1 00:00:10,143 --> 00:00:11,078 [ SCREAMING ] 2 00:00:11,078 --> 00:00:11,812 I'm Luke Roman. 3 00:00:11,812 --> 00:00:12,546 ‐ MEGAN: Are you a priest? 4 00:00:12,546 --> 00:00:13,514 ‐ LUKE: I'm the Real Estate guy. 5 00:00:13,514 --> 00:00:15,983 I'm about one thing: protecting the God‐given 6 00:00:15,983 --> 00:00:17,618 market‐driven value of your property 7 00:00:17,618 --> 00:00:19,887 from anything in this world... 8 00:00:19,887 --> 00:00:20,787 Or the next. 9 00:00:20,787 --> 00:00:23,090 ‐ You're talking about haunted houses? 10 00:00:23,090 --> 00:00:23,891 LUKE: Everybody, this is 11 00:00:23,891 --> 00:00:25,692 Susan Ireland, our new agent. 12 00:00:25,692 --> 00:00:27,027 Zooey, our office manager. 13 00:00:27,027 --> 00:00:28,729 Father Phil. He does our research. 14 00:00:28,729 --> 00:00:31,465 August designs some of our proprietary technology. 15 00:00:31,465 --> 00:00:33,901 ‐ SUSAN: What exactly do we do? 16 00:00:33,901 --> 00:00:36,103 ‐ LUKE: The client is Donovan. Megan. 17 00:00:36,103 --> 00:00:39,172 You know the drill. Complete psychokinetic triage, 18 00:00:39,172 --> 00:00:41,475 malevolent entity evaluation. 19 00:00:41,475 --> 00:00:42,609 ‐ LAUREN: You're the ghost guy. 20 00:00:42,609 --> 00:00:44,778 Ah! 21 00:00:44,778 --> 00:00:47,614 ‐ The technical term is telekinesis. 22 00:00:47,614 --> 00:00:49,516 ‐ This happened to you, when you were my age? 23 00:00:49,516 --> 00:00:51,418 ‐ Your house? I've been watching it for a while. 24 00:00:51,418 --> 00:00:52,986 Before your grandfather bought the place, 25 00:00:52,986 --> 00:00:54,821 she came next door to complain about the weeds. 26 00:00:54,821 --> 00:00:56,523 Nobody ever saw that lady again. 27 00:00:56,523 --> 00:00:57,491 ‐ Your mother? 28 00:00:57,491 --> 00:01:00,093 ‐ I believe it's going to be very interesting 29 00:01:00,093 --> 00:01:01,628 working for you. 30 00:01:01,628 --> 00:01:03,664 ‐ I believe that you're right. 31 00:01:07,100 --> 00:01:08,669 [ DOGS BARKING IN DISTANCE ] 32 00:01:10,037 --> 00:01:11,538 [ QUIET EERIE MUSIC ] 33 00:01:11,538 --> 00:01:13,540 [ INDISCTINCT CONVERSATIONS ] 34 00:01:34,161 --> 00:01:35,862 [ THRASHING AND GRUNTING ] 35 00:01:36,229 --> 00:01:38,065 ‐ GIRL: Come on. 36 00:01:38,065 --> 00:01:39,666 Dad! 37 00:01:44,204 --> 00:01:45,806 [ WINDOW LOCK ENGAGES ] 38 00:01:50,377 --> 00:01:51,979 [ WINDOW LOCK ENGAGES ] 39 00:01:54,748 --> 00:01:56,350 [ WINDOW LOCK ENGAGES ] 40 00:01:57,384 --> 00:01:58,986 ♪♪♪♪♪ 41 00:02:03,423 --> 00:02:05,158 ‐ BOY: Come on! Dad! 42 00:02:05,859 --> 00:02:07,427 ‐ DAD: Calm down. 43 00:02:07,861 --> 00:02:09,429 [ SCREAMING ] 44 00:02:11,398 --> 00:02:12,899 [ HEAVY THUDS AND CRASHES ] 45 00:02:12,899 --> 00:02:14,368 [ MOANING AND SCREAMING ] 46 00:02:14,368 --> 00:02:16,103 ‐ DAD: Oh, god, no! 47 00:02:23,076 --> 00:02:24,678 [ DOGS BARKING IN DISTANCE ] 48 00:02:26,413 --> 00:02:27,981 [ LOUD EXPLOSION ] 49 00:02:30,917 --> 00:02:32,419 [ CAR ALARM ] 50 00:02:32,419 --> 00:02:34,021 ♪♪♪ Opening Theme ♪♪ 51 00:02:40,227 --> 00:02:41,795 [ MAN SCREAMING ] 52 00:02:43,697 --> 00:02:45,265 [SIGN SQUEAKS ] 53 00:02:51,405 --> 00:02:52,906 [ FOOTSTEPS ] 54 00:02:52,906 --> 00:02:54,474 [ BOY GIGGLING ] 55 00:02:58,378 --> 00:02:59,846 ‐ JAMIE: His pants were ripped 56 00:02:59,846 --> 00:03:01,915 and everybody could see his underwear. 57 00:03:02,482 --> 00:03:04,251 And he didn't know. 58 00:03:04,251 --> 00:03:06,420 I wonder how long he had to walk around like that 59 00:03:06,420 --> 00:03:08,388 with everybody looking at his underwear? 60 00:03:08,388 --> 00:03:09,423 [ KNOCKING ] 61 00:03:09,423 --> 00:03:11,091 ‐ TOM: Jamie? 62 00:03:11,091 --> 00:03:12,592 Who are you talking to? 63 00:03:12,592 --> 00:03:14,227 ‐ JAMIE: Just Rory. 64 00:03:14,227 --> 00:03:16,596 ‐ Well, tell Rory it's bedtime, okay? 65 00:03:17,998 --> 00:03:19,433 Goodnight. 66 00:03:19,433 --> 00:03:21,034 ‐ Goodnight. 67 00:03:21,034 --> 00:03:22,602 ♪♪♪ Gentle music ♪♪♪ 68 00:03:23,570 --> 00:03:25,605 ‐ CINDY: I don't like him. 69 00:03:27,574 --> 00:03:29,176 ‐ He's my dad. 70 00:03:29,176 --> 00:03:30,477 ‐ It's been so long 71 00:03:30,477 --> 00:03:32,779 since I've had somebody to play with. 72 00:03:32,779 --> 00:03:35,148 Now he wants to take you away. 73 00:03:35,148 --> 00:03:36,516 ‐ We have to move. 74 00:03:36,516 --> 00:03:38,385 My mom has a new job. 75 00:03:38,385 --> 00:03:39,720 ‐ Please don't go. 76 00:03:39,720 --> 00:03:41,321 Please. 77 00:03:41,922 --> 00:03:44,991 Or Rory and I will eat you up. 78 00:03:44,991 --> 00:03:46,526 [ GROWLING ] 79 00:03:46,526 --> 00:03:48,128 [ GIGGLING ] 80 00:03:50,263 --> 00:03:51,598 [ ELEVATOR BELL DING ] 81 00:03:51,598 --> 00:03:53,166 [ ELEVATOR DOORS OPEN ] 82 00:03:57,471 --> 00:03:59,039 ‐ SUSAN: Morning! 83 00:04:02,309 --> 00:04:03,610 ‐ ZOOEY: If our coffee was any worse, 84 00:04:03,610 --> 00:04:05,645 we'd qualify as a Superfund site. 85 00:04:06,613 --> 00:04:08,181 [ MICROWAVE BEEPS ] 86 00:04:09,483 --> 00:04:11,017 ‐ Oh, excuse me. [ CHUCKLES ] 87 00:04:11,017 --> 00:04:12,619 ‐ Right. 88 00:04:14,121 --> 00:04:16,456 ‐ You know, it's amazing 89 00:04:16,456 --> 00:04:19,526 how the introduction of just one foreign body 90 00:04:19,526 --> 00:04:21,228 can disrupt one's Feng Shui. 91 00:04:25,499 --> 00:04:27,267 [ OFFICE PHONE RINGS ] 92 00:04:28,201 --> 00:04:29,836 [ SLURPING ] 93 00:04:32,139 --> 00:04:33,640 ‐ Mm. Ugh! 94 00:04:33,640 --> 00:04:35,208 ♪♪♪ Gentle music ♪♪♪ 95 00:04:37,010 --> 00:04:38,578 ‐ LUKE: Well, now that Rita's 96 00:04:38,578 --> 00:04:40,814 not breathing down our necks... 97 00:04:40,814 --> 00:04:42,649 I'd like to step back 98 00:04:42,649 --> 00:04:44,151 and give you the kind of orientation 99 00:04:44,151 --> 00:04:45,819 that any new associate deserves. 100 00:04:47,120 --> 00:04:48,588 ‐ Orientation? 101 00:04:48,588 --> 00:04:49,856 ‐ I'm not going to presume to teach you 102 00:04:49,856 --> 00:04:51,391 anything about real estate, but, uh, 103 00:04:51,391 --> 00:04:53,326 our way of doing things might be different 104 00:04:53,326 --> 00:04:54,261 from what you're‐‐ 105 00:04:54,261 --> 00:04:56,329 ‐ I do things a certain way. ‐ It's just‐‐ 106 00:04:56,329 --> 00:04:58,532 ‐ My process has been honed to a razor sharpness 107 00:04:58,532 --> 00:05:00,667 by years of experience and results. 108 00:05:00,667 --> 00:05:02,169 ‐ I respect your honing, 109 00:05:02,169 --> 00:05:03,904 but there are things that you'll come up against here 110 00:05:03,904 --> 00:05:04,905 that may be new. 111 00:05:04,905 --> 00:05:06,473 ‐ I'm not scared. 112 00:05:08,441 --> 00:05:09,943 The Quincys. 113 00:05:09,943 --> 00:05:12,045 Tom and Patty, son Jamie. 114 00:05:12,045 --> 00:05:15,415 Three‐bedroom, two bath, 2,600 square feet. 115 00:05:15,415 --> 00:05:16,583 Nice place. 116 00:05:16,583 --> 00:05:17,884 ‐ Very nice. 117 00:05:17,884 --> 00:05:19,452 Nice neighborhood, nice price. 118 00:05:21,021 --> 00:05:23,123 But they had two buyers walk out of their contracts 119 00:05:23,123 --> 00:05:24,925 after inspections and one prospect 120 00:05:24,925 --> 00:05:28,628 he literally ran from the house in the middle of a showing. 121 00:05:40,407 --> 00:05:41,975 ‐ She's very pretty. 122 00:05:42,642 --> 00:05:43,910 ‐ Who? 123 00:05:43,910 --> 00:05:45,478 ‐ Seems nice, too. 124 00:05:45,745 --> 00:05:47,247 ‐ You're referring to the homeowner? 125 00:05:47,247 --> 00:05:50,217 ‐ Megan Donovan. You're kind of into her. 126 00:05:50,217 --> 00:05:52,552 ‐ I was evaluating the curb appeal. 127 00:05:54,221 --> 00:05:56,389 She's in a relationship. And she's a client. 128 00:05:56,389 --> 00:05:57,958 ‐ Oh. Well. Sorry. 129 00:05:58,558 --> 00:06:00,794 Capulets, Montagues. 130 00:06:00,794 --> 00:06:01,795 Forbidden. 131 00:06:01,795 --> 00:06:04,731 ‐ I like to keep my life in neat, little piles. 