Lord, imagine if you'd just be tuning in
and that's the first thing you heard me say.
Don't worry, no one's just tuning in 'cause it's a podcast, not a radio show.
-Yeah. -Oh.
We can cut that, right, Patience?
It's fine, right? 'Cause it's going so well.
-Mm. Yep. -Right? I mean, just a guest
makes all the difference.
So much good stuff.
We're gonna go over the hour, I think.
Well, how long have we been talking?
12 minutes.
Okay.
Yeah, so you know what? Maybe we don't cut it, right?
'Cause fun blooper.
-Mm-hmm. -Right? It's really fun.
And it's a podcast, they're supposed to be
sloppy and unprofessional. That's the charm.
Do you wanna open it?
Today on Cherish the Time,
my guest is the delightful Tommy Tomlin, part-time hairdresser on I'm It!
and will be doing me full-time on my new show, How's That?!
That's right, folks, she's dragging me
-out of retirement at 85. -Well, why not?
Age has nothing to do with quality, alright?
Had a 30-year-old woman do my hair on Mrs. Hatt,
and she just was not good. Had to do it myself.
She should be whipped. I'm serious.
You have one job. Do it well.
Well, good thing I wore a hat.
Still. Fuck her.
Okay, Jane's here.
Sorry I'm late. I got stuck at Trader Joe's.
Just as suspected.
Podcast gold over here.
Says whatever's on his mind.
-Guys, let's go. -Oh, what do I care? I'm 85.
The avocado shipment came late
and the day crew had to stay and stack 'em.
-Oh. -Will never happen again,
as of tomorrow. I switched to nights,
and I have Tuesdays off for show tapings, so...
-Oh, well, there you go. -She works at Trader Joe's?
-Yeah. -You told me
she won an Academy Award.
-She did. -If I had an Oscar,
I don't think I'd be working at Trader Joe's.
Okay, Mickey, don't.
-Tommy. -Tommy.
I want you to know,
I love you, Beth Benedict.
-Okay, go ahead. -I don't know how much time we have.
Casting. It's what makes or breaks a show.
-I love you. -Vulnerable actors
putting themselves on the line.
I don't know how much time we have--
Oh, no, not this one.
-I want the good one. -I'm home!
Well, well, well.
I told him you were back.
-Hi, Jane. -Hi.
Widen out to include Mark.
-You hear that? -What? Yeah.
I wish we had a Jane on the show I'm doing
saying stuff like, "Widen out to include Mark."
-That'd be cool. -Ah.
Did Val tell you I'm doing something called Finance Dudes?
Yeah, she did. And what the fuck, Mark?
Well, why should I be the only person not on a reality show?
That's right. Got our own Mauricio right here.
Yeah. Marky Mark, can you help me with this?
I can't get this casting site to move forward.
All I get is this guy, and I don't wanna see that!
So Mark, you quit your actual finance job to do this?
-Why? -I love you.
Yeah, 'cause starting a new chapter. It was time.
Yeah, I don't know how this works.
Okay. I'll figure it out.
-You got ink on the chair, Val. -I did?
Yeah, the suede chairs you had to have.
-Yeah. No, I see it. -No, don't rub it!
You need OxiClean.
Okay. We can fix that.
We can fix it later.
-Pardon me. -We can do it later.
Why did Mark just get upset?
Doesn't work, you know? This site doesn't work.
Why can't I just have paper with a list of names and headshots on it?
Why don't I have that anywhere?
Oh, I do. Here it is. Oh.
Ha-ha! Lifesaver.
-I love you, Beth Benedict. -Okay.
"No notes!" Straight to rehearsal.
Can you believe it, Jane? No notes?
No notes from NuNet! No, No, Nanette.
That's a show. Yeah. I never saw it, but I know the title.
Hey. Nice hat!
Mrs. Hatt fan.
Oh, look at this.
Stage 24, our new home away from home for the next six years, huh?
Fingers and toes crossed.
Ah.
Oh, look at all the movies that shot here.
Oh, wow. Oh! Look it. Private Benjamin.
Ha-ha! Do you believe it?
Oh! Jane?
Now, Voyager. 1942, Bette Davis.
That was Mickey's favorite movie, and it was shot right here on this stage.
You know, Mickey would always say,
you know, whenever there was something disappointing,
you know, like a dressing room or lunch order...
he'd say, "Let's not ask for the moon when we have the stars."
