502
00:26:09,042 --> 00:26:11,335
or graduate somewhere
down the line who, you know,
503
00:26:11,471 --> 00:26:12,843
conjured something
in your imagination.
504
00:26:12,978 --> 00:26:15,213
-Someone you aspire
to be yourself. -Mm-hmm.
505
00:26:15,348 --> 00:26:16,972
So, who was that?
506
00:26:17,107 --> 00:26:18,482
Sarah Chang.
507
00:26:18,617 --> 00:26:20,385
Hmm. So you're a violinist?
508
00:26:20,520 --> 00:26:22,154
-Yeah.
-All right, okay.
509
00:26:22,290 --> 00:26:23,756
Well, I can see why
510
00:26:23,891 --> 00:26:26,484
you would choose to conduct
a piece like this.
511
00:26:26,619 --> 00:26:28,893
Must be a familiar pleasure
in presiding over
512
00:26:29,029 --> 00:26:31,727
a bed of strings that behave
as if they're tuning.
513
00:26:31,862 --> 00:26:33,695
-(scattered laughter)
-Now...
514
00:26:33,831 --> 00:26:38,329
this piece is very au courant.
515
00:26:38,464 --> 00:26:40,838
I mean, here,
the composer tells us
516
00:26:40,973 --> 00:26:43,007
to begin with "back-and-forth
tremolo strokes
517
00:26:43,143 --> 00:26:47,043
with wire brush and slowly
sliding crotales over skin."
518
00:26:47,178 --> 00:26:49,609
Sounds like René Redzepi's
recipe for reindeer.
519
00:26:49,744 --> 00:26:51,211
(sighs heavily)
520
00:26:51,346 --> 00:26:54,010
It's exciting to play
new music, isn't it?
521
00:26:54,146 --> 00:26:55,348
-Yeah.
-Yeah.
522
00:26:55,483 --> 00:26:58,823
Great. All right, please,
join the other fellows.
523
00:27:00,157 --> 00:27:03,619
Now, I know you're all
conducting students
524
00:27:03,754 --> 00:27:06,398
of, uh, Mr. Wolfe's,
but how many of you
525
00:27:06,534 --> 00:27:09,597
are also studying composition?
526
00:27:09,733 --> 00:27:11,202
Right, what's your name?
527
00:27:11,337 --> 00:27:12,633
Olive Kerr.
528
00:27:12,769 --> 00:27:15,204
All right, Olive. Uh...
529
00:27:15,340 --> 00:27:17,704
What do you make of what
we've just been listening to?
530
00:27:17,840 --> 00:27:19,711
It's pretty awesome.
531
00:27:19,847 --> 00:27:22,778
I mean, there's incredible
atonal tension.
532
00:27:22,913 --> 00:27:25,115
I agree about the tension part.
533
00:27:25,251 --> 00:27:28,985
Now, you can intellectually
contemplate, or masturbate,
534
00:27:29,121 --> 00:27:32,914
about the felicity
of the so-called "atonal,"
535
00:27:33,050 --> 00:27:38,593
but the important question here
is: What are you conducting?
536
00:27:38,729 --> 00:27:39,893
What is the effect?
537
00:27:40,028 --> 00:27:42,899
What is it actually doing to me?
538
00:27:43,035 --> 00:27:46,767
Good music can be
as ornate as a cathedral
539
00:27:46,903 --> 00:27:49,007
or bare as a potting shed
540
00:27:49,143 --> 00:27:52,510
so long as it allows you to
answer both those questions.
541
00:27:52,645 --> 00:27:54,743
-(claps hands)
-Max.
542
00:27:54,878 --> 00:27:57,211
Come on, what do you think?
543
00:28:00,120 --> 00:28:04,922
When... Anna Thorvaldsdóttir
gave her master class,
544
00:28:05,058 --> 00:28:08,951
she said she was often
influenced by the form
545
00:28:09,086 --> 00:28:14,459
and structure of landscapes
and nature she grew up within.
546
00:28:14,594 --> 00:28:16,834
But I'm not sure
she was interested per se
547
00:28:16,970 --> 00:28:20,163
in, uh, describing
those actual sounds.
548
00:28:20,299 --> 00:28:22,841
Very Punkt Kontra Punkt.
549
00:28:24,068 --> 00:28:25,473
Yes.
550
00:28:25,608 --> 00:28:30,279
The intent of her composition
is vague, to say the least.
551
00:28:30,415 --> 00:28:35,181
So, if her intent is vague,
how do you, as a conductor,
552
00:28:35,317 --> 00:28:38,785
have a point of view
about anything?
553
00:28:38,921 --> 00:28:40,354
Now, to be fair, I mean,
554
00:28:40,489 --> 00:28:42,885
there are times when you will
simply have no choice.
555
00:28:43,021 --> 00:28:45,393
And you will be made to stand
in front of an orchestra
556
00:28:45,529 --> 00:28:48,697
and pretend that there are
these invisible structures.
557
00:28:48,832 --> 00:28:51,793
But my prayer for you
558
00:28:51,929 --> 00:28:54,004
is that you will be spared
the embarrassment
559
00:28:54,139 --> 00:28:56,302
of standing on the podium
with a 4'33",
560
00:28:56,438 --> 00:28:58,970
trying to sell a car
without an engine.
561
00:28:59,106 --> 00:29:01,304
Because now, my friends,
562
00:29:01,439 --> 00:29:04,509
now is the time to conduct music
563
00:29:04,644 --> 00:29:07,852
that actually requires
something of you.
564
00:29:07,987 --> 00:29:09,483
You know,
music that everybody knows
565
00:29:09,619 --> 00:29:14,154
but will hear differently
when you interpret it for them.
566
00:29:14,289 --> 00:29:18,021
For instance, Max,
why not a Kyrie?
567
00:29:18,156 --> 00:29:23,225
You know, like, uh, something
like Bach's Mass in B minor.
568
00:29:23,361 --> 00:29:24,766
(chuckles nervously)
569
00:29:24,902 --> 00:29:26,737
I'm not really into Bach.
570
00:29:26,872 --> 00:29:29,503
-You're not into Bach?
-Mm-hmm.
571
00:29:29,639 --> 00:29:31,438
Oh, Max.
572
00:29:32,341 --> 00:29:34,442
Have you read
the Schweitzer book?
573
00:29:34,578 --> 00:29:36,205
No.
574
00:29:36,340 --> 00:29:37,679
Well, you should.
575
00:29:37,815 --> 00:29:40,013
It's an important text.
576
00:29:40,149 --> 00:29:42,417
Now, Antonia Brico thought so.
577
00:29:42,553 --> 00:29:45,354
So much so that she shipped
herself to Equatorial Africa
578
00:29:45,490 --> 00:29:48,190
and canoed up the Congo River
to track Schweitzer down
579
00:29:48,325 --> 00:29:51,358
and ask him to teach her
what he knew about Bach.
580
00:29:51,494 --> 00:29:53,365
I mean, somewhere,
I've got a picture of her
581
00:29:53,501 --> 00:29:55,598
in a, in a pith helmet.
582
00:29:55,734 --> 00:29:57,067
I mean, have you...
583
00:29:57,202 --> 00:30:01,104
have you ever played
or-or conducted Bach?
584
00:30:01,239 --> 00:30:06,778
Honestly, as a BIPOC,
pangender person,
585
00:30:06,914 --> 00:30:08,714
I would say Bach's
misogynistic life
586
00:30:08,849 --> 00:30:11,715
makes it kind of impossible
for me
587
00:30:11,850 --> 00:30:14,249
to take his music seriously.
588
00:30:15,685 --> 00:30:17,286
Come on.
589
00:30:17,421 --> 00:30:20,253
What do... what do...
what do you mean by that?
590
00:30:20,389 --> 00:30:24,429
Well, didn't he sire,
like, 20 kids?
591
00:30:24,565 --> 00:30:26,591
Yes, that's documented.
592
00:30:26,726 --> 00:30:30,164
Along with a considerable
amount of music.
593
00:30:30,300 --> 00:30:32,764
But I'm sorry,
I'm... I'm unclear
594
00:30:32,899 --> 00:30:35,407
as to what his prodigious
skills in the marital bed
595
00:30:35,543 --> 00:30:38,573
have to do with B minor.
596
00:30:38,708 --> 00:30:40,012
Sure.
597
00:30:40,147 --> 00:30:42,905
All right, whatever.
That's-that's your choice.
598
00:30:43,040 --> 00:30:45,776
I mean, after all, "a soul
selects her own society."
599
00:30:45,911 --> 00:30:48,612
But remember, the flip side
of that selection
600
00:30:48,748 --> 00:30:51,417
closes the valves
of one's attention.
601
00:30:51,553 --> 00:30:55,918
Now, of course,
siloing what is acceptable
602
00:30:56,053 --> 00:30:59,128
or not acceptable
is a basic construct of many,
603
00:30:59,264 --> 00:31:01,767
if not most,
symphony orchestras today,
604
00:31:01,902 --> 00:31:03,667
who see it
as their imperial right
605
00:31:03,803 --> 00:31:05,427
to curate for the cretins.
606
00:31:05,562 --> 00:31:07,270
So, slippery as it is,
607
00:31:07,405 --> 00:31:11,109
there is some merit
in examining Max's allergy.
608
00:31:11,244 --> 00:31:14,343
Can classical music
written by a bunch of straight,
609
00:31:14,478 --> 00:31:17,774
Austro-German, churchgoing
white guys exalt us,
610
00:31:17,909 --> 00:31:20,150
individually
as-as well as collectively,
611
00:31:20,285 --> 00:31:24,286
and who, may I ask,
gets to decide that?
612
00:31:25,289 --> 00:31:27,656
(sighs)
You know, what about Beethoven?
613
00:31:27,792 --> 00:31:29,619
You into him?
614
00:31:29,755 --> 00:31:32,293
Because for me,
as a U-Haul lesbian,
615
00:31:32,429 --> 00:31:35,660
I'm... I'm not too sure
about old Ludwig.
616
00:31:36,769 --> 00:31:40,034
But then, I face him.
617
00:31:40,170 --> 00:31:42,303
And I find myself nose-to-nose
618
00:31:42,438 --> 00:31:47,012
with his magnitude
and inevitability.
619
00:31:49,178 --> 00:31:52,145
Come on, Max. Indulge me.
620
00:31:52,280 --> 00:31:55,651
Let's allow Bach a similar gaze.
621
00:31:55,786 --> 00:31:57,079
(inhales deeply)
622
00:31:57,215 --> 00:32:00,258
(playing Bach's Präludium
und Fuge C-Dur. BWV 846)
623
00:32:00,394 --> 00:32:01,961
Sit.
624
00:32:04,788 --> 00:32:07,495
Now, this is all
filigree, right?
625
00:32:07,630 --> 00:32:12,334
I mean, it could be
a first-year piano student.
626
00:32:12,469 --> 00:32:17,141
♪ Or Schroeder playing
for Lucy. ♪
627
00:32:19,043 --> 00:32:21,475
Or Glenn Gould, for that matter.
628
00:32:26,053 --> 00:32:28,548
Now, it's not until
it changes...
629
00:32:29,746 --> 00:32:31,052
... when you get inside it,
630
00:32:31,187 --> 00:32:32,688
that you hear what it really is.
631
00:32:32,823 --> 00:32:34,521
It's a question.
632
00:32:36,927 --> 00:32:39,031
And an answer.
633
00:32:40,658 --> 00:32:43,266
Which begs another question.
634
00:32:45,333 --> 00:32:47,535
There's a humility in Bach.
635
00:32:47,670 --> 00:32:51,472
He's not pretending
he's certain about anything.
636
00:32:51,607 --> 00:32:54,636
'Cause he knows
that it's always the question
637
00:32:54,771 --> 00:32:57,716
that involves the listener.
638
00:32:57,852 --> 00:33:00,809
It's never the answer, right?
639
00:33:00,945 --> 00:33:04,318
Now, the big question
for you is:
640
00:33:04,454 --> 00:33:07,026
(growling):
What do you think, Max?
641
00:33:10,861 --> 00:33:12,730
(exhales)
642
00:33:12,865 --> 00:33:14,729
You play really well.
643
00:33:14,865 --> 00:33:21,005
But nowadays, white, male, cis
composers, just not my thing.
644
00:33:21,140 --> 00:33:25,273
Don't be so eager
to be offended.
645
00:33:25,409 --> 00:33:27,440
The narcissism
of small differences
646
00:33:27,576 --> 00:33:30,244
leads to the most boring
conformity.
647
00:33:30,379 --> 00:33:32,278
I guess Edgard Varèse is okay.
648
00:33:32,413 --> 00:33:34,252
I mean, I like "Arcana," anyway.
649
00:33:34,387 --> 00:33:37,283
Oh, well, then you must be
aware that Varèse
650
00:33:37,419 --> 00:33:39,586
once famously stated that jazz
651
00:33:39,721 --> 00:33:44,086
was "a Negro product
exploited by the Jews."
652
00:33:44,221 --> 00:33:46,757
Didn't stop Jerry Goldsmith
from ripping him off
653
00:33:46,892 --> 00:33:48,925
for his
Planet of the Apes score.
654
00:33:49,060 --> 00:33:51,367
It's kind of a perfect insult,
don't you think?
655
00:33:51,503 --> 00:33:55,139
But you see, the problem
with enrolling yourself
656
00:33:55,274 --> 00:33:57,639
as an ultrasonic epistemic
dissident
657
00:33:57,775 --> 00:34:01,344
is that if Bach's talent
can be reduced to his gender,
658
00:34:01,479 --> 00:34:04,616
birth country, religion,
sexuality, and so on,
659
00:34:04,751 --> 00:34:07,219
then so can yours.
660
00:34:07,354 --> 00:34:10,618
Now, someday, Max,
when you go out into the world
661
00:34:10,754 --> 00:34:14,392
and you guest conduct
for a major or minor orchestra,
662
00:34:14,528 --> 00:34:17,553
you may notice that the players
have more than light bulbs
663
00:34:17,689 --> 00:34:20,055
and music on their stands.
664
00:34:20,190 --> 00:34:23,232
They will also have been
handed rating sheets,
665
00:34:23,368 --> 00:34:26,232
the purpose of which
is to rate you.
666
00:34:26,368 --> 00:34:28,569
Now, what kind of criteria
667
00:34:28,704 --> 00:34:31,300
would you hope that they would
use to do this?
668
00:34:31,435 --> 00:34:34,674
Your score reading and stick
technique, or something else?
669
00:34:37,548 --> 00:34:41,017
All right, everyone,
using Max's criteria,
670
00:34:41,152 --> 00:34:43,814
let's consider Max's thing.
671
00:34:43,949 --> 00:34:46,488
In this case,
Anna Thorvaldsdóttir.
672
00:34:46,623 --> 00:34:50,259
Now, can we agree on two pieces
of observation?
673
00:34:50,395 --> 00:34:52,989
One, that Anna was born
in Iceland.
674
00:34:53,124 --> 00:34:55,333
And two, that she is,
in a, I don't know,
675
00:34:55,468 --> 00:34:57,866
Waldorf teacher kinda way,
a superhot young woman.
676
00:34:58,002 --> 00:34:59,895
Show of hands.
677
00:35:00,030 --> 00:35:02,071
All right,
now let's turn our gaze
678
00:35:02,206 --> 00:35:04,165
back to the piano bench up there
679
00:35:04,301 --> 00:35:07,412
and see if we can square
how any of those things
680
00:35:07,548 --> 00:35:11,748
possibly relate to the person
we see seated before us.
681
00:35:11,883 --> 00:35:13,746
(lid slams shut)
682
00:35:16,681 --> 00:35:18,421
Oh, where are you going?
683
00:35:22,060 --> 00:35:23,518
You're a fucking bitch.
684
00:35:23,653 --> 00:35:24,861
(Tár grunts)
685
00:35:24,997 --> 00:35:27,057
And you are a robot.
686
00:35:27,192 --> 00:35:29,692
I mean, unfortunately,
the architect of your soul
687
00:35:29,827 --> 00:35:32,361
appears to be social media.
688
00:35:32,496 --> 00:35:35,698
You want to dance the mask,
you must service the composer.
689
00:35:35,834 --> 00:35:37,042
You gotta sublimate yourself,
690
00:35:37,177 --> 00:35:39,905
your ego, and, yes,
your identity.
691
00:35:40,041 --> 00:35:42,714
You must, in fact, stand
in front of the public and God
692
00:35:42,850 --> 00:35:45,514
and obliterate yourself.
693
00:35:47,712 --> 00:35:49,387
(sighs):
All right.
694
00:35:49,523 --> 00:35:51,047
ALEC BALDWIN (over computer):
During the lockdown,
695
00:35:51,182 --> 00:35:53,252
you did something
I thought remarkable.
696
00:35:53,388 --> 00:35:55,052
You made music for free.
697
00:35:55,187 --> 00:35:57,753
Anyone at all could stream
Berlin performances
698
00:35:57,888 --> 00:36:00,130
without ever paying a dime.
699
00:36:00,266 --> 00:36:02,257
TÁR:
Well, that-that was a...
700
00:36:02,392 --> 00:36:05,470
it's a democratically made
decision by the players.
701
00:36:05,605 --> 00:36:09,672
And though I-I wish I could
claim the idea was mine,
702
00:36:09,808 --> 00:36:13,275
it really did spring from
the heart of Sharon Goodnow.
703
00:36:13,411 --> 00:36:14,846
BALDWIN:
Sharon is your partner.
704
00:36:14,982 --> 00:36:16,171
You have a child together,
705
00:36:16,307 --> 00:36:18,744
and she's also the
concertmaster for Berlin.
706
00:36:18,880 --> 00:36:20,919
-Does that ever...
-Yes, that's right.
707
00:36:21,055 --> 00:36:22,520
... complicate things for you?
708
00:36:22,656 --> 00:36:24,756
Your work getting into your
home or the other way ar...?
709
00:36:24,892 --> 00:36:26,885
(indistinct chatter)
710
00:36:38,469 --> 00:36:39,766
FRANCESCA:
Jake said he was certain
711
00:36:39,901 --> 00:36:41,773
you'd be happy with the drape
of the seat.
712
00:36:41,909 --> 00:36:43,265
I will be... (sighs)
713
00:36:43,400 --> 00:36:45,605
... if I can keep the fat off
until next month.
714
00:36:45,741 --> 00:36:48,577
(laughs):
You never gain weight.
715
00:36:49,343 --> 00:36:51,316
(laughs softly)
716
00:36:52,086 --> 00:36:54,144
Your... your mother texted me.
717
00:36:54,279 --> 00:36:56,679
She knows you're busy
but is hoping to drop by.
718
00:36:56,815 --> 00:36:57,986
(clears throat nervously)
719
00:36:58,121 --> 00:36:59,619
Next trip.
720
00:36:59,755 --> 00:37:01,988
What are you thinking
for dinner?
721
00:37:02,124 --> 00:37:03,660
Uh, no.
722
00:37:03,796 --> 00:37:06,530
No, I'm-I'm gonna stay in
and put this piano to good use.
723
00:37:06,665 --> 00:37:10,292
I'm suspicious of the E natural
in the cello line.
724
00:37:10,428 --> 00:37:13,628
Doesn't it sound like
warmed-over Charles Ives to you?
725
00:37:13,763 --> 00:37:15,371
Not-not at all.
726
00:37:15,506 --> 00:37:17,369
But don't worry,
I'll call Houston.
727
00:37:17,505 --> 00:37:18,805
They'll be flexible.
728
00:37:18,941 --> 00:37:21,472
(sighs) You must have
some New Haven friends
729
00:37:21,608 --> 00:37:23,642
you want to see tonight?
730
00:37:23,777 --> 00:37:25,916
(chuckles):
No. Not really.
731
00:37:26,052 --> 00:37:27,548
(Tár sighs, sniffs)
732
00:37:27,684 --> 00:37:30,813
Should I stop by later
for notes?
733
00:37:30,948 --> 00:37:32,819
No, that won't be necessary.
734
00:37:32,955 --> 00:37:35,789
-(playing dramatic melody)
-(quietly): Okay.
735
00:37:38,230 --> 00:37:43,533
Oh, I, I-I almost forgot, but...
736
00:37:43,668 --> 00:37:46,527
this was left for you
at the front desk.
737
00:37:46,663 --> 00:37:47,706
By who?
738
00:37:47,841 --> 00:37:49,698
They didn't say.
739
00:37:49,833 --> 00:37:51,532
Wh-What, no card?
