1
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NARRATOR:
Previously, on Hardy Boys...

2
00:00:02,815 --> 00:00:04,192
‐ Where's your nephew now?

3
00:00:04,192 --> 00:00:06,444
MRS. KHAN:
Three weeks ago, he disappeared.

4
00:00:06,444 --> 00:00:08,530
And I believe you're the man to find him.

5
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[thwacks]
[grunts]

6
00:00:10,156 --> 00:00:11,574
FENTON: Rupert Khan?
‐ Yeah.

7
00:00:11,574 --> 00:00:13,785
‐ You knew my wife.
‐ I was helping her

8
00:00:13,785 --> 00:00:16,246
to destroy the Circle of The Eye.

9
00:00:16,246 --> 00:00:19,332
GLORIA: Ever since I heard
they found that piece on the boat,

10
00:00:19,332 --> 00:00:22,043
I've been thinking about my successor.

11
00:00:22,043 --> 00:00:24,963
The legacy of The Eye
will fall to you, Francis.

12
00:00:24,963 --> 00:00:27,966
‐ "The only place The Eye
can be broken or reforged

13
00:00:27,966 --> 00:00:30,510
"is in the chamber of The Eye
where we discovered it.

14
00:00:30,510 --> 00:00:33,513
I think that it's the only place
it can be destroyed, as well."

15
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[Joe yells, thuds]

16
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[screaming]

17
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FRANK: He does something crazy
every time I don't listen to him.

18
00:00:38,768 --> 00:00:39,978
‐ So, why didn't you listen?

19
00:00:39,978 --> 00:00:42,438
‐ Because he wants to destroy The Eye
and I don't. That's why.

20
00:00:42,438 --> 00:00:44,858
He is right about one thing, though.
We'd probably be safer without it.

21
00:00:44,858 --> 00:00:47,193
CALLIE: Okay, so just tell him
he was right... when we find him.

22
00:00:47,193 --> 00:00:48,862
‐ [laughing] You okay?
[clanking]

23
00:00:48,862 --> 00:00:49,737
JOE:
Yeah.

24
00:00:49,737 --> 00:00:51,948
‐ When you've lost as much as we have,

25
00:00:51,948 --> 00:00:55,535
sometimes you have to take
big risks.

26
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GEORGE:
We have gone too far this time!

27
00:00:59,914 --> 00:01:02,667
We have blood on our hands.

28
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‐ We are not responsible
for those deaths.

29
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VICTOR: You cannot simply walk away
from the Circle, George.

30
00:01:14,637 --> 00:01:17,557
GEORGE: No, I can't wait.
It's not safe here anymore.

31
00:01:17,557 --> 00:01:19,642
They're coming.

32
00:01:19,642 --> 00:01:21,936
I have to get out of Bridgeport tonight.

33
00:01:23,229 --> 00:01:25,064
I'll contact you when I land.

34
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[phone clicks in cradle]

35
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Wait there.

36
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[clanging]

37
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♪ intense music playing ♪

38
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‐ It's them.

39
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It's the Circle, isn't it?

40
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[box clangs shut]

41
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Let me help.

42
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GEORGE:
Gloria...

43
00:01:52,175 --> 00:01:55,929
You are my daughter,
and I will always love you.

44
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But you will never be part
of the Circle of The Eye.

45
00:02:04,979 --> 00:02:06,272
GLORIA:
Just tell me why.

46
00:02:07,982 --> 00:02:09,567
What did I do?

47
00:02:09,567 --> 00:02:11,194
‐ It isn't your fault, darling.

48
00:02:13,738 --> 00:02:14,989
It's mine.

49
00:02:22,914 --> 00:02:24,082
[door thuds closed]

50
00:02:25,500 --> 00:02:27,710
I know one day you'll understand.

51
00:02:28,711 --> 00:02:30,838
And I hope you'll forgive me.

52
00:02:32,590 --> 00:02:33,841
Goodbye, Gloria.

53
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♪

54
00:02:49,566 --> 00:02:51,609
[crickets chirping]

55
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FRANK: Joe, wake up.
‐ Aah!

56
00:02:57,740 --> 00:03:00,159
‐ Get dressed. Attic.
Five minutes. Hurry up.

57
00:03:04,455 --> 00:03:06,416
Don't let this go to your head.

58
00:03:07,625 --> 00:03:10,461
But... you were right.

59
00:03:11,254 --> 00:03:13,089
‐ I like where this is going already.

60
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‐ I've thought about it,
and we need to destroy The Eye.

61
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‐ Nice to have you on board.

62
00:03:18,136 --> 00:03:19,971
What do you think I was
trying to do this whole time?

63
00:03:19,971 --> 00:03:22,015
‐ You wanted to destroy one piece of it.
That's not enough.

64
00:03:22,015 --> 00:03:23,975
We need to destroy the entire thing.

65
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‐ And how do you suppose we do that?

66
00:03:25,852 --> 00:03:29,147
I mean, even if we could get
the other two pieces, which we can't,

67
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the only place that it can be destroyed
is the chamber.

68
00:03:31,649 --> 00:03:33,735
And we have no idea where that is.

69
00:03:33,735 --> 00:03:35,820
This map is useless.

70
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[thwacks]

71
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‐ Maybe not.

72
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I think we missed something.

73
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George built that entire room

74
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to hide everything he knew about The Eye.

75
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He even hid it from his own daughter.

76
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The way to the chamber is in there.
I'm sure of it.

77
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‐ Well, even if it was,
Grandma wouldn't just let you walk in.

78
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FRANK: She would if she thinks
I'm gonna give her what she wants.

79
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JOE: She wants you.
FRANK: She wants control of The Eye.

80
00:03:59,510 --> 00:04:01,054
That's our leverage.

81
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‐ What's this?
STEFAN: Just came in.

82
00:04:04,641 --> 00:04:07,352
My dossier on the man
who attacked the Astghik,

83
00:04:07,352 --> 00:04:10,563
killed the crew,
and stole your piece of The Eye.

84
00:04:10,563 --> 00:04:13,733
Turns out he was a known
associate of Victor Nabokov.

85
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Ex‐military.
Did the dirty work for the family.

86
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‐ Victor died months before the attack.

87
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He couldn't possibly have ordered it.

88
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STEFAN:
That's what concerns me, ma'am.

89
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‐ He must have named a successor.

90
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The Nabokovs, the Khans,
and the Estabrooks.

91
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All the families back in play.

92
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The rivalry of one generation,

93
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passing on to the next.

94
00:04:45,807 --> 00:04:47,725
JOE: You can't just give her the piece.

95
00:04:47,725 --> 00:04:49,686
If you do, she won't have
any reason to tell you anything.

96
00:04:49,686 --> 00:04:51,062
‐ This is the best shot we have!

97
00:04:51,062 --> 00:04:52,438
If you have another idea, let's hear it,

98
00:04:52,438 --> 00:04:54,816
but for right now,
this is the best option.

99
00:04:57,402 --> 00:04:59,070
‐ So, you're going undercover.

100
00:04:59,070 --> 00:05:02,073
‐ Mom wanted to expose the truth,
and bring down the Circle.

101
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No Eye, no Circle.

102
00:05:06,452 --> 00:05:08,371
Let's finish what she started.

103
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♪ theme music playing ♪

104
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[door squeaks open]

105
00:05:29,726 --> 00:05:30,977
‐ Frank?

106
00:05:31,728 --> 00:05:34,355
‐ Yeah, I'm just going to work.
TRUDY: Can you come here, please?

107
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[door closes]

108
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[Frank clears his throat]

109
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‐ What's up?

110
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[clears throat]

111
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‐ I'm gonna ask you something,
and I want you to level with me, okay?

112
00:05:50,914 --> 00:05:52,457
‐ Yeah, yeah. Sure. Of course.

113
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‐ That thing. The... The piece.

114
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It's here, isn't it?

115
00:06:03,384 --> 00:06:04,427
‐ No.

116
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‐ Frank.

117
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Stop.

