Zoe, you are our host, you can't go into the target's flat.
T*ll r*ght, then, thatts br*ll. OK. Thank you.'
Zoe... ' Bye.'
* E S*G*S
SUSpENSE*UL MUS*C
* *ust wanna ask a *ew quest*ons.
**N E pOU*S
*he n*ght be*ore she went m*ss*ng,
Gemma came to your shop to get costumes for the play.
Yeah, thatts r*ght.
*owtd she seem?
**ne.
*appy.
*nd, er, a*terwards, you went for a drink?
Um...
No.
No, we were meant to, but, um, she said she had to leave.
O*d she say why she had to leave?
*here are these quest*ons coming from, Greg?
*heytre com*ng *rom you, Zoe.
Someth*ng you sa*d the other n*ght.
T,Somet*mes *tts the people closest to us we know the least."
* was drunk, and...
angry. At me?
No, at my own s*tuat*on.
**th **m.
**ght.
* th*nk, maybe, there are parts of her life she hid from me.
* wontt say t,secretst,, cos thatts making her the bad guy, and...
L*ke what?
Me and Gemma, we had our t*rst date at Wilmslow Nature Reserve.
*nd she puts her head on my shoulder and says,
t, Noth*ng turns me o** I*ke insecurity.
T,you know, guys who go through your handbag.
T,*ell me youtre not one o* them.t,
*nd * wasntt.
Not then.
Er, no.
O*d she ever talk to you about me and her?
No.
*hat about someone e*se?
*ell, how dtyou mean?
You know what * mean, Zoe.
*nother guy.
No.
Never.
MESS*GE *ON E
Um...
*tts Ca*tl*n.
Ch*ll out, Mart*n.
* mean, he pushed you back into the chair, Zoe.
* *ust... * th*nk he used more *orce than he was meant to.
You know the amount o* t*mes * heard that, especial* when I was a PC.
*t was noth*ng.
**N E pOU*S
*re you O*? Why did you try to leave?
*t was gett*ng awkward.
*e th*nks Gemma was going to see someone
the n*ght she came by the shop.
*tll need to ment*on that to C*O.
*hy d*d he th*nk you'd know anything?
* *ust th*nk... he thought maybe she'd confided in me.
*hat?
Just Greg.
Greg approach*ng you might be what we call an insertion.
*tts bas*cal*, when someone realises they're under surveillance
and they try to hatch a plan that makes themse*es look more innocent.
Gu*lty people t*nd *t hard to sit still
** they th*nk they have an advantage to press,
even when do*ng noth*ngts a smart move.
So, ** * say that * th*nk he's genuine* losing his mind
try*ng to work out where she *s, I'm what, falling for his trap?
Look at the co*nc*dence . o* all the shoulders to cry on, he chose yours.
*e *sntt spo*lt *or cho*ce at the minute.
**ght. Anyway, he doesn't know you're here.
*ell, we dontt know that, do we?
*hat?
*he woman *n the s**er MG, remember?
*hen you saw her, you used our camera, right?
Yeah. you told me to go into Caitlin's room...
yeah, but you were already *n there, weren't you? I...
*hatts your po*nt? Did you turn the light on?
No, because youtve taken the bulb out.
*nd the hal*ay I*ght?
*ell... yeah, Ca*tl*n I*kes *t on, so probab*, yeah...
*hat?*
*ell, Greg m*ghttve seen you and all the gear.
Look, ** * d*dntt go *n there, you wouldn't even know he had a visitor!
Oo you know what, * *ust dontt want any more surprises, Zoe.
O*... *ey, um, have you cons*dered something eĮse?
*hat youtve got the wrong man?
*hat hets present*ng as *nnocent because he is actual* innocent?
OOO* CLOSES
**OM *EO*OOM: Come on, Caitlin, time for bed.
SUSpENSE*UL MUS*C
See, that *s a U* passport.
Most I*ke* a *ake one, by the efforts made to conceal it.
*hat and the spend*ng money. It's probab* a go-bag.
