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Probando.
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Okay.
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where do you want me to sit?
Official YIFY movies site: YTS.MX
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Cue one, take one.
ANNOUNCER: The 33rd Hispanic Heritage Awards
YATRA: Hispanic Heritage.
I'm so happy to be your host tonight.
And we're very excited to share with you my
latest single called, "A Donde Van."
And it's a song that, represents a lot for me.
Represents our history, our countries.
Colombia; Puerto Rico with Alvaro.
Spain, with the guitars and the music just has that
feeling of Latin America together as a family,
when we're partying, you know, it's all about love,
and this song is about partying with love.
So I hope you like it.
♪ ['A Donde Van'] ♪
♪
♪ Pa darles vida de nuevo y quitarles el miedo a perder. ♪
♪ Intentar curarle la herida deayer Y dárselos a alguien que ♪
♪ los quiera aceptar pa que no vuelva a pasar. ♪
♪ No sé cómo hacer pa que mecrean pues un día le prometí. ♪
♪ Que no los regalaría, pero te los di a ti. ♪
♪ Yo no decido por ellos ellos deciden por mi. ♪
♪ Es el precio del error que cometí. ♪
♪ Solo soy culpable yo de dártelos ♪
♪ Estoy confundido pero arrepentido no ♪
♪ Contigo he aprendido cuando no es correspondido. ♪
♪ Lo que duele un amor, busco una explicación. ♪
♪ ¿A dónde van A parar los besos cuando se dan? ♪
♪ Los te quiero que nosupiste aceptar Y las miradas ♪
♪ que no devolviste más, intento averiguar. ♪
♪ ¿A dónde van A parar los besos cuando se dan? ♪
♪ Los te quiero que no supiste aceptar Y las miradas que no ♪
♪ devolviste más Quiero recuperarlas. ♪
♪ Dime pa qué te quejas si tú me rechazaste. ♪
♪ Dejaste claro, yo no era lo que imaginaste. ♪
♪ Y lo que más me duele No importa cuánto vuele. ♪
♪ El tiempo nunca vuelve y con el mío tú te quedaste. ♪
♪ Solo soy culpable yo dedártelo Estoy confundido pero ♪
♪ arrepentido no
♪ Contigo he aprendido cuando no es correspondido. ♪
♪ Lo que duele un amor, busco una explicación. ♪
♪ ¿A dónde van A parar los besos cuando se dan? ♪
♪ Los te quiero que nosupiste aceptar Y las miradas ♪
♪ que no devolviste más, intento averiguar. ♪
♪ ¿A dónde van A parar los besos cuando se dan? ♪
♪ Los te quiero que no supiste aceptar Y las miradas que no ♪
♪ devolviste más Quiero recuperarlas. ♪
♪ ¿A dónde van? ¿A dónde van? ♪
♪ ¿A dónde van? ♪
♪ ¿A dónde van? ¿A dónde van? ♪
♪ ¿A dónde van? ♪
♪ ¿A dónde van A parar los besos cuando se dan? ♪
♪ Los te quiero que nosupiste aceptar Y las miradas ♪
♪ que no devolviste más, intento averiguar. ♪
(Guitar flourish)
♪ ¿A parar los besos cuando se dan? ♪
♪ Los te quiero que nosupiste aceptar Y las miradas ♪
♪ que no devolviste más Quiero recuperarlas. ♪
♪ ¿A dónde van? ¿A dónde van? ♪
♪ ¿A dónde van? ♪
♪ ¿A dónde van? ¿A dónde van? ♪
♪ ¿A dónde van? ♪
♪ ¿A dónde van Esos besos. ♪
♪ Todos los te quieros Y las miradas. ♪
♪ ¿A donde van? ♪♪
YATRA:!¡Hola!
My name is Sebastian Yatra, and welcome to the 33rd
Hispanic Heritage Awards!
I am so excited to be here hosting this year's ceremony,
as well as accepting the 2020 Inspira Award.
The Inspira Award is to recognize young people who are
doing inspiring work as role models for other young people
in the Hispanic Community.
I'm grateful to the Hispanic Heritage Foundation for
thinking of me and recognizing young Latinos
who are changing the game for better.
Now, those of you who've seen the Hispanic Heritage Awards
before have probably realized,
we're doing things a little differently.
Normally, we'd be in a big theater in front of
a live audience,
unfortunately we can't do that this year.
So, we decided to change things up.
Instead of bringing everyone to us, we went to them.
We sent teams to sit down with our honorees,
socially distanced, of course,
to hear them tell their stories themselves.
And what impressive stories they are.
From America's farmland, to the board room,
to some of the biggest stagesand stadiums across the decades,
this year's class of Hispanic Heritage Award
honorees represent the amazing breadth of Hispanic
talent, tenacity, and resilience.