132 00:06:04,731 --> 00:06:06,733 Work ‐ personal. 133 00:06:06,733 --> 00:06:08,902 ‐ I'll have to try that sometime. 134 00:06:14,341 --> 00:06:16,276 ‐ PATTY: So, all these years living here? 135 00:06:16,276 --> 00:06:17,244 Nothing. 136 00:06:17,244 --> 00:06:18,445 We put it up for sale 137 00:06:18,445 --> 00:06:20,313 and everyone starts hearing things and seeing things... 138 00:06:20,313 --> 00:06:21,648 ‐ TOM: Yeah, well, everybody but us. 139 00:06:21,648 --> 00:06:24,351 ‐ The inspector said he heard a child crying 140 00:06:24,351 --> 00:06:26,419 as if her heart would break. 141 00:06:26,753 --> 00:06:28,321 ‐ You have a little boy, don't you? 142 00:06:28,321 --> 00:06:30,090 ‐ Jamie was in school. 143 00:06:30,090 --> 00:06:31,458 ‐ And when the prospect walked out in the middle‐‐? 144 00:06:31,458 --> 00:06:33,026 ‐ Ran. That lady ran out of here. 145 00:06:33,026 --> 00:06:35,295 ‐ The agent said she saw some sort of apparition 146 00:06:35,295 --> 00:06:36,796 floating in the hall. 147 00:06:36,796 --> 00:06:38,632 ‐ Well, she's crazy. 148 00:06:38,632 --> 00:06:40,667 Aren't you guys supposed to screen out the crazy people? 149 00:06:40,667 --> 00:06:43,303 ‐ Well, sadly, the mortgage prequalification process 150 00:06:43,303 --> 00:06:44,471 only goes so far. 151 00:06:44,471 --> 00:06:46,606 ‐ As she left, she gave us your name. 152 00:06:46,606 --> 00:06:48,308 ‐ Look, I want to make something clear: 153 00:06:48,308 --> 00:06:50,877 we don't believe in ghosts, or spooks, or evil spirits 154 00:06:50,877 --> 00:06:52,846 or any of that crap, okay? 155 00:06:52,846 --> 00:06:54,314 Look, we don't believe in anything. 156 00:06:54,314 --> 00:06:55,982 ‐ We're Presbyterian. 157 00:06:58,218 --> 00:07:00,287 ‐ Patty starts the new job in two weeks. 158 00:07:00,287 --> 00:07:02,355 Spent a fortune on the new place out there. 159 00:07:02,355 --> 00:07:04,724 This double mortgage is eating us alive. 160 00:07:05,025 --> 00:07:07,394 So, can you help us or not? 161 00:07:08,395 --> 00:07:10,130 ‐ Yes. Yes, we can. 162 00:07:10,664 --> 00:07:13,366 We'll prepare a personalized marketing plan 163 00:07:13,366 --> 00:07:15,435 targeting the demographic and income levels 164 00:07:15,435 --> 00:07:17,137 predisposed to this neighborhood, 165 00:07:17,137 --> 00:07:18,805 configuration and amenity set 166 00:07:18,805 --> 00:07:22,075 and use a proprietary algorithm to identify and exploit channels 167 00:07:22,075 --> 00:07:24,678 to reach them at their most sensitive touchpoints. 168 00:07:26,246 --> 00:07:28,481 ‐ Uh, the master suite's down the hall. 169 00:07:28,481 --> 00:07:29,983 It's got a really nice sitting area. 170 00:07:29,983 --> 00:07:31,484 ‐ Hm. 171 00:07:35,555 --> 00:07:36,589 I blame those inspectors. 172 00:07:36,589 --> 00:07:38,658 Know what? They're just looking for something. 173 00:07:38,658 --> 00:07:40,427 ‐ SUSAN: Oh, is this a whirlpool? 174 00:07:40,427 --> 00:07:42,595 ‐ And real estate agents? Don't get me started. 175 00:07:42,595 --> 00:07:43,897 ‐ I won't. 176 00:07:43,897 --> 00:07:46,733 ‐ Mom, I can't find my red jacket. 177 00:07:46,733 --> 00:07:48,234 ‐ Honey, we're a little busy right now. 178 00:07:48,234 --> 00:07:51,204 Put Josh back in the cage, make sure it's latched, okay? 179 00:07:51,204 --> 00:07:52,906 ‐ This must be Jamie. 180 00:07:53,073 --> 00:07:54,607 Hi. 181 00:07:55,275 --> 00:07:58,078 ‐ SUSAN: An oasis of luxurious living! 182 00:07:58,078 --> 00:07:59,946 It's impossible to overstate the appeal 183 00:07:59,946 --> 00:08:01,915 of those kinds of intimate spaces. 184 00:08:01,915 --> 00:08:03,516 ♪♪♪ Eerie music ♪♪♪ 185 00:08:10,957 --> 00:08:12,559 [ HIGH‐PITCHED RINGING ] 186 00:08:13,727 --> 00:08:15,295 [ SWING SQUEAKS ] 187 00:08:16,863 --> 00:08:18,631 ‐ What did they want? 188 00:08:20,633 --> 00:08:23,036 ‐ They're here to sell the house. 189 00:08:25,038 --> 00:08:27,874 ‐ But I don't want you to go. 190 00:08:27,874 --> 00:08:30,944 ‐ I know, but I... My family‐‐ 191 00:08:30,944 --> 00:08:32,545 ‐ I'm your family! 192 00:08:32,879 --> 00:08:35,615 And if you move, I'll be all alone. 193 00:08:35,615 --> 00:08:37,751 Again. 194 00:08:37,751 --> 00:08:39,619 I'll be so sad. 195 00:08:39,619 --> 00:08:40,920 I'll do... 196 00:08:40,920 --> 00:08:42,989 something to myself. 197 00:08:42,989 --> 00:08:45,759 I'll climb out that window and up onto the roof 198 00:08:45,759 --> 00:08:47,227 and I'll jump! I'll die! 199 00:08:47,227 --> 00:08:48,828 My bones will break and blood will come out 200 00:08:48,828 --> 00:08:51,898 of my eyes and it'll be all your fault! 201 00:09:00,306 --> 00:09:02,008 ‐ Hey, everybody! New client. 202 00:09:02,809 --> 00:09:04,844 ‐ PHIL: Hey! You're back! 203 00:09:04,844 --> 00:09:06,246 ‐ You sound surprised. 204 00:09:06,246 --> 00:09:07,614 ‐ AUGUST: Our track record 205 00:09:07,614 --> 00:09:09,816 with new employee retention has been, um... 206 00:09:09,816 --> 00:09:11,317 lacklustre. 207 00:09:11,317 --> 00:09:14,687 ‐ Okay, so, 12 Marion Drive. Haverford neighborhood. 208 00:09:14,687 --> 00:09:15,989 ‐ Sweet. 209 00:09:15,989 --> 00:09:18,925 ‐ I need you to do a history on the house and underlying dirt. 210 00:09:18,925 --> 00:09:20,960 Homeowners say that they never had an encounter, 211 00:09:20,960 --> 00:09:23,496 but I picked up something from the boy. He had a secret. 212 00:09:23,496 --> 00:09:24,297 ‐ What? You thinking a Harvey? 213 00:09:24,297 --> 00:09:26,466 ‐ I don't know. Maybe a Lassie. 214 00:09:26,466 --> 00:09:28,601 The aural emanations might tell us something 215 00:09:28,601 --> 00:09:30,937 about trajectory and intent. 216 00:09:30,937 --> 00:09:33,606 Just add it into the standard PKT protocol. 217 00:09:33,606 --> 00:09:35,208 Anything else? 218 00:09:35,208 --> 00:09:37,210 ‐ Um, just a couple of things. 219 00:09:37,210 --> 00:09:39,112 Father Phil, I have opened a Dropbox folder 220 00:09:39,112 --> 00:09:40,313 on the Quincy account. 221 00:09:40,313 --> 00:09:41,381 If you could send me all your research, 222 00:09:41,381 --> 00:09:44,384 I'll add it in so we have a comprehensive database. 223 00:09:44,384 --> 00:09:46,352 ‐ See, ah, 224 00:09:46,352 --> 00:09:48,354 it's just that I like to keep my own files. 225 00:09:48,354 --> 00:09:50,690 ‐ Sure, but if we have everyone's data 226 00:09:50,690 --> 00:09:52,192 in a centralized location, 227 00:09:52,192 --> 00:09:54,360 it's easy for everyone to access. Okay? 228 00:09:54,360 --> 00:09:55,628 ‐ Probably not going to do that. 229 00:09:55,628 --> 00:09:57,864 ‐ August, I assume you'll physically go 230 00:09:57,864 --> 00:10:00,400 to the Quincy house to do these initial tests of yours? 231 00:10:00,400 --> 00:10:02,335 ‐ The beginning is the most important part of the work. 232 00:10:02,335 --> 00:10:03,403 Plato. 233 00:10:03,403 --> 00:10:05,405 ‐ Ah, I have a plumber going to the house tomorrow. 234 00:10:05,405 --> 00:10:07,173 So, maybe we could coordinate our ETAs 235 00:10:07,173 --> 00:10:09,042 to make sure we're not, like, descending on the Quincys 236 00:10:09,042 --> 00:10:10,076 all at once? 237 00:10:10,076 --> 00:10:11,678 ‐ I dislike plumbers. 238 00:10:11,678 --> 00:10:14,080 My ETA is... liquid. 239 00:10:14,380 --> 00:10:16,349 ‐ See, the plumber is really important 240 00:10:16,349 --> 00:10:19,018 and you can do your thing anytime, right? 241 00:10:19,018 --> 00:10:21,488 So, maybe we both submit our avails to Zooey 242 00:10:21,488 --> 00:10:22,722 and she could work up a spreadsheet? 243 00:10:22,722 --> 00:10:26,259 Oh, maybe I could send you one of the templates I created? 244 00:10:26,259 --> 00:10:28,428 ‐ Yeah. And then maybe I could print it out 245 00:10:28,428 --> 00:10:30,930 and you could roll it up and shove it up your‐‐ 246 00:10:30,930 --> 00:10:32,999 ‐ Maybe this meeting is finished. 