- Hey!
- How you doing, how you doing?
- Hey, I know I depended on y'all way too much.
- How much money has he borrowed
from us over the years?
- I know I definitely felt like y'all owed me something.
- He got kicked out of school for that. He took the blame.
- Hey, what's been going on in y'all world?
- Well, I'm still dealing with that crazy ass chick at work.
- I am not crazy! I'm not crazy.
- I told you not to do it.
- You came on to me.
- We both were drunk. Let's get off me for a second.
This young gentleman right here, he just broke up a happy home.
Regina was about to get married. This guy stopped it.
- BILL: Hold on. - Bill, you need to go.
- He told her he loved her and he got on his knees
and begged her. - Marry me.
- I have a girlfriend out in LA,
maybe I'll go spend some time with her.
- I promise you I won't be with another woman,
I won't even look at a woman.
You talking about me when you're over here
pining over Pam, bruh.
- I know you don't wanna just be with one woman.
- I want you.
- PAM: You want it all. Don't. - Pamela!
- [laughing] - MAN: What happened to us, man?
Back in college, we were just young and full of hope.
- Sometimes life just takes you through the journeys.
Man, you gotta keep trying to find your way.
- Look at my baby making me proud.
- Thanks, Ma.
- MAN: ♪ Riding 24/7 at my ATL shop ♪
♪ With my ATL boys we go ATL hard ♪
- I tell you, that wedding the other day
I still ain't got over that.
What the hell kind of wedding was that?
- Mom, it was clearly a wedding that you enjoyed, like--
- You're right, I like a little drama.
- You like a lot of drama.
- Yeah, all I need is Big Dick Bill.
- Ma, don't start talking about
that stupid stuff. - But he is Big Dick Bill.
- Ma, I don't wanna hear that.
- Well, you ain't got to listen to it.
- Okay, stop talking about it.
- [chuckling]
- Just--Ma! - What?
- Could you go in your room?
- Oh boy, you done seen these titties before.
- Ma, I don't wanna see none of that! Okay, that's--
- You used to suck 'em. - Ma!
- I used to have to slap you to stop you from sucking.
- Ma. - You still sucking titties?
- Ma, this is a problem. Stop talking to me about sex.
Do that with your friends, not with me, please.
- I'm just trying to help you out.
- I don't need no help. I'm good, thank you!
- You always say that.
- Okay, look, I'm not gonna do this with you today, alright?
I don't feel like that. - [chuckling]
Well, you don't have to. - Okay.
Can you go in your room? Thank you.
Actually let me get the keys. - You don't tell me where
the hell to go. - Can I get the keys, please?
- To what?
- I'm going to check on Bill. Can I get the keys to the car?
- Nigga, that's my car.
- First of all that's not-- Ma, the car is in my name. Okay?
- Wait, did you forget? - Okay, here we go.
- You know, you couldn't pay the payment
and I started paying. - I know that.
- 'Cause you didn't have the money. Now it's my car.
Act like you remember.
- I remember.
It's still in my name. Okay? So it's my car still, Ma.
- You got to buy a car for a car to be yours.
- Fine, don't worry about it.
- Where you going?
- I'mma ask Mike to pick me up, Ma.
- Good, 'cause I met someone at the wedding.
- Who you met at the wedding?
- Uh, his name is, uh...
What the hell is his name?
- So you don't know his name
and you invited somebody over here already?
- Christy needs to be pet. - Okay, Ma.
- Meow.
- Something really wrong with you.
I'm not finna do this with you today.
- Yeah, his name is Joe, like the Tiger King.
[growling]
- So you're dating White men now?
- No, he's Black.
But he does have a mullet jerry curl.
- And that's, that's what you like? That's cute to you?
- Them the kind that be freaks.
So take your time getting back.
- Take my t-- Are you serious?
- Yeah, make sure you take your time.
- [stuttering]
- I might be working on a little brother or sister for you.
- Ma, you too old to be working on any of that.
- No, I'm not. - Yes, you are.
- Baby, if he hit the right spot,
he might free up one of them eggs.
- Ma, those eggs are extinct, okay?
