1
00:00:07,792 --> 00:00:09,917
(SINISTER MUSIC PLAYING)

2
00:00:10,333 --> 00:00:13,833
Maya, you and I, we're family.

3
00:00:13,917 --> 00:00:14,958
(GUN CLICKS)

4
00:00:15,500 --> 00:00:16,875
(GUN SHOT)

5
00:00:20,000 --> 00:00:21,375
Can we please talk?

6
00:00:23,042 --> 00:00:24,167
(TRAIN HORN BLOWING)

7
00:00:24,250 --> 00:00:25,750
- (GLASS CRACKS)
- BISCUITS: Damn it, Maya!

8
00:00:26,958 --> 00:00:29,000
Grandma's gonna kill me.

9
00:00:30,667 --> 00:00:33,625
I won't bring a war to the people I love.

10
00:00:34,250 --> 00:00:36,458
I know now that I failed you.

11
00:00:36,542 --> 00:00:38,667
The same as my father failed me.

12
00:00:38,750 --> 00:00:41,833
He felt stronger when he beat my mother.

13
00:00:46,792 --> 00:00:47,792
Maya!

14
00:00:50,167 --> 00:00:52,833
NITA: I don't see a booth for your art.

15
00:00:52,917 --> 00:00:55,583
SHIKOBA: You know, Chula's store's
been closed down for a while now.

16
00:01:01,208 --> 00:01:05,250
To us, at a time when we need them

17
00:01:06,417 --> 00:01:07,542
(SQUAWKS)

18
00:01:07,625 --> 00:01:10,917
Your mother, Taloa, she was a healer.

19
00:01:15,250 --> 00:01:16,500
FISK: I have a proposition.

20
00:01:16,875 --> 00:01:19,625
You want an empire? You'll have it.

21
00:01:19,833 --> 00:01:22,083
All you have to do is come home with me.

22
00:01:22,167 --> 00:01:23,792
MAN: (ON PHONE) I'm sorry, Mr. Fisk.

23
00:01:23,875 --> 00:01:26,750
- We tailed her, but she's gone.
- (SHOUTS)

24
00:01:30,833 --> 00:01:33,833
(JINGLE DRESS SONG
BY NORTHERN CREE PLAYING)

25
00:01:52,583 --> 00:01:53,583
(MUSIC ENDS)

26
00:01:54,542 --> 00:01:56,542
- (BIRDS CHIRPING)
- (WOOD TAPPING)

27
00:01:56,625 --> 00:01:58,750
(PEACEFUL MUSIC PLAYING)

28
00:02:07,750 --> 00:02:09,250
(WOOD TAPPING)

29
00:02:15,042 --> 00:02:17,167
(WOODPECKER SQUAWKS)

30
00:02:27,625 --> 00:02:28,625
(SCREECHES)

31
00:02:28,708 --> 00:02:30,708
(DRAMATIC MUSIC PLAYING)

32
00:04:04,167 --> 00:04:05,583
(DRAMATIC MUSIC INTENSIFIES)

33
00:04:06,458 --> 00:04:08,708
(ENERGY HUMMING)

34
00:04:19,250 --> 00:04:20,625
- (TIRES SCREECHING)
- (HORN HONKING)

35
00:04:20,708 --> 00:04:22,917
(SOUNDS AND MUSIC FADE)

36
00:04:28,167 --> 00:04:30,375
(HEART POUNDING)

37
00:04:35,208 --> 00:04:37,917
(HEARTBEAT SLOWS)

38
00:04:40,750 --> 00:04:42,208
(HEARTBEAT STOPS)

39
00:04:49,250 --> 00:04:51,250
(BURNING
BY YEAH YEAH YEAHS PLAYING)

40
00:04:55,125 --> 00:04:57,417
SINGER: ♪ Believer ♪

41
00:04:58,042 --> 00:05:00,625
♪ Took me over like a fever ♪

42
00:05:02,042 --> 00:05:06,083
♪ Caught you hiding
in the smoke, smoke, smoke ♪