740
00:37:51,668 --> 00:37:52,706
No.
741
00:37:52,842 --> 00:37:54,744
Okay, just, just leave it
over there.
742
00:37:54,880 --> 00:37:55,945
Thanks.
743
00:37:56,080 --> 00:37:58,350
♪ ♪
744
00:38:06,860 --> 00:38:08,022
Good night.
745
00:38:08,157 --> 00:38:09,691
Night.
746
00:38:15,000 --> 00:38:17,634
♪ ♪
747
00:38:17,769 --> 00:38:19,195
JESSICA HANSEN (over radio):
You're listening to
748
00:38:19,330 --> 00:38:21,571
All Things Considered
from NPR News.
749
00:38:21,707 --> 00:38:23,265
All Things Considered
is brought to you
750
00:38:23,401 --> 00:38:24,771
by the Corporation
for Public Broadcasting...
751
00:38:24,907 --> 00:38:26,441
TÁR (mimics):
Public Broadcasting.
752
00:38:26,577 --> 00:38:28,040
HANSEN:
... and I Eat Ears,
753
00:38:28,175 --> 00:38:31,216
-feeding the discerning
listener since 2008. -2008.
754
00:38:31,352 --> 00:38:32,615
-I Eat Ears,
-I Eat Ears,
755
00:38:32,751 --> 00:38:34,980
-and you should, too.
-and you should, too.
756
00:38:35,849 --> 00:38:39,121
HANSEN:
And now, more from NPR.
757
00:38:39,257 --> 00:38:40,491
Over the next few weeks,
758
00:38:40,626 --> 00:38:42,624
we'll be hearing poems
from four finalists
759
00:38:42,760 --> 00:38:46,464
for the National
Youth Poet Laureate Award.
760
00:38:54,232 --> 00:38:56,471
TÁR:
When were you informed of this?
761
00:38:56,607 --> 00:38:59,243
FRANCESCA:
Just this morning.
762
00:38:59,378 --> 00:39:01,473
Mr. Kaplan was very apologetic.
763
00:39:01,609 --> 00:39:02,907
I was able to get us on
764
00:39:03,043 --> 00:39:04,575
the 7:00 a.m. you like,
through Munich.
765
00:39:04,711 --> 00:39:05,745
The connection's short,
766
00:39:05,881 --> 00:39:07,909
but special services
are standing by.
767
00:39:08,045 --> 00:39:09,753
Where are things with DG?
768
00:39:09,889 --> 00:39:12,357
Please tell me they've finally
woken up to see the wisdom
769
00:39:12,493 --> 00:39:14,754
of honest-to-God LPs
for this release?
770
00:39:14,890 --> 00:39:16,825
-(Tár sighs)
-No movement there yet.
771
00:39:16,960 --> 00:39:18,592
Have you looked at the email
I drafted for you?
772
00:39:18,727 --> 00:39:19,992
-Sent it last night.
-Mm-hmm.
773
00:39:20,127 --> 00:39:22,864
-Well, just forward me
their response. -Mm-hmm.
774
00:39:23,900 --> 00:39:26,933
What's your take
on The New Yorker talk?
775
00:39:28,306 --> 00:39:29,501
It went well, I thought.
776
00:39:29,637 --> 00:39:31,274
Oh. You're hedging.
777
00:39:31,409 --> 00:39:32,668
(Francesca chuckles softly)
778
00:39:32,803 --> 00:39:34,045
I was garrulous.
779
00:39:34,181 --> 00:39:35,379
-No.
-(chuckles)
780
00:39:35,515 --> 00:39:37,444
No, not at all.
You, you were fabulous.
781
00:39:37,580 --> 00:39:39,847
(laughs):
Francesca.
782
00:39:39,982 --> 00:39:42,520
If you have any real interest
in conducting,
783
00:39:42,655 --> 00:39:44,450
you need to be able
to speak your mind.
784
00:39:44,586 --> 00:39:46,558
Okay. Perhaps you...
785
00:39:46,693 --> 00:39:48,993
You could've made less
of the relationship with...
786
00:39:49,128 --> 00:39:50,526
-Lenny?
-No.
787
00:39:50,662 --> 00:39:52,893
I-I was thinking
about Mahler and Alma's.
788
00:39:53,029 --> 00:39:54,796
-Oh. Huh. -You implied
that she betrayed him.
789
00:39:54,931 --> 00:39:58,067
I'm not, I'm not sure
I agree with that.
790
00:39:58,202 --> 00:39:59,499
Oh, really?
791
00:39:59,635 --> 00:40:01,196
Alma was a composer, too,
792
00:40:01,332 --> 00:40:03,374
but he insisted
she stop writing music.
793
00:40:03,510 --> 00:40:05,039
He said there was
only room for...
794
00:40:05,175 --> 00:40:07,310
-One asshole in the house?
-One asshole in the house. Yes.
795
00:40:07,446 --> 00:40:09,138
And she agreed to those rules.
796
00:40:09,274 --> 00:40:11,377
No one made that decision
for her.
797
00:40:11,512 --> 00:40:14,552
#RulesOfTheGame.
798
00:40:18,015 --> 00:40:20,459
(blows raspberry) Okay.
799
00:40:25,956 --> 00:40:27,395
(Francesca sighs)
800
00:40:27,530 --> 00:40:28,891
How was your evening?
801
00:40:29,026 --> 00:40:31,369
Yeah, was uneventful.
802
00:40:31,505 --> 00:40:33,735
Are there any
of Sharon's pills left?
803
00:40:33,870 --> 00:40:36,875
No, but Dr. Korovin
called these in.
804
00:40:37,010 --> 00:40:39,511
Ah, thanks.
805
00:40:42,181 --> 00:40:44,043
(exhales heavily)
806
00:40:46,818 --> 00:40:49,617
I received another weird email
from Krista.
807
00:40:49,752 --> 00:40:53,253
-Mm-hmm.
-How should I reply?
808
00:40:53,388 --> 00:40:55,054
Don't.
809
00:40:56,663 --> 00:40:59,954
Well, this one felt
especially desperate.
810
00:41:00,089 --> 00:41:01,929
(speaking German)
811
00:41:08,606 --> 00:41:10,872
(plane engine humming quietly)
812
00:41:15,113 --> 00:41:16,911
(sighs)
813
00:41:29,359 --> 00:41:31,189
(inhales deeply)
814
00:41:32,131 --> 00:41:33,998
(sighs heavily)
815
00:41:34,133 --> 00:41:35,965
(paper rustling)
816
00:41:36,101 --> 00:41:38,196
(sighs)
817
00:42:10,898 --> 00:42:13,165
(pencil scratching on paper)
818
00:42:14,570 --> 00:42:16,839
(muffled mumbling)
819
00:42:30,246 --> 00:42:32,316
(suitcase clattering)
820
00:42:44,094 --> 00:42:46,099
(keys jingle)
821
00:42:55,609 --> 00:42:57,946
(sighs)
822
00:43:00,448 --> 00:43:02,852
TÁR: Do you have some kind
of profit-sharing deal
823
00:43:02,987 --> 00:43:05,419
with the utility company
that I am unaware of?
824
00:43:05,554 --> 00:43:07,389
(Sharon gasping)
825
00:43:07,525 --> 00:43:09,985
The flutter's back.
826
00:43:10,121 --> 00:43:13,356
It's... It's racing.
827
00:43:13,491 --> 00:43:15,661
I can't find my Metoprolol
anywhere.
828
00:43:15,796 --> 00:43:18,230
(breath trembling)
829
00:43:20,199 --> 00:43:21,805
(whispers):
Oh, fuck.
830
00:43:23,134 --> 00:43:25,505
(opens pill bottle)
831
00:43:25,640 --> 00:43:27,410
(pills rattling)
832
00:43:27,546 --> 00:43:29,047
(Sharon breathing shakily)
833
00:43:29,182 --> 00:43:30,412
(opens lid)
834
00:43:30,548 --> 00:43:32,182
(runs water, stops)
835
00:43:32,317 --> 00:43:33,508
(closes lid)
836
00:43:33,644 --> 00:43:37,315
Uh, I found this
lying loose in the drawer.
837
00:43:39,722 --> 00:43:42,056
Is this the right one?
838
00:43:43,492 --> 00:43:45,059
Yeah.
839
00:43:50,027 --> 00:43:52,000
Thank you.
840
00:43:55,165 --> 00:43:57,199
Is that a new bag?
841
00:43:57,334 --> 00:43:59,576
Oh, it's just a gift from Eliot.
842
00:43:59,711 --> 00:44:00,978
(chuckles):
You want it?
843
00:44:01,114 --> 00:44:02,681
No.
844
00:44:03,744 --> 00:44:05,206
Suits you.
845
00:44:05,341 --> 00:44:06,949
(sets glass on table)
846
00:44:07,084 --> 00:44:12,790
Let's slow this down
to 60 beats a minute.
847
00:44:13,589 --> 00:44:15,090
(switch clicks)
848
00:44:15,226 --> 00:44:18,356
("Li'l Darlin'" by Count Basie
& His Orchestra playing)
849
00:44:21,190 --> 00:44:23,196
(Sharon sniffs)
850
00:44:25,363 --> 00:44:27,567
(Sharon breaths deeply, sighs)
851
00:44:27,702 --> 00:44:29,939
♪ ♪
852
00:44:36,779 --> 00:44:38,580
Actually, it's 64 beats.
853
00:44:38,715 --> 00:44:40,818
(Tár chuckles softly)
854
00:44:43,121 --> 00:44:46,257
Tried calling you
on your mobile last night.
855
00:44:46,393 --> 00:44:47,918
TÁR:
Hmm.
856
00:44:48,054 --> 00:44:50,822
And again at the hotel.
857
00:44:50,958 --> 00:44:53,391
Must've been asleep.
858
00:44:54,490 --> 00:44:56,257
You never sleep that deeply.
859
00:44:56,393 --> 00:44:58,494
No, no, don't be a scold.
860
00:44:58,630 --> 00:45:02,303
(quietly):
♪ Feelin' a feelin' ♪
861
00:45:03,406 --> 00:45:09,913
♪ For somethin' there ain't
too much of... ♪
862
00:45:10,681 --> 00:45:12,784
I'm worried about Petra.
863
00:45:15,119 --> 00:45:18,317
She's starting to disappear
into herself.
864
00:45:19,523 --> 00:45:21,320
Be specific.
865
00:45:24,294 --> 00:45:27,856
She keeps coming home
with bruises on her shins.
866
00:45:28,926 --> 00:45:32,133
And then when I ask her
about it, she gets quiet.
867
00:45:33,940 --> 00:45:36,465
I mean, I hope
it's just playground football
868
00:45:36,600 --> 00:45:39,300
and not some Biodeutsche thing.
869
00:45:39,436 --> 00:45:42,176
Hmm, we talked about this.
870
00:45:43,444 --> 00:45:46,516
But maybe we just need
to put more effort
871
00:45:46,652 --> 00:45:49,486
into finding her a friend.
872
00:45:49,622 --> 00:45:51,318
Last year was really hard
873
00:45:51,454 --> 00:45:54,991
to be locked up alone
with two old ladies like us.
874
00:45:58,631 --> 00:46:01,360
She's old enough to learn piano.
875
00:46:03,292 --> 00:46:05,133
I'll teach her.
876
00:46:06,462 --> 00:46:08,136
(Sharon laughs softly)
877
00:46:09,803 --> 00:46:11,870
Yeah.
878
00:46:12,006 --> 00:46:14,472
That might be good.
879
00:46:15,679 --> 00:46:17,915
How's your heart?
880
00:46:18,846 --> 00:46:21,083
Better now.
881
00:46:22,379 --> 00:46:24,482
(song continues playing)
882
00:46:38,161 --> 00:46:41,565
(Symphony No. 5 in D Minor,
Op. 47: IV. Finale over radio)
883
00:46:43,040 --> 00:46:46,034
(sighs):
Knock, knock. Who's there?
884
00:46:46,169 --> 00:46:48,541
Lenny?
885
00:46:48,677 --> 00:46:50,876
Walter?
886
00:46:51,011 --> 00:46:53,985
Oh, it's you, MTT.
887
00:46:54,120 --> 00:46:57,049
Why do you insist on holding
things up like that?
888
00:46:57,184 --> 00:46:58,813
Your business here is rejoicing,
889
00:46:58,948 --> 00:47:02,423
not screaming
like a fucking porn star.
890
00:47:02,559 --> 00:47:04,560
RADIO ANNOUNCER: Michael Tilson
Thomas... (speaks German)
891
00:47:04,696 --> 00:47:06,964
(toothbrush buzzing)
892
00:47:13,396 --> 00:47:15,368
Hello, Petra.
893
00:47:17,534 --> 00:47:20,373
Why are you lurking? Hmm?
894
00:47:21,207 --> 00:47:23,508
Tell me and I'll help.
895
00:47:24,244 --> 00:47:25,749
-TÁR: Sharon?
-Hmm?
896
00:47:25,884 --> 00:47:28,110
Uh, I'm taking Petra to school.
897
00:47:28,245 --> 00:47:29,577
Oh, okay.
898
00:47:29,712 --> 00:47:32,253
-Come on.
-Tschüss.
899
00:47:52,142 --> 00:47:54,940
TÁR:
Who'll bear the pall?
900
00:47:55,076 --> 00:47:56,805
"We," said the wren,
901
00:47:56,940 --> 00:47:59,813
-"both the cock and the hen."
-The hen.
902
00:47:59,949 --> 00:48:01,719
"I'll..." (sputters)
903
00:48:01,855 --> 00:48:04,048
BOTH:
"We'll bear the pall."
904
00:48:04,184 --> 00:48:05,880
And who'll sing a psalm?
905
00:48:06,015 --> 00:48:10,461
"I," said the thrush
as she sat on a bush.
906
00:48:10,597 --> 00:48:12,496
"I'll sing a song."
907
00:48:12,632 --> 00:48:14,564
"Who'll toll the bell?"
908
00:48:14,700 --> 00:48:15,961
"I," said the bull,
909
00:48:16,097 --> 00:48:18,568
"because I can pull.
910
00:48:18,704 --> 00:48:20,001
I'll toll the bell."
911
00:48:20,136 --> 00:48:22,838
BOTH:
All the birds of the air
912
00:48:22,973 --> 00:48:25,907
fell a-sighing and a-sobbing
913
00:48:26,043 --> 00:48:28,908
when they heard the bell toll
914
00:48:29,044 --> 00:48:33,116
for poor Cock Robin!
915
00:48:38,614 --> 00:48:39,647
(children chattering)
916
00:48:39,783 --> 00:48:42,059
TÁR:
It's gonna be okay.
917
00:48:46,460 --> 00:48:48,597
All right.
Okay, which one is she?
918
00:48:48,732 --> 00:48:50,969
The red one.
919
00:48:53,738 --> 00:48:55,666
-Bye.
-Go on.
920
00:48:59,978 --> 00:49:02,211
(children continue chattering)
921
00:49:06,743 --> 00:49:08,547
TÁR:
Hallo, Johanna.
922
00:50:02,809 --> 00:50:05,208
TÁR:
Hello. Hi.
923
00:50:11,884 --> 00:50:13,746
They're all in the chamber hall?
924
00:50:13,882 --> 00:50:15,616
Yes.
925
00:50:15,752 --> 00:50:18,056
No.
926
00:50:18,954 --> 00:50:21,224
(Tár sighs)
927
00:50:41,010 --> 00:50:43,279
(latch clicks)
928
00:50:51,855 --> 00:50:54,125
(urinating)
929
00:50:57,854 --> 00:51:00,296
(sniffs)
Good morning.
930
00:51:01,328 --> 00:51:03,801
Oh, I'm sorry, Maestro.
931
00:51:03,936 --> 00:51:05,534
We weren't sure you were coming.
932
00:51:05,670 --> 00:51:08,998
We were told there might be,
um, a scheduling conflict.
933
00:51:09,133 --> 00:51:10,972
-Would you like me
to take notes? -(clicking pen)
934
00:51:11,108 --> 00:51:12,242
No, thank you, Sebastian.
935
00:51:12,378 --> 00:51:13,736
-That won't be necessary.
-(clicking stops)
936
00:51:13,872 --> 00:51:15,375
Do we all have
our rating sheets?
937
00:51:15,511 --> 00:51:17,248
-We narrowed it down to three.
-Mm-hmm.
938
00:51:17,383 --> 00:51:19,640
So, unless anyone has
other business to discuss,
939
00:51:19,776 --> 00:51:21,680
let's bring in number one.
940
00:51:23,482 --> 00:51:26,784
(cello playing Tannhäuser und
der Sängerkrieg auf Wartburg)
941
00:51:37,394 --> 00:51:40,666
(cello playing Verdi Messa
da Requiem (Offertorio))
942
00:51:57,247 --> 00:52:00,521
(cello playing Pathétique
(Allegro con graza))
943
00:52:13,332 --> 00:52:15,239
(playing stops)
944
00:52:18,667 --> 00:52:20,739
(footsteps)
945
00:52:35,189 --> 00:52:37,426
(low chattering)
946
00:52:38,889 --> 00:52:41,429
Goossens stands, sounds his A.
947
00:52:41,565 --> 00:52:44,335
And of course, uh, Léon
was rather famous
948
00:52:44,470 --> 00:52:48,637
-for his, um, rather wide
vibrato, huh? -Hmm.
949
00:52:48,773 --> 00:52:52,236
Beecham looks up and says,
"Gentlemen, take your pick."
950
00:52:52,371 --> 00:52:55,009
(both chuckling)
951
00:52:55,145 --> 00:52:57,072
How's the writing going?
952
00:52:57,207 --> 00:53:00,308
Ah, I never know how
to answer that question.
953
00:53:00,444 --> 00:53:01,448
No.
954
00:53:01,584 --> 00:53:04,120
Makes it sound like
a physical act.
955
00:53:04,255 --> 00:53:06,085
Like, how's the shitting going?
956
00:53:06,220 --> 00:53:07,789
(laughing)
957
00:53:07,924 --> 00:53:09,090
Okay.
958
00:53:09,226 --> 00:53:11,091
How's the thinking going?
959
00:53:11,226 --> 00:53:13,462
Yeah, not so well.
960
00:53:13,597 --> 00:53:16,100
I keep hearing something
and getting excited
961
00:53:16,236 --> 00:53:19,668
only to catch myself
in pastiche.
962
00:53:19,804 --> 00:53:21,168
Hmm.
963
00:53:21,303 --> 00:53:23,437
Uh, it's all pastiche.
964
00:53:23,573 --> 00:53:25,943
We all have the same
musical grammar.
965
00:53:26,078 --> 00:53:28,777
Uh, just look at Beethoven Five.
966
00:53:28,913 --> 00:53:31,977
The third movement's theme has
the same sequence of intervals
967
00:53:32,113 --> 00:53:35,681
as the opening theme of the
final movement of Mozart Forty.
968
00:53:35,816 --> 00:53:38,152
Mm, th-that could've been
a coincidence.
969
00:53:38,287 --> 00:53:40,157
No. Not in this case.
970
00:53:40,293 --> 00:53:42,984
If you examine
the sketchbooks he used,
971
00:53:43,119 --> 00:53:47,061
29 bars of Mozart's
finale appear.
972
00:53:47,197 --> 00:53:49,399
Copied out by Beethoven.
973
00:53:49,534 --> 00:53:53,632
Oh, my God. I find that
extremely depressing.
974
00:53:53,767 --> 00:53:55,466
I finished reading
your manuscript.
975
00:53:55,601 --> 00:53:57,203
It's very good, Lydia.
976
00:53:57,338 --> 00:53:59,308
One for the ages.
977
00:53:59,444 --> 00:54:01,575
And, I dare say,
will be available
978
00:54:01,711 --> 00:54:03,243
long after my book
has been forgotten.
979
00:54:03,378 --> 00:54:04,878
Oh, yes, you're right.
980
00:54:05,013 --> 00:54:08,347
The entire first printing
will always be available.
981
00:54:08,482 --> 00:54:10,717
Too modest, as usual.
982
00:54:19,360 --> 00:54:21,464
Thank you, Andris.
983
00:54:22,363 --> 00:54:24,163
I'll cherish this.
984
00:54:24,298 --> 00:54:26,365
You may use it.
985
00:54:26,501 --> 00:54:28,834
A-a blurb for the covers.
986
00:54:30,140 --> 00:54:32,537
Oh, thank you.
987
00:54:32,673 --> 00:54:34,539
I'll send it to the publisher.
