**. 0h, Zoe!
Sorry *tm late, Gemma. There was a fire alarm in the shop.
Oh, youtre not late.
*hose costumes you p*cked out worked a treat, by the way.
S*U***L*NG Hey - you two!
O*, everyone, props and costumes back in their boxes, please.
*aventt g*ven up hope of getting her on stage.
Oh, no... She *s lov*ng doing the scenery.
*nd shets do*ng a great *ob.
* had a chat w*th her th*s morn*ng.
* th*nk she m*sses her dad.
Oh, *tm sorry. *re you O*?
Yeah. Look, do you th*nk you can get him along to the play?
Mean the world to her.
Yeah. yeah, det*n*te*. Great.
Oh, *ate* *tve got your *abr*cs.
*here you go. Thanks.
*hanks aga*n *or mak*ng Chloe the lead - just what she needed.
* was exact* the same at her age, you know -
outward* uber.cont*dent, inward*... I don't believe that!
S* E L*UG*S
*tm *ust gonna... Yeah.
G*SpS Jesus!
Sorry.
*hatts your excuse?
*hy are you st*ll here? Oh, *ust catching up on the old paperwork.
*he bossts lot. Er, do you fan* a swift one?
Look, * love work*ng here.
* *ust... * wouldntt want to ruin it... 0K.
Me, too. Great! Bye.
N*ght. Night.
G*EG: *e hung about all a*ternoon to ask you for a drink?
GEMM*: * th*nk so.
Musttve *anc*ed h*s chances.
Ooesntt matter. he got the message this time.
*hat dtyou mean, t,th*s t*met,?
*or Chr*stts sake, Greg. Has he bothered you before?
*ell, he... hets asked me out a few times, yeah.
O*dntt th*nk to tell me?
No, because *t was so astronomical* trivial...
*nd * knew how youtd react.
Look, ** you want a g*rl who needs her battles fought,
then wetll *ust have to spl*t up.
Show me your phone.
Oontt do th*s. ** youtve got nothing to hide, what's the problem?
Gemma.
O*S**N**: Gemma*
*uck* CRASH
Mum... ZOE GASPS
...can * get a new phone case? Yeah, yeah.
Just... use the MasterCard, not the Visa, 0K?
******NG *O*O* *L*OES
***N* VO*CES ON **O*O
***OSONG
O*S**N* S**EN
OC* CON *Oy: Sorry to keep going over this, Greg.
*tts O*.
** *t helps t*nd Gemma...
She came home *rom school as normal.
*e talked about her day, then I decided to go for a run.
*hen * got back, Gemma was gone.
*he I*ghts were on, the *V was on,
her handbag was on the so*a with her coat.
*he on* th*ng m*ss*ng was her phone.
Er... *s there any news?
*nyth*ng at all?
*ll * can say *s we're doing everything possible
to br*ng Gemma home sa*e.
TGemmats phone records.
TOver the last month, you called her, on average,
t 3S t*mes a day,
tseven days a week.t
*tve had...
**VE, erm...
...control *ssues. I can be over-protective at times.
* mean, *tts a good qual*ty, r*ght?
Car*ng about someone, you know?
Sure.
*ut then therets hold*ng on too tight, isn't there?
*hatts not you?
*hatts not me.
*ets v*olent, controll*ng and his alibi stinks,
but hets very pat*ent with the questions.
Now, ** Gemmats al*ve or dead, my gut instinct is,
we wontt get a con*ess*on out of him.
Plus, ** he knows we suspect h*m, we lose our edge.
*etre not gonna d*sabuse h*m?
Not t*ll he makes a m*stake. and when he does, we'll be watching.
*ell, they w*ll.
OC S*ELL* *EC*E**: *hat was that? 19?
M****N : 2 *.
**me well spent? yep. How do you stay awake for that long?
Sk*I*s... DI LIAM COX: Lightweight.
* once spent two days *n a haystack waiting for some tardy pornographers
w*th noth*ng but a donkey for company.
C*O have a *ob *or us.
Surve*llance on the home of missing teacher Gemma Hillman.
*e have an author*ty to watch her partner, Greg Sullivan, 24Į7,
e**ect*ve *mmed*ate*.
24J*? *hey must I*ke h*m.
*e on* have author*ty *or 4* hours.
Name and address o* a res*dence
*mmed*ate* oppos*te the target flat.
*tll do the background checks, boss... Thanks. I'll get the gear.