- You don't be talking to me like that.
- Okay, fine. - Yeah, fine.
- Okay, fine. - Why your ass in here?
- 'Cause I'm waiting for my ride.
- You can't wait outside? - No, Ma! This is my house.
- Okay, you don't wanna wait outside?
- No. Okay, okay, okay! Ma! [screaming]
Alright, I'm gone! Shoot!
- ♪ Navigating through this state of life ♪
♪ Trying to find a shorty and make her mine ♪
♪ Now I'll find one in no time
♪ With the help from my homies
♪ I'm going up with my bruhs
♪ Going up, we're going up, we're going up ♪
♪ With my bruhs
♪ Going up, we're going up with bruhs ♪
♪ With my bruhs
♪ Going up, we're going up with bruhs ♪♪
- ♪ But I like 'em two, three
♪ But I like 'em four, five
- What's up, boy? - What's up?
- How you guys doing? - Good man.
How you doing? - Good to see you.
- Ah, ah, hey.
- What's up, what's up? - [sighs]
So, who was that White lady that just walked out of here?
- That was, um, just somebody I wanted to help.
- Oh, you was helping? - Helping?
- What can I do for you guys? What do you need?
- [chuckling] We bothering you?
Um, no, real talk, man.
What we gonna do about Bill? Seriously.
- John, I don't--I mean, the guy--
- He's dragging me over here too,
so we gonna figure something out.
- Ain't nobody dragging nobody.
This is our bruh, like, this dude's packing
to chase a woman to another city.
- MIKE: He's a grown man.
- JOHN: He's a grown man that's about to throw
his whole life away, Mike.
- How you know he's gonna throw his whole life away?
- How, how-- - Okay, to be fair.
Do you think that he should go to LA to chase after some woman?
- If that's what that man thinks he should do.
- Hm. Well he has a whole career here.
He's got a good job. He got with that firm now.
- Thank you, right. - So?
- That's his life. - That is his life.
Matter of fact, he just got handed that new
redevelopment project for the loft district
and you know he had a little problem
with the Peter situation.
But he's still there so you think he should just leave
the firm hanging? - That's not what I'm saying.
I'm saying a man should walk his own path.
We don't need to interfere.
- Yeah, a man should walk his own path
but he has his friends, the bruhs.
If he's going down a dark path we'll be like,
"Hey nigga, hey that's a pussy path.
"Hey, don't follow that pussy path
"come back on your life path.
"The pussy path gonna lead you down the dark road,
"that ain't where you wanna end up at."
- 'Cause your mom was on that path.
- Mike, I'll slap you. Don't play with me.
Stop talking about my mama.
Just keep my mama name out your mouth.
- [indistinct arguing]
- Hey, hey, hey, this is about Bill.
Let's take it easy.
Back to Bill, right?
- Stop talking about little ass niggas, I got you.
Go ahead. - [chuckling]
- I'm just saying, we should let grown people
make their own mistakes.
- Wait, you just said he wasn't making a mistake.
- JOHN: Exactly.
- I did not say he was making a mistake.
I said that maybe he needs to figure that out for himself.
What if that's what he's supposed to do?
- Okay, well let's talk about some of the facts
of the situation.
Regina moved to LA for one reason:
to get away from Bill.
- To get away from Bill, exactly.
And you know Bill can be hard headed
and wanna do what Bill wanna do.
That's where we come in.
- Only Bill can be hard headed, John?
- Okay, I ain't walking around here like I'm an angel.
Everybody done got their mess.
You got your shit, he got his shit.
Okay, yes, I borrowed some drug money, yes, I did.
Yes, I did. So what, okay?
But my friends, my bruhs, came and looked out.
"Hey bruh, you going down the wrong path."
I got my life together, now we're here.
- Proud of you for that. - Thank you.
- That was Tom's ass.
I was gonna let you do that dumb-ass shit.
Dumb-ass nigga. - Fuck you, Mike. Okay?
- Why is that fuck me? - 'Cause it's not--
You're missing the whole point. - I get the point!
- Why would you say that if you get the point?