118
00:06:07,472 --> 00:06:10,225
Look, I know you think
I'm some sort of obstacle

119
00:06:10,225 --> 00:06:12,018
that you have to get by...

120
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‐ I don't think that.

121
00:06:15,939 --> 00:06:17,857
‐ Okay, maybe sometimes just a little bit.

122
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[Trudy sighs]

123
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‐ Look, I get it.

124
00:06:22,570 --> 00:06:25,323
I may not know what
that thing even is, but...

125
00:06:25,323 --> 00:06:27,283
[exhales]

126
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I know a lot of people have been hurt
because of it.

127
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I want it out of the house.

128
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‐ Okay.

129
00:06:39,128 --> 00:06:40,463
I'm working on it.

130
00:06:42,090 --> 00:06:43,800
I gotta go.

131
00:06:43,800 --> 00:06:45,051
I'll talk to you later.

132
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[door opens]

133
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[door closes]

134
00:06:58,356 --> 00:06:59,524
‐ Miss me?

135
00:07:00,692 --> 00:07:02,735
‐ Don't flatter yourself.

136
00:07:02,735 --> 00:07:04,821
I see you've come to your senses.

137
00:07:04,821 --> 00:07:07,031
I'll take the piece now, Mr. Cox.

138
00:07:07,031 --> 00:07:09,367
‐ [grunting]: Hold on. Hold on.

139
00:07:09,367 --> 00:07:10,952
It took me forever to
climb through that window,

140
00:07:10,952 --> 00:07:12,245
so just give me a minute.

141
00:07:12,245 --> 00:07:13,538
[grunts]

142
00:07:13,538 --> 00:07:15,874
Things didn't exactly go as planned.

143
00:07:15,874 --> 00:07:17,917
I don't have it.

144
00:07:17,917 --> 00:07:20,587
GLORIA: Stefan‐‐
‐ I had the Khan piece.

145
00:07:20,587 --> 00:07:22,046
‐ Had?

146
00:07:22,046 --> 00:07:23,381
‐ And I lost it.

147
00:07:24,382 --> 00:07:25,675
‐ To whom?

148
00:07:25,675 --> 00:07:28,428
‐ You make me an offer,
and I will tell you.

149
00:07:29,012 --> 00:07:31,723
‐ You know, you're as bad a negotiator
as you are a thief.

150
00:07:31,723 --> 00:07:33,641
‐ Ouch. I'm not gonna
hold that against you,

151
00:07:33,641 --> 00:07:36,019
because we're such good friends.
‐ Stefan, get in here, please.

152
00:07:36,019 --> 00:07:38,187
‐ She has two pieces now.

153
00:07:38,187 --> 00:07:42,150
GLORIA: Who has?
‐ This 16‐year‐old girl. Okay?

154
00:07:42,984 --> 00:07:46,029
I got a little bit ambitious,
went after her, this happened.

155
00:07:46,988 --> 00:07:49,991
‐ A 16‐year‐old girl did that to you?
‐ No.

156
00:07:49,991 --> 00:07:54,078
No, not her specifically.
She has... people.

157
00:07:55,246 --> 00:07:56,331
‐ People.

158
00:08:01,002 --> 00:08:03,171
This is what we're going to do.

159
00:08:03,171 --> 00:08:05,715
You want to get paid,

160
00:08:05,715 --> 00:08:07,175
you finish the job.

161
00:08:08,176 --> 00:08:11,262
My two grandsons are in possession
of my piece of The Eye.

162
00:08:11,262 --> 00:08:14,349
‐ [chuckles] You want to steal
from your own grandkids?

163
00:08:14,349 --> 00:08:16,434
‐ It's not stealing. It's already mine.

164
00:08:18,269 --> 00:08:19,312
[scoffs]

165
00:08:23,191 --> 00:08:26,319
‐ Yeah, okay. Fine. You got a deal.

166
00:08:28,071 --> 00:08:30,532
Now?
‐ No, tomorrow. Yes, now.

167
00:08:30,532 --> 00:08:31,533
‐ Okay.

168
00:08:35,161 --> 00:08:38,373
♪

169
00:08:39,916 --> 00:08:41,501
[door opens, bell jingles]

170
00:08:41,501 --> 00:08:42,669
‐ Hey.

171
00:08:42,669 --> 00:08:43,962
‐ Oh, hey.
[door shuts]

172
00:08:43,962 --> 00:08:45,672
CALLIE: Called your house.
Your aunt said you were here.

173
00:08:45,672 --> 00:08:46,965
How's Joe doing?

174
00:08:46,965 --> 00:08:49,050
[dishes clattering]
‐ He's fine.

175
00:08:49,050 --> 00:08:51,177
You know Joe. Nothing really phases him.

176
00:08:51,177 --> 00:08:53,096
‐ [chuckles softly]
And you?

177
00:08:53,096 --> 00:08:55,348
‐ Well, other than trying to navigate
the inner politics

178
00:08:55,348 --> 00:08:57,976
of a menacing secret society
run by my grandmother,

179
00:08:57,976 --> 00:08:59,561
I'm doing great.
‐ Right.

180
00:09:01,229 --> 00:09:04,357
Seriously, whatever issues the two of you
have had in the past,

181
00:09:04,357 --> 00:09:05,733
she's still your grandmother,

182
00:09:05,733 --> 00:09:08,570
and I don't think she would ever
do anything to hurt you.

183
00:09:08,570 --> 00:09:09,988
‐ You'd think so, right?

184
00:09:09,988 --> 00:09:12,240
‐ Which is way more than
I can say about Stacy.

185
00:09:14,284 --> 00:09:17,036
Do you actually think
Stacy's gonna help you?

186
00:09:17,036 --> 00:09:18,621
‐ What are you talking about?

187
00:09:19,539 --> 00:09:21,207
‐ I saw her kiss you.

188
00:09:25,003 --> 00:09:27,130
‐ Callie, that was... that was nothing.

189
00:09:27,130 --> 00:09:29,257
‐ But that girl is using you.

190
00:09:29,257 --> 00:09:30,967
You can see that. Right?

191
00:09:31,718 --> 00:09:34,220
Or are you actually
just like every other guy

192
00:09:34,220 --> 00:09:36,389
the second a girl shows him
the slightest bit of attention?

193
00:09:36,389 --> 00:09:37,932
‐ That's actually not what's happening,

194
00:09:37,932 --> 00:09:40,059
but if you want to take it out on me
because Chet broke up with you,

195
00:09:40,059 --> 00:09:41,811
then you, you go right ahead.

196
00:09:43,897 --> 00:09:45,857
[video game beeping]

197
00:09:50,236 --> 00:09:53,448
‐ You know, for such a smart guy,
you can be pretty dumb sometimes.

198
00:09:56,367 --> 00:09:58,745
‐ Callie. Callie, wait.
[bell on front door jingles]

199
00:10:02,540 --> 00:10:04,626
[door closes]
STACY: Ooh. What was that?

200
00:10:06,002 --> 00:10:07,170
[Stacy grunts]

201
00:10:08,129 --> 00:10:09,297
‐ Nothing.

202
00:10:10,215 --> 00:10:11,966
‐ That did not look like nothing.

203
00:10:12,926 --> 00:10:15,178
You know, it's funny.
I'm actually starting to enjoy

204
00:10:15,178 --> 00:10:17,096
all the silly high school drama.

205
00:10:17,096 --> 00:10:19,390
Like, no wonder her boyfriend
dumped her, right?

206
00:10:23,645 --> 00:10:25,438
Come on. Everybody knows.

207
00:10:28,149 --> 00:10:29,526
‐ She saw us kiss.

208
00:10:32,153 --> 00:10:34,364
‐ Well, it's probably better
that she knows about us.

209
00:10:35,990 --> 00:10:37,116
‐ Us?

210
00:10:37,992 --> 00:10:39,118
‐ Yeah. Us.

211
00:10:40,912 --> 00:10:43,790
Now that Joe's safe,
you and I can move ahead with our plan.

212
00:10:46,793 --> 00:10:49,712
‐ And what plan is that, exactly?

