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* MTV ♪
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- "1883" is...
- Gritty.
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- Intense.
- Beautiful.
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It's epic.
There's no question about it.
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It's a young woman's
coming of age story.
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- It's massive.
- Mind-boggling.
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It's a journey.
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There's excitement, danger, unpredictability.
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I don't care if I do
any other show
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for the rest of my life.
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I only do Westerns from now.
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Those are the kind
of stories I like to tell,
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and that's the way
I like to tell them.
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[sweeping dramatic music]
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♪ ♪
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The idea to make "1883"
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actually came from
one of the studio executives
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asking me about the backstory
of John Dutton.
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And I explained it to him
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from the origin
of where they came,
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and he thought that that in
and of itself was a TV show.
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I was intrigued by the idea,
and so I wrote some flashbacks
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that people have now seen
on "Yellowstone."
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So Taylor called, he goes,
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"Hey, man,
I want you to be in the show.
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"I want you to be
in 'Yellowstone.'
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Are you're interested in it?"
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And he says, "I got this idea.
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"We're gonna do a flashback,
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"and you're gonna play
the original Dutton
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"who founded
the Yellowstone ranch.
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You're also gonna have
a wife in this."
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He says, "Do you think
Faith would be interested
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in playing your wife
in the flashbacks?"
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♪ ♪
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If you go in the handbook
of directors,
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you're not supposed to hire
a husband and wife
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to do a movie together.
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It's historically failed
every time,
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but you're also not supposed
to film kids or horses, so.
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We both watch the show,
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so we were excited
to have that invitation
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and didn't know quite
what to expect.
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Then I spoke with Sam Elliott
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about doing something
in the space.
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♪ ♪
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I got a call from him.
"I got something to show you,"
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and he sent me
this series of scripts,
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and there was no saying no,
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because it spoke to me.
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The character spoke to me.
The show speaks to me.
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♪ ♪
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You know what I'm doing here?
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Looking for a reason.
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You wanna be my reason?
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I had not found
the connective tissue
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between this origin story
of James Dutton
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and this road to redemption
story of Sam Elliott.
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I had not found the bridge.
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And the actress Isabel May
read for me
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for another TV series,
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and it dawned on me
that she was the bridge.
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I called the network,
and I said, I found our lead,
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and I haven't written a word,
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and you're just gonna
have to trust me.
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♪ ♪
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This is something different
altogether,
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'cause you're seeing it through
the eyes of a young woman.
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And I don't think
that's ever been done before.
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Not in this way.
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We are seeing things through
an 18-year-old girl's eyes.
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And it's a very different
vision of the West
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because you see it,
sort of her innocence
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and her magic that she's able
to show us this world
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that has sex and violence
and despair,
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but also hope.
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To play a character
that narrates her own story
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as well as every
other character story,
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it's extremely humbling.
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Freedom is riding wild
over untamed land
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with no notion
any moment exists
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beyond the one you are living.
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It's pretty phenomenal,
right?
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If you just sort of look
at a big family tree,
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it takes us back
many generations
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and that survival
and fighting for the land
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and doing what's right
and protecting your family
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are these similar themes
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that were handed down
generation to generation
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until we get the John Dutton.
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[tense country music]
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♪ ♪
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- Good shot.
- Yep.
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James is John's great, great,
great grandfather.
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You can see the bloodline.
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You can see the strength
in the bloodline.
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You can see the backbone
that this family has
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and the power that they have,
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and their concern
for each other.
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I believe in you,
and I believe in that boy,
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and I believe in our daughter.
That's all.
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That's why it's so important
to the Dutton family
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present day
to fight for his land.
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And, like, you see
how fierce they are,
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fighting for what's theirs.
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[gunfire, screaming]
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[screams]
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[crying]
God!
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"1883" is a journey
of an unlikely group of people
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fighting against
the forces of nature,
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the malice of humankind
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in search of change
and a new home.
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♪ ♪
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It's about freedom.
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It's about the American dream,
which, you know,
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it's become this synonymous
with the idea of freedom,
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about the beauty of it
and the ugliness of it,
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and all the beautiful things
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people will do
for their freedom
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and then also all the ugly
things they do for it.
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I can be a good wife.
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Stop.
Quit it.
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The thing about "1883,"
it's a tale that's been told.
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It's a tale that
we're all familiar with,
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the Oregon Trail.
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But it's never been done like
Taylor's done it on the page.
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You think we're fools
just because we--
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You have no horses, no guns.
You can't ride.
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You are a fucking fool.
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♪ ♪
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History is doomed
to repeat itself
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because it's never taught
accurately.
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As a storyteller,
my job is to try
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and hold a mirror up to nature
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and reflect back the world
as it was.
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I think that it's truth
through fiction.
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There's a grittiness to it.
There's an authenticity to it.
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It feels real.
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The struggles are all real.
The people are all real.
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We're traveling with
a caravan of immigrants.
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It was incredible for me
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because I am
an immigrant myself.
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So I get to tell
a story of someone
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who goes across the world
to follow their dream.
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Most people who went West
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saw ads in newspapers in Poland
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and in Croatia and in Germany
and answered those ads
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and saved up all their money,
sold everything they had,
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and hired a group that would
take them on these wagons.
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In the 1800s,
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there's actually a large flight
of immigrants to America
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because there's overpopulation.
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And there was a high rate
of unemployment.
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It's actually interesting
there has been a Texan--
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a German Texan immigrant
who wrote letters,
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like beautiful letters,
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how beautiful Texas is
and everything,
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and these letters were printed
in a German newspaper.
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And many Germans
at the time read them,
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and that was their decision
to come.
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I think people dreamed
of change
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and creating something
and having land
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and being free.
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It's a free country.
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That's a free country.
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That is Comanche land.
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Beyond it
is no man's land,
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and that's where we're going.
You ain't free yet.
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And these people
didn't speak English,
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had no notion of
what the Southwest was like
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or the Great Plains were like.
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Had no idea they were
horribly unprepared,
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facing a whole new host
of diseases
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that they've never been
exposed to,
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elements they've never
been exposed to.
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It was an extremely dangerous,
dangerous journey.
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♪ ♪
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I'll push her.
Now get to the back.
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[groaning]
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[grunting]
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[screaming]
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This is what happened.
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This is the journey
that our ancestors took,
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and it was horrifying
and extremely difficult.
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It's nothing new.
It's happened back then.
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It's happening now.
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We're all immigrants
in this country,
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and this journey...
it's so compelling,
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and it tells a story that
just--it's gut-wrenching
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but it's truthful.
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And there's a lot of people
in this journey
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that haven't been represented
in other westerns.
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I don't think that there is
a more misrepresented group
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in American cinema
than the Native American.
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And what little I can do
to correct
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that historical perspective
in fiction, I'm gonna do.
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When historians write books
about native people,
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a lot of times
they put us in this box, right?
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And they say, oh,
they were hunter-gatherers,
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or they lived
according to this way.
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It completely
removes the idea
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that we were also individuals.
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We had our own
individual tastes,
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our own individual
attractions.
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And that's kind of the way
the storytelling has gone
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in Hollywood for a long time.
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One of the most
interesting things
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is the number one cause
of death on these wagon trains
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was people
falling off a wagon
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and getting run over.
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The number two cause of death
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was accidental discharge
of firearms.
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Number three, it was drowning
in river crossing.
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Number seven
was Native Americans.
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I think in all the stuff
that we learned growing up
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was the number one fear
was Native Americans.
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And nine times out of ten,
they were trying to help.
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I made the Native American
community a promise
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that I was gonna tell
their story truthfully.
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And so, every opportunity
I get to do it,
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I try to fulfill that promise.
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♪ ♪
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It's rare to have the kind of
story that we have been handed,
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to be honest with you.
And I think for all of us,
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we feel the responsibility
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to do the best job
that we can
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to bring these characters
to life
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the way they were written.
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There's three classic
struggles in these westerns.
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It's man against man,
man against himself,
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man against the environment.
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In those struggles,
we're all in this in spades.
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Let's go.
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♪ ♪
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"1883" is the origin story
of the Dutton family.
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The Duttons come
from Tennessee originally.
