1 00:00:01,697 --> 00:00:03,003 ♪ COME IN WITH THE CHANGE, SETTIN' UP THE NEXT STAGE ♪ 2 00:00:03,046 --> 00:00:05,092 ♪ ALWAYS BEEN A WOMAN OF MY WORD, THAT IS MY WAY ♪ 3 00:00:05,135 --> 00:00:07,224 ♪ TELL YOUR HOMIES HOLLA AT THE NERVE IF THEY NEED IT, KAY? ♪ 4 00:00:07,268 --> 00:00:10,184 ♪ AND I DON'T GOTTA HIT 'EM WITH THE CURVE 'CAUSE THEY KNOW ME ♪ 5 00:00:10,227 --> 00:00:11,968 ♪ FINAL, HERE TO STAY, COMIN' WITH THE STRONG GAME ♪ 6 00:00:12,012 --> 00:00:14,753 VOICE OF DAMON: HOW LONG DID YOU KNOW ABOUT ME AND J.R.? 7 00:00:14,797 --> 00:00:17,756 BUT I TOLD YOU THAT I WASN'T LOOKING FOR MY BIRTH PARENTS. 8 00:00:17,800 --> 00:00:20,542 INSTEAD, YOU AND J.R. JUST DECIDED 9 00:00:20,585 --> 00:00:22,413 WHAT WAS BEST FOR MY LIFE 10 00:00:22,457 --> 00:00:24,546 AND THEN PLAYED ME WHEN MY GUT TOLD ME 11 00:00:24,589 --> 00:00:26,243 THERE WAS SOMETHING UP WITH YOU TWO. 12 00:00:28,550 --> 00:00:30,508 [VOICE OF DAMON ECHOING] I TRUSTED YOU. 13 00:00:30,552 --> 00:00:32,641 ♪ TELL ME WHO GONNA TAKE CONTROL? ♪ 14 00:00:32,684 --> 00:00:35,644 ♪ TELL ME WHO GONNA TAKE CONTROL? ♪ 15 00:00:35,687 --> 00:00:38,995 [BREATHING HEAVILY] 16 00:00:40,518 --> 00:00:43,695 OH, NO. NOT TODAY. DAMON... 17 00:00:43,739 --> 00:00:47,090 ENOUGH WITH THE TINA HICKS SILENT TREATMENT. 18 00:00:47,134 --> 00:00:50,528 I APOLOGIZED. IT'S BEEN A WEEK. 19 00:00:52,400 --> 00:00:54,837 I MISS MY FRIEND, OK? 20 00:00:54,880 --> 00:00:57,318 LOOK, BABY SHAY'S IN TOWN THIS WEEKEND, 21 00:00:57,361 --> 00:00:59,189 AND I WOULD LOVE IF MY BLOOD FAMILY 22 00:00:59,233 --> 00:01:00,930 MET MY BRINGSTON FAMILY, 23 00:01:00,973 --> 00:01:03,063 IF YOU EVEN CONSIDER YOURSELF A PART OF THAT ANYMORE. 24 00:01:03,106 --> 00:01:05,978 I MISS MY FRIEND, TOO, BUT... 25 00:01:07,197 --> 00:01:09,678 BUT MY BRINGSTON FAMILY LIED TO ME ABOUT 26 00:01:09,721 --> 00:01:11,506 WHO MY BLOOD FAMILY MIGHT ACTUALLY BE. 27 00:01:11,549 --> 00:01:14,509 SO I'M NOT GONNA JUST TURN THE PAGE 28 00:01:14,552 --> 00:01:17,120 BECAUSE SIMONE HICKS WANTS ME TO. 29 00:01:17,164 --> 00:01:18,817 YO, HOLD UP. 30 00:01:18,861 --> 00:01:20,341 SIMONE AIN'T DESERVE THAT. 31 00:01:20,384 --> 00:01:21,994 IF YOU GONNA BE MAD AT SOMEBODY, BE MAD AT ME. 32 00:01:22,038 --> 00:01:23,605 I'M MAD AT ME, BRO, 33 00:01:23,648 --> 00:01:26,999 BECAUSE I TRUSTED Y'ALL NOT TO LIE TO ME. 34 00:01:28,827 --> 00:01:30,786 YOU CLEANED OUT YOUR LOCKER? 35 00:01:30,829 --> 00:01:33,832 YEAH, 'CAUSE ONCE I TALK TO COACH MARCUS, 36 00:01:33,876 --> 00:01:35,530 I'LL OFFICIALLY BE OFF THE TEAM. 37 00:01:40,317 --> 00:01:43,015 I CAN'T BELIEVE YOU FLEW IN FOR THE GAME. 38 00:01:43,059 --> 00:01:45,061 THIS IS JUST PRESEASON, MOM. 39 00:01:45,105 --> 00:01:46,889 WELL, IT'S THE FIRST GAME I GET TO WATCH 40 00:01:46,932 --> 00:01:51,415 NOT AS MOMAGER BUT JUST AS MOM. 41 00:01:51,459 --> 00:01:54,244 THIS RESET IS A BIG DEAL TO ME. 42 00:01:54,288 --> 00:01:55,941 YEAH, ME, TOO. 43 00:01:55,985 --> 00:01:56,942 HEY. 44 00:01:56,986 --> 00:01:58,553 YEAH? 45 00:01:58,596 --> 00:02:00,294 YOU WANT TO TELL ME WHAT'S WRONG? 46 00:02:00,337 --> 00:02:02,252 WHO SAID THAT SOMETHING'S WRONG? 47 00:02:02,296 --> 00:02:05,081 YOUR FACIAL EXPRESSION, YOUR TONE IN YOUR VOICE. 48 00:02:05,125 --> 00:02:06,865 I CAN GO ON, 49 00:02:06,909 --> 00:02:08,345 OR YOU CAN JUST TELL ME. 50 00:02:08,389 --> 00:02:13,524 MARCUS: MS. SIMS, IT'S GOOD TO SEE YOU. 51 00:02:13,568 --> 00:02:15,047 DAMON: GOOD MORNING, COACH. 52 00:02:15,091 --> 00:02:17,180 NOW, SHE KNOW YOU LYING. 53 00:02:17,224 --> 00:02:19,182 [LAUGHTER] 54 00:02:19,226 --> 00:02:21,097 YOU CAN RELAX. 55 00:02:21,141 --> 00:02:22,968 THE ONLY AGENDA I HAVE THIS TIME AROUND 56 00:02:23,012 --> 00:02:24,405 IS TO WATCH MY SON PLAY BASEBALL, 57 00:02:24,448 --> 00:02:25,841 NOTHING MORE. 58 00:02:25,884 --> 00:02:27,538 THEN IT IS REALLY GOOD TO SEE YOU, RIGHT? 59 00:02:27,582 --> 00:02:29,061 [LAUGHING] YOU, TOO. 60 00:02:29,105 --> 00:02:30,541 ALL RIGHT. DO YOU MIND IF I BORROW YOUR SON? 61 00:02:30,585 --> 00:02:32,500 YEAH, NOT AT ALL. SEE YOU. 62 00:02:32,543 --> 00:02:35,285 ALL RIGHT, FELLAS, HUDDLE UP. 63 00:02:35,329 --> 00:02:38,723 ONE OF YOUR NEW SPONSORS, MR. TIBBS' BARBECUE, 64 00:02:38,767 --> 00:02:40,508 IS HOLDING A FUNDRAISER 65 00:02:40,551 --> 00:02:42,292 FOR THE GEORGIA JUNIOR BASEBALL LEAGUE. 66 00:02:42,336 --> 00:02:44,294 AND THEY'VE ASKED TWO OF OUR PLAYERS TO BE THERE. 67 00:02:44,338 --> 00:02:46,078 IS THERE FREE BARBECUE INVOLVED, COACH? 68 00:02:46,122 --> 00:02:49,734 NO. BUT SHOWING THE COMMUNITY WE CAN BE OF SERVICE BY 69 00:02:49,778 --> 00:02:52,607 INSPIRING YOUNG BOYS IS, ALL RIGHT? 70 00:02:52,650 --> 00:02:55,479 NOW, I EXPECT VOLUNTEERS BY THE END OF PRACTICE. 71 00:02:55,523 --> 00:02:57,351 AND WE'RE TWO DAYS OUT FROM OUR SCRIMMAGE 72 00:02:57,394 --> 00:03:00,354 WITH EAST LENNOX UNIVERSITY, AND WE'RE A MAN DOWN. 73 00:03:00,397 --> 00:03:03,095 NOW, SOME OF YOU MAY KNOW THAT J.R. IS 74 00:03:03,139 --> 00:03:05,924 NO LONGER ON THIS TEAM, 75 00:03:05,968 --> 00:03:08,100 WHICH MEANS THERE'S A GAP IN THIS ROSTER, 76 00:03:08,144 --> 00:03:12,017 WHICH IS WHY I'M PUTTING SANTIAGO HERE AT CATCHER. 77 00:03:12,061 --> 00:03:14,281 YEAH. [PLAYERS CHEER] 78 00:03:14,324 --> 00:03:17,066 ALL RIGHT. COME ON, GUYS. GET TO IT. LET'S GO. 79 00:03:17,109 --> 00:03:19,111 COME ON! 80 00:03:19,155 --> 00:03:21,897 [MUSIC PLAYING, INDISTINCT CONVERSATION] 81 00:03:21,940 --> 00:03:23,115 [BABY TALK] 82 00:03:23,159 --> 00:03:25,944 WHO IS THAT... 83 00:03:25,988 --> 00:03:27,772 IS THAT WHO I THINK IT IS? 84 00:03:27,816 --> 00:03:29,426 HEY, SHANELLE. 85 00:03:29,470 --> 00:03:32,995 SIMONE: HEY. CAN YOU SAY "HI, AUNTIE AMARA"? 86 00:03:33,038 --> 00:03:36,259 CAN YOU SAY "AUNTIE"? HELLO. 87 00:03:36,303 --> 00:03:38,174 HELLO. HI. 88 00:03:38,218 --> 00:03:40,872 AREN'T YOU JUST THE SWEETEST THING? [RINGTONE] 89 00:03:40,916 --> 00:03:43,223 SIMONE: OOH, CAN YOU SHOW HER WHAT WE DO? 90 00:03:43,266 --> 00:03:44,746 CAN YOU SHOW HER WHAT WE DO? 91 00:03:44,789 --> 00:03:46,791 AMARA: WHAT IS THAT? 92 00:03:46,835 --> 00:03:48,402 IT'S AMERICAN SIGN LANGUAGE FOR "HUG." 93 00:03:48,445 --> 00:03:50,273 I TAUGHT HIM THAT BEFORE I LEFT FOR BRINGSTON. 94 00:03:50,317 --> 00:03:52,449 [SHAY FUSSES] SIMONE: YOU TIRED? 95 00:03:52,493 --> 00:03:54,886 YES... AMARA: EVERYTHING OK? 96 00:03:54,930 --> 00:03:58,586 NO. THE BABYSITTER JUST CANCELED FOR SUNDAY. 97 00:03:58,629 --> 00:04:01,284 THE WEDDING IS A NO KIDS EVENT. 98 00:04:01,328 --> 00:04:02,851 WELL, THAT'S NO PROBLEM. I CAN WATCH SHAY. 99 00:04:02,894 --> 00:04:04,244 I DON'T MIND. 100 00:04:04,287 --> 00:04:05,636 DON'T YOU HAVE THAT TENNIS THING? 101 00:04:05,680 --> 00:04:06,985 IT'S VOLUNTARY. 102 00:04:07,029 --> 00:04:08,378 I WOULD LOVE THAT. 103 00:04:08,422 --> 00:04:09,727 SHAY, DID YOU HEAR THAT? 104 00:04:09,771 --> 00:04:11,251 IT'S JUST ME AND YOU SUNDAY. 105 00:04:11,294 --> 00:04:13,470 IT'S GONNA BE A LIT WEEKEND. UH-HUH! 106 00:04:13,514 --> 00:04:15,298 [KNOCK ON DOOR] SHANELLE: COME HERE. 107 00:04:20,651 --> 00:04:22,087 [MUSIC STOPS] 108 00:04:22,131 --> 00:04:23,915 MOM. 109 00:04:23,959 --> 00:04:25,482 WHAT ARE YOU DOING HERE? 110 00:04:25,526 --> 00:04:29,399 WELL, HELLO TO YOU, TOO, SIMONE. 111 00:04:35,362 --> 00:04:39,104 ♪ LADIES AND GENTLEMEN, I SWEAR I FEEL SO GOOD ♪ 112 00:04:39,148 --> 00:04:40,628 ♪ YEAH 113 00:04:40,671 --> 00:04:42,630 ♪ WOKE UP FEELIN' FRESH, SO CLEAN ♪ 114 00:04:42,673 --> 00:04:44,371 ♪ I'MMA SHOW THIS WORLD WHO I BE... ♪ 115 00:04:44,414 --> 00:04:47,896 [NATHANIEL VOCALIZES, APPLAUSE] 116 00:04:47,939 --> 00:04:49,941 KEISHA: HEY! OK. HA HA! 117 00:04:49,985 --> 00:04:51,726 ALL RIGHT. WELL, I TAKE IT THAT EVERYONE FOUND OUT 118 00:04:51,769 --> 00:04:53,510 THAT I WON THE DANCE COMPETITION. 