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NARRATOR:
Previously, on Hardy Boys...

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‐ Where's your nephew now?

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MRS. KHAN:
Three weeks ago, he disappeared.

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And I believe you're
the man to find him.

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[thwacks]

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MAN: We know that you're
looking for Rupert Khan.

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We are also looking for a Mr. Khan.

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FRANK:
Dean McFarlane said that my mom

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found out something that changed her.

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MS. DIAZ: She said her family
was running the town,

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and she wanted to expose it.

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She wrote a piece,
but it never got published.

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FRANK:
You're making them sound like they're‐‐

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‐ A secret organization.
That's what they are.

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[car engine rumbling]

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[tires squeal]
[clanking]

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JB:
We're going for a ride, Joey.

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JOE: I'm not your accomplice anymore.
‐ No, you're not.

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You're my leverage.

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‐ So, where's Stacy?
‐ Why?

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CALLIE:
I thought you two were hitting it off.

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She seems nice. If not‐‐
‐ Yeah.

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‐ ...a little odd.

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TRUDY:
I come from a family of detectives.

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I'm gonna do what comes naturally.

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‐ Joe?
‐ What are you doing here?

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JB: He seems to think that
whoever hired me

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had something to do with
killing his mom.

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So, get Gloria Estabrook.

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‐ Let him go. I won't ask again.

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‐ That's good, 'cause I'm tired
of talking to you. Where's Gloria?

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Buddy. Whoa, whoa, whoa.
‐ Hey!

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‐ All right. I'll get her.

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JB:
Good.

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[Joe grunts]
Sorry.

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‐ I'm sorry.
‐ You said you wouldn't hurt me.

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‐ Are you okay? I didn't mean to.

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GLORIA:
What's going on here?

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Are you all right, Joe?

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‐ I'm fine.
GLORIA: Who are you?

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Why are you holding my grandson?

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‐ JB Cox.

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I'm the guy you hired
to steal back that idol, and then...

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threatened.

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Because there was something else inside.

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How are you?

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Right. Well, funny story:
Joe, here, is the one who found it.

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‐ Is that true, Joe?

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‐ Yeah, it's true.

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And I brought him to you.

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So I'd like to think
that means that you can pay me,

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and I can make my way out of here.
Sound good?

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‐ Do you really think
you can barge into my house,

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hold my grandson hostage,
and demand money from me?

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‐ I mean, it's working, isn't it?

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[thwacks]

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[JB grunts, thuds]
‐ Thank you, Stefan.

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‐ Of course, ma'am.
GLORIA: Now get Chief Collig.

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‐ Did you know Stefan could do that?

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‐ Well.

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It would seem the three of us
have quite a lot to discuss.

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♪ theme music playing ♪

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♪

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‐ Are you sure you're not hurt,
my dear?

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‐ I'm fine.

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‐ I'm so sorry.

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Having you involved in my problems
is the last thing I wanted to have happen.

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But is it true you removed the piece
from the idol?

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‐ Don't tell her anything, Joe.
‐ Why would you say that, Francis?

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‐ The idol that JB stole from you
was found by your fishing boat.

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You lied to both of us about the Astghik.

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‐ I hired that man to get back
what's rightfully mine.

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That's all you need to know.

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‐ Has anything you've told us so far
been the truth?

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‐ Yes. Of course.

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But do you have what was inside the idol?

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‐ We don't have it.

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‐ Why don't you let your brother answer?

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‐ We're not telling you anything
until you answer our questions.

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‐ Very well.

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Ask away.

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‐ That thing that was inside the idol.
Is that what got Mom murdered?

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GLORIA: What?
‐ She was murdered.

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JOE:
Grandma.

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Are you okay?

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‐ No, no, no. The, the police told me
that the car slipped off the road.

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They said it was an accident.

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‐ No, it wasn't.

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‐ How do you know that?

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‐ This lady named Mrs. Khan.

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She hired our father to find
her nephew, Rupert.

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Rupert and our mom were
working on a story together.

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‐ We think she was killed
to stop the story from coming out.

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‐ How could you not tell me that?

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‐ We didn't know who to trust.

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‐ We still don't.

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[panting]

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‐ Okay. What's your situation?

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‐ It's Joe.
‐ Joe?

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‐ I saw him in a car with that JB Cox guy.

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‐ A car? What do you mean?

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Like, were they going for a ride?

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‐ This wouldn't be a situation
if they were just going for a ride.

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‐ So, did JB take him or something?

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‐ He didn't put him in the trunk, but...

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I don't think Joe went with him by choice.

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‐ We need to tell my mom.

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COLLIG:
I don't know what to say.

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Dixon City PD was convinced
it was an accident.

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‐ My grandsons heard otherwise.

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How could they learn
something the police couldn't?

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‐ I don't know.

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How do we know Khan wasn't
playing Fenton for some other reason?

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‐ If there's any truth in that,
I'll find it,

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and deal with those responsible.

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‐ What do I do with him?

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‐ You know what to do with him.

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‐ You're sure it was JB you saw?
PHIL: Mm‐hmm.

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‐ Did you get a license plate?

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‐ No. It all happened so fast.

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I think it started with a number.

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Or letter.

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No, no. It was, it was a number.

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Was it? No, it was a letter.
‐ Can you describe the car?

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‐ Two‐tone black and blue four‐door.
I believe 1983 model.

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Really throaty exhaust.

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‐ Why didn't you start with that?

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‐ This officer here is gonna
take the rest of your statement.

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Stay here. I need to make a call.

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[pushing phone buttons]

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[phone ringing]

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‐ Hello?

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JESSE [over phone]:
Trudy, it's me. Is Joe home?

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‐ No. Why?

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‐ Phil Cohen and Biff just came in
to report something.

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He thinks Joe might have been taken.

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‐ Taken? What do you mean taken?
Taken by who?

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‐ I'm going to get every available car
looking for him.

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‐ I want to come, too.

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‐ No, you stay there.

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‐ What? I can't just‐‐
‐ Trust me on this.

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You need to be there
in case he comes home.

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‐ Jesse, I can't just stay here.

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‐ We'll find him, Trudy. No matter
what it takes, we'll find him.

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GLORIA: I can't blame either of you
for not trusting me.

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I haven't always been as forthcoming
as I'd like to have been.

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‐ That's a nice way of saying
that you lied.

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GLORIA:
No.

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I was sheltering you
from some harsh truths.

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Because I wanted to protect you.

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But I can see that you two
are going to find out the truth, anyway.

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So it should come from me.

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Are you familiar with the cave‐in
at Demon's Paw mine?

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Three miners, my father, Ahmed Khan,

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and Sergei Nabokov,

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they found something in the mine.

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Uh, an ancient artifact
of unknown origin.

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‐ My lucky charm.

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‐ And when they disturbed it,
it caused the mine to collapse.

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They were the only three survivors.

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If you found what was in the idol,

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you held a piece of it.

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They called it the Eye,

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because with it, you could see
what you needed

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to achieve all your desires.

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I mean, can you imagine if you knew
the outcome of all things?

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If every decision, or, or, or choice
you made in your life

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turned out to be the right one.

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‐ So, what did they do with it?