- Nigga, I'm saying that he has to do him.
You have to do you. I have to do me.
We might not agree, but at the end of the day,
he has to be accountable for his mistakes.
You have to be accountable for yours.
- We still need each other at the end of the day.
That's what I'm saying. - That's the point.
- I don't need y'all. - JOHN: Oh, you don't need me?
- No. - Okay, bet, bet.
You don't need me, don't worry about it.
I'm just moving over 'cause I'm 'bout to knock your ass out.
I'm just-- - Do it, do it!
- Stop, stop. Okay.
- He only got respect for himself.
- He's an asshole. Go ahead. - You better get him.
- Go ahead, make the point. Talk to your boy.
- Mike, I get what you're saying. Okay?
We gotta look out for-- - You're a smart guy.
- I am a smart guy, okay?
- He's a doctor, obviously.
- So absolutely, I agree with you. But only to a point.
Because here's the thing that you can't forget,
we are still four African American men
who've been through a whole lot together.
And in this country that means everything, okay?
Now our brotherhood is a large part
of all of our successes.
Because at any time, we've all taken moments
to lean on each other.
We've all taken moments to rely on each other,
have each others' back.
Matter of fact, save each other's lives.
And you know that, Mike, more than any of us. Yes?
- Yeah, that's--that's cool.
But we're not in college anymore.
- Oh, that's cool. You just wanna put that in the past.
That don't matter? Okay, don't worry about it.
- It is in the past. - Don't worry about it.
- Yeah, we're not in college anymore, Mike.
But as grownups we still need people to
hold us accountable, man.
Iron sharpens iron, that's what the bruhs are.
- Respect, well said, well said.
- "Well said, well said." - Thank you, John.
- No, it's for real. It's the truth.
- Telling the truth. - It's the truth.
- You better hold your own self accountable like--
- Yes, Mike, I know that and I agree with you.
Of course.
But at the same time, this brotherhood,
what we have here is one of the most important things
in this world to me.
I love this bond that we have. You understand?
Because in my life, regardless of what's happening,
regardless of everything breaking down around me,
I know all you guys got me.
If everyone turns their back on me
I know the bruhs got my back and that means a lot to me.
- [sniffling]
- Are you choking up?
- I'm good, it's just what he said.
- Thank you, John. Thank you, John.
- Appreciate you, man. That was well said, man.
You spoke from your heart, you know what I'm saying?
Like--like give me a hug, man. I love you, man.
- I love you bro, I love you.
Okay, okay, you can ease up.
- I was just showing you, you a little love.
You don't want a hug? You need a hug.
- Don't touch me, nigga.
- Your mama probably wasn't there.
That's why he don't like to hug people.
- Your mama was there too much.
- You just need to show your emotional side.
You all masculine. You need to let it out.
- TOM: Pull yourself together. - JOHN: [clearing throat]
- Pull yourself together. - [knocking at door]
- Who is it?
- WOMAN: It's the police.
- Oh shit, it's the police?
That's the fucking White girl you had here.
Go in your room, go in your room.
Hey, hey, whoever you're looking for
tell him he's not here.
He moved out. He no live here!
He no live here no more.
Go in the room. What?!
You're a lawyer, you're supposed to know.
- John, move. John! - Don't go to the door!
See, that's the White side of him.
Who just walks to the police? White people do that shit.
- TOM: Hi, Officer. Can I help you with something?
- Do you mind if I come in? - No! Yeah, we mind.
Do you got a warrant? You gonna just let her in?
- Don't mind him. Yeah, come on in please.
- Thank you.
- Black people don't like police in the house.
I don't care if she Black, she still the police.
- Okay, so how can we help you?
- There was a carjacking across the street last night.
- Hey, we ain't have nothing to do with that.
You know what I'm saying? We wasn't there.
We got alibis, we got all the lullabies, the alibis,
the Alabamas, the all them people that supposed
to be talk for us, we got them.
- Okay.
I just came here because there was a carjacking
across the street last night, and I just wanted
to know if any of you heard anything.
- No, I ain't heard nothing. No, nope. Nothing.
