Go to the old people's house. They're coming!
- FEMALE ANNOUNCER: Previously on Ruthless...
- Please! - Please what?
- Please!
- I will fucking cut your head off!
- We will still get this money.
- How could you be thinking about that right now?
- [gunshot]
- ANDREW: And Oliver's in the tree.
He's sniping anybody that gets close to the car.
- Hello!? Hello!? - [banging on door]
- I will blow you to kingdom come.
- Don't you move.
- DEPUTY KATE: Poke, where the hell are you?
You were supposed to be here to start your shift, get in here.
- Well, I'm gonna head outta here.
- Yeah, okay.
- Let me ask you something. - Shoot.
- Does your sheriff ever go up to that compound?
- He's been there with you. - No other time?
- Not that I can recall, why?
- Hm...
- What's "Hm."?
- I just think he should.
- You gotta understand something about the sheriff,
he would think it's rude just to drop by there.
- Would he now?
- Yeah, he would.
That's just the way things are around here.
- I see.
- Is something wrong?
- No.
Well, I'm gonna get out of here.
- Well, okay.
- Uh, I'm gonna go tell him.
- Well, his door is closed, so you may want to wait
until he opens it.
- Is that another rude thing?
- Right. - I see.
- Live and learn.
- Okay, um, I'll wait a bit.
- Okay.
- Poke, where the hell are you?
The sheriff's gonna be pissed,
he opens his door and you're not here.
- He's not answering?
- No.
- Is that like him?
- You know, you have a very healthy suspicion.
- Well, thanks.
- That's a lot for a cop around here.
- I'm sorry, I'm from another place.
- I hear you, but you should relax.
- I was just asking.
- Well, if you must know, sometimes he drinks heavy
the night before, and it takes me forever to get him up.
Hell, sometimes I have to go over there and wake him up
from time to time.
- Is that so?
- Yeah, he knows how he is. Gave me a key and everything.
- I see.
- Just wait until he opens the door.
- Okay.
- MALE SINGER: ♪ When the sun goes down
♪ We run the city
♪ I feel the angels but the demons with me ♪
♪ When the sun goes down, best believe me ♪
♪ It's nothing new the streets is undefeated ♪
♪ When the sun goes down
♪ Ooh, it get wild baby, wild baby, wild baby, wild ♪
- MALE RAPPER: ♪ Don't you ever, ever try to move me ♪
♪ You best salute me
♪ It's in the bloodstream, we're feelin' Rakadushi ♪
♪ The compound, the lessons the lies, the deception ♪
♪ The FBI's weapons, the punishment, the tension ♪
♪ And I just wanna free you from this slave shit ♪
♪ So murder is the case that we're faced with ♪
♪ When the sun goes down ♪
- [doors slamming shut]
- HERBERT: Come in here!
Close that door. - You two are a mess.
- We're so sorry. - HERBERT: Call the sheriff.
- Please.
- Yeah, we're gonna.
- We won't cause any trouble, just please...
- Sit down-- - PAULA: Okay.
- HERBERT: On the floor. - Okay. Okay.
- [phone ringing] - KATE: Sheriff's department.
- LIZ: Hello? - Hey, Liz.
- LIZ: We need to talk to the sheriff,
is he still there?
- He is.
- Well, I need to talk to him.
- Everything alright? - LIZ: Yeah.
- You got more of those Raku people up there don't you?
- Yeah.
Can I talk to him?
- Sheriff!
- Kate, I told you I was on a break.
- I know, but it's Liz, she says she has more
of those Rakadushi people at her place.
- What the hell?
Liz?
- LIZ: We got two more here.
- Say what? - LIZ: Yeah.
- What the hell is this? Visit Liz and Herbert day?
- LIZ: I know, right?
- Alright, I'll head on over.
Hey, you try and keep them there this time, alright?
- LIZ: Well, you don't take so long and we will!
- Okay.
- LIZ: The door will be unlocked,
we'll be in the living room.
- Alright, I'm on my way. - LIZ: Okay, thank you.
- Bye, Liz. - [hangs up phone]
- BRIAN: Sheriff?
- What is it?
- Are we going somewhere?
- I'm going somewhere, you're going home.
- Where are you going?
- Are you really asking me that? - Yeah.
- Go home. - Sheriff--
- I said go home.
- Yes sir.
- You shouldn't do that.
- Do what?
- Push him like that. He's like an old bear.
- Okay.
Well, I'm gonna head home.
- Okay. See you tomorrow?
- Yeah. See you tomorrow.
- ♪
- LIZ: He's on his way. - HERBERT: Don't you move.
- We won't, we promise.
