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CLINT: Six days until Christmas.
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We're gonna do a lot of activities.
What's your favorite one?
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-Gingerbread house.
-We're doing that!
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-Christmas movie marathon.
-CLINT: Movie marathon, awesome!
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-Ugly sweaters.
-CLINT: Ugly Christmas sweaters!
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It's going to be amazing,
but most important thing,
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we're going to do it all together.
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We were in the second half of 2017,
and we were in the trailer,
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the Marvel trailer,
and Endgame was filming,
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and we started talking about
what the Hawkeye story could be.
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We haven't gotten a chance
to really tell the Clint Barton story,
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tell Hawkeye's story.
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Endgame is when you really see
that emotional journey
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that he started
going through with his family,
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by losing his family in the Blip,
and getting them back,
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but in between that time, becoming Ronin.
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So, we started sort of breaking the story,
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brainstorming ideas,
and I remember sitting in that trailer
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as we were still shooting Endgame, going,
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"God, there's so much
great source material from the comics,
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"and how am I gonna actually
put this all in two hours?"
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We thought, "Well,
if there's a lot more story to tell,
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"why not just move that project
over to the Disney Plus side?"
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Then you say, "Kate, come on!"
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You fire the arrow, then you run to join,
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and you go, "Jump!"
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The show's got everything
that we could want.
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So, we've been able to flex,
you know, our different muscles,
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but just on another scale that,
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you know, we hoped we'd get to one day
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and, kind of, here we are.
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-So that's been, it's been exciting. Yeah.
-It's fun crashing cars into each other.
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So good. (CHUCKLES)
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-Almost like, it comes...
-As it comes, and I look...
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-As it lands, I go in. Okay.
-You look, and... Yeah, exactly.
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I've found him compelling,
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the way Jeremy's played him.
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There's a sense of this ordinary guy
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that is just driven kind of by
this sense of duty more than anything.
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He's not... Doesn't have the protection
of superpowers,
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and I found it interesting
that you get to join him,
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and you see him in this place
where, on the surface,
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he's found the peace
that possibly he's always wanted,
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but you know that
there's been this price that's been paid.
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When you watch Avengers: Endgame,
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obviously, the stakes couldn't be bigger.
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This purple guy's gonna
snap half the universe away,
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and we gotta travel
through time to stop him.
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But it's because you saw
this human being's family disappear
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at the beginning,
and you can imagine, empathize with him.
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That carries
you throughout that entire movie.
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Let me go.
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No.
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No!
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And it's amazing
what happens when you've let,
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you know, actors like Jeremy Renner
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really have the space to explore
their character and their backstory.
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I love you guys.
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-Love you, too.
-Love you, too, Dad.
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-Love you...
-It's gonna be the best Christmas!
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It's been a wonderful way to kind of just
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really dig in and discover a lot more
of the humanity of who Clint Barton is.
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Okay, Kate, what am I selling?
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It's obviously not, you know,
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Halloween costumes
and toys and t-shirts, right?
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Inspiration.
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RENNER: That's where patience
really kind of pans out.
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'Cause Thor was just
a quick little cameo thing,
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and to get in the first Avengers,
and then, "Hey, guess what?"
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You're not Hawkeye,
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'cause he's become Loki's,
you know, sidekick.
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You have heart.
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Like, I'm still trying
to figure this guy out.
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If I put an arrow
through Loki's eye socket,
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I would sleep better, I suppose.
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RENNER: But then, in Ultron,
when they cemented the family life,
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I think that was a huge thing
just for the original six Avengers.
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It just became, like,
"What are we doing this all for?"
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And grounding it to, like, what is,
you know, the real value, and values.
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That was a great leap for the character.
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You know I totally support your avenging.
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I couldn't be prouder.
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But I see those guys...
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Those gods...
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You don't think they need me.
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I think they do, which is a lot scarier.
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RENNER:
It started to really cement for me,
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and I had to sort of redefine
in my head what a superhero is,
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and what a superpower really is,
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and that's where the connectivity
of every human, every fan, or whatever,
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can come through
someone like Clint Barton.
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Wow.
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Under different circumstances...
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this would be totally awesome.
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Really, he knows
this character inside out.
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So, I think it's very important
to Jeremy to make sure that
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what we're establishing,
what we're continuing
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to tell about this character is true.
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And Jeremy is very much
into the truth about the character.
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So, he puts in
the extra effort to make sure that,
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"You know what, this does make sense."
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The lines that he's saying is correct
and true to how Clint Barton would react.
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You know, at the end of the day,
my job is to hurt people.
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-You were a hero.
-I was a weapon.
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RENNER: I remember
having a Zoom call and, like,
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"Guys, I think in the first
two weeks of shooting this
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"I've said more than I've said
the entire MCU universe thus far."
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All right, so this rescue mission,
it's got a part two?
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Yeah. What do I look like?
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-Are you Tabatha?
-Yes, that's me.
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That's not an Uber Pool? For God's sakes!
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RENNER: Just to find his voice
and find timing and rhythm
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and just all that sort of stuff,
they were all discoveries
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I was making throughout the show.
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And a lot of those come from
ad-libbing and just allowing us
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as artists to be able to channel
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these characters through us
and really try to find it.
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I'm sorry.
I got so excited that he was saying,
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"It was you," I got wrapped up in it.
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-Hey.
-Yeah, it is.
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TRINH: Clint Barton
from the Ultimate Comics,
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that was the version that was shown
in the previous Avengers movies.
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You know,
the more serious action superhero.
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But what I found more interesting
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that I wanted to explore
more in this particular series
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is the Matt Fraction
version of Clint Barton,
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you know,
who is a little bit of the reckless,
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you know, loner, but so funny and quirky.
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I thought, who else better to draw
that out of him but Kate Bishop?
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She is just a young,
early 20-year-old girl
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who really aspired to be a superhero
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because she saw
when she was eight years old,
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and in the series,
what Clint Barton could do as Hawkeye
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when he did that backward flip in Avengers
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and saved her
and everybody else in New York.
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I think that really inspired her to go,
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"You know what? I can be like him.
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"I just have to work hard,
and I have to push myself."
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Are you okay? By the way?
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I'm good. Yeah! No, I'm fine.
You should see the other guys.
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Kate, you know, is someone
who grew up with this figure in her life
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as a role model,
you know, unbeknownst to him.
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And watching her, you know,
meet him and prove herself to him,
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it's a perspective
on the Avengers that I think
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is closer for the audience
in terms of, like,
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"What would it be like to be there
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"and what's the aftermath
of going through that experience?"
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(GRUNTING)
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(GASPS)
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Come on!
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You're Hawkeye!
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And who the hell are you?
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TRINH: I think in the back of
Kevin's mind, he had Hailee as Kate.
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We actually just said, "Let's meet Hailee,
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"let's just have a conversation
with her and see how that goes."
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And I remember, after the conversation,
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Kevin just offered her
the role right then and there.
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So that was pretty remarkable
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that we came out
of that meeting shaking her hand
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and going, "Okay, you're in.
You're gonna play Kate Bishop."
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HAILEE STEINFELD: I didn't know much
about Kate Bishop
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other than fans were very excited
about her story being brought to life.
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And from there, I just dove right in.
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And it's always so fun to play a character
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that has all of this
pre-existing information
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and a fanbase nonetheless.
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So, I was very excited
to meet with the team
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and hear what they were thinking
as far as who this character was
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and what elements from the comics
they were going to portray.
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She's, you know, a young woman
growing up in New York City,
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and she's got a lot of wit.
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I built the suit myself
when I was trapped in a cave once
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so, I had a lot of time
on my hands, and I just felt...
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That's very good.
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BERTIE: She's so funny, she's so grounded,
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so there's no point at which she's playing
for the comedy or the gags,
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and it's a really challenging role to kind
of get right because of Kate's eagerness,
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and also because of her privilege,
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she could tip into being
the annoying whippersnapper.
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But she just holds it because there's this
endearing quality that I think we,
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as women trying to get by in the world,
recognize in ourselves,
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so she really has this wonderful vibrancy.
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Hey, look, it's you.
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No, it's not, that's Katniss. Let's go.
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I do love her.
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Cut!
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STEINFELD: It's been so fun
doing this thing with Jeremy.
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I remember sitting down with him
for the first time over this project
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and just really getting right into it,
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and right away,
I felt this sense of comfort,
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knowing that this is a world
he has been in for ten years.
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What are you doing here?
We're too exposed.
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Come on. Take cover.
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(BOTH LAUGH)
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I kinda took the role of shepherding
her into, like, how Marvel works,
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and how, with all the stunts,
and then this and that,
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and the chaos of schedules,
and then there's a lot going on...
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She just fell into trust with me
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because I was looking
after her in those ways.
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-Yeah, I leave the car, then you fire...
-Okay.
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-...then we meet.
-Okay.
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When you have that,
then true art can then exist
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'cause you have trust with one another.
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You're imparting wisdom. Love this part.
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-Please, tell me which part.
-You know, come on.
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The part where the old cop
comes back for one last job,
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and then imparts wisdom on his young,
surprisingly capable partner.
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Yeah, I'm not imparting anything on you.
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STEINFELD: He was very wonderful
in showing me the ropes
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and, you know, collaborating with me
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in finding this amazing dynamic
between Clint and Kate.
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RHYS: He's thrown into
this energetic environment,
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he's thrown up against
this energetic character in Kate,
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and so to constantly bring
that guy up against just too much energy
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and a situation
that's out of his control...
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That was fun.
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This is the part where you finish
my sentence with a plan.
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Planning's not really my thing.
Are you sure that's dry erase?
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RENNER: I remember, even the initial pitch
they were telling me about is,
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like, it's six days till Christmas,
and I'm with the kids,
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and everything kind of goes south.
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We originally had Clint with his family
back at his home in Iowa
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as the opening of introducing
Clint in the Hawkeye series.
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We then shifted
the story of his introduction
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to being in New York instead.
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Jesus, really?
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Merry Christmas, pal.
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Being able to start production
in New York was really a blessing.
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It's so unique, and it's so special,
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and the energy
there can't be replicated, really.
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You go to New York
and you know you're in New York.
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You go into the city,
and you know you're there.
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And you go in during Christmas-time,
and it's really unlike anything else.
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RHYS: Getting as much of the real texture
and the real flavor of New York
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and feeling these different
neighborhoods was wonderful.
236
00:11:44,453 --> 00:11:48,582
BERT: To get the scale and those vistas,
and the streets, and the dirt,
237
00:11:48,666 --> 00:11:51,752
and the colors, and the people,
and the energy of New York
238
00:11:51,836 --> 00:11:54,338
was important 'cause it's another
character in this show.
239
00:11:54,422 --> 00:11:57,007
You know what is right up
the street, you guys?
240
00:11:57,091 --> 00:11:58,467
-The biggest...
-Burger King!
241
00:11:58,551 --> 00:12:02,096
The biggest Christmas tree ever,
at the Rockefeller Center.
242
00:12:02,179 --> 00:12:03,180
How about we go see that, huh?
243
00:12:05,975 --> 00:12:08,811
RENNER: Clint is sort of
always trying to retire. (CHUCKLES)
244
00:12:08,936 --> 00:12:11,439
I don't think you can ever retire
as a superhero.
245
00:12:11,564 --> 00:12:13,691
I think you live or die.
It's one of those things.