43
00:05:06,167 --> 00:05:09,417
♪ Like a meteor
I glow, glow, glow ♪

44
00:05:09,500 --> 00:05:11,542
♪ What you gonna do
when you get to the water? ♪

45
00:05:11,625 --> 00:05:14,125
♪ Well, I'll release her ♪

46
00:05:14,208 --> 00:05:17,417
♪ From the bindings
of her teachers ♪

47
00:05:18,458 --> 00:05:22,667
♪ What they're hiding there
is broke, broke, broke ♪

48
00:05:22,750 --> 00:05:27,250
♪ Like the River Styx
I flow, flow, flow ♪

49
00:05:28,542 --> 00:05:31,208
♪ What you gonna do
when you get to the water? ♪

50
00:05:32,458 --> 00:05:35,500
♪ What you gonna do
when you get to the water? ♪

51
00:05:37,625 --> 00:05:40,875
♪ Into the sea, out of fire ♪

52
00:05:41,750 --> 00:05:45,458
♪ All that burning ♪

53
00:05:45,958 --> 00:05:49,583
♪ Into the sea, out of fire ♪

54
00:05:50,042 --> 00:05:53,542
♪ All that burning ♪

55
00:06:17,167 --> 00:06:19,000
(BURNING FADES)

56
00:06:20,500 --> 00:06:23,167
(UPBEAT MUSIC PLAYING)

57
00:06:23,250 --> 00:06:25,542
- (BUZZER SOUNDS)
- (DOOR BELLS CHIME)

58
00:06:27,750 --> 00:06:29,750
- SKULLY: Go away, we're closed.
- (DOOR BELLS CHIME)

59
00:06:29,833 --> 00:06:33,083
You're not closed.
You're napping, you old billy goat.

60
00:06:34,417 --> 00:06:37,167
- Hurry on out here, I have to get to work.
- SKULLY: Chula.

61
00:06:37,917 --> 00:06:41,083
As radiant as the sun shining out of my...

62
00:06:41,208 --> 00:06:43,542
Oh, hush. I'm here for business.

63
00:06:44,458 --> 00:06:46,792
Oh? Well, what can I do you for?

64
00:06:47,958 --> 00:06:51,125
Well, I know it's been a while but...

65
00:06:52,500 --> 00:06:53,542
(SIGHS)

66
00:06:54,500 --> 00:06:58,083
I brought in a sewing machine
a few years back.

67
00:06:58,875 --> 00:07:02,125
And I was just wondering, maybe...

68
00:07:09,208 --> 00:07:11,250
(CLATTERING)

69
00:07:14,500 --> 00:07:16,792
This how you treat paying customers?

70
00:07:16,875 --> 00:07:19,000
It's a wonder you got any business at all.

71
00:07:21,375 --> 00:07:23,292
(SENTIMENTAL MUSIC PLAYING)

72
00:07:26,750 --> 00:07:28,708
(CHUCKLES) You still have it.

73
00:07:28,792 --> 00:07:30,208
Yeah, I didn't put it up for sale.

74
00:07:30,667 --> 00:07:31,792
Why?

75
00:07:32,917 --> 00:07:37,250
Well, when you brought it in,
I cleaned it and oiled it.

76
00:07:38,458 --> 00:07:40,458
Put, uh... Put a nice blanket on it.

77
00:07:40,583 --> 00:07:43,958
(CHUCKLES) I knew you'd come back for it,
I just had to wait.

78
00:07:47,958 --> 00:07:49,125
(CHUCKLES)

79
00:07:51,708 --> 00:07:54,208
- How much do I owe you?
- Nothing.

80
00:07:54,917 --> 00:07:58,250
Just promise me you'll come back
once in a while.

81
00:07:58,917 --> 00:07:59,958
Fine.

82
00:08:00,917 --> 00:08:02,375
We have a deal.