247 00:10:33,266 --> 00:10:35,034 Lots to do, everybody! 248 00:10:38,738 --> 00:10:40,340 ♪♪♪ Gentle music ♪♪♪ 249 00:10:43,409 --> 00:10:44,744 ‐ So, a couple more things. 250 00:10:44,744 --> 00:10:45,945 ‐ Yep. 251 00:10:45,945 --> 00:10:47,380 ‐ What's a Harvey? 252 00:10:47,380 --> 00:10:49,415 ‐ It's shorthand for imaginary friend. 253 00:10:49,782 --> 00:10:51,184 It was this movie with Jimmy Stewart‐‐ 254 00:10:51,184 --> 00:10:53,720 ‐ Ah. I am aware of the rabbit movie. 255 00:10:53,720 --> 00:10:55,221 So, a Lassie is...? 256 00:10:55,221 --> 00:10:58,124 ‐ A helpful spirit that latches onto a living being, 257 00:10:58,124 --> 00:10:59,559 usually a child. 258 00:10:59,559 --> 00:11:00,760 ‐ So, why not just say that? 259 00:11:00,760 --> 00:11:04,397 ‐ Why'd you say ETA instead of estimated time of arrival? 260 00:11:04,898 --> 00:11:06,799 ‐ And so a PKT is...? 261 00:11:06,799 --> 00:11:08,501 ‐ Psycho‐Kinetic Triage. 262 00:11:08,501 --> 00:11:11,171 It's an initial evaluation that gives us our, uh, 263 00:11:11,171 --> 00:11:13,907 baseline snapshot into a property's level of engagement. 264 00:11:14,240 --> 00:11:15,942 ‐ It's all so new. 265 00:11:17,477 --> 00:11:19,078 So odd. 266 00:11:20,079 --> 00:11:21,581 ‐ Relax. 267 00:11:21,581 --> 00:11:23,216 It's like learning French. 268 00:11:23,216 --> 00:11:25,485 First, you immerse yourself in it, then you listen, 269 00:11:25,485 --> 00:11:26,953 and study and, before you know it, 270 00:11:26,953 --> 00:11:28,154 you're speaking it all on your own, 271 00:11:28,154 --> 00:11:31,157 murdering the verbs and giving the locals a good laugh. 272 00:11:31,157 --> 00:11:33,726 ‐ Think the locals hate me already. 273 00:11:33,726 --> 00:11:35,228 ‐ Nobody hates you. 274 00:11:35,228 --> 00:11:36,129 We need you. 275 00:11:36,129 --> 00:11:38,998 ‐ You might wanna mention that to them. 276 00:11:40,500 --> 00:11:42,068 [ CELL PHONE RINGS ] 277 00:11:52,011 --> 00:11:53,346 ‐ SUSAN: All right. 278 00:11:53,346 --> 00:11:55,915 But please ask August to call me ASAP. 279 00:11:56,849 --> 00:11:59,152 Yes, I'm here staging the house now. 280 00:11:59,152 --> 00:12:01,854 This little boy's room is a war zone. 281 00:12:02,121 --> 00:12:04,457 Yes, Zooey, I believe a disorderly room 282 00:12:04,457 --> 00:12:06,492 is indicative of a disorderly life. 283 00:12:07,961 --> 00:12:11,297 My potty training was and remains none of your business. 284 00:12:11,297 --> 00:12:13,666 Just have August call me. Thank you. 285 00:12:13,933 --> 00:12:15,969 [ HAMSTER WHEEL SQUEAKING ] 286 00:12:17,270 --> 00:12:18,871 You have your wheel. 287 00:12:20,306 --> 00:12:21,474 I have mine. 288 00:12:21,474 --> 00:12:23,343 [ LOW BOOM ] 289 00:12:23,343 --> 00:12:25,111 ♪♪♪ Eerie music ♪♪♪ 290 00:12:25,111 --> 00:12:27,046 [ EERIE CREAKING ] 291 00:12:27,046 --> 00:12:29,148 [ THUD; OBJECT SLIDING ACROSS FLOOR UPSTAIRS ] 292 00:12:29,148 --> 00:12:30,717 [ CINDY CRYING ] 293 00:12:41,728 --> 00:12:43,229 [ GASP ] 294 00:12:43,229 --> 00:12:44,964 ♪♪♪ music fades out ♪ 295 00:12:47,033 --> 00:12:48,901 ♪♪♪ sudden loud music ♪ [ GASP ] 296 00:12:48,901 --> 00:12:50,737 [ CINDY CRYING ] 297 00:12:50,737 --> 00:12:52,238 ‐ Help me! 298 00:12:57,543 --> 00:12:59,312 ‐ What...? 299 00:12:59,312 --> 00:13:01,147 Who‐who are...? 300 00:13:01,147 --> 00:13:03,216 ‐ Betsy! My doll. 301 00:13:03,216 --> 00:13:05,351 I can't go home without Betsy! 302 00:13:07,020 --> 00:13:08,588 ‐ Where... is she? 303 00:13:09,656 --> 00:13:12,058 ‐ Up there. I can't reach her. 304 00:13:14,661 --> 00:13:16,362 [ OBJECT SLIDING ACROSS ATTIC FLOOR ] 305 00:13:17,597 --> 00:13:19,198 [ CELL PHONE RINGS ] [ GASP ] 306 00:13:19,866 --> 00:13:21,567 ‐ Yes? What? Who is it? 307 00:13:21,567 --> 00:13:23,202 ‐ Not the plumber. 308 00:13:23,202 --> 00:13:26,339 If it meets with your exacting scheduled parameters, 309 00:13:26,339 --> 00:13:29,042 I'll be arriving at the Quincy house shortly. 310 00:13:29,042 --> 00:13:30,710 ‐ August, I saw her! 311 00:13:30,710 --> 00:13:32,278 A‐a little girl. 312 00:13:33,179 --> 00:13:35,915 ‐ If one works at Yellowstone National Park... 313 00:13:35,915 --> 00:13:38,351 ...one should not be surprised to encounter a bear 314 00:13:38,351 --> 00:13:39,786 every once in a while. 315 00:13:39,786 --> 00:13:40,787 Have you told Luke? 316 00:13:40,787 --> 00:13:41,921 ‐ It just happened! 317 00:13:41,921 --> 00:13:44,324 ‐ Tell him. I'll be there shortly. 318 00:13:44,324 --> 00:13:45,925 ♪♪♪ Gentle music ♪♪♪ 319 00:13:46,826 --> 00:13:48,428 [ PHONE LINE TRILLING ] 320 00:13:49,295 --> 00:13:50,296 ‐ Susan! 321 00:13:50,296 --> 00:13:51,264 What's up? 322 00:13:51,264 --> 00:13:52,699 ‐ I'm in the little boy's room. 323 00:13:52,699 --> 00:13:55,101 I‐I‐I just saw her. A‐a‐a little girl. 324 00:13:55,101 --> 00:13:57,203 She was wearing a red dress... 325 00:13:57,203 --> 00:13:59,772 She was here and then she wasn't. 326 00:13:59,772 --> 00:14:02,008 ‐ Okay, you need to download Father Phil. 327 00:14:02,008 --> 00:14:04,077 I need to run a quick errand and then I'll be back at the office. 328 00:14:04,077 --> 00:14:05,278 ‐ And then we‐‐ 329 00:14:05,278 --> 00:14:08,548 we find her unfinished business and‐and finish it, right? 330 00:14:08,548 --> 00:14:09,782 ‐ Yeah. 331 00:14:09,782 --> 00:14:13,152 But first we need to be sure exactly what we're dealing with. 332 00:14:13,152 --> 00:14:14,754 You okay? 333 00:14:15,421 --> 00:14:16,923 ‐ Sure. 334 00:14:16,923 --> 00:14:18,491 Yes. I got this. 335 00:14:19,792 --> 00:14:21,394 [ DOOR CLOSES ] 336 00:14:23,896 --> 00:14:25,465 [ BIRDS CHIRPING ] 337 00:14:26,833 --> 00:14:28,401 [ SHUTTER CLICKING ] 338 00:14:34,440 --> 00:14:36,008 ‐ MEGAN: Selfies? Really? 339 00:14:36,776 --> 00:14:38,177 ‐ Oh, hi! I didn't see you. 340 00:14:38,177 --> 00:14:39,912 ‐ Yeah. Obviously. 341 00:14:39,912 --> 00:14:42,415 ‐ I really wasn't taking selfies with your house. 342 00:14:42,415 --> 00:14:44,350 That would be creepy. No, it's just sometimes 343 00:14:44,350 --> 00:14:45,752 these properties can act a little differently 344 00:14:45,752 --> 00:14:46,586 when your back is turned. 345 00:14:46,586 --> 00:14:48,654 ‐ How does a house act differently? 346 00:14:48,654 --> 00:14:51,758 ‐ Oh, I've had exterior colours change, windows shift. 347 00:14:51,758 --> 00:14:53,793 I had one once ‐‐ I turned my back 348 00:14:53,793 --> 00:14:56,496 and the central chimney extended by six feet. 349 00:14:56,829 --> 00:14:58,865 Like it was giving me the finger. 350 00:14:58,865 --> 00:15:01,801 ‐ I don't know when to believe you. 351 00:15:01,801 --> 00:15:03,503 I know we faced down evil together 352 00:15:03,503 --> 00:15:05,004 and tossed it a pork chop, 353 00:15:05,004 --> 00:15:06,506 but I still have these moments when I think maybe 354 00:15:06,506 --> 00:15:08,141 you should be detained and studied. 355 00:15:08,141 --> 00:15:10,209 ‐ Ah, you'd have to buy me dinner first. 356 00:15:10,209 --> 00:15:12,945 ‐ So, uh, that's why you came by? 357 00:15:13,346 --> 00:15:15,448 ‐ Just wanted to let you know that we are on the job. 358 00:15:15,448 --> 00:15:16,949 Phil is tracking down the original paperwork 359 00:15:16,949 --> 00:15:18,851 on the house and August is doing what 360 00:15:18,851 --> 00:15:20,119 August does. 361 00:15:20,119 --> 00:15:21,788 ‐ I just want to‐‐ 362 00:15:22,388 --> 00:15:23,990 Excuse me. 363 00:15:24,357 --> 00:15:26,292 Brock, put on pants! 364 00:15:26,292 --> 00:15:28,327 Kids walk to school past here. 365 00:15:31,130 --> 00:15:32,698 Oh, my god. 366 00:15:33,800 --> 00:15:34,801 [ SIGH ] 367 00:15:34,801 --> 00:15:37,069 ‐ So, we check the title history for surprises. 368 00:15:37,069 --> 00:15:38,738 We update the website and brochure. 