213
00:10:53,341 --> 00:10:55,051
‐ Frank, we want the same thing.

214
00:10:56,427 --> 00:10:57,428
‐ We do?

215
00:10:59,847 --> 00:11:00,932
‐ Yes.

216
00:11:02,100 --> 00:11:04,769
To get revenge on the people
who made us orphans.

217
00:11:06,020 --> 00:11:07,397
‐ I'm not an orphan.

218
00:11:10,775 --> 00:11:12,986
‐ Frank, do you even know
where your father is?

219
00:11:15,738 --> 00:11:17,115
‐ Um...

220
00:11:17,115 --> 00:11:18,116
‐ Hey.

221
00:11:19,242 --> 00:11:20,410
It's okay, though.

222
00:11:21,369 --> 00:11:22,579
Because we have each other.

223
00:11:29,085 --> 00:11:30,211
[geese squawking]

224
00:11:31,588 --> 00:11:32,463
[door opens]

225
00:11:37,218 --> 00:11:38,761
[Fenton chuckles]

226
00:11:38,761 --> 00:11:41,222
FENTON:
Not exactly the presidential suite.

227
00:11:41,222 --> 00:11:43,600
RUPERT: It's fine.
It's a good place to lay low.

228
00:11:43,600 --> 00:11:44,851
[Rupert sighs]
FENTON: Good.

229
00:11:45,685 --> 00:11:48,021
'Cause you're gonna have to
stay put till we get some answers.

230
00:11:48,021 --> 00:11:49,147
Don't answer the door.

231
00:11:49,147 --> 00:11:51,232
‐ With what we been through,
don't worry.

232
00:11:51,232 --> 00:11:54,319
‐ You think your aunt's gonna play along?

233
00:11:54,319 --> 00:11:56,029
‐ She's gonna have no choice.

234
00:11:58,907 --> 00:12:01,034
‐ All right. Thank you, Rupert.

235
00:12:02,577 --> 00:12:05,038
‐ Laura was a friend.
She deserves justice.

236
00:12:08,041 --> 00:12:09,459
‐ All right. I'll see you soon.

237
00:12:09,459 --> 00:12:10,752
Listen, okay?
‐ Yeah, yeah.

238
00:12:10,752 --> 00:12:12,712
‐ Call me the second Kanika calls you.

239
00:12:12,712 --> 00:12:13,922
‐ Okay.
‐ You have my number.

240
00:12:13,922 --> 00:12:14,923
‐ Yeah.

241
00:12:18,551 --> 00:12:19,636
[door closes]

242
00:12:24,682 --> 00:12:25,850
[knocking on door]

243
00:12:25,850 --> 00:12:27,227
[Joe exhales, door opens]

244
00:12:30,063 --> 00:12:31,064
‐ Hi.

245
00:12:35,652 --> 00:12:36,653
You okay?

246
00:12:37,570 --> 00:12:38,821
‐ Yeah.

247
00:12:38,821 --> 00:12:41,115
Mm‐hmm.
Perfect, just like five minutes ago.

248
00:12:44,035 --> 00:12:46,371
‐ I'm gonna go take a shower.

249
00:12:46,371 --> 00:12:48,289
You're gonna be fine, right?

250
00:12:48,289 --> 00:12:49,541
‐ I think I'll make it.

251
00:12:51,918 --> 00:12:53,836
‐ Okay. Well, um...

252
00:12:54,837 --> 00:12:56,631
Call if you need me. Okay?

253
00:13:01,010 --> 00:13:02,011
Bye.

254
00:13:02,011 --> 00:13:03,137
[door closes]

255
00:13:03,137 --> 00:13:05,265
‐ Geez. You fall down one mineshaft...

256
00:13:06,766 --> 00:13:07,934
[sighs softly]

257
00:13:09,018 --> 00:13:11,437
[soft noises outside]

258
00:13:13,189 --> 00:13:14,691
[knocking on window]

259
00:13:18,152 --> 00:13:20,113
[distant shower spraying]

260
00:13:22,490 --> 00:13:23,616
You look terrible.

261
00:13:24,200 --> 00:13:25,535
‐ Thanks.

262
00:13:25,535 --> 00:13:26,744
You gonna let me in?

263
00:13:28,079 --> 00:13:29,622
‐ No. Don't think so.

264
00:13:29,622 --> 00:13:33,251
‐ Okay. One, you are way too young
to be this cynical.

265
00:13:33,251 --> 00:13:35,336
Okay? Two,

266
00:13:35,336 --> 00:13:37,672
I've run into a bit of bad luck
with my last job.

267
00:13:37,672 --> 00:13:39,382
It didn't exactly go according to plan.

268
00:13:39,382 --> 00:13:41,217
‐ Maybe you should find
a different job.

269
00:13:41,217 --> 00:13:44,053
‐ It's not the job. It's the people.

270
00:13:44,971 --> 00:13:46,222
Come on, buddy.

271
00:13:46,222 --> 00:13:47,974
♪ playful music playing ♪

272
00:13:49,934 --> 00:13:51,853
‐ If I let you in, you do what I say,

273
00:13:51,853 --> 00:13:53,229
and you leave when I tell you.

274
00:13:53,229 --> 00:13:55,982
‐ Yeah. Your house, your rules. Got it.

275
00:14:00,486 --> 00:14:03,364
♪

276
00:14:03,364 --> 00:14:05,241
Gah. All right.

277
00:14:05,241 --> 00:14:06,659
[grunts]

278
00:14:06,659 --> 00:14:09,412
[pained grunting]

279
00:14:09,412 --> 00:14:10,622
[exhales]

280
00:14:11,539 --> 00:14:13,458
I am fine by the way. Don't need any help.

281
00:14:13,458 --> 00:14:15,627
‐ I've let you into my house twice.
I've helped you enough.

282
00:14:15,627 --> 00:14:16,711
[exhales]

283
00:14:17,795 --> 00:14:20,673
‐ Well, Joey, now that you mention it‐‐

284
00:14:20,673 --> 00:14:22,133
‐ What do you want?

285
00:14:22,926 --> 00:14:23,968
[distant door opens]

286
00:14:24,886 --> 00:14:26,304
‐ Are you expecting company?

287
00:14:27,055 --> 00:14:28,932
‐ No. Wait here.

288
00:14:28,932 --> 00:14:30,099
[door closes]

289
00:14:30,099 --> 00:14:31,768
And don't touch anything.

290
00:14:33,686 --> 00:14:34,687
FENTON:
Hello?

291
00:14:39,901 --> 00:14:41,819
Hey. Remember me?

292
00:14:41,819 --> 00:14:43,905
[Fenton laughing]
‐ Dad!

293
00:14:43,905 --> 00:14:45,073
‐ Oh.

294
00:14:45,073 --> 00:14:46,407
JOE:
I missed you so much.

295
00:14:46,407 --> 00:14:47,534
‐ Missed you more.

296
00:14:47,534 --> 00:14:49,118
‐ I sincerely doubt that.
[kisses]

297
00:14:49,118 --> 00:14:50,954
[both laughing]

298
00:14:50,954 --> 00:14:52,121
No more trips.

299
00:14:52,121 --> 00:14:53,122
‐ No more trips.
‐ Ever again.

300
00:14:53,122 --> 00:14:54,707
‐ Ever again, no more trips?

301
00:14:54,707 --> 00:14:56,084
[laughing]
‐ Yeah.

302
00:14:56,084 --> 00:14:57,502
‐ Where's your brother?

303
00:14:57,502 --> 00:14:59,045
‐ Probably at work.

304
00:14:59,045 --> 00:15:00,171
‐ He's at work, huh?

305
00:15:00,171 --> 00:15:01,923
‐ Yeah, yeah. He got a job at Wilt's.

306
00:15:01,923 --> 00:15:03,550
The dorky hat and everything.

307
00:15:03,550 --> 00:15:06,094
‐ Frank got a job at Wilt's?
‐ Yeah.

308
00:15:06,094 --> 00:15:08,096
He still can't make a coffee
to save his life, though.