Cute, huh? To say that? Aw.
Look at all these legendary movies!
You know, and now How's That?! can be the big TV hit
for Stage 24, huh?
Let's go in. We should go in, though. That was good, right, Jane?
Look at that porch.
-Oh! -Beautiful.
Don't you just wanna have tea there?
-Mm-hmm. -Excuse me.
Jimmy.
-No notes. -Hi, Val. Yeah, I know, I know.
And the script still needs work.
-Well... -Is the studio
afraid to say that to The Matrix?
-Jimmy. -When is R2-D2
gonna roll in here and collect our souls?
Not really supposed to talk about that.
Don't worry, Val, I know what the drill is.
I'm here to see how this works and bust some balls.
I'm going for a smoke break.
Bev, call up and find out when the writers are coming to the stage.
Oh, excuse me. They're not.
They're not coming today. But they said that
if you guys have any notes, that I can send them up for you, so...
And who are you, darling?
Marco, the writers' assistant.
I think what we need is--
I think what we need is a new sweet scene.
-Something with some heart. -That's what I was thinking too.
Probably between Beth and her nephew, right?
'Cause they're the only family they have left now.
-Right. -Yeah.
Maybe slip it in at the end of the pottery scene
-to cut the slapstick. -So good.
-Yeah. Good. -Sent.
-Already? -Yeah.
-What? -Looks almost human.
Okay, kids, we're gonna start in 15 minutes
with the cold open where she finds her brother dead.
And it's a comedy.
-Brother dead. -Sorry, my stomach's bloating,
and I had to go home and change into a looser pair of pants.
There was mold at the table read, and I...
-Okay. -...think there's actually mold here, too.
-Oh, yeah? Okay. -Yeah.
-Good to know. -Okay.
Well, you were all so great at that table read!
And I knew you would be, too.
Oh.
And this is my doc crew, so just act naturally.
-Yeah. -Okay, yeah, I gotta go.
-Camera's up. -Okay.
Well, you are so handsome and talented.
Thank you. Thank you.
And you.
You're a real bitch.
I just meant in the show.
I didn't mean...
I thought we were doing improv.
Oh. Oh, okay!
That's fun, okay.
Oh.
And hello, my "long-time unrequited love interest."
-Hi, Valerie. -Hi.
-Frank Flynn. -Hi.
We met before on the set of Tom Peterman's show?
Nicky Nicky Knack Knack. I was Gary the worm.
Couldn't recognize you 'cause I only saw...
-Oh. -...this much of your face in that hole
in the worm costume, right?
He was in a wormhole? That's funny.
Yeah.
-That's hilarious. -Walter, I'm so thrilled
-that you're doing the show. -Oh.
I really am, 'cause I've seen you in everything.
-Thank you. -Thank you. Yeah.
-Valerie, hi. -Hi.
Peter David Prince. Everyone calls me PDP.
-Easier. -Okay, PDP.
So hilarious as those crazy triplets.
You know?
Leaving, coming right back as another one.
-So fun. -Thank you.
-I feel like I already know you. -Huh?
You worked with my twin brother, Ivan. Ivan Prince?
Is he an actor, too?
No, no, he was at USC. You hired him to work crew
on something you were making, like, ten years ago.
My proof of concept pilot for Andy Cohen.
-Such a small world. -Yeah.
'Cause turns out that I worked with PRP's...
-PDP's. -...twin.
-Ivan. -Yeah, no, I know.
-Ivan, yeah. Yeah. -Yeah.
No, how is Ivan?
He's dead.
Died eight years ago.
-Yeah. -Drug overdose, yeah.
-Oh. -It was accidental.
He Heath Ledger'ed out.
You know, I think that's why...
I think it's why I got the triplet part.
I had that really strong twin connection with my brother.
And I know if he were here, you know, he would...
he'd be so happy that I'm finally a series regular.
Yeah.
Sorry. I'm sorry. I shouldn't have brought it up.
I didn't know-- I didn't expect...
-No, no. -I swear, I'm still funny.
-No. Yeah. -I'm still funny!
No, you are. Just, it's feelings, right? Nothing more than feelings.
And I understand, RIP, because I--
-PDP. -Just let me get this thought out.
Beth's brother Boone dies in this.
-Right? -Yeah.
So much synchronicity here.