246
00:12:13,816 --> 00:12:17,653
But he's just in New York with his family,
he's not thinking about anything else
247
00:12:17,737 --> 00:12:19,113
besides getting back home.
248
00:12:19,238 --> 00:12:22,825
TRINH: He actually is in New York
for a very specific reason,
249
00:12:22,908 --> 00:12:26,203
and that's because he's been invited to
Rogers, The Musical,
250
00:12:27,329 --> 00:12:30,750
and all of the Avengers got invited,
but no one showed up except for Clint.
251
00:12:31,041 --> 00:12:33,919
RENNER: It was something that
I think all of us had joked about
252
00:12:34,003 --> 00:12:36,881
and probably even slightly performed
on set, you know,
253
00:12:36,964 --> 00:12:39,216
with all of our props and whatnot,
254
00:12:39,383 --> 00:12:43,971
'cause everybody is musical
in some sort of way in the Avengers.
255
00:12:44,096 --> 00:12:47,933
But to have it come together
and actually see it.
256
00:12:48,100 --> 00:12:50,561
It's pretty spectacular.
I was really impressed,
257
00:12:50,644 --> 00:12:54,482
this is a lot of production.
It was special. (CHUCKLES) It was special.
258
00:12:54,982 --> 00:12:57,610
All right,
we're gonna set it for the top again.
259
00:12:58,903 --> 00:13:03,574
RHYS: When I came on, there was mention
of a Rogers, the Musical in the script.
260
00:13:03,657 --> 00:13:07,495
It was like a little
layer that was there, and immediately
261
00:13:07,578 --> 00:13:10,539
I was like, "Well, why...
Like, you have to see the musical.
262
00:13:10,623 --> 00:13:12,708
"We're gonna mention it.
Let's do the musical."
263
00:13:12,792 --> 00:13:17,254
Kevin absolutely loves the idea
so much that
264
00:13:17,338 --> 00:13:22,510
he wanted us to actually create
an entire song of four and a half minutes.
265
00:13:23,052 --> 00:13:29,058
So, we got Marc Shaiman to write
the song for us, which is incredible.
266
00:13:29,141 --> 00:13:31,560
I can't believe we got
to work with Marc Shaiman.
267
00:13:31,644 --> 00:13:33,395
The first time I met Kevin Feige...
268
00:13:33,521 --> 00:13:38,234
I was at an Academy Award function,
the year of Mary Poppins Returns,
269
00:13:38,818 --> 00:13:40,945
and someone came over to me
from Disney and said,
270
00:13:41,028 --> 00:13:43,197
"Kevin Feige would
really like to meet you."
271
00:13:43,697 --> 00:13:45,658
And I thought, "This is a prank."
272
00:13:45,741 --> 00:13:50,287
'Cause my husband, Lou,
is the biggest Marvel nerd on Earth.
273
00:13:50,704 --> 00:13:54,458
I thought, "Did Lou call someone
and set them up to..."
274
00:13:54,875 --> 00:13:57,962
But anyway, there was Kevin Feige,
so I went over to him,
275
00:13:58,045 --> 00:14:00,965
and he was like, all film score
nerding out on me.
276
00:14:01,423 --> 00:14:05,302
I was like, "But you're Kevin Feige,
and if only my husband, Lou, was here."
277
00:14:05,970 --> 00:14:09,014
And then, this phone call came
about writing a song
278
00:14:09,098 --> 00:14:14,353
for a Marvel television show, once again,
I thought, "Lou has put them up to this."
279
00:14:14,436 --> 00:14:19,608
So, Kevin says, "I would really like
there to be a full Broadway musical number
280
00:14:19,692 --> 00:14:21,777
"of an Avengers musical."
281
00:14:21,861 --> 00:14:26,282
So, luckily, all the years I had gone
to see all the movies with Lou,
282
00:14:26,365 --> 00:14:28,367
and then sat in the car afterwards,
283
00:14:28,450 --> 00:14:31,078
and he would explain to me what
I had just seen,
284
00:14:31,161 --> 00:14:34,290
and he explained to me
all the Easter eggs and all the history,
285
00:14:34,373 --> 00:14:39,128
so I actually knew words like "Chitauri"
and "Tesseract."
286
00:14:39,211 --> 00:14:43,507
I mean, I never thought I'd be
writing lyrics with rhyming Tesseract.
287
00:14:43,591 --> 00:14:44,842
Six, seven, and...
288
00:14:44,967 --> 00:14:48,387
I've got to get the Tesseract
The battle's just begun
289
00:14:48,470 --> 00:14:51,765
We'll conquer the Chitauri
Get shawarma when we're done
290
00:14:51,849 --> 00:14:54,685
We came into this whole thing,
and it was kind of already built,
291
00:14:54,768 --> 00:14:56,604
and they plugged Ty and I right in.
292
00:14:56,729 --> 00:14:58,939
We immediately started
learning choreography,
293
00:14:59,023 --> 00:15:02,067
and by, like, the second day,
we kind of learned the whole number.
294
00:15:02,151 --> 00:15:06,447
I was surprised at how similar it is to
what I actually do for a living
295
00:15:06,530 --> 00:15:08,032
when I go do a show on Broadway.
296
00:15:08,115 --> 00:15:09,116
-We go down up?
-Yeah.
297
00:15:09,199 --> 00:15:10,284
Five, six...
298
00:15:10,659 --> 00:15:11,660
Yes!
299
00:15:11,744 --> 00:15:13,162
It's completely different for me
300
00:15:13,245 --> 00:15:16,582
because I haven't done a Broadway show
in about 30 years, 25 years,
301
00:15:16,957 --> 00:15:19,960
and I was thinking that
it was gonna be easy.
302
00:15:20,044 --> 00:15:22,296
I thought that we were gonna come in,
303
00:15:22,379 --> 00:15:25,799
and it was gonna be, you know,
a musical that felt like a TV show,
304
00:15:25,883 --> 00:15:28,469
and that you weren't going to have
to do much choreography,
305
00:15:28,552 --> 00:15:31,263
and I wasn't gonna be sweating
for eight hours in a rehearsal,
306
00:15:31,347 --> 00:15:34,683
and as it turns out,
we're doing a real musical here.
307
00:15:34,767 --> 00:15:37,811
Avengers unite
'Cause we got to hear you
308
00:15:38,020 --> 00:15:39,313
Got to hear you
309
00:15:42,149 --> 00:15:45,361
JOSHUA: We cast
everybody here locally in Atlanta,
310
00:15:45,444 --> 00:15:48,489
and because we're dealing with, you know,
311
00:15:48,572 --> 00:15:52,826
the COVID pandemic, we couldn't do
what we would normally do, which would be,
312
00:15:52,952 --> 00:15:54,995
you know, a big giant cattle call,
313
00:15:55,079 --> 00:16:01,669
and then the hard part was finding
the people who could play the Avengers.
314
00:16:02,127 --> 00:16:05,047
Officially Tony Stark. I'm shook.
315
00:16:05,130 --> 00:16:06,590
I'm like, "What? Who's that?"
316
00:16:06,674 --> 00:16:08,717
Never did I think I'd be on a stage...
317
00:16:08,801 --> 00:16:11,303
acting as Hawkeye, being Hawkeye,
and, you know,
318
00:16:11,428 --> 00:16:14,723
shootin' arrows, killing bad guys while,
you know, singing and dancing.
319
00:16:14,848 --> 00:16:17,643
JOSHUA: A lot of the dancers have
these special skills where
320
00:16:17,935 --> 00:16:21,689
they do a backflip, or they do an aerial
or, you know, these great jumps,
321
00:16:21,772 --> 00:16:24,984
and then we get
the Marvel stunt coordinator.
322
00:16:25,401 --> 00:16:29,905
Heidi comes in, and she can do
everything they can all do.
323
00:16:30,781 --> 00:16:34,493
TRINH: Heidi Moneymaker is one of those
rare gems that
324
00:16:34,618 --> 00:16:38,831
we have been so fortunate to have
worked with so many years.
325
00:16:38,956 --> 00:16:42,459
She's been our Black Widow double
for so long now,
326
00:16:42,960 --> 00:16:48,674
and to be able to work with her at this
different level as a stunt coordinator
327
00:16:48,757 --> 00:16:52,302
has been such a dream come true,
because she is so talented.
328
00:16:52,386 --> 00:16:54,763
Let's get you ready and go,
they have a video for you.
329
00:16:54,847 --> 00:16:55,848
MAN: Great.
330
00:16:55,931 --> 00:16:59,018
Myself and Lloyd Bateman,
our fight coordinator
331
00:17:00,144 --> 00:17:03,939
have sort of given them our little spin
on their little dance fight scenes,
332
00:17:04,023 --> 00:17:06,316
offering suggestions that pertain
to the character
333
00:17:06,400 --> 00:17:10,279
or giving them a little, you know,
direction on punches, kicks,
334
00:17:10,362 --> 00:17:13,741
for me and Natasha's Black Widow moves,
and that kind of thing.
335
00:17:13,824 --> 00:17:17,536
You know, my rigging team went over
and they're prepping to fly Iron Man.
336
00:17:17,995 --> 00:17:19,371
I have to say that
337
00:17:19,455 --> 00:17:23,459
just in rehearsals on being, having
a dance background, and being a gymnast,
338
00:17:23,542 --> 00:17:26,462
and being a performer,
it's like I wanted to be in it.
339
00:17:26,545 --> 00:17:27,546
(BOTH LAUGHING)
340
00:17:31,341 --> 00:17:33,927
Maya Shimoguchi, our production designer,
341
00:17:34,011 --> 00:17:39,933
did an incredible,
incredible job at creating the set.
342
00:17:40,017 --> 00:17:43,187
SHIMOGUCHI: The bridge is something
that we really built as a bridge.
343
00:17:43,312 --> 00:17:45,272
It has a span of 45 feet.
344
00:17:45,355 --> 00:17:47,775
As you can see, most of it is cutouts.
345
00:17:48,108 --> 00:17:50,819
It was hard because there was
nowhere where we could build it
346
00:17:50,944 --> 00:17:55,115
and see the whole thing together until
we'd actually installed it at the theater.
347
00:17:55,199 --> 00:17:58,702
So, all the pieces were built separately
in different buildings,
348
00:17:59,661 --> 00:18:03,123
so actually seeing it together was
a huge relief that it actually worked.
349
00:18:03,248 --> 00:18:05,584
Let's go again and we'll do
the boulder thing, right?
350
00:18:05,834 --> 00:18:07,044
And playback.
351
00:18:07,294 --> 00:18:08,921
Hulk, you know the magic word is
352
00:18:09,046 --> 00:18:12,508
Hulk, you know the magic word is
Hulk, you know the magic word is
353
00:18:12,591 --> 00:18:17,513
Smash. Smash. Smash
354
00:18:17,679 --> 00:18:20,224
Save the city, help us win
355
00:18:20,974 --> 00:18:25,020
TRINH: I just remember going into
the pre-film day,
356
00:18:25,145 --> 00:18:28,774
and just watching it all live,
in front of me, and going,
357
00:18:29,024 --> 00:18:32,778
"I can't believe we're doing this,
but this is pretty, pretty amazing."
358
00:18:32,903 --> 00:18:37,074
It's a bummer 'cause Kevin really wanted
to be there and he didn't get a chance to,
359
00:18:37,282 --> 00:18:40,577
but absolutely incredible.
