1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,335 --> 00:00:06,072 ♪ ♪ 3 00:00:06,106 --> 00:00:08,274 Taye: IT IS TIME FOR US TOGATHER VIRTUALLY, ALTHOUGH WE'D 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:08,308 --> 00:00:09,976 RATHER MEET IN PERSON,AND COLLECTIVELY REJOICE. 6 00:00:10,010 --> 00:00:12,712 NONETHELESS, THIS CELEBRATION IS A BRAND NEW ITERATION 7 00:00:12,746 --> 00:00:16,683 OF THE PARTY THAT IS KNOWN AS CRITICS CHOICE. 8 00:00:16,716 --> 00:00:21,021 YOU WILL SEE SOME FAMOUS FACES ON THIS STAGE AND OTHER PLACES 9 00:00:21,054 --> 00:00:24,924 TYPICALLY FROM THE COMFORT OF THEIR HOME. 10 00:00:24,958 --> 00:00:29,129 AND OF COURSE WE'LL BE AWARDING LEAD PERFORMERS AND SUPPORTING 11 00:00:29,162 --> 00:00:32,632 AND THE TV SHOWS AND FILMS FOR WHICH THEY'RE KNOWN. 12 00:00:32,665 --> 00:00:36,636 WE HEARD THE SOUND OF METAL AND SAW NOMADS NEVER SETTLE, 13 00:00:36,669 --> 00:00:40,840 A PROMISING YOUNG WOMAN MADE MEN SORRY. 14 00:00:40,874 --> 00:00:45,812 DA FIVE BLOODS WERE DA BOMB. 15 00:00:45,845 --> 00:00:46,880 THEY BLEW UP IN VIETNAM. 16 00:00:46,913 --> 00:00:49,082 AND WE LEARNED KOREAN WATER CELERY IS CALLED MINARI. 17 00:00:49,115 --> 00:00:52,419 THESE MOVIES STREAMED INTO OUR HOMES 18 00:00:52,452 --> 00:00:54,054 AND FILLED OUR HEARTS DESIRE. 19 00:00:54,087 --> 00:00:57,323 AND THIS YEAR'S SERIES OFFERINGS WERE ALSO FULL BLOWN FIRE. 20 00:00:57,357 --> 00:01:01,227 "THE CROWN" RE-SHOT THE WEDDING OF PRINCE CHUCK AND LADY DI. 21 00:01:01,261 --> 00:01:05,065 "LOVECRAFT COUNTRY" MADE US WONDER IF WE ALL WERE HIGH. 22 00:01:05,098 --> 00:01:09,469 SAUL GOODMAN'S LIFE WAS COMPLICATED, SCARY, AND ABSURD. 23 00:01:09,502 --> 00:01:13,173 "THE MANDALORIAN" WAS LOVED BY EV'RY STAR WARS NERD. 24 00:01:13,206 --> 00:01:17,143 "THE UNDOING" SAW HUGH GRANT DOING SOMETHING PRETTY DRASTIC, 25 00:01:17,177 --> 00:01:20,013 AND OUR OBSESSION WITH "THE QUEENS GAMBIT" 26 00:01:20,046 --> 00:01:21,514 WAS SIMPLY PAWNOGRAPHIC. 27 00:01:21,548 --> 00:01:25,552 AND IF MY LITTLE SPOKEN WORD HAS LEFT YOU WANTING MORE, 28 00:01:25,585 --> 00:01:27,287 CHECK OUT ALL THESE SHOWS. 29 00:01:27,320 --> 00:01:37,230 SEE WHAT WE HAVE IN STORE! 30 00:01:37,263 --> 00:01:40,500 WE WILL SHOW YOU EXACTLY WHAT WE MEAN. 31 00:01:40,533 --> 00:01:49,008 YOU ARE CULTURAL DISRUPTORS. 32 00:01:49,042 --> 00:01:50,877 YOU'VE GOT TO DECIDE. 33 00:01:50,910 --> 00:01:55,014 YOU WANT TO BE SOMEBODY OR NOT? 34 00:01:55,048 --> 00:01:57,584 I'VE GOT MY TIME COMING TO ME. 35 00:01:57,617 --> 00:02:01,788 IT ISN'T ABOUT WHETHER YOU WIN OR LOSE. 36 00:02:01,821 --> 00:02:03,556 IT'S ABOUT BEING IN THE ROOM. 37 00:02:03,590 --> 00:02:07,393 WHAT'S GOING ON? 38 00:02:07,427 --> 00:02:12,232 I LOVE THE WAY YOU SEE THE WORLD. 39 00:02:12,265 --> 00:02:14,634 ARE YOU RECEIVING THIS? 40 00:02:14,667 --> 00:02:20,373 I COULD BE ANYWHERE IN THE WORLD RIGHT NOW. 41 00:02:20,406 --> 00:02:22,709 YOU DON'T EVER SAY A FINAL GOODBYE. 42 00:02:22,742 --> 00:02:24,978 JUST SAY I'LL SEE YOU DOWN THE ROAD. 43 00:02:25,011 --> 00:02:27,580 THIS MOVEMENT IS CALLED A STRUGGLES BECAUSE WE ARE 44 00:02:27,614 --> 00:02:31,784 FIGHTING FOR OUR LIVES. 45 00:02:31,818 --> 00:02:32,986 THE WHOLE WORLD IS WATCHING! 46 00:02:33,019 --> 00:02:37,891 THESE ARE STORIES OF MEN AND WOMEN VERY MUCH LIKE YOU, 47 00:02:37,924 --> 00:02:49,135 WAITING FOR BETTER DAYS TO COME. 48 00:02:49,169 --> 00:02:51,471 Announcer: HERE'S THE HOST OF THE 26TH ANNUAL 49 00:02:51,504 --> 00:02:52,405 CRITICS CHOICE AWARDS. 50 00:02:52,438 --> 00:03:01,047 FROM THE CW'S "ALL-AMERICAN," TAYE DIGGS! 51 00:03:01,080 --> 00:03:02,715 Taye: HELLO, EVERYONE. 52 00:03:02,749 --> 00:03:05,218 I'M TAYE DIGGS, AND I'M HOSTING THE CRITICS CHOICE AWARDS 53 00:03:05,251 --> 00:03:07,086 FOR THE THIRD YEAR IN A ROW. 54 00:03:07,120 --> 00:03:08,955 AND I'LL KEEP DOING IT UNTIL THEY ADD AN AWARDS SHOW 55 00:03:08,988 --> 00:03:11,558 CATEGORY. 56 00:03:11,591 --> 00:03:14,727 THIS YEAR'S SHOW IS OBVIOUSLY A LITTLE DIFFERENT. 57 00:03:14,761 --> 00:03:17,363 SOCIAL DISTANCING MEANS THAT MOST OF OUR PRESENTERS AND 58 00:03:17,397 --> 00:03:20,366 NOMINEES WILL BE WATCHING THE SHOW FROM AFAR. 59 00:03:20,400 --> 00:03:22,936 AND SINCE MOST OF THEM ARE IN THEIR LIVING ROOMS, I'M PROBABLY 60 00:03:22,969 --> 00:03:27,540 THE ONLY PERSON ON THIS SHOW NOT WEARING SWEATPANTS. 61 00:03:27,574 --> 00:03:29,609 I CALL IT AWARD SHOW CASUAL. 62 00:03:29,642 --> 00:03:30,910 FORMAL ON TOP. 63 00:03:30,944 --> 00:03:33,346 COMFY ON THE BOTTOM. 64 00:03:33,379 --> 00:03:36,516 ANOTHER GREAT ADVANTAGE OF BEAMING INTO THE SHOW 65 00:03:36,549 --> 00:03:37,984 IS THAT YOU CAN BE ANYWHERE. 66 00:03:38,017 --> 00:03:39,786 WELL, ANYWHERE WITH WI-FI. 67 00:03:39,819 --> 00:03:43,256 WE HAVE STARS IN ENGLAND, GERMANY, ISRAEL, AUSTRALIA, AND 68 00:03:43,289 --> 00:03:46,693 ALL OVER THE USA, EVEN HAWAII. 69 00:03:46,726 --> 00:03:51,564 AND WE HAVE MORE LIVE NOMINEES ATTENDING THAN EVER BEFORE. 70 00:03:51,598 --> 00:03:53,900 EVEN THOUGH WE'RE VIRTUAL, WE STILL HAVE TABLES FULL 71 00:03:53,933 --> 00:03:56,102 OF CELEBRITIES AND FILMMAKERS. 72 00:03:56,135 --> 00:04:00,506 THERE'S CAREY MULLIGAN, STAR OF "PROMISING YOUNG WOMAN." 73 00:04:00,540 --> 00:04:11,584 THERE'S THE "ONE NIGHT IN MIAMI" TABLE. 74 00:04:11,618 --> 00:04:13,119 ALL RIGHT, I SEE YOU LESLIE ODOM, JR. IS UP 75 00:04:13,152 --> 00:04:14,087 FOR THREE AWARDS TONIGHT! 76 00:04:14,120 --> 00:04:15,121 "TED LASSO" HAS A TABLE. 77 00:04:15,154 --> 00:04:16,723 WITH NOMINEES JASON SUDEIKIS AND HANNAH WADDINGHAM. 78 00:04:16,756 --> 00:04:20,360 AND HERE'S "DA 5 BLOODS" TABLE. 79 00:04:20,393 --> 00:04:23,896 THE GREAT DELROY LINDO AND FILMMAKER SPIKE LEE. 80 00:04:23,930 --> 00:04:29,002 BY THE WAY, HERE'S A LITTLE TIP FOR THE WHITE FOLKS. 81 00:04:29,035 --> 00:04:30,937 DON'T THINK IT'S NECESSARY TO OVER-ENUNCIATE THE "DA" IN THE 82 00:04:30,970 --> 00:04:35,275 "DA FIVE BLOODS". 83 00:04:35,308 --> 00:04:37,810 LET IT COME OUT NATURALLY. 84 00:04:37,844 --> 00:04:38,711 "DA FIVE BLOODS". 85 00:04:38,745 --> 00:04:40,313 A LOT HAS CHANGED THIS YEAR. 86 00:04:40,346 --> 00:04:42,015 THIS WAS THE YEAR THAT FINDING YOURSELF IN "SCHITT'S CREEK" 87 00:04:42,048 --> 00:04:43,950 IS ACTUALLY A GOOD THING. 88 00:04:43,983 --> 00:04:46,119 THEY HAVE FIVE NOMINATIONS. 89 00:04:46,152 --> 00:04:52,625 THAT WAS TOPPED BY "THE CROWN," WHICH HAS 6. 90 00:04:52,659 --> 00:04:59,532 ONE OF THOSE NOMINATIONS WAS FOR HER PORTRAYAL OF PRIME MINISTER 91 00:04:59,565 --> 00:05:00,667 MARGARET THATCHER. 92 00:05:00,700 --> 00:05:01,367 SAY HELLO TO GILLIAN ANDERSON! 93 00:05:01,401 --> 00:05:02,168 HI, GILLIAN. 94 00:05:02,201 --> 00:05:04,137 CONGRATULATIONS ON YOUR NOMINATION. 95 00:05:04,170 --> 00:05:07,006 CONGRATS. 96 00:05:07,040 --> 00:05:10,176 THANK YOU VERY MUCH. 97 00:05:10,209 --> 00:05:12,578 Taye: WHERE ARE YOU AND WHAT TIME IS IT? 98 00:05:12,612 --> 00:05:18,818 I AM IN PRAGUE AND IT'S ABOUT JUST AFTER 1:00 A.M. IN THE 99 00:05:18,851 --> 00:05:19,786 MORNING. 100 00:05:19,819 --> 00:05:23,823 Taye: YOU ARE STAYING UP EARLY, ALL RIGHT. 101 00:05:23,856 --> 00:05:25,058 DID YOU DRESS HEAD TO TOE FOR TONIGHT? 102 00:05:25,091 --> 00:05:29,629 OR JUST WAIST UP? 103 00:05:29,662 --> 00:05:34,334 I DID PUT AN ENTIRE OUTFIT ON. 104 00:05:34,367 --> 00:05:36,502 Taye: EXCELLENT. 105 00:05:36,536 --> 00:05:39,572 WHAT WAS YOUR FAVORITE PART OF PLAYING MARGARET THATCHER? 106 00:05:39,605 --> 00:05:44,277 WHAT WAS THE FAVORITE THING ABOUT IT? 107 00:05:44,310 --> 00:05:53,753 PROBABLY I WOULD SAY GETTING TO DO ALL THE BITS AT THE SAME 108 00:05:53,786 --> 00:05:54,687 TIME. 109 00:05:54,721 --> 00:05:58,624 THE CHALLENGE OF GETTING TO DO ALL THE BITS. 110 00:05:58,658 --> 00:06:05,198 THE VOICE, HER MANNERISMS, HER WALK. 111 00:06:05,231 --> 00:06:09,802 IN A BODYSUIT, AND THE WIG. 112 00:06:09,836 --> 00:06:12,939 Taye: YES, THAT WIG. 113 00:06:12,972 --> 00:06:15,475 WONDERFUL. 114 00:06:15,508 --> 00:06:19,312 GILLIAN. 115 00:06:19,345 --> 00:06:19,812 THANK YOU FOR CHATTING. 116 00:06:19,846 --> 00:06:23,616 GOOD LUCK TONIGHT. 117 00:06:23,649 --> 00:06:24,951 TO PRESENT IT ARE TWO PREVIOUS CRITICS CHOICE AWARD WINNERS, 118 00:06:24,984 --> 00:06:26,085 ANGELA BASSETT AND COURTNEY B. VANCE. 119 00:06:26,119 --> 00:06:28,121 SHE STARS IN THE TV SERIES "9-1-1" AND THE BEST ANIMATED 120 00:06:28,154 --> 00:06:29,689 PICTURE WINNER "SOUL" AND HE CAN BE SEEN IN 121 00:06:29,722 --> 00:06:32,058 "GENIUS: ARETHA." 122 00:06:32,091 --> 00:06:34,127 HERE THEY ARE. 123 00:06:34,160 --> 00:06:37,063 HI, I'M ANGELA BASSETT. 124 00:06:37,096 --> 00:06:38,097 AND I'M COURTNEY B. VANCE. 125 00:06:38,131 --> 00:06:39,232 AND WE'RE HERE TO PRESENT THE CRITICS CHOICE FOR 126 00:06:39,265 --> 00:06:40,700 BEST SUPPORTING ACTOR. 127 00:06:40,733 --> 00:06:43,269 WHICH, I'D LIKE TO POINT OUT, IS APROPOS, SINCE WE'VE BEEN 128 00:06:43,302 --> 00:06:44,137 SUPPORTING EACH OTHER AS HUSBAND AND WIFE 129 00:06:44,170 --> 00:06:48,107 FOR OVER 23 WONDERFUL YEARS. 130 00:06:48,141 --> 00:06:49,509 WHAT'S OUR SECRET? 131 00:06:49,542 --> 00:06:51,043 TRUST, OPEN LINES OF COMMUNICATION. 132 00:06:51,077 --> 00:06:53,012 AND EACH WEEK, WE MAKE SURE TO HAVE A DATE NIGHT. 133 00:06:53,045 --> 00:06:54,180 THAT'S RIGHT. 134 00:06:54,213 --> 00:06:58,351 IN FACT, YOU ALL ARE WITNESSING OUR DATE NIGHT RIGHT NOW. 135 00:06:58,384 --> 00:07:00,553 EXCUSE ME? 136 00:07:00,586 --> 00:07:03,222 THIS IS OUR DATE NIGHT? 137 00:07:03,256 --> 00:07:05,725 WELL, I MEAN, WE CAN'T REALLY GO OUT. 138 00:07:05,758 --> 00:07:07,527 BUT WE'RE DRESSED NICELY. 139 00:07:07,560 --> 00:07:09,328 YOU LOOK LIKE A QUEEN, AS ALWAYS, AND THE LIGHTING IS 140 00:07:09,362 --> 00:07:09,729 GOOD. 141 00:07:09,762 --> 00:07:10,963 UH-HUH. 142 00:07:10,997 --> 00:07:13,766 I THINK NOW WOULD BE A GOOD TIME TO PRESENT THE BEST SUPPORTING 143 00:07:13,800 --> 00:07:15,268 ACTOR NOMINEES. 144 00:07:15,301 --> 00:07:17,103 I'VE GOT SOME PIZZA ROLLS RIGHT OVER IN THE TOASTER OVEN, 145 00:07:17,136 --> 00:07:31,150 IF YOU -- BEST SUPPORTING ACTOR. 146 00:07:31,184 --> 00:07:33,719 CHADWICK BOSEMAN, "DA 5 BLOODS." 147 00:07:33,753 --> 00:07:35,121 PAUL RACI, "SOUND OF METAL." 148 00:07:35,154 --> 00:07:36,489 DANIEL KALUUYA, "JUDAS AND THE BLACK MESSIAH." 149 00:07:36,522 --> 00:07:37,390 BILL MURRAY, "ON THE ROCKS." 150 00:07:37,423 --> 00:07:41,360 LESLIE ODOM, JR., "ONE NIGHT IN MIAMI. 151 00:07:41,394 --> 00:07:48,000 SACHA BARON COHEN, "THE TRIAL OF THE CHICAGO 7." 152 00:07:48,034 --> 00:07:51,504 AND THE CRITICS CHOICE IS... 153 00:07:51,537 --> 00:07:56,108 DANIEL KALUUYA, "JUDAS AND THE BLACK MESSIAH." 154 00:07:56,142 --> 00:07:59,645 THANK YOU SO MUCH. 155 00:07:59,679 --> 00:08:02,281 THANK YOU, ANGELA AND COURTNEY. 156 00:08:02,315 --> 00:08:03,483 WOW. 157 00:08:03,516 --> 00:08:07,587 I WOULD LIKE TO THANK MY FAMILY, FRIENDS, MY PEOPLE, MY TEAM. 158 00:08:07,620 --> 00:08:17,096 I WOULD LIKE TO SEE 14 SHAKA KING. 159 00:08:17,129 --> 00:08:21,534 EVERYONE AT PROXIMITY. 160 00:08:21,567 --> 00:08:24,237 EVERYONE AT WARNER BROS., CHARLES KING . 161 00:08:24,270 --> 00:08:32,845 I WOULD LIKE TO THANK -- WE DO THIS TOGETHER. 162 00:08:32,879 --> 00:08:35,715 THE INCREDIBLE CAST ON THE COMRADES IN EVERYONE. 163 00:08:35,748 --> 00:08:40,720 EVERYONE BACK IN CLEVELAND. 164 00:08:40,753 --> 00:08:45,191 THANK YOU TO THE CRITICS CHOICE FOR CHAMPIONING THE LEGACY. 165 00:08:45,224 --> 00:08:49,562 THE MESSAGES AND IDEAS AND STRATEGIES FOR HELPING THE 166 00:08:49,595 --> 00:08:50,029 PEOPLE. 167 00:08:50,062 --> 00:08:50,596 APPRECIATED. 168 00:08:50,630 --> 00:08:53,666 THANK THANK YOU SO MUCH. 169 00:08:53,699 --> 00:08:54,767 Announcer: HE STARRED IN "THE OUTPOST" 170 00:08:54,800 --> 00:08:55,735 AND "RETALIATION." 171 00:08:55,768 --> 00:08:58,838 HERE IS ORLANDO BLOOM. 172 00:08:58,871 --> 00:09:02,975 THE NOMINEES FOR BEST SUPPORTING ACTRESS PROVE 173 00:09:03,009 --> 00:09:06,879 THE ADAGE THAT "THERE ARE NO SMALL PARTS, ONLY SMALL ACTORS." 174 00:09:06,913 --> 00:09:10,516 AND ALTHOUGH THEIR ROLES WERE SUPPORTING, THEIR CONTRIBUTIONS 175 00:09:10,550 --> 00:09:13,786 TO THIS YEAR IN FILM WERE IMMEASURABLE. 176 00:09:13,819 --> 00:09:16,956 LET'S TAKE A LOOK AT THE LARGER-THAN-LIFE PERFORMANCES OF 177 00:09:16,989 --> 00:09:28,868 THE NOMINEES FOR BEST SUPPORTING ACTRESS. 178 00:09:28,901 --> 00:09:31,871 Announcer: BEST SUPPORTING ACTRESS. 179 00:09:31,904 --> 00:09:33,606 AMANDA SEYFRIED, "MANK." 180 00:09:33,639 --> 00:09:34,840 MARIA BAKALOVA, "BORAT SUBSEQUENT MOVIEFILM." 181 00:09:34,874 --> 00:09:36,008 GLENN CLOSE, "HILLBILLY ELEGY." 182 00:09:36,042 --> 00:09:39,011 OLIVIA COLMAN, "THE FATHER." 183 00:09:39,045 --> 00:09:42,715 YUH-JUNG YOUN, "MINARI." 184 00:09:42,748 --> 00:09:50,790 ELLEN BURSTYN, "PIECES OF A WOMAN." 185 00:09:50,823 --> 00:09:54,527 AND THE CRITICS CHOICE IS... 186 00:09:54,560 --> 00:10:00,566 MARIA BAKALOVA, "BORAT SUBSEQUENT MOVIEFILM." 187 00:10:00,600 --> 00:10:05,738 THANK YOU SO VERY MUCH, CRITICS CHOICE AWARDS 188 00:10:05,771 --> 00:10:06,639 ASSOCIATION. 189 00:10:06,672 --> 00:10:10,810 I CANNOT BELIEVE IT IS HAPPENING HAPPENING. 190 00:10:10,843 --> 00:10:14,914 GROWING UP IN BULGARIA, IT'S HARD TO BELIEVE I'M STANDING 191 00:10:14,947 --> 00:10:20,086 HERE, SITTING HERE RIGHT NOW. 192 00:10:20,119 --> 00:10:22,989 SO YOU CAN THINK ABOUT BEING READY TO SEIZURE MOMENTS BUT YOU 193 00:10:23,022 --> 00:10:26,158 CAN'T DO IT UNLESS YOU'RE GIVEN A CHANCE. 194 00:10:26,192 --> 00:10:30,796 SASHA, YOU GAVE ME THAT CHANCE SO THANK YOU FOR THE UNWAVERING 195 00:10:30,830 --> 00:10:32,298 SUPPORT AND FOR TRUSTING ME. 196 00:10:32,331 --> 00:10:35,468 THIS AWARD IS FOR EVERY LITTLE KID WHEREVER YOU ARE FROM, YOUR 197 00:10:35,501 --> 00:10:38,037 DREAMS ARE VALID NO MATTER HOW HUGE. 198 00:10:38,070 --> 00:10:40,840 YOU WILL ACHIEVE THEM. 199 00:10:40,873 --> 00:10:43,676 THANK YOU. 200 00:10:43,709 --> 00:10:46,445 Announcer: THERE ARE LOTS MORE STARS COMING UP, INCLUDING 201 00:10:46,479 --> 00:10:49,148 FROM "THAT WOMAN," JAVICIA LESLIE. 202 00:10:49,181 --> 00:10:50,383 FROM "SUPERMAN AND LOIS," TYLER HOECHLIN AND 203 00:10:50,416 --> 00:10:53,853 ELIZABETH TULLOCH AND... 204 00:10:53,886 --> 00:10:57,757 WE ARE GOING TO BE PRESENTING BEST SUPPORTING ACTRESS AND 205 00:10:57,790 --> 00:11:00,860 ACTOR IN A DRAMA SERIES. 206 00:11:00,893 --> 00:11:04,263 STICK AROUND, COMING UP NEXT. 207 00:11:04,296 --> 00:11:07,166 Announcer: WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS 208 00:11:07,199 --> 00:11:09,001 CONTINUES. 209 00:11:19,445 --> 00:11:21,447 Announcer: WELCOME BACK. 210 00:11:21,480 --> 00:11:23,916 HERE'S YOUR HOST, TAYE DIGGS. 211 00:11:23,949 --> 00:11:27,453 Taye: FOR MORE THAN A QUARTER OF A CENTURY, THESE 212 00:11:27,486 --> 00:11:30,322 AWARDS HAVE BEEN DETERMINED BY THE CRITICS CHOICE ASSOCIATION. 213 00:11:30,356 --> 00:11:33,592 WITH MORE THAN 400 VOTING MEMBERS IS THE LARGEST AND MOST 214 00:11:33,626 --> 00:11:36,462 DIVERSE CRITICS GROUP IN THE WORLD. 215 00:11:36,495 --> 00:11:47,306 PLEASE WELCOME OUR NEXT PRESENTERS. 216 00:11:47,339 --> 00:11:52,178 TOGETHER, THEY STAR IN THE HIT COMEDY 217 00:11:52,211 --> 00:11:53,045 "CALL ME KAT." 218 00:11:53,079 --> 00:11:54,980 HERE ARE MAYIM BIALIK AND LESLIE JORDAN. 219 00:11:55,014 --> 00:11:57,283 WE'RE HERE TO PRESENT BEST SUPPORTING CATEGORIES 220 00:11:57,316 --> 00:11:58,451 IN A DRAMA SERIES. 221 00:11:58,484 --> 00:12:01,721 SOMETHING EXTREMELY FITTING FOR THE TWO OF US. 222 00:12:01,754 --> 00:12:04,690 BECAUSE WE'VE BOTH HAD SOME PRETTY MEMORABLE SUPPORTING 223 00:12:04,724 --> 00:12:05,691 ROLES THROUGHOUT OUR CAREERS. 224 00:12:05,725 --> 00:12:07,359 AND I LOVE DRAMA. 225 00:12:07,393 --> 00:12:09,729 IS THAT TRUE? 226 00:12:09,762 --> 00:12:12,098 MAYIM, I'M PREGNANT. 227 00:12:12,131 --> 00:12:17,870 AND IT'S YOURS! 228 00:12:17,903 --> 00:12:18,738 WAIT, I GOT A TEXT. 229 00:12:18,771 --> 00:12:21,273 SORRY. 230 00:12:21,307 --> 00:12:25,177 THIS IS VERY UNEXPECTED FOR A NUMBER OF REASONS. 231 00:12:25,211 --> 00:12:26,645 I THINK WE NEED A MINUTE TO PROCESS THIS. 232 00:12:26,679 --> 00:12:28,414 LET'S TAKE A LOOK AT THE NOMINEES FOR BEST SUPPORTING 233 00:12:28,447 --> 00:12:38,257 ACTRESS IN A DRAMA SERIES. 234 00:12:38,290 --> 00:12:42,795 Announcer: BEST SUPPORTING ACTRESS IN A DRAMA SERIES. 235 00:12:42,828 --> 00:12:47,032 GILLIAN ANDERSON, "THE CROWN." 236 00:12:47,066 --> 00:12:56,175 THOSE LITTLE MEN AND YOU WANT ME TO GET ON MY KNEES TO THEM. 237 00:12:56,208 --> 00:12:59,278 RHEA SEEHORN, "BETTER CALL SAUL." 238 00:12:59,311 --> 00:13:04,850 TRIA SHELL COMPANY. 239 00:13:04,884 --> 00:13:05,785 WUNMI MOSAKU, "LOVECRAFT 240 00:13:05,818 --> 00:13:09,255 COUNTRY." 241 00:13:09,288 --> 00:13:17,730 SPLIT THAT MONEY REGARDLESS OF MAMA'S WISHES. 242 00:13:17,763 --> 00:13:20,833 JULIA GARNER, "OZARK." 243 00:13:20,866 --> 00:13:26,205 I WANT YOU TO STOP LYING AND TELL ME WHY BEN IS DEAD. 244 00:13:26,238 --> 00:13:30,943 CYNTHIA ERIVO, "THE OUTSIDER." 245 00:13:30,976 --> 00:13:34,346 PERHAPS FIND A WAY TO SEE IT CLEARLY, NOT TO DISMISS THE 246 00:13:34,380 --> 00:13:35,281 FACTS. 247 00:13:35,314 --> 00:13:39,351 WHAT REALITY MIGHT ENTAIL. 248 00:13:39,385 --> 00:13:44,290 JANET MCTEER, "OZARK." 249 00:13:44,323 --> 00:13:50,963 DON'T MAKE US GO BACK ON THAT ONE. 250 00:13:50,996 --> 00:13:54,500 AND THE CRITICS CHOICE IS... 251 00:13:54,533 --> 00:13:57,536 GILLIAN ANDERSON, "THE CROWN." 252 00:13:57,570 --> 00:14:02,474 WOW. 253 00:14:02,508 --> 00:14:04,109 THANK YOU. 254 00:14:04,143 --> 00:14:06,745 THANK YOU TO THE CRITICS CHOICE ASSOCIATION. 255 00:14:06,779 --> 00:14:13,285 AND TO MY AMAZING FELLOW NOMINEES. 256 00:14:13,319 --> 00:14:18,090 THANK YOU TO THE SHOW RUNNER AND EXTRAORDINAIRE, TO OUR PRODUCER 257 00:14:18,123 --> 00:14:19,258 ANDY HARRIES. 258 00:14:19,291 --> 00:14:30,803 AND OUR PRODUCER MICHAEL CASEY AND TO OUR INCREDIBLE. 259 00:14:30,836 --> 00:14:32,271 ... 260 00:14:32,304 --> 00:14:35,507 ARE PHENOMENALLY TALENTED ARTISTIC DIRECTOR. 261 00:14:35,541 --> 00:14:40,646 THE ENTIRE, AMAZING, AMAZING CAST OF "THE CROWN." 262 00:14:40,679 --> 00:14:45,117 STARTED WITH OLIVIA COLMAN, TOBIAS MENZIES. 263 00:14:45,150 --> 00:14:45,885 JOSH O'CONNOR. 264 00:14:45,918 --> 00:14:49,154 ALAN DOHERTY, MIRIAM BAILEY. 265 00:14:49,188 --> 00:14:54,660 ALSO IN PARTICULARLY... 