1 00:00:11,413 --> 00:00:16,931 ♪♪ 2 00:00:16,931 --> 00:00:22,482 ♪♪ 3 00:00:22,482 --> 00:00:26,448 Kenda: SATURDAY MORNING, 9:00 IN MIAMI, FLORIDA. 4 00:00:26,448 --> 00:00:28,034 PEOPLE ARE GETTING ON ABOUT THEIR BUSINESS 5 00:00:28,034 --> 00:00:29,655 OF ENJOYING THE WEEKEND. 6 00:00:33,068 --> 00:00:36,310 A RESIDENT OF A DOWNTOWN HIGH-RISE APARTMENT BUILDING 7 00:00:36,310 --> 00:00:38,482 NAMED MICHAEL PEARSON 8 00:00:38,482 --> 00:00:40,241 IS STROLLING ACROSS THE COURTYARD 9 00:00:40,241 --> 00:00:43,689 IN FRONT OF HIS BUILDING ON HIS WAY TO HIS CAR. 10 00:00:43,689 --> 00:00:49,068 ♪♪ 11 00:00:49,068 --> 00:00:54,482 ♪♪ 12 00:00:54,482 --> 00:00:57,482 [ KEYS JANGLING ] 13 00:00:57,482 --> 00:00:58,448 [ MAN SCREAMING ] 14 00:00:58,448 --> 00:00:59,551 [ THUD ] 15 00:00:59,551 --> 00:01:01,206 [ CAR ALARM WAILING ] 16 00:01:01,206 --> 00:01:03,758 [ WOMAN SCREAMING ] 17 00:01:03,758 --> 00:01:06,689 ALL OF A SUDDEN, HE'S WATCHING A HUMAN EXPLODE 18 00:01:06,689 --> 00:01:09,379 ON THE SIDEWALK NEXT TO HIM. 19 00:01:09,379 --> 00:01:12,620 [ WOMAN SCREAMING ] 20 00:01:12,620 --> 00:01:14,551 NOW, WHERE DID HE COME FROM? 21 00:01:14,551 --> 00:01:15,896 [ PHONE DIALING, LINE RINGING] 22 00:01:36,344 --> 00:01:38,034 [ BIRDS CAWING ] 23 00:01:38,034 --> 00:01:43,413 ♪♪ 24 00:01:43,413 --> 00:01:46,551 I SPENT MY CAREER CLOSING MURDER CASES. 25 00:01:48,034 --> 00:01:49,758 BUT I'M NOT THE ONLY ONE 26 00:01:49,758 --> 00:01:53,137 WHO ANSWERED THE CALL. 27 00:01:53,137 --> 00:01:57,655 IT TAKES A RARE BREED TO SOLVE THE UNSOLVABLE, 28 00:01:57,655 --> 00:02:00,172 TO CATCH A RUTHLESS KILLER, 29 00:02:00,172 --> 00:02:04,413 TO FIND JUSTICE FOR THE DEAD. 30 00:02:04,413 --> 00:02:09,482 THAT'S WHAT IT TAKES TO BE AN AMERICAN DETECTIVE. 31 00:02:09,482 --> 00:02:12,103 --Captions by VITAC-- www.vitac.com 32 00:02:12,103 --> 00:02:14,655 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 33 00:02:14,655 --> 00:02:17,620 MY FIRST NAME IS JOSEPH. MY LAST NAME IS SCHILLACI. 34 00:02:17,620 --> 00:02:19,275 VERY PROUD TO SAY THAT I WORKED 35 00:02:19,275 --> 00:02:21,379 WITH THE CITY OF MIAMI POLICE DEPARTMENT, 36 00:02:21,379 --> 00:02:25,068 ROUGHLY 29 TO 30 YEARS OF SERVICE. 37 00:02:25,068 --> 00:02:29,137 I WAS A HOMICIDE DETECTIVE FROM 2001 TO 2006. 38 00:02:30,000 --> 00:02:34,172 [ POLICE RADIO CHATTER ] 39 00:02:34,172 --> 00:02:36,758 I'D WORKED THREE STRAIGHT DAYS. 40 00:02:36,758 --> 00:02:39,206 I WAS MENTALLY AND PHYSICALLY EXHAUSTED 41 00:02:39,206 --> 00:02:43,275 AND EXTREMELY EXCITED ABOUT GOING HOME. 42 00:02:43,275 --> 00:02:46,793 MY FAMILY IS EVERYTHING TO ME. 43 00:02:46,793 --> 00:02:48,862 [ CELLPHONE VIBRATES AND CHIMES ] 44 00:02:51,758 --> 00:02:53,034 SCHILLACI. 45 00:02:53,034 --> 00:02:54,310 Rodriguez: HEY, SARGE. 46 00:02:54,310 --> 00:02:56,344 I GET A CALL FROM DETECTIVE RODRIGUEZ, 47 00:02:56,344 --> 00:02:59,103 HE SAID, "HEY, SARGE. WE GOT A JUMPER. 48 00:02:59,103 --> 00:03:00,551 I KNOW YOU'RE TIRED, GOING HOME. 49 00:03:00,551 --> 00:03:02,379 I GOT THIS. I'LL TAKE CARE OF IT." 50 00:03:02,379 --> 00:03:03,448 OKAY. 51 00:03:03,448 --> 00:03:07,034 I OWE YOU ONE, BROTHER. THANKS. 52 00:03:07,034 --> 00:03:11,068 I DON'T KNOW WHAT IT WAS, BUT WHEN I HUNG UP THE PHONE, 53 00:03:11,068 --> 00:03:14,103 SOMETHING FELT DIFFERENT WITHIN ME. 54 00:03:14,103 --> 00:03:16,068 [ SIGHS ] 55 00:03:16,068 --> 00:03:18,862 [ ENGINE STARTS ] 56 00:03:18,862 --> 00:03:21,344 I HAD TO GO THERE. 57 00:03:21,344 --> 00:03:23,965 [ SIREN WAILS ] 58 00:03:23,965 --> 00:03:30,137 ♪♪ 59 00:03:30,137 --> 00:03:32,655 [ POLICE RADIO CHATTER ] 60 00:03:36,551 --> 00:03:39,758 Kenda: WHEN SCHILLACI ARRIVES AT THE SCENE, 61 00:03:39,758 --> 00:03:43,172 HE'S IN A COURTYARD OF A HIGH-END APARTMENT COMPLEX 62 00:03:43,172 --> 00:03:44,896 ON BISCAYNE BAY. 63 00:03:46,896 --> 00:03:50,862 SCHILLACI, WHAT THE HELL ARE YOU DOING HERE? 64 00:03:50,862 --> 00:03:52,482 I SAID, JUST GIVE ME A COUPLE OF MINUTES 65 00:03:52,482 --> 00:03:55,206 TO SEE WHAT'S GOING ON, AND THEN, YOU KNOW, I'LL GO. 66 00:03:55,206 --> 00:03:56,689 WHAT DO WE GOT? 67 00:03:56,689 --> 00:04:01,310 IT WAS SURREAL BECAUSE YOU HAVE ALL THIS LIFE AROUND YOU, 68 00:04:01,310 --> 00:04:05,379 BUT THEN RIGHT AT YOUR FEET, 69 00:04:05,379 --> 00:04:07,000 YOU HAVE DEATH. 70 00:04:07,000 --> 00:04:13,482 ♪♪ 71 00:04:13,482 --> 00:04:20,000 ♪♪ 72 00:04:20,000 --> 00:04:22,793 I PULLED THE SHEET BACK, AND I WAS IMMEDIATELY STRUCK 73 00:04:22,793 --> 00:04:26,655 BY HOW YOUNG HE LOOKED. 74 00:04:26,655 --> 00:04:28,827 AND I THOUGHT TO MYSELF, 75 00:04:28,827 --> 00:04:31,689 WHAT WOULD BE SO BAD IN THIS MAN'S LIFE 76 00:04:31,689 --> 00:04:33,620 THAT HE WOULD DO SOMETHING SO HORRIFIC, 77 00:04:33,620 --> 00:04:37,068 SO DESPERATE, SO LONELY? 78 00:04:40,586 --> 00:04:42,482 COME HERE. DID YOU SEE THIS? 79 00:04:42,482 --> 00:04:45,379 BUT THEN I QUICKLY REALIZED THAT SOMETHING'S NOT RIGHT. 80 00:04:47,517 --> 00:04:51,931 THE LAST THING I WAS EXPECTING TO SEE WERE THE STAB MARKS. 81 00:04:51,931 --> 00:04:55,827 SO THEN I KIND OF, LIKE, A STEP BACK EMOTIONALLY 82 00:04:55,827 --> 00:04:59,241 AND STARTED TO REALLY LOOK DEEPER. 83 00:04:59,241 --> 00:05:04,931 SCHILLACI ALSO SEES INCISED WOUNDS, CUTS IN HIS ARMS, 84 00:05:04,931 --> 00:05:08,448 HIS HANDS, AND HIS WRISTS. 85 00:05:08,448 --> 00:05:11,241 ARE THOSE DEFENSIVE WOUNDS, 86 00:05:11,241 --> 00:05:15,758 TRYING TO PROTECT HIMSELF FROM SOMEBODY WIELDING A BLADE? 87 00:05:15,758 --> 00:05:19,482 ONE OF THE FIRST THINGS WE LOOK FOR ARE THE FINGERNAILS. 88 00:05:19,482 --> 00:05:22,206 HE HAD CHIPPED FINGERNAILS, 89 00:05:22,206 --> 00:05:26,827 LIKE IF HE WERE STRUGGLING OR FIGHTING FOR HIS LIFE. 90 00:05:26,827 --> 00:05:28,862 I DON'T THINK HE JUMPED FROM THE BALCONY. 91 00:05:31,586 --> 00:05:33,689 I THINK HE WAS THROWN FROM THE BALCONY. 92 00:05:33,689 --> 00:05:38,172 ♪♪ 93 00:05:38,172 --> 00:05:40,724 ALL RIGHT, EVERYONE, COME ON, GATHER AROUND. 94 00:05:40,724 --> 00:05:43,620 I TOLD EVERYBODY THEY HAD TO STOP WHAT THEY WERE DOING. 95 00:05:43,620 --> 00:05:45,586 WE HAD TO FIND THE CRIME SCENE 96 00:05:45,586 --> 00:05:47,724 BECAUSE THAT'S WHERE THIS ALL HAPPENED. 97 00:05:47,724 --> 00:05:50,862 THAT'S THE PRIMARY SCENE. 98 00:05:50,862 --> 00:05:52,000 Kenda: SCHILLACI LOOKS AROUND HIM 99 00:05:52,000 --> 00:05:54,758 AND SEES 20 STORIES OF APARTMENTS. 100 00:05:54,758 --> 00:05:56,827 WHICH ONE IS THE MAGIC ONE? 101 00:05:56,827 --> 00:05:58,517 HE DOESN'T KNOW. 102 00:05:58,517 --> 00:06:00,862 Schillaci: WHEN WE WERE OUT THERE IN THE COURTYARD, 103 00:06:00,862 --> 00:06:04,379 WE NOTICED CAMERAS. 104 00:06:04,379 --> 00:06:07,344 YEAH, WE GOT CAMERAS STATIONED ALL OVER THE PLACE. 105 00:06:07,344 --> 00:06:09,896 I LOCATE THE SECURITY DIRECTOR 106 00:06:09,896 --> 00:06:14,172 TO SEE IF HE CAN GIVE ME ACCESS TO THE FOOTAGE. 107 00:06:14,172 --> 00:06:16,965 Kenda: THEY LOOK AT SURVEILLANCE VIDEO FROM THE PARKING GARAGE 108 00:06:16,965 --> 00:06:20,689 IN THE COMPLEX FROM THAT MORNING AND PRIOR EVENING. 109 00:06:20,689 --> 00:06:27,034 ♪♪ 110 00:06:27,034 --> 00:06:29,172 WHOA. PAUSE IT RIGHT THERE. 111 00:06:29,172 --> 00:06:31,896 HE SEES A CAR ENTER THIS COMPLEX 112 00:06:31,896 --> 00:06:36,137 AT 6:50 IN THE MORNING CONTAINING AN INDIVIDUAL 113 00:06:36,137 --> 00:06:39,689 WHO ISTHE PERSON LYING DEAD UNDER A SHEET 114 00:06:39,689 --> 00:06:41,379 IN THE COURTYARD OF THAT BUILDING. 