I mean, it came together.
360
00:18:40,994 --> 00:18:46,083
The song is ingrained in my head now
forever, because it is so much fun.
361
00:18:47,167 --> 00:18:51,380
-I could do this all day
-Save the city, help us win
362
00:18:51,547 --> 00:18:54,216
Save us all from the state we're in
363
00:18:54,299 --> 00:18:57,803
I could do this all day
364
00:18:57,970 --> 00:19:02,057
We could do this all day
365
00:19:02,808 --> 00:19:03,934
DIRECTOR: And cut!
366
00:19:04,852 --> 00:19:07,938
Now, you may recall a masked vigilante
367
00:19:08,105 --> 00:19:11,400
who terrorized organized crime
in this city for years.
368
00:19:11,567 --> 00:19:14,736
He brought a brutal form of justice
to his victims,
369
00:19:14,820 --> 00:19:19,449
and his identity continues to remain
a mystery to this very day.
370
00:19:19,867 --> 00:19:23,120
RENNER: A lot of the story and backstory
in this show is
371
00:19:23,203 --> 00:19:26,790
about what happened when Clint
turned to Ronin, is a vigilante,
372
00:19:26,874 --> 00:19:29,418
and all that's kinda coming back
to haunt him
373
00:19:29,543 --> 00:19:31,253
in a way, and he has to own up to it.
374
00:19:31,628 --> 00:19:34,256
Just because she's not the Ronin,
doesn't mean he's not back.
375
00:19:34,423 --> 00:19:35,716
It's just a rumor.
376
00:19:35,883 --> 00:19:39,511
We can now deepen the story 'cause
what have we seen of Ronin? Not a lot.
377
00:19:43,265 --> 00:19:46,059
I mean, there's a lot of value to it
'cause people love Ronin,
378
00:19:46,143 --> 00:19:50,230
and but always saw him as this...
Slay this guy, and then the yakuza,
379
00:19:50,355 --> 00:19:51,523
you don't know much.
380
00:19:51,940 --> 00:19:53,692
TRINH: Kate Bishop puts herself
381
00:19:53,775 --> 00:19:56,195
in a situation
where she puts on his Ronin suit
382
00:19:56,445 --> 00:20:02,576
that she finds at the auction,
and that creates a big problem for him.
383
00:20:02,993 --> 00:20:06,496
You know, in Clint's mind,
he wants to protect this girl,
384
00:20:06,622 --> 00:20:10,083
he wants to make sure that suit
isn't gonna endanger her in any way.
385
00:20:10,167 --> 00:20:12,419
But it does force them to be together.
386
00:20:12,502 --> 00:20:13,712
Look what you did.
387
00:20:13,837 --> 00:20:17,007
RHYS: For me, it was an interesting way in
of just the notion that Clint
388
00:20:17,090 --> 00:20:19,593
is possibly living with this insecurity
of, like,
389
00:20:19,760 --> 00:20:22,471
is his true self really the Ronin
or is it Hawkeye?
390
00:20:22,554 --> 00:20:27,100
'Cause Hawkeye is the guy they make
a musical about, and that Kate idolizes,
391
00:20:27,267 --> 00:20:32,481
and is this hero that she wants to brand,
but he knows he's also the Ronin.
392
00:20:32,689 --> 00:20:35,442
I'm sorry, Kate.
I'm not a role model to anyone.
393
00:20:38,487 --> 00:20:39,905
Never have been.
394
00:20:41,365 --> 00:20:43,575
What? Yes, you are.
395
00:20:44,618 --> 00:20:49,289
You are. You came here.
You left your family at Christmas
396
00:20:49,373 --> 00:20:52,000
because you thought some stranger
was gonna get hurt.
397
00:20:52,626 --> 00:20:55,379
You stuck around even though I screwed up.
398
00:20:55,921 --> 00:20:57,172
And now you're stuck.
399
00:20:58,715 --> 00:21:00,092
Whether you like it or not,
400
00:21:01,593 --> 00:21:03,929
the Tracksuits have connected us
both to Ronin,
401
00:21:04,054 --> 00:21:06,765
and it's pretty clear they're not
just gonna drop this.
402
00:21:08,684 --> 00:21:13,355
We lean into Matt Fraction's comics,
so it's much more,
403
00:21:13,647 --> 00:21:16,733
kind of more grounded stunt action
and even the villains.
404
00:21:16,858 --> 00:21:19,695
Like the Tracksuit Mafia,
these very dangerous buffoons.
405
00:21:19,945 --> 00:21:21,363
Wakey-wakey, bro.
406
00:21:22,030 --> 00:21:24,116
They are fun. They're fun characters,
407
00:21:24,241 --> 00:21:26,994
but there also needs to be
a level of danger to them,
408
00:21:27,244 --> 00:21:32,416
an unpredictability, which I think is
where Fra Fee's character comes in, Kazi.
409
00:21:32,541 --> 00:21:34,418
There is a real quiet intensity to Kazi
410
00:21:35,711 --> 00:21:39,756
that I've been figuring out whilst
I'm here and exploring his journey.
411
00:21:39,923 --> 00:21:42,676
I have done a lot of theater
and I love doing theater.
412
00:21:43,051 --> 00:21:47,848
But, you know, telling the truth,
no matter how big or small it is,
413
00:21:47,931 --> 00:21:49,224
it's all the same thing.
414
00:21:49,349 --> 00:21:53,603
So, whenever you know and you trust
that your camera operator is here,
415
00:21:53,729 --> 00:21:58,734
then you have license to just be really,
really small, and that's a real thrill.
416
00:22:07,576 --> 00:22:10,704
ALEKS PAUNOVIC: With Fra, his intensity,
and his quiet intensity,
417
00:22:10,829 --> 00:22:13,665
but you can feel it.
There's a resonance in his performance,
418
00:22:13,749 --> 00:22:18,962
which helps us because the less he does,
the more we do, the more powerful he is.
419
00:22:20,047 --> 00:22:23,592
Maybe I haven't been clear.
I prefer not to kill you,
420
00:22:23,717 --> 00:22:25,302
but I'm warming up to the idea.
421
00:22:25,552 --> 00:22:28,347
He's desperately wanted to work
his way up the ranks,
422
00:22:28,430 --> 00:22:31,850
but been unable to do so
because of Maya's position.
423
00:22:40,400 --> 00:22:41,860
You are.
424
00:22:46,448 --> 00:22:50,410
The character we're most excited
about introducing and developing is Echo,
425
00:22:50,786 --> 00:22:54,539
you know, is Maya, and she's
an amazing character to have set up,
426
00:22:54,664 --> 00:22:57,376
and with the new actress, like Alaqua is,
427
00:22:57,459 --> 00:22:59,544
and to see her kind of finding her feet,
428
00:22:59,878 --> 00:23:02,089
I mean, that's been such a gift for us.
429
00:23:02,547 --> 00:23:05,133
TRINH: We were nervous
about casting somebody
430
00:23:05,217 --> 00:23:07,469
who hasn't been
in front of the cameras before
431
00:23:07,677 --> 00:23:10,972
but Alaqua really showed through
her audition tapes
432
00:23:11,181 --> 00:23:13,558
how much she wanted to work for this role.
433
00:23:14,601 --> 00:23:18,438
I remember a friend of mine
sent me the link
434
00:23:18,522 --> 00:23:21,316
for a casting call
for a Native deaf person.
435
00:23:21,400 --> 00:23:22,567
And I said no.
436
00:23:22,651 --> 00:23:25,153
And then two other friends of mine
sent it to me.
437
00:23:25,237 --> 00:23:27,489
And so I decided to go ahead and apply.
438
00:23:27,572 --> 00:23:30,742
And they emailed me back when I enquired.
439
00:23:30,826 --> 00:23:32,202
And they kept emailing me.
440
00:23:32,285 --> 00:23:34,287
And I'm like,
"Wow, this is getting serious."
441
00:23:34,371 --> 00:23:36,164
And so, then they actually...
442
00:23:36,248 --> 00:23:38,792
I was cast three months later
and I'm just in this process.
443
00:23:38,875 --> 00:23:40,877
So I didn't ever dream
of becoming an actor,
444
00:23:40,961 --> 00:23:42,796
but this is an amazing opportunity.
445
00:23:42,879 --> 00:23:45,841
You and I, we're the same.
446
00:23:51,471 --> 00:23:52,639
We're weapons.
447
00:23:54,891 --> 00:23:58,687
She's amazing. It's a different experience
working with someone who's deaf,
448
00:23:58,979 --> 00:24:02,858
'cause it's a lot of different things that
have to go on for her to understand
449
00:24:03,191 --> 00:24:05,485
and never acting before,
is a little tricky, you know?
450
00:24:05,610 --> 00:24:08,613
I think she knocks it out of the park.
It's a physical role.
451
00:24:09,489 --> 00:24:13,368
Well, my fighting style,
mostly I do a lot of, like, elbowing.
452
00:24:13,493 --> 00:24:15,495
I do elbow strikes and hits.
453
00:24:15,620 --> 00:24:18,582
I was planning on punching,
but they wanted to protect my hands,
454
00:24:18,665 --> 00:24:21,585
so they switched it to elbow work,
because I sign to communicate,
455
00:24:21,668 --> 00:24:24,337
and they wanted to
make sure that was taken care of.
456
00:24:24,421 --> 00:24:28,341
But my fighting style was more of
an MMA style and karate,
457
00:24:28,800 --> 00:24:32,804
kind of some badass moves. But mostly
my stunt double does a lot of that
458
00:24:32,888 --> 00:24:35,223
because she does a lot of
the kicks and I can't...
459
00:24:35,307 --> 00:24:38,435
There's certain angles that I can't move
my prosthetic leg, so,
460
00:24:38,518 --> 00:24:40,562
my stunt double did
an amazing job with that.
461
00:24:42,439 --> 00:24:44,649
She's a natural.
I think she's gonna do well.
462
00:24:44,733 --> 00:24:46,193
I love the turn of her character.
463
00:24:50,030 --> 00:24:51,698
What are you talking about?
464
00:25:00,624 --> 00:25:03,960
FEE: At the beginning of the process,
I started learning sign language,
465
00:25:04,044 --> 00:25:07,756
initially just to help me communicate
with Alaqua on set.
466
00:25:07,839 --> 00:25:10,467
The good thing is that we
did have time to rehearse.
467
00:25:10,550 --> 00:25:13,178
That's not a normal thing in any film set.
468
00:25:13,303 --> 00:25:16,139
But the way that the scheduling
worked out,
469
00:25:16,223 --> 00:25:19,976
I had quite a lot of time to rehearse
the signing, thankfully.
470
00:25:20,060 --> 00:25:22,270
Otherwise that would
have been nerve-racking.
471
00:25:22,896 --> 00:25:24,314
I wanted to talk
472
00:25:27,609 --> 00:25:30,987
There is something interesting about
473
00:25:31,112 --> 00:25:33,865
acting without much voice.
474
00:25:34,115 --> 00:25:37,911
For the little intimate moments
with Maya, you know,
475
00:25:38,453 --> 00:25:39,955
at most I'm just whispering.
476
00:25:40,080 --> 00:25:43,959
It's so quiet. It's an amazing thing.
And all you hear is the breeze,
477
00:25:44,417 --> 00:25:50,090
or, you know, the cars outside.