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There's a number of people
who moved West
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out of desperation
from the South.
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And America was unique
in the fact
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that, wherever you were
that you failed,
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you could simply move west
to a new place
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and reinvent yourself
and reinvent your life.
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The main characters
are Tim McGraw,
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who plays obviously
James Dutton.
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We have Faith Hill,
who plays Margaret Dutton.
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We have Isabel May,
who plays Elsa.
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Sam Elliott plays Shea.
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And then LaMonica Garrett
plays Thomas.
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Elsa Dutton is a daughter
of the patriarch
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and matriarch
of the Dutton family.
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At this time,
we have two children, Elsa,
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and then we have John.
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I wanted to be John Dutton
'cause he was a boy,
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and he loves the outside.
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I love the outside too.
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00:11:52,379 --> 00:11:55,916
Elsa, she's very naive.
257
00:11:55,983 --> 00:11:58,185
She's experienced
very few things.
258
00:11:58,251 --> 00:12:00,220
They lived on a little farm.
259
00:12:00,287 --> 00:12:01,789
She'd seen the same people
her entire life,
260
00:12:01,855 --> 00:12:05,158
and she was bored.
She was desperate to get out.
261
00:12:05,225 --> 00:12:07,594
This child is spirited,
262
00:12:07,660 --> 00:12:10,297
and she's hard-headed
and strong,
263
00:12:10,363 --> 00:12:11,899
but she's also very smart.
264
00:12:11,965 --> 00:12:14,067
Elsa is extremely independent
265
00:12:14,134 --> 00:12:15,903
at a time when a young woman
266
00:12:15,969 --> 00:12:18,505
is not allowed to be
independent in such a way.
267
00:12:18,571 --> 00:12:20,740
There are certain things
that we weren't allowed
268
00:12:20,808 --> 00:12:24,377
to say or voice.
And as the journey continues,
269
00:12:24,444 --> 00:12:29,049
she sheds that civilized
kind of costume
270
00:12:29,116 --> 00:12:31,618
and starts to flourish
271
00:12:31,684 --> 00:12:34,888
because she loves this world
so much
272
00:12:34,955 --> 00:12:36,656
and what it has to offer.
273
00:12:36,723 --> 00:12:38,859
There's a fair chance
you're too pretty for me.
274
00:12:38,926 --> 00:12:41,962
If you are, rather know now
so I don't waste my time.
275
00:12:42,029 --> 00:12:43,530
Maybe you're too pretty
for me.
276
00:12:43,596 --> 00:12:45,332
[laughs]
277
00:12:45,398 --> 00:12:51,872
Right away, Ennis is just
fully blown away by Elsa--
278
00:12:51,939 --> 00:12:54,441
aside from her beauty,
279
00:12:54,507 --> 00:12:57,110
her wit, her brashness.
280
00:12:57,177 --> 00:12:58,545
And I think she's
the first girl
281
00:12:58,611 --> 00:13:01,014
that ever makes
Ennis speechless.
282
00:13:01,081 --> 00:13:03,350
Oh, my gosh,
you're forward.
283
00:13:06,653 --> 00:13:08,655
Part of the storyline is,
you know,
284
00:13:08,721 --> 00:13:10,958
they were escaping poverty
and looking for a better life.
285
00:13:11,024 --> 00:13:12,225
And I think there's more to it
286
00:13:12,292 --> 00:13:13,861
than that in my mind
for James Dutton.
287
00:13:13,927 --> 00:13:16,563
During the series, you find
out that I was a captain
288
00:13:16,629 --> 00:13:18,665
in the Civil War
for the Confederacy,
289
00:13:18,731 --> 00:13:20,733
put in a position
that he didn't want to be in.
290
00:13:20,800 --> 00:13:22,903
Tim's character was one
of those who was drafted
291
00:13:22,970 --> 00:13:25,605
and conscripted into the army.
292
00:13:25,672 --> 00:13:31,444
And then endured, you know,
years in a prison of war camp
293
00:13:31,511 --> 00:13:34,714
and then came home
to a destroyed homeland
294
00:13:34,781 --> 00:13:36,749
and had lost faith
in that society.
295
00:13:36,816 --> 00:13:38,685
He had a lot of pain
and PTSD from that.
296
00:13:38,751 --> 00:13:40,453
I mean, you see it
in the flashbacks,
297
00:13:40,520 --> 00:13:42,822
and you see little glimpses
of who James is,
298
00:13:42,890 --> 00:13:46,593
and you know that he's not
as hard as he comes across.
299
00:13:46,659 --> 00:13:48,761
He really cares about people,
but you also know that
300
00:13:48,828 --> 00:13:52,132
his family's the number one
concern that he has.
301
00:13:52,199 --> 00:13:53,901
He dreamed of a better place.
302
00:13:53,967 --> 00:13:56,303
He dreamed of a life
where he could dictate
303
00:13:56,369 --> 00:13:58,405
his own fortune or failure.
304
00:13:58,471 --> 00:14:00,740
And his family trusted him.
305
00:14:00,807 --> 00:14:04,912
In my work as I become
more invested in the people
306
00:14:04,978 --> 00:14:07,447
that we're trying to help
as the journey goes on.
307
00:14:07,514 --> 00:14:08,815
You know, I'm always
there for my family,
308
00:14:08,882 --> 00:14:11,184
and I'm always concerned
about my family,
309
00:14:11,251 --> 00:14:14,354
but I think as the show
goes on,
310
00:14:14,421 --> 00:14:16,056
you realize that James cares
more about people
311
00:14:16,123 --> 00:14:17,690
than you think he does.
312
00:14:17,757 --> 00:14:20,360
It's better to double
the latigo with him.
313
00:14:20,427 --> 00:14:23,196
Girl, I've forgotten more
about horses
314
00:14:23,263 --> 00:14:24,898
than you'll ever know.
315
00:14:24,965 --> 00:14:28,268
Margaret, at the age of 17,
316
00:14:28,335 --> 00:14:29,769
was a nurse in the Civil War.
317
00:14:29,836 --> 00:14:32,472
That would change your life,
basically.
318
00:14:32,539 --> 00:14:34,874
It would give you
a perspective of life
319
00:14:34,942 --> 00:14:39,146
that a 17-year-old in this day
and age could never imagine.
320
00:14:39,212 --> 00:14:41,448
I mean, she is really
this sort of strong-willed,
321
00:14:41,514 --> 00:14:43,984
powerful woman of the West.
322
00:14:44,051 --> 00:14:45,618
She's raising a young boy
323
00:14:45,685 --> 00:14:48,221
and a young, you know, daughter
who's becoming a woman.
324
00:14:48,288 --> 00:14:50,623
And obviously has to manage
all of that while she sort of
325
00:14:50,690 --> 00:14:53,593
takes this family
on this very treacherous,
326
00:14:53,660 --> 00:14:56,429
dangerous journey
across America.
327
00:14:56,496 --> 00:14:59,166
Her heart, she becomes
stronger and stronger
328
00:14:59,232 --> 00:15:02,269
and stronger
as the journey goes on.
329
00:15:02,335 --> 00:15:04,737
The moment our first daughter
was born,
330
00:15:04,804 --> 00:15:07,807
I'm a mom for the rest
of my life, period.
331
00:15:07,874 --> 00:15:09,542
I mean,
that is the first thing.
332
00:15:09,609 --> 00:15:11,111
That's the last thing.
That's the middle thing.
333
00:15:11,178 --> 00:15:13,981
That's everything.
My character is most concerned
334
00:15:14,047 --> 00:15:16,349
about what is this
going to do to my family?
335
00:15:16,416 --> 00:15:18,551
Look after your brother.
- I will.
336
00:15:18,618 --> 00:15:22,055
- "Yes, ma'am."
- I said I will.
337
00:15:22,122 --> 00:15:23,390
I know what you said.
338
00:15:23,456 --> 00:15:25,725
What you didn't say
is "Yes, ma'am."
339
00:15:25,792 --> 00:15:27,294
Women don't say that
to each other.
340
00:15:27,360 --> 00:15:30,330
- Oh, so you're a woman now?
- Aren't I?