266 00:14:54,693 --> 00:14:57,363 THE ACTOR WHO PLAYED MY HUSBAND, DENNIS THATCHER. 267 00:14:57,396 --> 00:15:02,835 WONDERFUL AND VERY SUPPORTIVE INTERPRETATION. 268 00:15:02,868 --> 00:15:04,003 I LOVE YOU ALL. 269 00:15:04,036 --> 00:15:05,471 I LOVE EVERYBODY ON THE PLANET. 270 00:15:05,504 --> 00:15:11,110 THANK YOU VERY MUCH. 271 00:15:11,143 --> 00:15:13,746 OKAY, I KNOW WE LEFT ON A BIT OF A CLIFF HANGER LAST TIME, 272 00:15:13,779 --> 00:15:15,047 SO I'D LIKE TO LET EVERYONE KNOW THAT LESLIE IS NOT PREGNANT WITH 273 00:15:15,080 --> 00:15:15,915 MY BABY. 274 00:15:15,948 --> 00:15:17,383 IT WAS ALL JUST A BIG MISUNDERSTANDING. 275 00:15:17,416 --> 00:15:18,384 YES, IT WAS. 276 00:15:18,417 --> 00:15:19,985 TURNS OUT IT WAS JUST SOME BAD SHRIMP BACKSTAGE. 277 00:15:20,019 --> 00:15:22,755 SORRY, I THOUGHT I PUT IT ON SILENT. 278 00:15:22,788 --> 00:15:25,724 LET'S TAKE A LOOK AT THE NOMINEES FOR BEST SUPPORTING 279 00:15:25,758 --> 00:15:31,630 ACTOR IN A DRAMA SERIES. 280 00:15:31,664 --> 00:15:36,201 Announcer: BEST SUPPORTING ACTOR IN A DRAMA SERIES. 281 00:15:36,235 --> 00:15:40,039 TOM PELPHREY, "OZARK." 282 00:15:40,072 --> 00:15:44,643 YOU DO NOT GET TO LOCK ME UP IN A HOSPITAL AND TRANQUILIZED 283 00:15:44,677 --> 00:15:48,314 ME LIKE I'M SOME KIND OF ZOO ANIMAL. 284 00:15:48,347 --> 00:15:51,850 JONATHAN BANKS, "BETTER CALL SAUL." 285 00:15:51,884 --> 00:15:55,921 IF YOU MANAGE TO DIG A HOLE BIG ENOUGH FOR THOSE COMING 286 00:15:55,955 --> 00:15:59,058 MIGHT AS WELL BIG ONE FOR YOURSELF. 287 00:15:59,091 --> 00:16:02,161 JOHN LITHGOW, "PERRY MASON." 288 00:16:02,194 --> 00:16:06,131 YOU'RE GOING TO FIGHT BECAUSE I BELIEVE IN YOU. 289 00:16:06,165 --> 00:16:06,999 LET ME HEAR YOU SAY IT. 290 00:16:07,032 --> 00:16:10,569 TOBIAS MENZIES, "THE CROWN." 291 00:16:10,602 --> 00:16:13,706 ARCHITECTURALLY THERE IS LITTLE THAT IS NORMAL ABOUT THIS 292 00:16:13,739 --> 00:16:14,406 FAMILY. 293 00:16:14,440 --> 00:16:17,142 I BARELY KNEW MY OWN FATHER. 294 00:16:17,176 --> 00:16:26,618 MICHAEL K. WILLIAMS, "LOVECRAFT COUNTRY." 295 00:16:26,652 --> 00:16:27,653 YOU WANT US TO TELL THEM THAT WIZARDS EXIST? 296 00:16:27,686 --> 00:16:28,654 THAT WHITE FOLKS HAVE GOT MAGIC ON THEIR SIDE TOO? 297 00:16:28,687 --> 00:16:31,490 JUSTIN HARTLEY, "THIS IS US." 298 00:16:31,523 --> 00:16:34,093 I USED TO THINK THE WORST THING THAT HAPPENED TO ME WAS 299 00:16:34,126 --> 00:16:35,661 THE DAY THAT DAD DIED. 300 00:16:35,694 --> 00:16:38,731 IT'S THE DAY THEY BROUGHT YOU HOME. 301 00:16:38,764 --> 00:16:41,600 AND THE CRITICS CHOICE IS... 302 00:16:41,633 --> 00:16:49,842 MICHAEL K. WILLIAMS, "LOVECRAFT COUNTRY." 303 00:16:49,875 --> 00:16:52,011 WOW. 304 00:16:52,044 --> 00:16:53,178 THANK YOU. 305 00:16:53,212 --> 00:16:57,049 THANK YOU TO THE VOTERS OF THE CRITICS CHOICE ASSOCIATION. 306 00:16:57,082 --> 00:16:59,885 THANK YOU TO HBO FOR THIS AMAZING JOURNEY OVER THE YEARS. 307 00:16:59,918 --> 00:17:08,961 TWO WARNER BROS. 308 00:17:08,994 --> 00:17:09,294 BAD ROBOT. 309 00:17:09,328 --> 00:17:10,462 THANK YOU. 310 00:17:10,496 --> 00:17:12,264 THE AMAZING PRODUCERS, THE SHOWRUNNER, WRITERS, I LOVE YOU 311 00:17:12,297 --> 00:17:13,432 AND THANK YOU SO MUCH. 312 00:17:13,465 --> 00:17:16,101 WITHOUT YOUR WORDS AND YOUR GUIDANCE NOT OF THIS WOULD BE 313 00:17:16,135 --> 00:17:17,236 DONE. 314 00:17:17,269 --> 00:17:18,971 TO THE AMAZING CAST THAT I CONSIDER MY FAMILY, I WANT TO 315 00:17:19,004 --> 00:17:21,440 GIVE YOU A SPECIAL SHOUT OUT. 316 00:17:21,473 --> 00:17:24,076 THANK YOU FOR LIFTING ME UP IN MY TIME OF NEED OUT THERE IN THE 317 00:17:24,109 --> 00:17:24,843 FIELD. 318 00:17:24,877 --> 00:17:27,679 YOU KNOW WHAT I'M TALKING ABOUT. 319 00:17:27,713 --> 00:17:28,781 TO MY MOTHER. 320 00:17:28,814 --> 00:17:31,617 MOM, I LOVE YOU. 321 00:17:31,650 --> 00:17:33,852 I WANT TO GIVE YOU FLOWERS. 322 00:17:33,886 --> 00:17:34,887 I'M NOTHING WITHOUT YOU. 323 00:17:34,920 --> 00:17:39,124 TO MY CHILDREN, I LOVE YOU. 324 00:17:39,158 --> 00:17:41,960 TO THE YOUTH OUT THERE. 325 00:17:41,994 --> 00:17:42,861 BLACK, WHITE, ASIAN. 326 00:17:42,895 --> 00:17:44,096 IT DOESN'T MATTER. 327 00:17:44,129 --> 00:17:48,133 I HOPE THAT YOU TAKE THE JOURNEY OF "LOVECRAFT COUNTRY" THE 328 00:17:48,167 --> 00:17:52,638 JOURNEYS WE ARE TELLING IN CS, SEE THE LEGACY THAT WE COME 329 00:17:52,671 --> 00:17:53,272 FROM. 330 00:17:53,305 --> 00:17:55,474 THANK YOU TO EVERYBODY. 331 00:17:55,507 --> 00:17:58,410 GOOD NIGHT. 332 00:17:58,444 --> 00:18:01,346 Announcer: COMING UP: LIN-MANUEL MIRANDA. 333 00:18:01,380 --> 00:18:04,883 AND FROM "BATWOMAN." 334 00:18:04,917 --> 00:18:10,055 HI, I AM PRESENTING THE AWARD FOR BEST SUPPORTING ACTOR IN A 335 00:18:10,089 --> 00:18:12,658 MOVIE MADE FOR TELEVISION OR LIMITED SERIES NEXT ON THE 336 00:18:12,691 --> 00:18:14,726 CRITICS CHOICE AWARDS. 337 00:18:27,639 --> 00:18:32,644 Announcer: WELCOME BACK TO THE 26TH CRITICS CHOICE AWARDS. 338 00:18:32,678 --> 00:18:35,714 Taye: TONIGHT, FOR THE FIFTH CONSECUTIVE YEAR, 339 00:18:35,747 --> 00:18:37,449 THE CRITICS CHOICE ASSOCIATION IS PRESENTING 340 00:18:37,483 --> 00:18:39,985 THE SEE HER AWARD. 341 00:18:40,018 --> 00:18:43,021 SEE HER IS THE LARGEST GLOBAL MOVEMENT ADVOCATING FOR ACCURATE 342 00:18:43,055 --> 00:18:46,458 PORTRAYALS OF WOMEN AND GIRLS IN MEDIA AND ENTERTAINMENT 343 00:18:46,492 --> 00:18:49,027 SO THEY CAN BE SEEN AS THEY TRULY ARE. 344 00:18:49,061 --> 00:18:51,497 LED BY A COALITION OF MEDIA AND ENTERTAINMENT LEADERS AND 345 00:18:51,530 --> 00:18:55,467 INFLUENCERS, THEY ARE COMMITTED TO ELIMINATING GENDER BIAS IN 346 00:18:55,501 --> 00:18:57,469 OUR INDUSTRY. 347 00:18:57,503 --> 00:19:02,374 IN ADDITION TO THE AWARD PRESENTATION TO THE 2021 HONOREE 348 00:19:02,407 --> 00:19:04,042 THIS YEAR, WE WILL ALSO BE FEATURING SOME SPECIAL 349 00:19:04,076 --> 00:19:05,744 SEE HER MOMENTS THROUGHOUT THE SHOW. 350 00:19:05,777 --> 00:19:10,048 HERE'S THE FIRST. 351 00:19:10,082 --> 00:19:13,652 I DON'T WANT TO INSPIRE THE NEXT GENERATION. 352 00:19:13,685 --> 00:19:15,687 I WANT THEM TO INSPIRE ME. 353 00:19:15,721 --> 00:19:18,423 I THINK THAT'S THE WAY IT SHOULD BE. 354 00:19:18,457 --> 00:19:27,399 THESE YOUNGER GENERATIONS OF ACTRESSES, THEY ARE PUSHING 355 00:19:27,432 --> 00:19:30,035 PROGRESS THE WAY THAT'S NEW AND WONDERFUL AND I'M EXCITED AND 356 00:19:30,068 --> 00:19:36,708 GRATEFUL TO LISTEN TO THEM. 357 00:19:36,742 --> 00:19:38,477 Taye: HERE IS ONE OF MY FELLOW ACTORS FROM THE CW. 358 00:19:38,510 --> 00:19:44,183 SHE IS GETTING RAVE REVIEWS AS THE NEW BLACK WOMAN. 359 00:19:44,216 --> 00:19:48,187 EXCUSE ME, BAT WOMAN. 360 00:19:48,220 --> 00:19:52,157 SHE'S A BLACK WOMAN PLAYING BATWOMAN. 361 00:19:52,191 --> 00:19:53,158 HERE FROM VANCOUVER, CANADA, IS JAVICIA LESLIE. 362 00:19:53,192 --> 00:19:54,026 HI, EVERYONE! 363 00:19:54,059 --> 00:19:55,227 I'M JAVICIA LESLIE, AND I HAVE TO SAY 364 00:19:55,260 --> 00:19:56,495 IT'S A GOOD THING THIS SHOW IS CALLED THE CRITICS CHOICE AND 365 00:19:56,528 --> 00:19:59,898 NOT "JAVICIA'S CHOICE," BECAUSE THERE IS NO WAY I WOULD EVER BE 366 00:19:59,932 --> 00:20:03,802 ABLE TO PICK MY FAVORITE FROM ALL OF THESE INCREDIBLE 367 00:20:03,835 --> 00:20:06,138 PERFORMANCES FOR BEST SUPPORTING ACTOR IN A MOVIE MADE 368 00:20:06,171 --> 00:20:10,075 FOR TELEVISION OR A LIMITED SERIES. 369 00:20:10,108 --> 00:20:13,645 AS A MATTER OF FACT, IF THIS WAS THE "JAVICIA CHOICE AWARDS," 370 00:20:13,679 --> 00:20:16,281 I WOULD JUST GIVE TROPHIES TO ALL THE NOMINEES, BUT I THINK 371 00:20:16,315 --> 00:20:19,985 THAT WOULD BE PRETTY EXPENSIVE. 372 00:20:20,018 --> 00:20:25,857 HERE ARE YOUR NOMINEES. 373 00:20:25,891 --> 00:20:29,127 Announcer: BEST SUPPORTING ACTOR IN THE MOVIE MADE FOR 374 00:20:29,161 --> 00:20:32,397 TELEVISION OR LIMITED SERIES. 375 00:20:32,431 --> 00:20:36,468 GLYNN TURMAN, "FARGO." 376 00:20:36,501 --> 00:20:38,003 YOU'RE A DOCTOR. 377 00:20:38,036 --> 00:20:39,972 NAME IS DOCTOR. 378 00:20:40,005 --> 00:20:40,806 DR. SENATOR. 379 00:20:40,839 --> 00:20:44,276 IT WAS MY MOTHER'S IDEA. 380 00:20:44,309 --> 00:20:46,478 DYLAN MCDERMOTT, "HOLLYWOOD." 381 00:20:46,511 --> 00:20:50,616 YOU'RE GOING TO DO A LOT OF BUSINESS. 382 00:20:50,649 --> 00:20:53,018 I CAN TELL. 383 00:20:53,051 --> 00:20:58,357 JOSHUA CALEB JOHNSON, "THE GOOD LORD BIRD." 384 00:20:58,390 --> 00:21:00,092 JOHN TURTURRO, "THE PLOT AGAINST 385 00:21:00,125 --> 00:21:02,961 AMERICA." 386 00:21:02,995 --> 00:21:07,866 WHAT SORT OF AMERICA WOULD A MASSIVE SLAUGHTER OF INNOCENT 387 00:21:07,899 --> 00:21:11,370 AMERICAN BOYS LEAVE IN ITS WAKE? 388 00:21:11,403 --> 00:21:14,673 DAVEED DIGGS, "THE GOOD LORD BIRD." 389 00:21:14,706 --> 00:21:23,915 PLEASE DO NOT PRESUME TO TELL ME WHAT A SLAVE WILL OR WILL NOT DO 390 00:21:23,949 --> 00:21:24,716 DO. 391 00:21:24,750 --> 00:21:28,754 DONALD SUTHERLAND, "THE UNDOING." 392 00:21:28,787 --> 00:21:30,789 YOU SPEAK OF UGLINESS. 393 00:21:30,822 --> 00:21:36,962 YOU HAVE NOT YET MET UGLINESS. 394 00:21:36,995 --> 00:21:42,934 AND THE CRITICS CHOICE IS... 395 00:21:42,968 --> 00:21:44,770 DONALD SUTHERLAND. 396 00:21:44,803 --> 00:21:47,839 "THE UNDOING." 397 00:21:47,873 --> 00:21:54,413 HBO, YOU ARE TERRIFIC TO WORK FOR. 398 00:21:54,446 --> 00:21:59,117 OUTSTANDING. 399 00:21:59,151 --> 00:22:03,055 DAVID, KELLY, RICHARD. 400 00:22:03,088 --> 00:22:05,123 CANNING, ALICIA. 401 00:22:05,157 --> 00:22:08,226 WONDERFUL. 402 00:22:08,260 --> 00:22:09,828 THANK YOU, CATHERINE. 403 00:22:09,861 --> 00:22:15,467 JERRY, HANNAH, ROGUE, JOSH, BEN, THANK YOU TO THE CRITICS CHOICE 404 00:22:15,500 --> 00:22:18,403 ASSOCIATION TO HONOR ME THUS IN MY DOTAGE. 405 00:22:18,437 --> 00:22:20,539 MUCH APPRECIATED. 406 00:22:20,572 --> 00:22:21,239 THANK YOU, FRANCINE. 407 00:22:21,273 --> 00:22:25,177 HAVE A LOVELY EVENING, EVERYONE. 408 00:22:25,210 --> 00:22:26,445 Announcer: JARED PADALECKI STARS IN THE NEW CW SERIES 409 00:22:26,478 --> 00:22:27,112 "WALKER." 410 00:22:27,145 --> 00:22:30,849 HERE HE IS FROM AUSTIN, TEXAS. 411 00:22:30,882 --> 00:22:32,517 HEY, ALL. 412 00:22:32,551 --> 00:22:33,985 JARED PADALECKI HERE. 413 00:22:34,019 --> 00:22:37,055 I AM PRESENTING THE AWARD FOR BEST SUPPORTING 414 00:22:37,089 --> 00:22:40,258 ACTRESS IN A MOVIE MADE FOR TELEVISION OR A LIMITED SERIES. 415 00:22:40,292 --> 00:22:42,794 AND THEY PICKED ME FOR THIS CATEGORY BECAUSE I HAVE SOME 416 00:22:42,828 --> 00:22:46,264 EXPERIENCE IN LIMITED SERIES. 417 00:22:46,298 --> 00:22:49,101 I JUST STARTED MY NEW SHOW "WALKER" BUT MY LAST 418 00:22:49,134 --> 00:22:52,404 SERIES "SUPERNATURAL" ENDED AFTER 15 YEARS 419 00:22:52,437 --> 00:22:54,773 AND 327 EPISODES. 420 00:22:54,806 --> 00:22:57,309 SO, I KNOW WHAT IT'S LIKE TO HAVE TO TELL A STORY -- 421 00:22:57,342 --> 00:23:02,581 BEGINNING, MIDDLE, AND END -- IN JUST A DECADE AND A HALF. 422 00:23:02,614 --> 00:23:04,683 CRAZY, RIGHT? 423 00:23:04,716 --> 00:23:07,686 SO IF ANYONE CAN APPRECIATE THESE PERFORMANCES, 424 00:23:07,719 --> 00:23:09,921 IT'S ME. 425 00:23:09,955 --> 00:23:15,394 AND THE NOMINEES ARE... 426 00:23:15,427 --> 00:23:19,164 Announcer: BEST SUPPORTING ACTRESS IN A MOVIE MADE FOR 427 00:23:19,197 --> 00:23:22,401 TELEVISION OR LIMITED SERIES. 428 00:23:22,434 --> 00:23:25,771 TRACEY ULLMAN, "MRS. AMERICA." 429 00:23:25,804 --> 00:23:30,175 U ALSO AROUND AROUND THE COUNTRY DECRYING US FOR TRYING TO OPEN 430 00:23:30,208 --> 00:23:32,677 CAREER OPPORTUNITIES TO WOMEN AND THIS IS WHAT I CAN'T STAND, 431 00:23:32,711 --> 00:23:39,451 THE HYPOCRISY. 432 00:23:39,484 --> 00:23:43,155 THE MOVES THEY APPLAUD THE LOUDEST ARE THE ONES YOU MAKE 433 00:23:43,188 --> 00:23:44,189 RATHER QUICKLY. 434 00:23:44,222 --> 00:23:48,326 INTUITION CAN'T BE FOUND IN BOOKS. 435 00:23:48,360 --> 00:23:51,596 I WAS VERY CLEAR. 436 00:23:51,630 --> 00:23:52,731 WE ARE DONE. 437 00:23:52,764 --> 00:23:59,805 AND I WOULD LIKE YOU TO PACK UP AND MOVE OUT NOW PLEASE. 438 00:23:59,838 --> 00:24:02,307 DOES THE PRESIDENT KNOW ABOUT THIS? 439 00:24:02,340 --> 00:24:07,579 HE APPROVED THIS MORNING. 440 00:24:07,612 --> 00:24:10,982 BEFORE WE MET WITH HIM? 441 00:24:11,016 --> 00:24:17,422 WHEN HE CAME OUT AGAINST THE JEWS IN THE DES MOINES SPEECH, I 442 00:24:17,456 --> 00:24:23,762 WAS OUTRAGED BUT SINCE THEN, HIS MESSAGE HAS BEEN ANTIWAR. 443 00:24:23,795 --> 00:24:28,700 I DIDN'T GET ANYWHERE IN MY LIFE WAITING ON SOMEBODY'S 444 00:24:28,733 --> 00:24:29,968 PERMISSION. 445 00:24:30,001 --> 00:24:34,272 IF HE CAN'T SUPPORT ME -- IF YOU CAN'T SUPPORT ME, GET OUT OF MY 446 00:24:34,306 --> 00:24:35,140 WAY. 447 00:24:35,173 --> 00:24:38,310 AND THE CRITICS CHOICE IS... 448 00:24:38,343 --> 00:24:43,248 UZO ADUBA, "MRS. AMERICA." 449 00:24:43,281 --> 00:24:44,916 WOW. 450 00:24:44,950 --> 00:24:46,051 WOW. 451 00:24:46,084 --> 00:24:50,355 THANK YOU VERY MUCH TO THE CRITICS CHOICE ASSOCIATION. 452 00:24:50,388 --> 00:24:52,624 CONGRATULATIONS TO THE AMAZING WOMAN IN THIS CATEGORY. 453 00:24:52,657 --> 00:25:02,767 I WANT TO SAY THANK YOU TO FX, HULU, FX ON HULU, OUR INCREDIBLE 454 00:25:02,801 --> 00:25:12,244 PRODUCERS, OUR DIRECTORS ANNA AND RYAN AND SPECIAL LOVE TO AMA 455 00:25:12,277 --> 00:25:15,847 AND TONYA AND MY AMAZING, AMAZING TEAM WHO HAVE SHOWN ME 456 00:25:15,881 --> 00:25:18,917 SO MUCH LIGHT AND LOVE OVER THE YEARS AND THROUGHOUT THIS ENTIRE 457 00:25:18,950 --> 00:25:19,951 PROJECT. 458 00:25:19,985 --> 00:25:23,321 MY FAMILY AND MY FRIENDS WHO I AM NOTHING WITHOUT. 459 00:25:23,355 --> 00:25:30,562 AND I WANT TO GIVE EXTRA, EXTRA SPECIAL LOVE AND THANKS AND 460 00:25:30,595 --> 00:25:34,399 GRATITUDE TO SHIRLEY CHISHOLM HERSELF FOR BEING THE REMARKABLE 461 00:25:34,432 --> 00:25:41,606 TRAILBLAZER, PIONEER, FORCE OF A WOMAN AND VOICE IN HER TENURE IN 462 00:25:41,640 --> 00:25:43,575 CONGRESS AND THE REMARKABLE CHANGE AND POWER SHE SHOWED SO 463 00:25:43,608 --> 00:25:47,946 MANY OF US IN TERMS OF LEADING THE WAY AND WHAT WE CAN DO WITH 464 00:25:47,979 --> 00:25:48,413 OUR LIVES. 465 00:25:48,446 --> 00:25:50,782 THANK YOU SO MUCH. 466 00:25:50,815 --> 00:25:52,551 I AM FOREVER GRATEFUL. 467 00:25:52,584 --> 00:25:53,051 THANK YOU. 468 00:25:53,084 --> 00:25:54,419 THANK YOU VERY MUCH. 469 00:25:54,452 --> 00:25:55,587 GOD BLESS. 470 00:25:55,620 --> 00:25:57,289 Announcer: COMING UP: LIN-MANUEL MIRANDA 471 00:25:57,322 --> 00:26:03,628 INTRODUCES OUR FIRST BEST SONG NOMINEE. 472 00:26:03,662 --> 00:26:04,829 HI. 473 00:26:04,863 --> 00:26:10,936 I AM PRESENTING BEST YOUNG ACTOR AND ACTRESS COMING UP NEXT. 474 00:26:10,969 --> 00:26:12,304 Announcer: WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS 475 00:26:12,337 --> 00:26:14,339 CONTINUES. 476 00:26:25,383 --> 00:26:26,217 Taye: WELCOME BACK. 477 00:26:26,251 --> 00:26:29,854 LET'S CHECK IN WITH ANOTHER NOMINEE. 478 00:26:29,888 --> 00:26:37,529 SAY HELLO TO JURNEE SMOLLETT. 479 00:26:37,562 --> 00:26:38,697 JURNEE, HOW ARE YOU? 480 00:26:38,730 --> 00:26:42,167 I'M WONDERFUL, HOW ARE YOU? 481 00:26:42,200 --> 00:26:43,201 Taye: EXCELLENT. 482 00:26:43,234 --> 00:26:44,402 YOU LOOK WONDERFUL TONIGHT. 483 00:26:44,436 --> 00:26:46,938 THANK YOU. 484 00:26:46,972 --> 00:26:48,607 Taye: CONGRATULATIONS ON YOUR NOMINATION FOR BEST ACTRESS 485 00:26:48,640 --> 00:26:51,943 IN A DRAMA SERIES FOR "LOVECRAFT COUNTRY." 486 00:26:51,977 --> 00:26:52,911 I HAVE A QUESTION. 487 00:26:52,944 --> 00:26:54,579 THAT SHOW WAS PRETTY OUT THERE. 488 00:26:54,613 --> 00:26:56,581 HOW DO YOU PREPARE FOR A PERFORMANCE LIKE THAT? 489 00:26:56,615 --> 00:26:57,716 IN ALWAYS. 490 00:26:57,749 --> 00:27:04,623 I TRY TO OPEN MY CREATIVE CHANNELS WITH AS MUCH RESEARCH 491 00:27:04,656 --> 00:27:05,790 AS POSSIBLE. 492 00:27:05,824 --> 00:27:10,428 WHAT LIFE IS LIKE TO BE A BLACK WOMAN IN JIM CROW AMERICA. 493 00:27:10,462 --> 00:27:14,866 THE PHOTOGRAPHY, MUSIC. 494 00:27:14,899 --> 00:27:15,634 THE WRITINGS. 495 00:27:15,667 --> 00:27:18,970 IT GAVE ME INSIGHT INTO HUMANITY. 496 00:27:19,004 --> 00:27:23,842 WOMAN WHO IS BATTLING WHITE SUPREMACY AND THE PATRIARCHY. 497 00:27:23,875 --> 00:27:24,943 Taye: ABSOLUTELY. 498 00:27:24,976 --> 00:27:28,546 DID YOU WATCH ANY OF MY PERFORMANCES FOR INSPIRATION? 499 00:27:28,580 --> 00:27:31,783 ALL OF IT. 500 00:27:31,816 --> 00:27:36,454 Taye: I THOUGHT I COULD SEE LITTLE BITS. 501 00:27:36,488 --> 00:27:38,056 PEOPLE MIGHT NOT KNOW THAT YOU'VE ALREADY WON 502 00:27:38,089 --> 00:27:39,090 A CRITICS CHOICE AWARD FOR BEST CHILD PERFORMANCE 503 00:27:39,124 --> 00:27:40,025 FOR "EVE'S BAYOU" BACK IN 1998. 504 00:27:40,058 --> 00:27:50,168 WHAT DO YOU REMEMBER ABOUT WHEN YOU WON THAT? 505 00:27:50,201 --> 00:27:52,671 MY FIRST TIME WINNING AN AWARD. 506 00:27:52,704 --> 00:27:53,838 I WAS VERY EXCITED. 507 00:27:53,872 --> 00:27:58,076 I REMEMBER BEING IN A ROOM WITH, LIKE, JAMES CAMERON. 508 00:27:58,109 --> 00:28:03,815 REALLY COOL PEOPLE. 509 00:28:03,848 --> 00:28:06,117 BEING AROUND ALL THESE COOL PEOPLE. 510 00:28:06,151 --> 00:28:10,655 Taye: YOU ARE WONDERFUL THEN AND YOUR WONDERFUL TODAY. 511 00:28:10,689 --> 00:28:12,924 THANK YOU AND GOOD LUCK TONIGHT, JURNEE! 512 00:28:12,957 --> 00:28:15,727 AS YOU'VE SEEN, MUCH OF THIS YEAR'S SHOW IS BEING DONE VIA 513 00:28:15,760 --> 00:28:18,997 THE INTERNET BECAUSE OF THE ONGOING PANDEMIC. 514 00:28:19,030 --> 00:28:20,532 MANY OF OUR CELEBRITY PRESENTERS ARE SHOOTING THEMSELVES FROM 515 00:28:20,565 --> 00:28:21,833 HOME. 516 00:28:21,866 --> 00:28:24,936 IT SOUNDS EASY ENOUGH, BUT IT'S NOT. 517 00:28:24,969 --> 00:28:27,005 HOW YOU PRESENT YOURSELF FROM HOME SAYS A LOT ABOUT 518 00:28:27,038 --> 00:28:28,973 WHO YOU ARE. 519 00:28:29,007 --> 00:28:37,015 SO WE SENT OUR CELEBRITIES AN INSTRUCTIONAL VIDEO 520 00:28:37,048 --> 00:28:40,919 OUR EXPERT HAS BEEN PRODUCING HIS OWN SEGMENTS 521 00:28:40,952 --> 00:28:42,220 FOR THE "DAILY SHOW WITH TREVOR NOAH" FROM HIS HOME 522 00:28:42,253 --> 00:28:43,288 IN NEW YORK. 523 00:28:43,321 --> 00:28:45,924 HERE'S ROY WOOD, JR. THANK YOU FOR BEING A PART OF 524 00:28:45,957 --> 00:28:48,059 THIS YEAR'S CRITICS CHOICE AWARDS. 525 00:28:48,093 --> 00:28:50,028 THIS INSTRUCTIONAL VIDEO IS FILLED WITH TIPS AND POINTERS TO 526 00:28:50,061 --> 00:28:54,132 OPTIMIZE YOUR CRITICS CHOICE APPEARANCE FROM YOUR OWN HOME. 527 00:28:54,165 --> 00:28:56,968 IT MAY SEEM OBVIOUS, BUT WHILE TELECONFERENCING, 528 00:28:57,001 --> 00:28:58,336 THE ITEMS IN YOUR BACKGROUND SEND A MESSAGE 529 00:28:58,369 --> 00:28:59,871 TO THE AUDIENCE. 