309
00:15:08,096 --> 00:15:09,430
[laughs]

310
00:15:09,430 --> 00:15:10,765
‐ You look a little taller, maybe.

311
00:15:10,765 --> 00:15:12,141
‐ Wait. Wait, really?

312
00:15:12,976 --> 00:15:15,270
‐ Well... actually, maybe not.

313
00:15:15,270 --> 00:15:17,021
[laughs]
[thudding upstairs]

314
00:15:17,021 --> 00:15:18,606
What's that?
‐ Oh. Oh, that was nothing.

315
00:15:18,606 --> 00:15:19,983
Probably just Trudy.

316
00:15:19,983 --> 00:15:21,609
Let me take your bags.

317
00:15:30,285 --> 00:15:31,619
FENTON:
[chuckles] Hey.

318
00:15:32,537 --> 00:15:34,455
Hey, buddy. It's okay.

319
00:15:34,455 --> 00:15:35,498
It's okay.

320
00:15:36,541 --> 00:15:38,209
I'm gonna be home for a while, okay?

321
00:15:46,509 --> 00:15:48,177
‐ Listen, I know you said you're okay,

322
00:15:48,177 --> 00:15:49,387
but do you want me
to make you a sandwich?

323
00:15:49,387 --> 00:15:51,222
‐ Sure, yeah. I'll, I'll take a sandwich.

324
00:15:51,639 --> 00:15:53,349
[screams]

325
00:15:53,349 --> 00:15:54,767
[door closes, screaming continues]

326
00:15:54,767 --> 00:15:57,854
♪ tense music playing ♪

327
00:16:00,815 --> 00:16:02,442
[objects clinking]
FENTON: Hey.

328
00:16:02,442 --> 00:16:03,735
Trudy. Hey.
‐ Hey, Fent.

329
00:16:03,735 --> 00:16:04,903
You're back.
‐ Are you okay?

330
00:16:04,903 --> 00:16:06,404
‐ There's a man in Joe's room.

331
00:16:09,240 --> 00:16:10,533
FENTON:
Who are you?

332
00:16:10,533 --> 00:16:11,659
‐ Who are you?

333
00:16:11,659 --> 00:16:12,994
‐ What's he doing here?

334
00:16:12,994 --> 00:16:14,120
‐ You know him?

335
00:16:15,330 --> 00:16:16,206
[door thuds closed]

336
00:16:17,582 --> 00:16:19,667
‐ Well, one of you better
tell me what's going on.

337
00:16:22,921 --> 00:16:24,214
‐ His name's JB.

338
00:16:24,214 --> 00:16:25,548
He's a friend.

339
00:16:25,548 --> 00:16:27,300
He got hurt, so I was helping out.

340
00:16:27,300 --> 00:16:29,177
‐ He's not your friend.
‐ Yes, he is.

341
00:16:29,177 --> 00:16:30,929
‐ He kidnapped you.
‐ He what?

342
00:16:33,681 --> 00:16:36,267
♪

343
00:16:37,977 --> 00:16:39,187
Start talking.

344
00:16:39,187 --> 00:16:41,773
JOE: So, the tall man
killed everybody on the boat,

345
00:16:41,773 --> 00:16:42,774
chased after Ern,

346
00:16:42,774 --> 00:16:45,151
who you might remember
held me at knifepoint at the barbecue.

347
00:16:45,151 --> 00:16:47,195
Then he chased me through the carnival,

348
00:16:47,195 --> 00:16:49,113
into some haunted‐‐
‐ Wait, he came after you?

349
00:16:49,113 --> 00:16:51,616
‐ Yeah, he was going for
the piece of The Eye that Joe found.

350
00:16:51,616 --> 00:16:54,077
JOE: Then Frank took a test
to get into some fancy school

351
00:16:54,077 --> 00:16:55,370
started by Grandma's dad,

352
00:16:55,370 --> 00:16:58,498
that turned out to be a training ground
for a secret society.

353
00:16:58,498 --> 00:17:00,792
Oh, and we decoded this message

354
00:17:00,792 --> 00:17:03,461
that told us where the idol
was gonna be sold.

355
00:17:03,461 --> 00:17:05,129
We figured that if we knew
who the buyer was,

356
00:17:05,129 --> 00:17:07,549
they might be able to tell us
what Mom was working on.

357
00:17:10,510 --> 00:17:11,803
‐ You missed a lot.

358
00:17:13,054 --> 00:17:16,140
‐ So, did you call the police?
Did you tell them everything?

359
00:17:16,140 --> 00:17:20,311
‐ Jesse knows everything, but her hands
are tied because of Chief Collig.

360
00:17:20,311 --> 00:17:22,230
‐ I'm not following.
What's wrong with Ezra?

361
00:17:22,230 --> 00:17:24,566
‐ He's involved.
FENTON: What?

362
00:17:24,566 --> 00:17:25,775
‐ He's corrupt.

363
00:17:25,775 --> 00:17:28,361
‐ Do you realize how serious
an accusation that is, Frank?

364
00:17:28,361 --> 00:17:29,404
Do you have proof?

365
00:17:29,404 --> 00:17:32,615
‐ Dad, this piece of fabric
was found at the drop site,

366
00:17:32,615 --> 00:17:34,951
and it matches a tear in Collig's coat.

367
00:17:36,578 --> 00:17:38,204
‐ Wait, how did you match that?

368
00:17:39,706 --> 00:17:41,541
‐ Well, I‐‐ I...

369
00:17:47,881 --> 00:17:49,382
I broke into his house.

370
00:17:53,386 --> 00:17:55,471
‐ Well, I don't know where to start.

371
00:17:55,471 --> 00:17:58,057
Do you realize how lucky
the two of you are that you weren't hurt?

372
00:17:58,057 --> 00:17:59,851
Or even worse?

373
00:17:59,851 --> 00:18:02,145
And Trudy, where were you in all this?

374
00:18:02,145 --> 00:18:03,605
‐ I‐‐
‐ It's not her fault.

375
00:18:03,605 --> 00:18:04,772
She tried to stop us.

376
00:18:04,772 --> 00:18:06,566
‐ You know what?
We're gonna deal with that later.

377
00:18:07,525 --> 00:18:09,110
Do you have the piece of The Eye?

378
00:18:09,944 --> 00:18:11,321
Well, where is it?

379
00:18:11,321 --> 00:18:12,363
‐ Don't worry. It's safe.

380
00:18:12,363 --> 00:18:14,282
‐ Go get it. Now. Go!

381
00:18:17,577 --> 00:18:19,787
[running footsteps down stairs]

382
00:18:26,127 --> 00:18:28,421
I expected better judgment from you.

383
00:18:30,465 --> 00:18:32,342
‐ Seriously?
FENTON: Yeah.

384
00:18:32,342 --> 00:18:33,301
‐ Me.

385
00:18:34,844 --> 00:18:36,054
JOE:
Frank!

386
00:18:36,888 --> 00:18:38,514
[rustling in drawer]
No, no, no, no, no, no, no!

387
00:18:40,433 --> 00:18:42,852
♪ tense music playing ♪

388
00:18:48,399 --> 00:18:50,109
FRANK: What? What's wrong?
‐ It's gone.

389
00:18:50,610 --> 00:18:52,195
‐ What?
‐ It's gone.

390
00:18:53,988 --> 00:18:55,281
‐ JB.

391
00:18:59,077 --> 00:19:00,703
[phone dialing]

392
00:19:01,412 --> 00:19:02,872
FENTON [over phone]: Hello?
‐ Fenton.

393
00:19:02,872 --> 00:19:04,374
She's on her way.

394
00:19:04,374 --> 00:19:05,959
When can you get back here?

395
00:19:05,959 --> 00:19:07,877
FENTON [over phone]:
I'll leave as soon as I can.

396
00:19:07,877 --> 00:19:10,755
‐ Ah, I'd like you to be here
sooner than that.

397
00:19:10,755 --> 00:19:12,549
Please, you gotta hurry.

398
00:19:12,549 --> 00:19:14,300
‐ Okay. I'm on my way.