115 00:06:41,379 --> 00:06:46,068 ♪♪ 116 00:06:46,068 --> 00:06:47,793 WHO'S THAT RIGHT THERE? 117 00:06:47,793 --> 00:06:50,172 WE ACTUALLY SEE A YOUNG WOMAN 118 00:06:50,172 --> 00:06:53,379 THAT'S IN THE PASSENGER SEAT WITH HIM. 119 00:06:53,379 --> 00:06:57,551 Kenda: HE SEES A FEMALE WEARING A RED TRACK JACKET. 120 00:06:57,551 --> 00:06:59,758 WHO IS SHE, 121 00:06:59,758 --> 00:07:01,689 AND HOW CAN SHE BE WITH THIS GUY 122 00:07:01,689 --> 00:07:04,931 2 HOURS AND 10 MINUTES BEFORE HIS DEATH? 123 00:07:04,931 --> 00:07:06,655 IS SHE PART OF THIS? 124 00:07:06,655 --> 00:07:09,965 Schillaci: WE HAD TO FIND THAT GIRL. 125 00:07:09,965 --> 00:07:13,862 SHE COULD UNLOCK A LOT OF UNANSWERED QUESTIONS FOR US. 126 00:07:17,620 --> 00:07:19,448 Woman: WE HAVEN'T HEARD A THING. 127 00:07:19,448 --> 00:07:22,517 -BANGING, SCREAMING, NOTHING? -NOTHING. 128 00:07:22,517 --> 00:07:25,068 DURING THE CANVASS, I WAS GETTING EXTREMELY FRUSTRATED 129 00:07:25,068 --> 00:07:28,482 BECAUSE WE WEREN'T GETTING THE HELP WE WERE HOPING FOR. 130 00:07:28,482 --> 00:07:31,103 NOBODY SAW ANYTHING. NOBODY HEARD ANYTHING. 131 00:07:31,103 --> 00:07:32,551 HAVEN'T SEEN HIM AT ALL. 132 00:07:32,551 --> 00:07:35,000 OUT OF SIGHT, OUT OF MIND. THAT'S THE BEST WAY TO PUT IT. 133 00:07:35,000 --> 00:07:43,275 ♪♪ 134 00:07:43,275 --> 00:07:51,551 ♪♪ 135 00:07:51,551 --> 00:07:53,827 -JOE? -WHAT'S UP WITH THAT? 136 00:07:53,827 --> 00:07:55,241 HEY, I THINK I GOT SOMETHING. 137 00:07:55,241 --> 00:07:57,241 Schillaci: AS WE WERE DOING OUR CANVASS, 138 00:07:57,241 --> 00:08:00,793 DETECTIVE RODRIGUEZ ACTUALLY SAW SOME BLINDS 139 00:08:00,793 --> 00:08:04,137 BLOWING OUTWARD FROM ONE OF THE ROOMS. 140 00:08:04,137 --> 00:08:05,344 Schillaci: WHAT FLOOR YOU LOOKING AT? 141 00:08:05,344 --> 00:08:07,448 UM, 13? 142 00:08:07,448 --> 00:08:10,827 NO, NO, NO. IT'S 14. 143 00:08:10,827 --> 00:08:13,275 Kenda: THEY DETERMINE THAT THE APARTMENT IN QUESTION 144 00:08:13,275 --> 00:08:16,000 IS APARTMENT 1414. 145 00:08:18,379 --> 00:08:20,896 MIAMI POLICE DEPARTMENT. OPEN THE DOOR, 146 00:08:20,896 --> 00:08:23,758 THE TENANT OF THAT APARTMENT IS A SINGLE MALE 147 00:08:23,758 --> 00:08:27,586 WHOSE NAME IS JAMES GLASS, AND HE'S 23 YEARS OF AGE. 148 00:08:30,206 --> 00:08:33,000 Schillaci: WHEN WE KNOCKED ON THE DOOR, THERE WAS NO ANSWER. 149 00:08:33,000 --> 00:08:34,068 -CAN YOU UNLOCK IT, PLEASE? -YES, MA'AM. 150 00:08:34,068 --> 00:08:36,310 WE HAD EXIGENT CIRCUMSTANCES TO GO IN. 151 00:08:36,310 --> 00:08:43,620 ♪♪ 152 00:08:43,620 --> 00:08:50,965 ♪♪ 153 00:08:50,965 --> 00:08:52,344 YEAH, THIS IS THE PLACE. 154 00:08:52,344 --> 00:08:55,620 AS SOON AS WE MADE ENTRY AND I SAW THE BLOOD, 155 00:08:55,620 --> 00:08:59,793 I KNEW THAT THIS WAS OUR SCENE. 156 00:08:59,793 --> 00:09:02,896 Kenda: THERE'S A BLOODY BLANKET ON A SOFA. 157 00:09:02,896 --> 00:09:05,655 THEY CAN SEE BLOOD ON THE FLOOR. 158 00:09:05,655 --> 00:09:07,586 THERE'S BLOOD EVERYWHERE. 159 00:09:09,793 --> 00:09:11,344 CLEAR! 160 00:09:11,344 --> 00:09:19,758 ♪♪ 161 00:09:19,758 --> 00:09:22,137 I IMMEDIATELY REALIZE 162 00:09:22,137 --> 00:09:26,034 THAT A PART OF A 1414 BELONGED TO OUR VICTIM, 163 00:09:26,034 --> 00:09:29,689 JAMES GLASS, AT THE BOTTOM OF THE BUILDING. 164 00:09:29,689 --> 00:09:35,275 SO NOW THEY KNOW WHO HE IS AND WHERE HE CAME FROM. 165 00:09:35,275 --> 00:09:38,620 THE QUESTION REMAINS, HOW DID HE GET THAT WAY? 166 00:09:38,620 --> 00:09:41,724 [ POLICE RADIO CHATTER ] 167 00:09:41,724 --> 00:09:43,793 Schillaci: SO NOW AT THAT POINT, 168 00:09:43,793 --> 00:09:47,551 I KIND OF SAW OUT OF MY PERIPHERAL 169 00:09:47,551 --> 00:09:50,655 SOME BLOODY DRAG MARKS GOING OFF. 170 00:09:50,655 --> 00:09:56,413 SO I PEELED OFF FROM THE GROUP AND FOLLOWED THE BLOODY TRAIL 171 00:09:56,413 --> 00:09:59,068 INTO THE BATHROOM. 172 00:09:59,068 --> 00:10:01,724 Kenda: IN THE BATHROOM, 173 00:10:01,724 --> 00:10:06,241 HE FINDS A BLOODY TOWEL ON THE FLOOR. 174 00:10:06,241 --> 00:10:08,379 AND OUT OF THE CORNER OF HIS EYE, 175 00:10:08,379 --> 00:10:11,172 HE SEES SOMETHING IN THE BATHTUB. 176 00:10:11,172 --> 00:10:15,310 ♪♪ 177 00:10:15,310 --> 00:10:19,310 AND I COULDN'T BELIEVE THE HORROR OF WHAT I SAW. 178 00:10:21,448 --> 00:10:23,000 I STILL CAN'T BELIEVE IT. 179 00:10:28,034 --> 00:10:30,517 ♪♪ 180 00:10:30,517 --> 00:10:32,758 [ POLICE RADIO CHATTER ] 181 00:10:32,758 --> 00:10:36,517 ♪♪ 182 00:10:36,517 --> 00:10:39,517 I JUST REMEMBER HOLDING MY BREATH. 183 00:10:39,517 --> 00:10:41,655 I DIDN'T REALLY THINK 184 00:10:41,655 --> 00:10:44,241 WHAT I WAS SEEING IS WHAT I WAS SEEING. 185 00:10:48,965 --> 00:10:51,896 IT JUST -- IT WAS TOO SURREAL TO ME. 186 00:10:51,896 --> 00:10:56,137 Kenda: IN THE BATHTUB IS A FEMALE 187 00:10:56,137 --> 00:10:58,482 DRESSED IN HER UNDERWEAR, 188 00:10:58,482 --> 00:11:01,482 AND HER HAIR IS MATTED WITH BLOOD. 189 00:11:01,482 --> 00:11:04,931 SCHILLACI LOOKS AT HER AND REALIZES IT'S THE GIRL 190 00:11:04,931 --> 00:11:08,482 FROM THE SURVEILLANCE VIDEO IN THE GARAGE. 191 00:11:08,482 --> 00:11:09,827 THIS WOMAN'S NOT A WITNESS. 192 00:11:09,827 --> 00:11:11,793 SHE'S NOT A SUSPECT. 193 00:11:11,793 --> 00:11:15,206 SHE'S VICTIM NUMBER TWO. 194 00:11:15,206 --> 00:11:16,413 JOSE! 195 00:11:16,413 --> 00:11:19,896 I WAS SO SHOCKED. 196 00:11:19,896 --> 00:11:22,482 JOSE! 197 00:11:22,482 --> 00:11:24,448 I JUST COULDN'T GET PAST THE INNOCENCE 198 00:11:24,448 --> 00:11:26,620 OF WHAT SHE LOOKED LIKE TO ME. 199 00:11:26,620 --> 00:11:29,758 IT'S NOT THAT I'M JUST SEEING THE VICTIM 200 00:11:29,758 --> 00:11:30,827 LAYING IN A BATHTUB. 201 00:11:30,827 --> 00:11:34,413 I'M SEEING MY OWN CHILDREN. 202 00:11:34,413 --> 00:11:39,068 SCHILLACI'S EMOTION WAS HINGED TO HIS FAMILY. 203 00:11:39,068 --> 00:11:42,344 HE PICTURED HIS DAUGHTER IN THAT BATHTUB. 204 00:11:42,344 --> 00:11:44,137 I UNDERSTAND THAT. 205 00:11:44,137 --> 00:11:49,241 I'VE BEEN THERE, AND IT IS BEYOND UGLY. 206 00:11:49,241 --> 00:11:51,448 Schillaci: AFTER GETTING OVER THE INITIAL SHOCK, 207 00:11:51,448 --> 00:11:55,724 MY IMMEDIATE THOUGHTS WERE, WE HAD A DOUBLE HOMICIDE. 208 00:11:55,724 --> 00:11:59,241 I NOTICE THAT THERE'S A TREMENDOUS AMOUNT OF BLOOD 209 00:11:59,241 --> 00:12:01,379 COMING FROM UNDERNEATH HER CHEST. 210 00:12:04,206 --> 00:12:08,379 HE SEES TWO STAB WOUNDS IN THE CENTRAL CHEST. 211 00:12:08,379 --> 00:12:10,000 THEY APPEAR TO BE DEEP. 212 00:12:12,206 --> 00:12:15,000 HE ALSO SAYS BLUNT-FORCE TRAUMA TO THE HEAD, 213 00:12:15,000 --> 00:12:19,137 PRODUCING THE MATTED BLOOD IN THE HAIR. 214 00:12:19,137 --> 00:12:21,655 SO HE LOOKS AROUND IN THE BATHROOM TO SEE 215 00:12:21,655 --> 00:12:24,655 IF THERE ARE ANY WEAPONS IN HERE, 216 00:12:24,655 --> 00:12:27,448 AND HE SEES A PAIR OF BLOODY SCISSORS ON THE SINK. 217 00:12:31,379 --> 00:12:32,551 Schillaci: THERE WAS SOME HAIR 218 00:12:32,551 --> 00:12:35,551 THAT WAS INSIDE THE FOLD OF THE SCISSORS 219 00:12:35,551 --> 00:12:39,896 THAT LOOKED LIKE IT MATCHED BLACK HAIR OF THE VICTIM. 220 00:12:39,896 --> 00:12:42,344 THEN I COULD SEE SOME BLOOD DROPLETS. 221 00:12:42,344 --> 00:12:44,172 IT WAS VERY APPARENT TO ME 222 00:12:44,172 --> 00:12:46,758 THAT SOMEBODY HAD STABBED HER WITH THOSE SCISSORS. 