341
00:15:32,532 --> 00:15:35,402
Elsa has always viewed
her mother
342
00:15:35,468 --> 00:15:39,139
as restraining her
from, you know,
343
00:15:39,206 --> 00:15:42,976
being able to fully embrace
all that life has to offer.
344
00:15:43,043 --> 00:15:46,779
And so, therefore, she kinda
has it out for her mom.
345
00:15:46,846 --> 00:15:50,283
Margaret and Elsa have such
a contentious relationship,
346
00:15:50,350 --> 00:15:53,753
as most teenage daughters
and moms do.
347
00:15:53,820 --> 00:15:56,789
Then she sees her mother
in a different light
348
00:15:56,856 --> 00:16:01,628
because there's clearly a past
that she's unaware of.
349
00:16:01,694 --> 00:16:03,863
Her mother can ride
a horse beautifully.
350
00:16:03,930 --> 00:16:06,566
And so she kind of starts
to understand
351
00:16:06,633 --> 00:16:08,968
my mother was something else
in the past,
352
00:16:09,036 --> 00:16:10,737
and she gave that up,
353
00:16:10,803 --> 00:16:12,972
and maybe
she gave that up for me.
354
00:16:13,040 --> 00:16:15,975
That's the biggest part of
James and Elsa's relationship,
355
00:16:16,043 --> 00:16:17,377
that he understands her,
356
00:16:17,444 --> 00:16:19,779
and he understands
the passion that she has.
357
00:16:19,846 --> 00:16:22,515
And not only because
it's a reflection of him,
358
00:16:22,582 --> 00:16:25,385
but it's a reflection
of Margaret as well.
359
00:16:25,452 --> 00:16:27,854
She loves like Margaret.
She fights like me.
360
00:16:27,920 --> 00:16:29,856
[grunts]
361
00:16:34,594 --> 00:16:36,896
Having Sam Elliot come
on board was just incredible
362
00:16:36,963 --> 00:16:39,132
because I think
he embodies everything
363
00:16:39,199 --> 00:16:41,334
that the character of Shea
should be.
364
00:16:41,401 --> 00:16:43,436
When I think of Westerns,
I think him and Clint Eastwood.
365
00:16:43,503 --> 00:16:44,904
Like that's just what it is.
366
00:16:44,971 --> 00:16:46,506
Of course, my wife
gets weak-kneed
367
00:16:46,573 --> 00:16:49,076
every time she's around him.
I don't know a woman yet
368
00:16:49,142 --> 00:16:51,311
that hasn't been weak-kneed
around Sam Elliott.
369
00:16:51,378 --> 00:16:53,213
And I told my mama that I was
working with Sam Elliott.
370
00:16:53,280 --> 00:16:55,315
She's like, "Oh my God, you're
working with Sam Elliott."
371
00:16:55,382 --> 00:16:57,684
[chuckles]
372
00:16:57,750 --> 00:17:00,820
Shea is on a mission
to get back to Oregon.
373
00:17:00,887 --> 00:17:03,190
Then at the same time,
he has something in him
374
00:17:03,256 --> 00:17:07,026
that wants to help these
other people get there as well.
375
00:17:07,094 --> 00:17:09,929
He knows that
it's rife with hardship.
376
00:17:09,996 --> 00:17:11,831
There's no question
about that.
377
00:17:11,898 --> 00:17:13,566
And a lot of them
aren't gonna make it,
378
00:17:13,633 --> 00:17:15,202
but he's driven to get those
379
00:17:15,268 --> 00:17:19,406
that are tough enough
to survive to Oregon.
380
00:17:22,409 --> 00:17:25,745
He is a troubled man
for a lot of different reasons.
381
00:17:25,812 --> 00:17:27,980
First off, he was in the war.
382
00:17:28,047 --> 00:17:30,183
You know, he's suffers
from that.
383
00:17:30,250 --> 00:17:31,551
He loses his family,
384
00:17:31,618 --> 00:17:33,686
and I think that's
the biggest burden
385
00:17:33,753 --> 00:17:37,590
that he carries with him
throughout the show.
386
00:17:37,657 --> 00:17:39,626
You know, Taylor talked to me
about Shea rode
387
00:17:39,692 --> 00:17:41,060
with the Buffalo soldiers,
388
00:17:41,128 --> 00:17:44,164
which was an all-Black group
of soldiers.
389
00:17:44,231 --> 00:17:49,236
Shea is very heavy-handed with
everyone other than Thomas.
390
00:17:49,302 --> 00:17:52,539
And... I don't know.
391
00:17:52,605 --> 00:17:54,040
I get very emotional
392
00:17:54,107 --> 00:17:58,311
talking about the relationship
of Shea and Thomas.
393
00:17:58,378 --> 00:18:00,647
They're close.
Theye like brothers.
394
00:18:00,713 --> 00:18:03,049
Thomas's story
is not unfamiliar
395
00:18:03,116 --> 00:18:04,784
to a lot of Black cowboys
back then.
396
00:18:04,851 --> 00:18:06,386
He's a former slave.
397
00:18:06,453 --> 00:18:10,089
At 12 years old,
he went inside the house,
398
00:18:10,157 --> 00:18:13,426
and the slave owner was
passed away, natural causes.
399
00:18:13,493 --> 00:18:15,828
So Thomas just gets on a horse
400
00:18:15,895 --> 00:18:19,966
and just goes off
and figures out life.
401
00:18:21,868 --> 00:18:24,171
All that happened in between
then has helped shaped
402
00:18:24,237 --> 00:18:26,139
who he was, his integrity.
403
00:18:26,206 --> 00:18:29,209
And he met Shea during the war.
He was a soldier.
404
00:18:29,276 --> 00:18:31,711
There were brothers-in-arms
in the war.
405
00:18:31,778 --> 00:18:34,181
Began fighting together
in the Civil War.
406
00:18:34,247 --> 00:18:37,116
So they've been fighting
together for some 20 years.
407
00:18:37,184 --> 00:18:39,252
And that's how the bond
with them, you know,
408
00:18:39,319 --> 00:18:41,954
became so strong.
It's like an 1800s odd couple.
409
00:18:42,021 --> 00:18:44,324
What in the hell
is a "toilette"?
410
00:18:44,391 --> 00:18:47,527
It's French for shitter.
411
00:18:47,594 --> 00:18:49,962
When did you learn French?
412
00:18:50,029 --> 00:18:52,399
Don't know French.
It's just
413
00:18:52,465 --> 00:18:53,933
the French word for shitter.
414
00:18:54,000 --> 00:18:56,836
Two men who grow old together
trying to survive
415
00:18:56,903 --> 00:18:58,971
and protect each other.
416
00:18:59,038 --> 00:19:03,376
And so, relationships like
that that have so much history,
417
00:19:03,443 --> 00:19:06,078
they don't have
to say too much.
418
00:19:06,145 --> 00:19:10,717
Thomas, he's a kind person.
He's an honest person.
419
00:19:10,783 --> 00:19:12,185
And he's a very loyal person.
420
00:19:12,252 --> 00:19:14,721
To me, he's the humanity
of the show.
421
00:19:14,787 --> 00:19:16,823
He's the soul of the show.
422
00:19:16,889 --> 00:19:19,859
And he's the enforcer
of the show.
423
00:19:19,926 --> 00:19:22,662
So it's not a show where it's,
you know, "Yes, sir, no, sir."
424
00:19:22,729 --> 00:19:24,997
Yes--it's, if you look
at him wrong
425
00:19:25,064 --> 00:19:27,200
or if you cross his moral code,
426
00:19:27,267 --> 00:19:28,501
he's gonna kill you.
427
00:19:28,568 --> 00:19:29,969
Get everything that was hers.
428
00:19:30,036 --> 00:19:33,773
Nothing was hers.
It was his, and he's a thief.
429
00:19:33,840 --> 00:19:35,808
Get everything that was hers.
430
00:19:35,875 --> 00:19:39,111
It was like it's a different
Black cowboy take.
431
00:19:39,178 --> 00:19:40,447
And I'm so glad Taylor,
432
00:19:40,513 --> 00:19:44,016
you know, he chose me
to bring that to life.
