1 00:00:34,743 --> 00:00:37,996 (CAPTIVATING INSTRUMENTAL MUSIC PLAYING) 2 00:00:51,176 --> 00:00:52,177 (LAUGHS) 3 00:00:52,343 --> 00:00:56,139 CHRIS PRATT: Guardians of the Galaxy was expected to be Marvel's first big flop. 4 00:00:56,639 --> 00:00:58,808 They were scraping the bottom of the barrel. 5 00:00:59,184 --> 00:01:01,186 You know, we were picked last. 6 00:01:02,979 --> 00:01:04,773 And James Gunn, nine years ago, 7 00:01:04,939 --> 00:01:07,901 it's hard to believe, he was the guy who did Scooby-Doo. 8 00:01:08,651 --> 00:01:12,030 And he was a great director. He'd done a superhero movie, Super. 9 00:01:12,197 --> 00:01:14,949 It made $377,000 at the box office. 10 00:01:15,033 --> 00:01:16,451 (ALL LAUGHING) 11 00:01:17,744 --> 00:01:19,537 (LAUGHING) 12 00:01:20,413 --> 00:01:21,581 But he believed. 13 00:01:22,665 --> 00:01:23,958 He believed in himself. 14 00:01:24,626 --> 00:01:27,921 He believed in me. Yeah, so, thank you. 15 00:01:28,004 --> 00:01:29,506 (ALL APPLAUDING) 16 00:01:35,970 --> 00:01:40,391 KEVIN FEIGE: Guardians represents such a big milestone for us at Marvel Studios. 17 00:01:40,475 --> 00:01:45,021 A group of characters that were not the most famous group of characters ever. 18 00:01:45,105 --> 00:01:48,274 And yet, under the guidance of writer-director James Gunn, 19 00:01:48,358 --> 00:01:50,151 they captured the world's imagination. 20 00:01:52,529 --> 00:01:56,199 We are very much committed and very loyal and devoted 21 00:01:56,282 --> 00:01:57,909 to James', you know, vision. 22 00:01:57,992 --> 00:02:00,578 He's a great captain to have, absolutely, 23 00:02:00,662 --> 00:02:01,955 and he establishes 24 00:02:02,038 --> 00:02:06,000 such a beautiful environment of friendship and creativity, 25 00:02:06,084 --> 00:02:07,502 but also passion. 26 00:02:07,585 --> 00:02:09,462 JAMES GUNN: How are you guys feeling today? 27 00:02:09,546 --> 00:02:10,588 (ALL CHEERING) 28 00:02:10,672 --> 00:02:12,924 Welcome to Guardians of the Galaxy. 29 00:02:13,007 --> 00:02:15,969 PRATT: For him to have done all three movies is a blessing for all of us. 30 00:02:16,052 --> 00:02:18,346 -GUNN: Yo! -It's so uniquely his. 31 00:02:18,513 --> 00:02:19,639 His voice, 32 00:02:19,722 --> 00:02:21,558 his writing, his directing, his style, 33 00:02:21,641 --> 00:02:24,185 his love for animals, his love for the bizarre. 34 00:02:24,352 --> 00:02:28,148 The tone, he has a very specific tone, and it's a James Gunn tone. 35 00:02:28,314 --> 00:02:29,983 Lower your weapons. 36 00:02:30,400 --> 00:02:33,027 Let's kill that one that looks like a carrot 37 00:02:33,194 --> 00:02:34,404 and show him we mean business. 38 00:02:34,571 --> 00:02:37,574 -After he says, "Lower your weapons." -After he says, "Lower your..." 39 00:02:38,575 --> 00:02:40,535 KAREN GILLAN: We all went to Comic-Con 40 00:02:40,702 --> 00:02:42,829 and showed some footage from the first Guardians. 41 00:02:42,996 --> 00:02:45,540 And Guardians didn't have this huge fan base. 42 00:02:45,707 --> 00:02:48,585 People were aware of it, but it wasn't like Captain America or Thor. 43 00:02:48,751 --> 00:02:51,921 Then I remember the whole audience watching it in slight, like... 44 00:02:52,630 --> 00:02:55,341 It was like digesting something new. That's what it felt like. 45 00:02:55,508 --> 00:02:58,094 And then we went to Comic-Con the second year around, 46 00:02:58,261 --> 00:03:01,389 and the audience was so pumped. They were like, "Give us more!" 47 00:03:01,556 --> 00:03:03,474 Are you all excited to see the show? 48 00:03:03,641 --> 00:03:06,311 -(AUDIENCE CHEERING) -All right. 49 00:03:08,688 --> 00:03:12,483 There's more of a connection because the Guardians are so imperfect. 50 00:03:12,650 --> 00:03:15,028 (LAUGHS) I think they're more relatable. 51 00:03:15,195 --> 00:03:17,572 And I think, you know, there's just a true, 52 00:03:17,739 --> 00:03:21,075 genuine kind of family love, a chosen family love, 53 00:03:21,242 --> 00:03:23,369 which a lot of people in the world can relate to. 54 00:03:23,536 --> 00:03:25,413 The Galaxy still needs its Guardians. 55 00:03:26,623 --> 00:03:29,334 And you will make a better leader than I ever was. 56 00:03:29,918 --> 00:03:30,919 Cap'n. 57 00:03:36,799 --> 00:03:39,719 GUNN: When Marvel first came to me and talked to me about 58 00:03:39,886 --> 00:03:43,306 perhaps doing Guardians of the Galaxy, as stupid as it sounds, 59 00:03:43,473 --> 00:03:46,351 I was making lower budget films, but I wasn't sure... 60 00:03:46,517 --> 00:03:49,437 I never wanted to make a movie that I couldn't sink my teeth into, 61 00:03:49,520 --> 00:03:52,440 that I really didn't care about with every fiber of my being. 62 00:03:52,607 --> 00:03:54,776 I was driving home from a meeting and thought, 63 00:03:54,943 --> 00:03:58,196 "Well, if there was a real talking raccoon, 64 00:03:58,363 --> 00:04:00,114 "where did that raccoon come from?" 65 00:04:00,281 --> 00:04:03,785 And I thought, "Well, this is the saddest creature in the universe." 66 00:04:03,952 --> 00:04:07,455 This is a little animal that was turned into something he shouldn't be 67 00:04:08,081 --> 00:04:11,042 and felt completely ostracized and alienated 68 00:04:11,209 --> 00:04:14,128 from every other life form in the galaxy, and was angry. 69 00:04:14,295 --> 00:04:16,172 (GRUNTING) 70 00:04:16,339 --> 00:04:18,049 Well, I didn't ask to get made. 71 00:04:18,758 --> 00:04:20,551 I didn't ask to be torn apart 72 00:04:20,718 --> 00:04:24,973 and put back again over and over, and turned into some... (SIGHS) 73 00:04:25,139 --> 00:04:26,641 Some little monster. 74 00:04:26,808 --> 00:04:30,019 GUNN: That loneliness is really the center of the Guardians of the Galaxy. 75 00:04:30,186 --> 00:04:33,314 People think of them as light-hearted movies and fun movies, 76 00:04:33,481 --> 00:04:37,110 but everything that drives it is that emotional center 77 00:04:37,277 --> 00:04:41,030 of Rocket and the other characters who are all outsiders. 78 00:04:42,156 --> 00:04:44,742 They're going to tell you that this is Rocket's story. It's not. 79 00:04:44,909 --> 00:04:47,662 It's always Peter Quill's story, AKA Legendary Outlaw. 80 00:04:47,829 --> 00:04:50,081 Don't forget that. This is Star-Lord's... 81 00:04:50,248 --> 00:04:52,625 Who told you it was Rocket's story? It's not. 82 00:04:53,251 --> 00:04:55,128 It belongs to Star... That's... 83 00:04:55,295 --> 00:04:56,296 It's a lie. 84 00:04:57,297 --> 00:04:58,881 Um, no, it is Rocket's story. 85 00:04:59,048 --> 00:05:00,717 I told you a million times... 86 00:05:00,883 --> 00:05:04,595 you keep your grimy raccoon hands off my Zune. 87 00:05:06,222 --> 00:05:07,974 I told you a million times... 88 00:05:08,141 --> 00:05:09,600 I'm not a damn raccoon. 89 00:05:09,767 --> 00:05:11,519 PRATT: Sean is extraordinary. 90 00:05:11,686 --> 00:05:15,982 I mean, he really brings Rocket to life for all of us on set. 91 00:05:16,149 --> 00:05:17,859 We'll fly away together, the four of us. 92 00:05:18,026 --> 00:05:20,320 Just like we always said. Okay? 93 00:05:20,737 --> 00:05:24,741 It started with me essentially getting a phone call 94 00:05:24,907 --> 00:05:28,161 from my brother James, saying, "Hey, I'm doing this movie 95 00:05:28,328 --> 00:05:30,079 "and I think I have a role for you. 96 00:05:30,621 --> 00:05:32,999 "I might have two roles for you." 97 00:05:33,750 --> 00:05:35,293 And it kind of snowballed from there. 98 00:05:35,460 --> 00:05:38,671 Quit smiling like an idiot. You're supposed to be a professional. 99 00:05:39,130 --> 00:05:43,134 I've talked about the process of playing this role over the years 100 00:05:43,301 --> 00:05:44,927 and what it's taken. 101 00:05:45,094 --> 00:05:49,515 It's always, for me, been about what I'm giving to the other actors. 102 00:05:49,682 --> 00:05:52,018 They need Rocket to be real. 103 00:05:52,185 --> 00:05:55,605 -Hey, what is that? -That is for when things get hardcore. 104 00:05:55,772 --> 00:05:58,524 Sean really goes completely out of his way 105 00:05:58,691 --> 00:06:01,402 to deliver a heartfelt and strong 106 00:06:01,569 --> 00:06:02,820 and convincing Rocket 107 00:06:02,987 --> 00:06:05,823 while we're shooting, that we're able to bounce off of him 108 00:06:05,990 --> 00:06:07,450 because it has to be that way. 109 00:06:07,617 --> 00:06:11,329 I can't explain how valuable it is to have him there and perform with him. 110 00:06:11,746 --> 00:06:14,040 Especially in the first film, because he brought out 111 00:06:14,207 --> 00:06:15,500 some of my better moments, 112 00:06:15,666 --> 00:06:18,419 which, at that time, was really important for me as an actor, 113 00:06:18,586 --> 00:06:20,463 as a struggling actor. 114 00:06:21,047 --> 00:06:22,590 All the anger, 115 00:06:23,591 --> 00:06:24,717 all the rage... 116 00:06:28,304 --> 00:06:29,764 was just to cover my loss. 117 00:06:30,431 --> 00:06:32,475 ZOE SALDANA: When we're shooting the movie, 118 00:06:32,642 --> 00:06:34,394 I'm only going to speak for myself, 119 00:06:34,560 --> 00:06:36,771 I really do believe that Sean is Rocket. 120 00:06:36,938 --> 00:06:39,232 But also, you know, when I watch the movie 121 00:06:39,399 --> 00:06:41,442 and I hear Bradley Cooper's voice, 122 00:06:41,609 --> 00:06:44,612 then he really feels to me like Rocket as well. 123 00:06:44,779 --> 00:06:49,325 So, I feel like Rocket is half of both these individuals. 124 00:06:49,492 --> 00:06:52,912 -What are you gonna do about Quill? -Me? Why not you? 125 00:06:53,079 --> 00:06:55,873 I got emotionalistical issues. What am I gonna do? 126 00:06:56,040 --> 00:06:59,794 I'm proud of the work that we all have done in creating this character. 127 00:07:00,211 --> 00:07:02,505 From Bradley Cooper to my brother James, 128 00:07:02,672 --> 00:07:05,842 and then the whole special effects team, which is in the middle, 129 00:07:06,008 --> 00:07:08,219 to me, it's modern storytelling. 130 00:07:08,386 --> 00:07:12,723 There's a whole community of people that made this great character. 131 00:07:14,934 --> 00:07:16,394 Rocket Racoon. 132 00:07:24,152 --> 00:07:27,321 DAVE BAUTISTA: You know, after where we've gone with Ronan and Thanos, 133 00:07:27,488 --> 00:07:30,032 to find a character 134 00:07:30,199 --> 00:07:32,702 who is worthy of being our adversary in this film 135 00:07:32,869 --> 00:07:35,121 was not an easy thing to accomplish. 