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Could they have done anything?

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‐ Indeed. The Estabrooks,
the Khans, and the Nabokovs,

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they became three of the
wealthiest families in the world.

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‐ Great. So they just made money with it.

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‐ No, not just that.
I mean, think about it.

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You could influence events
if you knew how they would end.

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Control governments,
if you knew when they would fail.

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Or create an invention
if you knew how it would work.

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‐ Or cure disease. Stop wars.
Prevent disaster.

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Did they do any of that?

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‐ [sighs] No.

181
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No. Well, not as much as they should have.

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They were more interested
in protecting their source of the wealth,

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and power.

184
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And so, they closed ranks
to keep the secret.

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The called themselves
the Circle of the Eye.

186
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And they swore an oath
to never speak of it.

187
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‐ Did Mom know about all of this?

188
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‐ Laura was very good at finding herself
in places she was not supposed to be.

189
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‐ Enough, George!
I will not be lectured to.

190
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Power unused is not power at all.

191
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‐ We have gone too far this time.

192
00:09:30,800 --> 00:09:34,387
Four thousand people are dead!

193
00:09:34,387 --> 00:09:37,599
‐ We are not responsible
for those deaths.

194
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We didn't kill anyone.

195
00:09:39,142 --> 00:09:41,060
‐ We knew exactly
what was going to happen.

196
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We have blood on our hands.

197
00:09:43,771 --> 00:09:44,898
‐ Our hands?

198
00:09:46,191 --> 00:09:48,985
You were not delivering
this sermon a week ago.

199
00:09:48,985 --> 00:09:51,321
And your fortunes have been favored
as much as ours.

200
00:09:51,321 --> 00:09:54,741
‐ This is our power. Ours to use.

201
00:09:54,741 --> 00:09:58,036
You cannot simply walk away
from the Circle, George.

202
00:10:01,289 --> 00:10:02,457
‐ Laura.

203
00:10:04,334 --> 00:10:07,503
Gloria, go after her! Talk to her.

204
00:10:09,339 --> 00:10:13,509
GLORIA: She already had her suspicions
about her grandfather and the others.

205
00:10:13,509 --> 00:10:15,345
But after that,

206
00:10:15,345 --> 00:10:18,014
she didn't want anything
to do with the Circle.

207
00:10:18,014 --> 00:10:20,558
‐ Is that why she refused to
go to Rosegrave?

208
00:10:20,558 --> 00:10:23,102
GLORIA:
She rejected her whole family.

209
00:10:23,102 --> 00:10:27,232
She had no idea how dangerous
were the secrets she was delving into.

210
00:10:28,316 --> 00:10:30,902
After my father had this argument
with his partners,

211
00:10:30,902 --> 00:10:33,571
he realized that The Eye was too powerful

212
00:10:33,571 --> 00:10:35,990
to be in any one person's possession.

213
00:10:35,990 --> 00:10:39,786
So he devised a method to divide it
into three pieces.

214
00:10:39,786 --> 00:10:41,913
One for each founding member,

215
00:10:41,913 --> 00:10:44,874
each with an equal fraction of the power.

216
00:10:44,874 --> 00:10:46,751
‐ Splitting The Eye up didn't destroy it.

217
00:10:46,751 --> 00:10:48,836
‐ He thought it was a risk worth taking.

218
00:10:49,921 --> 00:10:52,590
It was while he was flying his piece
overseas for safekeeping

219
00:10:52,590 --> 00:10:54,259
that his plane crashed.

220
00:10:55,385 --> 00:10:57,345
After my father's death,

221
00:10:57,345 --> 00:11:00,348
the Circle continued to protect
our interests abroad,

222
00:11:00,348 --> 00:11:02,100
our wealth, and our power.

223
00:11:03,101 --> 00:11:06,521
And that's it. I, I have now...

224
00:11:06,521 --> 00:11:08,565
told you everything.

225
00:11:11,568 --> 00:11:13,027
‐ Not everything.

226
00:11:15,113 --> 00:11:17,031
The door behind the bookcase.

227
00:11:21,035 --> 00:11:22,996
‐ Aren't you full of surprises.

228
00:11:22,996 --> 00:11:24,455
‐ Where does it lead to?

229
00:11:26,583 --> 00:11:30,712
‐ It's the repository of
my father's studies into The Eye.

230
00:11:30,712 --> 00:11:34,299
I haven't been inside that room
since my father died.

231
00:11:34,299 --> 00:11:36,718
‐ So you don't have the key?
GLORIA: No.

232
00:11:37,510 --> 00:11:40,054
I can only guess it was lost
in the crash, as well.

233
00:11:40,805 --> 00:11:42,265
‐ I could pick the lock.

234
00:11:42,265 --> 00:11:43,558
‐ Ah...

235
00:11:43,558 --> 00:11:46,227
‐ I mean, I, I'd have to learn how,
of course,

236
00:11:46,227 --> 00:11:48,771
'cause it's definitely not a skill
that I already have.

237
00:11:48,771 --> 00:11:50,106
GLORIA:
It wouldn't matter.

238
00:11:50,106 --> 00:11:52,192
X‐ray imaging has confirmed

239
00:11:52,192 --> 00:11:55,278
any attempt to open the door with anything
but the proper key

240
00:11:55,278 --> 00:11:58,364
would trigger an explosion
destroying everything behind it.

241
00:11:58,364 --> 00:12:00,491
‐ Great‐Grandpa wasn't fooling around.

242
00:12:00,491 --> 00:12:02,619
GLORIA:
No, and neither am I.

243
00:12:02,619 --> 00:12:06,247
If you do have that piece of The Eye,

244
00:12:06,247 --> 00:12:09,292
you have to understand,
it's too dangerous

245
00:12:09,292 --> 00:12:10,919
to keep in your possession.

246
00:12:10,919 --> 00:12:14,380
Especially now that we've found that
there is another piece

247
00:12:14,380 --> 00:12:15,924
right here in Bridgeport.

248
00:12:15,924 --> 00:12:18,343
‐ Mrs. Khan.
GLORIA: Yes.

249
00:12:18,927 --> 00:12:22,972
Which makes it even more imperative
that we keep our piece safe.

250
00:12:24,015 --> 00:12:27,060
‐ How? By giving it to you?

251
00:12:27,060 --> 00:12:28,645
GLORIA:
Yes.

252
00:12:28,645 --> 00:12:32,398
If we can reassemble all three pieces
of The Eye,

253
00:12:32,398 --> 00:12:34,651
then with its full power,

254
00:12:34,651 --> 00:12:37,320
it might lead us to your mother's killer.

255
00:12:40,990 --> 00:12:42,700
I know you don't trust me.

256
00:12:43,576 --> 00:12:45,662
But I need you to try.

257
00:12:56,172 --> 00:12:57,423
[door opens]

258
00:12:59,342 --> 00:13:01,177
TRUDY: Joe.
[door closes]

259
00:13:01,177 --> 00:13:04,264
Half the Bridgeport Police Department
is looking for you. They said you‐‐

260
00:13:04,264 --> 00:13:06,558
You were kidnapped
by some sort of criminal.

