1 00:00:08,775 --> 00:00:10,511 We stole her from Livingston‐Kent. 2 00:00:10,511 --> 00:00:12,079 ‐ Bob Livingston fired me. 3 00:00:12,079 --> 00:00:13,480 I pushed him back into the arms of his wife. 4 00:00:13,480 --> 00:00:15,349 ‐ You should have pushed him into a woodchipper. 5 00:00:15,349 --> 00:00:18,118 ‐ She spent eight years straight in the Platinum Ring of Esteem. 6 00:00:18,118 --> 00:00:19,286 ‐ What's the Platinum Ring of Esteem? 7 00:00:19,286 --> 00:00:23,123 ‐ It's just this club for people who do ten million dollars 8 00:00:23,123 --> 00:00:25,259 in volume over a 12‐month period. 9 00:00:25,259 --> 00:00:28,762 ‐ The world always assumes that people who investigate heresies 10 00:00:28,762 --> 00:00:30,163 must be heretics. 11 00:00:30,163 --> 00:00:31,798 I would remind you of the Travis house. 12 00:00:31,798 --> 00:00:33,734 ‐ Those things, they can hurt you. 13 00:00:33,734 --> 00:00:35,202 They are dangerous. 14 00:00:35,202 --> 00:00:36,503 [ Screaming ] 15 00:00:37,070 --> 00:00:38,739 ♪ Gentle music ♪ 16 00:00:38,739 --> 00:00:40,340 [ Elevator arriving chime ] 17 00:00:43,210 --> 00:00:44,578 [ August sighs ] 18 00:00:49,049 --> 00:00:50,484 ‐ Post‐mortem in five, kids. 19 00:00:53,187 --> 00:00:55,189 [ Bag down ] 20 00:00:57,391 --> 00:00:59,092 ‐ What exactly was that thing? 21 00:00:59,092 --> 00:01:00,027 [ Sigh ] 22 00:01:00,027 --> 00:01:01,328 ‐ We call it a Roadie. 23 00:01:01,328 --> 00:01:03,230 We're going to cover it all in the wrap‐up. 24 00:01:03,230 --> 00:01:04,598 ‐ Those poor people. 25 00:01:05,399 --> 00:01:07,100 Nearly killed each other. 26 00:01:07,100 --> 00:01:08,569 ‐ Speaking of near‐death experiences, 27 00:01:09,469 --> 00:01:11,371 tomorrow night is the big night. 28 00:01:11,371 --> 00:01:14,007 Platinum Ring of Esteem annual banquet. 29 00:01:14,007 --> 00:01:15,342 Prom with business cards. 30 00:01:17,244 --> 00:01:19,246 ‐ We mock what we do not understand. 31 00:01:19,246 --> 00:01:20,280 ‐ Seriously, though. 32 00:01:20,280 --> 00:01:23,317 Lifetime Achievement Award at your tender age. 33 00:01:23,317 --> 00:01:25,519 ‐ Some of us choose to measure our lives in closings 34 00:01:25,519 --> 00:01:27,221 rather than years. 35 00:01:30,757 --> 00:01:32,359 ‐ Look, sorry, Anthony. Um... 36 00:01:33,360 --> 00:01:34,795 [ Sighs ] 37 00:01:34,795 --> 00:01:36,496 No, that's great. 38 00:01:36,496 --> 00:01:38,398 Yes, no, thank you for cleaning the house. 39 00:01:38,398 --> 00:01:39,733 I'm sure the adoption agency people 40 00:01:39,733 --> 00:01:41,735 are going to be very impressed. 41 00:01:42,069 --> 00:01:45,205 Ah, just one more quick meeting and then I'll be home. 42 00:01:45,205 --> 00:01:47,074 I'll heat it up. 43 00:01:47,074 --> 00:01:49,343 God, Anthony, it's a meatloaf, not a donor organ. 44 00:01:49,343 --> 00:01:51,078 It'll keep. 45 00:01:51,078 --> 00:01:52,379 Yes, okay. 46 00:01:53,146 --> 00:01:55,015 I love you. I gotta go. Bye. 47 00:01:55,015 --> 00:01:56,083 [ Hang up beep ] 48 00:01:56,517 --> 00:01:59,086 ‐ All right, how long is this thing going to take? 49 00:01:59,086 --> 00:02:01,088 ‐ It shouldn't be too long. 50 00:02:01,088 --> 00:02:04,157 ‐ Remarkable resilience for a Roadie. 51 00:02:04,157 --> 00:02:06,360 I've never seen one with such... 52 00:02:06,360 --> 00:02:08,095 Violent tendencies. 53 00:02:08,095 --> 00:02:09,496 ‐ Okay... 54 00:02:09,496 --> 00:02:11,765 Let's wrap this up; get into the weekend. ‐ 55 00:02:11,765 --> 00:02:14,501 ‐ Oh! You've got two new calls from that reporter ‐‐ 56 00:02:14,501 --> 00:02:16,470 Maria something? 57 00:02:16,470 --> 00:02:17,738 Uh, channel seven. 58 00:02:17,738 --> 00:02:19,740 ‐ Yeah, she's been bugging the cops, too. 59 00:02:19,740 --> 00:02:21,175 Where is Susan? 60 00:02:21,175 --> 00:02:22,409 ‐ God, can we please start without her? 61 00:02:22,409 --> 00:02:24,111 I've got places to be. 62 00:02:24,111 --> 00:02:27,247 ‐ Sorry, I was just packing up a little homework for the weekend. 63 00:02:27,247 --> 00:02:28,482 ‐ Martyr. 64 00:02:28,482 --> 00:02:30,751 ‐ Can we do this please? Phil? 65 00:02:30,751 --> 00:02:32,319 ‐ Okay... 66 00:02:32,486 --> 00:02:35,255 We worked the Jackson house for two weeks. 67 00:02:35,756 --> 00:02:39,026 Mid‐level engagement associated with an old fella 68 00:02:39,026 --> 00:02:41,228 who died in the upstairs bedroom 20 years ago 69 00:02:41,228 --> 00:02:43,030 but never got the memo. 70 00:02:43,030 --> 00:02:45,766 Luke helped him move on but, in doing so, 71 00:02:45,766 --> 00:02:47,467 revealed our next contestant. 72 00:02:47,467 --> 00:02:49,736 ‐ Basically a class‐three shapeshifting demon 73 00:02:49,736 --> 00:02:52,506 that bounces from person to person looking for a home. 74 00:02:52,506 --> 00:02:54,741 They are attracted to our type of houses. 75 00:02:54,741 --> 00:02:57,211 They feed on the spiritual turbulence. 76 00:02:57,211 --> 00:02:59,379 Heavier the engagement, tastier the meal. 77 00:02:59,379 --> 00:03:01,248 Basically, it looks for bad places to live 78 00:03:01,248 --> 00:03:03,217 and makes them worse. 79 00:03:03,217 --> 00:03:05,219 ‐ What do they look like? 80 00:03:05,219 --> 00:03:07,354 ‐ See, that's the thing about Roadies... 81 00:03:07,354 --> 00:03:10,090 they have no corporeal mass of their own‐‐ 82 00:03:10,090 --> 00:03:12,759 only the host they occupy at any given moment. 83 00:03:12,759 --> 00:03:14,361 ‐ So, you've seen these things before? 84 00:03:14,361 --> 00:03:15,762 ‐ Only twice. 85 00:03:15,762 --> 00:03:18,232 Fortunately, that was enough for our man, August, 86 00:03:18,232 --> 00:03:20,767 to figure out how modify the M. E. D. to take it apart nicely. 87 00:03:20,767 --> 00:03:23,337 And that is what saved our bacon tonight. 88 00:03:23,337 --> 00:03:25,239 ‐ PHIL: Yeah! 89 00:03:25,239 --> 00:03:27,074 [ Whooping ] 90 00:03:27,074 --> 00:03:29,710 ‐ To be prepared is half the victory. 91 00:03:29,710 --> 00:03:31,245 Cervantes. 92 00:03:31,478 --> 00:03:34,014 ‐ Man, those Roadies played rough. 93 00:03:34,014 --> 00:03:36,083 You saw what those Jackson kids did to their parents. 94 00:03:36,083 --> 00:03:38,151 ‐ Yeah. But that's not the worst of it. 95 00:03:38,151 --> 00:03:41,355 ‐ Mm‐mm. If they manage to stay in the host long enough, 96 00:03:41,355 --> 00:03:43,156 they can take over. 97 00:03:43,156 --> 00:03:45,058 ‐ Take over... how? 98 00:03:45,058 --> 00:03:48,128 ‐ You know those stories you hear about the nice, responsible 99 00:03:48,128 --> 00:03:51,732 insurance guy with a nice yard who goes crazy one day 100 00:03:51,732 --> 00:03:54,201 and kills his entire family with an axe? 101 00:03:54,201 --> 00:03:55,502 ‐ My god. 102 00:03:55,502 --> 00:03:58,205 ‐ Doesn't always go that way, but often enough to, you know‐‐ 103 00:03:58,205 --> 00:04:00,073 [ Alarm rings ] 104 00:04:00,073 --> 00:04:02,476 ‐ Ooh. That's not a happy sound. 105 00:04:02,476 --> 00:04:04,111 ‐ AUGUST: That is the breach alarm. 106 00:04:04,111 --> 00:04:05,212 ‐ Zooey, 107 00:04:05,212 --> 00:04:07,347 lock down the elevators and the stairwell, please. 