136 00:07:35,663 --> 00:07:38,166 CHUKWUDI IWUJI: We've always wanted to know where Rocket 137 00:07:38,332 --> 00:07:39,917 came from and why he's so super bright, 138 00:07:40,084 --> 00:07:43,337 and it turns out that the High Evolutionary is this scientist 139 00:07:43,504 --> 00:07:46,924 who has been doing experiments to create "Humanimals", he calls them, 140 00:07:47,258 --> 00:07:50,052 to create, in his head, the perfect world. 141 00:07:50,219 --> 00:07:52,597 He thinks he's bettering the universe by doing it 142 00:07:52,763 --> 00:07:55,057 and has sort of gone into that very gray area 143 00:07:55,224 --> 00:07:56,893 between genius and madness. 144 00:07:57,059 --> 00:08:01,230 It's our sacred mission... to take an imperfect clump 145 00:08:01,397 --> 00:08:04,150 of biological matter such as you... 146 00:08:04,901 --> 00:08:07,195 and transform it into something... 147 00:08:07,570 --> 00:08:08,696 perfect. 148 00:08:08,863 --> 00:08:11,324 It's almost like your classic father-son. 149 00:08:11,491 --> 00:08:13,743 Son seeks revenge, but twisted on its head, 150 00:08:13,910 --> 00:08:16,746 father then seeks revenge in my relationship with Rocket. 151 00:08:16,913 --> 00:08:18,122 Hello. 152 00:08:18,956 --> 00:08:21,959 SIMON HATT: Somewhere along the line, it stops being about, 153 00:08:22,126 --> 00:08:24,003 like, this father-son relationship 154 00:08:24,337 --> 00:08:28,549 and it reverts to this experimenter and specimen relationship. 155 00:08:28,716 --> 00:08:31,010 I made you! 156 00:08:31,177 --> 00:08:33,095 How did you know? 157 00:08:33,888 --> 00:08:37,183 SALDANA: The High Evolutionary is aware of what he's doing, 158 00:08:37,350 --> 00:08:41,562 but firmly believes that there are creatures of less importance. 159 00:08:42,188 --> 00:08:44,899 And they're just available for him 160 00:08:45,066 --> 00:08:47,401 to do with them as he pleases. 161 00:08:47,568 --> 00:08:49,278 It's a little baby, cute raccoon 162 00:08:49,445 --> 00:08:51,030 -being torn apart. -(GASPS) 163 00:08:51,197 --> 00:08:55,493 And, yes, he's screeching and screaming and you're putting him back together 164 00:08:55,660 --> 00:08:58,037 and it's unlike anything you've ever seen. 165 00:08:58,204 --> 00:09:03,209 So, I'm not gonna show a raccoon being torn apart and put back together, 166 00:09:03,376 --> 00:09:05,711 -so I'm going to show it on your face. -Okay. 167 00:09:05,878 --> 00:09:08,256 So that's the important thing at the beginning. 168 00:09:08,422 --> 00:09:10,716 It's just your horror of what you're seeing. 169 00:09:10,883 --> 00:09:14,136 That was an emotional scene to watch him go through this torture. 170 00:09:14,720 --> 00:09:17,306 Why did he never tell us about any of this? 171 00:09:18,641 --> 00:09:20,560 This is worse than what Thanos did to me. 172 00:09:21,185 --> 00:09:23,437 GUNN: You don't want to just have moustache-twirling, 173 00:09:23,563 --> 00:09:25,231 evil villain doing evil for no reason. 174 00:09:25,398 --> 00:09:28,109 "I wanna take over the world, I wanna destroy the universe." 175 00:09:28,276 --> 00:09:30,570 All these things that don't really make sense. 176 00:09:30,736 --> 00:09:31,821 You don't want that. 177 00:09:31,988 --> 00:09:34,532 But also, once you really get to know a villain 178 00:09:34,699 --> 00:09:38,286 and you start to feel, "Hey, they've got a good reason for something," 179 00:09:38,452 --> 00:09:39,620 you stop hating them. 180 00:09:40,079 --> 00:09:41,289 You gotta hate 'em. 181 00:09:41,455 --> 00:09:44,125 And so, Chuk really brings both of those things. 182 00:09:44,292 --> 00:09:46,335 We understand exactly what he wants to do 183 00:09:46,502 --> 00:09:49,213 and we also hate his guts because he's a jerk. 184 00:09:49,380 --> 00:09:51,966 We need 89P13's brain... 185 00:09:52,133 --> 00:09:55,636 so we can transfer that trait into these creatures... 186 00:09:55,803 --> 00:09:58,180 before we go to the new colony. 187 00:09:58,347 --> 00:10:00,016 Nothing else matters. 188 00:10:01,309 --> 00:10:05,271 We started with images from the comic, and James was like 189 00:10:05,730 --> 00:10:08,566 "That's not who I want this villain to be." 190 00:10:08,733 --> 00:10:10,693 And how did he get to this point? 191 00:10:10,860 --> 00:10:12,153 It works in the comic, 192 00:10:12,320 --> 00:10:15,615 but in the evolution of the character in this script, 193 00:10:15,781 --> 00:10:18,451 it needed something new and unique and different. 194 00:10:18,618 --> 00:10:20,077 And it started with the makeup. 195 00:10:21,537 --> 00:10:22,955 And I have to say that 196 00:10:23,122 --> 00:10:25,875 was a great collaboration with Legacy Effects. 197 00:10:26,334 --> 00:10:28,794 Legacy did a lot of makeup sketches, 198 00:10:29,420 --> 00:10:32,423 and then we did clothes that went with that. 199 00:10:34,425 --> 00:10:36,385 IWUJI: He's a huge narcissist, this character, 200 00:10:36,552 --> 00:10:38,929 and clearly, he loves the fabrics and the colors. 201 00:10:39,096 --> 00:10:40,514 Royal Purple, of course. 202 00:10:40,681 --> 00:10:44,852 But I just love what Judianna and the team have done 203 00:10:45,019 --> 00:10:48,314 with slicking him up and making him very elegant. 204 00:10:48,481 --> 00:10:50,024 I want to be a dictator. 205 00:10:51,108 --> 00:10:52,902 I want to be a dictator. 206 00:10:53,069 --> 00:10:55,946 My character has actually three makeup looks in this. 207 00:10:56,113 --> 00:10:59,617 We have the flashback look, which is very similar to what you see here. 208 00:10:59,784 --> 00:11:01,869 Then the Rocket incident happened. 209 00:11:02,036 --> 00:11:03,704 (SCREAMING) 210 00:11:03,996 --> 00:11:07,208 And that leaves him physically scarred also. 211 00:11:07,375 --> 00:11:11,754 And when we meet him in real time, as it were, it's look number two. 212 00:11:11,921 --> 00:11:13,255 That's the public figure. 213 00:11:13,422 --> 00:11:15,883 The look I'm sure a lot of people in Beverly Hills 214 00:11:16,050 --> 00:11:20,054 pay a lot of money for to look that tight, you know? (LAUGHS) 215 00:11:20,429 --> 00:11:22,306 You almost have to admire their pluck. 216 00:11:22,473 --> 00:11:23,766 And then we have a final look, 217 00:11:23,933 --> 00:11:27,520 which basically is the face behind the mask. 218 00:11:29,063 --> 00:11:31,941 -His face came off. -(ALL LAUGHING) 219 00:11:34,193 --> 00:11:35,653 -Cut. -(LAUGHS) 220 00:11:35,820 --> 00:11:36,821 Cut. 221 00:11:37,154 --> 00:11:40,032 He's so good and purple and dark, and like... 222 00:11:40,199 --> 00:11:41,575 and evil. 223 00:11:41,742 --> 00:11:43,619 BAUTISTA: Chuk's incredible playing this part, 224 00:11:43,786 --> 00:11:46,706 which is odd because he is just the sweetest guy ever. 225 00:11:46,872 --> 00:11:48,666 You understand me, don't you? 226 00:11:48,833 --> 00:11:51,377 None of the others do. You understand me, don't you? 227 00:11:51,544 --> 00:11:52,545 Yeah. 228 00:12:01,429 --> 00:12:04,807 GUNN: This is both a bigger and a smaller story than Vol. 2. 229 00:12:04,974 --> 00:12:08,894 I think that, you know, we have a lot of different planets, 230 00:12:09,061 --> 00:12:11,105 a lot of new places we're exploring. 231 00:12:11,272 --> 00:12:13,983 This is the biggest spaceship that I've ever been in. 232 00:12:14,150 --> 00:12:17,069 It's three actual stories of a spaceship. 233 00:12:17,236 --> 00:12:18,362 So, our sets are huge, 234 00:12:18,529 --> 00:12:21,490 but it's also a much more intimate and smaller story in certain ways. 235 00:12:21,657 --> 00:12:24,201 These characters all share a lot of things. 236 00:12:24,368 --> 00:12:27,538 Really at the end of the day, as I've said many times before, 237 00:12:27,705 --> 00:12:30,291 the Guardians of the Galaxy are about a group of characters 238 00:12:30,458 --> 00:12:32,668 who have all experienced childhood trauma 239 00:12:32,835 --> 00:12:35,379 and how do they bring those traumas into their adult life 240 00:12:35,546 --> 00:12:38,215 and how is it all related to a giant space opera? 241 00:12:38,382 --> 00:12:42,219 And so, this movie is facing those issues much more head-on 242 00:12:42,386 --> 00:12:44,305 than I think our first two movies did. 243 00:12:45,139 --> 00:12:48,350 Everyone around me dies. My mother, Yondu... 244 00:12:49,310 --> 00:12:50,895 -Gamora. -Gamora isn't dead. 245 00:12:51,061 --> 00:12:52,062 She is to us. 246 00:12:53,355 --> 00:12:56,150 We follow this arc of Peter Quill through the course of these movies 247 00:12:56,317 --> 00:12:58,736 and really, it's been... The first movie was 248 00:12:58,903 --> 00:13:02,448 a young man learning to care about something other than himself. 249 00:13:02,615 --> 00:13:04,492 To be less selfish, to be part of a family. 250 00:13:04,658 --> 00:13:07,244 Usually, life takes more than it gives. But not today. 251 00:13:08,162 --> 00:13:09,538 Today, it's given us something. 252 00:13:09,705 --> 00:13:11,207 It has given us a chance. 253 00:13:12,625 --> 00:13:14,627 And then in the second film, 254 00:13:14,794 --> 00:13:17,421 it's wanting to learn more about himself, 255 00:13:17,588 --> 00:13:20,466 to find meaning in his identity, to understand who he is. 256 00:13:21,425 --> 00:13:24,512 And he thinks he finds that in the character that is his father. 257 00:13:24,678 --> 00:13:28,390 But again, he has to be reminded that the family he's a part of 258 00:13:28,557 --> 00:13:30,309 is the family that adopted him. 259 00:13:30,476 --> 00:13:33,771 And I think the arc of the third movie is Quill 260 00:13:33,938 --> 00:13:38,192 learning to be okay on his own, and learning, 261 00:13:38,359 --> 00:13:41,612 as Drax powerfully puts it in a metaphor that's given to him by Mantis, 262 00:13:41,779 --> 00:13:44,907 how to stop jumping from lily pad to lily pad, 263 00:13:45,074 --> 00:13:46,492 but rather to learn how to swim. 264 00:13:46,659 --> 00:13:49,411 This is great. It's great emotional work. 265 00:13:53,207 --> 00:13:54,208 MAN 1: And cut. MAN 2: Cut. 266 00:13:54,375 --> 00:13:55,584 Might have made a gun sound. 267 00:13:58,462 --> 00:14:00,756 GILLAN: Chris is such an amazing energy to have on set. 268 00:14:00,923 --> 00:14:03,509 He's a perfect number one on the call sheet, 269 00:14:03,676 --> 00:14:05,636 meaning that person usually sets the tone 270 00:14:05,803 --> 00:14:07,137 and it trickles down. 271 00:14:07,471 --> 00:14:10,808 -Whoa-oh! Yeah! -I did that for you, brother. 272 00:14:11,183 --> 00:14:13,644 GILLAN: It's a really joyous atmosphere with him around. 273 00:14:13,811 --> 00:14:16,814 I know I'm good because I was amazing in that take. 274 00:14:17,690 --> 00:14:19,483 Whoo! 275 00:14:19,650 --> 00:14:22,570 That's the kind of acting that really keeps me going. 