223 00:12:48,827 --> 00:12:52,000 THERE WAS AN IRON THAT HAD SOME BLOOD ON IT. 224 00:12:52,000 --> 00:12:55,206 IT LOOKED LIKE THE CORD HAD BEEN BROKEN OFF OF IT, 225 00:12:55,206 --> 00:12:57,655 WHICH, IN MY LINE OF WORK, 226 00:12:57,655 --> 00:13:00,344 THAT'S CALLED A CLUE, A BIG CLUE. 227 00:13:00,344 --> 00:13:05,344 MOST LIKELY, THE IRON IS USED AS AN INSTRUMENT OF BLUNT TRAUMA. 228 00:13:05,344 --> 00:13:08,068 BUT WHY IS THE CORD RIPPED OUT OF THAT IRON? 229 00:13:08,068 --> 00:13:12,379 WAS YOUR ATTEMPT TO STRANGLE THE VICTIM WITH THAT? 230 00:13:12,379 --> 00:13:14,862 Schillaci: AFTER BEING IN THAT BATHROOM 231 00:13:14,862 --> 00:13:16,827 FOR JUST A VERY SHORT PERIOD OF TIME, 232 00:13:16,827 --> 00:13:19,068 I FOUND MYSELF LITERALLY IN HELL. 233 00:13:21,655 --> 00:13:24,275 THERE'S A PURSE IN THE LIVING ROOM OF THIS APARTMENT. 234 00:13:25,758 --> 00:13:28,689 AND IT'S BEEN DUMPED ON THE FLOOR. 235 00:13:30,379 --> 00:13:34,000 [ POLICE RADIO CHATTER ] 236 00:13:34,000 --> 00:13:35,379 Schillaci: GOING THROUGH THE BELONGINGS, 237 00:13:35,379 --> 00:13:37,896 WE WERE ABLE TO FIND IDENTIFICATION 238 00:13:37,896 --> 00:13:43,000 THAT BELONGED TO 26-YEAR-OLD AMY HOYOS. 239 00:13:43,000 --> 00:13:46,793 THAT WAS THE YOUNG LADY THAT WAS IN THE BATHTUB. 240 00:13:46,793 --> 00:13:49,827 WE ACTUALLY FOUND A COUPLE OF CELLPHONES ON THE FLOOR, 241 00:13:49,827 --> 00:13:51,689 AND IT LOOKED LIKE ONE OF THE CELLPHONES 242 00:13:51,689 --> 00:13:53,103 MAY HAVE BELONGED TO AMY. 243 00:13:53,103 --> 00:13:55,000 IT LOOKS LIKE THIS IS PASSCODE-PROTECTED. 244 00:13:55,000 --> 00:13:56,344 WE'RE GONNA NEED A WARRANT TO GET IN... 245 00:13:56,344 --> 00:13:58,206 IF WE COULD JUST GET INTO THE PHONE, 246 00:13:58,206 --> 00:14:01,448 THAT WOULD CERTAINLY UNLOCK A LOT OF CLUES OR INFORMATION 247 00:14:01,448 --> 00:14:03,758 THAT WOULD BE HELPFUL IN THIS CASE. 248 00:14:03,758 --> 00:14:05,655 ALL RIGHT, WHAT ELSE ARE WE LOOKING AT HERE, GANG? 249 00:14:05,655 --> 00:14:07,206 Woman: RIGHT HERE, DETECTIVE. 250 00:14:07,206 --> 00:14:09,206 [ POLICE RADIO CHATTER ] 251 00:14:09,206 --> 00:14:13,379 ♪♪ 252 00:14:13,379 --> 00:14:16,517 WE DISCOVERED THERE WAS A BLOODY KNIFE. 253 00:14:16,517 --> 00:14:20,103 OBVIOUSLY, THAT WAS GONNA BE A WEAPON THAT WAS USED. 254 00:14:20,103 --> 00:14:21,448 THERE WE GO. 255 00:14:21,448 --> 00:14:24,206 Kenda: SOMEONE IS MOTIVATED TO KILL THESE PEOPLE. 256 00:14:24,206 --> 00:14:27,068 USE A BLADE OR A PAIR OF SCISSORS? 257 00:14:27,068 --> 00:14:28,965 THAT'S BECAUSE YOU MEAN IT. 258 00:14:28,965 --> 00:14:30,827 AND WHEN YOU'RE WORRIED THAT THE STAB WOUNDS 259 00:14:30,827 --> 00:14:32,137 AREN'T GONNA WORK, 260 00:14:32,137 --> 00:14:34,517 YOU HIT THIS GIRL OVER THE HEAD WITH AN IRON, 261 00:14:34,517 --> 00:14:36,655 AND YOU THROW THE MALE OFF A BALCONY 262 00:14:36,655 --> 00:14:40,172 14 STORIES ABOVE THE STREET. 263 00:14:40,172 --> 00:14:44,793 YOU ARE DETERMINED THAT THESE PEOPLE HAVE TO DIE. 264 00:14:44,793 --> 00:14:46,793 Schillaci: I WANT TO SEE IF I CAN GET IN TOUCH WITH THE FAMILIES. 265 00:14:46,793 --> 00:14:47,931 ARE YOU OKAY TO PURSUE THIS? 266 00:14:47,931 --> 00:14:50,379 YEAH, MAN, I GOT THIS.ALL RIGHT. 267 00:14:50,379 --> 00:14:52,103 THANK YOU. 268 00:14:54,862 --> 00:14:56,655 WHAT IS GOING ON BETWEEN THESE PEOPLE? 269 00:14:56,655 --> 00:14:59,517 WE NOW FIND THEM TO BE UNITED IN DEATH. 270 00:15:01,965 --> 00:15:05,896 HOW WERE THEY IN LIFE? 271 00:15:05,896 --> 00:15:09,551 FAMILIES ARE THE BEST SOURCE FOR THAT KIND OF INFORMATION. 272 00:15:09,551 --> 00:15:11,482 -HAVE A SEAT. -THANK YOU. 273 00:15:11,482 --> 00:15:14,517 I GOT AHOLD OF AMY'S FATHER FIRST. 274 00:15:14,517 --> 00:15:16,965 IS AMY IN SOME SORT OF TROUBLE? 275 00:15:16,965 --> 00:15:20,344 COULDN'T EVEN GET THE WORDS OUT. 276 00:15:20,344 --> 00:15:22,896 I DO REMEMBER NOT BEING ABLE TO TELL HIM, 277 00:15:22,896 --> 00:15:24,586 "YOUR DAUGHTER IS DEAD." 278 00:15:26,551 --> 00:15:27,931 SHE'S GONE. 279 00:15:27,931 --> 00:15:31,344 I CAN ONLY SAY, "YOUR DAUGHTER'S GONE." 280 00:15:31,344 --> 00:15:33,000 NO. 281 00:15:33,000 --> 00:15:35,482 [ SOBS ] 282 00:15:35,482 --> 00:15:38,758 IT'S AN EXPERIENCE THAT I'LL NEVER FORGET 283 00:15:38,758 --> 00:15:41,931 FOR AS LONG AS I'M ALIVE. 284 00:15:41,931 --> 00:15:43,655 I KNEW, I COULD HEAR IT IN HIS VOICE, 285 00:15:43,655 --> 00:15:45,965 HOW MUCH HE LOVED HIS DAUGHTER. 286 00:15:45,965 --> 00:15:49,482 I JUST FELT LIKE I WRONGED HIM IN THE WORST WAY. 287 00:15:49,482 --> 00:15:51,172 NO! 288 00:15:51,172 --> 00:15:54,517 EVERYTHING THAT HE LIVED FOR, HIS MERE EXISTENCE, 289 00:15:54,517 --> 00:15:57,655 IN A BLINK OF AN EYE WAS GONE. 290 00:16:01,620 --> 00:16:04,034 GETTING THAT TYPE OF NEWS IS DEVASTATING, 291 00:16:04,034 --> 00:16:08,172 IT REALLY IS, THAT YOUR LITTLE SISTER IS GONE. 292 00:16:08,172 --> 00:16:11,103 I NEVER IMAGINED THAT SOMETHING LIKE THIS WOULD HAPPEN. 293 00:16:13,137 --> 00:16:14,758 Foster: AMY WAS A BEAUTIFUL PERSON, 294 00:16:14,758 --> 00:16:16,655 BEAUTIFUL INSIDE AND OUT. 295 00:16:16,655 --> 00:16:20,241 SHE WAS JUST ALWAYS THOUGHTFUL AND WANTED TO PUT PEOPLE FIRST. 296 00:16:20,241 --> 00:16:23,206 SHE JUST HAD A REALLY KIND SOUL. 297 00:16:23,206 --> 00:16:26,413 Shapiro: AMY WAS A RECEPTIONIST, AND SHE ALSO MAY HAVE DONE 298 00:16:26,413 --> 00:16:28,551 A LITTLE BIT OF CLUB PROMOTING HERE AND THERE, 299 00:16:28,551 --> 00:16:31,724 BUT IT WASN'T LIKE HER ASPIRATIONS IN LIFE. 300 00:16:31,724 --> 00:16:32,965 SHE DID IT HAPPILY, 301 00:16:32,965 --> 00:16:35,931 BUT SHE REALLY WANTED TO BE A FIREFIGHTER. 302 00:16:35,931 --> 00:16:38,896 Foster: SHE WAS A TOUGH GIRL, BUT SHE HAD THAT SOFT HEART. 303 00:16:38,896 --> 00:16:42,724 SHE ALWAYS WANTED TO CARE FOR OTHERS. 304 00:16:42,724 --> 00:16:46,344 AMY WOULD HAVE BEEN AMAZING AS A FIREFIGHTER. 305 00:16:46,344 --> 00:16:51,413 MR. HOYOS, WHAT CAN YOU TELL ME ABOUT AMY'S FRIEND JAMES? 306 00:16:51,413 --> 00:16:54,379 DID YOU KNOW HIM WELL? 307 00:16:54,379 --> 00:16:55,793 NO, NOT REALLY. 308 00:16:55,793 --> 00:16:57,655 Schillaci: TRYING TO FIGURE OUT WHAT THE RELATIONSHIP WAS 309 00:16:57,655 --> 00:17:00,344 WAS VERY, VERY IMPORTANT. 310 00:17:00,344 --> 00:17:04,034 FROM WHAT MY SISTER TOLD ME, JAMES WAS NEW HERE. 311 00:17:04,034 --> 00:17:05,620 HIS FAMILY WAS FROM TEXAS. 312 00:17:05,620 --> 00:17:07,172 HE DIDN'T REALLY KNOW ANYONE. 313 00:17:07,172 --> 00:17:09,931 AND SO SHE WANTED TO BE A GOOD FRIEND TO HIM. 314 00:17:09,931 --> 00:17:12,137 JAMES WAS A NORMAL GUY. 315 00:17:12,137 --> 00:17:14,172 THE RELATIONSHIP BETWEEN AMY AND JAMES 316 00:17:14,172 --> 00:17:15,379 WAS STRICTLY FRIENDSHIP. 317 00:17:15,379 --> 00:17:18,758 THERE WAS NEVER ANYTHING MORE TO IT. 318 00:17:18,758 --> 00:17:21,275 SHE'S A CARETAKER, SO, YOU KNOW, 319 00:17:21,275 --> 00:17:23,172 SHE JUST KIND OF WANTED TO BE THAT FRIEND 320 00:17:23,172 --> 00:17:25,448 TO KIND OF SHOW HIM AROUND THE CITY. 321 00:17:27,137 --> 00:17:30,103 [ THUNDER RUMBLES ] 322 00:17:30,103 --> 00:17:31,827 [ SOBBING ] 323 00:17:31,827 --> 00:17:33,896 HEY. 324 00:17:33,896 --> 00:17:35,448 I PROMISE YOU, 325 00:17:35,448 --> 00:17:37,172 I WILL FIGURE OUT WHO DID THIS TO YOUR DAUGHTER. 326 00:17:37,172 --> 00:17:39,896 Schillaci: AND I CAN TELL YOU ONE THING FOR SURE, FOR SURE. 327 00:17:39,896 --> 00:17:41,793 I WAS GONNA GET THAT MAN ANSWERS. 