- It was in this neighborhood?
- Okay, I'm the one that lives here by the way.
And unfortunately, Officer, I didn't see or hear anything
last night. So, wish I could help you.
- Is everyone okay?
- Luckily yes.
- You know what, this is the first time though
that I'm hearing a crime like that in this neighborhood.
And obviously, I pay a lot of money to live here
so I really wanna know hopefully that's not a--
that's not a common thing around here.
- Yeah, most people think that crimes won't come
to good neighborhoods, but in my experience,
crime finds its way to all neighborhoods in Atlanta.
- Especially mine.
It ain't even look, it just showed up.
Just, eh, crime, eh, killing, stealing, eh, right there.
But you wouldn't know about that.
We call y'all, y'all never come around
that's a whole nother conversation.
- Okay, well, gentlemen-- if you just hear
about anything or think of anything
just alert your security office downstairs.
- Ha, ha, you want me to snitch?
[chuckling] You crazy as hell.
Snitches get stitches, ma'am.
Ma'am, uh, uh, I ain't do nothing wrong, okay?
I ain't do nothing wrong.
I ain't moving suddenly, I ain't doing nothing. Okay.
- Well, you gentlemen have a great day,
and I'm sorry to disturb you.
- No, no, you didn't disturb us at all.
- Thank you so much. - Oh, glad to hear it.
- Thank you for everything you do for the community.
- Wow.
- Amazing, just amazing.
You're killing it.
You're beautiful. - Thank you.
- Thank you so much for coming by, officer.
- Sure, by the way, I'm your neighbor.
I live down the hall if you ever need anything.
- Wow, okay.
- Yeah, I be here all the time. I need hella shit.
- Oh okay, well I have a business card.
- That's actually what I need right now.
- Oh, if you hear about anything just let me know.
- Thank you so much for your time.
- Yeah, yeah.
- We'll let you know anything at all.
- Alright. Alright. - Appreciate this.
- Have a good night. - You too.
- [indistinct chatter]
- Why you gotta try to chase everything?
- Everything be chasing me. - She wasn't chasing you.
- I didn't even try. - You did try.
- And I got her number.
- Don't, Mike, don't. - She was looking at me.
- Mike-- - Evidence.
- He's still in high school.
- Why do you always think every woman is looking at you?
- Because she was, look at it.
- Yeah, because she's looking for answers to a case.
- Move out my face, bro.
- You have enough woman problems.
Can you not add to it? - Maybe I have the answer.
Don't bring up my woman problems.
- Hey, forget all that.
[muttering]
High school child.
So--again, what we gonna do about Bill, huh?
Like, he's about pack up and just chase this girl to LA.
- That man's out of his mind.
- Is he, is he, Mike? The boy's in love. Like he's in love.
- I'll never understand that. - You'll never understand that?
- Pshh. - So Pam?
That don't move you at all?
When I say Pam--that don't move you?
- Shut up, shut up.
- You want me to shut up? - Yeah, shut up.
- Getting angry. - Crazy.
- I'm not getting angry. - Hey, it's Pam over there, man.
With a dude. Why would she-- Why would your dumb ass--
why would she be in just Tom's apartment corner?
[chuckling]
- You caught me off guard. You caught me off guard.
- The nigga looked.
Where you going?
You gone? - I'm--I'm--
- What about Bill? We got to do something about Bill.
- You know what, I have an idea.
- Like, what is it, Mike? - Don't worry about it.
I'll meet you at his apartment, okay?
Y'all got me thinking.
- TOM: What are you gonna do?
- Don't worry about it. I got it, alright?
I'll see you guys later. - Okay.
- What's he gonna do?
- Something damn stupid as he always do, Tom.
- Yeah, there's a good chance of that.
- So, we gotta get to Bill's. - Let's go.
- Alright. Before he do. We don't know what he gonna do.
- ♪
♪ Blame it on my pigment, Black and I'm beautiful ♪
♪ And gifted, came in - Thank you guys.
See y'all next time.
The light in you honors the light in me. Namaste.
What the fuck? - MIKE: What's up?
- Uh.