433
00:19:44,083 --> 00:19:48,388
Both Sam and LaMonica
are character builders,
434
00:19:48,455 --> 00:19:51,624
and they really want
to understand what's motivated
435
00:19:51,691 --> 00:19:54,327
the actions of the character
in the screenplay.
436
00:19:54,394 --> 00:19:56,229
The show "Lonesome Dove,"
437
00:19:56,296 --> 00:19:58,765
Danny Glover played
the role of Deets.
438
00:19:58,831 --> 00:20:01,501
And Deets, the real-life Deets
439
00:20:01,568 --> 00:20:03,470
on the Goodnight-Loving Trail,
440
00:20:03,536 --> 00:20:05,305
was Bose Ikard.
441
00:20:05,372 --> 00:20:08,308
And I found out he was buried
right there in Weatherford.
442
00:20:08,375 --> 00:20:12,579
So me and a few castmates,
we went to the cemetery,
443
00:20:12,645 --> 00:20:15,482
and it just--it moved me.
444
00:20:15,548 --> 00:20:19,286
And it's, you know,
445
00:20:19,352 --> 00:20:21,754
it's a story I'm very proud
to be a part,
446
00:20:21,821 --> 00:20:23,923
telling, you know,
a story about Black cowboys.
447
00:20:23,990 --> 00:20:25,758
He goes back to the truth.
448
00:20:25,825 --> 00:20:29,161
The Westerns of post-Civil War
449
00:20:29,228 --> 00:20:32,765
that painted
these matinee idol characters
450
00:20:32,832 --> 00:20:34,634
in these false roles
451
00:20:34,701 --> 00:20:38,004
and painted a really inaccurate
picture of the American West.
452
00:20:38,070 --> 00:20:40,039
To tell the story truthfully
and really show
453
00:20:40,106 --> 00:20:43,410
the American West
or a version of it accurately,
454
00:20:43,476 --> 00:20:45,978
then you have to look
at those relationships,
455
00:20:46,045 --> 00:20:49,248
and you have to re-examine
a version
456
00:20:49,316 --> 00:20:51,684
that Hollywood portrayed
that was wrong.
457
00:20:51,751 --> 00:20:55,021
♪ ♪
458
00:21:00,560 --> 00:21:02,161
You know, I think
my favorite moment
459
00:21:02,228 --> 00:21:05,432
is this incredible scene that
we have Billy Bob Thornton
460
00:21:05,498 --> 00:21:08,701
walking down main street
in the middle of the 1800s.
461
00:21:08,768 --> 00:21:10,737
And I look to the left,
and I see Billy Bob Thornton.
462
00:21:10,803 --> 00:21:13,706
I look a little bit further,
there's Tim McGraw,
463
00:21:13,773 --> 00:21:16,343
Sam Elliott,
and LaMonica Garrett,
464
00:21:16,409 --> 00:21:17,944
and I thought this is
a pretty good group
465
00:21:18,010 --> 00:21:19,512
to walk into a bar with.
466
00:21:19,579 --> 00:21:21,748
You know, you saw
"Reservoir Dogs" growing up,
467
00:21:21,814 --> 00:21:23,950
you saw "Tombstone."
They all had that walk
468
00:21:24,016 --> 00:21:26,453
where it was just these bad
dudes going to find trouble.
469
00:21:26,519 --> 00:21:29,589
So I got to play out
those childhood dreams
470
00:21:29,656 --> 00:21:31,924
of walking down
that dusty road
471
00:21:31,991 --> 00:21:33,560
to a gunfight in the saloon.
472
00:21:33,626 --> 00:21:36,228
And it just happened to be with
all these icons next to me,
473
00:21:36,295 --> 00:21:39,031
but it was...
yeah, it was amazing.
474
00:21:39,098 --> 00:21:42,034
Billy Bob Thornton,
he's this easy-going guy.
475
00:21:42,101 --> 00:21:43,035
He's kinda unassuming.
476
00:21:43,102 --> 00:21:45,638
We get inside the saloon,
477
00:21:45,705 --> 00:21:50,176
and he just turns it on to this
stone-cold killer and sheriff.
478
00:21:50,242 --> 00:21:52,211
Order this business
on the Trinity.
479
00:21:52,278 --> 00:21:54,681
So I'm supposed to stop
and have a line with Sam
480
00:21:54,747 --> 00:21:56,649
right before the end
of the scene.
481
00:21:56,716 --> 00:22:00,019
And I got so caught up into
watching Billy Bob perform,
482
00:22:00,086 --> 00:22:02,422
I just walked right past Sam,
just blew right by
483
00:22:02,489 --> 00:22:04,524
and didn't say my line,
walked out the door.
484
00:22:04,591 --> 00:22:07,394
And I looked at Sam and goes,
"Sam, I'm sorry.
485
00:22:07,460 --> 00:22:10,430
I know I'm supposed
to give a line, and I forgot."
486
00:22:10,497 --> 00:22:12,231
And he goes, "I noticed."
487
00:22:12,298 --> 00:22:13,733
He's a powerful actor,
Billy Bob,
488
00:22:13,800 --> 00:22:15,535
and when he comes in at work,
489
00:22:15,602 --> 00:22:18,538
it's hard to take your eye
off of him.
490
00:22:18,605 --> 00:22:21,140
Another incredible moment
is this Civil War sequence
491
00:22:21,207 --> 00:22:22,409
that we have.
492
00:22:22,475 --> 00:22:24,176
And out of nowhere,
493
00:22:24,243 --> 00:22:26,178
Tom Hanks just shows up--
494
00:22:26,245 --> 00:22:29,215
full beard, in character,
and a really powerful scene
495
00:22:29,281 --> 00:22:31,518
between him and Tim McGraw.
496
00:22:31,584 --> 00:22:33,420
It starts with Antietam,
497
00:22:33,486 --> 00:22:36,055
and it starts
with an original picture
498
00:22:36,122 --> 00:22:37,724
from the battleground scene
499
00:22:37,790 --> 00:22:41,193
and morphs out of the original
picture into a live shot.
500
00:22:41,260 --> 00:22:42,762
And everybody's dead.
501
00:22:42,829 --> 00:22:45,264
His whole company
has been wiped out.
502
00:22:46,833 --> 00:22:49,301
Captain.
503
00:22:49,368 --> 00:22:52,739
Tom and I have been friends
for such a long time,
504
00:22:52,805 --> 00:22:55,274
but no matter how good
a friend you are,
505
00:22:55,341 --> 00:22:58,010
when you're sitting there in
a scene that's that emotional,
506
00:22:58,077 --> 00:22:59,712
and then you turn,
507
00:22:59,779 --> 00:23:03,550
and you see Tom Hanks walk up
in a Union uniform,
508
00:23:03,616 --> 00:23:06,152
look at you, and say,
"Captain,"
509
00:23:06,218 --> 00:23:07,720
I just fell apart.
510
00:23:07,787 --> 00:23:09,589
And then he sat beside me
as I'm crying,
511
00:23:09,656 --> 00:23:11,123
and he puts his hand
on my shoulder.
512
00:23:11,190 --> 00:23:12,559
Yeah, that's a great scene.
513
00:23:12,625 --> 00:23:15,962
And of course, Tom,
you know, Tom was average.
514
00:23:16,028 --> 00:23:17,530
[laughter]
515
00:23:17,597 --> 00:23:19,832
When actors like this
are willing to come play
516
00:23:19,899 --> 00:23:21,734
for a day or two,
of course now you're working
517
00:23:21,801 --> 00:23:24,537
with some of the greatest
actors who've ever worked.
518
00:23:24,604 --> 00:23:26,138
It's just a privilege.
519
00:23:26,205 --> 00:23:29,709
[soldiers shouting]
520
00:23:29,776 --> 00:23:31,444
I've done a lot of shows,
521
00:23:31,511 --> 00:23:33,012
and I've never seen
anything this big.
522
00:23:33,079 --> 00:23:36,015
We did scenes in Fort Worth
with hundreds of extras,
523
00:23:36,082 --> 00:23:38,585
businessmen going to work
in the 1800s,
524
00:23:38,651 --> 00:23:40,186
two bar guys having fight.
525
00:23:40,252 --> 00:23:42,889
We have huge scenes out in
sort of wild open with bandits.