119 00:04:53,554 --> 00:04:56,034 AND THAT YOU'RE GONNA BE IN NORMANI'S MUSIC VIDEO. 120 00:04:56,078 --> 00:04:57,732 YEAH. IT'S LIKE THE TALK OF THE DORM. 121 00:04:57,775 --> 00:05:00,125 YOU'RE LIKE ROYALTY UP IN HERE. 122 00:05:00,169 --> 00:05:01,344 OK. [NATHANIEL CHUCKLES] 123 00:05:01,388 --> 00:05:04,173 AND HERE'S MY KNIGHT. 124 00:05:06,044 --> 00:05:07,219 HEY. 125 00:05:07,263 --> 00:05:09,483 HEY. 126 00:05:09,526 --> 00:05:11,572 ♪ GUN ON MY SIDE 127 00:05:11,615 --> 00:05:16,316 ♪ WE DID IT AGAIN LIKE BONNIE AND CLYDE... ♪ 128 00:05:16,359 --> 00:05:18,796 [CELL PHONE VIBRATING] KEISHA: MM, MM. 129 00:05:18,840 --> 00:05:21,321 HOLD ON. HOLD ON. HOLD ON. HOLD ON. 130 00:05:21,364 --> 00:05:22,539 OOH! 131 00:05:22,583 --> 00:05:24,193 [CLEARS THROAT] 132 00:05:24,236 --> 00:05:25,673 HI, DADDY. 133 00:05:25,716 --> 00:05:27,805 YEAH. I'M SORRY I CAN'T MAKE LUNCH TOMORROW. 134 00:05:27,849 --> 00:05:30,155 I HAVE TO STUDY FOR ORGANIC CHEMISTRY. 135 00:05:30,199 --> 00:05:34,029 YEAH. I LOVE YOU, TOO. OK, BYE. 136 00:05:34,072 --> 00:05:36,640 YOU ARE CAPPING SO HARD RIGHT NOW. 137 00:05:36,684 --> 00:05:39,208 NO, I'M NOT. I DO HAVE TO STUDY AT SOME POINT. 138 00:05:39,251 --> 00:05:40,862 WE ARE IN COLLEGE. 139 00:05:40,905 --> 00:05:42,298 YEAH, BUT YOU ALREADY TOLD ME YOU HAVE 140 00:05:42,342 --> 00:05:43,865 DANCE REHEARSAL FOR THAT VIDEO TOMORROW. 141 00:05:43,908 --> 00:05:45,170 WHY NOT KEEP IT 100 WITH YOUR POPS? 142 00:05:45,214 --> 00:05:46,694 BECAUSE HE DOESN'T NEED TO KNOW. 143 00:05:46,737 --> 00:05:49,000 IT'S JUST A ONE-TIME THING. 144 00:05:52,961 --> 00:05:54,832 LOOK, COACH, WITH ALL DUE RESPECT, 145 00:05:54,876 --> 00:05:56,704 I DON'T KNOW ABOUT SANTIAGO, ALL RIGHT? 146 00:05:56,747 --> 00:05:58,662 RESPECT WOULD'VE BEEN YOU ACCEPTING MY DECISION 147 00:05:58,706 --> 00:06:00,403 INSTEAD OF YOU COMING IN HERE TRYING TO CHANGE MY MIND, DAMON. 148 00:06:00,447 --> 00:06:02,231 I'M SORRY, BUT, LIKE, A CATCHER AND A PITCHER, 149 00:06:02,274 --> 00:06:03,972 THEY GOT TO BE IN SYNC. 150 00:06:04,015 --> 00:06:06,496 AND THAT AIN'T NEVER GONNA BE ME AND SANTIAGO. 151 00:06:06,540 --> 00:06:08,933 COME ON, COACH. HE'S RESENTED ME SINCE I JOINED THE TEAM. 152 00:06:08,977 --> 00:06:10,979 AND WE BOTH KNOW THAT HE IS A PAIN IN THE ASS. 153 00:06:11,022 --> 00:06:12,981 MAKE IT WORK, OK? 154 00:06:13,024 --> 00:06:15,026 I NEED YOU TWO PUTTING IN EXTRA WORK IN PRACTICE. 155 00:06:15,070 --> 00:06:16,811 OK. WHY HIM, THOUGH? 156 00:06:16,854 --> 00:06:18,682 HE'S A SMART PLAYER, HE HAS A STRONGER ARM THAN J.R., 157 00:06:18,726 --> 00:06:20,205 AND HE FOUGHT FOR IT. 158 00:06:20,249 --> 00:06:23,992 HE WENT AFTER J.R.'s SPOT? 159 00:06:24,035 --> 00:06:26,386 HE SHOWED ME SOMETHING, OK? 160 00:06:26,429 --> 00:06:29,127 I NEED PLAYERS LIKE HIM TO WIN AGAINST EAST LENNOX. 161 00:06:29,171 --> 00:06:30,825 EVERY SCRIMMAGE COUNTS, 162 00:06:30,868 --> 00:06:32,740 AND I NEED YOU NOT TO LOSE FOCUS 163 00:06:32,783 --> 00:06:34,524 OR GET DISTRACTED FROM YOUR MOM'S VISIT. 164 00:06:34,568 --> 00:06:38,180 NOW, IS EVERYTHING GOOD THERE? 165 00:06:38,223 --> 00:06:39,486 YEAH. 166 00:06:39,529 --> 00:06:41,357 THAT DOESN'T SOUND CONVINCING, DAMON. 167 00:06:41,401 --> 00:06:44,665 [EXHALES] 168 00:06:47,450 --> 00:06:50,410 I JUST--I GOT QUESTIONS ABOUT MY--MY ADOPTION 169 00:06:50,453 --> 00:06:52,020 AND MY BIRTH PARENTS. 170 00:06:52,063 --> 00:06:55,327 I DON'T KNOW HOW MY MOM'S GONNA TAKE THAT. 171 00:06:57,025 --> 00:06:58,809 IT'S A SHAME THE ADOPTIVE MOM AND SHAY 172 00:06:58,853 --> 00:07:00,420 COULDN'T STAY FOR DINNER. 173 00:07:00,463 --> 00:07:02,944 SHE HAS A NAME. 174 00:07:04,772 --> 00:07:06,687 IT'S SHANELLE. 175 00:07:06,730 --> 00:07:08,297 SHE LIVES IN YOUR CITY, 176 00:07:08,340 --> 00:07:10,517 SO YOU CAN HAVE DINNER WHENEVER YOU WANT. 177 00:07:10,560 --> 00:07:13,607 THAT DOESN'T QUITE SEEM APPROPRIATE. 178 00:07:13,650 --> 00:07:17,915 AMARA: OK! FOOD, YEAH? LET'S, UH... 179 00:07:17,959 --> 00:07:19,526 WHY ARE YOU HERE? 180 00:07:24,008 --> 00:07:25,706 AUNTIE, YOU DIDN'T. 181 00:07:25,749 --> 00:07:27,751 I JUST THOUGHT THIS WEEKEND WITH SHAY 182 00:07:27,795 --> 00:07:31,189 WOULD BE A GOOD TIME FOR SOME FAMILY CONNECTING 183 00:07:31,233 --> 00:07:33,888 AND TO FINALLY TALK THROUGH SOME THINGS 184 00:07:33,931 --> 00:07:36,064 NOW THAT EVERYONE HAS HAD SOME TIME APART. 185 00:07:36,107 --> 00:07:38,370 I WOULD'VE TOLD YOU 186 00:07:38,414 --> 00:07:40,938 IF SOMEONE HAD ACTUALLY CONFIRMED 187 00:07:40,982 --> 00:07:43,506 AND NOT JUST SHOWN UP. 188 00:07:43,550 --> 00:07:45,508 THE POINT IS I'M HERE NOW. 189 00:07:45,552 --> 00:07:47,902 WE SAID EVERYTHING WE NEEDED TO SAY BEFORE I LEFT. 190 00:07:47,945 --> 00:07:50,905 NO FAMILY CONNECTING NEEDED. 191 00:07:50,948 --> 00:07:51,949 [SIGHS] 192 00:07:51,993 --> 00:07:54,038 HONEY... 193 00:07:54,082 --> 00:07:57,651 I HATE THE WAY THAT WE LEFT THINGS. 194 00:07:57,694 --> 00:07:59,174 CAN WE DO LUNCH TOMORROW? 195 00:07:59,217 --> 00:08:00,262 NO. 196 00:08:02,917 --> 00:08:05,267 I'M WITH SHAY ALL AFTERNOON. 197 00:08:05,310 --> 00:08:07,356 THEN HOW ABOUT BRUNCH? 198 00:08:07,399 --> 00:08:09,576 AMARA: HOW ABOUT I JOIN YOU? 199 00:08:09,619 --> 00:08:12,187 I DON'T NEED A CHAPERONE TO HAVE BRUNCH WITH MY DAUGHTER. 200 00:08:12,230 --> 00:08:13,362 AGREE TO DISAGREE. 201 00:08:13,405 --> 00:08:14,972 SIMONE: IT'S FINE. 202 00:08:15,016 --> 00:08:16,626 I'LL GO ALONE. 203 00:08:16,670 --> 00:08:17,845 TINA: PERFECT. 204 00:08:17,888 --> 00:08:20,456 WE CAN BRUNCH ON CAMPUS. 205 00:08:20,500 --> 00:08:22,937 YOU CAN SHOW ME WHAT I'VE BEEN PAYING FOR. 206 00:08:29,030 --> 00:08:29,813 [MAN SINGING ON RADIO] ♪ THAT'S MY FAM 207 00:08:29,857 --> 00:08:32,555 ♪ THAT'S MY FAM, HEY ♪ 208 00:08:32,599 --> 00:08:35,515 ♪ NOBODY BE COOL LIKE ME... ♪ 209 00:08:35,558 --> 00:08:39,867 [CONTINUES, INDISTINCT] 210 00:08:39,910 --> 00:08:41,608 [SHUTS OFF ENGINE] 211 00:09:03,368 --> 00:09:06,284 J.R., WHAT ARE YOU DOING HERE? 212 00:09:06,328 --> 00:09:07,590 YOU SOLD THE HOUSE? 213 00:09:07,634 --> 00:09:10,767 WE FOUND AN AGGRESSIVE BUYER. 214 00:09:10,811 --> 00:09:14,031 IT ALL HAPPENED REALLY FAST. 215 00:09:14,075 --> 00:09:16,338 I'M SORRY YOU'RE FINDING OUT THIS WAY. 216 00:09:16,381 --> 00:09:17,731 WE WERE GONNA TELL YOU. 217 00:09:17,774 --> 00:09:19,341 WE WEREN'T EXPECTING YOU THIS WEEKEND. 218 00:09:19,384 --> 00:09:21,125 WELL, Y'ALL JUST TOLD ME Y'ALL WERE SPLITTING UP, 219 00:09:21,169 --> 00:09:23,171 AND NOW YOU'RE SELLING THE HOUSE? 220 00:09:23,214 --> 00:09:25,739 YOU'RE NOT EVEN GONNA TRY TO SEE A MARRIAGE COUNSELOR. 221 00:09:25,782 --> 00:09:27,392 YOU'RE JUST DONE, JUST LIKE THAT. 222 00:09:27,436 --> 00:09:29,394 THIS MUST SEEM QUICK TO YOU, 223 00:09:29,438 --> 00:09:32,702 BUT IT'S BEEN A LONG TIME COMING FOR US. 224 00:09:32,746 --> 00:09:35,313 SOMETIMES PEOPLE JUST FALL OUT OF LOVE. 225 00:09:35,357 --> 00:09:37,620 THAT'S ALL. 226 00:09:37,664 --> 00:09:40,144 BUT THAT DOESN'T MEAN WE DON'T LOVE YOU. 227 00:09:40,188 --> 00:09:42,843 THAT'S THE BEST Y'ALL GOT? 228 00:09:42,886 --> 00:09:44,801 THAT'S IT? 229 00:09:44,845 --> 00:09:47,978 TINA: LANGSTON HUGHES, ALTHEA GIBSON, 230 00:09:48,022 --> 00:09:49,632 TONI MORRISON. 231 00:09:49,676 --> 00:09:52,156 I DIDN'T REALIZE SO MANY OF OUR BEST AND BRIGHTEST 232 00:09:52,200 --> 00:09:53,767 WENT TO HBCUs. 233 00:09:53,810 --> 00:09:55,203 MOST PEOPLE DON'T. 234 00:09:55,246 --> 00:09:57,248 THAT'S WHY I LOVE BEING IN HERE. 235 00:09:57,292 --> 00:09:59,729 I GET TO BE SURROUNDED BY MY INSPIRATIONS 236 00:09:59,773 --> 00:10:01,035 ALL THE TIME. 237 00:10:01,078 --> 00:10:04,865 THERE'S NO DENYING THAT I WAS UPSET 238 00:10:04,908 --> 00:10:07,302 WHEN YOU CHOSE BRINGSTON OVER STANFORD. 239 00:10:07,345 --> 00:10:10,392 IT'S NOT OFTEN THAT I'M WRONG, 240 00:10:10,435 --> 00:10:12,046 BUT I WAS ABOUT THIS. 241 00:10:12,089 --> 00:10:13,961 I'M SORRY. ARE YOU MY MOTHER? 