- How are you?
- Scared.
- Why?
- 'Cause you're here.
- I just wanted to talk to you.
- Now I'm even more scared.
- I wanted to talk to you about Bill.
- What?
Oh, is he--is he dead?
- No. Not yet.
- Okay. Okay. - Look at you tearing up.
You still feel for him.
- No, I was just-- - You still feel for him.
- No.
Okay look, it was a good time.
- I know.
- And a bad break up.
- I know that too.
- He was such a--
- You know Bill.
- Yeah, and I know Mike too.
- What about Mike?
- Y'all always play games.
It's all y'all ever did.
- Okay, well look, he needs to see you.
- What are you talking about?
- I'm serious, he needs to see you.
- No, I'm not seeing him.
- Why not?
- Because that's over.
- No, it's not, you gotta give it time.
- No. I know you. Y'all always--
You don't get it, okay?
Like, it took a lot for me to heal from him.
- Heal from him?
[chuckling] Come on.
- I'm not seeing him. Sorry.
- He loves you, he misses you.
- Mike...
- I'm serious.
- What's the game?
- There's no game. There's not a game.
- Come on. - You come on.
Let's get out of here, let's get some coffee,
let's talk about it. - No, I'm not gonna see him.
Like, I'm done with that. - He has cancer.
- What?
- Yeah and he is in denial about it.
- Shit.
- I know.
- Ugh.
- He still loves you.
I know you still love him.
You're actually one of the people
he wanted to apologize to, make everything right.
- [sighs]
Okay, well, where is he?
Is he in the hospital?
- No, he's actually at home.
- Okay.
Well, let me go take a shower real quick and--
- No, no come just like that.
- I'm sweaty, I'm hot, I'm in these tights.
- Exactly.
I'm just saying. Just come like that.
- Is it that bad?
- It's pretty bad.
Just come on. - Okay, alright.
Alright, let's go.
- ♪
- [chuckling] I was worried about you, boy.
- What you talking about?
- Well, you know, you had the little White girl
coming up, I thought it was--
- John, John, you realize my grandma's White, yeah?
- What?!
Is that why you real light like you almost White?
But not so much 'cause you got a little--you know,
you got the little kinky going on.
- Okay, you gotta stop that.
- [laughing] Light bright. - Seriously!
That's actually racist saying that.
- That is not racist! - It is, straight up.
- No, it's not. Racist is how they killing us.
That's what racist is. - Okay, yeah,
but John, you just can't paint all White people
with the same brush. That's not fair.
- Shit, I'm painting them all the fuck I want to.
If I see a White lady and her name's Karen,
I'm up out that bitch. You feel me? I'm out.
- John, that's extremely closed-minded.
That's what they do to us, right?
- "Excuse me, excuse me, officer, excuse me.
"You're closed-minded, you have your knee on his neck."
Like, come on, can you understand
that that's not okay? - John--
- He wouldn't see that.
- John, I'm not arguing with you about that, okay?
That was bad. - It was bad?
- Well, it was murder.
- Nigga, that was fucking lynching in plain sight.
- Yes, John, that was all of that. Okay?
- Go tell my ancestors that.
They'd be like, "Fuck you, Master."
And they would think you was Master,
you'd be all in the house. You know that right?
If you in slavery-- - Hey.
- --we wouldn't even know each other.
We couldn't be friends. You know what I'm saying?
- You gotta stop that. - Nah.
- No seriously. - No, you gotta stop.
I'm just trying to show you something.
'Cause don't think 'cause you're light skinned,
your light skin can't save you, Mr. Obama.
You know what I'm saying? "Me, Malia."
It's not gonna happen.
- Okay, well listen, not that it matters,
but in this particular case her husband happens
to be White, okay? - Okay, is he?
That's what's up. - Yeah. Yeah, he is.
- Well, good for her.
Good for her, staying in her race, that's good.
- What are you talking about, "Good for her?"
John, this woman is being beaten, okay?
- Oh, like her ancestors did us?
Oh, I'm sorry she's getting a taste
of her ancestor's medicine. I'm sorry, that's unfortunate.