-Right? You know? -Wow.
Death hurts, right?
-Yeah. -Yeah, so you've got nothing
but love and support here.
I can't believe I missed the table read.
The front gate didn't have my parking spot.
-Okay. -They told me
to go to the parking structure.
Uh, no.
-Yeah. -Hi.
Oh, did I miss your welcome speech to the actors, too?
No, I didn't do a speech.
One of the actors told us that his brother died,
and we all really connected, you know?
So, welcome speech wasn't really necessary. Yeah.
'Kay.
-Introduce me. -Okay.
So this is Billy Stanton.
He's an executive producer.
-Hi, everyone. -Hey.
I'm really sorry I missed your table read. Totally not my brand.
But they didn't have a parking space for me.
I know, who cares?
But then, they tried to shove me in the structure.
And once you say yes to the structure, you never get out.
I'm in the structure.
Yeah, so am I.
Are you in the structure?
No, I'm right outside here.
And I'm next to you.
I'm sorry, what's wrong with the structure?
How can we get out of the structure?
I was never supposed to be in the structure.
Anyway, I just wanted you to know that I have an office
here on the lot, and so if you need anything,
anything at all, I'm here for you.
Okay? See you at the Emmys!
-Whoo! -Woo-hoo!
-Thanks, Billy. -Sorry. Ms. Cherish?
-Yeah? -I got this for you.
-Oh, what is this? -Oh, the new scene
that Mr. Burrows asked for.
Already?
Okay.
-Action! -Oh, sure.
I'm fine having your new wife making herself at home here, Bo.
In fact, B&B can now stand for Bed & Bimbo!
What's happened to my life, Guy?
Last month, I was perfectly happy being unhappy and alone.
Now, my life's hijacked by my sweet nephew and his human Dustbuster!
-Oh, hey, Aunt Beth. -Oh, hey.
Well, here's something I know you've been waiting for.
Is that my new spring bulb catalog?
That'd be nice to have some good news.
Uh, no, actually, it's the autopsy report.
That's not a joke. That's a setup.
Could be worse. Not really.
That's just something people say to stop from putting their eyes out.
That's the joke.
Yeah, so it says that Dad died of a heart incident.
Apparently, his heart just gave out.
'Cause it was so big.
Your dad had the biggest heart, Bo.
Probably just got tired carrying so much love.
He loved you so much.
Well, he loved you, too, Aunt Beth.
He did.
And, scene.
Great. Val. Just try to play a little more out front, okay?
Yeah, it'll get better when I get all the physical bits down.
Oh, look who's here! The writer. Thought you weren't coming down today.
-Well, it's a new scene. -Yeah.
Thank you so much for that, 'cause it works.
-Right, Jimmy? -Oh, it's a nice add.
It's an "aww-ick."
What's an "aww-ick"?
It's a scene where the audience goes, "Aww!"
And the writers go, "Ick."
-It's so gross and sentimental. -Oh, alright.
Well, do you wanna tweak it? Make it less "ick"?
It's not mine. I would never write anything like that.
It's Al.
Who is Al?
Yeah, that's the AI writing program.
It's called Allassist. They call it Al.
Josh, what are you doing here?
You told me you were gonna take Miss Lady for a walk,
and then I see her not walking.
I just came down to see the new scene.
Why?
Let them work.
He's a genius, and she's an executive producer.
Well, in name only. You're the showrunners.
-Mary, it's "aww-ick." -Josh, it's fine.
Did you even read it?
We'll see you tomorrow at the run-through.
The scene is awful, and they like it.
Are you seriously competing with Al?
No, Mary, I care!
I'm the voice of the women of a certain age.
-Oh, my God. -Our names are on the script!
Well, that's upsetting.
Oh, married couple, working together.
No, not them.
That machine wrote a pretty good scene in ten minutes.
Actually, it was like 50 seconds, Mr. Burrows.
But I held it back so it wouldn't look too fast.
-That's lunch, everybody. -Okay.
-That's lunch, everybody! -Alright, yeah.
Jimmy seems concerned about AI.
-Yeah. -How do you feel about it?
Well, we needed a new scene. Got a new scene.
Okay.
Wardrobe.
Discovering who Beth is. What does she wear?
Creating all those interesting layers.
And costume designers have so many great ideas,
ideas you've never even thought of.
-Uh-oh. -Okay, is this...
is this good for camera?
