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-[indistinct radio chatter]
-[siren wailing]

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[heavy breathing]

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[heavy breathing]

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MAN: The thing
inside of me, it's like...

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the appetite --
it's like a wolf that's...

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feeling the hunger.

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SAHNI: The detectives,
you almost hear

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their own shock
in the interview.

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They're sitting down, ready
to investigate an auto theft,

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and he's just taken it
to a place

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of harm
to another human being

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and potentially murder.

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It's unbelievable to most of
us that someone would come into

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a room, sit down, and just say,
"I dumped a body."

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Connelly doesn't elaborate
right away, and sometimes,

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we call this the --
the teasing effect

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that you'll see in people
with psychopathy.

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They dangle some information,
which we think is designed to

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They dangle some information,
which we think is designed to

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get them a response from

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the viewer, sort of stun
them, and we think that they

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derive some satisfaction
from that.

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He acknowledges
that nobody even

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knew that this victim
was missing.

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But then they know about it
now, because he's starting to

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disclose it,
but also because

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after killing her,
he stole a car and was

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driving erratically.

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So there's definitely some
impulsivity, which is

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a feature that we see
in psychopathy.

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He describes himself
like a teacher or a coach,

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which is like he's putting
himself on a pedestal,

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like he's better than
the victim.

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This is another element
of that grandiosity,

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including even his comfort
with calling the investigators

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"dude" -- I think it takes
a certain level of grandiosity

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to be able to do that
in a situation like this.

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And he's describing this
in a way as if

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he's talking about something
other than a kidnapping,

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he's talking about something
other than a kidnapping,

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a rape, and a murder.

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For Connelly, for her to say,
"I don't want to move in

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with you,
this isn't a relationship,"

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or, "This isn't as serious
as you think it is,"

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likely was
a massive rejection for him,

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and it challenged the fantasy
that he had going in his head,

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and it challenged the fantasy
that he had going in his head,

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that fixed delusion, and that
may have been where there was

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an eruption of anger.

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TUSSEY: He talks about how
he wasn't aggressive at first,

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but then he goes primal.

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This speaks to
his grandiosity and narcissism.

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This speaks to
his grandiosity and narcissism.

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He wants the power of being
able to get as close to her as

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possible while he's sneaking
up on her.

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And then ultimately, you know,
confronting her.

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MORGAN: He refers to teasing
her, and it is sadistic.

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He knows that
she's frightened.

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So we get these three
different elements

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as he's describing his rage,

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his control, and manipulation
of her as he's already made up

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his mind that
he's going to kill her.

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Here, Connelly is saying to us
is, "I was calm. I was cool."

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My guess is he had fantasized
for a while about being

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sadistic and coercive, and now
that it was playing out,

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it was acting
as a release for him.

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There was a buildup, and
that's where he talks about,

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There was a buildup, and
that's where he talks about,

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he was calm and he was cool.

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There is a bit of glibness
and superficial charm

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that he's emanating -- even
though he may not seem charming,

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he has this superficiality to
him, as if he's almost trying to

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get them engaged in
the conversation, to lure them

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in with his details and the way
he's describing what happened.

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Connelly likely had some rape
fantasies, and those somehow

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intersected with his fantasy

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or belief that he was
in this relationship with

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the victim --
he loves her.

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the victim --
he loves her.

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They're gonna live
their lives together.

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But to harm her sexually
challenges that reality,

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and that is where we see him
dial back from that,

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and he's going out of
his way to minimize the rape

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and sexual assault
component of this.

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SAHNI: Connelly talks about how
he duct taped her face as if it

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was a humane act and how that
is a quick way to die,

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which is ironic,
because it really isn't.

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which is ironic,
because it really isn't.

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It's an incredibly tormented
way for

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a human being to struggle
and be harmed.

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And the fact that he
duct taped her face makes me

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wonder if that was his attempt
to distance himself

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and dehumanize her,

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so he didn't have to look at
her eyes, he didn't have to

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look at her face,
he didn't have to look at

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this woman that he had
this romantic fantasy going.

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MORGAN: Connelly appears to be
sniffing, sniveling, crying.

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The display of emotion seems
very shallow or very

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out of proportion to
the gravity of the situation.

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If someone came in to admit
that they had murdered the love

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of their life and that they
were remorseful about it,

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we'd expect to see more than
this steady state of sniffing

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going through, where he's
sniveling and wiping his nose.

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going through, where he's
sniveling and wiping his nose.

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But it -- it's very
superficial, very shallow.

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He talks about
the adrenaline rush.

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He can hear
his own heartbeat.

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This is really --
it's really in that lane

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of what we call a very sadistic
thrill form of killing.

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It's quite arousing to him.

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SAHNI:
He knows she was dead,

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but then he also says, "I wanted
to spend some time with her."

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This was the optimal condition
to be able to have

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a relationship experience with
her, because she's not gonna

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fight back.
She's not gonna protest.

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fight back.
She's not gonna protest.

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You see that his value for
human life is that they're

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objects, and that is very

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clearly that psychopathic
trait that we see in

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individuals where there's
no real value for human life.

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Connelly exemplifies failure
to accept responsibility.

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This is a trait that we see
in psychopathy

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where individuals
will blame somebody

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or some events
for their actions.

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So if only the police
had noticed,

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like, why are they focused on
this material object instead of

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like, why are they focused on
this material object instead of

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a dead body? Why didn't
anybody report her missing?

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I think it's also a product
of his narcissism

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and the idea that he is,

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again, better than,
smarter than, more capable than

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all of these people.

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The loved ones in her life,
law enforcement, you name it.

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SAHNI: He's just totally
disconnected to what he did.

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Connelly's clinical
presentation isn't just about

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a fixed delusion,

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it isn't just about
being a criminal,

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it's about being psychopathic.

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He is totally
distanced himself

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and has no connection to

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the fact that that is
a human being that he killed.

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You don't see any remorse,
you don't see any feeling of

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guilt, a feeling of regret,
a feeling of empathy

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for the fact that
the victim is now dead.