108 00:04:07,347 --> 00:04:08,482 Talk to me, Augie. 109 00:04:08,482 --> 00:04:09,783 ‐ Checking now. 110 00:04:09,783 --> 00:04:11,084 ‐ What? Is there a fire? 111 00:04:11,084 --> 00:04:12,286 ‐ I wish. 112 00:04:12,286 --> 00:04:15,088 ‐ I think something followed us home. 113 00:04:15,088 --> 00:04:16,456 ♪ Opening score ♪ 114 00:04:22,796 --> 00:04:24,364 [ Man screams ] 115 00:04:26,300 --> 00:04:27,768 ‐ AUGUST: Bear in mind that this 116 00:04:27,768 --> 00:04:30,470 merely indicates presence, not location. 117 00:04:30,470 --> 00:04:32,472 ‐ Now, how did it survive that blast from the M. E. D.? 118 00:04:32,472 --> 00:04:33,774 ‐ It didn't. 119 00:04:33,774 --> 00:04:35,209 It was gone. 120 00:04:35,209 --> 00:04:37,344 Ontologically disassembled. 121 00:04:37,344 --> 00:04:38,278 ‐ And yet here it is. 122 00:04:38,278 --> 00:04:40,013 ‐ I killed it. 123 00:04:40,013 --> 00:04:41,248 It's dead. 124 00:04:41,248 --> 00:04:43,083 ‐ So, I talked to the building sup. 125 00:04:43,083 --> 00:04:45,352 He's shutting down the elevators at the ninth floor 126 00:04:45,352 --> 00:04:46,520 and securing the stairwell. 127 00:04:46,520 --> 00:04:50,224 ‐ We have to walk down ten flights of stairs to get out? 128 00:04:50,224 --> 00:04:52,492 ‐ Do you want to tell her or can I? 129 00:04:52,492 --> 00:04:54,761 ‐ Until we manage to wipe this thing out properly, 130 00:04:54,761 --> 00:04:56,430 we can't take a chance on letting it out. 131 00:04:56,430 --> 00:04:58,165 ‐ Lockdown, baby. 132 00:04:58,165 --> 00:04:59,766 [ Scoffs ] 133 00:04:59,766 --> 00:05:01,301 ‐ You're kidding? 134 00:05:03,203 --> 00:05:04,571 He's kidding, right? 135 00:05:05,472 --> 00:05:07,074 ‐ ZOOEY: Nope. 136 00:05:07,074 --> 00:05:08,075 So, we're stuck here? 137 00:05:08,075 --> 00:05:09,176 For how long? 138 00:05:09,176 --> 00:05:11,211 ‐ Well, hopefully not for long but you saw how that thing 139 00:05:11,211 --> 00:05:12,980 hopped from person to person. 140 00:05:13,247 --> 00:05:15,215 We can't risk it getting out of here. 141 00:05:15,215 --> 00:05:18,085 ‐ Can it pass through walls and doors? 142 00:05:18,085 --> 00:05:20,487 ‐ Were you not paying attention? 143 00:05:20,487 --> 00:05:23,524 It doesn't have a body except for the host. 144 00:05:23,524 --> 00:05:26,493 It's a Roadie; never travels alone, 145 00:05:26,493 --> 00:05:28,295 only with the band. 146 00:05:28,295 --> 00:05:30,364 ‐ So, how did it get up here? 147 00:05:30,364 --> 00:05:32,332 ‐ It found a host. 148 00:05:33,233 --> 00:05:35,035 ♪ Suspenseful music ♪ 149 00:05:36,203 --> 00:05:37,571 [ Deep sigh ] 150 00:05:40,474 --> 00:05:42,409 ‐ Oh, come on! 151 00:05:42,409 --> 00:05:44,344 ‐ The truth is we don't know. 152 00:05:44,344 --> 00:05:47,147 This thing can sit dormant in a person for... 153 00:05:47,147 --> 00:05:48,215 Phil, help me out here. 154 00:05:48,215 --> 00:05:51,084 ‐ Latency seems to be uncomfortable for Roadies. 155 00:05:51,084 --> 00:05:51,985 They... 156 00:05:51,985 --> 00:05:55,055 They like to move around, like a virus. 157 00:05:55,289 --> 00:05:57,524 It infects different people and takes control 158 00:05:57,524 --> 00:06:00,494 after varying periods of dormancy and the host 159 00:06:00,494 --> 00:06:02,095 never knows until... 160 00:06:03,230 --> 00:06:05,365 he wakes up holding the axe. [ Stabbing sounds ] 161 00:06:06,099 --> 00:06:08,402 ‐ It was around eight P. M. when we last saw this thing‐‐ 162 00:06:08,402 --> 00:06:10,237 when August thought that he killed it. 163 00:06:10,237 --> 00:06:12,139 ‐ Oh, August killed it, all right. 164 00:06:12,139 --> 00:06:13,340 ‐ Your tech says otherwise. 165 00:06:13,340 --> 00:06:15,742 ‐ Then there was more than one. 166 00:06:15,742 --> 00:06:17,444 ‐ A Mary‐Kate and Ashley? 167 00:06:19,112 --> 00:06:20,214 Uh... 168 00:06:20,214 --> 00:06:21,515 I guess it's possible. 169 00:06:21,515 --> 00:06:23,217 ‐ Okay. 170 00:06:24,017 --> 00:06:25,085 We stay here for now. 171 00:06:25,085 --> 00:06:27,254 We keep an eye on each other and we see what pops up. 172 00:06:27,254 --> 00:06:28,288 ‐ For how long? 173 00:06:28,288 --> 00:06:30,757 ‐ Until we find it and August smokes it for real. 174 00:06:30,757 --> 00:06:34,027 Phil, do your thing. See what else you can find out‐‐ 175 00:06:34,027 --> 00:06:37,231 And you might want to look at your own device. 176 00:06:37,497 --> 00:06:39,233 We are on the buddy system. 177 00:06:39,233 --> 00:06:42,002 Susan, you and I can talk about the Menendez proposal 178 00:06:42,002 --> 00:06:43,337 in my office. 179 00:06:43,337 --> 00:06:45,205 You guys stick together. 180 00:06:45,205 --> 00:06:47,441 Eyes on each other all the time. 181 00:06:48,475 --> 00:06:51,144 ‐ You've got somebody to feed Schrodinger? 182 00:06:51,144 --> 00:06:53,480 ‐ Yes, I‐‐I'll call my neighbor. 183 00:06:53,480 --> 00:06:56,483 ‐ I gotta call Anthony. He's gonna freak out. 184 00:06:57,217 --> 00:06:58,752 ‐ Yeah, I got people I gotta call, too. 185 00:06:58,752 --> 00:07:01,021 ‐ Why don't you go ahead and get us some food while you're at it. 186 00:07:01,021 --> 00:07:02,222 Okay, what sounds good? 187 00:07:02,222 --> 00:07:03,757 ‐ Mm... a morphine drip? 188 00:07:03,757 --> 00:07:05,092 ‐ How's Chinese food? 189 00:07:05,092 --> 00:07:07,094 Is that okay with everybody? 190 00:07:07,094 --> 00:07:08,428 ‐ Chinese. 191 00:07:08,428 --> 00:07:10,030 ‐ Great. And get the usual. 192 00:07:10,030 --> 00:07:11,365 In the meantime... 193 00:07:13,767 --> 00:07:16,069 Let's all keep our eyes on each other. 194 00:07:16,069 --> 00:07:17,437 Susan? 195 00:07:23,277 --> 00:07:24,978 [ Sigh ] 196 00:07:26,113 --> 00:07:28,081 [ Three phone lines trilling ] 197 00:07:28,081 --> 00:07:29,449 ‐ ALL THREE: Hello? 198 00:07:30,083 --> 00:07:32,085 ‐ No, it's just one of those work things, Megan. 199 00:07:32,085 --> 00:07:33,754 It could be late. 200 00:07:33,754 --> 00:07:35,589 Certainly no longer than absolutely necessary. 201 00:07:38,759 --> 00:07:40,761 Okay, bye. 202 00:07:40,761 --> 00:07:42,362 [ Phone drops on desk ] 203 00:07:42,362 --> 00:07:44,164 ‐ Just how long are we going to be stuck here? 204 00:07:44,164 --> 00:07:45,432 ‐ It's hard to say. 205 00:07:45,432 --> 00:07:49,069 ‐ I don't have to tell you that I am accepting a major award 206 00:07:49,069 --> 00:07:50,370 in less than 24 hours 207 00:07:50,370 --> 00:07:53,273 and there are certain acts of... personal maintenance 208 00:07:53,273 --> 00:07:55,209 that need to take place between now and then. 209 00:07:55,209 --> 00:07:57,077 ‐ You look great. You always look great. 210 00:07:57,077 --> 00:07:58,745 ‐ To the untrained eye. 211 00:07:58,745 --> 00:08:02,749 In my own mind, I'm the chick in the tub in room 237 212 00:08:02,749 --> 00:08:04,251 of the Overlook Hotel. 213 00:08:06,386 --> 00:08:08,488 ‐ Look, you are just being too hard on yourself. 214 00:08:08,488 --> 00:08:11,024 ‐ But it is my night, Luke. 215 00:08:11,024 --> 00:08:13,093 It's my one night! 