988
00:54:34,675 --> 00:54:36,542
Hopefully, there's still time.
989
00:54:36,677 --> 00:54:39,016
I'm proud to call you my pupil,
990
00:54:39,151 --> 00:54:40,346
uh, even though there was really
991
00:54:40,482 --> 00:54:41,710
nothing I could teach you.
992
00:54:41,845 --> 00:54:43,147
Now, that's not true.
993
00:54:43,283 --> 00:54:46,047
I'd never have the position
here were it not for you.
994
00:54:46,182 --> 00:54:48,419
Then you'd be in London,
New York.
995
00:54:48,555 --> 00:54:50,526
They're not Berlin.
996
00:54:51,663 --> 00:54:54,030
Besides, I'm not sure
what Sharon would do,
997
00:54:54,165 --> 00:54:55,297
were we ever to leave.
998
00:54:55,432 --> 00:54:57,133
She's so close with her family.
999
00:54:57,269 --> 00:55:00,702
Ah, yeah, the Goodnow sisters.
1000
00:55:00,838 --> 00:55:03,403
I remember the elder one
being an absolute ball-breaker
1001
00:55:03,538 --> 00:55:06,476
while she still held sway at DG.
1002
00:55:06,611 --> 00:55:10,638
-Heike is a woman
of many opinions. -Oh.
1003
00:55:10,773 --> 00:55:11,710
And that voice.
1004
00:55:11,845 --> 00:55:13,140
I mean, the signal-to-noise
ratio,
1005
00:55:13,275 --> 00:55:15,386
-it's unbearable.
-(chuckles)
1006
00:55:15,521 --> 00:55:17,547
I've had to bolt-hole
at my old place in town
1007
00:55:17,683 --> 00:55:20,215
to get any writing done.
1008
00:55:20,350 --> 00:55:21,588
Schopenhauer measured
a man's intelligence
1009
00:55:21,723 --> 00:55:23,893
against his sensitivity
to noise.
1010
00:55:24,028 --> 00:55:25,453
(chuckles)
1011
00:55:25,589 --> 00:55:28,393
Didn't he once also throw
a woman down a flight of stairs
1012
00:55:28,529 --> 00:55:30,000
who later sued him?
1013
00:55:30,136 --> 00:55:31,232
(chuckles):
Yes.
1014
00:55:31,367 --> 00:55:32,764
Although, it's unclear
1015
00:55:32,900 --> 00:55:34,402
this private
and personal failing
1016
00:55:34,537 --> 00:55:37,170
is at all relevant to his work.
1017
00:55:37,305 --> 00:55:39,634
(both chuckling)
1018
00:55:39,770 --> 00:55:41,874
(tires squeal)
1019
00:55:44,873 --> 00:55:46,807
You're late.
1020
00:55:46,943 --> 00:55:48,249
(driver speaking German)
1021
00:55:48,385 --> 00:55:49,417
Here, give me your stick.
1022
00:55:49,552 --> 00:55:51,185
-Thank you.
-I've got it.
1023
00:55:51,321 --> 00:55:54,557
(distant siren wailing)
1024
00:56:00,330 --> 00:56:02,598
(meditative breaths)
1025
00:56:22,922 --> 00:56:24,983
♪ ♪
1026
00:56:36,298 --> 00:56:38,632
(exhaling)
1027
00:56:38,767 --> 00:56:40,999
-(inhales deeply)
-♪ ♪
1028
00:56:47,312 --> 00:56:49,546
(bell chiming in distance)
1029
00:56:56,386 --> 00:56:58,654
(chiming continues)
1030
00:57:02,392 --> 00:57:04,726
(Tár mimicking chiming)
1031
00:57:10,503 --> 00:57:12,365
(plays two notes
matching bell chime)
1032
00:57:12,501 --> 00:57:15,066
(Tár mimics chiming)
1033
00:57:28,317 --> 00:57:30,521
(exhales)
1034
00:57:32,354 --> 00:57:33,986
(exhales)
1035
00:57:36,559 --> 00:57:38,221
(shrill scream in distance)
1036
00:57:39,562 --> 00:57:41,829
(woman continues screaming)
1037
00:57:44,234 --> 00:57:46,504
(siren wailing)
1038
00:57:48,504 --> 00:57:50,739
(screaming continues)
1039
00:58:04,454 --> 00:58:06,389
(screaming continues)
1040
00:58:06,524 --> 00:58:08,724
(Sharon breathing rhythmically)
1041
00:58:19,129 --> 00:58:21,198
(bell chiming in distance)
1042
00:58:26,275 --> 00:58:27,941
(sighs)
1043
00:58:45,129 --> 00:58:46,254
(sighs)
1044
00:58:46,390 --> 00:58:48,665
(plays two notes
matching bell chime)
1045
00:58:55,340 --> 00:58:57,575
(playing gentle melody)
1046
00:59:04,082 --> 00:59:07,310
(orchestra playing Mahler
Symphony No. 5 Trauermarsch)
1047
00:59:21,123 --> 00:59:23,667
(tempo slows)
1048
00:59:37,644 --> 00:59:39,947
Okay. Uh...
1049
00:59:41,451 --> 00:59:42,581
Gut, gut.
1050
00:59:42,716 --> 00:59:44,844
(speaking German)
1051
00:59:45,781 --> 00:59:47,988
... Christian...
(continues speaking German)
1052
00:59:52,064 --> 00:59:53,427
Okay?
1053
00:59:53,563 --> 00:59:55,562
Uh, but it's also...
1054
00:59:55,698 --> 00:59:56,764
It's like we're hearing it
1055
00:59:56,899 --> 00:59:59,400
from a very, very great
distance.
1056
00:59:59,536 --> 01:00:04,998
So it's... (vocalizing)
1057
01:00:05,133 --> 01:00:06,233
Ju... Uh...
1058
01:00:06,368 --> 01:00:07,739
Sorry. Ist Harald da?
1059
01:00:07,874 --> 01:00:09,178
(Harald speaks German)
1060
01:00:09,313 --> 01:00:10,539
(speaks German)
1061
01:00:10,674 --> 01:00:12,681
Harald? I was just wondering
if you might, um,
1062
01:00:12,817 --> 01:00:15,378
uh, quickly rig something up
for us?
1063
01:00:16,355 --> 01:00:18,656
(trumpet solo playing)
1064
01:00:24,922 --> 01:00:26,994
♪ ♪
1065
01:00:31,335 --> 01:00:33,396
(playing louder)
1066
01:00:40,373 --> 01:00:43,846
(cymbals crash,
orchestra ends with flourish)
1067
01:00:46,509 --> 01:00:48,375
Gut, gut, gut. (speaks German)
1068
01:00:48,511 --> 01:00:50,653
-Harald?
-(Harald speaks German)
1069
01:00:50,789 --> 01:00:52,387
Uh, we'll want the same
backstage setup
1070
01:00:52,523 --> 01:00:53,589
for the live recording.
1071
01:00:53,724 --> 01:00:55,725
(quietly):
One, two, one.
1072
01:00:55,861 --> 01:00:58,696
(orchestra playing
jaunty classical music)
1073
01:01:15,077 --> 01:01:16,576
-(speaks indistinctly)
-(playing stops)
1074
01:01:16,711 --> 01:01:19,948
(speaking German)
1075
01:01:23,284 --> 01:01:26,256
Okay? Looks great, but...
(clears throat)
1076
01:01:26,392 --> 01:01:27,514
... we need to hear it.
1077
01:01:27,649 --> 01:01:30,293
Okay? It's not...
(vocalizing)
1078
01:01:30,429 --> 01:01:31,819
(vocalizing intensifies)
1079
01:01:31,955 --> 01:01:32,859
Hey.
1080
01:01:32,995 --> 01:01:34,297
-(speaking low)
-(snaps fingers)
1081
01:01:34,432 --> 01:01:36,294
(speaking German)
1082
01:01:40,295 --> 01:01:41,600
Ja? (whooshes)
1083
01:01:41,735 --> 01:01:44,071
Okay? (puffing)
1084
01:01:45,475 --> 01:01:47,470
(speaks German)
1085
01:01:50,315 --> 01:01:52,409
♪ ♪
1086
01:01:57,423 --> 01:01:59,288
No. (speaks German)
1087
01:01:59,424 --> 01:02:00,923
Bah! (exhales)
1088
01:02:01,691 --> 01:02:03,255
It's-it's much too slow.
1089
01:02:04,253 --> 01:02:06,159
(speaking German)
1090
01:02:10,293 --> 01:02:11,661
(plays sharp chords)
1091
01:02:11,797 --> 01:02:13,334
Mm-hmm.
1092
01:02:13,469 --> 01:02:15,535
Okay.
1093
01:02:15,670 --> 01:02:17,239
Okay, tutti.
1094
01:02:17,374 --> 01:02:18,803
Uh...
1095
01:02:18,938 --> 01:02:20,742
(speaking German)
1096
01:02:20,877 --> 01:02:23,136
How are things feeling up here?
1097
01:02:23,271 --> 01:02:24,371
Fine, yeah.
1098
01:02:24,507 --> 01:02:25,982
Yeah, actually great, but, uh,
1099
01:02:26,117 --> 01:02:28,313
it's a shame we don't record
this one direct-to-disk.
1100
01:02:28,448 --> 01:02:31,349
(groans): Oh. It's criminal,
is more like it.
1101
01:02:32,547 --> 01:02:33,989
Will you shoot me the MP3s?
1102
01:02:34,124 --> 01:02:36,026
Yeah, sure,
but don't you want WAV files?
1103
01:02:36,162 --> 01:02:39,495
No, just think what people
will actually be streaming.
1104
01:02:39,630 --> 01:02:40,829
Uh, what about video?
1105
01:02:40,964 --> 01:02:42,731
Yes, yes.
Uh, stage left A camera.
1106
01:02:42,867 --> 01:02:44,195
-Okay.
-All right. Thanks, guys.
1107
01:02:44,331 --> 01:02:46,094
Okay. Uh, bye.
You're quite welcome.
1108
01:02:46,229 --> 01:02:48,165
(speaking German)
1109
01:02:48,301 --> 01:02:49,830
-SHARON: There?
-TÁR: Yeah.
1110
01:02:49,965 --> 01:02:51,666
You want us to come,
to come in stronger there?
1111
01:02:51,802 --> 01:02:53,008
-FRANCESCA: Okay, then yeah.
-TÁR: Yeah.
1112
01:02:53,144 --> 01:02:54,670
Here, 'cause the reigning
dynamic is forte,
1113
01:02:54,805 --> 01:02:56,074
-which is not good.
-(Sebastian clears throat)
1114
01:02:56,210 --> 01:02:57,839
-FRANCESCA: Hmm.
-TÁR: Yeah?
1115
01:02:57,975 --> 01:03:00,911
(whispering): Yeah. Um, just
one small thing, Maestro.
1116
01:03:01,047 --> 01:03:03,844
During the scherzo, um,
1117
01:03:03,979 --> 01:03:06,956
th-th-the clarinet solo's
still a bit too loud.
1118
01:03:07,091 --> 01:03:09,023
It should really be
an accompanying figure
1119
01:03:09,159 --> 01:03:12,095
-to the first violins.
-TÁR: Hmm.
1120
01:03:12,231 --> 01:03:15,597
But apart from that, I'd say
we're in very good shape.
1121
01:03:15,732 --> 01:03:17,467
Thank you, Sebastian.
1122
01:03:17,603 --> 01:03:19,837
Thank you. (clears throat)
1123
01:03:24,873 --> 01:03:26,442
Accurate assessment?
1124
01:03:26,577 --> 01:03:28,277
I don't think so.
1125
01:03:28,413 --> 01:03:31,705
The clarinet is marked piano,
and we are marked pianissimo.
1126
01:03:31,840 --> 01:03:33,610
Sebastian likes to sit
in the stalls,
1127
01:03:33,745 --> 01:03:37,310
but there's no problem
with the balance in the circle.
1128
01:03:37,446 --> 01:03:39,252
TÁR:
Mm-hmm.
1129
01:03:40,424 --> 01:03:41,789
Mm-hmm.
1130
01:03:41,925 --> 01:03:44,050
Something a bit more playful.
1131
01:03:44,186 --> 01:03:45,522
Mm-hmm.
1132
01:03:49,433 --> 01:03:51,667
Oh, and here's something
Tanya and I did with Gustavo.
1133
01:03:51,802 --> 01:03:53,266
I think it's very powerful.
1134
01:03:53,401 --> 01:03:55,730
Yes, it's-it's really wonderful
work, uh, Karl.
1135
01:03:55,866 --> 01:03:57,574
I'm just wondering
if we might try something
1136
01:03:57,710 --> 01:04:00,570
a little less, uh, considered.
1137
01:04:03,209 --> 01:04:05,577
Something simple like this?
1138
01:04:05,713 --> 01:04:06,906
Hmm?
1139
01:04:07,042 --> 01:04:09,412
I'm not sure how you would
want to light it.
1140
01:04:09,548 --> 01:04:12,384
Have Harald dim
the houselights to half.
1141
01:04:13,220 --> 01:04:15,992
Houselights down half, please.
1142
01:04:19,789 --> 01:04:21,326
KARL:
I mean, we could make it work,
1143
01:04:21,462 --> 01:04:23,256
but we'd have to bring in
some lights.
1144
01:04:23,392 --> 01:04:25,232
TANYA:
Mm-hmm.
1145
01:04:28,172 --> 01:04:29,872
KARL: If we want to do
something like this,
1146
01:04:30,007 --> 01:04:32,008
uh, we'll have to bring
the hot lights
1147
01:04:32,144 --> 01:04:34,107
next week, Tanya--
forget about the strobes.
1148
01:04:34,243 --> 01:04:36,442
-TANYA: Hmm.
-(departing footsteps)
1149
01:04:37,278 --> 01:04:38,679
TÁR:
Thank you for waiting.
1150
01:04:38,815 --> 01:04:40,279
Of course, Maestro.
1151
01:04:40,415 --> 01:04:43,349
How are we feeling
about today's rehearsal?
1152
01:04:43,484 --> 01:04:47,281
Well, Sebastian thinks
your solo in the scherzo
1153
01:04:47,417 --> 01:04:49,392
is, uh, a bit loud.
1154
01:04:49,528 --> 01:04:50,625
It's possible.
1155
01:04:50,761 --> 01:04:52,493
Hmm. I don't agree.
1156
01:04:52,629 --> 01:04:55,795
Your dynamic marking is higher
than that of the first violin.
1157
01:04:55,930 --> 01:04:57,358
Yes, that's true.
1158
01:04:57,493 --> 01:04:58,998
(sighs heavily) Look.
1159
01:04:59,134 --> 01:05:02,737
Sebastian's getting old, Knut.
1160
01:05:02,872 --> 01:05:04,502
I'm rotating him out.
1161
01:05:05,502 --> 01:05:07,538
You're the first to know.
1162
01:05:10,613 --> 01:05:12,983
Well...
1163
01:05:14,616 --> 01:05:17,850
Then I will organize a caucus,
and we'll take a vote.
1164
01:05:17,985 --> 01:05:20,854
No. No, you won't.
1165
01:05:20,989 --> 01:05:23,322
A vote must be taken.
1166
01:05:23,458 --> 01:05:25,491
I am familiar with
the electoral conclave.
1167
01:05:25,626 --> 01:05:27,761
But the appointment
of the assistant conductor
1168
01:05:27,897 --> 01:05:30,490
is entirely my decision.
1169
01:05:30,625 --> 01:05:32,059
(Knut inhales deeply)
1170
01:05:32,195 --> 01:05:33,366
Yes.
1171
01:05:33,502 --> 01:05:36,572
So, I can count on your
support with the others?
1172
01:05:36,707 --> 01:05:38,505
(chuckles softly)
1173
01:05:38,641 --> 01:05:39,771
Yes.
1174
01:05:39,906 --> 01:05:41,172
Good.
1175
01:05:41,308 --> 01:05:42,536
Who will you replace him with?
1176
01:05:42,671 --> 01:05:44,378
Oh. I'm considering a few names,
1177
01:05:44,514 --> 01:05:47,684
but the main thing is we
proceed with this immediately.
1178
01:05:47,819 --> 01:05:50,010
KNUT:
I understand.
1179
01:05:50,145 --> 01:05:52,219
Maestro, uh, the other players
would like to know
1180
01:05:52,355 --> 01:05:53,851
if you have chosen
the companion piece.
1181
01:05:53,987 --> 01:05:55,993
Ach!
1182
01:05:57,896 --> 01:05:59,656
KNUT:
Okay. Danke.
1183
01:06:12,335 --> 01:06:14,440
(panting)
1184
01:06:23,885 --> 01:06:25,616
(short whistle)
1185
01:06:26,590 --> 01:06:27,547
Oh.
1186
01:06:27,683 --> 01:06:29,755
-I...
-It's okay.
1187
01:06:29,890 --> 01:06:31,556
Danke.
1188
01:06:47,042 --> 01:06:49,244
(playing simple melody)
1189
01:06:54,586 --> 01:06:56,284
(light knocking)
1190
01:06:57,252 --> 01:07:03,093
♪ Changing major to minor. ♪
1191
01:07:04,127 --> 01:07:06,025
(Francesca clears her throat)
1192
01:07:06,161 --> 01:07:08,428
Uh, I'm sorry, I knocked.
1193
01:07:09,765 --> 01:07:12,700
I knew you wanted your keys
back as quickly as possible.
1194
01:07:12,835 --> 01:07:14,001
Yes, thanks.
1195
01:07:14,137 --> 01:07:15,768
Did you use the company card?
1196
01:07:15,903 --> 01:07:16,938
Yeah.
1197
01:07:17,074 --> 01:07:18,436
We can use it for your, um...
1198
01:07:18,572 --> 01:07:20,605
(clears throat)
... your taxi home.
1199
01:07:24,915 --> 01:07:26,615
Yeah. It's all right.
1200
01:07:26,750 --> 01:07:28,646
You can go.
1201
01:07:29,844 --> 01:07:33,321
Uh, it wasn't just the keys.
1202
01:07:36,026 --> 01:07:39,129
I-I need someone to hold me.
1203
01:07:41,031 --> 01:07:43,595
This isn't the place, Francesca.
1204
01:07:45,094 --> 01:07:47,328
You're... (stammers)
That's not about...
1205
01:07:47,463 --> 01:07:48,571
(sniffles)
1206
01:07:48,706 --> 01:07:50,504
I just...
1207
01:07:50,639 --> 01:07:54,111
I just got this from someone
over at Accordion.
1208
01:07:56,011 --> 01:07:58,280
(breath trembling)
1209
01:08:05,953 --> 01:08:07,318
Oh, no.
1210
01:08:07,454 --> 01:08:09,817
(Francesca's breath trembles)
1211
01:08:09,952 --> 01:08:11,695
(sighs):
When did this happen?
1212
01:08:11,830 --> 01:08:13,790
Day before yesterday.
1213
01:08:15,500 --> 01:08:18,833
That email she sent you,
it felt like she was already...
1214
01:08:18,969 --> 01:08:21,832
Delete it. And the rest.
1215
01:08:21,967 --> 01:08:25,241
There's no reason to get
caught up in any intrigue.
1216
01:08:26,469 --> 01:08:28,774
(sniffles)
1217
01:08:28,910 --> 01:08:30,338
(crying)
1218
01:08:30,473 --> 01:08:32,215
Now, now.
1219
01:08:33,617 --> 01:08:38,546
Come on. There's nothing
we could have done to stop her.
1220
01:08:38,681 --> 01:08:41,020
She wasn't one of us.
1221
01:08:41,155 --> 01:08:43,424
(crying continues)
1222
01:08:52,561 --> 01:08:54,534
(sniffles)
1223
01:08:56,508 --> 01:09:00,039
I can't stop thinking about
our trip up the Ucayali.
1224
01:09:00,175 --> 01:09:01,473
TÁR:
Hmm.
1225
01:09:01,609 --> 01:09:03,544
-The three of us were so close.
-Yes.
1226
01:09:03,679 --> 01:09:07,184
But that was before
she started making demands.
1227
01:09:08,849 --> 01:09:13,756
There was just something
not quite right about her.
1228
01:09:13,892 --> 01:09:16,492
She had so much promise.
1229
01:09:16,628 --> 01:09:18,285
She did.
1230
01:09:18,421 --> 01:09:20,093
Yes.
1231
01:09:20,228 --> 01:09:22,562
Almost as much as you.
1232
01:09:26,535 --> 01:09:29,800
Now, we have to forget
about her.