83
00:08:07,833 --> 00:08:09,708
(IN CHOCTAW)

84
00:08:09,833 --> 00:08:12,333
- Skully.
- (IN ENGLISH) Ah, I'll get the door.

85
00:08:15,000 --> 00:08:16,000
(DOOR BELLS CHIME)

86
00:08:16,083 --> 00:08:17,750
(TRAIN HORN BLOWING IN DISTANCE)

87
00:08:19,083 --> 00:08:20,625
(DOOR BELLS CHIME)

88
00:08:20,708 --> 00:08:22,167
- CHULA: Whoa.
- GIRL: Excuse me.

89
00:08:22,250 --> 00:08:23,542
CHULA: It's okay.

90
00:08:23,625 --> 00:08:25,750
(DOOR BELLS CHIME)

91
00:08:28,167 --> 00:08:29,583
MAN: Please, let me help.

92
00:08:30,083 --> 00:08:31,458
CHULA: Oh. Thank you.

93
00:08:31,542 --> 00:08:33,250
(SINISTER MUSIC PLAYING)

94
00:08:33,958 --> 00:08:36,958
Haven't seen you around before.
Are you here for the powwow?

95
00:08:38,542 --> 00:08:40,000
Yes. You could say that.

96
00:08:40,083 --> 00:08:41,083
(SINISTER MUSIC CONTINUES)

97
00:08:41,167 --> 00:08:43,333
It's a good thing you got here early.

98
00:08:43,417 --> 00:08:45,292
I didn't realize
there'd be so many people.

99
00:08:45,375 --> 00:08:46,833
Oh, there always are.

100
00:08:46,917 --> 00:08:50,042
People come from all over
for our Choctaw Nation Powwows.

101
00:08:50,125 --> 00:08:51,917
- Is that right?
- (CHUCKLES)

102
00:08:52,292 --> 00:08:53,292
Your necklace...

103
00:08:54,458 --> 00:08:56,000
It's American Sign Language.

104
00:08:56,375 --> 00:08:57,917
- It says, "I love you."
- Oh!

105
00:08:58,667 --> 00:09:01,750
- You sign?
- I try, for my niece.

106
00:09:01,833 --> 00:09:04,375
Oh. I learned for my daughter.

107
00:09:04,458 --> 00:09:06,125
She's passed on now.

108
00:09:07,292 --> 00:09:11,292
Yes, I've lost someone who I loved.

109
00:09:11,375 --> 00:09:13,333
It's the kind of pain
you never quite get over.

110
00:09:13,417 --> 00:09:14,583
CHULA: Oh.

111
00:09:14,667 --> 00:09:16,292
- Yeah, thank you.
- Yeah.

112
00:09:17,125 --> 00:09:19,125
I keep it up now for my granddaughter.

113
00:09:20,167 --> 00:09:22,125
- Really?
- Yeah.

114
00:09:22,208 --> 00:09:23,417
Well, tell me about her.

115
00:09:24,375 --> 00:09:25,667
Her name's Maya.

116
00:09:26,917 --> 00:09:28,708
She's come in from New York.

117
00:09:28,792 --> 00:09:31,417
(SINISTER MUSIC INTENSIFIES)

118
00:09:51,000 --> 00:09:53,000
(BREATHING HEAVILY)

119
00:10:28,792 --> 00:10:31,042
(AIHPIYIW BY OLIVIA TAIL FEATHERS PLAYING)

120
00:10:34,958 --> 00:10:38,583
- (DOG BARKING)
- Hey. Hey.

121
00:10:38,667 --> 00:10:42,375
Uh, sorry, guys,
this here is vendor parking, actually.

122
00:10:42,458 --> 00:10:45,042
Right over there is general parking
with Roger Two Moons...

123
00:10:45,125 --> 00:10:48,750
Yeah. So, uh, I'm gonna park up
down by there.

124
00:10:49,583 --> 00:10:52,667
So we can enjoy
your Indigenous fair from afar.