328 00:17:41,793 --> 00:17:43,931 I WAS GONNA GET THAT MAN ANSWERS. 329 00:17:45,620 --> 00:17:47,793 [ POLICE RADIO CHATTER ] 330 00:17:49,275 --> 00:17:51,793 [ LINE RINGING] 331 00:17:51,793 --> 00:17:53,931 SCHILLACI GETS IN CONTACT BY TELEPHONE 332 00:17:53,931 --> 00:17:57,206 WITH JAMES GLASS'S FAMILY IN NORTH TEXAS. 333 00:17:57,206 --> 00:17:59,068 Schillaci: I'M SORRY TO HAVE TO TELL YOU THIS, 334 00:17:59,068 --> 00:18:02,896 BUT SOMETHING'S HAPPENED TO YOUR SON JAMES. 335 00:18:02,896 --> 00:18:04,896 Schillaci: DEATH NOTIFICATION TO ME, PERSONALLY, 336 00:18:04,896 --> 00:18:06,620 IS THE HARDEST PART OF THE JOB 337 00:18:06,620 --> 00:18:11,137 BECAUSE YOU'RE ESSENTIALLY GOING TO A MOTHER OR FATHER, 338 00:18:11,137 --> 00:18:16,379 BROTHER OR SISTER, AND YOU'RE TURNING THEIR LIVES UPSIDE DOWN. 339 00:18:16,379 --> 00:18:19,586 WHEN I CALLED HIS DAD, I LEARNED THAT JAMES'S FAMILY, 340 00:18:19,586 --> 00:18:20,965 THEY WERE THE REAL-ESTATE BUSINESS, 341 00:18:20,965 --> 00:18:23,344 AND JAMES ACTUALLY HAD COME TO MIAMI 342 00:18:23,344 --> 00:18:26,655 TO START UP HIS OWN REAL-ESTATE BUSINESS. 343 00:18:26,655 --> 00:18:28,689 SEARCHING THE APARTMENT, THERE WAS SOME PAPERWORK 344 00:18:28,689 --> 00:18:31,137 THAT WE FOUND THAT DEALT WITH HIM 345 00:18:31,137 --> 00:18:33,517 TRYING TO START UP A REAL-ESTATE BUSINESS, 346 00:18:33,517 --> 00:18:36,413 BUT HE DIDN'T COMPLETE IT. 347 00:18:36,413 --> 00:18:37,724 WELL, WHAT ABOUT AMY? 348 00:18:37,724 --> 00:18:39,137 DID HE EVER MENTION HER? 349 00:18:39,137 --> 00:18:40,413 Father: YES. 350 00:18:40,413 --> 00:18:42,137 HE BROUGHT HER UP A COUPLE TIMES. 351 00:18:42,137 --> 00:18:44,586 JAMES'S FATHER KNEW VERY LITTLE ABOUT AMY, 352 00:18:44,586 --> 00:18:48,310 BUT HE DID KNOW THAT JAMES REALLYLIKED HER. 353 00:18:48,310 --> 00:18:53,758 HE LIKED HER SO MUCH THAT HE WAS SHOWING THE FAMILY HER PICTURE 354 00:18:53,758 --> 00:18:56,793 AT A WEDDING THAT HE WENT TO IN TEXAS. 355 00:18:56,793 --> 00:18:59,448 DID JAMES HAVE ISSUES WITH ANYONE THAT YOU KNEW OF? 356 00:18:59,448 --> 00:19:03,000 JAMES' DAD SAID, NO, THAT HE DID NOT HAVE ANY ENEMIES 357 00:19:03,000 --> 00:19:04,896 THAT THEY WERE AWARE OF. 358 00:19:04,896 --> 00:19:07,137 WE'LL BE IN TOUCH AS SOON AS WE FIND ANYTHING OUT. 359 00:19:07,137 --> 00:19:08,172 THANK YOU. 360 00:19:08,172 --> 00:19:10,758 [ KNOCKS ]HEY. COME ON IN. 361 00:19:10,758 --> 00:19:12,655 IT LOOKS LIKE THE LAST CALL ON THE CALL LOG 362 00:19:12,655 --> 00:19:15,310 WAS FROM A LOCAL NUMBER. 363 00:19:15,310 --> 00:19:17,275 THAT'S GREAT. LET'S TRY IT. 364 00:19:17,275 --> 00:19:19,068 Schillaci: BEING ABLE TO GET THE SEARCH WARRANT 365 00:19:19,068 --> 00:19:20,724 AND GET INTO AMY'S PHONE 366 00:19:20,724 --> 00:19:23,586 WAS VERY INSTRUMENTAL IN THIS INVESTIGATION. 367 00:19:23,586 --> 00:19:24,758 [ LINE RINGING] 368 00:19:24,758 --> 00:19:27,206 WHEN SCHILLACI CALLS THAT LAST NUMBER... 369 00:19:27,206 --> 00:19:28,275 Man: HELLO? 370 00:19:28,275 --> 00:19:30,137 ...A GUY ANSWERS IMMEDIATELY. 371 00:19:30,137 --> 00:19:32,793 SCHILLACI SAYS, "ARE YOU A FRIEND OF AMY HOYOS?" 372 00:19:32,793 --> 00:19:34,206 Man: WHO IS THIS? 373 00:19:34,206 --> 00:19:36,448 THIS IS DETECTIVE SCHILLACI WITH THE MIAMI POLICE DEPARTMENT. 374 00:19:36,448 --> 00:19:39,655 WHAT? WAIT. THE POLICE? WHAT EXACTLY IS THIS ABOUT? 375 00:19:39,655 --> 00:19:42,620 HE KEPT ASKING ME QUESTIONS THAT I COULDN'T PROVIDE. 376 00:19:42,620 --> 00:19:45,793 I CAN'T TELL HIM WHAT'S GOING ON BECAUSE I DON'T KNOW WHO HE IS. 377 00:19:45,793 --> 00:19:48,965 SIR, DID YOU SPEAK WITH AN AMY HOYOS LAST NIGHT? 378 00:19:50,241 --> 00:19:51,275 [ LINE DISCONNECTS] 379 00:19:51,275 --> 00:19:52,413 HELLO! 380 00:19:52,413 --> 00:19:53,793 HE HUNG UP ON ME. 381 00:19:53,793 --> 00:19:57,172 THAT'S MAKING HIM VERY, VERY, VERY SUSPICIOUS. 382 00:19:57,172 --> 00:19:59,586 SCHILLACI KNOWS IT'S TIME TO FIND OUT, 383 00:19:59,586 --> 00:20:01,827 WHAT IS THE STORY WITH THIS GUY, 384 00:20:01,827 --> 00:20:05,448 AND HOW DOES HE KNOW A GIRL THAT HAPPENS TO BE DEAD IN A BATHTUB? 385 00:20:11,275 --> 00:20:12,413 [ LINE RINGING]Man: HELLO? 386 00:20:12,413 --> 00:20:15,827 SIR, DID YOU SPEAK WITH AN AMY HOYOS LAST NIGHT? 387 00:20:15,827 --> 00:20:17,965 [ LINE DISCONNECTS] 388 00:20:17,965 --> 00:20:18,965 HELLO! 389 00:20:18,965 --> 00:20:20,068 Schillaci: HE HUNG UP ON ME. 390 00:20:20,068 --> 00:20:22,517 HIS BEHAVIOR MADE ME VERY WORRIED, 391 00:20:22,517 --> 00:20:23,931 VERY WORRIED ABOUT HIM. 392 00:20:25,000 --> 00:20:26,655 [ CELLPHONE RINGS ] 393 00:20:26,655 --> 00:20:30,275 -WHAT DO YOU WANT? -SIR, DO NOT HANG UP ON ME. 394 00:20:30,275 --> 00:20:32,275 I NEED YOU TO LISTEN TO ME. 395 00:20:32,275 --> 00:20:34,827 Metz: I DID NOT RECOGNIZE THE PHONE NUMBER THAT CALLED ME. 396 00:20:34,827 --> 00:20:38,068 I SAID, LOOK, I DON'T KNOW WHO YOU ARE. 397 00:20:38,068 --> 00:20:42,862 FOR ALL I KNOW, YOU KNOW, YOU COULD BE SOMEBODY CRAZY. 398 00:20:42,862 --> 00:20:45,827 I SAID, "WHY DON'T YOU GIVE ME YOUR NAME, BADGE NUMBER, 399 00:20:45,827 --> 00:20:47,034 AND WHAT DEPARTMENT YOU'RE WITH 400 00:20:47,034 --> 00:20:49,551 AND LET ME VERIFY WHO YOU ARE?" 401 00:20:49,551 --> 00:20:52,896 OUR POLICY IS THAT WE HAVE TO IDENTIFY OURSELVES. 402 00:20:52,896 --> 00:20:54,620 SO I GAVE HIM MY BADGE NUMBER. 403 00:20:54,620 --> 00:20:57,034 THEN HE STARTED TO OPEN UP AND SHARE SOME MORE INFORMATION 404 00:20:57,034 --> 00:20:58,413 ABOUT HIMSELF AND AMY. 405 00:20:58,413 --> 00:21:00,034 MY NAME'S ABE METZ. 406 00:21:00,034 --> 00:21:02,758 Kenda: HE SAYS HIS NAME IS ABE METZ. 407 00:21:02,758 --> 00:21:05,344 HE DRIVES A LIMOUSINE FOR A LIVING 408 00:21:05,344 --> 00:21:09,068 AND HE DOES TAKE SOME RATHER WELL-KNOWN PEOPLE AROUND MIAMI. 409 00:21:09,068 --> 00:21:11,172 Metz: BASED ON EXPERIENCE AND BACKGROUND, 410 00:21:11,172 --> 00:21:14,448 I DID NOT WANT TO DIVULGE INFORMATION ABOUT 411 00:21:14,448 --> 00:21:16,620 PEOPLE WHO I KNOW OR CLIENTS 412 00:21:16,620 --> 00:21:19,862 TO ANYBODY WITHOUT FIRST VETTING WHO THEY ARE. 413 00:21:19,862 --> 00:21:21,965 OKAY, ALL RIGHT, I UNDERSTAND THAT, ABE, 414 00:21:21,965 --> 00:21:24,551 AND I'M SORRY FOR THE CONFUSION. 415 00:21:24,551 --> 00:21:27,931 DO YOU THINK YOU CAN PLEASE TELL ME HOW YOU KNOW AMY? 416 00:21:27,931 --> 00:21:31,551 AMY WAS A CLUB PROMOTER, AND I WAS AT THE TIME 417 00:21:31,551 --> 00:21:34,620 WORKING FOR A LARGER LIMOUSINE COMPANY, 418 00:21:34,620 --> 00:21:38,862 AND I HAD MET HER THROUGH HOTEL CONCIERGES 419 00:21:38,862 --> 00:21:43,413 WHERE SHE WOULD PROMOTE THE CLUBS THAT SHE WAS ENGAGED WITH. 420 00:21:43,413 --> 00:21:45,793 THE BUSINESS RELATIONSHIP THAT WE HAD 421 00:21:45,793 --> 00:21:48,448 ENDED UP TURNING INTO A FRIENDSHIP. 422 00:21:48,448 --> 00:21:50,724 ALL RIGHT, SO WHY WERE YOU IN CONTACT WITH HER LAST NIGHT? 423 00:21:50,724 --> 00:21:52,310 DID YOU SEE HER? 424 00:21:52,310 --> 00:21:55,172 SO AT THIS POINT, THE CASE GETS REALLY INTERESTING 425 00:21:55,172 --> 00:21:57,344 BECAUSE THE LIMO DRIVER TELLS ME 426 00:21:57,344 --> 00:22:00,827 HIM AND AMY WERE AT A CLUB WITH JAMES. 427 00:22:00,827 --> 00:22:03,310 Metz: WE MET UP WITH JAMES... 428 00:22:03,310 --> 00:22:05,413 THIS IS JAMES. 