We also have some excitingperformances coming to us from
all over the continent.
From Colombia to Canada, from Miami to New York City.
Just because we can't be together,
doesn't mean we can't celebrate.
Now let's get started!
Our first honoree is a global music superstar,
selling out stadiums and redefining a
whole musical genre.
But in addition to his musical talent,
he's also at the forefront of social justice movements,
using his platform to push for causes he believes in.
Let's learn a little more aboutour 2020 Vision Award Honoree,
Bad Bunny.
♪ ["I Like It"].
ANNOUNCER: Growing up in the small town of
Vega Baja, Puerto Rico, Bad Bunny,
began his meteoric rise working as a
bag boy at a supermarket, posting songs to SoundCloud
while at University.
But his talent quickly gained the attention
of the music industry,
and soon he was collaborating with artists
like Prince Royce, Karol G, Ozuna, and Nicki Minaj.
It was in 2018 when his career exploded following the release
of "I Like It" with rappers Cardi B and J Balvin,
becoming his first number one single on US Billboard Charts.
The next two years would keep him at the top of
the music industry, playing sold out stadiums,
and even joining Jennifer Lopez and Shakira at the 2020
Super Bowl Half-time Show.
His artistic versatility and wide-spread popularity quickly
solidifying himself as the global star of Reggaeton.
BAD BUNNY: Wow a mi avese se me olvida que soy una Estella,
que soy una Estrella global.
Yo creo que no hubo un momento espesifico que yo te pueda
decir dacho aqui me de cuenta yo creo que todo fue tan
rapido que como te dije aveses se me olvida,
se me olvida te lo juro.
ANNOUNCER: While many artists shy away from activism at the
height of their career, Bad Bunny leans into it.
Whether it's performing a music video in drag to
denounce to sexual harassment of women,
advocating for emergency relief for the people of
Puerto Rico devastated by Hurricane Maria,
or standing up for transgender people on national television,
Bad Bunny uses his platform to bring attention to
causes he believes in.
Most notably, Bad Bunnyjoined artists Ricky Martin and
Residente and nearly a million of his fellow Puerto Ricans in
eleven days of protest to demand the resignation of then
Governor Riccardo Rosseló in the Summer of 2019
following the release of misogynistic, racist,
and homophobic messages between Rosseló and members
of his cabinet.
Bunny's stardom helped galvanize support and media
attention for the movement that eventually forced the
Governor to resign.
BAD BUNNY: Yo creo que es mas la opinion publica que uno
dice avese no importa pero avese si y en mi caso soy
artista me dedico al entretenimiento me
dedico al publico.
Es imposible no reaccionar.
Cuando ves una injustisia sabes identificarla entnces te
vas quedar callado o vas hablar como que tu no puedes
cedarte callado ante una injustisia algo que sale
normal cuando entiendes como es la vida.
ANNOUNCER: And despite his success,
it is his love for music and helping those in need that
fuels him to keep redefining not only Latin music
but also the role of a celebrity activist.
BAD BUNNY: Yo ago esto por pasion porque me guste porque
lo ame todo dia estoy pensando en como hacer algo nuevo y en
como solprender a la gente este y yo creo ques eso es un
detalle importante y clave del exito que no estamos pensando
que somos una Estrella o que somos alguien grande si no que
estamos enfocado en hacer loque nos toque y
los que nos gusta.
Para mi este premio es muy importante,
por el hecho de representar a los latinos en el mundo entero
por el hecho tambien de que ya se me he reconosido muchas
veces por mi trabajo musical pero que me reconoscan de una
manera mas humana de una manera mas,
te premien por algo aunque no hay que hacerlo es,
un plus par a un motivacion para uno siguir hacienda el
bien y hacer las cosas de Corazon asi que aprecio mucho.
ACOSTA: Hello. We're Flor De Toloache.
FIOL: Tonight we are singing the National Anthem to honor
the noble essential workers who put their lives on the
line every day to keep us healthy and safe
during the pandemic...
RAMOS: Which has hit Latinx and Black communities hardest
and to everyone helping to move our country forward
in the pursuit of justice and an end
to systemic inequity.
♪
♪ FLOR DE TOLOACHE: O say can you see ♪
♪ by the dawn's early light.
♪ What so proudly we hailed
♪ at the twilight's last gleaming. ♪
♪ Whose broad stripes and bright stars ♪
♪ through the perilous fight.
♪ O'er the ramparts we watched, ♪
♪ were so gallantly streaming? ♪
♪ And the rocket's red glare, ♪
♪ the bombs bursting in air.
♪ Gave proof through the night ♪
♪ that our flag was still there. ♪
♪ O say does that star-spangled ♪
♪ banner yet wave.