242 00:10:14,004 --> 00:10:15,658 IS SOMETHING WRONG? 243 00:10:15,702 --> 00:10:18,530 NO. [CHUCKLES] 244 00:10:18,574 --> 00:10:20,358 I'M TRULY SORRY. 245 00:10:22,970 --> 00:10:24,841 [CAMERA SHUTTER CLICKS] 246 00:10:24,885 --> 00:10:26,974 WOMAN: THAT WAS PERFECT. 247 00:10:27,017 --> 00:10:28,802 CANDIDS ARE ALWAYS THE WAY TO GO. 248 00:10:28,845 --> 00:10:31,543 I'M SORRY. WHO ARE YOU? 249 00:10:31,587 --> 00:10:33,589 SIMONE, THIS IS ASHLEY RYAN, 250 00:10:33,633 --> 00:10:35,417 A REPORTER WITH THE "ATLANTA LAW REVIEW," 251 00:10:35,460 --> 00:10:36,853 AND SHE'S EARLY. 252 00:10:36,897 --> 00:10:39,421 SORRY. I'M JUST SO EXCITED. 253 00:10:39,464 --> 00:10:41,075 I'M PROFILING 254 00:10:41,118 --> 00:10:43,686 THE TOP 100 BLACK FEMALE LAWYERS IN THE COUNTRY, 255 00:10:43,730 --> 00:10:45,296 ONE OF WHOM IS YOUR MOM. 256 00:10:45,340 --> 00:10:46,733 SO THIS IS WHY YOU'RE IN TOWN? 257 00:10:46,776 --> 00:10:49,387 YOU SET UP THIS PROFILE. 258 00:10:49,431 --> 00:10:52,608 WAS EVERYTHING YOU SAID JUST FOR THE PHOTO OP? 259 00:10:52,652 --> 00:10:55,393 WOW. I CAN'T BELIEVE YOU. 260 00:10:55,437 --> 00:10:57,613 I COULD BE SPENDING TIME WITH MY SON RIGHT NOW. 261 00:10:57,657 --> 00:10:59,223 ASHLEY: WAIT. YOU HAVE A SON? 262 00:10:59,267 --> 00:11:00,877 EXCUSE ME. YOU NEED TO MIND YOUR BUSINESS. 263 00:11:00,921 --> 00:11:03,575 UH, ASHLEY, CAN YOU GIVE US A MINUTE, PLEASE? 264 00:11:03,619 --> 00:11:04,664 YEAH. 265 00:11:08,624 --> 00:11:10,060 SPILLING OUR FAMILY BUSINESS. 266 00:11:10,104 --> 00:11:11,583 WHAT IS THE MATTER WITH YOU? 267 00:11:11,627 --> 00:11:14,108 ME? ARE YOU SERIOUS RIGHT NOW? 268 00:11:14,151 --> 00:11:16,153 MOM, THIS IS A NEW LOW, 269 00:11:16,197 --> 00:11:18,068 EVEN FOR YOU. 270 00:11:18,112 --> 00:11:19,113 I'M OUT. 271 00:11:19,156 --> 00:11:20,854 SIMONE, PLEASE. 272 00:11:20,897 --> 00:11:23,552 THIS ARTICLE IS IMPORTANT. 273 00:11:23,595 --> 00:11:25,902 WHAT IF I FIX THAT 274 00:11:25,946 --> 00:11:28,600 ROOM AND BOARD FINANCIAL MISUNDERSTANDING? 275 00:11:30,385 --> 00:11:32,256 SO YOU'RE BRIBING ME NOW? 276 00:11:33,954 --> 00:11:35,651 YOU KNOW WHAT? 277 00:11:35,695 --> 00:11:39,568 YOU CAN JUST TELL HER I SAID SHE'S MOTHER OF THE YEAR. 278 00:11:45,269 --> 00:11:46,836 IT'S JUST ME AND SANTIAGO, MOM. 279 00:11:46,880 --> 00:11:49,012 YOU DON'T NEED TO BE HERE. 280 00:11:49,056 --> 00:11:52,015 MM-MM. I CAME HERE FOR THE FULL MOM EXPERIENCE, 281 00:11:52,059 --> 00:11:53,756 AND THAT'S WHAT I'M GONNA GET. 282 00:11:53,800 --> 00:11:55,845 [CHUCKLES] 283 00:11:55,889 --> 00:11:57,499 BESIDES, I WANT TO SEE HOW YOU JELL WITH YOUR NEW CATCHER. 284 00:11:57,542 --> 00:11:59,719 MARCUS: ALL RIGHT. LET'S SEE WHAT YOU GOT. 285 00:12:01,372 --> 00:12:03,026 [MARCUS CLAPS] 286 00:12:15,996 --> 00:12:17,649 I THOUGHT YOU WERE THROWING HEAT. 287 00:12:17,693 --> 00:12:19,651 HAVE YOU EVEN PLAYED CATCHER BEFORE? 288 00:12:19,695 --> 00:12:22,437 JUST THROW THE DAMN BALL, DUDE. COME ON. 289 00:12:22,480 --> 00:12:24,395 LESS TALKING AND MORE BASEBALL. COME ON. 290 00:12:24,439 --> 00:12:26,833 THIS IS CRAZY, COACH. 291 00:12:26,876 --> 00:12:28,965 FASTBALL. 292 00:12:29,009 --> 00:12:31,576 ALL RIGHT. GIVE ME A THROW. 293 00:12:35,755 --> 00:12:38,670 YO, CATCH THE BALL, MAN. 294 00:12:38,714 --> 00:12:39,976 OH, MY GOD. COME ON. 295 00:12:40,020 --> 00:12:41,282 WHAT THE HELL WAS THAT, MAN? 296 00:12:41,325 --> 00:12:43,197 YOU'RE NOT GIVING ME A TARGET, BRO. 297 00:12:43,240 --> 00:12:45,242 WELL, YOU GOT TO LET ME KNOW WHAT YOU'RE THROWING. 298 00:12:45,286 --> 00:12:46,896 DAMON: NO, NO, NO. MY JOB IS TO THROW THE BALL, 299 00:12:46,940 --> 00:12:48,768 AND YOUR JOB IS TO CATCH THE BALL. 300 00:12:48,811 --> 00:12:50,291 WELL, YOUR JOB IS ALSO TO THROW A BALL THAT I CAN CATCH. 301 00:12:50,334 --> 00:12:52,510 YOU WANT ME TO GIVE YOU A BALL YOU CAN CATCH? 302 00:12:52,554 --> 00:12:54,121 SANTIAGO: YEAH. THAT'D BE GREAT. DAMON: ALL RIGHT. HOLD ON. 303 00:12:54,164 --> 00:12:55,122 -HERE YOU GO, BRO. -THANK YOU. 304 00:12:55,165 --> 00:12:56,297 -HERE. -YEAH. 305 00:12:56,340 --> 00:12:57,428 CATCH THAT. 306 00:12:57,472 --> 00:12:58,821 SANTIAGO: YO, WHAT THE...? 307 00:12:58,865 --> 00:12:59,822 HEY, HEY. 308 00:12:59,866 --> 00:13:01,519 THIS IS RIDICULOUS. 309 00:13:01,563 --> 00:13:02,825 IF YOU'RE NOT GONNA DO SOMETHING, THEN I WILL. 310 00:13:02,869 --> 00:13:04,392 HOLD ON, HOLD ON. I GOT IT. 311 00:13:04,435 --> 00:13:05,828 SANTIAGO: WHAT ARE YOU TALKING ABOUT RIGHT NOW? 312 00:13:05,872 --> 00:13:07,177 DAMON: ARE YOU CRAZY? 313 00:13:07,221 --> 00:13:09,049 YOU KNOW THERE'S NO YOU WITHOUT ME. 314 00:13:09,092 --> 00:13:10,528 -OH. -ALL RIGHT? DON'T FORGET THAT. 315 00:13:10,572 --> 00:13:11,965 -OH, REALLY? -YEAH, ME. 316 00:13:12,008 --> 00:13:13,967 AND THERE HE IS-- DAMON SIMS 1.0. 317 00:13:14,010 --> 00:13:15,055 YOU KNOW, I WAS WONDERING WHEN THE HELL HE'D SHOW UP. 318 00:13:15,098 --> 00:13:16,404 OK. WELL, HE'S RIGHT HERE... 319 00:13:16,447 --> 00:13:17,927 MARCUS: THANK YOU, GENTLEMEN! 320 00:13:20,887 --> 00:13:23,498 DAMON: FOR WHAT? 321 00:13:23,541 --> 00:13:26,893 FOR VOLUNTEERING FOR THE GEORGIA JUNIOR BASEBALL LEAGUE EVENT. 322 00:13:26,936 --> 00:13:28,546 NO, COACH, I CAN'T. 323 00:13:28,590 --> 00:13:30,505 COME ON, COACH. I CAN'T. I GOT PLANS WITH MY MOM. 324 00:13:30,548 --> 00:13:32,463 TOO BAD, OK? WHETHER YOU LIKE IT OR NOT, 325 00:13:32,507 --> 00:13:34,770 YOU TWO ARE GONNA LEARN TO GET ALONG. 326 00:13:40,297 --> 00:13:41,821 ♪ I CAN'T WAIT, ANTICIPATIN' ALL DAY ♪ 327 00:13:41,864 --> 00:13:45,737 ♪ YOUR PLACE, MY PLACE, ANYPLACE IS OK... ♪ 328 00:13:45,781 --> 00:13:47,914 KEISHA: HEY. NATHANIEL: HEY, SIS. 329 00:13:47,957 --> 00:13:49,045 HOW WAS REHEARSAL? 330 00:13:49,089 --> 00:13:50,873 REALLY DOPE. 331 00:13:50,917 --> 00:13:52,832 YEAH, THEY HAD AN OPENING FOR A LEAD DANCER, 332 00:13:52,875 --> 00:13:55,356 BUT I DIDN'T GET IT. 333 00:13:55,399 --> 00:13:57,010 IT'S ALL GOOD, THOUGH. I'M STILL DANCING BACKUP. 334 00:13:57,053 --> 00:13:59,664 AND YOU WERE IN THE ROOM WHERE IT HAPPENED. 335 00:13:59,708 --> 00:14:01,057 THAT'S NOT NOTHING. 336 00:14:01,101 --> 00:14:02,580 SHE'S RIGHT. 337 00:14:02,624 --> 00:14:04,278 [MUSIC PLAYING] 338 00:14:05,975 --> 00:14:09,457 OK. BABY BUMPERS, TOYS, OUTLET COVERS. 339 00:14:09,500 --> 00:14:11,720 IS...IS BABY SHAY PULLING UP? 340 00:14:11,763 --> 00:14:14,157 I'M BABYSITTING TOMORROW. 341 00:14:14,201 --> 00:14:16,290 OK. SO YOU MEAN WE'RE BABYSITTING? 342 00:14:16,333 --> 00:14:18,205 WHY DON'T YOU SEEM MORE EXCITED? 343 00:14:18,248 --> 00:14:19,946 SHE'S STILL TRAPPED 344 00:14:19,989 --> 00:14:22,078 IN THE AURA OF BRUNCH WITH HER MOTHER. 345 00:14:22,122 --> 00:14:24,167 OH, GIRL, I'M SORRY. WAS IT REALLY THAT BAD? 346 00:14:24,211 --> 00:14:26,169 SHE LITERALLY TRIED TO BRIBE ME 347 00:14:26,213 --> 00:14:27,823 TO BE IN SOME STUPID MAGAZINE ARTICLE. 348 00:14:27,867 --> 00:14:30,957 I MEAN, BRIBING BAD, YES, 349 00:14:31,000 --> 00:14:32,915 BUT YOU COULD USE THE EXTRA CASH. 350 00:14:32,959 --> 00:14:35,048 IF I TAKE THE MONEY NOW, THEN THAT MEANS 351 00:14:35,091 --> 00:14:37,398 I'M COSIGNING HOW SHE TREATS ME, AND I'M NOT ABOUT THAT. 352 00:14:37,441 --> 00:14:40,096 HMM. STAYING BROKE. THAT'LL SHOW HER. 353 00:14:40,140 --> 00:14:41,619 SIMONE: THIS IS NOT TO PROVE A POINT TO HER. 354 00:14:41,663 --> 00:14:43,795 SHE'S NOT GONNA CHANGE. 355 00:14:43,839 --> 00:14:46,233 THIS IS PROBABLY HOW SHE'S ALWAYS BEEN. 356 00:14:46,276 --> 00:14:48,626 SANTIAGO LIKES TO TALK TRASH, 357 00:14:48,670 --> 00:14:50,324 BUT HE CAN'T CATCH A PITCH. 358 00:14:50,367 --> 00:14:52,152 AND WHAT'S YOUR EXCUSE FOR YOUR BEHAVIOR? 359 00:14:52,195 --> 00:14:54,632 YOU WERE OFF BEFORE YOU LEARNED 360 00:14:54,676 --> 00:14:56,373 SANTIAGO REPLACED J.R., 361 00:14:56,417 --> 00:15:00,073 SO MY GUESS IS NONE OF THIS IS REALLY ABOUT SANTIAGO. 