It's a really incredible way to perform.
478
00:25:50,257 --> 00:25:56,263
I think we're reading off each other.
I'm being brought into her quiet world.
479
00:25:57,389 --> 00:25:59,808
She asked what you're doing here,
Clint Barton.
480
00:26:02,769 --> 00:26:04,604
-Riding a unicorn.
-Learning about trust.
481
00:26:05,272 --> 00:26:08,149
RENNER: You know, I think what Marvel's
done really so excellently,
482
00:26:08,233 --> 00:26:11,278
or in the last, whatever,
12 years or so, is...
483
00:26:11,444 --> 00:26:13,113
when it's serious, it's serious,
484
00:26:13,238 --> 00:26:16,241
but then when you get loose,
it can make fun of itself.
485
00:26:16,324 --> 00:26:19,953
They're really great at, like, poking fun
at themselves. Meaning Marvel,
486
00:26:20,036 --> 00:26:22,330
there's characters
who go into eye of the storm,
487
00:26:22,414 --> 00:26:26,084
hit it and talk about the pink elephant
in the room. Like, "Dude, bro, love it."
488
00:26:26,209 --> 00:26:27,919
Like Tracksuit's a great example.
489
00:26:28,086 --> 00:26:29,504
(ALL EXCLAIMING)
490
00:26:29,754 --> 00:26:31,923
Guys, come on! Drop down!
491
00:26:32,007 --> 00:26:36,553
Come on, bro! Get at 'em! Put 'em out!
You're like fried chicken, bro! Get up!
492
00:26:37,137 --> 00:26:41,057
We would see the comic book,
the Tracksuit Mafia and it's, like,
493
00:26:41,141 --> 00:26:44,728
"bro" this and "bro" that, and we were
talking, "Man, we need to up our 'bros.'
494
00:26:44,811 --> 00:26:46,438
"We have not been saying enough 'bros.'"
495
00:26:46,521 --> 00:26:50,483
So, we've been broing it out,
and it's honestly an honor to take on
496
00:26:50,650 --> 00:26:52,027
some villains people have been
497
00:26:52,110 --> 00:26:54,029
hoping to see in the Marvel Universe.
498
00:26:54,112 --> 00:26:56,448
-We're having far too much fun posing.
-Yeah.
499
00:26:56,740 --> 00:27:02,412
I had big expectations when I got
the first text from costumes that,
500
00:27:02,621 --> 00:27:07,417
"Send your sizes, 'cause we are having
a very exceptional costume for you."
501
00:27:07,792 --> 00:27:10,295
You know, speaking about Marvel,
you think that,
502
00:27:10,503 --> 00:27:14,007
"Oh, my God, we'll play the heroes,
you know, like superheroes."
503
00:27:14,090 --> 00:27:16,259
-Form-fitted. Muscular fit.
-Feels awesome.
504
00:27:16,343 --> 00:27:18,345
But it was a joke from the costume guy.
505
00:27:18,428 --> 00:27:22,557
Because he had to do this kind of special
costume thousands of thousands of times.
506
00:27:22,641 --> 00:27:26,645
But I gotta tell you for me, for instance,
we're all wearing the tracksuits,
507
00:27:26,728 --> 00:27:30,649
I think it's great. But I gotta show you
my alligator shoes. Look at these...
508
00:27:31,608 --> 00:27:33,777
-Are you kidding me?
-That means he's the boss.
509
00:27:33,860 --> 00:27:35,111
That's the boss!
510
00:27:36,321 --> 00:27:37,989
MICHAEL CROW:
There was discussion of,
511
00:27:38,073 --> 00:27:40,450
"Is it gonna look silly if they all wear
the same tracksuit?
512
00:27:40,575 --> 00:27:42,118
"Where do they get them?"
513
00:27:42,243 --> 00:27:45,288
So we did variations
where they were all in different things.
514
00:27:45,372 --> 00:27:49,459
They were just in regular street clothes,
or in different kinds of tracksuits,
515
00:27:49,626 --> 00:27:52,212
different colors,
different sportswear elements.
516
00:27:52,796 --> 00:27:57,884
And decided in the end, that didn't
make them feel like a collective,
517
00:27:58,134 --> 00:28:00,679
and we really wanted them
to feel like a gang.
518
00:28:01,596 --> 00:28:05,350
So we thought that the easiest way
to outfit the number and the quantity
519
00:28:05,433 --> 00:28:08,853
that we needed with stunts and everything
was to build them from scratch.
520
00:28:09,396 --> 00:28:10,397
Bros.
521
00:28:13,650 --> 00:28:16,986
At times they are scary,
and they are a threat to our heroes,
522
00:28:17,070 --> 00:28:21,282
and I think a part of that is shown
in the KB Toys scene where
523
00:28:21,366 --> 00:28:23,451
both Clint and Kate are captured.
524
00:28:23,743 --> 00:28:26,538
Maya Shimoguchi in the art department is
525
00:28:26,913 --> 00:28:31,126
amazing at capturing and putting
everything into reality for us
526
00:28:31,251 --> 00:28:33,420
to really help elevate the series.
527
00:28:33,545 --> 00:28:35,004
Nice place you got here.
528
00:28:35,755 --> 00:28:36,923
It's not creepy at all.
529
00:28:37,048 --> 00:28:40,885
The level of detail,
the level of quirk/realism,
530
00:28:40,969 --> 00:28:45,390
so there's like this creativity
that isn't quite reality, but then
531
00:28:45,473 --> 00:28:48,226
there's nothing you don't believe
about any of her sets.
532
00:28:48,309 --> 00:28:51,896
BERT: Even in, like, KB Toys,
where there's this small office upstairs.
533
00:28:51,980 --> 00:28:54,274
I went in there one day
and I just sat down at the desk
534
00:28:54,399 --> 00:28:56,401
and I started looking
at the papers on the desk,
535
00:28:56,526 --> 00:28:59,487
and each one of them had been
individually handwritten
536
00:28:59,612 --> 00:29:03,575
with information that related
to what the gang was doing.
537
00:29:03,700 --> 00:29:07,454
It was, like, the level that
she has gone to is unbelievable,
538
00:29:07,537 --> 00:29:10,415
and what it means is that
it makes it real for the actors.
539
00:29:13,293 --> 00:29:15,712
SHIMOGUCHI: Heidi Moneymaker,
the stunt coordinator,
540
00:29:15,795 --> 00:29:17,422
did a really amazing
541
00:29:17,547 --> 00:29:21,384
stunt vis of the whole fight.
We would do sort of preliminary designs,
542
00:29:21,634 --> 00:29:24,804
and then show her
the models or the drawings.
543
00:29:24,971 --> 00:29:28,266
And sometimes she would ask, like,
"Can we change this or that?"
544
00:29:29,267 --> 00:29:32,937
I mean, I found it really fun, actually,
to think about the fighting,
545
00:29:33,021 --> 00:29:35,607
'cause when designing the sets
and we're thinking about it,
546
00:29:35,690 --> 00:29:38,359
we don't really know what the fighting is
actually gonna be,
547
00:29:38,443 --> 00:29:42,447
you're just tryin' to create opportunities
for people to move through the space
548
00:29:42,530 --> 00:29:45,492
or places where some things
could happen
549
00:29:45,575 --> 00:29:49,662
and what they would come up with was
always surprising and fun.
550
00:29:51,581 --> 00:29:55,001
This actually was a bit of a challenge
just in the sense that
551
00:29:55,084 --> 00:29:59,172
we had so many characters and I wanted
them to have their own flair and style.
552
00:29:59,297 --> 00:30:02,801
Starting with Hawkeye,
he has a somewhat established style,
553
00:30:02,926 --> 00:30:08,389
but because he's coming into
this show as a retired superhero,
554
00:30:08,556 --> 00:30:12,769
living with his family, has hearing loss,
is wearing a hearing aid, his back hurts.
555
00:30:12,894 --> 00:30:17,273
He's kind of the John Wick of
the Marvel series, minus all the murder.
556
00:30:17,649 --> 00:30:18,650
(GRUNTING)
557
00:30:22,278 --> 00:30:23,363
I was doing fine.
558
00:30:23,530 --> 00:30:26,407
Clint's back to being Clint,
and out of the Ronin life,
559
00:30:26,574 --> 00:30:30,995
and kind of healing from the effects of,
you know, the Blip, and then coming back,
560
00:30:31,246 --> 00:30:35,375
and the families are back, and wanted to
be back on track with his moral code
561
00:30:35,458 --> 00:30:38,294
and what he needs to do,
and that becomes very defensive.
562
00:30:38,753 --> 00:30:41,589
Everything's non-lethal
and you don't wanna hurt anybody.
563
00:30:46,094 --> 00:30:49,389
A plunger arrow? What is the trick?
That it's completely useless?
564
00:30:49,472 --> 00:30:52,100
We haven't really worked
in the action genre before,
565
00:30:52,183 --> 00:30:54,811
and then to see how capable
he is physically...
566
00:30:54,894 --> 00:30:58,356
We did the bridge scene, was one of
the first action sequences,
567
00:30:58,481 --> 00:31:00,233
and to watch that man sprint,
568
00:31:00,358 --> 00:31:02,694
things that you don't think about,
that kind of...
569
00:31:02,777 --> 00:31:05,613
The muscle memory and the technique
involved in,
570
00:31:05,697 --> 00:31:09,534
you know, left-handed arrow
and then grabbing another...
571
00:31:09,784 --> 00:31:13,580
I'm doing it wrong. But just
everything's like so on point with him.
572
00:31:13,663 --> 00:31:17,125
And then just picking up
fight choreography on the spot with Heidi.
573
00:31:17,208 --> 00:31:21,796
This is when you realize that
he's a level up. He's got all the tools.
574
00:31:25,758 --> 00:31:29,137
I remember talking to my creative team.
575
00:31:29,220 --> 00:31:31,806
I'm like, "I don't know
if I wanna be in tights when I'm 50.
576
00:31:31,890 --> 00:31:34,976
"I don't think anybody wants to see me
in tights when I'm 50."
577
00:31:35,059 --> 00:31:39,772
(CHUCKLES) You know what? it's all right,
it's doing okay. I'm happy about it.
578
00:31:42,734 --> 00:31:47,280
Just as we were super impressed by, like,
you realize how many Avengers movies
579
00:31:47,405 --> 00:31:49,115
and how much action Jeremy's done.
580
00:31:49,198 --> 00:31:52,285
Hailee came into this, and I know
she's done Bumblebee before,
581
00:31:52,368 --> 00:31:56,414
she's done a little bit of action,
but physically she's incredible.
582
00:31:57,165 --> 00:31:58,917
STEINFELD: Before I came out to shoot,
583
00:31:59,042 --> 00:32:02,295
I was training in LA on
the stunt side of things with my dad,
584
00:32:02,378 --> 00:32:03,838
who's a personal trainer.
585
00:32:04,213 --> 00:32:07,258
The best in the game,
if I do say so myself.
586
00:32:07,467 --> 00:32:11,471
And we spent months in all sorts of
different styles of fighting,
587
00:32:11,554 --> 00:32:14,557
hand-to-hand combat. And once I had
my first archery lesson,
588
00:32:14,641 --> 00:32:17,310
we started getting into exercises
and circuits of training
589
00:32:17,393 --> 00:32:19,562
that would help me with my muscles.