429 00:22:05,413 --> 00:22:07,379 AND THIS ANOTHER GENTLEMAN NAMED JUAN. 430 00:22:07,379 --> 00:22:08,931 JAMES JUST MOVED HERE FROM TEXAS. 431 00:22:08,931 --> 00:22:11,034 -HOW DO YOU LIKE MIAMI? -IT'S AN ADJUSTMENT, BUT... 432 00:22:11,034 --> 00:22:12,482 Metz: THERE WERE NO ISSUES AT THE CLUB. 433 00:22:12,482 --> 00:22:18,827 THERE WAS NO INSTANCES OF ANY ARGUMENT OR ANY FIGHT OR SPAT. 434 00:22:18,827 --> 00:22:20,275 -WHAT ARE YOU DRINKING ABE? -NO, I'M GOOD. 435 00:22:20,275 --> 00:22:21,482 UH, EARLY MORNING. 436 00:22:21,482 --> 00:22:24,413 SO ABE SAYS THAT HE DECIDED TO LEAVE THE BAR 437 00:22:24,413 --> 00:22:26,551 BECAUSE HE HAD TO WORK THE NEXT DAY. 438 00:22:26,551 --> 00:22:29,586 NOW I KNOW THAT JAMES, AMY, AND JUAN ARE TOGETHER, 439 00:22:29,586 --> 00:22:33,275 ALL THREE OF THEM, AT THE CLUB. 440 00:22:33,275 --> 00:22:36,034 -YOU KNOW JUAN'S LAST NAME? -NO, I DON'T. 441 00:22:36,034 --> 00:22:39,586 I THINK HE SAID HE LIVES IN THE SAME APARTMENT COMPLEX AS JAMES. 442 00:22:39,586 --> 00:22:42,137 LOOK, I CAN'T TALK RIGHT NOW. I'M WAITING TO PICK UP A CLIENT. 443 00:22:42,137 --> 00:22:43,965 I GOT TO GO.ALL RIGHT. THANKS. 444 00:22:43,965 --> 00:22:46,103 Schillaci: NOW I WANT TO KNOW WHO JUAN IS. 445 00:22:46,103 --> 00:22:47,379 LET'S GO. 446 00:22:47,379 --> 00:22:49,724 Kenda: SCHILLACI GOES BACK TO THE APARTMENT COMPLEX 447 00:22:49,724 --> 00:22:51,551 AND ASKS THE RESIDENT MANAGER, 448 00:22:51,551 --> 00:22:53,862 "IS THERE ANYBODY NAMED JUAN WHO LIVES HERE?" 449 00:22:53,862 --> 00:22:55,724 WELL, THERE'S A GUY NAMED JUAN DIAZ 450 00:22:55,724 --> 00:22:57,206 WHO LIVES ON THE 10th FLOOR. 451 00:22:57,206 --> 00:22:59,034 HE'S 26 YEARS OLD. 452 00:22:59,034 --> 00:23:00,758 THAT COULD WORK. 453 00:23:02,310 --> 00:23:05,103 [ POLICE RADIO CHATTER ] 454 00:23:06,689 --> 00:23:08,965 PLEASE HAVE A SEAT, MR. DIAZ. 455 00:23:08,965 --> 00:23:11,586 Schillaci: MR. DIAZ WAS COOPERATIVE. 456 00:23:11,586 --> 00:23:13,482 HE COMES TO THE STATION, 457 00:23:13,482 --> 00:23:15,413 AND HE GIVES ME A TAPE-RECORDED STATEMENT. 458 00:23:38,551 --> 00:23:40,241 DURING THAT TAPE-RECORDED STATEMENT, 459 00:23:40,241 --> 00:23:44,655 HE GIVES ME DETAIL AFTER DETAIL, A TIMELINE OF WHAT TRANSPIRED. 460 00:23:58,413 --> 00:24:00,862 JUAN SAYS IT WAS ABOUT 3:00 IN THE MORNING, 461 00:24:00,862 --> 00:24:02,724 AND THEY DECIDED THEY WERE GONNA GO HOME 462 00:24:02,724 --> 00:24:04,137 AND CONTINUE TO PARTY. 463 00:24:10,034 --> 00:24:13,758 HE TOLD US THAT WHILE THEY WERE AT THE APARTMENT, 464 00:24:13,758 --> 00:24:17,000 AMY WAS UNCOMFORTABLE WITH MR. DIAZ 465 00:24:17,000 --> 00:24:21,620 BECAUSE SHE THOUGHT HE WAS GONNA GIVE DRUGS TO JAMES. 466 00:24:29,896 --> 00:24:31,862 SHE WAS TRYING TO HELP JAMES, 467 00:24:31,862 --> 00:24:35,068 SO SHE DIDN'T WANT ANY DRUGS IN THAT APARTMENT. 468 00:24:35,068 --> 00:24:37,793 SO SHE ASKED JAMES TO ASK JUAN TO LEAVE. 469 00:24:50,965 --> 00:24:52,586 SCHILLACI LOOKS AT JUAN AND SAYS, 470 00:24:52,586 --> 00:24:54,620 "YOU UNDERSTAND WHAT YOU'VE JUST TOLD ME, DON'T YOU? 471 00:24:54,620 --> 00:24:58,758 YOU'RE THE LAST PERSON IN CONTACT WITH TWO PEOPLE 472 00:24:58,758 --> 00:25:01,620 WHO ARE NOW DEAD AS A RESULT OF A VIOLENT ATTACK." 473 00:25:01,620 --> 00:25:04,344 AND JUAN SEES WHERE THIS CONVERSATION IS GOING AND SAYS, 474 00:25:04,344 --> 00:25:07,517 "NOW, WAIT A MINUTE. I WASN'T THE LAST GUY TO LEAVE." 475 00:25:13,172 --> 00:25:15,000 THAT JUST ABSOLUTELY BLEW MY MIND. 476 00:25:15,000 --> 00:25:17,448 AND I'M LIKE, "WHAT? DID I JUST HEAR THAT?" 477 00:25:17,448 --> 00:25:21,172 BECAUSE ABE NEVER SAID THAT HE WENT TO THAT APARTMENT, EVER. 478 00:25:21,172 --> 00:25:22,551 NOW SCHILLACI'S THINKING, 479 00:25:22,551 --> 00:25:24,689 "WHY DID YOU FAIL TO TALK ABOUT THAT? 480 00:25:24,689 --> 00:25:26,827 THAT'S PRETTY IMPORTANT, DON'T YOU THINK, ABE?" 481 00:25:33,655 --> 00:25:36,413 Kenda: MIAMI HOMICIDE DETECTIVE JOE SCHILLACI 482 00:25:36,413 --> 00:25:39,137 THOUGHT HE WAS CLOSE TO FINDING WHO WAS RESPONSIBLE 483 00:25:39,137 --> 00:25:42,758 FOR THE MURDER OF JAMES GLASS AND AMY HOYOS. 484 00:25:42,758 --> 00:25:44,241 Schillaci: YOU MIND IF I RECORD OUR CONVERSATION? 485 00:25:44,241 --> 00:25:46,620 BUT NOW HE'S BEING TOLD THAT HIS PRIME SUSPECT 486 00:25:46,620 --> 00:25:51,000 WAS MAYBE NOT THE LAST PERSON TO SEE JAMES AND AMY ALIVE. 487 00:25:53,793 --> 00:25:59,413 AS FAR AS JUAN DIAZ AND HIS ALIBI, 488 00:25:59,413 --> 00:26:03,896 WE WERE ABLE TO GO BACK TO THE VIDEO FOOTAGE. 489 00:26:03,896 --> 00:26:07,965 AND LO AND BEHOLD, WE SEE HIM GET ON AN ELEVATOR 490 00:26:07,965 --> 00:26:11,551 RIGHT AROUND 3:45, AND WHAT BUTTON DOES HE PUSH? 491 00:26:11,551 --> 00:26:15,413 ♪♪ 492 00:26:15,413 --> 00:26:17,344 THE 10th FLOOR. 493 00:26:17,344 --> 00:26:19,310 Kenda: AND THE ELEVATOR TAPES DO NOT SHOW HIM 494 00:26:19,310 --> 00:26:21,896 REGAINING THE ELEVATOR THE REST OF THE EVENING. 495 00:26:21,896 --> 00:26:24,689 SO HE'S NOT THERE, LIKE HE SAYS, 496 00:26:24,689 --> 00:26:27,793 CERTAINLY LEFT BEFORE THESE PEOPLE WERE KILLED. 497 00:26:27,793 --> 00:26:32,103 AT THAT POINT, WE ESSENTIALLY ELIMINATED HIM AS OUR SUSPECT. 498 00:26:32,103 --> 00:26:34,931 [ SIREN WAILING ] 499 00:26:34,931 --> 00:26:37,931 SO NOW I NEED TO GO FIND THE LIMO DRIVER. 500 00:26:37,931 --> 00:26:43,172 BECAUSE HE WAS THE LAST PERSON TO BE SEEN WITH JAMES AND AMY, 501 00:26:43,172 --> 00:26:45,137 HE BECAME MY NUMBER-ONE SUSPECT. 502 00:26:45,137 --> 00:26:47,793 -HELLO? -IT'S DETECTIVE SCHILLACI. 503 00:26:47,793 --> 00:26:49,379 Metz: POLICE CALLED BACK AGAIN. 504 00:26:49,379 --> 00:26:51,931 I MADE IT CLEAR THAT I COULDN'T MEET WITH THEM 505 00:26:51,931 --> 00:26:54,482 OR TALK TO THEM FOR VERY LONG BECAUSE 506 00:26:54,482 --> 00:26:57,137 I HAD A CUSTOMER COMING INTO THE VEHICLE 507 00:26:57,137 --> 00:26:58,896 AND HAD TO TAKE THEM TO DINNER. 508 00:26:58,896 --> 00:27:01,448 I'M LIKE, "I DON'T CARE WHERE YOU'RE AT. 509 00:27:01,448 --> 00:27:04,172 STOP. I HAVE TO TALK TO YOU." 510 00:27:04,172 --> 00:27:06,586 HE'S AT COCONUT GROVE FOR THE NEXT 30 MINUTES. 511 00:27:06,586 --> 00:27:09,689 NOW IT'S ALMOST LIKE A CAT-AND-MOUSE GAME, 512 00:27:09,689 --> 00:27:12,965 AND IN MY MIND, HE'S DODGING ME. 513 00:27:12,965 --> 00:27:16,000 I MEAN, THE LEVEL OF URGENCY WAS INDESCRIBABLE. 514 00:27:16,000 --> 00:27:18,827 [ SIREN WAILING ] 515 00:27:20,758 --> 00:27:24,758 Metz: THAT NIGHT THAT THE POLICE TALKED TO ME, 516 00:27:24,758 --> 00:27:26,517 IT FELT VERY UNCOMFORTABLE. 517 00:27:29,724 --> 00:27:32,379 LISTEN UP, ABE, I'M GONNA ASK YOU THIS ONLY ONCE, 518 00:27:32,379 --> 00:27:34,275 Schillaci: BECAUSE I DIDN'T WANT HIM TO KNOW, 519 00:27:34,275 --> 00:27:36,448 "YOU'RE MY NUMBER-ONE SUSPECT," 520 00:27:36,448 --> 00:27:40,724 BUT I ALSO WANTED HIM TO KNOW, "HEY, YOU GOT TO WORK WITH ME." 521 00:27:40,724 --> 00:27:43,689 DID YOU GO BACK TO JAMES'S HOUSE LAST NIGHT AFTER THE BAR? 522 00:27:46,551 --> 00:27:49,620 YEAH, YEAH, I DID. 523 00:27:49,620 --> 00:27:51,896 ABE ADMITS IT. "YES, I WAS THERE. 524 00:27:51,896 --> 00:27:54,241 I WAS THERE. I TOOK THEM ALL BACK THERE." 525 00:27:54,241 --> 00:27:57,689 THEN WHY DIDN'T YOU JUST TELL US THAT IN THE FIRST PLACE? 526 00:27:57,689 --> 00:28:00,103 IT'S BECAUSE OF MY JOB. 527 00:28:00,103 --> 00:28:02,586 Metz: IT WASN'T DONE SO MUCH AS TO HIDE ANYTHING. 