125
00:10:53,250 --> 00:10:55,792
Yeah, okay.
So, if you're a vendor, though,

126
00:10:55,875 --> 00:10:58,500
they should have given you a slip
thingy to put up on your dash,

127
00:10:58,583 --> 00:11:01,958
'cause otherwise,
if not, then they... Hey.

128
00:11:02,083 --> 00:11:03,667
(RV DRIVING AWAY)

129
00:11:03,792 --> 00:11:04,792
(SIGHS)

130
00:11:06,250 --> 00:11:09,375
Chula should be here by now,
hey Billy Jack?

131
00:11:10,833 --> 00:11:12,292
(SUSPENSEFUL MUSIC PLAYING)

132
00:11:18,792 --> 00:11:21,792
(UNTIE THE RIBBON BY HANK & JANE
AND FRIENDS PLAYING ON SPEAKERS)

133
00:11:21,875 --> 00:11:22,958
(INDISTINCT CHATTER)

134
00:11:30,083 --> 00:11:31,500
(CELL PHONE VIBRATES)

135
00:11:56,667 --> 00:11:58,042
(CELL PHONE VIBRATES)

136
00:12:01,500 --> 00:12:03,833
(SUSPENSEFUL MUSIC PLAYING)

137
00:12:11,875 --> 00:12:12,917
(TIRES SCREECHING)

138
00:12:13,000 --> 00:12:14,875
(TENSE MUSIC PLAYING)

139
00:12:31,292 --> 00:12:32,500
(GUN CLICKS)

140
00:12:45,333 --> 00:12:48,500
(INTENSE MUSIC QUIETS)

141
00:13:05,042 --> 00:13:06,167
(SETS DOWN GUN)

142
00:13:09,292 --> 00:13:11,500
(SOFT EMOTIONAL MUSIC PLAYING)

143
00:13:21,125 --> 00:13:24,208
(ENERGY HUMMING)

144
00:13:55,583 --> 00:13:58,875
(ENERGY HUMMING)

145
00:15:02,375 --> 00:15:03,708
(INSPIRATIONAL MUSIC INTENSIFIES)

146
00:15:25,750 --> 00:15:27,875
(DRAMATIC MUSIC INTENSIFIES)

147
00:16:00,125 --> 00:16:02,125
(EMOTIONAL MUSIC PLAYING)

148
00:16:14,542 --> 00:16:21,167
SINGER: ♪ Oyokonuu numi sutainunuu ♪

149
00:16:21,250 --> 00:16:22,292
(SNIFFLING)

150
00:16:23,708 --> 00:16:30,667
♪ Oyokonuu numi sutainunuu ♪

151
00:16:31,333 --> 00:16:35,625
♪ Numi sutainunuu ♪

152
00:16:35,708 --> 00:16:39,625
♪ U nanisuwukaiyuna ♪

153
00:16:39,708 --> 00:16:41,750
- ♪ Nunu ♪
- (INDISTINCT CHATTER)

154
00:16:41,833 --> 00:16:47,250
♪ U nanisutaihkitunuu ♪

155
00:16:47,333 --> 00:16:50,750
- ♪ Oyokonuu ♪
- (INDISTINCT CHATTER)

156
00:16:50,833 --> 00:16:54,833
♪ Numi sutainunuu ♪

157
00:16:54,917 --> 00:16:59,417
♪ Numi sutainunuu ♪

158
00:16:59,500 --> 00:17:04,000
♪ U nanisuwukaiyuna ♪

159
00:17:04,083 --> 00:17:08,833
- ♪ Nunu u nanisutaihkitunuu ♪
- (CROWD APPLAUDS, CHEERS)

160
00:17:08,917 --> 00:17:10,708
SHIKOBA: (ON MIC) Alright!

161
00:17:10,792 --> 00:17:14,083
- Tamaha, are you ready to powwow?
- (CROWD CHEERING)

162
00:17:14,167 --> 00:17:17,542
Let's get this house a-rocking.
Make some noise!

