1 00:00:01,083 --> 00:00:02,583 Hi, I'm Liza Rhea, 2 00:00:02,666 --> 00:00:06,416 and I'm the director of the Short Circuit short film The Number 2 to Kettering. 3 00:00:09,041 --> 00:00:12,541 I grew up in Northampton, England, and I got the number two bus to school. 4 00:00:12,625 --> 00:00:15,583 It was a big red double-decker bus, full of strangers. 5 00:00:15,666 --> 00:00:20,583 And, one day, someone exiting the bus caught my eye and smiled at me. 6 00:00:20,666 --> 00:00:22,666 And, uh, my immediate reaction was, like, 7 00:00:22,750 --> 00:00:25,833 "Oh, no. Don't look at this person, don't interact." 8 00:00:25,916 --> 00:00:28,416 Then I just realized, "Actually, that felt really nice." 9 00:00:29,458 --> 00:00:31,833 So, I wanted to, whenever I could, 10 00:00:31,916 --> 00:00:33,875 without being the crazy girl, 11 00:00:33,958 --> 00:00:36,750 um, just catch someone's eye and smile at them, 12 00:00:36,833 --> 00:00:39,875 and I got the nickname "The Smiler" from all the bus drivers, you know. 13 00:00:39,958 --> 00:00:40,958 (LAUGHS) 14 00:00:42,875 --> 00:00:47,541 I used color to try and relay this emotional journey that this girl's on. 15 00:00:47,625 --> 00:00:50,750 Another thing that we went with stylistically was, um, 16 00:00:50,833 --> 00:00:53,958 trying to make it look like a bit of a stop-motion animation. 17 00:00:54,041 --> 00:00:56,750 So, having the background characters animated on twos 18 00:00:56,833 --> 00:00:59,541 and having real tactile textures. 19 00:01:00,833 --> 00:01:04,708 We have such a huge impact on one another. We're all going through something, 20 00:01:04,791 --> 00:01:07,875 and sometimes the smallest act, even if it's just a smile, 21 00:01:07,958 --> 00:01:10,583 can really help brighten someone's day. 22 00:01:11,375 --> 00:01:14,458 I hope you enjoy The Number 2 to Kettering. 23 00:01:17,041 --> 00:01:18,458 (WHISTLING) 24 00:01:36,041 --> 00:01:37,041 (MAN 1 GRUMBLING) 25 00:01:37,125 --> 00:01:38,541 -(GIRL GASPS) -(COINS CLATTER) 26 00:01:39,416 --> 00:01:40,791 Good morning. 27 00:01:40,875 --> 00:01:42,791 (SIGHS) Is it? 28 00:01:42,875 --> 00:01:44,791 -Oh. Um... -(COINS CLATTER) 29 00:01:45,375 --> 00:01:46,375 (CHUCKLES) 30 00:01:46,458 --> 00:01:47,750 (SQUEAKING) 31 00:01:48,875 --> 00:01:51,708 (CLEARS THROAT) Excuse me. Is this seat taken? 32 00:01:52,291 --> 00:01:53,291 -(GASPS) -WOMAN 1: Hmph! 33 00:01:57,291 --> 00:01:59,500 (GASPS) Excuse me, sir. 34 00:01:59,583 --> 00:02:00,583 (GASPS) 35 00:02:00,666 --> 00:02:03,166 -MAN 1: What'd you do that for? -Sorry, I, uh... 36 00:02:03,250 --> 00:02:04,250 (MAN 1 GRUNTS) 37 00:02:04,333 --> 00:02:05,541 Sorry. 38 00:02:05,625 --> 00:02:06,875 (SIGHS) 39 00:02:09,375 --> 00:02:10,791 (SCOFFS) 40 00:02:10,875 --> 00:02:12,250 -(BABY CRYING) -(OBJECT RATTLES) 41 00:02:12,333 --> 00:02:13,333 Huh? 42 00:02:13,916 --> 00:02:15,375 WOMAN 2: (SIGHS) Hush now. 43 00:02:15,458 --> 00:02:19,250 -Excuse me. Is this yours? -(SIGHS) 44 00:02:19,333 --> 00:02:22,208 -Sorry, I don't mean to bother you... -What? 45 00:02:22,291 --> 00:02:23,750 (BABY CONTINUES CRYING) 46 00:02:30,083 --> 00:02:31,083 (SIGHS) 47 00:02:35,708 --> 00:02:36,708 Huh? 48 00:02:37,541 --> 00:02:38,708 (BABY GURGLING) 49 00:02:47,250 --> 00:02:48,333 (BLOWS RASPBERRY) 50 00:02:49,583 --> 00:02:50,791 (BLOWS RASPBERRY) 51 00:02:54,000 --> 00:02:56,166 -(LAUGHING) -(SIGHS) 52 00:02:58,041 --> 00:02:59,583 (BOTH LAUGHING) 53 00:03:00,541 --> 00:03:01,666 (LAUGHING) 54 00:03:04,958 --> 00:03:06,083 (WOMAN 2 BLOWS RASPBERRY) 55 00:03:06,166 --> 00:03:07,833 (ALL LAUGHING) 56 00:03:07,916 --> 00:03:09,750 MAN 2: That's cheered me up. 57 00:03:09,833 --> 00:03:12,708 -Well, good morning. -Isn't it? (CHUCKLES)