*ets a tl*ght r*sk.
*tll put a mob*le un*t outside his flat.
*nd look here.
See, the moneyts crumpled, loose.
*ll the hallmarks of laundered money.
*ets a restauranteur, he could certain* be invo*ed in that.
** hets launder*ng, *ttll t*t *n with a few other things.
M*nd me ask*ng what?
*ccord*ng to *evenue, he owes two years' back tax.
*etll take a closer look at his accounts.
*ets det*n*te* up to someth*ng.
M*n*ng the seam between d*rty money
and the cater*ng *ndustry would be my bet.
Good work. *ell done.
N*ce one, Mart*n.
*e have an author*ty to watch the Tuckman house
should O* Vernon turn up aga*n.
O*d they t*nd out any more about him?
** they d*d, theytre not shar*ng.
*eep an eye out, but your ma*n *ocus is Greg Sullivan.
Yes, s*r.
* had a dream they *ound her body.
** they had, wetd know by now, right?
*ey, remember what Mart*n sa*d,
t,*he best ava*lable ev*dence *s that nothing bad's happened to her." OK?
* I*ke Mart*n.
Yeah. *ets all r*ght.
Ctmon, wetre gonna be late.
** daught**- Chlo* wa* hav*ng se'æious confidence issuesr.
*o **mma *a*t h**- a* th* I*ad in the school playr.
And *udd*nl* she's walking ten feet talle'æ.
*hat.* th* k*nd ot t*a*h**- **mma *** nu'ætu'æing and inspi'æational.
Go on, love, you are gonna be late.
* need money *or a*ter.school club.
No, *tve g*ven you that already.
*hat was *or *udo. I'm doing coding now.
*hat?
S* E S*G*S
*tm so sorry. No, it's fine. Thanks.
Love you. *ye* Love you. Bye.
**ya.
...Satu*-at*on.* th* goal.
Oh, **ona.
Look* I know you think they' 'æe tacky...
No, * dontt.
*ut *ou. *-* **gg**- than that. Mm-hm.
**, **ona.
Zo** w*. *-* m**t*ng at m*n* lat**-* if you can make it?
Er, yeah. Sure. Sure...
*etre all stressed, *t *ust *ee*s like we should stick together. Yeah.
*s, um... *s **ona go*ng?
*s that st*ll a th*ng?
Oh, no. No.
Oh, small or med*um?
Uh, med*um, please. *hank you.
Oh, these are *ab, well done. Thank you.
*ll r*ght, *tll see you later. Bye. Ta-ra.
*arget *s leav*ng the bu*ld*ng and heading to his car.
*ets got the go.bag w*th h*m.
* repeat, hets got the go.bag with him.
T*hanks, Mart*n, wetll p*ck h*m up.t
t yeah. * have the eye.t
tMart*n, we're on our own talk group.'
Just you and me, O*?
TO*.t
*e could use an extra veh*cle tailing Greg.
T Oo you wanna go *ump *n your car?t
* dontt know, boss,
* dontt real* wanna let anyone down or anything, y'know.
* wouldntt ask if we weren't stretched.
* *ust th*nk I need a little bit more time, sir.
Tyoutve had plenty o* t*me, Mart*n.t
Never m*nd. Just thought *td ask.
TO*. * have the eye. *arget *s turning right off the A57.'
*o be clear, subject is a like* flight risk.
** we th*nk wetre los*ng h*m, we stop him.
TCopy that, boss. Target is committed.
TO**, o**, o**.
TSl*p road to Manchester international at Junction 5.
TOh, wa*t, hang on. Right, he's just turned off.
T *ets not go*ng to the a*rport.t
. **.* go*ng *outh on th* *34.
. **.* *n a *-*al hu*-*yw*..
T* cantt see h*m.t
t Ooes anyone have the eye?t
t*rgh, wetre los*ng h*m. We're losing him.'
*ets go*ng to Wilmslow Nature Reserve.
Oo tell, Mart*n.
*tts where Greg and Gemma had their first date, sir.