526
00:23:42,955 --> 00:23:44,524
We have everything
that you can imagine.
527
00:23:44,591 --> 00:23:46,493
We have 30-something wagons,
528
00:23:46,559 --> 00:23:48,861
and it takes two to four
horses to pull them.
529
00:23:48,928 --> 00:23:51,831
And I'm running from snow
and rain and schedule
530
00:23:51,898 --> 00:23:53,265
and everything else.
531
00:23:53,332 --> 00:23:55,034
It's epic.
There's no question about it.
532
00:23:55,101 --> 00:23:57,003
I'm not gonna compare it
to anything
533
00:23:57,069 --> 00:23:59,138
because I've never done
anything like this.
534
00:23:59,205 --> 00:24:02,742
♪ ♪
535
00:24:02,809 --> 00:24:05,211
"Yellowstone,"
at any given time,
536
00:24:05,277 --> 00:24:08,748
we might have 40 horses on set.
On this, at any given time,
537
00:24:08,815 --> 00:24:11,350
we have 180,
and we have a cattle herd.
538
00:24:11,417 --> 00:24:16,856
Ironically, we are having to
actually have a trail drive
539
00:24:16,923 --> 00:24:20,159
in order to film a trail drive.
And it's a challenge.
540
00:24:20,226 --> 00:24:22,595
We have goats.
We have chickens.
541
00:24:22,662 --> 00:24:27,366
We have 60 wranglers, cowboys
just working the horses
542
00:24:27,433 --> 00:24:29,068
to make sure everyone is safe.
543
00:24:29,135 --> 00:24:32,839
We have 80 trucks and drivers
to move the whole company.
544
00:24:32,905 --> 00:24:34,774
I mean, this is bigger
than a Beyoncé tour.
545
00:24:34,841 --> 00:24:37,977
This is "Game of Thrones"
on the Prairie.
546
00:24:38,044 --> 00:24:41,614
We began the shooting
in Texas in August.
547
00:24:41,681 --> 00:24:44,984
So it was about 104,
103 degrees.
548
00:24:45,051 --> 00:24:48,921
There was sweat in places
I didn't know sweat can be.
549
00:24:48,988 --> 00:24:50,322
I got wool on,
550
00:24:50,389 --> 00:24:53,359
and wool is not Texas-friendly
in the summertime.
551
00:24:53,425 --> 00:24:56,228
On top of the bandolier,
the belt, the guns,
552
00:24:56,295 --> 00:24:57,930
like, ten-pound leather chaps,
553
00:24:57,997 --> 00:25:00,567
like,
everything is weighed down.
554
00:25:00,633 --> 00:25:03,335
And my horse,
he looks like a utility camp.
555
00:25:03,402 --> 00:25:06,138
First, we were in 98-degree
sweating, hot weather.
556
00:25:06,205 --> 00:25:08,741
And three weeks later, we were
in ten-degree weather.
557
00:25:08,808 --> 00:25:10,977
You know, we were out there
last week in Montana
558
00:25:11,043 --> 00:25:13,279
with snowcap mountains
in the middle of a field.
559
00:25:13,345 --> 00:25:15,815
Me, Sam, and Tim are on top
of our horses on the mountain.
560
00:25:15,882 --> 00:25:18,117
And there was like a blizzard
that came through,
561
00:25:18,184 --> 00:25:19,518
like you couldn't see
your hand in front of you.
562
00:25:19,586 --> 00:25:21,153
The wind was blowing.
563
00:25:21,220 --> 00:25:23,890
There've been times
where I was so cold out here,
564
00:25:23,956 --> 00:25:26,525
I didn't think I could
tough it out too long.
565
00:25:26,593 --> 00:25:28,094
And the thing that
brought me out of it
566
00:25:28,160 --> 00:25:30,863
and continues to bring me out
of it is just looking around
567
00:25:30,930 --> 00:25:33,132
and seeing these mountain
ranges everywhere,
568
00:25:33,199 --> 00:25:34,734
and you think, my God,
569
00:25:34,801 --> 00:25:37,704
how lucky we are to be here
number one, but number two,
570
00:25:37,770 --> 00:25:40,840
how lucky we are
to be here making a film.
571
00:25:40,907 --> 00:25:43,676
You never really know
what you're gonna get
572
00:25:43,743 --> 00:25:45,612
from Mother Earth that day.
573
00:25:45,678 --> 00:25:47,614
And that adds to
the grand scheme
574
00:25:47,680 --> 00:25:49,181
and the look of the show,
575
00:25:49,248 --> 00:25:52,518
but it also adds to the thrill
as an actor
576
00:25:52,585 --> 00:25:56,255
to get to experience
such spontaneity
577
00:25:56,322 --> 00:25:58,324
on set every single day.
578
00:25:58,390 --> 00:26:01,060
The methodology of Taylor
is to make everything
579
00:26:01,127 --> 00:26:05,765
look like a ten-hour movie.
It's so big and so beautiful,
580
00:26:05,832 --> 00:26:08,567
but there's a word
that is so important to him,
581
00:26:08,635 --> 00:26:10,169
and that is "authenticity."
582
00:26:10,236 --> 00:26:12,805
I'm interested in the truth,
even though it's fiction--
583
00:26:12,872 --> 00:26:15,307
as accurately
retelling an event
584
00:26:15,374 --> 00:26:17,276
or a world as I possibly can.
585
00:26:17,343 --> 00:26:19,445
Everything is
historically accurate.
586
00:26:19,511 --> 00:26:21,180
Every building,
every structure,
587
00:26:21,247 --> 00:26:23,082
every wagon, everything.
588
00:26:23,149 --> 00:26:25,317
We strive to do everything
period correct.
589
00:26:25,384 --> 00:26:28,554
We spent a lot of time
in research together,
590
00:26:28,621 --> 00:26:29,822
all the information we can.
591
00:26:29,889 --> 00:26:33,125
So when the camera's tight
on a cast member,
592
00:26:33,192 --> 00:26:35,527
that he has the right equipment
on his horse
593
00:26:35,594 --> 00:26:37,096
for the time period.
594
00:26:37,163 --> 00:26:41,300
I went to school for film
and watched countless movies,
595
00:26:41,367 --> 00:26:43,369
countless westerns
where everything was wrong.
596
00:26:43,435 --> 00:26:46,505
And you know, just me being
an indigenous person,
597
00:26:46,572 --> 00:26:50,142
I would feel kind of ticked off
if I saw,
598
00:26:50,209 --> 00:26:52,411
you know, that we weren't
accurately portrayed.
599
00:26:52,478 --> 00:26:54,681
So when it comes
to finding the props,
600
00:26:54,747 --> 00:26:58,117
I am trying to do my absolute
best on sourcing them from,
601
00:26:58,184 --> 00:27:01,353
you know, the proper places
and making sure that they are,
602
00:27:01,420 --> 00:27:03,856
in fact, you know,
if it's a Lakota bow case
603
00:27:03,923 --> 00:27:06,125
that it's
an actual Lakota bow case.
604
00:27:06,192 --> 00:27:09,261
The language that
the Native Americans speak
605
00:27:09,328 --> 00:27:10,763
has to be authentic.
606
00:27:10,830 --> 00:27:14,000
The beads that they wear
have to be authentic.
607
00:27:14,066 --> 00:27:17,804
The wagons, the horse breeds,
the cattle breeds.
608
00:27:17,870 --> 00:27:22,441
And I think these days
audiences respect it,
609
00:27:22,508 --> 00:27:25,277
actors feel it.
610
00:27:25,344 --> 00:27:29,048
After you've done all your
work on the text and character,
611
00:27:29,115 --> 00:27:31,383
you finally get
to put on the clothes.
612
00:27:31,450 --> 00:27:35,121
And I think that's kind of
your superhero cape in a way.
613
00:27:35,187 --> 00:27:37,656
If you look at the costumes,
we made them all.
614
00:27:37,724 --> 00:27:39,291
We didn't call
some costume house
615
00:27:39,358 --> 00:27:40,727
and get a bunch of "Little
House on the Prairie" stuff.