1233
01:09:33,371 --> 01:09:35,377
You understand?
1234
01:09:40,249 --> 01:09:42,384
-Right?
-(sniffles)
1235
01:09:44,880 --> 01:09:46,152
-I'm sorry.
-No.
1236
01:09:46,287 --> 01:09:47,747
I know you're working.
1237
01:09:47,883 --> 01:09:49,154
-Oh.
-(sniffles)
1238
01:09:49,289 --> 01:09:50,588
Your... (sniffles)
1239
01:09:50,723 --> 01:09:53,659
Your keys are on
the kitchen table.
1240
01:10:35,005 --> 01:10:36,834
(inhales sharply)
1241
01:10:55,059 --> 01:10:57,019
(gentle melody plays)
1242
01:10:57,956 --> 01:10:59,828
SHARON:
She went straight to sleep.
1243
01:10:59,963 --> 01:11:02,363
(liquid pouring)
1244
01:11:02,499 --> 01:11:04,895
Didn't even have
to hold her foot.
1245
01:11:09,573 --> 01:11:12,841
And she came home
in a much better mood.
1246
01:11:12,977 --> 01:11:14,711
Oh, attagirl.
1247
01:11:14,846 --> 01:11:16,907
♪ ♪
1248
01:11:19,709 --> 01:11:21,813
(Sharon sighs)
1249
01:11:24,353 --> 01:11:26,218
Met the new cellist today.
1250
01:11:26,354 --> 01:11:28,923
Oh, what was that like?
1251
01:11:29,059 --> 01:11:31,220
Olga Metkina.
1252
01:11:31,356 --> 01:11:33,026
Russian.
1253
01:11:33,162 --> 01:11:35,060
Strong player.
1254
01:11:35,195 --> 01:11:37,365
Good.
1255
01:11:37,501 --> 01:11:40,530
Her facial posture
is a bit much.
1256
01:11:40,666 --> 01:11:42,035
(chuckles):
How so?
1257
01:11:42,170 --> 01:11:43,604
Her legato.
1258
01:11:43,739 --> 01:11:46,072
Looks like she's on
the verge of climaxing.
1259
01:11:46,207 --> 01:11:47,773
(both laughing)
1260
01:11:50,509 --> 01:11:52,773
She is young.
1261
01:11:52,908 --> 01:11:54,681
Ah, so you've met her.
1262
01:11:56,678 --> 01:11:58,210
No, no.
1263
01:11:58,346 --> 01:12:00,587
Uh, Francesca
mentioned something.
1264
01:12:00,722 --> 01:12:03,558
I think she's arranging
a welcome lunch.
1265
01:12:05,791 --> 01:12:08,460
You may want to hold off
on that.
1266
01:12:08,596 --> 01:12:11,533
Her invitation is conditional.
1267
01:12:14,435 --> 01:12:17,002
You have reservations?
1268
01:12:17,138 --> 01:12:18,973
No.
1269
01:12:19,108 --> 01:12:21,440
Not really.
1270
01:12:21,576 --> 01:12:24,381
We need to see if she fits in.
1271
01:12:28,086 --> 01:12:30,387
Did you take your pill?
1272
01:12:31,218 --> 01:12:33,584
No.
1273
01:12:33,719 --> 01:12:36,723
Thank you for reminding me.
1274
01:12:43,300 --> 01:12:45,567
(distant, rhythmic ticking)
1275
01:13:07,455 --> 01:13:09,690
(ticking grows louder)
1276
01:13:20,471 --> 01:13:22,769
(ticking continues
to grow louder)
1277
01:13:40,222 --> 01:13:42,624
(ticking loudly)
1278
01:14:04,073 --> 01:14:06,246
How was Johanna yesterday?
1279
01:14:06,382 --> 01:14:09,009
She stays away now.
1280
01:14:09,144 --> 01:14:11,213
You let me know if that changes.
1281
01:14:14,486 --> 01:14:18,187
Petra, last night, you weren't,
by any chance, in my study?
1282
01:14:19,322 --> 01:14:20,861
-No, Lydia.
-Because you do know
1283
01:14:20,996 --> 01:14:23,194
you're not supposed to be
in there without me.
1284
01:14:23,330 --> 01:14:24,864
I know.
1285
01:14:26,701 --> 01:14:28,670
TÁR:
That's right.
1286
01:14:29,568 --> 01:14:32,041
(quiet rattling)
1287
01:14:32,177 --> 01:14:34,203
(rattling continues)
1288
01:14:38,345 --> 01:14:40,374
(sighs)
1289
01:14:40,509 --> 01:14:42,750
(orchestra playing
classical music)
1290
01:15:01,973 --> 01:15:03,706
S...
1291
01:15:04,542 --> 01:15:05,738
-It's not so simple.
-(music stops)
1292
01:15:05,874 --> 01:15:07,340
It's got...
it's got to be messier.
1293
01:15:07,475 --> 01:15:09,711
(speaking German)
1294
01:15:11,939 --> 01:15:13,172
Okay?
1295
01:15:13,307 --> 01:15:15,552
(continues speaking German)
1296
01:15:21,754 --> 01:15:24,258
A lot of pressure. Okay?
1297
01:15:24,393 --> 01:15:27,154
(speaking German)
1298
01:15:27,290 --> 01:15:28,529
-Okay?
-(musicians chuckling)
1299
01:15:28,664 --> 01:15:30,262
S-So familiar to everyone here.
1300
01:15:30,398 --> 01:15:33,570
It really doesn't help you to
know this piece so well. Okay.
1301
01:15:34,633 --> 01:15:36,606
Same place.
1302
01:15:37,903 --> 01:15:40,137
(classical music resumes)
1303
01:15:49,583 --> 01:15:51,852
(speaking German)
1304
01:16:05,498 --> 01:16:06,898
Please.
1305
01:16:07,034 --> 01:16:09,302
-Please, please, please.
-(music stops)
1306
01:16:09,437 --> 01:16:11,641
You must watch.
1307
01:16:12,672 --> 01:16:14,941
(speaking German)
1308
01:16:15,937 --> 01:16:17,410
Okay?
1309
01:16:17,546 --> 01:16:18,745
It's got to be like, uh,
1310
01:16:18,881 --> 01:16:22,311
just one person
singing their heart out.
1311
01:16:24,616 --> 01:16:26,914
And...
1312
01:16:27,049 --> 01:16:29,120
(speaking German)
1313
01:16:32,624 --> 01:16:34,154
Okay.
1314
01:16:34,289 --> 01:16:36,292
(continues speaking German)
1315
01:16:42,636 --> 01:16:44,168
(sighs):
Okay.
1316
01:16:46,842 --> 01:16:49,045
SEBASTIAN:
(grunts) Maestro.
1317
01:16:49,180 --> 01:16:50,240
What a surprise.
1318
01:16:50,375 --> 01:16:52,172
-I was just having
a spot of lunch. -Hmm.
1319
01:16:52,307 --> 01:16:53,516
C-Can I offer you anything?
1320
01:16:53,652 --> 01:16:55,181
-Uh, no, thank you.
-(pen clicking)
1321
01:16:55,317 --> 01:16:58,019
-Mm, well, some tea, perhaps?
-No, thank you, Sebastian.
1322
01:16:59,022 --> 01:17:01,718
You know, I forget sometimes
just how impressive
1323
01:17:01,854 --> 01:17:03,555
your collection is here.
1324
01:17:03,691 --> 01:17:05,756
Is that Kalinnikov?
1325
01:17:05,892 --> 01:17:07,361
-Yes. (chuckles)
-Ah.
1326
01:17:07,497 --> 01:17:09,465
Isn't he marvelous?
1327
01:17:09,601 --> 01:17:12,634
(laughs)
He belongs in a museum.
1328
01:17:12,770 --> 01:17:15,099
I rescued him
for a hundred rubles
1329
01:17:15,235 --> 01:17:17,638
-from a Kyiv street fair
back in '90. -Huh.
1330
01:17:17,773 --> 01:17:19,632
Right after the Wall came down.
1331
01:17:19,767 --> 01:17:21,942
(sighs) That must really
have been something.
1332
01:17:22,077 --> 01:17:25,076
-Oh, incredible to have
lived through it. -Hmm.
1333
01:17:25,212 --> 01:17:27,640
I'd only just arrived here
with Andris,
1334
01:17:27,775 --> 01:17:31,086
and suddenly the impossible
was possible.
1335
01:17:31,221 --> 01:17:32,788
Yeah.
1336
01:17:34,019 --> 01:17:36,482
I'd like to talk about that.
1337
01:17:36,618 --> 01:17:38,393
-The reunification?
-Uh, no, no.
1338
01:17:38,528 --> 01:17:40,495
But please, sit down.
1339
01:17:40,631 --> 01:17:43,732
No, uh, about the possibility
1340
01:17:43,868 --> 01:17:47,394
of you fronting
a subscription orchestra.
1341
01:17:47,529 --> 01:17:48,668
(chuckles):
But I already do.
1342
01:17:48,804 --> 01:17:51,433
Yes, but not as Kapellmeister.
1343
01:17:52,777 --> 01:17:56,108
If not now,
then when, Sebastian?
1344
01:17:57,481 --> 01:17:58,942
You mean leave Berlin?
1345
01:17:59,077 --> 01:18:02,251
Well, rotate somewhere, yes.
1346
01:18:02,387 --> 01:18:04,486
But this is my home.
1347
01:18:04,621 --> 01:18:07,687
Our only home is the podium.
1348
01:18:07,823 --> 01:18:10,250
We all live out of a suitcase.
1349
01:18:10,385 --> 01:18:12,388
You know that as well as anyone.
1350
01:18:18,568 --> 01:18:21,270
Just think about it.
1351
01:18:21,406 --> 01:18:23,696
Take your time. Mm?
1352
01:18:23,831 --> 01:18:26,908
It's not something
we need to decide now.
1353
01:18:29,645 --> 01:18:31,270
It's the girl, isn't it?
1354
01:18:31,405 --> 01:18:32,809
I'm sorry, what girl?
1355
01:18:32,945 --> 01:18:35,349
Y-You're not asking.
1356
01:18:35,484 --> 01:18:37,185
You're telling.
1357
01:18:37,321 --> 01:18:41,824
I knew as soon as she showed up
that my days here were numbered.
1358
01:18:41,959 --> 01:18:44,523
Andris told me not to worry,
but... (scoffs)
1359
01:18:44,658 --> 01:18:46,159
... I knew.
1360
01:18:46,294 --> 01:18:49,990
I'm sure I don't know
what you're talking about.
1361
01:18:50,125 --> 01:18:51,161
Oh, please.
1362
01:18:51,297 --> 01:18:53,402
Just because
nobody dares breathe it.
1363
01:18:53,538 --> 01:18:55,537
We know the things you do.
1364
01:18:55,672 --> 01:18:58,503
The little favors you grant.
1365
01:18:58,638 --> 01:18:59,974
I'm...
1366
01:19:00,109 --> 01:19:03,335
I really don't know
what to say, Sebastian.
1367
01:19:03,471 --> 01:19:05,705
I mean, you of all people
1368
01:19:05,841 --> 01:19:07,881
have the temerity
to question my integrity?
1369
01:19:08,016 --> 01:19:09,477
No, no.
I-I'm-I'm sorry, Maestro.
1370
01:19:09,613 --> 01:19:11,152
I don't, I don't know
what I'm saying.
1371
01:19:11,288 --> 01:19:13,846
No, no, no, it's clear you know
exactly what you're saying.
1372
01:19:13,981 --> 01:19:15,988
I mean, if that's how
you really feel about me,
1373
01:19:16,124 --> 01:19:17,856
then wouldn't you say
that staying is
1374
01:19:17,992 --> 01:19:19,157
entirely out of the question?
1375
01:19:19,293 --> 01:19:21,253
No, no, please, Maestro.
Please forgive me.
1376
01:19:21,388 --> 01:19:22,822
(sighs) For what?
1377
01:19:22,958 --> 01:19:26,196
Your obsequiousness,
your hypocrisy, your misogamy?
1378
01:19:26,332 --> 01:19:29,438
-I'm not a misogynist!
-Misogamy.
1379
01:19:29,574 --> 01:19:31,973
It's a hatred of marriage.
1380
01:19:33,635 --> 01:19:36,507
Andris is still
very much married.
1381
01:19:37,677 --> 01:19:42,510
And you occupy an apartment
on the same floor, don't you?
1382
01:19:42,646 --> 01:19:46,045
I just don't like
what he's implying.
1383
01:19:46,915 --> 01:19:50,015
It could lead to more than
Chinese whispers.
1384
01:19:50,151 --> 01:19:51,627
I know.
1385
01:19:51,762 --> 01:19:53,124
We barely survived Der Spiegel
1386
01:19:53,260 --> 01:19:55,524
when you and I
came out together.
1387
01:19:57,101 --> 01:20:01,365
But with Francesca, no one
could point their finger.
1388
01:20:01,501 --> 01:20:03,867
It's not like you two are
in a relationship.
1389
01:20:04,002 --> 01:20:05,467
Yeah, that's true.
1390
01:20:05,602 --> 01:20:07,800
I just...
Turns my stomach to think
1391
01:20:07,936 --> 01:20:10,539
the old robot will be right
about something.
1392
01:20:12,182 --> 01:20:16,083
He's probably already run
to Andris. (scoffs)
1393
01:20:16,218 --> 01:20:19,654
Well, is there someone
other than Francesca
1394
01:20:19,789 --> 01:20:22,056
you feel is more qualified?
1395
01:20:24,862 --> 01:20:27,358
There are others
equal to the task.
1396
01:20:30,092 --> 01:20:31,896
Hmm?
1397
01:20:32,031 --> 01:20:34,299
Maybe wait to decide.
1398
01:20:43,548 --> 01:20:45,181
Where are we at with DG?
1399
01:20:45,316 --> 01:20:48,841
-Uh, I spoke to an assistant
in Boyd Muir's office... -Hmm.
1400
01:20:48,976 --> 01:20:51,447
... who said they weren't sure
why they decided
1401
01:20:51,583 --> 01:20:55,252
on a digital-only set,
what the criteria were.
1402
01:20:55,388 --> 01:20:57,122
-(sighs)
-But I do know they just did
1403
01:20:57,258 --> 01:20:58,790
a full-vinyl pressing
for Long Yu.
1404
01:20:58,926 --> 01:21:00,596
Of course they did.
1405
01:21:00,731 --> 01:21:02,828
The Chinese market's incredible.
1406
01:21:02,963 --> 01:21:04,831
All right. Gloves off.
1407
01:21:04,967 --> 01:21:06,426
I'm going straight to Lucian.
1408
01:21:06,561 --> 01:21:07,760
Maybe he needs to be reminded of
1409
01:21:07,895 --> 01:21:09,536
his Annenberg
Inclusion Initiative.
1410
01:21:09,671 --> 01:21:11,137
(chuckles)
1411
01:21:11,273 --> 01:21:12,764
You've got
his contact details, right?
1412
01:21:12,900 --> 01:21:16,077
Mm-hmm.
I'll send it to you right now.
1413
01:21:17,146 --> 01:21:21,144
(groans)
My machine's misbehaving again.
1414
01:21:21,279 --> 01:21:23,113
I've already spoken to I.T.
1415
01:21:23,248 --> 01:21:25,515
Just here-- let me borrow yours.
1416
01:21:32,661 --> 01:21:34,458
Thank you.
1417
01:21:37,602 --> 01:21:39,331
Where's the matcha?
1418
01:21:46,775 --> 01:21:48,604
(door closes)
1419
01:21:58,854 --> 01:22:01,122
(Tár exhales softly)
1420
01:22:13,328 --> 01:22:15,400
(grunting)
1421
01:22:23,904 --> 01:22:25,745
Ah, I wasn't sure
where you were.
1422
01:22:25,881 --> 01:22:27,511
Was working out a kink.
1423
01:22:27,646 --> 01:22:29,950
The-the matcha's cold.
I-I'll get another.
1424
01:22:30,086 --> 01:22:31,377
It's all right.
I don't need it.
1425
01:22:31,513 --> 01:22:33,583
Let's just keep working.
1426
01:22:35,022 --> 01:22:37,092
(Tár clears throat)
1427
01:22:40,931 --> 01:22:43,022
Francesca, you did as I asked
1428
01:22:43,157 --> 01:22:46,697
and deleted any and all
correspondence with Krista,
1429
01:22:46,833 --> 01:22:48,499
correct?
1430
01:22:50,102 --> 01:22:53,207
Um, I'm not sure.
1431
01:22:54,174 --> 01:22:55,775
Uh, I'm-I'm... I'm not sure.
1432
01:22:55,911 --> 01:22:58,212
I-I'll double-check.
1433
01:23:05,220 --> 01:23:08,086
You know,
Sebastian's leaving us,
1434
01:23:08,221 --> 01:23:09,882
and I wondered if you might, uh,
1435
01:23:10,017 --> 01:23:14,030
compile a list
of suitable replacements.
1436
01:23:18,598 --> 01:23:22,038
Uh, of course, feel free
to add your own name.
1437
01:23:25,076 --> 01:23:27,439
-Thank you.
-(cell phone vibrates)
1438
01:23:28,707 --> 01:23:32,578
Oh, your-your lunch
with the new cellist.
1439
01:23:32,714 --> 01:23:33,839
Oh.
1440
01:23:33,974 --> 01:23:35,114
Meant to have you
reschedule that
1441
01:23:35,249 --> 01:23:36,915
'til after the orchestra votes.
1442
01:23:37,050 --> 01:23:39,154
I'll text her now.
1443
01:23:40,922 --> 01:23:43,024
No, wait. (scoffs)
1444
01:23:43,160 --> 01:23:45,857
Might as well
see what she's made of.
1445
01:23:45,993 --> 01:23:47,723
(Tár sniffles)
1446
01:23:49,900 --> 01:23:52,167
(dishes clinking quietly)
1447
01:23:54,266 --> 01:23:56,501
This food. (chuckles)
1448
01:23:58,109 --> 01:24:02,134
The cucumber salad's,
uh, very good.
1449
01:24:02,269 --> 01:24:04,141
It's kind of the only
real option in this place
1450
01:24:04,276 --> 01:24:05,779
if you're vegetarian.
1451
01:24:05,915 --> 01:24:07,615
Uh, do you eat fish?
1452
01:24:07,750 --> 01:24:09,580
Not really.
1453
01:24:12,255 --> 01:24:15,614
You know, we can go
somewhere else.
1454
01:24:15,750 --> 01:24:17,283
L-Like the Store Kitchen.
1455
01:24:17,418 --> 01:24:20,786
I mean, it's... uh, it's kind
of a silly tradition really
1456
01:24:20,921 --> 01:24:22,855
that new members
are brought here
1457
01:24:22,991 --> 01:24:25,796
to sup with the ghosts
of the past.
1458
01:24:25,931 --> 01:24:28,832
I mean, at some point,
everyone from... from Napoleon
1459
01:24:28,968 --> 01:24:32,873
to Beethoven tucked in for
a meal at one of these tables.
1460
01:24:33,008 --> 01:24:35,204
Yes, and Clara Zetkin.
1461
01:24:35,340 --> 01:24:36,902
I wonder which one.
1462
01:24:37,038 --> 01:24:39,747
Who's that?
It's a, uh, musician?
1463
01:24:39,883 --> 01:24:41,547
No. She helped found
1464
01:24:41,682 --> 01:24:44,547
Social Democratic
women's movement in Germany
1465
01:24:44,683 --> 01:24:48,023
and KPD until
Hitler came to power
1466
01:24:48,158 --> 01:24:50,856
and she was exiled
to Soviet Union.
1467
01:24:50,992 --> 01:24:52,350
Clara Zetkin?
1468
01:24:52,486 --> 01:24:53,691
Yes.
1469
01:24:53,826 --> 01:24:56,161
Every March 8th, we place
flowers at her plaque
1470
01:24:56,296 --> 01:24:58,831
in Kremlin Wall Necropolis.
1471
01:24:58,967 --> 01:25:00,264
Her birthday?
1472
01:25:00,400 --> 01:25:02,604
No, International Women's Day.
1473
01:25:02,739 --> 01:25:04,635
(Olga chuckles)
1474
01:25:06,034 --> 01:25:08,408
-Are you ready, Maestro?
-(pen clicks)
1475
01:25:08,544 --> 01:25:12,874
-Yes, uh... -Yes,
first shashlik, then veal.
1476
01:25:13,908 --> 01:25:16,215
-For you?