276 00:14:22,736 --> 00:14:25,698 BAUTISTA: It's hard for me to describe how it is working with him 277 00:14:25,865 --> 00:14:27,992 because our characters, I think our acting styles, 278 00:14:28,158 --> 00:14:31,453 our personalities are complete yin and yang. 279 00:14:31,912 --> 00:14:34,790 So... (LAUGHS) It just feels so easy. 280 00:14:35,332 --> 00:14:38,252 Come on, it's me, Peter Quill. I'm one of you, remember? 281 00:14:38,419 --> 00:14:41,130 I don't know if there's another character, another performer 282 00:14:41,297 --> 00:14:43,632 that I enjoy just bouncing off of more than Chris Pratt. 283 00:14:43,799 --> 00:14:45,426 'Cause we just work together. 284 00:14:45,593 --> 00:14:48,345 I'm just a perfect straight man to his high energy. 285 00:14:48,512 --> 00:14:51,140 Can't you see these authentic mechanic uniforms 286 00:14:51,307 --> 00:14:52,892 that we're wearing on our bodies? 287 00:14:53,058 --> 00:14:56,061 That blend in with some of our skin-tones better than others? 288 00:14:57,730 --> 00:15:00,357 Okay, now do it again like that and then turn to Karen and go, 289 00:15:00,608 --> 00:15:01,859 "Now, you go!" 290 00:15:02,026 --> 00:15:04,153 (ALL LAUGHING) 291 00:15:04,445 --> 00:15:07,072 GILLAN: Everybody is so in tune with their characters. 292 00:15:07,239 --> 00:15:09,992 It's like second nature now. We can slip in and out easily 293 00:15:10,159 --> 00:15:11,952 because we've been doing it for a long time. 294 00:15:12,119 --> 00:15:14,371 And everyone is giving their best performances. 295 00:15:14,538 --> 00:15:16,123 It feels like we've never been better. 296 00:15:16,290 --> 00:15:18,709 It does feel like lightning in a bottle, actually. 297 00:15:20,336 --> 00:15:23,505 SALDANA: I'm surprised that Gamora is in this installment as much 298 00:15:23,672 --> 00:15:28,385 because I immediately knew what had happened, you know, in Avengers, 299 00:15:28,552 --> 00:15:32,681 and I was just like, "Well, it would be an honor to just come for two scenes 300 00:15:32,848 --> 00:15:35,059 "and then, you know, bid everyone farewell." 301 00:15:35,434 --> 00:15:40,314 But I was deeply surprised and really grateful that I got to play... 302 00:15:40,481 --> 00:15:43,734 Like, Gamora really has a lot to do 303 00:15:43,901 --> 00:15:47,112 and a lot to sort of observe of the Guardians in this movie. 304 00:15:47,279 --> 00:15:50,532 Trap isn't a trap if you know the trap is trying to trap you. It's a face-off. 305 00:15:50,699 --> 00:15:51,742 What? 306 00:15:51,825 --> 00:15:53,494 A face-off is a trap 307 00:15:53,661 --> 00:15:56,622 if you're facing off against a man more powerful than you. 308 00:15:56,789 --> 00:15:59,458 The Gamora of Vol. 1 309 00:15:59,625 --> 00:16:03,629 will have a lot more in common with the Gamora of Vol. 3 for sure. 310 00:16:03,796 --> 00:16:04,922 We loved each other. 311 00:16:07,299 --> 00:16:08,384 I don't think so. 312 00:16:09,176 --> 00:16:13,305 SALDANA: Even though they have these experience lived, 313 00:16:13,472 --> 00:16:15,766 you know, with the other Gamora, 314 00:16:15,933 --> 00:16:18,185 they feel familiar to her. 315 00:16:18,352 --> 00:16:22,106 But she doesn't understand why. So it's a very confusing concept for her. 316 00:16:23,857 --> 00:16:26,735 But I do find this Gamora very exciting, 317 00:16:26,902 --> 00:16:28,779 you know, because she's very independent, 318 00:16:28,946 --> 00:16:31,532 and, um, she's really wild. (LAUGHS) 319 00:16:32,074 --> 00:16:33,242 And she's different. 320 00:16:33,409 --> 00:16:34,576 There's a spunk to her 321 00:16:34,743 --> 00:16:38,080 that, you know, Gamora never really had. 322 00:16:38,747 --> 00:16:40,040 So, you're a Ravager now? 323 00:16:40,791 --> 00:16:41,792 Put on the uniform. 324 00:16:41,959 --> 00:16:43,752 Never pictured you as the Ravager type. 325 00:16:45,129 --> 00:16:46,130 Who are you again? 326 00:16:46,296 --> 00:16:48,215 So she's now a Ravager, 327 00:16:48,382 --> 00:16:50,592 and so, it's a whole different costume change. 328 00:16:50,759 --> 00:16:54,430 We didn't reference anything from her other costumes at all. 329 00:16:54,596 --> 00:16:56,640 And we established in Guardians 2 330 00:16:56,807 --> 00:16:59,768 that there were a group of women Ravagers who wore green. 331 00:17:00,936 --> 00:17:02,730 So she's in green. 332 00:17:03,230 --> 00:17:06,191 HATT: In Yondu's death, the Ravagers have become united. 333 00:17:06,358 --> 00:17:09,111 So when you see them this time around, there's Yellow, 334 00:17:09,278 --> 00:17:12,031 there's Blue, there's Red, there's Green, 335 00:17:12,197 --> 00:17:15,993 everyone's there, and they're one Ravager tribe right now. 336 00:17:16,160 --> 00:17:19,747 And Gamora is a feared and respected entity. 337 00:17:19,913 --> 00:17:23,500 This is what you got to live up to. All right. Get in here. 338 00:17:23,667 --> 00:17:26,128 You know, we learned a little bit in Guardians 2, 339 00:17:26,295 --> 00:17:30,215 when you heard the back stories of Nebula and Gamora, 340 00:17:30,799 --> 00:17:34,428 that Nebula is not really the bad guy in that situation. 341 00:17:34,595 --> 00:17:35,721 Gamora is the bad guy. 342 00:17:35,888 --> 00:17:37,306 As a child, my father would have 343 00:17:37,473 --> 00:17:39,725 Gamora and me battle one another in training. 344 00:17:41,226 --> 00:17:43,312 Every time my sister prevailed... 345 00:17:43,479 --> 00:17:46,231 my father would replace a piece of me with machinery... 346 00:17:47,066 --> 00:17:49,318 claiming he wanted me to be her equal. 347 00:17:51,028 --> 00:17:52,154 But she won... 348 00:17:52,780 --> 00:17:57,743 again and again, and again, never once refraining. 349 00:17:57,910 --> 00:17:59,703 GUNN: Nebula has grown up quite a bit. 350 00:17:59,870 --> 00:18:02,581 If anything, in many ways, she's the leader of the Guardians 351 00:18:02,748 --> 00:18:07,252 because Quill has been incapacitated by his own emotional situation. 352 00:18:07,419 --> 00:18:11,590 And we see, you know, Nebula and Gamora as the way they are now, 353 00:18:11,757 --> 00:18:14,885 and they've changed roles from what they were in Guardians 1. 354 00:18:15,052 --> 00:18:16,303 Old you would have never done this. 355 00:18:16,386 --> 00:18:17,763 You had a purpose higher than yourself. 356 00:18:17,846 --> 00:18:20,641 A calling to help people. That's why you left Thanos and formed the Guardians. 357 00:18:20,808 --> 00:18:24,103 Except I didn't form the Guardians, and I barely left Thanos. 358 00:18:24,728 --> 00:18:27,231 Whoever it was that you were in love with... 359 00:18:28,565 --> 00:18:29,566 it wasn't me. 360 00:18:30,275 --> 00:18:31,652 It sounds more like her. 361 00:18:31,819 --> 00:18:32,820 -Her? -What? 362 00:18:32,986 --> 00:18:35,989 -That's ridiculous! Don't even... -Do not bring me into this. 363 00:18:39,243 --> 00:18:40,661 GILLAN: Me and Zoe are so bonded 364 00:18:40,828 --> 00:18:43,872 through the experience of playing these characters. It's crazy. 365 00:18:44,039 --> 00:18:47,167 Like we feel really protective over the sister relationship 366 00:18:47,334 --> 00:18:48,919 and how it's portrayed on screen 367 00:18:49,086 --> 00:18:51,296 and it just really matters to the both of us. 368 00:18:51,463 --> 00:18:54,508 It's something that we just connected with a lot. 369 00:18:54,716 --> 00:18:59,179 And over the years it's resulted in a really special bond 370 00:18:59,346 --> 00:19:00,806 between the two of us. 371 00:19:00,973 --> 00:19:03,642 Hopefully, she agrees with me. (LAUGHS) 372 00:19:03,892 --> 00:19:06,854 I got an HR complaint that they're too giggly. 373 00:19:07,271 --> 00:19:09,398 -(ALL LAUGHING) -Oh, he's right. 374 00:19:09,565 --> 00:19:13,026 I would have loved to have seen just a spin-off 375 00:19:13,193 --> 00:19:14,987 based on that sisterhood. 376 00:19:15,154 --> 00:19:16,405 It's so complex. 377 00:19:16,572 --> 00:19:19,032 It's so controversial. It's, um... 378 00:19:20,033 --> 00:19:22,619 It's also so relatable in a sense that, 379 00:19:22,786 --> 00:19:24,705 not me by personal experience, 380 00:19:24,872 --> 00:19:27,916 but knowing that there are siblings out there 381 00:19:28,083 --> 00:19:30,002 that have had troubled lives at home, 382 00:19:30,669 --> 00:19:34,173 and managed to survive because of their kinship, 383 00:19:34,339 --> 00:19:36,508 because of their brotherhood or their sisterhood. 384 00:19:36,675 --> 00:19:37,926 Tell me something. 385 00:19:39,428 --> 00:19:40,429 In the future... 386 00:19:41,972 --> 00:19:43,807 what happens to you and me? 387 00:19:46,018 --> 00:19:47,227 I try to kill you. 388 00:19:49,688 --> 00:19:50,856 Several times. 389 00:19:52,232 --> 00:19:55,235 But eventually, we become friends. 390 00:19:57,738 --> 00:19:59,198 We become sisters. 391 00:19:59,364 --> 00:20:03,118 Karen is a very talented actor, and she transforms herself. 392 00:20:03,285 --> 00:20:07,039 Nebula and Karen could not be any more different from each other. 393 00:20:07,206 --> 00:20:10,626 I'm covered in goo because we've been climbing through a gooey surface. 394 00:20:13,462 --> 00:20:18,467 (LAUGHING) And we're absolutely head to toe covered in goo 395 00:20:18,634 --> 00:20:20,552 and it's Wednesday 396 00:20:21,136 --> 00:20:23,555 and it's our first day back after the holidays, 397 00:20:23,722 --> 00:20:26,308 and we're just getting our goo right on. 398 00:20:26,475 --> 00:20:29,394 Her voice for Nebula is like Clint Eastwood. 399 00:20:29,561 --> 00:20:30,771 And then they say, "Cut," 400 00:20:30,938 --> 00:20:33,065 and she sounds to me like Mrs. Doubtfire. 401 00:20:33,232 --> 00:20:34,358 She's like this Scottish... 402 00:20:34,524 --> 00:20:36,401 (IN CHILD-LIKE VOICE) Ooh, was it... 403 00:20:36,568 --> 00:20:37,694 And then she goes into... 404 00:20:37,861 --> 00:20:39,655 (IN DEEP VOICE) "Okay, now I'm Nebula." 405 00:20:39,821 --> 00:20:43,116 (LAUGHING) 406 00:20:45,244 --> 00:20:46,245 Oh, dear. 407 00:20:46,411 --> 00:20:49,373 I've always found her pretty funny because she's so serious. 408 00:20:49,915 --> 00:20:54,169 And I think that if anyone's that serious, there is an element of comedy to it. 409 00:20:54,336 --> 00:20:57,214 But she's now becoming a lot funnier. 410 00:20:57,589 --> 00:20:58,757 (GRUNTING) 411 00:20:58,924 --> 00:21:00,509 -Push down on it. -What? 412 00:21:00,676 --> 00:21:02,719 -Push it down. -I am pushing down on it. 413 00:21:02,886 --> 00:21:04,054 Push the button. 414 00:21:04,972 --> 00:21:06,890 -You're pushing the keyhole. -The what? 415 00:21:07,057 --> 00:21:10,185 There's a button under the handle, press that in. 416 00:21:10,435 --> 00:21:13,105 (GRUNTS AND SIGHS) Okay. Now what? 417 00:21:13,272 --> 00:21:14,690 Open the (BLEEP) door. 418 00:21:17,109 --> 00:21:21,363 That is a stupid design, and your instructions were very unclear. 