- Thank you for calling the sheriff, thank you.
- What else do you think we would do?
- We didn't mean to offend you.
- Oh, you don't.
- PAULA: I don't know, I don't know,
we gotta get out of the woods first.
- Well you're not getting out of here and running
the way that other girl did.
- What other girl?
- What was her name? - She said Tally.
- Tally was here?
- Yeah.
- Did the sheriff take her?
- No.
- Why not?
- We called him and when he came to get her, she ran.
- She ran? - Yeah.
- Did she say why?
- Don't tell them, Liz.
- Please.
- She said they teach you that the sheriff is in on it.
- The sheriff? - Yes, have you heard that?
- No. - But I have.
- You have? - Yeah.
- So he's in on it?
- LIZ: No, he's not in on it, whatever that means.
- How do you know? - LIZ: He told us.
He's a good man. You are safe now.
You're safe.
- Why are we doing this? - Doing what?
- We could, we could just leave, you know? Right now.
- No, we can't leave, Joan.
- Why not?
- The guards are still out there.
- You just want the money.
- Why else do you think I let him fuck me?
- River...
- And he did. Violently.
Over and over.
So I'm not leaving here until I get what I deserve.
- I'm sorry.
I should have never agreed to do this with you.
- And what? Just die for the Roku? Raku?
Raka-fuckin-doo doo, whatever that shit is.
- Okay, you better not be so flippant.
- Listen, I'm not leaving here until I get my money.
You understand me?
- Even facing Dikahn?
- I will handle him.
- Are you sure?
- I'm sitting here, aren't I?
- I don't like this quiet. - Can you relax?
- How can you be so relaxed?
- Ruth gave me something really good from the kitchen.
- You trust her. You really trust her.
- No. - Seems that way.
- I admire her.
- [Joan laughs]
- What?
- Why?
- She's my inner female. - You are not a woman, River.
- I said, "inner female."
- Well, you don't have a female in you.
- But I did.
And if I had that ass, and that pussy--
- [Joan groans] Stop.
Why do you like saying that word?
- Because it makes you so uncomfortable.
- It doesn't make me uncomfortable,
it's vulgar.
- You know, I bet you're a lousy lay in bed.
- How would you know that?
- Well, you can't say "pussy,"
you certainly don't know how to use--
- You know, I've had enough of you.
- Okay, okay. - Alright?
You're gross. - Yeah.
- So gross. What was that movement?
- What?
- In the move-- I saw something move.
- Girl, you need to relax.
- [Joan gasps] - It's Dikahn.
- What?
Wait, is he here?
- [Joan begins laughing]
- So who's the girl now that needs to relax?
- Are you... is he here or not?
- No.
- Well shit, don't do that!
- What are you so afraid of?
You're gonna have to see him at some point or another.
- Yeah, and I will figure that out when I come to it, okay?
- Okay.
- I just need to talk to Ruth about this one first.
- Little River, with the master plan.
- Hey, never underestimate small rivers, okay?
They can be very powerful.
- ♪ Oh little round the river ♪
- Okay.
Well, believe it.
- Yup, okay, little round the river.
- What is she doing?
- JOAN: She's giving us a signal.
- She's going to the wash trailer.
- Okay. I'll go. - Okay.
- Hi. - Hi.
Do you have the books?
- Yeah. Yeah, are you okay?
- Yes. Where are they?
- Right here.
- Thank you.
- Yeah. I was really worried.
- Oh, I'm okay.
- You promise? - I promise.
So, what's going on out there?
- The Elder Mother stitched up Dikahn.
- Did she?
- Yeah. Yeah, he's going to be okay.
- Good. - Yeah.
What do you know about The Highest?
- The Highest is in with Ruth right now.
- Still? - Yes.
- What is she doing?
- I don't know, but whatever it is,
let's hope it's working.
- Yeah, yeah. I hope so.
- So, why are you doing laundry right now?
- I needed an excuse to go to the fence line.
- Why?
- Melinda went there,
I don't know if she made it back.
- Okay. I'll go check.
- Really? - Yeah.
- Okay, yeah, let me know. - I will.
I'll go put these away first, okay?
- Yeah. - And then I'll go.
- Okay, thank you. - You're welcome.
- Oliver! - OLIVER: Andrew?
- Yeah!
- What are you doing here, brother?
- I came here to help you, brother.
- Did you really? - Yeah.
- How exactly you gonna do that?
- I'ma help you get up outta this mess.
- Tell me.
- Come on Oliver, you know I can't scream it to you
this far away, bro.
- Well, why don't you come over here, brother?
- Now you know I can't do that, either.