216 00:08:13,093 --> 00:08:15,762 I'll never win an Oscar, or a Stanley Cup 217 00:08:15,762 --> 00:08:17,764 and the Nobel Prize committee has an obvious 218 00:08:17,764 --> 00:08:20,133 anti‐real estate bias. 219 00:08:20,133 --> 00:08:22,069 Are you really going to deny me exfoliation 220 00:08:22,069 --> 00:08:24,404 on my very special day? 221 00:08:24,404 --> 00:08:26,473 Are you that cruel? 222 00:08:26,473 --> 00:08:28,141 ‐ I am not denying you anything. 223 00:08:28,141 --> 00:08:29,276 But if this thing is inside of you, 224 00:08:29,276 --> 00:08:30,444 you don't want it popping out in the middle of your 225 00:08:30,444 --> 00:08:34,348 acceptance speech and do some kind of Roadie Rumspringa. 226 00:08:34,348 --> 00:08:36,216 It's going to do nothing for your personal brand. 227 00:08:36,216 --> 00:08:39,119 Now, do you want to talk Menendez or not? 228 00:08:39,486 --> 00:08:41,021 [ Deep sigh ] 229 00:08:41,021 --> 00:08:42,256 ♪ Gentle music ♪ 230 00:08:42,256 --> 00:08:43,757 ‐ Yes. 231 00:08:43,757 --> 00:08:46,393 ‐ I don't know, Jeffrey! It's part of my job. 232 00:08:46,393 --> 00:08:48,362 Well, maybe if you ever had a job, you'd understand. 233 00:08:48,362 --> 00:08:51,365 ‐ I thought you'd understand, but I guess not. 234 00:08:51,365 --> 00:08:52,533 You're stressed out? 235 00:08:52,533 --> 00:08:55,102 Anthony, how do you think I feel? 236 00:08:55,102 --> 00:08:58,071 Quite honestly, the longer I stand here talking to you, 237 00:08:58,071 --> 00:09:00,741 ‐ ...the longer cat food soaks in the warm water, 238 00:09:00,741 --> 00:09:02,342 the better she likes it. 239 00:09:03,210 --> 00:09:06,213 No, I'm all out of the canned food she prefers. 240 00:09:06,213 --> 00:09:09,349 I didn't get to the, uh... [ Deep rumble ] 241 00:09:09,349 --> 00:09:11,084 ♪ Ominous music ♪ 242 00:09:11,084 --> 00:09:12,386 [ Squelching ] 243 00:09:15,355 --> 00:09:17,090 To the, uh... 244 00:09:17,491 --> 00:09:19,193 store. 245 00:09:20,761 --> 00:09:24,198 I'm afraid we'll all have to struggle through this together. 246 00:09:27,301 --> 00:09:29,002 ♪ Gentle music ♪ 247 00:09:29,736 --> 00:09:31,738 ‐ PHIL: Boy, it's a crowded field. 248 00:09:32,773 --> 00:09:34,508 Okay... 249 00:09:34,508 --> 00:09:36,310 The Slavs call it a Leshy. 250 00:09:37,611 --> 00:09:40,514 The Japanese have a shape‐shifting trickster fox 251 00:09:40,514 --> 00:09:42,683 called a Kitsune. 252 00:09:42,683 --> 00:09:45,285 For the Algonquins, a Wendigo. 253 00:09:45,285 --> 00:09:48,155 When it possessed somebody, 254 00:09:48,155 --> 00:09:50,057 it developed a violent compulsion 255 00:09:50,057 --> 00:09:51,692 to feast on human flesh. 256 00:09:51,692 --> 00:09:53,093 [ Phone reminder chime ] 257 00:09:53,093 --> 00:09:54,595 ‐ Hn! Who's hungry? 258 00:09:57,264 --> 00:10:00,133 ‐ I had no idea you could break them down by income. 259 00:10:00,133 --> 00:10:01,502 ‐ Used to be you couldn't. 260 00:10:01,502 --> 00:10:03,036 But I developed this algorithm 261 00:10:03,036 --> 00:10:04,705 that scrapes the property tax database 262 00:10:04,705 --> 00:10:06,273 and extrapolates household income 263 00:10:06,273 --> 00:10:07,741 on a separate tab. 264 00:10:07,741 --> 00:10:09,142 ‐ Whew. It's fantastic. 265 00:10:09,142 --> 00:10:11,245 ‐ Mm‐hm. ‐ Is it legal? 266 00:10:11,245 --> 00:10:13,280 ‐ Susan Ireland: real estate renegade. 267 00:10:15,249 --> 00:10:17,017 ‐ Dinner's downstairs. 268 00:10:17,017 --> 00:10:19,286 ‐ Why is it downstairs? He usually brings it upstairs. 269 00:10:19,286 --> 00:10:21,522 ‐ Ah, 'cause he can usually use the elevator. 270 00:10:21,522 --> 00:10:22,689 ‐ So where is our dinner? 271 00:10:22,689 --> 00:10:24,658 ‐ Down at the security desk. 272 00:10:24,658 --> 00:10:27,794 Larry is probably sniffing your Crab Rangoon as we speak. 273 00:10:27,794 --> 00:10:29,196 ‐ Larry the, uh... 274 00:10:29,196 --> 00:10:31,598 ‐ Larry the security guard. 275 00:10:31,598 --> 00:10:33,667 You know ‐‐ the one who looks at Susan the way 276 00:10:33,667 --> 00:10:35,202 Kanye looks at Kanye. 277 00:10:35,202 --> 00:10:36,703 ♪ Mischievous music ♪ 278 00:10:43,177 --> 00:10:45,179 ‐ Yeah. Just do the voice. 279 00:10:48,048 --> 00:10:49,550 ‐ Larry! 280 00:10:49,716 --> 00:10:51,285 Hey, you! 281 00:10:51,285 --> 00:10:53,086 [ Fluorescent tubes buzz ] 282 00:10:54,087 --> 00:10:56,056 [ Papers rustle ] 283 00:11:03,030 --> 00:11:04,565 ‐ What are these? 284 00:11:04,698 --> 00:11:07,067 ‐ The Jacksons had 'em up on the fridge. 285 00:11:07,067 --> 00:11:10,637 Think the youngest kid drew 'em when he was chock full o' demon. 286 00:11:10,637 --> 00:11:12,239 ‐ What do they mean? 287 00:11:12,239 --> 00:11:13,974 ‐ Swirls, chaos... 288 00:11:14,741 --> 00:11:16,276 Two parents, one sibling... 289 00:11:17,177 --> 00:11:18,612 Who knows? 290 00:11:18,612 --> 00:11:20,214 ‐ We should probably take turns 291 00:11:20,214 --> 00:11:21,048 getting some sleep. 292 00:11:21,048 --> 00:11:24,117 Two of us need to be awake at all times. 293 00:11:24,117 --> 00:11:27,688 ‐ Well, I need a tool from my workshop. 294 00:11:28,121 --> 00:11:29,690 Who would like to accompany me to witness 295 00:11:29,690 --> 00:11:33,093 any horrid transformations that might take place? 296 00:11:33,660 --> 00:11:36,263 ‐ Oh, I'd buy a ticket for that. 297 00:11:38,632 --> 00:11:40,300 [ Light switch clicks ] 298 00:11:40,300 --> 00:11:42,002 ♪ Gentle music ♪ 299 00:11:42,736 --> 00:11:44,771 [ Electronic hums and whooshes ] 300 00:11:44,771 --> 00:11:46,173 ‐ It's like 301 00:11:46,173 --> 00:11:48,509 Marie Curie/ Edgar Allen Poe 302 00:11:48,509 --> 00:11:50,744 gave birth to Steve Jobs and we're 303 00:11:50,744 --> 00:11:52,713 looking inside of its brain. 304 00:11:52,713 --> 00:11:54,281 ‐ I've been meaning to tidy up 305 00:11:54,281 --> 00:11:58,051 but there always seems to be some more compelling need. 306 00:11:59,620 --> 00:12:00,787 ‐ Ooh! 307 00:12:00,787 --> 00:12:03,590 Sweet Virgin Airlines! What is that? 308 00:12:04,658 --> 00:12:07,761 ‐ It was living in the furnace of a mid‐century bungalow 309 00:12:07,761 --> 00:12:09,696 some years ago. 310 00:12:09,696 --> 00:12:11,331 It, uh, obstructed the ventilation. 311 00:12:12,533 --> 00:12:16,236 Made it impossible to pass the buyers' pre‐closing inspection. 312 00:12:16,236 --> 00:12:18,472 ‐ Can't have that. ‐ Plus... 313 00:12:18,472 --> 00:12:20,040 it ate their cat. 314 00:12:23,710 --> 00:12:26,747 ‐ Uh, I don't even understand most of this shit. 315 00:12:26,747 --> 00:12:30,217 ‐ It must be difficult to focus when you're always 316 00:12:30,217 --> 00:12:33,587 busy trying to formulate your next ironic remark. 317 00:12:33,587 --> 00:12:35,689 Rather lazy intellectually, though. 318 00:12:36,690 --> 00:12:38,292 ‐ Excuse me? 319 00:12:38,292 --> 00:12:40,027 [ Phone buzzes ] 320 00:12:40,027 --> 00:12:41,695 Uh, I need to take this. 321 00:12:41,695 --> 00:12:44,131 (Demonic voice creeps in) ‐ Oh, I know you do. 322 00:12:44,131 --> 00:12:45,666 ‐ What is your problem? 323 00:12:45,666 --> 00:12:47,501 ‐ You're strong. 