369 00:15:38,738 --> 00:15:40,006 ‐ Mm‐hm. 370 00:15:40,006 --> 00:15:42,208 ‐ We revitalize the floors and we fluff up the throw pillows. 371 00:15:42,208 --> 00:15:44,377 Then we pop a couple amyl nitrates under our nostrils 372 00:15:44,377 --> 00:15:45,978 and we sell this thing! 373 00:15:45,978 --> 00:15:47,814 ‐ I am not going to miss this place. 374 00:15:47,814 --> 00:15:49,348 ‐ Me neither. 375 00:15:50,750 --> 00:15:52,885 Not the place, no. 376 00:15:52,885 --> 00:15:54,487 ♪♪♪ gentle music ♪♪♪ 377 00:15:57,023 --> 00:15:58,524 [ DOG BARKING IN DISTANCE ] 378 00:15:58,524 --> 00:16:00,092 [ BIRDS CHIRPING ] 379 00:16:02,862 --> 00:16:04,897 [ OBJECT DRAGGED ACROSS FLOOR IN ATTIC ] 380 00:16:09,836 --> 00:16:11,904 ♪♪♪ Tense music ♪♪♪ 381 00:16:22,582 --> 00:16:24,183 ♪♪♪♪♪ 382 00:16:31,424 --> 00:16:33,192 ‐ Talked to Susan, 383 00:16:33,192 --> 00:16:35,962 but I can't find any evidence of a post‐animative tether 384 00:16:35,962 --> 00:16:38,364 connecting the house to any little girl. 385 00:16:38,364 --> 00:16:41,067 It's a pretty bold move for a Harvey. 386 00:16:41,901 --> 00:16:43,603 ‐ That's what I thought. 387 00:16:44,470 --> 00:16:45,605 ‐ Did she freak? 388 00:16:45,605 --> 00:16:46,539 ‐ Susan? 389 00:16:46,539 --> 00:16:48,040 ‐ Mm. 390 00:16:48,040 --> 00:16:49,609 ‐ No, actually. 391 00:16:50,443 --> 00:16:52,044 ♪♪♪♪♪ 392 00:16:54,280 --> 00:16:55,781 [ GASPS ] 393 00:16:55,781 --> 00:16:57,483 [ HIGH‐PITCHED RINGING ] 394 00:16:57,483 --> 00:16:59,519 [ RELIEVED CHUCKLE AND SIGH ] 395 00:17:00,086 --> 00:17:01,621 [ FLUTTERING ] 396 00:17:01,621 --> 00:17:03,422 [ SCREAM ] [ RAVEN CAWS ] 397 00:17:04,590 --> 00:17:06,592 [ GLASS SHATTERS ] 398 00:17:06,592 --> 00:17:07,593 [ SCREAM ] 399 00:17:07,593 --> 00:17:09,262 ‐ Ah! 400 00:17:09,262 --> 00:17:11,464 [ GASPING ] 401 00:17:11,464 --> 00:17:13,065 Ah! 402 00:17:13,065 --> 00:17:14,567 ‐ Oh! August! Oh, my God! 403 00:17:14,567 --> 00:17:16,235 ‐ Are you, uh, all right? 404 00:17:16,235 --> 00:17:17,670 ‐ Did you see it? 405 00:17:17,670 --> 00:17:19,572 [ GASPING FOR BREATH ] 406 00:17:19,572 --> 00:17:23,009 It was‐‐ It was this huge black bird and... 407 00:17:23,009 --> 00:17:25,711 It attacked me and then‐and then it was gone! It was... 408 00:17:25,711 --> 00:17:26,979 [ EXHALE ] 409 00:17:26,979 --> 00:17:29,015 I mean, it was a crow or something. 410 00:17:29,015 --> 00:17:30,750 ‐ Sounds like a raven. 411 00:17:31,217 --> 00:17:33,519 ‐ A raven? Are you certain? 412 00:17:34,453 --> 00:17:36,022 ‐ Never more. 413 00:17:40,259 --> 00:17:41,861 ♪♪♪ Mischievous music ♪ 414 00:17:42,395 --> 00:17:44,196 ‐ No, pigtails. 415 00:17:44,196 --> 00:17:45,264 Braided. 416 00:17:45,264 --> 00:17:46,899 And her eyes were blue. 417 00:17:46,899 --> 00:17:49,569 Oh, she was such a pretty little girl. 418 00:17:50,236 --> 00:17:51,837 And so sad. 419 00:17:52,939 --> 00:17:54,407 ‐ A little girl did this to you? 420 00:17:54,407 --> 00:17:55,908 ‐ No. It was a crow! 421 00:17:55,908 --> 00:17:58,177 ‐ No, actua‐‐ ‐ Or a raven! 422 00:17:58,177 --> 00:18:00,513 Whatever it was, it was huge! 423 00:18:00,513 --> 00:18:02,548 Like the size of a... condor, 424 00:18:02,548 --> 00:18:04,283 or a Jonas brother. 425 00:18:04,283 --> 00:18:06,285 ‐ So what about the dress? 426 00:18:06,285 --> 00:18:07,620 ‐ Red. 427 00:18:07,620 --> 00:18:09,221 Gingham print... 428 00:18:09,455 --> 00:18:11,057 Old‐school. 429 00:18:12,892 --> 00:18:14,460 That's it. That's her. 430 00:18:16,262 --> 00:18:18,965 ‐ You weren't near a Wendy's, were you? 431 00:18:19,298 --> 00:18:20,299 ‐ Hey! 432 00:18:20,299 --> 00:18:22,602 (Cuban accent) Say hello to our little friend. 433 00:18:23,869 --> 00:18:24,971 ‐ What were you doing in the attic? 434 00:18:24,971 --> 00:18:27,440 ‐ The little girl said she left her doll up there. 435 00:18:27,440 --> 00:18:28,908 ‐ Wait ‐‐ and you believed her? 436 00:18:28,908 --> 00:18:31,877 ‐ She's dead, right? Why would she lie? 437 00:18:33,412 --> 00:18:34,614 [ SCOFFS ] 438 00:18:34,614 --> 00:18:36,983 ‐ Could you give us a second? 439 00:18:41,754 --> 00:18:43,990 ‐ So, I have a couple who wants to see the Quincy house. 440 00:18:43,990 --> 00:18:46,492 I know it's still a little, like, problematic, 441 00:18:46,492 --> 00:18:48,894 but these buyers are motivated, and I think it's best if we‐‐ 442 00:18:48,894 --> 00:18:50,463 ‐ Not yet. 443 00:18:50,663 --> 00:18:52,965 ‐ I understand the spooky little girl of it all, 444 00:18:52,965 --> 00:18:55,301 but these people are pre‐qualled and motivated. 445 00:18:55,468 --> 00:18:57,803 They are jacked to transact and I think it's best if we‐‐ 446 00:18:57,803 --> 00:18:59,071 ‐ I want you to look at something 447 00:18:59,071 --> 00:19:00,106 that happened eight months ago. 448 00:19:00,106 --> 00:19:01,474 ‐ NEWS REPORTER: ...but by the time 449 00:19:01,474 --> 00:19:04,477 fire crews arrived, the home was burning out of control. 450 00:19:04,477 --> 00:19:07,179 All four occupants of the home are believed dead: 451 00:19:07,179 --> 00:19:09,815 Mr. and Mrs. Henry Travis, daughter, Alexis, 452 00:19:09,815 --> 00:19:11,917 and son, Martin. 453 00:19:11,917 --> 00:19:14,520 Investigators suspect a gas leak, and the family‐‐ 454 00:19:14,520 --> 00:19:16,155 [ TV SOUND CLICKS OFF ] 455 00:19:16,155 --> 00:19:18,124 ‐ Family... 456 00:19:18,124 --> 00:19:19,959 ♪♪♪ Melancholy music ♪ 457 00:19:19,959 --> 00:19:21,594 A very nice family. 458 00:19:21,594 --> 00:19:23,663 They'd experienced a few minor phenomena, 459 00:19:23,663 --> 00:19:26,165 a few moans and rattles, moving furniture... 460 00:19:26,866 --> 00:19:28,434 Certainly nothing dangerous. 461 00:19:29,635 --> 00:19:31,270 Or so we thought. 462 00:19:32,805 --> 00:19:34,373 But we failed them. 463 00:19:35,274 --> 00:19:36,842 I failed them. 464 00:19:37,376 --> 00:19:38,978 I believed the thing that told me 465 00:19:38,978 --> 00:19:41,113 that it just wanted to see how a real family worked 466 00:19:41,113 --> 00:19:42,682 and then move along. 467 00:19:44,517 --> 00:19:46,786 But the investigators found the parts of the bodies 468 00:19:46,786 --> 00:19:49,155 of that nice family of four in eleven smoking pieces, 469 00:19:49,155 --> 00:19:51,390 and what I'm getting at here, Susan, 470 00:19:51,390 --> 00:19:53,793 is those things, they can hurt you! 471 00:19:54,060 --> 00:19:55,661 They are dangerous. 472 00:19:57,029 --> 00:20:00,066 And until you learn a little more about them, 473 00:20:00,499 --> 00:20:04,003 you might want to think about doing things our way. 474 00:20:04,003 --> 00:20:05,571 ♪♪♪♪♪ 475 00:20:13,245 --> 00:20:14,847 ♪♪♪ Tense music ♪♪♪ 476 00:20:15,748 --> 00:20:17,149 ‐ No! 477 00:20:17,149 --> 00:20:19,885 Jamie! Honey! Don't move! 478 00:20:19,885 --> 00:20:21,153 ‐ JAMIE: Cindy! Please, don't‐‐ 479 00:20:21,153 --> 00:20:22,354 ‐ Tom! Help! 480 00:20:22,354 --> 00:20:24,390 ‐ JAMIE: She's going to jump. 481 00:20:25,991 --> 00:20:27,426 ‐ Cindy! Cindy, don't...! 482 00:20:31,330 --> 00:20:33,499 ‐ Hang on, buddy! Just... 483 00:20:33,499 --> 00:20:35,201 away from the edge, buddy. 484 00:20:35,201 --> 00:20:37,603 ‐ I can't! She's going to jump! 485 00:20:40,439 --> 00:20:42,041 ‐ Bye, Jamie. 486 00:20:42,041 --> 00:20:43,609 [ SCREAM ] 487 00:20:45,711 --> 00:20:49,014 ‐ He kept saying that "she" was going to jump. 488 00:20:49,014 --> 00:20:51,717 But he won't tell us who "she" is. 489 00:20:52,251 --> 00:20:54,120 ‐ Susan's going to have our contractor guy 490 00:20:54,120 --> 00:20:55,387 come and fix that attic window. 