- John. - Mm.
- You're awful, you're awful, by the way.
- Bro, you just gotta look at reality.
You know what I'm saying?
I mean, that's sad she's being beat but
she needs to move on.
But, bro, I just hope she don't get you into nothing, man, so--
- Well, she's not gonna get me into anything, okay?
I was just helping her, that's it.
- She was at your house.
- Yeah, because I saw her at the hospital.
She was a patient of mine.
- How'd she get your address?
- I gave it to her.
- So you give all your patients the address to your house?
- No, John, just the ones who are in trouble like she was.
- [chuckling]
So any patient in need, they call on you, huh?
You giving them the vitamin D at the crib?
That's what you're doing? [chuckling]
Dr. Tom got the vitamin D. "You need some help?
"You gotta come to my house, I got you.
I got you!" - John.
- What? - Stop, I'm not Mike.
I actually try to help people. - I know you do, you do.
No, I'm serious, I know you do. - You know what?
I think it's time you moved out of your mama's house.
- What? Damn, like how you switched to that, like?
- Yeah, yeah, because you're starting to act
way too much like her.
- No, I ain't nothing like my mama, okay?
Matter of fact, since this-- since I need to move out
maybe I can come to the hospital
and you do me like you do all your patients.
Give me your number and address and I can move in with you.
Is that cool? Is that alright? - Nah, that's not happening.
- Okay, well, shut the fuck up about me and my mama, okay?
- Touche.
- Hey, when we get to Bill's house, man,
just let me go straight up and you find a park.
'Cause this dude is on one.
- Talk some sense into him and I'll be up there
in a couple of minutes, alright?
- Okay. And don't, you know, be on your White time
not your Black time. I know you be confusing which--
- [chuckling] - You don't know where to go.
Do your White, be on time. - Hey.
Stop being racist.
- I'm not racist, I told you that's not racist.
- You are, you are. - That's called truth.
- ♪ I still think about you
♪ I hate thinking about you
♪ How did this happen, it sucks that it happened ♪
- [knocking]
- Is that you, baby?
- [knocking]
- Oh, it's just you, nigga.
- Nigga, just me?
[chuckling]
- What's up? - What are you doing?
- What does it look like I'm doing? I'm packing.
- Nigga, this look like a real bad movie scene.
Like, you're just gonna up and just go
and you think it's going to work out perfect.
- Bruh, you gotta understand.
I'm going to get the love of my life.
And of course it looks like a movie
but she likes that rom com shit.
I think it's romantic.
- Nigga, you tried that with the white horse.
You remember, you was trying to be romantic
with the white horse?
Remember how that turned out?
- That shit almost worked.
- Do you hear yourself?
Bill, listen, you said it almost worked, almost.
Nigga, it didn't work.
- You know what? First of all, fuck that horse!
It was the horse's fault.
It was white, it was racist.
- You're dumb, you sound dumb as hell.
Are you serious? It's the horse's fault.
So the horse asked himself to be brought
to that stupid ass concept you put together
and that's what you--
- Was it the horse's arm or my arm that got broken?
- Okay. - See?
- Bill, think about what you're doing.
Think about it. - I'm thinking.
- She didn't wanna be with you. You think you're gonna be like,
"Oh, we're in California now, now everything
that you did and fucked up in the past is all gone away."
And she's just gonna be like, "Oh my God,
"California erased all those fucked up memories
"I have of you fucking me over and fucking me over once
"and twice and third time.
It's all erased because now we're in California."
You think that's what she gonna do?
No! Not, it's not gonna happen.
Come on, bro.
- You never know until you try.
I don't need that negative energy in my life right now.
- I'm not trying to be negative. I'm trying--
Hello? What up, Tom?
Okay, can you-- How do you buzz Tom up?
- Oh, you called him too?
- Nigga, he was--he saw it all.
And we rode together.
- BILL: You can do whatever y'all want
but you're not stopping me. - JOHN: Shoot.
- And how you always end up in my house?
- Nigga, I have keys.
You don't remember giving me keys
just in case you got locked out or you decide
to go to California so you can go be
with the love of your life?