324 00:12:47,501 --> 00:12:50,537 Makes me sad to see you act so needy. 325 00:12:50,537 --> 00:12:52,172 [ Scoffs ] ‐ Needy? 326 00:12:52,673 --> 00:12:54,508 You think I'm needy? 327 00:12:54,508 --> 00:12:56,710 [ Phone buzzes ] [ Exasperated sigh ] 328 00:12:56,710 --> 00:12:58,779 I‐I'm gonna take this and when I get back, you and me, 329 00:12:58,779 --> 00:13:00,614 we're going to have a little chat. 330 00:13:00,614 --> 00:13:02,182 What is it, Jeffrey? 331 00:13:02,182 --> 00:13:03,650 Why, what did she say? 332 00:13:03,650 --> 00:13:13,193 ♪ Mysterious music ♪ 333 00:13:13,193 --> 00:13:14,695 [ Deep rumbling ] 334 00:13:18,165 --> 00:13:19,700 [ Squelching ] 335 00:13:29,076 --> 00:13:30,577 [ Squelching ] 336 00:13:32,312 --> 00:13:34,214 [ Door rumbles closed ] 337 00:13:34,781 --> 00:13:37,217 ‐ So, this one version of the Roadie 338 00:13:37,217 --> 00:13:39,286 supposedly manifests in a large 339 00:13:39,286 --> 00:13:41,021 red, bird‐shaped rash 340 00:13:41,722 --> 00:13:43,724 on the infected person's left buttock. 341 00:13:46,093 --> 00:13:49,696 ‐ What exactly am I supposed to do with that information? 342 00:13:49,696 --> 00:13:51,698 [ Phone dings ] ‐ Hm. 343 00:13:52,099 --> 00:13:54,201 [ Text whoosh ] ‐ Oh, God. 344 00:13:55,736 --> 00:13:57,271 [ Button clicks ] 345 00:13:59,273 --> 00:14:01,008 [ Text sent swoop ] 346 00:14:01,008 --> 00:14:03,076 [ Text whooshes, clicks and swoops ] 347 00:14:12,252 --> 00:14:13,754 ♪ Gentle music ♪ 348 00:14:14,655 --> 00:14:16,089 [ Phone down on table ] 349 00:14:16,089 --> 00:14:17,591 ‐ Trouble at home? 350 00:14:19,059 --> 00:14:22,729 ‐ I told you Anthony and I are trying to adopt? 351 00:14:22,729 --> 00:14:25,332 Well, the people are coming over tomorrow morning. 352 00:14:25,732 --> 00:14:27,167 Anthony's freaking out. 353 00:14:27,167 --> 00:14:28,969 ‐ They're gonna love you. 354 00:14:29,770 --> 00:14:31,738 ‐ I hope so. 355 00:14:31,738 --> 00:14:34,107 ‐ You can trust me on two subjects... 356 00:14:34,107 --> 00:14:37,110 adjustable‐rate mortgages and screwed‐up families. 357 00:14:37,244 --> 00:14:39,646 You and Anthony will be the best dads ever. 358 00:14:39,646 --> 00:14:41,048 [ Chuckles ] 359 00:14:41,048 --> 00:14:43,050 I wish you would adopt me! 360 00:14:44,084 --> 00:14:46,553 ‐ We could never afford the wardrobe. 361 00:14:46,553 --> 00:14:48,522 ‐ I cannot believe you are breaking up with me 362 00:14:48,522 --> 00:14:50,157 over the phone right now! 363 00:14:52,559 --> 00:14:54,661 At least it's not a text. 364 00:14:57,097 --> 00:14:59,099 Can you hold that whiny rationalization 365 00:14:59,666 --> 00:15:01,201 for a hot second? 366 00:15:05,305 --> 00:15:07,007 Augie? 367 00:15:08,642 --> 00:15:10,677 We're su‐supposed to be... 368 00:15:10,677 --> 00:15:13,113 [ Loud whoosh ] [ Growl ] 369 00:15:13,113 --> 00:15:14,648 ♪ Pulsing music ♪ 370 00:15:16,583 --> 00:15:18,785 ♪ Music crescendos, fades out quickly ♪ 371 00:15:18,785 --> 00:15:20,621 [ Deep breaths ] 372 00:15:20,621 --> 00:15:22,222 ‐ You okay? 373 00:15:23,123 --> 00:15:25,225 ‐ Oh, it was just that stupid dream 374 00:15:25,225 --> 00:15:28,195 where you're doing a closing 375 00:15:28,195 --> 00:15:29,730 and Justin Timberlake's the buyer 376 00:15:29,730 --> 00:15:32,733 and just as he's about to sign the HUD‐One statement, 377 00:15:32,733 --> 00:15:35,135 he looks straight into your eyes and starts singing 378 00:15:35,135 --> 00:15:38,038 "I'm Lovin' It" and then his pen 379 00:15:38,038 --> 00:15:40,107 turns into this big snake. 380 00:15:40,107 --> 00:15:41,642 [ Inhales ] 381 00:15:45,746 --> 00:15:48,549 Oh, come on. You've never had that dream? 382 00:15:49,783 --> 00:15:51,618 ♪ Gentle music ♪ 383 00:15:51,618 --> 00:15:53,620 Where's Zooey and, uh... 384 00:15:54,688 --> 00:15:56,256 August? 385 00:15:57,024 --> 00:15:58,525 ‐ Luke... 386 00:15:59,726 --> 00:16:01,261 I'm‐‐ 387 00:16:01,261 --> 00:16:02,796 afraid we have a problem. 388 00:16:02,796 --> 00:16:04,331 ♪ Music crescendos ♪ 389 00:16:07,067 --> 00:16:08,435 ♪ Mysterious music ♪ 390 00:16:11,071 --> 00:16:12,372 [ Glass down ] 391 00:16:17,744 --> 00:16:21,181 ‐ I was certain I'd blasted that thing to smithereens. 392 00:16:21,481 --> 00:16:24,084 I still believe... 393 00:16:24,084 --> 00:16:25,385 ‐ Where's Zooey? 394 00:16:26,053 --> 00:16:27,454 ‐ I don't know. 395 00:16:31,391 --> 00:16:33,393 I sat down at my workbench, 396 00:16:35,229 --> 00:16:38,065 trying to figure out how to integrate the... 397 00:16:39,533 --> 00:16:41,301 chopping mechanism into an M. E. D. 398 00:16:43,470 --> 00:16:45,472 The next thing I knew, my‐‐ 399 00:16:47,074 --> 00:16:50,244 My arms felt like they were out of joint and‐‐ 400 00:16:52,513 --> 00:16:54,748 Zooey was nowhere to be found. 401 00:16:54,748 --> 00:16:56,216 ‐ We are on lockdown. 402 00:16:56,216 --> 00:16:58,085 She is in this office. 403 00:16:58,085 --> 00:16:59,486 We'll find Zooey. 404 00:16:59,486 --> 00:17:02,756 ‐ And we somehow need to find the blades to a 405 00:17:02,756 --> 00:17:05,225 Karnaj model number 6800 406 00:17:05,225 --> 00:17:07,094 FYB food processor. 407 00:17:07,094 --> 00:17:08,395 ‐ There's plenty of time for that. 408 00:17:08,395 --> 00:17:10,063 ‐ No! 409 00:17:10,063 --> 00:17:13,166 The demon focused on those particular blades. 410 00:17:13,166 --> 00:17:15,736 It took a file and dulled them 411 00:17:15,736 --> 00:17:17,237 Destroyed them! 412 00:17:18,071 --> 00:17:19,506 If it made that effort, 413 00:17:20,340 --> 00:17:22,075 there is something there. 414 00:17:24,211 --> 00:17:25,746 ‐ Okay. 415 00:17:27,714 --> 00:17:29,349 You guys look for Zooey. 416 00:17:30,117 --> 00:17:33,053 And you keep an eye on each other. 417 00:17:35,489 --> 00:17:37,191 [ Footsteps away ] 418 00:17:38,091 --> 00:17:39,459 ‐ Luke, 419 00:17:41,295 --> 00:17:43,797 what if I did to her what those... 420 00:17:43,797 --> 00:17:45,399 boys did to‐‐? 421 00:17:45,399 --> 00:17:47,067 ‐ I can't. 422 00:17:48,735 --> 00:17:50,237 Hey. It's me. 423 00:17:50,504 --> 00:17:53,140 You know that 24‐hour Sav‐Mor on Brighton? 424 00:17:53,140 --> 00:17:55,442 Yeah, the one across from the park. 425 00:17:56,143 --> 00:17:59,346 Do you know if they have any high‐end small appliances? 426 00:18:02,482 --> 00:18:04,351 ‐ Elevators are still locked down. 427 00:18:04,351 --> 00:18:06,053 Stairway door shows locked. 428 00:18:07,487 --> 00:18:09,189 ‐ Zooey! 429 00:18:09,189 --> 00:18:11,491 ‐ I mean, it's a small office. 430 00:18:11,491 --> 00:18:13,760 ‐ Come on, Zooey, quit screwing around! 431 00:18:33,347 --> 00:18:35,082 ♪ Ominous music swell ♪ 432 00:18:40,354 --> 00:18:41,755 ‐ PHIL: Anything? 433 00:18:41,755 --> 00:18:43,357 ‐ Let's check his workshop. 434 00:18:46,093 --> 00:18:47,494 [ Thud ] 435 00:18:47,494 --> 00:18:49,229 ♪ Eerie music ♪ 436 00:18:49,229 --> 00:18:50,998 [ Squelching ] 437 00:18:56,503 --> 00:18:58,205 [ Animalistic growls ] 438 00:19:25,032 --> 00:19:26,400 ‐ Augie. 