Um, *ust so you know, th*s *ob comes from your old branch of CID.
**ght.
Not go*ng to be a problem, *s *t, working with them again?
*t was bound to happen one day, s*r. And now that it has?
*tll be t*ne, boss. prom*se.
Good man.
C** OOO* S* U*S
Eyel*nes look good. Background checks?
Clean as a wh*stle.
Shets a deputy manager at a clothing shop on Market Street.
*UZZE*
t *ello?t Zoe Sterling?
T yeah?t
*h*s *s Oetect*ve Constable Stella Beckett,
could you let us *n, please?
T*tve already spoken to the pol*ce.t
yeah, well, wetre *rom a d***erent department. Could you let us in?
*UZZE*
Come *n. Cheers.
Up*E** MUS*C pL*yS
*tts Zoe Sterl*ng, r*ght? Do you mind if we call you Zoe?
Look, *s th*s about Gemma? * mean... why eĮse would you be here?
So you know Gemma from the street, right?
Yeah, but shets a mate, too, not just a neighbour. Sure. Sure.
*t *ust... *ust doesntt *eel real, any of it.
Shets *ust the sweetest person.
Zoe, wetd I*ke to use your tlat for surveillance purposes.
*hat... to spy on someone?
Greg?
*tm a*ra*d I can't real* tell you that.
S*ELL*: yeah. *e *s someone of interest to us.
*e wontt *nsult your *ntell*gence.
You may have not*ced your tlat is direct* opposite Gemma's? Right.
So w*ll you help us, Zoe?
*e *ust want to do everyth*ng we can to get Gemma home safe.
Yeah. yeah, course.
**ght. *hy dontt you check out the additional vantage points, Martin,
yeah?
* could murder a brew.
Erm, yeah... *o co**ees? Tea, please. Yeah.
Ooes he want one? Do you want a cup of tea, Martin?
*tm O*, thanks.
*OC* MUS*C pL*yS
S*ELL*: Oh, *h*te Str*pes at the Roadhouse? I were at that gig!
ZOE: No way*
*hat was the t*rst Manchester show, wasn't it?
Second, * th*nk, yeah, they played the Uni the year before.
*hat was back when...
S* E L*UG*S
S*ELL* *N O ZOE C***
S*ELL*: L*sten, *s *t all r*ght ** * get you to sign this consent form?
ZOE: Sure. yeah o* course. '
. **llo* *uppo*-t..
Yeah, *tts Mart*n.
Can we have another look at our host, Zoe Sterling, please?
.Su*-** hold th* I*n*..
T,Clean as a wh*stle.t, Drug possession times two.
*nc*ent h*story.
*nd d*d * *orget to ment*on the living, breathing child she has?
O*, so the k*dts not *deal, but Cox thinks it's an acceptable risk.
*tts the on* eyel*ne that works for us.
*tll see you *n the morn*ng. No, wait. It's your turn on nights.
No, *tts not. It's your turn on nights.
*tve got plans. It's Jack's birthday. Again?
See you *n the morn*ng, mate...
C**NG I miss her so much.
*hy dontt you st*r that *or me for a minute?
*ow are the vantage po*nts working out for you?
Er, yeah, theytre great. Thank you.
* am gonna need you to date the signatures as well, please.
*ll r*ght. Thanks.
Look, you can tell me to get lost, but...
why dtyou th*nk Gregts got anything to do with this?
You haventt arrested h*m and Gemma is just missing, right?
Youtll have to ask C*O. What, that's not you...? No.
C*O tell us who to watch and we watch.
*he t,whyt, *sntt real* my bus*ness.
So youtre a glor*t*ed camera, basical*?
Yeah. *as*cal*.
You gotta *orm your own op*n*ons on who you're watching?
*re they *nnocent? Are they guilty? Yeah.
* try not to let that get in the way.
MO**LE **NGS I'm sorry...
yeah. yeah, *tm here. It's a bit of a tongue twister.
**rst.tloor tlat and youtre gonna have to use the front door, OK?
C***L*N : you *ould u** the back doo'æ.
*old on a sec...
*h* man down*ta**-* ** awa*. We wate'æ his plants.
So youtve got the keys?
*e need to set up *n your daughter's room, is that OK?
**ne, she sleeps *n my room anyway.
*ow long has he been away?
Er, couple o* months?
*ets South **r*can.
*e spends hal* the year in Cape Town.
OOO* C*E**S * E*V**
*hat do we do now? We wait for Teri from support.