528 00:28:02,586 --> 00:28:04,344 IT WAS BECAUSE OF THE FACT 529 00:28:04,344 --> 00:28:09,448 THAT I HAD IN MY CONTROL A COMPANY-ISSUED VEHICLE. 530 00:28:09,448 --> 00:28:13,172 Schillaci: HE WAS USING THAT LIMOUSINE FOR PERSONAL SERVICES, 531 00:28:13,172 --> 00:28:14,931 THAT HE WASN'T SUPPOSED TO. 532 00:28:14,931 --> 00:28:17,655 Kenda: ABE'S EXPLANATION DOES MAKE SENSE TO SCHILLACI 533 00:28:17,655 --> 00:28:19,310 BUT HE STILL REMAINS 534 00:28:19,310 --> 00:28:22,758 THE LAST PERSON THAT SEES THOSE TWO ALIVE. 535 00:28:22,758 --> 00:28:25,413 AND HE'S PHYSICALLY IN THAT APARTMENT. 536 00:28:25,413 --> 00:28:28,620 Schillaci: AND I SAID, "TELL ME EXACTLY WHAT HAPPENED 537 00:28:28,620 --> 00:28:34,344 WHEN YOU WENT BACK TO JAMES'S APARTMENT." 538 00:28:34,344 --> 00:28:36,379 AFTER JUAN LEFT, 539 00:28:36,379 --> 00:28:38,689 IT WAS JUST MYSELF, JAMES, AND AMY, 540 00:28:38,689 --> 00:28:40,655 AND I WAS AT THAT POINT DRIFTING OFF 541 00:28:40,655 --> 00:28:42,724 BECAUSE I WAS EXHAUSTED. 542 00:28:42,724 --> 00:28:46,827 I HAD TO BE BACK AT WORK AT 8:00 A.M. 543 00:28:46,827 --> 00:28:48,517 [ LAUGHS ] 544 00:28:48,517 --> 00:28:52,448 AND I REALIZED THAT, IF I DON'T LEAVE NOW, 545 00:28:52,448 --> 00:28:54,689 I'M NOT GONNA BE ABLE TO FUNCTION. 546 00:28:54,689 --> 00:28:58,068 SO I MADE THE DECISION TO LEAVE. 547 00:28:58,068 --> 00:28:59,482 -HEY, GREAT TO MEET YOU, MAN. -NICE TO MEET YOU. 548 00:28:59,482 --> 00:29:01,448 GET HOME SAFE, OKAY?. 549 00:29:01,448 --> 00:29:06,827 ♪♪ 550 00:29:06,827 --> 00:29:09,103 NOW, WHAT TIME DID YOU SAY YOU PICKED UP YOUR CLIENT AGAIN? 551 00:29:09,103 --> 00:29:10,241 I'VE BEEN WITH HIM ALL DAY. 552 00:29:10,241 --> 00:29:13,586 I PICKED THEM UP AT 8:00 THIS MORNING. 553 00:29:13,586 --> 00:29:17,310 SO THERE'S NO WAY THAT ABE COULD BE IN THAT APARTMENT 554 00:29:17,310 --> 00:29:19,896 AT 9:00 IN THE MORNING KILLING PEOPLE 555 00:29:19,896 --> 00:29:22,724 WHEN HE'S DRIVING A CLIENT AROUND BEGINNING AT 8:00 A.M. 556 00:29:22,724 --> 00:29:27,275 THERE'S NO WAY MR. ABE METZ WAS RESPONSIBLE FOR THEIR DEATHS. 557 00:29:27,275 --> 00:29:30,206 HIS TIMELINE MATCHES UP. HIS ALIBI MATCHES UP. 558 00:29:30,206 --> 00:29:35,241 SO WE ELIMINATE HIM AS A SUSPECT. 559 00:29:35,241 --> 00:29:38,551 SO IS AMY OKAY? 560 00:29:38,551 --> 00:29:42,758 WHEN I FINALLY TOLD HIM THAT JAMES AND AMY WERE DEAD, 561 00:29:42,758 --> 00:29:45,310 HE REACTED THE WAY I THOUGHT SOMEBODY THAT REALLY CARED 562 00:29:45,310 --> 00:29:47,137 ABOUT THEM WOULD REACT. 563 00:29:47,137 --> 00:29:48,413 HE WAS DEVASTATED. 564 00:29:48,413 --> 00:29:49,620 OH, MY GOD. 565 00:29:49,620 --> 00:29:51,206 Metz: I WAS SHOCKED. 566 00:29:51,206 --> 00:29:55,206 I HONESTLY COULDN'T BELIEVE THAT SOMETHING LIKE THAT HAPPENED. 567 00:29:57,620 --> 00:30:00,689 I'M VERY SORRY FOR YOUR LOSS. 568 00:30:00,689 --> 00:30:02,655 Kenda: WHAT DO WE DO NOW? 569 00:30:02,655 --> 00:30:04,862 ABE IS NOT A SUSPECT IN THIS CRIME. 570 00:30:04,862 --> 00:30:07,965 HE'S NOT EVEN A WITNESS TO THIS CRIME. 571 00:30:07,965 --> 00:30:10,551 WE HAVE LITERALLY RUN OUT OF SUSPECTS. 572 00:30:14,275 --> 00:30:16,689 Schillaci: WE HAD A DOUBLE HOMICIDE, 573 00:30:16,689 --> 00:30:21,586 AND I SO BADLY WANTED TO KNOW WHO DID THIS. 574 00:30:21,586 --> 00:30:24,344 SO I GO TO AMY'S FAMILY TO FIND OUT, 575 00:30:24,344 --> 00:30:25,482 DOES SHE HAVE ENEMIES? 576 00:30:25,482 --> 00:30:27,172 DOES SHE HAVE PEOPLE THAT DON'T LIKE HER? 577 00:30:27,172 --> 00:30:29,137 AND WHAT KIND OF PERSON IS SHE 578 00:30:29,137 --> 00:30:33,068 THAT WOULD ULTIMATELY CAUSE WHAT HAPPENED TO HER? 579 00:30:33,068 --> 00:30:35,724 HONESTLY, IF I'M WORRIED ABOUT ANYONE... 580 00:30:37,275 --> 00:30:38,931 ...IT'S JAMES. 581 00:30:38,931 --> 00:30:40,379 WHY DO YOU SAY THAT? 582 00:30:40,379 --> 00:30:43,172 Shapiro: I HEARD ABOUT JAMES THROUGH MY MOTHER. 583 00:30:43,172 --> 00:30:45,275 I BELIEVE MY MOTHER SAID, 584 00:30:45,275 --> 00:30:49,862 "AMY IS KEEPING COMPANY WITH THIS BOY, 585 00:30:49,862 --> 00:30:51,655 AND I DON'T FEEL GOOD ABOUT IT." 586 00:30:51,655 --> 00:30:53,068 I NEVER ACTUALLY MET HIM, 587 00:30:53,068 --> 00:30:56,310 BUT OTHER PEOPLE IN MY FAMILY HAVE, 588 00:30:56,310 --> 00:30:59,206 AND THEY ALL GOT THIS REALLY WEIRD FEELING ABOUT HIM. 589 00:30:59,206 --> 00:31:02,344 Kenda: SHE SAYS TO SCHILLACI THAT IT SEEMED TO THEM 590 00:31:02,344 --> 00:31:06,655 THAT JAMES HAD A FIXATION OF ROMANCE WITH AMY 591 00:31:06,655 --> 00:31:10,137 THAT AMY WASN'T RECIPROCATING. 592 00:31:10,137 --> 00:31:13,586 SHE CARED FOR HIM, AND I GUESS HE PROBABLY TOOK HER GOOD HEART, 593 00:31:13,586 --> 00:31:16,068 HER GOOD NATURE -- HE TOOK IT THE WRONG WAY, 594 00:31:16,068 --> 00:31:17,310 THINKING THAT MAYBE 595 00:31:17,310 --> 00:31:20,137 THERE WAS SOMETHING MORE THAN JUST FRIENDSHIP. 596 00:31:20,137 --> 00:31:24,034 -DID YOU TALK TO AMY ABOUT THIS? -YES, WE ALL DID. 597 00:31:24,034 --> 00:31:26,344 Schillaci: THEY URGED HER NOT TO HANG AROUND WITH HIM 598 00:31:26,344 --> 00:31:30,275 BECAUSE THEY WEREN'T ON THE SAME LEVEL WITH EACH OTHER. 599 00:31:30,275 --> 00:31:32,379 Shapiro: AMY SAID, "HE'S A FRIEND. 600 00:31:32,379 --> 00:31:34,448 HE NEEDS ME. HE DOESN'T HAVE ANYONE ELSE. 601 00:31:34,448 --> 00:31:38,241 AND I WANT TO BE A FRIEND TO HIM." 602 00:31:38,241 --> 00:31:41,206 Foster: AMY'S THAT PERSON THAT SHE'S GONNA STICK BY YOUR SIDE. 603 00:31:41,206 --> 00:31:42,827 SHE REALLY KEPT HER FRIENDS CLOSE, 604 00:31:42,827 --> 00:31:46,724 AND, YOU KNOW, SHE'S GONNA BE THAT RIDE-OR-DIE KIND OF PERSON. 605 00:31:46,724 --> 00:31:47,965 THANK YOU VERY MUCH FOR YOUR TIME. 606 00:31:47,965 --> 00:31:48,965 I APPRECIATE IT. 607 00:31:48,965 --> 00:31:50,862 SHE DOESN'T KNOW IF THIS INFATUATION 608 00:31:50,862 --> 00:31:55,137 JAMES APPARENTLY HAS WITH AMY PLAYS A PART IN THIS CASE, 609 00:31:55,137 --> 00:31:57,482 BUT HE KNOWS ENOUGH TO KNOW THAT IT COULD. 610 00:32:02,517 --> 00:32:04,862 Schillaci: SO I WENT BACK TO THAT APARTMENT 611 00:32:04,862 --> 00:32:08,965 BECAUSE THAT APARTMENT POSSESSED THE ANSWERS. 612 00:32:08,965 --> 00:32:11,758 IT WASN'T AT AMY'S PARENTS' HOUSE. 613 00:32:11,758 --> 00:32:14,310 IT WASN'T AT JAMES'S PARENTS' HOUSE. 614 00:32:14,310 --> 00:32:16,103 IT WASN'T AT THE CLUBS. 615 00:32:16,103 --> 00:32:20,137 THE REAL, REAL ANSWERS, TO ME, WERE IN THAT APARTMENT. 616 00:32:20,137 --> 00:32:22,482 SCHILLACI STARTS LOOKING AT THIS APARTMENT 617 00:32:22,482 --> 00:32:24,517 DIFFERENTLY THAN HE DID BEFORE. 618 00:32:24,517 --> 00:32:26,517 BEFORE IT WAS ALL ABOUT PHYSICAL EVIDENCE. 619 00:32:26,517 --> 00:32:27,965 BUT NOT NOW. 620 00:32:27,965 --> 00:32:31,413 NOW HE'S LOOKING FOR LIFESTYLE INDICATIONS. 621 00:32:31,413 --> 00:32:34,103 WHO ARE YOU, JAMES? 622 00:32:34,103 --> 00:32:35,827 WHO ARE YOU? 623 00:32:35,827 --> 00:32:40,448 EVERY SQUARE INCH OF THAT HOUSE I SEARCHED. 624 00:32:42,586 --> 00:32:44,172 IN HIS BEDROOM, 625 00:32:44,172 --> 00:32:47,724 HE HAD EVERYTHING STREWN ALL OVER THE PLACE. 626 00:32:47,724 --> 00:32:49,275 Kenda: BUT THEN SCHILLACI FINDS 627 00:32:49,275 --> 00:32:53,965 A PRISTINE DISPLAY OF CLOTHING, NEATLY PRESSED, 628 00:32:53,965 --> 00:32:57,137 HANGERS SPACED EXACTLY TWO INCHES APART. 629 00:32:57,137 --> 00:32:59,655 IT'S AS NEAT AS A PIN. 630 00:33:01,896 --> 00:33:05,551 SO WHAT EXACTLY DOES ALL THIS MEAN? 631 00:33:05,551 --> 00:33:08,482 [ CELLPHONE VIBRATES AND CHIMES ] 632 00:33:08,482 --> 00:33:09,724 WHAT'S UP, RODRIGUEZ? 