261
00:13:06,558 --> 00:13:09,644
‐ It wasn't like that. Not exactly.

262
00:13:13,815 --> 00:13:15,900
‐ Upstairs. Now.

263
00:13:17,944 --> 00:13:21,114
You're gonna tell me what this is,
and you're gonna tell me everything.

264
00:13:35,461 --> 00:13:36,963
JB:
Why are we stopping?

265
00:13:45,346 --> 00:13:47,599
‐ Get out and face the vehicle.
JB: You don't have to do this.

266
00:13:48,433 --> 00:13:50,894
‐ I said... get out.

267
00:13:52,770 --> 00:13:54,689
‐ You don't have to do this.

268
00:13:54,689 --> 00:13:56,232
[JB grunts]

269
00:13:57,025 --> 00:14:00,195
I know what you're trying to do, okay?
[handcuffs clinking]

270
00:14:00,195 --> 00:14:03,239
You work for Gloria. You want me to run.

271
00:14:03,239 --> 00:14:06,910
I'll attack you, so you'll have just cause
to shoot me. I get it, okay?

272
00:14:06,910 --> 00:14:08,328
I'm not gonna do that.

273
00:14:09,412 --> 00:14:11,122
Just...
‐ All right.

274
00:14:11,831 --> 00:14:13,082
Turn around.

275
00:14:20,048 --> 00:14:22,759
Take. Look inside.

276
00:14:26,387 --> 00:14:28,890
That's what was hidden inside the idol.

277
00:14:28,890 --> 00:14:30,266
‐ What is it?

278
00:14:30,266 --> 00:14:32,936
‐ There's another one
just like that here in town.

279
00:14:32,936 --> 00:14:35,271
Gloria wants you to retrieve it,

280
00:14:35,271 --> 00:14:37,065
by any means necessary.

281
00:14:38,733 --> 00:14:39,984
‐ And if I say no?

282
00:14:39,984 --> 00:14:41,778
[chuckles]

283
00:14:43,446 --> 00:14:45,615
‐ What was it you said
a minute ago about...

284
00:14:45,615 --> 00:14:47,325
just cause?
[gun cocks]

285
00:14:53,331 --> 00:14:56,501
‐ You can tell Gloria that
I accept her terms.

286
00:14:57,919 --> 00:14:59,212
‐ Good boy.

287
00:15:05,093 --> 00:15:06,511
[car door closes]

288
00:15:06,511 --> 00:15:07,971
[exhales]

289
00:15:11,015 --> 00:15:14,060
[car departing, gravel crunching]

290
00:15:16,437 --> 00:15:18,439
‐ Your mother was really murdered?

291
00:15:18,439 --> 00:15:20,692
‐ Yeah, she was.

292
00:15:20,692 --> 00:15:23,278
And we think we're getting really close
to finding out who killed her.

293
00:15:24,070 --> 00:15:27,115
‐ A secret society formed around
a magic artifact.

294
00:15:27,115 --> 00:15:29,325
‐ Yeah, I know how it sounds‐‐
‐ I believe you.

295
00:15:30,451 --> 00:15:31,369
‐ You do?

296
00:15:32,620 --> 00:15:33,746
‐ Yeah.

297
00:15:38,126 --> 00:15:41,254
If you were lying, you would have
come up with a more believable story.

298
00:15:43,089 --> 00:15:47,010
Plus, I can imagine Gloria at the head of
a cabal trying to take over the world.

299
00:15:48,720 --> 00:15:50,430
Why haven't you gone to the police?

300
00:15:50,430 --> 00:15:51,931
FRANK:
We can't.

301
00:15:51,931 --> 00:15:53,850
Chief Collig is involved in this.

302
00:15:54,559 --> 00:15:57,478
We think he works for Grandma.
‐ But you can trust Jesse.

303
00:16:00,148 --> 00:16:03,234
‐ I mean, Mom wanted to talk to people.

304
00:16:04,819 --> 00:16:06,571
So, maybe we shouldn't.

305
00:16:11,284 --> 00:16:12,702
FRANK:
Joe's right.

306
00:16:13,745 --> 00:16:15,330
We can't tell anyone.

307
00:16:19,209 --> 00:16:20,543
‐ You want me to keep this a secret.

308
00:16:20,543 --> 00:16:22,295
‐ Yeah, I think that's the safest thing.

309
00:16:29,135 --> 00:16:30,637
‐ I have conditions.

310
00:16:32,972 --> 00:16:37,018
If I feel like you're in over your head,
I'm going straight to Jesse. Am I clear?

311
00:16:37,644 --> 00:16:38,686
FRANK:
Yeah.

312
00:16:40,021 --> 00:16:41,814
What are the other conditions?

313
00:16:43,733 --> 00:16:45,276
‐ No more secrets.

314
00:16:47,320 --> 00:16:49,906
Anything you find out, you share with me.

315
00:16:52,534 --> 00:16:53,493
Deal?

316
00:16:55,703 --> 00:16:57,121
‐ Deal.
‐ Deal.

317
00:16:58,957 --> 00:17:00,208
[exhales]

318
00:17:02,794 --> 00:17:05,004
‐ I'm sorry, Trudy.
We should have told you.

319
00:17:06,172 --> 00:17:09,175
‐ What, that you've been sneaking around
behind my back all summer

320
00:17:09,175 --> 00:17:11,135
investigating your mother's murder?

321
00:17:11,135 --> 00:17:13,304
Yeah. You should have told me.

322
00:17:14,138 --> 00:17:15,890
‐ You would have stopped us.

323
00:17:21,813 --> 00:17:23,273
‐ She would have, too.

324
00:17:29,612 --> 00:17:31,739
MAN:
This is your last chance, Mr. Khan.

325
00:17:32,365 --> 00:17:34,492
I'm gonna ask you a few more questions.

326
00:17:35,034 --> 00:17:38,121
‐ Why are you doing this?
What do you want from me?

327
00:17:38,121 --> 00:17:40,915
‐ Again, who else are you working with?

328
00:17:40,915 --> 00:17:42,876
‐ No one.

329
00:17:42,876 --> 00:17:44,836
I wasn't working with anybody.

330
00:17:44,836 --> 00:17:46,296
[polygraph machine clicking]

331
00:17:46,296 --> 00:17:47,338
[thwacks]

332
00:17:47,338 --> 00:17:50,425
[Rupert groaning]

333
00:17:50,425 --> 00:17:52,468
‐ Who got you out of Bridgeport?

334
00:17:55,179 --> 00:17:57,432
‐ I had forged papers ready.

335
00:17:59,601 --> 00:18:01,436
‐ You were going to move against us?

336
00:18:01,436 --> 00:18:03,229
‐ I don't want to be part of this.

337
00:18:03,229 --> 00:18:05,565
I wanted to just disappear.

338
00:18:05,565 --> 00:18:07,025
‐ You'll disappear, all right.

339
00:18:07,025 --> 00:18:08,276
FENTON:
Or maybe not.

340
00:18:09,694 --> 00:18:11,613
[punching, grunting]

341
00:18:14,407 --> 00:18:15,366
[thwacks]

342
00:18:15,366 --> 00:18:16,576
[thuds]

343
00:18:20,288 --> 00:18:22,081
‐ Rupert Khan?
RUPERT: Yeah.