362 00:15:00,116 --> 00:15:03,903 I JUST--I THOUGHT I WAS BUILDING A FAMILY HERE, MOM. 363 00:15:05,774 --> 00:15:08,690 AND SIMONE AND J.R., THEY LIED TO ME 364 00:15:08,733 --> 00:15:10,648 ABOUT SOMETHING THAT WAS REALLY IMPORTANT. 365 00:15:10,692 --> 00:15:14,000 WELL, WHAT WAS THE LIE ABOUT, HUH? 366 00:15:14,043 --> 00:15:15,697 WHAT WAS SO IMPORTANT THAT YOU WOULD BE WILLING 367 00:15:15,740 --> 00:15:18,178 TO CUT THEM OFF FOREVER? 368 00:15:18,221 --> 00:15:20,006 LOOK, BABY, I KNOW 369 00:15:20,049 --> 00:15:24,140 THAT TRUST IS HARD TO BUILD, AND IT'S EASY TO LOSE, 370 00:15:24,184 --> 00:15:26,447 BUT THAT DOESN'T MEAN IT CAN'T BE FOUND AGAIN. 371 00:15:26,490 --> 00:15:30,146 HEY, YOU ARE BUILDING A FAMILY HERE 372 00:15:30,190 --> 00:15:33,193 ON AND OFF THE FIELD, 373 00:15:33,236 --> 00:15:35,456 SO DON'T LET DRAMA IN ONE PART OF YOUR FAMILY 374 00:15:35,499 --> 00:15:37,893 AFFECT THE OTHER, ALL RIGHT? 375 00:15:44,813 --> 00:15:46,946 COACH MARCUS CALLED. 376 00:15:46,989 --> 00:15:49,296 WHEN WERE YOU GONNA TELL ME YOU QUIT THE BASEBALL TEAM? 377 00:15:49,339 --> 00:15:50,993 I GUESS I HADN'T GOTTEN AROUND TO IT. 378 00:15:51,037 --> 00:15:52,734 WE'RE GOING BACK TO BRINGSTON, 379 00:15:52,777 --> 00:15:54,301 YOU'RE GOING TO TELL MARCUS YOU MADE A MISTAKE. 380 00:15:54,344 --> 00:15:56,346 I'M NOT DOING THAT. IT IS DONE. 381 00:15:56,390 --> 00:16:01,525 YOU ARE TURNING YOUR BACK ON OUR TEAM. 382 00:16:01,569 --> 00:16:03,614 YOU WERE SUPPOSED TO BE PART OF THAT LEGACY, 383 00:16:03,658 --> 00:16:05,181 JUST LIKE ME, JUST LIKE YOUR GRANDFATHER. 384 00:16:05,225 --> 00:16:07,792 PLANS CHANGE. 385 00:16:07,836 --> 00:16:09,011 "PLANS CHANGE"? 386 00:16:09,055 --> 00:16:10,708 DO YOU UNDERSTAND 387 00:16:10,752 --> 00:16:12,928 HOW HARD WE ALL FOUGHT TO GET YOU HERE? 388 00:16:12,972 --> 00:16:15,148 YOU WERE SO WEAK AS A KID, 389 00:16:15,191 --> 00:16:17,541 I DIDN'T THINK YOU WOULD EVER RUN, LET ALONE PICK UP A BAT. 390 00:16:17,585 --> 00:16:19,804 YOUR APLASTIC ANEMIA WAS CRIPPLING, 391 00:16:19,848 --> 00:16:21,632 BUT YOU WERE A FIGHTER. 392 00:16:21,676 --> 00:16:23,939 YOU DEFIED THE ODDS. 393 00:16:23,983 --> 00:16:25,941 I NEVER DREAMED THAT KID 394 00:16:25,985 --> 00:16:27,638 WOULD GROW UP TO BECOME A QUITTER. 395 00:16:31,338 --> 00:16:33,514 ♪ LET ME TELL YOU ABOUT WHAT I KNOW ♪ 396 00:16:33,557 --> 00:16:35,733 ♪ GOT ONE IN THE POCKET AND TWO ON THE FLOOR ♪ 397 00:16:35,777 --> 00:16:37,561 ♪ THREE IN THE DASH, AND BANKED SOME CASH ♪ 398 00:16:37,605 --> 00:16:38,562 ♪ I'M A REAL BAD BOY... 399 00:16:38,606 --> 00:16:40,042 KID: HI. UM... 400 00:16:40,086 --> 00:16:41,652 DAMON: WELL, WHAT'S UP, LITTLE BROTHER? 401 00:16:41,696 --> 00:16:43,959 HE TOLD ME TO TELL YOU 402 00:16:44,003 --> 00:16:45,482 THERE'S NO YOU WITHOUT HIM. 403 00:16:45,526 --> 00:16:47,876 DAMON: HEH. THANKS, BRO. 404 00:16:47,919 --> 00:16:49,399 [SIGHS] 405 00:16:49,443 --> 00:16:51,314 YO, WHAT THE HELL ARE YOU DOING? 406 00:16:51,358 --> 00:16:52,924 VOLUNTEERING. 407 00:16:52,968 --> 00:16:54,448 MM. OK. 408 00:16:54,491 --> 00:16:56,798 OH. AND QUOTING THE GREAT DAMON SIMS. 409 00:16:56,841 --> 00:16:59,105 [CLICKS TONGUE] OOH. 410 00:16:59,148 --> 00:17:01,585 YOU NEED TO KEEP MY NAME OUT YOUR MOUTH. 411 00:17:01,629 --> 00:17:03,283 IS THAT RIGHT? 412 00:17:04,675 --> 00:17:06,547 HI. 413 00:17:06,590 --> 00:17:07,678 SANTIAGO: WHAT'S UP, GUYS? DAMON: HEY. 414 00:17:07,722 --> 00:17:08,940 CAN YOU SIGN MY BASEBALL? 415 00:17:08,984 --> 00:17:10,072 OF COURSE. 416 00:17:10,116 --> 00:17:11,856 BUT I WANT DAMON'S, THOUGH. 417 00:17:11,900 --> 00:17:14,642 DAMON: THAT FIGURES, MAN. [CHUCKLING] 418 00:17:14,685 --> 00:17:15,643 WILL YOU SIGN MINE? 419 00:17:15,686 --> 00:17:17,601 YEAH, MAN, I WILL. 420 00:17:19,125 --> 00:17:20,561 DAMON: SO, UH, TALK TO ME. 421 00:17:20,604 --> 00:17:22,824 WHEN YOU GROW UP, WHAT, YOU WANT TO GO PRO? 422 00:17:22,867 --> 00:17:25,174 I WANT TO PLAY BASEBALL AT BRINGSTON LIKE YOU. 423 00:17:25,218 --> 00:17:27,002 OTHER KID: ME, TOO. 424 00:17:27,046 --> 00:17:30,788 I DIDN'T KNOW WE COULD DO THAT. 425 00:17:30,832 --> 00:17:32,877 [MUSIC STARTS] 426 00:17:32,921 --> 00:17:35,489 CAM ON VIDEO: ♪ MOMENT OF HONESTY 427 00:17:35,532 --> 00:17:38,057 ♪ SOMEONE'S GOT TO TAKE THE LEAD TONIGHT... ♪ 428 00:17:38,100 --> 00:17:40,059 CAM: REALLY? THEY MADE YOU A BACKUP? 429 00:17:40,102 --> 00:17:41,669 MAN. I BET NOBODY AT THAT AUDITION 430 00:17:41,712 --> 00:17:43,149 DANCED LIKE YOU. 431 00:17:43,192 --> 00:17:45,107 THE CHOREOGRAPHER PULLED ME ASIDE AT THE END. 432 00:17:45,151 --> 00:17:48,284 SHE SAID THAT I WAS GOOD, BUT SHE HEARD THAT I'M PRE-MED, 433 00:17:48,328 --> 00:17:49,938 SO SHE DOESN'T THINK THAT I'LL BE ABLE TO COMMIT 434 00:17:49,981 --> 00:17:53,202 TO ALL THE DANCE REHEARSALS, AND SHE'S NOT WRONG. 435 00:17:53,246 --> 00:17:56,162 SO YOU FINALLY DROPPING PRE-MED OR WHAT? 436 00:17:56,205 --> 00:17:58,251 CAM, IT'S NOT THAT SIMPLE. 437 00:17:58,294 --> 00:18:00,253 NAH, YOU MAKING IT COMPLICATED. 438 00:18:00,296 --> 00:18:02,298 LOOK, WHEN I WAS IN HIGH SCHOOL, 439 00:18:02,342 --> 00:18:04,126 I PLAYED BASEBALL AND FOOTBALL. 440 00:18:04,170 --> 00:18:05,954 I WAS GOOD AT BOTH, 441 00:18:05,997 --> 00:18:07,651 BUT I WANTED TO BE GREAT AT ONE, 442 00:18:07,695 --> 00:18:09,740 SO I HAD TO DROP THE OTHER. 443 00:18:09,784 --> 00:18:11,699 MY DAD WOULD KILL ME. 444 00:18:11,742 --> 00:18:14,397 ALL RIGHT. [EXHALES] 445 00:18:14,441 --> 00:18:16,486 ENOUGH, KEISHA. 446 00:18:16,530 --> 00:18:18,488 LOOK, YOUR FEAR OF YOUR POPS JUST COST YOU 447 00:18:18,532 --> 00:18:21,187 A DREAM JOB AS A LEAD DANCER. 448 00:18:21,230 --> 00:18:23,493 HOW MUCH MORE ARE YOU WILLING TO SACRIFICE? 449 00:18:26,540 --> 00:18:28,281 I--I GET THAT YOU'RE SCARED, 450 00:18:28,324 --> 00:18:31,414 BUT IT'S TIME YOU FIGHT FOR WHAT YOU WANT. 451 00:18:31,458 --> 00:18:35,331 I BELIEVE IN YOU. A LOT OF US DO. 452 00:18:35,375 --> 00:18:37,638 WHEN YOU GONNA BELIEVE IN YOURSELF? 453 00:18:39,248 --> 00:18:41,555 WOMAN: OK, BOYS, TIME TO GO. 454 00:18:41,598 --> 00:18:43,774 KID: W--WAIT. ONE MORE QUESTION. 455 00:18:43,818 --> 00:18:45,472 HOW MUCH MONEY THEY PAY YOU GUYS? 456 00:18:45,515 --> 00:18:47,865 UH... 457 00:18:47,909 --> 00:18:49,563 THEY PAY US WITH AN EDUCATION, MAN. 458 00:18:49,606 --> 00:18:52,174 DAMON: YEAH. THAT COMES FIRST. 459 00:18:52,218 --> 00:18:53,828 AND IF YOU WANT TO GO TO BRINGSTON, 460 00:18:53,871 --> 00:18:55,351 YOU'RE GONNA HAVE TO WORK REAL HARD. 461 00:18:55,395 --> 00:18:57,005 YOU HAVE TO BE LEADERS. 462 00:18:57,048 --> 00:18:58,833 THAT MEANS KEEPING YOUR ATTITUDES IN CHECK 463 00:18:58,876 --> 00:19:00,487 AND BEING GOOD EXAMPLES. 464 00:19:03,359 --> 00:19:05,927 UH, YEAH, IF YOU WANT TO COME TO AN HBCU, 465 00:19:05,970 --> 00:19:07,624 YOU GOT TO COME CORRECT, MAN. 466 00:19:07,668 --> 00:19:09,409 IT'S NOT ABOUT WHO YOU ARE. 467 00:19:09,452 --> 00:19:11,541 IT'S NOT WHERE YOU COME FROM. 468 00:19:11,585 --> 00:19:14,631 LIKE, WE REPRESENT SOMETHING BIGGER THAN OURSELVES. 469 00:19:14,675 --> 00:19:16,459 WORD. 470 00:19:16,503 --> 00:19:18,331 ALL RIGHT, BROTHERS. CONGRATULATIONS, MAN. 471 00:19:18,374 --> 00:19:20,028 DAMON: ALL RIGHT. SEE YOU. SANTIAGO: ALL RIGHT, BUDDY. 472 00:19:20,071 --> 00:19:21,029 THANK YOU, GUYS. 473 00:19:21,072 --> 00:19:22,596 SEE YOU. 474 00:19:24,206 --> 00:19:27,644 MAN. THAT WAS DOPE, DUDE. 475 00:19:27,688 --> 00:19:29,603 I THINK WE'RE LIKE THEIR HEROES 476 00:19:29,646 --> 00:19:31,213 OR SOMETHING, BRO. 477 00:19:31,257 --> 00:19:33,868 YEAH. I STILL REMEMBER MEETING MINE, MAN. 478 00:19:33,911 --> 00:19:35,435 THE BARRANQUILLA BABY. 479 00:19:35,478 --> 00:19:37,045 COME ON! I MEAN, MOST PEOPLE, THEY GO WITH JETER 480 00:19:37,088 --> 00:19:38,655 WHEN YOU'RE TALKING ABOUT A SHORTSTOP. 