399
00:19:14,300 --> 00:19:15,426
[phone clicks in cradle]
‐ You're leaving?

400
00:19:15,426 --> 00:19:16,386
‐ Yeah.
JOE: Again?

401
00:19:16,386 --> 00:19:18,221
FRANK: Where are you going?
‐ I'm gonna go see Rupert.

402
00:19:18,221 --> 00:19:20,682
This is all connected.
I want you to stay put,

403
00:19:20,682 --> 00:19:21,891
and I'll be home soon.

404
00:19:21,891 --> 00:19:23,643
‐ Dad, we have to get the piece.

405
00:19:23,643 --> 00:19:25,895
‐ Dad, Joe's right.
Whatever else is going on right now

406
00:19:25,895 --> 00:19:27,480
won't matter if they get all three pieces.

407
00:19:27,480 --> 00:19:29,232
‐ Guys, this no longer concerns you.

408
00:19:29,232 --> 00:19:31,109
I don't want you going
anywhere near anybody

409
00:19:31,109 --> 00:19:32,777
that has anything to do with The Eye,
or anything else.

410
00:19:32,777 --> 00:19:35,238
‐ Well, it's a little late for that now.
They're already involved.

411
00:19:35,238 --> 00:19:36,990
‐ And that should have never happened.

412
00:19:38,908 --> 00:19:40,451
‐ You weren't here.

413
00:19:42,412 --> 00:19:43,580
‐ Excuse me?

414
00:19:43,580 --> 00:19:46,457
‐ What did you expect? That we were
just gonna sit around and do nothing?

415
00:19:46,457 --> 00:19:48,918
‐ No, you've done enough,
And now it's no longer your problem.

416
00:19:48,918 --> 00:19:50,587
‐ Dad, you just‐‐ you don't‐‐
FENTON: Hey!

417
00:19:53,464 --> 00:19:54,841
Stay out of it.

418
00:20:04,726 --> 00:20:06,185
[footsteps departing]

419
00:20:07,020 --> 00:20:08,730
[door squeaks shut, lock clicks]

420
00:20:14,360 --> 00:20:15,695
‐ Sorry, boys.

421
00:20:18,823 --> 00:20:20,158
You know how he is.

422
00:20:24,871 --> 00:20:26,539
[footsteps departing]

423
00:20:30,001 --> 00:20:31,252
‐ Where are you going?

424
00:20:31,252 --> 00:20:32,295
‐ If we want to destroy The Eye,

425
00:20:32,295 --> 00:20:35,089
we have to get all three pieces
in the chamber before the Circle does.

426
00:20:35,089 --> 00:20:36,883
‐ We don't even know where the chamber is.

427
00:20:36,883 --> 00:20:38,384
We don't even have a piece.

428
00:20:38,384 --> 00:20:40,220
‐ Oh, I think I know someone who does.

429
00:20:42,639 --> 00:20:44,724
‐ If you want to convince Grandma
that you're on her side,

430
00:20:44,724 --> 00:20:46,935
you need to go all in,
or she won't believe you.

431
00:20:47,894 --> 00:20:49,812
‐ You're right.

432
00:20:49,812 --> 00:20:51,064
‐ Wait here.

433
00:21:04,536 --> 00:21:06,037
Take these.

434
00:21:06,037 --> 00:21:07,038
‐ Thanks.

435
00:21:09,040 --> 00:21:10,208
‐ Good luck.

436
00:21:17,507 --> 00:21:18,716
[sighs]

437
00:21:19,175 --> 00:21:20,677
[knocking]

438
00:21:23,137 --> 00:21:24,430
‐ Rupert.

439
00:21:24,430 --> 00:21:26,641
I'm so relieved.

440
00:21:26,641 --> 00:21:29,018
Are you... you all right?

441
00:21:29,018 --> 00:21:31,104
‐ I'm fine.
[Mrs. Khan exhales]

442
00:21:31,104 --> 00:21:33,773
Fenton Hardy found me
before your people could finish the job.

443
00:21:38,069 --> 00:21:39,153
MRS. KHAN: You know.

444
00:21:40,405 --> 00:21:41,865
‐ Yeah, we know.

445
00:21:41,865 --> 00:21:44,409
That you hired me to get me
out of Bridgeport?

446
00:21:44,409 --> 00:21:46,786
That you tore up his apartment.
You beat him up,

447
00:21:46,786 --> 00:21:48,830
so you could find out
what him and Laura knew.

448
00:21:49,622 --> 00:21:50,957
Did you kill my wife?

449
00:21:50,957 --> 00:21:52,333
‐ Of course not.

450
00:21:52,333 --> 00:21:54,043
‐ Did you kill Victor Nabokov?

451
00:21:54,043 --> 00:21:57,755
‐ Victor died before the last part
of The Eye was found.

452
00:21:57,755 --> 00:22:00,800
[scoffs] What reason would I have had
to kill Victor?

453
00:22:00,800 --> 00:22:02,427
‐ Oh, I don't know. Two pieces of The Eye.

454
00:22:02,427 --> 00:22:05,263
‐ Twice as useless without
the Estabrook piece, so no.

455
00:22:05,263 --> 00:22:08,308
I would not have taken that risk.
Put myself in the position I'm in now.

456
00:22:08,308 --> 00:22:09,809
‐ What position?

457
00:22:11,227 --> 00:22:15,148
‐ The Khans are no longer in possession
of their piece of The Eye.

458
00:22:15,148 --> 00:22:16,691
Someone stole it from me.

459
00:22:18,234 --> 00:22:19,527
FENTON:
Who?

460
00:22:19,527 --> 00:22:21,154
MRS. KHAN: I'm not certain,

461
00:22:21,154 --> 00:22:24,407
but I believe there's a new person
acting against the Circle.

462
00:22:26,284 --> 00:22:28,286
Possibly the same person
who killed Victor.

463
00:22:28,286 --> 00:22:29,662
‐ And Laura.

464
00:22:30,496 --> 00:22:33,499
‐ So, all of this planning,
and you lost it.

465
00:22:33,499 --> 00:22:36,878
All the time you spent
trying to cut my father out of the family,

466
00:22:36,878 --> 00:22:39,255
hunting and nearly killing
your own nephew,

467
00:22:39,255 --> 00:22:40,798
and you have nothing.

468
00:22:41,633 --> 00:22:45,511
‐ Rupert, I don't believe anyone could say
that I have nothing.

469
00:22:46,804 --> 00:22:49,849
This belonged to your wife, Mr. Hardy.

470
00:22:49,849 --> 00:22:51,851
It may provide some answers for you.

471
00:22:53,561 --> 00:22:55,271
‐ You stole that from my flat.

472
00:22:55,271 --> 00:22:56,564
MRS. KHAN:
Yes.

473
00:22:57,649 --> 00:23:00,360
‐ What is it?
RUPERT: It's a message to Laura.

474
00:23:00,360 --> 00:23:01,945
From her grandfather.

475
00:23:01,945 --> 00:23:04,447
She sent it to me when she thought
her life was in danger.

476
00:23:04,447 --> 00:23:06,908
I never had a chance to listen to it.

477
00:23:07,742 --> 00:23:10,662
‐ You're not gonna just give me this tape
and walk out of here.

478
00:23:10,662 --> 00:23:12,789
You're gonna help us.

479
00:23:12,789 --> 00:23:14,165
‐ Or what?

480
00:23:16,876 --> 00:23:19,629
Are you going to arrest me, Mr. Hardy?

481
00:23:19,629 --> 00:23:21,381
RUPERT:
He won't have to.

482
00:23:21,381 --> 00:23:23,049
We know all your enemies.

483
00:23:23,049 --> 00:23:25,093
FENTON:
There's blood on your hands.

484
00:23:25,093 --> 00:23:26,886
So I'm gonna make you a deal.

485
00:23:26,886 --> 00:23:28,555
And you're gonna take it.

486
00:23:40,733 --> 00:23:42,318
‐ Thank you, Mr. Cox.