633 00:33:09,724 --> 00:33:12,000 I GET A CALL FROM DETECTIVE RODRIGUEZ. 634 00:33:12,000 --> 00:33:13,586 WHAT'D HE SAY? 635 00:33:13,586 --> 00:33:17,413 HE TELLS ME THAT JAMES'S FATHER RECEIVED A VOICEMAIL FROM JAMES 636 00:33:17,413 --> 00:33:19,413 RIGHT BEFORE JAMES'S DEATH, 637 00:33:19,413 --> 00:33:20,551 Glass: DAD? 638 00:33:20,551 --> 00:33:21,965 Kenda: THE CONTENTS OF THAT MESSAGE... 639 00:33:21,965 --> 00:33:23,206 Glass: HELLO? 640 00:33:23,206 --> 00:33:25,620 Kenda: ...COULD TURN THIS CASE UPSIDE DOWN. 641 00:33:25,620 --> 00:33:26,758 IT'S GAME-CHANGING INFORMATION. 642 00:33:31,689 --> 00:33:35,344 ♪♪ 643 00:33:35,344 --> 00:33:39,172 Kenda: DETECTIVE SCHILLACI IS AT A LOSS FOR SUSPECTS 644 00:33:39,172 --> 00:33:45,413 IN THE MURDERS OF AMY HOYOS AND JAMES GLASS. 645 00:33:45,413 --> 00:33:48,344 JUST WHEN HE THINKS THAT HE DOESN'T KNOW WHERE TO GO NEXT, 646 00:33:48,344 --> 00:33:53,103 JAMES'S FATHER HAS DISCOVERED A VOICEMAIL ON HIS CELLPHONE... 647 00:33:53,103 --> 00:33:54,275 WHAT'S UP, RODRIGUEZ? 648 00:33:54,275 --> 00:33:57,689 ...PLACED MOMENTS BEFORE JAMES JUNIOR'S DEATH. 649 00:33:57,689 --> 00:33:59,034 [ LINE RINGING] 650 00:33:59,034 --> 00:34:02,000 Glass: DAD? 651 00:34:02,000 --> 00:34:03,344 [ Crying] I DID SOME BAD THINGS. 652 00:34:03,344 --> 00:34:06,758 ACCORDING TO THE FATHER, JAMES SOUNDS DEPRESSED, 653 00:34:06,758 --> 00:34:08,448 DEFEATED. 654 00:34:08,448 --> 00:34:10,068 Schillaci: JAMES TELLS HIS DAD, 655 00:34:10,068 --> 00:34:12,551 "YOU KNOW, DAD, YOU ALWAYS FIX MY PROBLEMS. 656 00:34:12,551 --> 00:34:14,310 YOU ALWAYS CLEAN UP MY MESS. 657 00:34:14,310 --> 00:34:18,689 BUT THIS IS A MESS THAT YOU CAN'T EVEN CLEAN UP." 658 00:34:18,689 --> 00:34:21,172 Kenda: JAMES'S FATHER GOES ON TO EXPLAIN 659 00:34:21,172 --> 00:34:24,482 THAT JAMES JR. HAS TAKEN ANTIDEPRESSANTS IN THE PAST, 660 00:34:24,482 --> 00:34:27,068 THAT HE HAD A RECENT BREAKUP WITH A GIRLFRIEND IN TEXAS, 661 00:34:27,068 --> 00:34:29,862 AND HE TOOK IT VERY, VERY, VERY BADLY, 662 00:34:29,862 --> 00:34:32,620 AND THAT JAMES JR. HAS A TEMPER. 663 00:34:32,620 --> 00:34:35,689 AND WHEN HE DRINKS, HIS TEMPER CAN FLARE. 664 00:34:35,689 --> 00:34:37,931 OKAY. THANKS, MAN. 665 00:34:37,931 --> 00:34:40,517 Schillaci: THIS WAS THE DEFINING MOMENT FOR ME. 666 00:34:40,517 --> 00:34:41,862 I'LL NEVER, EVER, EVER FORGET IT. 667 00:34:41,862 --> 00:34:45,068 I WAS SITTING ON THE BED, AND A LIGHT BULB CAME ON. 668 00:34:45,068 --> 00:34:48,310 IT WAS LIKE A HALOGEN LIGHT BULB. 669 00:34:48,310 --> 00:34:50,689 THEY JUST LIT MY BRAIN UP. 670 00:34:50,689 --> 00:34:55,586 HE'S GOT UNWORN SHOES, UNWORN SUITS IN ONE AREA. 671 00:34:57,620 --> 00:35:00,655 BUT THEN HIS FLOOR'S IN DISARRAY. 672 00:35:00,655 --> 00:35:05,586 I REALIZED AT THAT MOMENT THAT HE WAS LIVING A DOUBLE LIFE. 673 00:35:05,586 --> 00:35:09,758 HE WAS TRYING TO LIVE IN THE SHOES OF HIS FATHER, 674 00:35:09,758 --> 00:35:11,068 AND HE WAS TORN. 675 00:35:11,068 --> 00:35:15,344 HE WAS JUST ABSOLUTELY TORN. HE COULD NOT DO IT. 676 00:35:15,344 --> 00:35:18,482 NOW I'M THINKING THAT JAMES KILLED AMY 677 00:35:18,482 --> 00:35:21,689 AND THEN KILLED HIMSELF. 678 00:35:21,689 --> 00:35:25,482 THE MOST MADDENING PART OF HOMICIDE INVESTIGATION 679 00:35:25,482 --> 00:35:28,551 IS NOT HAVING THE ANSWERS YOU REQUIRE. 680 00:35:28,551 --> 00:35:31,724 AND THE BEST OF ALL OF US IN HOMICIDE, 681 00:35:31,724 --> 00:35:33,758 SCHILLACI BEING AN EXAMPLE, 682 00:35:33,758 --> 00:35:38,689 DO NOT REST UNTIL THEY FIND THOSE ANSWERS. 683 00:35:38,689 --> 00:35:40,310 Schillaci: SO AT THIS POINT OF THE INVESTIGATION, 684 00:35:40,310 --> 00:35:41,793 I GO TO THE AUTOPSY 685 00:35:41,793 --> 00:35:45,724 BECAUSE I KNOW THIS WAS GONNA GIVE US A LOT OF THE PIECES 686 00:35:45,724 --> 00:35:48,827 OF THE PUZZLE THAT NEEDED TO FIT. 687 00:35:48,827 --> 00:35:51,344 THE MEDICAL EXAMINER ULTIMATELY TELLS US 688 00:35:51,344 --> 00:35:53,172 THAT THE WOUNDS ON HIS ARMS 689 00:35:53,172 --> 00:35:55,241 THAT I THOUGHT WERE DEFENSIVE WOUNDS 690 00:35:55,241 --> 00:35:59,413 FROM BLOCKING BLOWS WERE WOUNDS FROM THE FALL. 691 00:35:59,413 --> 00:36:02,379 Kenda: THEY'RE AS A RESULT OF FALLING THROUGH A PALM TREE 692 00:36:02,379 --> 00:36:05,344 AT HIGH SPEED FROM THE 14th FLOOR 693 00:36:05,344 --> 00:36:09,379 BECAUSE THE CORONER FINDS PLANT MATERIAL IN THE WOUND SITES. 694 00:36:09,379 --> 00:36:11,413 FURTHER...Schillaci: ON THE WRIST? 695 00:36:11,413 --> 00:36:14,206 ...THE WRIST CUTS APPEAR TO BE SELF-INFLICTED, 696 00:36:14,206 --> 00:36:16,172 SUPERFICIAL CUTS TO THE WRIST, 697 00:36:16,172 --> 00:36:19,379 WHICH IS NOT UNCOMMON IN PEOPLE WHO TRY TO KILL THEMSELVES. 698 00:36:19,379 --> 00:36:21,137 WHEN WE LOOK ON THE CHEST... 699 00:36:21,137 --> 00:36:22,758 Schillaci: THE MEDICAL EXAMINER WAS VERY CLEAR ABOUT 700 00:36:22,758 --> 00:36:24,758 THE STAB WOUNDS TO HIS CHEST. 701 00:36:24,758 --> 00:36:27,241 THEY ONLY WENT IN ABOUT HALF AN INCH OVER THE HEART. 702 00:36:27,241 --> 00:36:29,827 THIS IS A SELF-INFLICTED WOUND AS WELL. 703 00:36:29,827 --> 00:36:33,137 SO EVERYTHING IS EXPLAINED AS NOT BEING PUT THERE 704 00:36:33,137 --> 00:36:37,379 BY SOMEONE TRYING TO KILL THIS PERSON. 705 00:36:37,379 --> 00:36:39,103 THE ULTIMATE CAUSE OF DEATH FOR JAMES 706 00:36:39,103 --> 00:36:42,620 WAS BLUNT-FORCE INJURY FROM THE FALL. 707 00:36:42,620 --> 00:36:44,034 LET'S GO. COME ON. 708 00:36:44,034 --> 00:36:46,724 IF HIS PURPOSE WAS TO END HIS DAYS, 709 00:36:46,724 --> 00:36:48,620 AND HE FELL TO HIS DEATH FROM THIS BALCONY, 710 00:36:48,620 --> 00:36:50,413 WELL, WHO KILLED AMY? 711 00:36:50,413 --> 00:36:52,379 THE ONLY PERSON THERE... 712 00:36:52,379 --> 00:36:53,896 WAS JAMES. 713 00:36:57,724 --> 00:37:00,827 AMY WAS JAMES'S LAST LIFELINE, 714 00:37:00,827 --> 00:37:03,689 HIS LAST GRIP ON SOCIETY. 715 00:37:03,689 --> 00:37:07,448 SHE WAS THE ONLY ONE THAT UNDERSTOOD HIS FEELINGS 716 00:37:07,448 --> 00:37:09,931 AND HIS DEPRESSION OVER HIS CIRCUMSTANCES. 717 00:37:09,931 --> 00:37:12,103 WE DON'T HAVE MR. DIAZ AND THE LIMO DRIVER 718 00:37:12,103 --> 00:37:13,517 LEFT THE APARTMENT. 719 00:37:13,517 --> 00:37:14,620 THEY'RE OUT OF THE PICTURE. 720 00:37:14,620 --> 00:37:18,000 WE KNOW THAT AT SOME POINT 721 00:37:18,000 --> 00:37:22,482 JAMES AND AMY LEAVE THE APARTMENT AND GO OUT AGAIN 722 00:37:22,482 --> 00:37:25,758 BECAUSE WE SEE THEM COMING IN AT 6:52. 723 00:37:25,758 --> 00:37:27,655 [ DOOR OPENS, KEYS JANGLE ] 724 00:37:27,655 --> 00:37:30,758 -YOU WANT ANOTHER DRINK? -NO, NO, I GOT TO GO TO SLEEP. 725 00:37:30,758 --> 00:37:32,206 AND SO SHOULD YOU. 726 00:37:32,206 --> 00:37:34,068 DO WANT TO SLEEP IN MY BED, MAYBE? 727 00:37:34,068 --> 00:37:37,482 [ LAUGHS ] NO, NO, I'M GOOD HERE. 728 00:37:37,482 --> 00:37:39,413 ALL RIGHT, NIGHT, BUDDY.GOOD NIGHT. 729 00:37:39,413 --> 00:37:41,344 HEY, JAMES, WHAT ARE YOU DOING? 730 00:37:41,344 --> 00:37:42,827 HEY. 731 00:37:42,827 --> 00:37:48,000 I STRONGLY BELIEVE THAT JAMES WAS SO INFATUATED 732 00:37:48,000 --> 00:37:49,482 AND SO IN LOVE WITH HER 733 00:37:49,482 --> 00:37:51,689 THAT HE MADE SOME ADVANCES TOWARDS HER. 734 00:37:51,689 --> 00:37:53,344 -STOP, STOP! -COME ON, AMY. 735 00:37:53,344 --> 00:37:54,620 I SEE THE WAY THAT YOU LOOK AT ME. 736 00:37:54,620 --> 00:37:56,793 THAT'S NOT WHAT THIS IS.YEAH, WELL, WHAT IS IT? 737 00:37:56,793 --> 00:37:57,793 YOU JUST GET OFF ON TEASING ME? 738 00:37:57,793 --> 00:37:59,068 -STOP! -I'M NOT GOOD ENOUGH? 