163
00:17:20,708 --> 00:17:23,792
(SHIKOBA VOCABLES)

164
00:17:23,875 --> 00:17:26,958
Alright, Ottertrail!

165
00:17:27,042 --> 00:17:31,583
Time for the Grand Entry tonight! Yeah!

166
00:17:31,667 --> 00:17:33,792
(TENSE MUSIC PLAYING)

167
00:17:41,208 --> 00:17:42,583
Let's do this.

168
00:17:45,167 --> 00:17:46,167
(RADIO CLICKS)

169
00:17:46,250 --> 00:17:48,083
We're in position with the weapons.

170
00:17:48,167 --> 00:17:50,250
Keep your eyes out for Maya Lopez.

171
00:17:50,333 --> 00:17:52,708
She's heavily armed and dangerous.

172
00:17:53,917 --> 00:17:57,083
SHIKOBA: Out of respect and honor,
please rise if you are able to,

173
00:17:57,167 --> 00:18:00,875
to honor our singers,
our dancers coming to the arena.

174
00:18:01,458 --> 00:18:03,375
Sing it loud and sing it proud, boys.

175
00:18:03,458 --> 00:18:05,750
Let's bring 'em in, boys.
(VICTORY CRIES)

176
00:18:06,625 --> 00:18:09,000
(DRUM BEATING)

177
00:18:09,083 --> 00:18:10,500
(CROWD APPLAUDING, CHEERING)

178
00:18:10,583 --> 00:18:12,750
(OTTERTRAIL PERFORMING
JOSH SMITH'S SONG)

179
00:18:33,458 --> 00:18:34,750
(SOUNDS AND MUSIC SLOWLY FADE)

180
00:18:39,167 --> 00:18:41,750
(SINGLE HEART BEATING)

181
00:18:52,167 --> 00:18:55,708
- (SOFT VIBRATIONS)
- (LIGHT RHYTHMIC THUMPING)

182
00:19:07,375 --> 00:19:10,667
(HEARTBEAT INTENSIFIES)

183
00:19:16,333 --> 00:19:18,375
(SERENE MUSIC PLAYING)

184
00:19:21,208 --> 00:19:24,917
(HEARTBEAT SYNCHRONIZES WITH DRUMBEAT)

185
00:19:35,542 --> 00:19:38,208
(FULL SOUND RESUMES)

186
00:19:41,792 --> 00:19:45,958
- (SINGING CONTINUES)
- (TENSE MUSIC PLAYING)

187
00:20:19,750 --> 00:20:22,208
(DRESSES JINGLING)

188
00:20:32,542 --> 00:20:34,292
(CHIRPS)

189
00:20:44,750 --> 00:20:48,625
- (SINGING CONTINUES)
- (OMINOUS MUSIC PLAYING)

190
00:20:58,958 --> 00:21:00,958
(DRUM BEATING IN DISTANCE)

191
00:21:05,417 --> 00:21:07,083
Biscuits, any word from Maya?

192
00:21:07,167 --> 00:21:09,042
BISCUITS: No,
but there's some creepy guy here

193
00:21:09,125 --> 00:21:11,292
and he brought
a whole bunch of na hullos in.

194
00:21:11,375 --> 00:21:13,250
I don't know, man. They're up to no good.
I know it.

195
00:21:13,333 --> 00:21:15,083
Listen, Biscuits,
it's about to get dangerous.

196
00:21:15,167 --> 00:21:17,208
Do you have a gun or a weapon?

197
00:21:17,292 --> 00:21:18,292
BISCUITS: A weapon?

198
00:21:20,167 --> 00:21:23,542
(CHUCKLES) Oh.
I got something even better.

199
00:21:28,375 --> 00:21:30,042
(DRESS JINGLING)

200
00:21:35,542 --> 00:21:37,500
(GUN CLICKS)

201
00:21:37,583 --> 00:21:40,583
Not today, na hullos. Not today.