Bill! Think about what you're doing.
- I am thinking.
I'm going to LA, bruh.
- Alright bro, I guess you're gonna do
what you're gonna do, right?
- Bill, what's up? - What's up, doc?
- TOM: How you doing? - You know.
- Bill, stop for a quick second.
Look me in the eye,
are you sure this is what you want to do?
- Doc, I am positive.
I love the hell out of that woman.
- Okay. - Okay?
- He loves her.
- It's not about if he loves her.
It's about if she wants to be with him.
That's--who keeps--who this? - Hold up.
Holdl up, so you know that, huh?
So you know if she wants to be with me or not.
Did you know he was a fortune teller?
So since you can predict the future,
predict when you get out your mama's house.
- Hello?
This is the asshole, he wants to be buzzed up.
Can you buzz him up? The buzzers--
- You know where it's at. Go.
- Bill, I'm just asking you to take a moment,
hold on, pause for one second. For one second.
Look, I'm your bruh, bro. I love you.
Listen, I promise you I'm not trying to be negative.
- I don't need no negativity.
- I'm not trying to be negative.
I just want you to take a moment and rewind.
Okay, to the wedding that you went and fucked up.
- That's one perspective.
- Listen, no, you, you-- you fucked it up.
- You kinda did.
- Listen, but that's not the point I'm making.
What happened was, she didn't leave with you, okay?
- BILL: Okay.
- That's what you thought was going to happen.
- That's exactly what I thought.
- So now that she decides to go to LA
what makes you think that now she's going to be okay
in LA with you when she, when you--
I don't understand. - BILL: She needed space.
See, sometimes you have a negative association
with a certain area, IE Atlanta.
And when you go to LA you get a new perspective
and be like, "Oh, he really does love me.
"He really did all those things to be romantic."
See, you don't know 'cause you ain't got a girl.
You ain't got a love of your life.
- It's true, he doesn't, he doesn't.
Here's another point though.
You just got assigned the redevelopment project
in the loft district, right? - Exactly, exactly.
- So you just wanna give all that up?
I know it was difficult for you
to get that project after Peter and everything else.
- No, no, see, y'all don't know contracts.
I can work on location so I can work from LA.
- Okay, who do you know at LA, Bill?
- I know like...
- Like, like who? - Well, Regina.
- The one person you know is the person
who literally don't wanna be with you
and leaving where you are to go away from you.
And you think that that's gonna be your reference point?
- You keep saying don't wanna be with me.
- She did leave to get away from you.
- She didn't say that.
I thought she just moved away to move away,
to get some perspective on life.
- The perspective is she don't want your ass.
That's the perspective, you should know
that we all understand it's not about whether--
Bill! Bro, would you say something?
- Yeah. - Fellas, fellas, fellas.
- Mike, what's up man?
- What's good, what's good, what's good?
What's up, baby? What's good?
- Now y'all know that this nigga ain't gonna stop me.
I'm going to get the love of my life, that's it.
- I'm not gonna stop you.
- Okay, then why they call you over here?
- I don't know, but I'm not gonna stop you.
- Good, 'cause you couldn't if you tried.
- You're a grown man, you're gonna do what you wanna do.
And she moved to LA-- - Alright look!
For the record, fellas.
This is exactly what I want to do.
I'm going to LA to get the love of my life.
Done, alright? Drop this shit.
- Okay. Well hey, ultimately you know we're your bruhs.
We'll support you whatever you decide.
- I appreciate that.
- Yeah. - I don't wanna hear it.
- What, bro? - He's in it too.
- I am, I'm just saying you love her right?
You love her right?
- Yes, I do, Mike.
- What? - That's it?
- No, go ahead. - I was just asking.
- No, you got some other shit.
Go ahead, say what you gotta say.
- I was just wondering, nobody's gonna make you stay?
- No one. - Not a man, not a--
- Nobody, nobody, nobody, nobody, Mike.
You made your point, nobody. - Not a Natalie?
- BILL: What are you talking about, man?
- JOHN: Oh.
- Hey, Bill.
- ♪