491 00:20:55,387 --> 00:20:56,589 ‐ Yeah, well, tell him to bolt it shut. 492 00:20:56,589 --> 00:20:58,357 ‐ You bet. 493 00:20:58,357 --> 00:21:00,693 Maybe, until we figure this out, you folks should get a hotel‐‐ 494 00:21:00,693 --> 00:21:01,560 ‐ What? 495 00:21:01,560 --> 00:21:03,129 So Jamie can follow his imaginary friend 496 00:21:03,129 --> 00:21:04,864 onto an even higher roof? 497 00:21:04,864 --> 00:21:06,732 Or maybe into the pool? 498 00:21:06,732 --> 00:21:08,334 I have a better idea: 499 00:21:08,334 --> 00:21:10,603 how about you people do your jobs? 500 00:21:10,603 --> 00:21:12,204 ♪♪♪♪♪ 501 00:21:12,204 --> 00:21:13,773 [ RAVENS CAWING ] 502 00:21:19,145 --> 00:21:21,213 ‐ Is it okay if I...? 503 00:21:28,454 --> 00:21:30,456 You gave your parents a scare. 504 00:21:30,456 --> 00:21:32,057 Do you want to tell me about the little girl? 505 00:21:32,057 --> 00:21:34,093 What's her name, Mary, I think? 506 00:21:37,062 --> 00:21:38,564 ‐ Cindy. 507 00:21:38,564 --> 00:21:40,432 ‐ Cindy, yeah. 508 00:21:40,432 --> 00:21:42,735 My friend, Ms. Ireland, she saw Cindy. 509 00:21:43,068 --> 00:21:44,637 Scared her to death. 510 00:21:45,337 --> 00:21:47,139 But you're not scared, right? 511 00:21:47,139 --> 00:21:48,841 ‐ Not supposed to... 512 00:21:48,841 --> 00:21:49,742 ‐ I'm sorry, I couldn't‐‐ 513 00:21:49,742 --> 00:21:52,011 ‐ I'm not supposed to talk about her. 514 00:21:52,011 --> 00:21:54,413 She‐she says if I tell people about her, 515 00:21:54,413 --> 00:21:56,115 we can't be friends anymore. 516 00:21:56,115 --> 00:21:57,883 And if we're not friends... 517 00:21:57,883 --> 00:22:00,619 ‐ What happens if you can't be friends? 518 00:22:00,619 --> 00:22:02,488 ‐ She says she'll hurt somebody. 519 00:22:02,488 --> 00:22:04,023 ‐ Well, that's not very nice. 520 00:22:04,023 --> 00:22:06,992 ‐ Cindy says she's the only family I need. 521 00:22:06,992 --> 00:22:09,695 That we can play together forever. 522 00:22:09,929 --> 00:22:11,697 ‐ Kind of sounds like you wish that Cindy would just 523 00:22:11,697 --> 00:22:13,299 leave you alone. 524 00:22:14,767 --> 00:22:16,836 Jamie, you have to promise me you won't do anything 525 00:22:16,836 --> 00:22:18,971 Cindy tells you to do that's dangerous. 526 00:22:18,971 --> 00:22:21,173 Like yesterday on the roof. 527 00:22:21,173 --> 00:22:22,441 Okay? 528 00:22:22,441 --> 00:22:23,776 You say no. 529 00:22:23,776 --> 00:22:27,313 'Cause we have to help Cindy go where she's supposed to go. 530 00:22:27,313 --> 00:22:28,681 Just you and me. 531 00:22:28,681 --> 00:22:30,282 ‐ It's just... 532 00:22:30,816 --> 00:22:32,451 I don't have many friends. 533 00:22:32,451 --> 00:22:34,019 ♪♪♪ Melancholy music ♪ 534 00:22:35,187 --> 00:22:36,789 ‐ I didn't either when I was your age. 535 00:22:36,789 --> 00:22:37,790 [ SCOFFS ] 536 00:22:37,790 --> 00:22:39,391 You know what? 537 00:22:40,459 --> 00:22:42,394 I still don't have that many friends. 538 00:22:42,394 --> 00:22:44,129 But the ones I do? 539 00:22:44,296 --> 00:22:47,366 The ones I do have are really, really good. 540 00:22:47,967 --> 00:22:50,636 And that's the way it's going to be with you. 541 00:22:50,636 --> 00:22:52,204 I can tell. 542 00:22:53,239 --> 00:22:54,039 Come on. 543 00:22:54,039 --> 00:22:55,808 Ms. Ireland, she brought cookies 544 00:22:55,808 --> 00:22:57,476 and they're shaped like little mortgage lenders. 545 00:22:57,476 --> 00:22:59,044 You're gonna love 'em. 546 00:22:59,712 --> 00:23:01,313 [ SWING SQUEAKS ] 547 00:23:02,214 --> 00:23:03,816 ♪♪♪ ominous music ♪♪ 548 00:23:06,318 --> 00:23:07,720 ‐ ANTHONY: Wow. 549 00:23:07,720 --> 00:23:09,321 Lucky somebody wasn't hurt. 550 00:23:09,588 --> 00:23:11,323 ‐ You have no idea. 551 00:23:11,323 --> 00:23:12,825 ‐ I gotta go. 552 00:23:12,825 --> 00:23:15,160 Anthony, bolt this up tight after you get it fixed. 553 00:23:15,160 --> 00:23:16,929 ‐ Kid‐proof. You got it. 554 00:23:16,929 --> 00:23:18,097 ‐ Send us the bill. 555 00:23:18,097 --> 00:23:19,999 ‐ Hey, family discount! 556 00:23:25,704 --> 00:23:26,639 ‐ Remember... 557 00:23:26,639 --> 00:23:29,241 no showings until we get this figured out. 558 00:23:29,241 --> 00:23:30,843 ‐ No showings. Check! 559 00:23:32,177 --> 00:23:33,746 [ ANTHONY WHISTLES HAPPILY ] 560 00:23:36,415 --> 00:23:38,017 That tune. 561 00:23:39,385 --> 00:23:40,886 It's from The Mikado. 562 00:23:40,886 --> 00:23:42,721 ‐ The lady knows her Gilbert from her Sullivan. 563 00:23:42,721 --> 00:23:44,690 ‐ We did Pirates of Penzance in high school. 564 00:23:44,690 --> 00:23:46,091 I was Mabel. 565 00:23:46,091 --> 00:23:48,427 ‐ I totally believe you as Mabel! 566 00:23:48,427 --> 00:23:51,130 I was in a community theater production of The Mikado. 567 00:23:51,130 --> 00:23:53,499 Just the chorus ‐‐ one of the Gentlemen of Japan. 568 00:23:53,499 --> 00:23:54,300 ‐ No small parts. 569 00:23:54,300 --> 00:23:56,035 ‐ Oh, god! The Mikado. 570 00:23:56,035 --> 00:23:58,270 The music, the pageantry, 571 00:23:58,270 --> 00:23:59,438 the casual racism! 572 00:23:59,438 --> 00:24:01,407 ‐ Oh. ‐ [ PHONE RINGS ] 573 00:24:01,407 --> 00:24:02,808 This is Susan Ireland. 574 00:24:02,808 --> 00:24:04,410 Yes. 575 00:24:05,377 --> 00:24:07,980 I am telling you, Mike, this house is perfect for you! 576 00:24:07,980 --> 00:24:09,481 I just can't show it right now. 577 00:24:09,481 --> 00:24:11,083 I hope you ca‐‐ 578 00:24:11,350 --> 00:24:13,285 Cash? 579 00:24:13,285 --> 00:24:16,322 No, I get it, Mike, I do, but, uh... 580 00:24:16,789 --> 00:24:20,092 Well, it's not a matter of compensation, but I think‐‐ 581 00:24:20,092 --> 00:24:21,660 ♪♪♪ gentle music ♪♪♪ 582 00:24:27,566 --> 00:24:29,101 Eight a. m. 583 00:24:29,468 --> 00:24:31,236 But do not tell anyone. 584 00:24:31,937 --> 00:24:33,639 This is our secret, okay? 585 00:24:41,246 --> 00:24:42,448 ‐ JAMIE: I'm sorry! 586 00:24:42,448 --> 00:24:43,916 Please, no! 587 00:24:43,916 --> 00:24:45,417 (heavy breathing) 588 00:24:45,417 --> 00:24:47,586 ‐ You talked to the man about me. 589 00:24:47,586 --> 00:24:49,488 ‐ I didn't tell him anything! 590 00:24:49,488 --> 00:24:51,090 [ GIGGLING ] 591 00:24:51,790 --> 00:24:53,492 ‐ I should punish you. 592 00:24:54,093 --> 00:24:55,861 But I love you, Jamie. 593 00:24:55,861 --> 00:24:57,596 I would never hurt you. 594 00:24:59,331 --> 00:25:01,600 But I have to hurt somebody. 595 00:25:01,600 --> 00:25:03,168 Otherwise, you won't learn. 596 00:25:06,338 --> 00:25:07,840 ♪♪♪ Tense music ♪♪♪ 597 00:25:13,846 --> 00:25:15,447 [ MOWER RATTLING ] 598 00:25:16,849 --> 00:25:18,450 [ PANICKED BREATHING ] 599 00:25:18,817 --> 00:25:20,319 ‐ Cindy, don't. 600 00:25:20,319 --> 00:25:21,887 Please, please no! 601 00:25:23,856 --> 00:25:24,690 Stop! 602 00:25:24,690 --> 00:25:26,558 Please, Cindy, no, not my parents! 603 00:25:26,558 --> 00:25:28,060 [ GIGGLING ] 604 00:25:28,060 --> 00:25:29,661 No. 605 00:25:29,661 --> 00:25:31,230 [ LOUDER GIGGLING ] 606 00:25:35,501 --> 00:25:37,136 [ HAMSTER SQUEAKING ] 607 00:25:39,304 --> 00:25:40,506 Josh. 608 00:25:40,506 --> 00:25:41,707 Josh, no! 609 00:25:41,707 --> 00:25:43,175 [ CRUNCHING ] 610 00:25:43,175 --> 00:25:44,643 ‐ See? 611 00:25:44,643 --> 00:25:46,311 We learned something today. 612 00:25:52,017 --> 00:25:53,585 [ GROWL ] 613 00:25:57,122 --> 00:25:59,391 ‐ When I saw this master suite for the first time, 614 00:25:59,391 --> 00:26:02,995 I made a noise which I have not been able to duplicate since. 615 00:26:02,995 --> 00:26:05,330 It is nothing less than an urban oasis, 616 00:26:05,330 --> 00:26:06,832 a sanctuary in which‐‐ 617 00:26:06,832 --> 00:26:08,667 ‐ [ CINDY CRYING ] ‐ LORRAINE: Did you hear that? 618 00:26:08,667 --> 00:26:10,235 ‐ What? 619 00:26:11,003 --> 00:26:12,771 ‐ Sounds like somebody crying. 620 00:26:12,771 --> 00:26:14,306 ♪♪♪ Tense music ♪♪♪ 621 00:26:14,306 --> 00:26:16,175 ‐ There is a sitting room adjacent to the 622 00:26:16,175 --> 00:26:19,078 actual sleeping area for reading or quiet reflection. 