- You know I won't hurt you, Andrew.
- Alright then, well, walk out here
and talk to me, leave your gun behind.
- That's gonna take a whole lot of trust, brother.
- Alright, yes it does. And you know you can trust me.
- You know I have the advantage up here.
- You know I know that. Combat 101.
- Yup. Eye up high.
- Right.
But you know I'm not here to hurt you, brother.
- [scoffs]
Then what are you here to do?
- I'm here to talk to you.
- No. What Manny just did
to one of his own didn't seem like talking to me.
- Come on now, you know I'm not Manny.
- I know you not, you worse.
Plus you been coming and going out of that compound
as you please.
- Bro, come on now, I was on assignment
for The Highest, you know that.
- I'm good.
- So what you gonna do, Oliver?
You gonna wait out here forever?
- Yup. Until my help comes.
- Ain't no help coming, brother.
- How do you know that?
- 'Cause they didn't make it, Oliver.
- Who didn't make it? - The girls, Oliver.
- You're lying.
- No, I'm sorry, brother.
- How do you know they didn't make it?
- Manny just told me.
- You haven't been on a phone, Andrew.
- Yes I have, brother.
- You're lying.
- No, I'm not lying.
- Now I know I'm not gonna trust you!
- And why is that, brother?
- Because they're right here with me.
- Are they really now? - Yup.
- Now I know you're lying, and now I can't trust you.
- Well, then we don't have nothing to talk about!
- Just so you know brother, I got more help coming.
- Well, tell them to come!
- You can't hold out here for that long, Oliver.
- You just watch me.
- Come on now, talk to me. How about we make a deal?
- No, how about you shut the fuck up?
I don't trust you, and I ain't doing no more talking.
- Oh, really? It's like that, Oliver?
Okay. Okay, boy.
- ♪
- Melinda?
- [Joan screams loudly]
- It's Melinda... - I saw her.
- What happened? - I don't know.
- She's dead. - I know. No shit.
- Who did it? - I don't know,
but I don't want to stand out here arguing about it, okay?
- Wait, River, River!
We can't leave her here like this.
- What do you mean?
- Oh, The Highest,
The Highest is going to be so upset.
- Listen, I do not want Dikahn to see me,
so I'm going back to the finance room.
- JOAN: River, River, we can't leave her like this.
- RIVER: No. - Where is the humanity?
Oh Melinda, I'm so sorry, so sorry, so sorry, so sorry...
- MARVA: It is so quiet. - ZANE It is.
- MARVA: Have you heard anything?
- ZANE: No.
- MARVA: Come. - ZANE: Yes.
- MARVA: Walk with me. - ZANE: Yes.
- MARVA: The Highest will be needing his dinner.
- ZANE: Of course.
- I need to get to the kitchen trailer.
- Okay. Let's go this way.
- Not that way.
Around, in front of The Highest's trailer.
- Of course.
- I want to make sure he's okay.
- You are so wise. - [Marva laughs]
- Oh, I don't know what it is.
- Elder? - Your generation,
you never listen.
- I know. We are so foolish.
- Yes, you are. - I'm sorry.
- The Highest, he does all of this for us,
then they leave, Paula.
- I know. - She drank bleach.
- She did. - She blamed The Highest.
And she leaves.
- She is a terrible person.
- Oh, The Highest didn't do that,
she did that. Yes, she's a terrible person.
But oh, when the Raku catches her...
- What a great day that will be.
- Oh, listen to you. So much pride,
I wish there was a lot of that here.
- Yes. They are selfish.
- Yes. They are.
But what were you doing? - I went to do my chores.
- [Marva gasps]
- Without anyone telling you to?
- No, I do it in honor of the Raku.
- Oh, so beautiful.
You are an elder's dream. - Thank you, Elder Mother.
- Oh, I wish there were more of the same here.
- They will learn.
- Yes, they will.
And you, you will be promoted to Elder Teacher.
- Really? - Would you like that?
- I would love that.
- You can teach all the new girls that are coming
the way of the Raku.
- New girls?
- Yes, we've been recruiting, so the new girls
should be here soon.
- That is a beautiful thing.
- Oh, praises to the Raku.
- Yes, yes, all praise to the Raku.
- Oh look. - Elder?
- It is so quiet in there.
- That's a good thing.
- I suppose. - It is.
- Well come, he will be hungry.
- Yes, Elder Mother.
- ♪
- Ruth...
- Yes, Your Highest?
- I'm still troubled.
- Why is that, Your Highest?
- Well, I haven't heard from my soldiers.
- Yes. I'm sure you will soon.
- I don't like this.