616
00:27:40,793 --> 00:27:43,830
Every dress, every suit,
every jacket,
617
00:27:43,896 --> 00:27:47,599
everything was custom-made
by Janie and her team.
618
00:27:47,666 --> 00:27:50,169
I am very familiar
with this period
619
00:27:50,236 --> 00:27:53,405
because I designed "Deadwood,"
the series,
620
00:27:53,472 --> 00:27:55,908
which was living in 1876.
621
00:27:55,975 --> 00:27:59,746
And then, I designed the movie,
which was in 1886,
622
00:27:59,812 --> 00:28:02,148
but no two shows are alike.
623
00:28:02,214 --> 00:28:05,117
"1883" is the West.
624
00:28:05,184 --> 00:28:06,986
And during this time,
there were
625
00:28:07,053 --> 00:28:09,321
a lot of cowboys in Texas.
626
00:28:09,388 --> 00:28:10,589
And that was one of the aspects
627
00:28:10,656 --> 00:28:13,559
that I love
doing the research for.
628
00:28:13,625 --> 00:28:16,996
When she put this coat on me
the first time, I squealed.
629
00:28:17,063 --> 00:28:18,898
Yeah, I'm in love
with my costume.
630
00:28:18,965 --> 00:28:20,232
I love the costumes,
631
00:28:20,299 --> 00:28:22,935
and the attention to detail
is microscopic.
632
00:28:23,002 --> 00:28:25,137
You see these people,
and then suddenly,
633
00:28:25,204 --> 00:28:29,308
wow, we're really here.
It's like a time machine.
634
00:28:29,375 --> 00:28:32,478
This was a great opportunity
to do a period piece.
635
00:28:32,544 --> 00:28:34,847
And period makeup
is a lot of fun.
636
00:28:34,914 --> 00:28:36,682
You look at a lot
of the old Westerns,
637
00:28:36,749 --> 00:28:37,917
and you see makeup on them.
638
00:28:37,984 --> 00:28:39,618
Taylor definitely
wanted this raw.
639
00:28:39,685 --> 00:28:43,055
He said, "I want dirty sweaty."
640
00:28:43,122 --> 00:28:45,992
There is some makeup
that is being applied to them.
641
00:28:46,058 --> 00:28:47,126
The trick with it
is to make it look
642
00:28:47,193 --> 00:28:49,095
like they're not
wearing any makeup.
643
00:28:49,161 --> 00:28:51,597
So the start of the show,
they're on a train.
644
00:28:51,663 --> 00:28:53,833
And that's the only time
that they're kind of have a,
645
00:28:53,900 --> 00:28:55,534
what I'd call a beauty look
about them.
646
00:28:55,601 --> 00:28:58,604
But once they start getting out
onto the wagon train,
647
00:28:58,670 --> 00:29:01,207
we're gonna try to
keep them dirty looking.
648
00:29:01,273 --> 00:29:03,409
These departments,
from our production designer
649
00:29:03,475 --> 00:29:06,813
to our prop master, everybody,
they had to come together
650
00:29:06,879 --> 00:29:09,782
and build a world
in a very short period of time.
651
00:29:09,849 --> 00:29:12,684
Nothing existed.
We created it all.
652
00:29:12,751 --> 00:29:15,354
We wanted to avoid
the clichés
653
00:29:15,421 --> 00:29:18,690
and do things that are
a little bit unusual
654
00:29:18,757 --> 00:29:22,061
that you haven't seen in
so many westerns.
655
00:29:22,128 --> 00:29:23,562
Cary White,
our production designer,
656
00:29:23,629 --> 00:29:24,931
this is his wheelhouse.
657
00:29:24,997 --> 00:29:28,534
And he was able to come up
with some really,
658
00:29:28,600 --> 00:29:30,870
really smart ideas.
659
00:29:30,937 --> 00:29:36,475
The building right next to us
was built in 1939, 1940.
660
00:29:36,542 --> 00:29:39,846
We constructed
a complete façade around it
661
00:29:39,912 --> 00:29:44,450
and turned it into
a real building of 1883.
662
00:29:44,516 --> 00:29:48,654
But also put Styrofoam cornices
on a lot of these buildings
663
00:29:48,720 --> 00:29:50,789
up on the top of them
664
00:29:50,857 --> 00:29:53,692
that gives them
a much more Victorian look.
665
00:29:53,759 --> 00:29:55,127
And the whole thing
tied together
666
00:29:55,194 --> 00:29:58,230
when we put the dirt in.
It really just came alive.
667
00:29:58,297 --> 00:30:00,532
They brought in layers
and layers and layers of dirt.
668
00:30:00,599 --> 00:30:04,236
And it's all compacted and then
top dressed appropriately
669
00:30:04,303 --> 00:30:06,839
to make it all safe for
the animals that we have here.
670
00:30:06,906 --> 00:30:10,176
I think we went
a solid two months prep
671
00:30:10,242 --> 00:30:13,145
to shoot for four days
on house half-acre.
672
00:30:13,212 --> 00:30:14,546
I mean, the stuff
that they've done
673
00:30:14,613 --> 00:30:16,482
is just so incredibly epic.
674
00:30:16,548 --> 00:30:20,086
I like to get on set early and
walk around some of these sets
675
00:30:20,152 --> 00:30:22,588
just to put yourself
in that world.
676
00:30:22,654 --> 00:30:25,858
So it makes it easy to find
the emotion in the scene.
677
00:30:25,925 --> 00:30:27,759
This show
would not be possible
678
00:30:27,826 --> 00:30:29,962
without everyone
that you don't see.
679
00:30:30,029 --> 00:30:32,431
It is not a walk in the park.
680
00:30:32,498 --> 00:30:37,836
It is hard work, and it's...
681
00:30:37,904 --> 00:30:39,338
fucking awesome.
682
00:30:39,405 --> 00:30:40,940
Can I say that?
683
00:30:41,007 --> 00:30:42,441
- Sure can.
- I just did.
684
00:30:51,350 --> 00:30:53,819
I don't rehearse
with my actors.
685
00:30:53,886 --> 00:30:57,623
There's no way for me to inform
them what this way of life is.
686
00:30:57,689 --> 00:30:59,058
You just have to do it.
687
00:30:59,125 --> 00:31:01,727
I just take them out
and put them to work.
688
00:31:01,793 --> 00:31:03,129
The purpose of cowboy camp
689
00:31:03,195 --> 00:31:05,864
is to get actors comfortable
enough on the horses
690
00:31:05,932 --> 00:31:07,967
that they weren't nervous
when they were riding.
691
00:31:09,501 --> 00:31:11,770
The better I can make them
as a rider,
692
00:31:11,837 --> 00:31:14,373
the more they understand
the thing they're acting out,
693
00:31:14,440 --> 00:31:16,075
the better the performances,
694
00:31:16,142 --> 00:31:19,045
the more authentic the scenes
look, then it looks real.
695
00:31:19,111 --> 00:31:21,713
Cowboy camp is the actors
get here about 8:00,
696
00:31:21,780 --> 00:31:23,182
and then we start
just exposing them
697
00:31:23,249 --> 00:31:26,685
to real-life situations
in 1883.
698
00:31:28,520 --> 00:31:30,422
Cowboy camp was probably
699
00:31:30,489 --> 00:31:31,523
the most helpful thing
in the world.
700
00:31:31,590 --> 00:31:33,259
Good morning, guys.
- Morning.
701
00:31:33,325 --> 00:31:34,760
How's everybody doing?
702
00:31:34,826 --> 00:31:36,795
And we all got to spend
a couple of weeks together,
703
00:31:36,862 --> 00:31:39,932
just riding horses and roping
and herding cattle.
704
00:31:39,999 --> 00:31:42,001
And here comes
Taylor walking up like
705
00:31:42,068 --> 00:31:43,802
he's the first one out there.
706
00:31:43,869 --> 00:31:45,904
And he'll never ask you
to do anything
707
00:31:45,972 --> 00:31:49,508
that he doesn't do
as far as being on a horse.
708
00:31:50,876 --> 00:31:53,212
We take them down
and have them work cattle.
709
00:31:53,279 --> 00:31:55,714
We have them part them out
and sort them.