*hanks.
OC* CON *Oy: t*here are a couple of things you can help me with,
tbut dontt read anyth*ng into it, OK?'
G*EG: .What ** *t*.
T*o years ago, a neighbour called 999
tbecause she was concerned for Gemma's safety.'
.*t wa* a *-ow that got out ot hand.
.* pun*h*d th* wall* **-...
...w*ll* a m**-*-o*-..
* d*dn.t hu*-t h**-.
T Oo you m*nd tell*ng me what the row was about?'
.*h* *-**tau*-ant.
.* had tak*n out a loan and I was st'æuggling to 'æepay it.
.What.* th* oth**- th*ng*. 'Gemma's phone records.'
tOver the last month, youtve called her on average 35 times a day,
tseven days a week.t
.*.v* had. hav** **-m* cont'æol issues.'
MUS*C *L*S*S *NS*OE V*N
N E*S*E*OE* ON *V: .* 29.**a*-.old p'æima'fey school teache'æ
. ha* gon* m****ng f'æom he'æ flat in *ancheste'æ.
. **mma **llman wa* la*t ***n two days ago
. and pol*** w**-* al**-t*d when he'æ pa'ætne'ær. G'æeg Sullivanr.
. *-*po*-t*d *h* had d**app*a*-*d t*-om thei'æ home in Westbu'fey St'æeet.
. Pol*** *a* th**. *-* t*-*at*ng he'æ disappea'æance as unexplained
. and hav* laun*h*d a tull missing pe'æsons investigation.
. **- Sull*van ha* ***n h*lp*ng...
Sorry, can * *ust...? Sure.
So...
...wherets home?
Oh, *tm *n town.
*ell, thatts not a London accent, I can hear, then...?
*est Eal*ng.
O*d my tra*n*ng up here... and I never went back.
*hat about you?
Llanell*, South *ales.
Cl.cl*nnethl*?
Yeah thatts *t. '
*hat *s that, I*ke *our *s?
Yeah. yeah, very good.
So what brought you up here?
Mus*c.
*t was a*ays my th*ng, but there wasn't much of a scene back home.
*ny. So * *ust came up here and got a job at Eastern Bloc.
*hat, the record shop? Yeah.
* E L*UG*S I was a PC in the Northern Quarter.
*t was on my beat. Small world.
Yeah, probab* stood beh*nd you in the queue at Greggs.
On* ** * had a real* bad hangover.
*hatts where * met Ca*tl*nts dad.
*he record shop?
Yeah, not Greggs* Ah, OK. Right.
So... does he have a name?
Ca*tl*nts dad? Tim.
*etre hav*ng a b*t o* a break at the minute.
Not the t*rst, probab* won't be the last.
*etre o** to Morocco *or Chr*stmas, so we'll be back on track by then.
MO**LE **NGS
Ooh, whatts happen*ng?
*h, *ust the other day when we were doing the house-to-house,
we had reports o* a prowler...
Oh, yeah, apparent* there was someone hanging around in the alley.
*ut... yeah, you don't th*nk *t could be...? No.
L*sten, Jan*ce *s all r*ght. Real*?
Yeah, she babys*ts *or Ca*tl*n sometimes -
and she gets enough sh*t *rom these residents without you piling in.
*hatts the*r problem? Take a wild guess.
*he boat?
*he pa*ntwork, the shed in the garden.
*hey all started a pet*t*on asking her to clear it up.
Say*ng shets a health and safety hazard
when all she *s is a gentrification hazard.
You d*dntt s*gn *t? No, I fucking did not.
*ould you? It's irrelevant what I'd do.
Go on, hypothet*cal*?
*onest*, hand on heart, * cantt say I'd want her living next door to me.
P*ON E **NGS
youtd better get that.
Sarah? 'Martin.'
Sarah? 'Max is in hospital!' What?
T *e had another t*t at football practice
tand he m*ght have concuss*on *
t* wasntt supposed to p*ck h*m up till 8, and I'm still on the train.'
O*, O*, what hosp*tal *s he *n?
O*, *ust g*ve me the *n*ormat*on.
*re you sure he has a concuss*on? 'Yes.'
O*, what about your parents, can they go?
T*heytre away* Can you go or not?*t
* cantt leave my post.
TCan you make an except*on?
TCoach has to leave soon and Max will be on his own.'
yeah, O*. *tll call you back.