439 00:19:26,400 --> 00:19:28,068 [ Fingers snapping ] 440 00:19:30,070 --> 00:19:31,738 ‐ Any luck? ‐ No. 441 00:19:31,738 --> 00:19:33,340 ‐ I've been texting her. Nothing. 442 00:19:33,340 --> 00:19:35,342 ‐ Not Zooey's style to run away. 443 00:19:35,342 --> 00:19:37,277 ‐ Maybe Zooey wasn't driving. 444 00:19:37,277 --> 00:19:38,412 ‐ I need to find her. 445 00:19:38,412 --> 00:19:39,479 ‐ You stay where you are. 446 00:19:39,479 --> 00:19:42,316 ‐ Luke, we need to talk to you. 447 00:19:43,083 --> 00:19:44,451 Outside. 448 00:19:46,753 --> 00:19:49,223 ‐ You can speak in front of me. 449 00:19:49,223 --> 00:19:51,191 ‐ We looked in your workshop. 450 00:19:51,391 --> 00:19:53,093 The M. E. D is dismantled. 451 00:19:54,795 --> 00:19:58,265 ‐ I told you, the Roadie filed down the blades. 452 00:19:58,265 --> 00:20:01,034 ‐ And what did you do to Zooey? 453 00:20:02,069 --> 00:20:03,504 ‐ Mm, guys, chill out. 454 00:20:03,504 --> 00:20:05,739 ‐ Zooey! ‐ PHIL: Where the hell were you? 455 00:20:05,739 --> 00:20:08,141 ‐ I was in the hallway. ‐ And before that? 456 00:20:08,141 --> 00:20:09,476 ‐ Um... 457 00:20:09,743 --> 00:20:11,311 I was... 458 00:20:11,512 --> 00:20:13,213 Ooh. 459 00:20:14,214 --> 00:20:15,749 I was, um... 460 00:20:16,750 --> 00:20:19,186 Talking on the phone with Jeffrey and... 461 00:20:20,387 --> 00:20:22,756 I think he broke up with me. 462 00:20:23,357 --> 00:20:25,092 ‐ On the phone? 463 00:20:25,092 --> 00:20:26,059 ‐ Classy. 464 00:20:26,059 --> 00:20:28,228 ‐ Um, I think you're automatically disqualified 465 00:20:28,228 --> 00:20:30,297 from commenting on awkward breakups. 466 00:20:30,297 --> 00:20:33,233 Anyway, I was talking on the phone with Jeffrey 467 00:20:33,233 --> 00:20:35,068 and then I was... 468 00:20:36,069 --> 00:20:37,471 outside the conference room. 469 00:20:37,471 --> 00:20:39,206 [ Phone dings and buzzes ] 470 00:20:39,206 --> 00:20:41,241 ‐ Let me see your eyes. 471 00:20:41,241 --> 00:20:43,076 ‐ It's too bright in here. ‐ I know. 472 00:20:43,076 --> 00:20:45,012 ‐ It's a text from my mom. 473 00:20:45,012 --> 00:20:47,447 "Turn on the TV, local news, channel seven." 474 00:20:52,386 --> 00:20:54,421 ‐ REPORTER: ...where an unidentified couple 475 00:20:54,421 --> 00:20:57,090 are in critical condition tonight, 476 00:20:57,090 --> 00:21:00,227 their two pre‐teen sons in the care of social services 477 00:21:00,227 --> 00:21:03,497 following a confrontation that occurred earlier this evening. 478 00:21:03,497 --> 00:21:06,400 Details are sketchy, but early reports say that 479 00:21:06,400 --> 00:21:11,004 one or both sons are responsible for their parents' injuries. 480 00:21:11,004 --> 00:21:14,474 However, Spotlight Seven has discovered a strange link 481 00:21:14,474 --> 00:21:17,377 between tonight's incident and a tragedy 482 00:21:17,377 --> 00:21:20,347 that occurred under a year ago. 483 00:21:20,347 --> 00:21:23,150 Questions still linger about the explosion 484 00:21:23,150 --> 00:21:25,252 that caused the death of the Travis family... 485 00:21:25,252 --> 00:21:26,787 ‐ Oh, dear. 486 00:21:26,787 --> 00:21:28,355 ‐ REPORTER: ...but we've discovered 487 00:21:28,355 --> 00:21:29,356 that both the Travises 488 00:21:29,356 --> 00:21:32,359 and the unidentified victims of tonight's incident 489 00:21:32,359 --> 00:21:35,329 were clients of the same shadowy real estate firm. 490 00:21:36,230 --> 00:21:38,765 ‐ Um, we are so not shadowy. 491 00:21:38,765 --> 00:21:41,201 ‐ We're a little shadowy. 492 00:21:41,201 --> 00:21:42,736 ‐ ...and the police will not comment 493 00:21:42,736 --> 00:21:44,738 on the details of tonight's incident 494 00:21:44,738 --> 00:21:47,074 or the Travis explosion. 495 00:21:47,074 --> 00:21:48,775 But does this seeming coincidence 496 00:21:48,775 --> 00:21:50,777 raise some troubling questions 497 00:21:50,777 --> 00:21:53,514 for other clients of the mysterious firm? 498 00:21:53,514 --> 00:21:55,482 Reporting live, I'm Mari‐‐ 499 00:21:55,482 --> 00:21:57,985 [ Remote clatters on table ] 500 00:21:58,752 --> 00:22:00,254 ‐ We're so screwed. 501 00:22:04,424 --> 00:22:06,126 ♪ Mysterious waltz ♪ 502 00:22:24,077 --> 00:22:25,512 ♪ Ominous music ♪ 503 00:22:26,346 --> 00:22:28,248 [ Struggling for breath ] 504 00:22:37,758 --> 00:22:39,226 ‐ ALL: No! 505 00:22:39,359 --> 00:22:41,361 ‐ Nice to see you, too. 506 00:22:42,296 --> 00:22:43,497 ‐ How'd you get in here? 507 00:22:43,497 --> 00:22:45,032 ‐ The security guy brought me up. 508 00:22:45,032 --> 00:22:46,099 He has a key. 509 00:22:46,099 --> 00:22:47,334 ‐ The security guy has a key? 510 00:22:47,334 --> 00:22:50,070 ‐ Yeah, I think they gave it to him roughly around the same time 511 00:22:50,070 --> 00:22:52,206 they started calling him "the security guy." 512 00:22:52,206 --> 00:22:54,208 ‐ What's going on here? ‐ It's a long story. 513 00:22:54,208 --> 00:22:55,742 The punch line is you're gonna be stuck in here 514 00:22:55,742 --> 00:22:57,211 with us for a while. I'll explain in a minute. 515 00:22:57,211 --> 00:22:58,745 Is that the food processor? 516 00:22:58,745 --> 00:23:01,215 ‐ Uh, the last one in stock! 517 00:23:01,215 --> 00:23:04,218 Plus I had a coupon for ten percent off. 518 00:23:07,387 --> 00:23:09,356 ‐ Model number 6800‐FYB. 519 00:23:10,023 --> 00:23:11,758 Brilliant. 520 00:23:11,758 --> 00:23:13,026 Thank you. 521 00:23:13,026 --> 00:23:15,095 ‐ I, uh, hope the color's okay. 522 00:23:15,095 --> 00:23:16,396 ‐ Lovely. 523 00:23:16,396 --> 00:23:19,399 ‐ Are you going to give it to somebody? 524 00:23:20,234 --> 00:23:22,202 ‐ I'm certainly going to try. 525 00:23:22,202 --> 00:23:23,303 ♪ Mysterious music ♪ 526 00:23:26,006 --> 00:23:28,208 ‐ So, if that machine didn't work the first time, 527 00:23:28,208 --> 00:23:30,344 what makes you think it's going to work now? 528 00:23:30,344 --> 00:23:33,080 ‐ First, I maintain that it did work. 529 00:23:34,014 --> 00:23:37,417 Second, on the remote possibility that I am wrong, 530 00:23:37,417 --> 00:23:40,020 I am significantly increasing the speed, 531 00:23:40,020 --> 00:23:41,455 efficiency 532 00:23:41,455 --> 00:23:44,258 and lethality of the device. 533 00:23:44,258 --> 00:23:45,759 ‐ So... 534 00:23:46,493 --> 00:23:50,197 we never did deconstruct that "needy" remark. 535 00:23:51,498 --> 00:23:54,735 ‐ Well, perhaps I was commenting on your apparent need 536 00:23:54,735 --> 00:23:56,737 to be with a certain... 537 00:23:56,737 --> 00:23:58,238 type. 538 00:23:58,238 --> 00:23:59,740 [ Scoffs ] 539 00:23:59,740 --> 00:24:03,043 ‐ Okay, I do not have a type. 540 00:24:05,078 --> 00:24:09,149 I‐‐ Jeffrey was nothing like A. J. who was nothing ‐‐ 541 00:24:09,149 --> 00:24:10,484 nothing like Chris. 542 00:24:12,152 --> 00:24:14,354 ‐ I stand corrected. 543 00:24:14,354 --> 00:24:16,089 [ August whistles happily ] 544 00:24:22,095 --> 00:24:26,133 ‐ I mean, none of them had, like, careers to speak of but, 545 00:24:26,133 --> 00:24:28,335 once again, that's not a type. 546 00:24:28,335 --> 00:24:31,271 A.J. was studying to become a bartender. 