202
00:21:40,708 --> 00:21:42,208
(ENGINE REVS)

203
00:21:43,583 --> 00:21:46,208
(CROWD CHEERING, APPLAUDING)

204
00:21:50,208 --> 00:21:52,625
(SOUNDS SLOWLY FADE)

205
00:21:54,500 --> 00:21:56,667
(SUSPENSEFUL MUSIC PLAYING)

206
00:22:19,417 --> 00:22:21,667
(SINISTER MUSIC PLAYING)

207
00:22:30,417 --> 00:22:32,875
(SINISTER MUSIC INTENSIFIES)

208
00:22:32,958 --> 00:22:35,208
(DRUM BEATING AND SINGING)

209
00:22:35,875 --> 00:22:39,167
- (SHIKOBA VOCABLES)
- (CROWD CHEERING, APPLAUDING)

210
00:22:50,042 --> 00:22:51,125
(LIGHTS CLICK)

211
00:23:15,375 --> 00:23:16,750
(INAUDIBLE DIALOGUE)

212
00:23:27,500 --> 00:23:29,292
(INAUDIBLE DIALOGUE)

213
00:23:29,875 --> 00:23:31,500
ZANE: Righto, boys. I'm in position.

214
00:23:32,042 --> 00:23:33,417
Just waiting for the signal.

215
00:23:33,708 --> 00:23:37,083
(THUNDER BOYS PERFORMING
DELINA'S SONG)

216
00:23:45,958 --> 00:23:46,958
(INAUDIBLE DIALOGUE)

217
00:24:07,000 --> 00:24:08,708
(INAUDIBLE DIALOGUE)

218
00:24:25,542 --> 00:24:26,958
GOON LEADER: (ON RADIO) It's a go.

219
00:24:27,042 --> 00:24:29,792
- (DRUM BEATING)
- (LOUD CHANTING)

220
00:24:36,917 --> 00:24:39,375
(INAUDIBLE DIALOGUE)

221
00:24:41,375 --> 00:24:42,875
(TENSE MUSIC INTENSIFIES)

222
00:24:42,958 --> 00:24:44,000
No.

223
00:24:48,500 --> 00:24:51,458
(DRAMATIC MUSIC PLAYING)

224
00:24:57,625 --> 00:24:58,708
(WHOOSHES)

225
00:25:06,833 --> 00:25:08,958
- (TRIUMPHANT MUSIC PLAYING)
- (DELINA'S SONG CONTINUES)

226
00:25:17,833 --> 00:25:23,292
(ENERGY HUMMING)

227
00:25:24,042 --> 00:25:25,292
(THUD)

228
00:25:29,792 --> 00:25:31,708
(TRIUMPHANT MUSIC
AND SINGING CONTINUES)

229
00:25:38,375 --> 00:25:39,583
(ENGINE REVVING)

230
00:25:39,667 --> 00:25:41,292
BISCUITS: Na hullos!

231
00:25:41,375 --> 00:25:43,042
(BISCUITS WAR CRYING)

232
00:25:44,167 --> 00:25:47,417
Not today, na hullos! Not today! Whoo!

233
00:25:47,500 --> 00:25:48,875
(ENGINE REVVING)

234
00:25:48,958 --> 00:25:50,083
(GOONS SCREAMING)

235
00:25:51,625 --> 00:25:53,208
(GOONS SCREAMING)

236
00:25:53,958 --> 00:25:55,417
- (GRUNTS)
- (GROANS)

237
00:25:56,292 --> 00:25:57,292
(GASPS)

238
00:25:57,375 --> 00:25:59,167
(TRIUMPHANT MUSIC CONTINUING)

239
00:26:14,333 --> 00:26:15,750
(GUN COCKING)

240
00:26:17,625 --> 00:26:18,667
Wait, what?