710
00:31:55,781 --> 00:31:58,985
Roping, horseback riding,
711
00:31:59,051 --> 00:32:01,320
herding cows.
712
00:32:01,387 --> 00:32:04,023
We take them down to the pond
and have them swim horses
713
00:32:04,090 --> 00:32:06,025
so we can prepare them
for the river crossings
714
00:32:06,092 --> 00:32:07,759
that are coming up
in the script.
715
00:32:07,826 --> 00:32:09,728
Most of us learned
how to drive wagons,
716
00:32:09,795 --> 00:32:11,597
which is dangerous, by the way.
717
00:32:13,065 --> 00:32:16,202
Climbing up rocks,
going through lakes and rivers,
718
00:32:16,268 --> 00:32:19,471
and steering cattle.
719
00:32:19,538 --> 00:32:21,373
I'm learning how
to ride a horse,
720
00:32:21,440 --> 00:32:25,044
and I'm swinging
the rope around.
721
00:32:26,712 --> 00:32:30,616
We're shooting guns back
to riding horses, lassoing.
722
00:32:31,450 --> 00:32:34,853
We just played little games
where you put, for example,
723
00:32:34,920 --> 00:32:36,322
an egg on a spoon
724
00:32:36,388 --> 00:32:38,824
and have to ride
straight back and forth.
725
00:32:38,890 --> 00:32:41,460
And whoever does it
the fastest wins.
726
00:32:41,527 --> 00:32:43,029
So it was really fun.
727
00:32:43,095 --> 00:32:44,563
You had to carry the egg
on a spoon,
728
00:32:44,630 --> 00:32:46,898
but I dropped it every time.
729
00:32:46,965 --> 00:32:48,934
So some people were getting
a little crafty,
730
00:32:49,001 --> 00:32:50,702
and when they get
further away from us,
731
00:32:50,769 --> 00:32:53,072
their thumb would ease
over the eggs,
732
00:32:53,139 --> 00:32:56,208
so you really can't see
what's going on and like,
733
00:32:56,275 --> 00:32:58,644
wait a minute, like you got
glue on that or something?
734
00:32:58,710 --> 00:33:00,679
Like, you know,
what's going on?
735
00:33:00,746 --> 00:33:02,848
I'd heard Taylor cheated
when he does it.
736
00:33:02,914 --> 00:33:04,916
That he puts his thumb
on the egg.
737
00:33:04,983 --> 00:33:07,086
I'm not saying
that that's true.
738
00:33:07,153 --> 00:33:09,621
I'm just saying that I've heard
that Taylor cheated.
739
00:33:09,688 --> 00:33:13,359
There's no proof of cheating,
740
00:33:13,425 --> 00:33:14,893
but it is suspected.
741
00:33:14,960 --> 00:33:16,828
You know, everyone was
very competitive,
742
00:33:16,895 --> 00:33:21,400
but in a supportive way
to somewhat degree.
743
00:33:26,205 --> 00:33:28,640
Everything that we have done,
we've learned how to do it
744
00:33:28,707 --> 00:33:31,243
properly
by the best of the best.
745
00:33:31,310 --> 00:33:33,712
For all the talent,
they're trying to get them
746
00:33:33,779 --> 00:33:36,482
comfortable
with driving and riding.
747
00:33:36,548 --> 00:33:37,949
So then, when they get
on camera,
748
00:33:38,016 --> 00:33:40,152
it becomes
second nature to them.
749
00:33:40,219 --> 00:33:43,322
Everyone will remember
their lines and not panic,
750
00:33:43,389 --> 00:33:45,124
so they look the part.
751
00:33:45,191 --> 00:33:46,658
They feel the part.
752
00:33:46,725 --> 00:33:49,695
They can be the cowboy.
753
00:33:49,761 --> 00:33:51,963
A lot of what we're doing now
is day in and day out,
754
00:33:52,030 --> 00:33:53,899
so this becomes second nature.
755
00:33:53,965 --> 00:33:56,468
So when we're going
through the script,
756
00:33:56,535 --> 00:33:57,869
that's what you could focus on
757
00:33:57,936 --> 00:34:00,306
and not have to worry about
where my hands are,
758
00:34:00,372 --> 00:34:01,640
and where's the gun?
759
00:34:01,707 --> 00:34:03,509
You must know how to do it
the right way.
760
00:34:03,575 --> 00:34:06,478
Otherwise, it's just
kind of watered down,
761
00:34:06,545 --> 00:34:08,514
and it just feels wrong.
762
00:34:10,082 --> 00:34:11,683
Cowboy camp gets you ready
for the show.
763
00:34:11,750 --> 00:34:13,685
You're not showing up
764
00:34:13,752 --> 00:34:14,786
and putting some dirt
and makeup on.
765
00:34:14,853 --> 00:34:16,255
Before you ever do that,
766
00:34:16,322 --> 00:34:19,024
you're falling off of a horse.
Your back is hurting.
767
00:34:20,392 --> 00:34:22,461
As a cowboy in 1883,
768
00:34:22,528 --> 00:34:23,995
you didn't have
nice cushiony saddles.
769
00:34:24,062 --> 00:34:27,266
You know, you didn't have
all the fancy modern equipment
770
00:34:27,333 --> 00:34:28,734
that you have today.
771
00:34:28,800 --> 00:34:31,137
Oh, it's bare-bones.
It's bare knuckles.
772
00:34:31,203 --> 00:34:34,940
This is my first time
on an 1880s saddle.
773
00:34:35,006 --> 00:34:37,276
A hundred years ago,
if you went across country
774
00:34:37,343 --> 00:34:39,311
from New York to California,
775
00:34:39,378 --> 00:34:40,846
this is the way you went.
776
00:34:40,912 --> 00:34:43,115
This is rougher than heck.
777
00:34:43,182 --> 00:34:45,517
I'll tell you it's
a lot harder than it looks.
778
00:34:45,584 --> 00:34:48,320
I mean, you see those wagon
drivers kind of leaning over.
779
00:34:48,387 --> 00:34:51,623
I mean, oh man,
it did a number on your back.
780
00:34:53,058 --> 00:34:55,461
There's an experience
of time.
781
00:34:55,527 --> 00:34:56,795
You know,
you realize old people
782
00:34:56,862 --> 00:34:59,131
traveled like this 5,000 miles,
783
00:34:59,198 --> 00:35:02,968
and you understand
what a journey like this means.
784
00:35:03,034 --> 00:35:05,971
This training creates
an authentic cowboy
785
00:35:06,037 --> 00:35:08,540
because you're--you know,
the blisters are real.
786
00:35:08,607 --> 00:35:10,108
The cuts are real.
787
00:35:10,176 --> 00:35:12,944
You know, I'm running into
barbed wire fences on my horse.
788
00:35:14,446 --> 00:35:17,716
I've been to like Hell Week
and camps and football,
789
00:35:17,783 --> 00:35:19,585
and this is
a whole different beast.
790
00:35:19,651 --> 00:35:20,886
When they get off at night,
791
00:35:20,952 --> 00:35:22,488
they feel like their legs
are melted.
792
00:35:22,554 --> 00:35:24,122
They got cramps
in their thighs.
793
00:35:24,190 --> 00:35:26,124
They got
cramps in their calves.
794
00:35:26,192 --> 00:35:28,760
They go, "My butt's sore."
Yeah, probably is.
795
00:35:28,827 --> 00:35:30,896
You ain't never sat
on a saddle that long.
796
00:35:30,962 --> 00:35:32,831
They're grinding us
into the ground.
797
00:35:32,898 --> 00:35:34,666
I mean, by the time
we finished riding horses,
798
00:35:34,733 --> 00:35:36,735
I'm like completely
soaked through.
799
00:35:36,802 --> 00:35:38,404
Like, it's kinda gross.
800
00:35:38,470 --> 00:35:41,973
I feel bad for everyone
that has to smell us.
801
00:35:45,477 --> 00:35:48,380
Cowboy camp was this
incredible bonding experience
802
00:35:48,447 --> 00:35:49,648
between all of the talent.
803
00:35:49,715 --> 00:35:50,982
Everybody gets to
come out there.
804
00:35:51,049 --> 00:35:52,484
They don't know each other.