-Cucumber salad.
1477
01:25:16,350 --> 01:25:17,714
-Thank you.
-Good choice.
1478
01:25:20,988 --> 01:25:22,919
Some more bread?
1479
01:25:23,055 --> 01:25:24,853
Hmm.
1480
01:25:30,091 --> 01:25:31,697
It's good.
Would you like a bite?
1481
01:25:31,833 --> 01:25:33,558
Oh, no.
1482
01:25:33,694 --> 01:25:35,501
No. Thank you.
1483
01:25:36,502 --> 01:25:38,200
Have you lived in Berlin long?
1484
01:25:38,335 --> 01:25:40,106
No, not at all.
1485
01:25:40,241 --> 01:25:41,639
I have friends in Wicker I visit
1486
01:25:41,774 --> 01:25:44,378
-until I know decision
of orchestra. -Hmm.
1487
01:25:45,280 --> 01:25:47,048
Simonov will hold your place?
1488
01:25:47,184 --> 01:25:50,186
Yes, I think so.
He is my uncle.
1489
01:25:51,512 --> 01:25:52,717
Oh.
1490
01:25:52,852 --> 01:25:55,547
But my dream has always been
to play with Berlin.
1491
01:25:55,682 --> 01:25:57,583
Oh, me, too.
1492
01:25:57,719 --> 01:25:59,789
There's nowhere like it.
1493
01:26:03,467 --> 01:26:07,203
I imagine, uh, Rostropovich
is a hero of yours.
1494
01:26:08,204 --> 01:26:10,303
Well, of course, he was great.
1495
01:26:10,439 --> 01:26:12,473
We study him
at Moscow Conservatory,
1496
01:26:12,609 --> 01:26:16,770
but growing up, my favorite
is Jacqueline du Pré.
1497
01:26:16,905 --> 01:26:19,308
She made me want to play cello.
1498
01:26:19,444 --> 01:26:20,848
Which record was it?
1499
01:26:20,984 --> 01:26:23,575
Not record. YouTube.
1500
01:26:23,710 --> 01:26:25,551
Elgar Concerto.
1501
01:26:27,286 --> 01:26:28,488
Oh, of course.
1502
01:26:28,623 --> 01:26:31,190
With Barenboim conducting
the London Phil.
1503
01:26:31,325 --> 01:26:34,127
I don't know who was conducting.
1504
01:26:34,262 --> 01:26:37,088
But she did something to me.
1505
01:26:37,224 --> 01:26:38,925
That's when I decide
to learn piece
1506
01:26:39,061 --> 01:26:41,433
and play it
with youth orchestra.
1507
01:26:41,569 --> 01:26:43,529
Quite a challenge.
How old were you?
1508
01:26:43,664 --> 01:26:45,406
Thirteen.
1509
01:26:46,809 --> 01:26:48,271
Wow.
1510
01:26:48,407 --> 01:26:50,212
I'd love to hear it.
1511
01:26:50,347 --> 01:26:53,249
They make video.
I will text to you.
1512
01:26:55,114 --> 01:26:58,584
(ensemble playing Elgar's Cello
Concerto in E minor, Op. 85)
1513
01:27:21,603 --> 01:27:23,675
♪ ♪
1514
01:27:39,490 --> 01:27:41,660
(knocking on door)
1515
01:27:49,797 --> 01:27:51,835
(knocking on door)
1516
01:27:53,805 --> 01:27:55,641
-(pounding on door)
-(music stops)
1517
01:28:14,222 --> 01:28:16,497
(quiet high-pitched tone
in distance)
1518
01:28:41,192 --> 01:28:43,425
(high-pitched tone continues)
1519
01:28:53,434 --> 01:28:55,701
(high-pitched tone stops)
1520
01:28:59,943 --> 01:29:02,037
(panting)
1521
01:29:10,310 --> 01:29:12,553
(orchestra playing
classical music)
1522
01:29:42,109 --> 01:29:44,145
(final note fades slowly)
1523
01:30:01,301 --> 01:30:03,032
Beautiful.
1524
01:30:06,439 --> 01:30:09,038
(speaking German)
1525
01:30:12,778 --> 01:30:15,645
Now, um, just before we break,
1526
01:30:15,780 --> 01:30:17,714
I know many of you are wondering
1527
01:30:17,849 --> 01:30:20,720
what the companion piece
will be.
1528
01:30:20,855 --> 01:30:23,349
And I have been
thinking quite a bit about it
1529
01:30:23,484 --> 01:30:25,318
and was wondering
if we could just take
1530
01:30:25,454 --> 01:30:28,988
an informal poll about
possibly pairing the Five
1531
01:30:29,123 --> 01:30:31,995
with Elgar's Cello Concerto.
1532
01:30:33,961 --> 01:30:36,802
(quiet murmuring)
1533
01:30:47,975 --> 01:30:49,980
(bows tapping)
1534
01:30:54,222 --> 01:30:56,988
(speaks German)
1535
01:30:57,991 --> 01:31:02,462
Oh, and, uh, given what
we've all been through,
1536
01:31:02,597 --> 01:31:04,193
what we're still going through,
1537
01:31:04,329 --> 01:31:08,867
and we're finally back
together as a family, I-I...
1538
01:31:10,034 --> 01:31:11,935
... I feel that
maybe the soloist
1539
01:31:12,071 --> 01:31:14,706
should come from
within our own ranks.
1540
01:31:14,841 --> 01:31:16,109
-(excited chatter)
-MAN: Yeah.
1541
01:31:16,245 --> 01:31:17,543
(bows tapping)
1542
01:31:17,678 --> 01:31:18,976
TÁR:
Good. Okay, good.
1543
01:31:19,112 --> 01:31:21,780
Just... Sorry. (chuckles)
One more question.
1544
01:31:21,916 --> 01:31:24,085
And this really is
just for you, Gosia.
1545
01:31:24,220 --> 01:31:25,719
I mean... (sighs)
1546
01:31:25,855 --> 01:31:28,453
... as a practical matter,
I mean, this would
1547
01:31:28,588 --> 01:31:30,617
normally fall to you.
1548
01:31:30,753 --> 01:31:33,395
But given how much is gonna be
asked of you with the Mahler,
1549
01:31:33,531 --> 01:31:35,263
I-I wondered if you'd be
at all bothered
1550
01:31:35,399 --> 01:31:38,028
if we were to hold auditions?
1551
01:31:46,809 --> 01:31:50,271
(chuckling):
Well, that's a bit unorthodox.
1552
01:31:53,375 --> 01:31:56,341
But, in theory,
I have no objection.
1553
01:31:56,477 --> 01:31:57,816
My only hesitation
will depend on
1554
01:31:57,952 --> 01:31:59,420
when these auditions
might take place.
1555
01:31:59,555 --> 01:32:00,917
I wouldn't want them in any way
1556
01:32:01,052 --> 01:32:02,314
to interfere with
our sectionals.
1557
01:32:02,450 --> 01:32:04,087
No, no, no.
That's a good point.
1558
01:32:04,222 --> 01:32:05,756
I mean, it is gonna
have to be a... (laughs)
1559
01:32:05,891 --> 01:32:07,291
It's gonna have to be a sprint.
1560
01:32:07,426 --> 01:32:09,059
Um...
1561
01:32:10,497 --> 01:32:12,260
How about Monday?
1562
01:32:16,304 --> 01:32:17,969
All right.
1563
01:32:21,235 --> 01:32:22,468
TÁR:
Okay, good.
1564
01:32:22,603 --> 01:32:25,607
Knut, would you assemble
a quorum for Monday?
1565
01:32:25,742 --> 01:32:27,110
(speaks quietly)
1566
01:32:31,452 --> 01:32:34,249
(quiet murmuring)
1567
01:32:40,597 --> 01:32:42,790
WOMAN:
Let me see what she says.
1568
01:32:42,926 --> 01:32:44,831
Okay, I got, I gotta go.
1569
01:32:46,092 --> 01:32:47,793
Britta, hi.
1570
01:32:47,928 --> 01:32:48,799
Lydia.
1571
01:32:48,934 --> 01:32:50,629
-Just caught the end.
-Ah!
1572
01:32:50,764 --> 01:32:52,536
What'd you think? How's it, uh,
how's it sounding?
1573
01:32:52,672 --> 01:32:54,840
Oh, it's fantastic.
1574
01:32:54,976 --> 01:32:57,169
I can't wait
until the live recording.
1575
01:32:57,305 --> 01:32:58,841
-Yes, well.
-(kissing)
1576
01:32:58,977 --> 01:33:01,414
I'll be happy when it's over.
1577
01:33:01,549 --> 01:33:03,181
It's always that way.
1578
01:33:03,317 --> 01:33:06,515
I know you're busy, and I don't
want to add to your load,
1579
01:33:06,650 --> 01:33:08,585
but...
1580
01:33:08,721 --> 01:33:10,823
Andris Davis called.
1581
01:33:10,958 --> 01:33:14,162
Look, he's upset
I'm rotating Sebastian.
1582
01:33:14,298 --> 01:33:15,492
No, no, no, no, no.
1583
01:33:15,627 --> 01:33:16,828
Something else.
1584
01:33:16,963 --> 01:33:18,193
But you will please
let Laura know
1585
01:33:18,329 --> 01:33:19,600
as soon as you have chosen
his replacement
1586
01:33:19,735 --> 01:33:21,036
so she can prepare
a press release.
1587
01:33:21,171 --> 01:33:22,401
Yeah, of course.
1588
01:33:22,537 --> 01:33:24,201
Uh, so what did he want?
1589
01:33:24,336 --> 01:33:26,665
To complain about
the punctuality of a driver
1590
01:33:26,800 --> 01:33:29,575
he seems to believe
the board supplies him with.
1591
01:33:29,710 --> 01:33:31,737
Do you know anything about this?
1592
01:33:31,873 --> 01:33:33,045
Yes.
1593
01:33:33,180 --> 01:33:36,045
No, it's just... it's just
something I pay for.
1594
01:33:36,181 --> 01:33:38,750
Then why does he believe
it's the board?
1595
01:33:38,885 --> 01:33:42,113
Because he needs
to believe that.
1596
01:33:42,248 --> 01:33:43,924
H-He needs to b...
1597
01:33:44,059 --> 01:33:46,519
needs to believe he hasn't
been forgotten, Britta.
1598
01:33:46,654 --> 01:33:49,227
Uh, the academy
has von Karajan's name on it,
1599
01:33:49,363 --> 01:33:51,856
and there are love shrines
to Abbado all over this place.
1600
01:33:51,992 --> 01:33:56,269
But the name of Davis, it's
essentially nowhere to be seen.
1601
01:33:56,404 --> 01:33:57,895
All right.
1602
01:33:58,031 --> 01:34:01,406
Then perhaps Francesca could
have a word with the driver.
1603
01:34:01,541 --> 01:34:03,705
Of course.
1604
01:34:03,840 --> 01:34:05,707
One other thing.
1605
01:34:05,842 --> 01:34:07,544
It's unpleasant.
1606
01:34:07,679 --> 01:34:09,075
Oh, is it?
1607
01:34:09,210 --> 01:34:10,983
Operational shortfall?
1608
01:34:11,118 --> 01:34:13,580
Must I take Mrs. Sewing
out to drinks again?
1609
01:34:13,715 --> 01:34:15,581
No, no, no, nothing to do
with the orchestra.
1610
01:34:15,716 --> 01:34:17,753
Do you remember
an Accordion Academy fellow
1611
01:34:17,889 --> 01:34:20,388
named Krista Taylor?
1612
01:34:23,530 --> 01:34:25,600
Yes. Why?
1613
01:34:25,736 --> 01:34:28,236
Apparently,
she committed suicide.
1614
01:34:28,372 --> 01:34:31,404
Oh, God. Poor thing.
1615
01:34:31,539 --> 01:34:33,469
Her parents mu...
1616
01:34:34,405 --> 01:34:37,007
Wait, sorry,
I'm... I'm confused, Britta.
1617
01:34:37,143 --> 01:34:39,414
Why, why were you put
in the position
1618
01:34:39,550 --> 01:34:40,749
to deliver this terrible news?
1619
01:34:40,884 --> 01:34:42,812
Why didn't Accordion
contact me directly?
1620
01:34:42,947 --> 01:34:44,817
It's delicate, Lydia.
1621
01:34:44,952 --> 01:34:46,420
Mr. Kaplan thought
it might be best
1622
01:34:46,556 --> 01:34:47,822
if you contacted a lawyer
1623
01:34:47,957 --> 01:34:50,419
before speaking with anyone
at Accordion.
1624
01:34:50,555 --> 01:34:53,927
Well, presumably, that anyone
includes Eliot himself.
1625
01:34:55,933 --> 01:34:59,163
I'm, I'm sorry, why-why
would I need to do that?
1626
01:34:59,298 --> 01:35:03,739
Apparently, some accusations
have been made.
1627
01:35:05,304 --> 01:35:07,274
Accusations?
What kind of accusations?
1628
01:35:07,410 --> 01:35:08,876
He didn't say.
1629
01:35:09,011 --> 01:35:11,275
But they were brought
to Accordion's counsel.
1630
01:35:11,410 --> 01:35:14,339
Mr. Kaplan said he's certain
nothing will come of it,
1631
01:35:14,475 --> 01:35:17,082
but one can't be too careful.
1632
01:35:24,360 --> 01:35:26,762
(sighs heavily)
1633
01:35:31,597 --> 01:35:33,197
(sniffs)
1634
01:35:35,599 --> 01:35:38,037
I'm sorry about the hour.
It's Lydia Tár calling.
1635
01:35:38,172 --> 01:35:41,306
I need to speak to Mr. Singer
immediately.
1636
01:35:41,442 --> 01:35:42,706
Yes.
1637
01:35:42,841 --> 01:35:44,813
Yes, it's urgent.
1638
01:36:08,803 --> 01:36:11,037
(low, quiet conversations)
1639
01:36:13,804 --> 01:36:15,844
Tired?
1640
01:36:18,876 --> 01:36:21,345
Sleep's elusive.
1641
01:36:22,248 --> 01:36:24,820
I was the same
before a recording date.
1642
01:36:26,520 --> 01:36:28,186
Lydia...
1643
01:36:28,321 --> 01:36:31,920
are-are you absolutely
certain about Sebastian?
1644
01:36:32,056 --> 01:36:34,386
TÁR:
Mm-hmm.
1645
01:36:34,522 --> 01:36:37,223
Who will you replace him with?
1646
01:36:37,358 --> 01:36:39,595
Possibly Andrew Crust.
1647
01:36:40,498 --> 01:36:43,766
He's been assisting
Otto Tausk at the VSO.
1648
01:36:43,902 --> 01:36:46,369
Not the girl?
1649
01:36:51,678 --> 01:36:53,915
(Tár sighs)
1650
01:36:55,176 --> 01:36:57,281
Andris...
1651
01:37:00,515 --> 01:37:03,218
... have you ever had an issue
1652
01:37:03,353 --> 01:37:05,918
with a, a student or colleague,
1653
01:37:06,054 --> 01:37:08,060
where that person may have
misinterpreted your intention?
1654
01:37:08,196 --> 01:37:09,591
Has someone been complaining
about me?
1655
01:37:09,726 --> 01:37:11,665
-No, no, no, of course not.
-Because at this point,
1656
01:37:11,800 --> 01:37:13,232
they've missed their chance.
1657
01:37:13,367 --> 01:37:15,435
-I'm out of the game.
-Yes, yes, I know, I know.
1658
01:37:15,570 --> 01:37:16,828
Course you are.
1659
01:37:16,963 --> 01:37:18,769
Thank God I was never pulled
from the podium
1660
01:37:18,904 --> 01:37:20,841
like Jimmy Levine.
1661
01:37:20,977 --> 01:37:24,735
Or-or hunted
like Charles Dutoit.
1662
01:37:24,871 --> 01:37:27,279
I take it you're asking
for a reason.
1663
01:37:27,415 --> 01:37:30,275
Well, there's just been
so much of this sort of thing
1664
01:37:30,411 --> 01:37:31,945
in the news lately.
1665
01:37:32,080 --> 01:37:35,386
Well, nowadays, to be accused
is the same as being guilty.
1666
01:37:36,322 --> 01:37:37,849
But I suppose
that was also the case
1667
01:37:37,984 --> 01:37:40,956
all those years ago
with Furtwängler.
1668
01:37:41,092 --> 01:37:44,229
A bit with Karajan, too.
1669
01:37:46,836 --> 01:37:49,500
Who was the better conductor?
1670
01:37:50,336 --> 01:37:52,799
I never played
under Furtwängler.
1671
01:37:52,934 --> 01:37:55,170
Yeah, when I first arrived here,
the older members
1672
01:37:55,306 --> 01:37:58,476
had, uh, hmm, hushed opinions.
1673
01:37:58,612 --> 01:38:01,943
At the same time, they wanted
to leave that era behind.
1674
01:38:02,079 --> 01:38:03,474
What, the war?
1675
01:38:03,610 --> 01:38:04,781
-No, postwar.
-Ah.
1676
01:38:04,916 --> 01:38:07,050
Denazification.
1677
01:38:07,185 --> 01:38:08,789
Someone pointed a finger at you,
1678
01:38:08,924 --> 01:38:10,858
process started all over again.
1679
01:38:10,994 --> 01:38:13,561
Furtwängler never joined
the Party.
1680
01:38:13,697 --> 01:38:14,962
Refused to give the salute
1681
01:38:15,098 --> 01:38:17,128
or to conduct the
"Horst-Wessel-Lied."
1682
01:38:17,264 --> 01:38:19,964
Or to sign his letters,
"Heil, Hitler."
1683
01:38:20,100 --> 01:38:23,002
Even those he wrote to Hitler.
1684
01:38:23,138 --> 01:38:27,676
But he was obliged
to be denazified.
1685
01:38:27,811 --> 01:38:30,477
Until then, he was semiretired,
1686
01:38:30,612 --> 01:38:33,146
playing corpses.
1687
01:38:33,945 --> 01:38:35,982
Playing corpses?
1688
01:38:36,118 --> 01:38:39,449
Secretly performing
in a graveyard.
1689
01:38:40,981 --> 01:38:43,152
You're not equating
sexual impropriety
1690
01:38:43,287 --> 01:38:45,554
with being an accused Nazi?
1691
01:38:46,620 --> 01:38:48,162
Either way, you had to be ready.
1692
01:38:48,298 --> 01:38:50,930
For years, I made sure
all the hangers in my closet
1693
01:38:51,065 --> 01:38:53,298
were facing the same direction.
1694
01:39:03,837 --> 01:39:06,707
How many are auditioning
on Monday?
1695
01:39:10,981 --> 01:39:12,515
No one.
1696
01:39:13,489 --> 01:39:15,155
No one?
1697
01:39:16,659 --> 01:39:19,025
Maybe Martin.
1698
01:39:19,161 --> 01:39:20,886
He's never gotten along
with Gosia.
1699
01:39:21,021 --> 01:39:23,658
He would love to sit downstage
for once.
1700
01:39:25,325 --> 01:39:27,726
Well...
1701
01:39:27,862 --> 01:39:30,170
he's still gonna
have to audition.
1702
01:39:31,904 --> 01:39:33,806
Of course.
1703
01:39:33,942 --> 01:39:36,176
Have to follow the rules.
1704
01:39:38,006 --> 01:39:40,379
TÁR: Aren't we being
a bit formal, Francesca?
1705
01:39:40,514 --> 01:39:43,050
From what I understand,
there's only one player, right?
1706
01:39:43,186 --> 01:39:46,087
FRANCESCA:
No, Maestro, there are two.
1707
01:39:47,456 --> 01:39:50,685
(cello and piano playing
dramatic classical music)
1708
01:40:08,808 --> 01:40:12,278
(cello playing Elgar's Cello
Concerto in E minor, Op. 85)
1709
01:40:41,339 --> 01:40:43,804
(cello holding final note)
1710
01:40:48,281 --> 01:40:50,149
SHARON:
Well, it's unanimous.
1711
01:40:50,284 --> 01:40:52,852
-Number two.
-TÁR: Mm-hmm.
1712
01:40:52,987 --> 01:40:54,285
And we have a problem.
1713
01:40:54,421 --> 01:40:55,781
She's not officially
been invited
1714
01:40:55,917 --> 01:40:58,093
to become a member
of the orchestra.
1715
01:40:59,262 --> 01:41:02,559
Well, she wouldn't need to be
to solo for us.