241
00:26:20,333 --> 00:26:21,333
(ROCKET FIRES)

242
00:26:22,500 --> 00:26:23,708
(CROWD CHEERING, APPLAUDING)

243
00:26:23,792 --> 00:26:25,875
- Put your hands together... (EXCLAIMS)
- (ROCKET EXPLODES)

244
00:26:25,958 --> 00:26:28,875
Fireworks show in the house tonight.

245
00:26:28,958 --> 00:26:32,042
(VICTORY CRIES)
Hoka hey!

246
00:26:32,125 --> 00:26:35,208
(ALL GRUNTING)

247
00:26:37,042 --> 00:26:38,125
(EXHALES)

248
00:26:38,208 --> 00:26:40,167
(DRAMATIC MUSIC PLAYING)

249
00:26:50,750 --> 00:26:51,792
(GRUNTS)

250
00:26:52,917 --> 00:26:54,125
(SHOUTING)

251
00:26:55,500 --> 00:26:56,542
(GASPS)

252
00:26:56,625 --> 00:26:58,458
(ENERGY HUMMING)

253
00:26:58,542 --> 00:27:00,542
(BREATHING HEAVILY)

254
00:27:04,875 --> 00:27:06,458
(ENERGY HUMMING)

255
00:27:12,583 --> 00:27:14,417
(SOBBING)

256
00:27:14,500 --> 00:27:16,542
(MUFFLED BILL ANGRILY YELLING)

257
00:27:17,083 --> 00:27:18,250
(MUFFLED MARLENE WHIMPERS)

258
00:27:19,750 --> 00:27:20,750
(WALL THUDS)

259
00:27:20,833 --> 00:27:23,833
(MUFFLED ARGUING CONTINUES)

260
00:27:24,917 --> 00:27:26,292
(WALL THUDS)

261
00:27:28,000 --> 00:27:30,625
(SOBBING)

262
00:27:34,167 --> 00:27:36,083
- (WALL THUDS)
- (MARLENE SCREAMS)

263
00:27:41,583 --> 00:27:43,708
(DARK MUSIC PLAYING)

264
00:27:51,958 --> 00:27:53,167
- (WALL THUDS)
- (MARLENE SCREAMS)

265
00:27:58,875 --> 00:28:00,458
(EMOTIONAL MUSIC PLAYING)

266
00:28:02,542 --> 00:28:03,542
(MARLENE SCREAMS)

267
00:28:05,000 --> 00:28:06,333
FISK: (ECHOING) I keep this with me.

268
00:28:06,417 --> 00:28:09,708
It's to remind myself
of where I come from...

269
00:28:09,792 --> 00:28:11,208
(SHOUTING)

270
00:28:11,292 --> 00:28:13,292
...and what I had to do to get there.

271
00:28:13,375 --> 00:28:14,750
- (MARLENE SCREAMS)
- No, no, no!

272
00:28:15,917 --> 00:28:18,417
(SCREAMING) I am not
who you want me to be!

273
00:28:24,458 --> 00:28:25,708
No.

274
00:28:35,250 --> 00:28:36,333
(GASPS)

275
00:28:37,375 --> 00:28:38,458
What did you just do?

276
00:28:39,583 --> 00:28:40,583
What did you do?

277
00:28:40,667 --> 00:28:41,958
Huh?

278
00:28:43,917 --> 00:28:45,333
(YELLS) What did you do?

279
00:28:45,833 --> 00:28:49,417
(POLICE SIRENS BLARING)

280
00:29:12,792 --> 00:29:14,583
(BIRDS CHIRPING)

281
00:29:38,333 --> 00:29:40,375
(WHEN WE REMAIN BY SAMANTHA CRAIN PLAYING)

282
00:29:40,458 --> 00:29:41,500
(SQUAWKS)