♪ O'er the land of the free
♪ and the home
♪ of the brave.
YATRA: I love our next honoree.
She got her start in the entertainment industry
as a teenager.
But in recent years, she put her energy towards
founding and building two successful businesses,
becoming one of the most prominent Latina business
owners in the United States.
Let's hear more from our 2020 Business Award Honoree,
Jessica Alba.
ALBA: Being able to tie social justice and address
a human health issue and crisis, um, with a positive,
for-profit solution, and the success of that,
for me, has been, the thing that I'm most proud of.
You know, I think it's because I grew up as a sick kid,
I really, um, I wanted and I fantasized
about being somebody else.
You know, I wanted to be somebody that was a superhero.
I would say that I grew up in a household, um,
a multigenerational household.
Um, my grandparents were really like the anchor.
And if something, if they weren't happy with something
then they would just, figure it out and fix it.
My grandmother was the best at, um, giving,
three different uses for everything.
So it just, MacGyvering everything.
That savvy and that knowhow, um and just her using her
brain and her common sense, in figuring things out,
I definitely, I think that's 90% of who I am.
It was always like, "Help your neighbor."
And it was always, like,
"Help other people who don't have the same
opportunities as you.
If I saw any injustice out there,
I wanted to be part of the change or part
of the solution."
And so by the time I became a mom,
I had this idea about creating a company that stood
for the values that I wanted in my life,
and that was transparency in the products that are,
really the ingredients that are in a product.
I had an allergic reaction to a product that
was marketed to, you know, babies.
And I was like, "How can I have an allergic reaction to
something that's supposed to be for essentially
the most vulnerable, with the most sensitive skin?"
And as I did research, I learned about how, um,
there really wasn't any kind of legislation
that protected people from exposure to
chemicals in everyday products.
And so, I went and I advocated for chemical reform,
and I learned pretty quickly that, um,
it turned into a Liberal vs. Conservative conversation.
And it's unfortunate that it gets politicized,
something like human health.
I have the opportunity,
as a woman to dream up a company,
and I can launch a company online and
have a direct relationship with the consumer and
I don't even have to even include the middleman of a
retailer or what have you.
And I can, um, build community directly with people.
The greatest challenge for me has probably been the
lack of representation.
You know, you, just seeing someone else like you makes
you feel like maybe it's okay for you to be there.
And when you're in rooms constantly as, like,
the one woman or the one person of color
or the combination of both, um it, it's isolating,
and it's lonely and you can often feel like,
it can be exhausting.
I graduated with a GED, I did not go to college.
I always felt like I wasn't smart enough.
I was really insecure about, you know,
rooms that I was walking in with all of these incredibly
accomplished people with their degrees and business accumen,
and all of this stuff, and I was,
you know it took meprobably three and a half years
after I started my company to feel smart,
or to even embrace that word,
or think that I deserved to be there.
You know, you look around in corporate America,
in government, in many different sectors um,
and you see a lot of the same thing.
You know, one of the rare, female founded,
Latina-owned and founded businesses,
um and I hope, in the near future,
by me paving this way, and opening this door,
I'm determined to open it even wider,
and hopefully let a floodgate of entrepreneurs
through those doors.
I'm very honored, thank you so much for this award
and um get out and vote.
You owe it to yourselves and you owe it to your community.
♪ [Jessie Reyez 'Far Away'].
♪ REYEZ: Yo te lo juro.
♪ Por ti conozco el amor.
♪ Montante en avión yven a buscarme Yo te necesito ♪
♪ aqui en mi cama.
♪ Pero lejos estas.
♪ Todavian no te dan la visa.
♪ En la frontera no te tienen en la lista. ♪
♪ Whatsapp es la unica alternativa. ♪
♪ Yo te siento a tie.
♪ When you're far away.
♪ When you're far away. ♪
♪ When you're far away.
♪ Yo te siento a tie. ♪
♪ When you're far away. ♪
♪ Its been a hundred days since I've kissed your face. ♪
♪
♪ No hay distancia.
♪ Que este amor pueda matar.
♪ No hay dumb boys ni perras sueltas. ♪
♪ Que nos puedan derribar.
♪ Confiamos lo que sentimos.
♪ Pues de lo malo aprendimos.
♪ Dios te puso en mi camino Dos corazones unidos. ♪
♪ Yo te siento a tie.
♪ When you're far away. ♪
♪ When you're far away.
♪ Yo te siento a tie.
♪ When you're far away. ♪
♪ Its been a hundred days since I've kissed your face. ♪
♪ Te lo juro amor yo te quiero
♪ Te lo juro amor mano en pecho. ♪
♪ A tu lado encuentro mi paz.