- You know what I don't like?
- What's that?
- You being upset.
- Yes, of course.
- You are so beautiful.
And such a brilliant leader.
- Yes, I am.
- You are.
- Thank you.
- No-- - No, no, thank you.
You know, I've always had so much power,
it's difficult to control.
Now I know I needed someone like you.
- How is that, Your Highest?
- You're the only one that can calm me.
- Well, you don't need to be calmed,
you just need someone to help you measure.
- Measure?
- Yes, your strength.
It's like putting something like a regulator on a car.
- What do you know about that?
- A car? - Yes.
- Well, my father was a mechanic.
And he used to tell me that they put regulators
on cars to stop them from going so fast
that they'd burn up the engine.
- Is that what you thought I was doing?
- I thought you were running in the red.
Do you know how powerful you are?
How strong you are?
- Yes.
- Do you? - Yes.
- Then you also must know
how valuable you are to us all.
And we can't lose you.
- We must all go to the Raku.
- Yes. And we all will.
But, I imagine that day being a pleasant one,
and a beautiful one.
Not being forced by the government.
- Yes. You are right.
- Yes, I am.
Because you have touched me and cleansed me,
and that's the only way I can be right.
- Yes.
- Perhaps you should speak to the sheep.
There was a lot of chaos and worry today,
and only your voice will keep them calm.
- Do you think they love me?
- I know they love you.
- And the ones that left?
- They weren't worthy of your light.
It blinds the non-believers.
- You are so right.
- So, you want to talk to the sheep?
- I need to call Andrew first.
- You need to call him? - Yes.
- How will you do that?
- There is a phone in that drawer.
- Shall I get it? - Yes.
- Yes, Your Highest. Excuse me.
- Andrew?
- Yes, Your Highest? - THE HIGHEST: Where are you?
- We found the car abandoned, up the road.
- And where are they?
- They're hiding, Your Highest.
With guns, being snipers.
They already took out one of our men.
- Are they all there?
- I sent two men to the farmhouse,
just in case they separated.
- You know they must not get away.
- ANDREW: No, they will not, sir.
- I'm counting on you, soldier.
- Yes, Your Highest, you can.
- Bring them alive if you can.
- Yes sir. - If you can't...
I won't be disappointed.
- I understand, sir.
- But if you can, I'll have a king's reward for you.
- ANDREW: Yes, Your Highest. - Carry on.
- ANDREW: Yes, Your Highest.
- Sir, is all well? - Yes.
- Good.
You see? - Yes.
- I am so happy to be in your company.
You are a beautiful man.
- You are very special, Ruth.
This could have gone a different way.
- But whatever way it went, I'm glad I'm here with you.
- Yes.
- Your Highest?
- Yes?
- Will you make love to me?
- What?
- I'm sorry, I shouldn't ask, but...
It was so amazing.
So electrifying.
- Ruth...
- I don't mean to speak out of turn,
but I have the privilege of knowing something
that you will never know.
- You know something The Highest doesn't?
- Yes.
- Now that is arrogant.
- I know what it feels like
to have you inside of me.
That you will never know.
And it is amazing.
- I will consider your request.
- Then you have made me even happier.
- Have the Elder Mother bring me dinner, I'm hungry.
- Yes.
You are The Highest.
You are The Only.
- [banging on door] - RUTH: Elder Mother!
- JOAN: She's not there.
- RUTH: Where is she?
- I saw her walking to the kitchen.
- RUTH: Okay.
- May I, may I walk with you? - Why?
- Please?
- What is it, Joan?
- The Highest, is he okay?
- Yes, he is, he's fine.
- River said you would, you would calm him down.
- I did. - How did you do that--
- What do you want, Joan?
- I just want to know that all is safe.
- It is.
- I just don't want him to ring the siren.
- He is The Highest, he can do whatever he wants to do.
- No, you stopped him for your daughter.
- Joan.
- No, I know you did.
- What is up with you?
- What is up with me? Nothing.
- You are creepy.
You are a liar.
And I don't trust you.
Uh-uh. Nah, girl.
- I just...
I'm sorry--
- Why did you give those books to Zane?
- Because I want someone to know the truth.
- About what?
- About this place, Ruth!
- Sure you did.
- I just--
- The Highest is in a very agitated state.
Would you like me to tell him that I couldn't get his dinner
because you were stopping me?
- No, of course not.
- Thank you.
- Melinda is dead, Ruth.
In a crate.
Up the hill.
By the outhouse.
[sobs]
- Ooh, Your Highest, I have your food all ready.
- Good, then give it to me.
- It's not ready yet.
- You just said it was.
- I know what I said.