623 00:26:19,078 --> 00:26:20,512 [ OBJECT ROLLING ACROSS FLOOR ] 624 00:26:20,512 --> 00:26:21,980 [ WOMAN SCREAMING ] 625 00:26:21,980 --> 00:26:24,349 ‐ MIKE: What the hell was that? 626 00:26:25,317 --> 00:26:26,885 ‐ Noisy pipes? 627 00:26:27,886 --> 00:26:30,255 [ ENGINE REVVING AND TIRES SQUEALING ] 628 00:26:31,490 --> 00:26:33,258 [ GEARSHIFT CHANGING ] 629 00:26:33,258 --> 00:26:34,827 [ SQUEALING TIRES ] 630 00:26:38,263 --> 00:26:39,865 ♪♪♪ Gentle music ♪♪♪ 631 00:26:42,701 --> 00:26:44,770 ‐ Can we have a word? 632 00:26:45,704 --> 00:26:47,539 ‐ The Quincys need to sell this place. 633 00:26:47,539 --> 00:26:48,841 The pressure's on. 634 00:26:48,841 --> 00:26:50,943 ‐ I told you no showings for a good reason. 635 00:26:50,943 --> 00:26:52,678 ‐ She's just a little girl! 636 00:26:52,678 --> 00:26:53,879 ‐ It is a mask! 637 00:26:53,879 --> 00:26:55,414 A disguise for something so powerful 638 00:26:55,414 --> 00:26:57,683 that it could kill you. 639 00:26:57,683 --> 00:26:59,184 Now, where are Tom and Patty? 640 00:26:59,184 --> 00:27:01,120 ‐ Running errands. 641 00:27:01,120 --> 00:27:04,690 Luke, I need the autonomy to sell my listings my way. 642 00:27:04,690 --> 00:27:06,125 ‐ Susan, you are the best agent 643 00:27:06,125 --> 00:27:07,559 that I ever saw. 644 00:27:07,559 --> 00:27:09,862 But on issues like this, you need to check in with me 645 00:27:09,862 --> 00:27:11,363 on everything. 646 00:27:11,363 --> 00:27:12,865 You need to trust me 647 00:27:12,865 --> 00:27:13,765 or go work somewhere else ‐‐ 648 00:27:13,765 --> 00:27:16,335 somewhere where the barriers to a sale, 649 00:27:16,335 --> 00:27:19,037 they don't come with so many sharp teeth. 650 00:27:20,272 --> 00:27:21,874 [ DOOR OPENS ] 651 00:27:23,208 --> 00:27:24,877 [ DOOR CLOSES ] 652 00:27:24,877 --> 00:27:26,445 ♪♪♪ tense music ♪♪♪ 653 00:27:32,451 --> 00:27:34,319 Come on, Cindy. 654 00:27:34,319 --> 00:27:35,988 No games. 655 00:27:35,988 --> 00:27:37,589 [ GAME SPINNER SPINNING ] 656 00:27:39,391 --> 00:27:41,093 What did I just say? 657 00:27:48,500 --> 00:27:50,536 ‐ You're different from the others. 658 00:27:53,639 --> 00:27:55,974 ‐ You are exactly what I expected. 659 00:27:55,974 --> 00:27:57,376 ‐ I'm so lonely. 660 00:27:58,110 --> 00:28:00,145 I don't understand where everybody went. 661 00:28:01,413 --> 00:28:03,182 My mommy, my daddy? 662 00:28:03,182 --> 00:28:05,117 They went up to the light and I couldn't‐‐ 663 00:28:05,117 --> 00:28:06,018 ‐ Bullshit. 664 00:28:06,018 --> 00:28:07,786 [ ROAR ] 665 00:28:07,786 --> 00:28:10,689 You are something old and ugly. 666 00:28:10,689 --> 00:28:11,657 ‐ You're mean. 667 00:28:11,657 --> 00:28:13,292 ‐ You have no idea. 668 00:28:13,292 --> 00:28:14,793 You like games? 669 00:28:14,793 --> 00:28:16,195 Well, the game is on. 670 00:28:16,195 --> 00:28:19,031 ‐ Luke? I‐‐ ‐ Get out, I'm working! 671 00:28:20,332 --> 00:28:22,000 [ DOOR SLAMS SHUT ] 672 00:28:25,871 --> 00:28:27,940 ‐ SUSAN: I don't know, Mom. 673 00:28:28,707 --> 00:28:29,641 I just have this feeling 674 00:28:29,641 --> 00:28:32,144 I've stepped in a huge vocational turd. 675 00:28:32,144 --> 00:28:34,313 ‐ Oh, it has to be better than working for that‐‐ 676 00:28:34,313 --> 00:28:35,881 ugh ‐‐ Livingston person. 677 00:28:36,315 --> 00:28:37,316 ‐ I was too needy. 678 00:28:37,316 --> 00:28:38,483 I pushed him back into the arms of his wife. 679 00:28:38,483 --> 00:28:41,653 ‐ Well, you should have pushed him into a woodchipper. 680 00:28:41,653 --> 00:28:44,690 ‐ I thought I landed this really sweet gig. 681 00:28:44,690 --> 00:28:47,059 Doing what I love in a fresh new paradigm. 682 00:28:47,059 --> 00:28:48,527 A clean start. 683 00:28:48,527 --> 00:28:50,529 ‐ Okay, so what happened? 684 00:28:50,529 --> 00:28:52,831 ‐ The boss, the guy who hired me, Luke? 685 00:28:52,831 --> 00:28:54,900 I thought he was this really great guy. 686 00:28:54,900 --> 00:28:56,668 He's a little weird, but 687 00:28:56,668 --> 00:28:58,737 it's been a sliding scale lately. 688 00:29:00,372 --> 00:29:02,407 He just really disappointed me today. 689 00:29:03,242 --> 00:29:04,977 And none of the others like me. 690 00:29:04,977 --> 00:29:07,312 ‐ Well, it's your first week. Give 'em time. 691 00:29:07,312 --> 00:29:08,747 ‐ They laugh at me! 692 00:29:08,747 --> 00:29:11,416 They use obscure words that I‐I don't understand. 693 00:29:11,416 --> 00:29:12,918 It's... 694 00:29:12,918 --> 00:29:14,586 It's just not at all what I had hoped. 695 00:29:14,586 --> 00:29:17,089 ‐ You don't think you're being just a little tough on them? 696 00:29:17,089 --> 00:29:18,257 ‐ Mom. 697 00:29:18,257 --> 00:29:20,559 ‐ Well, you know you tend to be impatient with people, 698 00:29:20,559 --> 00:29:23,362 expecting them to fall in line right away and come around 699 00:29:23,362 --> 00:29:24,863 to your perfect way of doing things. 700 00:29:24,863 --> 00:29:26,565 ‐ My way is not always perfect, 701 00:29:26,565 --> 00:29:29,034 but it's so much better than everybody else's! 702 00:29:29,034 --> 00:29:30,636 ♪♪♪ Gentle music ♪♪♪ 703 00:29:31,203 --> 00:29:33,572 I said that out loud, didn't I? 704 00:29:34,940 --> 00:29:37,109 So, what, I'm just supposed to lower my standards? 705 00:29:37,109 --> 00:29:39,311 ‐ Oh, this isn't about lowering your standards, love, 706 00:29:39,311 --> 00:29:41,046 It's about opening your heart. 707 00:29:42,014 --> 00:29:44,283 Let them see who you really are. 708 00:29:44,283 --> 00:29:46,018 I bet they'll like her. 709 00:29:46,785 --> 00:29:48,587 [ CHUCKLE ] 710 00:29:49,354 --> 00:29:50,922 [ GLASSES CLINK ] 711 00:29:54,526 --> 00:29:56,094 ♪♪♪♪♪ 712 00:29:57,596 --> 00:29:59,431 [ KNOCKING ] 713 00:29:59,431 --> 00:30:00,932 [ ELECTRONICS HUMMING ] 714 00:30:00,932 --> 00:30:02,768 ‐ Working late, I see. 715 00:30:04,236 --> 00:30:06,071 ‐ Is that the Quincy place? 716 00:30:06,538 --> 00:30:08,106 ‐ Yes. 717 00:30:08,440 --> 00:30:10,942 Nothing much happening now 718 00:30:10,942 --> 00:30:13,945 but let me, uh, play you back an event 719 00:30:13,945 --> 00:30:16,048 the sensors picked up this morning. 720 00:30:17,149 --> 00:30:19,284 ‐ That's about the time I was there. 721 00:30:19,284 --> 00:30:21,787 ‐ It appeared to be a light to moderate engagement 722 00:30:21,787 --> 00:30:23,221 right up to here. 723 00:30:23,221 --> 00:30:24,623 [ STATIC BUZZING ] 724 00:30:24,623 --> 00:30:26,892 Then it became something completely different. 725 00:30:26,892 --> 00:30:28,627 [ GROWL ] 726 00:30:28,627 --> 00:30:31,163 A huge power drain when it changed. 727 00:30:33,432 --> 00:30:35,000 We have a, uh... 728 00:30:35,434 --> 00:30:36,301 doughboy, perhaps? 729 00:30:36,301 --> 00:30:39,438 ‐ No, this is nastier than a doughboy. 730 00:30:39,438 --> 00:30:41,006 More powerful. An LRG? 731 00:30:41,740 --> 00:30:43,275 [ EXPELS AIR ] 732 00:30:43,275 --> 00:30:44,843 ‐ God help us. 733 00:30:45,277 --> 00:30:47,679 ‐ How long to whip up a 30 angstrom M. E. D. 734 00:30:47,679 --> 00:30:49,948 in a portable yet stylish container? 735 00:30:49,948 --> 00:30:51,483 ‐ Not long. 736 00:30:51,483 --> 00:30:53,352 But it would only work against the beast 737 00:30:53,352 --> 00:30:54,820 in its true form. 738 00:30:54,820 --> 00:30:56,521 During one of those spikes. 739 00:30:59,491 --> 00:31:01,426 Luke? 740 00:31:02,461 --> 00:31:04,429 You must be careful. 741 00:31:04,429 --> 00:31:06,431 If this is 742 00:31:06,431 --> 00:31:08,834 what I think it is, 743 00:31:08,834 --> 00:31:10,969 it is old, 744 00:31:10,969 --> 00:31:12,971 it is cunning. 745 00:31:12,971 --> 00:31:16,141 It also has an ego and is easily distracted. 746 00:31:16,141 --> 00:31:17,776 Use that. 747 00:31:17,776 --> 00:31:19,444 But remember... 748 00:31:19,444 --> 00:31:22,781 it only exists to inflict pain and sorrow. 749 00:31:22,781 --> 00:31:24,383 And it sees you coming. 