419 00:21:24,741 --> 00:21:27,160 (DRAMATIC MUSIC PLAYING) 420 00:21:27,327 --> 00:21:29,830 That is the next step in our evolution. 421 00:21:29,997 --> 00:21:32,374 More powerful, more beautiful... 422 00:21:33,125 --> 00:21:36,628 more capable of destroying the Guardians of the Galaxy. 423 00:21:38,046 --> 00:21:39,464 I think I shall call him... 424 00:21:41,341 --> 00:21:42,342 Adam. 425 00:21:42,843 --> 00:21:46,722 SARA: Adam Warlock has been sent by his mother, Ayesha, to capture Rocket. 426 00:21:46,888 --> 00:21:48,098 Hey! 427 00:21:49,182 --> 00:21:50,434 Where did you go, squirrel? 428 00:21:50,600 --> 00:21:52,477 And what we've come to learn is actually... 429 00:21:52,769 --> 00:21:55,856 that is at the behest of the High Evolutionary 430 00:21:56,023 --> 00:21:57,774 who was the creator of the Sovereign people. 431 00:21:57,941 --> 00:21:59,568 You get this wonderful pair 432 00:21:59,735 --> 00:22:02,612 of Ayesha played by Elizabeth Debicki 433 00:22:02,779 --> 00:22:05,198 and Adam Warlock, played by Will Poulter. 434 00:22:05,532 --> 00:22:09,161 I am the Warlock, Mum, and I am done with being ordered around. 435 00:22:09,328 --> 00:22:11,413 The best way to describe Adam Warlock 436 00:22:11,747 --> 00:22:16,293 would be in the words of the High Evolutionary. 437 00:22:16,877 --> 00:22:19,671 He was created with the hopes that he would be 438 00:22:19,838 --> 00:22:22,215 the apogee of the Sovereign people. 439 00:22:22,382 --> 00:22:26,136 And he comes out a little early from his cocoon, 440 00:22:26,303 --> 00:22:28,430 and he's somewhat half-baked. 441 00:22:33,602 --> 00:22:35,145 Who threw this thing at me? 442 00:22:35,437 --> 00:22:37,230 -Shut up. -(WHIMPERING) 443 00:22:38,190 --> 00:22:39,191 Baby. 444 00:22:39,358 --> 00:22:42,861 The way that James wrote the character of Adam Warlock, 445 00:22:43,028 --> 00:22:47,282 it really did require an actor who could handle both humor 446 00:22:47,449 --> 00:22:50,869 but also some of the weightier moments of the film. 447 00:22:51,036 --> 00:22:52,788 Right at the beginning of the movie, 448 00:22:52,954 --> 00:22:56,708 you realize Adam Warlock is not a guy that you want to mess with. 449 00:23:03,006 --> 00:23:06,468 I've had an opportunity to work with the stunt team here on a bunch of things, 450 00:23:06,635 --> 00:23:08,345 which has been a real treat. 451 00:23:08,512 --> 00:23:09,846 The wire work, 452 00:23:10,013 --> 00:23:13,016 the various rigs to make it look like you're flying, that's fun. 453 00:23:13,183 --> 00:23:14,810 I've had a couple of flying dreams 454 00:23:14,976 --> 00:23:18,021 that have really improved in terms of their quality 455 00:23:18,188 --> 00:23:19,981 since training on this movie, 456 00:23:20,148 --> 00:23:23,568 because I feel like I got as close to the real thing as one can get. 457 00:23:25,904 --> 00:23:27,364 Who is that maniac? 458 00:23:28,031 --> 00:23:30,951 Some super douche with ray gun hands, I don't frickin' know. 459 00:23:31,118 --> 00:23:33,495 (DRAMATIC MUSIC PLAYING) 460 00:23:37,541 --> 00:23:38,875 WILL POULTER: For Knowhere, 461 00:23:38,959 --> 00:23:41,628 they practically created a whole city right there. 462 00:23:41,795 --> 00:23:42,921 It was unbelievable. 463 00:23:44,297 --> 00:23:47,509 Now, of course, we had Knowhere in Guardians Vol.1. 464 00:23:47,676 --> 00:23:49,678 It was a pretty simple set. 465 00:23:49,845 --> 00:23:51,304 We actually built it outdoors. 466 00:23:51,471 --> 00:23:54,224 And this is quite an upgrade to that. 467 00:23:58,103 --> 00:24:00,814 This is truly an extraordinary set. 468 00:24:00,981 --> 00:24:03,150 I feel they could take this piece by piece 469 00:24:03,316 --> 00:24:05,652 and put it in Disneyland, and it would be a ride. 470 00:24:05,819 --> 00:24:08,071 It's unbelievable. It's three stories. 471 00:24:08,238 --> 00:24:11,533 Exceptional craftsmanship and, you know... 472 00:24:12,242 --> 00:24:14,369 The opening of the movie takes place right here, 473 00:24:14,494 --> 00:24:16,746 and, man-o-man, I don't know, 474 00:24:16,913 --> 00:24:20,041 they didn't spare any expense when building this set. 475 00:24:20,208 --> 00:24:25,589 And we've got, I don't know, probably over 100 extras, 476 00:24:25,755 --> 00:24:26,840 full alien makeup. 477 00:24:27,007 --> 00:24:28,258 Show yourselves, guys. 478 00:24:28,425 --> 00:24:30,927 Look over here. Wave. Look at some of these folks. 479 00:24:31,344 --> 00:24:34,890 Look at that makeup. You in the blue, how long did that take? 480 00:24:35,807 --> 00:24:37,058 WOMAN: Two seconds. It's a mask. 481 00:24:37,225 --> 00:24:38,226 -Oh. -(ALL LAUGHING) 482 00:24:38,393 --> 00:24:40,103 Two hours! We're going to fix it. 483 00:24:40,270 --> 00:24:43,356 It took nine hours in the makeup trailer, uh, 484 00:24:43,607 --> 00:24:46,443 just because she's a diva and needed to get a foot massage. 485 00:24:46,610 --> 00:24:48,195 -It's just a mask? -Yeah. 486 00:24:48,361 --> 00:24:50,489 -This one takes two hours. -Two hours. 487 00:24:50,655 --> 00:24:52,782 -MAN: Three hours. -Three hours over here. 488 00:24:52,949 --> 00:24:55,368 See? A lot of manpower. But, hey... 489 00:24:56,578 --> 00:24:58,288 it's the final Guardians of the Galaxy, 490 00:24:58,455 --> 00:25:00,874 so we went big, you know. Go big or go home. 491 00:25:01,625 --> 00:25:02,709 Welcome to Knowhere. 492 00:25:03,752 --> 00:25:06,004 This is, uh, Rocket's... 493 00:25:07,839 --> 00:25:10,091 apartment here. 494 00:25:11,092 --> 00:25:14,888 He's got all sorts of little machinery parts. 495 00:25:15,055 --> 00:25:16,640 You can tell what his life is all about, 496 00:25:16,806 --> 00:25:19,518 machines, things like that and building stuff. 497 00:25:20,101 --> 00:25:21,311 That's his bed. 498 00:25:22,604 --> 00:25:26,358 And this is where he puts the Zune in the cradle 499 00:25:27,150 --> 00:25:30,237 listening to Heart. 500 00:25:30,403 --> 00:25:34,658 And then this is where Adam Warlock is going to smash through over here, 501 00:25:34,824 --> 00:25:38,161 grab him here, smash through that wall... 502 00:25:38,995 --> 00:25:41,623 Boom! Boom! We're gonna shoot all that. 503 00:25:41,790 --> 00:25:46,253 And then smashes into Peter Quill's bedroom. 504 00:25:48,213 --> 00:25:49,464 Smashes through here. 505 00:25:49,631 --> 00:25:52,300 He's got all this old video game stuff 506 00:25:52,467 --> 00:25:55,136 that he's collected from junkers and Earth stuff. 507 00:25:55,845 --> 00:25:58,473 Smashes through there and smashes through there, 508 00:25:58,974 --> 00:26:01,518 going directly above Quill 509 00:26:01,685 --> 00:26:03,353 who has moved his... 510 00:26:03,520 --> 00:26:05,772 Uh, you can see he's moved the cassette player 511 00:26:05,939 --> 00:26:08,358 from the Milano into his bedroom. 512 00:26:09,526 --> 00:26:12,696 And then smashes and they land on that roof over there. 513 00:26:15,323 --> 00:26:17,284 Oh, hell. 514 00:26:19,244 --> 00:26:21,955 Here on Knowhere, we see Kraglin and Cosmo. 515 00:26:22,414 --> 00:26:24,416 Oh, yeah, we introduce that dynamic duo. 516 00:26:26,167 --> 00:26:28,128 -(ZAPPING AND BEEPING) -(SHRIEKS) 517 00:26:28,295 --> 00:26:29,963 COSMO: Bozhe moi, Kraglin. 518 00:26:30,505 --> 00:26:33,758 -You must know will never learn. -You think you could do better? 519 00:26:34,384 --> 00:26:35,385 COSMO: Da. 520 00:26:35,552 --> 00:26:36,970 We gender swapped Cosmo. 521 00:26:37,137 --> 00:26:39,431 -I believe in the comics... -'Cause Cosmo is a man. 522 00:26:39,598 --> 00:26:42,726 HATT: Yeah, and Cosmo's obviously based on the dogs 523 00:26:42,892 --> 00:26:47,147 that the Russians sent to space at the beginning of the Space Race. 524 00:26:47,314 --> 00:26:50,150 I think one in particular was Laika, who was a female dog. 525 00:26:50,317 --> 00:26:54,487 That's why we did the gender swap in honor of Laika, 526 00:26:54,654 --> 00:26:57,157 the original dog that went to went to space... 527 00:26:57,324 --> 00:26:59,993 -Dog cosmonaut. -...and did not come back, sadly. 528 00:27:00,160 --> 00:27:03,705 GUNN: I always wanted to pull in Cosmo. I just didn't know how to do it. 529 00:27:03,872 --> 00:27:06,291 You know, it made just sense that she would show up 530 00:27:06,458 --> 00:27:11,880 because we already knew that Cosmo was in Knowhere from the first movie, 531 00:27:12,297 --> 00:27:17,802 so being able to then, um, have her become an actual character was important. 532 00:27:17,969 --> 00:27:20,305 Nebula? Nebula, did you hear? 533 00:27:20,472 --> 00:27:22,974 He called me a bad dog, and he refused to take it back. 534 00:27:23,141 --> 00:27:26,311 We actually did a pretty wide search for Cosmo. 535 00:27:26,478 --> 00:27:29,105 We auditioned a lot of different actors. 536 00:27:29,272 --> 00:27:32,150 Cosmo was being played by the very talented Maria Bakalova. 537 00:27:32,317 --> 00:27:36,279 GUNN: She is just always just very sweet and very good natured. 538 00:27:36,446 --> 00:27:38,490 Very open with her emotions. 539 00:27:38,657 --> 00:27:40,200 Very exuberant. 540 00:27:40,367 --> 00:27:45,372 She has that dog-like quality in her that we all love about dogs. 541 00:27:47,540 --> 00:27:49,668 Kraglin, Cosmo, I need you to keep watch. 542 00:27:49,834 --> 00:27:51,961 over Knowhere till we're back. Couple of days, tops. 543 00:27:52,128 --> 00:27:53,171 Aye, comrade. 544 00:27:53,338 --> 00:27:56,424 I located the coordinates for OrgoCorp. I have a contact near there. 545 00:27:56,591 --> 00:27:58,802 -Maybe they can help us get in. -Contact him. 546 00:27:59,969 --> 00:28:01,179 Let's go save our friend. 547 00:28:09,354 --> 00:28:12,565 BETH MICKLE: James really cares about everything being in camera, 548 00:28:12,649 --> 00:28:15,402 which is incredible from a production designer's standpoint, 549 00:28:15,568 --> 00:28:18,363 a set-design standpoint, that's music to our ears. 550 00:28:22,617 --> 00:28:25,370 In the first draft for Guardians of the Galaxy 3, 551 00:28:25,537 --> 00:28:29,457 our Orgoscope planet was originally scripted as a gyroscopic planet, 552 00:28:29,624 --> 00:28:33,253 so the first week or two, my initial research was all going toward that. 553 00:28:33,420 --> 00:28:36,339 James and I started talking about what happened on this planet, 554 00:28:36,506 --> 00:28:39,342 and it's all genetic research, and it's all experimentation. 