Oh, yeah, you're good.
-We got it. -Okay.
Okay, Valerie, if you just want to come right here.
Thank you. Okay.
Okay, so, this is the cross-section
-of the world I've been living in. -Okay.
So Katharine Hepburn,
if we wanna do kind of like New England spiky spinster.
-Mm-hmm. -Right? Mrs. Roper.
If we wanna go fun, eccentric.
-And then-- -"And then there's Maude."
That was a song from the show, Maude.
Yeah, if we wanna do overbearing innkeeper.
Yeah, if. Well, okay.
You know, I think that the New England look's probably the closest
to what I was thinking, so...
Yeah, except can't do the hat.
Oh, I love the hat.
Well, I wore a hat in my last show. It was called Mrs. Hatt.
I wore a great big sunhat, so.
-The hat is everything. -Well, no, it's not everything.
'Cause you still have the turtleneck and the shapeless white shirt.
Wow. Okay.
You know, it's a multicam.
It's all overhead lighting, so it'd cast shadows.
Right? Not gonna work.
So, what are...
what are we gonna do with your hair?
Do you think it would just be, like, up? And gray?
Why?
Well, the script said "woman of a certain age,"
so that's just reality.
Not my reality. I'm a woman of a certain age,
you know, and I still color my hair.
Don't even know if I have any gray.
Yeah. No, that's okay. I'm gonna meet with my hair guy later,
so why don't we just talk about your department?
So, stay in my lane.
Well, that's a way to put it. Yeah, so smart.
Good, Carter. Yeah.
Well, Mrs. Roper is hilarious.
That's true. Yeah, she is funny. But it's a joke.
You know? I mean, yeah. Beth's a real person,
-you know, in the real world. -Mm-hmm.
I don't know, what if she wore something, you know, like--
Well, not exactly this, but, you know, more like this.
Very flattering.
-It's not funny. -That's okay,
because, you know, I'm funny, the writing's funny.
And if it's not funny, I'll make it funny, you know?
-So, not this? -Right.
It's okay, I have, I have other choices.
-Oh, great. Okay, yeah. -Yeah, okay.
Rebecca?
-Excuse me. -So...
Boy, you really love a caftan.
It's funny.
Although you seem to have an aversion to funny.
I don't have an aversion to funny, darlin'.
Okay? I've done that.
You know, wore the bad tracksuit
and, you know, the big joke.
And I'm more than willing to do that, if that's what the character is, okay?
But this character is moving story along
and having feelings, right?
You know, it's not one joke and out.
Lori has the short miniskirt and the Mianus U t-shirt, right?
-That's a joke. -Oh, I'm not doing that.
How's that?
I don't see her that way.
Well, okay, the writers see her that way.
Clearly written by a straight man, Valerie, so...
Well, you think?
No, for her, I don't know.
I see her as sexy, right?
-Yeah. -Like, kind of like a big,
like, slouchy jacket, right?
And kind of like slouchy pants, very like, fashion, you know?
-Like, that's how I see her, so. -Oh.
Right, except you know what?
I think the writers are gonna want to see that Mianus U joke.
One of 'em told me specifically, you know, it's his favorite joke.
So, I'm just trying to help you. I'm trying to help you.
Mm.
No, I think I get it.
-Yeah. -It's just...
She can be the joke but you can't.
The older actress is threatened by the younger one.
Threatened? I'm telling you to make her sexier.
You know? Put her in the miniskirt.
Oh, my God, no, I'm not getting into this,
where an actor tells me what another actor can and can't wear.
I'm not getting into that situation.
Okay, but that's alright,
because that's not what this situation is, okay?
This isn't an actor talking about another actor.
This is an executive producer talking to a costumer
about what the needs of the show are.
That's all, alright?
So, I'm just gonna give you a minute
to think about how you're gonna make all this work.
-You're not even gonna try anything on? -No, I'm not.
It's a waste of time!
I liked seeing you like that.
He made me so angry, Jane. Not listening to me.
Like a boss lady. "My way or the highway."
Okay, well, no, I'm not sure that I was doing that.
Yes, you were. And I liked it.
Well.
You know what? Everyone deserves a second chance.
Probably should have eaten something, you know?
Maybe I'm hangry.
Carter? On second thought, I'm gonna try some stuff on, alright?
-Okay. Okay. -Yeah, yeah.