805
00:35:52,551 --> 00:35:55,221
And they start to sort of work
together and understand
806
00:35:55,287 --> 00:35:56,555
what their characters
are gonna be,
807
00:35:56,622 --> 00:35:57,856
where are they going,
808
00:35:57,923 --> 00:36:01,059
and how hard this
is gonna really be.
809
00:36:01,126 --> 00:36:04,330
Cowboy camp is extremely
important for teamwork.
810
00:36:04,396 --> 00:36:06,732
We're all trying
to build chemistry as actors.
811
00:36:06,798 --> 00:36:09,301
And there's nothing
more team-oriented
812
00:36:09,368 --> 00:36:12,304
than getting 28 cattle,
I mean, over hills
813
00:36:12,371 --> 00:36:15,073
and through alleyways
for miles and miles.
814
00:36:15,140 --> 00:36:17,776
So if you're not communicating
to your teammates,
815
00:36:17,843 --> 00:36:20,145
then it's not gonna work.
816
00:36:20,212 --> 00:36:22,314
The only way to survive
at that time
817
00:36:22,381 --> 00:36:24,149
was to be collaborative,
818
00:36:24,216 --> 00:36:26,685
and people would go out of
their way to help one another
819
00:36:26,752 --> 00:36:28,787
without expecting anything.
820
00:36:28,854 --> 00:36:30,389
Well, it's the only way
that you can survive
821
00:36:30,456 --> 00:36:31,890
in an environment like that.
822
00:36:31,957 --> 00:36:34,092
You become a group, you know,
'cause we will be
823
00:36:34,159 --> 00:36:37,263
on this journey
for half a year
824
00:36:37,329 --> 00:36:39,064
and go through hell.
825
00:36:44,703 --> 00:36:45,904
We're all
doing this together.
826
00:36:45,971 --> 00:36:47,606
So we're all dedicated to it.
827
00:36:47,673 --> 00:36:51,009
And that's been extraordinary
to watch.
828
00:36:51,076 --> 00:36:52,811
It's about to be a family.
829
00:36:52,878 --> 00:36:54,746
It's about to be all of us
against the world.
830
00:36:54,813 --> 00:36:56,948
So against nature, literally.
831
00:36:57,015 --> 00:36:58,384
So we all have
to trust each other.
832
00:36:58,450 --> 00:37:00,752
We have to, you know,
hold each other accountable
833
00:37:00,819 --> 00:37:02,220
and just being
out here period,
834
00:37:02,288 --> 00:37:04,089
being on the ranch together
and bonding,
835
00:37:04,155 --> 00:37:07,293
and like--it's great for what
we're about to encounter.
836
00:37:17,235 --> 00:37:19,004
From
a production standpoint,
837
00:37:19,070 --> 00:37:22,308
I've never seen
so many different departments
838
00:37:22,374 --> 00:37:25,611
have to coordinate
so many different details.
839
00:37:25,677 --> 00:37:27,713
I have never worked on
a company this big in my life.
840
00:37:27,779 --> 00:37:29,915
Then you got cattle that,
you know,
841
00:37:29,981 --> 00:37:31,483
one day they might be like,
842
00:37:31,550 --> 00:37:33,184
we don't feel like doing
what you tell us to do today.
843
00:37:33,251 --> 00:37:35,587
And they're running
in 50 different directions.
844
00:37:35,654 --> 00:37:37,623
I think
it's borderline miraculous
845
00:37:37,689 --> 00:37:39,891
that the show has come together
846
00:37:39,958 --> 00:37:44,396
because it's taken a lot
of people and a lot of work.
847
00:37:44,463 --> 00:37:46,732
And you know, it's just
impressive what this team
848
00:37:46,798 --> 00:37:47,966
has been able to do.
849
00:37:48,033 --> 00:37:50,068
This is unique
and very special.
850
00:37:50,135 --> 00:37:52,704
And the production
scale is huge.
851
00:37:52,771 --> 00:37:56,542
For me, I don't feel it because
it still feels so personal.
852
00:37:56,608 --> 00:37:58,544
Taylor creates
such an incredible world
853
00:37:58,610 --> 00:38:01,880
with his writing that
it's so easy to get lost in it.
854
00:38:06,785 --> 00:38:09,455
You got it.
You got him, son.
855
00:38:09,521 --> 00:38:13,024
My most favorite scene is
856
00:38:13,091 --> 00:38:15,060
a scene with Tim.
857
00:38:15,126 --> 00:38:17,529
I had to hunt with my dad,
858
00:38:17,596 --> 00:38:21,933
and it was blood
from the deer.
859
00:38:22,000 --> 00:38:25,136
It's your first kill,
so I got to blood you.
860
00:38:25,203 --> 00:38:28,106
To shoot a deer and do
the whole blooding situation
861
00:38:28,173 --> 00:38:31,543
and explain to him
why we did it and what it means
862
00:38:31,610 --> 00:38:33,412
and how we have to
thank the animal
863
00:38:33,479 --> 00:38:35,914
for giving us
sustenance in life...
864
00:38:35,981 --> 00:38:40,419
To be able to do
that was pretty special for me.
865
00:38:40,486 --> 00:38:44,356
It felt cool.
866
00:38:44,423 --> 00:38:46,558
It felt really cool.
867
00:38:46,625 --> 00:38:48,494
And you can see
the similarities
868
00:38:48,560 --> 00:38:49,761
with "Yellowstone."
869
00:38:49,828 --> 00:38:51,363
There are
certainly similarities
870
00:38:51,430 --> 00:38:53,298
to John Dutton and James,
871
00:38:53,365 --> 00:38:55,801
and you can see the tradition
that started it.
872
00:38:55,867 --> 00:38:57,769
I think absolutely fans
will find Easter eggs through
873
00:38:57,836 --> 00:38:59,337
this whole thing,
and I'm excited.
874
00:38:59,405 --> 00:39:00,839
And I think it'll be
a fun journey for people
875
00:39:00,906 --> 00:39:02,140
to pick them out.
876
00:39:02,207 --> 00:39:04,643
Well, I would ask you,
was there ever a time
877
00:39:04,710 --> 00:39:08,447
that you went out on Easter
and found only one Easter egg?
878
00:39:10,081 --> 00:39:12,083
Look, I think the journey
we're about to go on
879
00:39:12,150 --> 00:39:14,386
in the rest of the episodes
is pretty magical, right?
880
00:39:14,453 --> 00:39:15,921
We've just gotten started.
881
00:39:15,987 --> 00:39:18,390
I'm thrilled for people
to see Elsa's journey
882
00:39:18,457 --> 00:39:21,092
because it's quite
a dramatic one.
883
00:39:21,159 --> 00:39:24,563
It's not what you would
expect whatsoever.
884
00:39:24,630 --> 00:39:26,732
I think all of us are pushed
885
00:39:26,798 --> 00:39:31,437
to what we think
will be our limit.
886
00:39:31,503 --> 00:39:35,140
We're just on the trail,
887
00:39:35,206 --> 00:39:37,342
and we'll see who survives.
888
00:39:37,409 --> 00:39:42,981
Every episode brings a new
level of excitement and danger,
889
00:39:43,048 --> 00:39:44,616
and unpredictability.
890
00:39:44,683 --> 00:39:47,519
So just find
a huge box of tissues,
891
00:39:47,586 --> 00:39:48,854
nice bucket of popcorn,
892
00:39:48,920 --> 00:39:53,058
the biggest TV you can find,
and enjoy.
893
00:39:53,124 --> 00:39:56,327
I could barely get through it
without just falling apart.
894
00:39:56,394 --> 00:39:59,798
I couldn't do it.
I'm literally snot crying.
895
00:39:59,865 --> 00:40:01,332
I feel that the audience
is going to get
896
00:40:01,399 --> 00:40:02,868
very connected
to these characters,
897
00:40:02,934 --> 00:40:06,304
and heartbreak is coming,
as you would imagine.
898
00:40:06,371 --> 00:40:08,540
And some catharsis is coming,
899
00:40:08,607 --> 00:40:10,642
and some beauty's coming,
900
00:40:10,709 --> 00:40:13,044
and you know, I can't say
much more than that.