487
00:23:43,486 --> 00:23:45,947
I look forward to never seeing you again.

488
00:23:48,074 --> 00:23:49,993
[Frank scoffs]

489
00:23:49,993 --> 00:23:51,119
‐ I knew it.

490
00:23:52,954 --> 00:23:54,831
You know, Joe's probably
the one person on Earth

491
00:23:54,831 --> 00:23:57,250
who actually liked and trusted you.

492
00:23:57,250 --> 00:23:59,878
He helped you,
and this is what you go and do?

493
00:23:59,878 --> 00:24:01,170
‐ Frank...

494
00:24:03,131 --> 00:24:05,008
I was hired to do a job.

495
00:24:05,383 --> 00:24:06,676
[scoffs]

496
00:24:09,971 --> 00:24:12,265
FRANK: Who hires a thief to steal
from their own grandson?

497
00:24:12,265 --> 00:24:14,225
‐ Francis.
FRANK: And him?

498
00:24:15,184 --> 00:24:16,811
He put a target on Joe's back.

499
00:24:16,811 --> 00:24:19,063
He brought him right here
as a hostage to trade.

500
00:24:19,063 --> 00:24:20,648
‐ I tried to be patient.

501
00:24:20,648 --> 00:24:22,692
And then I grew tired of it.

502
00:24:22,692 --> 00:24:25,445
‐ You said that you cared about us.

503
00:24:25,445 --> 00:24:29,324
‐ Stefan, show Mr. Cox out.
I need a moment with my grandson.

504
00:24:33,995 --> 00:24:35,371
Come with me.

505
00:24:42,837 --> 00:24:46,466
Francis, I'm not happy about the way
this has all transpired.

506
00:24:46,466 --> 00:24:49,427
But I'm asking you,
what would you have had me do?

507
00:24:49,427 --> 00:24:52,388
You could have
given this to me at any time,

508
00:24:52,388 --> 00:24:54,599
but you chose not to.

509
00:24:54,599 --> 00:24:56,893
You even lied to me about having it.

510
00:24:56,893 --> 00:25:00,021
You ignored the dangers you were putting
you and your brother in.

511
00:25:00,021 --> 00:25:01,397
You seem to feel entitled,

512
00:25:01,397 --> 00:25:04,400
as if you had more right
to the thing than I.

513
00:25:05,485 --> 00:25:07,111
And I gave you time.

514
00:25:07,111 --> 00:25:09,447
Time to see the bigger picture.

515
00:25:10,198 --> 00:25:12,492
‐ I was going to give it to you.

516
00:25:12,492 --> 00:25:14,452
But you stole it before I could.

517
00:25:15,578 --> 00:25:18,081
I told Joe that you wanted what we wanted,

518
00:25:18,081 --> 00:25:19,958
and that I was sick of the games.

519
00:25:19,958 --> 00:25:21,292
He begged me to wait.

520
00:25:21,292 --> 00:25:23,920
Told me that we had to agree,
because we were family.

521
00:25:25,296 --> 00:25:27,549
I told him that you were family, too.

522
00:25:30,552 --> 00:25:32,720
‐ Families don't always agree.

523
00:25:38,893 --> 00:25:40,687
‐ I think I understand why you did it.

524
00:25:42,730 --> 00:25:44,148
'Cause you had to.

525
00:25:46,693 --> 00:25:49,070
And The Eye, it's bigger than everything.

526
00:25:58,413 --> 00:25:59,539
‐ [softly]: Yes.

527
00:26:04,294 --> 00:26:05,295
So.

528
00:26:06,880 --> 00:26:09,132
Why did you come here just now?

529
00:26:10,216 --> 00:26:12,135
‐ To tell you that JB stole our piece.

530
00:26:13,511 --> 00:26:14,971
And to return these.

531
00:26:19,517 --> 00:26:20,727
‐ Oh.

532
00:26:21,811 --> 00:26:23,897
The journal. Thank you.

533
00:26:28,568 --> 00:26:31,029
FRANK:
We never did figure out what it was for.

534
00:26:32,113 --> 00:26:33,281
It was on the wall.

535
00:26:33,281 --> 00:26:35,700
‐ Yes, yes. I know. I remember.

536
00:26:35,700 --> 00:26:37,368
Thank you, Francis.

537
00:26:37,368 --> 00:26:39,746
‐ So what do we do now?

538
00:26:39,746 --> 00:26:42,874
‐ Well, we protect the family legacy.

539
00:26:42,874 --> 00:26:46,002
And reclaim our place in the Circle.

540
00:26:47,378 --> 00:26:49,214
[doorbell chimes]

541
00:26:49,214 --> 00:26:50,548
You go ahead.

542
00:26:53,760 --> 00:26:57,096
♪ mysterious music playing ♪

543
00:27:12,987 --> 00:27:15,740
♪

544
00:27:20,245 --> 00:27:21,371
[thuds]

545
00:27:34,801 --> 00:27:36,886
[tape winding]
[footsteps approaching]

546
00:27:36,886 --> 00:27:37,971
‐ What are you doing?

547
00:27:37,971 --> 00:27:39,806
‐ Just give me a minute. Okay, Joe?

548
00:27:39,806 --> 00:27:43,393
GEORGE [on tape]: One can never know
what The Eye has planned.

549
00:27:43,393 --> 00:27:45,478
The Circle thinks they do.

550
00:27:45,478 --> 00:27:48,523
But such power is not meant
to be controlled,

551
00:27:48,523 --> 00:27:52,986
and that, my dear Laura, is why I must go.

552
00:27:52,986 --> 00:27:57,240
I've decided to flee
with my piece of The Eye.

553
00:27:57,240 --> 00:28:00,952
If it remains, it can be made whole
by the other families.

554
00:28:00,952 --> 00:28:03,788
But as long as the pieces
forever remain apart,

555
00:28:03,788 --> 00:28:06,541
The Eye can do no more harm.

556
00:28:06,541 --> 00:28:10,628
No one can ever know
where I am taking the Estabrook piece,

557
00:28:10,628 --> 00:28:12,881
least of all, your mother,

558
00:28:12,881 --> 00:28:16,593
who can only see the possibilities,
but not the consequences.

559
00:28:16,593 --> 00:28:17,844
[thuds closed]
GLORIA: Enough.

560
00:28:17,844 --> 00:28:19,596
[knocking]

561
00:28:19,596 --> 00:28:20,805
Come in.

562
00:28:20,805 --> 00:28:22,307
[doors open]

563
00:28:24,851 --> 00:28:27,729
‐ Our deepest sympathies
on the loss of your father.

564
00:28:28,354 --> 00:28:30,190
[doors close]
‐ Give us the room.

565
00:28:31,274 --> 00:28:33,943
Now, Laura.
‐ I know where the door is.

566
00:28:38,573 --> 00:28:41,784
[doors open]
SERGEI: It's not easy losing a parent, ah?

567
00:28:43,119 --> 00:28:45,413
‐ Somehow,
I don't think you share my loss.

568
00:28:46,206 --> 00:28:49,626
‐ Your father and I had our differences.

569
00:28:49,626 --> 00:28:50,960
He had his ideas.

570
00:28:50,960 --> 00:28:53,004
He wasn't very interested
in listening to ours.

571
00:28:53,004 --> 00:28:54,631
AHMED:
His ideas threatened The Eye.

572
00:28:55,715 --> 00:28:58,259
Reaching out, as you did,

573
00:28:58,259 --> 00:29:00,386
it was the right decision.

574
00:29:00,386 --> 00:29:03,473
SERGEI: We know you were not
his chosen successor.

575
00:29:03,473 --> 00:29:05,808
But if you know the location of his piece,

576
00:29:05,808 --> 00:29:08,186
that could change your situation.

577
00:29:08,186 --> 00:29:11,231
‐ Until all parts of The Eye
have been accounted for,

578
00:29:11,231 --> 00:29:14,108
we cannot discuss
your future in the Circle.

579
00:29:16,319 --> 00:29:18,112
Where is his piece?

580
00:29:22,742 --> 00:29:24,452
‐ I have no idea.