555 00:28:39,509 --> 00:28:43,096 And so he felt, you know, that it might be more interesting 556 00:28:43,263 --> 00:28:45,682 if the planet itself was entirely organic, 557 00:28:45,849 --> 00:28:48,435 as if the scientist had grown it from the beginning, 558 00:28:48,601 --> 00:28:50,353 and that was the origin of it. 559 00:28:50,520 --> 00:28:53,732 And it really rooted it, in an interesting story point 560 00:28:53,898 --> 00:28:56,693 that made sense with what they're doing on this planet. 561 00:28:56,860 --> 00:28:59,362 But then it gave this incredible challenge 562 00:28:59,529 --> 00:29:03,158 to myself in the art department and Judianna in the costume department 563 00:29:03,324 --> 00:29:06,745 to try to come up with a planet that's entirely organically grown, 564 00:29:06,911 --> 00:29:09,748 but still a place that you want to spend time. (CHUCKLES) 565 00:29:12,333 --> 00:29:13,334 If you can look here, 566 00:29:13,501 --> 00:29:16,629 you can see your spacesuits floating by that window outside. 567 00:29:16,796 --> 00:29:18,339 -Ha! -Right? 568 00:29:18,506 --> 00:29:19,549 Damn it! 569 00:29:20,049 --> 00:29:21,676 GUNN: We are in the Orgoscope, 570 00:29:21,843 --> 00:29:26,014 which is both the most beautiful and most disgusting set we've ever had 571 00:29:26,181 --> 00:29:27,515 in the Guardians universe. 572 00:29:27,682 --> 00:29:31,686 It looks like, uh, kind of a wonderful colonoscopy 573 00:29:31,853 --> 00:29:33,938 if you're walking through it. 574 00:29:34,689 --> 00:29:36,775 But... (LAUGHING) So... 575 00:29:36,941 --> 00:29:39,027 But it's... It's... 576 00:29:39,194 --> 00:29:43,907 Yeah, I mean, this is a... You know, I wanted to create a place 577 00:29:44,073 --> 00:29:46,951 that is architecturally different 578 00:29:47,160 --> 00:29:49,329 than other places we've seen so far. 579 00:29:49,496 --> 00:29:52,165 And the way the Orgoscope was created 580 00:29:52,332 --> 00:29:54,250 is they actually grow the materials. 581 00:29:54,417 --> 00:29:56,127 So it's composed of bone, 582 00:29:56,294 --> 00:30:00,924 it's composed of organs they use, you know, organs and flesh. 583 00:30:01,382 --> 00:30:05,303 The suits that they're wearing are composed of like a sort of flesh 584 00:30:05,470 --> 00:30:08,515 that's grown that insulates them and protects them. 585 00:30:08,681 --> 00:30:11,017 (GRUNTING) 586 00:30:11,226 --> 00:30:13,978 GUNN: Orgosentries were something that... 587 00:30:14,145 --> 00:30:17,649 I thought of them at first as maybe being a little bit more crab-like, 588 00:30:17,816 --> 00:30:19,818 and then I saw the crab costumes 589 00:30:19,984 --> 00:30:21,945 and it looked like things that we'd seen before. 590 00:30:22,111 --> 00:30:25,156 And so I said, "Well, what if they're made of flesh? 591 00:30:25,323 --> 00:30:27,784 "Like, they grow these costumes." 592 00:30:27,951 --> 00:30:32,789 And Shane and the team over at Legacy came up with this crazy costume 593 00:30:32,956 --> 00:30:36,125 that looks like something out of a French art film, 594 00:30:36,292 --> 00:30:40,630 or it looks like one of those sumo wrestler costumes that you put on 595 00:30:40,797 --> 00:30:44,634 and, you know, it protects you through the actual girth of the costume. 596 00:30:44,801 --> 00:30:46,344 And it isn't shaped at all 597 00:30:46,511 --> 00:30:51,099 what we think of as the sort of hyper-masculine tough shape 598 00:30:51,266 --> 00:30:54,727 that we think of soldiers as often being in movies. 599 00:30:54,894 --> 00:30:57,105 It's very poofy with the big butt. 600 00:30:57,272 --> 00:31:00,149 And it's great to see Nathan Fillion playing Major Karja 601 00:31:00,316 --> 00:31:04,571 walking around like he's the most hardcore dude in the world. 602 00:31:05,238 --> 00:31:06,322 Let's go, dummies. 603 00:31:08,783 --> 00:31:11,619 MICKLE: The set that we're shooting today is Orgo Space Park, 604 00:31:11,786 --> 00:31:15,331 and we're shooting a scene where Drax and Mantis fight all the Orgosentries. 605 00:31:15,498 --> 00:31:17,834 MAN: Here we go. Ready and action! 606 00:31:18,001 --> 00:31:21,588 We did some pretty fun things at the Orgoscope Space Park. 607 00:31:21,921 --> 00:31:24,132 Dave Bautista, he's a badass. 608 00:31:24,299 --> 00:31:28,303 We did come in trying to give Mantis a little different kind of a flare, 609 00:31:28,636 --> 00:31:31,848 so we came up with some really fun alternate options for them. 610 00:31:32,015 --> 00:31:34,017 -You're a kitty cat. -Meow. 611 00:31:34,267 --> 00:31:35,518 (GRUNTS) 612 00:31:36,811 --> 00:31:38,021 You feel like dancing. 613 00:31:38,897 --> 00:31:43,651 We're always trying to push the envelope and do what we think is unique. 614 00:31:43,818 --> 00:31:46,446 We just push it, you know, we just have fun with it. 615 00:31:46,946 --> 00:31:49,657 (BOTH SCREAMING) 616 00:31:51,075 --> 00:31:52,327 MAN: Cut! Cut, cut. 617 00:31:53,786 --> 00:31:59,709 Pom is... Out of all of us, she's probably the most artistic, I think. 618 00:32:00,335 --> 00:32:03,963 She's really, like, almost a throwback performer. 619 00:32:04,130 --> 00:32:05,715 She's almost from a different era. 620 00:32:06,299 --> 00:32:07,300 (IN GROWLING VOICE) No! 621 00:32:07,467 --> 00:32:09,218 -Hello. -Hello. 622 00:32:09,385 --> 00:32:10,845 PRATT: She's like a thrill seeker. 623 00:32:11,012 --> 00:32:14,223 She's off parachuting and horseback riding 624 00:32:14,390 --> 00:32:16,017 and doing all of this crazy stuff. 625 00:32:16,184 --> 00:32:18,311 -I'm learning French now. -(APPLAUDING) 626 00:32:18,478 --> 00:32:20,188 PRATT: Learning all of these martial arts. 627 00:32:20,355 --> 00:32:21,898 Can I do more kicking, though? 628 00:32:21,981 --> 00:32:23,650 Kick him in the face? 629 00:32:23,900 --> 00:32:27,695 (CHUCKLES) Pom is probably my... She's my favorite Guardian. 630 00:32:27,862 --> 00:32:29,447 Mantis is my favorite Guardian. 631 00:32:29,906 --> 00:32:33,326 I... (LAUGHS) I think not only is she a brilliant actress, 632 00:32:33,493 --> 00:32:35,912 but what she does with this character is so fun. 633 00:32:36,663 --> 00:32:39,123 And she has such a sweet innocence about her. 634 00:32:39,290 --> 00:32:42,627 But also, she's really... You know, she can be a sarcastic little... 635 00:32:42,794 --> 00:32:45,171 -Hello! -(LAUGHING) 636 00:32:45,546 --> 00:32:48,383 We've really kind of dove into that, you know, 637 00:32:48,549 --> 00:32:50,301 that sibling rivalry. 638 00:32:50,843 --> 00:32:52,720 Get in there and say, "Are you kidding me?" 639 00:32:52,887 --> 00:32:54,180 -In his face? -Yeah. 640 00:32:54,347 --> 00:32:57,850 I love working with Dave. He's amazing. He's like soft-spoken, 641 00:32:58,017 --> 00:33:01,479 but also he can be very loud sometimes, like acting-wise. 642 00:33:01,646 --> 00:33:02,689 Ha! 643 00:33:02,939 --> 00:33:06,067 You're lucky I was able to knock down that door... 644 00:33:06,234 --> 00:33:09,195 And also for what he stands for, and I really respect that. 645 00:33:09,362 --> 00:33:11,864 But he's also very sweet, you know, and so funny. 646 00:33:12,031 --> 00:33:15,535 And the dynamic between the characters is so well written by James. 647 00:33:15,702 --> 00:33:17,120 We just have fun with it. 648 00:33:17,286 --> 00:33:19,747 It is wrong to manipulate the feelings of friends. 649 00:33:19,914 --> 00:33:22,041 You made me fall in love with my sock. 650 00:33:22,208 --> 00:33:23,334 Well, that was funny. 651 00:33:23,501 --> 00:33:25,712 It is a majestic performance by Dave. 652 00:33:25,878 --> 00:33:28,881 Drax is ridiculous, but also we totally believe him. 653 00:33:29,048 --> 00:33:30,717 He's completely believable 654 00:33:30,883 --> 00:33:32,260 and emotionally grounded. 655 00:33:32,760 --> 00:33:37,140 And we get to see, really, his origins in this movie in a way as well. 656 00:33:37,306 --> 00:33:40,476 I had a little girl like you. You know what she used to like? 657 00:33:41,561 --> 00:33:43,521 She liked when I made monkey noises. 658 00:33:46,899 --> 00:33:49,777 Beep, beep, beep, beep. 659 00:33:49,944 --> 00:33:52,864 -(MIMICKING MONKEY POORLY) -(GIRLS LAUGH) 660 00:33:53,114 --> 00:33:56,200 PRATT: I can't imagine anyone else playing Drax. It's totally Dave. 661 00:33:56,367 --> 00:33:59,162 It has been Dave since the moment he walked in 662 00:33:59,328 --> 00:34:01,622 and he and I screen tested together. Everybody knew. 663 00:34:01,789 --> 00:34:04,667 You'll get to kill this guy, but you got to help us sell this. 664 00:34:04,834 --> 00:34:07,962 Which means, no matter what I tell you to do, you do it. Okay? 665 00:34:10,465 --> 00:34:12,675 Or we can decide together is what I'm saying. 666 00:34:13,885 --> 00:34:17,513 Well... for the most part, you'll make the decisions, okay? 667 00:34:17,680 --> 00:34:18,848 (DAVE LAUGHS) 668 00:34:19,057 --> 00:34:21,142 PRATT: I start to get sentimental thinking about 669 00:34:21,309 --> 00:34:24,270 the fact that over the past ten years, we've spent so much time together. 670 00:34:24,437 --> 00:34:26,856 Granted, he's been in grey and red makeup the whole time, 671 00:34:27,023 --> 00:34:29,150 so without his makeup on, I don't recognize him, 672 00:34:29,317 --> 00:34:30,985 but we've spent a lot of time together. 673 00:34:31,152 --> 00:34:34,030 Five movies, press tours, premieres 674 00:34:34,197 --> 00:34:35,865 and to think that none of those things 675 00:34:36,032 --> 00:34:38,242 are going to be happening in our lives anymore, 676 00:34:38,409 --> 00:34:41,037 I hope that doesn't mean that we don't spend time together. 677 00:34:42,163 --> 00:34:43,247 Because I'd miss him. 678 00:34:43,790 --> 00:34:45,083 I got your back, big boy. 679 00:34:45,708 --> 00:34:47,251 Okay? I got your back. 680 00:34:48,086 --> 00:34:50,755 I won't touch you again. That's the last time I touch you. 681 00:34:50,922 --> 00:34:52,757 Okay. I'm glad I did that. 682 00:34:53,883 --> 00:34:55,760 (DRAMATIC MUSIC PLAYING) 683 00:35:02,100 --> 00:35:04,435 HATT: The High Evo has been continuing his work. 684 00:35:04,602 --> 00:35:08,231 You know, he's been building planets, populating them with species, 685 00:35:08,397 --> 00:35:09,398 and we get to see one. 686 00:35:09,565 --> 00:35:11,859 We go to Counter-Earth, which is populated 687 00:35:12,026 --> 00:35:13,736 with what we call the Humanimals. 688 00:35:13,903 --> 00:35:16,531 And it's like a Island of Dr. Moreau. 689 00:35:19,033 --> 00:35:20,743 It's weird and wonderful. 690 00:35:20,910 --> 00:35:24,539 And Alexei and Shane Mahan 691 00:35:24,705 --> 00:35:26,749 and Lindsay MacGowan of Legacy 692 00:35:26,916 --> 00:35:30,169 have done incredible work bringing those characters to life. 693 00:35:40,555 --> 00:35:42,765 Okay. Great. All right, let's see that again. 