Well, here I am, back in the saddle again.
And if anybody asks, I'm 70.
Okay, yeah. Mm.
-Start filming. -Okay.
-Got you a salad. -You go left, you go right.
So we can eat and dish about what just happened
between me and the costume designer.
I don't eat in public, but thanks.
Okay. Yeah, well.
Now, these are very shake-and-go. I haven't done my magic yet.
Those aren't my wigs. Where are my wigs?
The color's all wrong and it's not gonna fit my head.
-I have my own wigs. -Okay.
-Yeah. -New information.
Well, you know.
Didn't know to bring them in, you know? 'Cause you didn't remind me.
Sorry, but Mickey would have either picked them up
or told me to bring them in. Now, can't.
I didn't know you had wigs, so I couldn't tell you
to bring them in or pick them up, because I'm not Mickey.
I'll never be Mickey.
-Mickey isn't here. -Right.
Okay.
Yeah. Alright.
You know what? I should probably look over this new scene.
-Valerie? -Go, go.
Privacy, please.
Valerie, could we have a moment?
Please? I can't do stairs.
Oh, sure, yeah.
Sure.
I'm sorry, I didn't know you had your own wigs.
Well, how could you know? Yeah, I'm sorry, too.
You shouldn't even have to think about this.
You've got enough on your plate.
-Yeah. -I'll have TaskRabbit
pick 'em up and bring 'em to me.
No, they're in my storage space, so I'll bring 'em in. Yeah.
Thanks, that would be a big help to me.
-Okay, sure. -Now, maybe
can I be a big help to you?
Sure.
This isn't really about wigs.
It's about Mickey.
I think you've got some unfinished business there.
Well, you're wrong, but thank you. Okay, and I'll bring those wigs in.
Bad boy.
Val, what's happening?
Mickey's here, right?
-Isn't he? -Are you dreaming?
We brought him from Brentwood, right?
-Didn't we? -Oh. Yeah, yeah, yeah.
I haven't seen him.
-I haven't seen him. -I don't know.
Could it be in storage?
Could it be in one of those boxes?
When was the last time you remember seeing it?
Well...
with all the moving craziness, I'm not sure.
I know in Brentwood, I had it safe on a shelf
right next to my People's Choice Award.
Yeah, you know, just until I could figure out
where he'd want me to spread his ashes, you know?
And that's now, 'cause...
back on a sitcom, right?
You know, from the second I stepped on that soundstage,
Jane, I just thought...
Yeah. Mickey.
Here he is. His favorite movie was shot on that stage.
Oh, that's-- There it is. That's the organizer calling me back.
An hour later.
Hi, Cynthia. Hi, doll.
-Valerie, hi! -Hi.
Got your message. Sorry for the delay,
but I have your inventory file right here with me.
Oh, great, good, yeah.
So, I'm looking for Mickey's ashes.
Okay, like in an urn?
No, no, not an urn, no.
It's in a black lacquer box, small, with inlaid turquoise.
I designed it myself.
-Okay. -Yeah.
You said in your second text
you've gone through all your personal boxes, right?
-Yeah. -Could it be in your professional boxes?
No, no, Mickey wouldn't be in professional, no.
-Personal. -Are you sure I have it?
Because I have a record of everything,
and I do not have human remains.
Okay, well, it wouldn't say "human remains," okay?
'Cause it's, you know, it's Mickey.
-So... -You keep saying Mickey,
and I have nothing that says "Mickey."
Are you sure it's not in professional?
Again, Mickey wouldn't be in professional.
-Mickey's personal. -Okay, well, I'd come to you,
but you're in Culver City and I'm in Mount Olympus.
-Right, okay, it's far. Yeah. -Yeah.
-So, I'll send you the PDF.
Okay. Thanks, doll. Alright.
-Okay, thanks. -Alright.
-Yeah. Bye. -Bye.
Goodbye. And thanks for nothing.
$15,000 to move someone, and sending a PDF.
Okay, thank you.
You know what? I guess, yeah. Just have to start over. You know?
Can't have lost Mickey, right?
Bad enough I couldn't...
be with him at the hospital.
Remember, COVID? Wouldn't let us visit.
Couldn't visit, couldn't-- Wouldn't let me in.
Didn't want him to, you know, just be there alone, sick.
God.
Ah, you know what? Let's...