♪ Encuentro mi felicidad.
♪ Te lo juro amor yo te quiero. ♪
♪ Te lo juro amor mano en pecho. ♪
♪ A tu lado encuentro mi paz. ♪
♪ Encuentro mi felicidad.
♪ Yo te siento a tie. ♪
♪ When you're far away.
♪ Yo te siento a tie.
♪ When you're far away. ♪
♪ It's been a hundred days since I kissed your face. ♪
♪
♪ Since I kissed your face. ♪
YATRA: Our next honoree also got her start on television,
quickly spreading out into all corners of the industry,
film, music, documentaries,
and even a new cooking show filmed during quarantine.
She's truly a renaissance woman,
and has proudly paved the way for Latinas in entertainment.
Let's take a look at our 2020 Arts Award Honoree:
Selena Gomez.
GOMEZ: The piece of advice I'd give my younger self is,
calm down.
And go ahead and do it, cause you're gonna do it anyway.
♪ GOMEZ: Can't keep my hands to myself. ♪♪
ANNOUNCER: Actor. Singer. Producer.
At only 28 years old,
Selena Gomez is a renaissance woman.
Growing up in Texas,
she started her career at the age of seven,
but rose to international prominence in 2007 when she
starred in the Emmy Award Winning
Disney Channel Original Series,
"Wizards of Waverly Place,"
GOMEZ: I wanted to be an actressbecause my mom was an actress.
She wasn't on TV or film, she did theater in Dallas,
so I would go watch her all the time.
You know, obviously, I became obsessed with
my mom and everything that she is and stuff,
so I asked if I could be on TV,
um I was like
"I wanna be on a Disney Channel or something."
ANNOUNCER: The success of the show launched her film
and television career.
♪ GOMEZ: Can't keep my hands to myself. ♪♪
GIRL: Who are you?
MAN: My name is Aileen.
GIRL: Why are you here?
MAN: Saw ya'll in there. Seem like nice people.
GOMEZ: Okay, so this is how a synthetic CDO works.
Let's say I bet ten million on a blackjack hand...
Hi!
I'm Selena Gomez and I really love to eat.
But I'm not the best cook.
Ahhh! I burned it.
Sorry!
ANNOUNCER: But in addition to her on-camera work,
Gomez has also solidified herself as
powerhouse musical artist,
selling millions of singles and albums,
and even earning Billboard'sWoman of the Year Award in 2017.
GOMEZ: When I went to Disney Channel
I really started to have the opportunity to
explore with music.
You know I definitely grew upwith a family that was musical,
but it wasn't so much that they,
you know, played instruments,
it's just that all types of music was just
living around me.
I listened to so many types of music,
that I think it just naturally happened.
And then each year I get to find a new level to myself
that I could create and put into another album.
ANNOUNCER: Not content with only performing,
Gomez has been able leverage her success into creating and
producing new projects to expand the types
of stories being told,
particularly around young people and Hispanics.
GOMEZ: Well, being able to create a character,
and actually finding who that character is when you're
performing is so much fun, but being behind everything,
you're kind of a part of where that started.
So, you know, I started to get interested in creating stories
for other people, um.
And so I was obsessed with being able to create material
for anybody or any type of genre.
And I think that I felt like I got the bug so...
ANNOUNCER: But, in addition to her diverse artistic success,
Gomez has also been vocal about her struggles
with her mental health,
following diagnoses for lupus and bipolar disorder.
GOMEZ: I would say the relationship between my mental
health and my job and everything else I do is that
they are both very connected.
So I just try to stay really balanced.
I have been working for 21 years,
so there is a huge part of me that would just keep going,
keep going, keep going because I love what I do,
but if you don't have the moments where
you just look at yourself,
spend some time with yourself and you know,
if you figure out something that's going on,
there are plenty of ways you can do that.
And I actually think that a lot of the answers I got
through mental health just made me stronger,
it gave me knowledge.
And I want nothing more but to be able to help people
who are experiencing the same thing.
ANNOUNCER: At 28, Selena Gomezhas a long career ahead of her,
and one that is sure to inspire her fans and help
reshape how people look at Hispanics in the media and
behind the camera.
GOMEZ: What makes me hopefulfor the future is my generation,
I and younger.
I'm hopeful that we will come together,
make beautiful change, and it's just going to be hard.
And it's just about having people listen.
But this has been the most important election,
I think, of all.
And I am very excited to be able to talk about that,
and hopefully encourage people, um,
to do the same thing.
I just wanna say thank you, and it means a lot to me,
and because of who I am, I just,
I wanna continue knowing that just because of who I am,
and just because of the hard work I do,
I just hope that it just inspires so many people to
continue to believe in their dreams and believe
that they are capable, that they can no matter what,
and I'm just really grateful that I've had
so many beautiful opportunities,
and to be a voice in the community means a lot.