Eyes open, everyone. Could be a meet or a drop.
Or *t could be a dump s*te and he's paying his respects.
S*OU**NG: Gemma.
Gemma*
C*ME** CL*C*S
Gemma*
Mart*n, thatts her.
Yeah? Yeah.
* womants just let herself into Greg's flat,
shets g*v*ng *t a good go*ng over. I think she's a pro.
T*s th*s the woman you saw the other night?
TMart*n?t
yeah. * th*nk *t *s.
*ow d*d she arr*ve?
T*n the MG?t
*ell, ** she d*d, she didn't park it on the street.
T*hen she leaves, you've gotta follow.
Tyoutre the on* one ava*lable. *he rest of the team are tailing Greg.
T*e have to *O th*s woman. You understand?'
yes, sure.
* E **E*** ES * E*V**
*ENSE MUS*C
Come on.
Come on *
L*UG**E* *N O C****E*
S**EE* NO*SES, TENSE MUSIC
*OC* MUS*C pL*yS
you all r*ght?
Yeah. KNOCK TH E DOOR
**mts com*ng round. Right.
*o s*gn the *orms you gave me.
Ooh * **ya.
* real* apprec*ate th*s.
*ny quest*ons, let me know.
Ooes he *ust hang about all day?
*ell, yeah, thatts h*s *ob.
*hat *s th*s, an N O*?
Yeah, they need your consent cos your name's on the lease.
Ca*tl*nts O* w*th them be*ng here?
Yeah. yeah. O* course.
*ho are they watch*ng? I...
Greg Sull*van.
*re they pay*ng you?
*ew qu*d. Not much.
*ey, one th*ngts real* *mportant, though.
Cruc*al, actual*, is that you can't tell anyone.
*ho am * gonna tell?
* dontt know.
* m*ss you.
*e both do.
*ell...
* m*ss you, too. Look, I'm not an idiot.
Zo... No, let me speak.
* want you to come back because you wanna come back.
* get *t, O*?
You need t*me. Space.
* do.
Just *or a I*ttle wh*le.
Yeah.
Ca*tl*nts real* exc*ted about Morocco.
She wants to go back to that beach. You know, with the waterfall.
Yeah, *tts gonna be ep*c.
VO*CES *N O MUS*C **OE
*ll r*ght, ph*I.
** the ne*ghbourts anything to go by,
*t looks I*ke the loca*s are turning against him.
C*ME** CL*C*S
*ets *ust look*ng through some headed paper
w*th t, *andolph Estatest, on *t.
T*hanks, Stella. We'll check it out with CID.'
*nock, knock.
Oh, h*.
*hank you. It's all right.
Oh, you know you sa*d, um, that when she came round,
she had a bottle o* w*ne and a gift bag for Greg. Mm-hm.
Oh, yeah. Just here.
*s that the bag?
Yeah. yeah, looks I*ke *t.
Oarr*ngton **nes. Darrington?
Mm.
Not that * know the name of every of fie in Manchester.
Yeah. **ght.
*heytve got about half a dozen shops.
*herets one r*ght round the corner.
O*. *hank you.
Pleasure.
Oay o** today?
*tm hav*ng a hal*.day.
* was owed some leave, so * thought I'd catch up on a few things.
*eep your eye on me, yeah?
No, no. *tts real* n*ce to have another adult in the house.
**ght. * can *mag*ne.
*er namets Nad*a *a*ley. She works at Greg and Gemma's letting agen*,
*andolph Estates. *tts probab* how she had keys to let herself in.
*andolph Estates?
Yeah. You share this with CID?
Yeah, theytre p*ck*ng her up.
Great work, Mart*n.
* shouldntt have lost her, boss.
*ey, *orget *t. You got there your way.
*hat *s *t?
Sp*t *t out.
So, two n*ghts ago, you didn't see this woman at all?
No. Zoe d*d.
Not on* d*d you I*e to me and C*O, but a civilian knows you lied?
*tm sorry, s*r.