481 00:19:38,699 --> 00:19:40,570 RENTERIA. DON'T GET ME WRONG. 482 00:19:40,614 --> 00:19:42,442 HE WAS GOOD, BUT, I MEAN, 483 00:19:42,485 --> 00:19:44,966 HE WASN'T SETTING RECORDS, BROTHER. HA HA! 484 00:19:45,009 --> 00:19:47,229 IT'S NOT ABOUT WHAT HE WAS DOING ON THE FIELD, MAN. 485 00:19:47,273 --> 00:19:49,188 HE COACHES PROMISING YOUNG BALLPLAYERS 486 00:19:49,231 --> 00:19:50,798 BACK IN COLOMBIA. 487 00:19:50,841 --> 00:19:52,800 WHEN I WAS A KID, MY DAD TOOK ME TO MEET HIM 488 00:19:52,843 --> 00:19:54,323 BEFORE I CAME TO AMERICA. 489 00:19:54,367 --> 00:19:55,890 YOUR POPS STILL IN COLOMBIA? 490 00:19:55,933 --> 00:19:59,285 YEAH, UNTIL I CAN AFFORD TO BRING HIM OUT HERE. 491 00:19:59,328 --> 00:20:02,418 SO THAT IS WHY I HAVE TO MAKE IT TO THE MAJORS. 492 00:20:03,680 --> 00:20:05,987 GO AHEAD. SAY IT. I KNOW YOU'RE THINKING IT, 493 00:20:06,030 --> 00:20:07,206 SO JUST SAY IT. 494 00:20:07,249 --> 00:20:09,077 NO, LIKE, UH... [CHUCKLES] 495 00:20:09,120 --> 00:20:11,862 FOR THE FIRST TIME, I'M RISING ABOVE, BRO. 496 00:20:11,906 --> 00:20:14,909 I'M TOO SLOW FOR THE MAJORS, 497 00:20:14,952 --> 00:20:17,738 AT LEAST AT SHORTSTOP. 498 00:20:17,781 --> 00:20:20,958 SO THAT'S WHY YOU WENT AFTER J.R.'s SPOT. 499 00:20:21,002 --> 00:20:23,265 'CAUSE AT CATCH, YOU'D BE IN HIGH DEMAND. 500 00:20:23,309 --> 00:20:25,136 [CHUCKLES] 501 00:20:25,180 --> 00:20:27,095 ALL RIGHT, ALL RIGHT. 502 00:20:27,138 --> 00:20:30,272 RESPECT, MAN. 503 00:20:30,316 --> 00:20:31,926 FOR REAL. 504 00:20:31,969 --> 00:20:33,319 THANK YOU. 505 00:20:33,362 --> 00:20:35,321 SO I TOLD YOU ABOUT MY OLD MAN. 506 00:20:35,364 --> 00:20:36,844 WHAT ABOUT YOURS? 507 00:20:36,887 --> 00:20:39,281 UM, HE'S AROUND, 508 00:20:39,325 --> 00:20:42,589 JUST NOT AS ACCESSIBLE. 509 00:20:42,632 --> 00:20:45,418 I GOT YOU. 510 00:20:45,461 --> 00:20:48,029 AMARA: HEY, DINNER WILL BE READY IN A FEW. 511 00:20:48,072 --> 00:20:50,510 I'M ACTUALLY NOT STAYING. 512 00:20:50,553 --> 00:20:52,294 I CAME TO TELL MY MOTHER THAT 513 00:20:52,338 --> 00:20:54,035 I DON'T NEED ANYTHING FROM HER ANYMORE. 514 00:20:54,078 --> 00:20:56,298 I'LL GET STUDENT LOANS AND ANOTHER JOB 515 00:20:56,342 --> 00:20:58,692 TO PAY THE REST OF MY TUITION AT BRINGSTON 516 00:20:58,735 --> 00:21:00,476 IF I HAVE TO 'CAUSE I DON'T NEED YOU 517 00:21:00,520 --> 00:21:02,086 TRYING TO BRIBE ME AGAIN. 518 00:21:02,130 --> 00:21:05,176 TINA, WHAT DID YOU DO? 519 00:21:05,220 --> 00:21:07,918 SHE'S BEING OVERLY DRAMATIC. 520 00:21:07,962 --> 00:21:09,964 THE "ATLANTA LAW REVIEW" ASKED TO DO 521 00:21:10,007 --> 00:21:11,531 A PROFILE ON ME. 522 00:21:11,574 --> 00:21:13,750 IT COULD BE A BIG BOOST IN MY CAREER. 523 00:21:13,794 --> 00:21:15,926 ALL SIMONE HAD TO DO WAS PARTICIPATE. 524 00:21:15,970 --> 00:21:17,754 AMARA: AFTER EVERYTHING YOU'VE PUT THIS CHILD THROUGH, 525 00:21:17,798 --> 00:21:20,191 YOU SHOULDN'T BE ASKING HER TO DO ANYTHING. 526 00:21:20,235 --> 00:21:22,542 I'M MAKING UP FOR THAT CHUNK OF LOST TIME AT THE START OF MY CAREER. 527 00:21:22,585 --> 00:21:25,588 IS HER PARTICIPATION REALLY SO MUCH TO ASK? 528 00:21:25,632 --> 00:21:27,547 WHAT CHUNK OF LOST TIME, MOM? 529 00:21:27,590 --> 00:21:29,549 YOU'RE ONE OF THE TOP LAWYERS IN L.A. 530 00:21:29,592 --> 00:21:32,943 AT MY AGE, I SHOULD OWN MY OWN FIRM BY NOW. 531 00:21:32,987 --> 00:21:36,164 I'VE BEEN PLAYING CATCH-UP EVER SINCE I GRADUATED FROM HARVARD LAW. 532 00:21:36,207 --> 00:21:38,906 BECAUSE YOU TOOK THAT LEAVE OF ABSENCE TO DO THAT FELLOWSHIP. 533 00:21:38,949 --> 00:21:40,386 THAT WAS YOUR CHOICE, TINA. 534 00:21:40,429 --> 00:21:41,909 AMARA, THERE WAS NO FELLOWSHIP. 535 00:21:41,952 --> 00:21:43,432 I DIDN'T TAKE A LEAVE OF ABSENCE. 536 00:21:43,476 --> 00:21:44,955 I DROPPED OUT OF LAW SCHOOL. 537 00:21:44,999 --> 00:21:49,090 WHAT? I DON'T UNDERSTAND. 538 00:21:49,133 --> 00:21:51,005 AFTER DAD DIED AND WE SETTLED HIS ESTATE, 539 00:21:51,048 --> 00:21:53,964 THERE WASN'T ENOUGH MONEY LEFT FOR YOU TO STAY AT BRINGSTON 540 00:21:54,008 --> 00:21:55,575 AND ME AT HARVARD LAW. 541 00:21:55,618 --> 00:21:57,446 A CHOICE HAD TO BE MADE. 542 00:21:57,490 --> 00:21:59,883 AND I CHOSE YOU AND DROPPED OUT OF LAW SCHOOL, 543 00:21:59,927 --> 00:22:02,321 SO YOU COULD PURSUE YOUR JOURNALISM DREAM. 544 00:22:02,364 --> 00:22:07,630 YOU LIED TO ME FOR ALMOST TWO DECADES? 545 00:22:07,674 --> 00:22:09,284 I SUPPORTED YOU. 546 00:22:09,328 --> 00:22:10,764 [SCOFFS] 547 00:22:10,807 --> 00:22:13,680 SIMONE: SO YOU CAN SUPPORT AUNT AMARA 548 00:22:13,723 --> 00:22:15,334 BACK IN THE DAY, BUT... 549 00:22:16,683 --> 00:22:19,076 NOT ONCE HAVE YOU EVER SUPPORTED ME 550 00:22:19,120 --> 00:22:21,688 IN MY ENTIRE DAMN LIFE. 551 00:22:23,385 --> 00:22:26,519 AMARA: SIMONE, HONEY. 552 00:22:26,562 --> 00:22:28,347 TINA: IT'S-- AMARA: UH-UH. 553 00:22:28,390 --> 00:22:30,566 YOU AND I NEED TO FINISH 554 00:22:30,610 --> 00:22:32,742 THIS CONVERSATION NOW. 555 00:22:38,139 --> 00:22:40,010 WHY DIDN'T YOU TELL ME ABOUT HARVARD? 556 00:22:40,054 --> 00:22:41,838 IF I TOLD YOU, THEN YOU NEVER WOULD'VE STAYED AT BRINGSTON. 557 00:22:41,882 --> 00:22:43,797 AFTER, I DIDN'T SEE THE POINT. 558 00:22:43,840 --> 00:22:46,190 WHAT'S IN THE PAST IS IN THE PAST. 559 00:22:46,234 --> 00:22:47,888 BUT IT'S NOT. 560 00:22:47,931 --> 00:22:51,239 YOU RESENTED ME AND PUT A DISTANCE BETWEEN US. 561 00:22:51,282 --> 00:22:55,243 YOU'VE CRITIQUED EVERY ADULT DECISION I MADE, 562 00:22:55,286 --> 00:22:57,637 WHAT MAN I DATED-- 563 00:22:57,680 --> 00:23:00,466 YEAH, I KNOW ABOUT THAT-- 564 00:23:00,509 --> 00:23:02,729 WHAT COLLEGE I WENT TO. 565 00:23:02,772 --> 00:23:04,948 BECAUSE I DIDN'T SACRIFICE 566 00:23:04,992 --> 00:23:07,821 FOR YOU TO SETTLE ON BEING A PROFESSOR AT SOME HBCU. 567 00:23:07,864 --> 00:23:12,391 YOU WERE SUPPOSED TO BE AN AWARD-WINNING JOURNALIST. 568 00:23:12,434 --> 00:23:14,958 THAT WAS YOUR DREAM FOR ME, TINA, NOT MINE. 569 00:23:15,002 --> 00:23:17,221 I CHASED AND CAUGHT MY DREAM. 570 00:23:17,265 --> 00:23:20,094 HAVE YOU, THOUGH? IF SO, WHY ARE YOU LETTING IT 571 00:23:20,137 --> 00:23:21,922 JUST SLIP THROUGH YOUR FINGERS, 572 00:23:21,965 --> 00:23:24,272 LETTING THESE TRUSTEE PEOPLE RAILROAD YOU, 573 00:23:24,315 --> 00:23:26,709 CUT YOUR CLASSES? 574 00:23:26,753 --> 00:23:30,060 WHERE IS THE AMARA THAT I SACRIFICED FOR? 575 00:23:33,803 --> 00:23:37,851 SIMONE: SHAY BEING HERE IS EXACTLY WHAT I NEED. 576 00:23:37,894 --> 00:23:39,722 YOU'RE GONNA DO GREAT. 577 00:23:39,766 --> 00:23:41,550 ALL RIGHT. WELL, IT IS TIME FOR ME 578 00:23:41,594 --> 00:23:43,073 TO GO CALM DOWN THE BRIDE. 579 00:23:43,117 --> 00:23:44,466 I'LL SEE YOU LATER? 580 00:23:44,510 --> 00:23:45,728 SIMONE: YES. SHANELLE: ALL RIGHT. 581 00:23:45,772 --> 00:23:47,687 -BYE. -SAY "BYE, MOMMY." 582 00:23:47,730 --> 00:23:49,036 -BYE-BYE. -SAY "BYE, MOMMY." 583 00:23:49,079 --> 00:23:50,429 SEE YOU LATER. 584 00:23:50,472 --> 00:23:52,431 ALL RIGHT, SHAY, 585 00:23:52,474 --> 00:23:54,998 WE'RE GONNA HAVE SO MUCH FUN, RIGHT? 586 00:23:55,042 --> 00:23:57,131 WE'RE GONNA HAVE SO MUCH FUN... 587 00:23:57,174 --> 00:23:58,393 [BABY SHAY CRYING] SIMONE: HI! 588 00:23:58,437 --> 00:24:00,482 WHY DON'T YOU--CAN YOU SMILE? 589 00:24:02,353 --> 00:24:04,530 CAN YOU--PEEK-A-BOO! 590 00:24:04,573 --> 00:24:07,576 AH. PEEK-A-BOO! PEEK-A-BOO. 591 00:24:07,620 --> 00:24:09,230 IT'S NOT WORKING...OK? 592 00:24:09,273 --> 00:24:10,449 [WEAKLY] PEEK-A-BOO. 593 00:24:10,492 --> 00:24:11,624 UH, OK. 594 00:24:11,667 --> 00:24:12,625 I'M SERVING FOR THE BABY. 595 00:24:12,668 --> 00:24:13,626 YOU ARE. 596 00:24:13,669 --> 00:24:16,672 OOH! OOH! 597 00:24:16,716 --> 00:24:18,631 [DEADPAN] HI. 598 00:24:18,674 --> 00:24:20,197 PLEASE DON'T MAKE ME DO THIS ANYMORE. 