547 00:24:31,271 --> 00:24:33,473 Took the exam, like, three times. 548 00:24:33,473 --> 00:24:35,742 Always tripped up on the mojito. 549 00:24:35,742 --> 00:24:36,910 So, I came up with this secret phrase, 550 00:24:36,910 --> 00:24:39,479 it's like a memory aid for him to remember the ingredients ‐‐ 551 00:24:39,479 --> 00:24:42,482 rum, lime, mint, club soda, sugar, ice... 552 00:24:42,482 --> 00:24:45,752 Real Life Murders, Crime Scene Investigators. 553 00:24:45,752 --> 00:24:47,254 That's so simple, right? 554 00:24:48,222 --> 00:24:50,190 Mmm... Not for A. J. 555 00:24:50,490 --> 00:24:52,226 And Chris? 556 00:24:52,226 --> 00:24:53,527 Chris wrote poetry. 557 00:24:54,761 --> 00:24:55,796 Used to go on these huge rants 558 00:24:55,796 --> 00:25:00,133 about how social media was commoditizing free verse. 559 00:25:00,133 --> 00:25:04,137 "If everything's a poem, nothing's a poem." 560 00:25:04,137 --> 00:25:07,374 So, I suggested that maybe she was better suited for something 561 00:25:07,374 --> 00:25:09,510 like construction. 562 00:25:09,510 --> 00:25:12,079 And let's just say that ended badly. 563 00:25:13,747 --> 00:25:15,315 And Jeffrey... 564 00:25:16,750 --> 00:25:18,318 Jeffrey does stand‐up. 565 00:25:20,354 --> 00:25:22,289 Not very funny. 566 00:25:22,289 --> 00:25:23,991 Not intentionally, at least. 567 00:25:25,092 --> 00:25:28,529 ‐ Would you, uh, mind handing me that small Allen wrench? 568 00:25:35,469 --> 00:25:38,472 All I'm saying is that you seem to need... 569 00:25:39,406 --> 00:25:41,108 projects rather than people. 570 00:25:42,442 --> 00:25:44,178 ♪ Contemplative music ♪ 571 00:25:44,478 --> 00:25:47,047 ‐ That's a terrible thing to say. 572 00:25:52,352 --> 00:25:54,488 ‐ You should be with someone... 573 00:25:54,488 --> 00:25:56,223 wonderful. 574 00:25:56,523 --> 00:25:59,393 But such people are available fully assembled. 575 00:26:00,260 --> 00:26:02,362 You needn't keep acquiring them 576 00:26:02,362 --> 00:26:04,064 in kit form. 577 00:26:13,740 --> 00:26:15,309 ‐ I'm not needy. 578 00:26:16,210 --> 00:26:18,045 You're needy. 579 00:26:19,780 --> 00:26:21,348 [ Chuckles quietly ] 580 00:26:25,352 --> 00:26:27,221 ♪ Music fades out ♪ 581 00:26:27,221 --> 00:26:28,755 ‐ MEGAN: I can't believe it. 582 00:26:28,755 --> 00:26:30,257 ‐ LUKE: What? 583 00:26:31,225 --> 00:26:33,126 ‐ That I believe it. 584 00:26:33,493 --> 00:26:35,762 ‐ More things than heaven and earth, Horatio. 585 00:26:35,762 --> 00:26:37,231 ♪ Gentle music ♪ 586 00:26:37,231 --> 00:26:39,199 ‐ I'm a science girl, Luke. 587 00:26:39,499 --> 00:26:43,303 This haunted house demon stuff is really a leap for me. 588 00:26:45,005 --> 00:26:47,474 The Travis thing, that really bothers you. 589 00:26:50,744 --> 00:26:52,312 So, what really happened? 590 00:26:54,114 --> 00:26:55,482 ‐ I got sloppy. 591 00:26:57,217 --> 00:26:58,585 Complacent. 592 00:26:59,219 --> 00:27:00,521 Naive. 593 00:27:01,722 --> 00:27:05,592 I was so eager to believe that everything would be all right 594 00:27:06,326 --> 00:27:09,096 that I ignored that voice in my ear. 595 00:27:09,263 --> 00:27:10,764 It's just, I'm‐‐ 596 00:27:12,766 --> 00:27:14,301 You already know this... 597 00:27:15,469 --> 00:27:18,338 I have this kind of connection to these things all my life. 598 00:27:19,139 --> 00:27:22,176 I don't just see them, I can feel them. 599 00:27:22,509 --> 00:27:24,511 And I can talk to them. 600 00:27:25,078 --> 00:27:28,482 And I can hear them talk to me, if I listen. 601 00:27:30,117 --> 00:27:31,485 Sometimes people around me, 602 00:27:33,086 --> 00:27:34,454 they can see them. 603 00:27:35,088 --> 00:27:36,490 They can talk to them 604 00:27:37,257 --> 00:27:38,992 just because I'm there. 605 00:27:39,226 --> 00:27:42,196 ‐ So, then, what happened at the Travis house? 606 00:27:45,098 --> 00:27:47,034 ‐ I didn't listen close enough. 607 00:27:47,367 --> 00:27:49,069 ‐ SUSAN: What a waste. 608 00:27:49,736 --> 00:27:51,238 ‐ Excuse me? 609 00:27:52,339 --> 00:27:54,041 ‐ God, look at you. 610 00:27:54,408 --> 00:27:56,109 You're so smart. 611 00:27:56,743 --> 00:27:58,445 Fairly well‐adjusted, all things considered. 612 00:27:59,479 --> 00:28:01,181 Objectively attractive. 613 00:28:02,216 --> 00:28:06,053 But you are just like these houses we're trying to sell. 614 00:28:06,220 --> 00:28:07,754 Damaged. 615 00:28:08,222 --> 00:28:09,790 Horribly damaged. 616 00:28:09,790 --> 00:28:11,458 ‐ Susan! 617 00:28:11,758 --> 00:28:13,493 ‐ Oh, come on! 618 00:28:13,493 --> 00:28:16,296 You go from that Brock guy to Luke here? 619 00:28:16,296 --> 00:28:19,099 You are the luckiest woman on the planet. 620 00:28:20,367 --> 00:28:22,336 You should be buying lotto tickets. 621 00:28:25,472 --> 00:28:27,241 What? 622 00:28:27,241 --> 00:28:29,142 ‐ You guys okay? 623 00:28:29,142 --> 00:28:32,212 ‐ Well, Roadies seldom occupy the same individual twice. 624 00:28:33,013 --> 00:28:36,216 ‐ August, Zooey, is the Roadie inside either of you? 625 00:28:37,084 --> 00:28:39,319 ‐ What? ‐ Just answer the question. 626 00:28:41,288 --> 00:28:43,090 ‐ BOTH: No. 627 00:28:43,090 --> 00:28:44,791 ‐ How about you? ‐ No. 628 00:28:44,791 --> 00:28:46,994 ‐ Megan? ‐ Of course not. 629 00:28:49,096 --> 00:28:50,464 ‐ Susan? 630 00:28:50,764 --> 00:28:52,366 ‐ Come on, it's not going to just tell you. 631 00:28:52,366 --> 00:28:54,334 ‐ It's this old Nordic legend I found‐‐ 632 00:28:54,334 --> 00:28:56,270 a demon called a Tregastar. 633 00:28:56,270 --> 00:28:58,472 When this thing takes you over, 634 00:28:58,472 --> 00:29:00,174 you say 635 00:29:00,340 --> 00:29:02,342 what you feel 636 00:29:02,342 --> 00:29:04,011 and you cannot lie. 637 00:29:05,012 --> 00:29:07,047 ‐ Were you always this dorky? 638 00:29:07,347 --> 00:29:09,216 Or was that something that happened 639 00:29:09,216 --> 00:29:10,517 when you and God broke up? 640 00:29:10,517 --> 00:29:13,220 ‐ Susan, is it inside you?! 641 00:29:13,220 --> 00:29:15,222 [ Demonic growl ] 642 00:29:15,222 --> 00:29:17,024 ‐ PHIL: Ah! Oh! 643 00:29:17,024 --> 00:29:18,325 ♪ Edgy music ♪ 644 00:29:19,092 --> 00:29:21,495 ‐ The house! You live in the house! 645 00:29:21,495 --> 00:29:23,096 ‐ Screw this. 646 00:29:23,096 --> 00:29:24,364 ‐ The wonderful house. 647 00:29:24,364 --> 00:29:26,133 ‐ Ah! 648 00:29:26,133 --> 00:29:27,434 [ Growling ] 649 00:29:27,734 --> 00:29:29,269 ‐ Get off! 650 00:29:31,238 --> 00:29:33,073 Get her off of me! 651 00:29:33,073 --> 00:29:34,374 [ Growling ] 652 00:29:38,145 --> 00:29:41,381 [ Growling stops ] [ Susan thuds to floor ] 653 00:29:41,381 --> 00:29:43,183 [ Device powers up ] 654 00:29:44,251 --> 00:29:45,752 [ Device powers down ] 655 00:29:45,752 --> 00:29:47,754 ♪ Exciting music ends ♪ 656 00:29:47,754 --> 00:29:49,423 ‐ SUSAN: Oh, my god! 657 00:29:49,423 --> 00:29:52,459 ‐ Where is it, Augie? Did we get it? 658 00:29:52,759 --> 00:29:54,761 ‐ It rests in pieces. 