Ytknow, desp*te what every deep.*ake conspira*-nut will tell you,
desp*te all th*s sh*t, what we do here is simple.
*ho, what, where, when.
**th a human touch.
*nd *tts the human b*t they pay *or.
*t reassures.
So you say*ng you saw her when you didn't...
...*sntt a I*ttle wh*te I*e.
*tts t*rebomb*ng the *am** home.
* mean, Max was *n hosp*tal, he couldn't have been in a safer place!
* wasntt th*nk*ng log*cal*, s*r. Oh, real*?
*ecause *td have sa*d logic was your strong suit.
*hy d*d you leave your post, Mart*n?
You know, Sarah bas*cal* brings up Max on her own. My son.
She doesntt have many demands. She just gets on with it.
Qt you know, *or once,
* *ust wanted to... I just wanted to feel useful.
You know, needed.
*s Zoe the sort o* person youtd want sharing a secret like this?
* th*nk * can trust her, yeah.
*ell, wetll say no more about th*s.
Unless *t becomes *mportant.
*n wh*ch case, youtre on your own.
*nd th*s conversat*on never happened.
Understood.
*hen he shouted t,Gemmat,, it was as if it was for my benefit.
*owtd you mean?
*t was so... over the top.
*t was I*ke, t, Look at me in my grief and innocence."
You dontt th*nk hets on to us, do you?
No.
*tve got no reason to bel*eve so.
*owts the d*ve team gett*ng on?
*re you k*dd*ng? That lake is half a kilometre wide.
*ut * tell you what... she is in there.
*td put money on *t.
Stella? Mm?
. **.* a *I**nt* h* *-*nt* th* tlat..
TSo, why were you searching the flat?'
*ello, Mart*n.
. *o *omm*nt..
*ayley.
*a*I**.* on th* **mma *nqu**yw* as of today.
*rentt you gonna *ntroduce us?
Oh, yeah, th*s *s... Stella.
**ya. DC Hayley Jones.
*tm sure we could compare notes.
**** wo*-k *O*ng *ad*a *a*I**.
Sh* ha* to*-m to*- mon** laund**-*ng* but so fa'æ has been " no commenting".
*t. Il ** th* u*ual m**-* ot d*ad *nd* and shell companiesr.
*o th* t*nan**al *o** w*ll h*lp gauge G'æeg's 'æole in the food-chain.
*etve checked Nad*ats phone records for Greg's number.
Noth*ng recent*, but two years ago, they were in frequent contact.
What*
Now, the call that he rece*ved was from a reporter -
we checked all o* that, obv*ous*.
Gregts drunk and a I*ttle b*t angry
and he throws h*s phone down on the floor.
Now, he goes out o* v*ew here for approximate* five seconds.
Or at least, he would have, if it wasn't for that mirror.
Someth*ng catches h*s eye. *e th*nk it was the strap of the bag.
Sk*p *t on, Stell. Yeah.
*ut look at h*s *ace when he opens the bag.
**s express*on.
So*-*yw** *. m ***ng *low.
*e d*dntt see the bag *n the ch*mney until he went down low
to look *or the phone. He didn't know it was there.
*hy d*dntt he pull the bl*nd down and then remove it?
** got d**t*-a*t*d* h* to*-got*
p**-hap* h*.* th**k a* m*n*** like most c'æiminaĮs.
*ut therets a part *o. Stell.
*ere...
you see *t, dontt you?
Now, * cantt make out the name, but that photo is 1000*o Gemma.
*hat suggests that the bag and the money are actual* hers.
*ang on...
W* ***z*d h**- pa**po*-t when we sea'æched the flat.
So, odds are that onets a *ake. Yeah.
*ow does a pr*mary school teacher get a faĮse passport?
Never m*nd why. And all that money...
*ell, Greg d*d say that he thought she was seeing someone eĮse.
O*...?
*ell, that does g*ve her mot*vat*on to up and leave everything,
doesntt *t?
*nd what, sa*I o** *nto the sunset with Mr Right? Maybe.
Nah, youtre reach*ng.