Let me tell you,
590
00:32:19,646 --> 00:32:22,857
you are sore in places you never knew
you could be sore the next day.
591
00:32:22,941 --> 00:32:25,693
"Eenie, meenie, miny..." and then...
592
00:32:25,860 --> 00:32:27,570
-Down the line.
-"Moe," and then breathe?
593
00:32:27,695 --> 00:32:31,032
We had her doing things that you would
buy that a trained female could do.
594
00:32:31,115 --> 00:32:34,494
So there's no big swinging punches
and things a guy would do with a guy.
595
00:32:34,577 --> 00:32:36,579
They're very feminine, but still strong.
596
00:32:36,663 --> 00:32:38,998
We have her doing a little Judo,
but mostly Aikido.
597
00:32:39,082 --> 00:32:42,335
Also using her brain and using
found objects and being able to
598
00:32:42,418 --> 00:32:43,836
think and be really quick-witted.
599
00:32:43,920 --> 00:32:45,505
She evolves through the series.
600
00:32:45,630 --> 00:32:49,133
She's sort of thrown into the deep end
and for the first time faces these guys,
601
00:32:49,217 --> 00:32:51,719
you know, with guns
and that really wanna hurt her.
602
00:32:51,803 --> 00:32:55,348
She's probably only fought
in competitions and things with rules,
603
00:32:55,640 --> 00:33:00,311
and so to kinda lean in and see her,
how she's just seizing objects.
604
00:33:00,436 --> 00:33:02,855
We looked at a lot of Jackie Chan
stuff to just
605
00:33:03,272 --> 00:33:05,858
find that rhythm of spontaneity
and improvisation.
606
00:33:07,402 --> 00:33:08,820
(GRUNTS)
607
00:33:09,320 --> 00:33:10,405
We need a car.
608
00:33:10,488 --> 00:33:13,908
Can we take this one?
Man, this thing's beautiful.
609
00:33:14,242 --> 00:33:16,119
RENNER: The car chase
is after the big fight.
610
00:33:16,202 --> 00:33:18,871
I'm not smashing a '72 Challenger.
Come on.
611
00:33:18,997 --> 00:33:22,709
Tracksuits are chasing us down,
and we're severely outnumbered.
612
00:33:25,211 --> 00:33:28,756
And I was roaming through
the streets of "New York."
613
00:33:28,840 --> 00:33:30,049
Atlanta for New York.
614
00:33:30,133 --> 00:33:32,552
They had this rig that they put the car on
615
00:33:32,719 --> 00:33:36,681
where a stunt driver can get on top
and drive us through the streets.
616
00:33:36,806 --> 00:33:37,932
It's an amazing thing.
617
00:33:38,016 --> 00:33:39,642
Got incoming. Come on.
618
00:33:41,894 --> 00:33:42,895
(GRUNTS)
619
00:33:48,443 --> 00:33:53,531
Basically a drivable platform that we can
put the picture car on, put the actors in,
620
00:33:53,614 --> 00:33:57,660
and get them really in the middle
of the action safely,
621
00:33:57,994 --> 00:34:02,373
and duplicate all the physics
you would see in a car chase.
622
00:34:02,665 --> 00:34:04,542
-How many?
-Four.
623
00:34:06,085 --> 00:34:08,129
The actors could do their part,
their acting.
624
00:34:08,254 --> 00:34:09,839
I do my part, I'm driving.
625
00:34:09,922 --> 00:34:12,925
And we can run 'em through traffic,
we can slide it, spin it,
626
00:34:13,009 --> 00:34:18,431
do all these wild stunty things
and it feels real, because it is.
627
00:34:18,514 --> 00:34:22,477
TREVOR WATERSON: We wanted to do that
amazing 360 shot of the car coming around.
628
00:34:22,602 --> 00:34:25,897
The idea there was to do it in
a continuous motion
629
00:34:25,980 --> 00:34:30,151
having our actors in the car
and be able to spin them around.
630
00:34:30,234 --> 00:34:33,071
And make it feel like they're moving
and the background's moving
631
00:34:33,154 --> 00:34:34,989
without it being
a visual effects background.
632
00:34:35,073 --> 00:34:36,657
Hawkeye's got a new ride.
633
00:34:36,741 --> 00:34:38,659
-MAN: How fast you been goin'?
-What's that?
634
00:34:38,743 --> 00:34:40,411
How fast you been goin' in there?
635
00:34:40,495 --> 00:34:43,372
I don't know, like,
the last three takes...
636
00:34:43,498 --> 00:34:44,540
-MAN 2: Hundred.
-(LAUGHS)
637
00:34:44,707 --> 00:34:47,752
That's... I don't know,
I'd say probably maybe 50.
638
00:34:48,753 --> 00:34:52,090
Fifty by the time we hit the 180.
639
00:34:52,590 --> 00:34:55,301
The last three takes for sure,
we were cruising.
640
00:34:55,510 --> 00:34:58,596
RENNER: It's like this is what's
gonna be the Hawkeye ride at Disneyland.
641
00:34:58,679 --> 00:35:02,683
It's like, "No way." It really feels
like you're a part of, and in it.
642
00:35:02,767 --> 00:35:06,354
And both of us, Hailee and I, we're like,
our jaws were on the floor
643
00:35:06,437 --> 00:35:08,272
'cause you never get to experience that.
644
00:35:08,356 --> 00:35:10,483
We're used to driving 25 miles an hour
645
00:35:10,608 --> 00:35:13,319
and just pretending to drive fast,
or whatever it might be.
646
00:35:13,402 --> 00:35:17,073
But we were living in it like
it was a roller coaster ride or something.
647
00:35:17,198 --> 00:35:19,659
We're going...
We're hauling butt down this thing.
648
00:35:19,784 --> 00:35:21,077
"Let's do another take."
649
00:35:21,160 --> 00:35:22,453
MAN: How was it?
650
00:35:22,537 --> 00:35:24,789
That was the funnest thing I've done.
in a long time.
651
00:35:27,667 --> 00:35:28,793
(BOTH LAUGHING)
652
00:35:30,628 --> 00:35:31,629
Forehand!
653
00:35:32,046 --> 00:35:33,047
Big jump!
654
00:35:34,006 --> 00:35:37,593
When we were in the writers' room
and we were talking about
655
00:35:37,677 --> 00:35:43,224
how do we integrate our heroes into
a world with supporting characters
656
00:35:43,307 --> 00:35:46,978
that really can help elevate them
and bring them the help that they need?
657
00:35:47,061 --> 00:35:52,275
And much like the ex-cons
are to Scott Lang in the Ant-Man world,
658
00:35:52,358 --> 00:35:57,864
we wanted to have a group that can bring
a fun tone to the series.
659
00:35:57,947 --> 00:35:58,948
(SCREAMING)
660
00:35:59,657 --> 00:36:04,662
RENNER: There this whole crew of
live-action role players called LARPers.
661
00:36:04,745 --> 00:36:06,831
It's like cosplay and that stuff.
662
00:36:06,914 --> 00:36:10,334
They're very into this world,
and they make their costumes.
663
00:36:10,751 --> 00:36:12,003
Take my chances.
664
00:36:15,047 --> 00:36:19,135
We're filming here in Atlanta, but it's
supposed to be Central Park in New York.
665
00:36:19,260 --> 00:36:24,974
What we're setting up here is the start
of Clint's sort of LARPing journey.
666
00:36:25,433 --> 00:36:28,144
I'm a Viking. I'm really a Viking.
667
00:36:28,269 --> 00:36:32,273
Basically, I got the suit.
He thinks I stole it, but I found it.
668
00:36:32,773 --> 00:36:35,526
And we all know finders-keepers
is the rule.
669
00:36:35,610 --> 00:36:36,819
Let me kill you.
670
00:36:37,153 --> 00:36:38,154
What?
671
00:36:38,362 --> 00:36:41,616
It's make-believe anyway. Just let me
kill you in single person combat
672
00:36:41,699 --> 00:36:43,201
and then I'll give you the suit.
673
00:36:44,577 --> 00:36:45,578
No.
674
00:36:46,120 --> 00:36:48,581
Come on, man. You're a hero in real life.
675
00:36:48,915 --> 00:36:51,209
This is as close as I'll ever
get to be to being one.
676
00:36:51,459 --> 00:36:55,504
We set up this duel
and everybody's circling around them
677
00:36:55,588 --> 00:36:59,300
as they do this big, fun mock-LARP battle,
678
00:36:59,383 --> 00:37:02,220
and somebody wins,
and somebody gets the suit. (CHUCKLES)
679
00:37:02,553 --> 00:37:04,013
Proceed!
680
00:37:09,018 --> 00:37:11,562
You suck your stomach in
and your posture gets right.
681
00:37:11,646 --> 00:37:16,150
I don't know what's in the back of
this thing but I feel two inches taller.
682
00:37:16,275 --> 00:37:19,987
You kind of pose different, I've been
putting a lot of hands on hips,
683
00:37:20,321 --> 00:37:23,824
you know, just like stoic
brooding poses and stuff.
684
00:37:23,908 --> 00:37:27,161
It's a suit from the Marvel universe,
it's got a lot of history,
685
00:37:27,954 --> 00:37:31,666
it's got a lot of stuff going on
with the suit in this series.
686
00:37:32,041 --> 00:37:36,295
Also it's usually a pretty serious suit.
687
00:37:36,379 --> 00:37:40,216
If somebody's got this suit on,
it's usually not good for the bad guy.
688
00:37:40,883 --> 00:37:46,180
So, to have it and do something fun
and silly with the LARPers is awesome.
689
00:37:46,430 --> 00:37:47,974
My view is tremendous, by the way.
690
00:37:48,057 --> 00:37:50,142
(ALL LAUGHING)
691
00:37:50,893 --> 00:37:55,356
We, on several occasions today,
have said, "Can't believe they pay us."
692
00:37:55,481 --> 00:38:00,236
Like, it is the silliest I think
I've ever been in a good 20 years,
693
00:38:00,319 --> 00:38:02,238
and I'm not that old. (CHUCKLES)
694
00:38:03,990 --> 00:38:05,992
Pardon me, right behind you. Jesus!
695
00:38:10,162 --> 00:38:13,165
TRINH: Pizza Dog is a must
for the series because
696
00:38:13,291 --> 00:38:17,795
Pizza Dog is a very, very big part of
the Clint and Kate Bishop world
697
00:38:17,878 --> 00:38:19,046
in the Matt Fraction run.
698
00:38:19,297 --> 00:38:23,926
We've never worked with, at least
I've never worked with an animal before.
699
00:38:24,051 --> 00:38:28,431
But we wanted to make sure that Pizza Dog
was gonna come off the right way.
700
00:38:29,056 --> 00:38:31,976
Hey, bud. Look, it's you. It's you.
701
00:38:32,310 --> 00:38:33,436
This is Jolt.
702
00:38:34,395 --> 00:38:39,483
She is a three-year-old Golden Retriever,
and she just loves to work.
703
00:38:39,650 --> 00:38:40,860
Good girl.
704
00:38:40,985 --> 00:38:45,197
BERTIE: Jolt is the most gorgeous,
humorous doggy,
705
00:38:45,323 --> 00:38:47,533
who just wants cuddles
and love all the time,
706
00:38:47,658 --> 00:38:52,872
and I've never seen a dog smile
so broadly. On cue. Just like...