-We'll find him. -No, let's-- I can't--
Don't think I can spend another minute here.
We'll do it another day. That's okay. Why don't we just take the wigs and go?
Yeah, it's too much, you know? I mean, it's just...
Ugh, freezing in here, right? For the crew, it's probably freezing.
Let's go, yeah. It's for their sake. Grab-- Oh, you have all of 'em?
-I got 'em. -Aw, thanks, Jane.
Alright, yeah.
Do you wanna go? Let's just--
First dress rehearsal.
Can't say I'm not a team player.
Itchy.
Val, I can't see your eyes. Lose the hat.
Done.
Okay, everybody, we're ready to go.
-And here we go. -Let's take it from
the end of the phone call before the nephew's entrance.
And action!
Aunt Beth!
Bo! Oh, look at you!
Oh, actually, could you look at me in a second?
I've had to pee since that Big Gulp in Mianus, Connecticut.
Oh, my. That's a real place?
Oh, yeah!
Lori even got a t-shirt at the truck stop.
Lori? Who's Lori?
I'm Lori.
It's L-O-R-I, no A, U, E.
-Lori. -It's not a spelling bee, dear.
Wrong! No! Excuse me.
-Josh? -What is this cable?
Fucking multicams.
Okay, let's, let's-- Let's cut--
Where's the Mianus U t-shirt?
-That was my best joke. -Okay, everybody.
-Let's cut. -Where is it?
I'm sorry, I...
Oh, no, it's-- Gabrielle.
It's not her. The costume designer nixed it, you know.
Wanted her to just wear, like, sexy, slouchy.
Okay, well, I wrote, "Mianus U t-shirt
-and a short skirt." -Yeah, well.
-Why don't we get off the stage? -I'm good, okay?
-I tried telling him. -It was my best joke.
I told him you'd want to see that.
-I'm good. -Yeah, I did.
And what, he didn't care?
Well, he didn't want to hear from actors, you know?
No, fuck this.
-He's fired. -Okay, Josh, calm down.
Where's costumes?
Josh, we're not doing that on this show.
This show doesn't work without "Mianus U."
Can someone point me to costumes?!
Josh, seriously, calm down.
No! Sorry! No!
This is all hard enough.
-It's there. -Where?
-It's over there. -Okay.
Behind the ocean.
I don't see the sign!
I'm sorry, I don't see the sign!
You gotta be fucking kidding me.
-Where?! -It's behind the thing.
Yeah, that's great, that one.
Okay, so for the "Then and Now" post?
That's a Then. Can't you tell by the hair?
Okay, and this photo? Is that a Then or a Now?
No, that's a Then, I think. Kind of amazing
-how I haven't changed, right? -Right. Yeah.
Then.
-What music should I do? -Whatever's trending.
Got it.
And what's this beautiful thing?
What?
Oh, my God. There he is.
Jane, it's Mickey.
-Oh. -Yeah.
Of course, I put him with the good wig.
Oh, wow.
See the turquoise?
-Remember? -Yeah.
-Aw. -That was this necklace.
Uh-huh, and that's, remember his bolo tie clip?
-Yeah, sure. -Yeah?
-Oh. -Good for you.
Yeah.
Well, dear Mickey...
I wish you were here.
But why ask for the moon when we had the stars?
Huh?
Oh.
Ah.
Yeah. 'Kay.
Oh, Mickey! Mickey.
Mick, Mick, Mick!
Aw, bye, buddy!
Fly!
Oh.
Aww. Just so you know, the correct quote
is, "Don't let's ask for the moon,
we have the stars."
My version.
What are you doing up there?
Oh, we're, just-- We're done.
We're coming down.
-Jane, did you get that? -I did.
-It was great. -Yeah. Right.
Come down from there now, please.
-Yeah, we're coming! -Now.
-Yep. You can put-- -Now, now.
We're coming! You can put your blowhorn away.
Bullhorn. Blowhorn.
Scaffold's for workmen only!
-Wasn't it perfect? -It was so perfect.
I think he flew all over the lot.
-It was beautiful. -Did you see?
-Just like a mist. -Oh, Jane?
-Yeah? -Yeah. What happened?
-Sorry, I got... -Umbrella.
The umbrella got caught up.
Okay. You okay?
I'm good, I'm good.
Didn't you think that was perfect?
Couldn't have been better.
-Shimmery. Aw. -Yeah.