344
00:18:22,081 --> 00:18:24,667
‐ I'm Fenton Hardy. You knew my wife.

345
00:18:25,543 --> 00:18:27,503
‐ I don't know what you're talking about.

346
00:18:27,503 --> 00:18:29,756
[polygraph machine clicking]

347
00:18:31,424 --> 00:18:32,550
‐ Oh.

348
00:18:33,593 --> 00:18:35,053
Okay.

349
00:18:35,762 --> 00:18:38,223
Let me just pick up from
where your friend left off.

350
00:18:38,973 --> 00:18:40,391
[clears throat.]

351
00:18:40,391 --> 00:18:42,060
Did you know my wife?

352
00:18:43,645 --> 00:18:45,688
‐ No. I don't‐‐
[grunting]

353
00:18:45,688 --> 00:18:49,192
‐ I just came halfway across the world
to find out what you know.

354
00:18:49,192 --> 00:18:51,819
So, if you think I'm gonna
let you lie to me,

355
00:18:51,819 --> 00:18:53,571
you're making a very dangerous mistake.

356
00:18:54,781 --> 00:18:56,241
Again.
[groans]

357
00:19:00,078 --> 00:19:01,162
Okay.

358
00:19:05,041 --> 00:19:06,167
‐ I knew her.

359
00:19:07,585 --> 00:19:09,003
I was helping her.

360
00:19:09,754 --> 00:19:11,214
‐ Helping her with what?

361
00:19:13,675 --> 00:19:16,219
‐ To destroy the Circle of the Eye.

362
00:19:16,219 --> 00:19:17,470
‐ The what?

363
00:19:17,470 --> 00:19:18,721
[distant clanging]

364
00:19:19,514 --> 00:19:21,432
[footsteps approaching]

365
00:19:21,766 --> 00:19:22,976
‐ They're coming.

366
00:19:34,946 --> 00:19:37,282
JOE: What if the key
to the secret door is lost?

367
00:19:37,907 --> 00:19:38,825
Then what?

368
00:19:40,243 --> 00:19:43,788
‐ The way things have been going,
I would say it was hidden. Not lost.

369
00:19:43,788 --> 00:19:45,206
‐ Then we need to find it.

370
00:19:46,249 --> 00:19:48,084
FRANK:
I don't think it's that simple.

371
00:19:48,084 --> 00:19:50,879
I think we need to find the puzzle
that leads to the key.

372
00:19:50,879 --> 00:19:53,464
‐ Oh, right.
'Cause that makes so much more sense.

373
00:19:53,464 --> 00:19:56,384
‐ Great‐Grandpa was a big fan of puzzles.
Maybe this is another one.

374
00:19:56,384 --> 00:19:58,720
Like the trick piano at
the Rosegrave test.

375
00:20:00,513 --> 00:20:03,266
‐ [sighs] Mom's family is so weird.

376
00:20:03,266 --> 00:20:05,018
‐ They're our family, too.

377
00:20:06,978 --> 00:20:09,230
Hey, maybe that's why
you are the way you are.

378
00:20:09,230 --> 00:20:10,356
‐ Hmm.

379
00:20:14,152 --> 00:20:15,570
Do we trust Grandma?

380
00:20:19,991 --> 00:20:21,618
‐ I don't know.

381
00:20:21,618 --> 00:20:24,037
TRUDY:
Boys, you're gonna be late for school!

382
00:20:24,037 --> 00:20:26,623
‐ Great. yeah.
That's what's gonna solve everything.

383
00:20:26,623 --> 00:20:27,832
School.

384
00:20:30,168 --> 00:20:32,420
[bell ringing]

385
00:20:35,423 --> 00:20:36,758
‐ Hey, Callie. What's up?

386
00:20:36,758 --> 00:20:39,260
‐ Frank, I heard Joe was grabbed by JB?

387
00:20:39,260 --> 00:20:40,970
‐ Uh, yeah. He was.

388
00:20:40,970 --> 00:20:42,388
But he's fine.

389
00:20:42,388 --> 00:20:44,098
‐ I'm just glad he's okay.

390
00:20:44,098 --> 00:20:45,767
So, what happened?

391
00:20:45,767 --> 00:20:47,810
FRANK: Hey, Stacy.
‐ Hi, Frank.

392
00:20:47,810 --> 00:20:49,229
Callie.

393
00:20:49,229 --> 00:20:50,271
‐ Hey.

394
00:20:51,272 --> 00:20:53,191
So, how are you enjoying Bridgeport?

395
00:20:53,191 --> 00:20:55,652
‐ I love it.
It's way better than my old school.

396
00:20:55,652 --> 00:20:57,278
‐ Oh. Which was that?

397
00:20:58,279 --> 00:20:59,739
‐ Uh, Galebridge High.

398
00:20:59,739 --> 00:21:01,115
I couldn't wait to get out of there.

399
00:21:01,115 --> 00:21:03,660
This one teacher, Mrs. Sumner,
she totally had it in for me.

400
00:21:03,660 --> 00:21:05,286
‐ Can't imagine why.

401
00:21:05,286 --> 00:21:07,038
‐ Easy, Callie.

402
00:21:07,038 --> 00:21:09,499
‐ Uh, it's okay. I don't scare easy.

403
00:21:10,667 --> 00:21:12,752
I gotta go. See you around?

404
00:21:12,752 --> 00:21:13,795
FRANK:
Yeah.

405
00:21:17,215 --> 00:21:18,633
What was that?

406
00:21:18,633 --> 00:21:20,885
I thought small town people
were supposed to be nice.

407
00:21:20,885 --> 00:21:22,845
‐ What?
I'm just getting to know the new girl.

408
00:21:23,930 --> 00:21:24,931
‐ Right.

409
00:21:28,393 --> 00:21:30,436
‐ So, your grandma's dad died

410
00:21:30,436 --> 00:21:32,230
before he could make her
the ruler of the world?

411
00:21:32,230 --> 00:21:33,940
‐ Yeah.
[teacher lecturing indistinctly]

412
00:21:33,940 --> 00:21:36,067
‐ You think that's a good or bad thing?

413
00:21:36,067 --> 00:21:39,779
‐ I don't know, but she really wants
to open that door again, so...

414
00:21:39,779 --> 00:21:41,739
‐ I think I would, too.

415
00:21:41,739 --> 00:21:44,367
If all the ruler‐of‐the‐world stuff
was behind it.

416
00:21:46,786 --> 00:21:48,788
‐ Frank and I are thinking,

417
00:21:48,788 --> 00:21:51,457
maybe we should give her the lucky charm.

418
00:21:52,041 --> 00:21:54,794
‐ That's dumb.
You don't know if you can trust her.

419
00:21:54,794 --> 00:21:55,879
[teacher clears throat]

420
00:22:06,014 --> 00:22:07,682
‐ Sure that's not gonna explode?

421
00:22:07,682 --> 00:22:09,601
‐ What's the point if it doesn't explode?

422
00:22:10,685 --> 00:22:12,770
So, you were about to tell me

423
00:22:12,770 --> 00:22:16,316
that you're gonna hand your lucky charm
over to the dragon lady?