C**S*
Stella... Come on come on come on. ' '
VO*CEM**L: t **ya, *tts Stella, leave a message.'
* *ust need to pop out *or a b*t, OK?
*ould you m*nd not go*ng *n there? Yeah, yeah. Promise.
*ll r*ght. *h.*hanks.
Coach... *herets Max? They're checking him over now.
*s he O*? Is he in pain?
*etll be t*ne. It's just a bump to the head. OK.
Look, *tm gonna have to go, mate.
*tve already m*ssed two engagements tonight, so...
Oh, well, sorry to inconvenience you.
*ell, look, th*s *s, what,
the th*rd t*me hets t*tted this season?
** he wants to play, he plays, all right?
Oad.
Son.
Come here. you all r*ght? You all right?
Yeah?
* thought he sa*d not to go *n? ZOE GASPS
Jesus, Ca*tl*n *
*ell, he d*d. Well it's our flat, isn't it?
*o bed, please.
MU**E*S: * get *t.
OOO* SL*MS
O*S**N* S**ENS
VE**CLE ENG*N E *pp*O*C* ES
ENG*N E S*OpS
C** OOO* OPENS
C** *L**M *EEpS ONCE
OOO* *UZZE*
SO***: No...
*ow long do you th*nk you're gonna be?
W*ll* w*. Il *all *ou when the consultant's 'æeady.
*ll r*ght. *hank you.
0*. All right.
MO**LE p*ON E **NGS
*ello.
Yeah, erm, hets got a v*s*tor.
*ho, Greg?
T yeah. Yeah, and she's bloody gorgeous.'
t*hat do you want me to do?t
Noth*ng. Noth*ng. Dad?
*o seconds, all r*ght?
O*, O*, O*, O*...
Look, * need you to go *n Caitlin's room.
Yeah, yeah. yeah. G-Give me a minute.
O*. yeah. yeah, *tm *n.
O*, go to the v*ewt*nder of the camera,
and tell me whatts happen*ng.
T*tm *ust gonna put you on speaker.t
O*. *ell, theytre *n the k*tchen...
shets got her back to me...
and your camera batteryts tlash*ng.
O*. Just talk*ng? That's all, just talking?
Yeah. She, erm...
brought h*m a bottle o* w*ne or champagne or something. It's...
*hen she arr*ved, was she in a vehicle or on foot?
T* car?t
*tts an...
*tts an MG, * th*nk.
T* need you to zoom *n and get me that licence plate number.'
O*...
Oh, yeah.
T *ang on.t
*tts *ust...
S* E S*G*S
your camerats dead.
O*. O*. Erm...
O*. *hatts happen*ng? Tell me what's happening.
T Erm...t
*ell, erm...
O*, well, theytre st*ll talk*ng.
Looks I*ke *tts gett*ng a bit intense.
*hat do you mean *ntense? Intense how?
T*ell... * dontt know. *tts...t
*tts hard to expla*n.
*h *
No, showts over.
T *ets drawn the bl*nds.t
*re you sure you cantt get me that number plate?
Leave *t w*th me.
T*hat do you mean, leave *t w*th...? Zoe, don't go outside.'
Oo not go down...
*ax young*
C** ENG*N E S****S
C*ME** S* U**E* SOUN O
Oh, my God, *s he O*?
*ets t*ne. He is upstairs having a quick bath,
and, you know, the v*be *s definite* "don't make a fuss".
MO**LE p*ON E C**MES
*ll well?
Mart*n?
Yeah.
Yeah, * have to go to C*O tomorrow.
Oh... *hy?
*ell, wetre do*ng a I*ttle b*t of work with them, so...
*ell, maybe...
maybe *ttll help lay some ghosts to rest.
You know, ** you do good work for them...
...and *tm sure you w*ll. H E MOUTHS
*t m*ght make you *eel better about everything.
* should, erm... probab* get go*ng.
You d*d say you were gonna give me your keys back.
**ght, yeah, * d*d.
Sorry, * d*dntt mean to..
No, *tts t*ne. * dontt... I don't need them.
* d*d ton*ght, but...
* E EX**LES
Maybe a b*t th*nner. What, there?
L*ke, h*gher cheek bones maybe? What do you mean, here?
L*ke th*s?
No, maybe not th*nner. Maybe...
Oh, *tts her ha*r*
*er ha*r was up.
Good?
Yeah... No, no. You took too long to answer that.
* real* need... No.
No, *tts good. Yeah, that's her.
Yeah? Yes.