And it's a big responsibility, and I love that,
and I promise more to come in the future for
all kinds of stuff, so, thank you.
♪ SECH: Ooooo...
♪ Ya...
♪ Ella siempre estaba cuando tú no estabas. ♪
♪ Fue tanto dolor que ya no la mataba Poco a poco ya ♪
♪ no te necesitaba.
♪ Ella sonreía mientras lo enrolaba. ♪
♪ Y tú.
♪ Diciendo que fue falta deactitud Pero en esta relación ♪
♪ hizo más que tú, yeh.
♪ Y en un estado te manda a decir que. ♪
♪ Ahora todo cambió, le toca a ella Mari y una botella. ♪
♪ Gracia' al maltrato se puso bella. ♪
♪ Ahora tú la quiere' y no te quiere ella. ♪
♪ Y ahora todo cambió, le toca a ella. ♪
♪ Mari y una botella.
♪ Gracia' al maltrato se puso bella Ahora tú la quiere' ♪
♪ y no te quiere ella.
♪ Cambió, cambió y tú está' pagando Se fue el balón y ♪
♪ quiere seguir jugando.
♪ Mientras lloraba, tú estaba' tomando Ahora estás llamando ♪
♪ y ella se está cambiando.
♪ Que va pa' la calle.
♪ sin dar detalle' talle'.
♪ Con ese traje yo dudo que ella falle. ♪
♪ Siempre linda, con o sin maquillaje. ♪
♪ Siempre en línea, automático el mensaje que. ♪
♪ Ahora todo cambió, le toca a ella. ♪
♪ Mari y una botella.
♪ Gracia' al maltrato se puso bella. ♪
♪ Se puso bella. ♪
♪ Ahora tú la quiere' y no te quiere ella. ♪
♪ Y ahora todo cambió, le toca a ella. ♪
♪ Mari y una botella.
♪ Gracia' al maltrato se puso bella. ♪
♪ Ahora tú la quiere' y no te quiere ella. ♪♪
No te quiere.
YATRA: Almost every piece of food we eat is picked by human
hands and the vast majority of those human hands
are Latino immigrants.
And while many of us are able to stay home,
these essential works spend hours every day risking their
lives and their health to make sure the rest of us can eat.
That's why we present the special 2020 Heroes Award to
those who work so hard to bring food to our tables,
the Farmworkers.
MARIA: Mi nombre es Maria de Jesus Martinez Muya.
Soy original de Querétaro, Querétaro.
RAQUEL: Mi nombre es Raquel Romero.
Soy trabajadora del campo.
BLANCA: Mi nombre es Blanca Arroyo.
Soy una campesina.
He trabajado en los campos del estado de California.
Limpiando lechuga, brócoli, alcachofa,
fresa por veinte años.
ANNOUNCER: Every time you take a bite of food,
you should thank a farm worker.
The majority of these two to three million people
in the United States are Latino immigrants,
and are responsible for keeping the country fed during
this harrowing pandemic.
Primarily of Mexican and indigenous decent,
these workers face incredible challenges even in
the best of times.
Many are here on guestworker visas,
however many more are undocumented,
living and working to make ends meet without access to
social services and many legal protections.
Most are paid very low wages,
reliant on every piece of food they pick.
MARIA: Nos pagan por lo que hagamos.
Como es contrato libre.
Nos pagan lo que hagamos.
Nos pagan dos dólares por caja.
Entonces si ganamos más que la hora pues ganamos bien.
Lo mínimo son siete cajas por la hora para que
nos paguen la hora.
ANNOUNCER: But during this pandemic,
the importance of these largely invisible workers
comes into sharp focus, while the precariousness
of many of their lives becomes even more dire.
While many Americans have been able to shelter at home,
most farm workers have little choice but to continue
working, deemed essential to keep the supply chain moving.
RAQUEL: Lo más importante del Covid 19 en los trabajadores
del campo y que la gente puede decir,
"los trabajores del campo?"
Pero sabes que?
No hemos parado.
Porque aunque está el Covid, no hemos parado.
Porque si no hay producción de campo no hay
comida en el mercado.
No hay que pueda llevar esa persona que esta haciendo fila
para entrar a un mercado llevar comida a su casa.
ANNOUNCER: Workers are ableto socially distance in the
fields, but limited access to sanitary stations and cramped
housing in labor camps dramatically increases the
risk of infection.
And the consequences of missing work because you've
fallen ill or are caring for a family member who's fallen ill
can be financially disastrous.
BLANCA: No puedo salir a trabajar.
Yo tengo niños chiquitos.
Tengo cinco hijos.