424
00:22:16,316 --> 00:22:17,901
‐ Don't call her that.

425
00:22:17,901 --> 00:22:19,110
And I don't know.

426
00:22:19,110 --> 00:22:22,614
Frank and I are still deciding,
but maybe we should.

427
00:22:23,489 --> 00:22:26,201
‐ Why would you do that? Seriously.

428
00:22:27,702 --> 00:22:30,288
‐ She said it would be safer
with her than with us.

429
00:22:30,288 --> 00:22:31,831
And I think she's right.

430
00:22:32,707 --> 00:22:34,709
I don't even like knowing where it is.

431
00:22:38,046 --> 00:22:39,797
‐ Was the food always this bad here?

432
00:22:39,797 --> 00:22:41,674
‐ Oh, it was worse last year.

433
00:22:41,674 --> 00:22:43,218
‐ I don't think it's so bad.

434
00:22:48,181 --> 00:22:50,683
FRANK: Uh, you know what?
I'll be back in a minute.

435
00:22:52,727 --> 00:22:53,978
‐ Okay.

436
00:23:01,444 --> 00:23:03,988
‐ Think there's something weird
about that new girl, Stacy?

437
00:23:03,988 --> 00:23:05,323
‐ What's up with you?

438
00:23:06,074 --> 00:23:07,492
Why are you so stuck on that girl?

439
00:23:08,993 --> 00:23:10,912
Or maybe it's the fact that
Frank's stuck on her,

440
00:23:10,912 --> 00:23:12,664
and that's what's really bothering you.

441
00:23:13,456 --> 00:23:14,999
‐ Why are you acting like this?

442
00:23:16,125 --> 00:23:17,835
‐ That wasn't even convincing.

443
00:23:20,964 --> 00:23:23,758
‐ You know, I'm just trying to
look out for our friend.

444
00:23:23,758 --> 00:23:25,093
Okay?

445
00:23:25,802 --> 00:23:28,012
Although I do find your jealousy adorable.

446
00:23:28,012 --> 00:23:29,639
‐ Who said I was jealous?

447
00:23:31,099 --> 00:23:32,809
I could just be hungry.

448
00:23:42,819 --> 00:23:46,114
‐ Are you following me, Frank?
‐ No, I‐‐ I mean, I thought‐‐

449
00:23:47,240 --> 00:23:49,617
You made it‐‐ Never mind.

450
00:23:49,617 --> 00:23:52,537
‐ [laughing]: I'm messing with you.
‐ [laughs] Okay.

451
00:23:52,537 --> 00:23:54,205
STACY:
Thought we could hang out.

452
00:23:54,998 --> 00:23:57,208
‐ Don't think I'd be
the best company right now.

453
00:23:57,208 --> 00:23:58,960
‐ Why? What happened?

454
00:23:58,960 --> 00:24:00,128
‐ It's complicated.

455
00:24:01,921 --> 00:24:03,548
‐ I can do complicated.

456
00:24:06,843 --> 00:24:09,512
‐ Yeah, I guess I just found
some stuff out about my family

457
00:24:09,512 --> 00:24:11,222
that I'm not sure I really wanted to know.

458
00:24:11,222 --> 00:24:12,724
‐ Well, when it comes to family,

459
00:24:12,724 --> 00:24:14,976
I think it's always better
to know everything.

460
00:24:14,976 --> 00:24:17,478
Even the bad stuff.
I assume what you found out was bad.

461
00:24:17,478 --> 00:24:18,813
‐ Yeah, it was downright disturbing.

462
00:24:18,813 --> 00:24:21,149
‐ Great. Yeah. [chuckles softly]

463
00:24:21,149 --> 00:24:23,902
Well, truth is always
better than secrets, right?

464
00:24:25,153 --> 00:24:26,362
‐ Yeah.

465
00:24:27,030 --> 00:24:31,284
‐ So, maybe you should embrace it
instead of running from it.

466
00:24:34,037 --> 00:24:35,705
‐ Yeah, I think you're right.

467
00:24:35,705 --> 00:24:37,165
‐ Of course I'm right.

468
00:24:40,084 --> 00:24:43,213
♪ "I Want Candy"
by Bow Wow Wow playing ♪

469
00:24:55,433 --> 00:24:57,518
‐ [exhales]
You gotta love you what you do.

470
00:25:10,156 --> 00:25:12,534
‐ ♪ I know a guy who's tough but sweet ♪

471
00:25:14,661 --> 00:25:17,080
♪ He's so fine he can't be beat ♪

472
00:25:18,873 --> 00:25:21,626
♪ He's got everything that I desire ♪

473
00:25:23,461 --> 00:25:26,214
♪ Sets the summer sun on fire ♪

474
00:25:27,757 --> 00:25:30,051
♪ I want candy ♪

475
00:25:32,303 --> 00:25:35,723
♪ I want candy ♪
‐ Hi. Don't worry. I'm the, the bug guy.

476
00:25:35,723 --> 00:25:37,141
Bit of a roach problem in here.

477
00:25:37,141 --> 00:25:39,811
Sometimes you gotta gas 'em up real good.

478
00:25:41,229 --> 00:25:42,772
You have yourself a nice day.

479
00:25:45,483 --> 00:25:48,236
‐ ♪ I go to see him
when the sun goes down ♪

480
00:25:49,112 --> 00:25:50,822
MRS. KHAN:
Nigel.

481
00:25:50,822 --> 00:25:53,533
I feel rather lightheaded.

482
00:25:54,701 --> 00:25:56,411
[sighs]

483
00:25:57,662 --> 00:25:58,997
Something's wrong.

484
00:26:00,039 --> 00:26:01,666
‐ [distorted]: Mrs. Khan.

485
00:26:02,792 --> 00:26:05,461
‐ ♪ I want candy ♪

486
00:26:05,461 --> 00:26:07,255
[distant rustling]

487
00:26:07,255 --> 00:26:09,716
♪ I want candy ♪

488
00:26:09,716 --> 00:26:11,342
[knocking softly]

489
00:26:11,634 --> 00:26:12,760
♪ Hey ♪

490
00:26:13,720 --> 00:26:14,679
♪ Hey ♪

491
00:26:16,014 --> 00:26:16,973
♪ Hey ♪

492
00:26:19,392 --> 00:26:20,768
JB:
Oh, boy.

493
00:26:20,768 --> 00:26:22,395
It's okay. It's fine.

494
00:26:22,395 --> 00:26:23,646
It's‐‐
[Nigel grunts]

495
00:26:23,646 --> 00:26:25,148
It's just knock‐out gas.

496
00:26:25,148 --> 00:26:27,609
You're gonna be okay.
Just... a little sleepy.

497
00:26:28,568 --> 00:26:31,154
[exhales] Imagine if it was poison.

498
00:26:31,154 --> 00:26:33,323
[chuckles] It's not, though.

499
00:26:50,048 --> 00:26:51,007
Come on.

500
00:26:56,304 --> 00:26:58,389
Well, it definitely looks like
a piece of something.