694 00:35:43,808 --> 00:35:46,519 PRATT: You've got bat people and turtle people, 695 00:35:47,186 --> 00:35:50,398 and rabbit people, and these, like, kind of a warthog people. 696 00:35:50,565 --> 00:35:52,108 -The adorable baby. -I know. 697 00:35:52,275 --> 00:35:53,985 -He's gorgeous. He looks like... -Yeah. 698 00:35:54,152 --> 00:35:56,529 PRATT: But they're all rocking clothes from the '80s. 699 00:35:56,696 --> 00:35:57,822 It's the funniest thing. 700 00:35:57,989 --> 00:36:01,075 GUNN: We had a huge makeup team creating all of these characters 701 00:36:01,242 --> 00:36:04,370 and sort of doing it in a way that we had A's, B's and C's. 702 00:36:04,537 --> 00:36:08,207 A's were the really full done makeups 703 00:36:08,374 --> 00:36:10,918 that were in the front that were going to be featured. 704 00:36:11,085 --> 00:36:13,045 B's were a little bit further back. 705 00:36:13,212 --> 00:36:14,714 You might see glimpses of them, 706 00:36:14,881 --> 00:36:17,216 but we're not going to do close-ups of them. 707 00:36:17,383 --> 00:36:20,011 And then the C's wore kind of, more simple masks 708 00:36:20,178 --> 00:36:23,347 that people could pull on and we could put way in the background. 709 00:36:23,514 --> 00:36:25,558 That all had to be very planned out. 710 00:36:25,725 --> 00:36:28,936 It was like, in this scene, how many Humanimals are in this shot? 711 00:36:29,103 --> 00:36:30,646 How many are in this shot? 712 00:36:30,813 --> 00:36:34,317 How many are in all of this scene and just figuring all of that out, 713 00:36:34,483 --> 00:36:37,612 so that we could, you know, make the movie work as well as possible. 714 00:36:37,778 --> 00:36:39,780 This is the perfect society? 715 00:36:43,743 --> 00:36:45,828 Those Humanimal days were absolutely huge. 716 00:36:46,120 --> 00:36:47,872 Our background tent was gigantic. 717 00:36:48,039 --> 00:36:50,249 We have all of our trailers packed. 718 00:36:50,958 --> 00:36:54,712 All of them wore teeth, contacts, they all have hands and all that stuff. 719 00:36:54,879 --> 00:36:58,507 It was a big undertaking for us, for Legacy. 720 00:36:58,674 --> 00:37:03,346 Legacy Effects, they absolutely made just amazing pieces. 721 00:37:03,512 --> 00:37:05,097 Beautiful hair work, 722 00:37:05,640 --> 00:37:07,058 custom wigs for all of them, 723 00:37:07,225 --> 00:37:08,434 custom hairpieces. 724 00:37:08,601 --> 00:37:10,937 Having them all on set was super exciting 725 00:37:11,103 --> 00:37:13,356 because it was just so many different looks 726 00:37:13,522 --> 00:37:14,941 and they were all practical. 727 00:37:16,984 --> 00:37:19,320 They made a cassowary bird. 728 00:37:19,487 --> 00:37:22,114 It was, I think, the postal worker, Blue Jay. 729 00:37:22,281 --> 00:37:24,951 Those were really, really cool. They turned out amazing. 730 00:37:25,117 --> 00:37:27,286 But the R&D behind that is really cool. 731 00:37:27,745 --> 00:37:30,623 They have a lot of 3D printed elements with magnets 732 00:37:30,790 --> 00:37:33,793 and the beak and the whole locking jaw, 733 00:37:33,960 --> 00:37:36,796 so the actor gets to drive the movement of the whole beak. 734 00:37:36,963 --> 00:37:38,839 Groot, full kaiju! 735 00:37:39,006 --> 00:37:41,175 -Not full kaiju! -I am... 736 00:37:41,342 --> 00:37:42,677 -Groot! -Back up. 737 00:37:42,843 --> 00:37:44,428 No, not kaiju! 738 00:37:44,595 --> 00:37:45,680 Groot, down! 739 00:37:45,846 --> 00:37:47,515 There's no reason to be afraid. 740 00:37:47,682 --> 00:37:49,058 We're not here to harm you. 741 00:37:52,019 --> 00:37:53,187 (SPEAKS ALIEN LANGUAGE) 742 00:37:53,354 --> 00:37:55,690 GUNN: It was originally written as "vampire bat family," 743 00:37:55,856 --> 00:37:58,693 and then I said, "But you know, this is just a placeholder, 744 00:37:58,859 --> 00:38:02,029 "because let's go through all the different designs and see 745 00:38:02,196 --> 00:38:05,574 "which design is the best for this family." 746 00:38:05,741 --> 00:38:09,620 And I ended up liking the vampire bats the best. 747 00:38:09,787 --> 00:38:11,038 Her look especially. 748 00:38:11,205 --> 00:38:14,166 She's fantastic in that role. That's a real language. 749 00:38:14,333 --> 00:38:18,629 I created a real language that has grammar and everything to it. 750 00:38:18,796 --> 00:38:21,090 (SPEAKING ALIEN LANGUAGE) 751 00:38:22,049 --> 00:38:25,136 I love seeing the worlds that ends up being created 752 00:38:25,303 --> 00:38:28,389 because having an actor in makeup doing the role, 753 00:38:28,556 --> 00:38:30,182 you can see it, you can feel it. 754 00:38:30,725 --> 00:38:31,726 It's the way to go. 755 00:38:32,018 --> 00:38:34,478 There's more makeup applications 756 00:38:34,645 --> 00:38:37,523 on this film than any movie in history. 757 00:38:38,149 --> 00:38:39,442 They beat out The Grinch. 758 00:38:39,608 --> 00:38:42,403 Which, of course, every character in The Grinch is a Whovillian. 759 00:38:42,570 --> 00:38:45,406 -PRATT: Yeah. -GUNN: And so, we have more than them. 760 00:38:47,700 --> 00:38:48,868 It's crazy. 761 00:38:49,410 --> 00:38:51,954 Guinness Book of World Records. Way to go. 762 00:38:59,128 --> 00:39:02,423 MONEYMAKER: The sets we're shooting today were scripted as being separate sets. 763 00:39:02,590 --> 00:39:05,926 It was the Batch 89 caged hallways where they're keeping the animals, 764 00:39:06,093 --> 00:39:08,512 the cloisters where they keep the children, 765 00:39:08,679 --> 00:39:11,640 the Evolutionary Chamber where the High Evo does his experiments. 766 00:39:11,807 --> 00:39:14,894 But we thought it'd be interesting to link the sets together 767 00:39:15,061 --> 00:39:17,313 so that you can see from one set to the next 768 00:39:17,480 --> 00:39:19,732 and make the world feel bigger and more cohesive. 769 00:39:19,899 --> 00:39:22,526 And so, now, James is taking great advantage of it, 770 00:39:22,693 --> 00:39:25,780 and he's having the choreography of his final battle take place, 771 00:39:25,946 --> 00:39:28,574 starts in the hallway, comes down through a vestibule, 772 00:39:28,741 --> 00:39:30,659 lands into our Evolutionary Chamber, 773 00:39:30,826 --> 00:39:33,537 and it lets the choreography sprawl around the space. 774 00:39:33,704 --> 00:39:37,416 And we're about to shoot the big finale of the film. 775 00:39:37,917 --> 00:39:39,835 Ready? And action! 776 00:39:41,253 --> 00:39:44,131 KLEMENTIEFF: I really enjoyed working with Heidi Moneymaker 777 00:39:44,298 --> 00:39:46,217 who's been stunt coordinating for the movie, 778 00:39:46,384 --> 00:39:48,886 and she used to be Scarlett Johansson's stunt double, 779 00:39:49,053 --> 00:39:52,640 so she's really, really skilled herself, 780 00:39:52,807 --> 00:39:56,310 and also she's amazing at you know, choreographing the whole thing. 781 00:39:56,477 --> 00:39:58,813 (GRUNTING) 782 00:39:58,979 --> 00:40:01,482 She wanted to make sure that I got to do some action 783 00:40:01,649 --> 00:40:05,069 because she knew that I loved doing it and I was craving to do it. 784 00:40:05,236 --> 00:40:07,571 So that was really great to get to work with her for sure. 785 00:40:07,738 --> 00:40:10,950 It's fun. I'm kicking someone in the face. Fake kicking. 786 00:40:11,117 --> 00:40:14,370 You want to see all the Guardians fight together at one time, 787 00:40:14,537 --> 00:40:17,331 and a lot of these movies are about pulling them apart, 788 00:40:17,498 --> 00:40:19,583 coming back together, pulling them apart, you know? 789 00:40:19,750 --> 00:40:22,086 Then we get a moment where they're all together, 790 00:40:22,253 --> 00:40:24,422 but even then, they're not usually fully together, 791 00:40:24,588 --> 00:40:25,965 and this was them, 792 00:40:26,132 --> 00:40:29,510 really, fully together, working as a team. 793 00:40:29,677 --> 00:40:34,098 This was just a labor of love and passion for I think everybody on this set. 794 00:40:34,515 --> 00:40:38,018 We've been planning it and working it out and redoing it and redoing it 795 00:40:38,185 --> 00:40:41,188 since probably September, October, which is like six months. 796 00:40:41,355 --> 00:40:43,649 It took us a while to get the wire gags down 797 00:40:43,816 --> 00:40:45,526 because they were very complicated. 798 00:40:45,693 --> 00:40:47,987 And I think in the beginning of this, I thought, 799 00:40:48,154 --> 00:40:51,407 "This could not go well for us." (CHUCKLES) 800 00:40:51,574 --> 00:40:55,119 And it ended up being visually one of my favorite things that we've done. 801 00:40:57,246 --> 00:40:58,581 (DRAMATIC MUSIC PLAYING) 802 00:40:58,747 --> 00:41:02,084 GILLAN: What's cool about these movies is they do a previs of the whole thing 803 00:41:02,251 --> 00:41:04,462 and they even shoot it with the stunt doubles 804 00:41:04,628 --> 00:41:06,797 from all the angles that they will be shooting it from. 805 00:41:06,964 --> 00:41:10,301 So you kind of get to see a version of the movie shot on an iPhone 806 00:41:10,468 --> 00:41:13,512 and you think, "I'm doing that and that's how I'm going to look, 807 00:41:13,679 --> 00:41:17,141 "but slightly worse because I'm not a trained martial artist." (LAUGHS) 808 00:41:17,224 --> 00:41:19,018 PRATT: This technology is constantly emerging. 809 00:41:19,185 --> 00:41:21,729 What we have now in terms of the cameras that we can use, 810 00:41:21,896 --> 00:41:24,482 they are incredibly light. 811 00:41:25,024 --> 00:41:28,110 So they can be handheld, and because they can be handheld, 812 00:41:28,277 --> 00:41:30,404 you can design action sequences 813 00:41:30,571 --> 00:41:32,615 that are really unlike anything done before 814 00:41:32,781 --> 00:41:36,911 because the camera operator becomes just as big a part of the stunt sequence 815 00:41:37,077 --> 00:41:39,580 as the stunt performers and the actors. 816 00:41:44,001 --> 00:41:46,837 GILLAN: At one point, the camera operator was on wires 817 00:41:47,004 --> 00:41:50,799 and he got hoisted up over me as I was like being punched in the face. 818 00:41:52,801 --> 00:41:56,347 So that was really intricate, actually, and required a lot of rehearsal. 819 00:41:56,514 --> 00:41:59,558 And so, we just spent a lot of time getting that right. 820 00:41:59,725 --> 00:42:02,645 It was quite nerve-racking on the day because in a one shot, 821 00:42:02,811 --> 00:42:05,523 you need to get everything perfect within one take. 822 00:42:05,689 --> 00:42:07,191 You can do it a few times, 823 00:42:07,358 --> 00:42:09,777 but the pressure is definitely on. 824 00:42:09,944 --> 00:42:13,322 When you guys come together, there's a moment between you two 825 00:42:13,489 --> 00:42:15,741 where you're the leaders of this team, 826 00:42:15,824 --> 00:42:17,076 totally in charge. 