1716
01:41:02,694 --> 01:41:04,797
KNUT: I believe the criteria
of the audition
1717
01:41:04,933 --> 01:41:07,325
was all section members?
1718
01:41:07,460 --> 01:41:09,665
-(grunts) Then her audition
gets thrown out. -SHARON: No.
1719
01:41:09,800 --> 01:41:12,169
Francesca, please ask Martin
to come back in
1720
01:41:12,304 --> 01:41:14,499
so we can give him the news.
1721
01:41:14,635 --> 01:41:16,639
Wait. Gosia, let's talk.
1722
01:41:19,011 --> 01:41:21,473
Shit! (laughing)
1723
01:41:21,608 --> 01:41:22,678
(whooping loudly)
1724
01:41:22,813 --> 01:41:25,219
Yeah! (continues laughing
and whooping)
1725
01:41:26,553 --> 01:41:29,920
I'll confirm solo rehearsal
dates with her.
1726
01:41:30,055 --> 01:41:31,889
Thank you.
1727
01:41:32,024 --> 01:41:34,228
Have a seat.
1728
01:41:38,463 --> 01:41:40,397
(sighs):
I have made a decision
1729
01:41:40,533 --> 01:41:43,336
regarding Sebastian's
replacement.
1730
01:41:44,473 --> 01:41:48,209
And I want you to know
it wasn't an easy one.
1731
01:41:49,544 --> 01:41:53,876
Uh, this position brings with it
enormous responsibility,
1732
01:41:54,011 --> 01:41:57,341
-and my personal affection
for you aside... -(scoffs)
1733
01:41:57,477 --> 01:42:02,355
... I will have to go with
someone more, more experienced.
1734
01:42:17,402 --> 01:42:19,669
(quiet high-pitched tone)
1735
01:42:25,077 --> 01:42:26,742
(tone stops)
1736
01:42:42,525 --> 01:42:44,760
(playing simple melody)
1737
01:42:52,866 --> 01:42:54,902
(bell chiming in distance)
1738
01:42:59,139 --> 01:43:02,013
-(knocking on door)
-(plays note)
1739
01:43:02,149 --> 01:43:04,081
Oh, leave me alone.
1740
01:43:04,217 --> 01:43:06,584
I don't have your paper.
1741
01:43:07,452 --> 01:43:09,286
I've told you before, I...
1742
01:43:09,422 --> 01:43:11,622
Oh, I'm sorry. Please come in.
1743
01:43:16,556 --> 01:43:17,864
(sighs)
1744
01:43:18,000 --> 01:43:20,235
(playing gentle melody)
1745
01:43:57,631 --> 01:43:58,835
Good. Good.
1746
01:43:58,970 --> 01:44:01,900
I-I think the contrast is,
it's much better now.
1747
01:44:02,035 --> 01:44:03,408
-Don't you think?
-Hmm.
1748
01:44:03,544 --> 01:44:05,306
(sighs)
How do you take your coffee?
1749
01:44:05,442 --> 01:44:07,678
Black. Strong.
1750
01:44:09,315 --> 01:44:11,142
Is all right if I play?
1751
01:44:11,277 --> 01:44:13,783
Hmm? Oh, yes,
of course, of course.
1752
01:44:23,967 --> 01:44:25,993
(playing gentle melody)
1753
01:45:02,271 --> 01:45:04,728
That's as far as I've gotten.
1754
01:45:04,864 --> 01:45:06,874
But it's good.
1755
01:45:07,010 --> 01:45:09,575
Um, this part here.
1756
01:45:13,347 --> 01:45:15,713
Maybe change A to B-flat?
1757
01:45:19,422 --> 01:45:21,884
That's better.
I like that sound.
1758
01:45:23,521 --> 01:45:25,760
Come on. Take a break.
1759
01:45:25,895 --> 01:45:27,857
Okay. (chuckles)
1760
01:45:28,756 --> 01:45:30,530
(door closes)
1761
01:45:40,242 --> 01:45:41,739
TÁR:
Sharon?
1762
01:45:45,045 --> 01:45:46,909
Hello.
1763
01:46:02,722 --> 01:46:04,564
Petra.
1764
01:46:16,575 --> 01:46:18,809
(Petra humming rhythmically)
1765
01:46:23,076 --> 01:46:25,145
(rhythmic humming continues)
1766
01:46:27,781 --> 01:46:29,424
(humming)
1767
01:46:30,325 --> 01:46:32,150
What are you doing in here?
1768
01:46:32,286 --> 01:46:35,194
(whispering):
I'm hiding from her.
1769
01:46:35,330 --> 01:46:36,696
(whispers):
Why?
1770
01:46:36,831 --> 01:46:39,858
Because she told me
to put my things in order,
1771
01:46:39,993 --> 01:46:42,833
but they already are.
1772
01:46:45,601 --> 01:46:47,805
I can see that.
1773
01:46:48,801 --> 01:46:49,968
Come on.
1774
01:46:50,103 --> 01:46:51,973
They're all waiting for you.
1775
01:46:52,109 --> 01:46:55,347
PETRA: I'm going to give
everyone a pencil.
1776
01:46:55,482 --> 01:46:56,645
TÁR:
All of them?
1777
01:46:56,781 --> 01:46:58,310
They can't all conduct, honey.
1778
01:46:58,445 --> 01:47:01,984
(chuckles): It's not a,
it's not a democracy.
1779
01:47:03,817 --> 01:47:05,889
♪ ♪
1780
01:47:07,657 --> 01:47:09,860
(orchestra joins)
1781
01:47:14,894 --> 01:47:16,966
♪ ♪
1782
01:47:43,197 --> 01:47:45,500
♪ ♪
1783
01:48:01,347 --> 01:48:02,781
(Tár sighs)
1784
01:48:05,682 --> 01:48:07,482
(speaking German)
1785
01:48:07,617 --> 01:48:09,221
Okay, uh...
1786
01:48:09,356 --> 01:48:11,592
(speaking German)
1787
01:48:13,953 --> 01:48:15,319
(speaks German)
1788
01:48:15,454 --> 01:48:18,090
-Hey, that's good.
-Yeah. Good.
1789
01:48:18,225 --> 01:48:19,331
-You happy?
-(laughs softly)
1790
01:48:19,466 --> 01:48:21,734
(Tár speaking quietly)
1791
01:48:22,903 --> 01:48:25,739
How long were you acquainted
with Miss Taylor?
1792
01:48:25,874 --> 01:48:29,839
Oh, I'd have to double-check
with my assistant,
1793
01:48:29,974 --> 01:48:32,776
but cumulatively speaking,
I'd say
1794
01:48:32,912 --> 01:48:35,474
-not more than a few months.
-Hmm.
1795
01:48:35,609 --> 01:48:38,215
-Thank you for your time,
Maestro. -Not at all.
1796
01:48:39,385 --> 01:48:41,612
-This recording will exist on
a protected server... -Mm-hmm.
1797
01:48:41,747 --> 01:48:43,919
... under attorney-client
privilege with Mr. Singer.
1798
01:48:44,055 --> 01:48:45,657
-Great.
-He will follow up with you
1799
01:48:45,793 --> 01:48:47,661
to help prepare
for the deposition.
1800
01:48:50,957 --> 01:48:52,756
Deposition?
1801
01:48:52,892 --> 01:48:54,267
Yes.
1802
01:48:54,403 --> 01:48:56,098
I assumed you were aware.
1803
01:48:56,233 --> 01:48:58,270
Mr. Singer's office said
they'd been coordinating
1804
01:48:58,406 --> 01:49:00,303
with your assistant.
1805
01:49:00,438 --> 01:49:02,834
Francesca, you'd better get
your pretty little ass to work
1806
01:49:02,969 --> 01:49:04,510
right now.
1807
01:49:04,645 --> 01:49:06,043
(man and woman speaking German)
1808
01:49:06,178 --> 01:49:08,046
The only communication
we've received from Francesca
1809
01:49:08,182 --> 01:49:10,341
was an email to my assistant
in the middle of the night
1810
01:49:10,477 --> 01:49:11,814
tendering her immediate
resignation,
1811
01:49:11,949 --> 01:49:13,620
stating she would be in contact
1812
01:49:13,756 --> 01:49:16,113
when she had more details
to provide.
1813
01:49:16,248 --> 01:49:17,620
What kind of details?
1814
01:49:17,756 --> 01:49:19,188
A new address, I suppose.
1815
01:49:19,323 --> 01:49:21,561
In the meantime,
we've been trying all morning
1816
01:49:21,697 --> 01:49:23,296
to find someone suitable
to assist you
1817
01:49:23,431 --> 01:49:24,632
on a temporary basis.
1818
01:49:24,767 --> 01:49:26,463
For now, perhaps
your new assistant conductor
1819
01:49:26,599 --> 01:49:28,033
would be the right fit.
1820
01:49:28,169 --> 01:49:30,534
No. No. He's not available
'til after the live Five date.
1821
01:49:30,670 --> 01:49:32,772
Yes, I'm ready. Let's go.
1822
01:49:36,778 --> 01:49:38,544
I know how much
you depended on her.
1823
01:49:38,680 --> 01:49:40,038
TÁR:
Two-faced little bitch.
1824
01:49:40,173 --> 01:49:41,639
Imagine her hurt, Tár.
1825
01:49:41,775 --> 01:49:44,142
-Don't you dare try to
defend her. -God, slow down!
1826
01:49:44,277 --> 01:49:45,810
She'll come galumphing back.
1827
01:49:45,945 --> 01:49:47,822
-I mean, I've got a dumb phone
like every robot. -Tár, s...
1828
01:49:47,957 --> 01:49:50,021
-How hard can it be to text
all day? -(horn blaring)
1829
01:49:50,157 --> 01:49:52,554
-(screams) Slow down!
-(tires screech, horn honks)
1830
01:49:52,690 --> 01:49:55,025
Or let me out!
1831
01:50:04,296 --> 01:50:06,333
(seat belt unfastens)
1832
01:50:12,578 --> 01:50:14,847
(child chattering)
1833
01:50:15,915 --> 01:50:18,147
-Francesca!
-(pounds on door)
1834
01:50:51,183 --> 01:50:53,886
-WOMAN: Fräulein?
-(keys jingling)
1835
01:50:59,558 --> 01:51:01,861
(keys jingling)
1836
01:51:05,534 --> 01:51:07,658
(low, indistinct whispering)
1837
01:51:08,595 --> 01:51:11,970
(indistinct whispering
continues)
1838
01:51:18,875 --> 01:51:21,111
(insects trilling)
1839
01:51:31,484 --> 01:51:32,788
-(banging on door)
-(gasps)
1840
01:51:32,924 --> 01:51:35,224
(bell chiming in distance)
1841
01:51:37,798 --> 01:51:40,966
(frantically speaking German)
1842
01:51:43,403 --> 01:51:44,634
Come.
1843
01:51:44,770 --> 01:51:47,071
(chiming continues)
1844
01:51:56,079 --> 01:51:58,313
(woman whimpering quietly)
1845
01:52:03,789 --> 01:52:06,024
(chiming continues)
1846
01:52:07,926 --> 01:52:10,127
(woman continues whimpering)
1847
01:52:23,544 --> 01:52:25,411
(woman whimpering)
1848
01:52:25,547 --> 01:52:27,815
(chiming continues)
1849
01:52:30,682 --> 01:52:32,347
(Tár grunts)
1850
01:52:35,456 --> 01:52:37,147
(shushing)
1851
01:52:37,282 --> 01:52:38,589
(Tár grunts)
1852
01:52:38,725 --> 01:52:41,328
(chiming continues)
1853
01:52:41,463 --> 01:52:43,490
(speaking German)
1854
01:52:44,696 --> 01:52:47,399
(shushing)
1855
01:52:47,534 --> 01:52:48,829
(chiming stops)
1856
01:52:48,965 --> 01:52:50,270
(door closes)
1857
01:52:50,405 --> 01:52:53,438
(gasping)
1858
01:52:53,573 --> 01:52:55,843
(water running)
1859
01:53:06,818 --> 01:53:08,850
(knocking on door)
1860
01:53:08,985 --> 01:53:11,320
(turns off water)
1861
01:53:13,320 --> 01:53:15,159
(knocking continues)
1862
01:53:17,332 --> 01:53:18,833
(sighs)
1863
01:53:19,731 --> 01:53:20,766
(door opens)
1864
01:53:20,902 --> 01:53:22,534
OLGA:
Sorry I'm late again.
1865
01:53:22,670 --> 01:53:24,766
TÁR:
Oh.
1866
01:53:24,902 --> 01:53:27,171
(door closes)
1867
01:53:29,512 --> 01:53:32,203
D-Do you live here?
1868
01:53:32,338 --> 01:53:34,547
Not normally, no.
1869
01:53:34,683 --> 01:53:36,044
Uh, make yourself at home.
1870
01:53:36,179 --> 01:53:37,483
I'm just gonna put something on.
1871
01:53:37,619 --> 01:53:39,084
Do you have a towel?
1872
01:53:41,185 --> 01:53:43,550
-(quietly): Yes.
-Thank you.
1873
01:53:48,697 --> 01:53:51,426
I got caught in the rain.
1874
01:53:57,362 --> 01:54:00,270
(both chuckling)
1875
01:54:02,573 --> 01:54:05,136
There is small concert
with musician friends.
1876
01:54:05,271 --> 01:54:06,608
You should come.
1877
01:54:07,712 --> 01:54:11,246
TÁR: Thanks, but I-I...
really must get home. (sighs)
1878
01:54:11,381 --> 01:54:14,421
-You have child, yes?
-Mm-hmm.
1879
01:54:14,557 --> 01:54:16,253
I will not do that.
1880
01:54:18,584 --> 01:54:20,389
Pets are better for some people.
1881
01:54:23,227 --> 01:54:25,999
-Oh. (laughs)
-(laughs)
1882
01:54:33,266 --> 01:54:34,364
What... Oh.
1883
01:54:34,499 --> 01:54:35,699
-Sorry.
-Bye.
1884
01:54:35,834 --> 01:54:36,938
-(laughs)
-Oh, yes. Goodbye. Yes.
1885
01:54:37,074 --> 01:54:38,436
-Goodbye.
-Okay.
1886
01:54:38,572 --> 01:54:40,409
-Oh.
-(chuckles) Okay.
1887
01:54:47,346 --> 01:54:49,113
Oh, Olga!
1888
01:54:49,248 --> 01:54:50,353
Olga!
1889
01:54:58,367 --> 01:55:00,165
Olga?
1890
01:55:02,204 --> 01:55:04,433
(woman singing in
foreign language in distance)
1891
01:55:06,771 --> 01:55:08,943
Olga?
1892
01:55:37,230 --> 01:55:38,973
Hello?
1893
01:55:49,474 --> 01:55:50,548
(water dripping)
1894
01:55:50,683 --> 01:55:52,382
Olga?
1895
01:55:54,317 --> 01:55:56,386
(door closes in distance)
1896
01:56:11,000 --> 01:56:12,666
Olga?
1897
01:56:14,040 --> 01:56:16,274
(light footsteps running)
1898
01:56:21,846 --> 01:56:23,210
Olga?
1899
01:56:23,346 --> 01:56:25,547
(light footsteps running)
1900
01:56:29,924 --> 01:56:32,026
(light footsteps running)
1901
01:56:34,024 --> 01:56:37,064
(growling)
1902
01:56:48,038 --> 01:56:50,275
(panting softly)
1903
01:56:55,584 --> 01:56:58,118
(panting)
1904
01:56:58,954 --> 01:57:00,417
-(gasps)
-(sharp thud)
1905
01:57:07,223 --> 01:57:09,063
(Sharon gasps)
1906
01:57:10,756 --> 01:57:12,757
Why didn't you go to the police?
1907
01:57:12,892 --> 01:57:15,729
I fought. He ran.
What's to tell?
1908
01:57:19,398 --> 01:57:20,503
Oh, God.
1909
01:57:20,638 --> 01:57:21,708
I'm gonna get you something
for the pain.
1910
01:57:21,844 --> 01:57:22,776
No, I don't need anything.
1911
01:57:22,911 --> 01:57:24,938
No, I'm gonna get you something.
1912
01:57:25,074 --> 01:57:26,740
(sighs)
1913
01:57:31,114 --> 01:57:32,746
Ja.
1914
01:57:41,420 --> 01:57:43,097
(sighs)
1915
01:57:48,267 --> 01:57:50,764
PETRA (in distance):
Lydia!
1916
01:57:53,432 --> 01:57:54,330
Lydia!
1917
01:57:54,466 --> 01:57:55,642
(gasps)
1918
01:57:55,778 --> 01:57:58,376
(breathing heavily)
1919
01:58:00,143 --> 01:58:02,116
What is it?
1920
01:58:04,181 --> 01:58:06,285
Hold my foot.
1921
01:58:14,619 --> 01:58:15,989
Is that better?
1922
01:58:16,125 --> 01:58:17,692
Yes.
1923
01:58:23,035 --> 01:58:25,304
(Petra whimpering)
1924
01:58:30,340 --> 01:58:32,806
(instruments warming up)
1925
01:58:51,025 --> 01:58:52,859
-(instruments stop)
-(quiet murmuring)
1926
01:58:59,003 --> 01:59:00,702
Okay.
1927
01:59:00,837 --> 01:59:03,507
Let's, uh, shoo the elephant
from the room.
1928
01:59:04,609 --> 01:59:07,280
"What the hell happened
to her face?"
1929
01:59:07,415 --> 01:59:09,713
"Did she, uh, schedule
a nose and eye job
1930
01:59:09,849 --> 01:59:12,477
and bail before the surgeon
finished the other half?"
1931
01:59:12,612 --> 01:59:13,748
(quiet chuckling)
1932
01:59:17,692 --> 01:59:19,419
No.
1933
01:59:19,555 --> 01:59:21,089
I was, uh, I was attacked.
1934
01:59:21,224 --> 01:59:23,620
Thank you.
1935
01:59:23,755 --> 01:59:25,596
I'm fine. Really.
1936
01:59:25,731 --> 01:59:27,568
-Should've seen the other guy.
-(quiet laughter)
1937
01:59:27,703 --> 01:59:28,592
All right.
1938
01:59:28,727 --> 01:59:30,765
(speaking German)
1939
01:59:34,643 --> 01:59:35,770
(coughs)
1940
01:59:36,944 --> 01:59:38,443
(exhales sharply)
1941
01:59:39,943 --> 01:59:42,942
(orchestra begins playing
light classical music)
1942
01:59:58,763 --> 02:00:00,564
-(grunts)
-(orchestra plays deep note)
1943
02:00:02,068 --> 02:00:03,136
(grunts fiercely)
1944
02:00:03,271 --> 02:00:05,800
(orchestra playing
dramatic music)
1945
02:00:13,915 --> 02:00:15,440
(gasps) Don't.
1946
02:00:15,575 --> 02:00:17,113
It burns.
1947
02:00:17,249 --> 02:00:19,282
You must see the doctor.
1948
02:00:19,417 --> 02:00:21,185
He's booked 'til next week.
1949
02:00:21,321 --> 02:00:22,519
(scoffs) I'll call them again
1950
02:00:22,655 --> 02:00:24,182
and tell them how much pain
you're in.
1951
02:00:24,317 --> 02:00:26,692
No, no, let's just,
let's just finish up here.
1952
02:00:26,827 --> 02:00:28,293
Okay?
1953
02:00:28,429 --> 02:00:30,326
Overall, the balance
feels right.
1954
02:00:30,461 --> 02:00:31,693
Other than a quick brushup,
1955
02:00:31,828 --> 02:00:34,229
we should concentrate
on the Elgar.
1956
02:00:34,365 --> 02:00:37,033
You're certain of that?
1957
02:00:37,168 --> 02:00:39,472
I think so. Yes.
1958
02:00:39,608 --> 02:00:41,341
TÁR: We're absolutely
rock-solid there,
1959
02:00:41,476 --> 02:00:46,170
but I am going to try
to hold them back here.
1960
02:00:46,305 --> 02:00:47,975
Uh, they're just
getting caught up in the power
1961
02:00:48,110 --> 02:00:51,916
of your, uh, glissando
in there, trying to match it.
1962
02:00:52,051 --> 02:00:55,022
Um, probably...
1963
02:00:55,157 --> 02:00:57,648
Where were you attacked,
Maestro?
1964
02:00:57,784 --> 02:01:00,694
Oh, doesn't matter.
1965
02:01:00,829 --> 02:01:02,324
(chuckles) Here.
1966
02:01:02,459 --> 02:01:05,655
(chuckles) Thank you.