501
00:26:59,933 --> 00:27:03,353
♪ dramatic music playing ♪

502
00:27:05,146 --> 00:27:06,689
[door opens]

503
00:27:06,689 --> 00:27:07,649
[door shuts]

504
00:27:09,567 --> 00:27:11,736
♪ music playing over stereo ♪

505
00:27:12,570 --> 00:27:14,072
[phone dialing]

506
00:27:15,114 --> 00:27:16,533
‐ Hey, Marina.

507
00:27:16,533 --> 00:27:18,618
Hey, how's Tommy?

508
00:27:18,618 --> 00:27:19,619
Yeah.

509
00:27:20,495 --> 00:27:22,205
Chet? Uh, he, he's good.

510
00:27:22,205 --> 00:27:24,123
Yeah, everything's been great.

511
00:27:24,123 --> 00:27:26,918
Um, random question for you.

512
00:27:27,710 --> 00:27:31,839
Do you have a teacher at Galebridge
named Mrs. Sumner?

513
00:27:33,967 --> 00:27:35,176
Oh, you do?

514
00:27:36,386 --> 00:27:37,387
Oh.

515
00:27:37,387 --> 00:27:40,348
Well, do you know anyone at your school
named Stacy Baker?

516
00:27:40,348 --> 00:27:42,976
She would have transferred away
a few weeks ago.

517
00:27:42,976 --> 00:27:46,688
Long brown hair.
Kind of a little‐miss‐innocent vibe,

518
00:27:46,688 --> 00:27:48,356
but she dresses like a pop star.

519
00:27:51,150 --> 00:27:53,444
Yeah, I know. It's a common name.

520
00:27:55,280 --> 00:27:57,031
Yeah. Thanks, cuz.

521
00:27:57,031 --> 00:27:58,074
Bye.

522
00:27:59,409 --> 00:28:00,785
[phone clicks in cradle]

523
00:28:03,872 --> 00:28:05,582
JESSE:
I'm glad Joe's okay.

524
00:28:05,582 --> 00:28:08,960
‐ Uh, yeah. He was with Frank
at his grandmother's, so...

525
00:28:08,960 --> 00:28:10,503
Don't know if he was okay.

526
00:28:12,922 --> 00:28:16,926
‐ Phil was pretty convinced
that he saw Joe with JB Cox.

527
00:28:16,926 --> 00:28:20,221
‐ Phil was also convinced he saw
a giant alligator in the lake. Remember?

528
00:28:22,390 --> 00:28:25,852
‐ Yeah, but this just seems
more plausible.

529
00:28:25,852 --> 00:28:26,936
‐ I know.

530
00:28:27,562 --> 00:28:29,230
But, uh...

531
00:28:29,230 --> 00:28:31,274
I don't know what Phil saw.

532
00:28:31,274 --> 00:28:33,109
And I do know where Joe was.

533
00:28:35,361 --> 00:28:36,821
Don't know what else I can say.

534
00:28:42,994 --> 00:28:46,122
‐ You know, if Frank and Joe
are in some kind of trouble,

535
00:28:46,122 --> 00:28:47,582
I can help.

536
00:28:47,582 --> 00:28:49,125
If you let me.

537
00:28:53,421 --> 00:28:55,715
‐ If the boys are in any kind of trouble,

538
00:28:55,715 --> 00:28:57,425
you'll be the first person I call.

539
00:28:58,635 --> 00:28:59,802
I promise.

540
00:29:02,972 --> 00:29:04,057
‐ Okay.

541
00:29:06,100 --> 00:29:08,561
‐ Gloria. You're looking well.

542
00:29:09,520 --> 00:29:10,855
‐ Thank you, gentlemen.

543
00:29:13,274 --> 00:29:16,736
I'm sorry, Kanika.
I wasn't expecting visitors.

544
00:29:16,736 --> 00:29:20,156
[door closes]
I just found out recently that my
daughter's death was not

545
00:29:20,156 --> 00:29:21,950
an accident.

546
00:29:23,826 --> 00:29:26,538
I know that she spent time
with your nephew.

547
00:29:26,538 --> 00:29:29,290
With Rupert, before her death.

548
00:29:29,290 --> 00:29:34,546
Uh, surely he must have shared
some details with you.

549
00:29:34,546 --> 00:29:36,506
‐ Rupert is missing.

550
00:29:36,506 --> 00:29:39,551
I asked your daughter's husband Fenton
to assist in finding him.

551
00:29:39,551 --> 00:29:42,136
‐ Yes, I had to hear that
from my grandsons.

552
00:29:42,136 --> 00:29:45,265
‐ My nephew could be running
for his own life.

553
00:29:45,265 --> 00:29:47,809
And from who, I don't know.

554
00:29:47,809 --> 00:29:49,727
‐ Why are you here, Kanika?

555
00:29:52,814 --> 00:29:54,649
‐ My piece of The Eye was stolen.

556
00:30:00,029 --> 00:30:02,782
What if the person who stole your piece

557
00:30:02,782 --> 00:30:04,242
now has mine?

558
00:30:07,537 --> 00:30:09,330
‐ Victor is dead.

559
00:30:09,330 --> 00:30:11,624
The Nabokov line died with him.

560
00:30:11,624 --> 00:30:15,545
Who else is there who knows enough
to move against us?

561
00:30:15,545 --> 00:30:18,381
‐ That's the million‐dollar question,
Gloria.

562
00:30:19,924 --> 00:30:21,551
And we must find the answer.

563
00:30:24,721 --> 00:30:26,306
[car engine humming]

564
00:30:32,729 --> 00:30:34,105
FENTON:
What are you stopping for?

565
00:30:34,105 --> 00:30:36,107
RUPERT:
Listen, I'm telling you the truth.

566
00:30:36,107 --> 00:30:38,860
Laura knew it.
We were working together to stop them.

567
00:30:39,652 --> 00:30:41,821
‐ Why wouldn't she tell me that?

568
00:30:41,821 --> 00:30:43,573
‐ She couldn't.

569
00:30:43,573 --> 00:30:45,617
She was trying to protect you.

570
00:30:45,617 --> 00:30:47,619
She knew how dangerous they were.

571
00:30:47,619 --> 00:30:50,163
‐ Are you saying that the Estabrooks
were involved in this?

572
00:30:50,163 --> 00:30:52,457
‐ George Estabrook was at the center.

573
00:30:52,457 --> 00:30:54,209
He broke the object, The Eye,

574
00:30:54,209 --> 00:30:56,419
into three pieces and gave each
to one of the families.

575
00:30:57,545 --> 00:31:00,089
Someone is trying to
put it together again.

576
00:31:00,089 --> 00:31:02,634
Laura and I were horrified
at the thought of our families

577
00:31:02,634 --> 00:31:04,552
unleashing that power
on the world again.

578
00:31:06,971 --> 00:31:08,598
We were trying to expose them.

579
00:31:10,892 --> 00:31:12,769
‐ That's why they killed her.

580
00:31:12,769 --> 00:31:15,021
‐ That's why they've been
trying to kill me.

581
00:31:15,021 --> 00:31:18,942
‐ Tell me something.
Who in this organization has the power...

582
00:31:18,942 --> 00:31:20,735
to order her death?