750 00:31:24,383 --> 00:31:25,984 ♪♪♪♪♪ 751 00:31:30,122 --> 00:31:31,723 ♪♪♪ Light music ♪♪♪ 752 00:31:34,960 --> 00:31:36,628 ‐ You got it right. 753 00:31:36,628 --> 00:31:38,296 ‐ Zooey, what we need 754 00:31:38,296 --> 00:31:40,866 is a way to coordinate our subcontractor visits. 755 00:31:40,866 --> 00:31:43,568 I don't care if it's a‐a database, a spreadsheet, 756 00:31:43,568 --> 00:31:44,436 whatever. 757 00:31:44,436 --> 00:31:46,204 You design something, I will use it 758 00:31:46,204 --> 00:31:48,540 and I will make sure everyone else does, too. 759 00:31:48,540 --> 00:31:49,608 Fair enough? 760 00:31:49,608 --> 00:31:51,209 ‐ I have thoughts. 761 00:31:53,078 --> 00:31:54,713 Uh, Susan? 762 00:31:54,713 --> 00:31:58,283 Thank you for the quad long shot medium‐in‐a‐large‐double cup 763 00:31:58,283 --> 00:32:00,619 half‐caff salted caramel mocha latte with two pumps 764 00:32:00,619 --> 00:32:01,887 of vanilla and extra foam. 765 00:32:01,887 --> 00:32:03,455 ‐ You're welcome. 766 00:32:04,623 --> 00:32:06,658 Black coffee. No room for cream. 767 00:32:07,459 --> 00:32:09,561 ‐ Yeah. Thanks. 768 00:32:09,561 --> 00:32:11,229 Perfect! 769 00:32:11,229 --> 00:32:14,599 These are from the deep dive we're doing on Quincy. 770 00:32:16,034 --> 00:32:17,602 I'll‐I'll get them to you as soon as I‐‐ 771 00:32:17,602 --> 00:32:19,571 ‐ Your files, your rules. 772 00:32:19,571 --> 00:32:21,273 Send me whatever, whenever. 773 00:32:21,273 --> 00:32:22,741 ‐ It's a deal. 774 00:32:22,741 --> 00:32:24,476 [ OFFICE PHONE RINGS ] 775 00:32:25,277 --> 00:32:27,879 ‐ Do you know him? The repair guy. 776 00:32:27,879 --> 00:32:29,281 ‐ We met. 777 00:32:29,281 --> 00:32:30,849 ‐ Hey, Mabel! 778 00:32:32,150 --> 00:32:35,020 ♪♪♪ I am the very model of a modern building contractor. ♪♪ 779 00:32:35,020 --> 00:32:38,323 ♪♪♪ I do this for a living now because I'm such a bad actor. ♪♪ 780 00:32:38,323 --> 00:32:39,691 [ LAUGHS ] 781 00:32:39,691 --> 00:32:41,159 Oh, come on! 782 00:32:41,159 --> 00:32:42,661 That nearly rhymed, 783 00:32:43,328 --> 00:32:45,263 Mister Office Decorum. 784 00:32:51,336 --> 00:32:52,971 ‐ I just love him. 785 00:32:53,505 --> 00:32:55,540 ‐ Yeah, I married him. 786 00:32:56,608 --> 00:32:58,944 Now, if only we can get him over his painful shyness. 787 00:32:58,944 --> 00:33:00,812 ‐ Hm. 788 00:33:00,812 --> 00:33:02,848 ‐ Susan, you got a minute? 789 00:33:06,818 --> 00:33:08,286 ‐ Yep. 790 00:33:13,959 --> 00:33:16,361 ‐ I need you to come with me to the Quincy house. 791 00:33:16,361 --> 00:33:17,262 ‐ Okay. 792 00:33:17,262 --> 00:33:19,998 ‐ Look, I am sorry about yesterday. 793 00:33:19,998 --> 00:33:22,334 We are dealing with things that, well... 794 00:33:22,334 --> 00:33:23,602 you just don't understand them. 795 00:33:23,602 --> 00:33:25,303 Hell, I don't understand them! 796 00:33:25,303 --> 00:33:26,571 But I know them. 797 00:33:26,571 --> 00:33:29,841 ‐ So, how about sharing what you know and being open and honest 798 00:33:29,841 --> 00:33:32,244 instead of expecting me to check with you every time I need to 799 00:33:32,244 --> 00:33:33,845 wipe my... 800 00:33:34,746 --> 00:33:36,481 luxurious granite countertops? 801 00:33:36,481 --> 00:33:39,084 ‐ Point taken. Come on. 802 00:33:39,084 --> 00:33:41,052 In the spirit of candor and transparency, 803 00:33:41,052 --> 00:33:44,189 I should let you know that the Quincys fired us last night. 804 00:33:44,189 --> 00:33:45,724 ‐ Oh. ‐ I did tell you 805 00:33:45,724 --> 00:33:46,658 this would happen. 806 00:33:46,658 --> 00:33:48,527 ‐ Can I ask why we're going back there? 807 00:33:48,527 --> 00:33:50,161 ‐ A little boy is in danger. 808 00:33:50,161 --> 00:33:52,531 ‐ You mean a little girl, right? 809 00:33:53,431 --> 00:33:56,301 ‐ There is an entity we call an LRG. 810 00:33:56,301 --> 00:33:57,869 ‐ Which stands for...? 811 00:33:59,571 --> 00:34:00,772 ‐ Little Red's Granny. 812 00:34:00,772 --> 00:34:04,109 It's a particularly nasty demon that assumes a friendly, 813 00:34:04,109 --> 00:34:07,112 nonthreatening form in order to seduce its victim. 814 00:34:07,112 --> 00:34:08,680 And consume him. 815 00:34:08,680 --> 00:34:10,382 Eat his life. 816 00:34:10,382 --> 00:34:11,716 ‐ God. 817 00:34:11,716 --> 00:34:12,751 Well, what can we do? 818 00:34:12,751 --> 00:34:14,786 ‐ August built a device that could destroy it 819 00:34:14,786 --> 00:34:16,755 on the atomic level, but I need to trigger it 820 00:34:16,755 --> 00:34:18,690 when the LRG is stressed, 821 00:34:18,690 --> 00:34:21,393 angry and distracted and assumes its true form. 822 00:34:22,761 --> 00:34:24,129 [ PRESSES ELEVATOR CALL BUTTON ] 823 00:34:24,129 --> 00:34:25,864 I'll have maybe a second. 824 00:34:26,231 --> 00:34:27,699 ‐ So what am I supposed to do? 825 00:34:27,699 --> 00:34:29,200 ‐ The tough job. 826 00:34:29,200 --> 00:34:31,603 You need to talk to the parents. 827 00:34:31,836 --> 00:34:32,904 ‐ Absolutely not! 828 00:34:32,904 --> 00:34:35,540 What part of "you're fired" do you people not get? 829 00:34:35,540 --> 00:34:36,474 ‐ Yeah. I can't waste any more time. 830 00:34:36,474 --> 00:34:37,342 ‐ Well, where do you think you're going? 831 00:34:37,342 --> 00:34:39,144 ‐ That's it‐‐ I'm calling the cops! 832 00:34:39,144 --> 00:34:40,745 ‐ Please! Let me explain. 833 00:34:40,745 --> 00:34:42,414 ‐ What's he doing up there? Jamie! 834 00:34:42,414 --> 00:34:43,982 ‐ Listen! 835 00:34:44,649 --> 00:34:47,152 I know you think my boss is an incredible flake. 836 00:34:47,152 --> 00:34:48,019 I agree! 837 00:34:48,019 --> 00:34:50,488 He's a flake and‐and nothing he says is, 838 00:34:50,488 --> 00:34:51,990 on the surface, credible. 839 00:34:51,990 --> 00:34:54,125 We agree! Common ground! 840 00:34:54,125 --> 00:34:55,260 And I know you don't believe in these things 841 00:34:55,260 --> 00:34:57,762 and, you know what? I don't believe in them either. 842 00:34:57,762 --> 00:34:59,898 We are wearing the same jersey! 843 00:34:59,898 --> 00:35:01,766 But you need to understand: 844 00:35:01,766 --> 00:35:03,702 Luke gets results. 845 00:35:03,702 --> 00:35:05,337 And I don't just mean he sells houses ‐‐ 846 00:35:05,337 --> 00:35:09,007 sure, he does, but he does it by fixing the stuff that's wrong. 847 00:35:09,007 --> 00:35:11,409 And in your case, that means getting rid of the thing 848 00:35:11,409 --> 00:35:14,446 that lured your little boy up on a roof. 849 00:35:15,747 --> 00:35:17,449 Luke is a good guy. 850 00:35:18,783 --> 00:35:20,652 Give him a chance. 851 00:35:20,652 --> 00:35:22,253 ♪♪♪ Emotional music ♪ 852 00:35:30,996 --> 00:35:32,597 ♪♪♪ dramatic music ♪♪ 853 00:35:33,098 --> 00:35:34,799 [ CHOIR SINGING IN FOREIGN LANGUAGE ] 854 00:35:35,133 --> 00:35:37,002 [ DEVICE POWERING UP ] 855 00:35:40,472 --> 00:35:42,307 ♪♪♪♪♪ 856 00:35:53,351 --> 00:35:54,953 ‐ Cindy? 857 00:35:55,787 --> 00:35:57,389 I'm back! 858 00:35:58,390 --> 00:36:00,125 I brought a real game. 859 00:36:00,291 --> 00:36:01,960 You wanna play? 860 00:36:01,960 --> 00:36:03,528 [ DOOR HINGES SQUEAKING ] 861 00:36:10,735 --> 00:36:12,203 ♪♪♪ unsettling music ♪ 862 00:36:12,203 --> 00:36:13,838 ‐ This is all so strange. 863 00:36:13,838 --> 00:36:15,340 What does the horsey do? 864 00:36:15,340 --> 00:36:17,008 ‐ You can drop the little‐girl routine. 865 00:36:17,008 --> 00:36:18,510 We know it's a lie. 866 00:36:18,510 --> 00:36:20,211 Jamie knows, don't you, Jamie? 867 00:36:21,212 --> 00:36:23,014 ‐ Don't you see what he's trying to do? 868 00:36:23,014 --> 00:36:24,582 He's trying to break up our friendship! 869 00:36:24,582 --> 00:36:25,417 Our family! 870 00:36:25,417 --> 00:36:27,018 ‐ Knock it off! 871 00:36:27,385 --> 00:36:28,953 It's your move. 872 00:36:29,254 --> 00:36:30,455 ‐ I don't like this game. 873 00:36:30,455 --> 00:36:32,424 ‐ No, you'd rather play kids' games. 