530 00:28:59,904 --> 00:29:03,608 FOR EXAMPLE, A FILLED BOOKCASE TELLS THE AUDIENCE, 531 00:29:03,641 --> 00:29:06,678 "I CAN AFFORD TO BUY BOOKS!" AND WHILE THIS IS BOUND 532 00:29:06,711 --> 00:29:09,481 TO IMPRESS, IT'S THE TITLES OF THE BOOKS THAT SPEAK VOLUMES 533 00:29:09,514 --> 00:29:11,416 ABOUT YOU. 534 00:29:11,449 --> 00:29:13,785 SO YOU MAY WANT TO REPLACE YOUR COPIES OF "ART OF THE DEAL," 535 00:29:13,818 --> 00:29:18,690 AND "THE BEST OF LARRY FLYNT" WITH A FEW FILM CRITICISM BOOKS, 536 00:29:18,723 --> 00:29:21,926 ESPECIALLY ANYTHING BY GENE SHALIT. 537 00:29:21,960 --> 00:29:24,195 NOW WE'VE COVERED HOME DECOR, IF YOU MUST HAVE SOMETHING 538 00:29:24,229 --> 00:29:27,165 IN THE BACKGROUND, LET IT BE THE MOST POPULAR FORM 539 00:29:27,198 --> 00:29:28,700 OF HOME DECOR. 540 00:29:28,733 --> 00:29:31,069 CHILDREN. 541 00:29:31,102 --> 00:29:32,270 GET OUR OF HERE, CHILD! 542 00:29:32,303 --> 00:29:37,776 YOU ARE MESSING UP MY MOMENT ON TV. 543 00:29:37,809 --> 00:29:40,879 AVOID PLACING A TELESCOPE IN YOUR BACKGROUND. 544 00:29:40,912 --> 00:29:42,714 TO YOU, IT INDICATES THAT YOU ENJOY THE HOBBY 545 00:29:42,747 --> 00:29:43,882 OF STARGAZING. 546 00:29:43,915 --> 00:29:46,718 BUT, TO OTHERS, IT MAY SAY "MY NEIGHBORS DON'T HAVE 547 00:29:46,751 --> 00:29:49,354 CURTAINS." 548 00:29:49,387 --> 00:29:52,390 AND A WORD OF CAUTION, SOME OF YOU MAY THINK YOU CAN GET AWAY 549 00:29:52,423 --> 00:29:54,459 WITH BEING NAKED FROM THE WAIST DOWN. 550 00:29:54,492 --> 00:29:57,896 BASED ON PERSONAL EXPERIENCE, I WOULD ADVISE AGAINST IT. 551 00:29:57,929 --> 00:30:00,031 YOU NEVER KNOW WHEN THE PRODUCERS MIGHT DECIDE TO 552 00:30:00,064 --> 00:30:01,132 PLAY THE NATIONAL ANTHEM. 553 00:30:01,166 --> 00:30:03,501 AND EVERYBODY'S GOTTA STAND. 554 00:30:03,535 --> 00:30:07,672 THAT TIP IS FOR THE WHITE PEOPLE, I KNOW THE BLACK PEOPLE, 555 00:30:07,705 --> 00:30:09,240 WE AIN'T STANDING. 556 00:30:09,274 --> 00:30:11,876 MOST IMPORTANTLY, IF YOU HAVE EVER RECEIVED AN AWARD, I'M 557 00:30:11,910 --> 00:30:14,245 TALKING IN YOUR ENTIRE LIFE, INCLUDE THEM ON YOUR BOOKCASE. 558 00:30:14,279 --> 00:30:15,914 IT COULD BE A NOBEL PRIZE OR A PEEWEE SOCCER 559 00:30:15,947 --> 00:30:17,282 PARTICIPATION TROPHY. 560 00:30:17,315 --> 00:30:18,616 IT DOESN'T MATTER. 561 00:30:18,650 --> 00:30:19,717 AN ACCOLADE IS AN ACCOLADE. 562 00:30:19,751 --> 00:30:22,821 AND, SUBLIMINALLY, YOU ARE TELLING THE AUDIENCE, 563 00:30:22,854 --> 00:30:23,188 "HEY, YOU! 564 00:30:23,221 --> 00:30:24,155 LOOK AT ME! 565 00:30:24,189 --> 00:30:25,857 I'M AN ACHIEVER." 566 00:30:25,890 --> 00:30:31,062 GOOD LUCK TO EVERYBODY AND THANKS AGAIN! 567 00:30:31,095 --> 00:30:34,465 ALL RIGHT. 568 00:30:34,499 --> 00:30:35,633 GET OUT OF THIS TUXEDO. 569 00:30:35,667 --> 00:30:36,835 Taye: THANK YOU, ROY WOOD JR. 570 00:30:36,868 --> 00:30:38,503 NOW, YOU'VE PROBABLY SEEN OUR NEXT PRESENTER 571 00:30:38,536 --> 00:30:40,705 ON "BLACK-ISH", "MIXED-ISH" 572 00:30:40,738 --> 00:30:43,074 AND "GROWN-ISH". 573 00:30:43,107 --> 00:30:46,110 I WISH I COULD DISH OUT AN "ISH" JOKE HERE WITHOUT LOOKING 574 00:30:46,144 --> 00:30:50,582 FOOL-ISH BUT I CAN'T ACCOMPL-ISH THAT SO I'LL NOT ANGU-ISH 575 00:30:50,615 --> 00:30:55,420 AND JUST FINISH WITH A STRAIGHT-ISH INTRO: 576 00:30:55,453 --> 00:30:59,324 HERE'S YARA SHAHIDI. 577 00:30:59,357 --> 00:31:02,160 IN HOLLYWOOD, I GET TO WEAR MANY HATS. 578 00:31:02,193 --> 00:31:04,829 ACTRESS, EXECUTIVE PRODUCER, DIRECTOR. 579 00:31:04,863 --> 00:31:08,433 BUT WITH THESE NOMINEES, I GET TO WEAR A NEW ONE. 580 00:31:08,466 --> 00:31:10,134 "ELDER STATESWOMAN." 581 00:31:10,168 --> 00:31:13,471 HERE ARE THE INCREDIBLY TALENTED NOMINEES FOR 582 00:31:13,504 --> 00:31:24,182 BEST YOUNG ACTOR OR ACTRESS. 583 00:31:24,215 --> 00:31:27,118 Announcer: BEST YOUNG ACTOR OR ACTRESS. 584 00:31:27,151 --> 00:31:28,286 HELENA ZENGEL, "NEWS OF THE WORLD." 585 00:31:28,319 --> 00:31:29,854 STAGE. 586 00:31:29,888 --> 00:31:30,221 IT SMELLS GOOD. 587 00:31:30,255 --> 00:31:36,861 GOOD. 588 00:31:36,895 --> 00:31:53,044 [SPEAKING FOREIGN LANGUAGE] WE HAD A SLEEPOVER WITH MY 589 00:31:53,077 --> 00:32:02,620 MAMA AND YOU DIDN'T WEAR NO PAJAMAS NOR UNDERWEAR. 590 00:32:02,654 --> 00:32:08,359 IT'S A LONG WAY. 591 00:32:08,393 --> 00:32:11,529 OKAY. 592 00:32:11,562 --> 00:32:16,134 [SPEAKING FOREIGN LANGUAGE] WHY? 593 00:32:16,167 --> 00:32:20,705 TREES LIKE WATER. 594 00:32:20,738 --> 00:32:21,439 WERE THEY NICE? 595 00:32:21,472 --> 00:32:27,178 NICE ENOUGH. 596 00:32:27,211 --> 00:32:33,985 DID IT HURT? 597 00:32:34,018 --> 00:32:37,956 AND THE CRITICS CHOICE IS... 598 00:32:37,989 --> 00:32:47,098 ALAN KIM, "MINARI." 599 00:32:47,131 --> 00:32:49,133 THANK YOU, THANK YOU. 600 00:32:49,167 --> 00:32:54,806 FIRST OF ALL, I WOULD LIKE TO THANK THE CRITICS WHO VOTED IN 601 00:32:54,839 --> 00:33:00,345 MY FAMILY. 602 00:33:00,378 --> 00:33:11,055 I'M GOING TO CRY. 603 00:33:11,089 --> 00:33:13,691 THE OTHER CREWMEMBERS. 604 00:33:13,725 --> 00:33:19,931 I HOPE I WILL BE IN OTHER MOVIES MOVIES. 605 00:33:19,964 --> 00:33:27,138 IS THIS THE TRUTH? 606 00:33:27,171 --> 00:33:39,083 [CRYING] Announcer: HE'S THE CREATOR 607 00:33:39,117 --> 00:33:40,685 OF THE PHENOMENON KNOWN AS "HAMILTON" AND COMPOSER OF 608 00:33:40,718 --> 00:33:44,522 THE UPCOMING FILM OF HIS OWN MUSICAL "IN THE 609 00:33:44,555 --> 00:33:51,095 HEIGHTS," HERE'S LIN-MANUEL MIRANDA. 610 00:33:51,129 --> 00:33:51,829 IT'S NO SECRET. 611 00:33:51,863 --> 00:33:53,097 SONGWRITING IS MY BLISS. 612 00:33:53,131 --> 00:33:55,533 WHEN THE RIGHT WORDS MEET THE RIGHT MUSIC TO 613 00:33:55,566 --> 00:33:57,835 TELL A STORY, THERE IS NOTHING LIKE IT IN THE WORLD. 614 00:33:57,869 --> 00:34:01,305 AND WHEN THE FINAL CREATION IS OUTSTANDING, WHEN 615 00:34:01,339 --> 00:34:03,808 IT'S POSSIBLY ONE'S FINEST WORK, THE WAVE OF PRIDE 616 00:34:03,841 --> 00:34:07,145 AND SENSE OF ACCOMPLISHMENT IS INDESCRIBABLE. 617 00:34:07,178 --> 00:34:08,679 THAT'S WHAT TONIGHT'S NOMINEES FOR BEST SONG 618 00:34:08,713 --> 00:34:10,381 ARE FEELING. 619 00:34:10,415 --> 00:34:13,251 THIS YEAR, WE ARE GOING TO SPOTLIGHT EACH OF OUR NOMINEES 620 00:34:13,284 --> 00:34:16,454 ONE BY ONE BEFORE WE HEAR WHICH IS THE CRITICS CHOICE. 621 00:34:16,487 --> 00:34:19,957 OUR FIRST NOMINEE FOR BEST SONG IS "HUSAVIK (MY HOME TOWN)" 622 00:34:19,991 --> 00:34:22,960 FROM "EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA." 623 00:34:22,994 --> 00:34:26,330 MUSIC AND LYRICS BY SAVAN KOTECHA. 624 00:34:26,364 --> 00:34:29,767 RICKARD GORANSSON AND FAT MAX GSUS. 625 00:34:29,801 --> 00:34:32,003 WILL FERRELL AND RACHEL McADAMS PLAY ICELAND'S ENTRY INTO THIS 626 00:34:32,036 --> 00:34:33,771 OVER-THE-TOP COMPETITION. 627 00:34:33,805 --> 00:34:49,320 RACHEL'S VOCALS ARE ACTUALLY SUNG BY MOLLY SANDEN. 628 00:34:49,353 --> 00:34:51,055 ♪ BUT NOW I KNOW WHAT MAKES ME HAPPY ♪ 629 00:34:51,089 --> 00:34:52,723 ♪ AND I CAN TELL YOU FEEL IT TOO ♪ 630 00:34:52,757 --> 00:34:54,358 ♪ WHERE THE MOUNTAINS SING THROUGH THE SCREAMS OF 631 00:34:54,392 --> 00:34:56,894 SEAGULLS ♪ ♪ WHERE THE WHALES CAN LIVE 632 00:34:56,928 --> 00:35:03,401 'CAUSE THEY'RE GENTLE PEOPLE ♪ ♪ IN MY HOMETOWN, MY HOMETOWN ♪ 633 00:35:03,434 --> 00:35:11,642 MY HOMETOWN ♪ Announcer: COMING UP LIVE 634 00:35:11,676 --> 00:35:13,778 ON STAGE, "VEEP" STAR TONY HALE PRESENTS THE AWARDS FOR ACTOR 635 00:35:13,811 --> 00:35:20,218 AND ACTRESS IN A DRAMA SERIES. 636 00:35:20,251 --> 00:35:22,253 HERE ON THE 26TH ANNUAL CRITICS CHOICE AWARDS. 637 00:35:35,533 --> 00:35:36,634 Taye: WE'RE BACK. 638 00:35:36,667 --> 00:35:37,768 WE TOLD OUR NEXT PRESENTER THAT HE COULD DO IT FROM HOME, 639 00:35:37,802 --> 00:35:38,936 BUT HE INSISTED ON THE FULL CRITICS CHOICE 640 00:35:38,970 --> 00:35:39,937 EXPERIENCE. 641 00:35:39,971 --> 00:35:43,674 HE HAS BEEN ENTERTAINING US FOR YEARS ON MODERN 642 00:35:43,708 --> 00:35:45,843 COMEDY CLASSICS LIKE "VEEP" AND "ARRESTED DEVELOPMENT" 643 00:35:45,877 --> 00:35:48,045 AND WILL SOON BE SEEN IN "THE MYSTERIOUS BENEDICT SOCIETY." 644 00:35:48,079 --> 00:35:51,349 PLEASE WELCOME A THREE-TIME CRITICS CHOICE NOMINEE 645 00:35:51,382 --> 00:35:57,188 AND A TWO-TIME EMMY WINNER, TONY HALE. 646 00:35:57,221 --> 00:36:01,125 YES. 647 00:36:01,159 --> 00:36:01,959 HOW ARE YOU DOING? 648 00:36:01,993 --> 00:36:04,962 I AM FINE. 649 00:36:04,996 --> 00:36:06,964 DID YOU GET COVID TESTED ON THE WAY IN? 650 00:36:06,998 --> 00:36:11,836 I DID I FELT I HAD SOMETHING TO SAY. 651 00:36:11,869 --> 00:36:14,705 I DID THE MATH AND BECAUSE OF QUARANTINE, I'VE LOST 652 00:36:14,739 --> 00:36:19,610 640 HOURS OF MY LIFE WATCHING THESE PERFORMANCES. 653 00:36:19,644 --> 00:36:22,046 640. 654 00:36:22,079 --> 00:36:24,916 I MEAN, A LOT OF THAT IS I ACCIDENTALLY WATCHED THE 655 00:36:24,949 --> 00:36:26,450 ORIGINAL "PERRY MASON" FIRST. 656 00:36:26,484 --> 00:36:29,420 ALL OF IT. 657 00:36:29,453 --> 00:36:33,558 AND I LEARNED "THIS IS US" IS NOT ABOUT TIME TRAVEL. 658 00:36:33,591 --> 00:36:38,696 WHO KNEW? 659 00:36:38,729 --> 00:36:42,533 BUT IT'S CLEAR THAT YOUR TALENTS HAVE BEEN A GIFT AND AN ESCAPE 660 00:36:42,567 --> 00:36:43,401 DURING THESE CHALLENGING TIMES. 661 00:36:43,434 --> 00:36:46,704 THANK YOU VERY MUCH. 662 00:36:46,737 --> 00:36:48,406 SO WITHOUT FURTHER ADO, HERE'S THE NOMINATIONS 663 00:36:48,439 --> 00:37:01,953 FOR BEST ACTOR IN A DRAMA SERIES WE WILL GET YOU MORE. 664 00:37:01,986 --> 00:37:04,822 YOU'RE SAYING THAT THERE WAS A FOURTH MAN. 665 00:37:04,855 --> 00:37:09,527 THERE WAS A FOURTH MAN IN THE ROOM. 666 00:37:09,560 --> 00:37:10,528 WHO? 667 00:37:10,561 --> 00:37:12,063 I DON'T KNOW THAT YET. 668 00:37:12,096 --> 00:37:14,332 I WANT TO SEE HER AGAIN. 669 00:37:14,365 --> 00:37:22,640 I WANT TO SEE MY KIDS AGAIN. 670 00:37:22,673 --> 00:37:26,444 I LOVE THAT THE HEROES GET TO GO ON ADVENTURES. 671 00:37:26,477 --> 00:37:36,487 LITTLE NEGRO BOY FROM THE SOUTH SIDE OF CHICAGO. 672 00:37:36,520 --> 00:37:55,906 THIS IS MY DOOR AS THE PRINCE OF WALES. 673 00:37:55,940 --> 00:37:58,542 THINGS LIKE THIS HAVE BEEN HAPPENING TO BLACK PEOPLE FOR 674 00:37:58,576 --> 00:38:00,878 YEARS AND WE'VE NEVER TALKED ABOUT IT. 675 00:38:00,911 --> 00:38:04,315 NOT ONCE IN 40 YEARS. 676 00:38:04,348 --> 00:38:08,786 AND THE CRITICS CHOICE IS. 677 00:38:08,819 --> 00:38:15,293 JOSH O'CONNOR, "THE CROWN." 678 00:38:15,326 --> 00:38:17,795 CONGRATULATIONS, JOSH COULDN'T BE HERE TONIGHT SO WE WILL BE 679 00:38:17,828 --> 00:38:20,631 ACCEPTING IT ON HIS BEHALF. 680 00:38:20,665 --> 00:38:22,600 AND NOW HERE'S THE NOMINATIONS FOR BEST ACTRESS IN A DRAMA 681 00:38:22,633 --> 00:38:32,710 SERIES. 682 00:38:32,743 --> 00:38:35,646 I'M NOT SAYING I'M BETRAYING MY COUNTRY. 683 00:38:35,680 --> 00:38:37,081 I WON'T. 684 00:38:37,114 --> 00:38:41,552 BUT IN THE BLACK AND WHITE, THERE IS A LOT OF GRAY. 685 00:38:41,585 --> 00:38:47,892 DON'T YOU LOOK AT ME WITH THAT BLAME ON YOUR FACE. 686 00:38:47,925 --> 00:38:49,927 I HAVE SPENT MY WHOLE LIFE PROTECTING HIM. 687 00:38:49,960 --> 00:38:53,931 THIS IS YOURS. 688 00:38:53,964 --> 00:38:55,666 CHARLES RESENTS ME. 689 00:38:55,700 --> 00:38:56,534 AND RESENTS ME. 690 00:38:56,567 --> 00:39:04,108 IS IT POSSIBLE YOU RESENT ME TOO TOO? 691 00:39:04,141 --> 00:39:14,919 PUT YOUR SHIELD OF ARMOR AROUND HIM. 692 00:39:14,952 --> 00:39:17,254 WHO'S OUR FAVORITE? 693 00:39:17,288 --> 00:39:20,291 MY FAVORITE OR YOUR FAVORITE. 694 00:39:20,324 --> 00:39:21,926 ALL RIGHT, YOU FIRST. 695 00:39:21,959 --> 00:39:23,461 WHO IS YOURS. 696 00:39:23,494 --> 00:39:26,263 ANN. 697 00:39:26,297 --> 00:39:29,800 TELL THEM WE LOVE HIS MOVIES. 698 00:39:29,834 --> 00:39:32,403 I WILL. 699 00:39:32,436 --> 00:39:37,408 BECAUSE YEAH, I WILL. 700 00:39:37,441 --> 00:39:41,112 AND THE CRITICS CHOICE IS... 701 00:39:41,145 --> 00:39:46,684 EMMA CORRIN, "THE CROWN." 702 00:39:46,717 --> 00:39:48,652 THANK YOU SO MUCH. 703 00:39:48,686 --> 00:39:53,724 THANK YOU SO MUCH TO ALL THE CRITICS WHO VOTED. 704 00:39:53,758 --> 00:39:54,325 THIS IS MENTAL. 705 00:39:54,358 --> 00:39:56,761 IT'S ALSO 2:00 A.M. HERE. 706 00:39:56,794 --> 00:39:59,730 THANK YOU SO MUCH. 707 00:39:59,764 --> 00:40:04,535 AN INCREDIBLE COLLECTION OF WOMEN TO BE NOMINATED WITH. 708 00:40:04,568 --> 00:40:08,472 THANK YOU FOR THE TALENT AND THE STORIES THAT YOU ARE TELLING. 709 00:40:08,506 --> 00:40:12,877 THANK YOU SO MUCH TO NETFLIX AND MY INCREDIBLE FAMILY ON "THE 710 00:40:12,910 --> 00:40:16,680 CROWN" AND IT LEFT BANK. 711 00:40:16,714 --> 00:40:19,850 HER FOR LETTING ME PLAY OR DIANA. 712 00:40:19,884 --> 00:40:22,253 IT'S BEEN THE BIGGEST JOY. 713 00:40:22,286 --> 00:40:25,856 THANK YOU TO ALL THE CAST AND CREW WHO WORKED ON THE SERIES 714 00:40:25,890 --> 00:40:27,024 WITH ME. 715 00:40:27,057 --> 00:40:30,194 GOING INTO WORK EVERY DAY WAS HONESTLY JUST THE BEST GIFT. 716 00:40:30,227 --> 00:40:33,297 I WISH I COULD DO IT EVERY DAY. 717 00:40:33,330 --> 00:40:36,066 I MISS YOU ALL A LOT AND WISH WE COULD BE CELEBRATING. 718 00:40:36,100 --> 00:40:39,403 THANK YOU ALL. 719 00:40:39,437 --> 00:40:42,139 Announcer: OUR NEXT TWO PRESENTERS ARE MARRIED TO EACH 720 00:40:42,173 --> 00:40:44,375 OTHER BUT ARE PRESENTING SEPARATE AWARDS: 721 00:40:44,408 --> 00:40:49,313 I AM PRESENTING THE WORD FOR BEST ACTOR IN A LIMITED SERIES 722 00:40:49,346 --> 00:40:51,949 WERE MADE FOR TV MOVIE UP NEXT. 723 00:40:51,982 --> 00:40:55,386 I AM KEVIN BACON I AM PRESENTING BEST ACTRESS IN A 724 00:40:55,419 --> 00:41:01,592 MOVIE MADE FOR TELEVISION OR LIMITED SERIES, COMING UP NEXT. 725 00:41:01,625 --> 00:41:06,330 Annoucer: WHEN THE 26TH ANNUAL CRITICS CHOICE 726 00:41:06,363 --> 00:41:08,699 AWARDS CONTINUES. 727 00:41:16,974 --> 00:41:22,847 Announcer: ONCE AGAIN HERE IS YOUR HOST, TAYE DIGGS. 728 00:41:22,880 --> 00:41:24,815 Taye: WELCOME BACK TO THE CRITICS CHOICE AWARDS. 729 00:41:24,849 --> 00:41:26,984 I AM STILL YOUR HOST, TAYE DIGGS. 730 00:41:27,017 --> 00:41:31,489 I AM NOT A MOOSE. 731 00:41:31,522 --> 00:41:35,226 ANYONE ELSE REGRET LETTING THE KID USE THEIR PHONE DURING THE 732 00:41:35,259 --> 00:41:35,626 COMMERCIAL BREAK? 733 00:41:35,659 --> 00:41:35,926 NO? 734 00:41:35,960 --> 00:41:39,697 JUST ME? 735 00:41:39,730 --> 00:41:45,069 OUR NEXT PRESENTER IS STARTING IN SEASON TWO OF SERIES "CITY ON 736 00:41:45,102 --> 00:41:46,303 A HILL." 737 00:41:46,337 --> 00:41:49,773 KEVIN BACON. 738 00:41:49,807 --> 00:41:50,975 HELLO, EVERYONE. 739 00:41:51,008 --> 00:41:52,243 I AM SO THRILLED TO BE HERE TO PRESENT THE CRITICS CHOICE FOR 740 00:41:52,276 --> 00:41:53,811 BEST ACTRESS IN A MOVIE MADE FOR TELEVISION OR A LIMITED SERIES, 741 00:41:53,844 --> 00:41:55,746 ESPECIALLY SINCE I HAND-PICKED EACH AND EVERY ONE 742 00:41:55,779 --> 00:41:57,915 OF THE NOMINEES. 743 00:41:57,948 --> 00:42:01,719 IN FACT, NOT TO BRAG, I HAD A HAND IN EACH OF THESE SIX 744 00:42:01,752 --> 00:42:03,420 STELLAR PERFORMANCES. 745 00:42:03,454 --> 00:42:06,223 AND YOU KNOW, WHEN CATE BLANCHETT CAME 746 00:42:06,257 --> 00:42:10,294 TO ME AFTER ACCEPTING THE ROLE IN "MRS. AMERICA," 747 00:42:10,327 --> 00:42:13,130 I LOOKED HER STRAIGHT IN THE EYE AND TOLD HER IF THERE 748 00:42:13,163 --> 00:42:16,300 IS ANYONE WHO CAN INHABIT THIS GRITTY SUPERHERO WHO 749 00:42:16,333 --> 00:42:20,504 IS MARRIED TO AMERICA, IT'S YOU, CATEY B. 750 00:42:20,538 --> 00:42:23,607 AND NOW, HERE ARE SIX OF MY BEST FRIENDS. 751 00:42:23,641 --> 00:42:28,245 THE NOMINEES FOR BEST ACTRESS IN A MOVIE MADE FOR TELEVISION 752 00:42:28,279 --> 00:42:42,593 OR LIMITED SERIES. 753 00:42:42,626 --> 00:42:48,632 I DIDN'T KNOW THAT A NEGRO WOMAN TELEVISION PRODUCER 754 00:42:48,666 --> 00:42:49,600 EXISTED. 755 00:42:49,633 --> 00:42:54,038 ALL MY LIFE THAT'S ALL I'VE EVER WANTED TO BE. 756 00:42:54,071 --> 00:42:55,839 I'M GETTING MARRIED. 757 00:42:55,873 --> 00:42:56,640 DON'T YOU GET IT? 758 00:42:56,674 --> 00:42:58,809 I'M GOING TO MAKE A FAMILY. 759 00:42:58,842 --> 00:43:01,011 I WON'T NEED ANYONE ELSE TO GO. 760 00:43:01,045 --> 00:43:04,949 THIS IS WHAT I WANT. 761 00:43:04,982 --> 00:43:10,321 IF YOU WERE TO SUDDENLY NOT AFFIRM ME WHEN I NEED THE 762 00:43:10,354 --> 00:43:14,058 AFFIRMATION THE MOST, IT SHOULD MAKE YOU SOMEONE I SHOULD AWAY 763 00:43:14,091 --> 00:43:14,692 FROM. 764 00:43:14,725 --> 00:43:20,264 WOMEN ARE LIKE TEA BAGS. 765 00:43:20,297 --> 00:43:24,602 YOU DON'T KNOW THEIR STRENGTH AND UNTIL THEY GET INTO HOT 766 00:43:24,635 --> 00:43:26,670 WATER. 767 00:43:26,704 --> 00:43:29,039 DEAR FRIENDS KNOW ABOUT US? 768 00:43:29,073 --> 00:43:30,941 NO. 769 00:43:30,975 --> 00:43:34,578 JOANNA DOES. 770 00:43:34,612 --> 00:43:38,616 SORT OF. 771 00:43:38,649 --> 00:43:42,186 I WOULD SAY THAT IT'S MUCH EASIER TO PLAY CHESS WITHOUT THE 772 00:43:42,219 --> 00:43:45,489 BURDEN OF AND ADAM'S APPLE. 773 00:43:45,522 --> 00:43:48,359 AND THE CRITICS CHOICE IS... 774 00:43:48,392 --> 00:43:53,430 MY BEST FRIEND. 775 00:43:53,464 --> 00:43:57,001 ANYA TAYLOR-JOY, "THE QUEEN'S GAMBIT." 776 00:43:57,034 --> 00:43:59,169 THANK YOU SO MUCH. 777 00:43:59,203 --> 00:44:00,604 THANK YOU TO THE CRITICS. 778 00:44:00,638 --> 00:44:05,376 I WOULD LOVE TO TAKE THIS OPPORTUNITY TO THANK OUR 779 00:44:05,409 --> 00:44:06,577 INCREDIBLE CREW IN BERLIN. 780 00:44:06,610 --> 00:44:12,583 THE SHOW WOULDN'T HAVE BEEN THE SAME WITHOUT YOU. 781 00:44:12,616 --> 00:44:13,584 DANIEL. 782 00:44:13,617 --> 00:44:17,388 THEY DID TO MOVIES WITH ME IN 2019. 783 00:44:17,421 --> 00:44:21,492 WHAT A PLEASURE TO WORK ALONGSIDE YOU. 784 00:44:21,525 --> 00:44:24,828 HONESTLY IT WOULDN'T HAVE BEEN THE SAME WITHOUT EVERY SINGLE 785 00:44:24,862 --> 00:44:26,664 ONE OF YOUR SOULS BEING THERE. 786 00:44:26,697 --> 00:44:28,832 IT WAS A PRIVILEGE TO WATCH YOU WORK EVERY DAY. 787 00:44:28,866 --> 00:44:32,770 THANK YOU SO MUCH FOR LETTING ME BE PART OF IT. 788 00:44:32,803 --> 00:44:36,206 THANK YOU. 789 00:44:36,240 --> 00:44:37,675 YOU KNOW HER FROM "BROOKLYN NINE-NINE" 790 00:44:37,708 --> 00:44:38,575 AND "THE CLOSER". 791 00:44:38,609 --> 00:44:39,343 SHE'S CURRENTLY STARRING IN THE NEW COMEDY 792 00:44:39,376 --> 00:44:39,910 SERIES "CALL YOUR MOTHER." 793 00:44:39,943 --> 00:44:41,945 HERE'S KYRA SEDGWICK. 794 00:44:41,979 --> 00:44:45,215 IN OUR HOUSE, WE ARE BIG FANS OF MOVIES MADE FOR TELEVISION 795 00:44:45,249 --> 00:44:48,786 AND LIMITED SERIES. 