583
00:31:20,735 --> 00:31:21,903
‐ I don't know.

584
00:31:23,446 --> 00:31:25,031
Before Laura was killed,

585
00:31:25,031 --> 00:31:26,824
Victor Nabokov was murdered.

586
00:31:26,824 --> 00:31:29,786
I don't know if he was killed by
the Estabrooks, my aunt,

587
00:31:29,786 --> 00:31:30,995
or perhaps even one of his own,

588
00:31:30,995 --> 00:31:33,706
but if you find out who killed Victor,

589
00:31:33,706 --> 00:31:35,416
you'll find out who killed your wife.

590
00:31:36,626 --> 00:31:38,169
[shots firing, glass shattering]

591
00:31:42,632 --> 00:31:43,883
[tires screeching]

592
00:31:46,636 --> 00:31:47,762
‐ Mrs. Khan?

593
00:31:47,762 --> 00:31:50,056
NIGEL:
Mrs. Khan has had a trying day.

594
00:31:50,056 --> 00:31:51,266
Excuse us.

595
00:31:59,774 --> 00:32:01,359
‐ What was she doing here?

596
00:32:01,359 --> 00:32:03,987
‐ Her piece of The Eye was stolen.

597
00:32:03,987 --> 00:32:06,114
Something is happening.

598
00:32:06,114 --> 00:32:08,199
Our piece of The Eye
is no longer safe with you,

599
00:32:08,199 --> 00:32:09,951
and you're no longer safe with it.

600
00:32:11,286 --> 00:32:13,413
[exhales] Whatever is happening?

601
00:32:13,413 --> 00:32:15,623
We've already lost Laura.

602
00:32:15,623 --> 00:32:17,584
I couldn't bear to lose you, too.

603
00:32:23,840 --> 00:32:25,091
‐ I know where it is.

604
00:32:26,384 --> 00:32:27,760
‐ Thank you, Joe.

605
00:32:29,012 --> 00:32:30,513
Thank you for trusting me.

606
00:32:33,600 --> 00:32:35,059
Stefan, go with the boys.

607
00:32:35,059 --> 00:32:35,935
‐ Yes.

608
00:32:47,906 --> 00:32:49,324
JOE:
All right.

609
00:32:49,324 --> 00:32:50,408
This is it.

610
00:32:51,242 --> 00:32:53,161
‐ Do we need tickets?

611
00:32:53,161 --> 00:32:54,787
I didn't bring any money.

612
00:32:54,787 --> 00:32:56,039
‐ Neither did I.

613
00:32:56,039 --> 00:32:57,457
‐ I got this.

614
00:32:58,541 --> 00:33:00,251
MAN [on screen]:
Why didn't you go with him?

615
00:33:00,251 --> 00:33:01,669
WOMAN [on screen]: Look, if you want to
throw your weight around,

616
00:33:01,669 --> 00:33:03,713
why don't you go outside
where there's plenty of room?

617
00:33:03,713 --> 00:33:06,007
MAN [on screen]:
I'm just being mildly official.

618
00:33:06,007 --> 00:33:07,175
WOMAN [on screen]:
You don't look much like...

619
00:33:07,175 --> 00:33:08,301
JOE:
There.

620
00:33:09,844 --> 00:33:11,596
It's hidden in the speaker.

621
00:33:12,680 --> 00:33:13,890
Up there.

622
00:33:14,432 --> 00:33:16,851
MAN [on screen]: Look, all sheriffs
gotta wear this kind of hat.

623
00:33:16,851 --> 00:33:19,312
Otherwise, people wouldn't
know they were the law.

624
00:33:19,312 --> 00:33:20,396
‐ I'll get it.

625
00:33:21,940 --> 00:33:23,483
[clattering]

626
00:33:27,028 --> 00:33:28,238
[clatters loudly]

627
00:33:30,532 --> 00:33:31,991
[Joe exhales]

628
00:33:31,991 --> 00:33:33,535
‐ Be careful, please.

629
00:33:33,535 --> 00:33:35,495
‐ I've done this before.
I can do it again.

630
00:33:36,246 --> 00:33:38,665
MAN [on screen]:
Look, you can't stay here alone in a tent.

631
00:33:38,665 --> 00:33:40,083
Whatcha gonna do?

632
00:33:40,083 --> 00:33:42,460
[woman on screen speaking indistinctly]

633
00:33:44,504 --> 00:33:45,922
MAN [on screen]:
What's your name?

634
00:33:57,267 --> 00:33:58,560
‐ How do you fit into all this?

635
00:33:58,560 --> 00:34:00,895
You part of the Circle,
or just one of the followers?

636
00:34:00,895 --> 00:34:03,106
‐ My loyalty is to Gloria Estabrook.

637
00:34:04,983 --> 00:34:06,609
‐ And her family?

638
00:34:08,361 --> 00:34:09,821
MAN [on screen]:
Have you got any money?

639
00:34:09,821 --> 00:34:11,990
WOMAN [on screen]:
Sure, I've got three dollars.
‐ Okay. Good talk.

640
00:34:11,990 --> 00:34:13,908
MAN [on screen]: Thank you very much.
WOMAN [on screen]: That's a lot,

641
00:34:13,908 --> 00:34:16,369
when you think of how many times
I didn't have three dollars.

642
00:34:18,037 --> 00:34:19,372
MAN [on screen]:
What'd you do in the car?

643
00:34:19,372 --> 00:34:20,999
JOE:
Uh...

644
00:34:20,999 --> 00:34:22,625
FRANK:
What?

645
00:34:22,625 --> 00:34:24,043
JOE:
I think we have a problem.

646
00:34:24,043 --> 00:34:25,879
‐ What kind of problem?

647
00:34:25,879 --> 00:34:29,716
‐ The kind of problem where the mystic,

648
00:34:29,716 --> 00:34:32,844
space artifact thingy is gone.

649
00:34:32,844 --> 00:34:34,262
‐ What?

650
00:34:34,262 --> 00:34:35,722
Joe...

651
00:34:35,722 --> 00:34:37,682
‐ It was there, and now it's not.

652
00:34:37,682 --> 00:34:40,018
‐ What did you do with it?
‐ I didn't do anything!

653
00:34:40,018 --> 00:34:41,811
I swear.

654
00:34:41,811 --> 00:34:43,688
It's gone. All right?

655
00:34:43,688 --> 00:34:45,607
The Eye is gone.

656
00:34:51,112 --> 00:34:53,364
FRANK: Okay, who would have thought
to look for The Eye fragment

657
00:34:53,364 --> 00:34:55,533
inside the speaker?

658
00:34:55,533 --> 00:34:59,204
You sure nobody saw you put it in there?
‐ Yes! I'm sure.

659
00:34:59,204 --> 00:35:00,705
‐ And you didn't tell anyone?

660
00:35:00,705 --> 00:35:02,749
‐ I think I'd remember if
I told someone about

661
00:35:02,749 --> 00:35:04,792
a world‐controlling magic rock
I'd hid in a speaker.

662
00:35:04,792 --> 00:35:06,586
‐ Well, it's not like it just got up
and walked off, Joe.

663
00:35:06,586 --> 00:35:07,879
‐ How do you know?