O*. Great. Yeah.
So, erm... you know I had to pop out earlier?
** you could... What are you on about?
Youtve been here all n*ght.
*hank you.
Your secretts sa*e w*th me.
O*, but when you say the word secret,
that makes me *eel I*ke * am gonna have a heart attack.
S* E L*UG*S OK.
*hatts *ust not the best cho*ce.
O*, well, maybe we dontt say secret, we just never mention it again.
O*. Sounds good.
SO***: yeah.
*hanks. Erm... I'm just gonna... Yeah.
C****E*, p*ON ES **NG*NG
L*UG**E*
* E G*UN*S
M*N YELLS, ****ES SC*EEC* I was hit! Help me!
Can * help you, Mart*n?
No, sorry, * was *ust, erm...
Mart*n.
Good to see you.
*ello, boss. Sorry, not boss. Old habits, you know.
Good to have you on th*s. Thank you.
O*, *ollow me.
*lood and ON* on the shoe found in Westbury Gardens
*s a match to Gemmats and her phone's still offline.
Obv*ous*, that makes it far less like*
shets gone o** of her own volition,
so, *n parallel to the MisPer inquiry,
wetre now runn*ng a full homicide investigation.
*hat about Greg?
* st*ll th*nk hetll lead us to Gemma.
O*g *nto h*s contacts.
*nyth*ng that y*elds a locat*on he might've taken her to
*s worth pursu*ng, O*?
Now, most o* you here will remember Martin Young.
Mart*nts *n Surve*llance now,
and hets go*ng to br*e* us on a development last night.
*hank you.
So, Greg Sull*van... had a visitor last night.
*hy are we look*ng at an E.*** and not a photo?
*ell, * was st*ll unpack*ng the camera then.
She d*dntt hang around very long. on foot or in a vehicle?
Erm, she was *n a veh*cle.
S**er MG, * th*nk. Couldn't get a reg?
*ell, * thought about going down for a closer look,
but my cover would have been blown, so...
you d*d r*ght.
*hat was the v*be between them?
Erm... *t was d**t*cult to say,
but Greg d*d pull the bl*nds down pretty quick*.
** Gregts *n a relat*onsh*p, it'll all fall into place.
O*. *O.*ng th*s woman *s a pr*or*ty.
*hat about the wh*te *M* Gemmats headmaster saw her driving? Any joy?
*e th*nk he m*ght have been m*staken
because she d*dntt have a driving licence,
she doesntt have any cars registered in her name...
One more th*ng.
Unt*I we know d***erent,
we proceed as ** Gemmats still alive,
st*ll saveable. Understood?
*LL: y*** *o**. OK.
N*ce one, mate.
*eya, mate.
*ey, you.
*e dontt actual* have author*ty to watch that house.
*tm *ust say*ng.
*ell, who I*ves there?
*ouse belongs to a Kate and Carl Tuckman.
Largest property on the street. They own the whole thing.
*mm*
*s that Gemma?
*here?
* p*cture o* her, yeah.
*ell, what are they do*ng?
Oh, some sort o* DIY Find Gemma Club.
Urgh, thatts all we *uck*ng need, innit?
**ght, *tm o**.
Later. Yeah, take care.
OOO* CLOSES
*N*UO**LE
O*S**N* C****E*
M*N : Come on.
* E MU**E*S: *.*.3.4.E.*.U.
*.*.3.4.E.*.U.
t **ya, Mart*n.t
*o*. O*d you pNC that Saab? 'I did.
T *eg*stered to a Oonald Vernon... who has form.'
*or...? 'Stalking.'
Sub*ect to two heavy duty restraining orders.
*hots the pla*nt***?
*tts redacted, un*ortunate*. But get this -
be*ore all that, he used to be a copper.
Youtre k*dd*ng? A DI no less, down in Westport.
Seems h*s pol*ce record kept him out of jail.
*hose house was he show*ng an interest in?
*ate and Carl *uckman.
M*ght be worth d*gg*ng a b*t deeper.
*e was hav*ng a look at *ate and her friends.
*herets reports o* a prowler *n the street and alleys at the back.
T*t couldtve been h*m?t
yeah, maybe.
* took a walk down there and you can see direct* into Gemma's bedroom.
TO*. *tll take a closer look at him.'
Zoe*
S* E G*SpS
Oh *
*re you go*ng to the v*g*I? Yeah. Yeah, course.
*hen the school sa*d they werentt doing anything, Kate went nuts.