659 00:29:54,761 --> 00:29:56,363 [ Panting ] 660 00:29:56,363 --> 00:29:58,098 ♪ Gentle music ♪ 661 00:29:59,499 --> 00:30:03,036 ‐ Put it up on the scope and make sure. 662 00:30:06,240 --> 00:30:07,708 [ Beep] 663 00:30:07,708 --> 00:30:10,344 ‐ We got five green. We're all good. 664 00:30:11,011 --> 00:30:12,513 ‐ Nice work. 665 00:30:12,513 --> 00:30:14,081 ‐ Ow! 666 00:30:14,081 --> 00:30:16,483 ‐ Yeah, there's gonna be some residual stiffness. 667 00:30:16,483 --> 00:30:19,152 After having that thing bounce around inside you a while. 668 00:30:19,152 --> 00:30:23,056 ‐ No... kidding. This must be what it feels like to be 30. 669 00:30:23,056 --> 00:30:24,324 [ Silence ] 670 00:30:24,324 --> 00:30:26,059 Ohh. 671 00:30:28,428 --> 00:30:31,231 I seriously need to sleep for, like, two days. 672 00:30:31,231 --> 00:30:32,332 ‐ Okay, I gotta get outta here. 673 00:30:32,332 --> 00:30:36,036 ‐ Zooey, call down and have them unlock the elevator. 674 00:30:38,071 --> 00:30:39,373 ‐ Oh, yeah. Um... 675 00:30:40,073 --> 00:30:41,375 One thing. 676 00:30:42,209 --> 00:30:45,512 So, just before we all group hug and go home, 677 00:30:46,313 --> 00:30:48,115 can we just acknowledge that 678 00:30:48,482 --> 00:30:50,150 some of us... 679 00:30:50,150 --> 00:30:51,251 ♪ Emotional music ♪ 680 00:30:51,251 --> 00:30:54,488 said some really hurtful shit tonight and meant it? 681 00:31:00,027 --> 00:31:03,063 ‐ We've been in each other's faces all night and you‐‐ 682 00:31:03,497 --> 00:31:05,232 probably had enough of me. 683 00:31:08,068 --> 00:31:10,470 Last thing you all need to do is 684 00:31:10,470 --> 00:31:12,472 go to some stupid banquet tomorrow. 685 00:31:15,008 --> 00:31:16,343 ‐ It's tonight. 686 00:31:24,084 --> 00:31:25,452 ‐ Sorry. 687 00:31:47,307 --> 00:31:49,042 ♪ Thumping party music ♪ 688 00:31:49,042 --> 00:31:50,410 [ Indistinct conversations ] 689 00:32:00,754 --> 00:32:02,756 ‐ RITA WEISS: Is that her mother? 690 00:32:02,756 --> 00:32:04,725 It's got to be her mother. 691 00:32:07,361 --> 00:32:10,230 None of the others had the guts to show their faces. 692 00:32:10,230 --> 00:32:11,331 ‐ BOB LIVINGSTON: I think that's best. 693 00:32:11,331 --> 00:32:12,366 ‐ But, Bob, seriously, 694 00:32:12,366 --> 00:32:15,002 who brings their mother to one of these things? 695 00:32:15,002 --> 00:32:17,304 ‐ Leo DiCaprio brought his mom to the Oscars. 696 00:32:17,304 --> 00:32:20,440 ‐ Leonardo DiCaprio was king of the world. 697 00:32:20,440 --> 00:32:24,411 Susan Ireland is, basically, Daphne in Scooby Doo. 698 00:32:24,411 --> 00:32:26,146 ‐ Well, they did give our industry 699 00:32:26,146 --> 00:32:28,148 a huge slap in the face. 700 00:32:28,148 --> 00:32:30,751 ‐ Can we just... not hand out the award? 701 00:32:30,751 --> 00:32:32,452 ‐ STACEY: Not an option. 702 00:32:32,452 --> 00:32:34,221 ‐ Well, perhaps I can talk to her. 703 00:32:34,221 --> 00:32:36,423 We used to be, uh... 704 00:32:36,423 --> 00:32:38,158 ‐ Colleagues. ‐ Mmm. 705 00:32:38,158 --> 00:32:40,060 ‐ STACEY: And what are you going to say? 706 00:32:40,060 --> 00:32:43,163 ‐ I'll ask her to keep it brief and tasteful. 707 00:32:43,163 --> 00:32:44,698 She'll listen to me. 708 00:32:44,698 --> 00:32:47,267 I'm a bit of a mentor. 709 00:32:47,267 --> 00:32:48,969 ‐ Mm. 710 00:32:49,403 --> 00:32:51,071 ‐ BOTH: Mentor. 711 00:32:54,174 --> 00:32:57,177 ‐ Oh, go easy, honey. Remember, you're speaking soon. 712 00:32:57,444 --> 00:33:00,414 ‐ I'm targeting that fine line that separates relaxed and witty 713 00:33:00,414 --> 00:33:02,282 from actually opening with a dick joke. 714 00:33:02,282 --> 00:33:04,284 ‐ I hope you hit it. 715 00:33:05,052 --> 00:33:06,286 ‐ Susan, 716 00:33:06,286 --> 00:33:07,988 you look radiant. 717 00:33:08,222 --> 00:33:09,723 A vision. 718 00:33:10,224 --> 00:33:11,425 ‐ How are you, Bob? 719 00:33:11,425 --> 00:33:13,227 ‐ Fantastic! 720 00:33:13,227 --> 00:33:15,529 And this must be your sister? 721 00:33:17,030 --> 00:33:18,398 ‐ My mom, Constance. 722 00:33:19,466 --> 00:33:21,168 Mom, Bob Livingston. 723 00:33:22,002 --> 00:33:23,704 He's the guy who stepped out of the left‐hand tub 724 00:33:23,704 --> 00:33:25,305 in that boner pill commercial. 725 00:33:25,739 --> 00:33:28,175 ‐ So much for that fine line. 726 00:33:29,142 --> 00:33:30,978 ‐ What a magical evening. 727 00:33:31,211 --> 00:33:34,248 Susan, could I borrow you for half a shake? 728 00:33:38,318 --> 00:33:39,686 ‐ Yep. 729 00:33:39,686 --> 00:33:41,188 ‐ Great. 730 00:33:42,689 --> 00:33:44,725 A pleasure to meet you, Constance. 731 00:33:45,759 --> 00:33:47,995 ‐ Die in a fire, Bob. 732 00:33:54,234 --> 00:33:55,669 ‐ BOB: How you doin'? 733 00:33:55,669 --> 00:33:57,104 ♪ Gentle music ♪ 734 00:33:57,104 --> 00:33:58,739 You know, we were all very surprised 735 00:33:58,739 --> 00:34:01,175 when you took the job with Roman. 736 00:34:01,175 --> 00:34:02,709 It's so... 737 00:34:03,210 --> 00:34:04,678 Off‐brand. 738 00:34:04,678 --> 00:34:06,713 Running around with that bunch of misfits. 739 00:34:06,713 --> 00:34:08,215 You're too good for this. 740 00:34:08,215 --> 00:34:09,683 ‐ You fired me, Bob. 741 00:34:09,683 --> 00:34:10,918 I obviously wasn't too good for that. 742 00:34:10,918 --> 00:34:14,154 ‐ Yeah, well that was because of my wife and she insisted. 743 00:34:14,154 --> 00:34:16,423 ‐ Oh, yeah, how is Twyla? I saw her in here earlier, 744 00:34:16,423 --> 00:34:19,726 checking that big fur coat made from Dalmatian puppies. 745 00:34:22,196 --> 00:34:24,031 ‐ I was hoping we could keep this civil. 746 00:34:24,031 --> 00:34:26,366 Look, I'm just here as a friend to ask you to keep your comments 747 00:34:26,366 --> 00:34:28,335 brief and tasteful. 748 00:34:28,335 --> 00:34:31,738 And not to reference your current employer or his, 749 00:34:31,738 --> 00:34:33,740 you know, band of weirdos. 750 00:34:33,740 --> 00:34:35,409 ‐ It's my agency. 751 00:34:35,409 --> 00:34:37,077 And those are my friends. 752 00:34:37,077 --> 00:34:38,478 ‐ Oh. 753 00:34:38,478 --> 00:34:40,180 Yeah? 754 00:34:40,681 --> 00:34:42,149 Why aren't they here? 755 00:34:42,149 --> 00:34:43,517 To support you. 756 00:34:45,419 --> 00:34:47,321 I'm here, as a friend, 757 00:34:48,222 --> 00:34:50,224 asking you to please, 758 00:34:50,224 --> 00:34:52,359 please don't embarrass yourself. 759 00:34:52,359 --> 00:34:54,161 And the rest of us. 760 00:34:55,696 --> 00:34:57,197 And Susan... 761 00:34:58,298 --> 00:35:00,033 Congrats! 762 00:35:08,008 --> 00:35:09,443 ♪ Dance music ♪ 763 00:35:20,020 --> 00:35:21,321 ‐ Are you okay? 764 00:35:21,321 --> 00:35:23,056 ‐ STACEY: Good evening! 765 00:35:23,056 --> 00:35:26,059 Everyone, please return to your seats. 766 00:35:26,059 --> 00:35:27,694 [ Light conversations ] 767 00:35:29,730 --> 00:35:31,298 Good evening 768 00:35:31,298 --> 00:35:35,669 and welcome to the awards portion of our program. 769 00:35:35,669 --> 00:35:37,171 [ Applause ] 770 00:35:39,139 --> 00:35:41,308 Ladies and gentlemen, 771 00:35:41,308 --> 00:35:42,776 please join me in‐‐ 772 00:35:42,776 --> 00:35:44,444 [ Door opens loudly ] 773 00:35:47,114 --> 00:35:48,448 ♪ Funky music ♪ 774 00:35:53,720 --> 00:35:55,255 ‐ God. 775 00:36:08,402 --> 00:36:10,103 ‐ Sorry we're late. 776 00:36:13,140 --> 00:36:15,309 You were right about the personal maintenance. 