581
00:29:27,539 --> 00:29:28,790
Don't sit.

582
00:29:30,250 --> 00:29:31,543
[Sergei grunts]

583
00:29:35,338 --> 00:29:38,091
My father never respected my opinion.

584
00:29:39,217 --> 00:29:41,010
He treated me like an outsider.

585
00:29:43,555 --> 00:29:45,640
But the Circle is bigger than my father.

586
00:29:47,433 --> 00:29:49,060
It's bigger than all of us.

587
00:29:50,311 --> 00:29:53,523
That's the reason I called you
when he tried to flee with his piece.

588
00:29:56,025 --> 00:29:58,736
We mustn't let our past differences

589
00:29:58,736 --> 00:30:00,572
get in the way of our future.

590
00:30:01,447 --> 00:30:02,782
‐ Agreed.

591
00:30:05,535 --> 00:30:08,329
‐ When I find my piece of The Eye,

592
00:30:08,329 --> 00:30:10,164
I will remember this moment.

593
00:30:11,457 --> 00:30:15,587
And I can promise you,
I won't repeat his mistakes.

594
00:30:17,839 --> 00:30:20,550
‐ You're wiser than
he gave you credit for.

595
00:30:31,227 --> 00:30:34,898
GEORGE [on tape]: Laura, by now
you know I was not a perfect man,

596
00:30:34,898 --> 00:30:39,277
and my sins will no doubt
catch up with me.

597
00:30:39,277 --> 00:30:41,446
You are the only one I trust.

598
00:30:41,446 --> 00:30:45,074
Your music box is the key.
Use it when the time is right,

599
00:30:45,074 --> 00:30:47,744
and you'll learn the truth
about everything.

600
00:30:47,744 --> 00:30:50,580
Whatever you decide to do
with that knowledge,

601
00:30:50,580 --> 00:30:53,791
I know you'll do it
for the right reasons.

602
00:30:53,791 --> 00:30:56,794
I only ask that you never let your mother,

603
00:30:56,794 --> 00:31:00,423
or anyone else, reassemble The Eye.

604
00:31:04,719 --> 00:31:06,095
‐ Where's Frank?

605
00:31:06,095 --> 00:31:08,056
JOE: At Grandma's.
TRUDY: He's where?

606
00:31:09,933 --> 00:31:12,268
♪

607
00:31:14,687 --> 00:31:16,064
[crickets chirping]
[fire crackling]

608
00:31:16,064 --> 00:31:19,484
♪ tense music playing ♪

609
00:31:24,989 --> 00:31:27,534
[combination lock clicking]

610
00:31:34,999 --> 00:31:36,918
[door opens]

611
00:31:47,971 --> 00:31:49,430
[door closes, lock clicks]

612
00:31:50,598 --> 00:31:54,352
‐ Do you have any idea how happy I am

613
00:31:54,352 --> 00:31:55,979
that you're here with me?

614
00:31:56,938 --> 00:31:58,731
Especially now.

615
00:31:58,731 --> 00:31:59,941
‐ Why now?

616
00:32:00,692 --> 00:32:02,318
‐ You're an asset.

617
00:32:02,318 --> 00:32:03,736
[scoffs]

618
00:32:03,736 --> 00:32:06,072
Don't look so surprised, my darling.
[doors open]

619
00:32:06,072 --> 00:32:07,699
STEFAN: The guests have arrived, ma'am.

620
00:32:07,699 --> 00:32:09,158
‐ Thank you, Stefan.

621
00:32:11,035 --> 00:32:13,705
Ah, Kanika. Thank you for coming.

622
00:32:15,206 --> 00:32:19,919
And finally, I meet the infamous
Anastasia Nabokov.

623
00:32:25,341 --> 00:32:27,302
‐ Why are we here, Gloria?

624
00:32:28,887 --> 00:32:31,472
GLORIA:
After a long and circuitous journey,

625
00:32:31,472 --> 00:32:34,601
I'm happy to report that
the Estabrook piece of The Eye

626
00:32:34,601 --> 00:32:36,936
has finally found its way home.

627
00:32:36,936 --> 00:32:38,813
Thanks to Francis,

628
00:32:38,813 --> 00:32:42,817
my grandson, and my successor.

629
00:32:46,237 --> 00:32:48,740
Please. Won't you all come in?

630
00:32:50,575 --> 00:32:52,577
‐ I didn't know Victor had a daughter.

631
00:32:53,036 --> 00:32:54,078
[scoffs]

632
00:32:54,078 --> 00:32:56,456
‐ That's because he hid
his daughter from you.

633
00:33:02,962 --> 00:33:04,464
Hey, Frank.

634
00:33:04,464 --> 00:33:07,300
GLORIA:
So, here we are.

635
00:33:07,300 --> 00:33:10,553
The Circle is complete again.

636
00:33:10,553 --> 00:33:13,306
And The Eye can be used
as it was intended,

637
00:33:13,306 --> 00:33:17,185
in cooperation by all of us,
and all who come after us.

638
00:33:17,185 --> 00:33:19,395
We have been broken for too long.

639
00:33:19,395 --> 00:33:20,647
‐ Because of your father.

640
00:33:20,647 --> 00:33:22,690
‐ No, because of all of our fathers.

641
00:33:22,690 --> 00:33:25,276
Because of their ambition, and greed.

642
00:33:25,276 --> 00:33:27,529
My father only broke The Eye

643
00:33:27,529 --> 00:33:30,490
as a last resort to ensure cooperation.

644
00:33:30,490 --> 00:33:32,492
‐ Or to ensure control.

645
00:33:32,492 --> 00:33:35,703
Your father acted alone.
Do you remember that part, Gloria?

646
00:33:35,703 --> 00:33:37,956
STACY:
Which one of you two killed my father?

647
00:33:39,415 --> 00:33:40,500
Or was it both of you?

648
00:33:40,500 --> 00:33:43,044
Just all this talk about fathers
got me thinking about‐‐

649
00:33:43,044 --> 00:33:46,172
‐ We learnt that Victor's death
was of natural causes.

650
00:33:46,172 --> 00:33:48,466
‐ There's nothing natural
about a neurotoxin.

651
00:33:48,466 --> 00:33:51,594
He lived, by the way,
for a few more painful days.

652
00:33:51,594 --> 00:33:53,721
Just long enough to tell me
what I needed to know.

653
00:33:53,721 --> 00:33:55,181
‐ And what was that?

654
00:33:55,181 --> 00:33:57,058
‐ That you're both vipers.

655
00:33:57,058 --> 00:33:59,602
MRS. KHAN: And what sort of snake
did he say he was?

656
00:34:03,398 --> 00:34:04,691
[laughs]

657
00:34:05,942 --> 00:34:08,486
‐ [inhales sharply]
Why are you even here?

658
00:34:08,486 --> 00:34:12,448
Don't you need to have a piece of The Eye
in order to be a part of the Circle?

659
00:34:12,448 --> 00:34:15,368
MRS. KAHN:
Yes, I see him in you.

660
00:34:15,368 --> 00:34:17,787
You're the one who stole it.

661
00:34:17,787 --> 00:34:19,289
‐ No. She did.

662
00:34:19,289 --> 00:34:22,876
I stole it from the thief she hired
when he tried to steal mine, too.

663
00:34:22,876 --> 00:34:25,295
GLORIA:
No, you stole my piece from my boat

664
00:34:25,295 --> 00:34:26,713
moments after it was found.

665
00:34:26,713 --> 00:34:29,007
‐ Well, after you didn't know where it was
for how long again?

666
00:34:29,007 --> 00:34:32,135
GLORIA:
Our families, for the past 30 years,

667
00:34:32,135 --> 00:34:34,387
have worked against one another.

668
00:34:34,387 --> 00:34:36,389
It's time we came together.

669
00:34:36,389 --> 00:34:38,308
It's time for a truce.

670
00:34:38,308 --> 00:34:42,687
STACY: A truce.
So that we can hug and make up.