707
00:38:53,914 --> 00:38:56,500
BERT: We love working with animals,
though they say not do it,
708
00:38:56,584 --> 00:38:58,085
but we seem to always do it.
709
00:38:58,544 --> 00:39:00,546
But Pizza Dog has been an absolute joy.
710
00:39:01,005 --> 00:39:02,381
Hi.
711
00:39:02,882 --> 00:39:07,470
Before we started filming, Hailee gave her
a bunch of cookies and just loved on her,
712
00:39:07,595 --> 00:39:10,181
and every time they meet
she's really good with her,
713
00:39:10,264 --> 00:39:13,851
and she comes and she greets her.
I think they've become good friends.
714
00:39:16,354 --> 00:39:17,355
(BARKING)
715
00:39:20,649 --> 00:39:22,985
TRINH: In the comics,
Derek Bishop, Kate's dad
716
00:39:23,069 --> 00:39:25,071
is actually the villain,
717
00:39:25,196 --> 00:39:28,199
and what we found interesting was,
what if we actually, you know,
718
00:39:28,282 --> 00:39:32,119
turn it the other way around and make
Eleanor Bishop the villain of the show,
719
00:39:32,244 --> 00:39:35,831
and really explore
the mother and daughter relationship
720
00:39:35,915 --> 00:39:37,792
that we haven't quite seen in the MCU.
721
00:39:37,875 --> 00:39:40,336
Kate, it's sweet that you're worried,
722
00:39:41,253 --> 00:39:43,714
but just remember I'm the mom,
it's my job to protect you.
723
00:39:43,839 --> 00:39:45,383
I am not a little kid anymore.
724
00:39:45,466 --> 00:39:46,759
You're not a superhero either.
725
00:39:46,842 --> 00:39:50,930
It's hard work raising a successful
daughter, especially when have different
726
00:39:51,597 --> 00:39:54,058
definitions of what that success means.
727
00:39:54,183 --> 00:39:56,394
I have given you space
to have this crisis,
728
00:39:56,477 --> 00:39:59,647
but if I don't step in, you're gonna
look back in 10 or 20 years
729
00:39:59,730 --> 00:40:01,649
and you'll wonder
why I didn't take the wheel
730
00:40:01,774 --> 00:40:03,401
when you were swerving over the road.
731
00:40:03,484 --> 00:40:06,904
They're confident, they're capable,
they're strong-willed,
732
00:40:06,987 --> 00:40:09,407
they're opinionated,
but they're very different.
733
00:40:09,490 --> 00:40:12,076
You wanna tell me when
you got into swords, Mom?
734
00:40:12,868 --> 00:40:16,705
Hon, there have been a few changes
while you were away this semester.
735
00:40:16,914 --> 00:40:20,042
Ta-da! Oh. (CHUCKLES NERVOUSLY)
736
00:40:20,126 --> 00:40:21,627
What an unexpected surprise.
737
00:40:21,752 --> 00:40:25,965
FARMIGA: I think Jack coming into
this role and wanting to serve this role
738
00:40:26,048 --> 00:40:28,134
as stepfather figure,
739
00:40:28,551 --> 00:40:31,887
he's walking into an emotional minefield
with these two gals.
740
00:40:32,012 --> 00:40:37,143
I think a common interest
is very fertile ground for bonding.
741
00:40:39,311 --> 00:40:42,106
Bonding. That's exactly
what I was thinking.
742
00:40:42,189 --> 00:40:45,401
TRINH: We really wanted to bring
in Jack Duquesne,
743
00:40:45,484 --> 00:40:47,903
who in the comics is supposed
to be Swordsman,
744
00:40:47,987 --> 00:40:51,323
and Swordsman in the comics
is Clint Barton's mentor.
745
00:40:51,407 --> 00:40:56,954
He taught Clint how to do archery
and really is also a villain at the end.
746
00:40:57,037 --> 00:41:01,041
We wanted to explore that character,
bring him into the series,
747
00:41:01,167 --> 00:41:03,878
but wanted a different twist to it.
748
00:41:04,086 --> 00:41:07,923
My brother got me all these comic books
about The Swordsman that were
749
00:41:08,007 --> 00:41:10,301
printed all these years back.
750
00:41:10,384 --> 00:41:14,180
So I just kinda, you know, got into it,
see what this guy was like,
751
00:41:14,263 --> 00:41:19,518
and it was sort of this swashbuckler
kind of Errol Flynn type of character.
752
00:41:19,685 --> 00:41:23,981
So I tried to kind of instill that
a little bit into the character,
753
00:41:24,064 --> 00:41:28,486
this sort of debonair, kind of very classy
sort of kind of guy, you know?
754
00:41:28,986 --> 00:41:30,738
You know what they say...
755
00:41:31,363 --> 00:41:34,992
Life is short.
You never know what you're gonna get.
756
00:41:36,160 --> 00:41:38,746
(CHUCKLES)
757
00:41:38,829 --> 00:41:39,830
What?
758
00:41:39,955 --> 00:41:43,042
TRINH: With Jack's character,
we wanted him to be the red herring,
759
00:41:43,167 --> 00:41:47,296
we wanted people to really question
whether or not
760
00:41:47,421 --> 00:41:51,217
he is acting as sort of like a buffoon,
761
00:41:51,342 --> 00:41:55,387
I guess, in a way, this entire time,
or is he really faking it?
762
00:41:55,513 --> 00:41:56,931
Careful, honey.
763
00:41:57,598 --> 00:41:58,682
When am I not careful?
764
00:41:58,766 --> 00:42:00,768
Always. You were always not careful.
765
00:42:02,603 --> 00:42:03,646
I was talking to Jack.
766
00:42:03,896 --> 00:42:06,815
DALTON: When I got the part,
I hired a professional fencer,
767
00:42:06,941 --> 00:42:09,193
and we went at it for weeks.
768
00:42:09,276 --> 00:42:12,613
I'd taken fencing,
oddly enough, back in the day.
769
00:42:12,738 --> 00:42:15,407
I took a couple of semesters
back in college,
770
00:42:15,533 --> 00:42:19,411
so I knew what I was doing. But I needed
to refresh it. It has been a long time.
771
00:42:19,537 --> 00:42:21,330
What are you hiding, Jack?
772
00:42:23,290 --> 00:42:24,458
Nothing.
773
00:42:25,000 --> 00:42:27,169
I'm an open book. Right, darling?
774
00:42:27,253 --> 00:42:31,882
TRINH: Kate does this one little
smart move on him that he deflects.
775
00:42:31,966 --> 00:42:35,636
And we wanted to leave his character
at the end as a mystery.
776
00:42:35,761 --> 00:42:39,765
And that will actually allow a lot more
opportunities down the line
777
00:42:39,848 --> 00:42:42,184
if we want to explore Swordsman
in the MCU.
778
00:42:43,310 --> 00:42:46,313
RENNER: It's kind of like, you know,
building a brick wall.
779
00:42:46,397 --> 00:42:49,692
I mean, you got to lay one brick, put some
mortar down and then another,
780
00:42:49,775 --> 00:42:52,361
then it defines kind of what it is
as it goes along.
781
00:42:52,444 --> 00:42:54,947
And with each thing
that has been layered in,
782
00:42:55,239 --> 00:42:56,574
we get to use that.
783
00:43:00,995 --> 00:43:04,123
We can talk about
all these things that can happen that make
784
00:43:04,206 --> 00:43:05,666
this Hawkeye show even exist.
785
00:43:07,376 --> 00:43:10,921
And because of this Hawkeye show,
Florence comes from the Black Widow movie,
786
00:43:11,046 --> 00:43:14,258
and all these things start to happen in
a weave like Kevin has always done
787
00:43:14,341 --> 00:43:15,759
all in the MCU all along.
788
00:43:16,010 --> 00:43:19,346
What we really wanted to bring
into this series is
789
00:43:19,430 --> 00:43:23,225
the connective tissue
that Clint has with Yelena.
790
00:43:23,392 --> 00:43:26,145
We went to Kevin, and we had asked
if they can do a tag
791
00:43:26,270 --> 00:43:30,774
in the Black Widow project to see if that
can be connected into the Hawkeye series,
792
00:43:30,899 --> 00:43:35,237
and the tag actually has Yelena going to
Natasha's grave site,
793
00:43:35,362 --> 00:43:40,200
and Julia Louis-Dreyfus' character,
Valentina, comes up next to her
794
00:43:40,326 --> 00:43:42,328
to show her her next assignment.
795
00:43:42,453 --> 00:43:47,333
Maybe you'd like a shot at the man
responsible for your sister's death.
796
00:43:48,292 --> 00:43:50,002
Kind of a cutie. Don't you think?
797
00:43:50,669 --> 00:43:54,006
When there were early discussions of
if Yelena was gonna come back,
798
00:43:54,089 --> 00:44:00,763
I was thinking about where her mind was.
How does she find out? Who tells her?
799
00:44:01,096 --> 00:44:04,058
How does she react? Who does she go after?
800
00:44:04,266 --> 00:44:06,310
And then when we shot the tag scene,
801
00:44:06,393 --> 00:44:11,940
I didn't see it coming that they'd
put me and Clint against each other,
802
00:44:12,024 --> 00:44:13,734
which I thought was a cool twist.
803
00:44:15,486 --> 00:44:19,156
If we did the for-real fight with
me wearing goggles, it'd be like this.
804
00:44:19,698 --> 00:44:22,576
I was... I'm gonna, I'll go get you
a sandwich, I'll be right back.
805
00:44:24,578 --> 00:44:27,623
RENNER: There's a lot of things that
we had to work through story-wise,
806
00:44:27,790 --> 00:44:30,501
'cause we don't know each other.
She thinks I killed her sister,
807
00:44:30,584 --> 00:44:32,002
I'm like, "That's not true."
808
00:44:32,086 --> 00:44:35,964
All these things, so we're trying to
fill in holes of truths and backstory.
809
00:44:36,090 --> 00:44:38,592
She was really wonderful
to kind of help shape that.
810
00:44:38,676 --> 00:44:40,386
She's such a beast.
She's throwing me around.
811
00:44:40,469 --> 00:44:43,138
When Florence and I had
our first day together,
812
00:44:43,263 --> 00:44:47,726
I just remember being so excited about
the fact that there was another female
813
00:44:47,810 --> 00:44:53,107
that came in and came onto the set
and totally took ownership of her space
814
00:44:53,190 --> 00:44:56,402
and her character
and who she was in our story.
815
00:44:56,527 --> 00:44:59,446
I know you're thinking, "What?
This is crazy.
816
00:44:59,530 --> 00:45:04,702
"I'm going to have dinner with the enemy,
and she made good looking macaroni."
817
00:45:04,827 --> 00:45:07,621
My relationship with Hailee
is kind of like,
818
00:45:07,705 --> 00:45:10,541
our little heartbeat throughout
both of our stories.
819
00:45:10,624 --> 00:45:15,462
I think they're both craving friendship,
especially Yelena.
820
00:45:15,546 --> 00:45:17,965
And I think there's also that
lovely level of
821
00:45:18,090 --> 00:45:21,427
"Oh, well, if we really fought,
I'd win in two seconds."
822
00:45:21,802 --> 00:45:25,764
So, you know, I may as well just
have a friend in all of this.