Pero también estoy preocupada por la razón que no se como le
voy hacer para pagar la renta.
Aparte tengo los biles y tengo biles medicos.
Estoy preocupada porque no se lo que va pasar conmigo,
con mi familia, con las familias de otros
inmigrantes como yo.
ANNOUNCER: Recent laws require employers provide paid-sick
leave for those quarantining with COVID-19 and providing
paid-family leave to care for children whose schools or care
centers are closed due to the pandemic,
but some migrants' rights advocates fear there
is little enforcement.
And even still, less than half of farm workers report
having health insurance to pay medical bills
associated with treatment,
let alone having to face language barriers and
concerns about raising suspicions about a patient's
immigration status.
And on top of it all are the worries that an outbreak might
cause a farm to shut down,
forcing people already living on a knife's edge
into a tumultuous unemployment market.
But it's in spite of the hardship and struggle that we
celebrate the farm workers.
Their contributions to societyhave never been more important,
and their tireless efforts are what make them heroes.
So, the next time you take a bite,
think about where your food came from,
and the sacrifices made those who picked it.
RAQUEL: Los trabajadores del campo no paramos
en todo el año.
Los trabajadores del campo no paramos por el Covid-19.
No vamos a parar porque la gente tiene que comer.
MARIA: Gracias por su apoyo y esperemos en Dios que
los bendiga y los llene de bendiciones.
Muchas gracias por todo.
BLANCA: Gracias que Dios los bendiga.
Gracias por poner presente a todos los inmigrantes y hacer
que nuestra voz se escuche.
RAQUEL: Gracias, muchisimas gracias de
corazón por ayurdarnos.
Muchisimas, muchisimas gracias de todo corazón por hacer que
nuestra voz se escuche por hacer que nuestro
trabajo se valore,
que son muchas generaciones porque la gente no va
a dejar de comer porque la gente siempre va a
necesitar de las personas que somos los
trabajadores del campo.
♪ ["Flor de Toloache 'Indestructiblé']. ♪
♪
♪ FLOR DE TOLOACHE: Eres Flor que germina ♪
♪ Mujer valiente y divina
♪ Dominas el destino.
♪ Eso es fortaleza femenina. ♪
♪ Logras lo imposible.
♪ Porque eres indestructible. ♪
♪ Logras lo imposible.
♪ Sigue siendo indestructible. ♪
♪
♪ Llevas la fuerza por dentro. ♪
♪ Ahora es tu momento.
♪ Eres luz, eres vida.
♪ Con posibilidades infinitas. ♪
♪ Logras lo imposible. ♪
♪ Porque eres indestructible. ♪
♪ Logras lo imposible.
♪ Sigue siendo indestructible. ♪
♪
♪ Logras lo imposible.
♪ Porque eres indestructible.
♪ Logras lo imposible.
♪ Sigue siendo indestructible. ♪
♪
HUERTA: Hi, I'm Dolores Huerta president of the
Dolores Huerta Foundation forGrassroots Community Organizing
and I was blessed to marchacross the Edmund Pettis Bridge
twice with John Lewis, but evenprouder to have locked arms with
him in when we werefighting for immigration reform,
denouncing the separation of families,
and ensuring the right to vote.
Congressman John Lewis will continue to serve as an
inspiration for all of us and for anyone en la lucha,
in the struggle and looking for "Good Trouble" on behalf
of our collective communities.
On behalf of the Hispanic Heritage Foundation,
it's my great privilege to acknowledge
Congressman John Lewis as a very, very special ally
for our community.
Here to perform a tribute to John Lewis,
on his impact and his legacy,
please welcome Calma Carmona.
["Calma Carmona "Amazing Grace"].
♪
♪ CARMONA: Amazing grace.
♪ How sweet the sound.
♪ That saved
♪ a wretch like me...
♪ I once was lost.
♪ But now, now I'm found.
♪ I was blind,
♪ but now I see.
♪ Was grace that taught, my heart to fear. ♪
♪ And grace my fears relieved.
♪ How precious did that grace appear. ♪
♪ The hour that I believed.
♪ Through many dangers, toils and snares. ♪
♪ We have already come. ♪
♪ Was grace that brought us safe thus far. ♪
♪ And grace will lead us home.
♪ And grace will lead...
♪ us home.
♪ Amazing grace, how sweet the sound. ♪
♪ That saved a wretch like me.
♪ I once was lost,
♪ but now, now I'm found.
♪ I was blind,
♪ I was blind ♪
♪ but now I see.
♪ I was blind
♪ but now...
♪ I see. ♪
YATRA: Our final honoree has been dubbed
"the Queen of Rock and Roll," but that's hardly all she is.