796 00:44:48,819 --> 00:44:50,254 IN A SHORT PERIOD OF TIME, THEY DELIVER COMPELLING 797 00:44:50,287 --> 00:44:52,890 STORIES AND TOP-NOTCH PERFORMANCES FROM ACTORS WE'RE 798 00:44:52,923 --> 00:44:54,458 OFTEN USED TO SEEING ON THE BIG SCREEN. 799 00:44:54,491 --> 00:44:58,595 AND WHEN THEY'RE OVER, WE CHECK AND CHECK AGAIN, 800 00:44:58,629 --> 00:45:00,330 HOPING THAT WE MISSED AN EPISODE. 801 00:45:00,364 --> 00:45:01,799 THAT'S THE BEAUTY OF A MOVIE MADE FOR TELEVISION 802 00:45:01,832 --> 00:45:02,599 OR LIMITED SERIES. 803 00:45:02,633 --> 00:45:05,502 THEY ALWAYS LEAVE YOU WANTING MORE. 804 00:45:05,536 --> 00:45:07,705 AND SO DO THE ACTORS WHO STAR IN THEM. 805 00:45:07,738 --> 00:45:21,719 HERE ARE THE NOMINEES. 806 00:45:21,752 --> 00:45:28,358 ALL THIS IS GOING OUT OF THE HOUSE TODAY. 807 00:45:28,392 --> 00:45:30,027 IT WAS AN ACCIDENT. 808 00:45:30,060 --> 00:45:30,561 AN ACCIDENT? 809 00:45:30,594 --> 00:45:34,198 THAT'S WHAT WE SAY. 810 00:45:34,231 --> 00:45:38,702 THEY ARE THE OTHERS. 811 00:45:38,736 --> 00:45:42,406 LINDBERGH IS THE OTHER. 812 00:45:42,439 --> 00:45:49,046 I DON'T THINK... 813 00:45:49,079 --> 00:45:56,987 PEOPLE LIKE ME. 814 00:45:57,020 --> 00:45:58,555 THEY'VE GOT THE UPPER HAND NOW. 815 00:45:58,589 --> 00:46:05,395 NOT FOR LONG. 816 00:46:05,429 --> 00:46:12,002 SIGH CAME BACK WHICH MAY BEEN SELFISH BUT I WANTED MY FAMILY 817 00:46:12,035 --> 00:46:15,239 BACK. 818 00:46:15,272 --> 00:46:17,841 I AGREE WITH YOU 100%. 819 00:46:17,875 --> 00:46:21,779 WE NEED TO LOOK EACH OTHER IN THE EYE MAN-TO-MAN AND GIVEN A 820 00:46:21,812 --> 00:46:24,915 CHANCE WE WILL SOON REALIZE WE ARE NOT DIFFERENT. 821 00:46:24,948 --> 00:46:28,085 AND THE CRITICS CHOICE IS... 822 00:46:28,118 --> 00:46:32,389 JOHN BOYEGA, "SMALL AXE." 823 00:46:32,422 --> 00:46:35,459 WOW, THANK YOU SO MUCH. 824 00:46:35,492 --> 00:46:38,362 FIRST AND FOREMOST I WOULD LIKE TO THANK THE CRITICS FOR THIS 825 00:46:38,395 --> 00:46:39,563 CHOICE. 826 00:46:39,596 --> 00:46:44,902 THE BBC AND AMAZON AND SPECIAL THANK YOU TO STEVE McQUEEN FOR 827 00:46:44,935 --> 00:46:48,839 GIVING ME THIS OPPORTUNITY IN THIS ROLE AND SHARING SO MUCH OF 828 00:46:48,872 --> 00:46:55,879 YOURSELF ON SAT ON A DAY-TO-DAY BASIS. 829 00:46:55,913 --> 00:47:00,083 TO THE MOST SPECIAL PERSON IN MY LIFE. 830 00:47:00,117 --> 00:47:03,821 MY AGENT, MY BROTHER AND MY FRIEND FOR BEING THERE WITH ME 831 00:47:03,854 --> 00:47:05,823 FROM BEGINNING AND MAKING HISTORY. 832 00:47:05,856 --> 00:47:08,292 THE CHOICES THAT WE'VE MADE SO FAR. 833 00:47:08,325 --> 00:47:08,759 THANK YOU, GUYS. 834 00:47:08,792 --> 00:47:15,399 MUCH APPRECIATED. 835 00:47:15,432 --> 00:47:16,200 HELLO! 836 00:47:16,233 --> 00:47:17,201 IT'S ME AGAIN. 837 00:47:17,234 --> 00:47:18,202 BEFORE WE PRESENT THE NEXT NOMINEE FOR BEST SONG, 838 00:47:18,235 --> 00:47:18,969 I'D JUST LIKE TO POINT OUT HOW VAST THIS CATEGORY 839 00:47:19,002 --> 00:47:20,003 CAN BE. 840 00:47:20,037 --> 00:47:23,307 PAST WINNERS INCLUDE WIZ KHALIFA AND CHARLIE PUTH, 841 00:47:23,340 --> 00:47:25,943 COMMON AND JOHN LEGEND, AND THE INIMITABLE... 842 00:47:25,976 --> 00:47:27,344 MUPPETS. 843 00:47:27,377 --> 00:47:29,580 THE NEXT NOMINEE FOR CRITICS CHOICE FOR BEST SONG, 844 00:47:29,613 --> 00:47:31,849 IS "FIGHT FOR YOU" FROM THE TWICE-NOMINATED MOVIE "JUDAS AND 845 00:47:31,882 --> 00:47:33,383 THE BLACK MESSIAH." 846 00:47:33,417 --> 00:47:37,821 IT IS WRITTEN BY H.E.R., DERNST "D'MILE" EMILE II 847 00:47:37,855 --> 00:47:53,103 AND TIARA THOMAS AND PERFORMED BY H.E.R. 848 00:47:53,136 --> 00:47:54,605 ♪ I'M GON' SEE IT THROUGH ♪ ♪ THERE'S NO ONE, THERE'S NO ONE 849 00:47:54,638 --> 00:48:02,346 LIKE YOU ♪ ♪ LONG AS I'M STANDING, WE CAN 850 00:48:02,379 --> 00:48:04,514 NEVER LOSE ♪ I'MA ALWAYS, ALWAYS FIGHT FOR 851 00:48:04,548 --> 00:48:08,518 YOU ♪ ♪ I'MA ALWAYS, ALWAYS FIGHT 852 00:48:08,552 --> 00:48:21,265 FOR YOU ♪ Announcer: COMING UP, 853 00:48:21,298 --> 00:48:24,334 ASHLEY PARK PRESENTS THE AWARD FOR BEST COMEDY SPECIAL. 854 00:48:24,368 --> 00:48:29,907 HI, I AM MORGAN FREEMAN AND I AM PRESENTING THE AWARD NEXT ON 855 00:48:29,940 --> 00:48:33,543 THE CRITICS CHOICE AWARDS. 856 00:48:33,577 --> 00:48:38,248 Announcer: WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS 857 00:48:38,282 --> 00:48:39,116 RETURNS. 858 00:48:48,859 --> 00:48:51,128 I SEE HER STARTING THE CONVERSATIONS AND ASKING THE 859 00:48:51,161 --> 00:48:53,931 QUESTION SO WE CAN ALL FIND THE ANSWERS. 860 00:48:53,964 --> 00:48:56,600 BECAUSE I STAND ON THE SHOULDERS OF WOMEN WHO BROKE 861 00:48:56,633 --> 00:48:57,868 BARRIERS. 862 00:48:57,901 --> 00:49:02,306 I WANT LITTLE GIRLS TO KNOW THAT THERE'S NO WALL THEY CAN'T PUSH 863 00:49:02,339 --> 00:49:07,778 THROUGH. 864 00:49:07,811 --> 00:49:11,148 Taye: IT'S ME AGAIN. 865 00:49:11,181 --> 00:49:13,116 THE SIX NOMINEES FOR BEST COMEDY SPECIAL ARE AT THEIR OWN 866 00:49:13,150 --> 00:49:13,917 SPECIAL TABLE. 867 00:49:13,951 --> 00:49:18,755 WHAT'S THE FUNNIEST MOVIE EVER MADE? 868 00:49:18,789 --> 00:49:22,559 FUNNIEST MOVIE EVER MADE IS "REPO MAN" FROM 1984. 869 00:49:22,592 --> 00:49:29,900 EVERYONE IN THE MOVIE DELIVERS THESE WEIRD COMEDIC LINES 100% 870 00:49:29,933 --> 00:49:32,002 SERIOUS WHICH MAKES THEM EVEN FUNNIER. 871 00:49:32,035 --> 00:49:37,140 FUNNIEST MOVIE EVER MADE IN MY OPINION. 872 00:49:37,174 --> 00:49:38,775 "THE CASTLE." 873 00:49:38,809 --> 00:49:42,245 I'M NOT -- I DON'T KNOW THAT MANY PEOPLE IN AMERICA WOULD 874 00:49:42,279 --> 00:49:42,946 KNOW THIS. 875 00:49:42,980 --> 00:49:44,348 IT'S AN AUSTRALIAN FILM. 876 00:49:44,381 --> 00:49:48,752 FUNNIEST MOVIE FOR ME, I WOULD SAY "BRIDESMAIDS." 877 00:49:48,785 --> 00:49:51,822 I WASH IT PROBABLY TEN TIMES. 878 00:49:51,855 --> 00:49:56,059 I LOVE SEEING THIS HILARIOUS GROUP OF WOMEN GETTING TO JUST 879 00:49:56,093 --> 00:49:57,260 BE OUTRAGEOUS. 880 00:49:57,294 --> 00:50:00,998 I THINK THE FUNNIEST MOVIE FOR LAUGHS FOR ME WAS PROBABLY 881 00:50:01,031 --> 00:50:02,733 RICHARD PRYOR, LIVE IN CONCERT. 882 00:50:02,766 --> 00:50:05,002 THE FIRST TIME I SAW IT IN HIGH SCHOOL. 883 00:50:05,035 --> 00:50:07,637 FUNNIEST MOVIE EVER MADE IN MY OPINION, I CAN'T JUST PICK 884 00:50:07,671 --> 00:50:08,905 ONE. 885 00:50:08,939 --> 00:50:21,018 IT'S LIKE PICKING YOUR FAVORITE FAVORITE PIN PRINT PRINCE SONG. 886 00:50:21,051 --> 00:50:25,889 NINE TO FIVE, COMING TO AMERICA. 887 00:50:25,922 --> 00:50:28,592 Taye: HE'S ONE OF THE MOST POPULAR AND RESPECTED ACTORS 888 00:50:28,625 --> 00:50:29,393 IN THE WORLD. 889 00:50:29,426 --> 00:50:30,160 HERE'S OSCAR WINNER MORGAN FREEMAN. 890 00:50:30,193 --> 00:50:31,294 HELLO, EVERYONE. 891 00:50:31,328 --> 00:50:33,296 I AM DELIGHTED TO BE HERE TONIGHT TO PRESENT THE CRITICS 892 00:50:33,330 --> 00:50:35,665 CHOICE AWARD FOR BEST COMEDY FILM. 893 00:50:35,699 --> 00:50:39,503 YOU KNOW, THERE'S AN OLD SAYING THAT COMEDY IS TRAGEDY 894 00:50:39,536 --> 00:50:44,941 PLUS TIME, AND I COULDN'T AGREE MORE, BECAUSE I 895 00:50:44,975 --> 00:50:49,980 KNOW THAT SOME OF THE MOST TRAGIC MOVIES I'VE STARRED IN 896 00:50:50,013 --> 00:50:54,851 OVER THE YEARS, THEY ARE COMPLETELY HILARIOUS NOW. 897 00:50:54,885 --> 00:50:57,421 SHAWSHANK REDEMPTION? 898 00:50:57,454 --> 00:51:01,258 A DELIGHTFUL BUDDY COMEDY ABOUT A GUYS' TRIP TO MEXICO! 899 00:51:01,291 --> 00:51:03,493 MILLION DOLLAR BABY? 900 00:51:03,527 --> 00:51:09,633 A FALL-DOWN COMEDY WITH A REAL RUSH OF ADRENALINE. 901 00:51:09,666 --> 00:51:11,468 SEVEN? 902 00:51:11,501 --> 00:51:13,937 I'LL TELL YOU WHAT'S IN THE BOX. 903 00:51:13,970 --> 00:51:17,574 NON-STOP LAUGHS! 904 00:51:17,607 --> 00:51:31,321 NOW HERE ARE THE NOMINEES FOR BEST COMEDY FILM. 905 00:51:31,354 --> 00:51:34,458 WE ARE GOING TO DO A SPRAY TAN. 906 00:51:34,491 --> 00:51:36,560 HOW DARK IS SHE WANTING TO GO? 907 00:51:36,593 --> 00:51:39,162 WHAT COLOR IS BEST FOR A RACIST FAMILY? 908 00:51:39,196 --> 00:51:42,799 STICK I WOULDN'T GO ANY DARKER THAN A SIX OR SEVEN. 909 00:51:42,833 --> 00:51:46,970 TOMORROW IS ALSO TODAY. 910 00:51:47,003 --> 00:51:48,338 IT'S ONE OF INFINITE TIME LOOP SITUATIONS THAT YOU MIGHT'VE 911 00:51:48,371 --> 00:51:58,115 HEARD ABOUT. 912 00:51:58,148 --> 00:52:03,420 DO YOU HAVE A SUITE? 913 00:52:03,453 --> 00:52:05,789 NO, ALL THE ROOMS ARE THE SAME. 914 00:52:05,822 --> 00:52:08,959 SPEAK A WORD AND I SPENT MOST OF MY TIME IN HIGH SCHOOL? 915 00:52:08,992 --> 00:52:17,367 WITH YOUR REGRETS. 916 00:52:17,400 --> 00:52:20,737 NO ONE WANTS TO GO TO A RESTAURANT AND WATCH PEOPLE GET 917 00:52:20,770 --> 00:52:21,104 TATTOOED. 918 00:52:21,138 --> 00:52:25,175 IT'S GROSS. 919 00:52:25,208 --> 00:52:27,244 HOW DO YOU BLUFF? 920 00:52:27,277 --> 00:52:28,578 POKER FACE. 921 00:52:28,612 --> 00:52:29,312 POKER FACE. 922 00:52:29,346 --> 00:52:32,883 POKER FACE. 923 00:52:32,916 --> 00:52:34,818 NICE. 924 00:52:34,851 --> 00:52:38,822 AND THE CRITICS CHOICE IS... 925 00:52:38,855 --> 00:52:47,697 "PALM SPRINGS." 926 00:52:47,731 --> 00:52:48,131 WOW. 927 00:52:48,165 --> 00:52:53,370 THAT'S AWESOME. 928 00:52:53,403 --> 00:52:55,972 THANK YOU TO THE CRITICS FOR CRITICALLY CHOOSING US. 929 00:52:56,006 --> 00:53:00,644 YOU HAVE TO SAY THIS IS A REALLY AWESOME CATEGORY. 930 00:53:00,677 --> 00:53:03,113 I NOTICED ALL THE CON MONIES DIDN'T COME OUT THIS YEAR. 931 00:53:03,146 --> 00:53:05,749 I TAKE IT AS A BIG COMPLEMENT. 932 00:53:05,782 --> 00:53:09,352 I SAW THE MOVIES AND THEY WERE SUPER FUNNY. 933 00:53:09,386 --> 00:53:11,388 I RIDE WITH COMEDY UNTIL THE END. 934 00:53:11,421 --> 00:53:14,324 SO MANY PEOPLE WORKED HARD ON THIS MOVIE. 935 00:53:14,357 --> 00:53:20,664 I AM ACCEPTING IT ON BEHALF OF EVERYONE AT HULU, NEON, 936 00:53:20,697 --> 00:53:26,203 LIMELIGHT, UTA, I.D. P.R., EVERYONE AT OUR COMPANY, PARTY 937 00:53:26,236 --> 00:53:27,804 OVER HERE. 938 00:53:27,837 --> 00:53:32,609 THE ENTIRE CREW THAT WORKED SUPERHARD AND PULLED TONS OF 939 00:53:32,642 --> 00:53:33,243 FAVORS. 940 00:53:33,276 --> 00:53:35,946 THE CAST WERE INCREDIBLE. 941 00:53:35,979 --> 00:53:47,958 HAVE TO THANK J.K. SIMMONS FOR LOANING US HIS OSCAR CRED 942 00:53:47,991 --> 00:53:50,627 MAX AND ANDY WERE COMING UP WITH THE IDEA AND BRINGING THE MOVIE 943 00:53:50,660 --> 00:53:54,130 TO US AND BEING INCREDIBLE COLLABORATORS. 944 00:53:54,164 --> 00:53:56,066 DIRECTING AND WRITING. 945 00:53:56,099 --> 00:53:56,866 YOU RULE. 946 00:53:56,900 --> 00:54:03,506 THIS IS YOUR SO MUCH. 947 00:54:03,540 --> 00:54:10,046 ESPECIALLY BECKY WHO REALLY GRANTED ON THIS MOVIE SO HARD 948 00:54:10,080 --> 00:54:13,149 AND ALL OF OUR FAMILIES FOR DEALING WITH US. 949 00:54:13,183 --> 00:54:14,651 MY WIFE JOANNA AND OUR CHILD. 950 00:54:14,684 --> 00:54:17,854 I LOVE YOU SO MUCH. 951 00:54:17,887 --> 00:54:24,361 YAY, COMEDY. 952 00:54:24,394 --> 00:54:28,732 Taye: LET'S CHECK IN WITH EMILY PARK. 953 00:54:28,765 --> 00:54:29,499 YOU LOOK AMAZING. 954 00:54:29,532 --> 00:54:30,734 HOW'S IT GOING? 955 00:54:30,767 --> 00:54:35,872 IT TURNS OUT VERSACE DOES NOT MAKE SWEATPANTS BUT IT'S GOING 956 00:54:35,905 --> 00:54:36,640 WELL. 957 00:54:36,673 --> 00:54:39,909 Taye: WHAT TIME IS IT IN PARIS? 958 00:54:39,943 --> 00:54:43,913 I AM 15 FEET AWAY FROM YOU HERE IN LOS ANGELES. 959 00:54:43,947 --> 00:54:46,516 Taye: OH OH. 960 00:54:46,549 --> 00:54:48,485 WHAT'S UP? 961 00:54:48,518 --> 00:54:49,486 LOOK AT THAT. 962 00:54:49,519 --> 00:54:49,886 TECHNOLOGY. 963 00:54:49,919 --> 00:54:51,221 YEAH, YEAH. 964 00:54:51,254 --> 00:54:54,524 Taye: WHATEVER TIME ZONE YOU ARE IN, IT'S TIME FOR THE 965 00:54:54,557 --> 00:54:55,158 NEXT AWARD. 966 00:54:55,191 --> 00:55:00,563 GO, ASHLEY, GO. 967 00:55:00,597 --> 00:55:02,399 THIS HAS BEEN A TOUGH YEAR. 968 00:55:02,432 --> 00:55:06,870 LUCKILY WHILE WE HAVE BEEN IN VARIOUS STAGES OF LOCKDOWN AND 969 00:55:06,903 --> 00:55:10,273 QUARANTINE, THESE SIX NOMINEES KEPT OUR SPIRITS UP. 970 00:55:10,307 --> 00:55:16,479 NOT ONLY ARE THERE PERFORMANCES FUNNY AS HELL, THEY ARE SMART, 971 00:55:16,513 --> 00:55:17,714 POIGNANT AND HONEST. 972 00:55:17,747 --> 00:55:20,750 IF YOU NEED TO LAUGH YOUR BOOTY OFF FOR A SOLID HOUR, LOOK NO 973 00:55:20,784 --> 00:55:33,096 FURTHER THAN TONIGHT'S NOMINEES FOR BEST COMEDY SPECIAL. 974 00:55:33,129 --> 00:55:36,900 IF YOU DON'T HAVE A WIFE, WE HAVE NOTHING TO TALK ABOUT. 975 00:55:36,933 --> 00:55:38,335 YOU HAVE A GIRLFRIEND. 976 00:55:38,368 --> 00:55:40,970 THAT'S WIFFLE BALL. 977 00:55:41,004 --> 00:55:42,572 YOU ARE PLAYING PAINTBALL WAR AND I AM IN AFGHANISTAN WITH 978 00:55:42,605 --> 00:55:44,874 LOADED WEAPONS. 979 00:55:44,908 --> 00:55:48,478 I HAND THE BABY TO SOMEONE SO I COULD TIE MY SHOE AND MY 980 00:55:48,511 --> 00:55:51,881 HUSBAND WAS LIKE, DO YOU KNOW HER BUT IT'S A BLACK WOMAN. 981 00:55:51,915 --> 00:55:54,351 WE ARE FAMILY. 982 00:55:54,384 --> 00:55:59,422 COULD YOU PUT A COUPLE STARTLING, DISTURBING SENTENCES 983 00:55:59,456 --> 00:56:00,056 IN IT? 984 00:56:00,090 --> 00:56:02,125 THEY DON'T NEED TO BE TRUE. 985 00:56:02,158 --> 00:56:04,661 JUST SOMETHING TO JOLT THE AWAKE. 986 00:56:04,694 --> 00:56:09,733 APPARENTLY CANNOT JUST GO UP TO POTENTIAL SUITORS AND GO 987 00:56:09,766 --> 00:56:15,705 WHAT'S UP, MARK? 988 00:56:15,739 --> 00:56:19,743 SOME GUY TOLD ME GOES INTO THE HEAD, LOCKS ONTO A FEELING. 989 00:56:19,776 --> 00:56:20,543 THAT SOUNDS GOOD. 990 00:56:20,577 --> 00:56:23,046 I'M GOING TO TELL OTHER PEOPLE THAT. 991 00:56:23,079 --> 00:56:28,752 THAT'S HOW BRAND MARKETING WORKS AND FASCISM. 992 00:56:28,785 --> 00:56:31,821 ALUMINUM. 993 00:56:31,855 --> 00:56:36,559 WHY WOULD YOU SAY ALUMINUM WHEN YOU CAN FLIRT IT. 994 00:56:36,593 --> 00:56:40,130 STOP IT, AMERICA. 995 00:56:40,163 --> 00:56:46,503 AND THE CRITICS CHOICE IS... 996 00:56:46,536 --> 00:56:48,238 OH, IT'S A TIE! 997 00:56:48,271 --> 00:56:49,105 OH, MY GOD. 998 00:56:49,139 --> 00:56:50,340 I LOVE THAT. 999 00:56:50,373 --> 00:56:51,541 SO MANY WINNERS. 1000 00:56:51,574 --> 00:56:52,575 ACTUALLY JUST TWO. 1001 00:56:52,609 --> 00:56:56,446 THE FIRST CRITICS CHOICE IS JERRY SEINFELD, 1002 00:56:56,479 --> 00:57:00,083 "23 HOURS TO KILL." 1003 00:57:00,116 --> 00:57:01,718 WOW, THAT'S FANTASTIC. 1004 00:57:01,751 --> 00:57:05,655 THANK YOU VERY, VERY MUCH. 1005 00:57:05,688 --> 00:57:06,856 I LIKE CRITICS. 1006 00:57:06,890 --> 00:57:11,895 I DON'T CARE IF THE REVIEWS ARE GOOD OR BAD. 1007 00:57:11,928 --> 00:57:13,997 AND, MANY WE HAVE TO HAVE CRITICS. 1008 00:57:14,030 --> 00:57:16,866 WE HAVE TO GET OPINIONS. 1009 00:57:16,900 --> 00:57:22,272 IN THOSE OPINIONS ARE HOW WE FIGURE OUT OUR JOKES. 1010 00:57:22,305 --> 00:57:26,075 I HAVE ALWAYS ENJOYED READING REVIEWS. 1011 00:57:26,109 --> 00:57:30,146 THIS IS A VERY EXCITING THING TO WIN. 1012 00:57:30,180 --> 00:57:34,250 THANK YOU TO THE CRITICS, AND AS MUCH AS IT'S NICE TO GET THIS, I 1013 00:57:34,284 --> 00:57:38,822 KNOW WHAT WE REALLY WANT, SPEAKING FOR FORTUNE AND HANNAH 1014 00:57:38,855 --> 00:57:44,894 AND PATTON AND MARC AND MICHELLE. 1015 00:57:44,928 --> 00:57:48,097 WE WANT TO BE ON STAGE SOMEWHERE MAKING PEOPLE SMILE AND LAUGH. 1016 00:57:48,131 --> 00:57:50,433 THAT'S WHAT WE WANT MORE THAN ANYTHING. 1017 00:57:50,467 --> 00:57:53,670 WE HOPE TO BE BACK DOING THAT SOON. 1018 00:57:53,703 --> 00:57:57,607 IN THE MEANTIME, THANKS A LOT. 1019 00:57:57,640 --> 00:58:00,477 THERE'S ANOTHER WINNER. 1020 00:58:00,510 --> 00:58:01,678 BECAUSE IT'S A TIE. 1021 00:58:01,711 --> 00:58:05,315 THE OTHER CRITICS CHOICE IS: MICHELLE BUTEAU, 1022 00:58:05,348 --> 00:58:11,254 "WELCOME TO BUTEAUPIA." 1023 00:58:11,287 --> 00:58:14,390 WHAT DO YOU MEAN! 1024 00:58:14,424 --> 00:58:17,927 OH, MY GOODNESS. 1025 00:58:17,961 --> 00:58:19,028 OKAY. 1026 00:58:19,062 --> 00:58:20,864 SHE WASN'T GOING TO GET EMOTIONAL. 1027 00:58:20,897 --> 00:58:24,701 BUT THE DRESS IS TIGHT AND I'M FEELING FEELINGS. 1028 00:58:24,734 --> 00:58:27,704 I PICKED THIS DATE, MARCH 1ST, TO FILM THE SPECIAL BECAUSE IT 1029 00:58:27,737 --> 00:58:31,508 WAS MY GRANDMOTHER'S BIRTHDAY. 1030 00:58:31,541 --> 00:58:34,310 I DON'T KNOW ANYTHING ABOUT NUMEROLOGY BECAUSE I AM BAD AT 1031 00:58:34,344 --> 00:58:36,379 MATH BUT I THOUGHT WOULDN'T IT BE NICE TO CELEBRATE IN THIS WAY 1032 00:58:36,412 --> 00:58:40,250 BECAUSE I'M SO GLAD I DID. 1033 00:58:40,283 --> 00:58:43,319 SO I COULD SHARE IT WITH THE WORLD. 1034 00:58:43,353 --> 00:58:44,020 THANK YOU TO THE CRITICS. 1035 00:58:44,053 --> 00:58:45,722 EVERYBODY ELSE THAT WATCHED IT. 1036 00:58:45,755 --> 00:58:50,059 I WANT TO SAY IF YOU WANT TO DO SOMETHING IN YOUR LIFE, 1037 00:58:50,093 --> 00:58:51,427 ANYTHING, ANYTHING. 1038 00:58:51,461 --> 00:58:51,861 YOU DO IT. 1039 00:58:51,895 --> 00:58:53,963 YOU ARE ENOUGH. 1040 00:58:53,997 --> 00:58:58,701 YOU ARE ALWAYS ENOUGH! 1041 00:58:58,735 --> 00:58:59,235 YES! 1042 00:58:59,269 --> 00:59:08,411 CRITICS CHOICE AWARD! 1043 00:59:08,444 --> 00:59:10,213 COMING UP, THE CW STARS OF 1044 00:59:10,246 --> 00:59:13,783 "SUPERMAN AND LOIS." 1045 00:59:13,816 --> 00:59:18,555 HERE ON THE 26TH ANNUAL CRITICS CHOICE AWARDS. 1046 00:59:32,502 --> 00:59:33,703 Announcer: ONCE AGAIN, HERE IS THE HOST OF THE 1047 00:59:33,736 --> 00:59:36,472 CRITICS CHOICE AWARDS, TAYE DIGGS! 1048 00:59:36,506 --> 00:59:38,141 Taye: WELCOME BACK. 1049 00:59:38,174 --> 00:59:41,778 HAS THIS YEAR MADE ANYONE ELSE FEEL LIKE COUCH POTATO? 1050 00:59:41,811 --> 00:59:42,979 JUST ME? 1051 00:59:43,012 --> 00:59:46,215 ANYBODY, ANYBODY, ANYBODY? 1052 00:59:46,249 --> 00:59:47,483 SHE PUT THE LIFE IN THE AFTER-LIFE IN "THE GOOD PLACE" 1053 00:59:47,517 --> 00:59:48,952 BUT NOW HOSTS "THE MISERY INDEX." 1054 00:59:48,985 --> 00:59:58,428 HERE'S JAMEELA JAMIL. 1055 00:59:58,461 --> 01:00:00,029 IN A YEAR WHERE WE WERE FORCED TO PHYSICALLY 1056 01:00:00,063 --> 01:00:03,600 ISOLATE FROM EACH OTHER THE CASTS NOMINATED 1057 01:00:03,633 --> 01:00:05,602 FOR BEST ENSEMBLE PROVIDED THE EMOTIONAL ATTACHMENT WE ALL 1058 01:00:05,635 --> 01:00:11,874 CRAVED. 1059 01:00:11,908 --> 01:00:13,676 I DON'T KNOW ABOUT YOU BUT I PERSONALLY CONSIDER 1060 01:00:13,710 --> 01:00:16,779 EACH AND EVERY ONE OF THEM MY OWN EMOTIONAL SUPPORT POD. 1061 01:00:16,813 --> 01:00:22,018 WHAT I'M SAYING IS, BASICALLY WHOEVER TAKES HOME 1062 01:00:22,051 --> 01:00:25,388 THE CRITICS CHOICE AWARD, I WILL 100% CONSIDER MYSELF 1063 01:00:25,421 --> 01:00:26,556 THE WINNER. 