1967
02:01:05,791 --> 02:01:07,228
There you are.
1968
02:01:08,131 --> 02:01:10,398
-When did this fall happen?
-Uh, it's all a blur.
1969
02:01:10,533 --> 02:01:13,204
Three, four days ago.
1970
02:01:13,339 --> 02:01:14,738
It's just my shoulder. Yeah.
1971
02:01:14,873 --> 02:01:18,543
It kind of burns,
like I fell asleep by the pool.
1972
02:01:19,678 --> 02:01:22,840
Okay, you can
put your shirt back on.
1973
02:01:22,975 --> 02:01:24,184
You've damaged some nerves.
1974
02:01:24,320 --> 02:01:25,513
The burning sensation
you're feeling
1975
02:01:25,648 --> 02:01:27,182
is called notalgia paresthetica.
1976
02:01:27,317 --> 02:01:28,415
Nostalgia?
1977
02:01:28,551 --> 02:01:30,752
"Notalgia." No "S."
1978
02:01:30,888 --> 02:01:33,289
-Well, how do we treat it?
-You don't.
1979
02:01:33,425 --> 02:01:34,758
Eventually, it goes away.
1980
02:01:34,894 --> 02:01:38,332
An adjustment might help.
You're somewhat crooked.
1981
02:01:39,329 --> 02:01:40,763
(chuckles)
1982
02:01:43,667 --> 02:01:45,900
(piano playing gentle melody)
1983
02:01:56,017 --> 02:01:58,077
(music stops)
1984
02:02:14,134 --> 02:02:16,370
(phone chimes)
1985
02:02:26,714 --> 02:02:28,578
TÁR (over video):
Oh, well, then you must be
1986
02:02:28,714 --> 02:02:32,111
a Negro product
exploited by the Jews.
1987
02:02:33,580 --> 02:02:36,418
Now let's turn our gaze back
to the piano bench up there
1988
02:02:36,554 --> 02:02:38,788
to a superhot young woman.
1989
02:02:39,890 --> 02:02:41,918
That's-that's...
th-that was very good.
1990
02:02:42,054 --> 02:02:44,089
Now, you could masturbate,
1991
02:02:44,225 --> 02:02:47,830
but what are you
actually doing to me?
1992
02:02:48,563 --> 02:02:50,833
(phone chiming)
1993
02:02:53,439 --> 02:02:54,805
-Britta.
-BRITTA: Hi, hi.
1994
02:02:54,940 --> 02:02:57,671
-Have you seen it?
-Yes, yes. I've just seen it.
1995
02:02:57,807 --> 02:03:00,776
... gathering this afternoon.
1996
02:03:00,911 --> 02:03:02,810
-This afternoon?
-Is that a problem?
1997
02:03:02,946 --> 02:03:05,144
No, just...
No, it's no problem.
1998
02:03:08,087 --> 02:03:09,984
(sighs)
1999
02:03:38,777 --> 02:03:44,314
First of all, that class was
conducted in a tech-free zone.
2000
02:03:44,450 --> 02:03:48,057
And second,
whoever violated that rule
2001
02:03:48,192 --> 02:03:51,428
edited what we've all seen
to create linguistic traps
2002
02:03:51,563 --> 02:03:53,028
to completely redefine my words.
2003
02:03:53,164 --> 02:03:55,326
I mean, look at the
reverse shots on the students.
2004
02:03:55,461 --> 02:03:57,168
There's no way that was done
in real time.
2005
02:03:57,304 --> 02:03:58,600
It's a hatchet job.
2006
02:03:58,735 --> 02:04:00,697
I'm sure that's true, Lydia.
2007
02:04:00,832 --> 02:04:04,511
And were it just this video,
we would not be sitting here.
2008
02:04:04,646 --> 02:04:06,175
Unfortunately,
it's linked to an article in
2009
02:04:06,311 --> 02:04:08,712
the New York Post regarding
Krista Taylor's suicide,
2010
02:04:08,847 --> 02:04:11,614
which alludes to
other Accordion fellows
2011
02:04:11,749 --> 02:04:13,619
they claim to have interviewed.
2012
02:04:13,755 --> 02:04:15,846
Laura, can you tell us
about your conversations?
2013
02:04:15,982 --> 02:04:17,190
We haven't had any.
2014
02:04:17,326 --> 02:04:18,858
Obviously, we gave no response
2015
02:04:18,993 --> 02:04:21,527
-as we first wanted to meet
to discuss strategy. -Mm-hmm.
2016
02:04:21,663 --> 02:04:23,992
-Here's the article.
-Thank you, Laura.
2017
02:04:26,057 --> 02:04:28,260
(reading quietly)
2018
02:04:28,395 --> 02:04:31,637
"Enticed and groomed
multiple young women
2019
02:04:31,772 --> 02:04:34,630
"to engage in sex acts
for professional favors.
2020
02:04:34,766 --> 02:04:37,275
Blocked opportunities
to those who didn't comply."
2021
02:04:37,410 --> 02:04:39,710
This is total fiction.
2022
02:04:39,846 --> 02:04:42,138
And the Post is
a how-de-do scandal rag.
2023
02:04:42,273 --> 02:04:45,013
No serious person reads it.
2024
02:04:47,853 --> 02:04:51,552
And so far as
Krista Taylor goes,
2025
02:04:51,687 --> 02:04:53,049
she was disturbed.
2026
02:04:53,185 --> 02:04:55,159
I mean, she fixated on me.
2027
02:04:55,294 --> 02:04:57,063
In what way?
2028
02:04:57,199 --> 02:04:58,494
She sent me weird gifts.
2029
02:04:58,629 --> 02:05:00,163
She trolled me online.
2030
02:05:00,298 --> 02:05:03,099
-She tried to send me signals.
-Well, what kind of signals?
2031
02:05:03,235 --> 02:05:06,395
She vandalized my Wikipedia
page to say she was my muse.
2032
02:05:06,531 --> 02:05:08,774
I mean,
that's easily checked, right?
2033
02:05:08,909 --> 02:05:12,546
And did you ever report this
or file a complaint?
2034
02:05:14,114 --> 02:05:15,572
No.
2035
02:05:15,708 --> 02:05:18,283
No. And I... Look, I probably,
I probably should have.
2036
02:05:18,419 --> 02:05:20,784
I... I felt sorry for her.
2037
02:05:20,920 --> 02:05:22,512
Is this something
you shared with Sharon?
2038
02:05:22,647 --> 02:05:24,415
No. I didn't want
to burden her with it.
2039
02:05:24,551 --> 02:05:26,424
-Don't you think
you should have? -Yes. Yes.
2040
02:05:26,560 --> 02:05:28,123
Well, what-what do you advise?
2041
02:05:28,258 --> 02:05:30,754
Well, for now, it hasn't gotten
all that much traction.
2042
02:05:30,889 --> 02:05:33,457
None of the trades have linked
to it or called for comment.
2043
02:05:33,592 --> 02:05:35,901
-So I say let's see
what happens. -Mm-hmm.
2044
02:05:37,137 --> 02:05:40,605
We wanted to give you as much
warning as possible, Lydia,
2045
02:05:40,741 --> 02:05:42,674
before this Friday's
donor meeting.
2046
02:05:42,810 --> 02:05:44,609
Well, unfortunately,
I won't be there.
2047
02:05:44,745 --> 02:05:46,941
Well, I very much advise
that you are.
2048
02:05:47,077 --> 02:05:48,776
I have the book launch
in New York
2049
02:05:48,911 --> 02:05:51,618
and apparently a deposition.
2050
02:05:52,853 --> 02:05:55,853
Well, we'll fill you in
upon your return, then.
2051
02:05:58,425 --> 02:06:00,187
Enjoy your weekend.
2052
02:06:02,427 --> 02:06:04,493
Starving.
2053
02:06:04,629 --> 02:06:06,228
Finished my thing today.
2054
02:06:06,363 --> 02:06:09,235
SHARON: Congratulations.
We should go out and celebrate.
2055
02:06:09,370 --> 02:06:11,194
I can't. I gotta pack.
2056
02:06:11,330 --> 02:06:13,101
-Hi!
-PETRA: Hi, Lydia.
2057
02:06:18,511 --> 02:06:20,344
TÁR:
Sharon?
2058
02:06:20,479 --> 02:06:22,582
SHARON:
Yeah?
2059
02:06:22,718 --> 02:06:24,476
TÁR:
You seen my performance score?
2060
02:06:24,611 --> 02:06:26,848
SHARON: No. Why?
Isn't it with the other ones?
2061
02:06:26,983 --> 02:06:28,884
TÁR:
No. No, it's not.
2062
02:06:29,020 --> 02:06:31,724
Are you sure
it's not in my office?
2063
02:06:34,058 --> 02:06:36,828
Yeah, what about
the orchestra library?
2064
02:06:38,458 --> 02:06:40,997
Yeah, can you
check again, please?
2065
02:06:43,735 --> 02:06:46,299
I don't know. Yes, exactly.
2066
02:07:03,315 --> 02:07:05,454
(whispering):
Lydia?
2067
02:07:05,589 --> 02:07:07,883
(Tár sighs)
2068
02:07:08,019 --> 02:07:09,427
Yes?
2069
02:07:09,562 --> 02:07:12,297
When will you be back?
2070
02:07:12,433 --> 02:07:14,596
The day after tomorrow.
2071
02:07:14,731 --> 02:07:16,432
Will you promise?
2072
02:07:16,567 --> 02:07:18,936
Yes, I promise.
2073
02:07:29,342 --> 02:07:31,751
-Good night.
-Good night.
2074
02:07:45,897 --> 02:07:48,167
Thanks.
Do you have any bottles?
2075
02:07:48,302 --> 02:07:49,597
Of course.
2076
02:07:50,600 --> 02:07:52,737
Do you need anything else
before I close the cabin door?
2077
02:07:52,873 --> 02:07:55,940
Uh, yes.
Uh, we're waiting on one more.
2078
02:08:02,541 --> 02:08:03,847
WOMAN:
To all my questions
2079
02:08:03,983 --> 02:08:05,649
pertaining to
your communications
2080
02:08:05,785 --> 02:08:08,421
with Krista Taylor and others,
2081
02:08:08,557 --> 02:08:10,954
your answers have always been
2082
02:08:11,089 --> 02:08:15,894
"I don't know"
or "I don't remember."
2083
02:08:18,063 --> 02:08:19,589
Is there anything
I could show you
2084
02:08:19,725 --> 02:08:22,602
that might help refresh
your recollection?
2085
02:08:22,737 --> 02:08:25,200
Any documents,
such as emails from you
2086
02:08:25,335 --> 02:08:27,798
or your personal assistant,
Miss Lentini,
2087
02:08:27,934 --> 02:08:31,943
that might help you recall
what you did and didn't say?
2088
02:08:39,983 --> 02:08:41,720
I guess you heard by now.
2089
02:08:41,856 --> 02:08:44,791
Bryant Park bumped you
to 53rd Street.
2090
02:08:47,919 --> 02:08:50,962
This is the Kaplan Fund's
prepared statement.
2091
02:08:52,997 --> 02:08:54,525
I'm sorry to say this is likely
2092
02:08:54,660 --> 02:08:56,033
the last time
we'll see each other.
2093
02:08:56,168 --> 02:08:58,461
Well, now I can buy
my own plane tickets.
2094
02:08:58,596 --> 02:08:59,971
And you can bother someone else
2095
02:09:00,106 --> 02:09:03,540
to try and teach you
to crawl to the podium.
2096
02:09:03,676 --> 02:09:05,944
(car horns honking)
2097
02:09:09,616 --> 02:09:11,851
(crowd chanting faintly)
2098
02:09:15,952 --> 02:09:17,819
(chanting continues)
2099
02:09:17,955 --> 02:09:20,156
(car horn blaring outside)
2100
02:09:21,024 --> 02:09:23,392
Is there a back entrance?
2101
02:09:23,527 --> 02:09:27,733
"Indeed, the common metaphors
used to explain music
2102
02:09:27,869 --> 02:09:29,933
"are based on
the idea that music
2103
02:09:30,069 --> 02:09:34,664
"is a language,
albeit a secret one.
2104
02:09:34,800 --> 02:09:39,879
"And in this way,
holy and unknowable.
2105
02:09:41,511 --> 02:09:45,083
"These joyful noises we make
being the closest thing
2106
02:09:45,219 --> 02:09:49,185
"any of us might ever
experience to the divine...
2107
02:09:50,489 --> 02:09:55,488
"... yet something born by
the mere act of moving air.
2108
02:09:57,665 --> 02:10:00,262
No different than birdsong."
2109
02:10:03,228 --> 02:10:05,234
(bell dings)
2110
02:10:09,033 --> 02:10:11,373
So, meet downstairs
in half an hour for dinner?
2111
02:10:11,508 --> 02:10:14,210
Thank you, but I am jet-lagged.
I go to sleep now.
2112
02:10:14,345 --> 02:10:18,412
Yeah, me, too.
I'll... probably do the same.
2113
02:10:37,736 --> 02:10:39,972
(crowd clamoring)
2114
02:10:44,445 --> 02:10:46,473
(phone chiming)
2115
02:10:51,719 --> 02:10:53,986
(phone continues chiming)
2116
02:11:01,385 --> 02:11:03,094
(chiming stops)
2117
02:11:13,100 --> 02:11:15,337
(phone chiming)
2118
02:11:17,107 --> 02:11:18,701
TÁR:
Yes, hello.
2119
02:11:18,837 --> 02:11:21,614
Yes, there's no water
in my room.
2120
02:11:21,750 --> 02:11:23,774
Yes, I've checked the minibar.
2121
02:11:23,910 --> 02:11:26,214
How long would it take
to get a bottle of water?
2122
02:11:26,350 --> 02:11:29,120
Uh, don't worry.
I'll just come down.
2123
02:11:30,449 --> 02:11:31,888
(elevator bell dings)
2124
02:11:32,023 --> 02:11:33,619
OLGA:
Lobby, please.
2125
02:12:00,478 --> 02:12:03,312
(gasps) Oh, Jesus.
2126
02:12:03,448 --> 02:12:05,486
(Tár panting)
2127
02:12:10,465 --> 02:12:12,130
(shudders)
2128
02:12:15,626 --> 02:12:18,136
(sighs) It was Britta.
2129
02:12:18,967 --> 02:12:20,730
Right?
2130
02:12:20,866 --> 02:12:22,700
I mean, that is
how you heard about
2131
02:12:22,835 --> 02:12:25,375
these millennial robots
trading in lies.
2132
02:12:25,510 --> 02:12:28,178
I couldn't care less about
the Juilliard thing.
2133
02:12:28,313 --> 02:12:30,339
TÁR:
Too much time on her hands.
2134
02:12:30,475 --> 02:12:31,714
She's fringe.
2135
02:12:31,849 --> 02:12:34,052
The worst kind.
2136
02:12:34,187 --> 02:12:36,255
Every time
I walk out of this house,
2137
02:12:36,390 --> 02:12:40,016
she's in your ear with intrigue
or she's asking me about
2138
02:12:40,152 --> 02:12:43,293
some other piece of fringe,
like Samantha Hankey.
2139
02:12:43,428 --> 02:12:46,395
God, a nobody
who has nothing better to do
2140
02:12:46,531 --> 02:12:50,867
than drop my name at lunch
and imply things.
2141
02:12:51,002 --> 02:12:52,604
I feel sorry for you.
2142
02:12:52,739 --> 02:12:54,733
(scoffs) Save it.
2143
02:12:55,734 --> 02:12:58,110
I tried calling you last night.
2144
02:13:00,045 --> 02:13:02,714
Did you have fun with her?
2145
02:13:02,849 --> 02:13:05,649
My back is killing me.
2146
02:13:05,784 --> 02:13:07,043
Francesca left,
2147
02:13:07,178 --> 02:13:09,614
and I simply needed someone
to carry my bags.
2148
02:13:09,750 --> 02:13:11,657
I mean, who was I
supposed to ask?
2149
02:13:11,793 --> 02:13:14,726
To go with me? Hmm? Knut?
2150
02:13:14,862 --> 02:13:16,294
(sighs):
Jesus fucking...
2151
02:13:16,430 --> 02:13:18,622
SHARON: There are many things
I accept about you.
2152
02:13:18,757 --> 02:13:20,133
-(Tár scoffs)
-And in the end,
2153
02:13:20,268 --> 02:13:24,060
I'm sure I could get over
something like this.
2154
02:13:24,195 --> 02:13:27,073
But that's not what
we're talking about, is it?
2155
02:13:29,534 --> 02:13:30,835
These accusations
2156
02:13:30,970 --> 02:13:34,113
from the parents of the girl
who suicided?
2157
02:13:39,143 --> 02:13:41,747
You honestly believe
what they're saying?
2158
02:13:45,924 --> 02:13:47,588
They're lies.
2159
02:13:49,328 --> 02:13:51,029
Do you understand
what it was like
2160
02:13:51,165 --> 02:13:53,165
to walk into
my sectional yesterday
2161
02:13:53,300 --> 02:13:56,160
and to see everybody
whispering about me?
2162
02:13:56,295 --> 02:14:00,837
It's got nothing to do with
what they're accusing you of.
2163
02:14:00,973 --> 02:14:02,934
It's a simple matter
2164
02:14:03,069 --> 02:14:06,443
of not warning me
that our family is in danger.
2165
02:14:07,280 --> 02:14:09,447
And what good
would that have done?
2166
02:14:09,583 --> 02:14:12,516
I mean, what could you possibly
do to make things better?
2167
02:14:12,652 --> 02:14:14,851
(sighs)
2168
02:14:14,987 --> 02:14:17,183
Because I deserve that.
2169
02:14:17,319 --> 02:14:19,455
Those are the rules.
2170
02:14:20,424 --> 02:14:22,859
You are to ask
for my fucking counsel,
2171
02:14:22,995 --> 02:14:24,955
the way you always have.
2172
02:14:25,090 --> 02:14:26,794
The way you did
when you first arrived here
2173
02:14:26,930 --> 02:14:29,793
as a guest conductor looking
for a permanent position.
2174
02:14:29,929 --> 02:14:32,204
You asked me
what were the politics,
2175
02:14:32,339 --> 02:14:35,297
what were the moves,
how could we swing it.
2176
02:14:35,433 --> 02:14:36,835
(sighs)
2177
02:14:37,975 --> 02:14:39,641
Of course...
2178
02:14:39,776 --> 02:14:43,176
these conversations
took place in another bed.
2179
02:14:43,312 --> 02:14:46,010
Or rather, the couch
2180
02:14:46,145 --> 02:14:48,478
of that horrible place
you still can't let go of.
2181
02:14:48,614 --> 02:14:51,289
Old sorrow blows in.
2182
02:14:52,825 --> 02:14:57,295
How cruel of you to define our
relationship as transactional.
2183
02:14:58,489 --> 02:15:00,323
(sighs)
2184
02:15:00,458 --> 02:15:04,500
There's only one relationship
you've ever had that wasn't.
2185
02:15:04,635 --> 02:15:07,570
And she is sleeping
in the room next door.
2186
02:15:07,705 --> 02:15:10,803
Apparently, this hasn't even
crossed your mind.
2187
02:15:31,866 --> 02:15:34,662
(electronic beeping)
2188
02:15:38,332 --> 02:15:40,536
(quiet chatter)
2189
02:15:48,012 --> 02:15:49,743
(chatter stops)
2190
02:15:54,516 --> 02:15:57,355
(woman laughs in distance)
2191
02:16:12,201 --> 02:16:15,241
(panting)
2192
02:16:16,042 --> 02:16:18,277
(meditative breaths)
2193
02:16:39,634 --> 02:16:41,195
(gasps)
2194
02:16:41,330 --> 02:16:43,236
(exhales sharply)
2195
02:16:44,101 --> 02:16:46,404
(grunting)
2196
02:17:00,315 --> 02:17:02,585
(train rumbling)
2197
02:17:21,999 --> 02:17:23,238
(kids chattering playfully)
2198
02:17:23,373 --> 02:17:25,476
TÁR:
Petra!
2199
02:17:28,048 --> 02:17:29,711
Come here, darling.
2200
02:17:32,120 --> 02:17:33,317
-It was good.
-Was it?
2201
02:17:33,453 --> 02:17:35,784
-Yeah.
-You want to go to the park?
2202
02:17:36,654 --> 02:17:38,757
Don't do this.
Please don't do this.
2203
02:17:38,893 --> 02:17:40,491
Please don't.