777 00:36:16,677 --> 00:36:18,278 ‐ Yeah. 778 00:36:19,346 --> 00:36:22,149 ‐ As I was saying, please join me... 779 00:36:22,149 --> 00:36:23,183 ‐ Hey. ‐ Hey. 780 00:36:23,183 --> 00:36:26,753 ‐ ...in welcoming the new eight‐time laureate 781 00:36:26,753 --> 00:36:29,289 of the Platinum Ring of Esteem 782 00:36:29,289 --> 00:36:33,227 and the recipient of our special award 783 00:36:33,227 --> 00:36:37,097 for lifetime achievement in the real estate arts 784 00:36:37,097 --> 00:36:39,266 and sciences... 785 00:36:39,266 --> 00:36:41,134 Susan Ireland! 786 00:36:41,134 --> 00:36:42,469 ♪ Uplifting music ♪ 787 00:36:42,469 --> 00:36:44,271 [ Whoops and cheers ] 788 00:36:59,720 --> 00:37:01,722 [ Applause and cheers continue ] 789 00:37:05,225 --> 00:37:08,495 ‐ Have none of these people seen the movie "Carrie"? 790 00:37:08,495 --> 00:37:11,064 [ Music and applause fade out ] 791 00:37:15,702 --> 00:37:17,471 ‐ Thank you. 792 00:37:17,471 --> 00:37:20,707 There are many people I want to acknowledge. 793 00:37:20,707 --> 00:37:24,077 My mom, who is here. 794 00:37:24,077 --> 00:37:26,213 My dad, who isn't, 795 00:37:26,213 --> 00:37:28,448 although I kinda feel like he is. 796 00:37:30,050 --> 00:37:32,452 I hope he'd have made time for it. 797 00:37:35,055 --> 00:37:36,690 My current colleagues: 798 00:37:36,690 --> 00:37:40,160 Luke, Phil, August and Zooey, 799 00:37:40,160 --> 00:37:42,296 who gave me a work‐home. 800 00:37:42,296 --> 00:37:44,031 My former colleagues, 801 00:37:44,031 --> 00:37:46,166 who made me realize I deserved one. 802 00:37:46,166 --> 00:37:47,434 [ Snorts ] 803 00:37:48,068 --> 00:37:50,304 ‐ Hope they're wearing their asbestos underwear. 804 00:37:51,171 --> 00:37:53,740 ‐ But I want to thank all of you, too, 805 00:37:53,740 --> 00:37:56,476 for believing in... 806 00:37:56,476 --> 00:37:58,178 something. 807 00:37:58,345 --> 00:38:00,047 Anything. 808 00:38:00,280 --> 00:38:03,217 Some of you believe in me, and for that I am 809 00:38:03,217 --> 00:38:05,219 more grateful than you could know. 810 00:38:05,219 --> 00:38:07,087 ♪ Emotional music ♪ 811 00:38:07,087 --> 00:38:09,323 Some of you believe in other things. 812 00:38:10,691 --> 00:38:12,192 Odd things, 813 00:38:12,659 --> 00:38:14,261 amazing things, beyond imagination. 814 00:38:16,463 --> 00:38:18,198 You've opened my mind 815 00:38:19,166 --> 00:38:21,168 and that's never a bad thing. 816 00:38:22,736 --> 00:38:25,138 But, most of all, I want to thank you ‐‐ 817 00:38:25,138 --> 00:38:27,708 all of you, everyone in this room, 818 00:38:28,175 --> 00:38:29,977 for believing in this business. 819 00:38:31,144 --> 00:38:32,446 Our business. 820 00:38:33,747 --> 00:38:35,349 The good we do, 821 00:38:35,349 --> 00:38:39,186 helping people move on and find their way home. 822 00:38:41,755 --> 00:38:43,423 Thank you. 823 00:38:43,423 --> 00:38:45,192 [ Cheers and applause ] 824 00:38:56,069 --> 00:38:57,437 [ Whoosh ] 825 00:38:58,739 --> 00:39:00,474 ‐ Oh! ‐ Ah! 826 00:39:00,474 --> 00:39:02,209 [ Crowd reaction] 827 00:39:14,521 --> 00:39:17,191 ‐ ANTHONY: The adoption police loved us. They weren't mean at all. 828 00:39:17,191 --> 00:39:18,258 They just wanted to check us out. 829 00:39:18,258 --> 00:39:22,162 You know, get our views on education and nutrition. 830 00:39:22,162 --> 00:39:23,530 Running with scissors. 831 00:39:23,697 --> 00:39:24,965 ‐ So, what's next? 832 00:39:24,965 --> 00:39:27,401 ‐ Well, there's still a lot of flaming hoops to jump through, 833 00:39:27,401 --> 00:39:29,336 but so far so good. 834 00:39:30,437 --> 00:39:32,139 ‐ What's wrong? 835 00:39:33,340 --> 00:39:35,475 ‐ There's just something about last night. 836 00:39:35,475 --> 00:39:37,477 Can't put my finger on it. 837 00:39:38,612 --> 00:39:40,314 ‐ Hm. 838 00:39:42,616 --> 00:39:44,484 ‐ You were great. 839 00:39:51,525 --> 00:39:53,527 ‐ Hey. Thank you for coming. 840 00:39:55,195 --> 00:39:57,197 ‐ That was a fine speech. 841 00:39:57,497 --> 00:40:00,601 What you said about belief, believing... 842 00:40:00,601 --> 00:40:01,668 Very true. 843 00:40:01,668 --> 00:40:03,370 ‐ Mm‐hm. 844 00:40:03,604 --> 00:40:06,173 ‐ But the truth isn't always welcome, is it? 845 00:40:06,173 --> 00:40:07,574 ♪ Thumping music from Zooey's car ♪ 846 00:40:07,574 --> 00:40:09,576 It often comes with a cost. 847 00:40:11,345 --> 00:40:13,213 ‐ Get in, Mister Needy. 848 00:40:13,213 --> 00:40:15,682 ‐ I think I shall be paying for it for a while. 849 00:40:15,682 --> 00:40:17,384 ‐ Hm. 850 00:40:25,125 --> 00:40:26,527 ‐ Hey, Susan! 851 00:40:27,427 --> 00:40:29,229 You were pretty badass tonight. 852 00:40:29,229 --> 00:40:30,631 [ Chuckles ] 853 00:40:38,438 --> 00:40:40,174 ♪ Gentle music ♪ 854 00:40:40,174 --> 00:40:42,075 ‐ You really didn't have to come. 855 00:40:42,075 --> 00:40:43,644 ‐ Yeah, we really did. 856 00:40:45,612 --> 00:40:47,481 ‐ What are we gonna do? 857 00:40:47,481 --> 00:40:49,516 That news story's gonna kill us. 858 00:40:52,085 --> 00:40:53,520 ‐ We'll figure it out. 859 00:40:55,689 --> 00:40:57,658 ‐ I just... 860 00:40:57,658 --> 00:41:00,460 I always try so hard to be positive. 861 00:41:01,295 --> 00:41:04,131 To make people feel good and like me. 862 00:41:05,132 --> 00:41:08,235 But I don't always say everything I'm thinking. 863 00:41:09,069 --> 00:41:10,537 ‐ I mean, who does? 864 00:41:11,171 --> 00:41:12,506 But, Susan, 865 00:41:13,607 --> 00:41:15,309 on your worst day, 866 00:41:16,210 --> 00:41:17,544 I like you a lot. 867 00:41:17,544 --> 00:41:19,246 [ Laughs ] 868 00:41:22,482 --> 00:41:24,251 ‐ Still think she's lucky. 869 00:41:24,484 --> 00:41:26,220 [ Quiet chuckles ] 870 00:41:31,225 --> 00:41:32,559 Thank you. 871 00:41:35,495 --> 00:41:37,698 ‐ Hey! So, where to now? 872 00:41:37,698 --> 00:41:39,399 Wanna grab a bite? 873 00:41:41,335 --> 00:41:43,337 ‐ I want to go home. 874 00:41:43,637 --> 00:41:46,440 ‐ You want to go to my place? 875 00:41:46,440 --> 00:41:48,342 ‐ Mine. 876 00:41:48,342 --> 00:41:49,710 My place. 877 00:41:51,178 --> 00:41:52,513 ‐ I don't‐‐ 878 00:41:53,213 --> 00:41:55,415 Why do you want to go there? I mean, we agreed... 879 00:41:55,415 --> 00:41:57,351 I didn't‐‐ 880 00:41:57,351 --> 00:41:59,286 [ Uber car arrived chime ] 881 00:42:00,087 --> 00:42:01,522 Did you call an Uber? 882 00:42:04,291 --> 00:42:06,093 Megan? 883 00:42:06,093 --> 00:42:07,427 ♪ Mysterious music ♪ 884 00:42:09,696 --> 00:42:11,398 Megan, what's going on? 885 00:42:18,172 --> 00:42:19,506 ‐ How are we tonight? 886 00:42:21,241 --> 00:42:22,609 ‐ We are wonderful. 887 00:42:28,615 --> 00:42:30,584 [ Animalistic growl ] 888 00:42:30,584 --> 00:42:32,286 [ Squelching ] 889 00:42:33,120 --> 00:42:35,122 (Demonic voice) Now take us home. 890 00:42:37,658 --> 00:42:39,459 [ Car engine revving ] 891 00:42:41,094 --> 00:42:43,263 ♪ Closing credit theme ♪