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(STATIC CRACKLING)

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MAN: The thing inside of me,
it's like...

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The appetite,
it's like a wolf that's...

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..feeling...the hunger.

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(SIRENS WAILING)

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(OMINOUS MUSIC)

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(CHILLING MUSIC)

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He was high on cocaine.

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He was fairly heavily
intoxicated it appears,

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and so his impulsivity
would have been increased.

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Yet, when he didn't find an axe,

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that wasn't the signal to just
retract and back away from that plan

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and use it as a cooling off
to just get away from her.

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He then sees a hatchet,

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and he gets the bright idea
to kill her with the hatchet.

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So there's still some organisation
to his thought process,

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even though he wants to

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believe and hold onto the idea
that the drugs made him do it.

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(DRAMATIC MUSIC)

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DR BERRILL:
The word 'escape' is interesting.

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It has some meaning, I think,
that is deeper and more relevant.

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And his concern is that
she was escaping.

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But you don't escape
after you've been hit in the neck

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with an axe or a hatchet,

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to the other end of a couch,
that's not an escape.

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What we know is that the girlfriend
was finally going to leave him,

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and he was aware of that and there
had been an argument that night.

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Psychopaths like to stay in control
of their situation.

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They have, in many regards,
pretty fragile egos.

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They don't handle rejection well.

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And, having her leave him,

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is not a reality he likely
would have accepted.

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I don't think he was worried
about the mother suffering at all.

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I think this is another
opportunity for him

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to use his glib
and superficial charm

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and to present like
he's being helpful, he's the hero.

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And it's very chilling
when we're talking about

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somebody murdering their girlfriend
in front of her daughter.

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Reddish is pretty matter of fact

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about the reality
that Becky's daughter

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was witnessing her mother
being violently killed.

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No real regard for her presence
during this violent crime,

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even to the point
that when he's asked

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if she was there
while the blows were happening,

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he says, 'I think so.'
He's not sure.

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Reddish doesn't have a typical
sense of connection to human beings,

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and he doesn't have
a typical sense of emotions

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or loyalty, if you will, to others.

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And that's consistent with
what we see in psychopaths.

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Their attachment to people
is instrumental.

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It's about what they can do
for this person.

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What can they do for me?

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The analogy I can draw
from the idea that, uh...

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..he would say he didn't
want her to suffer is

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is kind of what people
say about animals.

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You know, if they
hit an animal on the road

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and the animal's not dead,
they don't want them to suffer.

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So they go into their truck
and they retrieve a gun or rifle

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and they shoot the animal.

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I mean...
It's, it strikes me as callous.

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It strikes me as absurd.

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What does he mean,
he didn't want her to suffer?

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He hit her with an axe,
or, or a hatchet.

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Of course he wanted her to suffer.
You know? He was murdering her.

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And he's full of baloney.

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He had no concern
about her suffering

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and, uh, was treating her
like an animal.

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But he didn't want
to be looked at

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as someone who might
think like that.

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He literally is laughing
as he is talking about

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raping a 14-year-old girl.

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His narcissism
is front and centre here.

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His desire for control and his
lack of remorse is astonishing,

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and also what we see
in some psychopaths.

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(CHILLING MUSIC)

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DR BERRILL:
And who COULD do that?

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He's not pulling himself back.

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What he's doing is saying,
'Well, what else can I do?'

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I mean, there...

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There is a piece missing from
this guy's psyche, that's for sure.

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There's a lot of very twisted

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and perverse behaviour here,

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all based on rage.

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What we know is that Jennifer
convinces him to call his mother,

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because she's in survival mode

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and she's using a level of
decision making that is profound.

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00:12:02.920 -- 00:12:04.920 align:middle line:90% position:50%
(FOREBODING MUSIC)

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It's clearly outrageous that after

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subjecting this kid

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to this, this horrific
whirlwind of violence,

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that he would be
saying like, 'Woe is me',

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and then invite her
to commit suicide with him.

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I mean, how is she supposed to
respond to any of this?

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I mean, it's, it's preposterous.

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And he's so selfish
and so self-absorbed,

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that he doesn't even grasp

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the enormity of what's
just happened.

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(SUSPENSEFUL MUSIC)

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(CHILLING MUSIC)

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REDDISH: Uh...

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The possibility that surprising
someone in their own apartment,

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because you find them attractive,

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would result in a sexual encounter,

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it's preposterous.

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When he gets it in his head
and he's high enough...

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..these cuckoo ideas are acted on.

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I think it does put him
in the psychopathic spectrum.

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He's operating from
the framework of, like, an infant.

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You know, like a teenager.

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(CHILLING MUSIC)

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He talks about
if she hadn't been attractive,

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he wouldn't have tried to enter
her apartment to have sex with her.

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But he also actually says
that essentially,

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the reason he suffocated her
is because she started screaming,
she started protesting.

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And if she hadn't said anything,
he would just have left.

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So I think that willingness
to blame the victim like that,

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and to do it in such
a matter-of-fact way,

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is some of that callous, cold nature
that we see in psychopaths.

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(SUSPENSEFUL MUSIC)

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This was a planned attempt
to cover his tracks

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and to avoid getting arrested.

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And, um, I think what's
the most horrific is just the,

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the way he discusses it so calmly,

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as if he's going to the store
to buy groceries.

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Just wrapped her up
and put her in a shopping cart.

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It is egregious, the lack of

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concern or remorse
that he has for her.

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(DRAMATIC MUSIC)

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(SUSPENSEFUL MUSIC)

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It's very possible that,

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that was the birth
of this identity as a killer.

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At age 16, even though he wasn't
certain if he was a killer,

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he latched onto that
as a potential identity.

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And that, again,
may have been foreshadowing

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for what we see happens
later on in life.

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That accident could have
opened the doors

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for him to think that he could
kill again, and he did.

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He demonstrates textbook
psychopathic qualities.

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