739 00:37:59,068 --> 00:38:01,241 JAMES, STOP! AGH! 740 00:38:01,241 --> 00:38:03,206 AMY VIOLENTLY RESISTS HIM. 741 00:38:03,206 --> 00:38:04,482 GET OFF OF ME! 742 00:38:04,482 --> 00:38:07,586 SO WHEN HE FELT THIS BETRAYAL, HE SNAPPED. 743 00:38:07,586 --> 00:38:09,344 WHAT IS IT? I'M NOT GOOD ENOUGH FOR YOU? 744 00:38:09,344 --> 00:38:11,034 HE ABSOLUTELY SNAPPED. 745 00:38:11,034 --> 00:38:13,172 Kenda: JAMES GLASS IS DEPRESSED. 746 00:38:13,172 --> 00:38:15,517 HE IS CONCERNED ABOUT HIS FUTURE. 747 00:38:15,517 --> 00:38:17,241 HE DOESN'T BELIEVE HE HAS ONE. 748 00:38:17,241 --> 00:38:20,931 HE HAS A GIRL WHO SEEMS TO CARE ABOUT HIM, 749 00:38:20,931 --> 00:38:24,793 AND HE DISCOVERS HE DOESN'T RESPOND TO HIM ROMANTICALLY. 750 00:38:24,793 --> 00:38:26,241 ALL THIS HAPPENS TO HIM 751 00:38:26,241 --> 00:38:28,965 IN A MATTER OF A FEW MILLISECONDS. 752 00:38:28,965 --> 00:38:29,965 AGH! 753 00:38:29,965 --> 00:38:31,413 [ SCREAMS ] 754 00:38:31,413 --> 00:38:35,413 IN THAT MOMENT, HE WENT INTO A RAGE. 755 00:38:35,413 --> 00:38:39,344 I THINK HE WENT BLACK. 756 00:38:39,344 --> 00:38:40,482 HE THRUST... 757 00:38:40,482 --> 00:38:41,586 [ SCREAMS ] 758 00:38:41,586 --> 00:38:42,724 ...A SCISSOR... 759 00:38:42,724 --> 00:38:44,827 STOP! 760 00:38:44,827 --> 00:38:48,655 ...STRAIGHT THROUGH HER STERNUM BONE INTO HER HEART. 761 00:38:48,655 --> 00:38:50,793 Kenda: THAT DOESN'T CAUSE HER IMMEDIATE DEATH. 762 00:38:50,793 --> 00:38:53,896 [ GASPING ] 763 00:38:53,896 --> 00:38:56,413 HE TRIES TO STRANGLE HER WITH THE CORD IN THE IRON, 764 00:38:56,413 --> 00:39:00,068 AND IT BREAKS LOOSE FROM THE IRON. 765 00:39:00,068 --> 00:39:01,896 THEN HE USES IT AS A BLUNT INSTRUMENT 766 00:39:01,896 --> 00:39:03,448 AND STRIKES HER IN THE HEAD WITH IT, 767 00:39:03,448 --> 00:39:06,206 AND THIS DOES KILL HER. 768 00:39:06,206 --> 00:39:08,793 Schillaci: THEN... 769 00:39:08,793 --> 00:39:13,275 HE DRAGGED HER LIFELESS BODY INTO THE BATHROOM. 770 00:39:13,275 --> 00:39:16,965 HE THOUGHT IF HE PUT HER IN THE BATHTUB, 771 00:39:16,965 --> 00:39:19,620 THAT HE COULD CLEAN UP WHAT HE DID, 772 00:39:19,620 --> 00:39:22,689 BUT IT DIDN'T HAPPEN THAT WAY. 773 00:39:22,689 --> 00:39:27,862 HE NOW IS AT A POINT WHERE HE REALIZES WHAT HE'S DONE, 774 00:39:27,862 --> 00:39:29,551 AND THERE'S NO WAY OUT. 775 00:39:29,551 --> 00:39:32,586 HE TOOK THE LIFE OF THIS INNOCENT, BEAUTIFUL YOUNG LADY 776 00:39:32,586 --> 00:39:35,896 WHO WAS THE ONE PERSON THAT LISTENED TO HIM, 777 00:39:35,896 --> 00:39:38,206 THAT UNDERSTOOD WHAT HE WAS GOING THROUGH. 778 00:39:40,103 --> 00:39:43,448 AND... 779 00:39:43,448 --> 00:39:45,310 HE TOOK THAT AWAY. 780 00:39:45,310 --> 00:39:47,172 Kenda: "WHAT HAVE I DONE? 781 00:39:47,172 --> 00:39:49,965 I DON'T DESERVE TO LIVE." 782 00:39:49,965 --> 00:39:53,137 HE TRIES TO CUT HIS WRISTS, AND THAT DOESN'T WORK. 783 00:39:53,137 --> 00:39:54,758 Schillaci: HE EVEN STABBED HIMSELF IN THE CHEST 784 00:39:54,758 --> 00:39:58,551 OVER THE HEART TO SAY, YOU KNOW, "I'M NOT WORTHY." 785 00:39:58,551 --> 00:40:00,655 AND THEN WHEN THATDIDN'T WORK, 786 00:40:00,655 --> 00:40:04,551 HE ULTIMATELY MADE THAT CALL... 787 00:40:04,551 --> 00:40:06,172 -DAD? -...TO HIS DAD, 788 00:40:06,172 --> 00:40:09,000 TOLD HIS DAD, "DAD, THIS IS A MESS 789 00:40:09,000 --> 00:40:10,517 THAT YOU CAN'T CLEAN UP." 790 00:40:10,517 --> 00:40:12,000 Glass: I DON'T KNOW WHAT ELSE TO DO. 791 00:40:12,000 --> 00:40:14,793 TELL EVERYONE I LOVE THEM AND I'M SORRY. 792 00:40:14,793 --> 00:40:16,551 SO WHAT'S HE DO NEXT? 793 00:40:16,551 --> 00:40:18,206 HE KNOWS SOMETHING THAT WILL WORK. 794 00:40:18,206 --> 00:40:19,413 HE LOOKS AT THAT BALCONY. 795 00:40:19,413 --> 00:40:22,379 THERE'S ONLY ONE TEAR-DROPPED BLOOD DROP, 796 00:40:22,379 --> 00:40:25,448 ONE DROP. 797 00:40:25,448 --> 00:40:28,655 HE'S NOT WALKING, HE'S RUNNING -- 798 00:40:28,655 --> 00:40:32,172 RUNNING TO HIS DEATH. 799 00:40:32,172 --> 00:40:35,103 THAT WAS IT. HE WAS NOT GONNA FAIL AT IT. 800 00:40:35,103 --> 00:40:37,862 HE FAILED AT EVERYTHING ELSE, 801 00:40:37,862 --> 00:40:39,551 BUT HE WAS NOT GONNA FAIL AT THAT. 802 00:40:39,551 --> 00:40:42,241 [ THUD, CAR ALARM WAILS ] 803 00:40:44,137 --> 00:40:48,379 Kenda: THE MURDER OF AMY HOYOS IS CLOSED BY EXCEPTION 804 00:40:48,379 --> 00:40:50,793 BECAUSE THE SUSPECT IS DECEASED. 805 00:40:50,793 --> 00:40:55,482 AND THE DEATH OF JAMES GLASS IS A SUICIDE -- 806 00:40:55,482 --> 00:40:58,448 SELF-INFLICTED, NO CRIME. 807 00:41:02,896 --> 00:41:05,241 Schillaci: ONE OF MY BIGGEST RESPONSIBILITIES 808 00:41:05,241 --> 00:41:07,172 AS A DEATH INVESTIGATOR 809 00:41:07,172 --> 00:41:11,793 WAS CARRYING THAT MESSAGE BACK TO THE FAMILY TO SAY, 810 00:41:11,793 --> 00:41:14,206 "THIS IS WHAT HAPPENED." 811 00:41:14,206 --> 00:41:15,896 Foster: PUTTING ALL THE PIECES TOGETHER 812 00:41:15,896 --> 00:41:17,379 AND FIGURING THINGS OUT, 813 00:41:17,379 --> 00:41:19,758 JAMES WAS OBSESSED WITH HER. 814 00:41:19,758 --> 00:41:21,275 I WISH SHE WOULD HAVE LISTENED, 815 00:41:21,275 --> 00:41:24,379 YOU KNOW, WHEN I SAID, "LEAVE HIM ALONE." 816 00:41:24,379 --> 00:41:27,862 AT FIRST I WAS MAD, BUT THEN AGAIN, 817 00:41:27,862 --> 00:41:29,517 I THOUGHT HE WAS SICK, 818 00:41:29,517 --> 00:41:32,379 SO I DON'T THINK THAT SOMEONE IN THEIR RIGHT MIND 819 00:41:32,379 --> 00:41:34,586 WOULD BE CAPABLE OF DOING SOMETHING LIKE THAT. 820 00:41:34,586 --> 00:41:37,793 AND SO I HAVE FOUND IN MY HEART 821 00:41:37,793 --> 00:41:40,620 TO FORGIVE HIM FOR WHAT HE DID. 822 00:41:40,620 --> 00:41:42,517 Foster: THE WAY THAT IT HAPPENED SO TRAGICALLY, 823 00:41:42,517 --> 00:41:44,344 IT TOOK A TOLL ON ME. 824 00:41:44,344 --> 00:41:49,517 IT TOOK ME SOME YEARS TO KIND OF PUT HER SPIRIT TO REST 825 00:41:49,517 --> 00:41:52,448 AND JUST REMEMBER ALL THE HAPPIER TIMES. 826 00:41:52,448 --> 00:41:53,793 Shapiro: I'LL NEVER HAVE THE CHANCE 827 00:41:53,793 --> 00:41:55,068 TO HAVE THAT TIME WITH MY SISTER, 828 00:41:55,068 --> 00:41:57,241 TO SHARE ADULTHOOD WITH HER, 829 00:41:57,241 --> 00:41:59,068 TO HAVE HER MEET MY CHILDREN, 830 00:41:59,068 --> 00:42:00,620 AND I'LL NEVER SEE HER GET MARRIED 831 00:42:00,620 --> 00:42:02,172 AND HAVE HER OWN CHILDREN. 832 00:42:02,172 --> 00:42:05,275 THAT PART OF IT IS DEVASTATING. 833 00:42:06,931 --> 00:42:09,068 Schillaci: I WILL GO AS FAR AS SAYING THIS CASE 834 00:42:09,068 --> 00:42:12,931 IS THE CASE THAT HAS HAUNTED ME THE MOST. 835 00:42:12,931 --> 00:42:15,931 JAMES NEEDED HELP, BUT UNFORTUNATELY, 836 00:42:15,931 --> 00:42:20,517 IT WAS THE KIND OF HELP THAT AMY COULDN'T PROVIDE. 837 00:42:20,517 --> 00:42:23,241 Kenda: AMY DID NOT REALIZE OR SUSPECT 838 00:42:23,241 --> 00:42:26,448 THAT JAMES GLASS'S DEPRESSION WAS SO DEEP-SEATED. 839 00:42:26,448 --> 00:42:28,517 HAD SHE UNDERSTOOD 840 00:42:28,517 --> 00:42:31,620 WHAT A FRAGILE CONDITION HIS EMOTIONS WERE IN, 841 00:42:31,620 --> 00:42:34,137 SHE WOULD NOT HAVE STAYED IN THAT APARTMENT. 842 00:42:34,137 --> 00:42:38,551 SHE DIDN'T BELIEVE JAMES COULD HURT HER OR HURT HIMSELF. 843 00:42:38,551 --> 00:42:39,758 SHE WAS WRONG.