823
00:45:25,848 --> 00:45:27,224
What are we doing?
824
00:45:27,307 --> 00:45:29,059
I mean, it's Christmas Eve.
Let's grab a drink, huh?
825
00:45:30,436 --> 00:45:32,730
-Okay. Yeah. Sure.
-Cool.
826
00:45:33,021 --> 00:45:34,022
After I kill Barton.
827
00:45:35,566 --> 00:45:38,777
No, that's not...
No, that's not what...
828
00:45:38,861 --> 00:45:39,862
(GRUNTS)
829
00:45:40,738 --> 00:45:44,825
It's a very funny, soft, friendly fight.
830
00:45:44,908 --> 00:45:46,452
-Out of all the fights...
-Yes.
831
00:45:46,535 --> 00:45:50,622
...this is, like,
a definite sisterly tussle,
832
00:45:50,706 --> 00:45:53,417
which is cute because up until that point,
833
00:45:53,542 --> 00:45:56,044
I think we've both been
in pretty hairy situations.
834
00:45:56,712 --> 00:45:57,796
They're having fun.
835
00:45:58,046 --> 00:45:59,798
-I'm going to do it either way.
-(GRUNTS)
836
00:46:00,048 --> 00:46:02,509
Okay, but hear me out.
What if you, what if you don't...
837
00:46:08,223 --> 00:46:10,392
RENNER: We're at the Rockefeller Center.
838
00:46:10,517 --> 00:46:12,811
It's pretty cool being here.
I gotta tell ya.
839
00:46:12,936 --> 00:46:15,355
It's especially with no one here.
(CHUCKLES)
840
00:46:18,317 --> 00:46:21,445
TRINH: We wanted to shoot
our finale at the Rockefeller Center,
841
00:46:21,528 --> 00:46:25,157
and initially we weren't quite sure
if we were gonna be even allowed to do it,
842
00:46:25,240 --> 00:46:28,368
or how were we gonna
accomplish such a big feat there.
843
00:46:28,452 --> 00:46:31,789
But spending that time there to make sure
that we got the environment
844
00:46:31,914 --> 00:46:35,834
and got the tree and got the rink,
and then replicating that in Atlanta
845
00:46:35,918 --> 00:46:38,420
for the rest of the work
was pretty incredible.
846
00:46:40,547 --> 00:46:45,344
We're not, in fact,
in New York City currently, but we were.
847
00:46:45,427 --> 00:46:48,263
And it feels like
we are now with everything,
848
00:46:48,347 --> 00:46:50,766
from what you see
behind us to the temperature.
849
00:46:53,727 --> 00:46:55,479
The sets that Maya Shimoguchi,
850
00:46:55,562 --> 00:46:57,981
who's our production designer,
built were amazing.
851
00:46:58,065 --> 00:46:59,942
The construction team in Atlanta
852
00:47:00,025 --> 00:47:02,402
put together the sets
that people were blown away by.
853
00:47:02,486 --> 00:47:05,197
They copied right down
to the look of the granite.
854
00:47:05,280 --> 00:47:08,659
So, it was amazing between that,
and the ice was not really ice
855
00:47:08,742 --> 00:47:12,329
because we determined that the ice
was gonna be too hard to maintain
856
00:47:12,412 --> 00:47:16,333
and the temperature levels in Atlanta
wouldn't allow us to keep the ice frozen.
857
00:47:16,416 --> 00:47:18,460
So, it's actually a knock-off substance
858
00:47:18,544 --> 00:47:20,379
you could use, and wasn't slippery.
859
00:47:20,462 --> 00:47:22,798
Which was nice,
we have crew walking around on it.
860
00:47:24,091 --> 00:47:27,970
Getting to this point now
as we near the end of filming this thing,
861
00:47:28,053 --> 00:47:30,430
although we've shot
very much out of order,
862
00:47:31,265 --> 00:47:34,852
ending with this part
of Kate is actually pretty special,
863
00:47:34,935 --> 00:47:37,980
I think, because she has grown
and I have been able to find her
864
00:47:38,105 --> 00:47:41,400
through all of those jokey,
crazy, funny, actiony bits,
865
00:47:41,483 --> 00:47:44,862
and then we get down
to the most insane fun action.
866
00:47:47,781 --> 00:47:48,824
Hello, sweetie!
867
00:47:50,367 --> 00:47:54,079
I've always referred to this sequence
as our Rio Bravo sequence,
868
00:47:54,162 --> 00:47:56,290
essentially the siege
of Rockefeller Center.
869
00:47:56,373 --> 00:48:00,878
So, we start out high
in the building at this serene party,
870
00:48:00,961 --> 00:48:03,213
and it's very Christmassy,
and everything's mellow,
871
00:48:03,297 --> 00:48:04,715
and then chaos erupts.
872
00:48:07,009 --> 00:48:09,511
And ends with the tree coming down,
873
00:48:10,012 --> 00:48:12,306
which for me is particularly special
874
00:48:12,389 --> 00:48:15,559
'cause, yeah, I worked
at Rockefeller Center for about 12 years,
875
00:48:15,642 --> 00:48:18,520
so, it's bizarre
that we've recreated this whole thing.
876
00:48:18,645 --> 00:48:19,646
(CRASHING)
877
00:48:24,610 --> 00:48:28,655
Pretty impossible to do what we're doing
to the Rockefeller Christmas tree
878
00:48:28,739 --> 00:48:31,033
for the love of Christmas, right?
879
00:48:31,241 --> 00:48:32,242
(LAUGHING)
880
00:48:33,118 --> 00:48:34,578
But it's pretty awesome.
881
00:48:34,661 --> 00:48:38,373
We're gonna do a lot of really killer
kickass fight scenes on this ice.
882
00:48:39,583 --> 00:48:41,043
My gun! What happened?
883
00:48:42,085 --> 00:48:43,837
That should hold them off for a bit.
884
00:48:44,796 --> 00:48:46,965
-Oh, my God, you wore it!
-Yeah, yeah, yeah.
885
00:48:47,049 --> 00:48:48,884
Oh, my God, it looks so good, I told you.
886
00:48:50,719 --> 00:48:55,349
It is the moment in the story
where they become a team.
887
00:48:56,683 --> 00:48:59,686
So this is the moment
where you really want them to feel like
888
00:48:59,770 --> 00:49:02,064
they're connected and they're a piece.
889
00:49:02,147 --> 00:49:06,401
And I think we accomplished that
with the costumes for each of them.
890
00:49:06,485 --> 00:49:07,903
Bringing the design elements
891
00:49:07,986 --> 00:49:11,323
like the chevron and the various
shades of purple and black
892
00:49:11,406 --> 00:49:15,410
into the design so that
they feel like they are a collective
893
00:49:15,494 --> 00:49:17,579
and a team that can work together well.
894
00:49:17,955 --> 00:49:18,956
Kate.
895
00:49:21,083 --> 00:49:22,167
Let's give 'em hell.
896
00:49:22,292 --> 00:49:24,461
It was so funny,
'cause during our first fitting,
897
00:49:24,544 --> 00:49:27,589
I must have heard
"It's just a prototype" like 100 times,
898
00:49:27,673 --> 00:49:30,217
because I was so overly excited,
much like...
899
00:49:30,300 --> 00:49:32,970
Kate is a lot of the show,
that they were like,
900
00:49:33,053 --> 00:49:34,388
"You have no idea. It's not...
901
00:49:34,471 --> 00:49:36,974
"This is just the bare bones
of what this is gonna be."
902
00:49:37,099 --> 00:49:39,142
And I was like,
"Well, if that's what this is,
903
00:49:39,226 --> 00:49:41,228
"then this thing
is gonna be pretty badass."
904
00:49:43,063 --> 00:49:45,065
-Stealth.
-That was great.
905
00:49:45,148 --> 00:49:47,734
In keeping
with sort of the utility of everything,
906
00:49:47,818 --> 00:49:51,238
we wanted the costumes to feel
a little bit more like sportswear,
907
00:49:51,363 --> 00:49:53,281
like something that you could move in.
908
00:49:53,365 --> 00:49:56,034
You know, a lot of the superhero costumes
909
00:49:56,952 --> 00:50:00,956
have a lot of bulk to them
or feel restrictive in certain ways.
910
00:50:01,081 --> 00:50:04,584
We really wanted this to feel
like they can move in them.
911
00:50:06,378 --> 00:50:09,214
I'll never ever complain
about the comfort level of suits
912
00:50:09,297 --> 00:50:12,384
compared to every other Avenger
and superhero out there,
913
00:50:12,467 --> 00:50:13,635
'cause I have probably,
914
00:50:13,719 --> 00:50:17,014
or we probably have some of the more
comfortable ones, considering.
915
00:50:17,347 --> 00:50:20,559
The only one that might rival
the comfort level is Ruffalo's,
916
00:50:20,642 --> 00:50:22,310
it's just some checkered pajamas.
917
00:50:22,394 --> 00:50:23,395
(BOTH LAUGH)
918
00:50:23,687 --> 00:50:28,400
And that Missy, boy, she just
outdid herself with the suit, right?
919
00:50:28,483 --> 00:50:31,403
-The elasticity in this fabric is...
-Okay, you can stop.
920
00:50:32,612 --> 00:50:35,323
RHYS: That was a difficult
sequence to manage
921
00:50:35,407 --> 00:50:39,077
because you had so much story
converging in this one place.
922
00:50:39,161 --> 00:50:41,121
Letting each of them have their moment
923
00:50:41,246 --> 00:50:43,790
so you're invested.
You understood what was going on,
924
00:50:43,874 --> 00:50:45,417
but could keep moving between them.
925
00:50:45,500 --> 00:50:47,419
That was the biggest challenge of all.
926
00:50:47,502 --> 00:50:49,337
Your first arrow is gonna go to Kate.
927
00:50:49,421 --> 00:50:50,464
-This is Kate.
-Hi.
928
00:50:50,547 --> 00:50:52,632
-Hi.
-You're gonna fire at him. One, two.
929
00:50:52,716 --> 00:50:54,509
And then second one up high.
930
00:50:54,593 --> 00:50:58,305
We've got a massive fight on this ice rink
with a bunch of Tracksuit Mafia
931
00:50:58,388 --> 00:51:01,600
where Kate and Clint finally find
their rhythm and become a team,
932
00:51:01,683 --> 00:51:03,310
which is a really great evolution.
933
00:51:03,393 --> 00:51:07,022
Ready! And one! And two! And three!
934
00:51:07,105 --> 00:51:09,316
And four! And five!
935
00:51:11,318 --> 00:51:13,570
Ready. And fire!
936
00:51:15,447 --> 00:51:17,324
Kate goes away to kinda find her mom,
937
00:51:17,407 --> 00:51:20,494
and Clint's back on the ice,
getting shot at by Kazi
938
00:51:20,577 --> 00:51:22,913
and stuff's going crazy,
and then before you know it,
939
00:51:22,996 --> 00:51:24,748
Yelena's tackling him back onto the ice.
940
00:51:24,831 --> 00:51:26,249
(GRUNTS)
941
00:51:26,333 --> 00:51:27,417
Ribs.
942
00:51:27,542 --> 00:51:31,880
For me, this is one of the most
emotional and epic scenes.
943
00:51:31,963 --> 00:51:34,424
Nobody killed her. She made a choice.
944
00:51:34,508 --> 00:51:35,759
Stop lying!