827 00:42:17,284 --> 00:42:18,285 -Yeah. -Yeah. 828 00:42:18,494 --> 00:42:20,287 Need to get help moving the rope. 829 00:42:20,454 --> 00:42:22,206 -Yeah, yeah, yeah. -So I'll be like... 830 00:42:25,334 --> 00:42:27,711 (SPEAKING INDISTINCTLY) 831 00:42:28,003 --> 00:42:29,380 Am I meant to be behind him? 832 00:42:29,547 --> 00:42:31,632 (SPEAKING INDISTINCTLY) 833 00:42:35,469 --> 00:42:37,429 (ALL LAUGHING) 834 00:42:37,846 --> 00:42:40,516 (DRAMATIC MUSIC PLAYING) 835 00:42:45,563 --> 00:42:49,608 James wanted to showcase each character, like, a couple beats from each character, 836 00:42:49,775 --> 00:42:52,403 and we flow from character to character to character. 837 00:42:52,861 --> 00:42:55,489 (DRAMATIC MUSIC PLAYING) 838 00:43:16,594 --> 00:43:19,013 Chris really brought a lot to it. 839 00:43:19,179 --> 00:43:23,183 He loves to come into train and he really learns his choreo. 840 00:43:23,350 --> 00:43:25,394 And then, whatever we give him, 841 00:43:25,561 --> 00:43:29,189 he always ups it because then he's Star-Lord. 842 00:43:29,356 --> 00:43:31,108 So, like, we give him something 843 00:43:31,275 --> 00:43:35,571 and then he just slaps all these additional layers on top of it 844 00:43:35,738 --> 00:43:37,114 and we're always like... Oh! 845 00:43:38,490 --> 00:43:39,575 What's up, everybody? 846 00:43:39,742 --> 00:43:43,746 So we're getting into shooting some pretty cool action sequences 847 00:43:44,204 --> 00:43:47,041 that'll basically take us into the third act. 848 00:43:47,207 --> 00:43:50,377 We've got Chris Romrell up on this podium up there. 849 00:43:51,086 --> 00:43:53,547 And he's sort of modeling, uh... 850 00:43:54,882 --> 00:43:57,968 what he wants... what they want me to do. 851 00:43:58,135 --> 00:44:00,054 It always looks better when he does it, 852 00:44:00,220 --> 00:44:03,349 but I'm going to try my best to make it work. So I'll be... 853 00:44:03,515 --> 00:44:07,561 You can't tell from this camera angle but that's several hundred feet in the air. 854 00:44:08,228 --> 00:44:09,772 I'll be hoisted up there. 855 00:44:10,522 --> 00:44:14,693 They like to use these wires for Romrell, but I won't have them. 856 00:44:15,235 --> 00:44:16,987 I insist on not having wires. 857 00:44:17,154 --> 00:44:18,489 That's all about you flying. 858 00:44:18,656 --> 00:44:21,367 Am I going to have to have any core strength for this? 859 00:44:21,533 --> 00:44:22,868 -Nope. -Oh, good. 860 00:44:22,951 --> 00:44:25,245 (ALL LAUGHING) 861 00:44:26,789 --> 00:44:28,082 -You're ready? -We're ready. 862 00:44:28,248 --> 00:44:29,249 Are you guys good? 863 00:44:29,458 --> 00:44:31,001 -Henry? All right. -Okay. 864 00:44:31,168 --> 00:44:32,628 -PRATT: Raise the meat. -All right. 865 00:44:32,795 --> 00:44:35,964 PRATT: They have these LED panels giving off the light, 866 00:44:36,131 --> 00:44:38,550 basically creating the effect of fire all around us 867 00:44:38,717 --> 00:44:40,511 and then they'll animate all of that. 868 00:44:40,678 --> 00:44:42,554 I insisted that we use real fire. 869 00:44:42,721 --> 00:44:44,348 They kind of chickened out, 870 00:44:44,515 --> 00:44:46,725 and so, I guess we can't burn the place down. 871 00:44:46,892 --> 00:44:48,977 And, yeah, this is just one day in the life. 872 00:44:49,144 --> 00:44:51,355 It's taken a few hours to get this set up, 873 00:44:51,522 --> 00:44:54,525 and it will be three seconds in the movie. 874 00:44:55,109 --> 00:44:57,194 So, standby. 875 00:45:04,451 --> 00:45:05,452 Did that... 876 00:45:06,370 --> 00:45:08,872 ...look cool? 877 00:45:10,499 --> 00:45:12,418 (SOMBER MUSIC PLAYING) 878 00:45:23,595 --> 00:45:26,932 To be reunited with this Guardians family for Vol. 3, it's... 879 00:45:28,350 --> 00:45:31,061 It's really special. And I know that it's rare 880 00:45:31,228 --> 00:45:33,647 to have a rapport like we have, 881 00:45:33,814 --> 00:45:36,525 as many years as we've put in the trenches together. 882 00:45:36,692 --> 00:45:40,070 Still very much a family, just like the story, really. 883 00:45:40,237 --> 00:45:43,741 What makes it different this time around is we know that it's coming to an end. 884 00:45:44,825 --> 00:45:46,243 So I think each of us is, 885 00:45:47,494 --> 00:45:49,872 you know, processing that in our own way. 886 00:45:50,164 --> 00:45:53,709 Ahhh! This is too upsetting in a good way. 887 00:45:55,836 --> 00:45:59,173 There is a bittersweet taste because we know that 888 00:45:59,339 --> 00:46:01,800 it's the last Guardians of the Galaxy movie. 889 00:46:02,426 --> 00:46:05,721 We're going to have one more scene with all the Guardians together. 890 00:46:05,888 --> 00:46:07,765 Chris reminded me that yesterday. 891 00:46:08,390 --> 00:46:10,017 So that's going to be very emotional. 892 00:46:10,184 --> 00:46:11,310 Yeah, that's it. 893 00:46:11,477 --> 00:46:16,899 That's the last shot with who I basically consider the, 894 00:46:17,065 --> 00:46:19,485 you know, full Guardians. 895 00:46:19,651 --> 00:46:21,153 Chris and Zoe, 896 00:46:21,320 --> 00:46:24,198 and Dave, Karen, Pom and Sean. 897 00:46:24,615 --> 00:46:28,911 And these are the guys who have been together with me for nine years now. 898 00:46:29,077 --> 00:46:32,164 And I love each of you guys. 899 00:46:32,331 --> 00:46:34,500 We still have another day of filming together, 900 00:46:34,666 --> 00:46:36,460 just not in the same scene. 901 00:46:36,835 --> 00:46:37,878 -Um... -Aw. 902 00:46:38,045 --> 00:46:39,588 So I really do love all you guys. 903 00:46:39,755 --> 00:46:40,881 And honest to God, 904 00:46:41,048 --> 00:46:44,134 I couldn't be luckier to have... 905 00:46:44,301 --> 00:46:46,553 I hate doing this in front of the camera, but I'll do it 906 00:46:46,720 --> 00:46:49,014 because I wanted to say to you guys earlier 907 00:46:49,181 --> 00:46:51,600 that I've been so incredibly blessed 908 00:46:51,934 --> 00:46:53,477 to have this group of people, 909 00:46:53,644 --> 00:46:55,813 and I tell everyone I meet all the time, 910 00:46:55,979 --> 00:46:57,648 as my partners on this journey. 911 00:46:57,815 --> 00:46:59,775 It has just been an amazing thing 912 00:46:59,942 --> 00:47:03,529 because I really, honestly, love each of you guys so deeply. 913 00:47:03,695 --> 00:47:06,615 As people, as performers, and as friends. 914 00:47:06,782 --> 00:47:07,950 And I love you all. 915 00:47:08,116 --> 00:47:10,702 So thank you for being here with me on this journey. 916 00:47:10,869 --> 00:47:12,621 (CHEERING AND APPLAUDING) 917 00:47:20,212 --> 00:47:21,839 SEAN: Being on set with everyone 918 00:47:22,005 --> 00:47:24,925 and knowing that there's a little bit of finality 919 00:47:25,092 --> 00:47:30,514 to how we're approaching these final scenes is really... 920 00:47:31,348 --> 00:47:32,349 It's emotional. 921 00:47:32,516 --> 00:47:36,812 I think that we're all savoring every moment in a way. 922 00:47:36,979 --> 00:47:40,899 In some ways, the set has been more fun as a result. 923 00:47:41,066 --> 00:47:44,486 I think we've... We've laughed as much as ever 924 00:47:44,945 --> 00:47:48,240 because we know that there's an end point. 925 00:47:48,407 --> 00:47:51,243 -Hey, James. Love you. -I love you. 926 00:47:54,538 --> 00:47:56,540 -Did you catch that? Erase it. -Yep. 927 00:47:57,207 --> 00:47:59,668 -(ALL LAUGHING) -(CHATTERING INDISTINCTLY) 928 00:48:00,168 --> 00:48:03,463 It's a little sad, but it's also so joyful. 929 00:48:03,630 --> 00:48:06,341 I mean, who gets to do this, you know? 930 00:48:06,508 --> 00:48:07,509 Who gets to, like, 931 00:48:07,676 --> 00:48:12,306 make something that audiences seem to love 932 00:48:12,472 --> 00:48:14,850 and that we can feel proud of, 933 00:48:15,017 --> 00:48:17,853 and know that we put our hearts into it? 934 00:48:18,020 --> 00:48:20,022 GUNN: If people ask me really, honestly, truly, 935 00:48:20,188 --> 00:48:22,983 what's my favorite part of making Guardians of the Galaxy, 936 00:48:23,150 --> 00:48:25,861 -it's working with my brother. -(CREW APPLAUDING) 937 00:48:26,528 --> 00:48:28,822 He's a great brother and a great friend, 938 00:48:28,989 --> 00:48:31,992 but most of all, it's just been so fun to watch him. 939 00:48:35,078 --> 00:48:38,999 The first time I heard about the project of Guardians of the Galaxy Vol. 1, 940 00:48:39,166 --> 00:48:43,253 I had gotten a call from my agent, and she just said, without any context, 941 00:48:43,670 --> 00:48:45,547 "Are you willing to shave your head?" 942 00:48:45,964 --> 00:48:47,633 And I was like, "What for?" 943 00:48:47,799 --> 00:48:49,801 And she said, "For a Marvel movie." 944 00:48:49,968 --> 00:48:51,053 And then I said, "Yes." 945 00:48:51,219 --> 00:48:53,555 I might have done something a little bit crazy. 946 00:48:55,223 --> 00:48:56,934 (CROWD CHEERING AND LAUGHING) 947 00:48:57,100 --> 00:48:58,143 I'm bald. 948 00:48:59,561 --> 00:49:02,022 I thought I was going to be filming for eight days, 949 00:49:02,189 --> 00:49:04,149 and then I thought that was going to be it. 950 00:49:04,316 --> 00:49:09,029 So ten years ago, I stood in my office with Karen Gillan, 951 00:49:09,196 --> 00:49:13,158 and I told her, "This role isn't so big in this movie, 952 00:49:13,325 --> 00:49:16,870 "but I plan on her being a Guardian of the Galaxy in the future." 953 00:49:17,371 --> 00:49:21,375 The kind of things I tell people all the time and I'm always wrong. 954 00:49:21,541 --> 00:49:25,128 But this person really came through and just has shown us how great she is 955 00:49:25,671 --> 00:49:28,215 and what a team player she is to have to come in 956 00:49:28,382 --> 00:49:30,175 all these days so early. 957 00:49:30,342 --> 00:49:32,427 And I love her and I'm going to miss her. 958 00:49:32,594 --> 00:49:34,721 And that is a trilogy wrap 959 00:49:34,888 --> 00:49:38,183 -on Karen Gillan. -(CHEERING AND APPLAUDING) 960 00:49:38,433 --> 00:49:43,355 This whole experience has enriched my life in so many different ways. 961 00:49:43,522 --> 00:49:44,773 I mean, like... 962 00:49:44,940 --> 00:49:47,776 It was my first big movie that I'd ever done. 963 00:49:47,943 --> 00:49:49,152 And how lucky am I 964 00:49:49,319 --> 00:49:52,823 that it was as good a movie as Guardians of the Galaxy was? 965 00:49:52,990 --> 00:49:56,368 And not only that, but I was given this incredible character 966 00:49:56,535 --> 00:49:59,538 that I got to explore over the course of six films. 