Plus, none o* th*s means Greg didn't hurt her.
So, what do we do?
W* hold ou*- n**ywv* and keep watching.
. **.* tu*-n*d onto th* *-ounda*out..
T** you g*ve us an ex*t, we'll pick him up.'
**O*O C****E*
MUS*C pL*yS: t**ny G*r*st by Iggy Pop
* *ell, the day beg*ns You don't want to live
* Cos you cantt bel*eve In the one you're with
* Cos you know her tr*cks And you know her past
* *hen she makes a *ace You just have to laugh
* *nd you *eel I*ke Such a know-it-all
* *hen you on* want Just a tiny girl
* *nd you hope shetll s*ng. *
MUS*C S*OpS
** UN OE* *UM*LES
. *a*-t*n *-****v*ng*.
Go ahead.
.*a*-g*t.* a*out to a*-*-*v* hom*..
*tm *n pos*t*on. * have eyes on.
* E S*G*S
OOO* OPENS *N O CLOSES
Oh, h*. Hiya.
Oh, thanks, but *tve... I've got a sandwich.
*hank you.
O*d you t*nd out who she was yet? The woman who trashed his flat?
Zoe, you know * cantt d*scuss that.
Oh, you have*
*ow was work? yeah. Had to call the police, actual*.
* guy mak*ng a nu*sance o* h*msel* in the changing rooms.
*e den*ed *t, but we got CC*V, so...
*a*t, hold on. you have CC*V in the changing rooms?
Yeah, wetve got cameras everywhere.
*hat about the stock room?
Course.
*he n*ght be*ore she d*sappeared, you said Gemma came by
to p*ck out costumes. Mm.
You sa*d that she wanted to go out for a drink afterwards
and then she changed her m*nd. Would you have footage of that?
* can ask secur*ty.
Yeah, please.
*here d*d you go?
Uh, to superv*se lock.up and set the alarm.
Looks I*ke she switches off her phone
to stop the person call*ng back.
Y*ah* *. m look*ng at th* * *: * 3 *all. It's f'æom a landline.
TCan you *O the number?t
**v* m** **-* t*v* m*nut**.
TCheers, buddy.t
*heytre gonna look *nto *t.
**ght, *tm o** to bed.
Yeah, thanks *or gett*ng that.
No problem. *tve ema*led *t to you.
*hy do you, er...? Why do you care so much?
*ell, *tts... *tts Gemma.
*e all love her.
* mean Greg. *hy do you care that he's not guilty?
You know, why do you want him to be innocent?
* th*nk...
*tts *ust... They were so in love.
Or they were, unt*I recent*.
*he *dea that love can sour that bad*,
to the po*nt o* *t be*ng aw*ul and hopeless and beyond repair...
...*tts heart.break*ng.
*hatts *t?
Yeah. *hatts *t.
O*. N*ght. Night.
*ey.
. *lood* h*ll* *a*-t*n* * am ma*-*-**d*.
You need to look at Carlts *oreman a little more close*.
*e *ust gave Carl the envelope that Vernon gave him.
. ** took h** t*m* *ha*-*ng..
Yeah. DOOR CLOSES
Looks I*ke a m*ss*ng poster.
.What* **mma*.
No. No, *tts another woman.
Posterts worn and tatty. Looks old.
. 0** *a*-t*n* p*ng u* a ***-**n g*-a* and we' Il look into it.'
*tll call you back.
*arget *s leav*ng by car and he has the money.
* repeat, target *s leav*ng by car.
*ets go*ng west, heading into the city centre.
T No way. Can we patch C*O *n?t
tSure, ra*s*ng them now.t
t*ell tem to put the kettle on. they're about to get a visitor.'
T*hanks *or br*ng*ng the money to us, Greg.
T*etve worked a *ew th*ngs out already,
tbut we need help stringing them together.
T*s that O*, Greg?
T*e have ev*dence, some o* *t from Gemma's school computer,
tthat she was us*ng the a*ter school clubs to launder money.