874 00:36:32,424 --> 00:36:33,925 Games you can win. 875 00:36:33,925 --> 00:36:35,927 That's really pathetic. 876 00:36:35,927 --> 00:36:37,429 You're too stupid 877 00:36:37,429 --> 00:36:40,365 and you're not capable of playing with adults. 878 00:36:41,599 --> 00:36:44,302 ‐ You'd be surprised what I'm capable of. 879 00:36:46,137 --> 00:36:47,739 ‐ Then go ahead. 880 00:36:48,306 --> 00:36:49,908 It's your move. 881 00:36:52,110 --> 00:36:54,112 Wrong, stupid. 882 00:36:54,112 --> 00:36:57,215 The rook can only move this way 883 00:36:57,215 --> 00:36:58,717 and this way. 884 00:36:58,717 --> 00:36:59,984 Huh. Geez. 885 00:37:01,052 --> 00:37:03,822 You're like an insult to nine‐year‐old girls everywhere. 886 00:37:03,822 --> 00:37:07,058 You know, you almost had me for a while. 887 00:37:07,058 --> 00:37:09,994 First, you know, I thought you were this little lost girl 888 00:37:09,994 --> 00:37:12,897 with zero fashion sense who was searching for the light. 889 00:37:12,897 --> 00:37:15,667 And then I thought you were this badass demon 890 00:37:15,667 --> 00:37:18,269 that was out to kick ass and eat lives. 891 00:37:19,104 --> 00:37:20,805 I hardly would have worked up a sweat 892 00:37:20,805 --> 00:37:22,607 had I actually known I was up against 893 00:37:22,607 --> 00:37:24,843 Casper's not‐very‐bright niece 894 00:37:24,843 --> 00:37:26,778 whose only superpower 895 00:37:26,778 --> 00:37:29,647 was emotional instability and Candyland. 896 00:37:29,647 --> 00:37:31,249 [ DEMONIC GROWLING ] 897 00:37:36,087 --> 00:37:37,689 [ ROARS ] 898 00:37:40,191 --> 00:37:41,693 [ LIQUID BURBLING ] 899 00:37:41,693 --> 00:37:43,294 [ PAINED SCREECHES ] 900 00:37:43,294 --> 00:37:44,829 ‐ Mine! 901 00:37:44,829 --> 00:37:46,431 [ GROWLING ] 902 00:37:48,867 --> 00:37:50,335 ♪♪♪ music fades out ♪ 903 00:37:50,335 --> 00:37:52,137 [ SIGH ] 904 00:37:52,137 --> 00:37:53,705 [ HEAVY BREATHING ] 905 00:37:55,206 --> 00:37:56,941 ♪♪♪ light triumphant music ♪ 906 00:38:01,012 --> 00:38:02,247 [ LAUGHING ] 907 00:38:02,247 --> 00:38:03,815 ‐ So, that time is booked 908 00:38:03,815 --> 00:38:07,452 but I might be able to sneak you in at three. 909 00:38:07,452 --> 00:38:09,821 I'm expecting two competing offers above asking, 910 00:38:09,821 --> 00:38:11,222 so tell your buyer to bring her checkbook 911 00:38:11,222 --> 00:38:13,057 and practice her kickboxing. 912 00:38:13,057 --> 00:38:15,326 We may have to settle this in The Octagon. 913 00:38:15,326 --> 00:38:16,895 Okay, bye. 914 00:38:17,796 --> 00:38:19,364 ♪♪♪♪♪ 915 00:38:20,064 --> 00:38:21,699 ‐ Quincy place? 916 00:38:21,699 --> 00:38:23,635 ‐ It's what I do. 917 00:38:23,635 --> 00:38:25,236 [ SIGHS; LAUGHS ] 918 00:38:26,204 --> 00:38:27,972 ‐ You really saved this, Susan. 919 00:38:27,972 --> 00:38:29,908 You pulled it out of the fire. 920 00:38:29,908 --> 00:38:31,810 The Quincys are still clients, Jamie is safe 921 00:38:31,810 --> 00:38:33,745 and I'm not in jail. 922 00:38:33,745 --> 00:38:35,513 And that is all because of you. 923 00:38:35,513 --> 00:38:36,881 ‐ Thank you. 924 00:38:36,881 --> 00:38:39,584 You played a minor, yet integral role yourself. 925 00:38:40,385 --> 00:38:42,821 ‐ I'm just happy to help the ballclub. 926 00:38:42,821 --> 00:38:45,423 I didn't even mind when you called me a flake. 927 00:38:45,423 --> 00:38:48,893 I believe the term you employed was, "an incredible flake." 928 00:38:50,028 --> 00:38:51,729 ‐ You mad? 929 00:38:51,729 --> 00:38:54,465 ‐ Got into this business for one thing: to sell houses. 930 00:38:54,465 --> 00:38:56,301 Most of our clients are skeptics; 931 00:38:56,301 --> 00:38:59,504 they don't believe in the very thing they hired us to manage. 932 00:38:59,504 --> 00:39:03,408 Now, the best that we can do‐‐ the best you could do‐‐ 933 00:39:03,408 --> 00:39:06,110 is make sure that they believe in us. 934 00:39:07,712 --> 00:39:09,848 You got plans tonight? 935 00:39:09,848 --> 00:39:12,116 ‐ Dinner with my mom. You? 936 00:39:12,116 --> 00:39:13,251 ‐ Nothing special. 937 00:39:13,251 --> 00:39:14,886 ‐ You want to come? 938 00:39:14,886 --> 00:39:16,721 She'd love to meet you! We're going to make cookies 939 00:39:16,721 --> 00:39:19,090 shaped like little stacks of closing documents. 940 00:39:19,691 --> 00:39:21,259 ‐ Thanks, but, um, 941 00:39:21,259 --> 00:39:23,294 keep your family time. It's important. 942 00:39:24,629 --> 00:39:27,699 I never realized how important until my dad died. 943 00:39:27,866 --> 00:39:29,434 Now I know. 944 00:39:32,770 --> 00:39:34,372 ♪♪♪ Rock music ♪♪♪ 945 00:39:46,751 --> 00:39:48,319 [ UNINTELLIGIBLE DIALOGUE ] 946 00:40:07,639 --> 00:40:09,240 One Mississippi, 947 00:40:09,607 --> 00:40:11,175 two Mississippi, 948 00:40:11,442 --> 00:40:13,011 three Mississ... sippi. 949 00:40:17,181 --> 00:40:18,783 ♪♪♪ Gentle music ♪♪♪ 950 00:40:25,590 --> 00:40:27,358 ‐ CARL: So, I believe the subject 951 00:40:27,358 --> 00:40:28,660 was angels. 952 00:40:28,660 --> 00:40:30,194 Never trusted them. 953 00:40:30,194 --> 00:40:32,230 ‐ Well, you don't trust anybody. 954 00:40:35,333 --> 00:40:37,135 [ CARL LAUGHS ] 955 00:40:41,673 --> 00:40:42,840 ‐ That's a two. 956 00:40:42,840 --> 00:40:44,542 What were we talking about? 957 00:40:45,176 --> 00:40:46,511 ‐ Angels. 958 00:40:46,511 --> 00:40:48,179 ‐ Angels! Right! 959 00:40:49,347 --> 00:40:51,015 So... 960 00:40:51,015 --> 00:40:54,852 I could never trust a team that had in their Hall of Fame 961 00:40:54,852 --> 00:40:57,221 a guy named Vladimir. 962 00:40:57,221 --> 00:41:00,124 I mean, you kids who never lived through the Cold War, 963 00:41:00,124 --> 00:41:01,859 you don't know what it was like. 964 00:41:01,859 --> 00:41:03,895 Going through your day, knowing you could be just 965 00:41:03,895 --> 00:41:07,131 minutes away from a Russian nuclear attack. 966 00:41:07,131 --> 00:41:09,500 ‐ Vladimir Guerrero was Dominican, not Russian. 967 00:41:09,801 --> 00:41:13,504 ‐ That sounds like something a Russian spy would say. 968 00:41:15,540 --> 00:41:17,141 [ BALL HITTING OBSTACLES ] 969 00:41:19,010 --> 00:41:20,578 You know, that, uh... 970 00:41:21,713 --> 00:41:23,748 that girl you had out here 971 00:41:23,915 --> 00:41:25,650 the other day was pretty. 972 00:41:26,751 --> 00:41:28,586 ‐ At the batting cages? 973 00:41:28,586 --> 00:41:29,921 You saw Susan. 974 00:41:29,921 --> 00:41:32,323 ‐ Yeah, I‐I'm a fool for redheads. 975 00:41:33,424 --> 00:41:34,659 Always was. 976 00:41:34,659 --> 00:41:37,362 ‐ Susan is a co‐worker and a colleague. 977 00:41:37,562 --> 00:41:39,430 And a real estate Ninja warrior. 978 00:41:39,430 --> 00:41:42,967 ‐ You two, uh, as they say, are sympatico? 979 00:41:43,634 --> 00:41:46,404 ‐ No. And they don't say that anymore. 980 00:41:46,404 --> 00:41:48,072 ‐ Well, it's a new world. 981 00:41:48,072 --> 00:41:50,408 I'm glad I didn't live to see it. 982 00:41:50,408 --> 00:41:52,777 ‐ You going to putt or what? 983 00:41:54,445 --> 00:41:57,181 ‐ You know, you're a good boy, Luke. 984 00:41:57,615 --> 00:41:59,584 Better than me in every way. 985 00:42:00,218 --> 00:42:02,587 And that's the way it should be. 986 00:42:03,388 --> 00:42:05,289 But you always did poorly with women. 987 00:42:05,289 --> 00:42:06,524 ‐ I did poorly? 988 00:42:07,625 --> 00:42:10,561 Do I need to remind you of your own track record with women? 989 00:42:10,561 --> 00:42:14,098 Why the second Sunday in May will always tear my guts out? 990 00:42:14,098 --> 00:42:15,800 Except when the Padres win. 991 00:42:16,701 --> 00:42:18,302 Sometimes even then. 992 00:42:21,906 --> 00:42:23,408 [ BLOWING WIND ] 993 00:42:23,408 --> 00:42:24,976 [ HIGH‐PITCHED RINGING ] 994 00:42:27,945 --> 00:42:29,647 ♪♪♪ emotional music ♪ 995 00:42:29,647 --> 00:42:31,249 Good night, Dad. 996 00:42:39,323 --> 00:42:40,925 [ LIGHTS CLICKING OFF ] 997 00:42:45,830 --> 00:42:47,432 ♪♪♪♪♪