283
00:29:54,208 --> 00:29:59,542
♪ Okla e maya momakma ♪

284
00:30:02,250 --> 00:30:07,292
♪ Okla e maya momakma ♪

285
00:30:10,042 --> 00:30:13,792
♪ Tamaha chito okla imihaksi tuko ♪

286
00:30:13,875 --> 00:30:18,875
♪ I foni aiyokli ahoba hapiachi kiyo ♪

287
00:30:21,000 --> 00:30:22,167
(MOTORCYCLE REVVING)

288
00:30:22,250 --> 00:30:27,208
♪ Okla e maya momakma ♪

289
00:30:29,833 --> 00:30:34,458
♪ Napakanli, micha iti, micha nan ♪

290
00:30:34,542 --> 00:30:36,083
(BISCUITS SPEAKING INDISTINCTLY)

291
00:30:38,167 --> 00:30:41,917
♪ Vpi ahoba osh ohmi tamaha ♪

292
00:30:42,000 --> 00:30:47,125
♪ Chito okla imihaksi tukon
okla il vbachike ♪

293
00:30:50,167 --> 00:30:53,458
♪ Yakni i natanna ♪

294
00:30:53,542 --> 00:30:57,417
♪ Ibachvffa hosh okla ♪

295
00:30:57,500 --> 00:31:03,042
♪ Il ilai achonli tuk ♪

296
00:31:07,583 --> 00:31:10,708
♪ Hapi fiopa ya ♪

297
00:31:10,792 --> 00:31:13,208
- (WHOOPING)
- (LAUGHTER)

298
00:31:14,958 --> 00:31:20,125
♪ Il itibani tuk ♪

299
00:31:23,333 --> 00:31:26,667
♪ Yakni i natanna ♪

300
00:31:26,750 --> 00:31:30,750
♪ Ibachvffa hosh okla ♪

301
00:31:30,833 --> 00:31:36,708
♪ Il ilai achonli tuk ♪

302
00:31:39,417 --> 00:31:42,750
♪ Hapi fiopa ya ♪

303
00:31:42,833 --> 00:31:46,833
♪ Shotik chinto okla ♪

304
00:31:46,917 --> 00:31:52,292
♪ Il itibani tuk ♪

305
00:31:55,500 --> 00:31:58,292
(WHEN WE REMAIN CONTINUES)

306
00:32:44,542 --> 00:32:45,542
(PLANE ENGINE WHOOSHING)

307
00:32:45,625 --> 00:32:47,625
I want a meeting
with all the remaining heads.

308
00:32:48,625 --> 00:32:52,208
We need to stabilize the situation
before it spirals out of control.

309
00:32:56,500 --> 00:32:58,708
REPORTER 1: (ON TV)
...describe their ideal candidate.

310
00:32:58,792 --> 00:33:01,875
It turns out most voters
want somebody who is a fighter.

311
00:33:01,958 --> 00:33:04,250
REPORTER 2: Which works
against the career politicians.

312
00:33:04,333 --> 00:33:07,333
There are legitimate problems
in the city right now.

313
00:33:07,417 --> 00:33:08,458
And the voters want somebody

314
00:33:08,542 --> 00:33:10,375
who understands the pain
they're going through,

315
00:33:10,458 --> 00:33:12,167
who understands the frustration
they're going through.

316
00:33:12,250 --> 00:33:16,292
REPORTER 1: Exactly right. A bare-knuckle
brawler would do well in this race.

317
00:33:16,375 --> 00:33:19,792
An outsider, somebody who is not afraid
to take on the establishment.

318
00:33:19,875 --> 00:33:22,250
REPORTER 2: But wouldn't that candidate
have emerged by now?

319
00:33:22,333 --> 00:33:24,833
That's the question that remains
for so many people,

320
00:33:24,917 --> 00:33:26,750
"Is that candidate even out there?"

321
00:33:26,833 --> 00:33:28,833
REPORTER 1: There's no doubt
it is late in the process,

322
00:33:28,917 --> 00:33:30,833
but there's still a window of opportunity.

323
00:33:30,917 --> 00:33:34,250
That's what the poll is telling us.
It could be anybody's race.