With 11 Grammy Awards across Pop, Country,
Music for Children, Tropical Latin,
and Mexican-American categories,
as well as a recent Kennedy Center Honor,
she's defied convention and categorization.
And her album "Canciones de Mi Padre"
remains the highest selling non-English language
album in US history.
We're proud to present the 2020 Legend Award to
the one, the only:
Linda Rondstadt.
HERNAÁNDEZ: It is an honor for us to congratulate you,
and to present you this Legend Award.
RONSTADT: Thank you so much!
When I was a little kid kid growing up in Tucson,
I didn't think about growing up and being famous.
I thought about growing up and being a good singer.
ANNOUNCER: After moving to Los Angeles in the 1960s from
her hometown of Tucson, Arizona,
Linda Ronstadt found herself at the forefront
of a new wave of folk and rock music.
Finding her first successwith the band the Stone Poneys,
and singing with artists like Jackson Browne and the Eagles,
Ronstadt soon found herself with hit after hit on the pop,
rock, and country charts simultaneously.
And by the end of the 70s,
she was the undisputed Queen of Rock and Roll,
outperforming artists like Joni Mitchell,
Stevie Nicks, and Carly Simon, and becoming the
first Female Music Superstar.
Not content with just singing rock and roll, though,
Ronstadt found herself branching out into other
genres like American standards, jazz, opera,
and musical theater, and even found herself collaborating
with fellow music iconsDolly Parton and Emmylou Harris
on their celebrated country album, Trio.
RONSTADT: I always wanted to sing.
I was in a little club, as long as people were quiet
that was all I cared about.
I pictured myself in a little beautiful theater,
ya know, with maybe 500 seats.
Proscenium and everybody being really quiet and me singing.
I wasn't quite sure what I was going to sing but
I just know that I'd be singing.
ANNOUNCER: But it was in 1987 that Ronstadt was finally able
to release her dream project,
an album of Mexican music she called,
"Canciones de Mi Padre."
RONSTADT: I wanted to record Mexican music from
the time I left when I was 18.
I had a hit record and I asked the record company
if I could record in Spanish.
They said "No."
And I kept insisting that I wanted to sing Mexican music
then finally I had enough hit records that I could just
tell them guess what this is what you are getting.
To their credit they stepped up to try and figure out how
to sell it.
They didn't have any ideahow to market a Mexican record.
They should have called up Los Tigres.
They know how to do it.
ANNOUNCER: The album was a record-setting hit,
and remains the highest-selling non-English
language album in US history.
RONSTADT: I was grateful.
I hadn't thought about it while I was making it.
I just thought I am going to make this record and
it is going to be fine.
Then they put it out and said they don't know how to market
it and I said just put itout and we had a tour booked and
I thought it'll be fine.
Mexicans don't buy tickets in advance.
It's all walk-up business, and so the first shows
that opened we didn't think anyone was going to be there,
and then I was concerned.
I thought, "oh no, I have done something horrible."
I just didn't think about it as a career move.
It just was important to me to make the record and to
do the best I could on it.
ANNOUNCER: Returning to her popand folk-rock roots through
the 90s and early 2000s, everything changed in 2011
when Ronstadt announced her retirement from music,
having been diagnosed withprogressive supranuclear palsy,
a degenerative brain condition similar to Parkinson's.
Despite her retirement from performing,
Ronstadt remains active, becoming the first Latina to
be inducted into the Rock & Roll Hall of Fame,
Receiving a Lifetime AchievementAward from the Grammy's,
and a Kennedy Center Honor.
And despite losing her singing voice,
Ronstadt's records carry on her legacy,
and bring her enthusiasm for music and her Mexican heritage
to future generations.
RONSTADT: I think it could benefit Mexican Americans and
Latinos tremendously not to have to be marginalized and
made into invisible people.
You know somebody, you're standing in a restaurant and
they ask you to get them a beer just
because you're Mexican.
It's appalling.
I was born into the white bubble of privilege because
I have Latin name and light skin,
but I had plenty of Mexican friends and I would see what
they would put up and I would hear what people
would say when they weren't around.
They didn't realize that I was Mexican.
But, you know there's thing about,
I would talk about being Mexican in an interview and
they wouldn't write it.
They just ignored it.
It was like I was invisible.
The Mexican part of me was invisible.
My grandfather was born in Mexico and
my grandmother was, too,
but it was just calledArizona very shortly afterward.
We always lived in that area.
We didn't move, the border moved, ya know.
So, I was kinda resentful when people would say that
I wasn't Mexican.
I am too!
We eat tamales for Christmas,
that entitles me to be a Mexican.
HERNANDEZ: Thank you for thinking of us to come
and do this.
I mean, for us, it is a big pleasure because we
are big fans of Linda.
RONSTADT: I'm a big fan.