1064 01:00:26,589 --> 01:00:27,824 LET'S TAKE A LOOK AT THE NOMINEES AND WE'LL FIGURE OUT 1065 01:00:27,857 --> 01:00:33,596 THE LOGISTICS OF HOW TO SHARE THE TROPHY AFTERWARDS. 1066 01:00:33,630 --> 01:00:47,844 THEY WILL HAVE TO PRY IT FROM MY COLD, DEAD HANDS. 1067 01:00:47,877 --> 01:00:52,015 MAN. 1068 01:00:52,048 --> 01:00:58,221 COME ON. 1069 01:00:58,254 --> 01:01:02,558 FORMING A RAINBOW COALITION OF OPPRESSED BROTHERS AND 1070 01:01:02,592 --> 01:01:06,229 SISTERS OF EVERY COLOR. 1071 01:01:06,262 --> 01:01:08,865 WHAT WERE YOU DOING? 1072 01:01:08,898 --> 01:01:11,701 YOU'RE PLAYING TEN NOTES FOR EVERYONE YOU'RE SUPPOSED TO 1073 01:01:11,734 --> 01:01:12,635 PLAY. 1074 01:01:12,669 --> 01:01:14,871 YOU ARE SUPPOSED TO IMPROVISE ON A THEME. 1075 01:01:14,904 --> 01:01:20,877 THAT'S WHAT I WAS DOING. 1076 01:01:20,910 --> 01:01:43,900 [SPEAKING FOREIGN LANGUAGE] YOU BOUGIE BOUGOIS NEGROES. 1077 01:01:43,933 --> 01:01:45,635 RESPECTING THE INSTITUTION. 1078 01:01:45,668 --> 01:01:48,304 I DON'T KNOW WHAT GOOD IT IS TO INSULT. 1079 01:01:48,337 --> 01:01:54,677 WE MAY HAVE TO HURT SOMEBODY'S FEELINGS. 1080 01:01:54,711 --> 01:02:01,851 THE WINNER OF THE BEST ACTING ENSEMBLE IS. 1081 01:02:01,884 --> 01:02:04,053 THANK YOU, CRITICS CHOICE. 1082 01:02:04,087 --> 01:02:08,157 IT'S A GREAT HONOR TO ACCEPT THIS ENSEMBLE AWARD ON BEHALF OF 1083 01:02:08,191 --> 01:02:13,496 THE CAST OF "THE TRIAL OF THE CHICAGO SEVEN TRAIN." 1084 01:02:13,529 --> 01:02:17,066 WE BEGAN SHOOTING THE FILM, EACH OF US KNEW THE POWER OF THE 1085 01:02:17,100 --> 01:02:18,301 RELEVANCE OF THE STORY. 1086 01:02:18,334 --> 01:02:23,539 ON BEHALF OF THE ENTIRE CAST, THANK YOU, AARON SORKIN, FOR THE 1087 01:02:23,573 --> 01:02:27,176 POWER OF YOUR WORDS AND CHARACTERS AND MESSAGE THAT 1088 01:02:27,210 --> 01:02:28,211 RESONATES TODAY. 1089 01:02:28,244 --> 01:02:34,684 THE POWER OF PEACEABLE PROTEST -- PEACEFUL PROTEST. 1090 01:02:34,717 --> 01:02:35,918 THANK YOU. 1091 01:02:35,952 --> 01:02:39,689 MATT JACKSON, TYLER THOMPSON, THANK YOU TO TED AND EVERYONE AT 1092 01:02:39,722 --> 01:02:42,158 NETFLIX FOR BRINGING THIS STORY TO THE WORLD. 1093 01:02:42,191 --> 01:02:49,899 MOST OF ALL, THANK YOU TO TOM HAYDEN, RENNY DAVIS, ABBIE 1094 01:02:49,932 --> 01:02:58,875 HOFFMAN, JERRY RUBIN, DAVID DILLINGER, JOHN FREUD'S. 1095 01:02:58,908 --> 01:02:59,976 THE AND BOBBY. 1096 01:03:00,009 --> 01:03:03,880 FOR STANDING UP AND BEING SO BOLD FOR CHANGING HISTORY. 1097 01:03:03,913 --> 01:03:08,751 HISTORY THEY SAY HAS A TENDENCY TO REPEAT ITSELF. 1098 01:03:08,785 --> 01:03:11,687 IT WILL CONTINUE TO DO SO. 1099 01:03:11,721 --> 01:03:14,757 SO UNLESS WE LEARN FROM IT BY TELLING ITS MOST SALIENT 1100 01:03:14,791 --> 01:03:19,862 STORIES, WE ARE HUMBLED AND GRATEFUL TO BEING PART OF 1101 01:03:19,896 --> 01:03:20,930 TELLING THIS ONE. 1102 01:03:20,963 --> 01:03:26,068 THANK YOU SO MUCH. 1103 01:03:26,102 --> 01:03:27,303 OUR NEXT NOMINEE FOR BEST SONG IS 1104 01:03:27,336 --> 01:03:28,838 "EVERYBODY CRIES" FROM THE MOVIE "THE OUTPOST." 1105 01:03:28,871 --> 01:03:32,108 THE FILM'S DIRECTOR, ROD LURIE, TRAGICALLY LOST HIS SON HUNTER 1106 01:03:32,141 --> 01:03:34,777 DURING PRODUCTION AND WROTE THE LYRICS TO THIS SONG AS A TRIBUTE 1107 01:03:34,811 --> 01:03:36,279 TO HIM AND THE FALLEN SOLDIERS. 1108 01:03:36,312 --> 01:03:38,481 MUSIC BY ROD LURIE, LARRY GROUPE. 1109 01:03:38,514 --> 01:03:40,383 LYRICS BY ROD LURIE AND RITA WILSON. 1110 01:03:40,416 --> 01:03:47,390 IT'S SUNG BY RITA WILSON. 1111 01:03:47,423 --> 01:03:51,127 ♪ ♪ ♪ WHO WILL BE THE LAST TO DIE ♪ 1112 01:03:51,160 --> 01:03:56,098 ♪ IN A LAND WHERE EMPIRES CRY? ♪ ♪ WHO WILL BE THE LAST 1113 01:03:56,132 --> 01:04:03,039 TO REMAIN ♪ ♪ WHERE THERE'S ONLY GOD 1114 01:04:03,072 --> 01:04:16,452 AND PAIN? ♪ Announcer: COMING UP, THE 1115 01:04:16,485 --> 01:04:20,923 SUPERSTARS OF THE THOR AND WONDER WOMAN MOVIES. 1116 01:04:20,957 --> 01:04:27,096 BUT FIRST... 1117 01:04:27,129 --> 01:04:30,399 WE ARE PRESENTING BEST SUPPORTING ACTOR AND ACTRESS IN 1118 01:04:30,433 --> 01:04:35,271 A COMEDY SERIES COMING UP NEXT. 1119 01:04:35,304 --> 01:04:39,275 Announcer: WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS 1120 01:04:39,308 --> 01:04:40,943 CONTINUES. 1121 01:04:51,387 --> 01:04:53,823 ♪ ♪ Taye: WELCOME BACK. 1122 01:04:53,856 --> 01:04:54,891 WE ARE HALFWAY THROUGH OUR SHOW. 1123 01:04:54,924 --> 01:04:57,693 I KNOW WHAT YOU'VE ALL BEEN THINKING. 1124 01:04:57,727 --> 01:05:03,799 WHY DOES TAYE SEEM SO PUT TOGETHER? 1125 01:05:03,833 --> 01:05:06,269 VIBRATING ON SUCH A HIGH LEVEL. 1126 01:05:06,302 --> 01:05:10,039 I SPENT 2020 MASTERING SOME SKILLS I'VE ALWAYS LONGED TO 1127 01:05:10,072 --> 01:05:12,375 MASTER AND MY SELF-ESTEEM IS THROUGH THE ROOF. 1128 01:05:12,408 --> 01:05:22,451 IN LESS THAN ONE YEAR I CRUSHED JUGGLING... 1129 01:05:22,485 --> 01:05:26,923 ORIGAMI. 1130 01:05:26,956 --> 01:05:27,390 GUITAR. 1131 01:05:27,423 --> 01:05:31,193 TWO, THREE, FOUR. 1132 01:05:31,227 --> 01:05:34,297 DOG TRAINING. 1133 01:05:34,330 --> 01:05:35,364 CHESS. 1134 01:05:35,398 --> 01:05:38,868 AND PUPPETRY. 1135 01:05:38,901 --> 01:05:40,603 HOW ABOUT A KISS? 1136 01:05:40,636 --> 01:05:47,543 I GUESS A LITTLE KISS WON'T HURT HURT. 1137 01:05:47,576 --> 01:05:54,450 [LAUGHS] 10,000 HOURS, MY ASS. 1138 01:05:54,483 --> 01:05:55,885 I'M THRILLED TO INTRODUCE TWO MORE CW ACTORS WHO PLAY MARRIED 1139 01:05:55,918 --> 01:05:57,787 COUPLE CLARK KENT AND LOIS LANE IN THE NEW SERIES "SUPERMAN AND 1140 01:05:57,820 --> 01:05:58,587 LOIS." 1141 01:05:58,621 --> 01:06:03,459 TYLER HOECHLIN AND ELIZABETH TULLOCH. 1142 01:06:03,492 --> 01:06:07,596 HERE THEY ARE FROM VANCOUVER, CANADA. 1143 01:06:07,630 --> 01:06:08,931 HI, I'M ELIZABETH TULLOCH AND I PLAY LOIS LANE 1144 01:06:09,031 --> 01:06:11,968 ON THE NEW SERIES "SUPERMAN AND LOIS" ON THE CW. 1145 01:06:12,001 --> 01:06:12,969 AND I'M TYLER HOECHLIN AND I PLAY CLARK KENT 1146 01:06:13,002 --> 01:06:13,836 AND SUPERMAN. 1147 01:06:13,869 --> 01:06:16,505 WE'RE HERE -- WHAT? 1148 01:06:16,539 --> 01:06:18,507 SOMEBODY ELSE PLAYS SUPERMAN. 1149 01:06:18,541 --> 01:06:21,143 NO, BITSIE, I PLAY BOTH PARTS. 1150 01:06:21,177 --> 01:06:23,479 I MEAN, SUPERMAN'S SLIGHTLY BETTER LOOKING. 1151 01:06:23,512 --> 01:06:24,914 BUT OKAY. 1152 01:06:24,947 --> 01:06:28,517 BITSIE, I PLAY BOTH PARTS. 1153 01:06:28,551 --> 01:06:29,952 ANYWAY, HERE ARE THE NOMINEES FOR BEST SUPPORTING ACTOR IN A 1154 01:06:29,986 --> 01:06:45,034 COMEDY SERIES. 1155 01:06:45,067 --> 01:06:48,304 FOUND IT. 1156 01:06:48,337 --> 01:06:50,773 EXIT, IT'S IN SPANISH, I KNOW. 1157 01:06:50,806 --> 01:06:55,311 I KNOW. 1158 01:06:55,344 --> 01:06:56,112 IT DIDN'T COME UP. 1159 01:06:56,145 --> 01:07:01,517 WHAT THE HELL DID YOU TALK ABOUT? 1160 01:07:01,550 --> 01:07:09,091 THE EARLY GAME IN THE LATE KICK. 1161 01:07:09,125 --> 01:07:20,336 I JUST LIKE TO TOUCH THIS FOR LUCK BEFORE I GRAB MY REAL CLUB. 1162 01:07:20,369 --> 01:07:23,305 HOW IS EVERYONE'S WEEKEND? 1163 01:07:23,339 --> 01:07:26,575 THE MORE I FEED, THE MORE I NEED. 1164 01:07:26,609 --> 01:07:33,382 I'VE NEVER FELT SO ALIVE IN MY LIFE. 1165 01:07:33,416 --> 01:07:47,163 ♪♪ SOMEBODY TO LEAN ON ♪♪ I'M NOT HAVING MY BIG DAY 1166 01:07:47,196 --> 01:07:54,670 COMPROMISED BECAUSE ALEXIS WANTED TO CHILL IN A TANKINI FOR 1167 01:07:54,703 --> 01:07:55,304 SIX MONTHS. 1168 01:07:55,337 --> 01:07:56,806 THE CRITICS CHOICE IS... 1169 01:07:56,839 --> 01:08:04,447 DANIEL LEVY, "SCHITT'S CREEK". 1170 01:08:04,480 --> 01:08:08,918 THANK YOU SO MUCH TO EVERYONE AT THE CRITICS CHOICE 1171 01:08:08,951 --> 01:08:10,386 ASSOCIATION. 1172 01:08:10,419 --> 01:08:13,255 YOUR SUPPORT OVER THE YEARS HAS PLAYED SUCH A PIVOTAL ROLE IN 1173 01:08:13,289 --> 01:08:15,891 HELPING TO KEEP OUR LITTLE SHOW ON THE AIR. 1174 01:08:15,925 --> 01:08:20,262 MORE SPECIFICALLY, THANK YOU FOR SUPPORTING AND CHAMPIONING A 1175 01:08:20,296 --> 01:08:21,997 CHARACTER LIKE DAVID. 1176 01:08:22,031 --> 01:08:26,268 I HAVE SO APPRECIATED READING ALL OF YOUR THOUGHTFUL AND 1177 01:08:26,302 --> 01:08:27,703 ENCOURAGING WORDS OVER THE YEARS. 1178 01:08:27,736 --> 01:08:30,139 SOMETIMES WHEN YOU DON'T OFTEN SEE YOURSELF REPRESENTED THAT 1179 01:08:30,172 --> 01:08:34,477 MUCH ON SCREEN, YOU HAVE TO TAKE A RISK AND MAKE IT HAPPEN FOR 1180 01:08:34,510 --> 01:08:35,411 YOURSELF. 1181 01:08:35,444 --> 01:08:36,879 THANK YOU SO MUCH FOR THIS. 1182 01:08:36,912 --> 01:08:37,847 IT MEANS THE WORLD. 1183 01:08:37,880 --> 01:08:41,817 REALLY APPRECIATE IT. 1184 01:08:41,851 --> 01:08:43,285 THANK YOU. 1185 01:08:43,319 --> 01:08:45,087 AND NOW ON TO BEST SUPPORTING ACTRESS IN A COMEDY SERIES. 1186 01:08:45,121 --> 01:08:57,466 HERE ARE THE NOMINEES. 1187 01:08:57,500 --> 01:09:03,472 I REALIZE THAT IF YOU WERE NOT LONELY YOU WOULD NOT HAVE TO 1188 01:09:03,506 --> 01:09:07,076 DO... 1189 01:09:07,109 --> 01:09:10,513 IT'S 3:00 IN THE MORNING AT SOME DIVE BAR AND YOU SEE HIM 1190 01:09:10,546 --> 01:09:15,885 SCRATCHING HIS HEAD WITH A FORK IN THE CUTEST WAY. 1191 01:09:15,918 --> 01:09:17,853 YOU TOLD FRENCH PEOPLE THIS? 1192 01:09:17,887 --> 01:09:20,122 NO WONDER THEY HATE YOU. 1193 01:09:20,156 --> 01:09:22,324 NOT JUST THIS. 1194 01:09:22,358 --> 01:09:23,659 THAT'S THE FRENCH WAY. 1195 01:09:23,692 --> 01:09:27,830 THEY ARE VERY DISAGREEABLE. 1196 01:09:27,863 --> 01:09:29,365 YOU'RE FIRED. 1197 01:09:29,398 --> 01:09:30,866 YEAH, RIGHT. 1198 01:09:30,900 --> 01:09:33,836 BIG I WILL BE BUYING OUT THE REMAINDER OF YOUR CONTRACT. 1199 01:09:33,869 --> 01:09:37,306 WISH YOU THE BEST OF LUCK. 1200 01:09:37,339 --> 01:09:39,642 THIS IS NOT A WEDDING DRESS. 1201 01:09:39,675 --> 01:09:44,680 IT'S A WHITE FLOOR-LENGTH GOWN. 1202 01:09:44,713 --> 01:09:48,184 IT'S VERY DIFFERENT. 1203 01:09:48,217 --> 01:09:51,320 WRITE DOWN YOUR DEEPEST FEARS AND WE ARE GOING TO SET THEM ON 1204 01:09:51,353 --> 01:09:54,089 FIRE SO THEY LOSE THEIR POWER. 1205 01:09:54,123 --> 01:09:58,594 THEY CAN'T ALL BE AFRAID MARJORIE IS GOING TO DIE. 1206 01:09:58,627 --> 01:10:01,463 AND THE CRITICS CHOICE IS... 1207 01:10:01,497 --> 01:10:08,904 HANNAH WADDINGHAM, "TED LASSO." 1208 01:10:08,938 --> 01:10:10,873 WHAT IS GOING ON! 1209 01:10:10,906 --> 01:10:13,943 WHAT IS GOING ON. 1210 01:10:13,976 --> 01:10:14,577 OH, MY GOSH. 1211 01:10:14,610 --> 01:10:15,911 CRITICS CHOICE ASSOCIATION. 1212 01:10:15,945 --> 01:10:20,950 YOU HAVE NO IDEA WHAT YOU HAVE JUST DONE. 1213 01:10:20,983 --> 01:10:22,384 THANK YOU SO MUCH. 1214 01:10:22,418 --> 01:10:24,453 JASON! 1215 01:10:24,486 --> 01:10:24,820 JASON! 1216 01:10:24,853 --> 01:10:27,890 OH, MY GOD! 1217 01:10:27,923 --> 01:10:31,126 JASON. 1218 01:10:31,160 --> 01:10:32,661 THEY'LL, BRANDON. 1219 01:10:32,695 --> 01:10:33,862 ALL OF THE WRITERS. 1220 01:10:33,896 --> 01:10:35,297 WHAT A GIFT YOU GAVE ME. 1221 01:10:35,331 --> 01:10:38,133 LOOK WHAT YOU HAVE DONE. 1222 01:10:38,167 --> 01:10:38,968 IT'S CRAZY. 1223 01:10:39,001 --> 01:10:46,008 TO MY MANAGEMENT, PETER BROOKS, ALEX. 1224 01:10:46,041 --> 01:10:53,148 [LAUGHS] WHAT'S GOING ON! 1225 01:10:53,182 --> 01:10:54,350 TO MY DAD. 1226 01:10:54,383 --> 01:10:58,320 THE GREATEST FORCE IN MY LIFE AND SHOWS ME HOW TO BEHAVE 1227 01:10:58,354 --> 01:11:01,790 ALWAYS LIKE A LADY. 1228 01:11:01,824 --> 01:11:07,296 [LAUGHS] TO MY BELOVED GIRLFRIENDS. 1229 01:11:07,329 --> 01:11:13,035 WHEN I'VE HAD A BIT OF A CRAP TIME, THEY HAVE HELPED ME BRING 1230 01:11:13,068 --> 01:11:14,503 UP MY BABY GIRL. 1231 01:11:14,536 --> 01:11:15,904 THANK YOU SO MUCH. 1232 01:11:15,938 --> 01:11:19,875 IT MEANS THE WORLD AM I CAN'T BELIEVE I AM IN THE SAME BREATH 1233 01:11:19,908 --> 01:11:21,176 AS THESE GLORIOUS WOMEN. 1234 01:11:21,210 --> 01:11:24,346 THANK YOU SO MUCH. 1235 01:11:24,380 --> 01:11:28,284 SOMEBODY GET ME A DRINK BEFORE I SWEAR. 1236 01:11:28,317 --> 01:11:30,953 THANK YOU! 1237 01:11:30,986 --> 01:11:39,662 [LAUGHTER] ONE SECOND. 1238 01:11:39,695 --> 01:11:42,698 I DON'T KNOW ABOUT YOU GUYS BUT I AM STARTING TO SEE THE APPEAL 1239 01:11:42,731 --> 01:11:46,669 OF THESE FILTERS. 1240 01:11:46,702 --> 01:11:49,638 [LAUGHS] TOO MUCH? 1241 01:11:49,672 --> 01:11:50,939 I GET IT. 1242 01:11:50,973 --> 01:11:54,343 THESE CAN BE A SLIPPERY SLOPE. 1243 01:11:54,376 --> 01:11:56,545 DID YOU CATCH THAT? 1244 01:11:56,578 --> 01:11:57,012 SLIPPERY. 1245 01:11:57,046 --> 01:12:00,082 YOU KNOW IF THAT. 1246 01:12:00,115 --> 01:12:01,483 Announcer: STILL TO COME, COMEDIANS JIM GAFFIGAN 1247 01:12:01,517 --> 01:12:02,685 AND CHELSEA HANDLER. 1248 01:12:02,718 --> 01:12:04,953 BUT NEXT: "THIS IS US" STARS JUSTIN HARTLEY AND CHRISSY METZ 1249 01:12:04,987 --> 01:12:10,526 WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS RETURNS. 1250 01:12:27,042 --> 01:12:29,611 Announcer: WELCOME BACK TO THE CRITICS CHOICE AWARDS 1251 01:12:29,645 --> 01:12:30,746 AND TAYE DIGGS. 1252 01:12:30,779 --> 01:12:32,948 Taye: OUR NEXT PRESENTERS STAR IN THE HUGELY POPULAR 1253 01:12:32,981 --> 01:12:36,251 NOMINATED BEST DRAMA SERIES "THIS IS US." 1254 01:12:36,285 --> 01:12:39,121 PLEASE WELCOME CHRISSY METZ AND BEST SUPPORTING ACTOR 1255 01:12:39,154 --> 01:12:43,492 NOMINEE JUSTIN HARTLEY. 1256 01:12:43,525 --> 01:12:47,062 ALL RIGHT. 1257 01:12:47,096 --> 01:12:49,198 LOOKING SUPER SHARP. 1258 01:12:49,231 --> 01:12:50,132 BEAUTIFUL. 1259 01:12:50,165 --> 01:12:52,301 CONGRATULATIONS, JUSTIN, ON YOUR NOMINATION. 1260 01:12:52,334 --> 01:12:53,769 AND CONGRATULATIONS, BOTH OF YOU [LAUGHS] 1261 01:12:53,802 --> 01:12:55,971 I'M FINE WITH IT. 1262 01:12:56,004 --> 01:13:00,008 IT'S AN HONOR TO BE NOMINATED IS WHAT HE MEANS. 1263 01:13:00,042 --> 01:13:03,178 Taye: IT FEELS GOOD TO GET DRESSED UP, RIGHT? 1264 01:13:03,212 --> 01:13:06,348 IT'S GOOD TO SEE OTHER PEOPLE. 1265 01:13:06,382 --> 01:13:06,915 YEAH. 1266 01:13:06,949 --> 01:13:10,519 I AM A WINNER WITH YOU. 1267 01:13:10,552 --> 01:13:12,921 Taye: THERE ARE NO LOSERS HERE. 1268 01:13:12,955 --> 01:13:16,658 THAT'S RIGHT. 1269 01:13:16,692 --> 01:13:18,961 YOU GUYS ARE AWESOME. 1270 01:13:18,994 --> 01:13:20,996 CONGRATULATIONS ON THE TREMENDOUS SUCCESS OF 1271 01:13:21,029 --> 01:13:21,363 "THIS IS US." 1272 01:13:21,397 --> 01:13:23,499 GREAT SHOW. 1273 01:13:23,532 --> 01:13:26,602 ALSO NOMINATED FOR BEST DRAMA SERIES FOR THE FIFTH TIME 1274 01:13:26,635 --> 01:13:27,369 TONIGHT. 1275 01:13:27,403 --> 01:13:28,370 IT'S COOL. 1276 01:13:28,404 --> 01:13:30,806 CAN'T BELIEVE WE'VE BEEN DOING IT THAT LONG. 1277 01:13:30,839 --> 01:13:34,376 Taye: DOES THAT MAKE YOU FEEL LIKE A WINNER, FIVE TIMES? 1278 01:13:34,410 --> 01:13:37,746 GREAT TO BE SURROUNDED BY THESE PEOPLE EVERY SINGLE DAY. 1279 01:13:37,780 --> 01:13:40,182 Taye: DOES IT FEEL GREAT TO BE SURROUNDED BY ME? 1280 01:13:40,215 --> 01:13:43,152 I WISH WE COULD GET CLOSER BUT THE WHOLE THING GOING ON. 1281 01:13:43,185 --> 01:13:47,623 Taye: I WILL LET YOU DO YOUR THING. 1282 01:13:47,656 --> 01:13:50,793 CONGRATULATIONS. 1283 01:13:50,826 --> 01:13:52,961 NOEL, NO, HOLD ON. 1284 01:13:52,995 --> 01:13:56,799 CHRISSY WE ARE NOT DOING A SCENE FROM "THIS IS US." 1285 01:13:56,832 --> 01:14:01,737 NOMINEES FOR BEST ACTOR IN A COMEDY SERIES. 1286 01:14:01,770 --> 01:14:04,573 I CAN DO THAT. 1287 01:14:04,606 --> 01:14:07,876 WE SHOULD TALK ABOUT SOMETHING FUNNY, INJECT SOME 1288 01:14:07,910 --> 01:14:10,212 LEVITY SO THAT WE FIT IN. 1289 01:14:10,245 --> 01:14:13,215 OKAY. 1290 01:14:13,248 --> 01:14:18,587 OH, REMEMBER ON "THIS IS US" AND I PLAYED THE MANNY? 1291 01:14:18,620 --> 01:14:19,054 THAT WAS FUNNY. 1292 01:14:19,087 --> 01:14:21,490 THAT WAS FUNNY. 1293 01:14:21,523 --> 01:14:28,597 BUT THEN REMEMBER WHEN OUR HOUSE BURNED DOWN? 1294 01:14:28,630 --> 01:14:31,266 THIS IS WHY NO ONE THINKS OUR SHOW WAS FUNNY. 1295 01:14:31,300 --> 01:14:33,735 YEAH. 1296 01:14:33,769 --> 01:14:46,682 HERE ARE THE NOMINEES. 1297 01:14:46,715 --> 01:14:52,054 OH, THAT'S A FRAMER. 1298 01:14:52,087 --> 01:14:55,657 YOU DELETED IT. 1299 01:14:55,691 --> 01:14:59,328 I THINK I WAS ANGRY BECAUSE NO ONE HAS EVER NOT LIKED ME. 1300 01:14:59,361 --> 01:15:06,134 IT OR AT LEAST NOT PRETENDING TO. 1301 01:15:06,168 --> 01:15:11,507 I DID TAKE A BRIEF SOJOURN TO THE GOLDEN STATE. 1302 01:15:11,540 --> 01:15:14,076 I HAD AGREED TO MEET THE DEVIL AT AN INTERSECTION OF ROADWAYS 1303 01:15:14,109 --> 01:15:18,480 WHERE I WOULD BECOME A MUCH BETTER GUITARIST. 1304 01:15:18,514 --> 01:15:21,917 I WISHED ONE OF MY PARENTS COULD DIE SO I COULD HAVE A 1305 01:15:21,950 --> 01:15:22,684 THING, YOU KNOW. 1306 01:15:22,718 --> 01:15:25,687 THERE'S ALWAYS THAT KID IN SCHOOL. 1307 01:15:25,721 --> 01:15:26,255 OH, HIS DAD DIED. 1308 01:15:26,288 --> 01:15:30,626 HE HAD KIND OF AN EDGE. 1309 01:15:30,659 --> 01:15:35,197 I'M SO SORRY I AM ALL YOU HAVE IN THIS WORLD. 1310 01:15:35,230 --> 01:15:35,864 IT'S A BUM DEAL. 1311 01:15:35,898 --> 01:15:41,436 NO TWO WAYS ABOUT IT. 1312 01:15:41,470 --> 01:15:44,206 NATHAN, I LOVE THAT NAME. 1313 01:15:44,239 --> 01:15:45,007 LOVE YOUR HOT DOGS. 1314 01:15:45,040 --> 01:15:48,477 GOOD, GOOD. 1315 01:15:48,510 --> 01:15:51,446 HAVE YOU GOT NATHAN'S HOT DOGS HERE? 1316 01:15:51,480 --> 01:15:51,747 NO. 1317 01:15:51,780 --> 01:15:53,215 OKAY. 1318 01:15:53,248 --> 01:15:57,786 AND THE CRITICS CHOICE IS... 1319 01:15:57,819 --> 01:16:03,392 JASON SUDEKIS. 1320 01:16:03,425 --> 01:16:04,626 WOW, THANK YOU GUYS. 1321 01:16:04,660 --> 01:16:07,229 THANK YOU VERY MUCH. 1322 01:16:07,262 --> 01:16:12,801 TO THE CRITICS CHOICE ASSOCIATION. 1323 01:16:12,834 --> 01:16:13,902 WHERE DO I START? 1324 01:16:13,936 --> 01:16:18,807 MORE IMPORTANTLY, WHERE DO I END? 1325 01:16:18,840 --> 01:16:22,544 I WANT TO THANK EVERYBODY AT APPLE, WARNER BROS. FOR GETTING 1326 01:16:22,578 --> 01:16:25,814 THE TV SHOW OUT THERE. 1327 01:16:25,847 --> 01:16:31,153 FINDING ITS WAY TO YOUR LAPTOPS, HOMES, TELEVISIONS. 1328 01:16:31,186 --> 01:16:32,921 ET CETERA. 1329 01:16:32,955 --> 01:16:35,223 ALSO WANT TO THANK MY MANAGER. 1330 01:16:35,257 --> 01:16:43,398 I WANT TO THANK ALL THE WRITERS ON THE SHOW. 1331 01:16:43,432 --> 01:16:47,002 BILL LAWRENCE, MY PALS AND COPRODUCERS. 1332 01:16:47,035 --> 01:16:49,204 BRANDON HUNT, JOE KELLY. 1333 01:16:49,237 --> 01:16:53,709 OUR WHOLE, ARE OTHER DIRTY DOZEN OF WRITERS AND WRITERS 1334 01:16:53,742 --> 01:16:54,943 ASSISTANCE. 