671
00:34:42,687 --> 00:34:44,189
‐ My grandmother's right.

672
00:34:45,899 --> 00:34:49,027
Everyone in this room
has lost something to The Eye.

673
00:34:49,027 --> 00:34:51,613
But this isn't about the damage
that's been done.

674
00:34:51,613 --> 00:34:53,573
This is a chance to work together.

675
00:34:55,867 --> 00:34:57,452
We should take it.

676
00:35:03,583 --> 00:35:06,252
‐ [scoffs]
That's really sweet, Frank.

677
00:35:06,252 --> 00:35:07,879
But this party sucks.

678
00:35:08,838 --> 00:35:09,964
GLORIA:
Wait.

679
00:35:10,965 --> 00:35:14,219
I have one piece of The Eye,
and you have two.

680
00:35:14,219 --> 00:35:15,637
We need one another.

681
00:35:19,432 --> 00:35:20,767
‐ What kind of person would I be

682
00:35:20,767 --> 00:35:22,852
if I made a deal with someone
who killed my father?

683
00:35:25,522 --> 00:35:28,650
[footsteps departing]

684
00:35:30,193 --> 00:35:31,861
‐ Stacy, wait.
‐ What?

685
00:35:31,861 --> 00:35:34,280
‐ Just come inside.
We can figure this out.

686
00:35:34,280 --> 00:35:36,533
‐ You and me, or you and Gloria?

687
00:35:36,533 --> 00:35:39,035
[Mrs. Khan laughing]

688
00:35:41,496 --> 00:35:43,581
‐ What is so funny, Kanika?

689
00:35:43,581 --> 00:35:45,375
‐ I'm sorry, but this...

690
00:35:45,375 --> 00:35:47,252
This is just all so absurd.

691
00:35:47,252 --> 00:35:48,461
‐ Why is that?

692
00:35:49,128 --> 00:35:51,297
‐ You know, I...
I, I had wondered for a while

693
00:35:51,297 --> 00:35:54,384
if Victor's death might have been
an inside job, but...

694
00:35:54,384 --> 00:35:56,469
seeing that girl today,

695
00:35:56,469 --> 00:35:58,304
it's clear it wasn't.

696
00:35:59,389 --> 00:36:01,975
‐ They are gonna make the same mistakes
as they always have, Frank.

697
00:36:01,975 --> 00:36:04,394
Her, and the generation before her.

698
00:36:07,313 --> 00:36:08,731
But we'd be different.

699
00:36:09,732 --> 00:36:11,526
We can fix what they've ruined.

700
00:36:13,862 --> 00:36:15,321
[exhales sharply]

701
00:36:15,321 --> 00:36:18,032
‐ You don't want to destroy The Eye.
You want it for yourself.

702
00:36:19,158 --> 00:36:22,328
You're the same as everyone else.
‐ I am nothing like them.

703
00:36:23,663 --> 00:36:25,498
Look, and I know that you aren't, either.

704
00:36:29,085 --> 00:36:31,963
It's not too late to start again
the right way, Frank.

705
00:36:31,963 --> 00:36:33,089
Just you and me.

706
00:36:46,895 --> 00:36:50,315
You know whatever happens now is on you.

707
00:36:52,317 --> 00:36:53,776
Goodbye, Frank.

708
00:36:53,776 --> 00:36:56,154
[footsteps departing]

709
00:37:05,914 --> 00:37:08,625
‐ I don't think there's gonna be a truce.

710
00:37:08,625 --> 00:37:10,960
‐ No. I don't think there will be.

711
00:37:12,378 --> 00:37:14,214
‐ So what now?

712
00:37:14,214 --> 00:37:15,798
‐ I'm not sure.

713
00:37:16,549 --> 00:37:19,093
But you're on the inside now, Francis.

714
00:37:19,093 --> 00:37:20,428
What would you do?

715
00:37:22,388 --> 00:37:25,642
♪

716
00:37:28,061 --> 00:37:29,437
[crickets chirping, owl hoots]

717
00:37:29,437 --> 00:37:30,772
FENTON:
Frank?

718
00:37:31,105 --> 00:37:32,899
Frank?
[footsteps approaching]

719
00:37:35,985 --> 00:37:37,737
Come on. We're going.

720
00:37:37,737 --> 00:37:39,989
‐ No.
‐ Get up. Now.

721
00:37:41,699 --> 00:37:43,284
‐ I'm not going anywhere.

722
00:37:45,203 --> 00:37:46,371
‐ Son.

723
00:37:47,455 --> 00:37:49,207
You're not safe here.

724
00:37:49,207 --> 00:37:51,000
There are things that
you don't understand.

725
00:37:51,000 --> 00:37:53,086
‐ There's things that
you don't understand.

726
00:37:53,962 --> 00:37:55,129
Trust me.

727
00:37:56,756 --> 00:37:58,424
I'm where I'm supposed to be.

728
00:37:59,801 --> 00:38:01,094
You go home.

729
00:38:02,095 --> 00:38:04,347
GLORIA:
He's made his decision, Fenton.

730
00:38:07,016 --> 00:38:08,226
‐ We're not done here.

731
00:38:10,061 --> 00:38:12,438
[footsteps departing]

732
00:38:22,907 --> 00:38:24,325
[door opens, bell jingles]

733
00:38:25,243 --> 00:38:26,536
[door shuts]

734
00:38:27,453 --> 00:38:29,497
♪ pop song playing over speakers ♪

735
00:38:31,040 --> 00:38:32,959
STACY:
Expecting someone else?

736
00:38:32,959 --> 00:38:34,794
‐ What are you doing here?

737
00:38:34,794 --> 00:38:36,713
‐ Have you heard from Frank recently?

738
00:38:37,463 --> 00:38:39,340
‐ Why?

739
00:38:39,340 --> 00:38:40,717
‐ "Hey, Callie.

740
00:38:40,717 --> 00:38:43,553
"I'm so sorry about everything
that's happened.

741
00:38:43,553 --> 00:38:46,055
"Meet me at Wilt's so that we can talk.

742
00:38:46,055 --> 00:38:47,140
Frank."

743
00:38:48,600 --> 00:38:50,393
[laughs]

744
00:38:50,393 --> 00:38:52,729
You know, I was gonna add "XO,"

745
00:38:52,729 --> 00:38:54,439
but then I remembered
you two haven't kissed yet,

746
00:38:54,439 --> 00:38:56,316
so that wouldn't seem very realistic.

747
00:38:56,316 --> 00:38:58,067
‐ Can you just leave me alone?

748
00:38:59,986 --> 00:39:01,154
‐ Sure thing.

749
00:39:03,281 --> 00:39:04,991
You know, it's funny, though.

750
00:39:04,991 --> 00:39:09,120
I can't shake this feeling that
something really bad is about to happen.

751
00:39:09,996 --> 00:39:11,456
It's like in the pit of my stomach.

752
00:39:11,456 --> 00:39:13,458
I can just tell that something's off.

753
00:39:15,126 --> 00:39:16,628
Has that ever happened to you?

754
00:39:19,714 --> 00:39:21,883
I'll see you real soon, Callie.

755
00:39:26,888 --> 00:39:29,015
[bells jingling]

756
00:39:29,557 --> 00:39:30,808
[door closes]

757
00:39:35,897 --> 00:39:37,607
‐ ♪ Sorry ♪

758
00:39:40,068 --> 00:39:41,861
[distant indistinct chatter]

759
00:39:46,991 --> 00:39:48,701
STACY:
We can give you a lift.

760
00:39:50,453 --> 00:39:51,788
‐ I'm good. Thanks.

761
00:39:54,249 --> 00:39:57,502
‐ I'm so sorry to do this.
It demeans us both.

762
00:39:58,670 --> 00:40:00,630
But get in the van, Callie.

763
00:40:02,966 --> 00:40:05,677
♪ ominous music playing ♪

764
00:40:08,555 --> 00:40:11,849
[screaming]

765
00:40:13,935 --> 00:40:15,103
[man grunts, door slams]

766
00:40:16,271 --> 00:40:19,691
♪