HERNAÁNDEZ: Canciones de Mi Padre!
RONSTADT: You guys did it better than I ever did.
HERNANDEZ: So thank you. It was beautiful.
We're very happy about it.
RONSTADT: It's nice to have that part of me validated.
MALO: Hey, everybody!
Raul Malo from the Mavericks here.
We are thrilled to be a partof the Hispanic Heritage Awards,
where we are honoring, along with the help of many,
many talented artists, our friend,
our musical inspiration, everybody's musical
inspiration, the one and only Linda Ronstadt.
I wish that I could hug you,
but we're in the middle of COVID,
so this going to have to do.
But consider this a hug, and love from afar.
Linda from the bottom of our hearts, thank you,
thank you, thank for years of amazing music.
We love you.
♪ ["Blue Bayou"].
♪
♪ MORRISON: I feel so bad I got a worried mind ♪
♪ I'm so lonesome all the time. ♪
♪ Since I left my baby behind on Blue Bayou. ♪
♪ BOTH: I'm going back someday, ♪
♪ come what may,
♪ to Blue Bayou.
♪ Where the folks are fun,
♪ and the world is mine, on Blue Bayou. ♪
♪ Where those fishing boats,
♪ with their sails afloat,
♪ if I could only see,
♪ that familiar sunrise, through sleepy eyes, ♪
♪ how happy I'd be.
♪ I'll never be blue,
♪ my dreams come true,
♪ on Blue...
♪ Bayou... ♪
♪ ["ROGACIANO EL HUAPANGUERO"] ♪
♪ MORENO: La huasteca esta de luto ♪
♪ Se murió su huapanguero.
♪ Ya no se oye aquel falsete.
♪ Que es el alma del trovero.
♪ Rogaciano se llamaba
♪ Rogaciano el huapanguero.
♪ Y eran sones de la sierra Las canciones del trovero ♪
♪ La Azucena y la Cecilia
♪ Lloran, lloran sin consuelo Malaguena Salerosa. ♪
♪ Ya se fue
♪ su pregonero. ♪
["YOU'RE NO GOOD"].
♪
♪ HUERTA:.Feelin' better now that we're through, ♪
♪ feelin' better, 'cause I'm over you. ♪
♪ I learned my lesson,
♪ it left a scar,
♪ now I see how you really are. ♪
♪ You're no good, you're no good, ♪
♪ you're no good,
♪ baby, you're no good.
♪ I'm gonna say it again. ♪
♪ You're no good, you're no good, ♪
♪ you're no good,
♪ baby, you're no good.
♪ I broke a heart, gentle and true. ♪
♪ Well, I broke a heart over someone like you. ♪
♪ I'll beg his forgiveness on a bended knee, ♪
♪ I wouldn't blame him if he said to me. ♪
♪ You're no good, you're no good, ♪
♪ you're no good,
♪ baby, you're no good.
♪ I'm gonna say it again, say it again. ♪
♪ Good, you're no good, you're no good, ♪
♪ baby, you're no good. ♪
♪ INFANTE and MALO: Auh ah ah, ajaja. ♪
♪ ¿Qué dirán los de tu casa ♪
♪ Cuando me miren tomando? ♪
♪ Pensarán que por tu causa.
♪ Yo me vivo emborrachando y ándale. ♪
♪ Pero si vieras.
♪ Cómo son lindas estas borracheras y ándale. ♪
♪ ¿Pero hasta cuando dejan tus padres De andarte cuidando? ♪
♪ Y ándale.
♪ Cada vez que vengo a verte.
♪ Siempre me voy resbalando.
♪ O es que tengo mala suerte.
♪ O es que me está lloviznando y ándale. ♪
♪ Pero si vieras, seco mi chaco en mi higuera ladera. ♪
♪ Y ándale, pero si cuando. ♪
♪ Seco mi chaco en mi higuera floreando y ándale. ♪♪
♪ ["WHEN WILL I BE LOVED"].
♪ MARISOUL & MALO: I've been cheated, ♪
♪ been mistreated,
♪ when will I be loved?
♪ I've been put down,
♪ I've been pushed 'round,
♪ when will I be loved?
♪ When I find a new man that I want for mine. ♪
♪ It always breaks my heart in two, ♪
♪ it happens every time.
♪ I've been made blue,
♪ I've been lied to.
♪ When will I be loved?
♪ When will I be loved? ♪
YATRA: Congratulations to all of our honorees
and performers tonight!
It's so important in these troubled times that we
celebrate one another and recognize our talents,
our triumphs, and our shared humanity.
And one way that we can help one another is
to use our voices.
Remember to register and vote this November.
Thank you to the Hispanic Heritage Foundation
for having me.
Good night!