1335 01:16:54,977 --> 01:16:58,080 THEY MAKE THE JOB A LOT EASIER AND A LOT MORE FUN BECAUSE THEY 1336 01:16:58,113 --> 01:16:58,981 WRITE SUCH GREAT STUFF. 1337 01:16:59,014 --> 01:17:03,385 AND THEN EVERYBODY THAT I GET TO ACT WITH. 1338 01:17:03,418 --> 01:17:07,322 VERY, VERY LUCKY TO GET TO PERFORM WITH YOU GUYS ON A DAILY 1339 01:17:07,356 --> 01:17:09,958 BASIS. 1340 01:17:09,992 --> 01:17:11,927 AGAIN, THANK YOU, EVERYBODY FOR SUPPORTING THE SHOW. 1341 01:17:11,960 --> 01:17:12,327 YEAH. 1342 01:17:12,361 --> 01:17:16,231 SEE YOU SOON. 1343 01:17:16,264 --> 01:17:18,967 AND NOW TO BEST ACTRESS IN A COMEDY SERIES. 1344 01:17:19,001 --> 01:17:30,812 HERE ARE THE NOMINEES. 1345 01:17:30,846 --> 01:17:34,449 HOW CAN I REST UNTIL YOU DO SOMETHING WITH YOUR ETERNAL 1346 01:17:34,483 --> 01:17:36,885 LIFE. 1347 01:17:36,918 --> 01:17:40,555 LIKE WHAT? 1348 01:17:40,589 --> 01:17:45,627 HOW FUNNY IT WOULD BE TO BE ARRESTED IN A FOREIGN COUNTRY. 1349 01:17:45,661 --> 01:17:46,595 IT WAS FUNNY. 1350 01:17:46,628 --> 01:17:48,797 WE WERE LAUGHING REALLY HARD. 1351 01:17:48,830 --> 01:17:56,004 TOTALLY, SUPER FUNNY. 1352 01:17:56,038 --> 01:17:58,173 BEFORE WE REBAPTIZE OURSELVES I'M GOING TO CALL MY AGENT AND 1353 01:17:58,206 --> 01:18:06,682 MAKE IT OFFICIAL. 1354 01:18:06,715 --> 01:18:09,184 I'M SORRY WHAT. 1355 01:18:09,217 --> 01:18:10,185 SPEAK OUT. 1356 01:18:10,218 --> 01:18:11,720 HEALTH CARE SUNDAY. 1357 01:18:11,753 --> 01:18:13,288 YOU TAKE CARE OF YOURSELF ON A SUNDAY. 1358 01:18:13,321 --> 01:18:17,292 I KNOW WHAT THAT MEANS. 1359 01:18:17,325 --> 01:18:29,538 OH, NICE COLD. 1360 01:18:29,571 --> 01:18:35,110 YOU ARE MY PROBLEM, TYLER. 1361 01:18:35,143 --> 01:18:38,580 I'M NOT PAYING FOR THAT. 1362 01:18:38,613 --> 01:18:44,920 AND THE CRITICS CHOICE IS... 1363 01:18:44,953 --> 01:18:50,559 CATHERINE O'HARA, "SCHITT'S CREEK." 1364 01:18:50,592 --> 01:18:55,030 WOW. 1365 01:18:55,063 --> 01:18:57,199 THANK YOU, CRITICS CHOICE ASSOCIATION, FOR CELEBRATING ALL 1366 01:18:57,232 --> 01:18:59,434 THESE BEAUTIFUL, FUNNY WOMEN. 1367 01:18:59,468 --> 01:19:02,170 THANK YOU FOR USING YOUR CRITICAL THINKING TO BOLSTER 1368 01:19:02,204 --> 01:19:06,775 SUPPORT FOR OUR SHOW AND THANK YOU FOR RECOGNIZING MY 1369 01:19:06,808 --> 01:19:11,146 WORK WITH THIS LOVELY "SCHITT'S CREEK" PARTING GIFT. 1370 01:19:11,179 --> 01:19:13,682 I SAY WORK AND LIKE EVERYONE ON THE SHOW I DID WORK HARD BUT ALL 1371 01:19:13,715 --> 01:19:19,020 I CAN REMEMBER NOW IS THE SHEER JOY OF BEING INSPIRED BY OUR 1372 01:19:19,054 --> 01:19:23,825 GREAT SCRIPTS, CHALLENGED BY MY RIDICULOUSLY TALENTED CAST MATES 1373 01:19:23,859 --> 01:19:25,193 AND ARE BEYOND CREATIVE CREW. 1374 01:19:25,227 --> 01:19:30,165 CHARMED BY OUR WONDERFUL HAIR AND MAKEUP AND WARDROBE. 1375 01:19:30,198 --> 01:19:34,002 GODMOTHERS. 1376 01:19:34,035 --> 01:19:37,472 MADE TO FEEL LIKE A QUEEN BY THE SWEET, FUN-LOVING PEOPLE WHO 1377 01:19:37,506 --> 01:19:41,777 WATCH OUR SHOW BECAUSE YOU TOLD THEM TO. 1378 01:19:41,810 --> 01:19:43,545 THANK YOU. 1379 01:19:43,578 --> 01:19:47,582 EUGENE LEVY, DANA, FRED. 1380 01:19:47,616 --> 01:19:52,754 DEB FOR LOANING ME YOUR DEAR HUSBAND AND SON FOR SIX YEARS. 1381 01:19:52,788 --> 01:19:54,122 THANK YOU. 1382 01:19:54,156 --> 01:19:54,589 WHAT? 1383 01:19:54,623 --> 01:19:55,590 NOTHING. 1384 01:19:55,624 --> 01:19:56,124 WHAT? 1385 01:19:56,158 --> 01:19:59,127 THANK YOU SO MUCH. 1386 01:19:59,161 --> 01:20:00,562 THE NEXT NOMINEE FOR BEST SONG IS "IO SI (SEEN)" 1387 01:20:00,595 --> 01:20:01,663 FROM "THE LIFE AHEAD." 1388 01:20:01,696 --> 01:20:02,898 AN ITALIAN FILM THAT STARS SOPHIA LOREN AS A HOLOCAUST 1389 01:20:02,931 --> 01:20:04,466 SURVIVOR WITH A DAYCARE BUSINESS WHO TAKES IN A 12-YEAR-OLD KID 1390 01:20:04,499 --> 01:20:07,135 PLAYED BY YOUNG ACTOR OR ACTRESS NOMINEE 1391 01:20:07,169 --> 01:20:08,069 IBRAHIMA GUEYE. 1392 01:20:08,103 --> 01:20:08,970 MUSIC BY DIANE WARREN. 1393 01:20:09,004 --> 01:20:11,106 WORDS BY DIANE WARREN NICCOLO AGLIARDI. 1394 01:20:11,139 --> 01:20:19,748 AND LAURA PAUSINI WHO ALSO PERFORMS IT. 1395 01:20:19,781 --> 01:20:26,688 ♪ CHE DESTINO E IL TUO ♪ ♪ MA SE VUOI ♪ 1396 01:20:26,721 --> 01:20:49,477 ♪ SE MI VUOI SONO QUI ♪ Announcer: COMING UP, MORE 1397 01:20:49,511 --> 01:20:52,647 BEST SONG NOMINEES. 1398 01:20:52,681 --> 01:20:55,650 "BRIDGERTON" STAR, PHOEBE DYNEVOR BUT FIRST. 1399 01:20:55,684 --> 01:20:59,154 I AM PRESENTING THE AWARD FOR BEST DRAMA SERIES NEXT ON THE 1400 01:20:59,187 --> 01:21:04,326 CRITICS CHOICE AWARDS. 1401 01:21:04,359 --> 01:21:08,864 Announcer: HERE ON THE 26TH ANNUAL CRITICS CHOICE AWARDS. 1402 01:21:18,240 --> 01:21:23,245 I SEE HER TAKING UP SPACE, EMBRACING HER POWER AND BEING 1403 01:21:23,278 --> 01:21:24,346 UNAPOLOGETICALLY HERSELF. 1404 01:21:24,379 --> 01:21:27,749 I SEE HER TELLING THE STORIES THAT NEED TO BE TOLD. 1405 01:21:27,782 --> 01:21:30,919 BRING LIGHT AND COMPLEXITY TO THE SCREEN. 1406 01:21:30,952 --> 01:21:33,221 BRINGING AUTHENTICITY TO CHARACTERS SO REAL. 1407 01:21:33,255 --> 01:21:36,691 EVERYONE CAN SEE THEMSELVES. 1408 01:21:36,725 --> 01:21:37,993 Taye: WELCOME BACK. 1409 01:21:38,026 --> 01:21:38,593 WELCOME BACK. 1410 01:21:38,627 --> 01:21:39,728 WELCOME BACK. 1411 01:21:39,761 --> 01:21:41,263 HERE FROM UPCOMING FILMS "LUCA" AND "LINOLEUM" 1412 01:21:41,296 --> 01:21:43,865 IS ONE OF MY FAVORITE COMEDIANS. 1413 01:21:43,899 --> 01:21:46,735 HELLO, CRITICS CHOICE. 1414 01:21:46,768 --> 01:21:48,970 I'M JIM GAFFIGAN. 1415 01:21:49,004 --> 01:21:53,241 I AM COMING TO YOU FROM MY HOME WHERE I'VE BEEN RIDING OUT 1416 01:21:53,275 --> 01:21:57,746 THE PANDEMIC WITH MY FAMILY. 1417 01:21:57,779 --> 01:21:59,848 I CAN'T BELIEVE THERE WAS A TIME WHEN I USED TO SAY I 1418 01:21:59,881 --> 01:22:02,350 WANTED TO SPEND MORE TIME WITH THEM. 1419 01:22:02,384 --> 01:22:03,852 ANYWAY, I'M HERE TO PRESENT THE AWARD... 1420 01:22:03,885 --> 01:22:04,386 DAD? 1421 01:22:04,419 --> 01:22:05,987 FOR BEST COMEDY... 1422 01:22:06,021 --> 01:22:08,123 YES? 1423 01:22:08,156 --> 01:22:09,391 UH... 1424 01:22:09,424 --> 01:22:11,192 WHAT ARE YOU DOING? 1425 01:22:11,226 --> 01:22:13,795 I'M ATTEMPTING TO PRESENT THE BEST COMEDY SERIES 1426 01:22:13,828 --> 01:22:15,130 FOR THE CRITICS CHOICE AWARDS. 1427 01:22:15,163 --> 01:22:17,699 I THOUGHT YOU HATED THE CRITICS. 1428 01:22:17,732 --> 01:22:20,068 I DON'T HATE THE CRITICS. 1429 01:22:20,101 --> 01:22:23,538 DIDN'T YOU SAY THAT CRITICS ARE LAZY MORONS WHO WILL NEVER 1430 01:22:23,571 --> 01:22:26,574 ACKNOWLEDGE OR ACCEPT YOUR TALENTS BECAUSE YOU'RE A FAT, 1431 01:22:26,608 --> 01:22:27,442 OLD, BALD GUY? 1432 01:22:27,475 --> 01:22:30,612 I NEVER SAID THAT. 1433 01:22:30,645 --> 01:22:36,084 OH, IT WAS MOM WHO -- AND THE NOMINEES FOR BEST 1434 01:22:36,117 --> 01:22:50,598 COMEDY SERIES ARE... 1435 01:22:50,632 --> 01:22:54,636 I ALWAYS FIGURED THAT T WOULD TASTE LIKE HOT BROWN WATER. 1436 01:22:54,669 --> 01:22:58,139 YOU KNOW, I WAS RIGHT, IT'S HORRIBLE. 1437 01:22:58,173 --> 01:23:01,810 WELCOME TO ENGLAND. 1438 01:23:01,843 --> 01:23:04,913 I WANT YOU TO BE MY TEACHER. 1439 01:23:04,946 --> 01:23:08,049 I WANT TO KNOW MY EGO. 1440 01:23:08,083 --> 01:23:11,019 I DON'T WANT TO BE JUST ANOTHER ONE OF HER DESIRES. 1441 01:23:11,052 --> 01:23:17,359 I DON'T WANT TO HAVE SEX WITH YOU. 1442 01:23:17,392 --> 01:23:27,502 IT'S GOOD. 1443 01:23:27,535 --> 01:23:28,703 DID NONE OF YOU EVER GO TO A SLUMBER PARTY WHEN YOU WERE 1444 01:23:28,737 --> 01:23:29,137 KIDS? 1445 01:23:29,170 --> 01:23:34,776 FOSTER CARE. 1446 01:23:34,809 --> 01:23:36,644 NO, NOBODY LEAVES. 1447 01:23:36,678 --> 01:23:37,545 DO NOT LEAVE. 1448 01:23:37,579 --> 01:23:38,813 WE ALL STAY. 1449 01:23:38,847 --> 01:23:43,318 I SWEAR TO GOD. 1450 01:23:43,351 --> 01:23:46,054 I AM NOT HERE FOR YOU. 1451 01:23:46,087 --> 01:23:48,256 THAT'S A RELIEF. 1452 01:23:48,289 --> 01:23:49,057 NOR YOU. 1453 01:23:49,090 --> 01:23:51,292 THANK YOU VERY MUCH, THAT'S NICE. 1454 01:23:51,326 --> 01:23:53,561 ARE YOU POSSIBLY HERE TO KILL ME? 1455 01:23:53,595 --> 01:23:55,997 NO. 1456 01:23:56,031 --> 01:24:01,369 YOU ARE SO PROFESSIONAL. 1457 01:24:01,403 --> 01:24:07,575 I DON'T NEED A MAP TO SHOW ME THE MAGIC OF BANGKOK. 1458 01:24:07,609 --> 01:24:13,915 I WILL ASK DAVID ROSE AND PATRICK. 1459 01:24:13,948 --> 01:24:19,320 TO EXCHANGE THEIR VOWS. 1460 01:24:19,354 --> 01:24:23,491 AND THE CRITICS CHOICE IS... 1461 01:24:23,525 --> 01:24:28,797 "TED LASSO." 1462 01:24:28,830 --> 01:24:30,432 WOW. 1463 01:24:30,465 --> 01:24:31,866 HOLY SMOKES. 1464 01:24:31,900 --> 01:24:33,368 OKAY. 1465 01:24:33,401 --> 01:24:37,205 AGAIN, THANK YOU VERY MUCH FOR THE CRITICS CHOICE ASSOCIATION. 1466 01:24:37,238 --> 01:24:41,476 A GREAT NUMBER OF YOU HAVE BEEN SO VOCAL ABOUT YOUR ENJOYMENT OF 1467 01:24:41,509 --> 01:24:44,012 THE SHOW AND IT'S BEEN VERY, VERY FLATTERING. 1468 01:24:44,045 --> 01:24:47,615 WE GREATLY APPRECIATED. 1469 01:24:47,649 --> 01:24:53,755 ESPECIALLY FOR YOUNG TELEVISION START-UP LIKE APPLE, THEY 1470 01:24:53,788 --> 01:24:56,424 CERTAINLY DIG FOR FREE PUBLICITY. 1471 01:24:56,458 --> 01:24:57,225 THANK YOU. 1472 01:24:57,258 --> 01:25:04,866 I WANT TO GIVE A SHOUT OUT TO APPLE. 1473 01:25:04,899 --> 01:25:06,468 GIVING US A PLACE TO GO ON PAYING FOR. 1474 01:25:06,501 --> 01:25:12,240 THE FOLKS AT NBC SPORTS WHO DID THE INITIAL COMMERCIAL TO GET IT 1475 01:25:12,273 --> 01:25:14,175 ALL GOING. 1476 01:25:14,209 --> 01:25:18,012 BROOKLYN BROTHERS, THE ADVERTISING COMPANY THAT WAS 1477 01:25:18,046 --> 01:25:19,581 THERE FOR THE GET-GO. 1478 01:25:19,614 --> 01:25:25,220 BILL LAWRENCE AND JOE KELLY, BRANDON HUNT. 1479 01:25:25,253 --> 01:25:26,387 OUR ENTIRE STAFF, CAST AND CREW. 1480 01:25:26,421 --> 01:25:31,259 I DIDN'T GET TO SAY BEFORE. 1481 01:25:31,292 --> 01:25:36,097 I CAN WATCH THAT SPEECH FOR AN HOUR. 1482 01:25:36,131 --> 01:25:39,267 I WANT TO THANK THE FOLKS IN RICHMOND. 1483 01:25:39,300 --> 01:25:41,469 WE WORK LATE. 1484 01:25:41,503 --> 01:25:44,839 THEY ARE KIND PEOPLE WHO LET US MAKE A RACKET. 1485 01:25:44,873 --> 01:25:48,910 WE LOOK FORWARD TO THE BARS BEING OPEN AGAIN SO WE CAN SPEND 1486 01:25:48,943 --> 01:25:50,645 SOME MONEY IN YOUR NEIGHBORHOOD. 1487 01:25:50,678 --> 01:25:53,481 I WANT TO THANK MY FOLKS. 1488 01:25:53,515 --> 01:25:56,751 I WANT TO THANK MY SISTERS, MY KIDS. 1489 01:25:56,784 --> 01:26:00,054 I WANT TO THANK THEIR MOM. 1490 01:26:00,088 --> 01:26:04,659 HAD THE INITIAL IDEA TO DO IT AS A TV SHOW. 1491 01:26:04,692 --> 01:26:08,563 YOU LIKE DOING THAT, YOU SHOULD DO IT AS A MOVIE OR TV SHOW. 1492 01:26:08,596 --> 01:26:15,236 SHE WAS RIGHT. 1493 01:26:15,270 --> 01:26:17,105 IT'S BEEN A WACKY YEAR. 1494 01:26:17,138 --> 01:26:23,645 IT'S BEEN A WONDERFUL VESSEL TO HEAR PEOPLE'S STORIES OF 1495 01:26:23,678 --> 01:26:27,348 FORGIVENESS AND REDEMPTION AND HEALING AND UNDERSTANDING. 1496 01:26:27,382 --> 01:26:33,087 IT'S REALLY, REALLY FLATTERING TO HAVE THE OPPORTUNITY TO SHARE 1497 01:26:33,121 --> 01:26:33,788 SOMETHING. 1498 01:26:33,821 --> 01:26:37,692 IT MEANS SOMETHING TO YOU GUYS. 1499 01:26:37,725 --> 01:26:39,861 IT MEANS A LOT. 1500 01:26:39,894 --> 01:26:43,164 THANK YOU. 1501 01:26:43,198 --> 01:26:44,365 Announcer: HE STARS IN THE FOREIGN LANGUAGE 1502 01:26:44,399 --> 01:26:45,600 NOMINATED FILM "ANOTHER ROUND," 1503 01:26:45,633 --> 01:26:50,305 HERE'S MADS MIKKELSEN. 1504 01:26:50,338 --> 01:26:53,141 WITH ALL THE SERIOUSNESS THAT'S BECOME PART 1505 01:26:53,174 --> 01:26:55,543 OF OUR EVERYDAY LIVES, ONE WOULD THINK THAT THE LAST THING WE'D 1506 01:26:55,577 --> 01:26:57,512 WANT IS MORE DRAMA. 1507 01:26:57,545 --> 01:27:00,048 BUT WHEN THE STORIES ARE DELIVERED MASTERFULLY IN 1508 01:27:00,081 --> 01:27:03,818 BEAUTIFUL PACKAGES BY SOME OF TODAY'S FINEST 1509 01:27:03,851 --> 01:27:08,022 PRODUCERS, WRITERS, DIRECTORS, AND PERFORMERS, I SAY... 1510 01:27:08,056 --> 01:27:10,124 "BRING IT ON." 1511 01:27:10,158 --> 01:27:27,475 HERE ARE THE NOMINEES FOR BEST DRAMA SERIES. 1512 01:27:27,508 --> 01:27:31,079 TO YOU, THE COMMONWEALTH IS SOMETHING OF A DISTRACTION, A 1513 01:27:31,112 --> 01:27:31,980 WASTE OF TIME. 1514 01:27:32,013 --> 01:27:36,484 IN MANY WAYS, I HAVE GIVEN MY LIFE TO IT. 1515 01:27:36,517 --> 01:27:40,455 ISN'T TRUMP PRESIDENT? 1516 01:27:40,488 --> 01:27:42,690 NO. 1517 01:27:42,724 --> 01:27:47,595 ARE YOU ALL RIGHT, DIANE? 1518 01:27:47,629 --> 01:27:53,735 YOU ARE SO ARROGANT YOU THINK YOU CAN FLIP AND FBI AGENT. 1519 01:27:53,768 --> 01:27:54,936 YOU KNOW HOW CRAZY THAT SOUNDS? 1520 01:27:54,969 --> 01:27:59,874 IS A CRAZIER THAN KILLING SOMEONE? 1521 01:27:59,907 --> 01:28:04,245 FIND TRUTH AND SEEK JUSTICE. 1522 01:28:04,279 --> 01:28:13,955 YOU CANNOT SEEK JUSTICE WITHOUT FIRST KNOWING THE TRUTH. 1523 01:28:13,988 --> 01:28:17,592 HE WAS SMALLER, HE TOOK THE BRUNT OF IT. 1524 01:28:17,625 --> 01:28:19,227 I SHOULD HAVE PROTECTED HIM MORE. 1525 01:28:19,260 --> 01:28:20,662 I ALWAYS FORGET THAT. 1526 01:28:20,695 --> 01:28:25,867 I WAS YOUNGER AND SMALLER TOO TOO. 1527 01:28:25,900 --> 01:28:29,904 EITHER WE END THIS NOW AND ENJOY THE TIME WE HAD AND GO OUR 1528 01:28:29,937 --> 01:28:32,140 SEPARATE WAYS. 1529 01:28:32,173 --> 01:28:37,445 OR WHAT? 1530 01:28:37,478 --> 01:28:40,882 IF I HAD BEEN THERE I WOULD'VE WALKED THROUGH LITERAL 1531 01:28:40,915 --> 01:28:42,116 FIRE AND PULLED THAT MAN OUT. 1532 01:28:42,150 --> 01:28:45,320 I GUESS WE'LL NEVER KNOW BECAUSE YOU WEREN'T THERE AND HE 1533 01:28:45,353 --> 01:28:53,194 DIED ASHAMED OF YOU. 1534 01:28:53,227 --> 01:28:55,363 ALL RIGHT, PAL. 1535 01:28:55,396 --> 01:28:59,300 IT'S TIME TO GO. 1536 01:28:59,334 --> 01:29:03,271 AND THE CRITICS CHOICE IS... 1537 01:29:03,304 --> 01:29:10,278 "THE CROWN." 1538 01:29:10,311 --> 01:29:12,113 ANNOUNCER "THE CROWN" COULDN'T BE WITH US SO WE ACCEPT THE 1539 01:29:12,146 --> 01:29:13,114 AWARD ON THEIR BEHALF. 1540 01:29:13,147 --> 01:29:14,015 OUR NEXT NOMINEE FOR BEST SONG IS "SPEAK NOW" 1541 01:29:14,048 --> 01:29:15,917 FROM REGINA KING'S DIRECTORIAL DEBUT MOVIE 1542 01:29:15,950 --> 01:29:17,118 "ONE NIGHT IN MIAMI." 1543 01:29:17,151 --> 01:29:18,920 THIS IS JUST ONE OF THE FILM'S FIVE NOMINATIONS. 1544 01:29:18,953 --> 01:29:25,059 WRITTEN BY SAM ASHWORTH AND BEST SUPPORTING ACTOR NOMINEE 1545 01:29:25,093 --> 01:29:33,034 LESLIE ODOM, JR, WHO ALSO PERFORMS IT. 1546 01:29:33,067 --> 01:29:36,104 ♪ I SWEAR WE'LL NEVER FIND A WAY TO WHERE WE'RE GOING ALL ALONE ♪ 1547 01:29:36,137 --> 01:29:40,908 ♪ DON'T TAKE YOUR EYES OFF THE ROAD ♪ 1548 01:29:40,942 --> 01:29:45,546 ♪ CAN YOU HEAR THE BELLS RING OUT? ♪ 1549 01:29:45,580 --> 01:30:00,595 ♪ SPEAK NOW ♪ ♪ SPEAK NOW ♪ 1550 01:30:00,628 --> 01:30:04,098 COMING UP: A SPECIAL AWARD TO ZENDAYA BUT NEXT WE HAVE THIS 1551 01:30:04,132 --> 01:30:08,703 STAR OF "BRIDGERTON." 1552 01:30:08,736 --> 01:30:09,904 HI. 1553 01:30:09,937 --> 01:30:12,640 I AM PRESENTING THE AWARD FOR BEST LIMITED SERIES COMING UP 1554 01:30:12,673 --> 01:30:15,943 SOON. 1555 01:30:15,977 --> 01:30:21,182 WHEN THE 26TH ANNUAL CRITICS CHOICE AWARDS CONTINUES. 1556 01:30:28,222 --> 01:30:28,923 Announcer: WELCOME BACK. 1557 01:30:28,956 --> 01:30:33,861 ONCE AGAIN, TAYE DIGGS. 1558 01:30:33,895 --> 01:30:36,798 Taye: LET'S TAKE SOME TIME TO SPEAK TO ANOTHER ONE OF OUR 1559 01:30:36,831 --> 01:30:38,933 NOMINEES TONIGHT. 1560 01:30:38,966 --> 01:30:39,967 HERE'S RIZ AHMED, WHO IS NOMINATED FOR BEST ACTOR 1561 01:30:40,001 --> 01:30:43,271 FOR "SOUND OF METAL." 1562 01:30:43,304 --> 01:30:43,905 WHAT'S HAPPENING? 1563 01:30:43,938 --> 01:30:44,472 GOOD TO SEE YOU. 1564 01:30:44,505 --> 01:30:46,674 I AM A BIG FAN. 1565 01:30:46,707 --> 01:30:49,310 THANK YOU VERY MUCH, LIKEWISE. 1566 01:30:49,343 --> 01:30:50,378 GOOD TO TALK TO YOU. 1567 01:30:50,411 --> 01:30:52,246 Taye: I'M GOING TO READ YOUR LIPS BECAUSE I'M NOT 1568 01:30:52,280 --> 01:30:55,850 GETTING ANY SOUND BUT AS LONG AS YOU CAN HEAR ME, WE ARE GOOD. 1569 01:30:55,883 --> 01:31:00,354 FOR YOUR ROLE, DID YOU DO ANY TYPE OF RESEARCH? 1570 01:31:00,388 --> 01:31:01,322 I DID. 1571 01:31:01,355 --> 01:31:06,260 I'M NOT SURE IF YOU CAN STILL HEAR ME OR NOT. 1572 01:31:06,294 --> 01:31:07,895 THE ROLE REQUIRED LEARNING A LOT OF SKILLS. 1573 01:31:07,929 --> 01:31:10,331 I HAD TO LEARN AMERICAN SIGN LANGUAGE. 1574 01:31:10,364 --> 01:31:15,336 I ALSO HAD TO LEARN HOW TO PLAY THE DRUMS. 1575 01:31:15,369 --> 01:31:19,640 THOSE TWO THINGS WAS A EIGHT AND A HALF MONTH PROCESS, FULL-TIME 1576 01:31:19,674 --> 01:31:22,643 EVERY DAY. 1577 01:31:22,677 --> 01:31:23,811 WEEK IN, WEEK OUT. 1578 01:31:23,845 --> 01:31:26,447 QUITE INTENSE. 1579 01:31:26,481 --> 01:31:28,783 IT WAS SOMETHING I WAS GRATEFUL FOR. 1580 01:31:28,816 --> 01:31:31,986 LEARNING THE DRUMS AND LEARNING SIGN LAY WHICH KIND OF CHANGED 1581 01:31:32,019 --> 01:31:33,521 ME AS A PERFORMER AT A PERSON. 1582 01:31:33,554 --> 01:31:36,257 IT OPENED ME UP IN NEW WAYS. 1583 01:31:36,290 --> 01:31:37,225 Taye: ALL RIGHT. 1584 01:31:37,258 --> 01:31:39,861 YOU WOULD BE PROUD OF MY LIP READING RIGHT NOW. 1585 01:31:39,894 --> 01:31:43,931 I KNOW THAT YOU ARE A RAPPER. 1586 01:31:43,965 --> 01:31:46,334 DID YOU HAVE TO LEARN HOW TO PLAY THE DRUMS? 1587 01:31:46,367 --> 01:31:49,704 HOW DID THAT WORK? 1588 01:31:49,737 --> 01:31:55,510 I DIDN'T KNOW HOW TO PLAY THE DRUMS AT ALL. 1589 01:31:55,543 --> 01:31:58,346 WE DO MAKE MUSIC AND I THOUGHT STUPIDLY IT WOULD MAKE PLAYING 1590 01:31:58,379 --> 01:32:01,315 THE DRUMS EASIER BUT KEEPING RHYTHM IS DIFFERENT TO 1591 01:32:01,349 --> 01:32:04,051 COORDINATION THE KIND OF DRUMMING THAT WE WERE DOING WAS 1592 01:32:04,085 --> 01:32:08,656 A BLAST BEATS, DOUBLE PEDDLING, USE ALL FOUR LIMBS IN DIFFERENT 1593 01:32:08,689 --> 01:32:09,857 RHYTHMS. 1594 01:32:09,891 --> 01:32:14,896 IT'S REALLY, I BLAME OUR AMAZING AND INSANE DIRECTOR WHO SAID 1595 01:32:14,929 --> 01:32:18,699 EVERYTHING IN THIS FILM I WANTED TO BE AS REAL AS POSSIBLE. 1596 01:32:18,733 --> 01:32:21,736 WHEN YOU'RE PLAYING THE DRUMS ON SCREEN, I WANT YOU TO BE REALLY 1597 01:32:21,769 --> 01:32:25,873 PLAYING THE DRUMS IN FRONT OF A REAL AUDIENCE, REAL NIGHTCLUB 1598 01:32:25,907 --> 01:32:27,108 AND A REAL GIG. 1599 01:32:27,141 --> 01:32:31,479 WE HAD TO GO ON THAT JOURNEY OF FORMING A BAND AND REHEARSING 1600 01:32:31,512 --> 01:32:33,614 AND LEARNING THE INSTRUMENTS. 1601 01:32:33,648 --> 01:32:35,449 Taye: ALL RIGHT, KEEP DOING YOUR THING. 