945
00:51:35,842 --> 00:51:38,428
As these pieces of the story unfold,
946
00:51:38,512 --> 00:51:40,889
she's becoming less technical
and more brutal.
947
00:51:40,972 --> 00:51:43,975
So by the end of this,
she's got one of her batons
948
00:51:44,059 --> 00:51:47,062
and she's literally beating the crap
out of him and he's letting her,
949
00:51:47,145 --> 00:51:48,647
because he feels as bad as she does.
950
00:51:48,730 --> 00:51:51,399
(SCREAMS)
951
00:51:53,652 --> 00:51:56,154
So, obviously, it being a finale,
952
00:51:56,238 --> 00:51:58,573
we see all of these stories
kind of come to a head,
953
00:51:58,657 --> 00:52:00,992
and Clint's been
on this redemption journey,
954
00:52:01,076 --> 00:52:05,080
and Maya, you know,
is sort of a palpable fallout
955
00:52:05,163 --> 00:52:07,165
of his actions as the Ronin, and so,
956
00:52:07,249 --> 00:52:09,751
we watch them both have their
climactic sort of showdowns.
957
00:52:09,835 --> 00:52:12,379
Him with Yelena, her with Kazi.
958
00:52:18,552 --> 00:52:19,553
(GRUNTS)
959
00:52:21,138 --> 00:52:23,265
Seeing the comic page
come to life on the screen
960
00:52:23,348 --> 00:52:25,600
is what has excited me
for the past 20 years.
961
00:52:25,725 --> 00:52:29,896
But really, as we get into
the second decade of Marvel Studios,
962
00:52:29,980 --> 00:52:31,690
what is equally exciting to me
963
00:52:31,773 --> 00:52:35,861
is the enthusiasm
and the joy that the actors themselves
964
00:52:35,944 --> 00:52:40,574
bring to evolving and portraying
these characters year after year.
965
00:52:44,828 --> 00:52:48,081
We were all on a call,
me and Kevin and Trinh,
966
00:52:48,165 --> 00:52:51,751
and we were talking
about the Tracksuit Mafia
967
00:52:51,835 --> 00:52:55,088
and the criminal organization
behind this story,
968
00:52:55,172 --> 00:52:56,756
and we needed a really big threat,
969
00:52:56,882 --> 00:53:00,135
like something that,
you know, would make Eleanor Bishop
970
00:53:00,218 --> 00:53:04,389
shake in her boots and Hawkeye,
you know, get a little bit afraid.
971
00:53:04,472 --> 00:53:05,891
It had to be someone powerful.
972
00:53:05,974 --> 00:53:08,727
When you talk about
organized crime in the Marvel universe
973
00:53:08,810 --> 00:53:11,730
and you talk about
the seedy underbelly of New York City,
974
00:53:11,855 --> 00:53:15,025
there is one primary character
that comes to mind.
975
00:53:20,488 --> 00:53:23,617
TRINH: Kevin threw out the idea that,
976
00:53:24,492 --> 00:53:26,161
"What if this could be Kingpin?"
977
00:53:26,244 --> 00:53:30,874
And I think all of our jaws just
kind of dropped in our Zoom meetings,
978
00:53:30,957 --> 00:53:33,084
and we're kinda like,
"Wait, you're joking, right?
979
00:53:33,168 --> 00:53:35,170
"This can't be serious. Are you serious?
980
00:53:35,253 --> 00:53:36,880
"This is... You're...
981
00:53:37,756 --> 00:53:40,091
"You really think that there's a chance
982
00:53:40,175 --> 00:53:42,802
"that we can actually
get Vincent D'Onofrio,
983
00:53:42,886 --> 00:53:45,096
"who plays Kingpin in Daredevil,
984
00:53:45,180 --> 00:53:47,849
"in the series as a cameo
for a couple of scenes?
985
00:53:47,933 --> 00:53:49,684
"Like, he is our big boss?"
986
00:53:50,060 --> 00:53:53,063
And Kevin made a call to Vincent.
987
00:53:53,146 --> 00:53:55,815
He said,
"I want to bring you into the MCU."
988
00:53:55,899 --> 00:53:58,151
I'm not gonna say no to that.
That's pretty awesome.
989
00:53:58,235 --> 00:53:59,444
The people
990
00:54:00,779 --> 00:54:02,530
need to be reminded
991
00:54:04,532 --> 00:54:06,326
that the city belongs to me.
992
00:54:06,409 --> 00:54:08,328
I really loved playing this character.
993
00:54:08,536 --> 00:54:10,872
I liked creating him, you know,
994
00:54:10,956 --> 00:54:14,668
from the art of guys like David Mack.
995
00:54:15,669 --> 00:54:20,340
TRINH: We had talked about doing
a heavier set version of Kingpin.
996
00:54:20,423 --> 00:54:25,387
But ultimately, we wanted to go in
a different direction for this character.
997
00:54:26,054 --> 00:54:30,475
To put him in that Hawaiian shirt
was kind of like a dream come true.
998
00:54:33,144 --> 00:54:36,439
We had talks,
and she gets really in depth about things.
999
00:54:36,523 --> 00:54:40,735
I love that 'cause I was able to explain
how I feel about the character
1000
00:54:40,819 --> 00:54:42,696
and what motivates the character.
1001
00:54:42,779 --> 00:54:45,115
And Fisk is really driven by emotion.
1002
00:54:45,198 --> 00:54:48,535
You know, he's like a child
and a monster both at the same time.
1003
00:54:48,618 --> 00:54:50,704
So it got very intense yesterday,
1004
00:54:50,787 --> 00:54:52,998
and it got a little bit
intense today, too.
1005
00:54:56,334 --> 00:54:57,335
Maya.
1006
00:54:59,379 --> 00:55:00,588
You and I...
1007
00:55:01,256 --> 00:55:02,340
we're family.
1008
00:55:03,883 --> 00:55:05,260
Family.
1009
00:55:06,594 --> 00:55:09,222
Sometimes family doesn't see...
1010
00:55:09,681 --> 00:55:10,682
eye to eye...
1011
00:55:11,057 --> 00:55:13,059
(EXPLOSION)
1012
00:55:20,317 --> 00:55:24,070
This whole experience
has been really crazy.
1013
00:55:24,154 --> 00:55:26,573
I mean, there are just
a lot of moving parts
1014
00:55:26,656 --> 00:55:30,243
and just an amazing,
amazing large team of people.
1015
00:55:30,410 --> 00:55:32,829
And to have
Jeremy as an ally through all of it
1016
00:55:32,954 --> 00:55:34,456
has just been really special.
1017
00:55:34,539 --> 00:55:36,333
Make sure you get that curve.
1018
00:55:36,416 --> 00:55:38,001
-You got it, right?
-Okay.
1019
00:55:38,585 --> 00:55:41,504
I keep saying there's a lot going on,
and in the best way,
1020
00:55:41,588 --> 00:55:44,007
but it's nice to look
at the person that's next to you,
1021
00:55:44,090 --> 00:55:46,634
that you're in this scene with,
and have an understanding
1022
00:55:46,718 --> 00:55:48,928
and confidence
that you'll get through it together.
1023
00:55:49,012 --> 00:55:50,764
Yeah, he's my partner.
1024
00:55:51,389 --> 00:55:52,557
No, we're not partners.
1025
00:55:52,640 --> 00:55:55,393
-Well, we're friends-slash-partners.
-That's kind of a stretch.
1026
00:55:55,477 --> 00:55:59,397
It's bittersweet for sure
as we come to this end.
1027
00:56:01,649 --> 00:56:03,485
TRINH: The mentor-mentee relationship
1028
00:56:03,568 --> 00:56:06,446
is what we were really
striving to showcase in the series.
1029
00:56:06,529 --> 00:56:09,783
But it's not really
one-sided between Clint and Kate.
1030
00:56:09,866 --> 00:56:14,079
What's also really interesting is that
he's learning so much from Kate as well,
1031
00:56:14,162 --> 00:56:15,622
too, throughout the series.
1032
00:56:15,705 --> 00:56:19,793
And in the end, you know,
having learned a lot from each other,
1033
00:56:19,876 --> 00:56:21,211
they both become partners,
1034
00:56:21,294 --> 00:56:24,464
and, you know, he eventually
hands the mantle over to her.
1035
00:56:24,547 --> 00:56:26,216
What do you think of "Lady Hawk"?
1036
00:56:28,134 --> 00:56:29,344
Yeah, that's terrible.
1037
00:56:29,427 --> 00:56:31,179
RENNER: I mean, it's hard to quantify
1038
00:56:31,262 --> 00:56:33,556
what it's meant for me as in my career.
1039
00:56:33,640 --> 00:56:36,059
It certainly made me famous.
1040
00:56:36,142 --> 00:56:39,813
When a fourth-grader and third-grader
knows your first and last name,
1041
00:56:39,896 --> 00:56:41,398
that's a strange thing, right?
1042
00:56:41,481 --> 00:56:44,067
It just,
it becomes like a very global thing.
1043
00:56:44,150 --> 00:56:45,652
I know it's affected that way.
1044
00:56:45,735 --> 00:56:50,532
But when I think of the MCU
and my experiences playing this character
1045
00:56:50,615 --> 00:56:54,160
and every film that
I was fortunate enough to be able to do,
1046
00:56:54,244 --> 00:56:56,413
it becomes much more
of a personal journey.
1047
00:56:56,496 --> 00:56:59,124
Look at the wonderful
relationships I've got to forge
1048
00:56:59,207 --> 00:57:00,708
you know, 'cause we're also...
1049
00:57:00,792 --> 00:57:03,294
When you do a film,
you're usually done and you move on.
1050
00:57:03,378 --> 00:57:05,255
And this is not even just a trilogy.
1051
00:57:05,338 --> 00:57:06,965
This is a lot of films, right?
1052
00:57:07,048 --> 00:57:09,551
So, you get to have that
sort of family element
1053
00:57:09,634 --> 00:57:12,011
and continue on through so many years.
1054
00:57:12,095 --> 00:57:14,055
And when you have a career
shared together,
1055
00:57:14,139 --> 00:57:17,517
that's very, very far
and few between, or never happens.
1056
00:57:18,184 --> 00:57:20,019
And I feel very blessed for that,
1057
00:57:20,103 --> 00:57:23,523
and that's what I think about
when I think about my time in the MCU.
1058
00:57:35,076 --> 00:57:40,081
See? Tree covers the parts
that won't... come off. Damn it!
1059
00:57:41,916 --> 00:57:42,917
(LAUGHING)
1060
00:57:46,463 --> 00:57:47,797
Am I dead yet?
1061
00:57:51,134 --> 00:57:52,427
Ow.
1062
00:57:52,552 --> 00:57:54,304
Don't go without me!
1063
00:57:54,387 --> 00:57:56,055
Have you ever eaten reindeer?
1064
00:57:56,139 --> 00:57:57,765
I cannot say I've had the pleasure.
1065
00:57:57,849 --> 00:58:00,226
(FAKE LAUGH) No, it is not a pleasure.
1066
00:58:00,768 --> 00:58:02,770
Put it down!
1067
00:58:12,989 --> 00:58:14,532
Is my soul dead yet?
1068
00:58:17,368 --> 00:58:18,369
How about now?
1069
00:58:20,079 --> 00:58:21,122
No?