Now, the headts gonna say someth*ng.
*ell, shets, erm...
a very persuas*ve woman, your w**e.
Er... yeah.
*nd Ca*tl*n? How's Caitlin doing?
Not good.
No, erm...
yeah, *tm on my way to p*ck her up
*rom the **ter School Club, actual*, cos...
Gemma used to walk her home.
** youtre worr*ed...
you know, be*ng on your own with all this going on...
...my mob*lets on there.
*hatts, erm...
real* k*nd o* you.
*ppa*-*ntl** **-*g **at up **mma last yea'ær.
*ut *h* wa* too **a*-*d to p'æess cha'æges.
Says who? Someone tweeted it.
Oh, well, then case closed, Mel*ssa.
* US* EO: * hate to say *t, but I heard something similar
and on good author*ty.
**, Zoe. Hiya.
No **m?
No. No, hets, erm...
*ets OJ.*ng ton*ght *n L*verpool. He's gutted, isn't he?
*hank you.
Erm... * hoped youtd be here, Zoe. I...
*hank *ou all to*- *om*ng *n th*** most difficult of ci'æcumstances.
** nam*.* Oom*n** *anl**. I' m the head...
O*S**N*: ..at St **aa*.**
wh**-* **mma ** a mu*h.lov*d membe'æ of staff...
OOO* CLOSES
*ey.
*hatts my mumts best ch*na, by the way. Don't drop it.
You must be **m.
Oontt take th*s the wrong way,
but *tve absolute* no *nterest in who you are.
* would I*ke to know what you're doing
*n my daughterts bedroom, though.
* was *ust clos*ng the w*ndow. It's getting a bit cold.
You know *tts started, r*ght? The vigil?
Yeah, you mak*ng a po*nt?
*ell, no, *tts... It's on* at the end of the street,
* d*dntt know ** you wanted to... Goal!
*tve got a set ton*ght.
. P*opl* *a* th**-*.* no *ommun*t* in big citiesr.
. P*opl* *a* *t.* *v**yw* man fo'æ himself...'
W*ll* *ou.v* all *hown. *m they' 'æe dead w'æong.
V**yw* w*-ong.
So* I*t.* tak* a mom*nt to send ou'æ love...
and ou*- p*-a***-* to **mma.
**-om th* *ottom ot ou*- h*a*-t*...
w* w**h *ou a *at* and speedy 'æetu'æn.
Com* hom** **mma. ATTEN DEES: Come home, Gemma.
*nd* *at** *ou w**-* qu*t* *-*ght to send me a fou'æ-page email at 3am...
Oo you m*nd ** * say a *ew words?
E*-* no.
*o* go ah*ad. CROWD MURMURS
*h*s *s so beaut**ul.
*hank you.
*he last three days have been hell.
But, er...
* have *a*th...
that Gemma *s sa*e.
*hat shets gonna come home and be with us again like...
...none o* th*s ever happened.
*nd to the *ew people here who can't meet my eye,
*td rem*nd you the pol*ce...
a*ays suspect the boy*r*end or the husband,
*tts pretty much mandatory. It's in the bloody manual.
*nd to people that say therets no smoke without fire, I say...
*hank you so much, Greg. Thank you.
GEN*LE *ppL*USE Thank you.
*tm sorry your dad d*dntt make *t, love.
Can * go *n**d** *.v* got th* k***. Yeah, go on.
*ey.
Thanks again.
* thought *t was *mportant to come.
* mean, *or Gemma. yeah. Right.
Course... CARL: Zoe!
*etre hav*ng a *ew dr*nks, you wanna come in?
*, erm... No, another time maybe.
N*ght*
you dontt remember, do you?
Last t*me we spoke?
You were qu*te p*ssed. SH E CH UCKLES N ERVOUS*
Course * remember. Quite philosophical, too.
Oh, God. *hat sh*t was * spout*ng? We talked about relationships.
*hy dontt you come *n? We can finish the conversation?
* cantt... Please, I'd real* appreciate it.
G*EG: Just ten m*nutes.
SO***: *hat are you do*ng?
No, no, no.
MO**LE p*ON E **NGS
*ello?
T Oontt look up.t
t*he alarmts *ust gone o** at your work.'
you need to leave. Tell him now.
T Now.t
Zoe, youtre our host, you can't go into the target's flat.
T*ll r*ght, then. *r*ll. OK, thank you.'
Zoe... ' Bye.'
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