967 00:49:59,705 --> 00:50:00,747 You okay? 968 00:50:06,420 --> 00:50:09,506 -Is it okay to be sad? -Mmm-hmm. 969 00:50:10,298 --> 00:50:12,968 It's the end of a journey 'cause this started my career. 970 00:50:13,135 --> 00:50:15,762 I mean, it launched my career and it changed my life. 971 00:50:15,929 --> 00:50:17,514 He's a diva, 972 00:50:17,681 --> 00:50:20,684 and he doesn't like Behind the Scenes of him taken. 973 00:50:21,143 --> 00:50:22,686 Stop it. Stop that. 974 00:50:24,104 --> 00:50:25,105 Bautista. 975 00:50:25,522 --> 00:50:27,315 BAUTISTA: This journey coming to an end 976 00:50:27,482 --> 00:50:30,777 is just a very bittersweet thing because I'm so attached to everybody. 977 00:50:30,944 --> 00:50:32,779 I'm proud of what we've accomplished. 978 00:50:32,946 --> 00:50:34,489 (CHEERING AND APPLAUDING) 979 00:50:35,532 --> 00:50:38,952 We've been on this film since October, so we really want to finish, 980 00:50:39,119 --> 00:50:43,040 and then we think, "But this is the last one." (LAUGHS) 981 00:50:43,749 --> 00:50:46,043 No, we don't want to finish. We wanna stretch this out. 982 00:50:46,209 --> 00:50:47,961 And we need to be good joob joob. 983 00:50:49,796 --> 00:50:50,797 It means friends. 984 00:50:51,214 --> 00:50:53,467 SALDANA: To live within the Marvel universe 985 00:50:53,550 --> 00:50:55,594 has been nothing but a treat. It's... 986 00:50:56,178 --> 00:50:58,388 It's a part of my legacy 987 00:50:58,555 --> 00:51:02,350 that I will so proudly take on with me, you know? 988 00:51:02,517 --> 00:51:05,645 And... And I hope that my children are proud. 989 00:51:05,812 --> 00:51:07,564 You know, I have three little boys 990 00:51:07,731 --> 00:51:12,235 and they are already becoming die-hard fans of these characters. 991 00:51:12,402 --> 00:51:15,781 When I first went to Marvel and I pitched Guardians of the Galaxy, 992 00:51:15,947 --> 00:51:17,282 I brought a little book. 993 00:51:17,449 --> 00:51:20,744 I had worked very hard trying to put this little book together 994 00:51:20,911 --> 00:51:24,998 of all the different pictures and photo references and all that stuff. 995 00:51:25,165 --> 00:51:28,293 And within that book, there were all the characters listed 996 00:51:28,460 --> 00:51:30,712 and who I thought should play those characters. 997 00:51:30,879 --> 00:51:35,050 And, of course, none of those actors who were in that book 998 00:51:35,217 --> 00:51:37,052 ended up playing the character, 999 00:51:37,219 --> 00:51:39,596 except for Zoe Saldana, 1000 00:51:39,763 --> 00:51:42,307 who I met and loved from the beginning. 1001 00:51:42,474 --> 00:51:45,060 SALDANA: It makes me feel really good. It makes me feel lucky. 1002 00:51:45,227 --> 00:51:46,520 It makes me feel fortunate. 1003 00:51:46,686 --> 00:51:49,106 It makes me feel proud, 1004 00:51:49,272 --> 00:51:51,316 you know, to know so many people 1005 00:51:51,483 --> 00:51:53,985 that I look up to and I respect deeply 1006 00:51:54,861 --> 00:51:57,239 that live also in this universe, among me. 1007 00:51:57,405 --> 00:52:00,784 Every time I feel like I'm about to fall out of my sorts, 1008 00:52:00,951 --> 00:52:05,664 I look around and I see people that give up so much to be here 1009 00:52:05,831 --> 00:52:07,666 because they have a true passion, 1010 00:52:07,833 --> 00:52:11,044 a genuine, sincere love for what we do, 1011 00:52:11,211 --> 00:52:14,714 and that always reminds me that we are very blessed and very lucky 1012 00:52:14,881 --> 00:52:16,383 and very fortunate to be here. 1013 00:52:16,550 --> 00:52:20,595 And I want to thank you because you have been a wonderful person. 1014 00:52:20,762 --> 00:52:23,390 You believed in me before I even believed in myself. 1015 00:52:23,557 --> 00:52:25,684 So thank you for sticking by me. 1016 00:52:26,351 --> 00:52:29,271 And... I'm gonna miss Gamora, 1017 00:52:29,437 --> 00:52:31,982 but I'm not going to miss the four-hour makeup. 1018 00:52:32,149 --> 00:52:33,400 (ALL LAUGHING) 1019 00:52:33,942 --> 00:52:34,943 So... (LAUGHS) 1020 00:52:41,158 --> 00:52:44,828 GUNN: I'm really just trying to make the best movie I can, 1021 00:52:44,995 --> 00:52:46,663 that's fluid and elegant. 1022 00:52:46,830 --> 00:52:50,000 "Elegant" as a word I use the most while shooting it, 1023 00:52:50,167 --> 00:52:51,877 while writing it, while editing it. 1024 00:52:52,043 --> 00:52:53,712 It's got to have elegance to it. 1025 00:52:54,629 --> 00:52:58,508 And it's really been rewarding for me to make this movie, 1026 00:52:58,675 --> 00:53:02,387 which is such a personal statement, because Rocket is me and this is about me. 1027 00:53:05,140 --> 00:53:07,142 And then to see an audience react to it 1028 00:53:07,309 --> 00:53:10,395 in a way that they have so far, it's a good feeling for real. 1029 00:53:11,980 --> 00:53:15,567 I'm really grateful for the experience and especially grateful 1030 00:53:15,734 --> 00:53:19,362 for the people that I've been able to work with along the way. 1031 00:53:19,529 --> 00:53:21,239 (ALL CHEERING AND APPLAUDING) 1032 00:53:22,824 --> 00:53:25,911 I think the the life with the characters 1033 00:53:26,077 --> 00:53:29,831 and the actors and the shooting and everything, 1034 00:53:29,998 --> 00:53:32,626 is more alive in this movie than anything I've done. 1035 00:53:32,792 --> 00:53:35,795 And I think even the the setbacks that happened along the way, 1036 00:53:35,962 --> 00:53:38,131 all were in the service of the greater story. 1037 00:53:38,298 --> 00:53:42,344 That's a picture and trilogy wrap on James Gunn. 1038 00:53:42,510 --> 00:53:44,638 (ALL CHEERING AND APPLAUDING) 1039 00:53:47,515 --> 00:53:51,519 PRATT: What it's meant to me to be a part of this franchise, 1040 00:53:51,686 --> 00:53:53,730 I mean, it's hard to even put into words. 1041 00:53:54,522 --> 00:53:56,733 I've wanted to be an actor my whole life 1042 00:53:57,192 --> 00:53:58,735 and didn't know what that would entail. 1043 00:53:58,902 --> 00:54:01,905 If I had just been able to pay the bills, jumping from job to job, 1044 00:54:02,072 --> 00:54:04,491 still I'd feel as though I'd been living the dream, 1045 00:54:04,658 --> 00:54:06,243 and I'd have been really content. 1046 00:54:06,409 --> 00:54:09,788 The fact that I get to be part of something that's so universally beloved 1047 00:54:09,955 --> 00:54:12,374 that I truly believe will stand the test of time, 1048 00:54:14,501 --> 00:54:19,256 that will be living on screens long after I'm no longer living on this planet, 1049 00:54:20,423 --> 00:54:21,591 it's special. 1050 00:54:21,758 --> 00:54:24,928 And it feels... It feels remarkable. 1051 00:54:25,095 --> 00:54:26,680 You just feel blessed. 1052 00:54:26,846 --> 00:54:30,433 May all of us be as lucky as to work on something 1053 00:54:31,101 --> 00:54:34,813 and be part of the collaborative creative process of creating something 1054 00:54:35,814 --> 00:54:38,149 that is so meaningful to so many people, 1055 00:54:38,316 --> 00:54:41,236 to make extraordinary friends along the way 1056 00:54:41,403 --> 00:54:44,656 and to help each other to essentially 1057 00:54:45,240 --> 00:54:47,367 live out our dreams. Thank you. 1058 00:54:48,076 --> 00:54:49,119 It's been a blast. 1059 00:54:52,831 --> 00:54:54,332 (DRAMATIC MUSIC PLAYING) 1060 00:55:04,843 --> 00:55:08,763 Chris' trailer is like on the other side of the lot. 1061 00:55:09,139 --> 00:55:11,891 My trailer is here right next to where we're shooting. 1062 00:55:12,183 --> 00:55:14,978 So Chris comes in here every day, and falls asleep. 1063 00:55:15,145 --> 00:55:19,107 And he's the soundest sleeper of all time. 1064 00:55:19,774 --> 00:55:23,653 So I decided today is a good day to draw some stuff on his forehead. 1065 00:55:25,363 --> 00:55:27,907 (LAUGHS) All right, let's get in here. 1066 00:55:28,074 --> 00:55:30,493 You know, maybe a "peace" symbol or... 1067 00:55:30,660 --> 00:55:32,912 -(KNOCKING ON DOOR) -Yeah. Come on in. I'm with... 1068 00:55:34,789 --> 00:55:36,833 -What the... -What's up, bro? 1069 00:55:38,376 --> 00:55:40,462 -I thought you were asleep. -Huh? 1070 00:55:41,129 --> 00:55:43,882 -I thought you were... -I was gonna come and grab a nap. 1071 00:55:45,425 --> 00:55:46,426 What's up? 1072 00:55:46,593 --> 00:55:47,761 Look, what's this? 1073 00:55:49,888 --> 00:55:52,098 (LAUGHING) 1074 00:55:52,265 --> 00:55:53,391 It's a Chris dummy. 1075 00:55:53,558 --> 00:55:56,478 Um, what we're going to do today is we're going to see, 1076 00:55:56,644 --> 00:55:58,271 if you get in here close, Jeremy, 1077 00:55:58,438 --> 00:56:01,024 you'll see the "Chris" face up close. 1078 00:56:01,191 --> 00:56:02,776 It's a fake Chris Pratt 1079 00:56:03,985 --> 00:56:07,030 that we carry at the beginning of the movie. 1080 00:56:07,197 --> 00:56:09,657 -He's only... What, he's like 25 pounds? -25 pounds. 1081 00:56:09,824 --> 00:56:13,453 Yeah, that Karen Gillan is able to carry for a long time 1082 00:56:13,620 --> 00:56:14,913 at the beginning of the film. 1083 00:56:15,080 --> 00:56:18,333 Yeah, this thing is absolutely photo-real. I mean, look at this thing. 1084 00:56:18,500 --> 00:56:21,586 The first time I saw it, honest to God, I walked into set 1085 00:56:21,753 --> 00:56:25,298 and I saw it lying there in full Quill wardrobe... 1086 00:56:25,465 --> 00:56:27,300 -Yeah. -...from the movie. 1087 00:56:27,592 --> 00:56:30,053 And I honestly had a bit of a... 1088 00:56:30,929 --> 00:56:35,725 Like, a visceral reaction, as if I was seeing my own dead body. 1089 00:56:35,892 --> 00:56:38,144 It felt very weird. Like an out-of-body experience. 1090 00:56:38,311 --> 00:56:41,356 Because obviously, it's lifeless, but it looks so much like me. 1091 00:56:41,523 --> 00:56:44,025 And then my next thought as I got close was, 1092 00:56:44,192 --> 00:56:45,652 "Oh, my God, my poor wife." 1093 00:56:46,361 --> 00:56:50,156 Like, "This is how big my face is? It's crazy." 1094 00:56:50,323 --> 00:56:52,659 That's not how large my head is, is it? 1095 00:56:53,118 --> 00:56:54,536 You're pretty large. 1096 00:56:54,702 --> 00:56:57,622 I feel bad for her. And look at this wrists and hands. 1097 00:56:57,789 --> 00:57:00,792 I was like, "This is not my hands. That's my dad's hands." 1098 00:57:00,959 --> 00:57:02,877 Those wrists are bendier than your hands. 1099 00:57:03,044 --> 00:57:04,337 They're floppier than mine. 1100 00:57:04,712 --> 00:57:07,215 -Argh! No! -(GUNN LAUGHING) 1101 00:57:08,007 --> 00:57:09,509 Anyways, this thing is awesome. 1102 00:57:09,676 --> 00:57:12,679 That's going to make it into the Disney Behind the Scenes.