1602 01:32:35,483 --> 01:32:38,886 WONDERFUL WORK. 1603 01:32:38,920 --> 01:32:43,124 HER LATEST STAND-UP COMEDY SPECIAL IS CALLED "CHELSEA 1604 01:32:43,157 --> 01:32:43,991 HANDLER: EVOLUTION." 1605 01:32:44,025 --> 01:32:46,294 I'VE LISTENED TO ALL OF HER AUDIOBOOKS. 1606 01:32:46,327 --> 01:32:47,061 I AM A FAN. 1607 01:32:47,094 --> 01:32:50,398 HERE IS CHELSEA HANDLER. 1608 01:32:50,431 --> 01:32:51,566 I AM HERE TO PRESENT THE CRITICS CHOICE FOR BEST TALK 1609 01:32:51,599 --> 01:32:52,800 SHOW. 1610 01:32:52,833 --> 01:32:54,602 AND, I HAVE TO SAY, THIS TALK SHOW FORMAT REALLY HAS EXPANDED 1611 01:32:54,635 --> 01:32:57,572 SINCE I WAS HOSTING MY FIRST SHOW. 1612 01:32:57,605 --> 01:33:00,641 BACK THEN, I WAS THE ONLY WOMAN IN LATE NIGHT. 1613 01:33:00,675 --> 01:33:03,544 IT WAS MOSTLY MIDDLE-AGED WHITE DUDES NAMED JIMMY. 1614 01:33:03,578 --> 01:33:07,882 NOW, HALF THE NOMINEES IN THIS CATEGORY ARE WOMEN AND TWO SHOWS 1615 01:33:07,915 --> 01:33:10,885 FEATURE PEOPLE OF COLOR. 1616 01:33:10,918 --> 01:33:12,753 AND GUESS WHAT? 1617 01:33:12,787 --> 01:33:18,426 BOTH THE JIMMYS ARE STILL HERE, WHICH GOES TO 1618 01:33:18,459 --> 01:33:20,661 SHOW YOU THAT WHEN YOU MAKE ROOM FOR WOMEN AND FOR PEOPLE OF 1619 01:33:20,695 --> 01:33:23,331 COLOR, NO WHITE MEN HAVE TO GIVE UP ANYTHING. 1620 01:33:23,364 --> 01:33:27,268 THERE IS ROOM FOR EVERYONE WHEN OPPORTUNITY IS GIVEN 1621 01:33:27,301 --> 01:33:29,270 TO EVERYONE. 1622 01:33:29,303 --> 01:33:46,821 AND HERE ARE THE NOMINEES FOR BEST TALK SHOW. 1623 01:33:46,854 --> 01:33:49,957 SENATE MAJORITY LEADER MITCH McCONNELL'S HOME IN 1624 01:33:49,991 --> 01:33:51,726 LOUISVILLE, KENTUCKY, WAS VANDALIZED OVER THE WEEKEND ON 1625 01:33:51,759 --> 01:33:54,829 THE WHOLE INCIDENT HAS McCONNELL QUESTIONING WHETHER 1626 01:33:54,862 --> 01:33:58,132 AMERICA IS EVEN WORTH DESTROYING DESTROYING. 1627 01:33:58,165 --> 01:34:04,538 LET ME JUST SAY THAT I SAW SOME OF THE FOOTAGE OF Y'ALL 1628 01:34:04,572 --> 01:34:05,172 WITH BOOKER. 1629 01:34:05,206 --> 01:34:12,279 BEFORE YOU SAY ANYTHING. 1630 01:34:12,313 --> 01:34:13,447 QUIT. 1631 01:34:13,481 --> 01:34:15,449 DON'T DO THAT. 1632 01:34:15,483 --> 01:34:18,319 I HAVE TO DO IT. 1633 01:34:18,352 --> 01:34:24,558 I CAN'T BELIEVE MY LIFE! 1634 01:34:24,592 --> 01:34:28,696 THE STATE FLIP TO SENATE STATE BLUE WITH THE ELECTION OF 1635 01:34:28,729 --> 01:34:30,031 FORMER ASTRONAUT MARK KELLY. 1636 01:34:30,064 --> 01:34:33,534 A MAN FROM SPACE CAME DOWN AND SAVED US. 1637 01:34:33,567 --> 01:34:37,638 THAT IS THE PREMISE OF SUPERMAN. 1638 01:34:37,672 --> 01:34:41,575 ONE OF MY FRIENDS SAID IT'S A SHAME YOU'RE NOT GOING TO EVER 1639 01:34:41,609 --> 01:34:44,145 BE ABLE TO MARRY AN NBA OR AN ATHLETE BECAUSE THEY'RE NOT 1640 01:34:44,178 --> 01:34:49,917 GOING TO BE ABLE TO SEE YOU BECAUSE YOU ARE SO DARK. 1641 01:34:49,950 --> 01:34:55,056 FOR ELECTORAL VOTE PURPOSES I'VE FOURTH WITH HERE FOR 1642 01:34:55,089 --> 01:35:00,327 HEATHER TWO AND TWO-BY-FOUR CALL THE LAST CHOCOLATE DOUGHNUT. 1643 01:35:00,361 --> 01:35:05,900 AND THE CRITICS CHOICE IS... 1644 01:35:05,933 --> 01:35:09,737 "LATE NIGHT WITH SETH MEYERS." 1645 01:35:09,770 --> 01:35:12,139 [LAUGHS] WOW, THANK YOU. 1646 01:35:12,173 --> 01:35:15,776 I WANT TO THANK OUR WRITERS, OUR CREW, INCREDIBLE PRODUCERS. 1647 01:35:15,810 --> 01:35:20,448 I WANT TO THANK THE CRITICS FOR NOT JUST FOR THE HONOR BUT FOR 1648 01:35:20,481 --> 01:35:23,718 POINTING EVERYONE TOWARDS GREAT TV AND FILM IN THE YEAR WHERE WE 1649 01:35:23,751 --> 01:35:26,854 ALL SO DESPERATELY NEEDED TO FIND STUFF TO WATCH. 1650 01:35:26,887 --> 01:35:30,024 I AM VERY EXCITED THAT THIS ISN'T LIVE. 1651 01:35:30,057 --> 01:35:34,061 I HAVE MY PARENTS RIGHT NEXT TO ME WHICH I WOULDN'T HAVE 1652 01:35:34,095 --> 01:35:35,029 OTHERWISE. 1653 01:35:35,062 --> 01:35:35,529 BOTH FRESHLY VACCINATED. 1654 01:35:35,563 --> 01:35:39,700 SHOUT OUT, MODERNA. 1655 01:35:39,734 --> 01:35:43,304 IT'S FITTING BECAUSE MY MOM AND MY DAD WERE MY EARLIEST CRITICS. 1656 01:35:43,337 --> 01:35:44,505 THAT'S HALF TRUE. 1657 01:35:44,538 --> 01:35:46,273 MY DAD IS A CRITIC. 1658 01:35:46,307 --> 01:35:47,475 MY MOM IS VERY SUPPORTIVE. 1659 01:35:47,508 --> 01:35:48,709 SHE IS LIKE AN AGENT. 1660 01:35:48,743 --> 01:35:52,079 ALL SHE EVER TELLS ME IS THAT I'M CRUSHING IT AND SHE'S TAKING 1661 01:35:52,113 --> 01:35:56,984 10% OF EVERYTHING I'VE EVER MADE MADE. 1662 01:35:57,017 --> 01:36:00,855 [LAUGHTER] GOOD JOB. 1663 01:36:00,888 --> 01:36:03,124 THEY DON'T HAVE A TV BACKGROUND. 1664 01:36:03,157 --> 01:36:06,827 THANK YOU SO MUCH. 1665 01:36:06,861 --> 01:36:09,797 REALLY FLATTERED AND HONORED. 1666 01:36:09,830 --> 01:36:12,133 [LAUGHTER] IF YOU ARE A FAN OF 1667 01:36:12,166 --> 01:36:13,734 "BRIDGERTON," YOU'LL KNOW SHE PLAYED DAPHNE BRIDGERTON IN THE 1668 01:36:13,768 --> 01:36:16,670 WORLD-WIDE HIT. 1669 01:36:16,704 --> 01:36:18,005 HI FROM LONDON. 1670 01:36:18,038 --> 01:36:19,173 I'M PHOEBE DYNEVOR. 1671 01:36:19,206 --> 01:36:21,408 AND I'M HERE TO PRESENT THE AWARD FOR BEST LIMITED SERIES. 1672 01:36:21,442 --> 01:36:23,911 WHICH AS THESE NOMINEES WILL SHOW, ARE ANYTHING BUT LIMITED 1673 01:36:23,944 --> 01:36:27,748 IN TERMS OF THEIR TALENT, CREATIVITY, PRODUCTION VALUE AND 1674 01:36:27,782 --> 01:36:30,050 EVEN THEIR SUBJECT MATTER. 1675 01:36:30,084 --> 01:37:00,147 HERE IS THE CLASS OF 2020. 1676 01:37:08,455 --> 01:37:12,393 AND THE CRITICS CHOICE IS... 1677 01:37:12,426 --> 01:37:21,735 "THE QUEEN'S GAMBIT." 1678 01:37:21,769 --> 01:37:23,037 WOW. 1679 01:37:23,070 --> 01:37:23,537 WOW. 1680 01:37:23,571 --> 01:37:26,307 THANK YOU VERY MUCH. 1681 01:37:26,340 --> 01:37:29,276 TO THE CRITICS CHOICE ASSOCIATION. 1682 01:37:29,310 --> 01:37:33,647 MY NEW FAVORITE GROUP OF CRITICS CRITICS. 1683 01:37:33,681 --> 01:37:40,888 ALSO THANK YOU VERY MUCH TO MY PARTNERS AT NETFLIX, CINDY 1684 01:37:40,921 --> 01:37:47,294 HOLLINS, GULLIBLE ENOUGH TO BELIEVE IT WHEN I TOLD HER 1685 01:37:47,328 --> 01:37:49,730 PEOPLE WOULD WANT TO WATCH CHEST. 1686 01:37:49,763 --> 01:37:53,500 TO MY FELLOW PRODUCER WHO TOOK SUCH CARE OF THE RIGHTS FOR 1687 01:37:53,534 --> 01:37:57,671 THOSE YEARS AND TRUSTED ME WITH SHOW. 1688 01:37:57,705 --> 01:38:01,542 INTO MY OLD FRIEND AND PRODUCING PARTNER, BILL, FOR REALLY 1689 01:38:01,575 --> 01:38:06,881 PROTECTING ME FROM MYSELF. 1690 01:38:06,914 --> 01:38:10,184 I THINK IF THIS SHOW WORKED AT ALL, THERE WERE A COUPLE 1691 01:38:10,217 --> 01:38:11,085 REASONS. 1692 01:38:11,118 --> 01:38:15,489 ONE WAS THE GREAT NOVEL WHICH WAS AMAZING. 1693 01:38:15,522 --> 01:38:19,927 A HUGE GIFT FOR ME TO USE THEM TO WORK FROM. 1694 01:38:19,960 --> 01:38:23,530 I'M INCREDIBLY GRATEFUL THAT I HAD A CHANCE TO TURN IT INTO A 1695 01:38:23,564 --> 01:38:24,598 FILM. 1696 01:38:24,632 --> 01:38:27,334 I HOPE HE'S HAPPY, WHEREVER HE IS. 1697 01:38:27,368 --> 01:38:30,304 IT WAS A REAL HONOR TO BE ABLE TO DO THAT. 1698 01:38:30,337 --> 01:38:34,241 AND FINALLY, I DON'T THINK THE SHOW WOULD'VE WORKED NEARLY 1699 01:38:34,275 --> 01:38:41,882 NEARLY AS WELL WITHOUT ANYA TAYLOR-JOY, WHO OWNED EVERY 1700 01:38:41,916 --> 01:38:46,287 FRAME OF THE SHOW AND HAS A FACE THAT LAUNCHED A MILLION NEW 1701 01:38:46,320 --> 01:38:47,087 CHESS PLAYERS. 1702 01:38:47,121 --> 01:38:50,424 THANK YOU, THANK YOU. 1703 01:38:50,457 --> 01:38:52,626 THANK YOU TO THE CRITICS CHOICE. 1704 01:38:52,660 --> 01:38:53,894 THANK YOU. 1705 01:38:53,928 --> 01:38:55,362 HERE IS THE FINAL NOMINEE FOR BEST SONG. 1706 01:38:55,396 --> 01:38:56,330 IT'S FROM LEE DANIEL'S "THE UNITED STATES VS. 1707 01:38:56,363 --> 01:38:57,431 BILLIE HOLIDAY." 1708 01:38:57,464 --> 01:38:59,233 THE SONG IS "TIGRESS AND TWEED." 1709 01:38:59,266 --> 01:39:02,136 WRITTEN BY RAPHAEL SAADIQ AND BEST ACTRESS NOMINEE 1710 01:39:02,169 --> 01:39:14,882 ANDRA DAY WHO ALSO PERFORMS IT. 1711 01:39:14,915 --> 01:39:16,750 ♪ ALWAYS PRESSIN' THAT LIN? ♪ ♪ SO FULL OF LOVE AND LIGHT ♪ 1712 01:39:16,784 --> 01:39:20,688 ♪ THE TRUTH IS BLACK AND WHITE ♪ ♪ SAY A PRAYER FOR ME 1713 01:39:20,721 --> 01:39:24,124 AH-AAH ♪ ♪ 'CAUSE I DON'T GET NO SLEEP 1714 01:39:24,158 --> 01:39:33,600 AH, AH-AAH ♪ ♪ SAY A PRAYER FOR ME 1715 01:39:33,634 --> 01:39:37,304 Announcer: NEXT JOHN DAVID WASHINGTON PRESENTS THE SEEHER 1716 01:39:37,338 --> 01:39:40,841 AWARD TO HIS "MALCOM AND MARIE" 1717 01:39:40,874 --> 01:39:41,775 CO-STAR, BEST ACTRESS NOMINEE, ZENDAYA. 1718 01:39:41,809 --> 01:39:48,182 WHEN THE 26TH CRITICS CHOICE AWARDS RETURNS. 1719 01:40:00,861 --> 01:40:02,730 Taye: AS YOU'VE SEEN THROUGHOUT THE EVENING, 1720 01:40:02,763 --> 01:40:05,799 THE CRITICS ASSOCIATION HAS TEAMED UP WITH SEE HER TO 1721 01:40:05,833 --> 01:40:08,869 RECOGNIZE WOMEN WHO HAVE PLAYED A POWERFUL ROLE ON AND OFF 1722 01:40:08,902 --> 01:40:12,806 SCREEN IN ADVANCING GENDER EQUALITY IN ENTERTAINMENT. 1723 01:40:12,840 --> 01:40:16,443 OUR PREVIOUS HONOREES HAVE BEEN VIOLA DAVIS, GAL GADOT, 1724 01:40:16,477 --> 01:40:17,845 CLAIRE FOY AND KRISTEN BELL. 1725 01:40:17,878 --> 01:40:19,813 ALL AMAZING WOMEN. 1726 01:40:19,847 --> 01:40:23,217 TO TELL US ABOUT THIS YEAR'S HONOREE, ZENDAYA, 1727 01:40:23,250 --> 01:40:24,985 IS THE STAR OF "BLACKKKLANSMAN," "TENET," AND "MALCOLM AND 1728 01:40:25,019 --> 01:40:26,487 MARIE." 1729 01:40:26,520 --> 01:40:32,159 JOHN DAVID WASHINGTON. 1730 01:40:32,192 --> 01:40:36,530 IN HER YOUNG TEENS, SHE WAS A DISNEY STAR. 1731 01:40:36,563 --> 01:40:39,900 BY HER 20s SHE WAS A MEMBER OF THE MARVEL CINEMATIC UNIVERSE 1732 01:40:39,933 --> 01:40:42,302 THAT IS FILMING HER THIRD SPIDER-MAN MOVIE. 1733 01:40:42,336 --> 01:40:47,041 ALONG THE WAY, ZENDAYA BECAME A FASHION ICON AND THE YOUNGEST 1734 01:40:47,074 --> 01:40:52,012 WOMAN TO END LEAD ACTRESS EMMY. 1735 01:40:52,046 --> 01:40:58,519 DURING OUR MOVIE "MALCOLM & MARIE," WHAT STOOD OUT TO ME THE 1736 01:40:58,552 --> 01:41:02,956 MOST BEYOND HER INCREDIBLE TALENT WITH HER WISDOM AND HER 1737 01:41:02,990 --> 01:41:04,124 DISCERNMENT. 1738 01:41:04,158 --> 01:41:08,896 AT 24 YEARS OLD, ZENDAYA IS ALREADY A FORMIDABLE ACTOR BUT 1739 01:41:08,929 --> 01:41:12,566 SHE IS ALSO A FORMIDABLE FORCE FOR GOOD, FEARLESSLY USING HER 1740 01:41:12,599 --> 01:41:18,338 VOICE AND PLATFORM TO PUSH FOR CHANGE, INSPIRING HER INSTAGRAM 1741 01:41:18,372 --> 01:41:19,573 FOLLOWERS. 1742 01:41:19,606 --> 01:41:22,376 SHE BELIEVES HER GENERATION HAS THE OPPORTUNITY TO CHANGE THE 1743 01:41:22,409 --> 01:41:24,545 WORLD. 1744 01:41:24,578 --> 01:41:28,916 ZENDAYA, ICU. 1745 01:41:28,949 --> 01:41:31,385 I SEE YOU. 1746 01:41:31,418 --> 01:41:36,323 OPEN THE DOOR, OPEN THE DOOR, OPEN THE DOOR. 1747 01:41:36,356 --> 01:41:38,859 MEDIA IS A MIRROR TO THE WORLD. 1748 01:41:38,892 --> 01:41:41,795 HAS THE POWER TO IMPACT CHANGE, INFLUENCE CULTURE AND REFLECT 1749 01:41:41,829 --> 01:41:44,865 HOW WOMEN AND GIRLS SEE THEMSELVES. 1750 01:41:44,898 --> 01:41:46,200 COME ON. 1751 01:41:46,233 --> 01:41:49,303 LIFE IS ABOUT FINDING EXCITEMENT AND HAVING ADVENTURE. 1752 01:41:49,336 --> 01:41:52,573 MEDIA CAN INSPIRE OUR WORLD BECAUSE WHEN SHE CAN SEE HER, 1753 01:41:52,606 --> 01:41:55,609 SHE CAN BE HER. 1754 01:41:55,642 --> 01:42:00,547 LED BY THE ASSOCIATION OF NATIONAL ADVERTISERS, SEE HER IS 1755 01:42:00,581 --> 01:42:03,717 THE LARGEST GLOBAL MOVEMENT FOR GENDER EQUALITY WITH THE MISSION 1756 01:42:03,750 --> 01:42:07,654 TO ACCURATELY PORTRAY ALL WOMEN AND GIRLS IN MEDIA AND 1757 01:42:07,688 --> 01:42:11,725 ENTERTAINMENT SO THEY SEE THEMSELVES AS THEY TRULY ARE AND 1758 01:42:11,758 --> 01:42:12,960 ALL THEIR POTENTIAL. 1759 01:42:12,993 --> 01:42:15,429 I BELIEVE THE PRIVILEGE OF A LIFETIME IS BEING WHO YOU ARE. 1760 01:42:15,462 --> 01:42:21,135 IT WAS CLEAR TO ME THAT I WANTED TO PORTRAY A STRONG AND 1761 01:42:21,168 --> 01:42:22,269 INDEPENDENT WOMAN. 1762 01:42:22,302 --> 01:42:25,506 OUR JOB IS TO QUESTION OURSELVES, WHAT WE DETECT, HOW 1763 01:42:25,539 --> 01:42:28,976 WE DEPICT THEM AND HOW WE WANT PEOPLE TO SEE THEMSELVES. 1764 01:42:29,009 --> 01:42:33,313 BEING A WOMAN IS NOT ABOUT BEING BRAVE OR STRONG OR 1765 01:42:33,347 --> 01:42:34,481 POWERFUL. 1766 01:42:34,515 --> 01:42:36,216 IT'S ABOUT GIVING YOURSELF PERMISSION TO BE THE THINGS THAT 1767 01:42:36,250 --> 01:42:39,586 YOU ALREADY ARE. 1768 01:42:39,620 --> 01:42:42,756 EACH YEAR THE CRITICS CHOICE AWARDS, SEE HER RECOGNIZES ONE 1769 01:42:42,789 --> 01:42:44,892 WOMAN WHO EMBODIES THE VALUES OF THE MOVEMENT. 1770 01:42:44,925 --> 01:42:48,762 I THINK IF YOU BELIEVE IN YOURSELF, YOU CAN HAVE IT ALL. 1771 01:42:48,795 --> 01:42:53,700 TO PUSH BOUNDARIES, DEFIES STEREOTYPES, AND ELEVATE THE 1772 01:42:53,734 --> 01:42:56,737 IMPORTANCE OF AUTHENTIC PORTRAYALS. 1773 01:42:56,770 --> 01:42:58,071 ON AND OFF SCREEN. 1774 01:42:58,105 --> 01:43:01,475 USING HER VOICE AND PLATFORM TO INSPIRE OTHERS. 1775 01:43:01,508 --> 01:43:03,810 YOU HAVE TO GO AGAINST THE GRAIN AND MAKE PEOPLE ANGRY AND 1776 01:43:03,844 --> 01:43:07,347 MAD BECAUSE THEY DON'T AGREE WITH YOU YET. 1777 01:43:07,381 --> 01:43:08,782 THAT'S THE WHOLE PART. 1778 01:43:08,815 --> 01:43:09,917 THAT'S PART OF THE PROCESS. 1779 01:43:09,950 --> 01:43:11,185 WHAT DO YOU WANT? 1780 01:43:11,218 --> 01:43:12,119 REALLY. 1781 01:43:12,152 --> 01:43:14,555 DO YOU WANT TO GO THERE? 1782 01:43:14,588 --> 01:43:15,455 YES. 1783 01:43:15,489 --> 01:43:18,225 THIS YEAR'S SEE HER HONOREE IS ZENDAYA. 1784 01:43:18,258 --> 01:43:20,160 LOOK AT ME. 1785 01:43:20,194 --> 01:43:21,962 I'M THE LAST PERSON STANDING. 1786 01:43:21,995 --> 01:43:25,732 HOLD ON TO ME FOR NEAR LIFE. 1787 01:43:25,766 --> 01:43:29,536 IT'S MY GREAT PLEASURE TO PRESENT THE 2021 SEEHER AWARD TO 1788 01:43:29,570 --> 01:43:36,610 SOMEONE WHO IS ON-SCREEN AND OFF CHANGING THE WORLD FOR THE 1789 01:43:36,643 --> 01:43:36,910 BETTER. 1790 01:43:36,944 --> 01:43:38,178 ZENDAYA. 1791 01:43:38,212 --> 01:43:41,048 I'M GOING TO START BY SAYING THANK YOU SO MUCH TO JOHN DAVID 1792 01:43:41,081 --> 01:43:42,282 WASHINGTON. 1793 01:43:42,316 --> 01:43:46,987 INCREDIBLY LUCKY TO HAVE YOU AS A FRIEND AND A SCENE PARTNER. 1794 01:43:47,020 --> 01:43:49,056 THANK YOU TO THE CRITICS CHOICE ASSOCIATION FOR THIS INCREDIBLE 1795 01:43:49,089 --> 01:43:52,226 HONOR AND SEE HER. 1796 01:43:52,259 --> 01:43:54,194 THIS MEANS SO MUCH TO ME. 1797 01:43:54,228 --> 01:43:57,798 I WAS THINKING OF THINGS TO SAY, THE ONLY REAL THING I CAN THINK 1798 01:43:57,831 --> 01:44:01,535 OF IS GRATITUDE. 1799 01:44:01,568 --> 01:44:03,637 THIS WORD KEEPS COMING TO MY MIND, ESPECIALLY WITH THE YEAR 1800 01:44:03,670 --> 01:44:07,007 THAT EVERYONE HAS HAD. 1801 01:44:07,040 --> 01:44:10,277 TO CONTINUE TO BE GRATEFUL FOR EVERY SINGLE MOMENT BIG AND 1802 01:44:10,310 --> 01:44:11,511 SMALL. 1803 01:44:11,545 --> 01:44:16,516 TO BE GRATEFUL FOR THE PEOPLE IN OUR WORLD AND IN OUR LIFE THAT 1804 01:44:16,550 --> 01:44:20,320 MAKE THE WORK WE DO POSSIBLE, TO CONTINUE TO MAKE SURE WE HOLD ON 1805 01:44:20,354 --> 01:44:22,656 TO OUR LOVED ONES A LITTLE BIT TIGHTER. 1806 01:44:22,689 --> 01:44:24,091 MAKE SURE WE CALL THEM, ACKNOWLEDGE THEM AND TELL THEM 1807 01:44:24,124 --> 01:44:28,128 WE LOVE THEM. 1808 01:44:28,161 --> 01:44:32,032 AND TAKEN MOMENTS LIKE THIS AND I ABSOLUTELY WOULD NOT BE HERE 1809 01:44:32,065 --> 01:44:34,668 IF IT WEREN'T FOR THE INCREDIBLE WOMEN THAT HAVE PAVED THE WAY 1810 01:44:34,701 --> 01:44:38,939 FOR ME TO BE HERE. 1811 01:44:38,972 --> 01:44:42,309 EXTREMELY GRATEFUL FOR THOSE WOMEN. 1812 01:44:42,342 --> 01:44:45,746 YES, THIS IS VERY, VERY SPECIAL. 1813 01:44:45,779 --> 01:44:48,415 THANK YOU SO, SO MUCH. 1814 01:44:48,448 --> 01:44:52,586 NOT TO OVERUSE THE WORD BUT I'M INCREDIBLY GRATEFUL FOR THIS 1815 01:44:52,619 --> 01:44:53,620 MOMENT. 1816 01:44:53,654 --> 01:44:56,156 Announcer: OTHER CRITICS' CHOICE AWARDS IN THE 1817 01:44:56,189 --> 01:45:00,994 SERIES AND STREAMING CATEGORIES TONIGHT INCLUDE BEST MOVIE MADE 1818 01:45:01,028 --> 01:45:03,330 FOR TELEVISION. 1819 01:45:03,363 --> 01:45:04,498 "HAMILTON." 1820 01:45:04,531 --> 01:45:07,200 AND BEST SHORT FORM SERIES. 1821 01:45:07,234 --> 01:45:12,773 "BETTER CALL SAUL." 1822 01:45:12,806 --> 01:45:17,144 ETHICS TRAINING WITH KIM WEXLER. 1823 01:45:17,177 --> 01:45:20,781 COMING UP, GAL GADOT AND CHRIS HEMSWORTH. 1824 01:45:20,814 --> 01:45:26,219 HI, I AM EVA LONGORIA PRESENTING THE CRITICS CHOICE 1825 01:45:26,253 --> 01:45:30,457 AWARD FOR BEST DIRECTOR NEXT. 1826 01:45:30,490 --> 01:45:35,462 Announcer: HERE ON THE 26TH ANNUAL CRITICS CHOICE AWARDS. 1827 01:45:43,537 --> 01:45:44,538 Announcer: WELCOME BACK TO THE 26TH CRITICS 1828 01:45:44,571 --> 01:45:49,042 CHOICE AWARDS. 1829 01:45:49,076 --> 01:45:51,078 Taye: ONCE AGAIN, HERE'S EMMY, GRAMMY AND TONY 1830 01:45:51,111 --> 01:45:55,982 WINNER LIN-MANUEL MIRANDA. 1831 01:45:56,016 --> 01:45:58,685 ALL NIGHT LONG WE'VE BEEN TREATED TO THE AMAZING NOMINEES 1832 01:45:58,719 --> 01:46:01,888 FOR BEST SONG, BUT THAT'S NO WAY TO TRULY JUDGE THEM. 1833 01:46:01,922 --> 01:46:04,224 IN ORDER TO HELP ALL YOU CRITICS OUT THERE, YOU NEED TO HEAR THEM 1834 01:46:04,257 --> 01:46:07,227 AS THEY WERE ORIGINALLY INTENDED BY THEIR COMPOSERS SUNG BY 1835 01:46:07,260 --> 01:46:09,930 YOURS TRULY, LIN-MANUEL MIRANDA. 1836 01:46:09,963 --> 01:46:12,132 ♪ ONE NIGHT IN ♪ OH, THAT'S NOT 1837 01:46:12,165 --> 01:46:14,134 WHAT WE -- OKAY BUT I LEARNED THE WORDS 1838 01:46:14,167 --> 01:46:15,569 SO... 1839 01:46:15,602 --> 01:46:16,470 OH, THEY ALREADY VOTED? 1840 01:46:16,503 --> 01:46:22,476 OKAY, SO YOUR NOMINEES FOR BEST SONG ARE... 1841 01:46:22,509 --> 01:46:24,945 "HUSAVIK (MY HOME TOWN)" FROM EUROVISION SONG CONTEST: 1842 01:46:24,978 --> 01:46:26,446 THE STORY OF FIRE SAGA "FIGHT FOR YOU" FROM JUDAS AND 1843 01:46:26,480 --> 01:46:30,350 THE BLACK MESSIAH "EVERYBODY CRIES" 1844 01:46:30,384 --> 01:46:31,752 FROM THE OUTPOST. 1845 01:46:31,785 --> 01:46:35,322 "IO SI (SEEN)" FROM THE LIFE AHEAD. 1846 01:46:35,355 --> 01:46:37,824 "SPEAK NOW" FROM ONE NIGHT IN MIAMI. 1847 01:46:37,858 --> 01:46:41,328 "TIGRESS & TWEED" FROM THE UNITED STATES VS. BILLIE 1848 01:46:41,361 --> 01:46:43,096 HOLIDAY. 1849 01:46:43,130 --> 01:46:48,435 AND THE CRITICS CHOICE IS... 1850 01:46:48,468 --> 01:46:53,907 "SPEAK NOW" "ONE NIGHT IN MIAMI." 