2204
02:17:45,965 --> 02:17:47,960
(panting softly)
2205
02:17:55,739 --> 02:17:58,575
(inhales deeply,
whispers indistinctly)
2206
02:18:02,239 --> 02:18:03,745
-(loud knock on door)
-(gasps)
2207
02:18:06,516 --> 02:18:09,012
Hello. I am Anna Franzen.
2208
02:18:09,148 --> 02:18:11,984
This is
my late mother's apartment.
2209
02:18:13,417 --> 02:18:16,795
Oh, yeah, I'm so sorry
about your mother.
2210
02:18:16,930 --> 02:18:19,029
Thank you.
2211
02:18:19,165 --> 02:18:21,192
How's your sister doing?
2212
02:18:21,327 --> 02:18:24,398
Eleanor lives now
in a facility in Neukölln.
2213
02:18:24,534 --> 02:18:26,229
I'm sorry to trouble you,
2214
02:18:26,364 --> 02:18:29,538
but my husband and I
are selling the place
2215
02:18:29,674 --> 02:18:33,777
and couldn't help
hearing the music.
2216
02:18:33,913 --> 02:18:35,038
Oh.
2217
02:18:35,173 --> 02:18:36,545
I'm glad you enjoyed it.
(sniffles)
2218
02:18:36,681 --> 02:18:38,248
MAN:
We were wondering if there are
2219
02:18:38,383 --> 02:18:40,210
specific hours you rehearse,
2220
02:18:40,345 --> 02:18:43,016
so we can schedule showings
around them.
2221
02:18:44,052 --> 02:18:46,892
We don't want to scare
potential buyers off
2222
02:18:47,028 --> 02:18:49,390
with all the noise.
2223
02:18:49,525 --> 02:18:51,993
(laughs):
Oh, no.
2224
02:18:52,129 --> 02:18:53,128
No.
2225
02:18:53,263 --> 02:18:55,231
(laughing)
2226
02:18:55,367 --> 02:18:57,264
No, we wouldn't want that.
2227
02:18:57,399 --> 02:18:59,064
(laughing)
2228
02:19:00,039 --> 02:19:02,100
(rummaging)
2229
02:19:04,874 --> 02:19:07,105
(accordion playing
discordant music)
2230
02:19:10,717 --> 02:19:13,616
(loudly, off-key):
♪ Apartment for sale ♪
2231
02:19:13,752 --> 02:19:16,947
(laughs):
♪ Apartment for sale ♪
2232
02:19:17,083 --> 02:19:19,587
♪ Your mother's buried deep ♪
2233
02:19:19,723 --> 02:19:22,161
♪ And now you're gonna keep ♪
2234
02:19:22,296 --> 02:19:25,296
♪ Her apartment for sale ♪
2235
02:19:25,431 --> 02:19:27,365
♪ Your sister's in jail ♪
2236
02:19:27,500 --> 02:19:30,532
♪ You put your sister in jail ♪
2237
02:19:30,667 --> 02:19:32,963
♪ You're all going to hell ♪
2238
02:19:33,099 --> 02:19:35,974
♪ Your apartment's for sale! ♪
2239
02:19:36,110 --> 02:19:38,411
(indistinct chatter)
2240
02:20:00,866 --> 02:20:03,128
-(indistinct chatter)
-(instruments warming up)
2241
02:20:05,599 --> 02:20:07,803
(quiet chatter)
2242
02:20:10,007 --> 02:20:12,478
-(indistinct chatter)
-(instruments warming up)
2243
02:20:24,519 --> 02:20:26,492
(applause)
2244
02:20:35,126 --> 02:20:37,195
(applause continues in distance)
2245
02:20:40,304 --> 02:20:42,536
(applause fades)
2246
02:20:42,671 --> 02:20:44,972
(Tár breathes sharply)
2247
02:20:47,677 --> 02:20:49,911
(playing slow classical fanfare)
2248
02:21:11,271 --> 02:21:13,539
(orchestra joins in)
2249
02:21:22,841 --> 02:21:24,981
(grunting)
2250
02:21:25,117 --> 02:21:26,780
(yells)
2251
02:21:26,916 --> 02:21:28,316
-(crowd gasps)
-(music stops)
2252
02:21:28,452 --> 02:21:30,823
(Tár panting)
2253
02:21:30,958 --> 02:21:31,881
Okay.
2254
02:21:32,016 --> 02:21:33,421
(speaking German)
2255
02:21:33,556 --> 02:21:34,983
Give me some eyes.
2256
02:21:35,118 --> 02:21:36,595
(crowd murmuring)
2257
02:21:39,964 --> 02:21:41,798
-Come on, give me some eyes!
-(clapping)
2258
02:21:45,965 --> 02:21:47,705
ELIOT:
Lydia.
2259
02:21:48,538 --> 02:21:51,267
This is my score.
2260
02:21:51,402 --> 02:21:53,612
-Lydia, you're confused.
-(grunts)
2261
02:21:53,747 --> 02:21:55,580
-It's my score!
-(crowd gasping, murmuring)
2262
02:21:55,716 --> 02:21:59,112
-You fucking little nothing!
-(grunts)
2263
02:22:02,046 --> 02:22:03,417
(Eliot grunts)
2264
02:22:03,552 --> 02:22:05,789
(panting)
2265
02:22:07,394 --> 02:22:08,425
TÁR:
I'm fine.
2266
02:22:08,560 --> 02:22:10,794
(crowd continues murmuring)
2267
02:22:11,627 --> 02:22:14,160
(Tár panting)
2268
02:22:38,085 --> 02:22:40,691
DRIVER:
You sign CAMI voucher.
2269
02:22:40,827 --> 02:22:43,090
(driver speaking into phone
in Tamil)
2270
02:22:51,969 --> 02:22:54,266
(pile driver rattling
and thumping)
2271
02:23:01,514 --> 02:23:02,546
(phone rings in distance)
2272
02:23:02,681 --> 02:23:05,147
MAN:
Good afternoon. CAMI.
2273
02:23:05,283 --> 02:23:06,851
Hold on.
2274
02:23:07,787 --> 02:23:09,316
CORY:
Normally, I'd think Lisa Rich
2275
02:23:09,452 --> 02:23:11,921
in our booking department
would be a great fit for you,
2276
02:23:12,056 --> 02:23:14,350
but she's just got
too much on her plate.
2277
02:23:14,486 --> 02:23:17,828
So, I'd like to team you
with Jake here.
2278
02:23:17,963 --> 02:23:20,365
Jake, you want to,
you want to show Lydia
2279
02:23:20,501 --> 02:23:21,999
what you've prepared for her?
2280
02:23:22,135 --> 02:23:24,334
Well...
2281
02:23:24,470 --> 02:23:26,770
right now it's a reset.
2282
02:23:26,905 --> 02:23:28,536
What we're after is less,
not more.
2283
02:23:28,672 --> 02:23:29,773
We want to be selective
2284
02:23:29,908 --> 02:23:31,839
and rebuild this
from the ground up.
2285
02:23:31,974 --> 02:23:33,976
That means we need a new story.
2286
02:23:38,485 --> 02:23:40,184
TÁR:
Just here.
2287
02:23:40,319 --> 02:23:41,914
Here. Thank you.
2288
02:23:42,049 --> 02:23:44,023
(clears throat) Make it 40.
2289
02:23:44,158 --> 02:23:45,724
Thank you.
2290
02:23:53,529 --> 02:23:55,833
(sighs)
2291
02:24:04,707 --> 02:24:07,009
(piano plays note)
2292
02:24:08,009 --> 02:24:10,210
(piano playing discordant notes)
2293
02:24:14,288 --> 02:24:16,348
(music stops)
2294
02:24:53,160 --> 02:24:55,222
(sighs)
2295
02:25:00,462 --> 02:25:02,933
(orchestra playing
lively classical music over TV)
2296
02:25:17,779 --> 02:25:19,047
(music ends)
2297
02:25:19,183 --> 02:25:21,110
(over TV):
Didn't you feel triumphant?
2298
02:25:21,245 --> 02:25:23,250
(applause over TV)
2299
02:25:24,620 --> 02:25:28,289
Now we can really understand
what the meaning of music is.
2300
02:25:28,424 --> 02:25:32,556
It's the way it makes you feel
when you hear it.
2301
02:25:32,691 --> 02:25:35,659
Finally, we've taken
that last giant step.
2302
02:25:35,794 --> 02:25:38,168
And we're there.
We know what music means now.
2303
02:25:38,304 --> 02:25:41,004
And we don't have to know
a lot of stuff about sharps
2304
02:25:41,139 --> 02:25:43,470
and flats and chords
and all that business
2305
02:25:43,606 --> 02:25:48,411
in order to understand music
if it tells us something.
2306
02:25:48,546 --> 02:25:51,984
And the most wonderful thing of
all is that there's no limit to
2307
02:25:52,119 --> 02:25:56,219
the different kinds of feelings
music can make you have.
2308
02:25:56,354 --> 02:26:00,155
And some of those feelings
are so special and so deep
2309
02:26:00,290 --> 02:26:02,659
that they can't even be
described in words.
2310
02:26:02,795 --> 02:26:03,992
You see, we can't always name
2311
02:26:04,128 --> 02:26:05,396
-the things we feel.
-(sobs softly)
2312
02:26:05,531 --> 02:26:06,496
Sometimes we can.
2313
02:26:06,632 --> 02:26:07,998
We can say we feel joy,
2314
02:26:08,133 --> 02:26:11,832
pleasure, peacefulness,
whatever, love, hate.
2315
02:26:11,968 --> 02:26:14,070
But every once in a while,
2316
02:26:14,206 --> 02:26:16,905
we have feelings that are
so deep and so special
2317
02:26:17,040 --> 02:26:18,666
that we have no words for them.
2318
02:26:18,802 --> 02:26:21,678
And that's where music
is so marvelous,
2319
02:26:21,813 --> 02:26:23,946
because music names them for us,
2320
02:26:24,082 --> 02:26:26,881
only in notes
instead of in words.
2321
02:26:27,016 --> 02:26:28,414
It's all in the way music moves.
2322
02:26:28,549 --> 02:26:31,186
You must never forget
that music is movement,
2323
02:26:31,321 --> 02:26:34,023
always going somewhere,
shifting and changing
2324
02:26:34,159 --> 02:26:37,863
and flowing
from one note to another.
2325
02:26:37,998 --> 02:26:39,360
-(crying)
-And that movement can tell us
2326
02:26:39,495 --> 02:26:42,624
more about the way we feel
than a million words can.
2327
02:26:42,760 --> 02:26:44,361
And here we're going
to play you a...
2328
02:26:44,496 --> 02:26:46,872
-(VCR clicks)
-(whimpers)
2329
02:26:49,510 --> 02:26:51,466
(door opens in distance)
2330
02:26:51,601 --> 02:26:53,406
(exhales sharply, sniffles)
2331
02:26:58,846 --> 02:27:00,545
Tony.
2332
02:27:01,849 --> 02:27:03,387
Oh.
2333
02:27:03,522 --> 02:27:04,651
Hi, Linda.
2334
02:27:04,786 --> 02:27:06,081
Sorry.
2335
02:27:06,216 --> 02:27:08,284
Lydia.
2336
02:27:08,419 --> 02:27:10,659
Ma said you'd be over.
2337
02:27:10,795 --> 02:27:13,129
You must be hiding out.
2338
02:27:13,898 --> 02:27:16,424
Why would I be hiding out?
2339
02:27:16,560 --> 02:27:18,636
Beats the hell out of me.
2340
02:27:18,771 --> 02:27:21,038
None of my business anyhow.
2341
02:27:22,107 --> 02:27:24,602
Lot of loose ends,
you got to admit.
2342
02:27:26,370 --> 02:27:27,737
What do you mean?
2343
02:27:27,872 --> 02:27:30,082
Well, like I said,
it ain't my business.
2344
02:27:31,252 --> 02:27:33,408
But you don't seem to know
where the hell you came from
2345
02:27:33,543 --> 02:27:35,217
or where you're going.
2346
02:27:40,090 --> 02:27:42,323
(woman speaking Thai over P.A.)
2347
02:27:47,997 --> 02:27:50,265
(water runs, stops)
2348
02:28:10,117 --> 02:28:12,287
(traffic passing)
2349
02:28:17,993 --> 02:28:20,630
(rooster crowing)
2350
02:28:20,765 --> 02:28:22,627
(car horn honking)
2351
02:28:27,530 --> 02:28:29,271
May I come inside?
2352
02:28:30,543 --> 02:28:32,175
Thank you.
2353
02:28:33,845 --> 02:28:37,114
(conversing in Tagalog)
2354
02:28:44,118 --> 02:28:45,653
Um, I'm so sorry.
2355
02:28:45,789 --> 02:28:48,323
Uh, we just wanted to confirm
that the composer was in fact
2356
02:28:48,458 --> 02:28:50,393
not flying in from Osaka
to attend the concert.
2357
02:28:50,529 --> 02:28:51,988
Oh.
2358
02:28:52,124 --> 02:28:55,166
I-I must tell you that I-I
looked in the music libraries,
2359
02:28:55,301 --> 02:28:58,902
uh, for her score,
but I-I couldn't find anything.
2360
02:28:59,037 --> 02:29:01,165
-This just arrived.
-Ah.
2361
02:29:01,301 --> 02:29:03,503
That's great. Thank you.
2362
02:29:04,706 --> 02:29:07,178
Shirley and Cirio will be
most happy to show you
2363
02:29:07,313 --> 02:29:09,437
-the sights of our beautiful
country. -Oh. Thank you.
2364
02:29:09,572 --> 02:29:11,240
Thank you so much.
2365
02:29:11,376 --> 02:29:13,385
Oh, goodness.
2366
02:29:13,520 --> 02:29:15,218
Thank-thank you.
2367
02:29:20,989 --> 02:29:23,721
(man howls)
2368
02:29:39,042 --> 02:29:41,277
(motor rattling quietly)
2369
02:29:46,352 --> 02:29:50,445
Maybe we could stop somewhere
and take a swim.
2370
02:29:50,581 --> 02:29:52,052
Yeah, at the waterfall.
2371
02:29:52,188 --> 02:29:54,158
But, mm, not in the river.
2372
02:29:54,293 --> 02:29:56,728
Why? Is there something wrong
with the water?
2373
02:29:56,863 --> 02:29:59,462
N-No. There are crocodiles.
2374
02:29:59,598 --> 02:30:01,429
Oh.
2375
02:30:01,564 --> 02:30:04,068
I didn't think
they'd be this far inland.
2376
02:30:04,204 --> 02:30:07,129
They escaped from
Marlon Brando movie.
2377
02:30:07,265 --> 02:30:08,739
Wow.
2378
02:30:08,875 --> 02:30:11,641
That was a long time ago.
2379
02:30:11,777 --> 02:30:13,573
They survive.
2380
02:30:19,744 --> 02:30:22,054
(playful screaming, laughter)
2381
02:30:28,452 --> 02:30:30,586
(Shirley whoops)
2382
02:30:30,721 --> 02:30:32,757
(Shirley and Cirio laughing)
2383
02:30:40,237 --> 02:30:43,471
(men speaking Tagalog, kissing)
2384
02:30:47,808 --> 02:30:50,280
-Lady. Lady.
-(chatter continues) -(kissing)
2385
02:30:52,280 --> 02:30:53,676
Here is prescription.
2386
02:30:53,811 --> 02:30:55,443
-Ten dollars.
-Oh. Thank you.
2387
02:30:55,579 --> 02:30:56,715
(pills rattle)
2388
02:30:56,851 --> 02:31:00,957
Uh, is there somewhere
around here-- thank you--
2389
02:31:01,092 --> 02:31:03,019
where I could get a massage?
2390
02:31:03,154 --> 02:31:05,627
Was hoping it might help me
with this jet lag.
2391
02:31:05,763 --> 02:31:07,629
(sighs)
2392
02:31:07,765 --> 02:31:09,631
Hmm.
2393
02:31:09,767 --> 02:31:10,893
Yes.
2394
02:31:11,028 --> 02:31:13,703
There is
the very nice place I know.
2395
02:31:13,838 --> 02:31:15,468
Thank you.
2396
02:31:15,603 --> 02:31:18,110
(relaxing music playing
over speakers)
2397
02:31:28,655 --> 02:31:29,855
Thank you.
2398
02:31:29,990 --> 02:31:31,755
Please step over
to the fishbowl.
2399
02:31:31,891 --> 02:31:33,657
The... the fishbowl?
2400
02:31:33,792 --> 02:31:35,457
Yes, over there.
2401
02:31:40,967 --> 02:31:42,198
Um, I'm sorry, I'm confused.
2402
02:31:42,334 --> 02:31:44,532
H-How does this...
how does it work?
2403
02:31:45,334 --> 02:31:47,568
You just pick a number here.
2404
02:31:48,972 --> 02:31:50,903
I pick a number?
2405
02:31:51,039 --> 02:31:52,610
Yes.
2406
02:31:52,745 --> 02:31:54,311
(chuckles)
2407
02:32:03,551 --> 02:32:05,817
RECEPTIONIST:
Number five?
2408
02:32:11,488 --> 02:32:13,330
(gasps)
2409
02:32:18,496 --> 02:32:20,099
(gagging)
2410
02:32:20,234 --> 02:32:22,504
(retching)
2411
02:32:24,677 --> 02:32:25,907
(groans)
2412
02:32:26,042 --> 02:32:27,674
(panting)
2413
02:32:34,252 --> 02:32:36,518
(music playing quietly over TV)
2414
02:32:43,292 --> 02:32:45,560
(woman speaking Tagalog)
2415
02:32:49,198 --> 02:32:50,892
Good morning.
2416
02:32:51,027 --> 02:32:52,403
MUSICIANS:
Good morning.
2417
02:32:52,539 --> 02:32:55,063
Now, before we begin,
let's-let's talk a bit about
2418
02:32:55,199 --> 02:32:58,705
the composer's intent
with this piece.
2419
02:33:00,046 --> 02:33:01,943
And what she might be after.
2420
02:33:02,079 --> 02:33:03,906
(busy chatter)
2421
02:33:04,042 --> 02:33:06,317
(pop music playing
over speakers)
2422
02:33:21,058 --> 02:33:22,894
-(sighs)
-MAN: Five minutes.
2423
02:33:24,403 --> 02:33:26,634
(instruments warming up
in distance)
2424
02:33:31,173 --> 02:33:33,410
(panting softly)
2425
02:33:35,143 --> 02:33:36,704
(gasps)
2426
02:33:36,839 --> 02:33:38,111
(exhales sharply)
2427
02:33:38,246 --> 02:33:40,483
(applause)
2428
02:33:49,258 --> 02:33:51,461
(applause swells)
2429
02:33:54,432 --> 02:33:56,433
-Thank you.
-(applause fades)
2430
02:34:04,307 --> 02:34:06,344
(mechanical whirring)
2431
02:34:10,773 --> 02:34:12,317
(whirring stops)
2432
02:34:15,353 --> 02:34:18,352
(fabric rustling over speakers)
2433
02:34:18,487 --> 02:34:20,087
(orchestra playing gentle music)
2434
02:34:20,222 --> 02:34:24,226
ANNOUNCER: Sisters and brothers
of the Fifth Fleet, it's time.
2435
02:34:24,361 --> 02:34:26,821
I'll keep my farewell brief.
2436
02:34:26,957 --> 02:34:29,423
Never was much with words.
2437
02:34:29,559 --> 02:34:33,562
Once you board this ship,
there's no turning back.
2438
02:34:33,697 --> 02:34:37,841
The next ground your feet touch
will be that of the New World.
2439
02:34:37,976 --> 02:34:40,344
(music building)
2440
02:34:40,479 --> 02:34:42,336
If any of you
have lost your nerve,
2441
02:34:42,472 --> 02:34:46,707
then step away now
and let no one judge you.
2442
02:34:46,843 --> 02:34:48,914
(music fades)
2443
02:34:55,026 --> 02:34:57,054
♪ ♪
2444
02:35:25,188 --> 02:35:27,425
♪ ♪
2445
02:35:51,951 --> 02:35:53,583
♪ ♪
2446
02:36:21,409 --> 02:36:23,646
♪ ♪
2447
02:36:53,441 --> 02:36:55,678
♪ ♪
2448
02:37:22,239 --> 02:37:24,509
♪ ♪
2449
02:37:52,005 --> 02:37:54,066
♪ ♪
2450
02:38:04,380 --> 02:38:06,617
(music ends)