T*e dontt know how *t started, but we doubt it's a coincidence
tthat two years ago, you couldn't pay the rent,
tthen Gemma took on the school clubs and you're all up-to-date.
T* get you dontt wanna speak ill of her, I do.
T *ut we need to establish the truth.'
*er I**e may depend on *t.
*e rent our tlat through Randolph Estates.
*bout two years ago, one o* their employees came to see me.
T* *ust thought, what a nerve*t
you know? Yeah.
* sa*d, t,you can ev*ct us before we stoop to that."
**ght. *nd what d*d she say?
*ell, she apolog*sed.
Sa*d shetd "misjudged the situation".
Obv*ous* terr*t*ed I'd go to the police.
* w*sh youtd d*scussed *t with me first.
*hat?
*etre e*ght months beh*nd.
Maybe she *ust wanted to help. Are you serious?
*tts a v*ct*mless cr*me, Greg.
*tts not a v*ct*mless cr*me. It means drug money or worse.
Youtve sunk my I**e sav*ngs into your bloody restaurant,
but you wontt r*sk anyth*ng yourself.
*hat *s out o* order.
No, Greg, thatts the truth.
You wanna talk about the truth, let's do it.
No, go on, say *t* Oh, piss off!
No, letts talk about *t*
GL*SS S****E*S
*h*s employee, can you tell me their name?
T Nad*a *a*ley.
T*ll * had to do was put the fake receipts'
through the t*ll, cover them with Nadia's cash,
w*thdraw the money and return *t.
M*nus your cut?
Presumab*. *t never got that *ar.
Nad*a came round the other day.
Sa*d she was sorry about Gemma and hoped she'd come home.
*ought me a bottle o* w*ne. To be honest...
*td *orgotten about her little proposal.
*eal*?
*t was a long t*me ago.
*ut...
play*ng *t over... * thought, maybe she was feeling me out.
See*ng ** youtd told us anyth*ng?
*hen when * *ound the cash, it all made sense.
*hatever Gemmats m*xed up *n...
...*tts my *ault.
T*nd what do you th*nk shets m*xed up in? Beyond the money laundering?'
t* dontt know.t
*tm *ump*ng at shadows, seeing connections in everything.
*h*s was *n there, too.
Gemmats *ace. Someone e*sets name.
* Jacquel*ne **eld*ng.
* stranger.
*ll day, *tve been ask*ng mysel*, why...?
*hy would she have a passport in someone eĮse's name?
*he on* explanat*on is she wanted to disappear.
*nd the on* com*ort *n that *s...
maybe she d*d.
Look, you came to us voluntar**.
*nd thatts to your cred*t, it real* is.
Youtre pract*cal* an innocent bystander in all this.
Gemmats d*sappearance, the money laundering.
Youtve no hand *n any o* *t.
Youtre *ust th*s bew*ldered sa*nt, stumbling through the wreckage.
*tm no sa*nt.
*hat m*ght be the truest th*ng you've said all night.
*ow dtyou make someone cry in ten seconds, Greg?
On the phone.
* mean, I've had some lousy boyfriends...
* asked her where she was.
She sa*d she was w*th Zoe. I didn't believe her.
*td had a b*t to dr*nk.
* called her a I*ar.
* called her a slut.
*h*s *s the vo*cema*I you le*t 30 seconds later.
TGemma, ** you hang up on me aga*n, you're dead.
T*nswer your *uck*ng phone.t
** thatts how you reacted to her having a drink with a mate,
what happened when she sa*d she was leaving you?
*hat? Did you hurt her?
No, * d*dntt hurt her.
*anna tell us where the other one is, Greg?
*hat, *...
* want a lawyer.
T* want a lawyer r*ght now.t
tGreg Sull*van, *tm arrest*ng you on suspicion of the abduction
tand murder o* Gemma **llman. You do not have to say anything...'
VO*CE **OES
*N O*S**NC* C****E* ON V*OEO
***EN O* C****E*, LAUGHTER
*NC*E*SES VOLUME O* CL*p
tGemma... *aylor...t
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