664
00:35:07,879 --> 00:35:10,465
What does anybody actually
know about this thing?

665
00:35:10,465 --> 00:35:13,968
Other than it's lucky, and valuable,
and dangerous to be around.

666
00:35:15,303 --> 00:35:16,638
‐ It's all the more reason to find it

667
00:35:16,638 --> 00:35:19,098
before somebody else
in Bridgeport gets hurt.

668
00:35:19,098 --> 00:35:20,975
[sighs]

669
00:35:20,975 --> 00:35:23,269
‐ What's with this town, anyways?

670
00:35:23,269 --> 00:35:25,647
You can't throw a rock
without hitting a new mystery.

671
00:35:26,898 --> 00:35:28,733
Everyone has a secret.

672
00:35:28,733 --> 00:35:30,527
Sometimes more than one.

673
00:35:30,527 --> 00:35:32,654
It's like their secrets have secrets.

674
00:35:35,073 --> 00:35:37,158
‐ It's like their secrets have secrets.

675
00:35:38,076 --> 00:35:39,953
‐ What are you doing?

676
00:35:39,953 --> 00:35:42,997
‐ What if the answer was right
in front of Grandma the whole time?

677
00:35:42,997 --> 00:35:45,291
‐ A music box?
‐ Yeah.

678
00:35:45,291 --> 00:35:47,335
‐ I thought you already
solved that mystery.

679
00:35:47,335 --> 00:35:49,879
‐ I did.
But when Grandma gave me this box,

680
00:35:49,879 --> 00:35:52,840
she said that there was
more than one secret inside.

681
00:35:53,800 --> 00:35:55,718
‐ You don't think she would have
checked it out already?

682
00:35:55,718 --> 00:35:58,888
‐ Maybe.
She said her father loved puzzles.

683
00:35:58,888 --> 00:36:01,099
Maybe this is one she didn't solve.

684
00:36:03,101 --> 00:36:05,436
‐ If the key's in here, I'm gonna find it.

685
00:36:06,271 --> 00:36:08,690
Even if I have to take it apart
piece by piece.

686
00:36:11,568 --> 00:36:12,735
[clatters shut]

687
00:36:14,445 --> 00:36:15,989
GLORIA:
Well?

688
00:36:15,989 --> 00:36:17,156
Do you have it?

689
00:36:17,156 --> 00:36:18,700
STEFAN:
It wasn't there.

690
00:36:18,700 --> 00:36:20,451
It must have been taken.

691
00:36:22,829 --> 00:36:24,497
‐ Did they lie to us?

692
00:36:25,790 --> 00:36:29,002
‐ I believe Joe was genuinely shocked
to find it gone.

693
00:36:30,753 --> 00:36:33,047
‐ Someone is one step ahead of us.

694
00:36:39,012 --> 00:36:41,389
[students chattering]

695
00:36:41,389 --> 00:36:42,724
CALLIE:
Hey, Frank.

696
00:36:42,724 --> 00:36:45,184
Can I talk to you about something?
‐ Yeah, what's up?

697
00:36:45,184 --> 00:36:48,229
‐ So, I called my cousin,
who goes to Galebridge.

698
00:36:48,229 --> 00:36:50,982
She said she doesn't know
a Stacy Baker.

699
00:36:50,982 --> 00:36:52,609
Don't you think that's weird?

700
00:36:52,609 --> 00:36:54,694
‐ No, I think it's kind of weird
that you called her.

701
00:36:54,694 --> 00:36:58,489
‐ Hey. Stacy, um,
I've been meaning to ask you.

702
00:36:58,489 --> 00:37:01,284
My cousin Marina goes to Galebridge High,

703
00:37:01,284 --> 00:37:03,286
and she probably would have been
in some of your classes.

704
00:37:03,286 --> 00:37:04,287
FRANK:
Callie...

705
00:37:04,287 --> 00:37:05,538
‐ Did you know her?

706
00:37:05,538 --> 00:37:09,083
‐ Uh, Marina? No.
Maybe she just wasn't that memorable.

707
00:37:09,083 --> 00:37:11,502
Class is about to start. You coming?
‐ Yeah.

708
00:37:21,346 --> 00:37:23,264
[footsteps approaching]

709
00:37:25,350 --> 00:37:27,393
How's it going with that music box?

710
00:37:27,393 --> 00:37:29,103
‐ See for yourself.

711
00:37:29,896 --> 00:37:31,564
‐ Whoa. You've been busy.

712
00:37:31,564 --> 00:37:33,441
‐ Not that it's done any good.

713
00:37:34,984 --> 00:37:36,653
Whoa. Frank, look at this.

714
00:37:38,571 --> 00:37:40,657
‐ That's the symbol from Grandma's door.

715
00:37:48,790 --> 00:37:50,291
JOE:
Is that the key?

716
00:37:51,334 --> 00:37:53,878
‐ I don't know, but it's worth a shot.

717
00:37:53,878 --> 00:37:56,130
♪

718
00:37:58,383 --> 00:37:59,926
[key clicking in lock]

719
00:38:02,679 --> 00:38:05,723
FRANK: You are getting way too good
at this lock‐picking thing.

720
00:38:05,723 --> 00:38:08,601
‐ Saves me having to carry keys.
‐ [whispers]: Shh. Be quiet.

721
00:38:09,394 --> 00:38:11,104
‐ Why? Is she here?

722
00:38:11,104 --> 00:38:13,314
‐ I don't know.
I'm just saying, take this.

723
00:38:13,314 --> 00:38:15,608
‐ Why would we be here if she was home?

724
00:38:15,608 --> 00:38:17,652
You said we would wait
until she was out.

725
00:38:17,652 --> 00:38:20,530
‐ I didn't see her car.
She's probably not here.

726
00:38:21,614 --> 00:38:23,575
‐ Don't freak me out, okay?

727
00:38:27,537 --> 00:38:28,830
[clunking]

728
00:38:30,915 --> 00:38:32,166
[Frank grunts]

729
00:38:32,166 --> 00:38:33,918
[squeaks open]

730
00:38:47,432 --> 00:38:48,641
[clanks]

731
00:38:50,894 --> 00:38:53,313
‐ Are we sure about this?

732
00:38:53,313 --> 00:38:54,981
What about the booby trap?

733
00:38:56,274 --> 00:38:58,484
‐ I just asked myself what you would do.

734
00:39:11,414 --> 00:39:12,957
[Joe exhales]

735
00:39:18,296 --> 00:39:19,631
[rhythmic clicking]

736
00:39:21,049 --> 00:39:23,176
[gears clicking, squeaking]

737
00:39:26,429 --> 00:39:28,306
‐ Are those door sounds or trap sounds?

738
00:39:32,977 --> 00:39:34,562
[clattering, gears stop]

739
00:39:35,230 --> 00:39:36,606
‐ It worked.

740
00:39:37,649 --> 00:39:39,484
‐ Any bets on what's inside?

741
00:39:39,484 --> 00:39:40,944
‐ Answers.

742
00:39:46,074 --> 00:39:47,242
[door bangs shut]

743
00:39:49,410 --> 00:39:53,706
♪ dramatic music playing ♪