I thought you were The Highest.
- It looks ready to me.
- It is not.
- How long?
- Five minutes.
- Okay. I'll wait.
- I will bring it to him.
- Are you sure you want to do that?
- Yes.
- I don't think that's a good idea.
- It is always a good idea,
because I'm the Elder Mother.
- I don't think you get it.
- I let you talk to me sideways earlier...
...but this is a pan of hot grease.
- The Highest wouldn't like that.
- No? Why not?
- Did you not know that I calmed him down?
- How did you do that?
I wonder.
- Elder Mother, we are both on the same side,
we both want to see him happy.
- We are not both on the same side!
I want to see him happy, you just want to--
- Elder Mother, stop it.
- I see what you are, you fast-tail devil.
- I am here for the Raku.
- Something has got you thinking that you can talk to me
any kind of way,
and I'm going to find out what it is.
- Yes, you will.
- What?
- He will tell you very soon.
- What do you mean by that?
- The Highest has a prophecy,
and it involves me.
- What?
- Yes. I have been chosen by the Raku for greater things.
- [laughs]
You? - Yes.
- How could he have a prophecy about you?
- I don't know, I just know that he does.
- No way. No way...
- Okay well, I'll be back in a bit for his food.
- I will bring it to him.
- He does not want to see you.
- Oh, we will see about that.
- Okay.
Well, maybe you should leave that hot grease on.
- For what?
- For him to use on you.
- Well, I will bring it to the door,
and you can take it the rest of the way.
- Thank you.
- [Marva groans]
- [door loudly opening and closing]
- Ruth... - Dikahn.
- What the fuck was that?
- What are you talking about?
- I should kill you.
- What?
- You're fucking him?
- Yes.
- Have you lost your mind?
- Dikahn...
- No, I should take that saw and cut your fucking head off.
- He wouldn't like that.
- What the fuck is going on?
Are you playing me?
- No.
- What is this?
- He came to my trailer with that sword,
and he told me that if I didn't have sex with him
he would kill me, and you.
- Why didn't you tell me that?
- I know how loyal you are to him.
- You are playing me. - No.
You saw it.
- No. No, you're playing us both.
- No. - And I will tell him.
- Well, then, I'm gonna die knowing the truth.
- Ruth, you deceitful--
- He told me that he was considering taking a wife.
- What?
- That River-- - River?
- He told him to think about it to stop the chatter
from all the members here.
You know how I feel about you.
- He's The Highest.
- Yes.
And he can have us killed.
- So you did it?
- Yes.
- Did you like it?
- Dikahn...
- Did you like it?
- He's The Highest.
- So you did?
- I had no choice.
- Do you like it better than me?
- I didn't say that.
- But you did like it?
- He is The Highest, I liked pleasing him.
- [loud bang] - Fuck!
- Are you okay?
- Out of my sight. - No.
- Get out of my sight! - I love you.
And I am doing what I have to do for us,
whether you realize that or not.
- You are a whore, and a temptress...
...who shall, and will, die.
- [footsteps on grass]
- Mack, this is Brian, I've been calling you.
The sheriff was supposed to respond to a call,
but he hasn't. He went to a bar
and just sitting there. I need your advice, sir.
Call me back.
- What if she was right?
- Paula... - No.
What if Tally knew something?
- I don't want to think about that right now.
- What do you want to think about right now?
Because you need to look at where we are.
- I wonder where Oliver is.
- Oliver?
Oliver is fine.
He has a gun.
- We have a gun.
- I know that.
- I'm not going back there.
- And neither am I, that's what I'm saying.
What if Tally was right?
- Tally was not right.
- PAULA: Lacey... How do you know?
- This is our only shot.
She can't be. - Lacey.
- Fuck. What if she was?
She must have thought something was off.
She ran. - Exactly!
- Fuck. - That's what I'm saying.
- Okay, okay, listen. We need a plan.
- PAULA: Give me the gun.
- We could be shot.
- If we go back there-- - I am not going back there.
- And I don't plan on it either, so give me the gun
so we can take them.
- No. - Lacey, give me the gun.
- No Paula, no.
- Give me the-- excuse me?
- What is it? - LACEY: Paula!
- I have to go to the bathroom.
- Well, you hold it until the sheriff gets here,
he'll be here in a minute.
- I'm sorry, I don't think I can. Please.
- Well, you're just gonna have to hold it.
- Herbert.
- HERBERT: No, Liz.
- LIZ: Hell honey, I'm gonna give her a bucket.
- ♪
- [gunshots]
- [Lacey breathing heavily]
- I got gunshots, I'm going in.
- ♪