599 00:24:20,241 --> 00:24:24,114 [CRYING] 600 00:24:24,158 --> 00:24:26,073 IT'S NOT WORKING. UM... 601 00:24:26,116 --> 00:24:28,467 OK, UM, CAN YOU DO THIS? 602 00:24:28,510 --> 00:24:30,469 CAN YOU SHOW THEM WHAT WE DO, SHAY, HUH? 603 00:24:30,512 --> 00:24:32,601 YOU TRYING TO TEACH YOUR BABY "WAKANDA FOREVER"? 604 00:24:32,645 --> 00:24:34,603 IT IS HOW YOU SAY "HUG." 605 00:24:34,647 --> 00:24:35,691 OH. 606 00:24:35,735 --> 00:24:36,736 COME ON. 607 00:24:36,779 --> 00:24:38,868 HOW YOU SAY "STOP CRYING"? 608 00:24:43,917 --> 00:24:46,702 PLEASE. 609 00:24:46,746 --> 00:24:50,401 [CROWD CLAPPING AND SPEAKING EXCITEDLY] 610 00:24:52,491 --> 00:24:53,622 LET'S GO! 611 00:24:53,666 --> 00:24:54,884 ♪ HERE WE GO 612 00:24:54,928 --> 00:24:56,582 ♪ NA NA NA NA NA 613 00:24:56,625 --> 00:24:58,540 ♪ NA NA NA NA NA 614 00:24:58,584 --> 00:24:59,672 ♪ YEAH 615 00:24:59,715 --> 00:25:01,761 ♪ NA NA NA NA NA 616 00:25:01,804 --> 00:25:03,414 ♪ NA NA NA NA NA 617 00:25:03,458 --> 00:25:05,242 ♪ YEAH, THE BIGGER THE DREAM ♪ 618 00:25:05,286 --> 00:25:06,809 ♪ THE HARDER THE GRIND 619 00:25:06,853 --> 00:25:08,376 ♪ BUT I'MMA SAY IT, I'MMA DO IT ♪ 620 00:25:08,419 --> 00:25:09,899 ♪ I'M GOIN' FOR MINE, YEAH, BOY ♪ 621 00:25:09,943 --> 00:25:11,858 ♪ YOU KNOW YOU CAN NEVER DENY ♪ 622 00:25:11,901 --> 00:25:13,642 ♪ THE HEART OF A LION... 623 00:25:13,686 --> 00:25:15,992 ♪ AND I'M JUST GETTING' WARM TILL I RELOAD ♪ 624 00:25:16,036 --> 00:25:17,037 ♪ ON YOUR MARK, GET SET 625 00:25:17,080 --> 00:25:18,560 ♪ HERE WE GO! 626 00:25:18,604 --> 00:25:20,083 ♪ GO, GO, GO 627 00:25:20,127 --> 00:25:22,433 ♪ ON YOUR MARK, GET SET 628 00:25:22,477 --> 00:25:24,740 ♪ ON YOUR MARK, GET SET ♪ 629 00:25:24,784 --> 00:25:27,134 ♪ ON YOUR MARK, GET SET 630 00:25:27,177 --> 00:25:28,178 ♪ ON YOUR MARK, GET SET ♪ 631 00:25:28,222 --> 00:25:29,397 ♪ HERE WE GO! 632 00:25:29,440 --> 00:25:31,007 ♪ NA NA NA NA NA 633 00:25:31,051 --> 00:25:32,182 ♪ NA NA NA NA NA 634 00:25:32,226 --> 00:25:33,227 ♪ HERE WE GO 635 00:25:33,270 --> 00:25:36,752 ♪ NA NA NA NA NA 636 00:25:36,796 --> 00:25:37,927 [CHEERING AND APPLAUSE] 637 00:25:37,971 --> 00:25:39,581 KEENA: LET'S GO. LET'S GO! 638 00:25:39,625 --> 00:25:41,061 YOU GOT ANY HEAT LEFT? 639 00:25:41,104 --> 00:25:42,802 YEAH, COACH, I'M GOOD. 640 00:25:42,845 --> 00:25:45,500 COACH, DUDE'S 2-3. EACH TIME HE'S GOTTEN ON BASE, 641 00:25:45,544 --> 00:25:47,458 HE STOLE SECOND ON THE FIRST PITCH. 642 00:25:47,502 --> 00:25:49,069 IF DAMON THROWS THE FIRST ONE HIGH AND AWAY, I'LL GET HIM. 643 00:25:49,112 --> 00:25:50,984 NO. THIRD IS GONNA STEAL HOME. 644 00:25:51,027 --> 00:25:52,594 SIMS, STRIKE HIM OUT. 645 00:25:52,638 --> 00:25:53,987 COME ON, COACH... 646 00:25:54,030 --> 00:25:55,292 MARCUS: OK, COME ON, BOYS. LET'S GO, NOW. 647 00:25:55,336 --> 00:25:56,859 COME ON. LET'S GO. COME ON. 648 00:25:56,903 --> 00:25:58,557 HEY, YOU KNOW I CAN THROW HIM OUT THERE. 649 00:25:58,600 --> 00:26:00,080 BRO, YOU JUST HEARD WHAT COACH JUST SAID, ALL RIGHT? 650 00:26:00,123 --> 00:26:01,690 LOOK, I KNOW YOU WANT TO SHOW OFF RIGHT-- 651 00:26:01,734 --> 00:26:03,518 THIS AIN'T ABOUT ME, DAMON. I'VE GOT THIS. 652 00:26:03,562 --> 00:26:05,389 I JUST NEED YOU TO TRUST ME. 653 00:26:09,480 --> 00:26:10,786 THROW HIM OUT, THEN. 654 00:26:13,659 --> 00:26:15,008 LET'S GO. 655 00:26:29,457 --> 00:26:31,198 UMPIRE: HE'S OUT! 656 00:26:31,241 --> 00:26:32,591 [CHEERING] 657 00:26:32,634 --> 00:26:35,115 COME ON, BABY. 658 00:26:35,158 --> 00:26:37,639 [CHEERING] 659 00:26:37,683 --> 00:26:39,728 YES, SIR! 660 00:26:39,772 --> 00:26:41,730 GOOD GAME, GENTLEMEN. 661 00:26:41,774 --> 00:26:43,645 AND SINCE YOU ALL HAVING TROUBLE HEARING, 662 00:26:43,689 --> 00:26:45,952 I NEED YOU ALL TO BE HERE AT 6 A.M. TOMORROW FOR LAPS. 663 00:26:47,693 --> 00:26:49,259 BUT GOOD GAME. 664 00:26:49,303 --> 00:26:52,523 DAMON: YES, SIR. SANTIAGO: ALL RIGHT, COACH. 665 00:26:52,567 --> 00:26:54,264 DAMON: I DIDN'T KNOW YOU HAD AN ARM LIKE THAT. 666 00:26:54,308 --> 00:26:55,657 SANTIAGO: WHOO! 667 00:26:55,701 --> 00:26:58,921 [PLAYERS CHEERING] 668 00:26:58,965 --> 00:27:00,488 [KEENA LAUGHING] 669 00:27:00,531 --> 00:27:03,665 BOTH: UH! AH! AH! HA HA! 670 00:27:03,709 --> 00:27:05,624 MOM, WHAT'D YOU THINK? 671 00:27:05,667 --> 00:27:07,626 SO GOOD! SO GOOD. 672 00:27:07,669 --> 00:27:10,629 AND THAT PLAY AT THE END, IMPRESSIVE. 673 00:27:10,672 --> 00:27:12,282 -IT WAS PRETTY DOPE. -IT WAS DOPE. 674 00:27:12,326 --> 00:27:13,719 IT WAS PRETTY DOPE. 675 00:27:13,762 --> 00:27:16,678 [CHUCKLES] 676 00:27:16,722 --> 00:27:18,506 AND IT ONLY HAPPENED 677 00:27:18,549 --> 00:27:20,987 BECAUSE I TRUSTED SOMEBODY I DIDN'T THINK I COULD. 678 00:27:21,030 --> 00:27:23,380 MM. 679 00:27:23,424 --> 00:27:25,121 CAN I CATCH YOU LATER? LOOK, I GOT TO GO SEE SOMEBODY. 680 00:27:25,165 --> 00:27:26,645 -OK. GO. GO. -ALL RIGHT. I LOVE YOU. 681 00:27:26,688 --> 00:27:29,169 LOVE YOU, TOO. MM. BYE, BABY. GOOD GAME. 682 00:27:29,212 --> 00:27:31,562 THANKS, MOM. 683 00:27:31,606 --> 00:27:34,522 I JUST GOT A CALL FROM YOUR ADVISOR. 684 00:27:34,565 --> 00:27:36,002 ARE YOU GIVING UP ON BECOMING A DOCTOR 685 00:27:36,045 --> 00:27:37,525 BECAUSE OF A MUSIC VIDEO?! 686 00:27:37,568 --> 00:27:39,396 [MUSIC PLAYING ON LAPTOP] 687 00:27:43,618 --> 00:27:44,706 [DOOR SHUTS] 688 00:27:44,750 --> 00:27:46,316 NO. 689 00:27:46,360 --> 00:27:47,840 I'M NOT BECOMING A DOCTOR 690 00:27:47,883 --> 00:27:49,450 BECAUSE I DON'T WANT TO BE A DOCTOR. 691 00:27:49,493 --> 00:27:51,365 SINCE WHEN? 692 00:27:51,408 --> 00:27:54,020 FOR A WHILE NOW. I JUST DIDN'T KNOW HOW TO TELL YOU. 693 00:27:54,063 --> 00:27:58,111 DAD, I'M...I'M REALLY GOOD. 694 00:27:58,154 --> 00:28:00,330 I'M BETTER THAN SOME OF THE PROFESSIONAL DANCERS 695 00:28:00,374 --> 00:28:01,941 I DANCED WITH THE OTHER DAY. 696 00:28:01,984 --> 00:28:04,813 THIS IS MY PASSION, AND I'M DOING IT 697 00:28:04,857 --> 00:28:06,728 WHETHER OR NOT YOU BELIEVE IN ME. 698 00:28:06,772 --> 00:28:10,427 DANCE IS A HOBBY, NOT A CAREER. 699 00:28:10,471 --> 00:28:12,386 WELL, TELL THAT TO LUAM KEFLEZGY 700 00:28:12,429 --> 00:28:17,565 OR JEMEL McWILLIAMS OR DEBBIE ALLEN. 701 00:28:17,608 --> 00:28:19,959 LIKE I SAID, I'M DOING THIS. 702 00:28:22,962 --> 00:28:26,661 YOUR MOTHER AND I WANTED SO MUCH BETTER FOR YOU. 703 00:28:26,705 --> 00:28:29,011 SHE'D BE SO DISAPPOINTED. 704 00:28:44,157 --> 00:28:47,508 SOMEBODY WANT TO TELL ME WHAT'S GOING ON? 705 00:28:47,551 --> 00:28:49,858 DID HE TELL YOU HE QUIT THE BASEBALL TEAM? 706 00:28:49,902 --> 00:28:51,860 AND SINCE HE DID SOMETHING 707 00:28:51,904 --> 00:28:54,428 THAT DIDN'T LIVE UP TO YOUR EXPECTATIONS, 708 00:28:54,471 --> 00:28:56,604 YOU STOPPED SPEAKING TO HIM. 709 00:28:56,647 --> 00:28:58,693 OUR SON JUST TURNED HIS BACK ON A SPORT 710 00:28:58,737 --> 00:29:00,216 HE'S SPENT HIS WHOLE LIFE PLAYING. 711 00:29:00,260 --> 00:29:01,827 BECAUSE OF YOU. 712 00:29:01,870 --> 00:29:05,613 BASEBALL WAS YOUR THING. YOU PUSHED HIM INTO IT. 713 00:29:05,656 --> 00:29:09,095 EVERYTHING J.R. DOES IS TO PLEASE YOU. 714 00:29:09,138 --> 00:29:11,575 J.R. IS YOUR SON. 715 00:29:11,619 --> 00:29:13,403 YOU CAN TURN YOUR BACK ON ME, 716 00:29:13,447 --> 00:29:15,754 BUT I WON'T LET YOU DO IT TO HIM. 717 00:29:15,797 --> 00:29:18,234 WAIT, DAD. WHY--WHY ARE YOU TURNING YOUR BACK ON MOM? 718 00:29:20,584 --> 00:29:22,195 I MISSPOKE, HONEY. 719 00:29:22,238 --> 00:29:23,805 IT'S NOTHING. 720 00:29:23,849 --> 00:29:25,807 I'M GONNA GET SOME AIR. 721 00:29:29,506 --> 00:29:32,031 [DOOR OPENS AND SHUTS] 722 00:29:32,074 --> 00:29:35,425 [KNOCK ON DOOR, SHAY CRYING] I'M SORRY. 723 00:29:35,469 --> 00:29:39,168 DAMON, LOOK, UM, 724 00:29:39,212 --> 00:29:41,388 IF YOU'RE HERE TO GIVE ME A HARD TIME, 725 00:29:41,431 --> 00:29:43,172 I REALLY DON'T HAVE THE ENERGY RIGHT NOW. 726 00:29:43,216 --> 00:29:46,045 YOU SAID THAT YOU WANTED 727 00:29:46,088 --> 00:29:47,742 YOUR BRINGSTON AND YOUR BLOOD FAM TO MEET, RIGHT? 