1851 01:46:53,940 --> 01:47:01,681 MY COLLABORATOR, SAM ASHWORTH AND I WOULD LIKE TO THANK THE 1852 01:47:01,715 --> 01:47:05,118 CRITICS CHOICE ASSOCIATION FOR HONORING THE SONG IN THIS WAY. 1853 01:47:05,152 --> 01:47:11,625 WE WANT TO THANK REGINA KING FOR THE OPPORTUNITY OF. 1854 01:47:11,658 --> 01:47:15,996 THE SCREENING FROM OTHER AREAS OF THE HOUSE. 1855 01:47:16,029 --> 01:47:19,633 TO GET TO UNDERSCORING AND PUNCTUATE THE THEMES IN THIS 1856 01:47:19,666 --> 01:47:23,003 FILM THAT THE WORLD TO US. 1857 01:47:23,036 --> 01:47:24,971 REGINA'S BEAUTIFUL MOVIE. 1858 01:47:25,005 --> 01:47:26,940 THANK YOU, AMAZON FOR THE SUPPORT OF THE SONG. 1859 01:47:26,973 --> 01:47:31,011 THANK YOU TO THE ORIGINAL PRODUCERS IN LAST BUT NOT LEAST, 1860 01:47:31,044 --> 01:47:36,450 THANK YOU SAM COOKE FOR THE LEGACY AND FOR LEAVING US SUCH 1861 01:47:36,483 --> 01:47:39,386 POTENT WORDS TO BE SO INSPIRED BY AND MELODIES. 1862 01:47:39,419 --> 01:47:41,254 WE ARE VERY HUMBLE TONIGHT. 1863 01:47:41,288 --> 01:47:45,292 THANK YOU SO MUCH. 1864 01:47:45,325 --> 01:47:47,861 Announcer: SHE'S A TERRIFIC ACTRESS WHO HAS ALSO BECOME 1865 01:47:47,894 --> 01:47:48,862 A SUCCESSFUL TELEVISION DIRECTOR. 1866 01:47:48,895 --> 01:47:50,063 HERE IS EVA LONGORIA! 1867 01:47:50,096 --> 01:47:51,364 PRESENTING THE CRITICS CHOICE AWARD FOR BEST DIRECTOR THIS 1868 01:47:51,398 --> 01:47:53,767 YEAR IS A HUGE HONOR FOR ME, BECAUSE IT'S PERSONALLY VERY 1869 01:47:53,800 --> 01:47:56,837 ENCOURAGING THAT THREE WOMEN HAVE BEEN RECOGNIZED FOR THEIR 1870 01:47:56,870 --> 01:47:58,872 WORK AS DIRECTORS. 1871 01:47:58,905 --> 01:48:00,006 HERE ARE ALL OF THE NOMINEES. 1872 01:48:00,040 --> 01:48:28,301 HERE ARE ALL OF THE NOMINEES. 1873 01:48:28,335 --> 01:48:35,075 AND THE CRITICS CHOICE IS... 1874 01:48:35,108 --> 01:48:43,517 CHOE ZHAO, "NOMADLAND." 1875 01:48:43,550 --> 01:48:46,720 THANK YOU VERY MUCH, CRITICS CHOICE. 1876 01:48:46,753 --> 01:48:52,058 I WOULD LIKE TO DEDICATE THIS AWARD TO MICHAEL WOLF SNYDER WHO 1877 01:48:52,092 --> 01:49:00,166 WAS THE PRODUCTION MIXER ON "NOMADLAND." 1878 01:49:00,200 --> 01:49:02,235 SADLY HE JUST PASSED AWAY. 1879 01:49:02,269 --> 01:49:06,072 I REMEMBER WE ONLY HAD FIVE PEOPLE ON THE CREW, A HECTIC 1880 01:49:06,106 --> 01:49:11,878 DAY, HE CAME TO ME AND SAID HEY, HOW ABOUT I RECORD TONE A LITTLE 1881 01:49:11,912 --> 01:49:15,682 BIT LONGER THAN I NEED SO I CAN BUY MAKE YOU SOME TIME TO THINK 1882 01:49:15,715 --> 01:49:16,383 AND HEAR YOURSELF BETTER. 1883 01:49:16,416 --> 01:49:20,620 THAT'S WHAT WE DID. 1884 01:49:20,654 --> 01:49:23,423 WE DO THE SAME THING ON "NOMADLAND." 1885 01:49:23,456 --> 01:49:29,596 THESE WERE THE BEST MOMENTS, BEST MOMENTS OF OUR DAY. 1886 01:49:29,629 --> 01:49:32,632 THE WHOLE CREW TOGETHER WATCHING WOLF AND HE WOULD SAY ALL RIGHT, 1887 01:49:32,666 --> 01:49:35,268 EVERYONE GET READY. 1888 01:49:35,302 --> 01:49:40,640 LET'S GO TO YOUR ZEN PLACE AND WE DID. 1889 01:49:40,674 --> 01:49:41,141 THANK YOU, WOLF. 1890 01:49:41,174 --> 01:49:43,610 WE HONOR YOU. 1891 01:49:43,643 --> 01:49:48,882 WE WILL SEE YOU DOWN THE ROAD, MY FRIEND. 1892 01:49:48,915 --> 01:49:50,417 THANK YOU. 1893 01:49:50,450 --> 01:49:53,453 Taye: OTHER CRITICS' CHOICE AWARDS IN THE FILM CATEGORIES 1894 01:49:53,486 --> 01:49:57,424 TONIGHT INCLUDE BEST CINEMATOGRAPHY. 1895 01:49:57,457 --> 01:50:00,627 JOSHUA JAMES RICHARDS. 1896 01:50:00,660 --> 01:50:01,161 "NOMADLAND." 1897 01:50:01,194 --> 01:50:02,028 BEST EDITING. 1898 01:50:02,062 --> 01:50:04,898 IT IS A TITHE. 1899 01:50:04,931 --> 01:50:10,203 ALAN BAUMGARTEN, "THE TRIAL OF THE CHICAGO SEVEN TRAN." 1900 01:50:10,236 --> 01:50:14,274 AND "SOUND OF METAL. 1901 01:50:14,307 --> 01:50:22,015 BEST VISUAL EFFECTS, TENANT. 1902 01:50:22,048 --> 01:50:24,217 "MANK." 1903 01:50:24,250 --> 01:50:27,587 BEST HAIR AND MAKEUP, "MA RAINEY'S BLACK BOTTOM." 1904 01:50:27,621 --> 01:50:36,129 BEST COSTUME DESIGN, "MA RAINEY'S BLACK BOTTOM. 1905 01:50:36,162 --> 01:50:42,202 STILL TO COME, THE AWARDS FOR BEST ACTRESS, BEST PICTURE, AND. 1906 01:50:42,235 --> 01:50:45,505 I'M CATHERINE ZETA-JONES AND I WILL BE PRESENTING BEST ACTOR. 1907 01:50:45,538 --> 01:50:50,110 COMING UP NEXT. 1908 01:50:50,143 --> 01:50:53,513 Announcer: WHEN THE 26TH CRITICS CHOICE AWARDS CONTINUE 1909 01:51:02,522 --> 01:51:04,257 REPRESENTATION MATTERS. 1910 01:51:04,290 --> 01:51:05,392 MATTERS WHO IS TELLING THE STORY. 1911 01:51:05,425 --> 01:51:11,564 IT MATTERS THAT WE ARE SEEN AS WOMEN, AS PEOPLE OF COLOR. 1912 01:51:11,598 --> 01:51:12,766 OF ALL COMMUNITIES. 1913 01:51:12,799 --> 01:51:22,509 STORYTELLING SHOULD REFLECT LIFE LIFE. 1914 01:51:22,542 --> 01:51:23,543 Taye: WE'RE BACK. 1915 01:51:23,576 --> 01:51:25,011 SHE'S AN OSCAR AND TWO-TIME CRITICS CHOICE WINNER 1916 01:51:25,045 --> 01:51:28,014 WHO CURRENTLY STARS IN THE SERIES "THE PRODIGAL SON," 1917 01:51:28,048 --> 01:51:33,920 HERE'S CATHERINE ZETA-JONES. 1918 01:51:33,953 --> 01:51:36,956 WOULD YOU BELIEVE THAT THE EIGHT NOMINEES FOR BEST ACTOR 1919 01:51:36,990 --> 01:51:40,260 THIS YEAR HAVE WON A COMBINED 5,000 AWARDS IN 1920 01:51:40,293 --> 01:51:42,195 THE PAST FIVE YEARS? 1921 01:51:42,228 --> 01:51:46,666 NOW, I DON'T KNOW WHETHER IT'S TRUE, BUT THE FACT THAT 1922 01:51:46,700 --> 01:51:49,302 IT'S BELIEVABLE IS A TESTAMENT TO WHAT AN AMAZING BUNCH 1923 01:51:49,335 --> 01:51:52,439 THEY ARE. 1924 01:51:52,472 --> 01:52:06,920 LET'S TAKE A LOOK AT THESE AMAZING ACTORS' WORK. 1925 01:52:06,953 --> 01:52:09,856 YOU DON'T KNEW NOTHING ABOUT ME. 1926 01:52:09,889 --> 01:52:13,593 YOU DON'T KNOW NOTHING ABOUT WHAT KIND OF BLOOD I'VE GOT, 1927 01:52:13,626 --> 01:52:16,329 WHAT UP HEART I'VE GOT. 1928 01:52:16,362 --> 01:52:20,900 YOU'RE LEAVING ME, IS THAT IT IT? 1929 01:52:20,934 --> 01:52:31,644 YOU'RE ABANDONING ME. 1930 01:52:31,678 --> 01:52:37,717 TAKE THE SHOT. 1931 01:52:37,751 --> 01:52:49,129 I WILL CHOOSE WHEN AND HOW I DIE. 1932 01:52:49,162 --> 01:52:53,166 HOW CAN I PUT THIS? 1933 01:52:53,199 --> 01:53:13,753 I MAY BE A LOOSE CANNON BUT YOU, MY FRIEND, ARE AN OUTSIDER. 1934 01:53:13,787 --> 01:53:17,123 IF I DISAPPEAR, WHO CARES. 1935 01:53:17,157 --> 01:53:19,659 NOBODY CARES, MAN. 1936 01:53:19,692 --> 01:53:22,729 SERIOUSLY. 1937 01:53:22,762 --> 01:53:26,900 THAT IS COFFEE. 1938 01:53:26,933 --> 01:53:29,736 COFFEE PACKS A PUNCH, DOESN'T IT? 1939 01:53:29,769 --> 01:53:32,172 IT IS AN ACQUIRED TASTE. 1940 01:53:32,205 --> 01:53:35,608 AND THE CRITICS CHOICE IS... 1941 01:53:35,642 --> 01:53:47,287 CHADWICK BOSEMAN, "MA RAINEY'S BLACK BOTTOM." 1942 01:53:47,320 --> 01:53:55,395 YOU KNOW, IT HAS TO BE SAID ALOUD THAT FOR THOSE OF US WHO 1943 01:53:55,428 --> 01:54:00,533 KNOW CHAD INTIMATELY, PERSONALLY, PROFESSIONALLY, 1944 01:54:00,567 --> 01:54:04,237 THOSE HE TAUGHT, THOSE HE GAVE A WORD OF ADVICE, THOSE WHO TAUGHT 1945 01:54:04,270 --> 01:54:10,476 HIM, IT IS SO HARD TO FIND A CELEBRATORY FEELING IN THESE 1946 01:54:10,510 --> 01:54:11,744 MOMENTS. 1947 01:54:11,778 --> 01:54:16,716 AS PROUD AS WE ARE OF HIM, YES, FOR HIS WORK BUT EVEN MORE JUST 1948 01:54:16,749 --> 01:54:21,087 FOR WHO HE IS AS A PERSON. 1949 01:54:21,120 --> 01:54:22,522 HIS WORK DESERVES THIS. 1950 01:54:22,555 --> 01:54:25,291 HIS WORK IN THIS FILM DESERVES THIS. 1951 01:54:25,325 --> 01:54:26,559 HE DESERVES THIS. 1952 01:54:26,593 --> 01:54:30,296 SO HE WOULD ALWAYS THANK GOD FIRST AND FOREMOST AND 1953 01:54:30,330 --> 01:54:31,297 EVERYTHING. 1954 01:54:31,331 --> 01:54:33,800 HE WOULD ALWAYS HONOR HIS MOTHER AND HIS FATHER. 1955 01:54:33,833 --> 01:54:37,270 HE WOULD ALWAYS ACKNOWLEDGE THOSE WHO CAME BEFORE HIM, THOSE 1956 01:54:37,303 --> 01:54:38,738 WHO CHARTED THE PATH. 1957 01:54:38,771 --> 01:54:43,743 THOSE WHO GAVE HIM THEIR GIFTS. 1958 01:54:43,776 --> 01:54:46,880 HE MAY SAY SOMETHING ABOUT THE IMPORTANCE OF THIS STORY, ABOUT 1959 01:54:46,913 --> 01:54:51,951 THE IMPORTANCE OF BLACK VOICES TELLING BLACK STORIES. 1960 01:54:51,985 --> 01:54:55,054 HE MAY TAKE THIS MOMENT TO GIVE HONOR TO AUGUST WILSON, ONE OF 1961 01:54:55,088 --> 01:55:00,693 THE GREATEST PLAYWRIGHTS OF OUR TIME. 1962 01:55:00,727 --> 01:55:07,533 AND I RECENTLY READ, SOCIETIES GREW GREAT WHEN OLD MEN PLANT 1963 01:55:07,567 --> 01:55:12,372 TREES IN WHOSE SHADE THEY KNOW THEY MAY NEVER SIT. 1964 01:55:12,405 --> 01:55:16,576 OUR SOCIETY MAY BE A FAR CRY FROM GREAT BUT I KNOW THAT THE 1965 01:55:16,609 --> 01:55:22,682 SEEDS YOU PLANTED WILL GROW INTO FORESTS AND ONE DAY WE TOO WILL 1966 01:55:22,715 --> 01:55:28,354 BE TALL ENOUGH TO REACH THE HEAVENS. 1967 01:55:28,388 --> 01:55:32,592 THANK YOU, CRITICS CHOICE. 1968 01:55:32,625 --> 01:55:35,261 THANK YOU, CHAD. 1969 01:55:35,295 --> 01:55:39,632 THANK YOU. 1970 01:55:39,666 --> 01:55:46,072 OTHER WINNERS INCLUDE BEST ORIGINAL SCREENPLAY. 1971 01:55:46,105 --> 01:56:05,491 BEST ADAPTED SCREENPLAY. 1972 01:56:05,525 --> 01:56:08,294 Announcer: COMING UP, TWO SUPER HEROES: 1973 01:56:08,328 --> 01:56:11,197 WONDER WOMAN AND THOR. 1974 01:56:11,230 --> 01:56:14,033 BETTER KNOWN AS GAL GADOT. 1975 01:56:14,067 --> 01:56:15,702 I'M CHRIS HEMSWORTH. 1976 01:56:15,735 --> 01:56:18,838 COMING UP NEXT, PRESENTING THE CRITICS CHOICE AWARD FOR BEST 1977 01:56:18,871 --> 01:56:21,040 ACTRESS. 1978 01:56:37,323 --> 01:56:38,091 Taye: AND WE'RE BACK. 1979 01:56:38,124 --> 01:56:39,592 HE'S CURRENTLY IN AUSTRALIA FILMING 1980 01:56:39,625 --> 01:56:42,662 "THOR: LOVE AND THUNDER," HIS EIGHTH MOVIE AS THE 1981 01:56:42,695 --> 01:56:47,433 HAMMER-WIELDING SUPERHERO THOR. 1982 01:56:47,467 --> 01:56:51,437 HERE IS AN EXCEEDINGLY GOOD LOOKING WHITE MAN, 1983 01:56:51,471 --> 01:56:53,840 CHRIS HEMSWORTH. 1984 01:56:53,873 --> 01:56:54,941 HELLO, EVERYONE! 1985 01:56:54,974 --> 01:56:55,775 I AM HONORED TO BE PRESENTING THE CRITICS CHOICE AWARD 1986 01:56:55,808 --> 01:56:57,543 FOR BEST ACTRESS. 1987 01:56:57,577 --> 01:57:00,079 THIS YEAR'S IMPRESSIVE FIELD OF SEVEN NOMINEES RANGES FROM 1988 01:57:00,113 --> 01:57:03,016 SEASONED FILM ICONS TO PROMISING NEWCOMERS. 1989 01:57:03,049 --> 01:57:06,019 EACH OF THEIR PERFORMANCES ARE RICH, COMPLEX, AND BOLD, 1990 01:57:06,052 --> 01:57:07,920 BRINGING THE TRADEMARK STRENGTH WE'VE COME TO EXPECT 1991 01:57:07,954 --> 01:57:08,755 FROM THIS CATEGORY. 1992 01:57:08,788 --> 01:57:22,702 HERE ARE THE NOMINEES. 1993 01:57:22,735 --> 01:57:28,174 MY SONG. 1994 01:57:28,207 --> 01:57:35,948 IT REMINDS THEM THAT THEY ARE KILLING US. 1995 01:57:35,982 --> 01:57:39,986 IF IT'S POSITIVE, IS THERE ANYWAY COULD BE NEGATIVE? 1996 01:57:40,019 --> 01:57:40,987 NO. 1997 01:57:41,020 --> 01:57:46,125 A POSITIVE IS ALWAYS A POSITIVE. 1998 01:57:46,159 --> 01:57:47,760 THAT IS WHAT YOU WANT. 1999 01:57:47,794 --> 01:57:49,495 THAT'S WHAT YOU NEED. 2000 01:57:49,529 --> 01:57:50,396 THAT'S YOUR WAY. 2001 01:57:50,430 --> 01:57:51,164 IT'S NOT MY WAY. 2002 01:57:51,197 --> 01:57:55,535 IT'S WHAT YOU NEED! 2003 01:57:55,568 --> 01:58:01,040 THANK YOU FOR GETTING OVER THIS, FOR MOVING FORWARD. 2004 01:58:01,074 --> 01:58:03,609 FOR BEING YOU. 2005 01:58:03,643 --> 01:58:13,152 THANK YOU FOR ALL THAT I FORGET TO THANK YOU FOR. 2006 01:58:13,186 --> 01:58:14,687 I LIVE IN THERE. 2007 01:58:14,720 --> 01:58:20,827 THAT'S MY HOME. 2008 01:58:20,860 --> 01:58:26,833 THEY DON'T CARE NOTHING ABOUT ME. 2009 01:58:26,866 --> 01:58:33,172 I WANT IS MY VOICE. 2010 01:58:33,206 --> 01:58:34,607 HOW OLD AM I? 2011 01:58:34,640 --> 01:58:39,512 HOW LONG HAVE I LIVED IN THE CITY? 2012 01:58:39,545 --> 01:58:43,082 WHAT'S MY NAME? 2013 01:58:43,116 --> 01:58:45,118 AND THE CRITICS CHOICE IS... 2014 01:58:45,151 --> 01:58:52,125 CAREY MULLIGAN, "PROMISING YOUNG WOMAN." 2015 01:58:52,158 --> 01:58:55,628 OH, MY GOODNESS. 2016 01:58:55,661 --> 01:58:56,095 GOSH. 2017 01:58:56,129 --> 01:59:00,099 THANK YOU SO MUCH. 2018 01:59:00,133 --> 01:59:02,502 THAT'S SUCH -- IT'S VERY EARLY IN THE MORNING HERE. 2019 01:59:02,535 --> 01:59:04,137 I'M TRYING TO GATHER MY THOUGHTS. 2020 01:59:04,170 --> 01:59:09,642 I'M AWARE THAT IT IS VERY EARLY AT THE BEGINNING OF 2021 01:59:09,675 --> 01:59:10,943 INTERNATIONAL WOMEN'S DAY TODAY. 2022 01:59:10,977 --> 01:59:15,915 I AM SO HONORED TO BE RECOGNIZED AMONGST THESE INCREDIBLE FEMALE 2023 01:59:15,948 --> 01:59:16,816 PERFORMANCES. 2024 01:59:16,849 --> 01:59:18,918 THANK YOU FOR THE STORIES THAT YOU'VE TOLD. 2025 01:59:18,951 --> 01:59:21,988 IT'S AN HONOR TO BE RECOGNIZED ALONGSIDE YOU. 2026 01:59:22,021 --> 01:59:29,929 I NEED TO THANK MARGOT ROBBIE, FILMATION, FOCUS FEATURES. 2027 01:59:29,962 --> 01:59:32,932 OUR REMARKABLE CREW WHO MADE THIS FILM AND 23 DAYS BECAUSE 2028 01:59:32,965 --> 01:59:34,500 THEY ARE GENIUSES. 2029 01:59:34,534 --> 01:59:38,171 OUR AMAZING CAST. 2030 01:59:38,204 --> 01:59:41,507 ALL OF THEM, THE MOST INCREDIBLY INSPIRING, CHALLENGING, 2031 01:59:41,541 --> 01:59:42,842 BRILLIANT ACTORS TO WORK WITH. 2032 01:59:42,875 --> 01:59:53,986 MOST ESPECIALLY BO BURNHAM AND RSE TO ADMIRAL EMERIL FINELL WHO 2033 01:59:54,020 --> 01:59:58,457 WROTE THIS INCREDIBLE SCRIPT AND DIRECTED WITH SUCH APLOMB AND 2034 01:59:58,491 --> 02:00:00,860 WILL MOCK ME RELENTLESSLY FOR HAVING USED THE WORD APLOMB. 2035 02:00:00,893 --> 02:00:02,528 I AM INDEBTED TO HER FOR THIS OPPORTUNITY. 2036 02:00:02,562 --> 02:00:04,730 THANK YOU SO MUCH. 2037 02:00:04,764 --> 02:00:06,098 Announcer: WE STILL HAVE THE BIG AWARD OF THE NIGHT TO COME 2038 02:00:06,132 --> 02:00:10,002 AND HERE'S WHO'S PRESENTING IT. 2039 02:00:10,036 --> 02:00:13,606 THIS IS GAL GADOT AND I AM PRESENTING THE BEST PICTURE 2040 02:00:13,639 --> 02:00:14,907 AWARD COMING UP NEXT. 2041 02:00:14,941 --> 02:00:19,545 Announcer: HERE ON THE 26TH CRITICS CHOICE AWARDS. 2042 02:00:32,458 --> 02:00:35,194 Taye: JUST ONE FINAL AWARD LEFT AND IT'S THE BIG ONE. 2043 02:00:35,228 --> 02:00:38,097 TO PRESENT IT, WE WANTED ONE OF THE BIGGEST STARS IN THE MOVIE 2044 02:00:38,130 --> 02:00:41,300 UNIVERSE AND WE GOT ONE. 2045 02:00:41,334 --> 02:00:44,170 HERE IS THE PRODUCER AND STAR OF "WONDER WOMAN 1984", 2046 02:00:44,203 --> 02:00:47,273 SOON TO BE SEEN IN THE UPCOMING "RED NOTICE," 2047 02:00:47,306 --> 02:00:53,346 GAL GADOT. 2048 02:00:53,379 --> 02:00:56,816 IN A YEAR THAT SAW FILMS FORCED FROM THEATERS, 2049 02:00:56,849 --> 02:00:59,785 THE NOMINEES FOR BEST PICTURE WERE STILL ABLE 2050 02:00:59,819 --> 02:01:02,755 TO HAVE IMPACT ON US ALL. 2051 02:01:02,788 --> 02:01:06,025 THIS IS A TESTAMENT TO ALL THE TALENT AND THE HIGH-QUALITY 2052 02:01:06,058 --> 02:01:10,663 WORKMANSHIP OF EVERYONE IN THIS ROOM. 2053 02:01:10,696 --> 02:01:13,132 SO, NO MATTER WHAT NAME I READ, YOU'RE ALL WINNERS. 2054 02:01:13,165 --> 02:01:30,616 LET'S TAKE A LOOK AT THE NOMINEES FOR BEST PICTURE. 2055 02:01:30,650 --> 02:01:34,420 YOU MAY HAVE HEARD MGM HAS MORE STARS THAN THERE ARE IN THE 2056 02:01:34,453 --> 02:01:35,087 HEAVENS. 2057 02:01:35,121 --> 02:01:37,290 DO NOT BELIEVE THIS. 2058 02:01:37,323 --> 02:01:44,930 WE ONLY HAVE ONE STAR, LEO THE LION. 2059 02:01:44,964 --> 02:01:54,974 UM. 2060 02:01:55,007 --> 02:02:02,081 THE BOYS IN THE BAND. 2061 02:02:02,114 --> 02:02:03,616 WHAT BAND? 2062 02:02:03,649 --> 02:02:05,084 THE BAND WORKS FOR ME. 2063 02:02:05,117 --> 02:02:07,053 WHAT DID SHE SAY? 2064 02:02:07,086 --> 02:02:10,056 SHE SAYS SHE'S GOT NO HOME. 2065 02:02:10,089 --> 02:02:16,862 THIS CHILD IS AN ORPHAN TWICE OVER. 2066 02:02:16,896 --> 02:02:19,965 AIN'T NOBODY ELSE UNDERSTAND WHAT IT'S LIKE EXCEPT US. 2067 02:02:19,999 --> 02:02:22,401 THERE'S GOING TO BE A TARGET ON YOUR BACK. 2068 02:02:22,435 --> 02:02:27,073 IT WAS GOING TO BE THERE ANYWAY. 2069 02:02:27,106 --> 02:02:33,612 ONE OF THE THINGS I LOVE MOST ABOUT THIS LIFE IS THAT THERE IS 2070 02:02:33,646 --> 02:02:40,586 NO FINAL GOODBYE. 2071 02:02:40,619 --> 02:02:44,724 WHY DO YOU SAY THAT? 2072 02:02:44,757 --> 02:02:48,260 I THOUGHT YOU WERE -- DRUNK? 2073 02:02:48,294 --> 02:02:48,694 REALLY DRUNK? 2074 02:02:48,728 --> 02:02:49,061 YEAH. 2075 02:02:49,095 --> 02:03:05,544 I'M NOT. 2076 02:03:05,578 --> 02:03:10,149 THIS MISSION WAS SO DAMN IMPORTANT. 2077 02:03:10,182 --> 02:03:13,185 IT'S WHAT THE WAR IS ALL ABOUT. 2078 02:03:13,219 --> 02:03:18,657 I AM BEING DENIED RIGHT NOW MY CONSTITUTIONAL RIGHTS. 2079 02:03:18,691 --> 02:03:19,558 REPRESENTATION. 2080 02:03:19,592 --> 02:03:25,231 WILL YOU BE QUIET! 2081 02:03:25,264 --> 02:03:28,934 THE CRITICS CHOICE FOR BEST PICTURE IS... 2082 02:03:28,968 --> 02:03:37,810 "NOMADLAND." 2083 02:03:37,843 --> 02:03:40,012 THANK YOU. 2084 02:03:40,045 --> 02:03:42,214 THANK YOU, CRITICS CHOICE ASSOCIATION AND OUR FELLOW 2085 02:03:42,248 --> 02:03:43,349 NOMINEES. 2086 02:03:43,382 --> 02:03:48,187 I AM INCREDIBLY HONORED TO ACCEPT THIS AWARD ON BEHALF OF 2087 02:03:48,220 --> 02:03:52,525 MY FELLOW PRODUCERS, FRANCES McDORMAND, PETER SPEARS, DAN 2088 02:03:52,558 --> 02:03:53,793 AND CHLOE. 2089 02:03:53,826 --> 02:03:57,596 WE WANT TO THANK THE CRITICS FOR SHINING A LIGHT ON OUR FILM VERY 2090 02:03:57,630 --> 02:04:00,332 EARLY ON AND CONTINUING TO DEEPEN THE CONVERSATION WITH 2091 02:04:00,366 --> 02:04:01,901 SUCH NUANCE. 2092 02:04:01,934 --> 02:04:07,473 THANK YOU SEARCHLIGHT PICTURES, TO OUR "NOMADLAND" CREST AND 2093 02:04:07,506 --> 02:04:08,107 CREW. 2094 02:04:08,140 --> 02:04:10,075 TO JOSH, CONGRATULATIONS. 2095 02:04:10,109 --> 02:04:13,045 TO CHLOE FOR LEADING US WITH SUCH HEART. 2096 02:04:13,078 --> 02:04:19,185 SO MUCH OF "NOMADLAND" IS ABOUT LISTENING, LISTENING TO NATURE 2097 02:04:19,218 --> 02:04:20,453 AND ONE ANOTHER'S STORIES. 2098 02:04:20,486 --> 02:04:25,291 WE WANT TO DEDICATE THIS AWARD TO OUR PRODUCTION SOUND MIXER, 2099 02:04:25,324 --> 02:04:29,328 MICHAEL WOLF SNYDER WHO DIDN'T JUST RECORD SOUND BUT DEEPLY 2100 02:04:29,361 --> 02:04:30,596 FELT IT. 2101 02:04:30,629 --> 02:04:34,800 IN THE YEAR THAT HAS ILLUMINATED THE CRUCIAL NEED FOR CONNECTION 2102 02:04:34,834 --> 02:04:39,171 AND EMPATHY, WE ARE SO PROUD TO HAVE CREATED A FILM THAT 2103 02:04:39,205 --> 02:04:44,577 CELEBRATES THE COMPASSION GAINED BY SIMPLY LISTENING TO ONE 2104 02:04:44,610 --> 02:04:45,044 ANOTHER. 2105 02:04:45,077 --> 02:04:49,648 THANK YOU SO MUCH. 2106 02:04:49,682 --> 02:04:51,417 Taye: THAT'S IT FOR THIS YEAR. 2107 02:04:51,450 --> 02:04:55,588 IT'S BEEN A VERY UNUSUAL SHOW IN A VERY WEIRD YEAR. 2108 02:04:55,621 --> 02:04:57,456 LET'S HOPE NEXT TIME WE'RE ALL HEALTHY 2109 02:04:57,490 --> 02:04:59,358 AND SAFELY BACK IN ONE BIG ROOM TOGETHER. 2110 02:04:59,391 --> 02:05:03,229 TILL THEN, GOOD NIGHT!