728 00:29:47,786 --> 00:29:49,396 [CRYING CONTINUES] 729 00:29:49,439 --> 00:29:53,052 HEY, HEY, HEY. HEY THERE, LITTLE GUY. 730 00:29:53,095 --> 00:29:55,968 I GOT YOU. HOLD, HOLD, HOLD ON. I GOT YOU. 731 00:29:56,011 --> 00:29:59,449 IT'S OK, DUDE. LOOK. IT'S ALL RIGHT. 732 00:29:59,493 --> 00:30:01,495 OH. THERE YOU GO. GOOD JOB. 733 00:30:01,538 --> 00:30:03,062 THERE YOU GO. SHH. [CRYING STOPS] 734 00:30:03,105 --> 00:30:05,673 AWW. GOOD JOB. [BABY TALK] 735 00:30:09,198 --> 00:30:10,156 [DAMON CHUCKLING] 736 00:30:10,199 --> 00:30:11,940 THERE YOU GO. HA HA. 737 00:30:11,984 --> 00:30:14,334 WELL, YOU KNOW YOU CAN'T LEAVE THIS ROOM, RIGHT? 738 00:30:14,377 --> 00:30:17,206 YEAH, I'M DOWN WITH THAT. 739 00:30:17,250 --> 00:30:18,729 [BABY TALK] 740 00:30:18,773 --> 00:30:20,079 I THINK THERE'S A LOT I CAN TEACH SHAY. 741 00:30:20,122 --> 00:30:21,732 -REALLY? -YEAH. 742 00:30:21,776 --> 00:30:23,865 OK. LIKE WHAT? 743 00:30:23,909 --> 00:30:27,173 LIKE HOW NOT TO BE AN ASS 744 00:30:27,216 --> 00:30:31,960 AND HOW TO TRUST AND FORGIVE. 745 00:30:32,004 --> 00:30:34,049 [INHALES AND EXHALES] 746 00:30:34,093 --> 00:30:36,095 SORRY IT TOOK ME A MINUTE. 747 00:30:38,184 --> 00:30:41,056 SIMONE: I MEAN, YOU PULLED UP, CALMED SHAY, 748 00:30:41,100 --> 00:30:43,406 SO, TRUST ME, WE GOOD FOREVER. 749 00:30:43,450 --> 00:30:45,060 [BOTH CHUCKLE] 750 00:30:45,104 --> 00:30:47,149 LOOKED LIKE YOU WAS-- YOU WAS HAVING AN AFTERNOON. 751 00:30:47,193 --> 00:30:48,716 [CHUCKLES] 752 00:30:48,759 --> 00:30:50,326 I DON'T KNOW WHAT IT IS. 753 00:30:50,370 --> 00:30:51,937 HE'S BEEN FUSSY WITH ME THIS ENTIRE TRIP. 754 00:30:51,980 --> 00:30:54,896 DAMON: BABIES CRY, RIGHT? ISN'T THAT A PART OF IT? 755 00:30:54,940 --> 00:30:57,899 I KNOW THAT, BUT... 756 00:30:57,943 --> 00:30:59,858 THIS TIME IS DIFFERENT. 757 00:30:59,901 --> 00:31:02,164 IT'S ALMOST LIKE HE DOESN'T EVEN KNOW ME ANYMORE. 758 00:31:02,208 --> 00:31:04,123 HE KNOWS YOU, SIMONE. 759 00:31:04,166 --> 00:31:05,951 I THOUGHT I KNEW MY MOM, 760 00:31:05,994 --> 00:31:08,605 BUT I ONLY SAW HOW SHE HURT ME, 761 00:31:08,649 --> 00:31:10,738 NOT THE SACRIFICES SHE MADE. 762 00:31:12,348 --> 00:31:14,829 WHAT IF THAT HAPPENS WITH ME AND SHAY? 763 00:31:14,873 --> 00:31:17,223 WAIT. WHAT? 764 00:31:17,266 --> 00:31:19,921 NO. YOU ONLY KNEW A PART OF YOUR MOM 765 00:31:19,965 --> 00:31:21,749 BECAUSE THAT'S ALL SHE SHOWED YOU. 766 00:31:21,792 --> 00:31:24,883 BUT WHEN BABY SHAY HAS QUESTIONS ABOUT HIS MOTHER, 767 00:31:24,926 --> 00:31:27,146 HE'LL KNOW EXACTLY WHERE TO COME FIND YOU 768 00:31:27,189 --> 00:31:30,845 BECAUSE YOU HAVE MADE SURE OF IT, SIMONE. 769 00:31:30,889 --> 00:31:32,716 AND THAT IS A GIFT THAT I... 770 00:31:34,457 --> 00:31:36,590 I WISH MY BIRTH MOTHER GAVE ME. 771 00:31:36,633 --> 00:31:39,549 HAVE YOU TOLD YOUR MOM YOU'RE LOOKING FOR YOUR BIRTH PARENTS? 772 00:31:39,593 --> 00:31:44,206 NO. I DON'T KNOW HOW TO BRING IT UP 773 00:31:44,250 --> 00:31:45,860 WITHOUT HURTING HER. 774 00:31:45,904 --> 00:31:47,557 I MEAN, WE'VE JUST COME SO FAR, 775 00:31:47,601 --> 00:31:50,386 AND I DON'T WANT TO MESS IT UP. 776 00:31:50,430 --> 00:31:52,954 SHE'S YOUR MOM. 777 00:31:52,998 --> 00:31:57,567 ALL SHE WANTS YOU TO BE IS HAPPY AND WHOLE, 778 00:31:57,611 --> 00:32:00,440 AND SHE'LL MAKE WHATEVER SACRIFICES SHE NEEDS TO 779 00:32:00,483 --> 00:32:02,050 TO MAKE THAT HAPPEN, 780 00:32:02,094 --> 00:32:04,270 EVEN IF IT MEANS SHARING YOU, DAMON. 781 00:32:04,313 --> 00:32:05,706 TRUST ME. 782 00:32:05,749 --> 00:32:08,404 I FORGOT HOW GOOD YOU ARE AT THIS. 783 00:32:08,448 --> 00:32:10,406 OOH! NOW YOU WANT TO BE DRAMATIC. 784 00:32:10,450 --> 00:32:13,061 BOY, PLEASE. IT WAS ONLY A WEEK. 785 00:32:13,105 --> 00:32:15,716 OH, SO, SO NOW IT'S JUST BEEN A WEEK. 786 00:32:15,759 --> 00:32:17,544 [BOTH CHUCKLE] 787 00:32:17,587 --> 00:32:23,115 [MUSIC PLAYING] 788 00:32:28,033 --> 00:32:30,557 GOOD. YOU SAVED ME A TRIP. 789 00:32:30,600 --> 00:32:32,646 EXCUSE ME? 790 00:32:32,689 --> 00:32:34,648 HOW DID YOU CONVINCE KEISHA TO DROP OUT OF PRE-MED? 791 00:32:34,691 --> 00:32:37,216 ARE YOU A GENIUS, OR ARE YOU JUST THAT GOOD IN BED? 792 00:32:37,259 --> 00:32:38,260 YES. [CHUCKLES] 793 00:32:38,304 --> 00:32:40,741 [CLEARS THROAT] 794 00:32:40,784 --> 00:32:44,614 YOU LISTEN TO ME, CAM WATKINS. 795 00:32:44,658 --> 00:32:46,442 IT'S OBVIOUS KEISHA HAS FEELINGS FOR YOU, 796 00:32:46,486 --> 00:32:48,009 AND IT'S CLEAR YOU'VE CAUGHT THEM, TOO. 797 00:32:48,053 --> 00:32:49,619 LOOK, WE JUST FRIENDS, ALL RIGHT? 798 00:32:49,663 --> 00:32:52,057 WE DON'T DO STRINGS. 799 00:32:52,100 --> 00:32:53,841 OH, HONEY, YOU NEED TO BE 800 00:32:53,884 --> 00:32:55,843 VERY HONEST WITH YOURSELF AND WITH KEISHA 801 00:32:55,886 --> 00:32:58,019 ABOUT WHERE THIS SITUATION-SHIP IS GOING 802 00:32:58,063 --> 00:33:00,152 BEFORE THE QUEEN GETS HER FEELINGS HURT 803 00:33:00,195 --> 00:33:03,459 AND THEN NATHANIEL, WELL, SHE HAS TO WHUP SOMEBODY'S ASS. 804 00:33:05,809 --> 00:33:07,463 YOU GOT IT? 805 00:33:12,991 --> 00:33:15,297 I'M OK... 806 00:33:16,646 --> 00:33:17,908 REALLY. 807 00:33:19,258 --> 00:33:20,433 THANK YOU. 808 00:33:20,476 --> 00:33:21,564 FOR WHAT? 809 00:33:21,608 --> 00:33:23,001 FOR PUSHING ME. 810 00:33:23,044 --> 00:33:25,612 I COULDN'T DO ANY OF THIS WITHOUT YOU. 811 00:33:25,655 --> 00:33:27,135 WELL, YOU KNOW YOU HAD MY BACK 812 00:33:27,179 --> 00:33:28,484 WITH ALL THAT ANEURYSM STUFF. 813 00:33:28,528 --> 00:33:30,834 I WAS JUST KICKING IT BACK YOUR WAY. 814 00:33:30,878 --> 00:33:33,315 MAN ON RECORDING: ♪ ...DOWN FOR ME, DOWN FOR ME 815 00:33:33,359 --> 00:33:35,100 ♪ ARE YOU DOWN FOR ME? 816 00:33:35,143 --> 00:33:38,842 ♪ DOWN FOR ME, ARE YOU DOWN FOR ME, YEAH ♪ 817 00:33:38,886 --> 00:33:40,453 ♪ DOWN FOR ME 818 00:33:40,496 --> 00:33:42,107 ♪ I JUST GOT TO SEE 819 00:33:42,150 --> 00:33:44,674 ♪ IF YOU'RE DOWN FOR ME 820 00:33:44,718 --> 00:33:47,982 ♪ DOWN FOR ME, GIRL 821 00:33:48,026 --> 00:33:50,898 ♪ ARE YOU DOWN FOR ME, BABE... ♪ 822 00:33:50,941 --> 00:33:52,421 I'M TAKING YOU OUT. 823 00:33:52,465 --> 00:33:54,597 I KNOW YOU HAVE STUFF TO DO. 824 00:33:54,641 --> 00:33:56,643 MEET ME AT TIBBS' AT 8:00. 825 00:33:56,686 --> 00:33:58,036 ♪ ...I JUST GOT TO SEE 826 00:33:58,079 --> 00:33:59,907 ♪ IF YOU'RE DOWN FOR ME 827 00:33:59,950 --> 00:34:01,648 ♪ DOWN FOR ME, GIRL... 828 00:34:01,691 --> 00:34:05,260 [DOOR OPENS AND SHUTS] 829 00:34:11,527 --> 00:34:12,702 HEY. 830 00:34:12,746 --> 00:34:15,009 HEY. YOU READY TO EAT? 831 00:34:15,053 --> 00:34:16,358 UH, YEAH. 832 00:34:18,186 --> 00:34:21,929 ACTUALLY, UH, YOU MIND IF WE TALK FOR A SECOND? 833 00:34:21,972 --> 00:34:23,757 YEAH. 834 00:34:23,800 --> 00:34:25,063 OK. 835 00:34:25,106 --> 00:34:26,368 OK. 836 00:34:34,681 --> 00:34:37,858 UH... 837 00:34:37,901 --> 00:34:39,860 SO MY FRIENDS, 838 00:34:39,903 --> 00:34:42,297 THEY HAVEN'T BEEN THE ONLY REASON THAT I'VE BEEN IN MY FEELINGS. 839 00:34:42,341 --> 00:34:45,300 OK. WELL, WHAT ELSE IS GOING ON? 840 00:34:45,344 --> 00:34:48,216 I WANT TO FIND MY BIRTH PARENTS. 841 00:34:50,349 --> 00:34:52,351 OH, HEY, HEY. 842 00:34:52,394 --> 00:34:55,615 YOU WILL ALWAYS BE MY MOM. 843 00:34:55,658 --> 00:34:57,747 I JUST FEEL LIKE A PIECE OF MY IDENTITY IS MISSING. 844 00:34:57,791 --> 00:34:59,749 I'M SCARED THAT IT WON'T GO AWAY 845 00:34:59,793 --> 00:35:02,056 UNTIL I FIND ANSWERS, MA. 846 00:35:05,973 --> 00:35:07,670 I CAN'T HELP YOU WITH THAT, 847 00:35:07,714 --> 00:35:09,890 NOT BECAUSE I DON'T WANT TO. 848 00:35:09,933 --> 00:35:13,154 IT WAS A PRIVATE ADOPTION, 849 00:35:13,198 --> 00:35:15,417 AND YOUR FATHER HANDLED EVERYTHING. 850 00:35:15,461 --> 00:35:18,464 AND HE'S IN NO POSITION TO FILL IN THE BLANKS. 851 00:35:18,507 --> 00:35:21,119 MM-HMM. HIS ALZHEIMER'S 852 00:35:21,162 --> 00:35:23,643 HAS ROBBED YOU OF SO MUCH ALREADY. 853 00:35:23,686 --> 00:35:26,646 AND I'M SORRY THAT IT'S ROBBING YOU OF THIS, TOO. 854 00:35:26,689 --> 00:35:29,866 YOU KNOW, ON ONE OF HIS GOOD DAYS, 855 00:35:29,910 --> 00:35:31,868 HE TOLD ME THAT MY BIRTH PARENTS, 856 00:35:31,912 --> 00:35:33,392 THEY WENT TO BRINGSTON. 857 00:35:33,435 --> 00:35:35,437 IS THAT WHY YOU WANTED TO COME HERE? 858 00:35:35,481 --> 00:35:37,265 I DON'T KNOW. 859 00:35:37,309 --> 00:35:39,267 ON SOME LEVEL, I-- I THINK SO. 860 00:35:39,311 --> 00:35:42,096 YOU KNOW, HE DOESN'T HAVE MANY GOOD DAYS ANYMORE, 861 00:35:42,140 --> 00:35:44,316 BUT WHEN THE TIME IS RIGHT, 862 00:35:44,359 --> 00:35:46,535 I PROMISE YOU I WILL ASK HIM 863 00:35:46,579 --> 00:35:48,494 WHATEVER IT IS YOU WANT ME TO. 864 00:35:52,454 --> 00:35:57,155 UM, I THINK WE SHOULD ASK HIM TOGETHER. 865 00:35:57,198 --> 00:36:01,071 OK. OK. 866 00:36:06,164 --> 00:36:08,383 I OWE YOU AN APOLOGY, AMARA. I'M SORRY. 867 00:36:08,427 --> 00:36:12,082 I DIDN'T MEAN TO HURT YOU THEN OR NOW. 868 00:36:12,126 --> 00:36:14,650 I KNOW, BUT AT LEAST IT'S OUT THERE NOW. 869 00:36:14,694 --> 00:36:18,350 AND IT MAY TAKE A MINUTE, BUT WE'LL WORK THROUGH OUR MESS 870 00:36:18,393 --> 00:36:20,656 BECAUSE THAT'S WHAT FAMILY DOES. 871 00:36:20,700 --> 00:36:22,876 AND IT'S WHY I WANTED YOU OUT HERE THIS WEEKEND. 872 00:36:22,919 --> 00:36:25,052 AND, T., THANK YOU 873 00:36:25,095 --> 00:36:26,923 FOR THE SACRIFICE YOU MADE. 874 00:36:26,967 --> 00:36:30,231 I REALIZE YOU DID WHAT YOU DID OUT OF LOVE. 875 00:36:30,275 --> 00:36:33,800 AND IN THE INTEREST OF BEING HONEST, 876 00:36:33,843 --> 00:36:35,802 I HAVE TO SAY... [EXHALES] 877 00:36:35,845 --> 00:36:37,543 YOU WERE RIGHT. 878 00:36:37,586 --> 00:36:39,675 I'M NOT LIVING MY DREAM, 879 00:36:39,719 --> 00:36:41,286 NOT FULLY. 880 00:36:41,329 --> 00:36:43,853 I'M GOING TO FIGHT FOR MY TENURE. 881 00:36:43,897 --> 00:36:45,594 WELL, IF YOU NEED ANY LEGAL ADVICE, 882 00:36:45,638 --> 00:36:47,248 I'D BE HAPPY TO HELP. 883 00:36:47,292 --> 00:36:49,424 UH, YOU BEST BELIEVE IF IT COMES TO THAT, 884 00:36:49,468 --> 00:36:51,121 YOU ARE MY FIRST CALL. 885 00:36:51,165 --> 00:36:54,037 [LAUGHING] 886 00:36:54,081 --> 00:36:56,257 I REALLY MESSED THINGS UP WITH SIMONE. 887 00:36:56,301 --> 00:36:58,259 OOH, YEAH, YOU DID. 888 00:36:59,826 --> 00:37:03,264 CAN I OFFER MY BIG SISTER SOME ADVICE? 889 00:37:03,308 --> 00:37:04,265 [CHUCKLES] 890 00:37:04,309 --> 00:37:05,527 [CHUCKLES] 891 00:37:07,181 --> 00:37:08,704 WHAT'S WRONG, BABY BOY... 892 00:37:08,748 --> 00:37:10,880 [BABY TALK] 893 00:37:12,752 --> 00:37:15,233 SIMONE: I'LL MISS YOU. 894 00:37:23,893 --> 00:37:26,461 HOW LONG HAVE YOU BEEN STANDING THERE? 895 00:37:28,246 --> 00:37:32,119 LONG ENOUGH TO SEE HOW MUCH YOU LOVE YOUR SON. 896 00:37:35,165 --> 00:37:38,038 TINA: I HAVEN'T HANDLED THINGS WELL WITH YOU 897 00:37:38,081 --> 00:37:40,301 FOR A LONG TIME, 898 00:37:40,345 --> 00:37:42,172 AND I REALIZE NOW 899 00:37:42,216 --> 00:37:45,306 I WAS SO DISAPPOINTED OVER THE CHOICES THAT AMARA MADE 900 00:37:45,350 --> 00:37:48,353 AFTER I GAVE UP SO MUCH 901 00:37:48,396 --> 00:37:53,096 THAT I THOUGHT I HAD TO OVERLY CONTROL 902 00:37:53,140 --> 00:37:56,491 YOUR LIFE AS MY DAUGHTER. 903 00:37:56,535 --> 00:37:58,624 THAT WAS WRONG. 904 00:38:00,190 --> 00:38:01,844 YOU REALLY MEAN THAT. 905 00:38:04,673 --> 00:38:07,415 YOU ARE AN ADULT. 906 00:38:07,459 --> 00:38:09,504 AND I HAVE TO LOOSEN THE REINS 907 00:38:09,548 --> 00:38:11,767 OR I RISK LOSING YOU. 908 00:38:11,811 --> 00:38:14,640 I'M SET IN MY WAYS. 909 00:38:14,683 --> 00:38:16,816 AND I KNOW IT WON'T BE EASY, 910 00:38:16,859 --> 00:38:18,905 BUT I...I WANT TO TRY. 911 00:38:25,041 --> 00:38:26,608 I DO, TOO. 912 00:38:34,399 --> 00:38:36,792 BUT I WANT TO LAY SOME GROUND RULES FIRST. 913 00:38:36,836 --> 00:38:40,143 [HESITANTLY] OK. 914 00:38:40,187 --> 00:38:42,058 NUMBER ONE-- 915 00:38:42,102 --> 00:38:43,712 NO MORE MEDDLING. 916 00:38:43,756 --> 00:38:46,193 EVEN IF I MAKE A MISTAKE, 917 00:38:46,236 --> 00:38:49,327 YOU HAVE TO BITE YOUR TONGUE AND LET ME MAKE IT. 918 00:38:51,067 --> 00:38:53,156 AND NUMBER TWO-- 919 00:38:53,200 --> 00:38:57,335 YOU HAVE TO INCLUDE BABY SHAY IN YOUR LIFE, MOM. 920 00:38:59,554 --> 00:39:03,558 NOW, THAT I CAN DO. [CHUCKLES] 921 00:39:03,602 --> 00:39:06,039 [BABY TALK] 922 00:39:06,082 --> 00:39:08,694 I HAVE A LITTLE MORE TIME BEFORE MY FLIGHT. 923 00:39:08,737 --> 00:39:10,652 MAY I? 924 00:39:13,438 --> 00:39:16,310 HEY, BABY SHAY. YOU KNOW WHO I AM? 925 00:39:16,354 --> 00:39:18,660 I'M YOUR GLAMMA. [SIMONE CHUCKLES] 926 00:39:18,704 --> 00:39:20,314 YOU LIKE THAT? 927 00:39:20,358 --> 00:39:21,924 OF COURSE YOU WOULD SAY THAT. 928 00:39:21,968 --> 00:39:23,361 OF COURSE! 929 00:39:23,404 --> 00:39:26,146 [KNOCK ON DOOR] 930 00:39:26,189 --> 00:39:29,497 MS. SIMS, HAVE A SEAT. 931 00:39:29,541 --> 00:39:30,846 THANK YOU. 932 00:39:30,890 --> 00:39:33,153 IS THERE SOMETHING I CAN DO FOR YOU? 933 00:39:33,196 --> 00:39:36,374 DAMON TOLD ME THAT HE WANTS TO MEET HIS BIRTH PARENTS, 934 00:39:36,417 --> 00:39:40,116 AND HE MENTIONED THAT HE SHARED THIS WITH YOU. 935 00:39:40,160 --> 00:39:42,467 I KNEW THIS DAY WOULD COME, 936 00:39:42,510 --> 00:39:44,512 AND I THOUGHT I WAS PREPARED FOR IT, 937 00:39:44,556 --> 00:39:48,386 BUT I CAN'T STOP ASKING MYSELF, WHY? 938 00:39:48,429 --> 00:39:50,736 WHAT CAN HIS BIRTH MOTHER DO FOR HIM THAT I CAN'T? 939 00:39:50,779 --> 00:39:53,434 AND I KNOW THAT'S SELFISH. 940 00:39:53,478 --> 00:39:55,654 NO, IT'S HUMAN. 941 00:39:55,697 --> 00:39:57,786 SO THEN WHAT DO I DO WITH THIS VERY HUMAN FEELING? 942 00:39:57,830 --> 00:39:59,962 REMEMBER WHO YOU ARE, 943 00:40:00,006 --> 00:40:02,008 HOW A YOUNG MAN WHO STARTED THIS WEEKEND 944 00:40:02,051 --> 00:40:04,793 ISN'T THE SAME MAN WHO FINISHED IT, OK, 945 00:40:04,837 --> 00:40:06,882 WHO LED HIS TEAM TO ITS FIRST VICTORY 946 00:40:06,926 --> 00:40:08,841 WITH A GUY WHO HE DOESN'T EVEN LIKE. 947 00:40:08,884 --> 00:40:12,061 NOW, YOU RAISED AN EXCEPTIONAL YOUNG MAN, 948 00:40:12,105 --> 00:40:14,194 AND YOU ARE DAMON'S MOTHER. 949 00:40:14,237 --> 00:40:15,935 NOW, WHOEVER HIS BIRTH MOTHER IS, 950 00:40:15,978 --> 00:40:20,592 NO ONE CAN TAKE YOUR PLACE, MS. SIMS, OK? 951 00:40:22,811 --> 00:40:25,031 I HAVE A FLIGHT TO CATCH. 952 00:40:26,815 --> 00:40:29,514 DO ME A FAVOR. 953 00:40:29,557 --> 00:40:31,429 KEEP TAKING GOOD CARE OF MY SON. 954 00:40:38,000 --> 00:40:41,439 ♪ YOU SEE, THROUGH EVERY SINGLE SEASON ♪ 955 00:40:42,875 --> 00:40:46,139 ♪ WE LEARNED THAT LUCK IS WHAT WE MAKE ♪ 956 00:40:48,141 --> 00:40:52,711 ♪ YOU WANT TO KNOW HOW I MAKE IT WORK, GIRL ♪ 957 00:40:52,754 --> 00:40:54,147 ♪ HERE'S THE SECRET 958 00:40:54,190 --> 00:40:57,542 ♪ LISTEN TO THESE FIVE REASONS... ♪ 959 00:40:57,585 --> 00:40:59,065 EVERYTHING GOOD? 960 00:40:59,108 --> 00:41:00,719 YEAH, I'M GOOD. 961 00:41:00,762 --> 00:41:03,373 [KNOCK ON DOOR] 962 00:41:03,417 --> 00:41:05,071 STUDENT: HEY, J.R. J.R.: HEY. 963 00:41:05,114 --> 00:41:06,420 STUDENT 2: OH, HEY. 964 00:41:06,464 --> 00:41:08,204 -HEY. -HEY. 965 00:41:12,339 --> 00:41:14,297 DIDN'T THINK YOU WAS COMING. 966 00:41:14,341 --> 00:41:16,778 YEAH. CAN WE TALK? 967 00:41:18,258 --> 00:41:20,565 YEAH. 968 00:41:20,608 --> 00:41:23,742 I HEARD YOU ALL WON. PROPS. 969 00:41:25,483 --> 00:41:26,919 [CHUCKLES SOFTLY] 970 00:41:26,962 --> 00:41:29,095 SO THAT'S--THAT'S WHAT YOU NEEDED TO TELL ME? 971 00:41:29,138 --> 00:41:32,490 I KNOW WE NOT ON THE BEST OF TERMS RIGHT NOW. 972 00:41:34,187 --> 00:41:36,494 BUT REGARDLESS, WE BOTH NEED ANSWERS. 973 00:41:38,234 --> 00:41:40,236 I THINK WE SHOULD TAKE A DNA TEST. 974 00:41:44,676 --> 00:41:46,547 LET'S DO IT. 975 00:42:16,011 --> 00:42:17,404 GREG, MOVE YOUR HEAD.